Latest / Luke's English Podcast / DIOGO DEFANTE _ LUCAS INUTILISMO (ROCK IN RIO E CAOS TOTAL) - Podpah _1078

Transcript

DIOGO DEFANTE _ LUCAS INUTILISMO (ROCK IN RIO E CAOS TOTAL) - Podpah _1078 · Luke's English Podcast

• 0:15
  Speaker 1: Thank you. We're live here, man. I was talking an
• 0:48
  Speaker 1: absurd two seconds.
• 0:50
  Speaker 2: Before entering the air, thank God.
• 0:51
  Speaker 1: You were talking about progress, man, about work, discipline.
• 0:56
  Speaker 2: Holy shit.
• 0:57
  Speaker 3: Corinthians, right?
• 0:58
  Speaker 2: Since when? You're a Corinthians since when?
• 1:00
  Speaker 3: Since when I was this size, like this, look.
• 1:02
  Speaker 2: This one, calm down, bro, don't bother.
• 1:05
  Speaker 3: Me, this one here, bro. Welcome to Podpá, you can
• 1:07
  Speaker 3: relax in your house.
• 1:08
  Speaker 2: Friday, Mítico Jovem!
• 1:09
  Speaker 3: Friday is a day of joy, right?
• 1:10
  Speaker 4: Guys, for you who don't know Podpá, this is a podcast.
• 1:13
  Speaker 2: No, break it, break it, the guys are already talking.
• 1:15
  Speaker 4: Break it all, go. It's a conversation, a conversation like that,
• 1:19
  Speaker 4: of bar.
• 1:20
  Speaker 3: Of bar, yes.
• 1:21
  Speaker 4: It's a relaxed conversation. That's it. We're starting with this
• 1:24
  Speaker 4: idea there. And I'm crazier.
• 1:25
  Speaker 2: We come to make this chat here.
• 1:27
  Speaker 4: Igão.
• 1:27
  Speaker 2: Talk to me.
• 1:27
  Speaker 4: Say his name.
• 1:32
  Speaker 3: Quem?
• 1:32
  Speaker 2: Ah, eu vou falar. Vocês não sabem quem é o
• 1:36
  Speaker 2: meu patrocinador de hoje. Boa. É alguém que a gente
• 1:39
  Speaker 2: já tem muita história.
• 1:40
  Speaker 5: But first, let's tell everyone to share that this is
• 1:43
  Speaker 5: a pod part of 2021.
• 1:43
  Speaker 3: Exactly, we're back in time. It's not live.
• 1:45
  Speaker 4: It's live. Exactly, 13 and 9. Remembering that today we
• 1:48
  Speaker 4: will have live picks, okay?
• 1:49
  Speaker 5: Here, later I will explain everything nicely.
• 1:52
  Speaker 2: I will start here with our sponsors today.
• 1:55
  Speaker 1: Starting with Inflow, the mythical young man. What is this, huh?
• 1:59
  Speaker 1: Saturday can be your next review. I love this word.
• 2:01
  Speaker 1: In your own home, quiet and relaxed on your couch.
• 2:09
  Speaker 2: In flow, exactly.
• 2:10
  Speaker 1: So much to play GTA 6, to study, to sleep,
• 2:12
  Speaker 1: to take that little pillow in the afternoon.
• 2:15
  Speaker 2: It's a great sofa.
• 2:16
  Speaker 1: Comfort and design that comes in the box, without stress
• 2:19
  Speaker 1: to transport. Comes compact, in a simple and easy box,
• 2:23
  Speaker 1: Mítico Jovem.
• 2:23
  Speaker 5: Yeah, because the guys who want to buy a sofa say, man,
• 2:26
  Speaker 5: will it fit in my room?
• 2:27
  Speaker 3: But my door is narrow, how do I transport this stuff?
• 2:29
  Speaker 2: How does it pass? I live in a building.
• 2:31
  Speaker 3: It comes in a light box, you play in your house, inflow, inflow.
• 2:34
  Speaker 4: So it's an unfavorable sofa. Unfavorable, that's it. Guys, that's fantastic.
• 2:41
  Speaker 2: Hey! Let's talk about UNICEF.
• 2:42
  Speaker 1: If you know us, you know that me and Mítico
• 2:45
  Speaker 1: Jovem are supporters of UNICEF's high profile.
• 2:48
  Speaker 2: Exactly.
• 2:48
  Speaker 1: And UNICEF does a wonderful, beautiful job with teenage children
• 2:51
  Speaker 1: from this Brazil. But remembering that they do it all
• 2:54
  Speaker 1: over the world, there are already 190 countries that UNICEF
• 2:57
  Speaker 1: works in. And remembering that all the money raised from
• 3:00
  Speaker 1: UNICEF is a voluntary donation and goes to projects in
• 3:04
  Speaker 1: Brazil that take care of teenage children, bringing health, basic screening, education, anyway, many,
• 3:10
  Speaker 1: many things. And remembering that I and Mítico Jovem are
• 3:13
  Speaker 1: high profile supporters.
• 3:14
  Speaker 5: It's a satisfaction, right, Gão, to do this thing with them.
• 3:17
  Speaker 5: This year we're going to have Fortaleza. And remembering that
• 3:20
  Speaker 5: today we're going to have Live Peaks.
• 3:22
  Speaker 2: Exactly.
• 3:23
  Speaker 5: And everything we managed to collect on Live Peaks... will
• 3:26
  Speaker 5: be donated to UNICEF.
• 3:27
  Speaker 3: Exactly.
• 3:27
  Speaker 1: Today the salvation is solidarity, so you can ask via LivePix,
• 3:31
  Speaker 1: the QR code that will be on the screen all
• 3:33
  Speaker 1: the time, whatever you want, you can ask whatever you want,
• 3:35
  Speaker 1: today I have no filter, no papas.
• 3:37
  Speaker 2: In the language, today I'm in the mood, brother, to
• 3:39
  Speaker 2: complicate myself.
• 3:39
  Speaker 3: What you always wanted to say to Defante, you will
• 3:42
  Speaker 3: be able to.
• 3:43
  Speaker 4: Yes.
• 3:43
  Speaker 3: And you will still help the kids.
• 3:46
  Speaker 1: Exactly, so stick with us, scan the QR code that
• 3:49
  Speaker 1: is on the screen, and any value that touches your heart,
• 3:51
  Speaker 1: send us a message, okay?
• 3:52
  Speaker 4: That's it.
• 3:52
  Speaker 2: What did you want to.
• 3:54
  Speaker 3: Say to Igão? You can send live pics, it will
• 3:57
  Speaker 3: be your voice here. What would you like to send
• 3:59
  Speaker 3: to Lucas? Your voice here. What would you like to send?
• 4:03
  Speaker 2: If I send a pic, I'll send a phrase like this.
• 4:05
  Speaker 4: I'll send a live pic like this. Say it, guys, okay? Just? Yeah,
• 4:06
  Speaker 4: because I need them to answer me, I don't know
• 4:08
  Speaker 4: if it's okay, then I'll continue with the video.
• 4:19
  Speaker 1: I want to send a special shout out to Wizards,
• 4:23
  Speaker 1: who brought two students here, who won a promotion to
• 4:27
  Speaker 1: get to know Podpah.
• 4:29
  Speaker 2: We're together, Wizards guys.
• 4:31
  Speaker 4: It's us.
• 4:31
  Speaker 2: Thank you very much. You're destroying our English.
• 4:34
  Speaker 3: Exactly.
• 4:35
  Speaker 4: How are you?
• 4:36
  Speaker 2: I'm fine. Ah, the books are on the table.
• 4:38
  Speaker 4: And when you ask an American at the bakery, how
• 4:40
  Speaker 4: does the guy come? I love Nathan.
• 4:45
  Speaker 2: I love him.
• 5:05
  Speaker 4: Good, guys!
• 5:06
  Speaker 3: How are you, Diogo?
• 5:07
  Speaker 2: I'm good, guys.
• 5:08
  Speaker 6: Thank you so much for the opportunity.
• 5:11
  Speaker 2: I thought you would never come here again.
• 5:13
  Speaker 3: Yeah, bro.
• 5:14
  Speaker 2: What happened, bro?
• 5:16
  Speaker 3: Are you mad at us?
• 5:17
  Speaker 6: You have a lot of guests in front of you,
• 5:19
  Speaker 6: you know? It's a lot of success, bro. I stayed
• 5:21
  Speaker 6: in the corner, but it's because I'm here all the
• 5:24
  Speaker 6: time too, right? You've already got used to it.
• 5:26
  Speaker 3: Yeah.
• 5:26
  Speaker 2: Fuck it.
• 5:27
  Speaker 4: The bad thing is this, right? The bad thing is this.
• 5:29
  Speaker 4: When you get used to the presence, it's banal. Yeah.
• 5:31
  Speaker 2: Like that, no one will.
• 5:33
  Speaker 3: What about that guy?
• 5:34
  Speaker 2: No, he was here last week.
• 5:35
  Speaker 4: Fuck him. I see.
• 5:36
  Speaker 3: But we're here, doing the Brabo thing.
• 5:38
  Speaker 2: It's going well. I'm happy.
• 5:39
  Speaker 6: And there's going to be the reality show, right?
• 5:42
  Speaker 2: Brabo da Cozinha. Did you like the first edition?
• 5:48
  Speaker 4: Brabo da o cozinho. I wanted to do this. Yeah, man. Unfortunately,
• 5:54
  Speaker 4: we're still living with.
• 5:55
  Speaker 2: Bravo da o cozinho. Bravo da o cozinho.
• 5:57
  Speaker 4: Man, but it's because you don't put me in the
• 5:59
  Speaker 4: agenda meeting, man.
• 6:00
  Speaker 2: Yeah.
• 6:01
  Speaker 4: You know what I do, for free.
• 6:03
  Speaker 2: Yeah.
• 6:03
  Speaker 3: O brabo da o cozinho? É.
• 6:05
  Speaker 4: Não, daria essa ideia antes da... A pauta. Antes da...
• 6:08
  Speaker 4: Que agora já foi, né? O designer já tá com
• 6:10
  Speaker 4: a mão na massa lá, o chat de GPT já
• 6:11
  Speaker 4: desenvolveu todos os roteiros.
• 6:13
  Speaker 2: Não, mas bota dinheiro pra dar o cu nesse episódio aí, mano.
• 6:16
  Speaker 4: No, but it can only be the name. There will
• 6:18
  Speaker 4: be a picture of ass with ass.
• 6:20
  Speaker 3: Ass with ass?
• 6:22
  Speaker 6: Ass with ass.
• 6:23
  Speaker 4: What is an ass with ass? There can be an
• 6:25
  Speaker 4: ass with ass. I was looking at the ass with ass, right?
• 6:28
  Speaker 2: Yeah. That's fucking awesome.
• 6:31
  Speaker 4: It's like a conversation with Bial. It's an ass with ass.
• 6:33
  Speaker 2: A conversation with Bial.
• 6:34
  Speaker 4: From head to toe.
• 6:34
  Speaker 3: From head to toe.
• 6:35
  Speaker 2: Respect me, man.
• 6:37
  Speaker 1: I want to do an episode of Podcast with Mítico
• 6:40
  Speaker 1: where I'm peeling the anus.
• 6:42
  Speaker 2: And just film our faces talking.
• 6:43
  Speaker 4: He already said that.
• 6:45
  Speaker 6: I didn't want to do it.
• 6:46
  Speaker 2: This is wonderful.
• 6:46
  Speaker 3: Imagine, just my face, in the machine. And the noise.
• 6:49
  Speaker 2: You can leave the noise in the machine.
• 6:50
  Speaker 7: But is it to be a podcast?
• 6:52
  Speaker 4: Yes, I'm changing an idea. But to last a lot,
• 6:54
  Speaker 4: you have to shave on the hairpin, right? Wow.
• 6:55
  Speaker 3: Because it's not just.
• 6:56
  Speaker 4: Guys, this was another episode. No, but then it will.
• 7:00
  Speaker 2: Shave the whole body.
• 7:01
  Speaker 6: But then there has to be a mirror. There will
• 7:03
  Speaker 6: be a mirror in front of you. For me to
• 7:06
  Speaker 6: be able to see myself? With your legs open, to
• 7:09
  Speaker 6: be able.
• 7:09
  Speaker 4: To see what you're doing. No, it's another person.
• 7:12
  Speaker 3: Imagine, I'd be on a stretcher.
• 7:13
  Speaker 4: He's just fine, hands free.
• 7:14
  Speaker 2: The camera on my face, and the guys doing the trick. Oh, okay.
• 7:18
  Speaker 2: And doing the trick on the mythical there, and we're
• 7:20
  Speaker 2: changing ideas.
• 7:21
  Speaker 4: And then you.
• 7:21
  Speaker 3: Take the wax off, and you're like, what?
• 7:23
  Speaker 5: Igor came one day and said, man, I miss doing
• 7:25
  Speaker 5: these crazy episodes. I said, man, let's think about some ideas.
• 7:28
  Speaker 3: Yeah, and the.
• 7:28
  Speaker 4: Guys invite only Fátima Bernardes. And we're getting our hair.
• 7:30
  Speaker 3: Done, and I said.
• 7:34
  Speaker 3: But I've already shaved the.
• 7:35
  Speaker 4: I've already shaved the.
• 7:36
  Speaker 3: the sack! And then it's hard, man.
• 7:37
  Speaker 2: With laser. E aí é difícil, mano. Já machucou? Já machucou?
• 7:59
  Speaker 2: Já deu uma talagadinha no saco?
• 8:01
  Speaker 4: Então, você sentiu uma sensibilidade no momento ali?
• 8:03
  Speaker 3: A primeira vez que eu fiz.
• 8:04
  Speaker 1: Só que eu me senti o Bruce Banner, mano, lutando
• 8:07
  Speaker 1: pra não virar o Hulk, tá ligado? E aí, porque
• 8:10
  Speaker 1: tem uma hora que depois, quando termina, vem passar um
• 8:12
  Speaker 1: Bepantol na parada. Aí eu falei, não, porque isso aqui,
• 8:14
  Speaker 1: porque isso aqui é manuseado assim, aí... E aí eu
• 8:17
  Speaker 1: fui uma vez só.
• 8:19
  Speaker 4: Yeah, I have... Nice, nice, nice way to start.
• 8:21
  Speaker 6: But it's because you have people depilating you, I don't
• 8:24
  Speaker 6: understand that.
• 8:24
  Speaker 2: I depilate myself, man.
• 8:26
  Speaker 4: No, no, but calm down, bro. But you have a
• 8:28
  Speaker 4: different result when you go to a specialized clinic, right, bro?
• 8:31
  Speaker 4: You're doing things any way.
• 8:33
  Speaker 2: And there were two girls.
• 8:34
  Speaker 1: One was messing with the pigeon with the towel. You
• 8:36
  Speaker 1: don't know how to depilate yourself.
• 8:38
  Speaker 4: And the other was like... No.
• 8:39
  Speaker 2: I say, what is this? One to handle and the
• 8:40
  Speaker 2: other to.
• 8:41
  Speaker 4: But you won't get the same result, bro.
• 8:43
  Speaker 2: You won't get it, bro. You'll sit in the mirror.
• 8:44
  Speaker 2: I'll tell you. Fuck, Duano, you keep looking at your
• 8:46
  Speaker 2: thing like that? Of course, bro.
• 8:48
  Speaker 6: Do you look like a cockroach?
• 8:49
  Speaker 3: A cockroach in the mirror.
• 8:51
  Speaker 2: That little orange mirror?
• 8:51
  Speaker 6: In the little mirror.
• 8:53
  Speaker 4: It can be. But, Diogo, one thing that... This is
• 8:55
  Speaker 4: from Depila. Then you can't... This can't be done at home,
• 8:58
  Speaker 4: because the laser result lasts a long time.
• 9:00
  Speaker 2: Ah, okay, okay, okay. This one doesn't work. Are you
• 9:03
  Speaker 2: going to Depila Laser?
• 9:04
  Speaker 4: I do, bro. What do you do? Ah, I do
• 9:07
  Speaker 4: all the parts that don't compromise my masculinity, which is
• 9:11
  Speaker 4: very fragile.
• 9:12
  Speaker 2: And how long does it last?
• 9:14
  Speaker 4: Man, I only do, like, basically this part here and.
• 9:19
  Speaker 3: The back.
• 9:20
  Speaker 2: Only the trunk.
• 9:21
  Speaker 3: But you never felt like doing anything?
• 9:24
  Speaker 4: No, I feel like it, but, man... It sucks that
• 9:27
  Speaker 4: you have to stay with 4 people. Nobody moves there, right? Yeah, man.
• 9:31
  Speaker 4: And I'm sure I'll get there and then the person
• 9:32
  Speaker 4: will know me, right? Because always in.
• 9:34
  Speaker 2: These moments the person knows me, man.
• 9:37
  Speaker 4: It sucks. And you, you, you can't do it, man.
• 9:38
  Speaker 4: You have to get a Thai girl, man.
• 9:39
  Speaker 3: And you don't. I don't.
• 9:41
  Speaker 4: There's a lot of... You guys are much more known
• 9:43
  Speaker 4: than me, right? So you can still find a... No,
• 9:45
  Speaker 4: I think that us four, any anal depilation, we will
• 9:48
  Speaker 4: be recognized.
• 9:48
  Speaker 3: Yeah, any one. Let's go together!
• 9:50
  Speaker 8: No, I.
• 9:55
  Speaker 4: He really wants it! He wants to do a show
• 9:58
  Speaker 4: like this. enter the room, and I dispense the girl,
• 10:01
  Speaker 4: and I take the machine, and I.
• 10:02
  Speaker 3: Go, and you, bro.
• 10:04
  Speaker 2: He wants a lot, he doesn't know. Do you think
• 10:06
  Speaker 2: they're going to photograph your kitchen?
• 10:07
  Speaker 3: No, it's not photographing.
• 10:09
  Speaker 4: No, but they're going to photograph. But she's going to tell, man. Yeah, obviously.
• 10:13
  Speaker 4: She's going to say, ah, the tail of Igor is
• 10:14
  Speaker 4: a huge tail. Obviously, obviously. Because I think that in
• 10:17
  Speaker 4: the contract there at Via Laser, not that I've read,
• 10:19
  Speaker 4: but I think there's no seal clause there, man. The
• 10:22
  Speaker 4: guy can go out, aloprano, and it's his fault in general.
• 10:24
  Speaker 4: I'm sure that.
• 10:24
  Speaker 5: I don't get home and talk to the family, wow,
• 10:26
  Speaker 5: today I hit the ass of those guys there.
• 10:28
  Speaker 4: Yes, yes, yes. Obviously, obviously.
• 10:29
  Speaker 3: Yes, yes, yes.
• 10:30
  Speaker 4: You wouldn't do that? Yes! I would!
• 10:31
  Speaker 2: It would be the dinner party of my family every day!
• 10:32
  Speaker 4: Yes!
• 10:32
  Speaker 3: Look at Antônio Faguz's ass, it's awesome! I shaved my
• 10:34
  Speaker 3: ass full of brotueja! Why mine?
• 10:35
  Speaker 2: And we are still good, but there must be some
• 10:37
  Speaker 2: people who.
• 10:37
  Speaker 4: Have a very ugly ass, right? Yes, bro!
• 10:39
  Speaker 3: Why do you think.
• 10:41
  Speaker 4: We are good? Do you think our ass is cool?
• 10:43
  Speaker 4: I think he cleans cool! Because my head on the
• 10:44
  Speaker 4: screen works more or less like a GPT test.
• 10:46
  Speaker 3: So I can generate an image in my head of
• 10:47
  Speaker 3: what I hope is your ass!
• 10:50
  Speaker 2: I got it! It can be a tragedy!
• 11:00
  Speaker 4: Maybe I open it and say, wow!
• 11:01
  Speaker 2: It's not a tragedy, no.
• 11:02
  Speaker 4: But I imagine it's something like that, okay? It's not
• 11:05
  Speaker 4: something I want to stare at for three hours, but
• 11:07
  Speaker 4: if I have to see it.
• 11:08
  Speaker 1: I'll see it, bro. So, the laser girl saw my
• 11:10
  Speaker 1: soft butt, bro. And she, no, not that she just
• 11:12
  Speaker 1: saw it, she held it like a bird.
• 11:15
  Speaker 4: You know, when the bird falls off the tree.
• 11:17
  Speaker 2: The bird, son.
• 11:19
  Speaker 6: The bird is full of bruises around it.
• 11:22
  Speaker 4: And under the gland, do you have those little balls
• 11:23
  Speaker 4: that are Tyson's glands?
• 11:27
  Speaker 3: Wow, when I was a kid, I researched it.
• 11:29
  Speaker 4: I was close to Tyson. Everyone has this shock, right?
• 11:31
  Speaker 4: You're talking about the dick of the stick. My God.
• 11:33
  Speaker 2: Is it full of cracks?
• 11:35
  Speaker 3: No way. Fistula.
• 11:37
  Speaker 2: Fistula?
• 11:38
  Speaker 6: Yeah.
• 11:38
  Speaker 3: Wow, you have this there.
• 11:39
  Speaker 6: It's a liquid that comes out, then it rips, then
• 11:42
  Speaker 6: I get hurt, it rips, man. What, the ass? I
• 11:44
  Speaker 6: have to go to the bathroom, straight talk, I laugh
• 11:46
  Speaker 6: like a bitch.
• 11:46
  Speaker 3: I have to go to the bathroom sometimes to be
• 11:48
  Speaker 3: able to rip. But isn't that a scratch that gives in... Yeah.
• 11:52
  Speaker 3: There's a lot of people there, man.
• 11:53
  Speaker 2: But why is your ass scratching?
• 11:55
  Speaker 3: Are you hydrating?
• 11:56
  Speaker 4: It's a condition.
• 11:57
  Speaker 3: I don't know, man.
• 11:58
  Speaker 4: Take care, my mom had that. Are you with a
• 12:01
  Speaker 4: dry ass? I swear.
• 12:03
  Speaker 3: Big B.O., man. Big B.O., my mom. But it's like
• 12:04
  Speaker 3: a dehydration, right?
• 12:05
  Speaker 4: Sorry, man. Man, I think so. I think it's the
• 12:08
  Speaker 4: dryness there. It's because the time I felt my.
• 12:10
  Speaker 6: Hands the most dry in my life, which was a
• 12:12
  Speaker 6: traumatic thing, was the time I was on.
• 12:14
  Speaker 3: The plane and I was.
• 12:21
  Speaker 4: Ah, man, when these 10-hour rolls, I go to the
• 12:22
  Speaker 4: bathroom at least four times. You have to go, man.
• 12:24
  Speaker 4: For what? To eat?
• 12:25
  Speaker 2: To play for a while?
• 12:26
  Speaker 4: No. And the shit you do in the bathroom of
• 12:28
  Speaker 4: the plane is that.
• 12:29
  Speaker 2: A vinyl disc comes out, right?
• 12:30
  Speaker 4: No.
• 12:30
  Speaker 2: .
• 12:36
  Speaker 4: And then I said, bro, there's nothing left,
• 12:50
  Speaker 4: there's nothing left. Did it really suck? My anus looked
• 12:54
  Speaker 4: like a monster from Monza S.A. at the end of
• 12:56
  Speaker 4: the movie, when they put a machine.
• 12:57
  Speaker 2: In his mouth.
• 12:58
  Speaker 4: Wow, man.
• 12:59
  Speaker 6: Ah, and then, it's dangerous.
• 13:00
  Speaker 4: And it's a very horrible feeling, bro. I wanted to
• 13:04
  Speaker 4: ask the airlines to do a re-folded maintenance on this
• 13:06
  Speaker 4: thing of the discharge, because this sensor needs to work better, guys.
• 13:09
  Speaker 4: I'm sitting, I'm clearly sitting.
• 13:11
  Speaker 2: Did it hurt?
• 13:12
  Speaker 4: No, it didn't hurt, but it shrunk.
• 13:15
  Speaker 2: You felt used to it?
• 13:18
  Speaker 4: Yeah, no, he should be, like, without color, without life.
• 13:22
  Speaker 2: And that suction there, I think he can't get out, right?
• 13:24
  Speaker 2: It was the scare the first time.
• 13:25
  Speaker 4: On Friday, I was like, man, the thing could let
• 13:27
  Speaker 4: me finish here. Yeah, no, you can't. or someone from
• 13:37
  Speaker 4: the crew was making a mess there in the cabin
• 13:39
  Speaker 4: look at Igão, put.
• 13:40
  Speaker 8: It on Igão, look at Igão what I'm thinking, I
• 13:41
  Speaker 8: like it too, but the thing is that I'm thinking
• 13:44
  Speaker 8: like this, the wizard at home said, let's go on
• 13:46
  Speaker 8: Friday the wizard got fucked, let's go there, we can
• 13:48
  Speaker 8: go on Friday the winners of.
• 13:50
  Speaker 4: The promotion arrived, I said, bro.
• 13:58
  Speaker 3: They're not minors, right? They're not minors.
• 14:01
  Speaker 4: For God's sake. Yeah, the Wizards fucked it up. And
• 14:03
  Speaker 4: that's it, man. I always complain about these episodes where
• 14:06
  Speaker 4: the person ends up crossing their path with mine, because
• 14:10
  Speaker 4: it can generate a tremendous expectation break.
• 14:13
  Speaker 5: Do you think your expectations are too high?
• 14:16
  Speaker 3: No, no.
• 14:16
  Speaker 4: Not with me, but it's in a Podpah episode, right?
• 14:19
  Speaker 4: The person arrives and she says, is it with a
• 14:21
  Speaker 4: Paula Carosella today? And that's it.
• 14:23
  Speaker 2: No, the guys have to wait the opposite of Podpah.
• 14:27
  Speaker 4: A conversation in the middle of a bar. Yes.
• 14:29
  Speaker 2: He explained at the beginning. I'm glad you said it,
• 14:32
  Speaker 2: I was here apprehensive.
• 14:33
  Speaker 4: That's why whenever I get to my place, I say...
• 14:34
  Speaker 4: That's what I always say, man. Say it, guys, okay?
• 14:36
  Speaker 4: And then wait for the person to answer, right? That's
• 14:38
  Speaker 4: what I always say.
• 14:40
  Speaker 2: Hey, okay, what's up? Man, it's okay too. Great.
• 14:41
  Speaker 4: The rest I haven't developed yet, but we... It's like
• 14:46
  Speaker 4: the guy from.
• 14:54
  Speaker 2: telemarketing, when you accept what he proposes to you, he doesn't.
• 14:57
  Speaker 6: Know what to do. Dude, I have a question for you.
• 14:59
  Speaker 6: So say it, whatever you want to know. Yeah, you guys.
• 15:02
  Speaker 2: Work talking, talking, right?
• 15:05
  Speaker 8: Yes.
• 15:07
  Speaker 6: Obviously, it's much more than that, it's all a 360, right?
• 15:09
  Speaker 6: People think I'm going to sit here and say, there's
• 15:13
  Speaker 6: a whole backstage, a rush, right? A contract reading here
• 15:17
  Speaker 6: and there. Now, you guys sitting here trying to talk
• 15:20
  Speaker 6: to someone, did you have any you remember, if you
• 15:26
  Speaker 6: don't have it too, because it's a shit too, this stuff,
• 15:27
  Speaker 6: just like they ask me, what about on the street
• 15:29
  Speaker 6: when you're interviewing there, was there a confusion that you
• 15:33
  Speaker 6: can tell us, I never know what to tell, it's
• 15:35
  Speaker 6: a shit, it's a pressure, and then I would like
• 15:37
  Speaker 6: to say no, but the person doesn't wait for me
• 15:38
  Speaker 6: to say no, and I have to.
• 15:40
  Speaker 3: She gets frustrated, you have to invent something.
• 15:41
  Speaker 6: Yeah, invent, I get a pressure to say any shit,
• 15:44
  Speaker 6: so say no, in case you don't know, but some, some.
• 15:50
  Speaker 6: Ah, right, but I won't remember. Yeah, so the specific
• 15:52
  Speaker 6: one is to remember, right? But I was like, what
• 16:01
  Speaker 6: am I saying now?
• 16:02
  Speaker 2: And it went to a very shitty North.
• 16:03
  Speaker 5: I think that in the beginning of the podcast, we
• 16:05
  Speaker 5: asked some questions and the person answered with yes or no.
• 16:08
  Speaker 3: And it didn't extend.
• 16:09
  Speaker 5: So there was no time for us to think about
• 16:11
  Speaker 5: the next question and ask anything.
• 16:13
  Speaker 3: And your dog? And then it came more or less
• 16:16
  Speaker 3: like that. But it definitely happened.
• 16:18
  Speaker 1: But there were people who participated here that were like this,
• 16:22
  Speaker 1: that the people said yes, no, yes, no.
• 16:24
  Speaker 2: And then I turned and started talking to Mítico, man.
• 16:27
  Speaker 3: And the guest.
• 16:27
  Speaker 2: And the guest was like, hey, man.
• 16:29
  Speaker 4: Oh, the guy doesn't want to help me, man. I
• 16:33
  Speaker 4: have a question too. So do it. Do you feel like, like,
• 16:40
  Speaker 4: when you started, when you felt that the key turned,
• 16:42
  Speaker 4: what was the feeling like?
• 16:43
  Speaker 6: Ah, you're going to get your ass kicked.
• 16:45
  Speaker 2: This one I send to everyone.
• 16:47
  Speaker 4: And did you also imagine all this success when you
• 16:50
  Speaker 4: started back there? Yes.
• 16:52
  Speaker 2: Yes.
• 16:53
  Speaker 3: Okay. Man, this question is good, right?
• 16:55
  Speaker 4: Yeah. I'm training for something, bro. I feel like it's
• 16:58
  Speaker 4: time to take this next step in my career.
• 17:00
  Speaker 3: Are you an interviewer? Yeah, that's it.
• 17:04
  Speaker 4: These are my two questions.
• 17:06
  Speaker 3: Top three people you'd like to interview.
• 17:09
  Speaker 2: Man, I.
• 17:10
  Speaker 4: Think the people I'd like to interview all died, bro.
• 17:13
  Speaker 4: So I'd need the help of Spooky Houses to be
• 17:16
  Speaker 4: able to interview these people.
• 17:18
  Speaker 3: Tell me one that would be.
• 17:20
  Speaker 4: Man, I'd like to interview.
• 17:21
  Speaker 2: Who's he? Spooky Houses? Where's Spooky Houses?
• 17:24
  Speaker 4: Where are the Spooks? Where are the Spooks? I wanted
• 17:28
  Speaker 4: to interview David Bowie, man. Seriously, man. Wow, this guy
• 17:30
  Speaker 4: is really cool.
• 17:31
  Speaker 2: Imagine the stories of this guy. David Bowie is a
• 17:33
  Speaker 2: guy who is way ahead of his time, man.
• 17:35
  Speaker 3: I'm starting to talk.
• 17:35
  Speaker 4: Seriously about nothing, too. No, but that's good. I love it.
• 17:37
  Speaker 4: I love it. I wanted to hear seriously about it.
• 17:39
  Speaker 4: Because I know him and they told me that his
• 17:40
  Speaker 4: last sound, he kind of predicted death.
• 17:42
  Speaker 2: Does that make sense?
• 17:43
  Speaker 6: Man, he has several very crazy things, like things that
• 17:45
  Speaker 6: you look at and.
• 17:46
  Speaker 2: Say that it looks like.
• 17:54
  Speaker 4: Man, I have an interview with him that, if I'm
• 17:56
  Speaker 4: not mistaken, is from the last millennium, where he talks
• 17:59
  Speaker 4: about the relationship of people with the internet, how it
• 18:02
  Speaker 4: would be a world, like that, he gives a.
• 18:04
  Speaker 3: And he sets it right?
• 18:05
  Speaker 4: Yeah, man, he says something that is very consistent with
• 18:07
  Speaker 4: what we live today, with the problems we have today,
• 18:09
  Speaker 4: like that, besides the exceptional musician he was, right? Anyway,
• 18:12
  Speaker 4: a very, very, very cool guy.
• 18:13
  Speaker 3: Who did he say, for example, in relation to the internet?
• 18:15
  Speaker 2: I'm crazier than all of you. Armando, get me out
• 18:19
  Speaker 2: of here.
• 18:20
  Speaker 4: Man, if you don't get me out of here, it's
• 18:21
  Speaker 4: going to be a federal shit. And then you're going
• 18:23
  Speaker 4: to have to call the authorities. And then you choose
• 18:25
  Speaker 4: the path you want to follow. So, he said that, right?
• 18:30
  Speaker 4: Basically all the internet problems that we have today, right?
• 18:33
  Speaker 4: This thing of people working with it, how it isolates people, right?
• 18:37
  Speaker 4: How it's a business that is to bring everyone closer,
• 18:39
  Speaker 4: in fact, it seems that it is more distant.
• 18:41
  Speaker 2: Distanced in general. I was talking about this in the therapy.
• 18:43
  Speaker 4: True, true, true.
• 18:44
  Speaker 3: You're drinking coffee with Red.
• 18:46
  Speaker 4: Bull, bro?
• 18:46
  Speaker 2: Yeah, up.
• 18:47
  Speaker 6: What is this?
• 18:47
  Speaker 2: It's going to turn into a TNT.
• 18:49
  Speaker 6: If you have a pre-workout there too.
• 18:51
  Speaker 4: And a açaí bomb. We've already arrived.
• 18:57
  Speaker 4: I like this movie, man.
• 18:58
  Speaker 2: This is the second one, right? Galileu Galilei didn't see
• 19:14
  Speaker 2: Shrek 2, right?
• 19:14
  Speaker 4: No way.
• 19:16
  Speaker 2: And the 5?
