Latest / The Bootleg Kev Podcast / #436 - Tha Dogg Pound

Transcript

#436 - Tha Dogg Pound · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Y'all.
• 0:00
  Speaker 2: What's up this das diling Gin Corrupt, young Gouty in
• 0:03
  Speaker 2: the building and we live.
• 0:05
  Speaker 1: Right here on the bootleb Kid podcast show right here,
• 0:07
  Speaker 1: y'all check us out right here DPG.
• 0:13
  Speaker 3: All right man, bootlet cap show. We got some living
• 0:16
  Speaker 3: legends here today, ladies and gentlemen. I'm just happy that
• 0:19
  Speaker 3: they're back together. There's a new Dog Pound album we
• 0:22
  Speaker 3: all we got on the way Dadsn't Corrupt aka DPG
• 0:25
  Speaker 3: in the building Welcome, what's up boot.
• 0:27
  Speaker 4: Hello, Hello, Hello, Hello, Hello in the building Maine. It's
• 0:31
  Speaker 4: a lovely time, very special time. Yes it is.
• 0:37
  Speaker 3: Why was the timing right right now? Because obviously each
• 0:41
  Speaker 3: of you guys have been doing your thing independently. Obviously,
• 0:43
  Speaker 3: you guys, it's not like you gotta stop working together.
• 0:45
  Speaker 3: But why was it like this? Why are we getting
• 0:47
  Speaker 3: an officially stamped album and right now?
• 0:51
  Speaker 1: Cause Snoop shit, So, I mean, you know, it's a
• 0:55
  Speaker 1: lot of things that was going on, like deaf and family,
• 0:58
  Speaker 1: you know, and Snoop cousins. You know, his brother died,
• 1:02
  Speaker 1: my little cousin Bean, so you know, decided, you know,
• 1:06
  Speaker 1: put everything in the past, keep pushing.
• 1:10
  Speaker 4: Keep it pushing.
• 1:11
  Speaker 1: Come out with this new album. You know what I'm
• 1:12
  Speaker 1: saying on Death Row Death Rods all these years later
• 1:18
  Speaker 1: with all of the complicated your guys individual complicated histories
• 1:23
  Speaker 1: with that name.
• 1:24
  Speaker 3: How crazy is it to fast forward and like obviously
• 1:28
  Speaker 3: Snoop owns it now, which is wild to think about.
• 1:31
  Speaker 4: You know, Like you go to.
• 1:32
  Speaker 3: Like the there's hard selters that say death throw on them,
• 1:37
  Speaker 3: there's damn blunt raps, there's he's putting death throw on
• 1:41
  Speaker 3: everything right now?
• 1:42
  Speaker 4: How crazy is that for y'all?
• 1:43
  Speaker 3: Like to just get get like, you know, fast forward
• 1:46
  Speaker 3: thirty some odd years, however long it's been, and now
• 1:49
  Speaker 3: you know you're putting another album out on the imprint,
• 1:51
  Speaker 3: but it's owned by Snoop.
• 1:54
  Speaker 1: Beautiful, beautiful, just keep it pushing.
• 1:56
  Speaker 4: Yeah, it's lovely, it's lovely. You know, it's always great
• 1:59
  Speaker 4: to come back home. Yeah, you're always gonna come back home.
• 2:02
  Speaker 1: Yeah, and this time you know we did it right,
• 2:05
  Speaker 1: but we're gonna do the.
• 2:06
  Speaker 4: Right Yeah, Tighten, I couldn't have said it better with
• 2:09
  Speaker 4: a light of random question for you, dask.
• 2:12
  Speaker 3: I don't know the update now, but I feel like
• 2:15
  Speaker 3: there's a lack of your music. Is this so so
• 2:20
  Speaker 3: Deaf album not on DSPs? Was it not on there
• 2:23
  Speaker 3: for a while? I feel like there was some something
• 2:27
  Speaker 3: something of your ship. There's something missing that I was looking.
• 2:30
  Speaker 1: A retaliation, revenge and get back. That's on Death Row Records.
• 2:33
  Speaker 3: But that's not on DSPs. That's not okay, That's what
• 2:36
  Speaker 3: it was. Me and Salas, my boy Salace, were talking about.
• 2:38
  Speaker 3: We're talking about one you albums, like, yeah, I can't even.
• 2:40
  Speaker 4: Listen to that.
• 2:41
  Speaker 5: I gotta go on YouTube about the beat.
• 2:43
  Speaker 1: Good you had to work it out.
• 2:47
  Speaker 4: It's gonna get re uploaded. Business man.
• 2:49
  Speaker 3: It was a rough couple of years when Snoop took
• 2:51
  Speaker 3: dog Estyle off of DSPs. I was like, I don't
• 2:53
  Speaker 3: have no fucking crypto, I don't got no NFT, I
• 2:55
  Speaker 3: don't listen to this ship no more.
• 2:57
  Speaker 4: And bad. I'm glad I got put back up.
• 2:58
  Speaker 1: But oh yeah, for you know, it's all about restructuring
• 3:01
  Speaker 1: the music, you know what I'm saying, getting the business,
• 3:05
  Speaker 1: making sure. You know, back then wasn't playing. I mean,
• 3:08
  Speaker 1: he wasn't paying ruties like that. You didn't have a
• 3:10
  Speaker 1: royalty department. He was just pre calculated.
• 3:15
  Speaker 3: I feel like this is what I owe you, Like
• 3:18
  Speaker 3: this is what I feel like I owe you.
• 3:20
  Speaker 4: He gave you like fifty thousand a month, right, I mean,
• 3:23
  Speaker 4: you know.
• 3:24
  Speaker 1: Shit like that. You know what I'm saying, I'll depending
• 3:26
  Speaker 1: you know what you're doing all this type of shit
• 3:28
  Speaker 1: seventy five thousand a month.
• 3:30
  Speaker 3: You see, we have a very proud West Coast moment
• 3:33
  Speaker 3: currently happening. I think Kendrick Lamar wash Drake's draws. You
• 3:38
  Speaker 3: know what I'm saying. I think he destroyed him. But
• 3:41
  Speaker 3: I want to know what y'all tho, Pauls. What do
• 3:44
  Speaker 3: y'all think about? In my opinion, this is probably, you know,
• 3:47
  Speaker 3: top three hip hop beef of all time, if not
• 3:49
  Speaker 3: number one, in terms of just the stature of everybody
• 3:51
  Speaker 3: involved and the amount of music we got back and
• 3:54
  Speaker 3: forth in such a short amount of time. What do
• 3:57
  Speaker 3: y'all think about everything that's been going on in the
• 3:58
  Speaker 3: last few weeks.
• 4:00
  Speaker 1: I mean, you know, they got something to prove to themself,
• 4:02
  Speaker 1: you know what, you know.
• 4:04
  Speaker 4: The Drake and Drake and Kendrick.
• 4:07
  Speaker 1: Yeah, they've been making this record. Every day. You drop one,
• 4:10
  Speaker 1: he drives one. Five hours later, he drive one, he
• 4:13
  Speaker 1: drive one two hours.
• 4:14
  Speaker 4: Have you have you not heard any of the songs.
• 4:17
  Speaker 1: Listen. You don't listen to beef and.
• 4:19
  Speaker 4: They not like us.
• 4:21
  Speaker 3: Oh my god, listen, this is an This is an
• 4:24
  Speaker 3: anthem in l A right now. It is a It
• 4:28
  Speaker 3: is a moment in like. It is crazy interesting, you
• 4:32
  Speaker 3: know because drakes.
• 4:33
  Speaker 1: Going back and forth talking about their mama, they daddy,
• 4:35
  Speaker 1: they grandma, all kind of ship. Nobody kill.
• 4:39
  Speaker 4: Okay, hold on, somebody got drake. What's the next question?
• 4:46
  Speaker 3: Well, I gotta listen before you leave. We have to
• 4:48
  Speaker 3: go to the studio and listen. I need to just
• 4:49
  Speaker 3: hear you hear this ship because it's some good hip
• 4:52
  Speaker 3: hop ship. Oh great, Yo, So you guys are talking
• 4:56
  Speaker 3: about this new album is obviously coming out real soon.
• 5:00
  Speaker 3: Lots of dope features on this album. The new single
• 5:03
  Speaker 3: with Snoop is crazy. Uh rock shout out to Rick
• 5:07
  Speaker 3: rock Man. How much of the production did you handle
• 5:11
  Speaker 3: on this? Dask because for people who don't who aren't
• 5:13
  Speaker 3: hit man, you're one of the most prolific producers to
• 5:16
  Speaker 3: do it as well.
