Latest / The Baller Alert Show / Episode 231 "Sean Garrett"

Transcript

Episode 231 "Sean Garrett" · The Baller Alert Show

• 0:02
  Speaker 1: Um borrow with me here. You know BT's so low,
• 0:05
  Speaker 1: shout out oct no color what we see O getting
• 0:08
  Speaker 1: rid the bula backing. You can't stand on the home
• 0:11
  Speaker 1: SUSI already you know he can't ball with me because
• 0:13
  Speaker 1: you have with the square to me they getting they
• 0:15
  Speaker 1: called to me balla. Welcome to the Battle Show. Podcasts
• 0:26
  Speaker 1: available everywhere you get your podcasts. I go by the
• 0:28
  Speaker 1: name of Ferrari Simmons. I go about now you know
• 0:30
  Speaker 1: BT with that man living legend in the building. Do
• 0:34
  Speaker 1: you do snapshir we do snaps the bold famous sea. Yeah,
• 0:40
  Speaker 1: it's up, sir. Welcome to the show man. We said snaps.
• 0:44
  Speaker 1: You don't you doing snaps? Man? Give me novation. A
• 0:49
  Speaker 1: lot of people don't know this, but I talked to
• 0:51
  Speaker 1: you all the time. We talked all the time. One
• 0:53
  Speaker 1: of my friends in the industry that I met in
• 0:55
  Speaker 1: the industry, but we talked about personal stuff all the time.
• 0:58
  Speaker 1: I appreciate you pulling up on us. Man. We go,
• 1:00
  Speaker 1: how you host a show with us? Then we will
• 1:01
  Speaker 1: getting your business? Okay, all right, here we go. What
• 1:09
  Speaker 1: do you guys thoughts on LSU, Angel Reese and Jill Biden.
• 1:13
  Speaker 1: The Jill Biden controversy. You guys know that LSU won
• 1:16
  Speaker 1: the we didn't know that ship for people who don't
• 1:21
  Speaker 1: know because it's a podcast and some people be in
• 1:23
  Speaker 1: Lala land. Um, Jill Biden, the uh, the wife of
• 1:28
  Speaker 1: the president, the first lady. She invited both teams to
• 1:31
  Speaker 1: go to the White House, and then of course one team,
• 1:35
  Speaker 1: one team one and that never happens. You never invite both.
• 1:38
  Speaker 1: It was like one h two to eighty five. Yeah. Yeah,
• 1:40
  Speaker 1: it was a really good game. I watched that game.
• 1:42
  Speaker 1: It was a good game. And that was my first
• 1:44
  Speaker 1: time ever watching a woman's basketball game. And for the record,
• 1:48
  Speaker 1: Caitlin Clark is a bad mother weather none time out.
• 1:51
  Speaker 1: He's bad. She's not a bad girl. I only watched
• 1:55
  Speaker 1: it for her. I shoot, she just shoot from the pardlt.
• 1:58
  Speaker 1: I don't know why they put the black verse the
• 2:00
  Speaker 1: white thing, but he's fired anyway. With Internet about that,
• 2:03
  Speaker 1: the Internet, I felt like the way it ended up
• 2:06
  Speaker 1: playing out the way it should have played out. Yeah, um,
• 2:09
  Speaker 1: you know LSU man shout out the LSU. Yeah yeah
• 2:13
  Speaker 1: they did. The ladies got down, um and Kaitlyn is
• 2:15
  Speaker 1: hard like she she should get down. And I think
• 2:18
  Speaker 1: that Caitlin actually calmed everything down. He did when when
• 2:22
  Speaker 1: she got an opportunity to um speak about it, Yeah,
• 2:25
  Speaker 1: speak about it. And man, I think she was real
• 2:27
  Speaker 1: professional sportsmanship, right, I think she did. Yeah. I don't
• 2:30
  Speaker 1: think she wanted to smoke though with what baby girl
• 2:33
  Speaker 1: facts facts the court, Yeah on the court by Kayla
• 2:37
  Speaker 1: got all the smoke. Listen. I don't think I don't
• 2:39
  Speaker 1: think that both teams should have been invited, you know. Fact,
• 2:42
  Speaker 1: I think LSU kind of looked at that as like
• 2:43
  Speaker 1: a slap in the face. And then and you know,
• 2:46
  Speaker 1: the only the thing that I hate most about the
• 2:48
  Speaker 1: Internet is the Internet and the media makes everything so racial.
• 2:52
  Speaker 1: It's like everything has to be black and white. It's like, hey,
• 2:57
  Speaker 1: I feel like that's never gonna stop. Keep in mind
• 3:01
  Speaker 1: because we saw it with Larry Bird and Magic Johnson UM,
• 3:06
  Speaker 1: and it's just I don't I haven't seen a female
• 3:09
  Speaker 1: rivalry like that in a long time. I can't even
• 3:12
  Speaker 1: remember one that was good for TV for me. For me,
• 3:16
  Speaker 1: that was the viral moment for female basketball, you know
• 3:20
  Speaker 1: what I mean? Like that, this is the moment I
• 3:21
  Speaker 1: think we all look back on and say, like this
• 3:23
  Speaker 1: was the turning for Remember what I'm saying, and I
• 3:26
  Speaker 1: feel like, well, it's it's about time that I want
• 3:29
  Speaker 1: to go on record to say I think it's about
• 3:30
  Speaker 1: time that the females start get pay Come on now. Yeah,
• 3:33
  Speaker 1: you know what I'm saying. They got they gotta feel them,
• 3:35
  Speaker 1: they gotta feel them seats up. Though they feel they
• 3:37
  Speaker 1: feel well, I think they was the attention that it
• 3:39
  Speaker 1: was felt. Yeah, like they feel the seats up right.
• 3:43
  Speaker 1: But not only that, I feel like it's more than
• 3:45
  Speaker 1: enough ways for them to figure out how to, you know,
• 3:47
  Speaker 1: how to put put people in the seats. Um. I
• 3:50
  Speaker 1: think if they, you know, started to do more um
• 3:53
  Speaker 1: participation in advertising, you know what I'm saying, Um, you know,
• 3:58
  Speaker 1: commercializing it more, um, just bringing more light to it,
• 4:01
  Speaker 1: you know what I mean, Like girls be balling. Yeah,
• 4:03
  Speaker 1: I think I think they need more media coverage. I
• 4:05
  Speaker 1: think the media to speak more about because this is
• 4:09
  Speaker 1: probably the most I've ever seen a woman's basketball game
• 4:12
  Speaker 1: being being covered in the number showed like I believe
• 4:15
  Speaker 1: the whole game. I did too. Yeah, I've never even
• 4:18
  Speaker 1: watched a woman's basketball game. I watched the whole game
• 4:21
  Speaker 1: like I'm watching watching the NBA Finals. I'm like, I was,
• 4:24
  Speaker 1: Oh my God, I was one time for fly J's
• 4:27
  Speaker 1: my little homie. Remember she was on she was on
• 4:30
  Speaker 1: the Rap Game, she was on the Rap JD. She
• 4:32
  Speaker 1: now plays for LG and she has a recording deal
• 4:36
  Speaker 1: with rock Nation. Wow, big shout out to her. Yeah yeah,
• 4:40
  Speaker 1: all right, all right, right, all right, um, how'd your kids?
• 4:42
  Speaker 1: How'd your wife? No? Okay. Marcus Houston says he met
• 4:46
  Speaker 1: his wife when she was seventeen, but did not pursue
• 4:49
  Speaker 1: a relationship until she was eighteen. He is twenty years
• 4:52
  Speaker 1: older than her. Thoughts, y'all didn't know that. I knew that,
• 4:57
  Speaker 1: but go ahead. He met her at seventeen and did
• 5:00
  Speaker 1: not pursue it that she was eighteen. He's twenty years old. Yeah,
• 5:03
  Speaker 1: he talked to or anything. He wait until she was legal. League,
• 5:07
  Speaker 1: come one, who is believing that you met a young
• 5:12
  Speaker 1: lady at seventeen and you said, Hey, I'm gonna wait
• 5:14
  Speaker 1: twelve months and talk it. Take you on a day.
• 5:17
  Speaker 1: I think this stuff, Lisa, stop resurfacing because this happened before,
• 5:23
  Speaker 1: because I remember when he married her and they would
• 5:25
  Speaker 1: talk about the age gap and how how young she
• 5:29
  Speaker 1: was and nothing happened. So like, why are we continuing?
• 5:33
  Speaker 1: Like why are we continuingly talking about it if we're
• 5:36
  Speaker 1: not gonna say or do anything, you know you want
• 5:38
  Speaker 1: to people, go ahead, go ahead, I said, you want
• 5:41
  Speaker 1: to know why people keep talking about it because r
• 5:43
  Speaker 1: Kelly and Jail and they was high. They look at
• 5:47
  Speaker 1: that time they were sweeping another rug under the rug
• 5:49
  Speaker 1: and then it came back out again and they for years.
• 5:52
  Speaker 1: Car Malone, My thing is, I wouldn't get would I
• 5:57
  Speaker 1: would want more attention on things. Does this matter? I don't.
• 6:01
  Speaker 1: I'm not upset that this stuff keeps rehashing. We needed
• 6:05
  Speaker 1: to just to protect these women out here. What do
• 6:07
  Speaker 1: you think about this, Sean? I mean, I think what
• 6:11
  Speaker 1: do y'all y'all feel like? I mean, but do you
• 6:15
  Speaker 1: feel like do you feel like the women are like
• 6:20
  Speaker 1: who Who's whose fault? Do you think it is just
• 6:23
  Speaker 1: like the whoever's older, it's their fault? Whoever is the
• 6:26
  Speaker 1: mature dog? She's seventeen when he had his eye on
• 6:31
  Speaker 1: her and thirty seven a thirty seven year old man
• 6:37
  Speaker 1: should not be a mutual friend too. So some people
• 6:40
  Speaker 1: and that's a little sketchy because some people we were
• 6:42
  Speaker 1: talking with Gail be and the uh they do? What
• 6:44
  Speaker 1: does what does she call it um grooming? Yeah, some
• 6:48
  Speaker 1: people do the grooming thing, so that's kind of raises
• 6:51
  Speaker 1: a brow too. She turns eighteen, he turns thirty eight.
• 6:55
  Speaker 1: Still a twenty year gap. Ain't no twenty eight year
• 6:58
  Speaker 1: olds or thirty two year olds or not see this
• 7:03
  Speaker 1: as a red flag. Well, I think the mutual friend
• 7:06
  Speaker 1: was was the probably one of them that was helping
• 7:08
  Speaker 1: doing the grooming. You know what I'm saying, like, like,
• 7:12
  Speaker 1: I don't know, I believe with people adults, you know,
• 7:14
  Speaker 1: the age thing, the age the age yub don't don't
• 7:17
  Speaker 1: think eighteen is not an adults But he said seventeen.
• 7:21
  Speaker 1: I mean he probably really met her at fifteen, nineteen twenty.
• 7:25
  Speaker 1: It's like you have so much more things going on
• 7:28
  Speaker 1: around that those times frame mentally. But well they married now, right,
• 7:33
  Speaker 1: all right, says man. Code wives and baby mamas are
• 7:37
  Speaker 1: off limits. What are your thoughts? And do you agree
• 7:40
  Speaker 1: like baby mamas is off limits amongst friends meaning you know,
• 7:44
  Speaker 1: my baby mom, you shouldn't be here. I think he
• 7:46
  Speaker 1: was saying it as like an industry thing, like people
• 7:50
  Speaker 1: you know like you Yeah, yeah, I mean I me personally,
• 7:58
  Speaker 1: I probably would take that same it that same route.
• 8:02
  Speaker 1: I mean, respectfully, I don't think that I would if
• 8:05
  Speaker 1: I know somebody, Uh, the baby Mama's probably a little
• 8:10
  Speaker 1: bit of off limits. Yeah, it was a little bit.
• 8:13
  Speaker 1: I mean, what if the opportunity presents itself. Is she single?
• 8:18
  Speaker 1: That is true? I don't know if if it's somebody
• 8:21
  Speaker 1: that I'm cool with, like that, I'm cool with. Yeah,
• 8:24
  Speaker 1: I definitely, I'm probably not gonna now. I think if
• 8:26
  Speaker 1: I think the baby mama is off limits, if you
• 8:29
  Speaker 1: if you know the kid, you know what I'm saying,
• 8:31
  Speaker 1: like like, if you ain't got no relationship with the kid,
• 8:35
  Speaker 1: then it's like I don't think the baby Oh lord
• 8:42
  Speaker 1: who Future does definitely does no bout. I mean, ain't
• 8:44
  Speaker 1: got no choice but to know each other. I don't
• 8:46
  Speaker 1: know they don't have no choice. But I'm saying, prior
• 8:49
  Speaker 1: to him dating his baby mama, did he know that
• 8:51
  Speaker 1: was Oh, I don't know. I don't think. I don't
• 8:54
  Speaker 1: think Future and Batau ran around the same. Yeah, yeah,
• 8:58
  Speaker 1: I don't think that was in the same But is
• 9:00
  Speaker 1: that not like he said, Like we were just saying,
• 9:02
  Speaker 1: it's like an industry standard, like bro code. I'm guessing
• 9:05
  Speaker 1: man ain't nobody ain't nobody baby mama off limits. I
• 9:08
  Speaker 1: don't think yes, because the dollar reason why I say
• 9:13
  Speaker 1: wives are off limits because people people saying the same.
• 9:17
  Speaker 1: I think, I think people will kill you over their
• 9:18
  Speaker 1: baby mama too. Yeah, but they why like Brome is
• 9:23
  Speaker 1: definitely yeah, wife is off well, ex wife too, because
• 9:26
  Speaker 1: I'm sure that's what he means is because it's like, yeah,
• 9:30
  Speaker 1: because they got my ex wife because if his wife,
• 9:32
  Speaker 1: you know what, I don't care who's to me? I
• 9:36
  Speaker 1: don't care. So they not respectfully to the mother the
• 9:39
  Speaker 1: mothers of my kids, right, respectfully, I'm not tripping. Yeah,
• 9:43
  Speaker 1: we don't want to get you in trouble personally Ferrari Yeah,
• 9:46
  Speaker 1: right to my exes. I'm not tripping on any of that.