• 19:16
  Speaker 4: Only with the help of Spooky House.
• 19:18
  Speaker 3: I didn't see the 5 yet.
• 19:19
  Speaker 1: No, but it didn't release. I want to know if
• 19:21
  Speaker 1: you liked the.
• 19:22
  Speaker 4: Yeah, I think it's terrible, man.
• 19:23
  Speaker 2: I think this detail is important.
• 19:26
  Speaker 4: So, moving... I think it's terrible, but I think... This
• 19:27
  Speaker 4: lift of Shrek, man. So, I think that's a problem
• 19:30
  Speaker 4: that's me. It's not, man.
• 19:32
  Speaker 2: Why is the problem with you, man?
• 19:33
  Speaker 4: Because I think maybe I've gone past the time, you know? No,
• 19:35
  Speaker 4: but it's a drawing. There's no reason for.
• 19:37
  Speaker 2: A drawing to change. It's a drawing.
• 19:38
  Speaker 1: So, but I need to believe that there's some kind
• 19:41
  Speaker 1: of study.
• 19:42
  Speaker 4: Behind it that makes sense to the audience that these
• 19:46
  Speaker 4: guys want to reach, you know? They didn't just go
• 19:49
  Speaker 4: there and say, fuck it, let's change Shrek's engine, now
• 19:51
  Speaker 4: Shrek's graphics are different, now he's like this... But I
• 19:56
  Speaker 4: think it's sad, right, bro?
• 19:57
  Speaker 2: We lost the chat, man.
• 19:58
  Speaker 1: We were on David Bowie, right? Yeah, we were on
• 20:01
  Speaker 1: David Bowie, bro.
• 20:03
  Speaker 4: We were on David Bowie. Yeah, we were on David Bowie.
• 20:06
  Speaker 2: Then we were on Shrek 5.
• 20:07
  Speaker 4: Shrek 5, if you don't like it, we change, bro.
• 20:09
  Speaker 4: Do you want to go back to David Bowie? Go, go, go.
• 20:11
  Speaker 1: The only thing I know about Shrek is that song
• 20:14
  Speaker 1: I like.
• 20:15
  Speaker 2: Which one?
• 20:15
  Speaker 3: Which one?
• 20:18
  Speaker 4: No, that's not it.
• 20:20
  Speaker 2: No, that's not it. This is Pica. This is Pica.
• 20:24
  Speaker 3: This is Pica.
• 20:26
  Speaker 4: This is Pica. This is Pica.
• 20:28
  Speaker 2: This is Pica.
• 20:29
  Speaker 3: This is Pica.
• 20:30
  Speaker 4: This is Pica. This is Pica.
• 20:47
  Speaker 2: Puta, eu tenho que lembrar. É aquela dele com o Djavan.
• 20:49
  Speaker 2: Só lembra o comecinho que eu vou vir nela.
• 20:51
  Speaker 3: Eu tô tentando lembrar como que eu vou lembrar.
• 20:55
  Speaker 4: Ah, quase ninguém vê.
• 20:58
  Speaker 2: Não é essa. Não é essa. Final feliz, porra. Ouvi hoje, porra.
• 21:03
  Speaker 4: Confused.
• 21:04
  Speaker 2: I don't have.
• 21:05
  Speaker 4: Wow, I.
• 21:06
  Speaker 2: Saw this one in the bathroom today. This song is
• 21:07
  Speaker 2: really good. This song is really good. He makes love.
• 21:11
  Speaker 3: With the song.
• 21:11
  Speaker 2: The guitar too.
• 21:12
  Speaker 4: He sings that one from Bumbum de Bebê. Which one?
• 21:14
  Speaker 3: I love this song.
• 21:14
  Speaker 2: It's really good. Nintendo Home Run.
• 21:31
  Speaker 3: Ah, yeah.
• 21:32
  Speaker 2: This one is better.
• 21:34
  Speaker 6: Man, there's Jorge Versilho's song.
• 21:37
  Speaker 2: And Monalisa. I'm giving more value to these artists now.
• 21:41
  Speaker 3: Which ones?
• 21:42
  Speaker 2: Jorge Versilho. But when you're a teenager, MPB seems like
• 21:46
  Speaker 2: a kind of boring thing, right? Yeah, because it is, too.
• 22:02
  Speaker 1: Yeah, because we have this... Now I'm going to pull
• 22:04
  Speaker 1: this one to our side, right?
• 22:06
  Speaker 2: Rockers here, right?
• 22:08
  Speaker 3: It's true, right?
• 22:10
  Speaker 1: Rock and roll brings this more jovial thing of.
• 22:13
  Speaker 2: I don't want to know anything!
• 22:15
  Speaker 4: Rebellion, right?
• 22:16
  Speaker 2: Rebellion!
• 22:17
  Speaker 3: And a little satanic, too.
• 22:18
  Speaker 4: And the MPB proposes some reflections, some critiques, because sometimes
• 22:20
  Speaker 4: when you're there in the youth, you just want to know.
• 22:25
  Speaker 4: So we're getting.
• 22:28
  Speaker 6: Old, listening to MPB, and pretending to people that we
• 22:33
  Speaker 6: only listen to rock daily, because we produce rock.
• 22:36
  Speaker 3: So you listen to more MPB than rock nowadays?
• 22:39
  Speaker 6: Man, it's not specific MPB, man. Now I'm crazy, I
• 22:43
  Speaker 6: started wanting to collect records, and I'm in a vibe
• 22:47
  Speaker 6: of listening to records.
• 22:48
  Speaker 2: What's your favorite record today?
• 22:50
  Speaker 4: The vinyl record?
• 22:51
  Speaker 2: Yeah. The one you do in the plane bathroom?
• 22:53
  Speaker 4: Do you have a Vitrola?
• 22:54
  Speaker 6: I have a Vitrola, I bought it.
• 22:56
  Speaker 4: But a Vitrola is not cool? It's a... Profit?
• 22:58
  Speaker 2: Yeah, it's not.
• 22:59
  Speaker 6: I think it's not very profitable, because it's kind of multi...
• 23:01
  Speaker 6: It has everything, like.
• 23:02
  Speaker 4: It has Bluetooth, man, I get kind of... Bluetooth, CD.
• 23:06
  Speaker 3: Cassette tape.
• 23:07
  Speaker 4: Brother, you're beta. If your Vitrola has Bluetooth, you're beta.
• 23:11
  Speaker 2: You have... Cassette tape. Cassette tape, man.
• 23:14
  Speaker 6: You can plug in the tape, you can use CD,
• 23:17
  Speaker 6: you can put radio... you can put Bluetooth and you
• 23:20
  Speaker 6: can use Vitrola.
• 23:21
  Speaker 2: It's a compartment to go back in time.
• 23:24
  Speaker 4: The Vitrola makes me very confused, because there's a Vitrola
• 23:26
  Speaker 4: that costs R $ 300 and one that costs R $ 60, 000.
• 23:27
  Speaker 4: Then I say, I think it's better not to buy any.
• 23:30
  Speaker 4: Do you already have a record collection?
• 23:32
  Speaker 3: Yeah, I'm assembling there, I'm buying little by little in these.
• 23:35
  Speaker 6: Trips that I've made, then I keep hunting record stores.
• 23:38
  Speaker 6: Then I even went to Berlin, which was at the Eurocopa,
• 23:49
  Speaker 6: It was in Germany, in Berlin, I went to a
• 23:53
  Speaker 6: store and there they have a little device for you
• 23:56
  Speaker 6: to put the record and I thought it was very pro,
• 24:00
  Speaker 6: the needle of the thing, pretty, I said, damn, I
• 24:02
  Speaker 6: wanted to have a Vitrola like this here, robust.
• 24:05
  Speaker 4: It's awesome, right? Very awesome. And the record is a
• 24:07
  Speaker 4: very awesome thing, but then I keep thinking, man, is it?
• 24:09
  Speaker 4: that I'm going to get into a storm like this,
• 24:11
  Speaker 4: which is going to cost me a lot of money, right?
• 24:14
  Speaker 2: Because it's expensive. What kills me is having to turn
• 24:17
  Speaker 2: the record. I'm buying it little by little, you know?
• 24:19
  Speaker 4: It's like this, it goes little by little. I say, man,
• 24:21
  Speaker 4: I don't think I've ever been a record collector.
• 24:24
  Speaker 2: Now, to start.
• 24:24
  Speaker 3: But how did they put the song on the record?
• 24:27
  Speaker 4: Brother, and how can a needle sing a song for me?
• 24:30
  Speaker 4: I remember... And what year was this made?
• 24:31
  Speaker 3: Who created this? Dude, this is a famous.
• 24:33
  Speaker 2: Tweet of mine. It's a famous tweet of mine.
• 24:35
  Speaker 4: How can a needle.
• 24:38
  Speaker 6: It sounds like a needle, and it went viral. Everyone
• 24:41
  Speaker 6: is asking about it. Do you still have Twitter? I do,
• 24:43
  Speaker 6: but I only use it to see Corinthians.
• 24:44
  Speaker 4: Today I talked about GTA VI. It's good, right? Go
• 24:47
  Speaker 4: there and say, guys, GTA VI is really cool, right?
• 24:48
  Speaker 4: I can only get 5,000 retweets there.
• 24:50
  Speaker 6: Because that's it, right?
• 24:52
  Speaker 4: There you have to follow... I like to talk to
• 24:54
  Speaker 4: my friends there.
• 25:04
  Speaker 6: I understand that it's an inhospitable place, but me and
• 25:07
  Speaker 6: my friends are cool.
• 25:07
  Speaker 3: It's very rotten.
• 25:08
  Speaker 4: But I was going to talk about this hook that
• 25:10
  Speaker 4: you brought, this doubt about the needle. It's kind of
• 25:12
  Speaker 4: fascinating if you stop to think. The needle reads the disc.
• 25:16
  Speaker 4: And I think we're like that with a lot of things.
• 25:18
  Speaker 4: Things that we just accept and we don't stop to think.
• 25:20
  Speaker 4: For example, my car has that thing there... It's kind of...
• 25:34
  Speaker 4: Sorry to say that, but it's that shit you do
• 25:36
  Speaker 4: like that and the volume increases, right? You go away
• 25:38
  Speaker 4: from the car and then you say, like, oh, look
• 25:40
  Speaker 4: how cool it is, right? And you do it like that,
• 25:42
  Speaker 4: it passes the music. Yeah, you do it like that,
• 25:44
  Speaker 4: it passes the music, you do it like that, it
• 25:46
  Speaker 4: increases the volume and stuff, I don't know what, like that,
• 25:48
  Speaker 4: it stops the music, the voice doesn't change. Yeah, yeah.
• 25:50
  Speaker 4: I keep making gang signs inside my car to command
• 25:52
  Speaker 4: the multimedia. But then, that's it, right? I have this
• 25:56
  Speaker 4: thing and then the person says, fuck, that's fucking awesome.
• 26:01
  Speaker 4: I said, yeah, there's a sensor there. And that's it, right?
• 26:04
  Speaker 2: And then, that's it.
• 26:05
  Speaker 4: We accepted it and we went on. How come there's
• 26:07
  Speaker 4: a sensor, man? We got here and there was... stick
• 26:12
  Speaker 4: and water.
• 26:12
  Speaker 2: Yeah.
• 26:13
  Speaker 4: And now the thing has a sensor.
• 26:14
  Speaker 2: At the Mythic Academy, that's it until today. There's a sensor.
• 26:17
  Speaker 2: Can I take a little jump there? Son of a bitch.
• 26:21
  Speaker 2: It's a joke. Just to give a movement.
• 26:23
  Speaker 3: No, but he's going on a good reasoning, man.
• 26:25
  Speaker 4: No, but I know that in the case of Mint,
• 26:27
  Speaker 4: there's only dust and water, but man, it's very crazy, right?
• 26:29
  Speaker 4: That we say like, oh, okay. And then I have
• 26:30
  Speaker 4: to accept the Bluetooth, right? The guy says like this,
• 26:33
  Speaker 4: there's a radiographic force, I don't know, that you can...
• 26:39
  Speaker 4: Pass a file that is here to your cell phone.
• 26:41
  Speaker 3: And you write a lot. Where does this go?
• 26:42
  Speaker 6: Brother, if you go back in time. Explain to me.
• 26:44
  Speaker 4: The guy explaining to me. Tell the truth.
• 26:46
  Speaker 3: Tell the truth to him. The following.
• 26:48
  Speaker 4: Oh, fuck. Let's explain to Nubia. No, in fact, I
• 26:51
  Speaker 4: was going to say.
• 26:52
  Speaker 6: I was going the other way. Is it that if
• 26:53
  Speaker 6: you go back in time and say that there are...
• 26:56
  Speaker 6: There are... Will these things exist for the Neanderthals?
• 27:00
  Speaker 4: Man, he spoke very Carioca there, bro. You have to
• 27:01
  Speaker 4: give a hold sometimes. Because this one didn't need to.
• 27:04
  Speaker 2: Oh, sorry, guys. Man, oh, sorry.
• 27:09
  Speaker 6: If you say everything you're going to say, you're going
• 27:12
  Speaker 6: to go crazy, because you're not going to be able
• 27:15
  Speaker 6: to prove it.
• 27:16
  Speaker 4: No, I can't prove anything.
• 27:18
  Speaker 1: How can you have a lamp that lights up, bro?
• 27:19
  Speaker 1: It's just the light of the moon. So do it,
• 27:22
  Speaker 1: what the fuck.
• 27:23
  Speaker 4: Are you talking about? If I got there, I would
• 27:25
  Speaker 4: pretend that I don't know anything. I wouldn't be able
• 27:30
  Speaker 4: to explain that little toy you have that has two
• 27:32
  Speaker 4: buttons and you keep pressing.
• 27:34
  Speaker 2: And the rings come out to fall into the water.
• 27:36
  Speaker 2: That's like the suction of your ass.
• 27:39
  Speaker 4: Calm down.
• 27:40
  Speaker 1: No, it's not suction, it's the air that pushes.
• 27:44
  Speaker 4: Propulsion, right?
• 27:45
  Speaker 3: It's propulsion. Another thing you think, Igão?
• 27:48
  Speaker 1: What?
• 27:48
  Speaker 3: That you would explain to.
• 27:51
  Speaker 2: Neanderthals, they wouldn't understand?
• 27:53
  Speaker 4: No, I wouldn't understand. If I go there to explain,
• 27:57
  Speaker 4: I'll say it.
• 27:57
  Speaker 2: It's because the Neanderthals don't understand the Portuguese language, right?
• 28:00
  Speaker 2: They would say.
• 28:02
  Speaker 6: No, the movie The War of Fire, they speak grunhidos.
• 28:05
  Speaker 3: It's true.
• 28:05
  Speaker 2: Did you see this movie?
• 28:07
  Speaker 6: The War of Fire, it's cool, showing the Neanderthals.
• 28:11
  Speaker 4: And then he.
• 28:11
  Speaker 1: Sees someone making fire, and then they get scared.
• 28:14
  Speaker 2: Fuck!
• 28:15
  Speaker 6: How can you have the fire? Because they fell in
• 28:19
  Speaker 6: a fight to have the fire, right?
• 28:21
  Speaker 2: How can you do it?
• 28:21
  Speaker 4: Exactly.
• 28:22
  Speaker 2: That's it, right? Exactly.
• 28:24
  Speaker 4: I see. It's an interesting movie. I saw somewhere that
• 28:27
  Speaker 4: Neanderthals were smaller than human beings, right? In height. Yeah, so.
• 28:31
  Speaker 6: In the history books that show.
• 28:34
  Speaker 2: Because they know how to... They were more strong, but in.
• 28:37
  Speaker 4: Height they were smaller, right? And they had a very
• 28:38
  Speaker 4: big head, like that. If I'm... Survival. It may be
• 28:40
  Speaker 4: that I'm telling lies, right? But you're in the right place.
• 28:43
  Speaker 3: To say that.
• 28:44
  Speaker 4: I'm not going to stop talking just because it's a lie.
• 28:47
  Speaker 2: And we couldn't even make a fire, man.
• 28:52
  Speaker 4: I don't think so.
• 28:53
  Speaker 2: We would have to look like this, left, give me
• 28:54
  Speaker 2: the left.
• 28:55
  Speaker 4: Yeah, give me the left in the corner of the school.
• 28:57
  Speaker 2: In the left corner of the school.
• 28:58
  Speaker 5: You were here fighting for Wi-Fi, man, explaining what Wi-Fi
• 29:01
  Speaker 5: is for these guys.
• 29:01
  Speaker 4: Yeah, Wi-Fi is the same thing. And then there's the
• 29:04
  Speaker 4: thing with the cables, right, man? The cables, there's a cable,
• 29:07
  Speaker 4: there's a fucking cable that goes under the water and
• 29:11
  Speaker 4: crosses the ocean.
• 29:14
  Speaker 3: How do you take it?
• 29:15
  Speaker 4: To take the internet. Cabo Cabo Cabo Cabo But now
• 29:30
  Speaker 4: there's a problem, man.
• 29:50
  Speaker 3: It's true.
• 29:51
  Speaker 2: Didn't you say Vitrola?
• 29:52
  Speaker 4: No, and all this intrigues me a lot. And I'm
• 29:54
  Speaker 4: realizing that I get intrigued with anything. Because I'm a
• 29:58
  Speaker 4: mere coadjuvant, you know? I'm a figurant.
• 30:00
  Speaker 2: But this is cool too.
• 30:01
  Speaker 3: Even in your own life?
• 30:03
  Speaker 4: Yes, man. The main thing in my life is not
• 30:06
  Speaker 4: even me.
• 30:06
  Speaker 2: It's your mother, that's true.
• 30:08
  Speaker 4: It's the mother that I envy.
• 30:10
  Speaker 3: No, but Cabo is really confusing. Man, and there's so much, man.
• 30:14
  Speaker 4: Then the guy says like this, ah, we're going to
• 30:16
  Speaker 4: the moon. And then they go, you know? And then
• 30:20
  Speaker 4: they have to do... They keep doing math like this. Math, math, math, math, math, math, math, math.
• 30:24
  Speaker 4: It's a business that... It's a lot of math.
• 30:26
  Speaker 6: A lot of math.
• 30:26
  Speaker 3: When did you get to the moon? Do you believe
• 30:28
  Speaker 3: that we went to the moon?
• 30:29
  Speaker 4: It was.
• 30:29
  Speaker 3: Ah, the guys do math like hell.
• 30:30
  Speaker 2: The guys did this in 1969.
• 30:32
  Speaker 4: So, man.
• 30:33
  Speaker 2: They posed there. There was only Fusca at that time.
• 30:34
  Speaker 4: The most cool car at that time was Fusca. They
• 30:36
  Speaker 4: posed there. And how did they go to the moon
• 30:39
  Speaker 4: at that time?
• 30:39
  Speaker 3: Of Fusca. That's how it starts.
• 30:49
  Speaker 4: You know, I could very well be a negationist.
• 30:53
  Speaker 2: Yes.
• 30:53
  Speaker 4: Because I arrive and look at a gigantic ocean. I've
• 30:56
  Speaker 4: already climbed a hill, a trail on the beach and
• 30:58
  Speaker 4: I saw the ocean. I should be seeing many kilometers
• 31:00
  Speaker 4: there with my vision.
• 31:01
  Speaker 2: It's very oceanic.
• 31:03
  Speaker 4: And it's straight. I say, man, here is a good
• 31:05
  Speaker 4: place for me to become a landowner.
• 31:07
  Speaker 6: Because it's straight at the end, right?
• 31:08
  Speaker 4: Retilíndico.
• 31:10
  Speaker 2: And this water doesn't fall there, being round?
• 31:14
  Speaker 3: Is there a wall that holds this water?
• 31:16
  Speaker 4: There's the edge, right? The ice edge with catupiry.
• 31:20
  Speaker 2: E ursos polares de fuzil. Mas sabe o que que?
• 31:22
  Speaker 2: Mas sabe o que que? Ó. Agora vou dar uma
• 31:25
  Speaker 2: aula aqui. Ah, então fala. Se arruma na cadeira.
• 31:27
  Speaker 1: Depois que tomou seis energéticos, quatorze em café.
• 31:32
  Speaker 2: Manda. Sugoku do Lucas.
• 31:34
  Speaker 3: Sai daqui, vai pra academia.
• 31:36
  Speaker 6: Vamos lá. Caralho, eu vou puxar um ferro hoje.
• 31:40
  Speaker 2: We're going to talk.
• 31:41
  Speaker 4: About that soon. You who are watching, stay with us.
• 31:44
  Speaker 5: The guys are curious, the guys are on the chat, pipocando.
• 31:47
  Speaker 4: Pipocando?
• 31:47
  Speaker 3: So, let's go.
• 31:48
  Speaker 4: Why is the sky blue?
• 31:49
  Speaker 3: Reflex of.
• 31:49
  Speaker 2: Because God is a man, and it's a thing that's kind.
• 31:53
  Speaker 3: Of old, kind of.
• 31:53
  Speaker 4: If a woman dresses in pink... I agree with Lucas.
• 31:56
  Speaker 4: The colors are... A... If God had a outfit, would
• 31:57
  Speaker 4: he be in a pajama or a tunic?
• 31:59
  Speaker 2: I just thought of that. Yes, and now. Because he
• 32:11
  Speaker 2: can't be like a trapper in heaven, you know? He
• 32:13
  Speaker 2: can be.
• 32:14
  Speaker 1: Either in a tunic, or in pajamas, or at most
• 32:18
  Speaker 1: in those surgery clothes.
• 32:19
  Speaker 4: What was the closest to a trapper's outfit in the
• 32:23
  Speaker 4: time of Jesus Christ.
• 32:24
  Speaker 2: I wonder?
• 32:25
  Speaker 4: I think it was that red dress. Probably it was
• 32:27
  Speaker 4: Jesus' outfit, right? Jesus was the man, the rockstar, right?
• 32:29
  Speaker 4: The biggest rockstar who ever stepped on the earth, man. Yes.
• 32:33
  Speaker 3: The tunic is.
• 32:33
  Speaker 6: The fastest to put, right?
• 32:34
  Speaker 2: No, but it has to have the charm, right?
• 32:38
  Speaker 3: It's true. It's true.
• 32:39
  Speaker 2: It's true. It's true.
• 32:40
  Speaker 4: It's true.
• 33:00
  Speaker 2: Tem que trazer esses caras aqui também.
• 33:02
  Speaker 4: Os romanos. Só que a gente vai precisar do auxílio
• 33:05
  Speaker 4: do tabuleiro.
• 33:07
  Speaker 2: Aguarda o Império Romano lá no Arcos da Lapa pra
• 33:09
  Speaker 2: sair na mão.
• 33:10
  Speaker 4: Você vai sair na mão com o Império inteiro? Tipo 300?
• 33:13
  Speaker 2: Se eu vi o filme lá, dá certo.
• 33:16
  Speaker 4: Desculpa, Defante.
• 33:17
  Speaker 2: Chate deve estar mal de cabeça, cara. Tá todo mundo
• 33:19
  Speaker 2: querendo saber por que o céu é azul.
• 33:20
  Speaker 5: Não, explica pra gente.
• 33:22
  Speaker 2: Não é porque Deus é homem?
• 33:23
  Speaker 4: Não.
• 33:25
  Speaker 2: As cores são.
• 33:26
  Speaker 6: It's the reflection of what it doesn't absorb. What that
• 33:30
  Speaker 6: thing doesn't absorb. Because the light has many colors. The
• 33:34
  Speaker 6: rainbow is an effect that you can see in all
• 33:37
  Speaker 6: the spectra.
• 33:41
  Speaker 2: Patrones.
• 33:44
  Speaker 4: The spectrum of the boss.
• 33:48
  Speaker 3: And then?
• 33:49
  Speaker 4: And then.
• 33:49
  Speaker 2: That's it.
• 33:50
  Speaker 6: The sky shatters the blue light.
• 33:52
  Speaker 2: Uh-huh.
• 33:52
  Speaker 9: Okay.
• 33:52
  Speaker 6: And then, in the cleanest skies that have this pollution,
• 33:55
  Speaker 6: they are very blue.
• 33:57
  Speaker 2: Very blue.
• 33:58
  Speaker 6: When the sun goes away, why does it get golden?
• 34:04
  Speaker 2: Pollution.
• 34:05
  Speaker 4: No.
• 34:06
  Speaker 2: Not necessarily. Because there's more.
• 34:11
  Speaker 6: It's not a layer of ozone, it's... What's around the Earth?
• 34:15
  Speaker 4: The atmosphere.
• 34:16
  Speaker 6: The atmosphere.
• 34:17
  Speaker 2: What did I say?
• 34:18
  Speaker 6: The atmosphere makes the blue no longer bounce, and only
• 34:22
  Speaker 6: the reddish spectrum is achieved, because there's a lot ahead
• 34:26
  Speaker 6: of us. So the sun is going there, and then
• 34:29
  Speaker 6: it passes through the atmosphere.
• 34:32
  Speaker 2: And now the chat is going crazy. They are crazy, man.
• 34:34
  Speaker 4: They are crazy. I was watching, there was a cool
• 34:36
  Speaker 4: boy there, dubbed, talking.
• 34:38
  Speaker 5: And I said, wow, how cool, I'll say this when I.
• 34:40
  Speaker 6: Have the opportunity in a podcast so visualized. It's good
• 34:44
  Speaker 6: to get this information to the people. Man, but I'm
• 34:47
  Speaker 6: afraid sometimes, not afraid, but I'm like, the people nowadays
• 34:49
  Speaker 6: stopped understanding the irony, right?
• 34:58
  Speaker 1: I don't know if you'll remember, but there was an
• 34:59
  Speaker 1: episode where you and Sofia Santino were there. Yes.
• 35:02
  Speaker 2: Wow, in our first studio.
• 35:03
  Speaker 1: And me and her were exchanging ideas, like, she said, oh,
• 35:06
  Speaker 1: but there are 200 billion people in Brazil. And I
• 35:09
  Speaker 1: started to ironize, right, to joke, no, calm down, there's
• 35:11
  Speaker 1: not even that in the world, anyway. Man, the guys
• 35:14
  Speaker 1: made a cut that is viral on Twitter and the
• 35:16
  Speaker 1: guys are.
• 35:17
  Speaker 3: Like, my God.
• 35:18
  Speaker 4: The QI of him is really low. The QI of
• 35:20
  Speaker 4: him is really low. But it's true. Guys, like Rui Gão,
• 35:23
  Speaker 4: his QI is really low. But it's because there's a.
• 35:24
  Speaker 6: Thing that sometimes viralizes, that the guys are all talking
• 35:27
  Speaker 6: at the same time, and everyone is actually, that guy
• 35:29
  Speaker 6: is coming out like a fool, and they don't know.
• 35:31
  Speaker 6: Because that's it, because the thing was irony, no one understood,
• 35:34
  Speaker 6: and everyone is like that. In the end, it becomes
• 35:39
  Speaker 6: a truth because most people are talking about it.
• 35:41
  Speaker 1: But today I feel... Irony is one of the things
• 35:43
  Speaker 1: I liked the most.
• 35:45
  Speaker 4: Nowadays it's hard to do it. But I feel that
• 35:47
  Speaker 4: I'm kind of protected by that. Because sometimes I say
• 35:50
  Speaker 4: some nonsense and people say... Lucas laughed at me, but
• 35:53
  Speaker 4: I'm just being a fool. But sometimes when.
• 35:55
  Speaker 3: You say it seriously, they don't think you're kidding.
• 35:59
  Speaker 4: Ah, yes, but then fuck it. But the problem is...
• 36:01
  Speaker 4: It's that, right? Sometimes... Mano, I don't have any problems.
• 36:06
  Speaker 4: I think everything is fine. We are all healthy.
• 36:09
  Speaker 5: Within you, what percentage of irony or normality?
• 36:12
  Speaker 3: Of each of you, I want to know about.
• 36:14
  Speaker 2: The three of you.
• 36:15
  Speaker 4: I'm 80% irony. I'm a little bit of irony.
• 36:18
  Speaker 2: And 20% sex, like Orkut.
• 36:21
  Speaker 4: I'm... It's a percentage, but it also depends on who
• 36:24
  Speaker 4: I'm with. I'm a guy... I consider myself a chameleon.
• 36:27
  Speaker 4: I don't know if this can be interpreted as falsehood. No,
• 36:29
  Speaker 4: I'm a two-faced guy, but I adapt to the type
• 36:31
  Speaker 4: of person I'm talking to. If I know that the
• 36:33
  Speaker 4: person won't understand anything I'm trying to say, because sometimes...
• 36:37
  Speaker 4: That's it, right? It doesn't match. It doesn't mean that
• 36:39
  Speaker 4: the person is either dumb or whatever, but sometimes the
• 36:42
  Speaker 4: person is not used to it, right? With the guy
• 36:45
  Speaker 4: who arrives, it's 38 degrees and he says, man, it's cold.
• 36:46
  Speaker 4: Because this is one that I throw a lot, right?
• 36:48
  Speaker 4: To measure the thermometer, like, from the room. It's 38
• 36:50
  Speaker 4: degrees and I say, wow, man, I forgot my coat,
• 36:52
  Speaker 4: it's cold. Then, from 10 people to 8, I look
• 36:54
  Speaker 4: and say, are you crazy, man?
• 36:55
  Speaker 2: It's cold!
• 36:57
  Speaker 3: I love you forever. I love you forever.
• 37:24
  Speaker 4: Play for her first, then she folds the bet, then
• 37:26
  Speaker 4: I triple, then we're already in a flow state, it
• 37:30
  Speaker 4: was bad, a state of podpah.
• 37:33
  Speaker 1: If you take a cut of this part of the exaggeration,
• 37:36
  Speaker 1: you will.
• 37:36
  Speaker 4: Leave like fools. No, crazy. What are these guys talking about?
• 37:40
  Speaker 5: No, podpah of 2020, 2021, several cuts, us talking about
• 37:43
  Speaker 5: this episode of Ironia. The guys take it and make
• 37:45
  Speaker 5: a 10-minute video saying, what the guys are seeing here is.
• 37:48
  Speaker 3: Not 10% of what we are.
• 37:54
  Speaker 2: Together, without recording.
• 37:55
  Speaker 6: That's because I think there's an advantage for me and Lucas,
• 37:57
  Speaker 6: that we talk a lot of shit professionally, right? You
• 38:01
  Speaker 6: still have a conversation with a.
• 38:03
  Speaker 2: More serious person. We used to do that too, but
• 38:05
  Speaker 2: then it started, when it starts to take proportion, people
• 38:08
  Speaker 2: start to get serious. Yeah, man, it's getting in. It's over. No,
• 38:13
  Speaker 2: but that's it.
• 38:14
  Speaker 4: You will always have the audience that knows that.
• 38:15
  Speaker 2: You will eventually come back with the shit. Yeah. Got it?
• 38:21
  Speaker 6: Like, dude, it's cool that they're taking this proportion and
• 38:23
  Speaker 6: they're careful there, but in a little while, come here
• 38:27
  Speaker 6: for us here. Are you in the whorehouse? Sometimes I
• 38:30
  Speaker 6: go back to the whorehouse there on my channel, blah
• 38:32
  Speaker 6: blah blah, and my people say like this, he's here, fuck,
• 38:36
  Speaker 6: he hasn't changed. Because it's... Not that I've changed, but
• 38:39
  Speaker 6: there are things that you have to hold on to,
• 38:40
  Speaker 6: I don't know.
• 38:40
  Speaker 1: I'm going to make a publi, I'm going to say...
• 38:44
  Speaker 1: Get here in my kitchen.
• 38:45
  Speaker 4: I like that. It's awesome, right?
• 38:48
  Speaker 3: Sorry, Wizard. Yeah.
• 38:51
  Speaker 4: Grab my little ass, okay?
• 38:53
  Speaker 2: They're good at English.
• 38:55
  Speaker 3: We gave it a new dimension because of that, right? Why? Maturity, marks, anyway,
• 38:59
  Speaker 3: but we're always there.
• 39:00
  Speaker 1: No, but I think it's a little bit like what
• 39:02
  Speaker 1: Lucas said too, sometimes you're sitting here with a crowd that, man,
• 39:05
  Speaker 1: if I send an irony, she'll think it's very serious,
• 39:09
  Speaker 1: so then I explain.
• 39:10
  Speaker 4: That it's not serious, then it seems that I'm just... Yeah,
• 39:12
  Speaker 4: because that's it, right? I'm sorry for what I said.
• 39:14
  Speaker 4: Because when you have to.
• 39:15
  Speaker 2: Explain, then the thing becomes a mass of shit.
• 39:16
  Speaker 4: Wow, I'm eating poop. Yeah, then you want to really.
• 39:18
  Speaker 6: Yeah, she has to explain, it's awesome, I don't like
• 39:21
  Speaker 6: it at all.
• 39:21
  Speaker 4: But that's it. But there are people who operate at
• 39:23
  Speaker 4: this frequency, right? And it's just an incompatibility. I realize
• 39:26
  Speaker 4: that there are people who live a serious life. A lot?
• 39:28
  Speaker 4: But no, unfortunately, it's... poor thing. I can't imagine myself
• 39:32
  Speaker 4: seeing this. Living like this. My whole life I'm like...
• 39:36
  Speaker 4: Even the most serious subjects? Yeah, my brain is like
• 39:39
  Speaker 4: that all the time, you know? How is it? And
• 39:41
  Speaker 4: it's hard to live with it, and sometimes you.
• 39:42
  Speaker 3: Have to control it.
• 39:43
  Speaker 4: And I keep imagining these guys, because there's a guy
• 39:45
  Speaker 4: who lives a life, bro, he's the guy who... Very serious.
