Latest / Sherlock Holmes and Doctor Watson / SherlockHolmes-The Retired Colourman
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- 0:03Speaker 1: The Adventures of Sherlock Holmes, starring Basil Rathbone and Nigel Bruce.
- 0:11Speaker 1: The makers of Bromo quinine cold tablets bring you another
- 0:16Speaker 1: adventure of Sherlock Holmes with Basil Rathbone as Sherlock Holmes
- 0:20Speaker 1: and Nigel Bruce as Dr.
- 0:22Speaker 2: Watson.
- 0:24Speaker 1: Watch out for colds, ladies and gentlemen. They're very prevalent now,
- 0:27Speaker 1: and a little cold may be the start of a
- 0:29Speaker 1: serious illness. What you want to do with the first
- 0:32Speaker 1: sign of a cold is take famous bromoquinine tablets. Bromoquinine
- 0:37Speaker 1: tablets are made for one purpose and one purpose only,
- 0:40Speaker 1: and that is the relief of colds. They act fast,
- 0:44Speaker 1: give you speedy results, and that's what you want when
- 0:46Speaker 1: you have a cold. Bromoquinine tablets are known the world over.
- 0:51Speaker 3: For their efficacy.
- 0:52Speaker 1: Trust your reputation when buying a medicine. Do this when
- 0:56Speaker 1: you feel a cold coming on, and you'll ask for
- 0:58Speaker 1: bromoquinone cold tablets.
- 1:01Speaker 3: And now, as we make our way through the night
- 1:03Speaker 3: to Dr.
- 1:03Speaker 1: Watson's hospitable door, we notice a feeling of spring in
- 1:07Speaker 1: the air. The buds are swollen on the trees, still
- 1:10Speaker 1: black and dripping from the rain.
- 1:12Speaker 3: There's a smell of warm, damp earth.
- 1:15Speaker 4: Delicious. Hey, Mr.
- 1:16Speaker 1: Manning.
- 1:17Speaker 3: Well, hello, Dr.
- 1:18Speaker 1: Watson.
- 1:18Speaker 3: I didn't see you in the dark.
- 1:19Speaker 2: Yes, I've been out checking up to see if my
- 1:22Speaker 2: magnolias survived the winter.
- 1:24Speaker 3: Any casualties?
- 1:25Speaker 4: No, they all seem to be fairly bursting with bugs.
- 1:29Speaker 2: There's nothing as delicious as that first faint whiff of spring.
- 1:33Speaker 4: Or as treacherous. Come along to the house before we
- 1:37Speaker 4: both catch our death of cold.
- 1:40Speaker 1: After you, sir. Not at all, my boy.
- 1:42Speaker 2: None of that age before beauty nonsense. I'm not as
- 1:45Speaker 2: decrepit as all heads.
- 1:47Speaker 3: Oh, what's this? The front hall littered with trunks of suitcase?
- 1:51Speaker 1: Oh, yes. I'm afraid my annual wanderlust has broken out
- 1:54Speaker 1: rather early this spring. I'm off on a little jaunt
- 1:57Speaker 1: first thing tomorrow morning, but come along into the study.
- 2:00Speaker 1: Does that mean that this is the last of our
- 2:02Speaker 1: storytelling evening?
- 2:03Speaker 4: Oh, for this winter, yes, I'm afraid it does. Well, I.
- 2:07Speaker 2: I trust I'm not too forward if I hope to
- 2:09Speaker 2: be invited back again in the fall.
- 2:10Speaker 3: Of course not. You know we'll be waiting for your return.
- 2:13Speaker 4: Oh, thanks very much.
- 2:15Speaker 3: Very decent of you.
- 2:16Speaker 4: To put up with the hand rings of an old
- 2:19Speaker 4: fellow like yourself.
- 2:20Speaker 5: I appreciate it, you know.
- 2:23Speaker 2: But sit down, Mr.
- 2:23Speaker 4: Manning. Sit down there over there in the usual chair.
- 2:26Speaker 2: Let's get on with our story before I get all
- 2:29Speaker 2: glittery and sentimental.
- 2:31Speaker 1: You're going to tell us about Professor Moriarty tonight, aren't you?
- 2:34Speaker 2: Well, I had intended to, but I've changed my mind.
- 2:36Speaker 4: I'm going to tell you the adventure of a.
- 2:38Speaker 1: Retired colorman instead.
- 2:40Speaker 3: Retired colorman? Isn't that a military term?
- 2:43Speaker 1: No, it isn't.
- 2:44Speaker 4: Mr.
- 2:44Speaker 1: Josiah P.
- 2:46Speaker 2: Amberley has been the junior member of Brickfall and Amberley,
- 2:49Speaker 2: manufacturers of artistic paint boxes.
- 2:51Speaker 4: He made quite a tiny little fortune.
- 2:53Speaker 2: Retired from business at the age of 61, bought a
- 2:56Speaker 2: house at Lewisham and.
- 2:57Speaker 4: Then settled down. The very next year, 1897, I think
- 3:00Speaker 4: it was.
- 3:00Speaker 1: The old fool married.
- 3:02Speaker 4: Married? Yes, married. The woman's 30 years his junior.
- 3:08Speaker 1: Always a bit risky. Risky. Risky.
- 3:11Speaker 4: Within two years, he was as.
- 3:13Speaker 2: Miserable a creature as crawls beneath the sun. Dear me,
- 3:16Speaker 2: I'm jumping ahead in the story again. As I was saying,
- 3:20Speaker 2: it was the 23rd of April, 1899, and a rainy
- 3:22Speaker 2: and disagreeable April it had been. Holmes was in a
- 3:26Speaker 2: melancholy and philosophic mood that morning as he stood by
- 3:29Speaker 2: the window, watching the raindrops chasing one another down, down
- 3:33Speaker 2: the pane.
- 3:34Speaker 4: Rain, it always depressed him when he was not working
- 3:36Speaker 4: on a case.
- 3:38Speaker 1: When he was working on a case, I don't believe
- 3:40Speaker 1: he realized.
- 3:40Speaker 4: That there was such a thing as weather.