• 9:49
  Speaker 1: So that's what I'm saying. No, X happier relation is
• 9:52
  Speaker 1: off women, your baby mama limits, your ex wife not
• 9:56
  Speaker 1: off limits to my circle. Now you and my grooms
• 9:58
  Speaker 1: man still to my friends. Yeah, but industry people aren't
• 10:03
  Speaker 1: friends because I'm let's stop, let's stop not friends. Yeah,
• 10:07
  Speaker 1: but Garrett was was wrote somebody record and y'all not friends.
• 10:11
  Speaker 1: And the man baby Mama tried to give you that
• 10:13
  Speaker 1: thing you're gonna hear is off limits to me because
• 10:17
  Speaker 1: that's my That's that's what I mean, because I would
• 10:20
  Speaker 1: definitely take a personal I would take a personal if
• 10:22
  Speaker 1: like my friend, like if fou out, r if if
• 10:26
  Speaker 1: if foul out was to hit my my baby one
• 10:30
  Speaker 1: be like wheezy, what's happening? Like But yeah, like I mean,
• 10:38
  Speaker 1: I think, yeah, oh my god, oh yeah, no, you
• 10:47
  Speaker 1: know that's it's no man dreams, it's you know what
• 10:51
  Speaker 1: gonna talk about? Okay, Yeah, because I was ahead, it's
• 10:56
  Speaker 1: like on the court, on the court and on the
• 10:58
  Speaker 1: field better than now, I'm taking his head off. I'm like,
• 11:04
  Speaker 1: he's not he can't fuck with me. Okay, but can
• 11:06
  Speaker 1: we go? Can we go there? Yeah? All right, So
• 11:09
  Speaker 1: shout out to you in the dream, you guys is
• 11:11
  Speaker 1: like the first unofficial versus the first viral. You guys
• 11:16
  Speaker 1: were the first viral moment in the pandemic ye, which
• 11:19
  Speaker 1: turned into versus and all this stuff like that. I
• 11:22
  Speaker 1: think the viral moment came from Sean being kind of
• 11:25
  Speaker 1: tipsy or drunk or whatever you want. I actually, first
• 11:31
  Speaker 1: of all, I don't do nothing to roll, but but
• 11:35
  Speaker 1: now you know, I had went to the dentist. I
• 11:36
  Speaker 1: was at the dentist that day and I had two
• 11:39
  Speaker 1: root canals. So I was actually when I when I
• 11:42
  Speaker 1: when I got the call from Swiss, I was with
• 11:45
  Speaker 1: my man Bobby, and I was out of it in
• 11:48
  Speaker 1: his truck, you know what I'm saying. So when I
• 11:50
  Speaker 1: got the call, it was like, Yo, I don't even
• 11:51
  Speaker 1: know if I'm gonna really be able to do this Swiss,
• 11:53
  Speaker 1: and Swiss like, yo, I need you right, So it
• 11:57
  Speaker 1: was it was it was like the same night he
• 11:59
  Speaker 1: called you when you got online. It was yeah, it
• 12:01
  Speaker 1: was like an hour ye, like an hour away. Was
• 12:04
  Speaker 1: this like the verses or was it just like something
• 12:08
  Speaker 1: like well, it was like what was so crazy? When
• 12:10
  Speaker 1: people don't really understand I was actually holding my I
• 12:13
  Speaker 1: was actually holding my phone the entire time, right, So
• 12:17
  Speaker 1: it wasn't like it was set up. It was, you know,
• 12:19
  Speaker 1: this was the versus versus was you know what I'm saying,
• 12:22
  Speaker 1: was like, hey man, we're gonna have it a little battle,
• 12:25
  Speaker 1: you know, a little conversation. And this was like he
• 12:27
  Speaker 1: had told me like a week before. Should I forgot
• 12:29
  Speaker 1: about it? You know what I mean? And I definitely
• 12:32
  Speaker 1: when he when he called me and reminded me that day,
• 12:35
  Speaker 1: I was like, I am I am lit, you know
• 12:38
  Speaker 1: what I mean? I was he was late, but who
• 12:41
  Speaker 1: wants up with me? No? I was, oh yeah, but
• 12:44
  Speaker 1: I still yeah, I mean why when it got real,
• 12:48
  Speaker 1: it got real serious. And you know what really turned
• 12:50
  Speaker 1: it up was Swizzy put me on the cables and
• 12:54
  Speaker 1: was like, yo, bro, you ain't feeling this, Like I
• 12:56
  Speaker 1: gotta show you this commercial this So he sent me
• 12:59
  Speaker 1: the commercial and you know, because we both did like
• 13:02
  Speaker 1: little like little commercial to for the for the event,
• 13:08
  Speaker 1: and oh my god, he was just talking about, man,
• 13:12
  Speaker 1: I'm the culture and you're not the culture, and I'm
• 13:14
  Speaker 1: just like, what gas? Like, who is gassing you to
• 13:18
  Speaker 1: think that you? What are you talking about? What are
• 13:21
  Speaker 1: you talking like? So it just it just went from
• 13:25
  Speaker 1: you know, in my natural I'm already on ten to
• 13:29
  Speaker 1: come to you know, being on the field, and I mean,
• 13:32
  Speaker 1: you know, it's kind of like men men men's dream
• 13:34
  Speaker 1: have always had this um competitive nature. Yeah, we've always
• 13:39
  Speaker 1: been competitives. You know. He always wanted to occupy that house.
• 13:44
  Speaker 1: You know what I'm saying. Can can you go down
• 13:48
  Speaker 1: the list of your number one because I know you
• 13:50
  Speaker 1: know them Ushers? Yeah you wrote ushers. Yeah, Yer's goodies,
• 13:55
  Speaker 1: Sera's goodiesh Beyonce's check up on it, Fergie's London Bridge.
• 14:01
  Speaker 1: Did you do give me body too? Yep, give me body?
• 14:04
  Speaker 1: He did upgrade body. Yep, you did upgrade, you upgrade
• 14:08
  Speaker 1: you diva. Uh that's the shy soldiers lose my breath.
• 14:13
  Speaker 1: I mean, you got Beyonce records, but he got records too.
• 14:16
  Speaker 1: Ain't got these, but he got the newest ones. He
• 14:19
  Speaker 1: ain't got the bombs like these. Man, listen. So so
• 14:22
  Speaker 1: let's let's go, let's go, let's go, let's put let's
• 14:24
  Speaker 1: put his against even the latest album alone grand So
• 14:29
  Speaker 1: you're gonna tell me, so let's just keep it gangster.
• 14:31
  Speaker 1: You're gonna tell me which one of them records on
• 14:32
  Speaker 1: they're harder than ring the alarm Renaissance. We're talking about
• 14:35
  Speaker 1: blog we s my shit that that's classic forever. Yeah,
• 14:38
  Speaker 1: we're talking about records that you just got to perform.
• 14:41
  Speaker 1: Put a ring on it, Okay, classic forever. Okay, I
• 14:44
  Speaker 1: put up one of mine up, I put check up
• 14:46
  Speaker 1: on against that. Nah. It was nine weeks number one,
• 14:50
  Speaker 1: So what you say, number one? What's happening? Dream? You
• 14:53
  Speaker 1: gonna to come on here? Dream? It was cool, he Dream,
• 15:00
  Speaker 1: Let me let me do it more real quick, Hey, Dream,
• 15:02
  Speaker 1: we gotta have you on The Baller Show. Sean Garrets
• 15:05
  Speaker 1: on here talking smack. I'm talking and I'm talking, So
• 15:08
  Speaker 1: we need you to come back on here. We might
• 15:10
  Speaker 1: need to do an episode both of y'all, but that
• 15:13
  Speaker 1: would be I got more I got more hot one
• 15:18
  Speaker 1: hundred than ones and him about far period. Hey, So
• 15:21
  Speaker 1: I'm gonna let him come on here into enough crying.
• 15:28
  Speaker 1: What we're doing? What is we doing? We'll be right
• 15:31
  Speaker 1: back with more of The Baller Alert Show. Sean Garrett,
• 15:36
  Speaker 1: Where are you from? I'm from Atlanta from um and
• 15:39
  Speaker 1: you grew you grew here? Know. I moved to Europe
• 15:42
  Speaker 1: when I was fired, okay, um? And how what made
• 15:45
  Speaker 1: you get into music? Like? Was music something that that
• 15:48
  Speaker 1: was already in you? Like? How did you? Because you
• 15:51
  Speaker 1: know it's hard to become a number one hit writer.
• 15:54
  Speaker 1: So you know I was an artist and saw my
• 15:55
  Speaker 1: first record deal when I was fourteen. Um, I came
• 15:58
  Speaker 1: back to the States with who where do you? Who'd
• 16:00
  Speaker 1: you signed with Aerial BMG so in Europe and I
• 16:05
  Speaker 1: actually came back to the States to sign a new
• 16:07
  Speaker 1: deal here in America, um My deal fell through. I
• 16:11
  Speaker 1: was signing with Warner Um Warner that I worked for,
• 16:14
  Speaker 1: yep um and so um and so then man, my
• 16:21
  Speaker 1: mom came. My mom got sick and I and I'm
• 16:25
  Speaker 1: losing my mom to cancer. And so I moved back
• 16:29
  Speaker 1: to Atlanta, and you know, I started shopping um my
• 16:35
  Speaker 1: demo for a new artist deal. Uh. And so people
• 16:38
  Speaker 1: were like, yo, you were by Sean Garrett. Yeah. People
• 16:42
  Speaker 1: were like, yo, you really read some great songs, like
• 16:44
  Speaker 1: do you mind or would you mind writing songs for
• 16:47
  Speaker 1: other people? And I was like, I don't really do that.
• 16:49
  Speaker 1: Who asked you that? Just generally people were hearing. Yeah,
• 16:55
  Speaker 1: And it was like a lot of the songs that
• 16:57
  Speaker 1: I was that I wrote for myself, they were all different.
• 17:00
  Speaker 1: I've always had this perspective of, like, none of my records.
• 17:03
  Speaker 1: I never really wanted none of my records to sound
• 17:05
  Speaker 1: the same. So I could do a body of work
• 17:09
  Speaker 1: they would all go together, but they would they would
• 17:12
  Speaker 1: definitely be different. Like, you know, like it made sense
• 17:16
  Speaker 1: for me to do a year right on an album
• 17:19
  Speaker 1: like Confessions, because my perspective would be, let me do
• 17:23
  Speaker 1: something on this album that's going to be different, that's
• 17:25
  Speaker 1: going to be a standout outside of what everyone else
• 17:29
  Speaker 1: is doing, right, And so I never really even thought
• 17:32
  Speaker 1: writing songs, writing and producing songs for other people with
• 17:34
  Speaker 1: something that I really wanted to do. I never even
• 17:37
  Speaker 1: something I never even thought that I wanted to do.
• 17:40
  Speaker 1: And I actually was like totally against it until I
• 17:44
  Speaker 1: lost my mom. And you know, it was really like
• 17:48
  Speaker 1: a sort of a wake up call of just like
• 17:51
  Speaker 1: realizing that, you know, life is short and she should
• 17:54
  Speaker 1: always say, like, you know, you should put all your
• 17:56
  Speaker 1: eggs in basket, in one basket. So I ended up
• 17:59
  Speaker 1: doing a wishing deal with Hitco. I mean lad publishing company.
• 18:06
  Speaker 1: UM original Hitco, the original one, Yeah, the original one. UM.
• 18:11
  Speaker 1: And right before then, I started getting a lot of
• 18:13
  Speaker 1: UM offers from different publishing companies. So I was like, damn,
• 18:16
  Speaker 1: they really want to pay me this much money to write?
• 18:19
  Speaker 1: Did you have a hit record for them to reach
• 18:22
  Speaker 1: out to you like that or No. It was just
• 18:24
  Speaker 1: like in our community, like in Atlanta, you know what
• 18:26
  Speaker 1: I mean. It's like, you know, you had you had Hitco,
• 18:29
  Speaker 1: you know, you had Sony, you got all these different
• 18:31
  Speaker 1: publishing companies. That's right in our area, you know what
• 18:33
  Speaker 1: I'm saying. So heard your stuff was circulating around. Yeah,
• 18:36
  Speaker 1: it was kind of circulating around, and there was different people.
• 18:39
  Speaker 1: And I actually ended up doing my deal with hitco
• 18:42
  Speaker 1: Um God Rest his Soul with Shakier Stewart and Billy Callaway.
• 18:46
  Speaker 1: So Billy Callaway was throwing these um Billy Callaway was
• 18:50
  Speaker 1: doing these bowling leagues, the Entertainment Bowling League, so the
• 18:54
  Speaker 1: Entertainment Bowling League. Everyone would be there, right, and so
• 18:58
  Speaker 1: it was just all of the play is that was
• 19:00
  Speaker 1: actually in Atlanta, Man, you had plugged in. Chris hicks
• 19:04
  Speaker 1: Um was actually the president of Warner Chapel at the time,
• 19:09
  Speaker 1: and then he also had Noontime. They also had Noontime,
• 19:12
  Speaker 1: so neon Time was a whole production company. And then
• 19:14
  Speaker 1: you got the dreams uh and Tricky they were all
• 19:18
  Speaker 1: at what's the name, what's the name of their uh
• 19:20
  Speaker 1: the click Uh damn, I forget the name of the click,
• 19:24
  Speaker 1: but that was a whole click um. So you had
• 19:27
  Speaker 1: like different section sectors of you know. B Cox was
• 19:29
  Speaker 1: signed too, if I'm not mistaken, he was signed the
• 19:31
  Speaker 1: Noontime John toy Austin was signed the Noontime UM. Jazz
• 19:35
  Speaker 1: Fabe was signed a Noontime UM so you know you
• 19:39
  Speaker 1: like that young click. I wasn't in the click just
• 19:43
  Speaker 1: like people just liked the songs, you know what I'm saying.
