Latest / Four Finger Discount (Simpsons Podcast) / Sex, Pies And Idiot Scrapes (S20E01)

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Sex, Pies And Idiot Scrapes (S20E01) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: We should be bony hunters. Together. You're kind and smart,
• 0:03
  Speaker 1: I'm cruel and strong. Together we're nothing, but together we're
• 0:08
  Speaker 1: the perfect bony hunter.
• 0:10
  Speaker 2: Well, I could use money, but you have to promise
• 0:13
  Speaker 2: me something, Homer.
• 0:14
  Speaker 1: Sure, what is it?
• 0:15
  Speaker 2: We have to do everything by the book.
• 0:18
  Speaker 1: And you have to promise no diddlies or doodles.
• 0:22
  Speaker 2: My friend, you have a dealer running four Finger Discount.
• 0:27
  Speaker 3: Dude, welcome to season twenty of four Finger Discount. I
• 0:46
  Speaker 3: am dan Oh today, joined.
• 0:47
  Speaker 4: By joined by guy. Yes, we've reached the big two
• 0:51
  Speaker 4: hour feeling very very grown up, and yes we're going
• 0:54
  Speaker 4: to give you an episode that is both tasty and
• 0:56
  Speaker 4: tasteless full finger discount tradition.
• 0:59
  Speaker 3: Exactly right now. There's three things in this title, two
• 1:03
  Speaker 3: of which are in this room. Oh no, so I
• 1:05
  Speaker 3: had a pipe for lunch, So the pie is in
• 1:06
  Speaker 3: my belly? Yeah, okays videos as videos over there? Yes,
• 1:09
  Speaker 3: no sex, well there's sexy things not yet.
• 1:15
  Speaker 4: Stay tuned for the yeah fourfingure discount up late. Yeah,
• 1:18
  Speaker 4: Patrion getting a little boy. But as we said here
• 1:22
  Speaker 4: to talk about the premiere of season twenty, I'm not
• 1:25
  Speaker 4: gonna lie.
• 1:26
  Speaker 3: I enjoy this one. I liked Homer and Flanders being
• 1:28
  Speaker 3: a good team. As bout the Hunters. They didn't seem
• 1:30
  Speaker 3: very good at their job. They just the montage was
• 1:33
  Speaker 3: them screwing up all the time, but they were having
• 1:35
  Speaker 3: a good time doing it.
• 1:36
  Speaker 4: Maybe the real journey was the friendship you made along
• 1:38
  Speaker 4: the way. Yeah, I think that was very much the
• 1:40
  Speaker 4: case with this episode. Yeah, it felt all over the shop.
• 1:43
  Speaker 4: It didn't feel like it didn't feel cohesive.
• 1:47
  Speaker 3: No, the cake and story. Oh I did it, and
• 1:49
  Speaker 3: I didn't really join in any way.
• 1:51
  Speaker 4: Did it? Not? Really?
• 1:52
  Speaker 5: No?
• 1:52
  Speaker 4: I mean I'm not even concerned about those two plots
• 1:54
  Speaker 4: sort of joining up together. It felt like, as I'm
• 1:57
  Speaker 4: prone to say, a lot of stuff that happened, lot
• 2:00
  Speaker 4: of stuff thrown into the mix. But somehow they got
• 2:02
  Speaker 4: the flavor balance right with this one. I think a
• 2:06
  Speaker 4: good heart and a good sense of humor will take
• 2:08
  Speaker 4: you a long way, and there are a lot of
• 2:09
  Speaker 4: good gags in this way.
• 2:11
  Speaker 3: There was a lot of good gags. You know what
• 2:12
  Speaker 3: it also is they stuck the landing. When you stick
• 2:14
  Speaker 3: the landing, it leaves you in a positive mindset. I
• 2:17
  Speaker 3: just saw the ending. Sometimes we say they you know,
• 2:20
  Speaker 3: March Forgives Home or whatever, they try to go for
• 2:21
  Speaker 3: a sentimental ending that comes out of nowhere. It just
• 2:23
  Speaker 3: felt forced. This sort of came out of nowhere, but
• 2:26
  Speaker 3: also didn't feel forced. It was just at no point
• 2:28
  Speaker 3: during the episode where they're a odds with each other
• 2:30
  Speaker 3: or anything. You know, Homer actually appreciate that she was
• 2:33
  Speaker 3: doing sexy cakes and you know they've got to go
• 2:34
  Speaker 3: over a shower with it or whatever. At the end,
• 2:36
  Speaker 3: it's just like, you know, a little cake to remind you,
• 2:38
  Speaker 3: and they turn it into a gag because you think
• 2:39
  Speaker 3: it's going to be a sexy cake. No, it's just
• 2:40
  Speaker 3: that I love you.
• 2:41
  Speaker 4: It's just I love you cake. Yes, that's all it needed. Really,
• 2:44
  Speaker 4: it felt like they had taken on board maybe some
• 2:49
  Speaker 4: of the complaints that people had about season nineteen, but
• 2:51
  Speaker 4: that Home's attitude towards March, the way that he closes
• 2:54
  Speaker 4: it out, or the way this episode closes out with
• 2:56
  Speaker 4: not I love you too, honey. It's like thanks March.
• 2:59
  Speaker 4: It's like often do want to say that to the
• 3:01
  Speaker 4: one that you loves, Like thanks for putting up with
• 3:03
  Speaker 4: me and thanks for being you and loving me.
• 3:06
  Speaker 3: Tying up the loose ends of the story as well,
• 3:09
  Speaker 3: in a sense, where in March. It's just a little
• 3:10
  Speaker 3: thing where March is in the letter. Don't worry, you'd
• 3:13
  Speaker 3: be out of prison tomorrow. Just because it doesn't just
• 3:15
  Speaker 3: end with Homers in prison. Next episode is out of prison,
• 3:17
  Speaker 3: better explain why. It's just oh, he'll be able to Moorrow.
• 3:19
  Speaker 3: Doesn't have to explain why or how, just he'll be
• 3:21
  Speaker 3: able to Moorrow.
• 3:21
  Speaker 4: Okay, cool thing is It ties it up story wise,
• 3:24
  Speaker 4: But it's also a good gag as well, because I think, oh, no,
• 3:27
  Speaker 4: he's in prison, you'll be out of jail tomorrow. That's
• 3:32
  Speaker 4: actually pretty funny.
• 3:32
  Speaker 3: And the Flanders story gets wrapped up nicely as well.
• 3:35
  Speaker 4: I just liked.
• 3:36
  Speaker 3: I liked also to how the intro little bits of
• 3:39
  Speaker 3: it played into the story as well. So the reason
• 3:42
  Speaker 3: Flanders got the new glass window was because of the
• 3:44
  Speaker 3: rights and the opening act.
• 3:46
  Speaker 4: And the reason Flanders becomes a bounty hunter is because
• 3:49
  Speaker 4: his shop doesn't make any damn money. Yes, And I
• 3:53
  Speaker 4: like the fact that he's often putting faith in the Lord,
• 3:56
  Speaker 4: or faith in the good nature of human beings or
• 3:59
  Speaker 4: the economy or anything like that. I like it when
• 4:02
  Speaker 4: he sometimes it gets sense someone realizes it's not all
• 4:05
  Speaker 4: going to happen. By the man upstairs, I might have
• 4:07
  Speaker 4: to take I might at the side hustle, Yeah, and
• 4:09
  Speaker 4: do doing it with Homer as bounty Hunters. The kind
• 4:13
  Speaker 4: of idea or the kind of concept when you hear
• 4:16
  Speaker 4: about it or you read about it in your TV
• 4:17
  Speaker 4: guide or on your TV guard, remember that one. Now
• 4:21
  Speaker 4: when you see it on the screen, when you are
• 4:23
  Speaker 4: scrolling through as we do in the Year of Our
• 4:25
  Speaker 4: Lord twenty twenty four, you go, this feels like, here, guys,
• 4:30
  Speaker 4: what if they were Bounty Hunters. Fantastic, but at least
• 4:33
  Speaker 4: it worked.
• 4:33
  Speaker 3: At least didn't break his values either. Like you said,
• 4:35
  Speaker 3: he was just trying to make some money. He may
• 4:36
  Speaker 3: shure Homer promise when we're going to do it by.
• 4:38
  Speaker 4: The book, Yeah, they contrasted with each other, but they
• 4:42
  Speaker 4: complimented each other as well, which.
• 4:44
  Speaker 3: However, points that out because I'm strong or whatever your kind,
• 4:47
  Speaker 3: whatever it is. Yeah, we're terrible toll together.
• 4:51
  Speaker 4: Now, there were parts of it, certainly I thought, Ah,
• 4:54
  Speaker 4: you're falling into old plot potholes and plot holes. What
• 4:58
  Speaker 4: were they? Oh, just issues that we've had in the past.
• 5:02
  Speaker 4: I think where I think there was one in particular
• 5:05
  Speaker 4: early on you know, during the Saint Patrick's Day parade
• 5:08
  Speaker 4: or celebrations or whatever is it, Quimby talking about everything
• 5:12
  Speaker 4: that the Iris has given.
• 5:13
  Speaker 3: Us and paddy wagon shamrock shack.
• 5:15
  Speaker 4: Do you have to show us these things? You know how?
• 5:18
  Speaker 4: It's like, here's a paddy wagon, here's someone drinking a
• 5:21
  Speaker 4: shamrock shake, here's people river dancing.
• 5:23
  Speaker 3: You know why, because maybe there are some Americans, maybe
• 5:25
  Speaker 3: kid viewers out there who you mightn't know what a
• 5:27
  Speaker 3: paddy wagon is.
• 5:28
  Speaker 4: I guess.
• 5:30
  Speaker 3: I mean, I agree, I can understand what you're saying.
• 5:33
  Speaker 3: I can see it from their side as well, but
• 5:35
  Speaker 3: it would work your way as well for sure.
• 5:37
  Speaker 4: And to go to the other end of the of
• 5:40
  Speaker 4: the episode. Actually, the foot chase between Flanders and Homer,
• 5:44
  Speaker 4: I thought was great. It was a great idea.
• 5:47
  Speaker 3: A lot of them was really taking a bike your
• 5:48
  Speaker 3: Casino Royale.
• 5:49
  Speaker 4: Yeah, I think there was a bit of a tribute that.
• 5:51
  Speaker 4: Certainly with the Girder, you know when they claimed off
• 5:54
  Speaker 4: the skyscraper and they're on the girder, that's definitely Casino Royale.
• 5:57
  Speaker 3: And the sub the monorail or subway whatever is the
• 6:00
  Speaker 3: Italian job or something. Okay, Yeah, I was saying that
• 6:02
  Speaker 3: that's on Wikipedia. I'll find it the French Connection.
• 6:05
  Speaker 4: French Connection. Yeah, this is just a good opportunity to,
• 6:09
  Speaker 4: as they did with those things, pay tribute to, not
• 6:12
  Speaker 4: just not give actual shout outs and you name checks
• 6:15
  Speaker 4: to that kind of thing. But it's sort of just
• 6:17
  Speaker 4: evoke their spirit more than and I was like, oh yeah,
• 6:19
  Speaker 4: there's almost a there's usually good food chase and something
• 6:22
  Speaker 4: I remember in Point Break there's a really great food chase.
• 6:24
  Speaker 4: It was more exciting than any car chase. And instead
• 6:28
  Speaker 4: they just have to add like bits that I guess
• 6:31
  Speaker 4: are funny. I don't know. This is more this is
• 6:34
  Speaker 4: more a me problem than the show problem. It's like
• 6:36
  Speaker 4: are you throwing bits out of the matrix or you know,
• 6:39
  Speaker 4: like really unrealistic parkour and.
• 6:43
  Speaker 3: Those elements that they did there where you could they did.
• 6:45
  Speaker 3: They took advantage of being animated actually, like the horses
• 6:48
  Speaker 3: being on the poles, and that's.
• 6:50
  Speaker 4: A good point. Okay, I take back my original art.
• 6:53
  Speaker 3: I know I can completely understand what you said.
• 6:55
  Speaker 4: Well, okay, I w look back just a little bit.
• 6:57
  Speaker 4: I'm still angry, I'm not as.
• 6:59
  Speaker 3: Just not taking your fist as hard and cloud getting
• 7:03
  Speaker 3: back to that you said the two stories they didn't
• 7:04
  Speaker 3: really sort of blend well together. I actually kind of
• 7:08
  Speaker 3: like that as well, because we always talk about on
• 7:10
  Speaker 3: talking Sign found Hair. They always trying to find a
• 7:12
  Speaker 3: way to have the stories connect. Sometimes it's just you know,
• 7:15
  Speaker 3: in life, your wife's doing one thing, do another. They
• 7:17
  Speaker 3: always kept going back to home and Marge in the kitchen.
• 7:19
  Speaker 3: Just that's why. That's the way they connected it, of
• 7:21
  Speaker 3: Marge doing her thing, how Aby doing his thing. With
• 7:23
  Speaker 3: that havn't it because sometimes it can feel like it's
• 7:25
  Speaker 3: forced the way they trying to connect these stories. This
• 7:27
  Speaker 3: was just sort of two stories can currently running.
• 7:29
  Speaker 4: Yeah, I don't think I had a problem with that
• 7:31
  Speaker 4: so much. I think it was more particularly the one
• 7:34
  Speaker 4: with the bounty hunder storyline. It didn't feel like it
• 7:37
  Speaker 4: didn't feel like it went from A to B to
• 7:39
  Speaker 4: C to D or anything like that. It was just well,
• 7:42
  Speaker 4: they're bounty hunters. Stuff's gonna happen. And I guess there
• 7:46
  Speaker 4: was about it.
• 7:48
  Speaker 3: It was at the time too, that's probably what they were.
• 7:49
  Speaker 4: I guess there was a thin thread of a story
• 7:52
  Speaker 4: in there, but it's like, oh, Homer and Flanners as
• 7:54
  Speaker 4: bounty hunters, be nice if he gave them even just
• 7:58
  Speaker 4: like a half hour or yeah, a traditional police procedural
• 8:02
  Speaker 4: kind of mystery solve something like that. It was more
• 8:06
  Speaker 4: about the relationship, which was fine, which was good. Again, Look,
• 8:10
  Speaker 4: I think I'm making up problem just to make up problems,
• 8:13
  Speaker 4: just a film that we do just to talk because
• 8:16
  Speaker 4: because otherwise, because otherwise you would just be getting forty
• 8:23
  Speaker 4: minutes straight on why Jackie Brown is the is the unsung,
• 8:31
  Speaker 4: underrated Jim mcquintin Tarantino's body.