- 3:55Speaker 1: Look at that beastly rain. Hasn't stopped for three days.
- 3:58Speaker 1: Might as well be another flood. Heaven only knows what
- 4:01Speaker 1: transgressions could have brought it on. That's been a really
- 4:04Speaker 1: first-class crime for months.
- 4:06Speaker 4: Cheer up, Holmes, cheer up.
- 4:07Speaker 1: It's probably good for the crops or something. A shortage
- 4:09Speaker 1: in crime?
- 4:10Speaker 3: No, no, no. The rain, of course.
- 4:11Speaker 4: Probably makes the little buds sprout and the little shoots.
- 4:14Speaker 3: Oh, don't be so blasted optimistic.
- 4:16Speaker 1: More likely rotting all the seed that's already been planted. Rain,
- 4:20Speaker 1: where the deuce does it all come from? This confounded
- 4:23Speaker 1: English climate... Why, any man with half a brain stays
- 4:26Speaker 1: on this rain-soaked, mist-bound island is beyond me.
- 4:28Speaker 3: Why, that of the men have anything to do with it.
- 4:30Speaker 4: It's the ladies, God bless them. This climate gives them
- 4:34Speaker 4: perfect complexions.
- 4:35Speaker 2: And with so many lovely creatures about, what Englishman would
- 4:37Speaker 2: think of quitting the country?
- 4:39Speaker 1: So much beauty, such exquisiteness. Oh, rubbish, Watson, rubbish. This
- 4:42Speaker 1: spring has given you a temporary softening of the brain.
- 4:45Speaker 1: I regret to say it seems to have that effect
- 4:46Speaker 1: on most impressionable males.
- 4:47Speaker 4: Impressionable nonsense. When a woman's concerned in one of your.
- 4:50Speaker 2: Cases, you've never even noticed whether she's 16 or 60.
- 4:53Speaker 2: And then you don't care whether she's got a well-turned
- 4:55Speaker 2: ankle or whether she's flat-footed.
- 4:57Speaker 1: Why should I?
- 4:58Speaker 4: Holmes, there are times when I think you're a cold-blooded fish.
- 5:03Speaker 1: Possibly, Watson, possibly. Why do you suppose the fool doesn't
- 5:07Speaker 1: show up?
- 5:07Speaker 3: What fool?
- 5:08Speaker 1: Josiah P. Amberley. Is he one of your clowns? I
- 5:11Speaker 1: suppose I may call him so. He's been sent to
- 5:13Speaker 1: me by Scotland Yard. Oh, by Scotland Yard. Quite. By
- 5:16Speaker 1: this cloud, to be exact. I must consider the case
- 5:18Speaker 1: fairly hopeless if Lestrade hands the matter over to me
- 5:21Speaker 1: of his own accord.
- 5:21Speaker 2: Look, Holmes, there's a cab drawing up in front of
- 5:26Speaker 2: our front door.
- 5:27Speaker 4: He must be your client, Mr.
- 5:28Speaker 3: Ambler.
- 5:30Speaker 1: Yeah. Strange-looking individual, eh, Watson?
- 5:33Speaker 4: Quite an old fellow. Looks literally bowed down with care.
- 5:36Speaker 1: Ah, but no weakling. Look at those shoulders and that chest.
- 5:38Speaker 1: The framework of a giant. He's arguing with the cab
- 5:42Speaker 1: driver about the fare.
- 5:43Speaker 4: Huh.
- 5:43Speaker 1: Huh-huh. Watches the pennies, eh?
- 5:45Speaker 4: I must say, I don't like his face.
- 5:47Speaker 2: So fierce and eager, and the way those snaky locks
- 5:50Speaker 2: of grizzled hair stick out from under his hat.
- 5:52Speaker 1: I wonder what he's worrying. What's worrying, Mr. Ambley? Worrying
- 5:56Speaker 1: to bet it has something to do with money. I
- 5:58Speaker 1: imagine nothing else could upset him to any great extent.
- 6:00Speaker 4: Nonsense, Holmes. You always look on the base side of
- 6:04Speaker 4: human nature.
- 6:05Speaker 1: Here he is now. Come in. Come in. Which of
- 6:10Speaker 1: you is Sherlock Holmes?
- 6:11Speaker 2: I am.
- 6:12Speaker 1: This is my friend, Dr. Watson.
- 6:13Speaker 5: Well, I'm a broken man. He's robbed me, the swine.
- 6:16Speaker 5: Taken everything I had in the world. I thought he
- 6:19Speaker 5: was my friend and he took everything. Right from under
- 6:21Speaker 5: my nose. In my own house.
- 6:23Speaker 1: Robbed me, he did. Yes, I felt sure it was
- 6:25Speaker 1: a question of money. Money? Who said money? He stole
- 6:28Speaker 1: my wife.
- 6:29Speaker 5: The light of my life.
- 6:30Speaker 1: The apple of my eye.
- 6:31Speaker 5: It's true she was very expensive. But after all, she was.
- 6:35Speaker 1: My wife, and he stole her. Now, Mr. Ambley, if
- 6:37Speaker 1: you would.
- 6:37Speaker 5: My beautiful blonde wife, hair like gold, and my securities.
- 6:41Speaker 5: The money I saved up with years of hard work.
- 6:44Speaker 4: Gone.
- 6:45Speaker 1: All gone. Yes, thank you. First, tell us about your wife.
- 6:49Speaker 1: How long have you been married? Two years.
- 6:51Speaker 5: Two years, and she's tired of me already.
- 6:54Speaker 1: Two little years. Easy, my good man, easy. More facts
- 6:56Speaker 1: and fewer recriminations if we're to get to the bottom
- 6:58Speaker 1: of this case.
- 6:59Speaker 2: Well.
- 7:00Speaker 1: Three years ago, I retired. Bought a house.
- 7:02Speaker 5: Big house at Lewisham. Cost me plenty of money, that
- 7:05Speaker 5: house did. Well, sir, I'd never lived alone in a
- 7:07Speaker 5: big house before.
- 7:09Speaker 1: Got sort of lonely.
- 7:10Speaker 4: House began to need looking.