• 5:17
  Speaker 1: I ain't producing nothing on this album yet.
• 5:19
  Speaker 4: Really, yeah, you know it makes me.
• 5:23
  Speaker 1: I just kicked back in the driver. See you know
• 5:25
  Speaker 1: what I mean in the passage, just see in that
• 5:27
  Speaker 1: Snoop do the drive.
• 5:29
  Speaker 3: So Snoop kind of is A and R and the
• 5:31
  Speaker 3: music and then you guys can kind of go through.
• 5:33
  Speaker 1: The beat the next album. It's all me and super.
• 5:38
  Speaker 4: See.
• 5:38
  Speaker 3: That's what I like to hear. It's funny because I
• 5:41
  Speaker 3: always tell people like somehow like like when the Dre
• 5:44
  Speaker 3: breakup happened, like you kept the Death Throw sound like
• 5:47
  Speaker 3: alive for like the dog Father album and like just
• 5:52
  Speaker 3: so much food dog like the Tupac ship. Like I
• 5:56
  Speaker 3: don't think people understand like the ship you were putting,
• 5:59
  Speaker 3: like did you.
• 6:00
  Speaker 1: We didn't even know what we was really doing. We
• 6:01
  Speaker 1: were just making good music, you know, waking up in
• 6:04
  Speaker 1: the morning, happy to be alive. You know what I'm saying,
• 6:06
  Speaker 1: and do what we doing. You know, you never know
• 6:09
  Speaker 1: what you're making into the greatness come out of right,
• 6:13
  Speaker 1: you know what I'm saying.
• 6:14
  Speaker 3: How I was gonna say, how active are you still
• 6:16
  Speaker 3: when it comes to just like you know what, I
• 6:18
  Speaker 3: ain't got nothing to do today, I'm gonna cook up
• 6:19
  Speaker 3: some beats, like are you still producing?
• 6:21
  Speaker 1: Like yeah, for sure, you know what I'm saying. Just
• 6:24
  Speaker 1: when I'm not with the kids or when I'm handling businesses,
• 6:27
  Speaker 1: you know, I'm getting the crank up the drummer scene.
• 6:31
  Speaker 1: I go old school and then I go to new
• 6:33
  Speaker 1: school with the technology and all that other stuff. But
• 6:36
  Speaker 1: I'm still producing.
• 6:37
  Speaker 4: What are you producing on you?
• 6:38
  Speaker 1: No reasons logic able to so.
• 6:42
  Speaker 4: You you've updated the repertoire.
• 6:44
  Speaker 1: Yeah, I got kids, you know.
• 6:46
  Speaker 4: Yeah, they'll be like that, you gotta do this. I
• 6:48
  Speaker 4: met your son.
• 6:49
  Speaker 1: Yeah, and then they like, you know, fruity loops is all.
• 6:52
  Speaker 1: You know, they got some ship where you could just
• 6:54
  Speaker 1: hum the beat. Hey, y'all.
• 7:00
  Speaker 3: For you guys, what was it like just like creating
• 7:02
  Speaker 3: this project and being back in the studio together, like
• 7:05
  Speaker 3: going verse for verse and sharing ideas and all of that.
• 7:08
  Speaker 4: What was that like?
• 7:10
  Speaker 5: Incredible? You know, it was fun. Fun again.
• 7:13
  Speaker 4: That's what we have and we having fun again, you know.
• 7:15
  Speaker 2: It's That's one of the things that Dog alleviated was
• 7:20
  Speaker 2: the pressure and all of the thinking too much. It's
• 7:26
  Speaker 2: just like, get in here. That's why he didn't want
• 7:28
  Speaker 2: Daz to produce on this project. He wanted him to
• 7:31
  Speaker 2: be a star. He wanted him to enjoy being Daz
• 7:34
  Speaker 2: Dealinger that Nigga das Dolinger the star, enjoy the MC
• 7:39
  Speaker 2: side of things. The rap side of things. You're a star.
• 7:43
  Speaker 2: Now the next one, we're gonna elevate your production, you
• 7:47
  Speaker 2: and super Fly and then we're gonna go there. You
• 7:49
  Speaker 2: can do both on the next one. But this one, though,
• 7:53
  Speaker 2: her dog wanted Das more or less to concentrate on
• 7:56
  Speaker 2: the artistry of him being an artist, said let me
• 8:00
  Speaker 2: just run all the rest of the ship. So you know,
• 8:03
  Speaker 2: I'm proud of Denmark because he never takes a backseat
• 8:06
  Speaker 2: to production. But he was like, uh okay, I'm all in.
• 8:10
  Speaker 2: So he wrote it out, which is a lot, you know,
• 8:14
  Speaker 2: putting your pride aside.
• 8:16
  Speaker 4: Is a lot. You know what I'm saying.
• 8:20
  Speaker 2: Just rocked the mic, you know, And that's what Dad did.
• 8:23
  Speaker 2: He rocked the mic and he sounds better than ever,
• 8:26
  Speaker 2: so you know what I'm saying, you know, And it
• 8:29
  Speaker 2: also gives all of us something to look forward to
• 8:34
  Speaker 2: when we go to the original formula of dog food,
• 8:38
  Speaker 2: when Dads and Superfly get behind the production, because that
• 8:42
  Speaker 2: is the formula to dog food and when that happens,
• 8:47
  Speaker 2: game over.
• 8:49
  Speaker 3: Yes, it's you know what's so interesting about like, you
• 8:52
  Speaker 3: know West Coast hip hop is I feel like there's
• 8:55
  Speaker 3: this kid named DESI Hollow have you guys heard of him.
• 8:58
  Speaker 4: Yeah, that's my guy. He's fire. Yeah, you guys did
• 9:01
  Speaker 4: a song together. Yeah. And I.
• 9:06
  Speaker 3: Told him, I think we're too old for pauses at
• 9:08
  Speaker 3: this table. We're all fucking pushing.
• 9:13
  Speaker 4: No, I was gonna say though. I told him.
• 9:15
  Speaker 3: I was like, man, I'm just happy that like somebody
• 9:17
  Speaker 3: took it upon themselves to be like yo, like classic
• 9:20
  Speaker 3: West Coast music, Like we can still make that ship.
• 9:24
  Speaker 4: You know what I'm saying, Like we can still make this.
• 9:28
  Speaker 2: But I'm saying like it was dope as bad. I'm
• 9:32
  Speaker 2: saying that we can still make that.
• 9:35
  Speaker 3: You can still make it as like a young artist
• 9:37
  Speaker 3: and it'd be palatable and in the marketplace will enjoy.
• 9:40
  Speaker 4: It's a good point. I get it now. It's a
• 9:42
  Speaker 4: good answer, good answer.
• 9:44
  Speaker 3: And so you know, I think for you guys specifically,
• 9:49
  Speaker 3: like when you guys hear some of the new LA stuff,
• 9:51
  Speaker 3: because I think like LA is also in a really
• 9:53
  Speaker 3: good position right now with a lot of the younger stuff.
• 9:55
  Speaker 3: But the sound has changed obviously, sonically, things are a lot.
• 9:58
  Speaker 4: Of different all to get back to that green.
• 10:02
  Speaker 3: But that's what I'm saying, Like I feel like I
• 10:04
  Speaker 3: feel like, you know, if I'm gonna press play on
• 10:06
  Speaker 3: a dog Pound album. I want it to sound like
• 10:09
  Speaker 3: a dog Pound album, you know what I mean. That's
• 10:12
  Speaker 3: why I like the new record the New Record Room.
• 10:13
  Speaker 3: I was like, Oh, it's some dog pound shit like that.
• 10:15
  Speaker 1: Snoop, you know what I'm saying.
• 10:18
  Speaker 2: But there is also an upgrade, you know what I'm saying.
• 10:22
  Speaker 2: Everything and just uh see, that's the problem when you
• 10:26
  Speaker 2: start focusing on this is all I know from them,
• 10:31
  Speaker 2: and this is all I want. I mean, come on, cud,
• 10:33
  Speaker 2: we in our fifties, my nigga, when the fun makes
• 10:36
  Speaker 2: you think we're gonna be still talking about ship we
• 10:38
  Speaker 2: were talking about on dog Food. Type of music we
• 10:41
  Speaker 2: was making on dog for del Mar is upgraded. So
• 10:44
  Speaker 2: when you hear some new dazz and superfly shit, that
• 10:48
  Speaker 2: shit's gonna be upgraded. This ship the Dog got us
• 10:51
  Speaker 2: on right now. It ain't about anything else but the
• 10:57
  Speaker 2: rebirth and connection and the growth and showing people our
• 11:03
  Speaker 2: growth as a whole entire squad DPG, Dad, Snoop, rb X,
• 11:10
  Speaker 2: Rage and all of us together still going and speaking
• 11:19
  Speaker 2: of yeah and speaking of a new generation. Even the
• 11:23
  Speaker 2: baby came out and blessed us with some love that's fire.