• 8:33
  Speaker 3: Of Work, No one talks about it.
• 8:35
  Speaker 4: Why Robert Forster is one of the great Hollywood comeback
• 8:38
  Speaker 4: stories of all time, and.
• 8:39
  Speaker 3: You and Leonard mentioned it on the Movie Guide podcast.
• 8:41
  Speaker 4: I was about to get to that, and why Max
• 8:43
  Speaker 4: Cherry is the greatest character in the Tarantino universe. So
• 8:48
  Speaker 4: buckle up, folks, because that's what this podcast is going
• 8:50
  Speaker 4: to be about. No, that's not true, but you're right,
• 8:53
  Speaker 4: I mean we are.
• 8:54
  Speaker 6: Well.
• 8:55
  Speaker 4: I guess by the time this episode comes out, the
• 8:57
  Speaker 4: other podcast is going to be out. We can talk
• 8:59
  Speaker 4: about it free, no more teasing. No, it's the Movie
• 9:02
  Speaker 4: Guide with Malton and Davis. Can you believe you doing
• 9:04
  Speaker 4: a podcast with the Leonard Malton with Lennard Maulton and
• 9:07
  Speaker 4: Guy Davis. I'm pointing at myself here. We don't have
• 9:09
  Speaker 4: the cameras on today. No, otherwise you'd seen me doing
• 9:12
  Speaker 4: the two thumbs up and going yeah.
• 9:13
  Speaker 3: But the last two weeks is going when are we
• 9:15
  Speaker 3: going to release it? I want to promote it by friends,
• 9:18
  Speaker 3: nobody else, just for friends. We've been doing it for
• 9:21
  Speaker 3: six seven weeks now.
• 9:22
  Speaker 4: We've been doing it for a while.
• 9:23
  Speaker 3: But I think the reason my mentality this is just
• 9:26
  Speaker 3: born the curtain back was Leonard and Guy had never
• 9:28
  Speaker 3: met each other. I think it took a good month
• 9:31
  Speaker 3: for them to sort of work each other's. Just sweap
• 9:33
  Speaker 3: the chemistry out, work out the rhythms. Yes, no working
• 9:36
  Speaker 3: out when someone stopped speaking when it's much tinge to speak.
• 9:38
  Speaker 3: Just get that flow happening. And you can tell now
• 9:40
  Speaker 3: because the Welcome to episode that we recorded, which is
• 9:42
  Speaker 3: the first one available on the movie guide feed links
• 9:44
  Speaker 3: and description of this podcast, that was recorded last week,
• 9:48
  Speaker 3: and it can just sense the chemistry is so much
• 9:50
  Speaker 3: better in that than the first couple of episodes.
• 9:53
  Speaker 4: Well, I mean, it's Lenna Moulton we're talking about.
• 9:55
  Speaker 3: Here, ultimate professional.
• 9:57
  Speaker 4: He's a bit of a leg and for even to
• 10:00
  Speaker 4: someone who's been in the movie criticism game for a
• 10:03
  Speaker 4: few decades, like myself, you're still gonna you know, you're
• 10:06
  Speaker 4: going to bow before the King, You're going to kiss
• 10:08
  Speaker 4: the ring.
• 10:09
  Speaker 3: You're going to go to premieres now like any of you.
• 10:11
  Speaker 3: Motherfucker's doing a podcastle Molton, No, I didn't think so,
• 10:16
  Speaker 3: I'm definitely gonna do that.
• 10:19
  Speaker 4: Called them motherfuckers if I already wasn't despised, But yeah,
• 10:28
  Speaker 4: we are doing that. But we talked about pulp fiction. Yeah,
• 10:31
  Speaker 4: Leonard brought up Robert Forster, who makes it. By the way,
• 10:36
  Speaker 4: why are we talking about this because plays like a
• 10:39
  Speaker 4: gym in this episode he has a guest appearance. But
• 10:42
  Speaker 4: he brought him up as like, yeah, my friend Robert Faster.
• 10:44
  Speaker 3: I'm like, what, we're doing a vocal too, and he goes, yeah, no,
• 10:50
  Speaker 3: I just hung out with Tom Hanks last week. Like
• 10:52
  Speaker 3: what I was talking to lem Neeson, like what the
• 10:55
  Speaker 3: whole episode is? That's awesome? This week it's a famous guy.
• 11:02
  Speaker 3: That's awesome.
• 11:03
  Speaker 4: It's getting very Chris Fayley up in here. But yeah,
• 11:07
  Speaker 4: I look, I was very very happy to see that.
• 11:10
  Speaker 4: Not only that my man Robert Forwson made a guest
• 11:13
  Speaker 4: appearance in this. He's basically reprising his character from Jackie Brown.
• 11:16
  Speaker 3: Yeah, and you can tell Simpson's Riders obviously fans of
• 11:19
  Speaker 3: that as well. Why else would they give?
• 11:21
  Speaker 4: Why else would you? This is not Jackie Brown was
• 11:23
  Speaker 4: not a huge hit. It is definitely one that QT
• 11:28
  Speaker 4: fanboys really really love, but it's not necessarily one that's
• 11:32
  Speaker 4: you know, it's not Royale with cheese, it's not in
• 11:35
  Speaker 4: Glorious Bastards, it's not Once upon a Time in Hollywood.
• 11:39
  Speaker 3: I enjoy it way more than Once upon a Time
• 11:40
  Speaker 3: in Hollywood. I think it's a great movie. If you
• 11:43
  Speaker 3: have not seen Jackie Brown, watch Jackie Brown. So yeah,
• 11:46
  Speaker 3: it was very very healthy. Your lovely lady from Siel Julia.
• 11:49
  Speaker 3: She returned our yeah, our yes lovely, but you more
• 11:53
  Speaker 3: so you're in love marry I mean I want to marry.
• 11:58
  Speaker 4: Who does not?
• 11:59
  Speaker 3: Yeah?
• 11:59
  Speaker 4: Mate, it's very nice that they will come back, even
• 12:04
  Speaker 4: just for a line or two. Just stick their head,
• 12:06
  Speaker 4: stick their head in the recording booth from a professional kid.
• 12:10
  Speaker 3: Yeah, good Lane close returning for Mona.
• 12:13
  Speaker 4: That's correct.
• 12:14
  Speaker 3: Who was the voice of Jessica Lovejoy? Wasn't that Meryl
• 12:19
  Speaker 3: streep streep. Yes, yeah, there was some icon, but I
• 12:25
  Speaker 3: was getting with this story here with the Flanders and
• 12:27
  Speaker 3: home story Mountain of madness vibes. Now we've had Homer
• 12:30
  Speaker 3: and Flanders bond before, right, but when now we're doing
• 12:33
  Speaker 3: the steakout for fat Tony and Homer's teaching him how
• 12:36
  Speaker 3: to eat pizza.
• 12:37
  Speaker 4: It's very sweet.
• 12:37
  Speaker 3: Reminded me of him teaching Burns how to get food
• 12:40
  Speaker 3: with that getting up.
• 12:40
  Speaker 4: That's right. Yeah, Homer has his skill set. It's wholly
• 12:45
  Speaker 4: impractical and I used to anybody, but it comes in
• 12:50
  Speaker 4: valuable every once in a while.
• 12:53
  Speaker 3: My favorite in regards to that scene. One of my
• 12:56
  Speaker 3: favorite moments. Oh, we're talking about favorite moments, we are, indeed,
• 13:00
  Speaker 3: how sweet was them singing kindly, D's done done for free, done.
• 13:04
  Speaker 4: For free, God's.
• 13:08
  Speaker 3: You know, just Homer and Flanders just being friends. It's
• 13:11
  Speaker 3: so nice. It was so nice seeing Homer not being
• 13:15
  Speaker 3: a jerk. Oh yeah, and by the end of it,
• 13:17
  Speaker 3: you know, he was being somewhat of a jerk at
• 13:19
  Speaker 3: the end, but he wasn't going out of his way
• 13:21
  Speaker 3: to be a jerk to Flanners. It was just Homer
• 13:23
  Speaker 3: being Homer to to an extent. Yes, Yeah, it was
• 13:26
  Speaker 3: going out of his way to be mean to Flanners
• 13:27
  Speaker 3: for the second because we've had in season nineteen recently,
• 13:30
  Speaker 3: it's just mean to Flanners because Homer has to say
• 13:32
  Speaker 3: something mean to Flanders. It's the way you do think
• 13:34
  Speaker 3: that they just weren't that their beliefs contradicted each other
• 13:38
  Speaker 3: at by the end of this episode, that's all it was.
• 13:40
  Speaker 3: He wasn't a little bit of being mean Tom friend
• 13:42
  Speaker 3: to be me No, no, no, And I just liked that.
• 13:43
  Speaker 4: Yeah.
• 13:44
  Speaker 3: When he's singing his version of ac DC, hom sang
• 13:47
  Speaker 3: it with him.
• 13:48
  Speaker 4: What it's probably a trivia question? Yeah, it's not one
• 13:51
  Speaker 4: of mine. I've only got one here, softer, I've only
• 13:54
  Speaker 4: got two, so old start you do one, then I'll
• 13:58
  Speaker 4: do one, and it's like we'll move on.
• 14:01
  Speaker 6: What was.
• 14:03
  Speaker 3: The Christian version of one of most questions? ADBC?
• 14:06
  Speaker 4: ADBC, Oh, oh, how did you say it? I'm like, oh,
• 14:10
  Speaker 4: it makes perfect sense, yeah, because it just not it
• 14:14
  Speaker 4: didn't work a good gag, that is right, ADBC. That's
• 14:16
  Speaker 4: a pretty good game. I think it went by just
• 14:20
  Speaker 4: quick enough on the show that I was like, do
• 14:22
  Speaker 4: I want to rewind that? Maybe I should. It's probably
• 14:25
  Speaker 4: gonna be the question the Dando asks not anymore, But
• 14:28
  Speaker 4: that was good. I like that a lot. Do you
• 14:30
  Speaker 4: have more favorite moments? Because I could go on, yes,
• 14:33
  Speaker 4: I also liked so.
• 14:35
  Speaker 3: I don't know who voiced the Baker. I'm assuming Hank.
• 14:38
  Speaker 4: Or Dan or whatever I think, so yeah, I didn't
• 14:40
  Speaker 4: see any like Noted Irish in the in the what
• 14:43
  Speaker 4: do you call it?
• 14:43
  Speaker 3: Guest star list, But I just love that the doctor
• 14:45
  Speaker 3: hipp a bit. You know, it's a replica of it
• 14:48
  Speaker 3: does say it, doesn't it?
• 14:48
  Speaker 4: He's pickiness.
• 14:49
  Speaker 3: That's exactly what it was, exactly what I was saying,
• 14:52
  Speaker 3: and I thought that is so obvious but so funny.
• 14:56
  Speaker 3: What else did you enjoy?
• 14:57
  Speaker 6: That?
• 14:58
  Speaker 4: There was some really good just line reading by some
• 15:01
  Speaker 4: veteran players in here. I mean, oh damn it, I
• 15:05
  Speaker 4: should I've watched this episode a day or so, so
• 15:07
  Speaker 4: I might have forgotten the actual line line where this happens,
• 15:12
  Speaker 4: but it was fantastic timing by Dan c. I think it's,
• 15:16
  Speaker 4: you know, in the alley when they're having the shootout
• 15:19
  Speaker 4: in the confrontation, he's talking to Snakes, trying to talking
• 15:21
  Speaker 4: me out of shooting, and by saying, the first thing
• 15:23
  Speaker 4: you could do is shoot me, well, yeah, the worst
• 15:27
  Speaker 4: the worst thing you can possibly do right now is
• 15:29
  Speaker 4: not shooting me something like that. But then you go
• 15:31
  Speaker 4: but and I I almost had to stop the show
• 15:37
  Speaker 4: for a second. It was like, damn, that was funny.
• 15:41
  Speaker 4: It's just great when you can just nail it with
• 15:43
  Speaker 4: just one word. Yeah, but I thought that was fantastic.
• 15:48
  Speaker 3: And speaking of and you know, I know what it
• 15:51
  Speaker 3: was too now it's if you shoot me, I won't
• 15:53
  Speaker 3: be able to stop you. But there will be people
• 15:55
  Speaker 3: who would come up with actually probably not because now
• 15:56
  Speaker 3: that you've got a reputation and shooting beep.
• 16:00
  Speaker 4: Ancy the Great Julie also did very very well, just
• 16:03
  Speaker 4: doing great stuff with Marge was But when Paddy AND's
• 16:06
  Speaker 4: film would come into the to the Erotic Baker there
• 16:10
  Speaker 4: getting all oad of the oh oh go by thrill
• 16:21
  Speaker 4: what you did with the.
• 16:26
  Speaker 3: Really really that march too, because it's it's true what
• 16:29
  Speaker 3: he said. He goes, we're not hurting anybody, just like
• 16:32
  Speaker 3: you're right, Well, yeah, we're actually not. It's just harmless.
• 16:34
  Speaker 1: Here's the thing.
• 16:35
  Speaker 4: I'm Erotic Baker still a thing. I remember they were
• 16:37
  Speaker 4: a big deal for a while, were they I don't
• 16:40
  Speaker 4: know this And when I say a while, I mean
• 16:42
  Speaker 4: like maybe ten minutes.
• 16:43
  Speaker 3: Well, I know in treuse of horror six at the
• 16:46
  Speaker 3: end of the three even already cakes, I've never seen
• 16:49
  Speaker 3: an erotic bakery. I'm assuming if you go to a
• 16:51
  Speaker 3: bakery and say, look.
• 16:53
  Speaker 4: Like a customer and go, look, I want Dixan cakes,
• 17:01
  Speaker 4: I'm flattered, maybe a little current. Yeah, I imagine you're
• 17:06
  Speaker 4: even your most reputable baker. Yeah, they're a creative time
• 17:08
  Speaker 4: of challenge accepted. Yeah, but whether there's actual places that
• 17:15
  Speaker 4: are like we do saucy cakes and saucy cakes only
• 17:17
  Speaker 4: it's like, I think you're limiting your also too.
• 17:20
  Speaker 3: I think if you market it that way, it's almost
• 17:23
  Speaker 3: creating this aura of you don't want to be seen
• 17:25
  Speaker 3: walking in there. You feel kind of funny. I saw
• 17:28
  Speaker 3: Nicola walking into the Rotic Cake Shop. You know, it's
• 17:30
  Speaker 3: just I want to go to a bakery and I
• 17:32
  Speaker 3: want those dick peas. Yeah, I've got the hen with me.