• 39:47
  Speaker 4: He's very serious, he's the CEO, he's in the office, bro,
• 39:50
  Speaker 4: he's in a tie, and he gets home, bro, and
• 39:51
  Speaker 4: he's serious, he's going to train seriously, he's very serious.
• 39:54
  Speaker 4: But don't you think that these people, when they get home....
• 40:04
  Speaker 3: I don't know, man.
• 40:06
  Speaker 4: I believe there are people, because I say this based
• 40:10
  Speaker 4: on a diagnosis that is mine, of how I look
• 40:12
  Speaker 4: at these different types of people. That the person seems
• 40:14
  Speaker 4: that she doesn't get out of the pose ever.
• 40:17
  Speaker 3: Doesn't disarm, right?
• 40:18
  Speaker 2: It's like the NPC itself. Yeah.
• 40:20
  Speaker 3: Man, that's sad.
• 40:21
  Speaker 4: It must be sad. Like, in my view, it's sometimes
• 40:23
  Speaker 4: the person....
• 40:29
  Speaker 6: Me levaram a sério porque as pessoas estão olhando isso.
• 40:32
  Speaker 3: Que já é uma merda.
• 40:33
  Speaker 2: Já é uma merda. Mas isso existe socialmente.
• 40:36
  Speaker 6: Chama-se Sociedade do Espetáculo.
• 40:39
  Speaker 4: Estudem isso. Anotou? Aí, você que tá em casa com
• 40:43
  Speaker 4: papel e caneta. É.
• 40:45
  Speaker 1: Só que, porra, dentro de casa... Mas se todo mundo assumisse, ó,
• 40:47
  Speaker 1: pensa nisso. Se todo mundo assumisse esse lance de... Vamos
• 40:50
  Speaker 1: ser todo mundo natural. Seria muito melhor.
• 40:53
  Speaker 4: So, but I think there's... For us to live in society,
• 40:57
  Speaker 4: we need to stipulate the minimum of roleplay.
• 40:59
  Speaker 3: There, you know?
• 41:00
  Speaker 4: Yes. For example.
• 41:01
  Speaker 3: But I think we extrapolated.
• 41:03
  Speaker 4: Extrapolated, I think so too.
• 41:05
  Speaker 5: But I think that's also why we stood out in
• 41:08
  Speaker 5: what we proposed to do, which was to create videos
• 41:10
  Speaker 5: for the internet.
• 41:11
  Speaker 4: Yeah, I think so too. But I was very... At
• 41:12
  Speaker 4: one time, I was very involved with this, with how
• 41:14
  Speaker 4: you see people interpreting their roles when you go out
• 41:18
  Speaker 4: on the street, right? Like, if you stop to think,
• 41:20
  Speaker 4: no one is being... Genuinely, the person himself. No. You
• 41:24
  Speaker 4: go to the bakery, the baker is in his role
• 41:26
  Speaker 4: as a baker. Sometimes the guy comes out a little
• 41:29
  Speaker 4: and says, Hey, champion, hey, Corinthians. But he's there, bro. Bread, breads, bread,
• 41:34
  Speaker 4: I don't know what.
• 41:35
  Speaker 3: And I too, you know?
• 41:36
  Speaker 4: When I leave the house, I'll find someone I don't know.
• 41:40
  Speaker 4: I know I'm playing a role, right?
• 41:41
  Speaker 9: Yes, bro.
• 41:45
  Speaker 3: It's very crazy to.
• 41:46
  Speaker 2: See life like that.
• 41:47
  Speaker 6: And if someone approaches you knowing that.
• 41:50
  Speaker 2: You make funny videos and you kind of have to
• 41:53
  Speaker 2: deliver that expectation.
• 41:53
  Speaker 4: I need to reallocate myself in what personality this person
• 41:57
  Speaker 4: wants me to answer her at that moment. And many
• 42:00
  Speaker 4: times this is not... I don't answer. Because I'm there
• 42:03
  Speaker 4: living as a normal citizen and the person is... She
• 42:08
  Speaker 4: sees me and she has that emotional load of all
• 42:10
  Speaker 4: those memories of how she knows me on the internet,
• 42:12
  Speaker 4: of being a crazy guy and such. And she expects
• 42:15
  Speaker 4: me to behave like that in society.
• 42:17
  Speaker 3: But sometimes you're in the supermarket buying a biscuit.
• 42:18
  Speaker 4: But I think it happens so many times that I
• 42:21
  Speaker 4: can't treat it with exception. It's a business that seems
• 42:24
  Speaker 4: to be the rule, right? And it's natural that the
• 42:26
  Speaker 4: person sees me and she has an expectation about me
• 42:28
  Speaker 4: that is like, man, Lucas is this guy here. And
• 42:31
  Speaker 4: then she comes. And man, this is a situation that
• 42:34
  Speaker 4: until today, man, it's been 13 years that I'm on
• 42:36
  Speaker 4: the internet and I don't know how to deal with it. Because.
• 42:39
  Speaker 2: With what? With the person approaching you?
• 42:42
  Speaker 4: Because it's a hostage position, man. You're a hostage. Because
• 42:46
  Speaker 4: she has all the information.
• 42:48
  Speaker 2: And you don't have any.
• 42:48
  Speaker 4: You don't have any.
• 42:49
  Speaker 6: I'm thinking it's really cool. Let me hear. It's because
• 42:52
  Speaker 6: I live this.
• 42:53
  Speaker 4: You don't have any information. So you don't know. You
• 42:55
  Speaker 4: need the person to give you something. For you to
• 42:58
  Speaker 4: be able to change. Get in that.
• 42:59
  Speaker 2: For you to be able to change.
• 43:01
  Speaker 4: For you to see. Man, this one is an idiot. No,
• 43:03
  Speaker 4: this one is a very cool guy. This one is
• 43:05
  Speaker 4: a genius.
• 43:05
  Speaker 3: This happens.
• 43:06
  Speaker 4: Sometimes the guy comes and says. Man, you're a genius.
• 43:08
  Speaker 4: How come? You're living a normal life. You had to
• 43:11
  Speaker 4: be an artist. So there are several types of meetings.
• 43:14
  Speaker 4: And you have to always.
• 43:16
  Speaker 1: And those who say.
• 43:17
  Speaker 4: Do you remember me? Yeah, this one.
• 43:18
  Speaker 3: This one is terrible.
• 43:20
  Speaker 4: Do it with me.
• 43:20
  Speaker 2: No, man. And it's not like... And it's not bad, but.
• 43:22
  Speaker 4: No, it's not bad. It's because we always troll a
• 43:24
  Speaker 4: lot of people.
• 43:29
  Speaker 3: And then, for that person, she remembered me.
• 43:31
  Speaker 4: Like, from Rock in Rio 2015. Exactly. I told you,
• 43:33
  Speaker 4: I said, bro... It's not a thing like, bro, do
• 43:35
  Speaker 4: you remember me when I saved your mother from the fire? No, it's,
• 43:38
  Speaker 4: do you remember me in Comic Con 2017? I passed
• 43:40
  Speaker 4: by you, I was with the team's hat and I
• 43:42
  Speaker 4: was like... I said, bro, but how is it.
• 43:43
  Speaker 2: That I won't remember, fuck, come here.
• 43:47
  Speaker 4: It's very fucking, bro.
• 43:49
  Speaker 5: And the worst is that sometimes the person gets, like, angry,
• 43:52
  Speaker 5: how come you don't remember?
• 43:53
  Speaker 3: I say, no, no... Let's talk about other things, it's
• 43:57
  Speaker 3: going to be cool. Come with me, I don't remember,
• 44:00
  Speaker 3: but I.
• 44:00
  Speaker 4: Can talk to you. Yeah, I already try to break
• 44:02
  Speaker 4: the ice, I say like this, my brother, but I
• 44:06
  Speaker 4: don't remember at all. Of course not, fuck, what the
• 44:09
  Speaker 4: fuck is this question?
• 44:10
  Speaker 2: Are you crazy? I'm chapped 24 hours a day, how
• 44:12
  Speaker 2: do you make me do it?
• 44:13
  Speaker 4: Brother, my head is neurosis all the time.
• 44:16
  Speaker 3: What else do they tell you when they approach you?
• 44:20
  Speaker 4: Oh no, Maria!
• 44:21
  Speaker 3: Oh no!
• 44:22
  Speaker 4: There's one that's like this, that... It's funny.
• 44:25
  Speaker 3: The one who asks me about Defante is like, oh,
• 44:27
  Speaker 3: is Defante really crazy? Can I talk to him?
• 44:30
  Speaker 4: I say, yeah, man.
• 44:30
  Speaker 3: I don't say anything about Defante.
• 44:34
  Speaker 2: I say, Defante is.
• 44:35
  Speaker 3: A genius, man. He's awesome.
• 44:37
  Speaker 2: At RJ, if the guys arrive, they throw the bullets.
• 44:39
  Speaker 2: I say, man, I've seen it before.
• 44:41
  Speaker 3: It's like that.
• 44:42
  Speaker 6: In Rio, it's because the people are invasive. But it's
• 44:46
  Speaker 6: more invasive. The people of Rio are awesome.
• 44:48
  Speaker 4: It's awesome.
• 44:49
  Speaker 6: So much so that, man, the reporter is crazy. It's
• 44:50
  Speaker 6: a bit like a satire from Carioca.
• 44:53
  Speaker 2: Man, he works so well for being in Rio, the reporter. More, more.
• 44:59
  Speaker 6: Because he's the carioca, you know?
• 45:02
  Speaker 2: Like, classic.
• 45:03
  Speaker 3: Here, come here.
• 45:04
  Speaker 4: Get a glass of water for me.
• 45:05
  Speaker 2: What's your name? And then, fuck it.
• 45:07
  Speaker 3: And the guys buy it.
• 45:08
  Speaker 6: Because they're all like that. It took a while, I'll
• 45:11
  Speaker 6: get it, fuck.
• 45:12
  Speaker 2: I'm understanding myself, you know? It's very good, man. It's
• 45:15
  Speaker 2: very fucking good.
• 45:16
  Speaker 4: I like a lot of.
• 45:22
  Speaker 4: So I start to get into this breeze that we
• 45:26
  Speaker 4: really behave as if we were in a video game,
• 45:29
  Speaker 4: you know? As if reality was a very crazy thing.
• 45:32
  Speaker 4: And because this is the champion, I think. Which is... Ush!
• 45:36
  Speaker 2: Out of nowhere!
• 45:40
  Speaker 4: It seems that I spawned in front of him, saying, bro,
• 45:42
  Speaker 4: I want to say, bro. No, it wasn't out of nowhere.
• 45:45
  Speaker 4: On February 10, 1996, a star came from the sky,
• 45:47
  Speaker 4: from the sky, the earth, right? E aí, mano, o
• 45:53
  Speaker 4: que foi? Entrei na escola e tal, morava lá no
• 45:56
  Speaker 4: Parque São Domingos, aí não sei o que e tal. Hoje,
• 45:59
  Speaker 4: eu falei, preciso ir no mercado. O que você tá
• 46:02
  Speaker 4: fazendo aqui?
• 46:03
  Speaker 2: Esse mercado é pertinho de casa.
• 46:05
  Speaker 4: Então não foi do nada.
• 46:06
  Speaker 2: Hoje houve um do nada.
• 46:07
  Speaker 4: Não foi do nada.
• 46:08
  Speaker 3: Eu tava na fisioterapia.
• 46:09
  Speaker 4: Caralho, você na fisioterapia.
• 46:10
  Speaker 2: Eu falei, eu estourei o meu joelho.
• 46:13
  Speaker 4: Parece que eu tava, tipo, em casa. Apareci na fila
• 46:16
  Speaker 4: da Chocolândia. Caralho, do nada.
• 46:18
  Speaker 2: Igual um jumper.
• 46:21
  Speaker 3: But it's very good.
• 46:22
  Speaker 6: And you become a piece of a random moment.
• 46:24
  Speaker 4: Of that person.
• 46:25
  Speaker 6: Because if you're present for that random person.
• 46:28
  Speaker 4: But I understand.
• 46:29
  Speaker 1: Then later I understood, like, okay, if I'm in some
• 46:32
  Speaker 1: place and out of nowhere Zeca Pagodinho passes, I think
• 46:34
  Speaker 1: I'm going to say, damn, that's random, not comparing me
• 46:38
  Speaker 1: to the master.
• 46:44
  Speaker 2: Yes, I understand.
• 46:44
  Speaker 6: But like, you know, like a public person, like, fuck,
• 46:46
  Speaker 6: Zeca Pagodinho, suddenly a person who watches me for fuck's
• 46:49
  Speaker 6: sake and sees me pass, fuck, how random, man, you
• 46:52
  Speaker 6: won't forget that day because it was kind of random.
• 46:54
  Speaker 4: For him it's very random. But you know what that is?
• 46:56
  Speaker 4: I think that, you know, trying to look from the
• 46:59
  Speaker 4: perspective of human behavior, especially that when it's taken by surprise, right?
• 47:02
  Speaker 4: That many times it doesn't make sense, it's irrational. The
• 47:06
  Speaker 4: person is asking a question to himself, right? She's not
• 47:08
  Speaker 4: asking me, because then it seems like I have to
• 47:10
  Speaker 4: answer this question. And say, yeah, out of nowhere, did
• 47:12
  Speaker 4: you like it? Because the guy is saying, wow, like,
• 47:14
  Speaker 4: I was living my day and now out of nowhere
• 47:17
  Speaker 4: I'm facing it. And what else do people ask you?
• 47:19
  Speaker 4: When they call you? I think the photo has become
• 47:21
  Speaker 4: something that has already.
• 47:23
  Speaker 3: Lost the sense of being automatic.
• 47:26
  Speaker 4: But do they send you someone to fuck on the
• 47:28
  Speaker 4: cell phone? Yes, yes.
• 47:35
  Speaker 6: Ah, so I too.
• 47:35
  Speaker 1: Ah, send someone to take it in the ass, you
• 47:38
  Speaker 1: can send someone to take it in the ass.
• 47:39
  Speaker 2: It's a delight.
• 47:40
  Speaker 6: Ah, someone, go take it in your ass. I send
• 47:44
  Speaker 6: you five.
• 47:45
  Speaker 2: Go take it in your ass.
• 47:46
  Speaker 3: Thanks, next.
• 47:47
  Speaker 4: Go take it in your ass.
• 47:48
  Speaker 2: The guy is already without life.
• 47:49
  Speaker 3: Take it from the inside.
• 47:50
  Speaker 2: It's automatic already. The guys laugh, I.
• 47:52
  Speaker 4: Think it's cool. But I think, even though, man, we
• 47:55
  Speaker 4: have a lot, we are very privileged, right? The people
• 47:57
  Speaker 4: who meet me in general. But not just to earn money,
• 47:59
  Speaker 4: doing some cool stuff and stuff, but... The people who
• 48:04
  Speaker 4: meet me, normally, it's really cool, man.
• 48:09
  Speaker 3: Usually.
• 48:09
  Speaker 4: And that's where my job comes in, right? To know
• 48:13
  Speaker 4: how to play around. Like, I have to study to
• 48:17
  Speaker 4: welcome the guy in a situation like this. Because sometimes
• 48:22
  Speaker 4: the guy is in despair, he doesn't know what to do,
• 48:24
  Speaker 4: he doesn't know what to think, he didn't prepare for it.
• 48:27
  Speaker 4: So he's like, ah, out of nowhere, not even fucking.
• 48:31
  Speaker 4: Then there's a question that's like, bro, is it really you?
• 48:33
  Speaker 4: And then this question for me is very difficult because if.
• 48:35
  Speaker 3: I say, bro.
• 48:37
  Speaker 4: I'm myself. It seems like I'm being a dick, but
• 48:39
  Speaker 4: if I say, bro, I'm not myself, then I'm a liar.
• 48:41
  Speaker 4: Then I say, bro, I'm me? Who am I? Who
• 48:44
  Speaker 4: is this guy asking if I am? He's asking if
• 48:46
  Speaker 4: I am... You are you? But who is you to you?
• 48:49
  Speaker 4: It's me. For a normal person, imagine.
• 48:51
  Speaker 3: A normal person walking and someone comes to her and says,
• 48:54
  Speaker 3: you are you? Man, for sure. I understand what he
• 48:56
  Speaker 3: wants to know. But it's because.
• 49:04
  Speaker 4: It's a question that I'm not going to answer. Because
• 49:07
  Speaker 4: many times I say yes, and he says no.
• 49:10
  Speaker 2: It's not possible.
• 49:10
  Speaker 4: It's a lie. I'm going to look at your Instagram here.
• 49:13
  Speaker 4: Then the guy comes in a little while.
• 49:14
  Speaker 3: He's wearing the same clothes.
• 49:16
  Speaker 4: It's him.
• 49:16
  Speaker 2: Then he's two meters away from me.
• 49:18
  Speaker 6: So, one of these I went to make fun and
• 49:20
  Speaker 6: I fucked up. One of these I went to make
• 49:21
  Speaker 6: fun and I fucked up.
• 49:22
  Speaker 2: What did you see?
• 49:23
  Speaker 6: The girl said, you are you?
• 49:25
  Speaker 3: I said no.
• 49:26
  Speaker 2: And I stayed.
• 49:26
  Speaker 6: But, like, I thought she was going.
• 49:28
  Speaker 2: To, like, ah, it's obvious that it's him and.
• 49:29
  Speaker 4: Blah, blah, blah.
• 49:30
  Speaker 2: It was funny on purpose.
• 49:31
  Speaker 4: Wow, it gave a bad vibe terrible.
• 49:32
  Speaker 2: How is it? You said you weren't you. Then I said, fuck,
• 49:35
  Speaker 2: but I was kidding, man. I thought you were sure
• 49:38
  Speaker 2: it was me.
• 49:40
  Speaker 6: Then I said no, because I thought you were going
• 49:42
  Speaker 6: to laugh at her.
• 49:42
  Speaker 2: I don't know.
• 49:44
  Speaker 4: Wait, but then the person has to have a little
• 49:45
  Speaker 4: bit of... There was a little bit of her waistline
• 49:49
  Speaker 4: missing there, to say like this, man.
• 49:50
  Speaker 2: But did she fight with you?
• 49:51
  Speaker 6: No, then in the end she said like this, man...
• 49:54
  Speaker 6: She assumed she was upset with me there. Then I said, why, man?
• 49:57
  Speaker 6: She said, no, because you said no.
• 49:59
  Speaker 2: When I said you are you.
• 50:00
  Speaker 6: I said, man, I swore I had left, like, knowing
• 50:03
  Speaker 6: that I was kidding, you know?
• 50:04
  Speaker 2: I feel that there are some people, not the people
• 50:05
  Speaker 2: who found us, the people.
• 50:08
  Speaker 2: That are.
• 50:09
  Speaker 4: Sensitive.
• 50:10
  Speaker 1: Sensitive and want the protagonism for them, you know?
• 50:14
  Speaker 2: I don't know. It's Lucas' birthday. Then imagine that I'm
• 50:16
  Speaker 2: that person. Then I come and you say like this.
• 50:18
  Speaker 2: If it were my birthday, would you congratulate me like
• 50:20
  Speaker 2: you did for him? You can believe it. Fuck, stop
• 50:22
  Speaker 2: doing that, man.
• 50:23
  Speaker 6: Yeah, you can believe it.
• 50:23
  Speaker 2: Stop being like that, man. A person who is a.
• 50:26
  Speaker 1: Who is a snitch all the time. Who gets in
• 50:29
  Speaker 1: the way.
• 50:30
  Speaker 2: Yeah, but... Human beings, in general, each one.
• 50:32
  Speaker 4: Yeah, you have to know... And.
• 50:34
  Speaker 1: Then I'm also kind of chameleonic, like.
• 50:37
  Speaker 6: Would you go for Rush Dumaia?
• 50:41
  Speaker 4: Talking about human beings... Let's leave the human beings aside.
• 50:43
  Speaker 5: One of the best questions you've ever done here at
• 50:47
  Speaker 5: Podpaigão Underground.
• 50:48
  Speaker 2: Leave it to me, man.
• 50:48
  Speaker 6: I saw some cuts in some jokes... of the Malevolent,
• 50:54
  Speaker 6: in a prison. I thought it was cool, with the scenery.
• 50:58
  Speaker 3: But you have everything to do with the Rancho do Maia, Defante.
• 51:03
  Speaker 2: I would go as the.
• 51:05
  Speaker 4: Last act, I think. I would like to go to
• 51:08
  Speaker 4: Rancho do Maia and perform a harakiri in the pool.
• 51:11
  Speaker 3: What is a harakiri?
• 51:13
  Speaker 4: It's a.
• 51:15
  Speaker 3: It's a.
• 51:15
  Speaker 4: It's a.
• 51:15
  Speaker 3: It's a.
• 51:16
  Speaker 2: It's a.
• 51:31
  Speaker 3: I know you like to kiss in the mouth.
• 51:33
  Speaker 2: Ah, calm down.
• 51:35
  Speaker 4: Is that where Andressa Urach is?
• 51:36
  Speaker 3: Is that where? Andressa Urach, Mirela Amarela.
• 51:38
  Speaker 2: There was a boy who threw a Tadala inside. And
• 51:39
  Speaker 2: she said, I love it when I don't take Tadala.
• 51:41
  Speaker 4: And she has a league like a snake, right? She divided.
• 51:43
  Speaker 3: Man, Andressa Urach is with very, very... Fartos, right? She's
• 51:45
  Speaker 3: a little too much.
• 51:46
  Speaker 4: I need to say this here. Yeah, but she's going
• 51:47
  Speaker 4: to call you... No, I'm going to refuse.
• 51:49
  Speaker 2: Pull her.
• 51:49
  Speaker 4: I'm going to refuse.
• 51:50
  Speaker 3: You would refuse Andressa Urach?
• 52:00
  Speaker 4: I need to say here, I'm not getting into the
• 52:02
  Speaker 4: person or anything, but I think she's very beautiful.
• 52:05
  Speaker 6: No, the size of the breast, you passed it on
• 52:08
  Speaker 6: to you.
• 52:09
  Speaker 4: The size of the breast, I understood.
• 52:13
  Speaker 2: Yeah, but you understood what?
• 52:15
  Speaker 4: About the breasts of Andressa Urag. But they're really big, bro.
• 52:17
  Speaker 3: If Andressa Urag said, I'm Defante....
• 52:21
  Speaker 6: Ah, you'd have to convince me, you'd have to convince me.
• 52:25
  Speaker 6: You have to change your mind.
• 52:27
  Speaker 2: It's not like that either, man. I'm different.
• 52:29
  Speaker 5: Now that you're different, with the shape, do you think
• 52:31
  Speaker 5: you're more sissy, for the women?
• 52:33
  Speaker 3: Or for the guys.
• 52:35
  Speaker 2: For the people?
• 52:35
  Speaker 4: Are you more selective?
• 52:37
  Speaker 3: Are you selective for the people? Because you were a surubeiro, right?
• 52:42
  Speaker 6: You were a guy who liked to... I'm more slow,
• 52:46
  Speaker 6: I have a low libido.
• 52:48
  Speaker 3: Why? You're putting a text in there, aren't you? No.
• 52:52
  Speaker 1: Maca peruana, maca peruana... You can put on a.
• 52:56
  Speaker 4: Beard, Togu's pre-workout and creatine. But Diogo's been wearing it
• 52:59
  Speaker 4: for a long time, right?
• 53:01
  Speaker 6: For a year, man.
• 53:02
  Speaker 2: A year. Man, it was hard to hide the shape,
• 53:04
  Speaker 2: because we already knew you were putting on a little shape. Yeah.
• 53:08
  Speaker 2: But you had to hide it, right?
• 53:09
  Speaker 6: Yeah, I kept putting on some wide blouses to record
• 53:12
  Speaker 6: the rango bravo.
• 53:13
  Speaker 3: Do you have a way to get up just to
• 53:14
  Speaker 3: show your shorts?
• 53:16
  Speaker 6: What do you mean?
• 53:17
  Speaker 5: He wants to see your legs, bro.
• 53:21
  Speaker 3: Your legs are twisted.
• 53:23
  Speaker 2: But to be honest, to be honest... You can talk
• 53:26
  Speaker 2: about your shape. Guys, do a tour of my body, then.
• 53:29
  Speaker 2: Do the tour, do the tour. Irrigate the muscles. Calm down.
• 53:33
  Speaker 6: Let me give.
• 53:33
  Speaker 3: You a little pump. Look at the TV, go swimming,
• 53:36
  Speaker 3: what's happening.
• 53:36
  Speaker 2: Twisted legs, man. Calm down, man.
• 53:39
  Speaker 4: There's a deformation in the shorts. There's a deformation in
• 53:42
  Speaker 4: the shorts. It looks like his penis is up there.
• 53:45
  Speaker 4: It looks like his penis up there.
• 53:47
  Speaker 1: But this is where the jeans go down and it
• 53:50
  Speaker 1: gets swollen.
• 53:50
  Speaker 2: It's not a peru.
• 53:51
  Speaker 4: I like it.
• 53:53
  Speaker 3: Let me explain here. Did you cut it or did
• 53:56
  Speaker 3: she already see it like this?
• 53:58
  Speaker 2: I cut it. He's naughty. Do you buy shorts or
• 54:00
  Speaker 2: do you buy pants? Pants. Pants and jeans. Now I
• 54:05
  Speaker 2: have to see. Would you show us the abdomen? Do
• 54:06
  Speaker 2: you do abdominal, Defante?
• 54:11
  Speaker 3: Huh?
• 54:12
  Speaker 1: Holy shit!
• 54:14
  Speaker 3: Applause, applause!
• 54:15
  Speaker 4: When he's with the stuff here, look! The oblique!
• 54:19
  Speaker 2: The oblique. But you're strong as fuck too. Yeah, Lucas too, man.
• 54:21
  Speaker 2: He's a marombeiro.
• 54:22
  Speaker 4: You posted a picture there playing the guitar. What is this, man? No,
• 54:25
  Speaker 4: but I was even surprised by these photos. I said, damn,
• 54:27
  Speaker 4: I didn't know it was like that. Sometimes it wasn't, right?
• 54:29
  Speaker 4: The photographer gave a moral in the GPT.
• 54:31
  Speaker 1: Why did you decide to take care of yourself so much?
• 54:36
  Speaker 6: Man, I was kind of sad, like this. Like this,
• 54:38
  Speaker 6: I did the surgery on the eye, I started to take...
• 54:40
  Speaker 6: It's a medicine that.
• 54:42
  Speaker 2: You were upset.
• 54:42
  Speaker 4: You saw it, right?
• 54:43
  Speaker 3: Man, I put Chico Moedas' rango brabo.
• 54:44
  Speaker 4: The Defante is sad, man. Catastrophic.
• 54:46
  Speaker 2: Give me my cell phone, Bruna, quickly. I'm going to
• 54:48
  Speaker 2: take a picture of me with corticoid.
• 54:51
  Speaker 4: Just to shock you.
• 54:58
  Speaker 3: Man, you were... I remember this skin, you with boina,
• 55:01
  Speaker 3: with corticoid.
• 55:02
  Speaker 4: That's it.
• 55:02
  Speaker 2: Close your eyes.
• 55:03
  Speaker 3: Close your eyes.
• 55:04
  Speaker 4: Man, I'm all fucked up.
• 55:05
  Speaker 3: The Defunct is going down for the better, man.
• 55:07
  Speaker 4: The Defunct is still there, guys.
• 55:08
  Speaker 3: Let's enjoy the Defunct.
• 55:09
  Speaker 5: Go record the 4 episodes of Rango Brau, because he's
• 55:12
  Speaker 5: going to leave soon.
• 55:14
  Speaker 2: Dude, and I.
• 55:15
  Speaker 3: And I had to record some important episodes, right? No, actually,
• 55:17
  Speaker 3: we were worried.
• 55:18
  Speaker 2: Chico Moeda, Sidoka, and he.
• 55:20
  Speaker 3: In fact, we were worried. We said, bro, how is
• 55:22
  Speaker 3: this guy recording? Bro, everyone was.
• 55:23
  Speaker 2: Worried about nothing. Worried about nothing. There was a day
• 55:27
  Speaker 2: that I was.
• 55:27
  Speaker 6: That I was with Bruna, my businesswoman who is here, look.
• 55:29
  Speaker 6: Once I fell hard. And she held me and said,
• 55:32
  Speaker 6: what is this?
• 55:33
  Speaker 2: What is this? I said, corticoid, man.
• 55:35
  Speaker 6: I have no strength in my leg.
• 55:37
  Speaker 2: What is this?
• 55:40
  Speaker 6: .
• 55:41
  Speaker 2: .
• 56:04
  Speaker 1: Exactly, because when I explain in detail, people don't want
• 56:07
  Speaker 1: to know, they just say, fuck it, don't operate, it
• 56:09
  Speaker 1: wasn't supposed to have been operated, I loved the eye down,
• 56:12
  Speaker 1: but it was a tumor.
• 56:13
  Speaker 6: No, I was acquired, the thing that calls, right? Pitosis acquired,
• 56:17
  Speaker 6: that doesn't grow. So it was from the age of
• 56:20
  Speaker 6: 20 that I started to feel the thing falling.
• 56:22
  Speaker 3: But was there any reason for it to be born? Like,
• 56:24
  Speaker 3: it was born and fuck this shit.
• 56:25
  Speaker 6: It was born and fuck this shit, bro.
• 56:27
  Speaker 3: Fuck, bro.
• 56:27
  Speaker 6: Yeah, an hemangioma, as they call it. It's like a
• 56:30
  Speaker 6: hemorrhage of a blood vessel that forms a tumor.
• 56:32
  Speaker 2: You took one too, right?
• 56:33
  Speaker 3: I took a tumor too.
• 56:34
  Speaker 4: Yeah?
• 56:34
  Speaker 3: Here.
• 56:34
  Speaker 6: So, and then I said, man, I didn't... But it
• 56:37
  Speaker 6: took a long time to find out. Like, my eye
• 56:39
  Speaker 6: just started to fall, bro. And then I said, fuck,
• 56:42
  Speaker 6: my palpebra is lower. But then I kind of adapted,
• 56:45
  Speaker 6: I said, ah, fuck it.
• 56:46
  Speaker 2: But the result was very good, man.
• 56:47
  Speaker 6: It was great, it was great.
• 56:49
  Speaker 4: Yeah, it's zero, right?
• 56:51
  Speaker 5: Do you think you're going to lose your grace like
• 56:53
  Speaker 5: a fat guy when you lose weight?
• 56:55
  Speaker 2: I want you to fuck off, you know? I want
• 56:56
  Speaker 2: the career to fit.
• 56:58
  Speaker 6: I'm looking for the.
• 56:59
  Speaker 2: Career to fit.
• 56:59
  Speaker 4: I'm getting ready for the end.
• 57:01
  Speaker 3: But, like.
• 57:02
  Speaker 2: Where's the picture, damn it?
• 57:03
  Speaker 4: Man, you're on a scroll that I think is Reels already. No,
• 57:06
  Speaker 4: I'm getting there, but while I'm explaining.
• 57:08
  Speaker 6: Then he goes there.
• 57:10
  Speaker 4: And blocks the cell phone in the middle.
• 57:11
  Speaker 2: Ah, the battery is over, man.
• 57:12
  Speaker 3: Ah, it's not possible.
• 57:14
  Speaker 2: The battery is over.
• 57:15
  Speaker 4: It's a chair, an electric chair. The battery is over.
• 57:17
  Speaker 3: Someone put it to charge for me?
• 57:20
  Speaker 2: It's the Lightness.
• 57:21
  Speaker 4: It's the Lightening?
• 57:23
  Speaker 3: What is this? What is it?
• 57:24
  Speaker 4: It's the old one. It's the charger from 2008.
• 57:26
  Speaker 2: Put it in the socket, I gave it to you.
• 57:28
  Speaker 4: Put it in the socket, since I come back with
• 57:30
  Speaker 4: this image.
• 57:39
  Speaker 2: But anyway, then I... Hey, can you buy the latest
• 57:42
  Speaker 2: generation iPhone? No, I can't.
• 57:44
  Speaker 6: I already bought it, but I'm too lazy to do that... Hello, da, da, da.
• 57:48
  Speaker 2: The mythical was about two years old with the iPhone saved.
• 57:50
  Speaker 4: Because of that?
• 57:51
  Speaker 3: I was with 2016 saved, then I got the 17.
• 57:53
  Speaker 3: Then the 17... Your friend, my.
• 57:54
  Speaker 4: And you didn't even use it. I didn't even use it, man.
• 57:57
  Speaker 3: I gave it to my brother, man.
• 57:58
  Speaker 4: Wow, man.
• 57:59
  Speaker 1: Where?
• 57:59
  Speaker 2: So, calm down. Let's go through the reacts first.
• 58:03
  Speaker 4: Wow, man.
• 58:06
  Speaker 2: It's green, man.
• 58:07
  Speaker 4: It's green, man.
• 58:08
  Speaker 3: Wow.
• 58:09
  Speaker 2: No, calm down. Look at this, man.
• 58:15
  Speaker 4: Damn.
• 58:15
  Speaker 2: I was fucked, guys. I was in the shit. Look
• 58:19
  Speaker 2: at this. Oh, this one is strong as fuck.
• 58:20
  Speaker 3: This one is strong.
• 58:21
  Speaker 6: Wow, it's sick.
• 58:21
  Speaker 1: Isn't it?
• 58:22
  Speaker 2: It looks like cirrhosis. You know? Look, man.
• 58:28
  Speaker 4: Yes, man.
• 58:28
  Speaker 2: Look what this medicine did to me. Looks like my uncle.