- 7:12Speaker 5: After, so I thought I'd start looking around for a wife. Nice, healthy,
- 7:15Speaker 5: young wife to look after me. Then I met Ella.
- 7:18Speaker 1: Handsome girl she was, too. A good cook. Hair like gold.
- 7:22Speaker 5: Could bake a beef and kidney pie that went melt
- 7:25Speaker 5: in your mouth. So I thought I might as well
- 7:27Speaker 5: get married.
- 7:27Speaker 1: Very practical, I'm sure.
- 7:29Speaker 4: That's what I figured at that time.
- 7:31Speaker 1: But Lord, Mr.
- 7:32Speaker 5: Holmes, the money a woman runs into. There made my
- 7:35Speaker 5: heart bleed the way the money went.
- 7:36Speaker 1: I should have thought you'd have been glad when the
- 7:38Speaker 1: other fellow took it off your hands. But who was this.
- 7:41Speaker 3: This wolf in sheep's clothing?
- 7:42Speaker 1: Yes.
- 7:43Speaker 5: His name was Dr.
- 7:44Speaker 1: Ray Ernest.
- 7:45Speaker 5: A young fellow. Used to come over at night and
- 7:47Speaker 5: play chess with me.
- 7:48Speaker 1: I see. He stole your wife? And my securities. Yes,
- 7:51Speaker 1: but truly the securities are registered. You can hardly hope
- 7:54Speaker 1: to convert them. Maybe not.
- 7:56Speaker 5: But I must have them back. And you've got to
- 7:58Speaker 5: find those securities for me, Mr.
- 7:59Speaker 4: Holmes.
- 8:00Speaker 5: You've got to find them.
- 8:01Speaker 1: And your wife, of course? Of course, of course.
- 8:03Speaker 5: Wherever she is, they are.
- 8:05Speaker 1: Ah, quite. On the other hand, Mr. Amberley, I confess
- 8:07Speaker 1: I don't see that I can be of much service.
- 8:09Speaker 1: It's a routine matter, and I'm sure that Cocton Yard
- 8:11Speaker 1: would be only too glad.
- 8:12Speaker 5: Oh, very well, very well, very well, very well.
- 8:16Speaker 1: We'll do our best. Dr. Watson will take a run
- 8:18Speaker 1: down to your house at Lewisham to look over the grounds. Oh, really?
- 8:21Speaker 3: Oh, delicious.
- 8:22Speaker 5: I hardly expected you'd come yourself. After my heavy financial loss...
- 8:26Speaker 5: Nobody cares if an old man's heart is broken.
- 8:28Speaker 3: Oh, stop that blubbering.
- 8:30Speaker 1: I'm not coming myself because I'm preoccupied with the case
- 8:32Speaker 1: of the two Coptic patriarchs. This particular case doesn't seem
- 8:35Speaker 1: to be very complicated. I'm sure, Mr. Amberley, that Dr.
- 8:38Speaker 1: Watson can handle it as well as I could myself.
- 8:40Speaker 4: Well, if that's the best that you can offer, I.
- 8:42Speaker 5: Suppose I must be satisfied. Pampered, that's what she was.
- 8:47Speaker 5: And that young man, that dirty pickpocket, I treated him
- 8:50Speaker 5: like my own son, the run of the house. And
- 8:52Speaker 5: now look how they've treated me.
- 8:54Speaker 3: Me, you'll never harm me.
- 8:55Speaker 1: Quite, quite. And now, good day, Mr. Amberley.
- 8:58Speaker 4: Oh, yes, well, good day, Mr.
- 9:00Speaker 3: Holmes.
- 9:01Speaker 5: I shall expect Dr.
- 9:01Speaker 1: Watson this afternoon. You have my address, I believe.
- 9:04Speaker 5: Oh, the ungratitude, the rank ingratitude of it all.
- 9:08Speaker 4: I must say, Holmes, I like the way you've shoved
- 9:10Speaker 4: all this off onto my shoulders. Coptic patriarchs, indeed. You
- 9:15Speaker 4: just don't want to go.
- 9:17Speaker 1: Right, Watson, right, the very first time. You've been begging
- 9:19Speaker 1: for a case all to yourself for months. Well, here
- 9:21Speaker 1: it is.
- 9:21Speaker 4: Yes, and a nice case you've given me, I must say.
- 9:24Speaker 4: That old skinful.
- 9:26Speaker 1: Oh, my daughter, oh, my ducats, eh? With the emphasis
- 9:29Speaker 1: on the ducats, if I'm not mistaken. Oh, confound that passage. There. Ah,
- 9:53Speaker 1: that's better.
- 9:54Speaker 3: That's dash good.
- 9:58Speaker 2: Hello.
- 9:58Speaker 1: Someone steps on the stairs. Watson, if I'm not mistaken,
- 10:02Speaker 1: and in a triumphant mood. Hello, Holmes.
- 10:06Speaker 3: Well, I'm back.
- 10:08Speaker 1: Hail the conquering hero. A successful afternoon, I take it,
- 10:11Speaker 1: with a light of victory in your eye.
- 10:12Speaker 3: Well, I did manage.
- 10:14Speaker 4: To dig up a clue or so.
- 10:16Speaker 2: Good.
- 10:17Speaker 1: Now about Mr. Amberley's place of residence. What's it like?
- 10:19Speaker 4: Well, he calls it the haven.
- 10:21Speaker 1: Oh, charming.
- 10:22Speaker 4: Yes, isn't it?
- 10:23Speaker 3: I think the place would interest you, Holmes.
- 10:25Speaker 2: You know that particular quarter, the monotonous brick streets, the
- 10:28Speaker 2: weary suburban highways.
- 10:30Speaker 4: Well, right in the middle of them lies this beautiful.
- 10:34Speaker 2: Old home, surrounded by a high sun-baked wall, bottled with
- 10:38Speaker 2: lichens and topped with moss, the sort of wall.
- 10:40Speaker 1: You may omit the poetry, Watson. I note that it
- 10:42Speaker 1: was a high brick wall. Mm-hmm. Mm-hmm.
- 10:45Speaker 4: Mm-hmm.