• 17:36
  Speaker 3: I've got the hens start coming up. I reckon you could,
• 17:39
  Speaker 3: you know, whip something up?
• 17:40
  Speaker 4: Of course, so they definitely got a baker still live.
• 17:48
  Speaker 4: You can have this donut.
• 17:49
  Speaker 3: It's only been half eaten, be it's still like it's
• 17:52
  Speaker 3: so expensive now, really is. But they've always been expensive.
• 17:55
  Speaker 3: But I remember you used to be able to get
• 17:57
  Speaker 3: those twists and they were three to five dollars. No
• 18:00
  Speaker 3: more than five dollars. No, the big twist, cheese and
• 18:02
  Speaker 3: baking twists.
• 18:03
  Speaker 4: I'm aware of them.
• 18:04
  Speaker 3: Mike Weaving for ten seconds. Delicious, right, not too just good?
• 18:07
  Speaker 3: There you go there, Well we're not just getting advised
• 18:10
  Speaker 3: on what to buy, but also how to prepare. Yeah,
• 18:12
  Speaker 3: but now like nine dollars each. No twist is worth
• 18:16
  Speaker 3: nine dollars in my opinion.
• 18:17
  Speaker 4: No, we're really having to game the system. We've talked
• 18:19
  Speaker 4: about this before. How you know, Well, today is Tuesday.
• 18:22
  Speaker 4: We're recoting this on a Tuesday.
• 18:24
  Speaker 3: Tight as Tuesday.
• 18:25
  Speaker 4: Yeah, but I don know, but it's coming up on
• 18:28
  Speaker 4: it's usually Wednesday that the two major supermarket chains, Coals
• 18:31
  Speaker 4: and Woolworts will send out like, well, we've looked at
• 18:35
  Speaker 4: your algorithm and we know these are things that you buy,
• 18:37
  Speaker 4: and here's here are specials for things that you want.
• 18:39
  Speaker 4: So I'll be always looking at that and go oh okay,
• 18:40
  Speaker 4: so and so was down half price or whatever. All
• 18:43
  Speaker 4: so one's half price sales half price sales, which is
• 18:45
  Speaker 4: actually you know, just the price it always but still
• 18:49
  Speaker 4: you feel like you're sort of gaming the system. Okay,
• 18:52
  Speaker 4: well I won't have that this week, but I will
• 18:53
  Speaker 4: have this instead.
• 18:54
  Speaker 3: I love that we are aware of how it marketing
• 18:58
  Speaker 3: shit to us now, but we're just letting them do it,
• 19:00
  Speaker 3: like everyone knows that. Or the half price sales is
• 19:02
  Speaker 3: just where it's payment we always pay. But everyone's like,
• 19:05
  Speaker 3: but that used to be the normal price, and then
• 19:06
  Speaker 3: we see the special on that price. Now the special
• 19:09
  Speaker 3: price is what we always paid.
• 19:10
  Speaker 4: Why what the hell? Everyone is too tired and too
• 19:13
  Speaker 4: overwhelmed by everything to actually put it to kick up
• 19:16
  Speaker 4: a stink about it, except us on this podcast. We're
• 19:18
  Speaker 4: doing the lord's work.
• 19:20
  Speaker 3: But it was like eighteen months ago I had a
• 19:22
  Speaker 3: rant about the half price sales and now there's like
• 19:24
  Speaker 3: an entire section of the catalog dedicated to half price sales,
• 19:26
  Speaker 3: and I'm like, see, I told you it was coming,
• 19:29
  Speaker 3: I told you, I told you.
• 19:31
  Speaker 4: Yeah, I have one more thing that I enjoyed and
• 19:34
  Speaker 4: speaking about. Yeah, just good, just good, solid, reliable bits
• 19:39
  Speaker 4: that worked really really well, like Dan's. But feel free
• 19:44
  Speaker 4: to turn that into a sweet, sweet sweekend. Don't take
• 19:50
  Speaker 4: your ring around on me. I's thinking about that all
• 19:53
  Speaker 4: morning for some really just that, No, don't take your
• 19:57
  Speaker 4: ring around on me. No, it made me laugh so much.
• 20:02
  Speaker 3: The whole dramatization might have happened.
• 20:07
  Speaker 4: The whole bit with Skinner and charm was in the dirt.
• 20:09
  Speaker 4: It's like, well, I'm going to close my eyes while
• 20:11
  Speaker 4: you put it down in front.
• 20:11
  Speaker 3: It's so blatant and just in your face. But just funny,
• 20:14
  Speaker 3: wasn't it. Oh yeah, and having Agnes as well. Don't
• 20:17
  Speaker 3: come down? Speaking of I spoke to Tress last week.
• 20:19
  Speaker 4: Oh my goodness, yeah, oh you did too, go so.
• 20:23
  Speaker 3: You know what it was?
• 20:24
  Speaker 4: So she was on the tune of it was terrible.
• 20:27
  Speaker 3: She is just i't get star struck very often, and
• 20:30
  Speaker 3: I wasn't necessarily starstruck talking to Tress with Jim Cummings
• 20:35
  Speaker 3: or the tuned in podcast, but Chris, his son in law,
• 20:38
  Speaker 3: and I sort of chime in we have with the
• 20:40
  Speaker 3: Charlby so we co host it. But watching these two
• 20:43
  Speaker 3: who have clearly been friends for close to forty years,
• 20:45
  Speaker 3: they were talking and didn't really feel like an interview.
• 20:48
  Speaker 3: It just felt like old friends catching up. So why
• 20:51
  Speaker 3: barely we both barely spoke because it would have sit
• 20:53
  Speaker 3: back going this doesn't need anything added to it.
• 20:55
  Speaker 4: Well, that's your aproad.
• 20:57
  Speaker 3: It's just friends talking and this is far more enjoyable.
• 21:01
  Speaker 3: Then tell us about the show you work, don't. At
• 21:03
  Speaker 3: the end we got to to do some agna skinner
• 21:04
  Speaker 3: and whatnot. But for the good portion of it, I
• 21:06
  Speaker 3: just sat there and watched it, just watching two legends
• 21:09
  Speaker 3: just who are friends. But Tress is she's just so lovely,
• 21:14
  Speaker 3: you know. Yeah, excellent, meet your heroes if they're trust me, Neil.
• 21:19
  Speaker 3: So that'll be available in most cases, not between did
• 21:21
  Speaker 3: with Jim Cummings in the coming weeks to look out
• 21:22
  Speaker 3: for that as well.
• 21:23
  Speaker 4: Okay, so that's what I enjoyed from this episode.
• 21:26
  Speaker 3: I also enjoyed trivia. Do you want to get into
• 21:27
  Speaker 3: some trivia question?
• 21:28
  Speaker 4: Let's get into it.
• 21:29
  Speaker 3: If you're a fan of everything we do here at
• 21:31
  Speaker 3: four Finger Discount, but you're tired of hearing these pesky ads,
• 21:34
  Speaker 3: then you'll absolutely love being a member of the fourth
• 21:37
  Speaker 3: Finger Discount family on Patreon, where you not only get
• 21:39
  Speaker 3: access to over one hundred hours of bonus podcasts, but
• 21:42
  Speaker 3: you also get access to this show early and add
• 21:45
  Speaker 3: free every single week, as well as access to our
• 21:47
  Speaker 3: exclusive Facebook and Discord communities and so much more. So
• 21:51
  Speaker 3: go ahead join the family today and support your pals
• 21:53
  Speaker 3: Guy and Dando for a little as one dollar per
• 21:54
  Speaker 3: month at patreon dot com slash fourth finger discount.
• 21:58
  Speaker 4: Next question, you there eating the beast.
• 22:01
  Speaker 3: My first question was already ruined ADBC. I'll go with
• 22:05
  Speaker 3: what three things does the cake guyin?
• 22:09
  Speaker 4: Peter Farly?
• 22:11
  Speaker 3: Peter Farreley is his name, Patrick, Patrick Farley? So of
• 22:13
  Speaker 3: course Patrick, of course, Patrick Farreley. What are the three
• 22:16
  Speaker 3: things he says about Marge's cupcakes? Oh, moist, they maintain
• 22:22
  Speaker 3: their structural integrity or shape retention yep?
• 22:25
  Speaker 4: And light light what done?
• 22:27
  Speaker 3: Yeah, good job?
• 22:28
  Speaker 4: These are things I like in cakes. Shall I ask
• 22:31
  Speaker 4: you to name all of Quimby's Irish middle names? Or
• 22:35
  Speaker 4: just three?
• 22:35
  Speaker 3: I didn't even write them down. I was like, this
• 22:38
  Speaker 3: is too much effort.
• 22:40
  Speaker 4: Go for it. Fitzgerald, O'Malley, Fitzpatrick, O'Donnell.
• 22:44
  Speaker 3: The Edge, all right, the Edge being a reference to, well, that's.
• 22:50
  Speaker 4: The nineteen ninety seven motion picture The Edge, starring Anthony
• 22:55
  Speaker 4: Hopkins and Ali Boorman.
• 22:56
  Speaker 3: No, it might be the guitarist from you two oh
• 23:00
  Speaker 3: Old the Edge, Old the Edge okay, going in full
• 23:05
  Speaker 3: Simpsons season nineteen explaining the gag people.
• 23:09
  Speaker 4: These are the jokes, folks. Yes, did you have another?
• 23:13
  Speaker 4: I'm trying to find another question here because my other
• 23:15
  Speaker 4: one was ruined or preempted or just pre gred emptied.
• 23:19
  Speaker 3: Yes, yes, what does Homer bring home for.
• 23:21
  Speaker 4: Bart Shells with someone something to have? The bullet still
• 23:27
  Speaker 4: in the right?
• 23:27
  Speaker 3: Yes?
• 23:29
  Speaker 4: Where did Snake and Gloria get the cold shoulder when
• 23:32
  Speaker 4: they were looking for a pass such of s? Doesn't
• 23:34
  Speaker 4: it does? Like so many things?
• 23:37
  Speaker 3: No?
• 23:37
  Speaker 4: What is it sterling Point? Town home point? That's it?
• 23:41
  Speaker 4: You town homes at sterling Point?
• 23:43
  Speaker 3: What is for sale on the bench in the bakery?
• 23:47
  Speaker 3: You're talking about half it and dinners before something like that,
• 23:49
  Speaker 3: like yesterday's food, the old wangs.
• 23:56
  Speaker 4: I love it, Wangs Wangs.
• 23:59
  Speaker 7: It's good.
• 23:59
  Speaker 4: It's a good name for for Johnson. Yeah, your wang.
• 24:03
  Speaker 3: A lot of names Wange Johnson.
• 24:05
  Speaker 4: Wanne Johnson. That funny. I'm run I've run out of questions.
• 24:12
  Speaker 3: Let's get into some stonycats, shall we. Let's let's do it, starting,
• 24:25
  Speaker 3: of course, with the lovely Katy G with her one
• 24:27
  Speaker 3: hundred dollars support. Thank you so much, Katy G.
• 24:29
  Speaker 4: Talk about how we're you know, interacting with celebrities because
• 24:33
  Speaker 4: we're celebrities ourselves. Cady G is just meeting people left
• 24:37
  Speaker 4: and right. I saw on her social media hanging out
• 24:39
  Speaker 4: with Sean mcaliff, Australian comedy legend and National treasure Sean mccali.
• 24:43
  Speaker 3: I think it was at Super and Over, maybe look
• 24:45
  Speaker 3: at book signing books, but still hanging out. Yeah, exactly,
• 24:48
  Speaker 3: put on here well than I was doing. Absolutely, Zachlichamas
• 24:52
  Speaker 3: as well with these one hundred support think you're so
• 24:53
  Speaker 3: much Zach as well. Absolute Legend still hasn't contacted this
• 24:56
  Speaker 3: mail bag of forth for a discap dot com. Do
• 24:57
  Speaker 3: you get in touch? What you like us to review?
• 24:59
  Speaker 4: Katy G said us another as well, review it for it.
• 25:01
  Speaker 4: We'd like to do stuff for you. You do so
• 25:03
  Speaker 4: much for us. We'd like to do something for you,
• 25:04
  Speaker 4: even though we are already doing it by doing this podcast.
• 25:07
  Speaker 3: Andrews there with his fifty dollars support as well, our
• 25:10
  Speaker 3: new Andrews and our men, our men should say from
• 25:13
  Speaker 3: the four fig descant team. Zach, what was his name
• 25:15
  Speaker 3: is that? What do you what do you call him?
• 25:17
  Speaker 4: Cut? Zach?
• 25:18
  Speaker 3: Zach? Yeah, and Andrew Swanny mixed one, the Lord of
• 25:20
  Speaker 3: Discord exactly, the Lord of Discord and our Plex service.
• 25:26
  Speaker 4: We're getting hooked up to various Plex services these day.
• 25:29
  Speaker 3: We had a tall shirt box in our bedroom. They
• 25:32
  Speaker 3: gave it to us for free so you can look
• 25:33
  Speaker 3: at basically it's like a Google whatever they called, so
• 25:35
  Speaker 3: you can access the apps. Because our TV in the
• 25:36
  Speaker 3: bedroom it's not a smart TV. It's it's an older TV,
• 25:39
  Speaker 3: so it's.
• 25:40
  Speaker 4: Got I'd be disrespecting the TV, isn't there. See I'm
• 25:43
  Speaker 4: not a smart TV.
• 25:44
  Speaker 3: Yes, you can't get the apps. But the old Touch box,
• 25:47
  Speaker 3: They're like, as of October thirty first Touch the box
• 25:50
  Speaker 3: isn't working anymore. You have to buy a new box
• 25:52
  Speaker 3: called Fetch. And I was like, rather not pay hundred
• 25:54
  Speaker 3: bucks for a new box, And then Nichol was like, oh,
• 25:57
  Speaker 3: I guess we'll have to answer. Let's just see if
• 25:58
  Speaker 3: it works and what turned it on. The apps don't
• 26:01
  Speaker 3: work except for Plex and YouTube and all the shows
• 26:04
  Speaker 3: we want to watch Plex there and if they're not,
• 26:07
  Speaker 3: I'll just put them on Plex.
• 26:09
  Speaker 4: Correct.
• 26:10
  Speaker 3: I'm like, screw you. Catch this.
• 26:16
  Speaker 4: That whole bit was billding able to fetch this? It
• 26:18
  Speaker 4: was not just did it off the top of the
• 26:20
  Speaker 4: dome right there well.