• 11:29
  Speaker 4: How that happens? Snoop, you call them right, that's crazy.
• 11:34
  Speaker 4: You know what I'm saying. You know, the baby showed
• 11:37
  Speaker 4: his love for the champ and for the DPG.
• 11:40
  Speaker 5: You know what I'm saying. So you know, this is
• 11:42
  Speaker 5: a love album, love and growth.
• 11:45
  Speaker 2: This is all about the growth of us as as
• 11:50
  Speaker 2: people human beings. Man first, then we'll get into this
• 11:55
  Speaker 2: motherfucking West Coast gangster ship with Dad and super Flower
• 11:58
  Speaker 2: on the.
• 11:59
  Speaker 4: Production stand meat for yo.
• 12:03
  Speaker 3: How often do you guys go back and like listen
• 12:07
  Speaker 3: to old catalog? I was always wonder that, Like when
• 12:09
  Speaker 3: you guys have classics, like y'all got even like on
• 12:11
  Speaker 3: the solo side, or going back and listening to dog
• 12:13
  Speaker 3: Food or listening to some of the old schools, Like
• 12:16
  Speaker 3: do you guys like go back and like revisit your
• 12:18
  Speaker 3: old ship?
• 12:19
  Speaker 4: Often?
• 12:20
  Speaker 1: We do that all the time because we perform those songs, right,
• 12:26
  Speaker 1: we perform those songs. Yeah, you know what I'm saying.
• 12:28
  Speaker 1: So each market it's a different song, but we go
• 12:32
  Speaker 1: back and listen to it all the time, you know
• 12:34
  Speaker 1: what I'm saying. Just to revamp and put it in Soerado,
• 12:37
  Speaker 1: take the vocals out, put on stage Technology ship.
• 12:43
  Speaker 3: Oh, it's great, especially the Serrato ship where you can
• 12:45
  Speaker 3: take the vocals out.
• 12:46
  Speaker 4: Every song has an instrumental.
• 12:47
  Speaker 1: Now I'm going I'm gonna give me some Luther taking
• 12:50
  Speaker 1: all the vocals out of sample anything now, the baseline
• 12:54
  Speaker 1: and everything.
• 12:55
  Speaker 4: Now that STEM ship on Serado is a game changer
• 12:57
  Speaker 4: for producers.
• 12:59
  Speaker 1: And no, for sure, that's DJ DJ Young Jedi. You
• 13:05
  Speaker 1: know what I'm saying. I stole every turntable with mix
• 13:08
  Speaker 1: I had from the v P. What's up, Calvin?
• 13:13
  Speaker 2: How my name was DJ Yoda?
• 13:19
  Speaker 4: That was your your DJ Yoga and he's DJ Yoda,
• 13:21
  Speaker 4: Nigga Yoga yet together, Nigga, I'm the one. I totally
• 13:25
  Speaker 4: missed the Star Wars.
• 13:27
  Speaker 2: Yeah, Yoda, Nigga, DJ Yoda, J Young Jedi.
• 13:30
  Speaker 5: Young Jedi.
• 13:31
  Speaker 2: I'm Yoda, and I would DJ carryoke karaoke records like
• 13:37
  Speaker 2: I just DJ and everybody do karaoke, So instead of
• 13:41
  Speaker 2: it being there where they just play the record, you
• 13:43
  Speaker 2: read the screen, but I'm the DJ, and I might
• 13:46
  Speaker 2: change the record on you.
• 13:47
  Speaker 3: So it's almost like a schizophrenic karaoke because you don't know.
• 13:50
  Speaker 4: You might be in the middle of doing a verse
• 13:51
  Speaker 4: and then you drop some other ship and then this.
• 13:53
  Speaker 2: Is called a paranoia. Paranoid coming next, what's I go for?
• 14:00
  Speaker 2: A motherfucking ain't no fun into Colin Minogue? La on
• 14:05
  Speaker 2: these niggas corrupt game, I would always be la la,
• 14:10
  Speaker 2: la la la, Come.
• 14:12
  Speaker 4: On, now get it.
• 14:13
  Speaker 3: That's oh my goodness, yo. I wonder if you guys
• 14:20
  Speaker 3: had your your time when you guys are apart and
• 14:22
  Speaker 3: at that time, you guys are each dropping amazing solo projects.
• 14:25
  Speaker 3: One of my favorite West Coast Adams of all time
• 14:27
  Speaker 3: and streets is a mother. I told you that last time,
• 14:29
  Speaker 3: the man calling out names, Shout to your brother Roscoe
• 14:35
  Speaker 3: body that ship.
• 14:36
  Speaker 1: Too, Thank you super class because we got that classes.
• 14:40
  Speaker 4: I want to say, well, you guys had the walk
• 14:42
  Speaker 4: home that.
• 14:43
  Speaker 2: Wait wait wait, wasn't that on corruption? Yes, walks on corruption.
• 14:49
  Speaker 2: So that's two records the streets a mother.
• 14:54
  Speaker 4: I'm gonna tell you what it was right. That's corruption,
• 14:58
  Speaker 4: because that's right. It was right with us.
• 15:01
  Speaker 2: No with us, is fred reck he talking about sea Walk.
• 15:06
  Speaker 1: Boom Street.
• 15:09
  Speaker 4: No, it's not corruption.
• 15:12
  Speaker 5: You got two on corruption.
• 15:13
  Speaker 2: You got sea walk and you got fresh sea walk, homie,
• 15:19
  Speaker 2: because that's that's on the West Coast.
• 15:21
  Speaker 3: I feel like Ride with Us was like a classic
• 15:23
  Speaker 3: DPG song though for sure.
• 15:24
  Speaker 1: Like that's that's when we first met fred Ye.
• 15:27
  Speaker 4: Who's still around doing his ding right.
• 15:29
  Speaker 5: Dads brought fred rec today. We had a c D.
• 15:33
  Speaker 5: What was it?
• 15:34
  Speaker 1: Del Mark gave me a CD and I just went
• 15:35
  Speaker 1: through there and said, you know, we're gonna get this
• 15:37
  Speaker 1: when we're gonna get represented.
• 15:38
  Speaker 4: That's what we did was represent that GC wasn't it
• 15:40
  Speaker 4: or wasn't with us.
• 15:41
  Speaker 1: Who led us and represented what came in and we
• 15:44
  Speaker 1: all did the game.
• 15:45
  Speaker 4: It was a rap Yo.
• 15:47
  Speaker 3: You guys did the Caliar's Active music video, which I
• 15:50
  Speaker 3: feel like is like one of the most like amazing
• 15:52
  Speaker 3: like moments in this West Coast. You had dilated peoples
• 15:56
  Speaker 3: in that motherfucker like you had the underground backpack dude.
• 15:58
  Speaker 4: Yeah, everybody everybody that was heavy. That was heavy. Jeh.
• 16:03
  Speaker 3: It reminded me of like do you remember back in
• 16:05
  Speaker 3: the day there was that double Excel cover where all
• 16:08
  Speaker 3: of everybody was in Harlem and they took that picture.
• 16:10
  Speaker 4: It was like all the hip hop was Yeah, that's
• 16:12
  Speaker 4: the first part.
• 16:13
  Speaker 2: That was the first time I ever met rock Kim
• 16:16
  Speaker 2: was photo shoot on the stoops.
• 16:19
  Speaker 3: Yeah, for people who don't know there's a well throw
• 16:21
  Speaker 3: it up on the screen. But there's like an XXL
• 16:23
  Speaker 3: cover where they try to pretty much bring all of
• 16:26
  Speaker 3: hip hop together for a photo shoot.
• 16:27
  Speaker 2: Yeah, New York, we know, we had one in the
• 16:29
  Speaker 2: West Coast too, though, remember the one in one of
• 16:32
  Speaker 2: the West Coast too, where everybody got all.
• 16:34
  Speaker 1: Them the back of that picture. You see Doctor Dre,
• 16:39
  Speaker 1: you see m c A, you see j J. Fair,
• 16:42
  Speaker 1: you know Rodney you Joe Cooley.