• 19:46
  Speaker 1: And so I ended up doing my deal a HITCO
• 19:48
  Speaker 1: and and the crazy part was like, as an artist,
• 19:50
  Speaker 1: I was an outsiders. As a publisher, that was my publisher, right.
• 19:55
  Speaker 1: So as a producer and a songwriter, I was working there, right,
• 19:59
  Speaker 1: I was signed there, and so um, my first opportunity
• 20:03
  Speaker 1: to get it get in the game was UM working
• 20:06
  Speaker 1: on Ushers. Yeah, I was working on was trying to
• 20:09
  Speaker 1: get on Confessions, UM, and that was one that you
• 20:12
  Speaker 1: were trying to get on there. So I was trying
• 20:14
  Speaker 1: to get on there because it wasn't um, it wasn't easy,
• 20:16
  Speaker 1: and it was like that you know, La had called me.
• 20:19
  Speaker 1: It was like what you're gonna do? Kid? Like, you know,
• 20:21
  Speaker 1: Confessions album is about to close. So I looked at
• 20:24
  Speaker 1: that opportunity as man, if I if I can get
• 20:30
  Speaker 1: on this album, this could be the start of something
• 20:33
  Speaker 1: and I can get I can get in and get
• 20:35
  Speaker 1: out of here, you know what I'm saying. Because my
• 20:36
  Speaker 1: whole perspective was like I wanted to get in and
• 20:39
  Speaker 1: get out. I really wanted to if I was gonna
• 20:41
  Speaker 1: do this, I really wanted to do it. I wanted
• 20:43
  Speaker 1: to do it at the highest level. So UM, I
• 20:45
  Speaker 1: ended up doing my UM doing my deal there UM
• 20:49
  Speaker 1: and so the quickest way I felt like I was
• 20:51
  Speaker 1: gonna be able to because at the time everybody was
• 20:55
  Speaker 1: real clickish, so I wasn't in the click to be
• 20:58
  Speaker 1: very honest, you know what I mean. J d Um
• 21:01
  Speaker 1: shout out to J d Um, Brian Michael Cox, a
• 21:06
  Speaker 1: lot of these guys, man, they were already implemented in
• 21:08
  Speaker 1: the systems right and so I'm an outsider UM at
• 21:12
  Speaker 1: the time. Also, Pouvier was signed to Hitco um My
• 21:17
  Speaker 1: man Zeke who now uh is president for um Epic.
• 21:23
  Speaker 1: He was a songwriter, he worked, I mean he was
• 21:25
  Speaker 1: signed to Hicco as well. Um Tab Tab was over
• 21:31
  Speaker 1: uh No, I think Tab was signed a Hitco too,
• 21:34
  Speaker 1: but he was a part of Tricky and Dreams crew.
• 21:37
  Speaker 1: So to be honest, man, it was like they all
• 21:40
  Speaker 1: thought all my records were completely They were like, who's
• 21:43
  Speaker 1: this new guy? Man? His song was a whack like,
• 21:46
  Speaker 1: so people thought your songs weren't good or they was
• 21:48
  Speaker 1: just hating on you. I don't know what it was. Man.
• 21:51
  Speaker 1: But you know, you know, I was an athlete. I'm
• 21:53
  Speaker 1: an athlete, Bob Bob. I played football, basketball, baseball, like
• 21:58
  Speaker 1: I played every sport. So I'm I've always been real competitive,
• 22:02
  Speaker 1: always been like really in shape. So wrong business. Yeah,
• 22:06
  Speaker 1: I was just with competing. It didn't matter, you know
• 22:08
  Speaker 1: what I'm saying. My question to you is, how did
• 22:11
  Speaker 1: Usher get Yeah? This was your first big one? Yeah?
• 22:14
  Speaker 1: This was my second song. Actually ever, what was your
• 22:17
  Speaker 1: first hit? My first? But USh, Yeah it was my
• 22:20
  Speaker 1: first hit. My first song out was latifs I Don't
• 22:24
  Speaker 1: Want to Hurt You. That was my ship, you know
• 22:26
  Speaker 1: what I'm saying. Um from my slow jam playlist. Yeah,
• 22:29
  Speaker 1: so like that's crazy so um And I actually really
• 22:34
  Speaker 1: loved that song, Like I thought that was I thought
• 22:36
  Speaker 1: that song was gonna go. Then he did a video
• 22:38
  Speaker 1: in the rain and yeah, yeah, I didn't very about
• 22:40
  Speaker 1: to do a video in the rain. I was like
• 22:42
  Speaker 1: the first but go ahead in the car? How did
• 22:46
  Speaker 1: they say? Yes? How did you get in the door? Well,
• 22:49
  Speaker 1: I mean I had. Um. I got a shout out
• 22:51
  Speaker 1: to Antonio Junior as well La Ree's son. Okay, Tonio,
• 22:54
  Speaker 1: that's my boy, my guy Junior. Um, So you know
• 22:59
  Speaker 1: working over there. Um, that was my perspective. I was like,
• 23:02
  Speaker 1: we ship, the only way I'm gonna be able to
• 23:04
  Speaker 1: get on this album is I'm gonna have to do
• 23:06
  Speaker 1: something really different and I'm gonna do something that's completely
• 23:08
  Speaker 1: far to the left, or they ain't gonna fuck with it,
• 23:11
  Speaker 1: you know what I'm saying. So I, um, I wanted
• 23:13
  Speaker 1: I wanted some of those little John beats. I was like,
• 23:15
  Speaker 1: you know what, I'm gonna do one of Michael Jackson song.
• 23:17
  Speaker 1: I'm I'm gonna create a Michael Jackson record on a
• 23:19
  Speaker 1: on a little John beat. And cast thought I was crazy,
• 23:23
  Speaker 1: you know what I'm saying. It was just like, um,
• 23:26
  Speaker 1: they all they all thought that. I don't know if
• 23:28
  Speaker 1: they was hating or what, but they all thought that
• 23:31
  Speaker 1: was talking as if my records were just like it
• 23:36
  Speaker 1: was just it just wasn't good because they didn't sound
• 23:39
  Speaker 1: like theirs, and I thought that shit was amazing. Or
• 23:42
  Speaker 1: they might didn't want you to get through the door. Yeah,
• 23:44
  Speaker 1: if you do listen to The Confession's album, that's the
• 23:46
  Speaker 1: only song that sticks out, you know. And I had
• 23:48
  Speaker 1: like this style of like you know, I had like
• 23:50
  Speaker 1: a I have an unorthodox style of writing songs, you
• 23:53
  Speaker 1: know what I mean. It's like it's like I really
• 23:56
  Speaker 1: I really try to do things creatively to a point where, um,
• 24:00
  Speaker 1: it makes you it it's so uh it makes it
• 24:06
  Speaker 1: makes the consumer love it from not just a melodic perspective,
• 24:11
  Speaker 1: but a style, right, And so I always create songs
• 24:14
  Speaker 1: that have a style that that's sort of like that.
• 24:17
  Speaker 1: I knew it not only was a good song, but
• 24:20
  Speaker 1: it made the artists look cool. It made him feel cool.
• 24:24
  Speaker 1: Like if you think about like Chris Brown's running or
• 24:26
  Speaker 1: give Me That or Ain't No Way or wall to wall, Um,
• 24:31
  Speaker 1: those are all that's That's like, that's like Chris's signature.
• 24:35
  Speaker 1: Female Like that's still Chris today. You know what I'm saying,
• 24:38
  Speaker 1: He's still that he uh says the words and and
• 24:42
  Speaker 1: does the runs and stuff. I know what you're saying.
• 24:44
  Speaker 1: I'm saying, there were you there with Usher with Chris Brown. Yeah,
• 24:48
  Speaker 1: that's another thing that's a part of my gift is
• 24:51
  Speaker 1: like I'm really really good at producing vocals and creating
• 24:54
  Speaker 1: there with the artists. Yeah, like like we did like
• 24:57
  Speaker 1: we did be there in like two and a half
• 24:59
  Speaker 1: weeks the whole album. You know what I'm saying on
• 25:01
  Speaker 1: that album, um, ring the Alarm Upgrade, you M Get
• 25:07
  Speaker 1: Me Body green Light with Pharrell, Um, that was a
• 25:12
  Speaker 1: dope album. Um, how was it working with her? Like,
• 25:14
  Speaker 1: I know she likes to write a lot of her stuff.
• 25:16
  Speaker 1: Did did you write it in she assisted or changed
• 25:19
  Speaker 1: words in the booth? Or how does that work with
• 25:22
  Speaker 1: Beyonce at the time? M Beyonce's Beyonce's like, well, first
• 25:27
  Speaker 1: of all, everybody knows she's really really private, right, and
• 25:29
  Speaker 1: so she don't really like people like knowing her business.
• 25:34
  Speaker 1: But to be very honest, like, she's like one of
• 25:38
  Speaker 1: the one of my favorite people to work with because
• 25:41
  Speaker 1: she's extremely smart. Right. Um, I don't know if y'all
• 25:45
  Speaker 1: got a chance to listen to a knife wonder kind
• 25:47
  Speaker 1: of explained the story on like when I was doing
• 25:50
  Speaker 1: Recause like girl or is she the reason why the
• 25:52
  Speaker 1: first record I did for the Girls it was definitely
• 25:55
  Speaker 1: child is? Um? Is she the reason girl? T shirt?
• 25:58
  Speaker 1: I'm Through with Love? Why are you going? You know?
• 26:01
  Speaker 1: Soldier lose my breath? Bee was like at that time,
• 26:05
  Speaker 1: she was like she wanted the best right and so
• 26:08
  Speaker 1: she would just you know, she had these rooms set
• 26:11
  Speaker 1: up at Sony and she would give us all like
• 26:13
  Speaker 1: it was only like God rest his soul. But Lashan
• 26:16
  Speaker 1: Daniels and Rottney that was one team. It was me
• 26:20
  Speaker 1: and I was actually working with um My Man Swiss
• 26:23
  Speaker 1: Swiss Beach, and I was also working with Pharrell, and
• 26:27
  Speaker 1: then I was working with I think I brought in
• 26:31
  Speaker 1: a couple of other tracks as well. But a lot
• 26:34
  Speaker 1: of times Bee let me do, she let me do
• 26:38
  Speaker 1: when I got around her, I was trying to give
• 26:41
  Speaker 1: her the craziest shit possible. So I would come with
• 26:44
  Speaker 1: ideas shit before she wouldn't come to the studio a
• 26:48
  Speaker 1: lot of times, you know what I mean, Because I
• 26:50
  Speaker 1: was so excited to work with her, And that's why
• 26:52
  Speaker 1: I feel like, you know, pound for pound today, I'm
• 26:55
  Speaker 1: still one of the best songwriter producers for Beyonce period
• 26:58
  Speaker 1: because I feel like she and I really work well together,
• 27:04
  Speaker 1: Like in reference to like communicating, like she'll just say hey,
• 27:07
  Speaker 1: She'll say, Sean, I'm feeling this way today, or I
• 27:09
  Speaker 1: want to do this, or i want to do that.
• 27:11
  Speaker 1: I'll take that perspective and go make a record and
• 27:14
  Speaker 1: come take it back and then like you just leave
• 27:17
  Speaker 1: her with it and then she does her thing or
• 27:19
  Speaker 1: are you in there vocal coaching her or anything like that,
• 27:23
  Speaker 1: or does she just she takes the demos and then
• 27:25
  Speaker 1: the reference and then go do her thing. And that's time,
• 27:28
  Speaker 1: like I would do a demo, like anytimes I do records,
• 27:30
  Speaker 1: I'll do the demo, you know what I'm saying. And
• 27:32
  Speaker 1: so then she'll, oh, I might just do the chorus
• 27:35
  Speaker 1: and then finish the song up. You know what I'm saying.
• 27:38
  Speaker 1: She might cut the chorus and see how she feels
• 27:41
  Speaker 1: about it. And a lot of times it was just
• 27:43
  Speaker 1: we was it just every song was just going crazy,
• 27:46
  Speaker 1: you know what I'm saying. And it was like I
• 27:47
  Speaker 1: would make this, I would create the ship like right
• 27:49
  Speaker 1: there in front of her to the point where she
• 27:52
  Speaker 1: would love it, and she would cut you know what
• 27:54
  Speaker 1: I'm saying. And it's just it was. And she was
• 27:57
  Speaker 1: then going in another room. So she so she like
• 28:00
  Speaker 1: five rooms going so I think at the time also
• 28:03
  Speaker 1: there was um uh she was Solange was there, her cousin,
• 28:09
  Speaker 1: um Angie was there, or Bay. So these are production rooms,
• 28:18
  Speaker 1: studio studio studios. They'll runt out of studio and they're
• 28:21
  Speaker 1: having different separate um separate, separate studio rooms. They would
• 28:25
  Speaker 1: have like a group of people working in one room,
• 28:27
  Speaker 1: like maybe me a songwriter, producer, and and a tract producer.
• 28:32
  Speaker 1: Yeah it's the same. Yeah, it's the same thing. They've
• 28:34
  Speaker 1: been doing the same thing for years because most people
• 28:36
  Speaker 1: don't know that there's other writers as well. Yeah, there
• 28:39
  Speaker 1: will be other people in the in the rooms and
• 28:41
  Speaker 1: it'll be it. That's why it's so competitive, you know
• 28:43
  Speaker 1: what I'm saying, and say this song sucks, We're about
• 28:47
  Speaker 1: to go Sean Gear. Yeah, like a lot of times,
• 28:50
  Speaker 1: and that's where some of the that's where some of
• 28:52
  Speaker 1: the um I guess some of the um hate comes
• 28:55
  Speaker 1: from sometimes because at the end of the day, it's
• 28:57
  Speaker 1: not like I'm in there dissing or or hating on somebody.