• 26:21
  Speaker 3: Also shout us to Jonathan ROSSI reached Beasley, Stephen Roberts,
• 26:24
  Speaker 3: Sean Deevie, Pete Anderson, Timothy bels And, Andrew Davis, Ryan Dunlup,
• 26:28
  Speaker 3: Kevin Dazel, planned flood shut in hope for Ballewin debate
• 26:31
  Speaker 3: Jack big Fadden. He that will be Adrian McLeod Lewis
• 26:33
  Speaker 3: Cavanaugh March eleven, Tree eleven, Yeah, Tree eleven, March eleven, Reyese, Roberts,
• 26:38
  Speaker 3: Ginger and Pickle, Preston Murray and Talia and Riquez, Ja Messado,
• 26:41
  Speaker 3: Declan Phoenix, Brian McCoy, Josh Hallier, Logan b James Sheppard,
• 26:45
  Speaker 3: at Joe reading Sect Day, PRITZLS McNally, Gavin Lane, Dami Miller,
• 26:48
  Speaker 3: and Charlie Joe. Thank you so much for your support,
• 26:50
  Speaker 3: guys being stone Gun supporters on Patreon.
• 26:52
  Speaker 4: Thanks I heap guys really appreciate it. As we are
• 26:54
  Speaker 4: head into season twenty, please stay with us. We have
• 26:57
  Speaker 4: more seasons of The Simpsons to go.
• 26:58
  Speaker 3: Apparently hopefully they're all on this level because this was
• 27:00
  Speaker 3: enjoyable this episode. Oh yeah, hopefully. If not, we'll make
• 27:04
  Speaker 3: it fucking enjoyable.
• 27:05
  Speaker 4: Yeah, even if the show is no good. Even if
• 27:07
  Speaker 4: the episode is no good, our episode will be good.
• 27:10
  Speaker 3: Our ranting will be enjoyable. Oh yeah, you're worth the
• 27:13
  Speaker 3: Patreon fee.
• 27:14
  Speaker 4: It's Wednesday, high priced date the supermarket. Hooray.
• 27:17
  Speaker 3: Speaking of our ranting, I watched the Last Trees of Horror.
• 27:23
  Speaker 3: Not good, not good. I watched the first segment.
• 27:25
  Speaker 4: I just went, is this the one where Homer becomes
• 27:29
  Speaker 4: like Venom? Except the jeans.
• 27:31
  Speaker 3: Segment is not the one yet. No, it's it's a
• 27:34
  Speaker 3: political but basically it's the left. So there's a blue
• 27:37
  Speaker 3: monster and a Red monster, Democrats and the Republicans, and.
• 27:40
  Speaker 4: It's okay, well, yeah, timely cutting edge. Wow.
• 27:45
  Speaker 3: Yeah, by the way, there's what there's literally one part
• 27:48
  Speaker 3: where Bart says, yeah, go red monster, you smashed that
• 27:51
  Speaker 3: building whatever, and and Lisa says, I quote, but I
• 27:55
  Speaker 3: didn't know you were a right winger. I was like,
• 27:57
  Speaker 3: I'm done, I'm done.
• 28:00
  Speaker 4: This is sounding a little implorable.
• 28:01
  Speaker 3: And it was like my liking, and then it was
• 28:03
  Speaker 3: he says something in the lines of I just like this,
• 28:05
  Speaker 3: no bad things, bad things. She's like, so you are
• 28:07
  Speaker 3: you're right ring on and I'm just I'm done. Oh gosh,
• 28:10
  Speaker 3: I watched the Simpsons day of this ship.
• 28:13
  Speaker 4: No, no, you've watched them so we can talk about it.
• 28:16
  Speaker 3: So stay tuned for season thirty six of The Simpsons.
• 28:18
  Speaker 4: Following this gap. She's not what I shined up for.
• 28:21
  Speaker 3: We get there, we're like, what a good episode compared
• 28:23
  Speaker 3: to the ship we have these days? In season forty five?
• 28:29
  Speaker 4: Who are you again? Yes? We hang on? No, I
• 28:31
  Speaker 4: mean it's not going to take us a year.
• 28:33
  Speaker 3: It took you five years to get through ten seasons, okay,
• 28:36
  Speaker 3: so two seasons a year. Okay, So for us to
• 28:38
  Speaker 3: get to be ten seasons, it said two a year.
• 28:43
  Speaker 3: So that's fourteen sixteen from now. Sixteen from now, it's
• 28:46
  Speaker 3: another eight years get to that one.
• 28:49
  Speaker 4: Wow. Okay.
• 28:51
  Speaker 3: So I'll be Margaret Mary age.
• 28:55
  Speaker 4: I'll be older and verging on old. Actually yeah, i'll
• 29:00
  Speaker 4: be old. No, never will forever young.
• 29:03
  Speaker 3: Can't retires, You're not old to you retire?
• 29:04
  Speaker 4: That's correct?
• 29:05
  Speaker 3: And yeah, I've never retired.
• 29:07
  Speaker 4: Who's can you get retired? Din dine on the job.
• 29:11
  Speaker 3: All let's get into a review of sex pies and videos.
• 29:14
  Speaker 3: Oh not video scrapes, you idiot. Sex pies and idiots,
• 29:17
  Speaker 3: I think it's a video. At the start, that's probably
• 29:20
  Speaker 3: I said, there's videos in here, you idiot. Dando.
• 29:22
  Speaker 4: There idiot scrapes in this room. So there we go.
• 29:24
  Speaker 4: Saved it.
• 29:25
  Speaker 3: Yes, well there are two idiots in here. Yes, so
• 29:27
  Speaker 3: sex pies one sex pies and idiot scrapes. That should
• 29:32
  Speaker 3: say what a silly man?
• 29:33
  Speaker 4: I was.
• 29:34
  Speaker 3: Original ed September twenty eight, two thousand and eight, Production
• 29:37
  Speaker 3: code kb F one seven, written by Kevin Curran, dreaded
• 29:40
  Speaker 3: by Lance Kramer. You know what I like to think
• 29:42
  Speaker 3: his listeners out there who have been stewing for the
• 29:44
  Speaker 3: last half an hour, going, you got the joke wrong
• 29:46
  Speaker 3: at the start.
• 29:47
  Speaker 4: When are you going to realize this? Steward on it? Yeah,
• 29:53
  Speaker 4: we were waiting for you to pick up on it
• 29:55
  Speaker 4: or not not you. I mean we're we're going to
• 29:58
  Speaker 4: do the save. It was a bit, Yeah, it's a bit.
• 30:00
  Speaker 4: I think it's a bit. Yeah.
• 30:03
  Speaker 3: Julius Drivers, Robert Forster and Joe returned for fat Tony
• 30:07
  Speaker 3: Belly Neil choking sounds, but he's another one. He will
• 30:11
  Speaker 3: always give us fat Tony. He has to do it,
• 30:13
  Speaker 3: he wants to do it. I like the couch gag
• 30:15
  Speaker 3: in this one. The cabinet with.
• 30:19
  Speaker 4: Well because Boba Fett is a baddie hunter. Of course
• 30:23
  Speaker 4: I didn't even put those two together. Neither are.
• 30:28
  Speaker 3: To be building up to that moment. Wasn't it.
• 30:31
  Speaker 4: A cub on your toes?
• 30:33
  Speaker 6: Here?
• 30:33
  Speaker 3: The episode kicks off though, with just a big sort
• 30:35
  Speaker 3: of I don't know, not a piss take of St.
• 30:37
  Speaker 3: Patrick's Day, but just St Patrick Stay Springfield is but
• 30:40
  Speaker 3: it's a free one because they've already done the booze
• 30:43
  Speaker 3: heavy Saint Patrick's Day with the home averst of the
• 30:46
  Speaker 3: Eighth Amendment where Bike gets drunk.
• 30:47
  Speaker 4: Correct, yes, yes, so I don't know. This show seems
• 30:50
  Speaker 4: to have something against the Irish, but then it's against everyone, mate,
• 30:55
  Speaker 4: it's against everyone. But I don't I think Americans in
• 31:00
  Speaker 4: general have a real They go real hard against the French,
• 31:04
  Speaker 4: and they go real hard against the Irish. When it
• 31:06
  Speaker 4: comes to jokes, they do, yeah, and the Irish ones
• 31:10
  Speaker 4: do feel a little bit more like it's all in
• 31:13
  Speaker 4: good fun. It's like that mate who's like, can't you
• 31:15
  Speaker 4: take a joke? Can't you take a joke? It's like
• 31:16
  Speaker 4: I could also take you not joking every once in
• 31:19
  Speaker 4: a while. The French they deserve it. I won't say
• 31:23
  Speaker 4: they deserve. It's more like the French don't care. The
• 31:25
  Speaker 4: French are just very very content, so does Good the head.
• 31:29
  Speaker 4: We're French care than you.
• 31:34
  Speaker 3: But I just think Saint Patrick's Day. Maybe it's just
• 31:35
  Speaker 3: because I've got kids now and I don't go out drinking.
• 31:37
  Speaker 3: But I used to feel like what Sir Patrick's daye
• 31:39
  Speaker 3: was on in Geelong, the pubs would go crazy for it.
• 31:42
  Speaker 3: Everyone w'd be out having drinks. But it feels like
• 31:43
  Speaker 3: St Patrick's out Day now in Geelong. It's not really,
• 31:47
  Speaker 3: it's not a thing anymore, but it just doesn't. Maybe
• 31:49
  Speaker 3: I'm just in a different crowd now.
• 31:50
  Speaker 4: I don't know. I don't know. Man. Like I said,
• 31:51
  Speaker 4: everyone's tired and overwhelmed. Yeah, no one wants to do
• 31:54
  Speaker 4: shit anymore. I mean, speaking of Halloween recently, we took
• 31:57
  Speaker 4: kids out. So many grinches these days just oh, not
• 32:01
  Speaker 4: wanting to do it.
• 32:02
  Speaker 3: This doesn't a very good thing.
• 32:04
  Speaker 4: This is Australia.
• 32:04
  Speaker 3: And I was like, I saw a great little sort
• 32:07
  Speaker 3: of like TikTok clip of Australians at Halloween and it's
• 32:10
  Speaker 3: all this one guy beteend to be like some forty
• 32:13
  Speaker 3: year old Karen or whatever. This is a this is
• 32:15
  Speaker 3: Australian at America, we do this and all these rants
• 32:17
  Speaker 3: at the end. So what about Black Friday sales? Oh yeah,
• 32:19
  Speaker 3: I'll eat that shit up. It's like, yeah, you won't
• 32:23
  Speaker 3: do Halloween because so it's like you're against kids just
• 32:25
  Speaker 3: having fun dressing up in a costume. It's like, yeah,
• 32:27
  Speaker 3: I know, there's so many kids out and just so
• 32:28
  Speaker 3: many little things that you put on the door in
• 32:30
  Speaker 3: the estate yes or no, yes, and there's just so
• 32:32
  Speaker 3: many no's and it's just like a bag of chocolates
• 32:35
  Speaker 3: for the kids funk off.
• 32:36
  Speaker 4: Yeah, man, I mean ri inches for Christmas. But you
• 32:39
  Speaker 4: know it, don't start early, don't start at Halloween. Of course,
• 32:42
  Speaker 4: was over at my friend Saddy Steve, who loves Halloween.
• 32:46
  Speaker 4: His name is Steve and he loves Halloween.
• 32:48
  Speaker 3: He have all the decorations of ever.
• 32:49
  Speaker 4: He certainly did. He had a big skeleton, He had
• 32:52
  Speaker 4: a little spider that would jump out at you.
• 32:54
  Speaker 3: I can shoe your photo of the big blood thing
• 32:55
  Speaker 3: I got from Spotlight for thirty five dollars. Yeah, I
• 32:58
  Speaker 3: can keep talking to tell us bet Steve.
• 33:00
  Speaker 4: Oh it went really really well, and you could tell
• 33:02
  Speaker 4: that kids have been coming. You upon you, upon you,
• 33:05
  Speaker 4: and they were always very very happy to see the
• 33:07
  Speaker 4: evident that Steve went to. So, yeah, props to Steve
• 33:08
  Speaker 4: for doing all that.
• 33:10
  Speaker 3: My parents did it for the first time. Well look
• 33:11
  Speaker 3: at that they got dressed up. Yeah. My mum's always
• 33:14
  Speaker 3: been the American it's American thing, and then now that
• 33:16
  Speaker 3: you've got grandkids, she's like, let's get dressed up.
• 33:20
  Speaker 4: Mama's good. But yeah, Halloween was good this year. Good,
• 33:23
  Speaker 4: good over it seas, Did did you scare anybody?
• 33:26
  Speaker 6: No?
• 33:26
  Speaker 4: Not really Actually no, I did get the Lovely always
• 33:32
  Speaker 4: because Steve's been horror fan and he's got like a
• 33:35
  Speaker 4: very accurate Jason Voorhees hockey mask.
• 33:38
  Speaker 3: I've got the Spotlight one dollar version, which I put.
• 33:43
  Speaker 4: On because I was put that on the hand out
• 33:44
  Speaker 4: of the trace of the kids. Took herselfie and sent
• 33:46
  Speaker 4: it to Losing your boyfriend. She said, that's incredibly unattractive.
• 33:51
  Speaker 4: It would have It would have suit you too, because
• 33:53
  Speaker 4: you've got like, don't hair at the back that's correct, yes,
• 33:56
  Speaker 4: or on top except when you took it off, you're
• 33:58
  Speaker 4: very handsome and he's very grotesque. That's correct. Thanks, But
• 34:05
  Speaker 4: a good Halloween was had.
• 34:06
  Speaker 3: I remember being a kid and watching the first and
• 34:09
  Speaker 3: watching the third Teenager, maybe watching the first two Frida
• 34:11
  Speaker 3: or third DS going where the fuck is Jason vorhes
• 34:13
  Speaker 3: at the hockey mask? Correct, didn't get it, didn't get
• 34:16
  Speaker 3: it to the third.
• 34:16
  Speaker 4: No, but you just no one ever talks about that
• 34:19
  Speaker 4: sort of Jason in the first movie. Well, of course
• 34:22
  Speaker 4: spoiler spoiler for the first of the Thirteenth. Yeah, but
• 34:24
  Speaker 4: you know, we didn't reveal who the killer was. It
• 34:26
  Speaker 4: was that outs act, it was one of them.
• 34:30
  Speaker 3: But it's also one of the most iconic jump scares
• 34:32
  Speaker 3: of all time. Well at the end, yes, yeah, people
• 34:35
  Speaker 3: say it's not as scary as carrying, and I'm like, Noah,
• 34:38
  Speaker 3: fuck off, that's way scary than the carry.