• 16:45
  Speaker 3: But I was gonna say, like, uh, seeing like Callie
• 16:49
  Speaker 3: super United in that video was so crazy, Like what
• 16:52
  Speaker 3: was it like pulling everybody together for that visual?
• 16:55
  Speaker 1: It was easy. It's just a phone call.
• 16:56
  Speaker 2: Yeah, it was amazing to me because Ice Cube don't
• 17:00
  Speaker 2: ever come out, Okay, cause so to get ice Cube out,
• 17:03
  Speaker 2: because this must be special, you know what I'm saying.
• 17:07
  Speaker 2: Ice I mean, he's a busy guy to take the
• 17:15
  Speaker 2: time out to be here. It just shows you the
• 17:19
  Speaker 2: power of Uh, I'm gonna be honest, It shows the
• 17:22
  Speaker 2: power of the dog.
• 17:23
  Speaker 4: You know.
• 17:24
  Speaker 2: Snook called that shot yeah and and and gotten every
• 17:27
  Speaker 2: He sent the shot out to everybody and he said
• 17:29
  Speaker 2: the cold up and showed out. You know what I'm
• 17:32
  Speaker 2: saying and in support of me and DADZ And that
• 17:36
  Speaker 2: was special cause like what's this four old this for
• 17:38
  Speaker 2: the dog Pound? Dazz and corrupt? Oh hell yeah, we're
• 17:41
  Speaker 2: there and they all came out Uncle quick uh.
• 17:45
  Speaker 4: C m C eight.
• 17:49
  Speaker 2: There was a lot of people that was there that
• 17:51
  Speaker 2: back you know, they was about to love you know nowadays,
• 17:55
  Speaker 2: Back in those days was the love.
• 17:57
  Speaker 5: You know what I'm saying.
• 17:58
  Speaker 2: You got people at issue us as friends now you
• 18:01
  Speaker 2: know what I'm saying, and they all.
• 18:04
  Speaker 4: I mean, that's a big deal.
• 18:05
  Speaker 3: I mean if you said that like ninety seven, people.
• 18:08
  Speaker 2: Think, oh man, yeah, I would yeah, because like, well,
• 18:13
  Speaker 2: who's going to beat it?
• 18:15
  Speaker 4: Who's going to beat it? Oh? I feel like.
• 18:20
  Speaker 3: It's it's I feel like we need another l a
• 18:22
  Speaker 3: moment like that right now. It might be might be
• 18:23
  Speaker 3: this Kendrick record.
• 18:25
  Speaker 4: It's got people what's the record about? It's about Drake,
• 18:29
  Speaker 4: but it's got what everybody from the West beyond that.
• 18:32
  Speaker 4: I wish I got to show you video.
• 18:33
  Speaker 3: It's crazy, like people are playing this in the club
• 18:36
  Speaker 3: and you would think, like.
• 18:37
  Speaker 4: How did how did Drake get Kendrick upset like that?
• 18:41
  Speaker 4: Kendrick is such a peaceful guy. It takes a lot
• 18:45
  Speaker 4: to get Kendrick upset.
• 18:46
  Speaker 3: I feel like this is the most united the West
• 18:48
  Speaker 3: Coast has ever been. Buzzy tripping, bro, It's crazy, it's crazy.
• 18:55
  Speaker 5: What's he talking about?
• 18:56
  Speaker 4: That a few in the West Coast is united? It's crazy,
• 19:02
  Speaker 4: It's it's.
• 19:03
  Speaker 5: I mean, it's going against you know, I'm such an
• 19:06
  Speaker 5: old ass.
• 19:06
  Speaker 4: Did you hear Daz.
• 19:10
  Speaker 1: Jumping off from the beginning, because you know, I messed
• 19:12
  Speaker 1: with Rodney yo, right, the original this came from when
• 19:15
  Speaker 1: Kendrick took that right in to your beat with.
• 19:19
  Speaker 4: He when you hear a beat like that, Big three crazy, right?
• 19:23
  Speaker 1: Yeah? You know what I'm saying. So you know because
• 19:26
  Speaker 1: Jake Cole said, it's the Big Three me, Kendrick Lamar
• 19:31
  Speaker 1: d said, and j Cole, what record is that?
• 19:34
  Speaker 4: It's called like that?
• 19:35
  Speaker 1: It was on Drake and j Cole had a song.
• 19:37
  Speaker 3: It was called First Person Shooter, and then Drake and
• 19:40
  Speaker 3: then Kendrick said on this Metro Wooman song, motherfuck the
• 19:42
  Speaker 3: Big Three, it's just big Me.
• 19:46
  Speaker 1: And they just took that line. Nigga went crazy and
• 19:48
  Speaker 1: everybody just started going and then Ja Cole came out
• 19:53
  Speaker 1: distant this Kenjick Lamar and then got on stage and apologized.
• 19:58
  Speaker 4: Kendrick, so he said he was sorry. Though two days later,
• 20:00
  Speaker 4: Oh my god, this is what battle is nowadays? How
• 20:05
  Speaker 4: about this? How about this? Wait? I gotta, I got,
• 20:08
  Speaker 4: I got I do.
• 20:08
  Speaker 3: Gotta tell you because this is directly related to you, guys,
• 20:11
  Speaker 3: quite literally for yourself to ask you know this. Drake puts
• 20:15
  Speaker 3: out this freestyle with artificial intelligence verses from Tupac and Snoop.
• 20:21
  Speaker 5: You mean Drake put out a song?
• 20:23
  Speaker 4: No, he put yeah exactly, he wasn't.
• 20:24
  Speaker 3: I mean, So he puts out this song disin Kendrick,
• 20:27
  Speaker 3: but he's using Tupac's voice and Snoop's voice. So he
• 20:32
  Speaker 3: wrote verses and he rapped him, but he put them
• 20:36
  Speaker 3: through artificial intelligence. So it sounds like what is he
• 20:39
  Speaker 3: talking about? It sounds like Tupac and Snoop are rapping at.
• 20:43
  Speaker 1: Lamar and he this first in the second verse. He
• 20:47
  Speaker 1: used Tupac on the first, Snoop on the second, and
• 20:49
  Speaker 1: then he rapped the third, but he got snooping Tupac dis.
• 20:54
  Speaker 5: Kentry, Tupac's gone girls.
• 20:59
  Speaker 1: Artificial intelligence and how they took his voice and put in,
• 21:05
  Speaker 1: took drake voice off and put that voice on.
• 21:09
  Speaker 3: I don't know if it's legal, but ship tupa and
• 21:11
  Speaker 3: people hit him and told them take that ship down.
• 21:16
  Speaker 4: Welcome to we've.
• 21:17
  Speaker 1: Got on that ship. What I'm going back to bed?
• 21:23
  Speaker 4: Heard this ship?
• 21:24
  Speaker 5: Yeah, so look hold on ca. So this is big news.
• 21:29
  Speaker 4: It's big damn god. There's a lot going on.
• 21:33
  Speaker 1: But like I said before, ain't nobody got killed it.
• 21:37
  Speaker 1: That's what makes the difference.
• 21:39
  Speaker 4: So this is the song that's got all of l
• 21:41
  Speaker 4: A just going crazy. I see, damn people.
• 21:46
  Speaker 1: My curtains that musta did to do. They must have the.
• 21:53
  Speaker 6: Niggas free man, Damn the lamps tell him peace broken
• 21:58
  Speaker 6: the CRUs you walk around like tea.
• 21:59
  Speaker 1: So what's I'm gonna beat your pony?
• 22:00
  Speaker 4: Yes, niggas trying to seek Compton. The industry can hate me.
• 22:03
  Speaker 4: Fucking Marling, do you mama?
• 22:04
  Speaker 6: How many options here he got?
• 22:05
  Speaker 1: How many? It's too many options.
• 22:07
  Speaker 6: I'm fin the pass on this body.
• 22:08
  Speaker 4: I'm John stocked in there, beat your ass.
• 22:12
  Speaker 1: And how to buy.
• 22:13
  Speaker 4: The boy's got to watch and sometimes you gotta pop
• 22:15
  Speaker 4: out and show.
• 22:16
  Speaker 6: Niggas say that for Buckey man, I'm the one that
• 22:18
  Speaker 6: up to score with him walking down the whole time.
• 22:20
  Speaker 1: I know he got some hal in him.
• 22:21
  Speaker 4: Hold on him, stort ship and what he does flow
• 22:23
  Speaker 4: on him. Say Drake, I hear you like I'm young.
• 22:26
  Speaker 1: You better not have her go to sell.