• 29:01
  Speaker 1: It's just like, shit, they're gonna go with the best
• 29:02
  Speaker 1: song her record, you know what I mean? Now, Yeah,
• 29:06
  Speaker 1: you know what I mean. So it wasn't like like
• 29:08
  Speaker 1: like you know, like anybody that know me and shit,
• 29:10
  Speaker 1: like I'm just I'm a real nigga, Like I'm like,
• 29:12
  Speaker 1: I'm cool, Like I don't I don't really got no
• 29:14
  Speaker 1: problems with nobody, you know what I'm saying, unless there's
• 29:16
  Speaker 1: a problem, and then there's a problem. I have a
• 29:19
  Speaker 1: question recording and at the end of the day, before
• 29:21
  Speaker 1: we get off of the songwriter thing, it's about it's
• 29:24
  Speaker 1: about who gets the most on the record right on. Yeah,
• 29:27
  Speaker 1: it's like, well it's it's really about the songs, you
• 29:31
  Speaker 1: know what I'm saying. At the end of the day,
• 29:33
  Speaker 1: that's that's the part that's today. I feel like people
• 29:36
  Speaker 1: compromise and they end up having to pay for it later.
• 29:39
  Speaker 1: Like it's like, you need the best fucking song to
• 29:41
  Speaker 1: sell your product. But that's why she has so many
• 29:44
  Speaker 1: people around her so she can pick from the best.
• 29:47
  Speaker 1: That's hard too, you know what I'm saying, because it's
• 29:50
  Speaker 1: like you can have a lot of people in the room.
• 29:53
  Speaker 1: Like I never like to work. I never liked to
• 29:55
  Speaker 1: work like that because for me, it's like I'm more
• 30:00
  Speaker 1: so paying attention to what whomever it is that's driving.
• 30:05
  Speaker 1: If Beyonce's driving, I'm paying attention to what Beyonce. He's
• 30:07
  Speaker 1: talking about her process. Yeah, I ain't got shit to
• 30:09
  Speaker 1: do with I'm not focused on anything else because anything
• 30:12
  Speaker 1: else is gonna take me off of what I came
• 30:14
  Speaker 1: to do, you know what I'm saying, And I'm focused
• 30:16
  Speaker 1: on where she's where she's coming from and and and
• 30:20
  Speaker 1: being it's it's about you being smart enough to understand
• 30:23
  Speaker 1: how to take this ship to the next level. Understanding
• 30:25
  Speaker 1: the job. Yeah, she's the job and you're gonna work
• 30:29
  Speaker 1: according to her process. So it's like the way they're
• 30:31
  Speaker 1: doing it now, it's crazy, like they be having like
• 30:35
  Speaker 1: six seven eight people writing on a song. That shit
• 30:37
  Speaker 1: is crazy. And a lot of these songs that's coming
• 30:39
  Speaker 1: out of y'all can tell like the songs ain't really crazy.
• 30:42
  Speaker 1: I've been music is not as good as because yeah,
• 30:47
  Speaker 1: because it's all over the place. But to your point, though,
• 30:50
  Speaker 1: and I do miss how the old process were, where
• 30:53
  Speaker 1: it's like a Jimmy Jammt Terry Lewis spending time with
• 30:56
  Speaker 1: their talent, a Janet Jackson getting to know her and
• 30:59
  Speaker 1: then create something for her, like a whole sound for her. Yeah,
• 31:02
  Speaker 1: and um, you know, I feel like that's missing. How
• 31:05
  Speaker 1: important is it for the artist to have the right producer? Important?
• 31:11
  Speaker 1: Like it's important. You got to think about it like this, right,
• 31:14
  Speaker 1: Like I look at the consumer, like I really respect
• 31:18
  Speaker 1: the consumer. I like that's the end goal. It's almost
• 31:21
  Speaker 1: like like Nike selling sneakers, Nike packages, their shoes properly.
• 31:26
  Speaker 1: It's the box, it's the paper, it's the way the
• 31:29
  Speaker 1: shoe look, it's the color. It's everything, right, that's the
• 31:33
  Speaker 1: presentation is everything. The product is everything. So the fans
• 31:36
  Speaker 1: at the end of the day, UM, that to me,
• 31:39
  Speaker 1: I feel like that's the reason why you know, people
• 31:42
  Speaker 1: will pay for your ticket when your music is incredible,
• 31:44
  Speaker 1: Like the reason why Taylor Swift sells out the way
• 31:47
  Speaker 1: she does because her music, her fans already know she's
• 31:51
  Speaker 1: going to deliver an incredible project, right, And that consistency,
• 31:57
  Speaker 1: that's a problem with us because when you're in assistant,
• 32:00
  Speaker 1: what does consumer thing? Shit? Last time I went to
• 32:03
  Speaker 1: go buy this damn last time I went to the
• 32:04
  Speaker 1: grocery store over at the Walmart, the damn the meat
• 32:07
  Speaker 1: was spoiled. But why is that though? Why why does
• 32:11
  Speaker 1: why does um with the you know, with our side
• 32:14
  Speaker 1: of the music business. Um, I look at like the
• 32:17
  Speaker 1: country singers and stuff like that, they always have the
• 32:19
  Speaker 1: same producers, like Corners Bro. It's like, you know, it's
• 32:22
  Speaker 1: you know, it's that's it's us, you know what I mean?
• 32:24
  Speaker 1: Like we always think we can get shit cheaper. We
• 32:26
  Speaker 1: always think we can you know, what I mean. Uh,
• 32:29
  Speaker 1: you know, it's like Gibson was talking about, it's like
• 32:31
  Speaker 1: you think you can, like you really think the people
• 32:34
  Speaker 1: that really do this shit, they really are amazing at it.
• 32:37
  Speaker 1: Like I really do this music shit. You know what
• 32:39
  Speaker 1: I'm saying. And I'm very thorough about it. You know
• 32:41
  Speaker 1: what I'm saying. And I'm gonna do amazing songs no
• 32:44
  Speaker 1: matter what. I'm not just a songwriter. I'm a songwriter,
• 32:46
  Speaker 1: producer and singer and artist and creative. Who needs to
• 32:50
  Speaker 1: call you back? Y'all know who need to call me back?
• 32:55
  Speaker 1: You know? Nah? Man? Look, man, think about to call
• 33:03
  Speaker 1: you back then, y'all hear who need to call you back? Hey? Man,
• 33:10
  Speaker 1: y'all heard the new Glue? Man? You know what I mean? Like, Um, look,
• 33:14
  Speaker 1: I'm just I'm just excited still about doing amazing music. Man.
• 33:20
  Speaker 1: That new Usher song? Is that new Usher song is crazy?
• 33:23
  Speaker 1: Is it? It's called Glue? You heard it? Yeah? I
• 33:26
  Speaker 1: know what you're talking about now, But just for the audience, Yeah, okay,
• 33:29
  Speaker 1: you're good. Questions in the comments, boy, but that song
• 33:34
  Speaker 1: is great? Um, how was it working with Usher for
• 33:36
  Speaker 1: this for Glue? I mean it was really amazing actually,
• 33:40
  Speaker 1: because um, one Usher is like one of the hardest
• 33:43
  Speaker 1: working UM artists. He gonna work his tail off, He's
• 33:47
  Speaker 1: gonna he's gonna challenge yourself. I really wanted to challenge
• 33:50
  Speaker 1: him on his vocals. Yeah, because he he's back in
• 33:52
  Speaker 1: that false subtle range is giving me Maxwell or something. Man.
• 33:55
  Speaker 1: I thought. I thought, I was like, man, that sound
• 33:57
  Speaker 1: like Prince. Yeah, Like I'm like, like, no, shout out
• 34:00
  Speaker 1: to Prince Man, and like Prince is like unbelievable, Like
• 34:05
  Speaker 1: it definitely is the inspiration of that spirit of him
• 34:09
  Speaker 1: um DeAngelo Um. I just wanted to help Usher. Well
• 34:14
  Speaker 1: one I got I got annoyed by the idea of
• 34:17
  Speaker 1: UM and what this is one thing I don't really
• 34:19
  Speaker 1: like about our community. Man, It's like we're always putting
• 34:22
  Speaker 1: each other down or we're never giving um our people
• 34:25
  Speaker 1: man the respect that we deserve. Like you know in
• 34:30
  Speaker 1: the country, in the country sectors or the pop world,
• 34:34
  Speaker 1: you know, they always got the same respect for their
• 34:36
  Speaker 1: for their for their artists, and they show it on stage.
• 34:40
  Speaker 1: Artists think the producers and songwriters that help they bringing
• 34:43
  Speaker 1: them on stage. And for some reason it's like I
• 34:47
  Speaker 1: don't know why we feel like we can't thank somebody
• 34:51
  Speaker 1: like you can't thank the person that really bust they
• 34:54
  Speaker 1: asked to help you shine. I always say the real
• 34:56
  Speaker 1: the real stars of the songwriters and the producers. Yeah. Man,
• 34:59
  Speaker 1: it's like I I but but don't get me wrong.
• 35:02
  Speaker 1: Back to Usher. Usher works his ass off, Beyonce works
• 35:07
  Speaker 1: her ass off, like so's Chris Brown works his ass off.
• 35:10
  Speaker 1: You know he's wanted. I love him, man, I love
• 35:12
  Speaker 1: Chris too. Um. And it's like when it comes to
• 35:19
  Speaker 1: working with each other, it's we're all using our talent
• 35:23
  Speaker 1: to get to get to one place, and that is
• 35:25
  Speaker 1: the scoreboard, that is to win, right or number ones,
• 35:30
  Speaker 1: you know what I'm saying. And it's like it's a
• 35:32
  Speaker 1: combination of us helping each other, using our talents in
• 35:35
  Speaker 1: different ways. Right to be creative, because sometimes it's like
• 35:38
  Speaker 1: you know what, um, you know, uh, the ideas like
• 35:44
  Speaker 1: when an artist does one cycle with an album, the
• 35:48
  Speaker 1: next cycle is a completely different cycle, right, but you
• 35:51
  Speaker 1: also still want to keep that level of uh, that
• 35:55
  Speaker 1: level of greatness. You still want to keep that shit
• 35:59
  Speaker 1: up there, you know what I'm saying. Speaking of that,
• 36:02
  Speaker 1: and you go, like you just said, from how the
• 36:05
  Speaker 1: old album was to like the newer sound summer Walker Project. Um,
• 36:09
  Speaker 1: what was your thoughts on the performance of that and
• 36:11
  Speaker 1: the reception of the second album versus the first The
• 36:14
  Speaker 1: first single was a little bit different, and that was
• 36:17
  Speaker 1: on purpose, right because if now, if you look at
• 36:19
  Speaker 1: we were trying to do, you see what scissors at now? Yeah,
• 36:22
  Speaker 1: you see what's going on. Yeah, that's where I want
• 36:25
  Speaker 1: to get to. People don't understand, you know what I'm saying,
• 36:27
  Speaker 1: Like we were trying to get Summer in that space
• 36:30
  Speaker 1: of the world, right because she had already been you know,
• 36:35
  Speaker 1: you got to keep involving, you know, the urban side.
• 36:40
  Speaker 1: So we need we needed to cross, right, because if
• 36:43
  Speaker 1: you don't cross, then you stay in the space and
• 36:45
  Speaker 1: it becomes to it a lot of times you started
• 36:48
  Speaker 1: to climb, you hit that ceiling, hit right, and so
• 36:52
  Speaker 1: that was just expertise of trying to get her to
• 36:54
  Speaker 1: that level. But the problem is ready. Well I don't
• 37:00
  Speaker 1: know if fans are ready, but sometimes it's the way
• 37:02
  Speaker 1: you play it right. It's like like everything works in
• 37:06
  Speaker 1: a law, Like the law of it is the star
• 37:09
  Speaker 1: is the person that knows. That's why they a star.
• 37:11
  Speaker 1: The star is giving the world what the world what
• 37:15
  Speaker 1: the star wants to give the world. Right, and so
• 37:17
  Speaker 1: the world has to wait and deservingly and respectfully allowing
• 37:24
  Speaker 1: the artists to roll out their project. Right. And so
• 37:27
  Speaker 1: when you got if you put yourself in a position
• 37:30
  Speaker 1: where you're allowing people to not even let you roll
• 37:34
  Speaker 1: your shit out properly, then it makes you nervous. Give
• 37:40
  Speaker 1: an example. Yeah, some some artists don't stand behind their music, right,
• 37:46
  Speaker 1: they don't. If they they'll get nervous if they get
• 37:48
  Speaker 1: some sort of uh, if it seems like like a
• 37:51
  Speaker 1: bad comment, if it seems like people get bad comments
• 37:53
  Speaker 1: and stuff like that. You got to keep in mind,
• 37:56
  Speaker 1: this whole comment thing, this whole idea of likes and dislike,
• 38:00
  Speaker 1: has just came about in the last five years, right,
• 38:03
  Speaker 1: So now we have allowed ourselves to lose our strength
• 38:09
  Speaker 1: and being confident in our decisions of what we're putting
• 38:14
  Speaker 1: out there, right, And so now it's causing it's causing
• 38:18
  Speaker 1: artists to not necessarily have the strength that they have before,
• 38:21
  Speaker 1: because it's like they're hesitating. You're hesitating, you're worried about
• 38:26
  Speaker 1: somebody you know, commenting on some shit that ain't got
• 38:29
  Speaker 1: shit to do it really what you're doing, right, And
• 38:32
  Speaker 1: so the idea is just and nothing's perfect, man, nothing's easy. Um,
• 38:37
  Speaker 1: it ain't always gonna be perfect, but you gotta, you know,
• 38:40
  Speaker 1: you gotta. That's the whole point of us having each other,
• 38:43
  Speaker 1: man and trying to trying to push forward, trying to
• 38:45
  Speaker 1: um elevate UM. And I love Summer and I had
• 38:49
  Speaker 1: an amazing time working with her, and she was in
• 38:51
  Speaker 1: and to be very honest, man, but people don't realize
• 38:53
  Speaker 1: that she was pregnant the entire damnity, the entire time
• 38:56
  Speaker 1: of recording her album, all the way up until the
• 38:59
  Speaker 1: days she had her child. Oh wow, you know what
• 39:01
  Speaker 1: I'm saying. So shout out to shout out to Summer.