• 58:31
  Speaker 2: Why are you looking like that, Rose? Looking like my uncle, bro. Seriously,
• 58:34
  Speaker 2: I got scared. Those little things from MiB.
• 58:36
  Speaker 4: Looking like my uncle, Elcio.
• 58:39
  Speaker 2: My cousin, Daílson.
• 58:40
  Speaker 4: Man, I'm laughing just because you're firm with us.
• 58:43
  Speaker 3: If not, I.
• 58:44
  Speaker 4: Would be crying. No, so it is, at this time.
• 58:47
  Speaker 4: What a stupid thing. Where?
• 58:48
  Speaker 3: Wow.
• 58:53
  Speaker 4: Caralho, cascou o bico.
• 58:54
  Speaker 2: É isso, é isso.
• 58:55
  Speaker 4: Não, não, não, não.
• 58:56
  Speaker 3: Eu vou dar um zoom na sua cara. Caralho.
• 59:00
  Speaker 4: Que coisa horrorosa.
• 59:02
  Speaker 2: Mostra o bordão para os caras.
• 59:03
  Speaker 3: Mostra o bordão.
• 59:05
  Speaker 2: Mostra mais um.
• 59:07
  Speaker 3: Caralho.
• 59:08
  Speaker 4: Não, não, não.
• 59:09
  Speaker 2: Que isso.
• 59:10
  Speaker 4: Cara.
• 59:12
  Speaker 2: Que isso, viado. Nossa. Aí eu vou falar mais um. Mano,
• 59:15
  Speaker 2: sou eu, mano. Olha isso, mano. Look at that, man.
• 59:20
  Speaker 8: When you looked in the mirror.
• 59:22
  Speaker 2: Man, you're so cute.
• 59:23
  Speaker 6: I'm very optimistic, you know? I'm very optimistic, thank God, man.
• 59:27
  Speaker 6: I was like, it's going to get better, it's going
• 59:29
  Speaker 6: to get better.
• 59:30
  Speaker 2: Ten steps back to go a thousand steps forward, you know?
• 59:33
  Speaker 2: These talks, like that. But then I sent.
• 59:37
  Speaker 3: You were consoling yourself, your friends were saying, calm down, Defante,
• 59:40
  Speaker 3: it's not that bad. It's going to get better.
• 59:47
  Speaker 4: Man, the episode is gore.
• 59:48
  Speaker 2: Gore. Show me the gore. Do you have the gore?
• 59:51
  Speaker 2: I don't have it.
• 59:52
  Speaker 3: I have it on my cell phone.
• 59:53
  Speaker 2: Man, I had it on my cell phone. I had
• 59:55
  Speaker 2: it on my cell phone. I had it on my
• 59:57
  Speaker 2: cell phone.
• 59:57
  Speaker 6: I had it on my cell phone. I had it
• 59:59
  Speaker 6: on my cell phone. I had it on my cell phone.
• 1:00:02
  Speaker 6: I had it on my cell phone.
• 1:00:04
  Speaker 2: I had it on my cell phone.
• 1:00:05
  Speaker 6: I had it on my cell phone.
• 1:00:06
  Speaker 4: I had it on my cell phone.
• 1:00:08
  Speaker 2: I had it on my cell phone.
• 1:00:10
  Speaker 4: I had it on my cell phone. He said it
• 1:00:12
  Speaker 4: was in the record, supposedly, sir, excellent.
• 1:00:14
  Speaker 1: Oh, man, imagine if I send you an audio saying
• 1:00:16
  Speaker 1: that I'm with Sarna, you'd think I'd be.
• 1:00:18
  Speaker 2: Yeah, man.
• 1:00:19
  Speaker 4: No, I was going to cry laughing, but you know
• 1:00:21
  Speaker 4: I have a problem with that.
• 1:00:22
  Speaker 1: Man, I used to have a little ruler, like this,
• 1:00:23
  Speaker 1: that gave that... You know what it is? Between pleasure
• 1:00:26
  Speaker 1: and pain.
• 1:00:30
  Speaker 6: And it was horrible, man. It was horrible to sleep,
• 1:00:33
  Speaker 6: to everything. And also, sarna, they have sex at night.
• 1:00:36
  Speaker 2: So, at night, they have sex more.
• 1:00:38
  Speaker 4: And it's a noise of sarna gming all night. It's
• 1:00:41
  Speaker 4: a noise of fucking slap in the face. Slap in
• 1:00:44
  Speaker 4: the ass. And I, damn it.
• 1:00:46
  Speaker 2: Calm down. Damn, man.
• 1:00:49
  Speaker 4: Man, anyway.
• 1:00:50
  Speaker 2: Then I got very fucked up.
• 1:00:52
  Speaker 3: How long was this period of sarna, lepra?
• 1:00:55
  Speaker 2: So, let's go. When it started.
• 1:00:57
  Speaker 4: Cast bubonic, the guy had.
• 1:01:00
  Speaker 6: When he decided that I was going to do surgery,
• 1:01:03
  Speaker 6: I was like, damn it. I went to the doctor, like,
• 1:01:05
  Speaker 6: five years in a row, I was going for him
• 1:01:09
  Speaker 6: to look. And he said, like, man, the eye is
• 1:01:10
  Speaker 6: falling more, like, it's going to close this.
• 1:01:12
  Speaker 2: Thing, you know? Then I said, yeah, I'm not going
• 1:01:15
  Speaker 2: to listen.
• 1:01:16
  Speaker 6: No, because Severo is the dislocation of the ocular globe.
• 1:01:19
  Speaker 2: His eye is here in the cheek, right?
• 1:01:20
  Speaker 3: Yeah, mine is the eyelid.
• 1:01:24
  Speaker 2: Dude, and what happened to the eyelid?
• 1:01:26
  Speaker 6: When the tumor came, it was irritating to the point
• 1:01:29
  Speaker 6: that it was swelling my eyelid. And these swellings were
• 1:01:34
  Speaker 6: fucking up the tendon. Then the tendon was getting like
• 1:01:37
  Speaker 6: a bruise.
• 1:01:38
  Speaker 2: Weak. A little bruise. Do you know the elastic.
• 1:01:40
  Speaker 6: That gets a bruised part?
• 1:01:43
  Speaker 2: Then it was getting weak. Close to the elastic component. Exactly.
• 1:01:46
  Speaker 2: Then the surgery.
• 1:01:47
  Speaker 6: Basically is kind of like giving an amendment there, right?
• 1:01:50
  Speaker 2: Take this bruise. Take this bruise. And then, like, the
• 1:01:54
  Speaker 2: eyelid goes up. But I needed.
• 1:01:56
  Speaker 6: Then, when it was discovered that there was a tumor,
• 1:01:58
  Speaker 6: because it was not discovered right away, bro, I went
• 1:02:00
  Speaker 6: to do the surgery, then it got worse, bro, it
• 1:02:03
  Speaker 6: was dark, bro. Like, I did the surgery, imagine, bro,
• 1:02:06
  Speaker 6: like this, it had to, in a week, the thing
• 1:02:07
  Speaker 6: would heal and be good.
• 1:02:08
  Speaker 2: And then.
• 1:02:09
  Speaker 6: In a week?
• 1:02:10
  Speaker 4: Yeah, like, a.
• 1:02:10
  Speaker 6: Little week was already to be improving the thing. The
• 1:02:13
  Speaker 6: thing was getting worse, falling more, bro. Then the guys
• 1:02:17
  Speaker 6: would be like, damn, bro, the thing is just with you, bro,
• 1:02:19
  Speaker 6: it looks like God is making a joke with you.
• 1:02:22
  Speaker 1: And you're full of... How do I do the surgery?
• 1:02:23
  Speaker 1: I announce that I'm going to do the surgery, I
• 1:02:25
  Speaker 1: appear with the.
• 1:02:25
  Speaker 2: Eye more fallen, damn it. And then, but you have
• 1:02:27
  Speaker 2: to do another one?
• 1:02:28
  Speaker 4: No, right?
• 1:02:29
  Speaker 2: Oh, I had to go again.
• 1:02:30
  Speaker 6: He said like this, man, look, calm down. The doctor
• 1:02:32
  Speaker 6: is very good, man. André Borba. Whoever wants to do
• 1:02:35
  Speaker 6: this surgery there, he is the best there is, you know?
• 1:02:37
  Speaker 6: And then he calmed me down, like this. He said, man,
• 1:02:40
  Speaker 6: calm down. Because I leave the point... It's a thing
• 1:02:43
  Speaker 6: that makes one nervous now to explain. I leave the
• 1:02:45
  Speaker 6: point out, that you can pull like a... A persianinha.
• 1:02:50
  Speaker 4: Yes.
• 1:02:52
  Speaker 6: And then I went back to his clinic, when I
• 1:02:56
  Speaker 6: went back to his clinic, he wanted to do this process,
• 1:02:59
  Speaker 6: he bled, there comes the expertise of the crazy, he
• 1:03:03
  Speaker 6: bled the way a hemangioma bleeds, and he realized it
• 1:03:06
  Speaker 6: was a hemangioma because of that, it's a specific bleeding.
• 1:03:11
  Speaker 2: That only a hemangiologist bleeds.
• 1:03:13
  Speaker 6: Like this, and I realized, but do the exam to
• 1:03:15
  Speaker 6: be sure, but it's almost 100% sure. You're already taking
• 1:03:19
  Speaker 6: this medicine here, there's corticosteroids, I started taking it, because
• 1:03:23
  Speaker 6: then it breaks the tendon, to then do another process,
• 1:03:25
  Speaker 6: which is the removal of this tumor. Then I went
• 1:03:28
  Speaker 6: and did the removal of the tumor, then there was
• 1:03:30
  Speaker 6: still a little left, By the way, no, I'm lying. No,
• 1:03:38
  Speaker 6: it already happened. He already removed it.
• 1:03:41
  Speaker 4: I kept it.
• 1:03:42
  Speaker 6: There's a little pot at home with a beef of
• 1:03:44
  Speaker 6: this size.
• 1:03:44
  Speaker 2: The tumor. Are you going to keep it forever, brother? Ah, forever.
• 1:03:48
  Speaker 4: It's there.
• 1:03:49
  Speaker 6: It's mine, right? It came out of me.
• 1:03:51
  Speaker 4: It's mine.
• 1:03:52
  Speaker 3: It's my son.
• 1:03:52
  Speaker 6: It's Pitoso.
• 1:03:56
  Speaker 2: Why did you get so strong?
• 1:03:57
  Speaker 4: I started after.
• 1:03:58
  Speaker 6: I think one of the effects of corticoid, the amount
• 1:04:02
  Speaker 6: I took, was for 60 days straight. That's a lot
• 1:04:03
  Speaker 6: for corticoid. I started to stop tasting food, you know?
• 1:04:05
  Speaker 6: And then when I came back to taste it, because
• 1:04:08
  Speaker 6: I started to eat the medicine to be able to...
• 1:04:11
  Speaker 6: Eat other things?
• 1:04:11
  Speaker 2: Eat other things.
• 1:04:20
  Speaker 6: When I ate it, man, I remember the chicken, like,
• 1:04:22
  Speaker 6: very seasoned. And you felt the taste. And I felt
• 1:04:24
  Speaker 6: the taste, you know? And I was like, damn, it's delicious, man.
• 1:04:28
  Speaker 6: And I started eating like a son of a bitch, obviously.
• 1:04:32
  Speaker 6: And then I started getting fat, I started to lose weight,
• 1:04:35
  Speaker 6: but I started getting fat from eating like a son
• 1:04:38
  Speaker 6: of a bitch. And then, working a lot, working a lot,
• 1:04:41
  Speaker 6: kind of sedentary, I was like, damn, man, I started
• 1:04:43
  Speaker 6: to get kind of sad, you know?
• 1:04:46
  Speaker 2: I was like, damn, I'm a little sad. You have self-esteem. Yeah,
• 1:04:49
  Speaker 2: a little down. I started to ask myself, man, what.
• 1:04:51
  Speaker 6: Like, I'm having the opportunity to earn some money, to
• 1:04:54
  Speaker 6: work with what I like and stuff, but then, like,
• 1:04:56
  Speaker 6: what's the stuff I bought for me that I gave
• 1:04:59
  Speaker 6: myself as a gift? And then, man, nothing.
• 1:05:01
  Speaker 3: I remember, at that time, you said that.
• 1:05:03
  Speaker 9: Yeah.
• 1:05:03
  Speaker 5: You said, man, I have to do some stuff for
• 1:05:06
  Speaker 5: me too, it's fucking awesome.
• 1:05:07
  Speaker 6: Did you give yourself any gift?
• 1:05:09
  Speaker 1: Then.
• 1:05:09
  Speaker 4: Ah, yes, several.
• 1:05:10
  Speaker 6: After I started to buy clothes, like... Because I started
• 1:05:14
  Speaker 6: to have... Starting the day training... Me deu uma good
• 1:05:18
  Speaker 6: vibe pra eu pensar, me deu mais tempo, porque você
• 1:05:23
  Speaker 6: começa o dia já, você consegue produzir mais, tem mais
• 1:05:26
  Speaker 6: tempo pra você, e aí eu comecei a olhar umas
• 1:05:28
  Speaker 6: paradas que eu queria comprar, tá ligado?
• 1:05:31
  Speaker 2: Bateria é uma parada que.
• 1:05:32
  Speaker 6: Eu ainda não comprei, mas vou comprar, porque eu tô
• 1:05:34
  Speaker 6: tentando ver um espaço pra ter um estúdiozinho meu, porque
• 1:05:37
  Speaker 6: é uma parada que eu também queria me dar de presente,
• 1:05:38
  Speaker 6: que é um bagulho que, porra, Man, the first thing
• 1:05:41
  Speaker 6: I should have bought for myself when I started to
• 1:05:43
  Speaker 6: make money was a drum, because I played drums for
• 1:05:45
  Speaker 6: fuck's sake in real life, disturbing my father and the neighbors.
• 1:05:49
  Speaker 2: And nowadays I don't have a place to make noise.
• 1:05:53
  Speaker 2: You're not playing either, right? No, I left the drums.
• 1:05:55
  Speaker 4: It was before your mother's house, right?
• 1:06:00
  Speaker 6: Don't you have a place to play the drums?
• 1:06:02
  Speaker 4: I have an electronic drum set, but it's not an
• 1:06:04
  Speaker 4: acoustic one.
• 1:06:05
  Speaker 2: But it's not an acoustic one, right? Exactly.
• 1:06:07
  Speaker 4: It's a dish, right?
• 1:06:08
  Speaker 3: Terrible.
• 1:06:09
  Speaker 4: For me, the electronic drum set is for study. I
• 1:06:11
  Speaker 4: understand that there are many drums that play on electronic
• 1:06:13
  Speaker 4: drums because it's what you have to play. But, man,
• 1:06:15
  Speaker 4: I have this thing, I need the reward, man. And
• 1:06:17
  Speaker 4: the thing doesn't reward me, for me... The reward I
• 1:06:23
  Speaker 4: have in the drums, in comparison with the electronic, is
• 1:06:26
  Speaker 4: very discreet.
• 1:06:27
  Speaker 2: What is the reward of the drums? Is it the
• 1:06:29
  Speaker 2: desire to hit hard? Is it like, fuck, I'm here.
• 1:06:31
  Speaker 4: It's you hitting with a stick of wood on a thing,
• 1:06:34
  Speaker 4: and then you feel the response, you know? A kind
• 1:06:38
  Speaker 4: of visceral thing, you know? Man, you feel the sound.
• 1:06:41
  Speaker 2: The sound returns to the body, like, there's a thing like, fuck.
• 1:06:44
  Speaker 2: It comes from the body, like, fuck, it's a bump.
• 1:06:45
  Speaker 4: The sound of the wood on the drum, you feel
• 1:06:47
  Speaker 4: that the drum, man... You know, moving your chest, thoracic,
• 1:06:52
  Speaker 4: like that. And man, there are electronic drums that are
• 1:06:54
  Speaker 4: really f * * * ed, you know? The guys got,
• 1:06:55
  Speaker 4: it's a level today, very absurd, like that, the thing
• 1:06:58
  Speaker 4: simulates very f * * * ed, but there's no way.
• 1:07:01
  Speaker 3: You're on the phone, right? It's not the same feeling.
• 1:07:03
  Speaker 4: Yeah, you can even turn on the sound box, right?
• 1:07:06
  Speaker 4: But for me it's very different. And then I end
• 1:07:08
  Speaker 4: up getting kind of, like, I don't have much mood
• 1:07:10
  Speaker 4: to play an electronic drum. So, it's an instrument that
• 1:07:14
  Speaker 4: I kind of.
• 1:07:15
  Speaker 1: The battery voltage has to do with it, not just
• 1:07:17
  Speaker 1: in playing and emitting the sound from the stand, right?
• 1:07:20
  Speaker 2: It has to do with the voltage.
• 1:07:21
  Speaker 4: It's a discharge, right? It's a thing that, like... It's
• 1:07:24
  Speaker 4: a discharge, right? You transfer an energy and, many times...
• 1:07:27
  Speaker 4: Every instrument has this, right? Energy transfer, right? I say this,
• 1:07:30
  Speaker 4: that you... For many years in my life, when I
• 1:07:33
  Speaker 4: didn't know how to talk, because for a long time
• 1:07:36
  Speaker 4: in my life I didn't know how to talk, right?
• 1:07:37
  Speaker 4: Not that today I'm the most eloquent guy in the world.
• 1:07:40
  Speaker 4: but I didn't know how to speak and the instrument
• 1:07:41
  Speaker 4: helped me channel things that I wanted to put out,
• 1:07:43
  Speaker 4: you know? Guitar, drums, bass, anyway. And that's why I
• 1:07:48
  Speaker 4: always say, man, everyone, for me, everyone should... and get
• 1:07:52
  Speaker 4: an instrument to play, at least one.
• 1:07:55
  Speaker 6: And talking about drums specifically, man, this thing of doing
• 1:07:57
  Speaker 6: exercises also helped me with drums, right? Like, we recorded
• 1:07:59
  Speaker 6: the thing recently, I sat down and thought, damn, man,
• 1:08:01
  Speaker 6: it's another thing. It's much more breath, right?
• 1:08:02
  Speaker 2: Breath, resistance, you know?
• 1:08:03
  Speaker 1: Because drums are, man, if you want to do a
• 1:08:05
  Speaker 1: rock show in an hour, you get tired.
• 1:08:07
  Speaker 2: I can't, I can't.
• 1:08:17
  Speaker 4: Seriously? If you were to say, Lucas, we need to
• 1:08:19
  Speaker 4: do a rock show today and you're going to play
• 1:08:22
  Speaker 4: the drums, I can play the songs in isolation. If
• 1:08:25
  Speaker 4: I were to do a show of an hour, an
• 1:08:27
  Speaker 4: hour and a half, playing the drums, I would need
• 1:08:30
  Speaker 4: some time to prepare for it. Mano, how much Eloy
• 1:08:32
  Speaker 4: should train?
• 1:08:33
  Speaker 2: And his arms should be... Mano, every day... 6, 7.
• 1:08:37
  Speaker 4: 8 hours a day. Travis Barker, I saw.
• 1:08:40
  Speaker 2: There was a documentary about Travis, did you see?
• 1:08:41
  Speaker 4: No, I didn't see.
• 1:08:42
  Speaker 2: Man, it's really f * * * ing cool. Look, look.
• 1:08:43
  Speaker 1: He had his story there, he was also, pôr, was
• 1:08:44
  Speaker 1: doing a tour with Blink, nananã, and then, pôr, f
• 1:08:46
  Speaker 1: * * * ing drugs, he was shitting.
• 1:08:48
  Speaker 2: Himself, kind of sedentary, dadadá.
• 1:08:50
  Speaker 6: He was doing tours with Blink, and then he got
• 1:08:53
  Speaker 6: really drunk, he was shitting himself, he was.
• 1:08:57
  Speaker 2: Kind of sedentary.
• 1:08:58
  Speaker 6: Then there was a very sinister thing that happened in
• 1:09:01
  Speaker 6: his life, that the plane he was in fell, and
• 1:09:03
  Speaker 6: then it took off, and then it caught fire, he
• 1:09:06
  Speaker 6: was with a body all fucked up of burn, you know?
• 1:09:12
  Speaker 6: And then, dude, he, like, improved from that thing there,
• 1:09:15
  Speaker 6: managed to overcome that thing there, and he started to run,
• 1:09:17
  Speaker 6: you know? So he has a thing of his that
• 1:09:19
  Speaker 6: he calls people to run with him. He created a
• 1:09:23
  Speaker 6: little race for him, so I thought it would be
• 1:09:25
  Speaker 6: cool one day if I did something for the guys
• 1:09:27
  Speaker 6: to do exercise together. Stimulate the guys to do exercise.
• 1:09:31
  Speaker 2: Are you into that? A little bit. Not so much,
• 1:09:32
  Speaker 2: not so much. I saw how well it works.
• 1:09:35
  Speaker 6: It doesn't just change the body, it helps the mind
• 1:09:37
  Speaker 6: a lot too. I think it's the main thing.
• 1:09:38
  Speaker 3: I think it's the main thing. I think that since.
• 1:09:49
  Speaker 4: Let's get into the subject of a cool thing. Since
• 1:09:53
  Speaker 4: I got the news that Rock in Rio was going
• 1:09:54
  Speaker 4: to happen, it was in April. Tell us, then.
• 1:09:56
  Speaker 2: You two are going to sing at Rock in Rio. First, applause.
• 1:09:59
  Speaker 2: The guys are going to sing at Rock in Rio.
• 1:10:01
  Speaker 2: Not only sing, but also play.
• 1:10:02
  Speaker 3: Before they start, there are live picks. You can send
• 1:10:06
  Speaker 3: live picks here during our chat.
• 1:10:07
  Speaker 2: Your voice will come out here. Good.
• 1:10:10
  Speaker 1: Where were you and how was it? Did you have
• 1:10:14
  Speaker 1: any hope of singing at Rock in Rio? Or was
• 1:10:15
  Speaker 1: it totally a surprise?
• 1:10:17
  Speaker 4: No, I had no hope at all. Defante and I
• 1:10:20
  Speaker 4: share the same mother, right? Yes. That's Bruna, who is here.
• 1:10:23
  Speaker 2: Great mother.
• 1:10:23
  Speaker 4: And it was she who even called me to give
• 1:10:26
  Speaker 4: me the news. And then she told me that she
• 1:10:29
  Speaker 4: needed to talk to me, but it had to be
• 1:10:31
  Speaker 4: on the phone. Then I analyzed that and said, man,
• 1:10:35
  Speaker 4: someone comes around like that. I said, did someone die?
• 1:10:37
  Speaker 4: Let me see if someone in my sight died.
• 1:10:40
  Speaker 2: No one had died.
• 1:10:41
  Speaker 4: Then she said, can I call you on video? Then
• 1:10:42
  Speaker 4: I said, ah, here it's already fucked up. Then it
• 1:10:44
  Speaker 4: fucked up too much. She didn't call me on video
• 1:10:46
  Speaker 4: to say something sad, right? Then she answered and I
• 1:10:49
  Speaker 4: was like this.
• 1:10:52
  Speaker 2: You can see all the teeth.
• 1:10:54
  Speaker 4: Then she told me and then it was that, right?
• 1:10:57
  Speaker 4: That video that I posted on my Instagram is right
• 1:10:59
  Speaker 4: after I turn off the phone with her. I turned
• 1:11:01
  Speaker 4: off the phone like this, put it like this.
• 1:11:03
  Speaker 3: And how was the news for you?
• 1:11:06
  Speaker 4: Man, it's really crazy, because you asked if I expected it,
• 1:11:09
  Speaker 4: it wasn't something I was expecting, like, we're dating, we're
• 1:11:11
  Speaker 4: seeing each other, a thing that was already happening. Maybe
• 1:11:13
  Speaker 4: there's a possibility of that. No, but.
• 1:11:14
  Speaker 2: Nothing.
• 1:11:14
  Speaker 4: Even more because I remember this feeling of when she
• 1:11:17
  Speaker 4: told me, because she told me, and I wasn't sure yet, right?
• 1:11:20
  Speaker 4: It was like 99.9, just a bizarre thing to not happen.
• 1:11:22
  Speaker 4: But I wasn't sure, right? So I was like this,
• 1:11:23
  Speaker 4: and then she told me, and I stopped to think,
• 1:11:26
  Speaker 4: I said... Wait, it's this year, right? She said Rock
• 1:11:39
  Speaker 4: in Rio and I said, wow, okay. But I said, no,
• 1:11:40
  Speaker 4: wait a minute, it's four months away, it's five months
• 1:11:44
  Speaker 4: away from the thing. And then, man, it was very crazy,
• 1:11:51
  Speaker 4: because this thing of how I changed my life, I
• 1:11:55
  Speaker 4: think in life we put a lot of these destinations
• 1:12:00
  Speaker 4: and we put our lives to orbit around it. I
• 1:12:02
  Speaker 4: think it's important for us to set these goals in
• 1:12:04
  Speaker 4: the short term, right?
• 1:12:05
  Speaker 2: Because.
• 1:12:06
  Speaker 4: When you put things too much and you don't see
• 1:12:08
  Speaker 4: the end, it gets harder to have control. But when
• 1:12:11
  Speaker 4: I put it, my life started to orbit around this event.
• 1:12:13
  Speaker 4: You started to prepare for it. And I think that
• 1:12:16
  Speaker 4: my training routine has a lot to do with the
• 1:12:19
  Speaker 4: fact that I want to get there In my best
• 1:12:23
  Speaker 4: physical condition, because my show is a show that exists
• 1:12:26
  Speaker 4: a lot of me physically.
• 1:12:27
  Speaker 2: Man, I don't know if... It's that you don't see
• 1:12:29
  Speaker 2: yourself in your show.
• 1:12:30
  Speaker 1: There's a time when Lucas hits his head, there's a
• 1:12:32
  Speaker 1: time when Lucas hits his head that I talk like this.
• 1:12:34
  Speaker 6: Very energetic, man.
• 1:12:35
  Speaker 4: I didn't need this one, I didn't need this one.
• 1:12:37
  Speaker 2: So... Here it went a little bit.
• 1:12:38
  Speaker 1: No, but the thing is that, analyzing Lucas' show, I
• 1:12:41
  Speaker 1: feel that it's not even him making the calculation, man.
• 1:12:43
  Speaker 2: Like, what he's going to... Obviously, right? You rehearse, but
• 1:12:46
  Speaker 2: what I mean is, like.
• 1:12:47
  Speaker 1: You can see that it's a very genuine thing, your
• 1:12:49
  Speaker 1: expression on stage, you get.
• 1:12:51
  Speaker 4: Man, I've never seen it that way. It's a beast, right?
• 1:12:54
  Speaker 4: It's a clown there, right? It's almost as if I
• 1:12:57
  Speaker 4: incorporated something there, that there is not... It's me, but
• 1:13:02
  Speaker 4: it's not me, right? It's a thing there, I don't know,
• 1:13:04
  Speaker 4: a thing that takes me when I'm on stage, and
• 1:13:06
  Speaker 4: then when I come.
• 1:13:07
  Speaker 2: Back, I come back to be.
• 1:13:08
  Speaker 1: Why this visceral feeling with rock, with music?
• 1:13:11
  Speaker 2: You two can talk a lot about it.
• 1:13:12
  Speaker 4: Why does it change?
• 1:13:14
  Speaker 2: Why is it a version that no one knows?
• 1:13:15
  Speaker 4: Just there. It's my thing, man. It's my thing. And
• 1:13:20
  Speaker 4: I think it's very clear. It's very clear. You see
• 1:13:23
  Speaker 4: a person doing something that is their thing. Everyone has
• 1:13:26
  Speaker 4: their thing. And when you see this match, this... It's pleasant.
• 1:13:32
  Speaker 4: Sorry to use the word again, but there's a state
• 1:13:33
  Speaker 4: of flow, you know? When I'm on stage, there's nothing
• 1:13:35
  Speaker 4: going through my head. Nothing. Maybe I'm going to die.
• 1:13:37
  Speaker 4: I'm dying. But that's it. But what's good is that
• 1:13:45
  Speaker 4: it's like a.
• 1:13:46
  Speaker 6: I don't know, I think it's a mental emptiness that
• 1:13:49
  Speaker 6: also makes me feel good, man. Because it seems like
• 1:13:53
  Speaker 6: it resets, you know? Like, I'm there, the music is right,
• 1:13:55
  Speaker 6: you're traveling only in the music, it's the only concern.
• 1:13:57
  Speaker 6: It's that shit vibrating in your body and you put
• 1:14:01
  Speaker 6: it out and when it's over, I'm coming back. You're
• 1:14:03
  Speaker 6: coming back little by little.
• 1:14:04
  Speaker 1: Yeah.
• 1:14:10
  Speaker 3: And for you, how's the breeze going to Rock in Rio?
• 1:14:13
  Speaker 4: Man.
• 1:14:13
  Speaker 2: How did you get this news? So, Bruna did the
• 1:14:15
  Speaker 2: same thing.
• 1:14:15
  Speaker 4: You knew after me, right? Or not?
• 1:14:17
  Speaker 6: I don't know.
• 1:14:18
  Speaker 4: What was the time?
• 1:14:20
  Speaker 6: It was after, right?
• 1:14:21
  Speaker 2: It was, after.
• 1:14:22
  Speaker 6: She also called me on video call, but I was sleeping.
• 1:14:25
  Speaker 2: I was kind of pissed, like... Fuck, video call.
• 1:14:27
  Speaker 4: Fuck, Bruna, you didn't even pass a Coachella, fuck.
• 1:14:29
  Speaker 2: I woke up with my face crumpled.
• 1:14:31
  Speaker 4: And then.
• 1:14:31
  Speaker 9: Then she.
• 1:14:34
  Speaker 2: Se a vida começasse agora.
• 1:14:37
  Speaker 4: You're kidding me, right? You're such an idiot, man.
• 1:14:40
  Speaker 2: And I was like, stop, stop, stop. You already linked
• 1:14:44
  Speaker 2: at the time. Ah, of course.
• 1:14:45
  Speaker 6: It's impossible, it's impossible. Because, man, I didn't have any...
• 1:14:47
  Speaker 6: She didn't leave any trace of thinking that this could
• 1:14:50
  Speaker 6: be possible, you know? But it's obvious, we've been working
• 1:14:54
  Speaker 6: on it for a long time. When she sang, I thought, man,
• 1:14:55
  Speaker 6: is that all it can be?
• 1:14:56
  Speaker 4: Imagine, right?
• 1:14:57
  Speaker 6: Imagine if she said.
• 1:14:58
  Speaker 4: I closed the Nissan Publisher. I closed Volkswagen for you.
• 1:15:01
  Speaker 7: No, I was going to say, damn, Bruna, you made me.
• 1:15:04
  Speaker 4: Think that I was at Rock in Rio, damn.
• 1:15:06
  Speaker 1: But no, it was in fact, she said, man, it's
• 1:15:07
  Speaker 1: going to happen, Supernova stage.
• 1:15:09
  Speaker 4: I said, what?
• 1:15:15
  Speaker 6: Man, I was shocked. I've been to many Rock in Rio,
• 1:15:18
  Speaker 6: I've seen many bizarre bands. Did you have shows of
• 1:15:20
  Speaker 6: your lives there in Rock in Rio?
• 1:15:21
  Speaker 2: Yes.
• 1:15:21
  Speaker 4: Which one?
• 1:15:22
  Speaker 2: In 2022 there was a show from Gojira, which is
• 1:15:24
  Speaker 2: a band that I like a lot. I saw the show.
• 1:15:35
  Speaker 4: Man, was it at The Town or Rock in Rio?
• 1:15:38
  Speaker 2: Which one?
• 1:15:39
  Speaker 4: There was a Post Malone concert that was really fucking awesome,
• 1:15:41
  Speaker 4: it was raining like hell. I think it was at
• 1:15:43
  Speaker 4: Rock in Rio.
• 1:15:43
  Speaker 2: I was there too.
• 1:15:44
  Speaker 4: And it was really fucking awesome.
• 1:15:46
  Speaker 1: Mine was at Offspring, at the Sunset stage. I even
• 1:15:49
  Speaker 1: asked myself why Offspring was at.
• 1:15:51
  Speaker 6: The Sunset stage.
• 1:15:52
  Speaker 2: It must have been fucking awesome.
• 1:15:53
  Speaker 3: Yeah, and nowadays.
• 1:15:54
  Speaker 4: It's almost equivalent.
• 1:15:55
  Speaker 2: Yeah, equivalent, fuck it.
• 1:15:57
  Speaker 3: What stage are you going to be on?
• 1:15:58
  Speaker 4: Supernova stage, it's a really cool stage. I was talking
• 1:16:01
  Speaker 4: about Sony, right?
• 1:16:02
  Speaker 3: What can you say to the people who will be
• 1:16:04
  Speaker 3: at this show?
• 1:16:04
  Speaker 2: What time do you play?
• 1:16:06
  Speaker 3: How long? What are you going to bring? Are you
• 1:16:08
  Speaker 3: going to.
• 1:16:09
  Speaker 2: Fly to the show? Are you going to do cover songs?
• 1:16:12
  Speaker 2: Are you going to have guests?
• 1:16:13
  Speaker 6: I released a song recently with a clip that talks
• 1:16:16
  Speaker 6: about artificial intelligence.
• 1:16:18
  Speaker 4: Man, go fuck yourself, man.
• 1:16:19
  Speaker 3: That robot. I started training for my life, but I said.
• 1:16:30
  Speaker 6: There's a game there, that's why I kept hiding the
• 1:16:32
  Speaker 6: little shape, because I wanted to.
• 1:16:34
  Speaker 4: Transform it into something.