- 10:46Speaker 2: I should have guessed it was the Haven, even if
- 10:48Speaker 2: I hadn't asked a lounger who was smoking outside on
- 10:51Speaker 2: the street.
- 10:52Speaker 1: A lounger?
- 10:52Speaker 2: Yes, a tall, dark, little moustached man with a curious
- 10:57Speaker 2: look in his eye.
- 10:57Speaker 1: With great tinted glasses and a masonic type in? Good,
- 11:00Speaker 1: hadn't you?
- 11:01Speaker 4: How do you know?
- 11:02Speaker 1: Oh, the fool. A child of ten could have seen
- 11:04Speaker 1: through that.
- 11:04Speaker 3: Well, Mr.
- 11:04Speaker 1: Holmes, I don't see. Never mind. Continue with your story, Watson.
- 11:07Speaker 4: Well, I'd hardly entered the gateway before I saw Mr.
- 11:10Speaker 2: Amberley coming down the drive to meet me. He began
- 11:13Speaker 2: at once, pouring out his grievances.
- 11:15Speaker 1: We walked back to the house together. And, uh... Well, once.
- 11:18Speaker 2: Inside the wall, I must say, I've never seen a
- 11:21Speaker 2: place worth kept. Garden running to weeds and in a
- 11:24Speaker 2: dreadful neglect. The house, too, was flattened to the last degree.
- 11:29Speaker 2: It just goes to show what happens to a place
- 11:31Speaker 2: when there's.
- 11:32Speaker 1: No womanly hand about to keep it in order. Yes, but, uh, Mrs.
- 11:36Speaker 1: Amberley's only been missing a few days. Hardly time for
- 11:39Speaker 1: so much disintegration to take place. Must have set in
- 11:42Speaker 1: before she left.
- 11:43Speaker 3: Possibly.
- 11:44Speaker 4: At any rate, Mr. Ambler seemed to be ashamed of it.
- 11:46Speaker 1: He was doing his best to remedy.
- 11:48Speaker 4: It, though I must admit that his.
- 11:49Speaker 1: Efforts looked a trifle ineffectual. What's to become of me?
- 12:03Speaker 5: What's to become of me? My wife gone, most of
- 12:05Speaker 5: my fortune stolen. Oh, come in, Dr.
- 12:08Speaker 1: Watson, come in.
- 12:09Speaker 4: Here, you see what remains of what used to be
- 12:11Speaker 4: called my home.
- 12:12Speaker 1: An Eastman's home, it is.
- 12:13Speaker 5: Castle, so they say.
- 12:15Speaker 3: But home is where the heart is.
- 12:16Speaker 1: My heart? Look out, Dr. Watson, look out.
- 12:18Speaker 3: That woodwork's just been.
- 12:19Speaker 4: Oh, look at that.
- 12:20Speaker 1: Look at that.
- 12:20Speaker 4: My best pair of trousers.
- 12:22Speaker 1: Too bad. Careful, careful.
- 12:23Speaker 5: You almost get into that pot of paint.
- 12:24Speaker 1: That's it all, Emory. This is absolutely the limit.
- 12:26Speaker 5: Sorry, I shouldn't have left that pot of paint in
- 12:28Speaker 5: the middle of the passage, I suppose. When one's alone
- 12:30Speaker 5: in the house, one forgets.
- 12:31Speaker 3: You're alone.
- 12:33Speaker 4: So you've been doing this painting yourself?
- 12:35Speaker 5: It must strike you as a strange occupation under the circumstances.
- 12:38Speaker 5: One must do something to ease an aching heart.
- 12:41Speaker 3: Step in here, Dr.
- 12:41Speaker 1: Watson.
- 12:42Speaker 5: This is my study, my sanctum sanctorum.
- 12:44Speaker 4: Oh, sanctum sanctorum.
- 12:46Speaker 2: I see you've just finished painting woodwork in this room, too.
- 12:53Speaker 3: I smell paint.
- 12:53Speaker 1: Yes, it's not dry yet. That's why I have a
- 12:55Speaker 1: fire in here. Now let me see.
- 12:58Speaker 2: Where did you keep your security?
- 13:01Speaker 3: In the safe in that wall.
- 13:02Speaker 5: This room is really a strong room.
- 13:03Speaker 1: Like a bank.
- 13:04Speaker 5: With a man shut around the window and a man door.
- 13:06Speaker 3: Very good proof.
- 13:08Speaker 5: Ah, that's the irony of it.
- 13:09Speaker 1: No thief from.
- 13:10Speaker 5: Without could have taken my money. But my wife.
- 13:12Speaker 1: My own wife. There's a picture, Dr.
- 13:14Speaker 5: Watson, on the mantel. Taken in a wedding dress.
- 13:17Speaker 4: Oh, nice looking girl, Emily. Doesn't look the sort that would.
- 13:21Speaker 5: I'm a viper being great.
- 13:23Speaker 3: Oh, really?
- 13:23Speaker 5: The very night, that very night, I bought two upper-circle
- 13:26Speaker 5: seats at the Haymarket Theater. Wanted to give her a treat,
- 13:29Speaker 5: I did.
- 13:29Speaker 4: Didn't she go?
- 13:30Speaker 5: No. Last moment she said she felt sick. That she
- 13:33Speaker 5: had a headache, she did. I believe that went alone.
- 13:36Speaker 5: When I came back, she was gone. The safe was
- 13:38Speaker 5: right in front.
- 13:38Speaker 1: Just a minute.
- 13:39Speaker 4: What night was that, Mr.
- 13:41Speaker 3: Emmerich?
- 13:41Speaker 1: Last Thursday.
- 13:42Speaker 3: Oh, Thursday, was it?
- 13:43Speaker 1: Yes, an unused ticket.
- 13:44Speaker 5: Money wasted. She was always wasting money.
- 13:47Speaker 4: May I have that ticket, Mr.
- 13:48Speaker 1: Emmerich? Hold on, hold on.
- 13:49Speaker 4: You would have thrown it in the fire.
- 13:51Speaker 1: Why? I wanted to get rid of it. I wanted
- 13:53Speaker 1: to get rid of everything that reminds me of her. Here,
- 13:55Speaker 1: give me that picture.