• 39:04
  Speaker 1: It was a dope album too. I really like that album.
• 39:08
  Speaker 1: And you know in shouts the Summer man like Summers.
• 39:12
  Speaker 1: I'm just I'm just uh I really, I really enjoyed
• 39:16
  Speaker 1: working with her, Like, well, you be on the next
• 39:18
  Speaker 1: project because I know she's dropping an EP soon. Well
• 39:20
  Speaker 1: this EP she do this EP she's putting out. That's
• 39:22
  Speaker 1: her thing, like her relationship she got with her labels.
• 39:26
  Speaker 1: Like when it comes to her albums, like everybody works
• 39:29
  Speaker 1: on that, but but that's when it's her project, you know,
• 39:32
  Speaker 1: her um, when it's her ep that's that summer thing,
• 39:36
  Speaker 1: you know what I'm saying. So you don't have any
• 39:37
  Speaker 1: records on that. Nah. So she so she's writing on
• 39:40
  Speaker 1: that and yeah, she summer got a pin like she
• 39:43
  Speaker 1: she writes on all the shit I'm saying, But this
• 39:46
  Speaker 1: particular thing, it's almost like her brain child, you know what.
• 39:49
  Speaker 1: I'm just like personal for her. Yeah, it's a real
• 39:51
  Speaker 1: personal So you know, respectfully, man, I think it's also
• 39:54
  Speaker 1: important to let people get their shit out too. Yeah,
• 39:58
  Speaker 1: and then when it's when it's time to get them
• 40:00
  Speaker 1: his they call you. Yeah. I mean I have a
• 40:03
  Speaker 1: thanks bro, I have a niche, and my niche is
• 40:06
  Speaker 1: just trying to do number one records man, like you know,
• 40:09
  Speaker 1: and sometimes it's not, uh, my perspective is not necessarily
• 40:17
  Speaker 1: Sometimes a hit record is not the most emotional record. Yeah,
• 40:23
  Speaker 1: you know what I'm saying it. You know, some records
• 40:26
  Speaker 1: are to build base, you understand, or stretch your your
• 40:31
  Speaker 1: market out. Like yeah, I don't. Yeah, you know what
• 40:33
  Speaker 1: I'm saying. It's like you know, and and and and
• 40:35
  Speaker 1: everybody doesn't really understand that, you know what I'm saying.
• 40:38
  Speaker 1: To the point, if you know, so, I can't beat
• 40:40
  Speaker 1: all things to everybody. And that's why I have to understand.
• 40:43
  Speaker 1: It's like, Okay, if an artist is like I've given
• 40:47
  Speaker 1: so much of myself to the world. I've given myself
• 40:51
  Speaker 1: to the industry. I've given myself to all these artists,
• 40:54
  Speaker 1: you know what I'm saying. What about yourself? Though? Uh?
• 40:57
  Speaker 1: You know, have you reached the heights of success as
• 40:59
  Speaker 1: an art is that you want? Or have you done
• 41:03
  Speaker 1: that yet? Nah? I think I think that's the beautiful
• 41:06
  Speaker 1: thing about life, right. It's like, um, like I'm working
• 41:10
  Speaker 1: on my album now and it's like, you know, I'm
• 41:13
  Speaker 1: gonna tour like internationally and stuff like that. That's a
• 41:16
  Speaker 1: good thing about like working on your own shit. It's
• 41:19
  Speaker 1: like you can go and you can tour and you
• 41:22
  Speaker 1: can do shows, you know what I'm saying, And you can. Um,
• 41:26
  Speaker 1: being an artist is completely different than being a hit maker,
• 41:30
  Speaker 1: you know what I'm saying. And I can't lie sometimes. Um,
• 41:33
  Speaker 1: I enjoy it so much. I enjoy giving of myself.
• 41:37
  Speaker 1: I really do. Like some people don't some people really
• 41:40
  Speaker 1: have a person? Is that hard though? Like when you
• 41:41
  Speaker 1: got when you got a record that you're like, man,
• 41:43
  Speaker 1: this is a hit record, and then you got us
• 41:47
  Speaker 1: or somebody like, hey, man, come on, let me get
• 41:49
  Speaker 1: that record. Yeah, I mean for me, man, Nah, you've
• 41:54
  Speaker 1: never done that before, Like I want to save it. Yeah,
• 41:57
  Speaker 1: I've I've known that record at get this one away.
• 42:01
  Speaker 1: This is mine. You know what's crazy, Like Mario's breakup
• 42:04
  Speaker 1: was like that. My breakup was my record was huh yeah, yeah,
• 42:11
  Speaker 1: so that wasn't your record, now that was my It
• 42:13
  Speaker 1: was my record, but then I ended up because you're
• 42:16
  Speaker 1: on the hook, but album, I'm on the whole record. Yeah,
• 42:20
  Speaker 1: so I thought it was your record. But so what
• 42:21
  Speaker 1: happened was at the time Mario had Aum Mario's manager. Um,
• 42:29
  Speaker 1: like Mario was in a place man where he really
• 42:31
  Speaker 1: needed to hit something, and so it was like, you know,
• 42:35
  Speaker 1: his manager was like, man, Sean, whatever, what do I
• 42:37
  Speaker 1: gotta do to get I said, dam, I had already
• 42:39
  Speaker 1: told you, bro, like I ain't played the ship for
• 42:41
  Speaker 1: you for somebody else. Um, but anyway, um, you know
• 42:46
  Speaker 1: again man, that's just me giving them myself. I was like,
• 42:49
  Speaker 1: you know, I'll share this record with you. You know
• 42:51
  Speaker 1: what I'm saying. Um, that's dope, you know what I'm saying.
• 42:53
  Speaker 1: So and that's the part sometimes that you know artists forget.
• 42:58
  Speaker 1: It's like, man, I I did this for my heart. Yeah,
• 43:01
  Speaker 1: I didn't have to do that. You know what I'm saying,
• 43:03
  Speaker 1: Like I didn't have to. I have to share this
• 43:05
  Speaker 1: with you, bro, like I purposely said, Yo, I'm gonna
• 43:08
  Speaker 1: share this with you. I put my own money. I
• 43:10
  Speaker 1: spent my own money at radio, you know what I'm
• 43:12
  Speaker 1: saying to get it going. I remember it was on
• 43:15
  Speaker 1: radio everyone. Yeah, it was on radio crazy. The pds
• 43:19
  Speaker 1: was like a couple of ps, like I don't know
• 43:21
  Speaker 1: about this one, and I knew it was I knew
• 43:24
  Speaker 1: it was crazy because I knew it was different. Speaking
• 43:28
  Speaker 1: of smash record, it definitely blew up at the verses.
• 43:31
  Speaker 1: Did you see the verses? I know you did. Did
• 43:33
  Speaker 1: I see the Marian versus Mario? I love a Marian,
• 43:37
  Speaker 1: but I knew Mario can eat with them vocals, but
• 43:40
  Speaker 1: I didn't think honestly, I thought like with O versus. Yeah,
• 43:45
  Speaker 1: a lot of people was on Mario side because when
• 43:48
  Speaker 1: I seen the verses, I said, man O, Mario got
• 43:49
  Speaker 1: the records. He about the smoke Mario. And then when
• 43:52
  Speaker 1: I watched it, I was like, I love a Marian,
• 43:54
  Speaker 1: but I'm telling that Mario and you know what the
• 43:57
  Speaker 1: great single about Mario Yo. It was funny because it
• 44:01
  Speaker 1: was almost like I saw Mario setting him up, you
• 44:04
  Speaker 1: know what I mean, he was sting at the end
• 44:07
  Speaker 1: of everyone. He wouldn't go acapella and just sing him
• 44:10
  Speaker 1: under the table, you know what. He went back to
• 44:12
  Speaker 1: his you know, the crazy shit. Mario went back to
• 44:15
  Speaker 1: his um. He went back to his first album and
• 44:19
  Speaker 1: um uh I love you. I would never yeah, like
• 44:33
  Speaker 1: he got some songs or that, or he got U
• 44:37
  Speaker 1: or he got uh he got braid my hair or
• 44:40
  Speaker 1: I love that song. He has some but he killed him.
• 44:43
  Speaker 1: He killed him with the vocals though. That's why I
• 44:45
  Speaker 1: was like killed. I was like, but he was on
• 44:47
  Speaker 1: his b more ship too because when he got the
• 44:49
  Speaker 1: talking shit, Yeah, I was like, oh he had all
• 44:54
  Speaker 1: the licenses. We didn't. I just felt like we didn't
• 44:56
  Speaker 1: expect that. I think a lot of I expected that
• 44:59
  Speaker 1: from am Arion. I have to ask you a question.
• 45:02
  Speaker 1: Though we've been talking, we've been talking about everything, guys,
• 45:05
  Speaker 1: I Tavia BT asked you all these questions, you know,
• 45:08
  Speaker 1: I want to ask you. We'll be right back with
• 45:11
  Speaker 1: more of the baller alert y'all. Where the hell is
• 45:16
  Speaker 1: the money at Let me explain where you're writing records
• 45:21
  Speaker 1: for people? How do you know or how do you
• 45:24
  Speaker 1: bank on getting paid? Where do you get paid? How
• 45:28
  Speaker 1: do you get paid? Because now you know, I'm you know,
• 45:31
  Speaker 1: your normal person. Thing you didn't did usher? Yeah, you're
• 45:34
  Speaker 1: a millionaire overnight. Yes. No, I'm gonna say this because
• 45:37
  Speaker 1: it gets political, right, so I'm gonna have to be
• 45:40
  Speaker 1: all shit, No, but I'm not gonna be political. But
• 45:43
  Speaker 1: but the reason why I said it like that is
• 45:44
  Speaker 1: because I'm on this platform that's the music business, and
• 45:49
  Speaker 1: it's so many different ways. It's almost like trying to
• 45:51
  Speaker 1: explain to somebody how this building. Uh so, dumb it down.
• 45:56
  Speaker 1: If you got a number one record, what does what
• 45:59
  Speaker 1: does the money look like? All of these different people
• 46:01
  Speaker 1: make money from the source, which is the song, right,
• 46:07
  Speaker 1: and it becomes a situation of how that song is
• 46:11
  Speaker 1: going to be divvied up in reference to how it
• 46:15
  Speaker 1: makes money one, how it busts how do how do
• 46:20
  Speaker 1: you bust the money down? From one song, two songs,
• 46:24
  Speaker 1: three songs, four songs, an album, a package? Right, And
• 46:28
  Speaker 1: so those those different um, those different components really matter.
• 46:35
  Speaker 1: So when people try to tell you to break the
• 46:39
  Speaker 1: ship down or to hurry up and tell you. There's
• 46:41
  Speaker 1: no hurry up way of telling you that, because because
• 46:44
  Speaker 1: you'll come back later and be pissed that you miss something.
• 46:48
  Speaker 1: And that's what's wrong. That's the tough part about our
• 46:51
  Speaker 1: generation right now. It's like our generation don't communicate, We
• 46:54
  Speaker 1: don't like to talk. And that's the worst thing you
• 46:57
  Speaker 1: can do because when you you get these were talking
• 47:00
  Speaker 1: about Manny talking too much. Yeah, because I know a
• 47:03
  Speaker 1: lot of shit. You know what I'm saying, and I
• 47:06
  Speaker 1: know what to do, and I know what not to do,
• 47:07
  Speaker 1: so I know what to ask for and I know
• 47:10
  Speaker 1: what not to ask for. So when I come into
• 47:12
  Speaker 1: a situation like number one, I'm a producer. I am
• 47:17
  Speaker 1: a producer first period. So you produced to be No. See,
• 47:22
  Speaker 1: that's the misunderstanding producing producer does not make all the time.
• 47:26
  Speaker 1: Producer puts the fu song together, create the song like
• 47:31
  Speaker 1: that's so instantly. I'm already if I write the song,
• 47:35
  Speaker 1: I've already owned fit center to copyright. That's what did
• 47:37
  Speaker 1: he said? If I talk on a song is mine,
• 47:39
  Speaker 1: I'll produced it. Yeah, I don't know, well I'm saying
• 47:43
  Speaker 1: if I'm talking a song it's mine to politics, you
• 47:47
  Speaker 1: know what I'm saying. So I see what's what's green?
• 47:50
  Speaker 1: Or one person is read to another, you know what
• 47:52
  Speaker 1: I'm saying. Depending on your strength, your status, and your
• 47:56
  Speaker 1: ability to hold your own, you know what I'm saying.
• 47:58
  Speaker 1: So if I I was never I was never able
• 48:02
  Speaker 1: to get like tossed around like that because I actually
• 48:05
  Speaker 1: did the songs. You know what I'm saying, Like, you're
• 48:08
  Speaker 1: not nobody, e't inna come and handle me like that
• 48:10
  Speaker 1: like I did, Loving you no more for Diddy, loving you,
• 48:14
  Speaker 1: you know what I mean? Um, and I love didd
• 48:17
  Speaker 1: He shout out to Diddy. Um. But everybody got their own,
• 48:21
  Speaker 1: like the way Diddy came in the game it as
• 48:23
  Speaker 1: a producer, but he produces the way he produces because
• 48:27
  Speaker 1: he had the leverage to produce the way he produces.