• 1:16:35
  Speaker 3: Exactly.
• 1:16:36
  Speaker 6: And then the clip is kind of a reflection of
• 1:16:40
  Speaker 6: what is real or not nowadays, and more ethically speaking,
• 1:16:43
  Speaker 6: you know?
• 1:16:43
  Speaker 2: Because of IA. Yes.
• 1:16:44
  Speaker 6: And then I said, man, we always say, yeah, not
• 1:16:46
  Speaker 6: everything is true, trust me. Then I thought, man, but
• 1:16:49
  Speaker 6: not everything is a lie too. And then I kept
• 1:16:55
  Speaker 6: looking at him to show up, and people said, no,
• 1:16:58
  Speaker 6: but the clip has Iá. It's not him. But it is.
• 1:17:00
  Speaker 6: That scene was real.
• 1:17:02
  Speaker 2: You, you? Man, your shoulder is fine, huh? Your arm
• 1:17:05
  Speaker 2: is fine.
• 1:17:05
  Speaker 1: And you're a guy, man, that you had to run after,
• 1:17:07
  Speaker 1: because you're with.
• 1:17:15
  Speaker 4: Biotipo mudando, parece.
• 1:17:17
  Speaker 6: Pode crer.
• 1:17:18
  Speaker 2: Exatamente. Pô, a foto que ele mostrou, que ele ficou
• 1:17:20
  Speaker 2: rachando o bico e o jeito que ele tá hoje
• 1:17:21
  Speaker 2: mudou o biotipo. Não, mano, eu fiquei.
• 1:17:23
  Speaker 4: De você conseguir desenvolver o ombro, desenvolver... Mano, seu tríceps
• 1:17:26
  Speaker 4: tá roubando a minha cena, tá roubando a minha brisa.
• 1:17:28
  Speaker 2: Tá roubando a brisa mesmo. Que legal, que legal.
• 1:17:29
  Speaker 4: Obrigado, cara.
• 1:17:30
  Speaker 2: Se dedicou bastante? Poxa, moleque.
• 1:17:33
  Speaker 3: Calistênico?
• 1:17:34
  Speaker 6: So, I'm going to say something, man. It's not easy, man.
• 1:17:37
  Speaker 6: I don't understand why people.
• 1:17:39
  Speaker 1: It's ungrateful to stop.
• 1:17:41
  Speaker 6: If you stop for a while, it's like you're back
• 1:17:44
  Speaker 6: from zero, the pain, right? But if you keep going,
• 1:17:47
  Speaker 6: you get much more resistant. And I did something that's.
• 1:17:50
  Speaker 4: Really crazy, man.
• 1:17:52
  Speaker 6: I started doing it from Monday to Monday. For a year,
• 1:17:54
  Speaker 6: I've been doing it from Monday to Monday. There's Saturday, Sunday, Monday, Tuesday, Wednesday, Thursday...
• 1:18:00
  Speaker 6: One hour of your day.
• 1:18:00
  Speaker 2: One hour of my day, at least.
• 1:18:03
  Speaker 6: Now, in the last two weeks, I did two training
• 1:18:05
  Speaker 6: sessions per day to be able to release a video
• 1:18:08
  Speaker 6: that came out on my Instagram today, that I'm really
• 1:18:10
  Speaker 6: excited about.
• 1:18:13
  Speaker 2: Two per day, bro?
• 1:18:14
  Speaker 6: Yeah, and there are still people commenting there, yeah, for sure,
• 1:18:17
  Speaker 6: people don't believe it, bro. But it was one year,
• 1:18:20
  Speaker 6: then these last two weeks were two days training, two hours,
• 1:18:24
  Speaker 6: but separated, one hour after the other hour. Man, it
• 1:18:28
  Speaker 6: was really hard, but I was, I.
• 1:18:30
  Speaker 2: Don't know, man, I got excited, I liked the noise,
• 1:18:33
  Speaker 2: the challenge. But you know what it is? But it's
• 1:18:35
  Speaker 2: hard as fuck.
• 1:18:35
  Speaker 4: Man, I'm going up, the noise is heavier, cool, man.
• 1:18:37
  Speaker 4: But that's it, I started to share this with people, like,
• 1:18:40
  Speaker 4: from my personal life, that I had this challenge, that
• 1:18:44
  Speaker 4: I wanted to set a training goal until Rock in Rio.
• 1:18:47
  Speaker 4: It was months of training and I had a few
• 1:18:48
  Speaker 4: days that I could miss. And today I'm training every day.
• 1:18:51
  Speaker 4: I think that training every day makes you miss less. Total.
• 1:19:03
  Speaker 4: Because if you rest... If it's Saturday, Sunday, Monday, it's
• 1:19:05
  Speaker 4: already difficult.
• 1:19:06
  Speaker 2: Your body doesn't know what the weekend is.
• 1:19:07
  Speaker 4: For it, the thing is happening there, it's the same.
• 1:19:09
  Speaker 4: And then if you stop on Saturday, stop on Sunday,
• 1:19:11
  Speaker 4: then on Monday you say... And then if on Monday
• 1:19:13
  Speaker 4: you don't go, then it's over, bro. Then it's over.
• 1:19:15
  Speaker 4: And every day, bro, it's something that... And that's it, right?
• 1:19:19
  Speaker 6: I think when you.
• 1:19:20
  Speaker 4: Get older, you understand that... human life is a daily effort, right?
• 1:19:30
  Speaker 4: We talk about how we are distracted today, how easy
• 1:19:34
  Speaker 4: it is to distract yourself, to pick up the cell
• 1:19:36
  Speaker 4: phone and stay here for hours.
• 1:19:37
  Speaker 2: I'm sick of the cell phone, it's.
• 1:19:38
  Speaker 4: Going to be fucked up. So, it's because this is
• 1:19:41
  Speaker 4: the easiest, it doesn't require effort. For you to pay attention,
• 1:19:44
  Speaker 4: paying attention is not a passive thing, it's not passive,
• 1:19:47
  Speaker 4: it's not a passive attitude. You have to concentrate. For
• 1:19:49
  Speaker 4: me to understand what you're talking about, I have to say, oh,
• 1:19:53
  Speaker 4: it's an exercise too. It's more like a bench press,
• 1:19:55
  Speaker 4: you know? And sometimes you say everything stupid, it's hard
• 1:19:57
  Speaker 4: to understand what you say. I know, I know.
• 1:19:59
  Speaker 2: Bigão is true.
• 1:20:00
  Speaker 3: Sometimes it's complicated.
• 1:20:03
  Speaker 4: But that's it. I think we take a lot of
• 1:20:06
  Speaker 4: this thing of observing and being present as a passive attitude,
• 1:20:09
  Speaker 4: and it's not, you know? It's an exercise, as much
• 1:20:11
  Speaker 4: as you go to the gym, it's an exercise for
• 1:20:13
  Speaker 4: you to pay attention to what your friend is saying,
• 1:20:16
  Speaker 4: you're present in a family reunion, you know? Because it's tempting,
• 1:20:18
  Speaker 4: you know? Silence. Being present in places, right, bro?
• 1:20:21
  Speaker 2: The cell phone is much more interesting.
• 1:20:22
  Speaker 3: It's easier. And the body asks you to stay on
• 1:20:24
  Speaker 3: the sofa. The body asks.
• 1:20:24
  Speaker 4: Stay here.
• 1:20:25
  Speaker 2: Stop.
• 1:20:25
  Speaker 4: The whole life is you knowing that you're stretching.
• 1:20:27
  Speaker 6: You're pulling the string in the opposite direction of what your.
• 1:20:30
  Speaker 4: Brain wants, right?
• 1:20:30
  Speaker 2: That's true.
• 1:20:32
  Speaker 4: You're all the time like, no, come, come, come. So
• 1:20:34
  Speaker 4: that's it. I think when you... I think putting that
• 1:20:36
  Speaker 4: in your head, right? Man, it's no use you going
• 1:20:38
  Speaker 4: to the gym and thinking it's going to be easy,
• 1:20:41
  Speaker 4: that it's going to be... I got used to it. No,
• 1:20:50
  Speaker 4: this is not... It hurts, it's bad. But it's also
• 1:20:54
  Speaker 4: something that.
• 1:20:56
  Speaker 2: Life is not a strawberry.
• 1:20:59
  Speaker 6: It's not.
• 1:20:59
  Speaker 2: Damn, now this phrase... Life is not strawberry.
• 1:21:03
  Speaker 4: Guys from Wizard, who didn't get it. Hey, man, thank you.
• 1:21:05
  Speaker 2: Okay, but.
• 1:21:07
  Speaker 1: What day do you guys introduce yourselves?
• 1:21:10
  Speaker 2: What can you talk about your show, your presentation? How
• 1:21:12
  Speaker 2: are you? Are you nervous? Are you anxious?
• 1:21:16
  Speaker 6: Yeah, I asked Lucas and he said he didn't yet. No,
• 1:21:18
  Speaker 6: I said, I'll stay much longer.
• 1:21:19
  Speaker 4: But you're... Yeah, me too. I stay a little like this,
• 1:21:22
  Speaker 4: a little.
• 1:21:23
  Speaker 9: Neutral.
• 1:21:23
  Speaker 4: Neutral.
• 1:21:23
  Speaker 2: Then it comes like this, the thing is tomorrow, fuck it.
• 1:21:26
  Speaker 2: But it's that thing that when you lie.
• 1:21:28
  Speaker 6: Down to sleep, then comes the memory and gives that
• 1:21:30
  Speaker 6: cold shot that crosses your body.
• 1:21:32
  Speaker 3: Wow.
• 1:21:32
  Speaker 1: True.
• 1:21:42
  Speaker 4: But that's it, right, bro? Knowing that we're going to
• 1:21:46
  Speaker 4: have there... I say, bro, knowing that at the moment
• 1:21:49
  Speaker 4: there is 50 minutes.
• 1:21:50
  Speaker 3: That's what I was going to ask.
• 1:21:51
  Speaker 4: And then later.
• 1:21:52
  Speaker 2: Manandro, 50 minutes!
• 1:21:53
  Speaker 4: 50 minutes and it's over. 50 minutes.
• 1:21:54
  Speaker 1: 50 minutes.
• 1:21:54
  Speaker 3: My God, that's absurd. You're preparing a different thing.
• 1:21:56
  Speaker 2: What was your show on Tom Brasil, Arte Brasil, I
• 1:21:58
  Speaker 2: don't know, which one was it? Which one? The first one, man.
• 1:22:01
  Speaker 3: Ah, okay.
• 1:22:03
  Speaker 4: The first of all? I played on Tropical Butantan. Yes,
• 1:22:08
  Speaker 4: Tropical Butantan.
• 1:22:09
  Speaker 2: The guy will sing on Rock in Rio, you will
• 1:22:11
  Speaker 2: sing on Rock in Rio.
• 1:22:11
  Speaker 4: Tropical Butantan doesn't exist anymore.
• 1:22:13
  Speaker 6: You asked about pyrotechnics, because of the music I'm going
• 1:22:16
  Speaker 6: to put a humanoid robot on the stage.
• 1:22:18
  Speaker 4: Is that shit yours?
• 1:22:19
  Speaker 6: No, I rented it.
• 1:22:21
  Speaker 4: Is it from Lucas Angel?
• 1:22:23
  Speaker 2: No, no. It's a company that rents, but man.
• 1:22:26
  Speaker 4: You took him in the interview, I said, fuck, he
• 1:22:28
  Speaker 4: bought this shit.
• 1:22:28
  Speaker 2: Yeah, no, no, no.
• 1:22:29
  Speaker 6: I'm taking him to several places.
• 1:22:31
  Speaker 3: Are these shit really cool?
• 1:22:32
  Speaker 6: Man, so, it's because it's just a few little commands,
• 1:22:35
  Speaker 6: there's no way you can do.
• 1:22:37
  Speaker 2: REC the movements, right?
• 1:22:39
  Speaker 6: You do a REC there, he does a 6-7, he
• 1:22:42
  Speaker 6: does whatever you want. But there's no finger movement, and
• 1:22:44
  Speaker 6: those who have it are a little kiss, he raises
• 1:22:48
  Speaker 6: his paw, he says goodbye, it's a little thing. But
• 1:22:52
  Speaker 6: the dance is impressive, man, because the dance of him.
• 1:22:55
  Speaker 2: Is it Jamal's? No, he does a little dance that
• 1:22:58
  Speaker 2: is like, you say, damn, what a malleability, man.
• 1:23:01
  Speaker 6: It's a lot of malleability, it's like movements that you
• 1:23:04
  Speaker 6: really get jealous.
• 1:23:04
  Speaker 4: Robots movements that are not robots.
• 1:23:06
  Speaker 2: I wanted to dance like this robot, man. He dances
• 1:23:09
  Speaker 2: like hell.
• 1:23:10
  Speaker 3: Damn, so the guys will see the show with the
• 1:23:12
  Speaker 3: robot there.
• 1:23:13
  Speaker 2: Dancing like hell.
• 1:23:14
  Speaker 4: Well, that's pretty cool.
• 1:23:15
  Speaker 1: One thing I think is cool is that I'm sure
• 1:23:17
  Speaker 1: there will be public there, you know?
• 1:23:19
  Speaker 2: You've been communicating this rock thing for a long time, so.
• 1:23:23
  Speaker 1: I follow Lucas a little closer because he's closer to
• 1:23:25
  Speaker 1: me and I see how much your fans are amazed
• 1:23:27
  Speaker 1: by you, bro.
• 1:23:28
  Speaker 2: With your stuff.
• 1:23:28
  Speaker 1: And I think we question ourselves when we try something else.
• 1:23:31
  Speaker 1: When you tried the song, I think you wondered if
• 1:23:33
  Speaker 1: people would like my song as much as the videos.
• 1:23:35
  Speaker 2: And I realize that yes, bro. And I feel that
• 1:23:37
  Speaker 2: you must have fans who already have a relationship with
• 1:23:38
  Speaker 2: your song.
• 1:23:39
  Speaker 4: Different from the videos, bro.
• 1:23:42
  Speaker 2: It's a crazy thing. I still have the difficulty of.
• 1:23:51
  Speaker 4: To make a precise diagnosis of what you're talking about, like,
• 1:23:54
  Speaker 4: to understand where the line is drawn that separates one
• 1:23:57
  Speaker 4: thing from the other, if there are people coming more
• 1:23:59
  Speaker 4: from the other. I hear what people say when they
• 1:24:00
  Speaker 4: meet me, a lot of people talk and such, and
• 1:24:02
  Speaker 4: there are a lot of people talking to me about
• 1:24:05
  Speaker 4: Rock in Rio, it was a thing that... I think
• 1:24:08
  Speaker 4: it's a celebration of a crowd that has a fondness
• 1:24:10
  Speaker 4: for me, that supports me, that will be there, and
• 1:24:12
  Speaker 4: I think it's a very cool day because there are
• 1:24:15
  Speaker 4: several things there that will play, several bands that will
• 1:24:17
  Speaker 4: play later, that there is a.
• 1:24:20
  Speaker 4: A very big public match with mine.
• 1:24:22
  Speaker 2: What day are you guys playing? Is it the same day?
• 1:24:25
  Speaker 4: No, he plays the day before mine. Foo Fighters.
• 1:24:26
  Speaker 2: Foo Fighters will have? Yeah, the first one.
• 1:24:29
  Speaker 4: I'm going to play Avengers Sevenfold.
• 1:24:30
  Speaker 3: Ah, and.
• 1:24:31
  Speaker 1: Yeah, the match, the match, the match for fuck's sake.
• 1:24:36
  Speaker 4: Yeah, so, and then... That's it, right? It's a day
• 1:24:38
  Speaker 4: that I think can be very cool, very important, because...
• 1:24:40
  Speaker 4: That's what I say, man. I think our choice... And
• 1:24:44
  Speaker 4: it's funny, man, because me and TheFant, it's not like
• 1:24:46
  Speaker 4: we had agreed to do this thing together, but... the
• 1:24:49
  Speaker 4: universe keeps putting us running in this parallel, like that. Yeah. Like,
• 1:24:53
  Speaker 4: in one way or another, it seems that we're always
• 1:24:56
  Speaker 4: together in similar chapters, doing similar things, right? Different tricks, right? Intentions.
• 1:25:00
  Speaker 4: But you exchange, you help each other. Intentions different. Yeah.
• 1:25:02
  Speaker 2: A lot of things, man, that's crazy.
• 1:25:03
  Speaker 4: Defante has already opened my show several times, I've already
• 1:25:06
  Speaker 4: sung with him too.
• 1:25:06
  Speaker 2: Man, our first show was opening his show at.
• 1:25:10
  Speaker 4: At Fundição.
• 1:25:12
  Speaker 6: Fundição Progresso. Man, that was the opportunity I had, like,
• 1:25:15
  Speaker 6: to fucking understand, man.
• 1:25:18
  Speaker 4: This exists.
• 1:25:19
  Speaker 6: This is very possible, you know? We did a show here,
• 1:25:23
  Speaker 6: we managed to... I got friends to play with me
• 1:25:26
  Speaker 6: at the show, we went to hell, we were very
• 1:25:29
  Speaker 6: happy with the opportunity, when we got there, the thing happened,
• 1:25:32
  Speaker 6: people bought the noise, and I left there in ecstasy,
• 1:25:35
  Speaker 6: you know?
• 1:25:36
  Speaker 2: I was like, damn, so it was one of the.
• 1:25:37
  Speaker 6: I think, man, this show was one of the shows
• 1:25:40
  Speaker 6: that I can count on, like, of the few shows
• 1:25:45
  Speaker 6: that you get a bizarre shiver, like, it's a... The
• 1:25:48
  Speaker 6: famous turn of the key.
• 1:25:49
  Speaker 4: Yeah, but that's it.
• 1:25:50
  Speaker 2: This show was really like that.
• 1:25:51
  Speaker 6: And then the other one that was very important to
• 1:25:54
  Speaker 6: me was Rock in Rio Vai.
• 1:25:57
  Speaker 2: Ser, obviously.
• 1:25:59
  Speaker 6: And it's a thing that forever, we'll get old, we'll
• 1:26:01
  Speaker 6: talk about the first show on the show. So it's
• 1:26:03
  Speaker 6: kind of unforgettable for the rest of your life. It
• 1:26:09
  Speaker 6: was also at Circo Voador.
• 1:26:10
  Speaker 2: It's iconic.
• 1:26:12
  Speaker 6: It was on Father's Day. It was a show. Lucas
• 1:26:17
  Speaker 6: didn't play with me on it.
• 1:26:18
  Speaker 2: It was mine.
• 1:26:19
  Speaker 6: I was a little insecure. Will people leave their homes
• 1:26:21
  Speaker 6: to buy tickets to a musical of mine? Not that
• 1:26:28
  Speaker 6: I've shown it like this, I think Lucas still made
• 1:26:30
  Speaker 6: a lot of videos playing guitar for the guys. I
• 1:26:32
  Speaker 6: never made a lot of videos playing drums because I
• 1:26:34
  Speaker 6: also didn't have drums, I didn't have a space to
• 1:26:37
  Speaker 6: do it, I would have to go to a studio.
• 1:26:39
  Speaker 2: It's a more complicated instrument.
• 1:26:40
  Speaker 6: It's a little more complicated to make videos playing and such,
• 1:26:43
  Speaker 6: but it's a thing that I'm looking for a space,
• 1:26:45
  Speaker 6: to have a drum to do it more for the
• 1:26:47
  Speaker 6: guys to see. But I never showed this side to
• 1:26:51
  Speaker 6: the guys, so that's why it's kind of a scare
• 1:26:52
  Speaker 6: for a lot of people. Maybe there are people watching
• 1:26:55
  Speaker 6: here who will say, fuck, He's going to do a
• 1:26:58
  Speaker 6: rock show. Where did he get that from?
• 1:27:00
  Speaker 2: But the people... I don't think so, Defante. Yeah, I
• 1:27:03
  Speaker 2: can't say anything. It's that maybe you... It's that you're
• 1:27:06
  Speaker 2: transiting in many places.
• 1:27:07
  Speaker 4: Yeah, but I think this happens, but it's because, whether
• 1:27:09
  Speaker 4: you want it or not, this is also natural of
• 1:27:11
  Speaker 4: human behavior. Maybe if I were on the other side,
• 1:27:13
  Speaker 4: I would behave similar, I don't know what to say.
• 1:27:16
  Speaker 4: But I think it's natural and it's perfectly understandable and
• 1:27:19
  Speaker 4: I don't have... I'm far from complaining, on the contrary,
• 1:27:23
  Speaker 4: we have a great facilitator and a shortcut, we are
• 1:27:26
  Speaker 4: in front of a lot of people, a lot of people,
• 1:27:29
  Speaker 4: a lot of underground bands that are eating the bread
• 1:27:33
  Speaker 4: that the devil chewed on top to get something, you know?
• 1:27:35
  Speaker 4: And we already have this teta of having a crowd
• 1:27:39
  Speaker 4: that accompanies us, of course, there is work, there is cultivation,
• 1:27:41
  Speaker 4: there is all this, we work a lot on this shit.
• 1:27:45
  Speaker 1: Ok, but this can't be something that will sabotage you, like,
• 1:27:48
  Speaker 1: I don't deserve it. No, but besides that, I still
• 1:27:50
  Speaker 1: had a band that I always talk about in interviews,
• 1:27:54
  Speaker 1: but then I know that sometimes people don't have a
• 1:27:56
  Speaker 1: lot of patience to watch a complete episode like this
• 1:27:58
  Speaker 1: one to understand this stuff.
• 1:28:01
  Speaker 2: But I had a seven-year career.
• 1:28:03
  Speaker 6: Man, playing in a lot of hot holes, houses that
• 1:28:06
  Speaker 6: I had here in São Paulo. I got to live
• 1:28:07
  Speaker 6: here in São Paulo with the guys from the band,
• 1:28:09
  Speaker 6: living this dream. I was in this fight there for many, many, many,
• 1:28:13
  Speaker 6: many years, not knowing that one day I would have
• 1:28:15
  Speaker 6: a YouTube channel, you know? I was already in this race.
• 1:28:17
  Speaker 6: At the time it was Orkut, there, CTRL-C, CTRL-V. There
• 1:28:21
  Speaker 6: was my MySpace, we made music.
• 1:28:23
  Speaker 4: And even in that we are kind of similar, right?
• 1:28:25
  Speaker 4: This thing of... Do vim de antes e desse lance
• 1:28:29
  Speaker 4: do sonho adormecido.
• 1:28:30
  Speaker 2: Você não chegou a ter banda, né?
• 1:28:31
  Speaker 4: Tive banda. Você teve? Tive banda.
• 1:28:32
  Speaker 3: Qual que era a nome da banda?
• 1:28:33
  Speaker 4: A minha banda chamava Obscurum.
• 1:28:36
  Speaker 2: Obscurum?
• 1:28:37
  Speaker 6: Ah, que maneiro, não sabia o nome da banda.
• 1:28:38
  Speaker 4: E a sua? A latim.
• 1:28:30
  Speaker 2: You didn't even have a band, did you?
• 1:28:31
  Speaker 4: I had a band. What was the name of the band?
• 1:28:34
  Speaker 4: My band was called Obscurum.
• 1:28:35
  Speaker 2: Obscurum?
• 1:28:37
  Speaker 1: That's cool, I didn't know the name of the band.
• 1:28:38
  Speaker 4: And yours? It was Latin.
• 1:28:40
  Speaker 2: Obscurum.
• 1:28:41
  Speaker 6: Mine was Let's Go.
• 1:28:41
  Speaker 2: It's true.
• 1:28:42
  Speaker 4: I was a very rocker teenager, much more than I
• 1:28:44
  Speaker 4: am today. What was the vibe of this band? A
• 1:28:47
  Speaker 4: darker vibe?
• 1:28:47
  Speaker 3: Yeah, we had our own sounds there, but it was
• 1:28:49
  Speaker 3: in much less stages.
• 1:28:50
  Speaker 4: But we also played in some holes, man. And we
• 1:28:53
  Speaker 4: played that. For two people. It was the girlfriends that would.
• 1:29:01
  Speaker 2: Go, right? The guys' girlfriends.
• 1:29:05
  Speaker 4: Yeah, so... And then... And it's very... It's the same thing.
• 1:29:11
  Speaker 4: It's the same thing.
• 1:29:12
  Speaker 6: Then it grew up, started YouTube, the thing turned, so
• 1:29:14
  Speaker 6: my life is that. But never leave the music aside,
• 1:29:16
  Speaker 6: it's always parallel. Fuck, no, but I really like this shit,
• 1:29:18
  Speaker 6: there's no way. And then, at some point, Lucas managed
• 1:29:21
  Speaker 6: to unite the two things, and me too, because I said, man.
• 1:29:27
  Speaker 6: I have songs here, Jerry, which is a song of
• 1:29:30
  Speaker 6: mine that I composed in 2010, that I didn't even
• 1:29:32
  Speaker 6: know I was going to make YouTube in my life.
• 1:29:35
  Speaker 2: Jerry is from 2010? Yeah, from 2010. Jerry, Matinho, I
• 1:29:39
  Speaker 2: already had.
• 1:29:39
  Speaker 6: There were some compositions that I composed, because I had
• 1:29:42
  Speaker 6: the band and I composed the songs, but the band
• 1:29:44
  Speaker 6: didn't have this comic proposal, but I already had this
• 1:29:47
  Speaker 6: in my vein, to say shit. I would leave the
• 1:29:50
  Speaker 6: drums and say some shit in front, you know?
• 1:29:52
  Speaker 5: It was bad, but I wanted to know how, in
• 1:29:55
  Speaker 5: your heads, this division of what as a comedian, artist,
• 1:30:00
  Speaker 5: channel on YouTube you have, and also play, man, because
• 1:30:03
  Speaker 5: it must be a very crazy life. At the end
• 1:30:05
  Speaker 5: of the week, you guys are wanting... Traveling, doing shows,
• 1:30:08
  Speaker 5: on Monday there's public to record, there's live, anyway. It's
• 1:30:12
  Speaker 5: a kind of double life there, kind of crazy. How
• 1:30:14
  Speaker 5: can you separate that? Or will there come a time
• 1:30:16
  Speaker 5: in your lives where you will say, people, this season
• 1:30:19
  Speaker 5: of mine will be full music and fuck it.
• 1:30:23
  Speaker 4: Man, I don't know how to answer you about that, maybe,
• 1:30:25
  Speaker 4: I don't know, right? But my dream is to be
• 1:30:27
  Speaker 4: able to put these two things working, like that, because...
• 1:30:31
  Speaker 4: I really like what I do, man. I've always liked it,
• 1:30:33
  Speaker 4: I've always liked a lot of entertainment, of video, I
• 1:30:35
  Speaker 4: like to make people laugh and stuff, and my music
• 1:30:38
  Speaker 4: goes to another place, right? My music is to be serious,
• 1:30:40
  Speaker 4: it's to be a more reflective side, and to take
• 1:30:44
  Speaker 4: that step is very crazy, because, man, making music is
• 1:30:47
  Speaker 4: something that makes you naked, man. You're entering a fucking
• 1:30:50
  Speaker 4: solo exhibition. Especially when people already have a vision about you.
• 1:30:56
  Speaker 2: Expectation.
• 1:30:56
  Speaker 4: A vision about, which is my case, and the case
• 1:30:59
  Speaker 4: of Diogo too, which is this, right? Man, this guy
• 1:31:01
  Speaker 4: is the guy who makes videos, man. He's the funny
• 1:31:03
  Speaker 4: guy on YouTube.
• 1:31:05
  Speaker 2: Yeah, and it's this box, and it can't be another guitar.
• 1:31:08
  Speaker 2: And that's it.
• 1:31:09
  Speaker 4: But it's natural, it's a natural instrument. That's why I
• 1:31:11
  Speaker 4: think it's so cool, this opportunity for Rock in Rio
• 1:31:14
  Speaker 4: is cool, because I think there will be a lot
• 1:31:16
  Speaker 4: of people who are there, who know me, and who
• 1:31:19
  Speaker 4: know me, maybe even well, who have been with me
• 1:31:21
  Speaker 4: for a long time, but who didn't take that step,
• 1:31:24
  Speaker 4: you know? Which is normal, man. I don't take that
• 1:31:26
  Speaker 4: step with many things. There are many things that I
• 1:31:28
  Speaker 4: don't go after to see. So, it's like... I think
• 1:31:31
  Speaker 4: it's an opportunity to get these people who wouldn't go
• 1:31:34
  Speaker 4: on their own to get the money and go to
• 1:31:37
  Speaker 4: a show of mine, but who will be there and say, man,
• 1:31:39
  Speaker 4: let's go see Lucas' show. I don't know what the
• 1:31:40
  Speaker 4: fuck it is, but he makes music, right? Because that's it,
• 1:31:43
  Speaker 4: I think the vast majority of people, the vision is, man,
• 1:31:46
  Speaker 4: Lucas is making music, right? And that's it, yes. And
• 1:31:50
  Speaker 4: that's it, I've been making it clear for a long time.
• 1:31:52
  Speaker 2: I think after this show, it will leave this musical
• 1:31:55
  Speaker 2: career of yours.
• 1:31:57
  Speaker 4: I hope so, because it's something I like to do
• 1:32:00
  Speaker 4: and it's very real. As I said, it's very recent.
• 1:32:03
  Speaker 4: I see myself far from the ideal as a composer.
• 1:32:06
  Speaker 4: But this search is nice, isn't it? That you are creating.
• 1:32:10
  Speaker 4: But I think that's it. And I hear a lot
• 1:32:13
  Speaker 4: of what people say.
• 1:32:13
  Speaker 2: I think there's a strange thing about when people are.
• 1:32:16
  Speaker 4: Going to do... If I see a criticism on the internet,
• 1:32:25
  Speaker 4: it's like, man, give up on your dreams and die.
• 1:32:28
  Speaker 4: Don't do this ever again. It's like, man, how come?
• 1:32:31
  Speaker 4: When I see a bad thing, I want, sometimes, to
• 1:32:34
  Speaker 4: point it out, but because you want the person to evolve, right? Like, okay,
• 1:32:37
  Speaker 4: if my business, if my business is bad, if I
• 1:32:39
  Speaker 4: see something that is bad, it's not to stop doing it,
• 1:32:42
  Speaker 4: it's to improve. Obviously, it's going to be bad. It's
• 1:32:45
  Speaker 4: to be bad. The first is to be bad. And
• 1:32:47
  Speaker 4: not that I have baggage... It's to be worse than
• 1:32:49
  Speaker 4: the next ones.
• 1:32:50
  Speaker 3: Yeah, exactly. Yeah, exactly.
• 1:32:51
  Speaker 2: And I think that... Just to answer.
• 1:32:55
  Speaker 4: The question from Mitiqueira, it's a big deal to divide
• 1:32:57
  Speaker 4: these things because we have examples of people who went
• 1:33:01
  Speaker 4: completely to another place. I'm a guy who, compared to Defante,
• 1:33:04
  Speaker 4: has a lot more things to do than I do.
• 1:33:06
  Speaker 4: And my schedule is already well set. He is a
• 1:33:19
  Speaker 4: guy who can do this better than me, at least
• 1:33:22
  Speaker 4: in my analysis, to balance these things and to continue
• 1:33:25
  Speaker 4: to meet the demand. He's here, he's in the cup,
• 1:33:28
  Speaker 4: he's everywhere and he's still doing his thing. But it's
• 1:33:30
  Speaker 4: a challenge, man. It's like waking up every day to
• 1:33:33
  Speaker 4: go train and waking up every day to say... I
• 1:33:38
  Speaker 4: have to take care of my potions, bro. That's it.
• 1:33:40
  Speaker 4: I have to take care of my potions.
• 1:33:42
  Speaker 1: So, but different from Defante, I think for him, I
• 1:33:45
  Speaker 1: don't know, answer me. Was it a frustration when you
• 1:33:48
  Speaker 1: kind of leave the band, focus a lot on the videos?
• 1:33:51
  Speaker 1: Because Lucas, I saw that he had a band, but
• 1:33:54
  Speaker 1: his videos, the rock was always there.
• 1:33:56
  Speaker 4: Yes.
• 1:33:56
  Speaker 2: He made music, he made a.
• 1:33:57
  Speaker 1: Parody, he, out of nowhere, he played a thing, he
• 1:34:00
  Speaker 1: was always part of your content creation, and I think
• 1:34:02
  Speaker 1: that was always your differential too.
• 1:34:04
  Speaker 4: Yes.
• 1:34:04
  Speaker 2: You know?
• 1:34:05
  Speaker 1: So, like, for you it was this emptiness.
• 1:34:08
  Speaker 2: Of, like, damn, I'm not touching my little thing there.
• 1:34:11
  Speaker 6: Yeah, so, no, because I like it a lot, man.
• 1:34:14
  Speaker 6: It's as much as, like, my passion for comedy came
• 1:34:17
  Speaker 6: as much as the music, like.
• 1:34:18
  Speaker 3: I understand.
• 1:34:19
  Speaker 4: For me it's also very.
• 1:34:20
  Speaker 2: Very, very proper.
• 1:34:21
  Speaker 6: Very balanced. And then one thing kind of oxygenates my
• 1:34:23
  Speaker 6: head to another, like, I'm going to rehearse with the guys,
• 1:34:26
  Speaker 6: it's like, ah, here I just have to send a
• 1:34:28
  Speaker 6: true rock.
• 1:34:28
  Speaker 4: Uhum.
• 1:34:31
  Speaker 2: It's my only... But which expectation is heavier? To be
• 1:34:34
  Speaker 2: funny or to send a rock through? Damn, both are
• 1:34:38
  Speaker 2: the same. Both are the same.