• 22:27
  Speaker 6: Black one and he he been to talk to him
• 22:29
  Speaker 6: and there in love.
• 22:31
  Speaker 4: Just make sure you have your little sister from him.
• 22:33
  Speaker 6: They tell me Chelles the only one they get your
• 22:34
  Speaker 6: henmy downs and party at.
• 22:36
  Speaker 1: The party, playing with his nose now and Baka got
• 22:38
  Speaker 1: a weird case.
• 22:39
  Speaker 4: Why is he around?
• 22:40
  Speaker 6: Certy five love boys cert the five.
• 22:42
  Speaker 1: Pedophiles to fuck him up. I'm gonna do much stuff.
• 22:47
  Speaker 1: Why you trying to like a bitch?
• 22:48
  Speaker 4: Ain't you tired?
• 22:49
  Speaker 6: I'm gonna strike a cord And it's probably a minor.
• 22:55
  Speaker 1: Yeah, So.
• 22:58
  Speaker 4: They not like us.
• 22:59
  Speaker 1: They not like.
• 23:02
  Speaker 4: So that's one of five songs that they've They've.
• 23:06
  Speaker 1: Dropped the whole album in a week.
• 23:08
  Speaker 4: It's fucking crazy.
• 23:09
  Speaker 1: Back and forth. Rick Ross and them in it too.
• 23:14
  Speaker 1: Everybody just dropping Rick Drake. This about five niggas.
• 23:24
  Speaker 5: What's the problem, you know?
• 23:26
  Speaker 4: I think it's a it's competition. They've had this, They've
• 23:30
  Speaker 4: had this silent war.
• 23:31
  Speaker 3: Kendrick and Drake have had a silent war going for
• 23:33
  Speaker 3: like eight or nine years of subs and finally Drake
• 23:38
  Speaker 3: or Kendrick pretty much hit hit him with a direct
• 23:41
  Speaker 3: shot on on the song. We were talking about that
• 23:43
  Speaker 3: like that, like that record Mama Kid.
• 23:47
  Speaker 1: It was yeah, Kendrick, come on talking about the nigga
• 23:50
  Speaker 1: daddy bead.
• 23:51
  Speaker 4: Oh it's just you know, it's good for hip hop.
• 23:55
  Speaker 4: It's got people rapping again.
• 23:57
  Speaker 1: But now they just said somebody got shut his buddy Drake.
• 24:00
  Speaker 4: But I don't think any I don't think, to be fair,
• 24:02
  Speaker 4: I don't think that has anything to go on.
• 24:03
  Speaker 1: I mean shit, you never know, you never know. I
• 24:05
  Speaker 1: don't speculate ship.
• 24:07
  Speaker 4: The action is action in Toronto.
• 24:11
  Speaker 1: In front of his house.
• 24:13
  Speaker 4: Ain't nobody got connections in Toronto?
• 24:16
  Speaker 3: You know, fans as a motherfucker boy, if he's I
• 24:20
  Speaker 3: if there's some West Coast hip hop fans that are
• 24:22
  Speaker 3: that passionate in Toronto.
• 24:24
  Speaker 4: But you can drive right up to people, you can
• 24:27
  Speaker 4: drive get into Canada with the guns.
• 24:30
  Speaker 1: This is what this is.
• 24:31
  Speaker 4: This is why this is not healthy, my nigga.
• 24:34
  Speaker 2: Anything could happen Drake and falling and breaking, Oh becuz
• 24:39
  Speaker 2: did that? You know that's what you get for fucking
• 24:41
  Speaker 2: with Kendrick Man. Cut this ship off. If y'all ain't
• 24:43
  Speaker 2: ready to fight, stop it. I think he's just going
• 24:46
  Speaker 2: to stop it. The lyricists, knock it off cuz you
• 24:49
  Speaker 2: ain't ready to fight, my nigga, stop it. Just battle,
• 24:52
  Speaker 2: you know, like the other battle is murder. This ain't
• 24:56
  Speaker 2: funny to me, my nigga. When I went to Ward,
• 24:59
  Speaker 2: my nigga, I wanted to fight.
• 25:01
  Speaker 4: It was real. When tupacin Biggie was into it was real.
• 25:05
  Speaker 2: This this ship ain't real cause now motherfucking Drake bodyguard
• 25:10
  Speaker 2: gets shot.
• 25:11
  Speaker 5: No, it's connected to the battle.
• 25:12
  Speaker 4: Delmark, don't do that. Yeah, man, it's just real cause life.
• 25:17
  Speaker 4: It's precious my niggas. So if y'all ain't gonna fight,
• 25:20
  Speaker 4: stop it. Right.
• 25:23
  Speaker 2: Other than that, cuz that motherfucker's record right there was banging.
• 25:29
  Speaker 2: It really was a banging boom boom boom.
• 25:32
  Speaker 4: Hey a minor the first time you heard it.
• 25:39
  Speaker 2: That's everybody's saying. I mean, if they're gonna have fun
• 25:44
  Speaker 2: with it, let them have fun with it. But god, damn,
• 25:47
  Speaker 2: cuz you know, talk about mama's and ship like that.
• 25:50
  Speaker 2: That's fighting words. But hey, you know what, hey, who
• 25:52
  Speaker 2: what am I to say?
• 25:53
  Speaker 1: You know? They've grown.
• 25:54
  Speaker 4: Everybody's grown.
• 25:56
  Speaker 3: Hey, at what point in time? Uh, when when you guys,
• 26:00
  Speaker 3: you when you get when you're calling out names? Was like,
• 26:02
  Speaker 3: how serious was the issue with X at that time?
• 26:07
  Speaker 3: Was it like something that like ever, because I know
• 26:09
  Speaker 3: you said that you guys had kind of buried the
• 26:11
  Speaker 3: hatchet before he passed, which is a beautiful thing. But like,
• 26:13
  Speaker 3: I feel like that's a disrecord that we don't talk
• 26:15
  Speaker 3: about enough because it is one of the greats. Like
• 26:17
  Speaker 3: it is, it is amazing, and it closed out an
• 26:20
  Speaker 3: incredible project. And you're looking at me like you don't
• 26:22
  Speaker 3: want to talk about it, but you don't have to.
• 26:24
  Speaker 4: I'm just asking next question.
• 26:31
  Speaker 3: Hello, Hello, all right, so on this on this project obviously,
• 26:36
  Speaker 3: can you kind of give me a rundown on like
• 26:39
  Speaker 3: how long it took you guys to complete this? Was
• 26:41
  Speaker 3: this something that came together pretty quickly? Was it something
• 26:43
  Speaker 3: that you guys have been working on for some time?
• 26:46
  Speaker 1: It came on for a weekend, I was it.
• 26:49
  Speaker 2: We finished the album the majority of the album four
• 26:52
  Speaker 2: days and came back next week about another four completed.
• 26:58
  Speaker 4: Wow, airshot a video.
• 27:00
  Speaker 1: It's had some videos, so you know they probably about
• 27:03
  Speaker 1: five six days.
• 27:05
  Speaker 3: So let me get this straight, because you guys, would
• 27:07
  Speaker 3: you guys, was that your guys' work like like path
• 27:11
  Speaker 3: back in the day, would you guys get shipped done
• 27:13
  Speaker 3: that quick?
• 27:15
  Speaker 1: Back in the day, we was bush and doing songs.
• 27:17
  Speaker 1: And then when Tupaccan he started showing us Bam BAMD
• 27:21
  Speaker 1: band band band. We was knocking five to six songs.
• 27:23
  Speaker 1: He's knocking five to six songs because I was producing,
• 27:25
  Speaker 1: We was doing and then I just picked up that
• 27:28
  Speaker 1: habit and then we all picked that habit up.
• 27:30
  Speaker 3: What was it about his creative process that, like he
• 27:33
  Speaker 3: showed you guys that made it so possible to have
• 27:35
  Speaker 3: such a high output.
• 27:36
  Speaker 4: Time you just go in.
• 27:39
  Speaker 1: You can do all that mixing and ship later on
• 27:41
  Speaker 1: later listening to.
• 27:43
  Speaker 2: The sh Yeah, yeah, we were sitting in there for
• 27:46
  Speaker 2: a whole motherfucking two days tweaking vocals one record right beause.
• 27:50
  Speaker 1: You know he was an artist. We was producing the
• 27:52
  Speaker 1: stuff they.
• 27:53
  Speaker 2: There that damn nell take half a day and the
• 27:56
  Speaker 2: next thing you know, we laid vocals and then is done.