- 13:56Speaker 4: Well, I see.
- 13:57Speaker 1: Well, into the fire she goes closer.
- 13:59Speaker 5: May her soul burn in torment as that picture's burning now.
- 14:08Speaker 1: That person fell away, Watson. This case begins to look
- 14:16Speaker 1: more somber than I suspected. If you could only have
- 14:19Speaker 1: brought me that ticket, Watson.
- 14:20Speaker 4: Oh, I did my best, Holmes.
- 14:23Speaker 2: I may not have the ticket itself, but I did
- 14:25Speaker 2: notice the number of the seat.
- 14:27Speaker 1: Oh, bravo, Watson. How did you happen to remember it?
- 14:30Speaker 4: Well, as a matter of fact, it was my place.
- 14:32Speaker 3: And form at school, 31.
- 14:33Speaker 1: See, from the bottom.
- 14:36Speaker 3: And so it stuck in my head.
- 14:38Speaker 1: Splendid, old fellow. Then Amberley's seat must have been 30
- 14:41Speaker 1: or 32. Hear me, hear me now. Who can that be?
- 14:45Speaker 4: Well, whoever it is, he has to be patient.
- 14:48Speaker 1: Yes, yes, yes. Here he comes up the stairs, fairly running.
- 14:52Speaker 1: Come in. Come in. Well, bless my soul if it
- 14:54Speaker 1: isn't our old friend, our good friend, Mr. Amberley. What's up?
- 14:57Speaker 1: I tell you, Mr.
- 14:58Speaker 5: Holmes, I can't make anything of it. Here, see for yourself.
- 15:01Speaker 1: Come at once without fail.
- 15:02Speaker 4: Yes.
- 15:03Speaker 1: I can give you information as to your recent lost find, Elman. Yes, Elman.
- 15:07Speaker 1: Dispatched at 210 from Little Purlington. Little Purlington in Essex,
- 15:10Speaker 1: I believe, not far from Flinton. You will start at once,
- 15:13Speaker 1: of course. Watson, look up the train.
- 15:14Speaker 5: It's probably a hoax.
- 15:15Speaker 1: What could anyone do to Purlington? But I'm a very
- 15:17Speaker 1: responsible person. Where's my crockpot? Yes, here it is. Uh,
- 15:21Speaker 1: we'll look up this minister of the gospel. E-E-E-E Elman. Elman,
- 15:26Speaker 1: here it is. Here, J.C. Elman, M.A., living of Mossmore,
- 15:29Speaker 1: come little Purlington. Yes, but I still don't think... Surely, Mr. Amberley,
- 15:32Speaker 1: you want to find your wife and your lost securities,
- 15:34Speaker 1: don't you?
- 15:35Speaker 5: Of course, of course, but think of the waste of
- 15:36Speaker 5: time and money.
- 15:37Speaker 4: Here we are, here.
- 15:38Speaker 1: We are, here we are.
- 15:39Speaker 2: Here's a train from Liverpool Street at 5.20.
- 15:42Speaker 1: Yes, you just have time.
- 15:43Speaker 4: Mr.
- 15:43Speaker 1: Amberley, you go downstairs and hail a cab. I'll help Dr.
- 15:45Speaker 1: Watson throw a few things in the bag. You think
- 15:47Speaker 1: I need Dr. Watson?
- 15:48Speaker 5: Perhaps I'd better go alone.
- 15:49Speaker 1: Oh, no, no, no, no. It may be a trap
- 15:51Speaker 1: for all we know. I don't think I shall go. Mr. Amberley,
- 15:54Speaker 1: it would make the worst possible impression on both the
- 15:56Speaker 1: police and on myself if you refused to follow up
- 15:58Speaker 1: so obvious a clue. We should feel that you are
- 16:01Speaker 1: not in earnest about this investigation. Very well, very well,
- 16:04Speaker 1: I'll go.
- 16:04Speaker 4: Perhaps you'd better go with him, Holmes.
- 16:07Speaker 1: What? Take your case, Watson, after the brilliant way in
- 16:10Speaker 1: which you've handled it? No, no, no, no, no. Go along, Mr. Amberley,
- 16:12Speaker 1: or you'll miss your train. Very well, but the expensive.
- 16:16Speaker 1: Here you are, Watson. Here's your bag. It's packed. Yes,
- 16:21Speaker 1: you never know when you may be called off on
- 16:22Speaker 1: a case like this. I packed it for you. Oh, no,
- 16:24Speaker 1: I do think that... Quite. Now, whatever you do, see
- 16:28Speaker 1: that he really does go to Little Purlington.
- 16:30Speaker 4: Yes, I don't think that he's... Again, quite.
- 16:31Speaker 1: Should he break away and try to return, get to
- 16:34Speaker 1: the nearest telegraph station and send me the single word, bolted.
- 16:36Speaker 1: I will arrange to have it reach me wherever I am.
- 16:38Speaker 4: What? You have something to look into at this end, then?
- 16:41Speaker 1: I have, Watson. This case is beginning to take on
- 16:43Speaker 1: a rather curious and sinister aspect. Above all, old man,
- 16:47Speaker 1: take good care of yourself. And Mr. Amberley. Before we
- 17:06Speaker 1: find the outcome of Watson's curious mission, ladies and gentlemen,
- 17:10Speaker 1: I have a few words to say. Here's what you
- 17:12Speaker 1: want to do when you feel a cold coming on.
- 17:15Speaker 1: Here's what you want to do with the very first
- 17:17Speaker 1: sign of a cold. Take famous bromoquinone cold tablets. Bromoquinone
- 17:22Speaker 1: tablets don't fool. No, sir, they get right after a
- 17:25Speaker 1: cold symptom. They get right after a cold's misery. They
- 17:29Speaker 1: relieve the headache and other pains.
- 17:30Speaker 3: That go with a cold.