• 1:34:40
  Speaker 4: For me, it's very clear, bro. For me, the expectation
• 1:34:43
  Speaker 4: of the song is very... For me, everything seems much
• 1:34:45
  Speaker 4: more serious, much more rigid, much more fast, much more hostile,
• 1:34:50
  Speaker 4: you know? But I think this has to do with
• 1:34:52
  Speaker 4: the fact that we're in a place that we helped
• 1:34:54
  Speaker 4: to pave, right? With the forgiveness of Modéstia.
• 1:34:56
  Speaker 6: Uh-huh.
• 1:34:57
  Speaker 4: And going to a place that is already very well
• 1:34:59
  Speaker 4: paved with these very high fences, right?
• 1:35:01
  Speaker 2: Yes, exactly.
• 1:35:02
  Speaker 4: So here on YouTube, I feel like, man, here I'm
• 1:35:04
  Speaker 4: kind of... You're in command. I'm kind of... I know
• 1:35:08
  Speaker 4: where I am, I know.
• 1:35:09
  Speaker 2: Ah, yeah.
• 1:35:09
  Speaker 6: From experience too, for me, right? I think it's new
• 1:35:12
  Speaker 6: for us to do some shows there.
• 1:35:14
  Speaker 2: Mithy, what was DJing like? Straight talk. Divide these two lives.
• 1:35:18
  Speaker 2: You had this... You had this fear of... You said....
• 1:35:23
  Speaker 4: Man, this video is good.
• 1:35:25
  Speaker 2: I liked YouTube at.
• 1:35:26
  Speaker 5: The time to focus, so I didn't stay much like
• 1:35:28
  Speaker 5: my life.
• 1:35:28
  Speaker 2: No, but did it give you that pressure of, like...
• 1:35:30
  Speaker 2: I loved the stage.
• 1:35:31
  Speaker 3: I have to send it right here.
• 1:35:33
  Speaker 2: Did you miss.
• 1:35:35
  Speaker 1: Recording the videos?
• 1:35:37
  Speaker 2: Because it's kind of what.
• 1:35:38
  Speaker 3: We're talking about. I felt, man. I loved it.
• 1:35:40
  Speaker 5: The stage is the best thing in the world, man.
• 1:35:42
  Speaker 3: You see the guys singing, joking. I loved the stage, but.
• 1:35:45
  Speaker 5: I couldn't reconcile the two. The guys on my channel
• 1:35:49
  Speaker 5: kept cursing me, saying, why aren't you recording the bass
• 1:35:51
  Speaker 5: of this?
• 1:35:52
  Speaker 3: But I focused only on the music.
• 1:35:53
  Speaker 5: So I asked this to you guys, because for me
• 1:35:56
  Speaker 5: it was hard, bro. How can I stay from Thursday
• 1:35:58
  Speaker 5: to Sunday on the road, still having to render, record.
• 1:36:02
  Speaker 6: Fuck it, you know? And another thing, man, in the end,
• 1:36:05
  Speaker 6: I think it's kind of the decision of the artist, right, bro?
• 1:36:07
  Speaker 6: Of the person who's producing, because she has to be happy,
• 1:36:10
  Speaker 6: you know? Because otherwise people feel it too, the guy
• 1:36:13
  Speaker 6: is doing that shit kind of forced there.
• 1:36:15
  Speaker 4: Yeah.
• 1:36:15
  Speaker 2: Yeah.
• 1:36:15
  Speaker 4: Yeah. Yeah.
• 1:36:37
  Speaker 6: I think the important thing is that you do something
• 1:36:39
  Speaker 6: that everyone is seeing that this person is shining in
• 1:36:42
  Speaker 6: the eyes. In this thing there.
• 1:36:44
  Speaker 4: Fuck, I hate it. You're trying to cover my eyes.
• 1:36:46
  Speaker 2: I was going to tell you, you sing too.
• 1:36:47
  Speaker 3: At some point, you didn't want to go to a show.
• 1:36:49
  Speaker 3: Oigão has good songs, man. He does, man. He really does.
• 1:36:52
  Speaker 4: On the wave of me.
• 1:36:52
  Speaker 3: I always encouraged him.
• 1:36:55
  Speaker 5: I said, man, don't you think that at some point
• 1:36:57
  Speaker 5: you're going to go to a show and etc.
• 1:37:00
  Speaker 2: Man, it's that my thing with music is more....
• 1:37:05
  Speaker 1: Something that I like to do, but it wouldn't necessarily
• 1:37:07
  Speaker 1: have to be my job. I really like to make
• 1:37:11
  Speaker 1: a sound, but I like the studio more.
• 1:37:13
  Speaker 2: The feeling of the stage is very nice.
• 1:37:15
  Speaker 1: I've already opened Lucas's show, it was very cool. Especially
• 1:37:19
  Speaker 1: with all our audience there, it's fucking awesome, you know?
• 1:37:24
  Speaker 2: You know, you're overjoyed.
• 1:37:25
  Speaker 3: But.
• 1:37:26
  Speaker 2: I feel that the audiovisual warms me up more.
• 1:37:29
  Speaker 4: Yes.
• 1:37:29
  Speaker 2: But I feel more despised. Uh-huh.
• 1:37:33
  Speaker 1: Fazendo música, mas despido pelo lado bom, assim, de tipo,
• 1:37:36
  Speaker 1: é muito bom você ir pro lugar onde você é
• 1:37:38
  Speaker 1: um merda, digamos assim. É, isso é legal mesmo.
• 1:37:41
  Speaker 4: Porque você tem que ser bom, mano. Aqui você já
• 1:37:44
  Speaker 4: tem uma segurança. Os últimos dois, três anos da minha
• 1:37:47
  Speaker 4: vida tem sido, mano, tipo assim.
• 1:37:49
  Speaker 2: Ó, baixa a bolinha, velho. Man, give me some security.
• 1:37:53
  Speaker 4: Give me some cool security. You have a lot to learn.
• 1:37:58
  Speaker 4: Give me some cool security, man. This feeling of breaking,
• 1:38:01
  Speaker 4: of spating your face.
• 1:38:01
  Speaker 2: It makes you feel alive.
• 1:38:02
  Speaker 4: It's very painful, but it's also very positive. If you
• 1:38:08
  Speaker 4: ask me why I like boxing.
• 1:38:09
  Speaker 2: So much, it's because in boxing I'm a shit.
• 1:38:12
  Speaker 4: You put yourself in your place.
• 1:38:14
  Speaker 1: Yeah, there I can't have ego, I can't find myself. There, man,
• 1:38:17
  Speaker 1: it's literally a punch in the stomach, man.
• 1:38:20
  Speaker 2: If I get too... I'm afraid of the stomach. It's
• 1:38:22
  Speaker 2: pain at.
• 1:38:23
  Speaker 4: The time, so that puts you in your place. It
• 1:38:24
  Speaker 4: doesn't come from a fork, son. It doesn't come from
• 1:38:26
  Speaker 4: a fork.
• 1:38:26
  Speaker 6: Ah, this thing brings teaching to life, right, bro?
• 1:38:28
  Speaker 2: Martial art, for sure.
• 1:38:30
  Speaker 4: For sure. There's a whole lineage.
• 1:38:31
  Speaker 2: There's a whole thing, so.
• 1:38:32
  Speaker 6: I think I'm going to the combat sports now, because I'm.
• 1:38:35
  Speaker 4: Going to fight. Go to the shit, bro.
• 1:38:36
  Speaker 3: Go to Muay Thai, Boxing.
• 1:38:38
  Speaker 2: Man, I think you're going to enjoy it, man.
• 1:38:40
  Speaker 3: MMA.
• 1:38:41
  Speaker 2: Because... At least me, right?
• 1:38:43
  Speaker 1: When I was a kid, I used to look and say.
• 1:38:45
  Speaker 2: Wow, violence reigns in this place. How cool. But when
• 1:38:48
  Speaker 2: you start to do.
• 1:38:50
  Speaker 1: It's totally the opposite. What reigns in the place is discipline, man.
• 1:38:53
  Speaker 1: It's the respect of the game.
• 1:38:55
  Speaker 2: Who fights doesn't break. And there's that flase... That flase of...
• 1:38:58
  Speaker 2: That flase....
• 1:39:05
  Speaker 6: From that guy, Rocky Balboa, right?
• 1:39:08
  Speaker 2: Rocky Balboa? I went to his statue and was happy.
• 1:39:11
  Speaker 3: Did you go on the stairs?
• 1:39:12
  Speaker 4: No, not that phrase.
• 1:39:13
  Speaker 3: The phrase is.
• 1:39:13
  Speaker 2: The more you get....
• 1:39:22
  Speaker 6: O bom lutador é o que apanha e que tá sempre.
• 1:39:26
  Speaker 1: Não importa o quanto você bate, mas enquanto você aguenta apanhar,
• 1:39:29
  Speaker 1: é tipo isso, né?
• 1:39:30
  Speaker 6: É isso daí.
• 1:39:32
  Speaker 3: Pô, eu ia deixar até ver onde.
• 1:39:34
  Speaker 2: E aí as pessoas ficam muito preocupadas assim, pô.
• 1:39:35
  Speaker 4: Achei que essa frase era do Capitão América.
• 1:39:38
  Speaker 2: Primeiro é do Tarzan.
• 1:39:39
  Speaker 6: Eu vou ter que, já sendo uma pessoa que as
• 1:39:42
  Speaker 6: pessoas conhecem, pelo menos bastante pessoas conhecem, e eu vou
• 1:39:47
  Speaker 6: ter que apresentar uma coisa que eu sou burro, eu
• 1:39:50
  Speaker 6: vou ser massacrado, meu irmão. But how much I love
• 1:39:54
  Speaker 6: that thing for me to improve, even in front of
• 1:39:57
  Speaker 6: a lot of people who are pointing fingers and marreting.
• 1:40:00
  Speaker 2: It's because after we try this comfortable place, right? And
• 1:40:03
  Speaker 2: you stop to see what.
• 1:40:03
  Speaker 5: Bullshit this guy who keeps pointing, right? Because, like, why
• 1:40:08
  Speaker 5: are you pointing, man? It's a legitimate thing, it's a
• 1:40:11
  Speaker 5: thing that the person is doing.
• 1:40:12
  Speaker 2: In psychology, I learned that they are people who don't
• 1:40:16
  Speaker 2: have the courage to do what.
• 1:40:18
  Speaker 4: Yeah, but it's... You don't want to.
• 1:40:19
  Speaker 1: Like, if the person wants to play, she wants to
• 1:40:21
  Speaker 1: have the courage to say, like, man, I hate my job,
• 1:40:23
  Speaker 1: I'm going to do the thing.
• 1:40:24
  Speaker 2: I don't know, I'm not saying for anyone to quit
• 1:40:26
  Speaker 2: the job, but people sometimes want to. Yeah, but that's it.
• 1:40:35
  Speaker 4: That makes me let go of this.
• 1:40:36
  Speaker 3: Nothing.
• 1:40:37
  Speaker 4: Nothing. The person can say whatever they want.
• 1:40:38
  Speaker 6: This already says that you will take more 20, 30,
• 1:40:42
  Speaker 6: 40 years doing this thing and people will have work,
• 1:40:44
  Speaker 6: my brother. Because they will speak badly for 10, 20,
• 1:40:47
  Speaker 6: 30 years.
• 1:40:47
  Speaker 2: You will spend an energy there. There are people that,
• 1:40:49
  Speaker 2: all right, you will never, you will never be able to, right?
• 1:40:52
  Speaker 2: Not convert, but you will never.
• 1:40:53
  Speaker 4: Be able to access. But the idea is not even that, right, bro?
• 1:40:56
  Speaker 4: The idea is you look at yourself and you... There's
• 1:41:05
  Speaker 4: something that you like, that you say... There's a thing...
• 1:41:08
  Speaker 4: I've heard this from a lot of people.
• 1:41:09
  Speaker 2: From Rocky Balboa?
• 1:41:11
  Speaker 4: There's a phrase from Rocky Balboa, which is like.
• 1:41:14
  Speaker 2: You sent the phrase from David Jones.
• 1:41:16
  Speaker 4: Ah, man, I don't know. They asked him something that
• 1:41:18
  Speaker 4: wasn't very right, and then he released this.
• 1:41:19
  Speaker 2: What's that phrase from David Jones? That he always.
• 1:41:23
  Speaker 3: Seven videos or more.
• 1:41:24
  Speaker 4: I've already played all the games.
• 1:41:25
  Speaker 2: No, that one.
• 1:41:27
  Speaker 4: Damn, Cybertruck, man. Damn, man, Cybertruck.
• 1:41:30
  Speaker 3: That's what Calango said.
• 1:41:31
  Speaker 4: That's it. What was I saying? There's a phrase.
• 1:41:35
  Speaker 1: That I heard from people.
• 1:41:38
  Speaker 2: Ah, yeah.
• 1:41:39
  Speaker 4: That's it. Thiago Ventura, these days, met me in a
• 1:41:43
  Speaker 4: place and said that to me. I thought it was
• 1:41:44
  Speaker 4: really cool. And Pedro Certezas also had already said that
• 1:41:47
  Speaker 4: they are two guys who, man, they are zero of
• 1:41:48
  Speaker 4: this universe of what I do. And they looked at
• 1:41:51
  Speaker 4: me and said, man, I don't understand shit, but I
• 1:41:53
  Speaker 4: think it's really cool to see a guy with so
• 1:41:57
  Speaker 4: much passion in what he does. And I say, man,
• 1:41:59
  Speaker 4: I feel the same.
• 1:41:59
  Speaker 2: But that's what makes people watch you.
• 1:42:01
  Speaker 4: I feel the same. Like, man, if you take me
• 1:42:03
  Speaker 4: to a, you know, I don't know, man, to a
• 1:42:06
  Speaker 4: Pilates presentation, a thing that I don't understand anything. If
• 1:42:10
  Speaker 4: the person is there and she's like, man, fuck, this
• 1:42:13
  Speaker 4: is my thing. I think there's nothing more cool than
• 1:42:16
  Speaker 4: seeing something like this.
• 1:42:18
  Speaker 2: But I think you can also do this in the videos, man.
• 1:42:21
  Speaker 4: From the heart.
• 1:42:22
  Speaker 1: Watch Lucas' video, Defante's. You can feel the affection in
• 1:42:25
  Speaker 1: the editing. You can feel like, man, the kid wrote this,
• 1:42:28
  Speaker 1: he thought it was funny, he wants to.
• 1:42:30
  Speaker 2: Do this, he's tense.
• 1:42:30
  Speaker 1: It's him who edits, because he wants it, he wants
• 1:42:34
  Speaker 1: to do it.
• 1:42:34
  Speaker 2: So you can feel it, you know? I think this
• 1:42:36
  Speaker 2: is transparent to.
• 1:42:38
  Speaker 4: Public. Which doesn't mean that I don't want to hear
• 1:42:41
  Speaker 4: more criticism. Man, it's the same thing as breaking your face.
• 1:42:44
  Speaker 4: It hurts, bro. Sometimes you read stuff that hurts. It hurts,
• 1:42:48
  Speaker 4: but then you deal with it internally. And, bro, it's
• 1:42:53
  Speaker 4: good because... The stuff, at least in me, has an effect.
• 1:42:56
  Speaker 4: Of course, there are people who are just... Vomiting anything.
• 1:42:59
  Speaker 4: But there's a lot of stuff that I read and
• 1:43:01
  Speaker 4: I look and I look at myself and say... Man,
• 1:43:02
  Speaker 4: wait a minute, let me understand what he meant by
• 1:43:03
  Speaker 4: this here... And how this can be applied in reality.
• 1:43:07
  Speaker 4: What does this really have? What does this have to
• 1:43:10
  Speaker 4: do with bad intentions? And I take several of these
• 1:43:13
  Speaker 4: things and try to transform them into something.
• 1:43:16
  Speaker 2: But can you navigate this without getting sick?
• 1:43:18
  Speaker 4: I think getting sick is part of it. You get hurt.
• 1:43:21
  Speaker 4: But it's that, man. It's like going to therapy. I'm
• 1:43:23
  Speaker 4: not going to stop.
• 1:43:24
  Speaker 2: I'm going to take everything.
• 1:43:25
  Speaker 4: I take everything I see. I don't have... I don't
• 1:43:32
  Speaker 4: have any vanity with the things I do. I go back,
• 1:43:35
  Speaker 4: I fix the mess, I change. So that's why I say,
• 1:43:39
  Speaker 4: even in my songs and what I'm going to do
• 1:43:41
  Speaker 4: in the future, bro. What you can expect is, I
• 1:43:42
  Speaker 4: don't know, bro. Because sometimes I'm in this, sometimes I'm
• 1:43:46
  Speaker 4: in that, sometimes I'm in this. Of course I have
• 1:43:48
  Speaker 4: an identity, right? There are things that are very rooted there.
• 1:43:51
  Speaker 4: But that's the thing, right, bro? I think life gives
• 1:43:55
  Speaker 4: us the opportunity to experiment and we're going to keep
• 1:43:57
  Speaker 4: not experimenting.
• 1:43:59
  Speaker 6: I think Lucas is going to innovate in other ways,
• 1:44:02
  Speaker 6: but everything is going to have a.
• 1:44:05
  Speaker 4: Dude, you summarized, you said exactly what I wanted to
• 1:44:08
  Speaker 4: say and I stayed half an hour here talking. Just
• 1:44:11
  Speaker 4: one thing.
• 1:44:12
  Speaker 2: I want to know the day you sing and what.
• 1:44:13
  Speaker 3: Time it is.
• 1:44:14
  Speaker 4: That's exactly what I was going to say now. I
• 1:44:16
  Speaker 4: play at 18 hours. Damn, what a fucking time. Man,
• 1:44:19
  Speaker 4: for real.
• 1:44:19
  Speaker 2: The guys are going to be there. 18 hours is
• 1:44:21
  Speaker 2: that one starting to dawn.
• 1:44:22
  Speaker 3: That's it.
• 1:44:22
  Speaker 4: For me, this time, you who goes to Rock in Rio,
• 1:44:24
  Speaker 4: I'll post it on my Instagram for the guys to
• 1:44:26
  Speaker 4: be aware. I play at 18 hours on Supernova stage
• 1:44:28
  Speaker 4: on Saturday, September 5th. Damn. Then we play the day before.
• 1:44:36
  Speaker 2: Say it.
• 1:44:36
  Speaker 1: The day before, September 4th, on Full Fighters Day, it
• 1:44:40
  Speaker 1: will be at 8 p.m.
• 1:44:41
  Speaker 4: Damn! Yeah, man.
• 1:44:42
  Speaker 6: You're in the middle.
• 1:44:44
  Speaker 2: Of the night, right?
• 1:44:44
  Speaker 3: You're in the noble time, right, man?
• 1:44:46
  Speaker 4: Crazy, crazy.
• 1:44:47
  Speaker 3: That's cool.
• 1:44:48
  Speaker 4: Yeah, and I wanted to give a shout out here, too,
• 1:44:50
  Speaker 4: to a kid who even told me that he thinks
• 1:44:52
  Speaker 4: he's marked to come here, which is Zero.
• 1:44:54
  Speaker 2: Oh, are you crazy? Zero will sing too, man.
• 1:44:55
  Speaker 4: Zero, look there.
• 1:44:56
  Speaker 2: We have.
• 1:44:56
  Speaker 4: Of course, man, there are a lot of people making music,
• 1:44:59
  Speaker 4: there are a lot of people making music.
• 1:45:00
  Speaker 3: He's always been in music, right?
• 1:45:02
  Speaker 4: But he's also a guy that... I put him together
• 1:45:04
  Speaker 4: in this... He's a little less close than I am
• 1:45:06
  Speaker 4: to Defante, but he's a guy I like a lot.
• 1:45:09
  Speaker 4: And man, the sound of zero is a very serious thing.
• 1:45:12
  Speaker 2: His is very thin, right?
• 1:45:13
  Speaker 4: The sound of zero is a thing like that.
• 1:45:15
  Speaker 5: And this kid, since he started on YouTube, he makes music,
• 1:45:18
  Speaker 5: plays the stuff.
• 1:45:19
  Speaker 4: And he's a guy who says like, man, it's normal
• 1:45:21
  Speaker 4: for the first ones to be bad, but the first
• 1:45:23
  Speaker 4: ones of them are already very good.
• 1:45:24
  Speaker 1: Do you have the moral to set up a fucking
• 1:45:27
  Speaker 1: band just with YouTubers and make a fucking room here?
• 1:45:31
  Speaker 4: Of course.
• 1:45:31
  Speaker 3: There is.
• 1:45:33
  Speaker 6: There is.
• 1:45:33
  Speaker 3: Rehearsed?
• 1:45:34
  Speaker 6: For fuck's sake.
• 1:45:35
  Speaker 2: And it would be an honor.
• 1:45:36
  Speaker 4: The three of us, Camila Loures.
• 1:45:38
  Speaker 6: The three of us and Camila Loures.
• 1:45:40
  Speaker 2: Ah, let me be in it.
• 1:45:41
  Speaker 3: Leave her on the drums.
• 1:45:42
  Speaker 4: Yeah, what are we going to play next?
• 1:45:44
  Speaker 2: Yeah, bro, calm down.
• 1:45:46
  Speaker 4: Calm down, Camila. I'm getting on the guitar.
• 1:45:48
  Speaker 2: I'm getting on the guitar.
• 1:45:49
  Speaker 3: Camila Loures on the bass.
• 1:45:50
  Speaker 2: Ah, second guitar.
• 1:45:52
  Speaker 4: Backing vocals.
• 1:45:53
  Speaker 3: Man, this would be interesting, huh?
• 1:45:54
  Speaker 4: No, man, you can do a lot. You can do
• 1:45:56
  Speaker 4: a lot. Because we need... You can put Cauê too.
• 1:45:58
  Speaker 2: That's it, we need to record, man. It's these pupils
• 1:46:04
  Speaker 2: from the internet, these things, you know?
• 1:46:05
  Speaker 1: But they created a cool thing, there's a studio there,
• 1:46:07
  Speaker 1: there's the guitars there, there's everything there. I, Defante, Cauê, Zero.
• 1:46:11
  Speaker 4: Build the perfect band on YouTube. No, it's not perfect,
• 1:46:14
  Speaker 4: but it comes to my mind. I, Defante, Cauê, Zero
• 1:46:17
  Speaker 4: and Gaveta, a good team.
• 1:46:19
  Speaker 2: Fuck, Gaveta? What kind of guitar does Gaveta play?
• 1:46:21
  Speaker 4: Gaveta plays guitar for fuck's sake. Seriously? He plays guitar
• 1:46:24
  Speaker 4: for fuck's sake.
• 1:46:25
  Speaker 2: I've never seen him play, man.
• 1:46:26
  Speaker 3: Me neither, how cool.
• 1:46:29
  Speaker 2: Are you a guitarist?
• 1:46:29
  Speaker 4: Can I be a guitarist?
• 1:46:31
  Speaker 3: No.
• 1:46:32
  Speaker 4: Then it would look stupid.
• 1:46:33
  Speaker 3: I'm asking you, man.
• 1:46:34
  Speaker 2: You answer me.
• 1:46:35
  Speaker 3: I can play what I need.
• 1:46:35
  Speaker 4: You can sing, play. But which one do you perform better?
• 1:46:38
  Speaker 4: Which one do you.
• 1:46:39
  Speaker 2: Feel more comfortable with? I play the guitar. Put the
• 1:46:41
  Speaker 2: guitar on your friend's chest. Guitar, of course.
• 1:46:44
  Speaker 4: Batera.
• 1:46:44
  Speaker 2: But we have a lot of guitarists, man. Give me
• 1:46:46
  Speaker 2: the stick to make a stop here now.
• 1:46:48
  Speaker 4: Go ahead. We have a lot of guitarists, man.
• 1:46:50
  Speaker 2: We have Defante, Cauê and three guitarists.
• 1:46:52
  Speaker 4: So, A guitarist will have to go to the bass.
• 1:47:02
  Speaker 4: That's a fact.
• 1:47:03
  Speaker 2: Man, Zé is here, you know? Zé, Jundiaí, Monstro, the
• 1:47:07
  Speaker 2: best bass player I know in the world.
• 1:47:08
  Speaker 4: Zé, play Zé, man.
• 1:47:09
  Speaker 6: If the band is a YouTuber, then we.
• 1:47:11
  Speaker 4: No, no, the bass player has.
• 1:47:13
  Speaker 2: That crazy guy there, the... The Groovador?
• 1:47:15
  Speaker 4: Groovador.
• 1:47:16
  Speaker 3: No?
• 1:47:17
  Speaker 4: Of course there is. Groovador, damn it! He's good. He
• 1:47:23
  Speaker 4: plays with the Megadeth. No, he's very good.
• 1:47:27
  Speaker 2: Groovador, him on guitar. You on drums.
• 1:47:30
  Speaker 6: I on drums. Cauê on drums too.
• 1:47:32
  Speaker 2: Two drums. Camila Loures singing. Camila Loures vocal. Felipe Loures
• 1:47:38
  Speaker 2: second vocal.
• 1:47:39
  Speaker 3: Renaldinho.
• 1:47:40
  Speaker 2: Renato Cariani. Renato Cariani.
• 1:47:43
  Speaker 4: I had to put him.
• 1:47:45
  Speaker 2: In that can like Slipknot. You can do Slipknot, man.
• 1:47:47
  Speaker 2: Everyone with a monkey. With a carcass, right?
• 1:47:50
  Speaker 4: Then it's going to be cool. The Zóio.
• 1:47:51
  Speaker 2: The Zóio.
• 1:47:51
  Speaker 4: The Zóio is DJ. Then it's going to be Linkin Park.
• 1:47:53
  Speaker 3: Because the Zóio is... Damn, it's true. And Alec, huh?
• 1:48:07
  Speaker 1: No, they already talked about the delivery, because I was
• 1:48:10
  Speaker 1: going to.
• 1:48:10
  Speaker 4: Change the subject. You talked about your day, right?
• 1:48:13
  Speaker 2: 4th of September, 8pm. Ah, 4th of September, 8pm.
• 1:48:14
  Speaker 1: Did I have to say anything else?
• 1:48:18
  Speaker 6: No, right?
• 1:48:18
  Speaker 2: I don't know, my brother.
• 1:48:20
  Speaker 3: Punk.
• 1:48:20
  Speaker 2: Who will be.
• 1:48:25
  Speaker 2: Playing at the same time as you on another stage.
• 1:48:27
  Speaker 3: I don't know. Fuck it.
• 1:48:28
  Speaker 2: That's what I wanted to do. Go fuck yourself.
• 1:48:31
  Speaker 4: Go see the guy's show. For the love of God.
• 1:48:34
  Speaker 1: Open Roda Punk. Take the hidden sound system. The thing
• 1:48:36
  Speaker 1: will be crazy.
• 1:48:37
  Speaker 2: For the love of God. In your area, in Rio
• 1:48:39
  Speaker 2: de Janeiro.
• 1:48:40
  Speaker 6: It will be a show. There's a cover that I
• 1:48:42
  Speaker 6: want to release that will surprise Rock and Roll.
• 1:48:46
  Speaker 2: Surprise, surprise.
• 1:48:46
  Speaker 6: For those people who have been talking about the event,
• 1:48:49
  Speaker 6: there's no rock.
• 1:48:50
  Speaker 2: It's rock day, baby.
• 1:48:52
  Speaker 4: There's no rock.
• 1:48:53
  Speaker 1: I'm very excited about it, very happy for you. It's
• 1:48:55
  Speaker 1: delivered here, what were you going to say?
• 1:48:56
  Speaker 2: What about Alec?
• 1:48:57
  Speaker 6: He's hospitalized.
• 1:48:58
  Speaker 2: I don't know about Alec.
• 1:48:59
  Speaker 4: I see something about him, sometimes something else. He's hospitalized
• 1:49:02
  Speaker 4: and he's being taken care of, right?
• 1:49:03
  Speaker 2: I saw a cut of the eye saying something like that. Yeah,
• 1:49:05
  Speaker 2: I saw a cut of something for me.
• 1:49:07
  Speaker 3: He's taking care of himself. I hope he finds a
• 1:49:08
  Speaker 3: way to stay firm.
• 1:49:09
  Speaker 9: Me too.
• 1:49:09
  Speaker 4: He's awesome. Did you watch the GTA 6 trailer? I
• 1:49:11
  Speaker 4: saw a cut.
• 1:49:11
  Speaker 3: No, for God's sake.
• 1:49:23
  Speaker 2: Don't do that.
• 1:49:23
  Speaker 4: Defante doesn't play, right?
• 1:49:25
  Speaker 2: It was bad.
• 1:49:26
  Speaker 6: No, it's because I was scrolling and saw a little cut.
• 1:49:28
  Speaker 3: You don't play. You play or don't play? You play
• 1:49:30
  Speaker 3: or don't play?
• 1:49:31
  Speaker 2: I used to play RP, man. Oh, by the way, watch... Cleópatro.
• 1:49:35
  Speaker 6: My character. Who later became Ciririco, later became.
• 1:49:39
  Speaker 2: Cleópatro.
• 1:49:40
  Speaker 4: Cleópatro.
• 1:49:40
  Speaker 2: Deodoro... Deodoro... Fonseca.
• 1:49:44
  Speaker 1: No, Deodoro da Fonseca.
• 1:49:46
  Speaker 2: Deodoro da Fonseca. Oh, come home today.
• 1:49:49
  Speaker 4: Deodoro.
• 1:49:50
  Speaker 3: Watch, man.
• 1:49:50
  Speaker 2: Take that thing.
• 1:49:51
  Speaker 3: Okay.
• 1:49:53
  Speaker 2: Okay.
• 1:49:54
  Speaker 4: Sushi.
• 1:49:55
  Speaker 2: Sushizinho temaki.
• 1:49:57
  Speaker 4: Explode o temaki apertado.
• 1:49:58
  Speaker 2: Explode o temaki e liga o Netflix.
• 1:50:00
  Speaker 4: É mesmo, é mesmo. Irmão, tá no Netflix?
• 1:50:01
  Speaker 2: 27 minutinhos de pau dentro. Hoje eu vou.
• 1:50:04
  Speaker 3: Ver de novo, mano.
• 1:50:06
  Speaker 4: Que foda, mano. Eu só não vi porque ontem eu
• 1:50:08
  Speaker 4: tava numa diária, numa campanha que eu tô gravando. Inclusive
• 1:50:10
  Speaker 4: foi com o Musão e com o Kenan e Kel.
• 1:50:12
  Speaker 4: Foi bem legal. O que?
• 1:50:15
  Speaker 2: Tá gravando uma campainha? É, então.
• 1:50:17
  Speaker 4: Foi legal. Eu cheguei lá e descobri que era com eles.
• 1:50:20
  Speaker 3: Melhor ainda, né?
• 1:50:22
  Speaker 4: Kenan e Kel.
• 1:50:23
  Speaker 2: Que maneiro.
• 1:50:24
  Speaker 4: E vou expor aqui, hein. Um dos Kenekel nunca viu Kenekel.
• 1:50:28
  Speaker 2: Ah, não. Um dos Kenekel nunca viu Kenekel. Sério?
• 1:50:31
  Speaker 4: Tô cobrando ele, tô cobrando ele.
• 1:50:32
  Speaker 2: Filhas da puta, mano.
• 1:50:33
  Speaker 1: Filhas da puta. Ó, uma coisa que a galera não
• 1:50:35
  Speaker 1: espera de você, e que eu sei que você é.
• 1:50:37
  Speaker 3: Lá vem, hein. Lá vem.
• 1:50:39
  Speaker 2: Funkeiro nato.
• 1:50:40
  Speaker 4: Eu sou, mano. I am, but I've already made it clear.
• 1:50:44
  Speaker 2: I know, but I think people don't expect it.
• 1:50:46
  Speaker 4: Some of his songs.
• 1:50:48
  Speaker 2: Because when people hear... Ah, rock.
• 1:50:50
  Speaker 4: But it's because... These things have this antagonist profile, right?
• 1:50:56
  Speaker 4: But I think it's bullshit.
• 1:50:57
  Speaker 2: It's bullshit. But you always thought? Because when I was
• 1:51:00
  Speaker 2: a kid... Always thought.
• 1:51:02
  Speaker 3: I was.
• 1:51:02
  Speaker 2: I hate rock. I hate rockers.
• 1:51:04
  Speaker 4: No, I don't. But I listened, okay?
• 1:51:05
  Speaker 2: But I dressed the character I hate.
• 1:51:09
  Speaker 3: No, I didn't.
• 1:51:10
  Speaker 4: I listened to MC Saed when I was a kid,
• 1:51:13
  Speaker 4: you know? What is that?
• 1:51:15
  Speaker 2: My brother is an absurd guitarist.
• 1:51:20
  Speaker 4: He's a bit.
• 1:51:21
  Speaker 1: He's always been a bit prejudiced with another style of
• 1:51:24
  Speaker 1: rock than metal, you know?
• 1:51:25
  Speaker 6: And I have this respect for him, like, okay, that's it, man.
• 1:51:28
  Speaker 2: I think it's all good, like, the guy wants to
• 1:51:30
  Speaker 2: put himself, man, I like this and that.
• 1:51:31
  Speaker 4: And I don't, for me, in my logic, in my head,
• 1:51:33
  Speaker 4: this doesn't make sense for me, right? Like, for me,
• 1:51:35
  Speaker 4: there's no reason for me to want it, because, man,
• 1:51:37
  Speaker 4: the more things my brain can....
• 1:51:48
  Speaker 2: To absorb?