• 28:00
  Speaker 2: But then the next day dads is touching him up
• 28:03
  Speaker 2: and you know what, let's add this to it and
• 28:05
  Speaker 2: that to it. Because we slept on it and let's
• 28:07
  Speaker 2: add this, And there wasn't a lot of the computer ship.
• 28:11
  Speaker 2: It was like, you know, you had to really put
• 28:12
  Speaker 2: it on there as you fuck up and put it
• 28:14
  Speaker 2: back on there. You got to take a picture and
• 28:16
  Speaker 2: you got to go back and put everything. We get
• 28:20
  Speaker 2: back on the second day, and then del Mar would
• 28:22
  Speaker 2: tell me because when I left, he still be there,
• 28:25
  Speaker 2: damn there all night, and then come back the next
• 28:28
  Speaker 2: day he'd be like, yeah, okay, you gotta relay uh
• 28:34
  Speaker 2: your verse again?
• 28:36
  Speaker 1: Like what what?
• 28:38
  Speaker 4: Why go relate my verse?
• 28:40
  Speaker 1: That was perfect?
• 28:41
  Speaker 4: I don't know, man.
• 28:43
  Speaker 5: The engineer fucked up and he raced it, so we
• 28:45
  Speaker 5: just got.
• 28:45
  Speaker 4: To do it again. Back then, there wasn't like.
• 28:51
  Speaker 1: There wasn't no flying, no fucking vocals.
• 28:54
  Speaker 4: It wasn't like let me, I can run the file
• 28:58
  Speaker 4: this it's gone.
• 29:00
  Speaker 2: That's why used to be so mad when the engineer
• 29:03
  Speaker 2: fuck up and then he laid his ship and he'd
• 29:05
  Speaker 2: be like okay, boom stop and then they just they
• 29:09
  Speaker 2: erace it.
• 29:10
  Speaker 5: And then Popp be like Wright and then he's.
• 29:12
  Speaker 2: Like, okay, cool, let me hear that again. Huh, well
• 29:15
  Speaker 2: I rased it. I thought you wanted to go again.
• 29:19
  Speaker 4: Mother fuck up.
• 29:20
  Speaker 2: Muta fatal stand behind him next time he fuck up,
• 29:25
  Speaker 2: knock his motherfucking ass out and be like, oh God.
• 29:29
  Speaker 4: Can you imagine engineering into those.
• 29:33
  Speaker 1: He used to tie the big pit bull to the
• 29:34
  Speaker 1: door and the engineer wouldn't leave.
• 29:37
  Speaker 4: That's what I had.
• 29:38
  Speaker 5: I tied looning up to the machine to the two.
• 29:42
  Speaker 3: Inch wait, y'all would tire dog to the door so
• 29:44
  Speaker 3: the engineer wouldn't leave.
• 29:45
  Speaker 2: My right there, the only person only people loony like
• 29:50
  Speaker 2: besides me was Dazz and Snoop, So everybody else because don't.
• 29:54
  Speaker 4: Don't don't come in, don't don't do don't do what the.
• 29:57
  Speaker 5: Tie him up to there? One motherfucker came in, he
• 30:00
  Speaker 5: moved to happen.
• 30:01
  Speaker 4: Do you know how heavy that machine is?
• 30:03
  Speaker 2: Cut and the dog boom and just move and move
• 30:08
  Speaker 2: wooding cuds. You said, oh, did he bite the nigga?
• 30:11
  Speaker 4: Cut? Or didn't they get out both? My God, Jesus that.
• 30:16
  Speaker 5: Too, because motherfuckers could come in cut, don't.
• 30:18
  Speaker 1: Come in here.
• 30:20
  Speaker 4: That ship was really time back then. Cuse you know
• 30:23
  Speaker 4: what I'm saying. You had the bloods in the crypt.
• 30:25
  Speaker 1: So we got that new album coming out.
• 30:27
  Speaker 4: Make thirty first, though, Make thirty first Yo, is it
• 30:31
  Speaker 4: for you?
• 30:32
  Speaker 3: Like are you already working on the ship that you're
• 30:34
  Speaker 3: you and super Flyer producer now that you guys are.
• 30:36
  Speaker 1: In this bag, like we just we just relaxing right now.
• 30:39
  Speaker 1: We're just enjoying this moment and then when we get
• 30:42
  Speaker 1: in there, we go seriously working.
• 30:44
  Speaker 4: You know.
• 30:44
  Speaker 1: We treat everything like m Robert, Yeah, in.
• 30:47
  Speaker 4: And out, in and out Burgers, Yo Jazz.
• 30:51
  Speaker 3: You had like this, like I don't know, you probably
• 30:54
  Speaker 3: still have it going on, but I remember you were
• 30:56
  Speaker 3: kind of really early on like owning your own independent distribution. Yeah,
• 31:01
  Speaker 3: and like your independent catalog before like streaming was fucking crazy.
• 31:05
  Speaker 4: I remember, I felt like you there was there was
• 31:07
  Speaker 4: like so much just you were doing joint shit.
• 31:10
  Speaker 3: It was doing like so but I remember you always
• 31:12
  Speaker 3: would talk about like you were printing and pressing your
• 31:14
  Speaker 3: own products.
• 31:14
  Speaker 1: Right, I had my own prim machine and stuff like
• 31:17
  Speaker 1: that I purchased.
• 31:17
  Speaker 3: And then you were distributing all of that independent catalog yourself.
• 31:21
  Speaker 1: Through Southwest Wholesale Distribution to all the record store wholesale.
• 31:25
  Speaker 1: That's when they had wholesale one stop shops. You know
• 31:27
  Speaker 1: what I'm saying. Back in the days, everything was a
• 31:32
  Speaker 1: like tower records and all that. You know what I'm saying,
• 31:34
  Speaker 1: that type of stuff. You know what I'm saying, pricing
• 31:36
  Speaker 1: and positioning, consignment, you know, anybody to get the record out.
• 31:40
  Speaker 1: And then when digital came out, it was a rat.
• 31:44
  Speaker 4: How many skews like projects? Would you say? Because I
• 31:48
  Speaker 4: think I heard you saying something about.
• 31:49
  Speaker 1: Like the piece of catalog.
• 31:51
  Speaker 4: Yeah, it's gotta be.
• 31:52
  Speaker 1: I got at least about sixty to forty.
• 31:55
  Speaker 4: Forty to sixty projects, all pound albums.
• 31:57
  Speaker 1: You know, just all different catleg and I used to
• 32:01
  Speaker 1: take every song that I did for each independent artist
• 32:04
  Speaker 1: and take them songs and make an album out of it.
• 32:06
  Speaker 1: You know what I'm saying. So I'll let y'all get it.
• 32:08
  Speaker 4: First, would you guys?
• 32:11
  Speaker 3: I know that there's this like a thing going on
• 32:13
  Speaker 3: right now where a lot of people are selling their
• 32:14
  Speaker 3: masters and stuff. Is that something that you guys have
• 32:16
  Speaker 3: been approached about at all selling any of the catalog?
• 32:19
  Speaker 1: We've been approached that, but we ain't doing that because
• 32:20
  Speaker 1: we could in due time, we could make that same
• 32:23
  Speaker 1: amount of money if you put your mind to it,
• 32:25
  Speaker 1: and if you're patient, yeah, and learn how to work
• 32:28
  Speaker 1: your own stuff. You know what I'm saying, because it's
• 32:31
  Speaker 1: just like a loan by a house, it's gonna spend
• 32:35
  Speaker 1: thirty years paying for it, right or fifteen with entrance
• 32:39
  Speaker 1: the principal and the entrance. You know what I'm saying.
• 32:43
  Speaker 1: Principal probably be ten dollars an interest a nine hundred
• 32:48
  Speaker 1: and something dollars.
• 32:49
  Speaker 4: It's crazy.
• 32:50
  Speaker 1: And now you still old. That's why you owe for
• 32:52
  Speaker 1: thirty years like that, because they take the money and
• 32:56
  Speaker 1: give you just a little bit of it to go
• 32:58
  Speaker 1: towards that loan, and then they take all entrance, you
• 33:00
  Speaker 1: know what I'm saying. And that's why you're stuck with thirty.
• 33:03
  Speaker 4: Year Morgan, and that's why that is the real estate
• 33:06
  Speaker 4: mogal that he is.
• 33:07
  Speaker 1: And then you're gonna fuck around and croak and die,
• 33:09
  Speaker 1: and then they're gonna get the whole property back. And
• 33:14
  Speaker 1: whoever living in the house gotta qualify.