• 34:39
  Speaker 6: One.
• 34:40
  Speaker 3: Carry is pretty spooky, but I ship pants.
• 34:46
  Speaker 4: Phil Fried is known via the mail bag or any
• 34:49
  Speaker 4: of our social media feeds, which has a scarier and
• 34:51
  Speaker 4: jump scared carry or further the thirteenth what do you reckon?
• 34:54
  Speaker 4: I think carry? You can carry? I do purely for
• 34:56
  Speaker 4: the purposes of argument, okay, that having Yeah, but no
• 35:04
  Speaker 4: Jason has a bag on his head for the well
• 35:07
  Speaker 4: he's not even in the first one, got a bag
• 35:08
  Speaker 4: on his head in the second.
• 35:09
  Speaker 3: One, So it's like, what the fuck is He's got
• 35:11
  Speaker 3: a potato sack in his head? Who thought of that idea?
• 35:14
  Speaker 3: A guy potato sacking his head?
• 35:15
  Speaker 4: Still scary, a little scary little eyehole. Yeah, yeah, grabs
• 35:21
  Speaker 4: that hockey mask, slaps it on and then we're off
• 35:23
  Speaker 4: to the iconic races are also the third one's got
• 35:25
  Speaker 4: the great disco version of the other third?
• 35:28
  Speaker 3: How good is it? I know the score here I
• 35:30
  Speaker 3: put it on. It's like, this is unbelievable.
• 35:32
  Speaker 4: I used to play it all the time at Pop
• 35:33
  Speaker 4: Culture when I was working there. Why I'm no longer
• 35:35
  Speaker 4: working there. No, it's great.
• 35:38
  Speaker 3: Remember one time though, because that's the one that's just
• 35:40
  Speaker 3: sort of it's just sort of slow and look, and
• 35:43
  Speaker 3: we'll listened to it at work and we're like, is
• 35:45
  Speaker 3: that boshot to traumatize us? We're working in the office
• 35:47
  Speaker 3: and it's just quite then. Anyway, it's just taking the
• 35:52
  Speaker 3: piece out of Saint Patrick's day and it's boos free.
• 35:55
  Speaker 3: But as you mentioned earlier, so they gave us the
• 35:57
  Speaker 3: paddy wagon, the shamrock shake and the folk downs where
• 35:59
  Speaker 3: you don't move your arms.
• 36:01
  Speaker 4: But before that, yeah, Quimby is really playing up his
• 36:03
  Speaker 4: quote unquote Irish heritage, which is funny because I mean,
• 36:06
  Speaker 4: is yeah, clearly a take on Kennedy's Yeah, and I
• 36:09
  Speaker 4: was confused by it. Yeah, I mean, I don't think
• 36:13
  Speaker 4: Quimby is necessarily an Irish name.
• 36:14
  Speaker 3: Maybe it is.
• 36:15
  Speaker 4: I don't think you needed to have him making this show.
• 36:16
  Speaker 4: You just didn't seem to know. But he's such an
• 36:19
  Speaker 4: opportunist that he's like, well, yeah, is he here? Maybe? Yeah.
• 36:22
  Speaker 4: There's a great scene in one of my favorite comedies,
• 36:26
  Speaker 4: Used Cars. I think I've told you about it, or
• 36:28
  Speaker 4: we may have talked.
• 36:28
  Speaker 3: About it and spoke about it, yes, and he was
• 36:30
  Speaker 3: very impressed that you knew about it. I can tell
• 36:33
  Speaker 3: it because guys during the Movie Guy podcast, I'm sort
• 36:35
  Speaker 3: of just sitting there, just keeping the show going with
• 36:37
  Speaker 3: the volumes. And sometimes I've seen Guy, I think, talk
• 36:39
  Speaker 3: about this or whatever. And sometimes I can sit there
• 36:42
  Speaker 3: and I can hear let us say something but use
• 36:45
  Speaker 3: Cars and new show. I love Used Cars. This is
• 36:48
  Speaker 3: what happens, and I can hear and then his voice, Ah,
• 36:50
  Speaker 3: this guy fucking he knows his ship.
• 36:52
  Speaker 6: Now.
• 36:52
  Speaker 3: I think like after a few episodes, you proved to Leonard,
• 36:55
  Speaker 3: Oh no, this guy's not just some guy likes movies.
• 36:57
  Speaker 3: This guy knows movies.
• 36:59
  Speaker 4: Well, then use cars. Kurt Russell plays this hus car
• 37:01
  Speaker 4: salesman and it's a big day of the lot and
• 37:04
  Speaker 4: everyone he goes up to. If it's a black plane,
• 37:07
  Speaker 4: he's like, hey, Rudy Washington Carver, good to meet you, Aura.
• 37:10
  Speaker 4: If it's in Hispanic film, like Rudy Martinez, come a star.
• 37:15
  Speaker 4: I think there's some irish when he says, hey, yeah,
• 37:17
  Speaker 4: I'm Rudy or Donald, good to meet you. So, yeah,
• 37:20
  Speaker 4: you've been opportunities like that. And just do you own
• 37:23
  Speaker 4: use cars? Oh yeah, absolutely, yeah, got it on Blue Yeah,
• 37:28
  Speaker 4: fantastic man. There's one good thing about earning a lot,
• 37:33
  Speaker 4: owning a lot of Kurt Russell movies on DVD or
• 37:35
  Speaker 4: Blu ray is that he will do commentary and he
• 37:37
  Speaker 4: is always just laughing his ars, having a great time.
• 37:41
  Speaker 4: Oh yeah, all the ones he does with John Carpenter
• 37:43
  Speaker 4: on Big Trumble, a Little China and the Thing and
• 37:46
  Speaker 4: what's the other one escape from New York and wants
• 37:49
  Speaker 4: to be there, Oh yeah, and just cracking himself and
• 37:52
  Speaker 4: everyone else up. It's so much fun anyway, but irish. Yeah, yeah,
• 37:58
  Speaker 4: Quibi was doing that bit we've had the sh I'm
• 38:00
  Speaker 4: rockshake and the rivet answer, but.
• 38:01
  Speaker 3: Makes a line here which apparently was very controversial.
• 38:05
  Speaker 1: Where's the IRA when you need them?
• 38:07
  Speaker 3: And it says It's third controversy in Northern Ireland over
• 38:10
  Speaker 3: the brawl that occurred in the opening After the episode,
• 38:13
  Speaker 3: the broad between Irish and Northern Irish people included Bart's
• 38:15
  Speaker 3: line where the IRA when you need them? Gregory Campbell,
• 38:18
  Speaker 3: a Northern Irish MP for East Londonderry in Northern Ireland,
• 38:22
  Speaker 3: said The Simptons is a humorous cartoon, but the context
• 38:25
  Speaker 3: of using a line like that about an organization which
• 38:27
  Speaker 3: caused so much death will lead to people to have
• 38:29
  Speaker 3: very mixed views. Some may take it as a lighthearted reference,
• 38:32
  Speaker 3: while others who are affected by the real life violence
• 38:34
  Speaker 3: of the IRA are still suffering with that legacy.
• 38:37
  Speaker 4: Well not, I get where he's coming from. I mean
• 38:39
  Speaker 4: the IRA. We're pretty hardcore.
• 38:42
  Speaker 3: Yeah, what's just like people still making jokes now about
• 38:44
  Speaker 3: nine to elevens. Just it will always be too soon.
• 38:46
  Speaker 3: Just don't do it.
• 38:47
  Speaker 4: Don't do it, No, just don't do it.
• 38:49
  Speaker 3: The parade, he don't we So the Irish boy resembling
• 38:51
  Speaker 3: a potato the straight Catholic priests and there's two in
• 38:54
  Speaker 3: a lot of empty chairs. I was like, oh, there's
• 38:56
  Speaker 3: empty chairs. That's something. And then the small Irish family,
• 39:00
  Speaker 3: which is just a bunch of kids running around, and
• 39:03
  Speaker 3: then the Northerners arrived, big.
• 39:08
  Speaker 2: Both of you.
• 39:09
  Speaker 4: You have a common land and literature and the sweetest.
• 39:12
  Speaker 8: Songs on earth Tura lora lura, doa loa li Hush
• 39:21
  Speaker 8: my little baby, hush, now, don't you crya.
• 39:49
  Speaker 3: Everyone's happy if I's having a good time. But when
• 39:50
  Speaker 3: the song ends, they realize that we're that booze. They
• 39:53
  Speaker 3: remember how much they had each other, have a big
• 39:55
  Speaker 3: fire at the Hulk and the thing.
• 39:58
  Speaker 4: Because they're greenland Redish?
• 40:01
  Speaker 3: Is it red?
• 40:01
  Speaker 4: I thought it was orange? Yeah, I know, but he's
• 40:03
  Speaker 4: close enough.
• 40:04
  Speaker 3: To read yeah, yeah, yeah. And as much as he
• 40:07
  Speaker 3: was such a pleasant day until the Irish turned up
• 40:09
  Speaker 3: and the kids, there's a bunch of Irish kids. Take
• 40:11
  Speaker 3: us basket of cupcakes while she has cupcakes, I'm not
• 40:13
  Speaker 3: too sure that it's Irish. Patrick stay cupcakes with the
• 40:16
  Speaker 3: clover on top. Then Patrick Farreley arrives, He helps out,
• 40:19
  Speaker 3: takes the cupcakes away from the kids, and he offers
• 40:21
  Speaker 3: her a job at his cake store. At his bakery,
• 40:23
  Speaker 3: I should say, I have a tasty one of the cakes.
• 40:25
  Speaker 3: And March has a vision, what would we like working
• 40:27
  Speaker 3: in an actual case store. And it's just her on
• 40:28
  Speaker 3: the way to work, boxes in the car, and she said, Homer,
• 40:31
  Speaker 3: I've got some great news. Homer says he'll use his
• 40:33
  Speaker 3: one phone call to hear all about it because he's
• 40:35
  Speaker 3: being arrested. Come to the court case now. And I
• 40:38
  Speaker 3: didn't really get the joke about the hulk here. The
• 40:39
  Speaker 3: Hulk wants to have his case transferred to another courtroom
• 40:43
  Speaker 3: because you won't get a fair trial in downtown Springfield. Yeah,
• 40:46
  Speaker 3: is there a joke there that I'm missing?
• 40:47
  Speaker 4: Unless it's like a really ham fisted, a tempered like
• 40:51
  Speaker 4: some racial commentary, I don't know a person of color
• 40:54
  Speaker 4: could not get a fair trial in say a lily
• 40:58
  Speaker 4: white area like Springfield.
• 41:00
  Speaker 3: Maybe, But Homer's bailers said at twenty five thousand dollars
• 41:03
  Speaker 3: because he's a three peat offender, a refender offender. Then
• 41:06
  Speaker 3: he says he goes to the bad ones because the
• 41:10
  Speaker 3: judge not suggest to him. Pay ten percent to shop
• 41:12
  Speaker 3: to your court date. We'll have this all covered then,
• 41:14
  Speaker 3: woof a take on Dog Surprised I didn't just get
• 41:17
  Speaker 3: Dog the Boundie Hunter. Maybe didn't want to do it.
• 41:19
  Speaker 4: Maybe Yeah, I think Dog the Boundary Hunter strikes me
• 41:21
  Speaker 4: as someone who takes himself very seriously.
• 41:23
  Speaker 3: Yes, well or for the show, even though he looks
• 41:28
  Speaker 3: the way he does. Anyone has that haircut. Though. If
• 41:32
  Speaker 3: you're a fan of everything we do here at four
• 41:34
  Speaker 3: Finger Discount, but you're tired of hearing these pesky ads,
• 41:37
  Speaker 3: then you'll absolutely love being a member of the fourth
• 41:39
  Speaker 3: Finger Discamp family on Patreon, where you not only get
• 41:41
  Speaker 3: access to over one hundred hours of bonus podcasts, but
• 41:45
  Speaker 3: you also get access to this show early and add
• 41:47
  Speaker 3: free every single week, as well as access to our
• 41:50
  Speaker 3: exclusive Facebook and Discord communities, and so much more. So
• 41:53
  Speaker 3: go ahead join the family today and support your pals
• 41:55
  Speaker 3: Guyan Dando for as little as one dollar per month
• 41:57
  Speaker 3: at patreon dot com, slash fourthinger discom.
• 42:00
  Speaker 6: The name's Wolf and I'm a bounty hunter. If someone
• 42:03
  Speaker 6: skips bail, I track him down and bring them back.
• 42:06
  Speaker 6: I also take a tooth, make a plaster cast, put
• 42:09
  Speaker 6: it on this necklace, then replace the tooth at my expense.
• 42:13
  Speaker 4: Well, time to go back to.
• 42:14
  Speaker 6: My world of sleazy bars, tattoo parlors, and greasy spounds.
• 42:18
  Speaker 1: What a great job, and I could use a job
• 42:21
  Speaker 1: right now.
• 42:22
  Speaker 6: Whooh not just anyone can be a bounty hunter. You
• 42:25
  Speaker 6: have to pass an online exam and no way they
• 42:27
  Speaker 6: got rid of that. There is a ten dollars filing fee,
• 42:30
  Speaker 6: but you can get around it. Congratulations, you're now about
• 42:32
  Speaker 6: the Hunter.
• 42:33
  Speaker 3: I'm surprised that he didn't. Maybe if he voiced the role,
• 42:37
  Speaker 3: he would had a more prominent role, but he was
• 42:39
  Speaker 3: just there to sort of be yes. It was a
• 42:42
  Speaker 3: figure of the time reference to Bounty Hunter. Yeah, it's
• 42:44
  Speaker 3: a bit of a scary movie kind of eh. Yeah
• 42:48
  Speaker 3: you know this ah that show. I can't now know
• 42:50
  Speaker 3: what bout the Hunter is. Yeah, Homo's first one is
• 42:53
  Speaker 3: he setting the trap of football condos, bail jump is welcome,
• 42:56
  Speaker 3: and Snake and Gloria driving around in Gloria's pregnant now
• 42:59
  Speaker 3: is knocked up? She hasknocked up? Indeed? I mean then
• 43:01
  Speaker 3: chase a snake into the alley and this is the
• 43:03
  Speaker 3: mountain we're talking about earlier where it's like you could
• 43:06
  Speaker 3: shoot me and I won't be able to stop you.
• 43:08
  Speaker 1: But now, are you gonna come quietly or do I
• 43:13
  Speaker 1: have to? Now, let's think about this. If you shoot me,
• 43:17
  Speaker 1: I won't be able to stop you, and you'll be
• 43:20
  Speaker 1: free to go, but someone may come after you, probably
• 43:25
  Speaker 1: not giving your reputation for shooting people who come after you.