• 48:33
  Speaker 1: Just to give a little more context and to break
• 48:35
  Speaker 1: it down in black and white for our audience, for
• 48:39
  Speaker 1: you know, the song is one hundred percent, fifty percent
• 48:43
  Speaker 1: goes to the songwriter, correct, and then fifty goes to
• 48:46
  Speaker 1: the producer. Right, But here's a yeah, and then they
• 48:50
  Speaker 1: did that up on their ends. If you got well,
• 48:52
  Speaker 1: sometimes people breaking sometimes people yeah, Well, sometimes that's kind
• 48:56
  Speaker 1: of the same thing. Fifth percent as the writer side.
• 49:00
  Speaker 1: Other fifty is the track side or the music side.
• 49:03
  Speaker 1: The music side. Yeah, but to add to that, a
• 49:06
  Speaker 1: person might come and do some drums, and then another person.
• 49:09
  Speaker 1: You might have another person that come and play keys,
• 49:12
  Speaker 1: and then you might have another person that comes and
• 49:14
  Speaker 1: and uh programs uh rhythm right, an arranger, you know
• 49:24
  Speaker 1: what I mean, Like I arrange, our produce, I write.
• 49:28
  Speaker 1: So it's different ways that it's broken down. Sometimes like
• 49:31
  Speaker 1: in uh uh in the country music they um they
• 49:37
  Speaker 1: break it down. On the pop side, they just break
• 49:39
  Speaker 1: it down a third third, you know what I'm saying, Like,
• 49:42
  Speaker 1: we don't do it that way. We do it a
• 49:43
  Speaker 1: little different, right, and sometimes it hurts the person who's
• 49:46
  Speaker 1: actually doing most of the work, you know what I'm saying.
• 49:49
  Speaker 1: So it depends. That's it depends like on who you're
• 49:53
  Speaker 1: working with and how you want to work with them, right,
• 49:55
  Speaker 1: And so if you don't know those different things, a
• 49:58
  Speaker 1: lot of times what was happening is that people would
• 50:00
  Speaker 1: come in and they would be working and they don't
• 50:03
  Speaker 1: talk discuss no business. And that's how you come in.
• 50:05
  Speaker 1: That's how you have all of these split disputes, and
• 50:08
  Speaker 1: so that's how people get sued for a record when
• 50:10
  Speaker 1: someone says, you know, this person, what does that mean?
• 50:12
  Speaker 1: When people you see all the time, when people say,
• 50:14
  Speaker 1: well this person stole my record or you know they
• 50:18
  Speaker 1: stole my beat, how does that happen? I give you
• 50:21
  Speaker 1: a prime example. Right, So, so I got I'm not
• 50:26
  Speaker 1: gonna mention on names, but this is some This is
• 50:30
  Speaker 1: the first my first lesson I learned in the music
• 50:32
  Speaker 1: business that was that really pissed me off, and I
• 50:35
  Speaker 1: ended up probably losing I don't know. That person ended
• 50:39
  Speaker 1: up making over time from Yeah, probably like five million dollars. Right,
• 50:45
  Speaker 1: So I had somebody to engineer my session, right, and
• 50:50
  Speaker 1: that person was a songwriter. But that person didn't write
• 50:53
  Speaker 1: a fucking lick on this song on Yeah. But because
• 50:57
  Speaker 1: that person was a songwriter, and at the time, the
• 51:01
  Speaker 1: guys that the company wanted everyone to participate from the
• 51:06
  Speaker 1: company because it made the company look bigger, they ended
• 51:09
  Speaker 1: up convincing me because I was new, to give this
• 51:12
  Speaker 1: person four percent of Yeah, what I'm saying. And I
• 51:17
  Speaker 1: was fucking pissed later because I was like, y'all just
• 51:23
  Speaker 1: sucked me over. When you learn you know what I'm saying,
• 51:27
  Speaker 1: you learn, and so that was all I needed to
• 51:29
  Speaker 1: ever learn, and that was the reason why. So sometimes
• 51:33
  Speaker 1: people tend to think like, oh, you know, well, this
• 51:35
  Speaker 1: person is like um, like I've always had. Sometimes I
• 51:41
  Speaker 1: get this stigma that I don't know why I got
• 51:43
  Speaker 1: this stigma. It was like, like I was telling y'all before,
• 51:45
  Speaker 1: it was like, I don't do not to go do
• 51:47
  Speaker 1: my job. You know what I'm saying. Sometimes people hate
• 51:50
  Speaker 1: on you, but it's like, I don't know why y'all
• 51:51
  Speaker 1: hating this shit because I don't I've never had a
• 51:53
  Speaker 1: confrontation with somebody or or wouldn't stole something from someone
• 51:56
  Speaker 1: that took some I've worked by my damn self, or
• 51:59
  Speaker 1: I collaborate with a track I might work with Ninth One,
• 52:02
  Speaker 1: that I may work with Swiss Beasts, i might work
• 52:04
  Speaker 1: with Champ. I've worked with so many different people to
• 52:06
  Speaker 1: help make so many different people money, you know what
• 52:08
  Speaker 1: I'm saying. In this business, that's why I get a
• 52:10
  Speaker 1: lot of love, But at the same time, you're gonna
• 52:12
  Speaker 1: get hate because success just breathes that right. But to
• 52:16
  Speaker 1: simplify things, the reason why I've never been in no
• 52:20
  Speaker 1: issues like that because I always do the ship by myself. Yeah.
• 52:23
  Speaker 1: I was just about to say that that's probably why
• 52:25
  Speaker 1: you don't like a bunch of people in the studio
• 52:26
  Speaker 1: because when I try to collaborate, that's exactly right, bro.
• 52:29
  Speaker 1: So it's like when you try to collaborate with people,
• 52:31
  Speaker 1: the ship gets messy and messy. So it's a hit
• 52:35
  Speaker 1: kid Glow really happened though he knew about himself. Yeah, yeah,
• 52:42
  Speaker 1: he do everything by myself. The money is on a
• 52:46
  Speaker 1: number one record, a hot one hundred number one record.
• 52:49
  Speaker 1: That's why when you ever you hear me say I
• 52:51
  Speaker 1: got eighteen hot one hundred number ones. Anybody that knows
• 52:56
  Speaker 1: what the hot one hundred chart at the chart? I
• 52:59
  Speaker 1: want to be on what do you understand what that is?
• 53:02
  Speaker 1: But if you don't know, you don't know. And a
• 53:05
  Speaker 1: lot of these kids is doing music. A lot of
• 53:07
  Speaker 1: these people that's managing people. It's managers that don't understand
• 53:10
  Speaker 1: what I'm saying. So on your new podcast that you
• 53:13
  Speaker 1: have coming soon, but you be discussing more in depth
• 53:15
  Speaker 1: of what you mean. Yeah, I will, I will. That's
• 53:19
  Speaker 1: why you over here being political. Do you have a
• 53:21
  Speaker 1: name for the podcast yet? Yeah? Um no, but I
• 53:26
  Speaker 1: will I will be I will, I will be UM.
• 53:29
  Speaker 1: I will be letting you guys know first what it is. Um, Yes,
• 53:35
  Speaker 1: for sure, And it's gonna be crazy. It's really gonna
• 53:37
  Speaker 1: be crazy. I really love y'all show too, to be honest,
• 53:40
  Speaker 1: and I'm not being political. I want to I want
• 53:42
  Speaker 1: to be clear. I'm not being political. I'm just being
• 53:47
  Speaker 1: correct and it and I said it is political, you
• 53:52
  Speaker 1: know what I'm saying that the business is political. And
• 53:55
  Speaker 1: you get yourself and shit that you know, you know
• 54:00
  Speaker 1: how a lot of shit go viral when it shouldn't
• 54:02
  Speaker 1: go viral. It's like, damn, I was just walking down
• 54:05
  Speaker 1: the street and some shit go viral. Well, today, you
• 54:08
  Speaker 1: just have to be extra clear about the context and
• 54:12
  Speaker 1: how you're speaking like that because it's so many different
• 54:15
  Speaker 1: elements to the question. Right, It's not a it's not
• 54:20
  Speaker 1: a one answer. It's not a one answer to that
• 54:24
  Speaker 1: question because it's a loaded ass question, right, And I
• 54:29
  Speaker 1: would love to be as informative as I can possibly be,
• 54:32
  Speaker 1: But part of it has the change has to be
• 54:37
  Speaker 1: from this new generation of people who are managing people
• 54:43
  Speaker 1: who are artists, who are producers, who are songwriters. That's
• 54:47
  Speaker 1: why I'm gonna start doing these seminars. I'm definitely gonna
• 54:49
  Speaker 1: do some informative seminars and to to help being with you. Yeah,
• 54:56
  Speaker 1: and also man like, yeah, we're gonna get down, like
• 54:58
  Speaker 1: you don't want to get a to that. Um, So
• 55:01
  Speaker 1: how are you single? Have you do you have children? Yeah?
• 55:05
  Speaker 1: I mean I don't like to, Yeph, but I don't
• 55:07
  Speaker 1: really like to talk about that. I like to I like,
• 55:10
  Speaker 1: I got two boys. I really don't. I try to
• 55:13
  Speaker 1: keep my personal life um as private as I can,
• 55:18
  Speaker 1: only because to protect my family, you know what I mean,
• 55:21
  Speaker 1: to protect my to protect my kids, you know what
• 55:24
  Speaker 1: I'm saying, And to protect whoever I'm in a relationship with,
• 55:27
  Speaker 1: you know what I mean. But now important is that
• 55:29
  Speaker 1: for artists to protect their their family nowadays, especially with
• 55:32
  Speaker 1: social media being so crazy, the way you enter something
• 55:35
  Speaker 1: is the way you're gonna end up exciting, you know
• 55:38
  Speaker 1: what I'm saying. And so, to be very honest, like
• 55:45
  Speaker 1: the music business, if that's how you're making your money, um,
• 55:49
  Speaker 1: you gotta learn how to understand the details of it
• 55:53
  Speaker 1: because the details has a lot also to do with
• 55:55
  Speaker 1: like shit, to be very honest, it has a lot
• 56:00
  Speaker 1: to do with how you how you get dealt with agree.
• 56:06
  Speaker 1: You know what I'm saying, Like, people like leverages everything right,
• 56:10
  Speaker 1: and a lot of times the leverage is what causes
• 56:13
  Speaker 1: you to take a loss on a deal, right. So
• 56:19
  Speaker 1: so sometimes you know, it's like people don't like to
• 56:22
  Speaker 1: communicating ship. So they might be like, man, this shit
• 56:25
  Speaker 1: take it too long, or or damn, why is it
• 56:26
  Speaker 1: taking so long to get the song done? Or why
• 56:28
  Speaker 1: is it taking so long to have this conversation. It's like,
• 56:33
  Speaker 1: because in the end, you're gonna want to know all
• 56:35
  Speaker 1: the answers to this shit, and you're gonna want those answers.
• 56:39
  Speaker 1: Those answers that you're expecting to get, is the purpose
• 56:43
  Speaker 1: of the conversation and the dialogue at the beginning, because
• 56:46
  Speaker 1: if you already know how this process works, you already
• 56:49
  Speaker 1: know that X plus O minus x equals whatever. You
• 56:56
  Speaker 1: already know that. So if you're not taking your time
• 56:59
  Speaker 1: to understand that from the beginning, you're gonna be pissed off.
• 57:02
  Speaker 1: In the end, you're gonna be pissed and you're gonna
• 57:04
  Speaker 1: blame someone. And that's what we do in our community.
• 57:06
  Speaker 1: You know what I'm saying, We're not taking the time
• 57:08
  Speaker 1: to understand what this business is about, and it ain't trickery.
• 57:13
  Speaker 1: It ain't no bullshit. If you if you know what
• 57:15
  Speaker 1: you're doing, you know what I'm saying, and if you
• 57:17
  Speaker 1: approach it from the right perspective, it ain't gonna be perfect.
• 57:20
  Speaker 1: And you know, of course sometimes you're gonna you know,
• 57:22
  Speaker 1: you are gonna get yourself in some shit. Um, But
• 57:26
  Speaker 1: I can honestly say it comes with a lot. You
• 57:29
  Speaker 1: know what I'm saying that it's come with a lot
• 57:31
  Speaker 1: when it comes to hit songs. That's my goal. My
• 57:35
  Speaker 1: goal is to make hit records and it makes everybody money. Right,
• 57:38
  Speaker 1: you're very pr train. That's that's what I realized. The
• 57:44
  Speaker 1: relationship question, right, you get a grade job. You did it, okay,
• 57:48
  Speaker 1: But I was gonna ask, what, wait, with all the
• 57:54
  Speaker 1: issues that, like you said, the music industry has and
• 57:57
  Speaker 1: people not paying attention, would you want your kids to
• 57:59
  Speaker 1: be a part of it? I ain't got no choice.