• 33:16
  Speaker 4: Oh that's how it works. Someone dies. It's like if
• 33:19
  Speaker 4: you're living there and you're like a cousin or and.
• 33:21
  Speaker 1: Then if you got to go in there and qualify
• 33:23
  Speaker 1: to get it's alone. Remember that everything is qualification.
• 33:28
  Speaker 4: Damn. So new album's coming out. That Kendrick record was
• 33:35
  Speaker 4: Bag You got him going what's the name of that.
• 33:39
  Speaker 1: Not like us that have to be fuzzy, wants you
• 33:41
  Speaker 1: to wrap on.
• 33:46
  Speaker 4: That. Shit's hard? Yeah, hard.
• 33:49
  Speaker 1: Now what's really gonna kick all this better? When they
• 33:51
  Speaker 1: start doing them videos for that ship? Well, that's it's
• 33:54
  Speaker 1: funny that Drake shit, he had that old van.
• 33:56
  Speaker 3: And then well it's funny because I don't know if
• 33:58
  Speaker 3: you saw on Twitter, there's this tweet going by I
• 34:00
  Speaker 3: wrote where they said that they they're not like us.
• 34:02
  Speaker 3: Video needs to be like the new Calis Active video
• 34:05
  Speaker 3: just all l A and that.
• 34:06
  Speaker 1: I've seen everybody on TikTok going crazy on that.
• 34:08
  Speaker 3: Yeah, that's the one part about if you can make
• 34:11
  Speaker 3: a dis record where you got to go to the
• 34:12
  Speaker 3: club in here, you got to turn the radio in here.
• 34:14
  Speaker 4: It's like, oh here he found it was on the
• 34:18
  Speaker 4: NBA playoffs last night.
• 34:19
  Speaker 1: You got him.
• 34:20
  Speaker 4: He found a lot of Yeah, they were playing it
• 34:22
  Speaker 4: in the background.
• 34:25
  Speaker 1: And it's only been out nine hours.
• 34:28
  Speaker 5: What did Drake drop?
• 34:31
  Speaker 4: He put out what I like to put up.
• 34:34
  Speaker 1: He put a song out. I got three songs in
• 34:37
  Speaker 1: one song.
• 34:38
  Speaker 3: Family Matters is what it's called. And then come up
• 34:41
  Speaker 3: about thirty minutes later jacking.
• 34:43
  Speaker 1: Beat and then Kenjick come up. Thirty minutes later, we
• 34:45
  Speaker 1: meet the Grahams talking about the daddy and oh come,
• 34:50
  Speaker 1: how about his daughter and all the time, Oh come,
• 34:54
  Speaker 1: he don't even pay oh staying with the girl. Yeah
• 35:02
  Speaker 1: all right, dell crag, you know he didn't.
• 35:04
  Speaker 4: He did.
• 35:07
  Speaker 1: It goes that deep now right is deep?
• 35:09
  Speaker 4: This would be the last song we'll show you because
• 35:11
  Speaker 4: this restraighttful song. Meet the Grahams.
• 35:15
  Speaker 3: This so Drake put out this song, and it's everybody
• 35:18
  Speaker 3: is anticipating Drake's reply to Kendrick Sephoria. You playing everything,
• 35:22
  Speaker 3: but Drake, Well, I can play some, Drake, but first
• 35:25
  Speaker 3: you gotta hear that stuff.
• 35:26
  Speaker 1: This is.
• 35:27
  Speaker 4: This is him rapping to uh, Drake's son to his son,
• 35:34
  Speaker 4: Darrel's Dona's I'm sorry that that man is your father.
• 35:37
  Speaker 4: Let me behind this.
• 35:38
  Speaker 6: If it takes a man to be a man.
• 35:39
  Speaker 4: Your dad's not a responsive.
• 35:41
  Speaker 6: Look at him and wish your grandpa with a world
• 35:44
  Speaker 6: kind of I'm sorry that you gotta go up and
• 35:46
  Speaker 6: then stand behind him.
• 35:47
  Speaker 4: Life is hard, I know.
• 35:48
  Speaker 6: The China just always go beat us home. Sometimes our
• 35:51
  Speaker 6: parents make mistakes that affect us until we've grown. Hey,
• 35:54
  Speaker 6: you a good kid, that need good leadership. Let me
• 35:57
  Speaker 6: be your mentor, since your daddy don't teach you ship.
• 36:00
  Speaker 6: But let a man piss on your legs. Son, either
• 36:02
  Speaker 6: you die right there or pop that man in the head.
• 36:04
  Speaker 2: Son.
• 36:05
  Speaker 4: Never fall leing the escort business. That's bad religion.
• 36:08
  Speaker 6: Please remember you could be a bitch even if you
• 36:11
  Speaker 6: got bitches.
• 36:11
  Speaker 4: Never cold switch where the right or wrong.
• 36:14
  Speaker 1: You're a black man, he ben in fit.
• 36:15
  Speaker 6: Don't benefit your goals. Do some push ups, get some discipline.
• 36:19
  Speaker 6: Don't cut through corners like your daddy did. Fuck what
• 36:21
  Speaker 6: Ozimpic did. Don't pay their play with them brazirely hends.
• 36:24
  Speaker 6: Give a gym membership. Understand them throwing frocks and hide
• 36:27
  Speaker 6: their hands.
• 36:27
  Speaker 1: That's law.
• 36:28
  Speaker 6: Don't be ashamed about who you went. That's how he
• 36:30
  Speaker 6: treat your moms. Don't have a kid to hide, a
• 36:33
  Speaker 6: kid to hide again. Be sure five percent would comprehend,
• 36:36
  Speaker 6: but ninety five is lost.
• 36:38
  Speaker 4: Be proud of who you are.
• 36:39
  Speaker 6: Your strength come from within lot of superstars, that's real,
• 36:42
  Speaker 6: But your daddy ain't wonder them, and you nothing like him.
• 36:46
  Speaker 6: You'll carry yourself as king. Can't you understand me right now?
• 36:49
  Speaker 6: I just play this when you eighteen.
• 36:57
  Speaker 1: Dear Sandra, got some habits.
• 37:00
  Speaker 6: I hope you don't, especially with the girls that's hurting
• 37:03
  Speaker 6: inside this climate. You're a woman, so you know how
• 37:06
  Speaker 6: it feels to be an alignment with the emotions, hoping
• 37:09
  Speaker 6: no man can see you will not.
• 37:10
  Speaker 4: Be blinded their dinners.
• 37:11
  Speaker 6: You gave birth to a master manipulator. If you used
• 37:15
  Speaker 6: you to prove for years, it's a huge favor.
• 37:17
  Speaker 4: I think you should ask for.
• 37:18
  Speaker 1: More paper, and more paper, and more paper.
• 37:22
  Speaker 6: I'm blaming you for Harley Gadling additions, psychopath.
• 37:26
  Speaker 4: Intuition, the man that like to play victim. You raised
• 37:29
  Speaker 4: the horrible fucking person the nerve for you did this.
• 37:31
  Speaker 1: I just sit down one dot to say is heavy.
• 37:34
  Speaker 4: Now listen.
• 37:35
  Speaker 6: Your son's a sick man, the sick DUTs. I think
• 37:37
  Speaker 6: niggas like him should die in the wine stage. She
• 37:40
  Speaker 6: get fucked up in herself for the rest of their life.
• 37:42
  Speaker 6: He hates black women, hypersexualize them with kicks up an
• 37:44
  Speaker 6: inpho fetish who flace your hair because he.
• 37:46
  Speaker 4: Want to still be in the bell just fit him better.
• 37:48
  Speaker 4: He got sex offenders on her monthly announce Why they
• 37:55
  Speaker 4: get that boy?
• 37:56
  Speaker 5: Man, I don't know Man's that's the kid out man,
• 38:00
  Speaker 5: So yeah, I wouldn't get.
• 38:05
  Speaker 1: Well.
• 38:06
  Speaker 4: Look May thirty, first album is coming. I'm excited you
• 38:08
  Speaker 4: guys are back.
• 38:09
  Speaker 3: Yeah, it's overdue, man, And I feel like the timing
• 38:13
  Speaker 3: is perfect because right now the West Coast is stronger
• 38:16
  Speaker 3: than ever.
• 38:16
  Speaker 4: I feel like it's a perfect time for a Dog
• 38:18
  Speaker 4: Pound album.
• 38:19
  Speaker 1: Most different summertime, summertime.