• 43:28
  Speaker 1: What I'm trying to say is not shooting me now
• 43:32
  Speaker 1: would be the biggest mistake of your life.
• 43:41
  Speaker 3: Come back from commercial and the bullet flies off the
• 43:44
  Speaker 3: bulletproof glass and hit Snake in the arm. I want
• 43:46
  Speaker 3: to say, what do you think of Flanner's having to
• 43:49
  Speaker 3: say bulletproof glass, like you have to explain it. I
• 43:52
  Speaker 3: guess I guess you have to explain it because I
• 43:53
  Speaker 3: think you might have to explain Ye. Yeah, was like that.
• 43:55
  Speaker 3: I don't mind. Hom So basically Flanners tries to talk
• 43:59
  Speaker 3: Snake out of it, saying, you know, if you take
• 44:01
  Speaker 3: responsible for your actions, you might be on the right
• 44:03
  Speaker 3: path and out having a better life.
• 44:04
  Speaker 4: And it looks like Snake's about to change. Man.
• 44:06
  Speaker 3: Homah comes with the bag over his head. I love
• 44:08
  Speaker 3: that this case is in the bag. Pretty good catchphrase,
• 44:14
  Speaker 3: good a catch rack, and it's his stick. Now every
• 44:16
  Speaker 3: person puts the bags cases.
• 44:17
  Speaker 4: In the bag, plastic bag on the head like that though.
• 44:22
  Speaker 3: Then Fanners is cleaning his window in the store and
• 44:25
  Speaker 3: he says, it's nice backing. Now watch people, what buy
• 44:26
  Speaker 3: my store? Thanks for shopping elsewhere, and Homer brings in
• 44:29
  Speaker 3: a thank you card that says, thanks for saving my
• 44:31
  Speaker 3: ass a big Yeah.
• 44:35
  Speaker 4: What a cash it looks like a nice, sizable one.
• 44:37
  Speaker 3: It did, Yeah, And he says, we make a great team.
• 44:40
  Speaker 3: You're kind of smart, I'm cool and strong. Together we
• 44:43
  Speaker 3: are two great tastes and taste great together. It makes
• 44:45
  Speaker 3: something though. Promise though, if we're going to be a team,
• 44:47
  Speaker 3: you have to do everything by the book. And he says,
• 44:49
  Speaker 3: we have no diddlies or doodles if you get to
• 44:51
  Speaker 3: say deal Runey's I know. Marge is now baking for
• 44:55
  Speaker 3: Patrick and she's confused, why are you making me any
• 44:58
  Speaker 3: baked rog stears and half moons? Yeah? And then Patty
• 45:02
  Speaker 3: and someone arrive and he goize, oh, it's one of
• 45:04
  Speaker 3: those stores, because just by doing those shapes, I didn't
• 45:06
  Speaker 3: quite know what that was meaning. Look, what would a
• 45:09
  Speaker 3: half moon be? A boob?
• 45:10
  Speaker 4: I guess or a butt? I get two of them,
• 45:13
  Speaker 4: two of them, yeah, I guess.
• 45:15
  Speaker 3: So yeah, clearly. I've never bought an erotic cakes, nor
• 45:18
  Speaker 3: have I. Yeah, I just never eaten one, never seen one. Well,
• 45:22
  Speaker 3: I don't think i've ever seen one.
• 45:23
  Speaker 4: If you're imagining enough, all cakes are erotic.
• 45:26
  Speaker 3: You've got them to be. Yeah, Patty and Summer especially,
• 45:29
  Speaker 3: they love it. A bachelorette party for a girl who's
• 45:32
  Speaker 3: a bit naughty, and it's going to be tasty and tasteless.
• 45:35
  Speaker 4: I like that line. Yeah, tasting tasteless. Yeah.
• 45:38
  Speaker 3: Marge realizes here and then Olive he leaves them with
• 45:42
  Speaker 3: the fold of suggestive Canoli's. That's when they're like, oh,
• 45:46
  Speaker 3: Marge's furious, but he says, you know, it feels most
• 45:49
  Speaker 3: of my customers are married couples. Feels the need and
• 45:51
  Speaker 3: it harms nobody. Marge's got no comeback. She's like, oh,
• 45:54
  Speaker 3: you got a point.
• 45:55
  Speaker 6: My number one customers are married couples, your friends and neighbors.
• 45:59
  Speaker 4: I just need a custom order for the Hibberts.
• 46:01
  Speaker 6: It's an exact replica of the Good Doctors.
• 46:05
  Speaker 4: It's not what you think it is. God, it's a penis.
• 46:09
  Speaker 4: That's exactly what I was thinking. I'm wondering who the
• 46:13
  Speaker 4: first baker to come up with like an erotic variant
• 46:17
  Speaker 4: on a on a tasty pastry. I'm betting that it
• 46:22
  Speaker 4: happened somewhere like in seventeenth century France or somewhere like that.
• 46:26
  Speaker 3: Long time ago.
• 46:27
  Speaker 4: Oh yeah, I'm betting. Yeah, you get you know, you
• 46:30
  Speaker 4: imagine we're talking about the French earlier, love them, love
• 46:33
  Speaker 4: the French. I have truth, And if you look at
• 46:36
  Speaker 4: it this way, it looks a bit low.
• 46:39
  Speaker 3: You just love You've got off this accent. Then you
• 46:41
  Speaker 3: go on to the French accent.
• 46:43
  Speaker 4: Oh love them. Well, I can't do the Mexican anymore.
• 46:46
  Speaker 4: You saw what happened. Click. We're waiting for that episode
• 46:51
  Speaker 4: in South Park. It's like this is going to be
• 46:53
  Speaker 4: twenty minutes of dead air. But no, I can imagine
• 46:58
  Speaker 4: the French sort of doing something that was like maybe,
• 47:00
  Speaker 4: if you look at it from this angle, you on
• 47:03
  Speaker 4: those elements popular pie. That guy was a hero and
• 47:08
  Speaker 4: got canceled.
• 47:08
  Speaker 3: I know it was originally a space dam too, and
• 47:10
  Speaker 3: they pulled the pin.
• 47:11
  Speaker 4: I was like, well, he's a sex pest, literal sex pest.
• 47:14
  Speaker 6: He was.
• 47:17
  Speaker 3: But the Patrick here says, march a gift, go to waste.
• 47:21
  Speaker 3: You've got to do this, and we have good neighbors
• 47:23
  Speaker 3: boundy hunters.
• 47:24
  Speaker 4: Was this little tune of Electric Avenue was yeah, which
• 47:27
  Speaker 4: makes everything better? It was well okay to the accompaniment
• 47:32
  Speaker 4: of Electric Avenue by Eddie Grant. Yes, fantastic song.
• 47:35
  Speaker 3: Just before that, though, we have Flannders thanking God for
• 47:38
  Speaker 3: the amount of criminals he sent down for him to catch,
• 47:40
  Speaker 3: and Homer abusing his used of the taser.
• 47:42
  Speaker 4: Do you know anyone who owns a taser owns a taste?
• 47:45
  Speaker 4: But I know someone who is in the police is
• 47:48
  Speaker 4: in the police force, and part of your training courses,
• 47:49
  Speaker 4: you have to get tased. You have to get tased
• 47:52
  Speaker 4: because you have to know what it feels like. If
• 47:54
  Speaker 4: you're going to be doing it to somebody, you have
• 47:56
  Speaker 4: to that way. You don't just because if you didn't
• 47:59
  Speaker 4: know what it felt like, you might just do it
• 48:00
  Speaker 4: really nearly realize how much it hurts.
• 48:01
  Speaker 3: So it's really hurts. It's trying to teach the police
• 48:04
  Speaker 3: do it if you have to, because this is what
• 48:06
  Speaker 3: is what it feels like.
• 48:07
  Speaker 4: You know, Do you also have to get shot?
• 48:08
  Speaker 2: No?
• 48:09
  Speaker 3: You I think you do with the best on Yes,
• 48:11
  Speaker 3: really the bullet Johnny Knoxville. But it's not a bullet.
• 48:13
  Speaker 3: I think it's a like just a lot of paletteeah,
• 48:15
  Speaker 3: like a rubber bullet.
• 48:16
  Speaker 6: Yeah.
• 48:17
  Speaker 3: Yeah, Nikola had to do taste shid to do pepper
• 48:19
  Speaker 3: spray basically, so she pep bray. Yes, so she had
• 48:22
  Speaker 3: to stand at the end and they sprape up a
• 48:25
  Speaker 3: spray into the and you have to walk through it
• 48:26
  Speaker 3: with your eyes open. Yeah, that's part Nicholas police training.
• 48:29
  Speaker 4: Oh my goodness, Oh my goodness, no good I'll be it.
• 48:34
  Speaker 4: No thanks, all right, Electric Avenue.
• 48:38
  Speaker 3: Yes, so montage here of them obviously go here not
• 48:40
  Speaker 3: being very good at their job. They seem to be
• 48:43
  Speaker 3: sucking up all the time. They catch some guys.
• 48:44
  Speaker 4: But yeah, yeah, I mean I never really watched Dog
• 48:47
  Speaker 4: the bounty Hunter, but I'm imagining.
• 48:49
  Speaker 3: It's not as we said. He seems very he seems
• 48:52
  Speaker 3: very theatrical. Yeah, he's the Steve Irwin of bounty hunters.
• 48:56
  Speaker 4: Correct. I imagine if you watched like an everyday professional
• 49:02
  Speaker 4: boundy hunt, it'd be like watching a show about like
• 49:05
  Speaker 4: an everyday private investigator. It probably a lot of it
• 49:07
  Speaker 4: is probably paperwork and just steakouts and kind of dull.
• 49:10
  Speaker 4: I don't think there's gonna be a lot of you know,
• 49:13
  Speaker 4: foot chases or car chases or gunfights or fistfights or
• 49:16
  Speaker 4: anything like that. I imagine it's fairly straightforward.
• 49:18
  Speaker 3: I'm just looking at Dog the Boundy Hunter here too,
• 49:20
  Speaker 3: and he's got three shows. Now he's got Dodor Boundie
• 49:24
  Speaker 3: Hunter like now, I mean no, no, no. So once
• 49:27
  Speaker 3: Dog the Boundery Hunter finished, it was Dog and Beth
• 49:29
  Speaker 3: on the hunt. Okay, and then it's dogs most wanted
• 49:32
  Speaker 3: squeeze every lars but the juice out of that brand.
• 49:34
  Speaker 3: I guess Dog, well, he murdered somebody, excuse me, murder
• 49:37
  Speaker 3: of Jerry Bowers Oliver. In the late hours of September fifteen,
• 49:40
  Speaker 3: nineteen seventy six, twenty three year old Dwayne Chapman, who
• 49:43
  Speaker 3: was doctor Boundy Hunter, tweeny two year old seventeen year
• 49:46
  Speaker 3: old and nineteen year Olah Blah armed themselves and drove
• 49:49
  Speaker 3: to an address the home of Jerry Bowers Oliver, thirty
• 49:52
  Speaker 3: four year old resident of Texas. Oliver was known to
• 49:55
  Speaker 3: sal marijuana and the group planned to rob him. One
• 49:59
  Speaker 3: of them entered Oliver's home while Chapman, Fisher and guys
• 50:01
  Speaker 3: are waited outside by their vehicle. Around eleven forty pm.
• 50:04
  Speaker 3: Oh this friend shot Oliver in the RP at close
• 50:07
  Speaker 3: range with a sawn Off shotgun and the group all.
• 50:09
  Speaker 4: Fled the scene.
• 50:11
  Speaker 3: I'm assuming I keep winning. It's like and this was
• 50:12
  Speaker 3: the moment where Doug realizing his attorney's life around. And
• 50:15
  Speaker 3: it is a chase the criminals, not b one.
• 50:18
  Speaker 4: Crime does not pay except when I'm chasing the criminals,
• 50:20
  Speaker 4: and then it pays really well.
• 50:23
  Speaker 3: Dogsmost Wanted in twenty nineteen, additional spin off featuring Dog
• 50:25
  Speaker 3: and Beath called Dogsmas wanted to add for a single season,
• 50:28
  Speaker 3: Dog Unleashed. His new series was canceled in twenty twenty
• 50:31
  Speaker 3: one before it aired, canceled. That's a film, an entire.
• 50:38
  Speaker 3: It's not the movie, the Waally Coyote film. Oh yeah, finished,
• 50:41
  Speaker 3: The film's done. It could be released tomorrow. But it's
• 50:43
  Speaker 3: like noride off as a tax, right, that's insane.
• 50:46
  Speaker 4: Yeah, that's the same with Bad Girl.
• 50:47
  Speaker 3: Yeah, that is incredible.
• 50:49
  Speaker 4: Warner Brothers, they're just dropping the ball.
• 50:51
  Speaker 3: They have no fucking idea what they're doing.
• 50:53
  Speaker 4: Oh no, it's terrible. Everyone hates Warner Brothers at the
• 50:55
  Speaker 4: moment for a lot of reasons.
• 50:56
  Speaker 3: Yeah, the mallaid reasons.
• 50:57
  Speaker 4: The most recent one is Clint Eastwood, absolutely living legend,
• 51:02
  Speaker 4: one of our great screen presences, and you know, great
• 51:06
  Speaker 4: directors as well. Ninety something years old, he's still with us.
• 51:09
  Speaker 4: It's Margaret Mary Age. He's made this movie called During
• 51:12
  Speaker 4: Number two. Apparently it's really really good, just a good, solid,
• 51:14
  Speaker 4: mainstream legal thriller. Warner Brothers is like, uh, yeah, we
• 51:19
  Speaker 4: don't see a lot of money in this. We're going
• 51:21
  Speaker 4: to put it in like maybe fifty theaters, and no,
• 51:24
  Speaker 4: we're not going to report on any box office takings
• 51:26
  Speaker 4: or anything like that.
• 51:28
  Speaker 3: You're a movie studio and it's Clinton Eastwood.
• 51:31
  Speaker 4: It's Clint Eastwood. I mean, apparently the guy who runs
• 51:33
  Speaker 4: Warner Brothers kind of like, oh, it's show business, not
• 51:35
  Speaker 4: show friends. Someone very wise I said, this guy has
• 51:38
  Speaker 4: made money for you recently.
• 51:40
  Speaker 3: It's not like it's not like Yeo's Zoieberg's uncle.