• 58:02
  Speaker 1: There are and it's it's like you know the all
• 58:06
  Speaker 1: you can, Yeah, I mean the hardest part is like
• 58:11
  Speaker 1: like fighting with them, fighting with them to like my
• 58:16
  Speaker 1: oldest like fighting with him to um, because you love
• 58:21
  Speaker 1: him so much you want him to know the pitfalls first, like,
• 58:26
  Speaker 1: you know, you might feel like I got all this
• 58:28
  Speaker 1: shit happened to dad. I'm I'm lit like here, I'm
• 58:31
  Speaker 1: my my numbers, is this my stylish this? I got
• 58:34
  Speaker 1: this shit figured out. I got this figured out. Yeah,
• 58:36
  Speaker 1: you got that figured out. But you do not understand
• 58:38
  Speaker 1: how to move yet. And the way you move has
• 58:41
  Speaker 1: everything to do with where you end up being. And
• 58:45
  Speaker 1: it's gonna be harder for him because of who his
• 58:47
  Speaker 1: dad is. And that's something that I feel like a
• 58:49
  Speaker 1: lot of kids as parents are in the industry, they
• 58:51
  Speaker 1: don't understand because they're like, Yo, my dad is this
• 58:53
  Speaker 1: person and they're not helping me, and it's like, WHOA,
• 58:56
  Speaker 1: I think your dad is probably trying to protect you
• 58:58
  Speaker 1: because it's gonna be really hard, hard because of who
• 59:01
  Speaker 1: your parents are. And if you get to a certain
• 59:03
  Speaker 1: level of success as a kid, they're gonna say, well,
• 59:04
  Speaker 1: they only like that because it's dada. Sean geartt Well,
• 59:07
  Speaker 1: let me say this right, So when you bring this
• 59:08
  Speaker 1: on your kids, it comes on them like four or five,
• 59:12
  Speaker 1: four or five, like four or five heavy ass waves
• 59:17
  Speaker 1: more than it comes on you. Because I was just myself.
• 59:21
  Speaker 1: You know what I'm saying. No one knew who I was.
• 59:23
  Speaker 1: But for your kids, that shit makes it because the
• 59:26
  Speaker 1: first generation was the first generation of the it's the same.
• 59:28
  Speaker 1: And that's such a good point. When you first generation,
• 59:32
  Speaker 1: you're really taking all the bullets, so you can help
• 59:36
  Speaker 1: them not take the bullets because you're hoping that they
• 59:39
  Speaker 1: can take the bullets. But they ain't gonna be able
• 59:41
  Speaker 1: to take the bullets. They can't take the bullets that
• 59:43
  Speaker 1: we took, right because you know, it's almost like adrenaline,
• 59:46
  Speaker 1: you know what I'm saying, Like, you know, I ended
• 59:49
  Speaker 1: up making it out of that situation because I had
• 59:51
  Speaker 1: the adrenal just because of mine. Why can't they Is
• 59:53
  Speaker 1: it because you gave them a certain life that you
• 59:55
  Speaker 1: didn't have it so where that they didn't have to
• 59:58
  Speaker 1: feel like to be prepared like that to take the bullets. No,
• 1:00:01
  Speaker 1: it's not even a life. It's what comes with it.
• 1:00:04
  Speaker 1: It's not the life. It's like you know, it's like
• 1:00:08
  Speaker 1: like I wouldn't want my son to have to deal
• 1:00:10
  Speaker 1: with Like it's it's really tricky. It's really tricky, like
• 1:00:14
  Speaker 1: when you talk about hate, right, you know what I'm saying,
• 1:00:16
  Speaker 1: Like when you look by the time, by the time
• 1:00:18
  Speaker 1: I was um by the time I had like my ten,
• 1:00:22
  Speaker 1: I had ten number ones, Like they didn't even know.
• 1:00:26
  Speaker 1: My face looked like you know what I'm saying. There
• 1:00:29
  Speaker 1: was people like there was people telling me like, yo,
• 1:00:31
  Speaker 1: y'all know, y'all man is Sean Garrett. And I would
• 1:00:34
  Speaker 1: be like word and I'll be talking to the person.
• 1:00:38
  Speaker 1: Wait wait so you said you said people would say
• 1:00:42
  Speaker 1: I managed Sean Garrett and as a selling point and
• 1:00:44
  Speaker 1: you're bro I was so high. I mean if you
• 1:00:46
  Speaker 1: really think about it, like like we ran the game man,
• 1:00:51
  Speaker 1: Like like I ran the game for like a good
• 1:00:54
  Speaker 1: ten years, ten to twelve years, like hands down, like
• 1:00:58
  Speaker 1: at least five number one one is a year. But
• 1:01:01
  Speaker 1: would they know who your son is? Hell? Yeah, Like
• 1:01:04
  Speaker 1: it's heavy on your children one. Trying to explain shit
• 1:01:09
  Speaker 1: to your children, uh from your logical perspective, and there's
• 1:01:13
  Speaker 1: it's like completely like night and day. And because me
• 1:01:16
  Speaker 1: and my son are so close in age. Um, it's
• 1:01:20
  Speaker 1: like you may think that you're talking to them on
• 1:01:23
  Speaker 1: their level, or you may think that you're talking to
• 1:01:26
  Speaker 1: them on the same level, but you're not talking to
• 1:01:28
  Speaker 1: them on the same level because they're emotional. Right. It's
• 1:01:31
  Speaker 1: like my son, these kids are emotional as hell. So
• 1:01:34
  Speaker 1: they don't like the word no. They don't like they
• 1:01:37
  Speaker 1: want it now. They want to do easy to them
• 1:01:39
  Speaker 1: because because their dad's yeah, because you took the bullets,
• 1:01:42
  Speaker 1: like the ship exactly, it's like I could do this
• 1:01:44
  Speaker 1: shit already, got thirty number one. Yeah, and and the
• 1:01:51
  Speaker 1: ship that they got in a DNA like he got it,
• 1:01:53
  Speaker 1: like he got it. Yes, he got it. He got everything,
• 1:01:57
  Speaker 1: you know what I'm saying. Everything, But but why won't
• 1:02:01
  Speaker 1: you just give it to him? Because some people believe no,
• 1:02:03
  Speaker 1: I'm giving it to him. But it's just like you
• 1:02:05
  Speaker 1: still want to you want to be cautious with your children,
• 1:02:08
  Speaker 1: like you got kids, okay, so when you have me, yeah,
• 1:02:12
  Speaker 1: oh really worry enough for everybody, all right, the way
• 1:02:18
  Speaker 1: you know, But like kids, it's just like it changes you.
• 1:02:21
  Speaker 1: You know, when somebody have a child for the first
• 1:02:22
  Speaker 1: time and you talk to him like a couple, like
• 1:02:25
  Speaker 1: a couple months later or a year later, two years later,
• 1:02:27
  Speaker 1: you'd be like, damn, y'all, you're a change because it's
• 1:02:30
  Speaker 1: it's it's that's a feeling that you can't like your
• 1:02:33
  Speaker 1: child is your everything, you know what I'm saying. And
• 1:02:35
  Speaker 1: it's just like certain things you just don't play with it,
• 1:02:37
  Speaker 1: you know what I'm saying, Like I don't play with
• 1:02:38
  Speaker 1: my kids. You know what I'm saying, I don't play
• 1:02:40
  Speaker 1: about my kids. I don't play about I don't play
• 1:02:42
  Speaker 1: about life period. So a lot of times, just like
• 1:02:46
  Speaker 1: people used to be like damn, you know Sean Garbb,
• 1:02:48
  Speaker 1: be so serious, like hell yeah, shit, because this is
• 1:02:52
  Speaker 1: life and death. I always looked at it though that way, though, right,
• 1:02:55
  Speaker 1: I always looked at it like when I go in
• 1:02:57
  Speaker 1: the studio, Shit, this might be this record could change
• 1:03:02
  Speaker 1: the world. I really did look at it like that.
• 1:03:04
  Speaker 1: I really did think that, yeah, it was going to
• 1:03:06
  Speaker 1: change the world. I really did think that. I really
• 1:03:09
  Speaker 1: did think that we were going to change the world
• 1:03:11
  Speaker 1: with Chris Brown. Like I really thought that, and it
• 1:03:16
  Speaker 1: really happened, you know what I'm saying. Working with Beyonce,
• 1:03:20
  Speaker 1: Like think about it now, Like if I never work
• 1:03:22
  Speaker 1: with Beyonce again in my life, wow, I'm like, it's happened,
• 1:03:28
  Speaker 1: you know what I'm saying, Like she's the biggest superstar
• 1:03:30
  Speaker 1: in the world. I would have never thought at that time.
• 1:03:33
  Speaker 1: I mean I knew she was Beyonce, but I'm like,
• 1:03:35
  Speaker 1: where you start struck when you first started working with him?
• 1:03:38
  Speaker 1: Hell yeah, like yeah, like I worked with Destity's Shout first,
• 1:03:42
  Speaker 1: but yeah, man, like it was I was nervous as hell,
• 1:03:45
  Speaker 1: Like is she the reason was the first song? Because
• 1:03:47
  Speaker 1: I was scared. I was kind of like I knew
• 1:03:49
  Speaker 1: that I knew that that was a comfort zone, you
• 1:03:52
  Speaker 1: know what I'm saying, like shout out the knife wonder
• 1:03:55
  Speaker 1: unfe wonder beast. Yeah. I don't know if y'all saw
• 1:03:58
  Speaker 1: what he just posted, but what do you say? It's
• 1:04:02
  Speaker 1: crazy like he he just explained like when we first met,
• 1:04:05
  Speaker 1: understanding he explained we first met and how serious I was,
• 1:04:08
  Speaker 1: you know, like I had my damn briefcase handcuffed in
• 1:04:11
  Speaker 1: my hand to my hand like I was just serious
• 1:04:14
  Speaker 1: about this ship, bro. And it was like I was saying,
• 1:04:16
  Speaker 1: by the time they by the time I had like
• 1:04:19
  Speaker 1: ten number ones, they didn't really know my face looked
• 1:04:21
  Speaker 1: like because I didn't really I didn't want them to.
• 1:04:23
  Speaker 1: I didn't care about people knowing who I was. I
• 1:04:27
  Speaker 1: was an artist too. I was an artist too, but
• 1:04:30
  Speaker 1: I didn't really care about that. What It's almost like
• 1:04:33
  Speaker 1: it's two that's two different cakes. You know what I'm saying,
• 1:04:36
  Speaker 1: like when I'm in when I'm in Superman hit hit
• 1:04:39
  Speaker 1: making mode, that's completely different than Superman as an artist,
• 1:04:43
  Speaker 1: and sometimes I really enjoy it to the point over
• 1:04:45
  Speaker 1: here that I spent a lot of time doing it
• 1:04:48
  Speaker 1: where I just didn't get back to this artist. Yeah,
• 1:04:52
  Speaker 1: I mean, I mean I've had some hit songs Clark
• 1:04:56
  Speaker 1: Camp better than being Superman. Have you read where you
• 1:05:00
  Speaker 1: wanted to be it? Because like you said, you'd like
• 1:05:02
  Speaker 1: to be the songwriter more and so you cater to
• 1:05:04
  Speaker 1: that more and being great and your artistry kind of
• 1:05:07
  Speaker 1: took a hit being in the fortune take a hit, though.
• 1:05:09
  Speaker 1: It's like it's like if there's no way I could
• 1:05:11
  Speaker 1: have took a hit, because if I was just working
• 1:05:15
  Speaker 1: on me as an artist, that means I would have
• 1:05:16
  Speaker 1: been putting out maybe five songs a year versus twenty,
• 1:05:21
  Speaker 1: or having ten number ones in one year versus one.
• 1:05:27
  Speaker 1: Like that was the math that I was using, you
• 1:05:29
  Speaker 1: know what I'm saying, and it really never was. It's
• 1:05:32
  Speaker 1: like Sean Garrett to Sean Garrett, you know what I'm saying.
• 1:05:34
  Speaker 1: And it's also like you gotta let your you gotta
• 1:05:37
  Speaker 1: let life come to you. Like sometimes you could drive
• 1:05:40
  Speaker 1: your car completely off the off the rail if you
• 1:05:44
  Speaker 1: if you're not patient with God and letting and allow
• 1:05:47
  Speaker 1: God to just like deal with you accordingly. You know
• 1:05:50
  Speaker 1: what I'm saying. It's like I can't I can't try
• 1:05:54
  Speaker 1: to be everything. I can't be all things to everybody.
• 1:05:57
  Speaker 1: I just gotta pace myself in and allow myself to
• 1:06:03
  Speaker 1: let God bring it to you. You know what I'm saying.
• 1:06:05
  Speaker 1: Sometimes you gotta just like I get into my own girl,
• 1:06:09
  Speaker 1: because like sometimes I like to just be at home
• 1:06:12
  Speaker 1: and I just like to just be at home. What
• 1:06:16
  Speaker 1: you're doing, you got such a such I'm like, I'm
• 1:06:19
  Speaker 1: just at I'm just chilling, Like I just like to
• 1:06:21
  Speaker 1: listen to the world. I like to see what's going on.
• 1:06:24
  Speaker 1: I like to let God talk to me. I like
• 1:06:26
  Speaker 1: to just, like what you mean, like be at home
• 1:06:29
  Speaker 1: alone and yeah, She's like, weren't you here with me? Yeah?
• 1:06:32
  Speaker 1: Like sometimes it's like I don't. I just like to chill,
• 1:06:36
  Speaker 1: you know what I mean? Because that piece I need
• 1:06:38
  Speaker 1: that piece sometimes Gendi Nah. I mean nah, a person
• 1:06:45
  Speaker 1: can't give you what God gives you for me, you
• 1:06:49
  Speaker 1: know what I'm saying. She gives me peace when I'm
• 1:06:52
  Speaker 1: in that piece type of peace mine. She gives me that,
• 1:06:55
  Speaker 1: she gives me a certain type of piece, but only
• 1:06:57
  Speaker 1: God gives me that's spiritual piece that I need sometime
• 1:07:01
  Speaker 1: for myself. You know what I'm saying, Because you gotta
• 1:07:04
  Speaker 1: because if I'm not balanced, man, that I can't give you.
• 1:07:10
  Speaker 1: I can't give I can't give nothing of myself. Right,
• 1:07:14
  Speaker 1: Sometimes you gotta step away, you know, have a mental break.