• 38:22
  Speaker 3: If there's a single out right now, every ready and
• 38:24
  Speaker 3: go stream of Snoop this crazy shot to Snoop Man,
• 38:26
  Speaker 3: I'm glad that the death Throw energy is back. And
• 38:30
  Speaker 3: uh yeah, I look forward to uh everything else. I
• 38:33
  Speaker 3: got anything else you guys got cooking up, you guys
• 38:34
  Speaker 3: want to talk about.
• 38:36
  Speaker 1: It was just tripping off Kendrick. Now we finling go
• 38:44
  Speaker 1: West Coasting all night now, O god, this is but
• 38:47
  Speaker 1: you know, we just concentrated on this album right here,
• 38:49
  Speaker 1: you know what I'm saying, and enjoying the West Coast.
• 38:53
  Speaker 2: You know, he's doing some amazing things with me and
• 38:58
  Speaker 2: Daz and our whole entire squad right now. So I
• 39:01
  Speaker 2: just want to give it up for Snoopy for taking
• 39:03
  Speaker 2: the time out. Come on back home, come on back
• 39:06
  Speaker 2: to bring us back home and with this game and
• 39:09
  Speaker 2: him and das. I'm so proud of, you know, back
• 39:12
  Speaker 2: in communication and doing anything and going so strong and
• 39:16
  Speaker 2: just leading the ship as we should because that is
• 39:20
  Speaker 2: the keys to the DPG is Snoopy and.
• 39:23
  Speaker 1: Del more so real name.
• 39:28
  Speaker 4: I think we've gotten that. Yeah, and I'm pretty Ricky
• 39:31
  Speaker 4: is what they call it. Ricky getting together sounds like
• 39:35
  Speaker 4: an R and B group. No criminals, you know, we
• 39:42
  Speaker 4: can we can't can do. We can't do a little
• 39:45
  Speaker 4: A couple of you understand me and give them a
• 39:49
  Speaker 4: little bit of that love.
• 39:51
  Speaker 5: But were gonna leave that to everybody.
• 39:52
  Speaker 4: Yelp. Appreciate you coming through for sure.
• 39:54
  Speaker 5: Man, that's our pleasant you know, and corrupt.
• 39:59
  Speaker 4: Give you some pe, get some pizza. I'm the thirty
• 40:03
  Speaker 4: first to make go support man. Appreciate y'all. And where
• 40:06
  Speaker 4: do I find the Drake records?
• 40:07
  Speaker 1: Oh? I mean every gotta put Drake Kendrick and they're
• 40:11
  Speaker 1: all gonna pop up.
• 40:13
  Speaker 5: Oh that's it.
• 40:14
  Speaker 1: Yeah. Yeah. He just dropped this yesterday.
• 40:17
  Speaker 4: I mean did it was his white flag, white flag.
• 40:21
  Speaker 4: It was him just being like, guys, I'm tired. JA
• 40:27
  Speaker 4: Cole apologized.
• 40:29
  Speaker 3: J Cole apologize, and now Drake is saying white flag
• 40:32
  Speaker 3: no listen Drake just you'll hear it. You'll be like,
• 40:35
  Speaker 3: he sounds defeated. So they each put out five records.
• 40:41
  Speaker 3: The public is really yeah, you know, so it was eight.
• 40:45
  Speaker 5: Back in when I was battling. Nobody gave right.
• 40:49
  Speaker 2: And that's why, you know, I was feeling some kind
• 40:52
  Speaker 2: of with bringing up anything called now name because deal
• 40:55
  Speaker 2: Mexicans gone.
• 40:56
  Speaker 4: Of course, of course, you know what I'm saying.
• 40:58
  Speaker 2: So out of respect for him, him being gone, really ain't.
• 41:02
  Speaker 2: I loved the record for myself. I got your air
• 41:05
  Speaker 2: out and I got to speak my piece because I
• 41:08
  Speaker 2: was pretty upset and I wanted to fight, and you
• 41:12
  Speaker 2: know I was, I was madu so but the reality
• 41:17
  Speaker 2: of it is that we did squash our our situation
• 41:21
  Speaker 2: and became real good friends. We were good friends because
• 41:24
  Speaker 2: you know, we missed flights. We missed our flight, just
• 41:27
  Speaker 2: sitting there chopping it with each other, like fuck them flight,
• 41:30
  Speaker 2: we'll get new ones, and just stayed there all night
• 41:32
  Speaker 2: in the airport choppinghoo up game because and it was
• 41:35
  Speaker 2: great and we've been great ever since. And I'm glad
• 41:39
  Speaker 2: I did that before uh he passed away, because you know,
• 41:44
  Speaker 2: he's a great guy because and and you know, that's
• 41:47
  Speaker 2: what happens, like with with BG knockout. You know, he's
• 41:51
  Speaker 2: he's a he's a good guy man and squashed that beef.
• 41:55
  Speaker 2: Me and Dad squashed all of our beefs.
• 41:57
  Speaker 1: We've been on a whole lot of yeah, you know
• 42:01
  Speaker 1: what I mean.
• 42:01
  Speaker 2: And I just wish that we would be able to
• 42:04
  Speaker 2: uh squash things before Eric passed away. You know, easy,
• 42:09
  Speaker 2: ain't no telling what happened.
• 42:10
  Speaker 1: Then.
• 42:10
  Speaker 4: You know one of my best friends, uh is Lazy Bone.
• 42:15
  Speaker 4: You know, you can't even have me and.
• 42:17
  Speaker 2: Lazy together because this is fiasco. Were knocking over glasses.
• 42:22
  Speaker 4: Because that man could throw them back. And we're cool
• 42:29
  Speaker 4: now because you know both of us, I slowed down
• 42:32
  Speaker 4: on the alcohol and Lazy don't drink at all, So
• 42:34
  Speaker 4: you know what I'm saying. But boy, when we when
• 42:38
  Speaker 4: we first got together.
• 42:39
  Speaker 3: Because each of you guys used to at least drink
• 42:42
  Speaker 3: a lot more, right, because yeah, because I remember I
• 42:45
  Speaker 3: used to hang out with Lazy going to the Trip
• 42:46
  Speaker 3: club in Arizona, and he was he could.
• 42:48
  Speaker 2: He's got a high tolerance Lazy together, Oh my god.
• 42:54
  Speaker 2: And so but now you know, Lazy don't drink anymore
• 42:57
  Speaker 2: is a great thing.
• 42:58
  Speaker 1: Me.
• 42:58
  Speaker 5: I slowed minds down, you know what I'm saying.
• 43:01
  Speaker 2: So you know, it's just that everything is so positive,
• 43:05
  Speaker 2: and me and Dad have been been snooping through real wars,
• 43:11
  Speaker 2: so you know, I really don't play with these rap
• 43:13
  Speaker 2: wars because people get hurt.
• 43:14
  Speaker 1: You know.
• 43:15
  Speaker 2: The little home with Draco is gone. Yes, you see
• 43:18
  Speaker 2: what I'm saying. So this ship can turn out really
• 43:20
  Speaker 2: really ugly, you know what I'm saying. Vaughn and all
• 43:25
  Speaker 2: that type of ship. So it's like, you know, it's
• 43:29
  Speaker 2: really not to play with. But this sounds like fun
• 43:33
  Speaker 2: right here, So it's a good thing.
• 43:35
  Speaker 4: I feel like this.
• 43:37
  Speaker 5: Ship is fun. You know, I'm gonna I can't wait
• 43:39
  Speaker 5: to get to the car, never.
• 43:42
  Speaker 1: See each other.
• 43:43
  Speaker 3: Yeah, yeah, you got it. You got like you gotta start.
• 43:46
  Speaker 3: You gotta show him, give him the timeline. You gotta
• 43:49
  Speaker 3: play like like you gotta play first play push up.
• 43:52
  Speaker 3: You gotta play first person shooter. They gotta play like that.
• 43:54
  Speaker 4: It's a push up.
• 43:56
  Speaker 1: They came out with a song called this is was
• 43:58
  Speaker 1: doing push ups? No? When was he doing here? With?
• 44:01
  Speaker 4: Yes? Yeah You'll be here damn Cause I'm just an
• 44:05
  Speaker 4: old ass.
• 44:05
  Speaker 1: We were the dog Pound right here on the bootleg
• 44:07
  Speaker 1: keVs Show May thirty first, May thirty first, say we're
• 44:10
  Speaker 1: happy to be here and we appreciate the love.
• 44:13
  Speaker 5: Name of the album, we All we Got
• 44:14
  Speaker 3: We All We Got, May thirty first, Dog Pound Back
• 44:17
  Speaker 3: Together DPG, Let's Go