• 51:46
  Speaker 4: I was about to diss Brandon Fraser here, but I
• 51:48
  Speaker 4: mean there was that whole thing about Brendan Fraser. Harry
• 51:50
  Speaker 4: was like, oh, we're glad he's back, and you know,
• 51:51
  Speaker 4: patting on he had like his three headed dog, three
• 51:53
  Speaker 4: legged dog or something. No, this guy is still vible,
• 51:57
  Speaker 4: still making money for you guys, and you're fucking treating
• 51:58
  Speaker 4: him like a red head steptot fucking.
• 52:00
  Speaker 3: Up and joker too. I wouldn't to do any fucking audience.
• 52:03
  Speaker 4: Oh yeah, they made that. That's the rod they made
• 52:06
  Speaker 4: for their own back. But this was this was like
• 52:08
  Speaker 4: a deliberate just own goal on their part. I don't know.
• 52:11
  Speaker 4: They fucking up, very disrespectful.
• 52:16
  Speaker 3: Guys.
• 52:17
  Speaker 4: No good, no good.
• 52:20
  Speaker 3: That's what happens when you know, two conglomerates come together
• 52:22
  Speaker 3: and no one fucking knows who the bosses anymore? Correct, Yes, yeah, anyway,
• 52:26
  Speaker 3: it's enough ranting about WBD. But Homer is you know,
• 52:32
  Speaker 3: they're doing the montage of Homer and Flanners of catching
• 52:34
  Speaker 3: up the criminals, and Homo brings home some shellcasings for bar.
• 52:37
  Speaker 3: As we said earlier, point the bolts away from your
• 52:39
  Speaker 3: sisters when you hamm of them obviously know what they are.
• 52:41
  Speaker 3: It gets a new chemistry set for Lisa, which is
• 52:43
  Speaker 3: from a meth lab, the greatest, the biggest meth lab
• 52:46
  Speaker 3: in Springfield, whatever. And she said, that's evidence evidence that
• 52:49
  Speaker 3: I love my little girl. Good line, good line. Yeah,
• 52:52
  Speaker 3: and he's you're a dozen roses for Marge, and Marge's
• 52:55
  Speaker 3: got here.
• 52:55
  Speaker 4: You don't have to count their actions an actual dozen.
• 52:57
  Speaker 3: Yeah, and Marge, you think is gonna get give him
• 52:59
  Speaker 3: a cake, but she gives him a sterling silver picture
• 53:01
  Speaker 3: frame with the kids inside, and he suggests you should
• 53:04
  Speaker 3: make a cake for this his birthday. She slaps him
• 53:05
  Speaker 3: and says it's muscle spasms. Then we get the steak
• 53:08
  Speaker 3: out for fat Tony at Luigi's. And as we're saying earlier,
• 53:11
  Speaker 3: I just really like the ac DC because we're Australian
• 53:14
  Speaker 3: and they're from up the road.
• 53:16
  Speaker 2: Du but little steak up music, Homer, I don't think
• 53:19
  Speaker 2: we have the same musical tastes.
• 53:20
  Speaker 1: Well. I like ac DC.
• 53:22
  Speaker 2: I like their Christian cover band a DBC. Kindly Deeds
• 53:26
  Speaker 2: done for free, Kindly.
• 53:29
  Speaker 7: Deeds John for free, candy Duds for free, Candy Deeds
• 53:36
  Speaker 7: Durander done for free, candy Deeds Turnder done for free.
• 53:48
  Speaker 2: Hmm. I've never seen anyone eat pizza like that.
• 53:50
  Speaker 1: Oh, you gotta try it this way to Pepperoni, stay
• 53:53
  Speaker 1: in tac tillate, reach your stomach then bam.
• 53:57
  Speaker 3: It's always you mentioned in the Movie Guy podcast recently,
• 54:00
  Speaker 3: you and Leonnon were talking about how it's great when
• 54:02
  Speaker 3: you suggest a film to somebody who they might not
• 54:04
  Speaker 3: ever seen or heard of, and they really enjoy it.
• 54:06
  Speaker 3: Also is that when you suggests like a food, you're
• 54:08
  Speaker 3: going to try this food, and they taste like.
• 54:10
  Speaker 4: It was great, like I know another convert on the course.
• 54:14
  Speaker 3: Yes, exactly, and it's having a great time. And then
• 54:16
  Speaker 3: they see fat Tony they chase after him. And if
• 54:19
  Speaker 3: we just get another bit of a chase sequence here,
• 54:21
  Speaker 3: don't we we do we need? And Homer has no
• 54:24
  Speaker 3: I think he's indifferent to human life or something. So
• 54:27
  Speaker 3: basically you can see here there are two ways of
• 54:29
  Speaker 3: going about it are starting to really differentiate because you
• 54:32
  Speaker 3: can say he always runs overge Yes, he always runs
• 54:35
  Speaker 3: over Selma with a cake in her hand, which is
• 54:37
  Speaker 3: a little call back to you know, and that results
• 54:41
  Speaker 3: in a terrific joke Yes, with Charmers and Skinner. They
• 54:44
  Speaker 3: drive into the subway and then they catch fat Tony
• 54:46
  Speaker 3: chokes him anyway with the bag, and Homer is annoyed
• 54:49
  Speaker 3: that Flanners is not turning out as bad as the
• 54:52
  Speaker 3: people that they chase, and then Flanners says, there's time.
• 54:55
  Speaker 3: This relationship is over. On the way home, just like
• 54:57
  Speaker 3: a little married couple, take your foot of the gas
• 54:59
  Speaker 3: in the hill. I'll take your foot off the pedal.
• 55:01
  Speaker 3: You'll see some gas going down hill and tries to
• 55:03
  Speaker 3: check himself because he's had enough of it. Homer is
• 55:05
  Speaker 3: now sad moping around the house. He wants one of
• 55:08
  Speaker 3: those extra long twinkies that Marge has been baking, which
• 55:11
  Speaker 3: were unfortunately with the smith's commitment ceremony. It's nice that
• 55:13
  Speaker 3: in twenty twenty four and it's not for a commitment
• 55:15
  Speaker 3: cemeron anymore. Just cat a wedding.
• 55:16
  Speaker 4: Yep, yep.
• 55:17
  Speaker 3: You have to commit to somebody. It's just you're marrying somebody.
• 55:20
  Speaker 4: Correct.
• 55:21
  Speaker 3: Marge comes clean, I'm in and everybody at bakery and
• 55:23
  Speaker 3: she hit all the cakes in the vegetable draw in
• 55:25
  Speaker 3: the food Slimber would never find them. I can understand
• 55:27
  Speaker 3: with holding sex. Maybe cake but sexy. And Homer's not
• 55:31
  Speaker 3: so sure about this, and Marcha just we have cake
• 55:33
  Speaker 3: in bed, but first you're gonna have cake in the shower.
• 55:35
  Speaker 4: Food in the shower.
• 55:36
  Speaker 3: No beer in the showers.
• 55:37
  Speaker 4: We've said beer in the shower, yes, one of the
• 55:38
  Speaker 4: best things in life. Food in the shower. I can't
• 55:41
  Speaker 4: think of any that really work.
• 55:42
  Speaker 5: No.
• 55:43
  Speaker 3: I once had a friend who lived with the guy
• 55:46
  Speaker 3: rented who used to eat his breakfast in the shower
• 55:48
  Speaker 3: before he got to work to save some time, and
• 55:50
  Speaker 3: he would leave the weep Bix bowls in the shower.
• 55:52
  Speaker 4: No, well that's that person is just yeah substandard.
• 55:55
  Speaker 3: You go into the bathroom and there'd be like two
• 55:56
  Speaker 3: or three week Bix bowls in the corner in the show,
• 55:58
  Speaker 3: just like you just add to it. You wouldn't take
• 56:00
  Speaker 3: them out.
• 56:01
  Speaker 4: This person though, clearly thought they had, you know, the
• 56:03
  Speaker 4: grind set going on. They clearly thought they were like
• 56:05
  Speaker 4: a total sigma male.
• 56:07
  Speaker 3: It's like seeing something Kraner would do. Don't you reckon,
• 56:10
  Speaker 3: I'm saving some time, Jerry, breakfast in the showery crushing it,
• 56:13
  Speaker 3: crushing life. The home is they're driving you around and
• 56:17
  Speaker 3: he sees the sign for their business.
• 56:19
  Speaker 4: It's all sad.
• 56:20
  Speaker 3: Flat has walked in and tells like a Jim that
• 56:21
  Speaker 3: he's at the business now. He's not going to do
• 56:23
  Speaker 3: it anymore, but he has one last job for him.
• 56:24
  Speaker 3: He says, give it to Homer. Can't be home because
• 56:26
  Speaker 3: it is Homer. It is Homer. He says, well, if
• 56:29
  Speaker 3: you don't, don't going to give the job to one
• 56:30
  Speaker 3: of these other boundy hunters, and one of them is
• 56:32
  Speaker 3: from Planet Terror.
• 56:34
  Speaker 4: Cherry Rose, Cherry Darling, True Darling, Choe Darling with the
• 56:37
  Speaker 4: machine gun.
• 56:38
  Speaker 3: L one of them was Joe Darling.
• 56:40
  Speaker 4: Yes, oh my goodness to Tarantino shout outs in one episode.
• 56:43
  Speaker 3: I haven't watched Planet Terror since the first one. I
• 56:45
  Speaker 3: watched it, like how long ago? Twenty years ago? Now ish?
• 56:48
  Speaker 3: Two than seven ish? Wasn't it about that? Yeah, it
• 56:51
  Speaker 3: wasn't blown Away White. I think it's fun or maybe
• 56:53
  Speaker 3: it was the first one.
• 56:54
  Speaker 4: Well there's two. There's two movies in the groundhouse. There's
• 56:57
  Speaker 4: Planet Terror, directed by Robert Rodriguez. It's death Proof Tarantino.
• 57:00
  Speaker 3: Yeah, that's proofs. I think it was what I just
• 57:02
  Speaker 3: got went. It's fine.
• 57:04
  Speaker 7: Yeah.
• 57:05
  Speaker 4: Can I put my film nerd hat on a bit
• 57:08
  Speaker 4: of a teeth of the movie guy here? Absolutely? But yeah,
• 57:12
  Speaker 4: you've got the two movies in grindhouse. It was a
• 57:14
  Speaker 4: novelty of having a back to back back to back,
• 57:16
  Speaker 4: and you know, you're Robert Riegue is the maker of
• 57:19
  Speaker 4: you know, El Mariacci and Desperado, and you've got Quentin Tarantino.
• 57:22
  Speaker 4: Rodriguez is doing the one that's real more of a
• 57:24
  Speaker 4: crowd pleaser, like a bit of a video Nasty Tarantino
• 57:27
  Speaker 4: is making one that actually feels like a grondhouse movie
• 57:29
  Speaker 4: from the seventies in that they had the budget to
• 57:31
  Speaker 4: maybe have one good car chase, but then we've still
• 57:35
  Speaker 4: got fifty minutes to phil and no, we'll just have
• 57:36
  Speaker 4: people talking, and that's basically what it is. Yeah, I
• 57:39
  Speaker 4: think they not turned a lot of people off, but
• 57:41
  Speaker 4: they're like, not a lot of grind in this greenhouse.
• 57:45
  Speaker 4: Where's the grinding? Where's the house? Having said that, great
• 57:50
  Speaker 4: performance by the aforementioned Kurt Russell.
• 57:53
  Speaker 3: I do remember one of the girls putting Jeep store
• 57:55
  Speaker 3: onto the jukebox in the film, and I was like.
• 57:56
  Speaker 4: Oh yeah, my lady, Oh my damn.
• 58:00
  Speaker 3: But so he's out of the business, and Flanners takes
• 58:02
  Speaker 3: the who takes the one last job because does want
• 58:04
  Speaker 3: any of these people to get Homer. He wants to
• 58:07
  Speaker 3: catching himself so he doesn't get hurt. Homer gets home,
• 58:10
  Speaker 3: it's dark inside and Flanners is in there. That is
• 58:12
  Speaker 3: a bit of a boss moment here.
• 58:13
  Speaker 1: Oh yeah, hello, hello, anybody home?
• 58:20
  Speaker 2: You jump bail Homer?
• 58:22
  Speaker 4: I got to bring you in.
• 58:23
  Speaker 1: What have you done in my family?
• 58:25
  Speaker 4: I figured a good.
• 58:25
  Speaker 2: Time to pick you up was when they were at
• 58:27
  Speaker 2: Lesa's recital and who did you know I wouldn't be there,
• 58:30
  Speaker 2: lucky guess.
• 58:32
  Speaker 3: Then we get a chase sequence. He's chasing after Homer.
• 58:34
  Speaker 3: I really liked the planetarium. The planetarium bit though, Oh yeah,
• 58:38
  Speaker 3: well it's like you think, oh, they've got made it
• 58:40
  Speaker 3: so yeah, okay, actually it actually works because they've made
• 58:42
  Speaker 3: it so absurd that you could actually believe that they're
• 58:44
  Speaker 3: going to be in space.
• 58:46
  Speaker 4: Actually that was good because right, that's a good point.
• 58:49
  Speaker 4: It's so ridiculous. And then oh, okay, that's just either
• 58:51
  Speaker 4: on the planets in the top of it, because they
• 58:53
  Speaker 4: had the music plane as well.
• 58:54
  Speaker 3: Yeah, it actually works. Yeah, I just really like the
• 58:56
  Speaker 3: planetarium scene.
• 58:57
  Speaker 4: They end up at a construction site, which he said
• 58:59
  Speaker 4: was Sinerrow, Yeah, for Daniel Craig James Bond movie.
• 59:03
  Speaker 3: And they have a bit of an argument here. You
• 59:05
  Speaker 3: hang on to resentment like a Confederate widow, and Homer says,
• 59:07
  Speaker 3: you know what, I actually did start to like you.
• 59:09
  Speaker 3: We've had our odds over the years, but I'm hanging
• 59:11
  Speaker 3: out with you. I actually enjoyed spending time with you.
• 59:13
  Speaker 3: Flannder's and slips and then Homer has one of those
• 59:16
  Speaker 3: visions where he remembers everything he's done for him. So
• 59:19
  Speaker 3: we had him saying with the bullet Bart coming through
• 59:22
  Speaker 3: and Flanner's ripping it up, saying, I'm not going to
• 59:24
  Speaker 3: worry about Bart, and then Batman parody. You can never
• 59:28
  Speaker 3: failed with the Batman sixties Batman parody, right, Oh my goodness,
• 59:31
  Speaker 3: no no, and then he grabs his arm, but unfortunately
• 59:33
  Speaker 3: he's also let go, so they're both falling into the
• 59:34
  Speaker 3: land in the concrete and this is where he recites
• 59:37
  Speaker 3: the Old Testament to Homa, which is apparently from a
• 59:39
  Speaker 3: movie recite in the Old Testament.