• 1:51:49
  Speaker 4: It's better. For me it's better because I'll have more references,
• 1:51:52
  Speaker 4: I'll be able to work on more things, I'll be
• 1:51:53
  Speaker 4: able to create a business that is maybe new, right?
• 1:51:58
  Speaker 4: I don't know. That's it, right? We have to... Nowadays, man,
• 1:52:02
  Speaker 4: why would anyone listen to my music?
• 1:52:04
  Speaker 3: What kind of music do you listen to that you
• 1:52:05
  Speaker 3: think no one would imagine? Because funk, you already do.
• 1:52:08
  Speaker 4: Man, I've listened to a lot of samba, mpb, I'm
• 1:52:12
  Speaker 4: breaking on a disco by Elza Soares, who is the
• 1:52:16
  Speaker 4: woman of the end of the world. Mano, if you've
• 1:52:19
  Speaker 4: never heard this album from the beginning... I'm really into
• 1:52:21
  Speaker 4: listening to albums. I think this got lost. I think
• 1:52:23
  Speaker 4: this got lost. But not in Vitrola.
• 1:52:25
  Speaker 2: I'm kidding, talk. Not in Vitrola, but listening to albums. And, man,
• 1:52:28
  Speaker 2: this album by Elza Soares... What's the name? A Mulher
• 1:52:31
  Speaker 2: do Fim do Mundo.
• 1:52:33
  Speaker 4: By the way, she released this album when she was
• 1:52:36
  Speaker 4: like 80 something years old. You can believe it. And
• 1:52:39
  Speaker 4: this is the age of my grandmother.
• 1:52:48
  Speaker 2: Damn, that's awesome.
• 1:52:49
  Speaker 4: Then I imagine my grandmother, how would my grandmother do
• 1:52:52
  Speaker 4: to release an album like this? Man, you will listen
• 1:52:54
  Speaker 4: to the album, track by track, the thing, bro, is modern,
• 1:52:58
  Speaker 4: it's awesome, there's a lot of stuff, kind of prog,
• 1:53:01
  Speaker 4: like that, a very sinister thing, bro.
• 1:53:03
  Speaker 1: I'm revisiting albums that I listened to, boy, and today
• 1:53:05
  Speaker 1: for me it's hitting, it's that I'm going to talk
• 1:53:08
  Speaker 1: about a thing that I always say, but it's hitting differently,
• 1:53:10
  Speaker 1: like I was talking to the mythical. I, at one time,
• 1:53:13
  Speaker 1: I'm a big fan of Racionais and I was only
• 1:53:14
  Speaker 1: listening to Sobrevivendo no Inferno. Or nothing like the day
• 1:53:18
  Speaker 1: after the other. Brother, go listen to Raio X do Brasil,
• 1:53:20
  Speaker 1: the ideas of the guys, brother. Man, if you listen
• 1:53:23
  Speaker 1: to Zeca Pagodinho's album, you'll be shocked. I was listening
• 1:53:25
  Speaker 1: to Jorge Versilo today saying, what the fuck is this?
• 1:53:28
  Speaker 4: Man, Brazil is very sinister, right?
• 1:53:30
  Speaker 2: Javan, Javan, Javan is very sinister.
• 1:53:34
  Speaker 4: Milton Nascimento.
• 1:53:35
  Speaker 2: Oh, fuck. Yeah, it's very sinister.
• 1:53:38
  Speaker 4: Ah. Gal Costa.
• 1:53:38
  Speaker 1: That's what I was going to say, this woman, I
• 1:53:40
  Speaker 1: saw her singing Queixinho com Queixinho com o Djavan, I said,
• 1:53:42
  Speaker 1: what a fucking delight.
• 1:53:44
  Speaker 2: These two were there singing like hell. Elis Regina, fuck.
• 1:53:48
  Speaker 4: I was listening to a Gaúcho Costa album.
• 1:53:52
  Speaker 3: Too, which is.
• 1:53:53
  Speaker 2: But today I'm also addicted to the.
• 1:53:54
  Speaker 4: MCGP album, okay? The Gaúcho Costa album is very cool.
• 1:53:58
  Speaker 2: Farmano Aura.
• 1:54:00
  Speaker 4: I swear to God.
• 1:54:01
  Speaker 2: But the song is great.
• 1:54:03
  Speaker 3: No, it's fucking great.
• 1:54:04
  Speaker 4: Man, listen. Let's go back to that habit. Let's listen.
• 1:54:08
  Speaker 2: The album from end to end?
• 1:54:09
  Speaker 4: From end to end. And feel the artist's breeze. Yeah, man.
• 1:54:12
  Speaker 4: A record. You don't say everything you want to say
• 1:54:14
  Speaker 4: in a song. Put it there. Go cook. Choose an
• 1:54:17
  Speaker 4: album and put it there. From the first to the last.
• 1:54:20
  Speaker 4: Then listen to it again. That every time, man. It's
• 1:54:22
  Speaker 4: cool this experience of you... You hear it and say,
• 1:54:25
  Speaker 4: now I know it's over, this one will start this one.
• 1:54:27
  Speaker 4: You know that your brain already starts to play the
• 1:54:28
  Speaker 4: next song.
• 1:54:28
  Speaker 1: Or when you know what the people scream at the show,
• 1:54:31
  Speaker 1: when that CD is live, you say, Leino!
• 1:54:33
  Speaker 2: And the song starts to play.
• 1:54:34
  Speaker 4: And because that's it, man. There's a lot of things
• 1:54:36
  Speaker 4: that are the gold, the gold nuggets of the artists
• 1:54:38
  Speaker 4: that are hidden.
• 1:54:39
  Speaker 2: In the album.
• 1:54:40
  Speaker 3: Exactly.
• 1:54:40
  Speaker 1: I started to watch, I went back to watch the
• 1:54:43
  Speaker 1: acoustic MTV.
• 1:54:44
  Speaker 2: And taking the ass of Marcelo D2, or Chorão, brother.
• 1:54:46
  Speaker 2: Charlie Brown, my God.
• 1:54:48
  Speaker 3: Charlie Brown is absurd.
• 1:54:49
  Speaker 4: It's very f * * * ed.
• 1:54:50
  Speaker 3: It changed my life.
• 1:54:51
  Speaker 4: I think the first DVD I had in my life
• 1:54:54
  Speaker 4: was Nirvana's acoustic. The unplugged one. I think it was
• 1:54:57
  Speaker 4: the only.
• 1:54:58
  Speaker 2: I think he plays the guitar.
• 1:54:59
  Speaker 4: I think it's the only Nirvana show you can see.
• 1:55:01
  Speaker 6: It's the only Nirvana show you can see.
• 1:55:03
  Speaker 4: That you can see that Kurt Cobain is not.
• 1:55:06
  Speaker 3: He was crazy.
• 1:55:08
  Speaker 6: He was crazy.
• 1:55:09
  Speaker 3: We have Live Pica. What is this?
• 1:55:10
  Speaker 2: I'm without a phone. No one told me. Live Pica.
• 1:55:12
  Speaker 2: Is there a Live Pica there?
• 1:55:14
  Speaker 3: Did they send it?
• 1:55:21
  Speaker 4: What was the question from LivePix?
• 1:55:26
  Speaker 3: Paranormal messages.
• 1:55:27
  Speaker 4: What conspiracy theories do you guys believe in?
• 1:55:30
  Speaker 2: My God. Open the door for the negationists. Let's go.
• 1:55:32
  Speaker 2: Let's go. Let it go. Baguncinha sent a message from PIX.
• 1:55:34
  Speaker 2: TV is from Globo.
• 1:55:35
  Speaker 4: It's true.
• 1:55:49
  Speaker 2: The TV house is from Globo.
• 1:55:51
  Speaker 3: Who works there, Defante, answer this.
• 1:55:52
  Speaker 2: Assume, is it from Globo or not?
• 1:55:54
  Speaker 6: Man, it's not, it's not from Globo, it's not from Globo.
• 1:55:57
  Speaker 4: This is a character, tell the truth. It's exactly what
• 1:56:00
  Speaker 4: a person who knows that the TV house is from
• 1:56:02
  Speaker 4: Globo would say, right?
• 1:56:03
  Speaker 2: Rainha Santos, we're with you, bro.
• 1:56:05
  Speaker 4: Man, I wanted to be, I wanted to be, I say,
• 1:56:08
  Speaker 4: but I wanted to be like this, bro. I wanted
• 1:56:11
  Speaker 4: to be the guy who believes in something like this, bro.
• 1:56:13
  Speaker 2: I wanted to too. I think my life would be
• 1:56:15
  Speaker 2: much more peaceful.
• 1:56:15
  Speaker 4: Because I think it gives some kind of purpose, you know?
• 1:56:18
  Speaker 4: These people, they have as the north of their lives...
• 1:56:20
  Speaker 4: This is the case of Globo, right? That's it, you know?
• 1:56:23
  Speaker 4: A wood of piroca, case of Globo... A taxi driver
• 1:56:26
  Speaker 4: sent me this one.
• 1:56:27
  Speaker 2: A taxi driver sent me this one. It's from Globo, right?
• 1:56:30
  Speaker 3: Tell me.
• 1:56:31
  Speaker 2: I wasn't, I wasn't.
• 1:56:33
  Speaker 3: But if you were too.
• 1:56:34
  Speaker 4: Nah.
• 1:56:34
  Speaker 2: You have to say, yeah, man, dude, how did you
• 1:56:36
  Speaker 2: find out? And then it goes, man. You have to
• 1:56:38
  Speaker 2: change the other one. And then the guys did a
• 1:56:41
  Speaker 2: whole job of pretending that they.
• 1:56:42
  Speaker 4: Created a competitor. That's it, that's it, that's it. Just
• 1:56:44
  Speaker 4: to disguise. Because if not, it was getting.
• 1:56:46
  Speaker 2: In the face.
• 1:56:47
  Speaker 4: But it's a good disguise. It's a good disguise, man. Yeah,
• 1:56:50
  Speaker 4: you have to clap your hands for KZTD. It's expensive,
• 1:56:53
  Speaker 4: this disguise. Mom Globo doesn't make mistakes.
• 1:56:54
  Speaker 2: KZPT. Oh, man. Play it.
• 1:57:01
  Speaker 7: Danielzinho sent a message through Pix. Michael Jackson didn't die
• 1:57:05
  Speaker 7: and lives in Bahia. But why is he wearing Toguro's face?
• 1:57:07
  Speaker 3: He's wearing Toguro's face.
• 1:57:08
  Speaker 4: Oh, it's Toguro.
• 1:57:09
  Speaker 2: It's Toguro.
• 1:57:10
  Speaker 4: Oh, man. Calm down.
• 1:57:11
  Speaker 3: Michael Jackson didn't die.
• 1:57:13
  Speaker 2: Man, these messages don't even show. For us. I'm pissed.
• 1:57:16
  Speaker 4: Why? Because of Toguro? Or because of Michael Jackson?
• 1:57:18
  Speaker 6: Michael Jackson went to hell, right?
• 1:57:19
  Speaker 4: He died.
• 1:57:19
  Speaker 3: He died, man.
• 1:57:21
  Speaker 2: Man, he had a big hand.
• 1:57:22
  Speaker 6: Have you noticed the size of Michael Jackson's hand?
• 1:57:26
  Speaker 3: Really?
• 1:57:26
  Speaker 2: I've never noticed.
• 1:57:27
  Speaker 4: Man, look, man.
• 1:57:28
  Speaker 6: He has a video of him buying things at the mall,
• 1:57:30
  Speaker 6: like this.
• 1:57:31
  Speaker 2: That he just points out. This, this, this, this, this.
• 1:57:35
  Speaker 2: Look at his hand proportionally. Did you notice Michael's hand?
• 1:57:37
  Speaker 6: Yeah, because proportionally to the body, it's a kind of
• 1:57:41
  Speaker 6: different hand, bro.
• 1:57:42
  Speaker 2: Look, look, look, look, look, look, look. Hands up.
• 1:57:46
  Speaker 4: Hands to hell, huh, Mr. Michael Jackson?
• 1:57:47
  Speaker 6: And then he does that little hand of him dancing, right,
• 1:57:49
  Speaker 6: which is like, it's kind of loose, like this, look.
• 1:57:52
  Speaker 2: Man, he's just like him.
• 1:57:52
  Speaker 3: That glove of his is big, so... And then I
• 1:57:54
  Speaker 3: started to look at the guy's hand.
• 1:57:55
  Speaker 2: Drake bought his glove, right? Now I'm going to start
• 1:57:58
  Speaker 2: to notice. Stop! I wouldn't have this reaction. Send another one.
• 1:58:02
  Speaker 2: Send the next one.
• 1:58:06
  Speaker 3: The guys have this... Agora eu vou começar a reparar.
• 1:58:01
  Speaker 2: Para!
• 1:58:02
  Speaker 6: Não, eu não.
• 1:58:02
  Speaker 1: Eu não teria essa reação.
• 1:58:05
  Speaker 3: Manda outra aí. Manda a próxima.
• 1:58:07
  Speaker 4: Os caras têm essa.
• 1:58:10
  Speaker 9: Gilberto Barros mandou uma mensagem pelo Pix. As cartinhas de Yu-Gi-Oh!
• 1:58:15
  Speaker 9: são tudo do Tinhoso. Do Sete Perna.
• 1:58:19
  Speaker 4: Cartinha do Yu-Gi-Oh! são do demônio. Pelo menos de onde
• 1:58:21
  Speaker 4: eu vim, lá na minha escola, a regra era a seguinte.
• 1:58:24
  Speaker 4: Você pode até brincar com a cartinha do Yu-Gi-Oh! Você
• 1:58:26
  Speaker 4: não pode olhar o que está escrito, que aí você
• 1:58:28
  Speaker 4: ameaça sua mãe em casa. Ela falava isso. If you
• 1:58:31
  Speaker 4: read what's written in the letter, you get home and
• 1:58:33
  Speaker 4: you can kill your mother. I see. They used to
• 1:58:36
  Speaker 4: say that. My mom threw me out, my mom burned me.
• 1:58:38
  Speaker 2: But I think it was.
• 1:58:39
  Speaker 4: It was a narrative to make us, in no way,
• 1:58:41
  Speaker 4: play the game the way it has to be played.
• 1:58:43
  Speaker 4: Because Yu-Gi-Oh's figurine, we used to beat. Yes, it's true.
• 1:58:47
  Speaker 4: No one dueled. So, dueling Yu-Gi-Oh, brother, you're a boy.
• 1:58:49
  Speaker 4: You're a boy. If you duel Yu-Gi-Oh, you're good.
• 1:58:57
  Speaker 1: And if there was the compartment to fit the cards,
• 1:59:00
  Speaker 1: damn it.
• 1:59:01
  Speaker 4: Very good.
• 1:59:01
  Speaker 1: It's like there was original Beyblade and there was arena.
• 1:59:05
  Speaker 4: That's the country.
• 1:59:05
  Speaker 2: Damn, the arena of Beyblade is Baldi, bro.
• 1:59:07
  Speaker 4: For you to play with Yu-Gi-Oh's card, it's hitting the
• 1:59:09
  Speaker 4: bass and you have to get with the cards as
• 1:59:12
  Speaker 4: fucked as possible. That one that's just like that.
• 1:59:15
  Speaker 2: It's taking off.
• 1:59:16
  Speaker 4: It's taking off, all fucked up. If you get with
• 1:59:17
  Speaker 4: a new card, bro. But I don't have.
• 1:59:20
  Speaker 2: A hard cover card. I don't have anything like that
• 1:59:21
  Speaker 2: that's really from the devil. No, but it is. There
• 1:59:24
  Speaker 2: are some things there, there are some satanic things.
• 1:59:25
  Speaker 1: But there are things that are from the devil that...
• 1:59:27
  Speaker 1: But then the person doesn't need to absorb, right?
• 1:59:30
  Speaker 4: Yeah, we're here, you're there, man. Each one in his square, right?
• 1:59:33
  Speaker 4: Send the next one, Ed.
• 1:59:35
  Speaker 2: Change the balanced, man.
• 1:59:37
  Speaker 3: Please.
• 1:59:39
  Speaker 9: Igão Podicre sent a message through Pix. Popeye doesn't eat spinach.
• 1:59:45
  Speaker 9: He gets crazy with another green.
• 1:59:49
  Speaker 2: Ah, I know that. I think that.
• 1:59:51
  Speaker 4: But does Popeye get strong from marijuana?
• 1:59:53
  Speaker 2: He throws a Spinaff there.
• 1:59:54
  Speaker 3: And he gets crazy.
• 1:59:55
  Speaker 1: He goes up here a little bit.
• 1:59:57
  Speaker 3: But if it was marijuana, he would sleep.
• 1:59:59
  Speaker 4: He would eat other things. No, so it's cocaine that he's...
• 2:00:01
  Speaker 4: I tell the truth, okay, guys? You're the Drauzio Varela
• 2:00:06
  Speaker 4: of the new generation. I'm the guy who comes here
• 2:00:07
  Speaker 4: and says what has to be said. But I think that.
• 2:00:09
  Speaker 1: Another thing that is the most crazy idea of the
• 2:00:12
  Speaker 1: guy and drugged, satanist, is Mario World.
• 2:00:16
  Speaker 3: Why?
• 2:00:17
  Speaker 4: What Mario? Ah, World.
• 2:00:20
  Speaker 2: World. He takes the mushroom, bro.
• 2:00:23
  Speaker 3: He's a hero.
• 2:00:24
  Speaker 2: He steps on the head of the flying turtles.
• 2:00:27
  Speaker 3: Have you ever paid attention to that?
• 2:00:29
  Speaker 4: Yeah, bro, the thing is a.
• 2:00:30
  Speaker 2: And then he takes a little star that makes him...
• 2:00:33
  Speaker 2: That's it, exactly.
• 2:00:34
  Speaker 1: He's a crazy hero to save a princess, bro.
• 2:00:36
  Speaker 4: Have you ever taken a little star that makes you... Already.
• 2:00:38
  Speaker 3: I want to go to the beach.
• 2:00:40
  Speaker 2: Ah, man, a lot of little things.
• 2:00:42
  Speaker 4: No, no, calm down, calm down. Mosquito da Fiel sent
• 2:00:48
  Speaker 4: a message through.
• 2:00:49
  Speaker 9: Pix Palmeiras was world champion in 51. That's it. The
• 2:01:18
  Speaker 9: flow is top too.
• 2:01:20
  Speaker 4: Was he champion in 51? It's a thing that.
• 2:01:21
  Speaker 1: But the palmeirense doesn't consider it either.
• 2:01:26
  Speaker 2: I think only the most beaten.
• 2:01:27
  Speaker 4: No, this guy was. Let them believe. Guys, if it was,
• 2:01:29
  Speaker 4: it was. I won't doubt. If it was, it was.
• 2:01:30
  Speaker 4: Each one who goes when it's time... Se os caras foram.
• 2:01:46
  Speaker 2: Marcos, cadê o Marcos? Foi ou não foi?
• 2:01:48
  Speaker 3: Ah, lá.
• 2:01:49
  Speaker 4: Lógico.
• 2:01:49
  Speaker 2: Nem ele acredita, mano.
• 2:01:51
  Speaker 4: Você é palmeirense?
• 2:01:52
  Speaker 6: Palmeirense.
• 2:01:53
  Speaker 4: You're Palmeirense?
• 2:01:54
  Speaker 6: He was on the ad for the new shirt, bro.
• 2:01:56
  Speaker 6: On the ad for the new shirt, there's a picture
• 2:01:58
  Speaker 6: of a friend.
• 2:01:59
  Speaker 4: And I'm going to see the new shirt of Palmeiras?
• 2:02:01
  Speaker 6: Ah, but it's beautiful.
• 2:02:02
  Speaker 1: And Corinthians is wishing a happy birthday to Palmeiras.
• 2:02:05
  Speaker 2: Oh, by the way, the social media of Corinthians, man.
• 2:02:07
  Speaker 2: Jump out of the well, man.
• 2:02:08
  Speaker 4: Ah, man. But it's Yin and Yang, right? One has
• 2:02:10
  Speaker 4: to exist for the other.
• 2:02:11
  Speaker 2: But you don't have to make a tweet.
• 2:02:13
  Speaker 4: Ah, diplomacy. I didn't think it was bad, no. No,
• 2:02:16
  Speaker 4: I don't like it.
• 2:02:16
  Speaker 2: Was it ironic, no?
• 2:02:18
  Speaker 3: Gabriela sent a message through Pix.
• 2:02:44
  Speaker 9: Lucas, my dream is to have sex with you while
• 2:02:47
  Speaker 9: you squeeze my ass with those huge hands.
• 2:02:51
  Speaker 3: What the fuck?
• 2:02:52
  Speaker 2: Holy shit, that was so intense. That was Michael's hands.
• 2:02:55
  Speaker 4: Holy shit, that's absurd, man.
• 2:02:56
  Speaker 3: Holy shit, I've never seen a man do that.
• 2:02:59
  Speaker 4: Because it's a little shy, man.
• 2:03:00
  Speaker 2: Holy shit, what is that?
• 2:03:01
  Speaker 3: Send her a kiss.
• 2:03:02
  Speaker 4: I'm going to have to squeeze her ass with my
• 2:03:04
  Speaker 4: huge hands while we.
• 2:03:05
  Speaker 2: Fuck.
• 2:03:05
  Speaker 4: Have sex. My hand is not big, man.
• 2:03:09
  Speaker 3: It's not like Michael's, right?
• 2:03:10
  Speaker 4: My hand is okay.
• 2:03:13
  Speaker 2: Ah, it's the same thing. Our mothers are the same.
• 2:03:16
  Speaker 4: They're the same.
• 2:03:16
  Speaker 2: Have you made love? With the.
• 2:03:22
  Speaker 4: Whole favela.
• 2:03:23
  Speaker 6: But as I said, my libido went down. I'm slower.
• 2:03:27
  Speaker 3: Yeah?
• 2:03:27
  Speaker 4: Yes. Slowly, but... I'm.
• 2:03:29
  Speaker 6: Taking my Peruvian stretcher, I'm going to do a blood
• 2:03:32
  Speaker 6: test to see what's going on.
• 2:03:33
  Speaker 2: Do you think you're with the test?
• 2:03:36
  Speaker 6: I don't know why, but I think I am.
• 2:03:37
  Speaker 2: You have a drummer hand, right? I saw your hands.
• 2:03:40
  Speaker 3: My hand is from the gym, man.
• 2:03:43
  Speaker 4: Ah ok, I thought you were talking about the Kallons. Kallon.
• 2:03:46
  Speaker 3: Is there more Live Pix? Send it then, man, you're crazy.
• 2:03:50
  Speaker 6: Let it go.
• 2:03:51
  Speaker 4: Lucky.
• 2:03:51
  Speaker 2: Pedão sent a message through Pix.
• 2:03:53
  Speaker 7: How do you go to the gym to get on
• 2:03:55
  Speaker 7: the iron with the guys talking about anal depilation in
• 2:03:58
  Speaker 7: the ear?
• 2:03:59
  Speaker 4: Man, by the way, this one even gagged, man.
• 2:04:02
  Speaker 2: Was that a human being who sent it or was
• 2:04:04
  Speaker 2: it a robot?
• 2:04:06
  Speaker 4: I'm hard. I'm hard. I'm hard. No, but it's because
• 2:04:09
  Speaker 4: he was in the gym listening to the stuff and
• 2:04:12
  Speaker 4: we were talking.
• 2:04:13
  Speaker 2: About anal depilation.
• 2:04:15
  Speaker 1: Ah, okay.
• 2:04:16
  Speaker 2: Man, it's normal, you know?
• 2:04:18
  Speaker 4: Who depilates?
• 2:04:18
  Speaker 2: Who revisits?
• 2:04:22
  Speaker 4: I don't.
• 2:04:22
  Speaker 3: I don't.
• 2:04:23
  Speaker 4: In this case, I don't want to visit. And I depilate.
• 2:04:25
  Speaker 4: And I don't want to visit.
• 2:04:26
  Speaker 2: Do you really depilate the tail?
• 2:04:27
  Speaker 4: Yes. I don't want to visit.
• 2:04:30
  Speaker 2: I've asked a few times, but it's a good feeling.
• 2:04:32
  Speaker 3: KKQ Trindade, 16, sent a message through Pix.
• 2:04:35
  Speaker 5: The moral, Diogo and Lucas have the face of those
• 2:04:37
  Speaker 5: who don't get married.
• 2:04:39
  Speaker 4: Yeah, but it's good to avoid it.
• 2:04:42
  Speaker 2: Yeah, that's right, man.
• 2:04:44
  Speaker 1: No, but they already invited you to some stuff, right?
• 2:04:48
  Speaker 2: Ah, no, but.
• 2:04:49
  Speaker 4: But then it was consensual.
• 2:04:50
  Speaker 2: It was consensual, but she stopped being married. No, it's true.
• 2:04:53
  Speaker 6: Yeah, yes, so I got married.
• 2:04:58
  Speaker 4: If you have consent, guys... But she kept saying like this.
• 2:05:01
  Speaker 2: You fuck better than the corno.
• 2:05:06
  Speaker 4: Yeah, because that's a fantasy too, right? That happens.
• 2:05:08
  Speaker 2: No, no, no.
• 2:05:08
  Speaker 4: Tell the truth, man. Tell the truth. Look at my ball.
• 2:05:10
  Speaker 2: Tell the truth, man. It's because the husband was with her, right? So, exactly.
• 2:05:13
  Speaker 4: But that's it. Did she talk to my ear? No, no, no.
• 2:05:16
  Speaker 3: I told her to listen.
• 2:05:19
  Speaker 6: Ah, no, mas rolou da menina falar assim.
• 2:05:22
  Speaker 2: Ele não me come assim.
• 2:05:23
  Speaker 6: Tirar ele de trás da cortina e falar assim, vem aqui, corninho.
• 2:05:27
  Speaker 2: Ele tava atrás da cortina.
• 2:05:31
  Speaker 4: É tipo um talk show o bagulho. De noite.
• 2:05:34
  Speaker 3: Entra!
• 2:05:36
  Speaker 2: Ele é o amor. Dá pra ele, eu tô aqui
• 2:05:37
  Speaker 2: atrás da cortina.
• 2:05:38
  Speaker 3: It's for you to be more comfortable.
• 2:05:39
  Speaker 2: That's it, that's it.
• 2:05:41
  Speaker 3: It's for you to be more comfortable.
• 2:05:42
  Speaker 4: Imagine them there, the Defunct and the Mina, and then
• 2:05:44
  Speaker 4: the curtain and just the little feet of the guy
• 2:05:46
  Speaker 4: down there.
• 2:05:46
  Speaker 1: Or if it's that curtain that from the middle to
• 2:05:49
  Speaker 1: the top is more transparent, you see the guy here.
• 2:05:52
  Speaker 4: The static guy, standing.
• 2:05:53
  Speaker 1: But then when he came out of the curtain, I
• 2:05:55
  Speaker 1: was kind of scalded with him.
• 2:05:57
  Speaker 2: Did he come out ready?
• 2:05:59
  Speaker 4: Ready. Always ready.
• 2:06:02
  Speaker 3: Do you know that? Always ready, kid. Send more there.
• 2:06:08
  Speaker 4: Salve!
• 2:06:09
  Speaker 3: Manda aí.
• 2:06:12
  Speaker 9: Duque Music mandou uma mensagem pelo Pix. Fala, galaera, Duque aqui.
• 2:06:17
  Speaker 9: Duque aqui.
• 2:06:18
  Speaker 2: É o Duque.
• 2:06:20
  Speaker 4: É o Duque, cara. É o celular do Pix.
• 2:06:24
  Speaker 2: E aí, gente?
• 2:06:25
  Speaker 4: Fala aí, galera, beleza? Duque aqui. Aqui é o Lucas
• 2:06:30
  Speaker 4: que tá falando.
• 2:06:31
  Speaker 9: Perspicaz mandou uma mensagem pelo Pix. Send a shout out
• 2:06:35
  Speaker 9: to the Clipador who won the most championships of Cortez
• 2:06:38
  Speaker 9: do Popa in the Real Oficial.
• 2:06:41
  Speaker 4: Damn.
• 2:06:41
  Speaker 3: What's his name? What's his name?
• 2:06:43
  Speaker 1: Perspicaz.
• 2:06:48
  Speaker 4: Perspicaz.
• 2:06:50
  Speaker 2: Perspicaz.
• 2:06:51
  Speaker 4: Perspicaz.
• 2:06:52
  Speaker 2: We're together, brother.
• 2:06:53
  Speaker 4: Congratulations.
• 2:06:53
  Speaker 3: Perspicaz is us. Continue making our cut there, see?
• 2:06:56
  Speaker 4: Go cutting, go cutting. Go cutting and we'll.
• 2:06:59
  Speaker 3: Talk here, you go cutting.
• 2:07:00
  Speaker 2: Clipador brabo.
• 2:07:03
  Speaker 4: We talking and you cutting. Two putting and one drinking.
• 2:07:07
  Speaker 4: Two putting are the elements of the periodic table.
• 2:07:10
  Speaker 2: The girl left the contact there, she wants to make
• 2:07:12
  Speaker 2: love with Lucas?
• 2:07:13
  Speaker 4: Damn, these guys want to fix me a business. Ah, bro.
• 2:07:16
  Speaker 4: It's normal.
• 2:07:17
  Speaker 2: Man, I'm not doing anything.
• 2:07:19
  Speaker 4: Man, I'm on a podcast, man. It's true.
• 2:07:21
  Speaker 2: So let's go to the fastball game?
• 2:07:23
  Speaker 4: Go.
• 2:07:23
  Speaker 2: Do you like this one? I love it.
• 2:07:25
  Speaker 3: Wow, I'm terrible.
• 2:07:26
  Speaker 4: I love to walk in the abyss.
• 2:07:27
  Speaker 2: Who is this?
• 2:07:30
  Speaker 3: Jorge Veríssimo.
• 2:07:31
  Speaker 4: Jorge Veríssimo, right?
• 2:07:32
  Speaker 2: Does he have the voice of Team Maia or the
• 2:07:34
  Speaker 2: Hulk's ass? Player.
• 2:07:36
  Speaker 6: The voice of Team Maia.
• 2:07:37
  Speaker 4: The voice of Team Maia too. Good.
• 2:07:39
  Speaker 3: But imagine if he had the Hulk's ass.
• 2:07:42
  Speaker 4: Man, so... I don't know.
• 2:07:45
  Speaker 3: I don't want to have a butt.
• 2:07:47
  Speaker 4: It's because you don't have it.
• 2:07:48
  Speaker 3: Then yes, then yes, call a visit. It's cool. A
• 2:07:51
  Speaker 3: tasty butt that is marked on the shorts.
• 2:07:53
  Speaker 4: Have you seen the sad piece there? Marba.
• 2:07:55
  Speaker 2: It looks like Super New, brother. Really? Really.
• 2:07:58
  Speaker 3: A beautiful.
• 2:08:00
  Speaker 4: If you stay with four, it's an eclipse. Really?
• 2:08:01
  Speaker 2: That's why he was walking from the beginning.
• 2:08:05
  Speaker 3: You're not going to eat my ass, are you?
• 2:08:07
  Speaker 2: It's a joke. Have you ever been talaricado?
• 2:08:14
  Speaker 3: Talaricado? No. You thought, huh?
• 2:08:18
  Speaker 6: No, what I know, no.
• 2:08:20
  Speaker 3: Already was? Ah, for sure.
• 2:08:23
  Speaker 4: But you said with certainty. But what is the definition?
• 2:08:24
  Speaker 4: Just to understand. What are you trying to say with
• 2:08:28
  Speaker 4: this question?
• 2:08:28
  Speaker 2: The person... They stole your wife.
• 2:08:30
  Speaker 6: Your little baby.
• 2:08:31
  Speaker 4: My wife. Not like that, ah, a person that I
• 2:08:33
  Speaker 4: was in love with, the guy went there and... Ah, no,
• 2:08:36
  Speaker 4: then no, right? No, no.
• 2:08:37
  Speaker 6: Ah, no, I don't think so.
• 2:08:38
  Speaker 4: No, I don't know. No, they stole is foda.
• 2:08:40
  Speaker 5: I wanted more to say if I was with a
• 2:08:41
  Speaker 5: person and another person gave the idea, knowing that I
• 2:08:44
  Speaker 5: was with that person.
• 2:08:44
  Speaker 4: Yeah, I think so. I think so.
• 2:08:45
  Speaker 3: Yeah, man. You already?
• 2:08:48
  Speaker 4: The man is a beast, right? A beast that walks, right?
• 2:08:50
  Speaker 4: The man... I don't know, I.
• 2:08:52
  Speaker 2: Don't think so, bro.
• 2:08:53
  Speaker 4: So you don't know.
• 2:08:54
  Speaker 6: I have a song for that, right?
• 2:08:57
  Speaker 2: The Talalau, right? Including the Talalau, because you gave.
• 2:08:59
  Speaker 6: Me this idea.
• 2:09:00
  Speaker 4: I thought it was from the Tuparão de Tênis.
• 2:09:02
  Speaker 2: The name of the song is Talalau.
• 2:09:04
  Speaker 4: I thought it was the Tuparão de Tênis. What? The Taralelo.
• 2:09:09
  Speaker 2: Taralau. I hate this shit, bro.
• 2:09:11
  Speaker 4: I love it. Fuck you. Nobody asked. What?
• 2:09:16
  Speaker 2: Which animal is the son of a bitch? The son
• 2:09:18
  Speaker 2: of a bitch? Yeah.
• 2:09:19
  Speaker 4: Man, I know one.
• 2:09:20
  Speaker 2: Of nature.
• 2:09:21
  Speaker 4: The beaver.
• 2:09:22
  Speaker 2: Why, man?