- 17:32Speaker 1: They relieve that stuffiness and feeling of depression that accompanies
- 17:35Speaker 1: a cold. They help reduce the fever that goes with
- 17:38Speaker 1: a cold. Bromoquinone tablets are fast and decisive in their action. First,
- 17:43Speaker 1: because they're made especially for the relief of the common cold,
- 17:46Speaker 1: and secondly, because they act internally. You can take lots
- 17:50Speaker 1: of things for the relief of a cold, but nothing
- 17:52Speaker 1: more reputable and reliable than famous Bromo quinine tablets. Get
- 17:57Speaker 1: them at any drugstore at the first symptom of a cold.
- 18:00Speaker 1: Ask for Bromo, B-R-O-M-O, quinine, Q-U-I-N-I-N-E, Bromo quinine cold tablets. Ah,
- 18:18Speaker 1: confound this rain. Everything's as dark as a black hole
- 18:23Speaker 1: of Calcutta. The haven. Cheery little haven this is. I
- 18:30Speaker 1: can find a window unlatched. Not much chance on the
- 18:33Speaker 1: first floor. The old boy's two quarters. Woof.
- 18:37Speaker 3: Second-story window, perhaps.
- 18:40Speaker 1: Now, if I can manage to scale this porch pillar. Ah,
- 18:44Speaker 1: this confounded rain. Just simply is a grease pole. Come on. Hey,
- 18:50Speaker 1: there we are. Yeah. There's a window that's unmatched. Easy, easy, easy.
- 18:56Speaker 1: There now. One foot over the sill. Up with your ends.
- 19:02Speaker 1: Up with them, I tell you.
- 19:03Speaker 3: Thought I wouldn't see you prowling around down below, eh? Well,
- 19:06Speaker 3: I've caught you red-handed.
- 19:15Speaker 5: Nice wild goose chase that turned out to be. That
- 19:21Speaker 5: friend of yours, Sherlock Holmes, is a fool.
- 19:23Speaker 1: I'm sure, Mr.
- 19:23Speaker 2: Hamlet, if you'll call and see him, he can explain.
- 19:25Speaker 1: Explain?
- 19:26Speaker 5: Explain nothing. That vicar had never seen that telegram before.
- 19:29Speaker 5: The way he treated us. You might have thought we
- 19:31Speaker 5: were suspicious characters. Then missing the last train and having
- 19:34Speaker 5: to sit up all night in the confounded station with
- 19:36Speaker 5: the rain dripping.
- 19:36Speaker 4: Through the roof.
- 19:37Speaker 1: Well, we could have gone to an hotel.
- 19:38Speaker 5: Gone to an hotel? That costs money.
- 19:40Speaker 1: Gone to an hotel, indeed.
- 19:41Speaker 4: Well, here's your house, Mr.
- 19:42Speaker 1: Ambler.
- 19:43Speaker 2: I think I'll go along home now and get some breakfast.
- 19:45Speaker 3: You will not.
- 19:46Speaker 5: I'm going to come into the house and see if
- 19:48Speaker 5: everything's all I look up there. The window over the porch.
- 19:52Speaker 4: It's open. Perhaps you left it like that, you say?
- 19:53Speaker 3: Rubbish.
- 19:54Speaker 5: I tell you, I don't like the looks of this.
- 19:56Speaker 1: Where's my key? Where's my key? Here it is.
- 19:58Speaker 5: We'll soon find out.
- 20:00Speaker 4: I say, it is gloomy, isn't it?
- 20:06Speaker 1: Look, look, look.
- 20:07Speaker 5: Someone's been here writing up footprints on the fresh paint.
- 20:10Speaker 5: I'll find him if I have to tear the place apart.
- 20:12Speaker 1: No need for that, Mr. Ambly. We're here waiting for
- 20:13Speaker 1: you in the study.
- 20:14Speaker 3: Holmes!
- 20:15Speaker 4: Good heavens, from the start you get.
- 20:17Speaker 5: How did you get in here?
- 20:17Speaker 1: I climbed in through the upstairs window.
- 20:19Speaker 5: That's burglary, young man.
- 20:21Speaker 1: Yes. Burglary's always been an alternate profession, and I cared
- 20:24Speaker 1: to adopt it. I'll admit I was glad I hadn't
- 20:27Speaker 1: when I walked into Inspector Lestrade's gun last night. He
- 20:29Speaker 1: thought I was a burglar, too. But come, we're.
- 20:32Speaker 4: Keeping him waiting.
- 20:32Speaker 1: He's in the library. Here they are, Lestrade. I told
- 20:35Speaker 1: you we could expect them back before ten.
- 20:37Speaker 2: No, but look here, that's not Lestrade. That's the man
- 20:39Speaker 2: I saw loitering in front of the gate yesterday afternoon.
- 20:41Speaker 2: The fellow with the black moustache and the glasses.
- 20:43Speaker 3: Yes, that's right, Dr.
- 20:44Speaker 1: Watson. Yes. Lestrade fondly imagines that's the disguise.
- 20:47Speaker 4: Oh, no, look here, no?
- 20:48Speaker 1: It's as obvious to anyone who.
- 20:49Speaker 4: Takes a look at.
- 20:49Speaker 5: Now, look here, I've had enough of this. I won't
- 20:52Speaker 5: have two busybodies prowling around my house in the middle
- 20:54Speaker 5: of the night. And what's more, Mr. Sherlock Holmes, I
- 20:57Speaker 5: suspect you sent that telegram yourself.
- 20:59Speaker 1: Very clever of you, Mr. Amberley, very clever. You look
- 21:02Speaker 1: to trifle pale. I thought a night in the country
- 21:03Speaker 1: might do you good.
- 21:04Speaker 5: Oh, I know enough of that. What kind of a
- 21:05Speaker 5: fool do you take me for? I'll have you put
- 21:07Speaker 5: behind the bars, all of you.
- 21:09Speaker 1: No, surely not, Inspector Lestrade. Why, he's from Scotland Yard.
- 21:11Speaker 5: I don't care if it's from the house alone.
- 21:13Speaker 1: Yeah, none of that.
- 21:14Speaker 3: You're all disgraced, publicly disgraced.
- 21:16Speaker 1: Breaking into my house in the middle of the night.