• 59:41
  Speaker 4: Really, I don't remember that.
• 59:42
  Speaker 3: I'll go to the Wikipedia page, which I should have done,
• 59:46
  Speaker 3: reverencing a scene in Waiting for GOODO, Good GOODO Waiting
• 59:50
  Speaker 3: for GOODO. Apparently there's a scene in there where he's
• 59:51
  Speaker 3: reciting the Bible or something. Anyway, been a.
• 59:54
  Speaker 4: While since I've read or seen Way of Good to Go.
• 59:58
  Speaker 4: Having said that, we talk to have this, but this
• 1:00:01
  Speaker 4: struck me as a really good idea. Keanu Reeves and
• 1:00:05
  Speaker 4: Alex Winter aka Bill and Ted were going to be
• 1:00:07
  Speaker 4: in a Broadway staging and Waiting for Good I think yeah,
• 1:00:11
  Speaker 4: which struck me as like, that's pretty cool. Yeah, they've
• 1:00:15
  Speaker 4: gone beyond well, hopefully they've gone beyond Bill and Ted
• 1:00:17
  Speaker 4: because you didn't like Bill and Ted face the music,
• 1:00:18
  Speaker 4: did you.
• 1:00:19
  Speaker 3: It's just one of those films where.
• 1:00:22
  Speaker 4: There was no there was no gas in the tank.
• 1:00:24
  Speaker 3: No, it just felt like, ah, you just made this
• 1:00:26
  Speaker 3: just because you could.
• 1:00:28
  Speaker 4: Yeah. Also, Ke needs his beard now, oh my goodness,
• 1:00:32
  Speaker 4: just like I do. Yeah, like, once you've seen John
• 1:00:35
  Speaker 4: Wick Reeves, you can't go back. Apparently apparently the makers
• 1:00:39
  Speaker 4: of John Wick were kind of like, oh you got
• 1:00:41
  Speaker 4: a beard. No, no, people come to see counter Reeves
• 1:00:43
  Speaker 4: kind of the beard and Gary is it, dude, I'm
• 1:00:46
  Speaker 4: doing the beard and yeah now was like, oh, yeah
• 1:00:51
  Speaker 4: needs a beard. Yeah, i'min that. Amazing though that people like, no,
• 1:00:57
  Speaker 4: we can't have the beard. Of course he does John
• 1:01:00
  Speaker 4: Week people idiots? Was it WBT?
• 1:01:07
  Speaker 3: But as the police or I've taken Homer away, he
• 1:01:09
  Speaker 3: gets arrested, Homer's in prison reading Marges later and yeah,
• 1:01:12
  Speaker 3: just a very sweet ending.
• 1:01:13
  Speaker 4: Especially because that you're in the love of my life,
• 1:01:15
  Speaker 4: which is very nice.
• 1:01:16
  Speaker 3: It was indeed, just as I said, when they sit
• 1:01:18
  Speaker 3: the landing like this, and it feels not earned. It
• 1:01:21
  Speaker 3: just felt natural natural. Yeah, right, yep, it did. Indeed,
• 1:01:25
  Speaker 3: they were also giving Marge.
• 1:01:27
  Speaker 4: The story here.
• 1:01:28
  Speaker 3: I've just sort of thought about the story of the
• 1:01:30
  Speaker 3: cakes gives her a distraction from having to be Homer.
• 1:01:33
  Speaker 3: I don't want you're doing bout your hunting anymore is
• 1:01:35
  Speaker 3: dangerous because fallen back to that, you know, it wasn't.
• 1:01:38
  Speaker 4: There the other thing where I think Forrester's character, like
• 1:01:42
  Speaker 4: Jim says something about I've also got a call from
• 1:01:45
  Speaker 4: her work and you don't work there anymore.
• 1:01:46
  Speaker 3: Yes, yeah, that was like a gym, the bad one.
• 1:01:48
  Speaker 4: That was like a gym.
• 1:01:49
  Speaker 3: Yeah you say like gym.
• 1:01:51
  Speaker 4: I did say like a gym. I apologize quite all right,
• 1:01:54
  Speaker 4: what do we learn?
• 1:01:56
  Speaker 3: What did you learn from the episode?
• 1:01:57
  Speaker 4: That I've got to be very careful if I'm meaning
• 1:01:59
  Speaker 4: kind only in public?
• 1:02:01
  Speaker 3: Yeah, make sure that I depends if you're eating, So
• 1:02:03
  Speaker 3: that's true. Yeah, are you balls first or and first?
• 1:02:08
  Speaker 3: I think the holding the balls would be a good
• 1:02:10
  Speaker 3: something to grasp onto to be sure that it doesn't drop.
• 1:02:13
  Speaker 4: Well, if I was eating like a sexy can only,
• 1:02:15
  Speaker 4: I mean your average can only is basically just shaft. Yeah,
• 1:02:19
  Speaker 4: so you need who's the great Italian dessert that goes
• 1:02:23
  Speaker 4: down a tree.
• 1:02:24
  Speaker 3: That's that's a that's the sound bite there. It's basically
• 1:02:28
  Speaker 3: just shaft.
• 1:02:30
  Speaker 4: Feel free to turn that into a TikTok.
• 1:02:32
  Speaker 3: Yes, well, I learned that you shouldn't start a series
• 1:02:36
  Speaker 3: about badtownt anymore because it'll be councels before it even
• 1:02:38
  Speaker 3: gets the time. Yeah begins bout hunters even things. Anyway,
• 1:02:42
  Speaker 3: do you ask me a question like, do bounty hunters exist?
• 1:02:45
  Speaker 4: I'm guessing they do.
• 1:02:46
  Speaker 3: Like I know of deck collectors, but bounty hunters, Yeah,
• 1:02:50
  Speaker 3: I'm guessing they must. That's a great job title what
• 1:02:53
  Speaker 3: we are. I've been a previously a minute bounty hunter.
• 1:02:56
  Speaker 3: Should try it for a month, seving resume previous job
• 1:02:59
  Speaker 3: about or.
• 1:03:00
  Speaker 4: Even just I don't know how much work goes into
• 1:03:06
  Speaker 4: actually being a PI, being a private investigator. I think
• 1:03:09
  Speaker 4: you could probably just sign up or just you can
• 1:03:11
  Speaker 4: do it fairly easily and just to be able to say, oh,
• 1:03:14
  Speaker 4: I also do a bit of a private detective work
• 1:03:16
  Speaker 4: on the side. It seems like people just look at
• 1:03:18
  Speaker 4: you like, yeah, there's something a bad guy. There's stuff
• 1:03:21
  Speaker 4: a bad guy. I didn't know.
• 1:03:22
  Speaker 3: Be careful what to say, man, he's he's a lot
• 1:03:25
  Speaker 3: less dull than I thought he was. It seems like
• 1:03:27
  Speaker 3: a job though, PI very lonely, but probably fulfilling. If
• 1:03:31
  Speaker 3: you catch the bag. If some guy comes to you
• 1:03:33
  Speaker 3: and says, off, some woman, my partners cheating on me.
• 1:03:35
  Speaker 3: Can you find out for me and you find and
• 1:03:36
  Speaker 3: you catch them, and you're like, I've be this person's
• 1:03:39
  Speaker 3: life and find that person off who deserves it.
• 1:03:42
  Speaker 4: I've ended his marriage. Yes, forward, your name will be
• 1:03:47
  Speaker 4: all right?
• 1:03:48
  Speaker 3: It is the guy Davis New Name Championship Round one
• 1:03:51
  Speaker 3: for season twenty.
• 1:03:52
  Speaker 4: We're doing the new Name Challenge.
• 1:03:55
  Speaker 3: Yeah, Joe Hormoniby won last season. Yeah, who won again
• 1:03:58
  Speaker 3: as Dan Dan the Man? He comment on Twitter?
• 1:04:01
  Speaker 4: He did indeed, Yeah, well yeah he's a good Twitter presence.
• 1:04:04
  Speaker 3: Yes he is, indeed. All right, So you're one point
• 1:04:08
  Speaker 3: for oh yes, one point goes to oh it was
• 1:04:11
  Speaker 3: about to say, we don't have to do the leaderboard.
• 1:04:12
  Speaker 4: There isn't one. Yeah, it's about to start. One point
• 1:04:16
  Speaker 4: goes to wanted net or alive. I like that a lot.
• 1:04:19
  Speaker 3: That is Zach Wood. What would he do? He would
• 1:04:23
  Speaker 3: get one point point?
• 1:04:25
  Speaker 4: You get one point two points zach Wood? Yet too,
• 1:04:30
  Speaker 4: You're done Riffin. Yep, okay. Two points goes to do
• 1:04:34
  Speaker 4: the Bounty Hunter. That's how man, Chris Clark. You said
• 1:04:37
  Speaker 4: there some questions last week, Chris Clarks. Chris Clarke making
• 1:04:40
  Speaker 4: his presence felt, making their presence felt.
• 1:04:42
  Speaker 3: I think he's relatively new. Could be wrong to the
• 1:04:45
  Speaker 3: relatively new to at least commenting on things. Anyways, Chris Clark,
• 1:04:47
  Speaker 3: well done, two points. Well done piping up Chris, and
• 1:04:49
  Speaker 3: well done getting two points for the Bounty Hunder. Three
• 1:04:52
  Speaker 3: points goes to Cake and the Fatman. Oh, that's very good.
• 1:04:58
  Speaker 5: His name is Jared. You gotta bed me. No history
• 1:05:05
  Speaker 5: is repeating itself on the new name challenge. Jared's got three.
• 1:05:09
  Speaker 4: Points and he's up on the table.
• 1:05:13
  Speaker 3: Oh my god, to sit back going. Fuck it's Phil Hawkins,
• 1:05:18
  Speaker 3: Phil Hawkins. Yes, yeahs.
• 1:05:22
  Speaker 4: As always we must reiterate the guy Data's new name
• 1:05:25
  Speaker 4: challenge is done blind. I'm picking these names of a list.
• 1:05:30
  Speaker 4: They have no names attached to them, so it's not
• 1:05:33
  Speaker 4: like him in the pocket of Big Jared or anything
• 1:05:35
  Speaker 4: like that.
• 1:05:36
  Speaker 3: It's a big pocket, big pocket because his name is Jared.
• 1:05:40
  Speaker 4: Anyway, Well well done to to Zach, Chris and to
• 1:05:43
  Speaker 4: Jared Jared yeaheah for uh yeah, the three two one
• 1:05:48
  Speaker 4: on the new Name challenge rememberyone to be part of this,
• 1:05:50
  Speaker 4: he's just going to be a supporter of ours on Patreon.
• 1:05:53
  Speaker 3: You get access to the exclusive Facebook community. We get
• 1:05:55
  Speaker 3: to banter a guy myself on a daily basis, and
• 1:05:58
  Speaker 3: you get to comment on guys in there asking for
• 1:06:00
  Speaker 3: some new names. And you're off to the races.
• 1:06:02
  Speaker 4: Correct.
• 1:06:03
  Speaker 3: Yes, all right, So next episode of season twenty four
• 1:06:06
  Speaker 3: four figure discount, we shall be reviewing the episode called
• 1:06:10
  Speaker 3: Lost Verizon.
• 1:06:13
  Speaker 4: It I built according to the brief capsule. Wats it
• 1:06:18
  Speaker 4: on Disney Plus where I watch The Simpsons. I think
• 1:06:21
  Speaker 4: Dennis Leary is a guest star on this episode. I
• 1:06:24
  Speaker 4: shall have a spoiler for you, and it is indeed
• 1:06:26
  Speaker 4: Dennis Leary as Dennis Leary playing himself. What a shock.
• 1:06:30
  Speaker 4: And Brian Grazer Brian Grazers, Yeah, he's the he's the
• 1:06:34
  Speaker 4: producer who in one of my favorite Simpsons again. Yeah,
• 1:06:40
  Speaker 4: Ron Hawld's hold him the winning bags. But Brian Grazer
• 1:06:42
  Speaker 4: is well, his partner in production company Imagine.
• 1:06:47
  Speaker 3: Oh there we go. All right, So that is the
• 1:06:49
  Speaker 3: next episode of season twenty we shall be reviewing. I
• 1:06:51
  Speaker 3: think next week we're going to do a classic episode.
• 1:06:53
  Speaker 3: Oh I can feel like it.
• 1:06:54
  Speaker 4: Well, okay, so we're not doing the next episode of
• 1:06:57
  Speaker 4: season twenty, yes, but we're going to do classic vintage.
• 1:07:00
  Speaker 3: So look at for that one in your feeds next week.
• 1:07:03
  Speaker 3: This has been our review of sex Pies and Idiot Scrapes.
• 1:07:06
  Speaker 4: Get it right.
• 1:07:07
  Speaker 3: Don't forget to rate and review on some Apple podcasts,
• 1:07:09
  Speaker 3: Spotify Revue. Do you find this show is much appreciated,
• 1:07:12
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• 1:07:15
  Speaker 3: Movie Guide with Malton and Davis is available on all
• 1:07:19
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• 1:07:23
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• 1:07:25
  Speaker 3: subscribe to it, give us, give the show five stars,
• 1:07:28
  Speaker 3: leave a crin review, and just help get the show going.
• 1:07:31
  Speaker 4: I mean, as a guy and the letter Malten feel
• 1:07:33
  Speaker 4: free to give it five stars automatically, but I think
• 1:07:35
  Speaker 4: if you listen to it, you go this is worth
• 1:07:37
  Speaker 4: five stars. If I could give it six, I would look.
• 1:07:39
  Speaker 4: I've had so much fun making it, and I hope
• 1:07:41
  Speaker 4: you have a lot of fun listening to it.
• 1:07:43
  Speaker 3: All right, send final words for those incredible listeners out there.
• 1:07:46
  Speaker 4: Welcome back, to five thing.
• 1:07:49
  Speaker 3: Blew it, I blew it.
• 1:07:50
  Speaker 4: I have an idiot. Welcome.
• 1:07:51
  Speaker 3: His name is Davis. You can't do the as show.
• 1:07:55
  Speaker 4: Welcome back to four finger Discount, where we would never
• 1:07:58
  Speaker 4: make you choose between substantiation and consubstantiation. I got there
• 1:08:04
  Speaker 4: in the end.
• 1:08:11
  Speaker 6: M