• 1:07:17
  Speaker 1: How long does that last though? Is it like months
• 1:07:20
  Speaker 1: or week or day? I mean, it ain't like no
• 1:07:27
  Speaker 1: three three months abatical and no ship like that. It's
• 1:07:29
  Speaker 1: just it's just, um, it's just sometimes you know, you
• 1:07:35
  Speaker 1: might you might need a day or two, you know
• 1:07:37
  Speaker 1: what I'm saying, just to just enjoy your enjoy your
• 1:07:42
  Speaker 1: enjoy your peace and weigh things out right, because it's
• 1:07:46
  Speaker 1: like it's so much going on in the world. You know,
• 1:07:48
  Speaker 1: it's so much going on with um money, like the money,
• 1:07:53
  Speaker 1: like like our currency, like it's some real shit going on.
• 1:07:57
  Speaker 1: You know what I'm saying. With our currency, what's it's
• 1:07:59
  Speaker 1: gonna go dig you or you know you got Russia
• 1:08:02
  Speaker 1: and uh shoot, China, China and people in India. You
• 1:08:10
  Speaker 1: know what I'm saying, Trying to create a whole other currency.
• 1:08:13
  Speaker 1: So you know, for me, shit like that matters, you
• 1:08:16
  Speaker 1: know what I'm saying. I'm just I'm just one of
• 1:08:18
  Speaker 1: those people sometimes und need a little piece, of course
• 1:08:21
  Speaker 1: we all do. And to like offer, you know what
• 1:08:24
  Speaker 1: I'm saying, Like to offer something, you got to build within.
• 1:08:28
  Speaker 1: It's almost like you gotta get your energy back sometimes
• 1:08:30
  Speaker 1: you got to recharge said all the time. I'm that
• 1:08:33
  Speaker 1: was my whole point about. You know, keep going back
• 1:08:36
  Speaker 1: to you as an artist. You know, you have been
• 1:08:38
  Speaker 1: a servant to your industry for so long, you know,
• 1:08:42
  Speaker 1: you know, sometimes it's okay to be selfish if that's
• 1:08:45
  Speaker 1: what you want, like as far as to be an
• 1:08:47
  Speaker 1: artist and to be as big as you want to be. Yeah,
• 1:08:49
  Speaker 1: I'm definitely getting more to that place of being selfish
• 1:08:54
  Speaker 1: with myself myself from an artist's perspective, Like that's coming
• 1:08:58
  Speaker 1: for sure, right, But that's such an such a mindset,
• 1:09:02
  Speaker 1: you know, I mean, that artist's mindset is like like
• 1:09:05
  Speaker 1: I think Future probably said it best, Like when you
• 1:09:08
  Speaker 1: think about Future the way he explains the way he
• 1:09:12
  Speaker 1: explains himself in his life, it really makes sense for
• 1:09:16
  Speaker 1: the artist's future, you know what I mean, Like every
• 1:09:21
  Speaker 1: every aspect of it, would y'all agree? Guys? What does
• 1:09:25
  Speaker 1: he say? So it's like, you know when when you
• 1:09:27
  Speaker 1: talk about future, like when future talks about he had
• 1:09:30
  Speaker 1: to be selfish at times, he had to be um
• 1:09:36
  Speaker 1: even though his relationships on like how serious he took
• 1:09:41
  Speaker 1: it or how it comes across. It could have came
• 1:09:44
  Speaker 1: across to some people as if you know some sometimes
• 1:09:47
  Speaker 1: he don't care something, but he has to focus. You
• 1:09:50
  Speaker 1: have to. You have to really give yourself. You gotta
• 1:09:53
  Speaker 1: be selfish with yourself. The industry is always going to
• 1:09:56
  Speaker 1: be a number one girl in some type of capacity. Yeah,
• 1:10:00
  Speaker 1: it breaks you down like this shit. It really the
• 1:10:03
  Speaker 1: industry will break you all the way down because you know,
• 1:10:05
  Speaker 1: when you think about it, if you're already dealing with
• 1:10:08
  Speaker 1: shit like this's been on the internet along, it's too much.
• 1:10:13
  Speaker 1: I think it's just too much. You got the answer
• 1:10:15
  Speaker 1: to people you don't know. You don't really you think
• 1:10:17
  Speaker 1: you're not answering to them, but you you definitely you
• 1:10:20
  Speaker 1: answering in some way because you see that shit it's
• 1:10:22
  Speaker 1: over on a certain to a certain extent. After seeing
• 1:10:27
  Speaker 1: shit happened or seeing shit said so many times, it
• 1:10:31
  Speaker 1: affects you. Yeah, like celebrities always talk about like how
• 1:10:34
  Speaker 1: comments don't affect them, and I'm like, yes, yes, yes
• 1:10:37
  Speaker 1: it dude, because if you got the time to respond
• 1:10:39
  Speaker 1: to a negative comment that a fan said, and you
• 1:10:42
  Speaker 1: got a thousand other comments, it's positive that you could
• 1:10:45
  Speaker 1: respond to. Then the comments. You know, I feel like
• 1:10:48
  Speaker 1: slaves are I mean celebrities are slaves. So you know
• 1:10:52
  Speaker 1: the Internet at this point you are, man, you were
• 1:10:55
  Speaker 1: slaves to success? Yeah, you slave to the success. It's
• 1:10:59
  Speaker 1: almost like man, you know you think to yourself, you like,
• 1:11:01
  Speaker 1: damn like what you were saying. It's like, Sean, do
• 1:11:04
  Speaker 1: I feel like you ask me do I feel like, um,
• 1:11:09
  Speaker 1: I was slighted as an artist? I don't feel slighted.
• 1:11:15
  Speaker 1: But to be very honest, it's only twenty four hours
• 1:11:19
  Speaker 1: in a day. Sometimes it takes me twenty. But you
• 1:11:22
  Speaker 1: feel under appreciated. I do. Sometimes I ain't gonna lie
• 1:11:27
  Speaker 1: like like if there's nothing, if there hasn't been, if
• 1:11:30
  Speaker 1: there has been anything, I feel like that's the part that, Like,
• 1:11:34
  Speaker 1: to be honest, that shit really fucks with you sometimes.
• 1:11:37
  Speaker 1: It's like when people don't appreciate your hard work or
• 1:11:41
  Speaker 1: your or your your talent, your gift, you know what
• 1:11:45
  Speaker 1: I'm saying that ship at some point it does fuck
• 1:11:47
  Speaker 1: with you. But we appreciate you here on the Ball
• 1:11:49
  Speaker 1: Alert Show, and I appreciate you. Just learning more about you,
• 1:11:53
  Speaker 1: you know, makes my appreciation grow even more. And um,
• 1:11:56
  Speaker 1: what you were saying about, you know, how you took
• 1:11:59
  Speaker 1: a different route on purpose and did things differently and
• 1:12:02
  Speaker 1: ended up, you know, that becoming your signature and you
• 1:12:04
  Speaker 1: becoming really really successful at it. On another level, that
• 1:12:08
  Speaker 1: hits from me too, because I don't know if you remember.
• 1:12:10
  Speaker 1: You probably don't, but um, I think it was like
• 1:12:12
  Speaker 1: early twenty maybe eleven twelve. I did a DAT tape
• 1:12:16
  Speaker 1: and with Greg with Greg Street, and he hosted or whatever,
• 1:12:19
  Speaker 1: and then he wanted to make this whole big deal
• 1:12:22
  Speaker 1: about it, so we did it on his radio show
• 1:12:24
  Speaker 1: and you actually called in and you were, you know,
• 1:12:27
  Speaker 1: giving me my props and all that stuff. Remember that.
• 1:12:29
  Speaker 1: I remember that. I really do remember that. That's crazy.
• 1:12:33
  Speaker 1: That was you. Yeah, all right, listen. Life is crazy, right,
• 1:12:36
  Speaker 1: Life is one big circle, it is. But you know what,
• 1:12:39
  Speaker 1: they never appreciated Michael Jackson. They never appreciated Prince. People
• 1:12:43
  Speaker 1: don't appreciate any of the grades that we have in
• 1:12:46
  Speaker 1: front of us until it's too late. I really appreciate, UM,
• 1:12:50
  Speaker 1: I really appreciate these times. UM. You know, growing up,
• 1:12:58
  Speaker 1: growing up UM with a lot of you guys, UM,
• 1:13:04
  Speaker 1: I didn't get a chance to, like I think, to
• 1:13:08
  Speaker 1: get to to get back to you what you said.
• 1:13:11
  Speaker 1: I was working so much that I didn't really the
• 1:13:19
  Speaker 1: human side of me. I lost the human side of
• 1:13:21
  Speaker 1: me at some time, at some points because I couldn't, UM,
• 1:13:26
  Speaker 1: I couldn't focus on being a human. I had to
• 1:13:29
  Speaker 1: focus on being a machine. UM. And now I'm I'm
• 1:13:37
  Speaker 1: spending a little bit more time being a human and
• 1:13:40
  Speaker 1: having a time to be appreciated and having uh time
• 1:13:45
  Speaker 1: to actually process um, real conversations and love and appreciation
• 1:13:54
  Speaker 1: and UM. Because it's really tough sometimes, you know what
• 1:13:58
  Speaker 1: I'm saying, Like it's you know, I'm really, I'm really,
• 1:14:02
  Speaker 1: I'm really passionate. You know what I'm saying. I'm very passionate.
• 1:14:05
  Speaker 1: And you know, sometimes it has been times that, like
• 1:14:08
  Speaker 1: you know, you don't always like it when the wrong
• 1:14:12
  Speaker 1: perception of you is out there. You know what I'm saying.
• 1:14:14
  Speaker 1: It's like you can't be out there that long without
• 1:14:19
  Speaker 1: somebody having an issue or somebody not liking some shit.
• 1:14:22
  Speaker 1: You know what I'm saying. It's like and you really
• 1:14:25
  Speaker 1: just been trying to just do your best and be
• 1:14:27
  Speaker 1: your best and give everything you got and that ship
• 1:14:30
  Speaker 1: gets to a point where it weighs on you, you
• 1:14:32
  Speaker 1: know what I'm saying. But but at the end as
• 1:14:34
  Speaker 1: a whole, you know, I'm very appreciative, um for being
• 1:14:39
  Speaker 1: out here and and the love I've I've I've received
• 1:14:43
  Speaker 1: over It's been a great life. Like it's been a
• 1:14:45
  Speaker 1: great it's been a great time. You gotta come back
• 1:14:48
  Speaker 1: on the show, brother. Yeah, yeah, we got up upset
• 1:14:54
  Speaker 1: shit man. UM, trying to finish up this this Usher album. UM,
• 1:14:59
  Speaker 1: and thank y'all man, And UM, I want to say
• 1:15:01
  Speaker 1: thank y'all to everybody who's been really receptive to the
• 1:15:04
  Speaker 1: new single Glue for usure. UM working on my album
• 1:15:09
  Speaker 1: for sure, I want to do the international tour. UM.
• 1:15:14
  Speaker 1: I mean sometimes I never I never really appreciate it.
• 1:15:16
  Speaker 1: I mean I never even realized so many people appreciated
• 1:15:19
  Speaker 1: my my work as an artist. UM, you know what
• 1:15:23
  Speaker 1: I mean, a lot of interviews I've been having it's like, Yo,
• 1:15:25
  Speaker 1: where is your shit at? Like, and UM, I really
• 1:15:28
  Speaker 1: felt like I didn't really think people appreciated it that much.
• 1:15:32
  Speaker 1: Said that it's hard man. You know what I meant.
• 1:15:37
  Speaker 1: Number one, they want to let me get so. I
• 1:15:42
  Speaker 1: got so used to people being selfish, and I never
• 1:15:44
  Speaker 1: was selfish. I will say this, you know last thing. Um,
• 1:15:48
  Speaker 1: it's important to um let people know that you love them.
• 1:15:51
  Speaker 1: You know what I'm saying, Because it's it's shit. It's
• 1:15:55
  Speaker 1: a challenge. It's a challenge, uh every day and and um,
• 1:15:59
  Speaker 1: just like you said, you know, I didn't know that
• 1:16:01
  Speaker 1: that was That's so crazy. I didn't know that that
• 1:16:03
  Speaker 1: was you. And that was ten years or damn there
• 1:16:06
  Speaker 1: eight years ago, right and now look look at you.
• 1:16:11
  Speaker 1: You know what I'm saying. That's the one thing I
• 1:16:13
  Speaker 1: really appreciate to about life. It's like seeing people grow
• 1:16:20
  Speaker 1: and being able to have conversations later about it. You
• 1:16:23
  Speaker 1: know what I mean. You might have never known where
• 1:16:25
  Speaker 1: a person was going through or what a person was
• 1:16:27
  Speaker 1: really trying to do with their life. You know what
• 1:16:29
  Speaker 1: I'm saying. So well, thank you agatting Sean Garrett. Before
• 1:16:32
  Speaker 1: we get out of here, if you gotta have a
• 1:16:34
  Speaker 1: pep talk, my name is mister Sean Garrett aka to
• 1:16:37
  Speaker 1: Pen the pep Talk for me today is just basically
• 1:16:42
  Speaker 1: definitely stand on your positivity, maintaining your mental stability, not
• 1:16:50
  Speaker 1: allowing anything or anybody to talk you out of your peace,
• 1:16:57
  Speaker 1: I think is a very important part of life, no
• 1:17:00
  Speaker 1: matter what your profession is. The other part, I would say,
• 1:17:03
  Speaker 1: if you're in the music business and you definitely want
• 1:17:07
  Speaker 1: to be successful, learn as much as you possibly can
• 1:17:10
  Speaker 1: about every aspect of the business, and not just in
• 1:17:18
  Speaker 1: the music business, but that's in life. Yeah. Motivating, Motivating
• 1:17:24
  Speaker 1: yourself is motivating the world because if whatever you give it,
• 1:17:28
  Speaker 1: if you're given that positive energy back out to the world,
• 1:17:32
  Speaker 1: it's going to come back to you. Peace and love.
• 1:17:36
  Speaker 1: Can't get enough of baller Alert. Follow us on all
• 1:17:39
  Speaker 1: social media platforms at baller alert all go on to
• 1:17:42
  Speaker 1: baller alert dot com.