- 21:18Speaker 5: Oh, I'll get you for that. What were you doing
- 21:21Speaker 5: in here last night? Answer me that.
- 21:23Speaker 1: Looking for the bodies.
- 21:25Speaker 3: What?
- 21:26Speaker 1: Looking for the bodies. The bodies of your wife and Dr. Ernest.
- 21:28Speaker 1: What have you done with them? I dare you.
- 21:30Speaker 5: How dare you?
- 21:31Speaker 1: You murder them in this room.
- 21:32Speaker 4: We have ample proof.
- 21:32Speaker 5: Why, you... Stop him, Watson.
- 21:34Speaker 2: Stop him.
- 21:34Speaker 1: He's got a capsule in his hand. It's poison. He's
- 21:36Speaker 1: going to swallow it.
- 21:37Speaker 4: No, no, no.
- 21:37Speaker 5: Come on.
- 21:37Speaker 2: Hit it out.
- 21:38Speaker 1: Hit it out. Hit it out or I'll choke you. No,
- 21:40Speaker 1: short track, Mr. Ambley, if you please. Everything decently and
- 21:43Speaker 1: in its proper place. Take him away, Lestrade. Right. Come
- 21:45Speaker 1: along now.
- 21:46Speaker 3: No more monkey business.
- 21:46Speaker 4: I won't put up with that.
- 21:47Speaker 5: All right.
- 21:48Speaker 4: Phew.
- 21:49Speaker 1: What a scene.
- 21:51Speaker 4: That old brute Ambley's a murderer.
- 21:54Speaker 1: How did you find it out? Well, the first clue
- 21:56Speaker 1: was the theater ticket. which he didn't use. We found
- 21:59Speaker 1: that out.
- 21:59Speaker 4: Oh, that destroyed his alibi.
- 22:00Speaker 1: Yes, the theater people assured us that there had been
- 22:02Speaker 1: two empty seats, not just one. The second clue was
- 22:05Speaker 1: the smell of fresh paint. What was he trying to
- 22:08Speaker 1: hide by that?
- 22:09Speaker 4: What?
- 22:10Speaker 1: Gas. He asphyxiated his wife and Dr. Ernst in this room.
- 22:13Speaker 3: Good heavens.
- 22:14Speaker 1: His strong room, which was as near airtight as anything
- 22:17Speaker 1: could humanly possibly be. But how? Well, that's what I
- 22:20Speaker 1: wanted to find out. That's what I was looking for
- 22:23Speaker 1: when I broke into the house last night. And what
- 22:24Speaker 1: did you find? Look here. Notice the gas pipe along
- 22:28Speaker 1: the skirting here. It rises in the wall in the
- 22:31Speaker 1: angle there and ends in that plaster rose in the
- 22:33Speaker 1: center of the ceiling where it's concealed by that ornamentation.
- 22:36Speaker 1: The end's wide open.
- 22:37Speaker 4: Oh, how horrible.
- 22:39Speaker 1: Yes, then look here. Look, near the floor. What do
- 22:42Speaker 1: you make out?
- 22:43Speaker 4: Two words written on the wall.
- 22:45Speaker 1: We were.
- 22:46Speaker 4: Then a scroll.
- 22:49Speaker 1: We were.
- 22:49Speaker 4: What does that mean?
- 22:50Speaker 1: The poor devil was trying to write, we were murdered.
- 22:54Speaker 1: I can see the whole ghastly scene. It was last
- 22:57Speaker 1: Thursday night. Amberley had lured his wife and Dr. Ernest
- 23:00Speaker 1: into this room.
- 23:16Speaker 5: Oh, listen to that wind. I wish it would stop.
- 23:19Speaker 3: It's not so bad in this room.
- 23:20Speaker 4: Have a little game in here, eh, Dr.
- 23:23Speaker 1: Ernest? Just you sit here, Amberley.
- 23:25Speaker 5: Entertain the doctor while I go and look for the chessmen.
- 23:28Speaker 5: Excuse me for a minute, Dr.
- 23:29Speaker 1: Ernest.
- 23:30Speaker 4: Certainly. And if you don't mind, I'll close the door.
- 23:33Speaker 3: It's such a draught.
- 23:34Speaker 5: It'll be much cozier in here with the door closed.
- 23:37Speaker 1: Much cozier.
- 23:40Speaker 5: If that wind only wouldn't hold. I feel so depressed.
- 23:44Speaker 5: Is there something terrible going to happen?
- 23:46Speaker 1: Nonsense, my dear Mrs.
- 23:47Speaker 5: Amberley.
- 23:47Speaker 4: This house is getting on your nerves.
- 23:49Speaker 1: Is there any wonder? It gets worse and worse.
- 23:52Speaker 5: Oh, Dr. Ernest, I'm so frightened.
- 23:54Speaker 4: You must go away, please.
- 23:56Speaker 1: Now, don't be alarmed, Mrs.
- 23:57Speaker 2: Amberley.
- 23:57Speaker 1: I've had your husband under observation for some time.
- 24:00Speaker 4: I'm afraid he isn't quite normal.
- 24:02Speaker 2: It, uh, it isn't safe for you to stay here
- 24:04Speaker 2: any longer.
- 24:05Speaker 1: But, Dr. Ernest, don't you understand?
- 24:07Speaker 5: I can't leave my husband. Heaven knows what would happen
- 24:10Speaker 5: if I left him alone.
- 24:11Speaker 4: We could get a nurse to.
- 24:12Speaker 3: Take care of him.
- 24:13Speaker 5: You can't stay here with him.
- 24:15Speaker 1: What was that?
- 24:16Speaker 5: Josiah, he heard us.
- 24:18Speaker 4: He was outside the door listening.
- 24:20Speaker 5: Oh, Dr. Ernest, this is terrible.
- 24:21Speaker 1: What can we do? Listen. You hear that? It's the cat.
- 24:26Speaker 5: Someone's turned on the gas.
- 24:27Speaker 1: I can smell it. Hurry, hurry.
- 24:29Speaker 4: We've got to get out of here. What?
- 24:31Speaker 3: The door's locked.
- 24:32Speaker 1: He's locked the door.
- 24:33Speaker 2: Emily.
- 24:33Speaker 1: I say, Emily, open the door. Quick.
- 24:35Speaker 5: The window.
- 24:37Speaker 1: It's locked too.
- 24:39Speaker 5: The iron shutters.
- 24:41Speaker 2: Emily.
- 24:42Speaker 4: Emily, let us out.
- 24:43Speaker 5: He'll realize what this means. He's going to kill us.
- 24:48Speaker 5: He must have gone mad, I'm afraid.
- 24:50Speaker 1: Yes, yes. It's what I was afraid of.
- 24:52Speaker 4: He's a maniac.
- 24:53Speaker 5: A homicidal maniac.
- 24:55Speaker 1: Oh, this is horrible. We're trapped. What a fool I was.
- 24:59Speaker 5: What can we do?
- 25:01Speaker 1: I feel so faint.
- 25:04Speaker 4: I can hardly breathe.
- 25:05Speaker 1: Here, here.
- 25:06Speaker 5: Lie down on the floor.
- 25:07Speaker 4: Yeah, it's better down here.
- 25:10Speaker 1: It's no use. I can't.
- 25:16Speaker 5: Stay awake.
- 25:18Speaker 1: I don't mind anymore. I'm quite all right. Really?
- 25:27Speaker 3: Mrs.
- 25:27Speaker 1: Emberley. Mrs.
- 25:29Speaker 4: Emberley.
- 25:30Speaker 1: Don't give up. I.
- 25:33Speaker 5: I feel pain, too.
- 25:35Speaker 3: I must warn people.
- 25:36Speaker 1: It's dangerous. I.
- 25:39Speaker 3: I can't think.
- 25:40Speaker 4: Oh, God. I.
- 25:43Speaker 1: I can't breathe. I can't think.
- 25:46Speaker 5: I can't think.
- 26:00Speaker 3: What a tragic story, Dr. Watson. And was Mr. Amberley insane?
- 26:03Speaker 4: They decided he was.
- 26:05Speaker 1: He ended his days in an asylum.
- 26:07Speaker 3: Did they ever find the body? Yes, at the bottom
- 26:09Speaker 3: of an old well, the opening of which had been cleverly.
- 26:11Speaker 2: Concealed by a dog cat.
- 26:13Speaker 1: I see.
- 26:14Speaker 2: And now I'm afraid it's time to say goodbye.
- 26:17Speaker 3: Well, not goodbye, Dr.
- 26:18Speaker 2: Watson.
- 26:18Speaker 1: Au revoir. Oh, just as you say, Mr.
- 26:20Speaker 3: Manning.
- 26:21Speaker 2: Anyway, in conclusion, I want to thank you and our
- 26:25Speaker 2: radio audiences who have so.
- 26:27Speaker 4: Patiently listened to the reminiscences of us. of a sentimental
- 26:30Speaker 4: old fellow.
- 26:31Speaker 3: And I want to wish you all, old.
- 26:33Speaker 4: And young, an extremely happy summer.
- 26:37Speaker 3: Thank you, Dr.
- 26:37Speaker 1: Watson. Ladies and gentlemen, in just a moment, Basil Rathbone
- 26:40Speaker 1: would like to say a few words to you.
- 26:42Speaker 4: But first, may I give you a word of advice?
- 26:45Speaker 1: Remember the danger of the so-called common cold. Remember the
- 26:48Speaker 1: sickness it can cause and the bills it can cost.
- 26:51Speaker 1: Act promptly, decisively, at the first sign of a cold.
- 26:55Speaker 1: Take famous bromoquinine tablets. Bromo quinine tablets have a reputation.
- 27:00Speaker 1: Their fame extends to all quarters of the globe. Their
- 27:03Speaker 1: merit is an assured fact. Reliability is the one thing
- 27:07Speaker 1: you want in any medicine, especially in a medicine for
- 27:10Speaker 1: the relief of cold.
- 27:11Speaker 3: Don't wait. Don't procrastinate when you feel a cold coming on.
- 27:15Speaker 1: Go right to your druggist and get a box of
- 27:17Speaker 1: bromo quinine tablets. The small cost may save you a
- 27:20Speaker 1: lot in grief and expense. Ask clearly for bromo quinine
- 27:24Speaker 1: cold tablets. And now, here's Basil Rathbone. Ladies and gentlemen,
- 27:31Speaker 1: to me, Sherlock Holmes has always been... one of the
- 27:34Speaker 1: greatest characters ever created. Tonight, as our present series ends,
- 27:38Speaker 1: I'd like to thank our sponsor, the makers of Bromoquinine...
- 27:42Speaker 1: for giving me the opportunity of playing Holmes on the air.
- 27:46Speaker 1: Especially with such an inspired Dr. Watson as tonight's Bruce.
- 27:49Speaker 4: Oh, Basil, I... Please.
- 27:51Speaker 1: Oh, sorry, I won't. Speaking for myself and Mr. Bruce...
- 27:54Speaker 1: May I express our gratitude to our radio audience for
- 27:58Speaker 1: the many letters of interest and encouragement that we've received.
- 28:02Speaker 1: And finally, a word of appreciation to all the performers
- 28:05Speaker 1: and others concerned with this program who have helped so
- 28:08Speaker 1: immeasurably in making the Baker Street days live again. And now,
- 28:13Speaker 1: until fall, it's time for me too to say, au
- 28:16Speaker 1: revoir and good luck.
- 28:19Speaker 4: ¶ ¶.
- 28:26Speaker 1: You have been listening to a Sherlock Holmes adventure adapted
- 28:28Speaker 1: by Edith Miser from Sir Arthur Conan Doyle's story, The
- 28:31Speaker 1: Retired Colorman, with Basil Rathbone as Sherlock Holmes and Nigel
- 28:36Speaker 1: Bruce as Dr. Watson. The Sherlock Holmes series was produced
- 28:40Speaker 1: by Tom McKnight. This program was presented from Hollywood by
- 28:44Speaker 1: the makers of Bromo Quinine Cold Tablets, quick relief for colds.
- 28:48Speaker 3: This is Knox Manning speaking. This is the National Anthem.