• 2:09:23
  Speaker 4: The beaver is the son of a.
• 2:09:24
  Speaker 3: Bitch, man.
• 2:09:25
  Speaker 6: We don't even have contact with the beaver here. There's
• 2:09:27
  Speaker 6: no contact.
• 2:09:27
  Speaker 4: He keeps munching, right? He's the son of a bitch.
• 2:09:29
  Speaker 4: He fucks everything, fucks everything, fucks the whole ecosystem, man.
• 2:09:34
  Speaker 3: Really?
• 2:09:34
  Speaker 4: He eats all the trees and keeps making those barricades
• 2:09:37
  Speaker 4: there in the water.
• 2:09:38
  Speaker 3: He makes barricades and fucks everything.
• 2:09:40
  Speaker 2: Morphetic. Man, he's tiny.
• 2:09:42
  Speaker 3: Man.
• 2:09:42
  Speaker 2: Causes this damage there, huh?
• 2:09:43
  Speaker 4: No, several together. It's a mess there, man. The guys
• 2:09:47
  Speaker 4: are messing with the biome, man. Then you have to
• 2:09:50
  Speaker 4: go there with the minigun. And the javali?
• 2:09:52
  Speaker 2: Do you have to hunt the javali too?
• 2:09:54
  Speaker 4: Yeah, but the javali, I think he's less malicious than
• 2:09:57
  Speaker 4: the beaver, right?
• 2:09:58
  Speaker 1: So, but you saw, man, I saw a helicopter guy
• 2:10:00
  Speaker 1: shooting at the javali.
• 2:10:01
  Speaker 4: I said, what is this, man? Yeah, because I see
• 2:10:03
  Speaker 4: the guys saying like this, it's released because it's a plague. But, damn,
• 2:10:06
  Speaker 4: poor javali.
• 2:10:06
  Speaker 3: Damn, man.
• 2:10:07
  Speaker 4: The guys go by car with the minigun.
• 2:10:09
  Speaker 2: Yeah, it looks like they're... Damn, man.
• 2:10:13
  Speaker 4: They said that.
• 2:10:14
  Speaker 3: I've heard that the hippopotamus is bizarre.
• 2:10:17
  Speaker 2: The hippopotamus is.
• 2:10:19
  Speaker 4: The animal that kills the most human beings on the planet.
• 2:10:21
  Speaker 4: It only loses for the long leg and for the
• 2:10:23
  Speaker 4: human being. Did you like this criticism? Did you see
• 2:10:26
  Speaker 4: this on the Discovery Channel?
• 2:10:28
  Speaker 3: I see it around there.
• 2:10:35
  Speaker 4: Oh, I lost the long machine. But you know that
• 2:10:37
  Speaker 4: the hippopotamus doesn't kill you to eat, right? Because he
• 2:10:38
  Speaker 4: doesn't even eat meat, right? He kills you just to
• 2:10:40
  Speaker 4: make fun of you and get out, because he's very territorial.
• 2:10:43
  Speaker 4: He knocks down the boat and gets out of the water.
• 2:10:46
  Speaker 4: He walks 40 kilometers per hour in the water.
• 2:10:49
  Speaker 2: Ariranha is crazy, okay?
• 2:10:50
  Speaker 4: Ariranha.
• 2:10:50
  Speaker 3: Ariranha is crazy.
• 2:10:51
  Speaker 2: She's kind of cute, cute, cute. She bites the jaguars, guys.
• 2:10:55
  Speaker 2: She bites, she bites.
• 2:10:55
  Speaker 4: Kills jaguars.
• 2:10:56
  Speaker 2: I don't know how she is with humans.
• 2:11:02
  Speaker 4: If she likes us. The bear to kill.
• 2:11:04
  Speaker 6: The jaguar is really cool.
• 2:11:06
  Speaker 3: But be careful with the ariranha, man.
• 2:11:08
  Speaker 4: Yeah, it's a son of a bitch. If you have
• 2:11:09
  Speaker 4: an ariranha in your bathroom, please, go to the nearest room,
• 2:11:13
  Speaker 4: lock the door well, but calm, breathe, because it changes everything.
• 2:11:17
  Speaker 4: If you need anything, I'm here. Just call me. I'm ChatGPT.
• 2:11:21
  Speaker 2: Oh, okay.
• 2:11:21
  Speaker 4: ChatGPT.
• 2:11:22
  Speaker 6: The brother of the cut, the brother of the cut,
• 2:11:24
  Speaker 6: take this cut to stay for the guys. To help
• 2:11:27
  Speaker 6: if any spider appears.
• 2:11:28
  Speaker 2: Perspicaz, right?
• 2:11:30
  Speaker 4: Do you want to be a cut champion? Take this,
• 2:11:31
  Speaker 4: you son of a bitch. This was the cut.
• 2:11:34
  Speaker 2: Best PlayStation 2 game?
• 2:11:38
  Speaker 6: I don't know. I'm not much of the video game.
• 2:11:41
  Speaker 6: PlayStation 2 had... Best game?
• 2:11:43
  Speaker 3: I'm not much of the video game.
• 2:11:45
  Speaker 6: I played Nintendo 64, it was bad.
• 2:11:46
  Speaker 2: Best game, then?
• 2:11:46
  Speaker 4: Nintendo 64?
• 2:11:47
  Speaker 2: Pokémon Stadium. And then, what are you going to do?
• 2:11:48
  Speaker 2: What are you going to do with this?
• 2:11:57
  Speaker 4: Ah, cara, eu tenho alguns, mano. Resident Evil 4, God
• 2:12:00
  Speaker 4: of War 1 e 2, Guitar Hero, com certeza, 1,
• 2:12:04
  Speaker 4: 2 e 3.
• 2:12:07
  Speaker 2: Você comprou o Guitar Hero esses dias, né?
• 2:12:09
  Speaker 4: Comprei, mano. Comprei, achei uma guitarrinha nova e entrei na
• 2:12:12
  Speaker 4: noia máxima. Peguei meu Play 3 embalado no plástico filme lá, liguei,
• 2:12:17
  Speaker 4: tô sendo bem feliz.
• 2:12:18
  Speaker 2: Man, the Play 3 is like the Play 2.
• 2:12:20
  Speaker 4: No, no, but the Guitar Hero came out for Play
• 2:12:22
  Speaker 4: 3 too.
• 2:12:22
  Speaker 2: It came out?
• 2:12:23
  Speaker 4: Uh-huh.
• 2:12:24
  Speaker 3: Pay attention, man.
• 2:12:25
  Speaker 4: Some, some. The 3, from the 3 onwards, came out
• 2:12:27
  Speaker 4: for Play 3.
• 2:12:28
  Speaker 2: Name of person, son of a bitch.
• 2:12:31
  Speaker 3: Perteson.
• 2:12:32
  Speaker 4: Perteson.
• 2:12:33
  Speaker 2: Cecilio. Cecilio. Cecilio is awesome. Cecilio is a son of
• 2:12:37
  Speaker 2: a bitch.
• 2:12:37
  Speaker 4: Cecilio.
• 2:12:38
  Speaker 2: Cecilio is a cuss, right? Yeah, man, Cecilio.
• 2:12:41
  Speaker 5: But Cecilio seems to be the name of a grandmother.
• 2:12:44
  Speaker 3: Look at your Cecilio there.
• 2:12:46
  Speaker 2: No, I'm a son of a bitch. No, it's 7-1.
• 2:12:47
  Speaker 4: 7-1.
• 2:12:48
  Speaker 2: He does a lot of shit.
• 2:12:50
  Speaker 4: Can I say his name? Adolf Hitler.
• 2:12:54
  Speaker 3: Man, this is the most malignant of all. It's a
• 2:12:56
  Speaker 3: name of.
• 2:12:57
  Speaker 4: A son of a bitch.
• 2:12:58
  Speaker 6: Thank God he said that.
• 2:12:59
  Speaker 4: I can't stand so much guilt here.
• 2:13:00
  Speaker 2: And I say it myself. I say it myself. Man, the...
• 2:13:03
  Speaker 2: Is there.
• 2:13:04
  Speaker 3: Still time to mingle or will it end?
• 2:13:15
  Speaker 4: Did you know he had a.
• 2:13:16
  Speaker 2: I'm pissing myself, brother. Go there, go there.
• 2:13:20
  Speaker 4: He drank a lot of water, right?
• 2:13:21
  Speaker 2: Look at his legs.
• 2:13:22
  Speaker 3: Defante is too much, right?
• 2:13:25
  Speaker 2: I don't want to do this anymore.
• 2:13:27
  Speaker 4: Lagartixa... Who else is a son of a bitch?
• 2:13:30
  Speaker 3: No, say the name of a good person.
• 2:13:32
  Speaker 4: Gengis Khan, right?
• 2:13:33
  Speaker 3: The name of a good person.
• 2:13:34
  Speaker 4: Jesus Cristo.
• 2:13:35
  Speaker 3: Washington.
• 2:13:35
  Speaker 2: Alessandra.
• 2:13:36
  Speaker 3: Jesus. Man, you're really good at this game, huh?
• 2:13:39
  Speaker 4: Yeah, man. Jesus, a bad person. Jesus, a bad person.
• 2:13:42
  Speaker 3: The name of a person, more or less, then. A
• 2:13:44
  Speaker 3: person who is not very bad, but also not very good.
• 2:13:48
  Speaker 4: It's... Caim Bonovox. No, Bonovox is very good.
• 2:13:51
  Speaker 3: He is very good.
• 2:13:52
  Speaker 4: He helps the environment.
• 2:13:53
  Speaker 3: He helps the world.
• 2:13:53
  Speaker 4: He helps the environment.
• 2:13:54
  Speaker 3: He makes a fucking sound. He makes a sound.
• 2:13:56
  Speaker 2: And Sambu singing Sunday Bloody Sunday?
• 2:13:58
  Speaker 5: Sunday Bloody Sunday.
• 2:14:00
  Speaker 2: It's from Bonovox, right?
• 2:14:02
  Speaker 4: It's from U2.
• 2:14:03
  Speaker 2: U2? Yes. What does this name mean?
• 2:14:05
  Speaker 3: You too.
• 2:14:05
  Speaker 2: Ah, what a shit.
• 2:14:10
  Speaker 3: Wow, I had never stopped to think about this.
• 2:14:12
  Speaker 6: You too.
• 2:14:12
  Speaker 4: But I don't know what YouTube really means. I've never
• 2:14:14
  Speaker 4: been after it. But it must be that.
• 2:14:15
  Speaker 2: It's literal, right?
• 2:14:16
  Speaker 4: No, it's not possible.
• 2:14:18
  Speaker 2: I was a fan of Gorillaz when I was a kid.
• 2:14:21
  Speaker 4: Gorillaz is very cool, man. Those guys don't even exist, right?
• 2:14:24
  Speaker 4: Those guys are holographic.
• 2:14:25
  Speaker 2: And they caught me by the drawing first.
• 2:14:27
  Speaker 4: Ah, yes.
• 2:14:28
  Speaker 2: What are those kids in a car there, singing Cat Cuxuxa? Yeah,
• 2:14:31
  Speaker 2: those guys have a feat with MC Bin Laden.
• 2:14:34
  Speaker 3: They do. It's a great song, by the way.
• 2:14:36
  Speaker 5: But they say that the singer and the drummer were
• 2:14:39
  Speaker 5: from real bands too.
• 2:14:40
  Speaker 3: Then they made Gorillaz together. Before Gorillaz, you say? And
• 2:14:45
  Speaker 3: he also had a band that was already successful.
• 2:14:48
  Speaker 4: I'm curious about a Gorillaz show, it must be really cool.
• 2:14:50
  Speaker 4: But how is it? Is the show of the guys holograms?
• 2:14:53
  Speaker 2: It's a big screen with them.
• 2:14:59
  Speaker 4: It's a projector with that, until the show starts, there's
• 2:15:05
  Speaker 4: that thing from the DVD kicking on the doors.
• 2:15:07
  Speaker 2: Changing color. I used to like to look at these things.
• 2:15:12
  Speaker 2: Didn't you wait for the bell to ring?
• 2:15:13
  Speaker 3: I miss feeling bored.
• 2:15:14
  Speaker 4: Nowadays, you can't feel bored anymore. When I ask for
• 2:15:16
  Speaker 4: my elevator to open, I have to see something. Otherwise,
• 2:15:20
  Speaker 4: I can't. The food in the microwave. You chose a movie.
• 2:15:22
  Speaker 4: I never chose a movie again.
• 2:15:37
  Speaker 3: Toy Story. Toy Story.
• 2:15:59
  Speaker 4: But for God's sake, wait, wait, wait. It's not even
• 2:16:02
  Speaker 4: a discussion, Igor. It's not even a discussion, Igor.
• 2:16:04
  Speaker 2: What's this, man? It's a one, man. It's not a one.
• 2:16:07
  Speaker 6: That the soldier is there in the.
• 2:16:10
  Speaker 4: One is a milestone in the history of animation. One
• 2:16:13
  Speaker 4: is like that, it's that.
• 2:16:14
  Speaker 2: No, okay, it's a milestone, but I think the two
• 2:16:16
  Speaker 2: is more cool, the movie.
• 2:16:17
  Speaker 4: Can I say something polemic? The rest... It's history. It
• 2:16:20
  Speaker 4: doesn't need to exist.
• 2:16:23
  Speaker 2: Ah, do Garfinho lost me.
• 2:16:24
  Speaker 4: No, but Garfinho is well after, already. Garfinho is four.
• 2:16:27
  Speaker 2: But the guy said that the 5 is cool.
• 2:16:29
  Speaker 4: Man, I... You didn't like it?
• 2:16:31
  Speaker 2: Yeah, I didn't like it.
• 2:16:33
  Speaker 4: For me, it's the same story as the 1, but
• 2:16:34
  Speaker 4: now it has a tablet, you know? Now it's not
• 2:16:36
  Speaker 4: a buzzer, it has a technological object. That's it, right?
• 2:16:38
  Speaker 4: They tried to give a.
• 2:16:39
  Speaker 2: Repaginize it, update it.
• 2:16:40
  Speaker 4: No, but they tried... Because they saw that they did
• 2:16:42
  Speaker 4: shit there in the 4, right? Which is a... It's
• 2:16:43
  Speaker 4: really kind of... And then they went back and now
• 2:16:44
  Speaker 4: it's like... No, let's do what people like, which is
• 2:16:48
  Speaker 4: the 1. But the 1 already exists, right? And then
• 2:16:50
  Speaker 4: that's it. It's a kind of protocol movie, for me.
• 2:16:52
  Speaker 4: It's kind of like... Ah, okay, fine, man.
• 2:16:57
  Speaker 2: Nada pega a porra do Tarzan, mano. Eu quero que
• 2:16:59
  Speaker 2: se foda vocês todos.
• 2:17:00
  Speaker 4: O Tarzan, realmente.
• 2:17:01
  Speaker 2: Tarzan? Tarzan, moleque.
• 2:17:02
  Speaker 4: É muito bonito porque ele reúne muita coisa.
• 2:17:05
  Speaker 2: Você chora pela trama, você chora pela música.
• 2:17:08
  Speaker 4: Mano, a trilha sonora é tipo assim, é como se
• 2:17:10
  Speaker 4: tivesse duas trilhas muito foda, porque tem a do Phil
• 2:17:12
  Speaker 4: Collins e tem a do Edmonta, que as duas é
• 2:17:14
  Speaker 4: de lacerante, pai.
• 2:17:15
  Speaker 2: Really?
• 2:17:16
  Speaker 4: It's crazy.
• 2:17:17
  Speaker 3: Ed Motta?
• 2:17:18
  Speaker 2: Ed Motta?
• 2:17:18
  Speaker 4: He did it in Portuguese.
• 2:17:20
  Speaker 3: If you don't cry with Tazan... I even watched a Tazan.
• 2:17:24
  Speaker 4: Have you seen Phil Collins doing a show? He looks
• 2:17:27
  Speaker 4: like an algebra teacher. He looks like... Social minister, pants.
• 2:17:30
  Speaker 2: He looks like Steve Jobs.
• 2:17:32
  Speaker 4: Microphone here.
• 2:17:33
  Speaker 2: I love this guy. Don't start to cry.
• 2:17:34
  Speaker 4: Too much. It would be awesome.
• 2:17:37
  Speaker 2: I want a controversial opinion. What did you think of
• 2:17:39
  Speaker 2: The Last Spider-Man?
• 2:17:40
  Speaker 4: I didn't like it.
• 2:17:42
  Speaker 3: You didn't like it? Go fuck yourself, Lucas.
• 2:17:44
  Speaker 4: Yeah, but I'm... I knew he was going to have
• 2:17:46
  Speaker 4: that opinion. He's very critical. I'm not saying I'm very critical, but...
• 2:17:50
  Speaker 4: me the movie doesn't happen at all, like, for me
• 2:17:52
  Speaker 4: the movie is a.
• 2:17:53
  Speaker 5: Wow, but I thought he came different, the others that
• 2:17:56
  Speaker 5: didn't happen at all, always him crying because of Mary Jane.
• 2:17:57
  Speaker 4: Wow, but what is this shit, bro, what does it
• 2:17:59
  Speaker 4: have to do with Jim Gray as Spider-Man, bro? Can
• 2:18:01
  Speaker 4: someone explain to me, please? There's going to be some connection.
• 2:18:05
  Speaker 4: Ah,
• 2:18:08
  Speaker 4: então por que você me pergunta, caralho?
• 2:18:10
  Speaker 1: Eu quero saber a sua opinião, mano. Eu tava com
• 2:18:12
  Speaker 1: a pernadura há pouco tempo agora.
• 2:18:14
  Speaker 4: Você viu?
• 2:18:14
  Speaker 6: Eu também não vi.
• 2:18:16
  Speaker 3: Ah!
• 2:18:16
  Speaker 2: Então o que você achou?
• 2:18:18
  Speaker 6: Ah, eu vi que falaram que tem um montão de Homem-Aranha.
• 2:18:23
  Speaker 4: Não é isso.
• 2:18:24
  Speaker 3: Esse foi o anterior.
• 2:18:27
  Speaker 4: Man, I'm really hurt by Marvel. I think we lived
• 2:18:29
  Speaker 4: a really bad thing in these 10 years. You won't
• 2:18:31
  Speaker 4: live again, right? 2015 won't exist again. Yeah, it's all right.
• 2:18:33
  Speaker 2: Everyone just wants to make money, that's it.
• 2:18:35
  Speaker 4: It's all right, man.
• 2:18:35
  Speaker 3: Be happy.
• 2:18:36
  Speaker 4: It was sad. They messed with your movie, right, man?
• 2:18:38
  Speaker 4: They messed with your thing. No, do what you want, right, man?
• 2:18:42
  Speaker 4: Do what you want.
• 2:18:42
  Speaker 2: I liked Marvel when they said, like, it's over, Iron
• 2:18:44
  Speaker 2: Man is dead. Then the guy comes back.
• 2:18:56
  Speaker 4: Man, he's going to come back to be another human.
• 2:18:59
  Speaker 3: This is crazy, crazy. But I want to see.
• 2:19:00
  Speaker 4: But I'm going to see. No, I'm going to see too, right?
• 2:19:03
  Speaker 4: I'm going to see too, right? Because I'm a dog.
• 2:19:07
  Speaker 2: I'm a kitten, there's no need to explain.
• 2:19:09
  Speaker 6: I'm in my beast, I beat the beast to get it.
• 2:19:12
  Speaker 2: Jesus!
• 2:19:13
  Speaker 4: You guys want to talk about.
• 2:19:14
  Speaker 5: Something that's going to happen without being Rock in Rio?
• 2:19:18
  Speaker 3: Videos, shows?
• 2:19:19
  Speaker 4: Man, so, it's a very funny thing for you to
• 2:19:21
  Speaker 4: ask this, because after Rock.
• 2:19:22
  Speaker 3: In Rio, I don't... It's just focused on Rock in Rio.
• 2:19:25
  Speaker 4: There's nothing, right, Bruno? There's nothing, right? Nothing. He's going
• 2:19:28
  Speaker 4: to spawn.
• 2:19:29
  Speaker 2: I think I'm going to jump on.
• 2:19:30
  Speaker 6: Ah, I wanted the guys to watch my clip there, right,
• 2:19:33
  Speaker 6: that was released, so if they could watch it.
• 2:19:34
  Speaker 3: This week, right?
• 2:19:35
  Speaker 6: It was this week, yeah, it's really cool, man, it
• 2:19:38
  Speaker 6: was directed by Daniel Ferro there, there's... This guy is epic.
• 2:19:41
  Speaker 6: He's very absurd, and there was a lot of IA
• 2:19:44
  Speaker 6: scene because of the song Fala Isso, so it brings
• 2:19:47
  Speaker 6: this discussion there, very crazy, and in the end... The
• 2:19:50
  Speaker 6: director of the clip, inside the clip, is a humanoid.
• 2:19:54
  Speaker 6: So it's really cool, man. People will like it.
• 2:19:56
  Speaker 4: This little robot is very charismatic, right?
• 2:20:00
  Speaker 2: He is, man.
• 2:20:01
  Speaker 4: He's very funny.
• 2:20:02
  Speaker 2: You stay with his pen.
• 2:20:03
  Speaker 1: I recorded with him at Mercadão de Madureira.
• 2:20:06
  Speaker 2: I went to record there with a crazy reporter.
• 2:20:08
  Speaker 6: And then he disassembled it, man. He did a tilt
• 2:20:10
  Speaker 6: on it and it fell hard.
• 2:20:12
  Speaker 2: Madureira is too much for him, man.
• 2:20:13
  Speaker 3: We put the Flamengo jersey on it.
• 2:20:15
  Speaker 4: Man, this happened to me when I went to Madureira too.
• 2:20:17
  Speaker 4: Then the guy said, what, what, what? He disassembled it.
• 2:20:19
  Speaker 2: And it fell back, just when I got there.
• 2:20:21
  Speaker 4: Man, then the little robot with the Flamengo, with the
• 2:20:23
  Speaker 4: Flamengo jersey.
• 2:20:24
  Speaker 6: Marquinhos was making the voice of the robot. Then the
• 2:20:27
  Speaker 6: little robot, damn, rebulling, walking. Then a very genuine guy
• 2:20:34
  Speaker 6: passed by. Damn, the first Madureira robot is already Flamenguista.
• 2:20:37
  Speaker 2: Fuck. Carioca is good, right?
• 2:20:42
  Speaker 4: They are good, man.
• 2:20:43
  Speaker 3: It's a lot of them.
• 2:20:44
  Speaker 4: Carisma. I laugh until today with Carioca. You almost died
• 2:20:47
  Speaker 4: in the sea, right? Almost.
• 2:20:48
  Speaker 3: Again?
• 2:20:48
  Speaker 4: I drowned.
• 2:20:49
  Speaker 1: No, it's from that time still.
• 2:20:51
  Speaker 4: You told it already, right? Yeah, I must have told it.
• 2:20:53
  Speaker 4: It's crazy that I remembered this out of nowhere.
• 2:20:57
  Speaker 2: I'm very afraid of the sea. I almost died in
• 2:20:59
  Speaker 2: the river.
• 2:20:59
  Speaker 6: We have this in common, man.
• 2:21:02
  Speaker 3: Almost dead. In the river?
• 2:21:03
  Speaker 2: In the river.
• 2:21:04
  Speaker 4: What river? No, man.
• 2:21:05
  Speaker 6: It was at the Eurocopa, there, doing kakaze.
• 2:21:07
  Speaker 4: Ah, the thing where you took a hood. I went
• 2:21:08
  Speaker 4: surfing in the river.
• 2:21:09
  Speaker 1: But there, it almost went bad for real?
• 2:21:11
  Speaker 2: My brother, you don't understand. No, no, for me it's entertainment. Okay, okay, okay.
• 2:21:16
  Speaker 6: So, let's go. I'll explain what happened.
• 2:21:18
  Speaker 2: He was crazy, man.
• 2:21:18
  Speaker 6: Then I said, like, father in heaven, I understood the
• 2:21:20
  Speaker 6: lesson here.
• 2:21:21
  Speaker 4: I don't do that kind of thing anymore.
• 2:21:23
  Speaker 2: The limit of humor is here. It's the Rio Sena.
• 2:21:25
  Speaker 2: It wasn't the Rio Sena. It was the Rio Hudson.
• 2:21:27
  Speaker 2: I'm kidding.
• 2:21:28
  Speaker 6: Ah, I don't remember the name of the river.
• 2:21:29
  Speaker 1: It was a river that is now even deactivated.
• 2:21:32
  Speaker 4: They deactivated the river.
• 2:21:35
  Speaker 6: No, the wave that was in the river, because it
• 2:21:38
  Speaker 6: was a wave.
• 2:21:39
  Speaker 2: That was made in a way... Artificial.
• 2:21:40
  Speaker 6: They put a block like this, that the water passed,
• 2:21:43
  Speaker 6: the current of the water passed through there and generated
• 2:21:46
  Speaker 6: a wave. And the surfers were surfing there. And then
• 2:21:50
  Speaker 6: I go looking for shit to make content.
• 2:21:51
  Speaker 2: I said, I'm going to surf too.
• 2:21:54
  Speaker 6: And if I don't surf here, I'm crazy.
• 2:21:58
  Speaker 2: I went there, bought.
• 2:22:00
  Speaker 6: The clothes, that surf clothes, what's the name?
• 2:22:03
  Speaker 2: I don't know, it's called surf clothes.
• 2:22:04
  Speaker 6: Surf clothes.
• 2:22:06
  Speaker 2: Macagão. Surfers are so fucking watching now.
• 2:22:08
  Speaker 4: Man, the surf community is hunting you, man.
• 2:22:11
  Speaker 2: There's no surfer here to talk to me.
• 2:22:13
  Speaker 4: No one even jokes. John.
• 2:22:16
  Speaker 3: John Vlogs?
• 2:22:16
  Speaker 2: Thank you.
• 2:22:18
  Speaker 3: Joe.
• 2:22:18
  Speaker 2: Joe.
• 2:22:18
  Speaker 4: Joe.
• 2:22:19
  Speaker 2: Joe.
• 2:22:20
  Speaker 6: Hey, Joe.
• 2:22:21
  Speaker 2: In the last time.
• 2:22:22
  Speaker 6: There's this gun in my hand.
• 2:22:27
  Speaker 3: You're awesome, Defante.
• 2:22:28
  Speaker 2: Thank you.
• 2:22:30
  Speaker 6: Then I put the clothes the other way around.
• 2:22:32
  Speaker 2: When I left the locker room, I did it the
• 2:22:34
  Speaker 2: other way around.
• 2:22:35
  Speaker 6: Turn, turn around.
• 2:22:36
  Speaker 2: Turn around.
• 2:22:37
  Speaker 4: Wizard. Turn around. I put it the other way around.
• 2:22:43
  Speaker 6: I already showed that I was dumb at the party.
• 2:22:45
  Speaker 4: Noob.
• 2:22:45
  Speaker 6: Then the girl said, he knows how to surf. Because
• 2:22:48
  Speaker 6: he's going to surf in that wave. No, I don't
• 2:22:54
  Speaker 6: know how to surf. Yeah, so, danger.
• 2:22:59
  Speaker 2: Danger.
• 2:22:59
  Speaker 3: Another sign.
• 2:23:00
  Speaker 4: She mixed up the languages. Yeah, so, danger.
• 2:23:03
  Speaker 2: It was Luciana Gimenez.
• 2:23:05
  Speaker 3: She was distracted.
• 2:23:06
  Speaker 4: It was the supra that was being his guide. It
• 2:23:08
  Speaker 4: was the supra. Luciana Gimenez. Danger, papito.
• 2:23:12
  Speaker 2: Stone, very stones.
• 2:23:15
  Speaker 4: A lot of stone.
• 2:23:16
  Speaker 6: That's it, thank you.
• 2:23:18
  Speaker 2: And then I said, like.
• 2:23:19
  Speaker 6: Say it in English, we'll translate it.
• 2:23:21
  Speaker 4: I got it.
• 2:23:21
  Speaker 6: River.
• 2:23:21
  Speaker 4: River.
• 2:23:22
  Speaker 2: River. Dangerous. Brother, I know I bought one.
• 2:23:27
  Speaker 1: I rented the board, and the girl said, like, take this.
• 2:23:34
  Speaker 6: She gave me a infantil, which was kind of a bodyboard.
• 2:23:45
  Speaker 6: I'm not saying it's infantile because the bottom of the
• 2:23:47
  Speaker 6: board is for lying.
• 2:23:48
  Speaker 2: Down, right?
• 2:23:48
  Speaker 1: Because it looks a little more infantile because it's small.
• 2:23:51
  Speaker 2: It's half.
• 2:23:52
  Speaker 6: Okay, I went out with this on my arm and
• 2:23:54
  Speaker 6: she said, for him it's this, that he's infantile.
• 2:23:56
  Speaker 4: That's practically it.
• 2:23:58
  Speaker 6: I went out with my board and I said, okay,
• 2:23:59
  Speaker 6: but I'm going to surf, fuck it.
• 2:24:01
  Speaker 2: I know I'm going to fall, it's going to be
• 2:24:02
  Speaker 2: a shit, but people are going to laugh.
• 2:24:04
  Speaker 6: Man, when I got in, the surfer stopped me, he
• 2:24:07
  Speaker 6: held my chest and said like this, Tu vai entrar aí.
• 2:24:12
  Speaker 3: Porra, você tinha recebido vários sinais.
• 2:24:14
  Speaker 2: You inside here?
• 2:24:17
  Speaker 3: All right.
• 2:24:19
  Speaker 6: You inside here?
• 2:24:20
  Speaker 2: Really? What's the problem?
• 2:24:23
  Speaker 4: Really?
• 2:24:25
  Speaker 2: What's the problem, man? What the hell is fucking on?
• 2:24:29
  Speaker 4: What the hell is going on? Caralho.
• 2:24:32
  Speaker 3: Ficou puto.
• 2:24:33
  Speaker 4: Sim, pois, caralho.
• 2:24:34
  Speaker 6: Na água. É, me empuxa.
• 2:24:36
  Speaker 2: Aí, falei, não.
• 2:24:38
  Speaker 4: Foda-se.
• 2:24:39
  Speaker 2: Foda-se.
• 2:24:40
  Speaker 4: But I was seeing the surfers leaving.
• 2:24:41
  Speaker 6: I was seeing the surfers leaving through the wall. Imagine,
• 2:24:44
  Speaker 6: two walls and the river rolling here. The guy almost
• 2:24:47
  Speaker 6: died in Europe. Brother, it's like that.
• 2:24:48
  Speaker 2: Then the guys went there on the wall and left easily.
• 2:24:50
  Speaker 1: I said, ah, calm down, you can leave. So I
• 2:24:59
  Speaker 1: went and BAM! I took that syrup, went on the
• 2:25:01
  Speaker 1: wave and left. And then in the video it's wonderful,
• 2:25:03
  Speaker 1: because in two seconds I went up in the dark.
• 2:25:05
  Speaker 6: You saw, right?
• 2:25:06
  Speaker 2: But for me, someone caught him and it was over.
• 2:25:08
  Speaker 2: It was fast. That's how it is, man. I thought
• 2:25:10
  Speaker 2: I was going to be able to go up.
• 2:25:11
  Speaker 6: I started to do it and there was nothing to
• 2:25:14
  Speaker 6: put my foot on. I started to do it like this,
• 2:25:17
  Speaker 6: but I was taking such a high speed that my
• 2:25:19
  Speaker 6: hand was dragging that stone and burning.
• 2:25:20
  Speaker 4: Wow.
• 2:25:21
  Speaker 6: And I didn't know.
• 2:25:23
  Speaker 3: How to get out, my brother.
• 2:25:26
  Speaker 6: And the current was taking me to hell and I
• 2:25:28
  Speaker 6: was already with my eyes open as if I had
• 2:25:30
  Speaker 6: my eyes closed. I couldn't see anything else. How many people.
• 2:25:34
  Speaker 2: Were with you?
• 2:25:34
  Speaker 1: It was Bruna and two more people, right?
• 2:25:37
  Speaker 6: The producer and a surfer that we caught to teach
• 2:25:40
  Speaker 6: us how to do it. And he himself said, I've
• 2:25:42
  Speaker 6: never been there.
• 2:25:43
  Speaker 4: And I'm a surfer. I'm a surfer.
• 2:25:46
  Speaker 2: I have 10 years of... You're not going to enter too, right?
• 2:25:48
  Speaker 4: I'm a surfer, I'm an idiot. And then I went, man,
• 2:25:50
  Speaker 4: scratching my little hand.
• 2:25:56
  Speaker 6: With the current taking me every time, but I didn't
• 2:25:58
  Speaker 6: know where I was going to fall, my brother.
• 2:26:02
  Speaker 2: Holy shit.
• 2:26:02
  Speaker 6: And then I thought, I was cold, I said, man,
• 2:26:04
  Speaker 6: I need to solve it here, I'm going here like this,
• 2:26:06
  Speaker 6: then I put my hand forward like this and felt grass,
• 2:26:08
  Speaker 6: you know? Then I got in a grass chumacinho like this,
• 2:26:11
  Speaker 6: and then the body was already at such a high
• 2:26:14
  Speaker 6: speed that it broke that grass, and.
• 2:26:17
  Speaker 4: I kept going. Fuck, it was like... Brother, desperate.
• 2:26:21
  Speaker 6: That's what I'm trying to print here for you to understand.
• 2:26:24
  Speaker 2: Fuck, horrible, no, horrible.
• 2:26:25
  Speaker 1: Help!
• 2:26:52
  Speaker 4: Very stoned!
• 2:26:53
  Speaker 2: Help me, very stoned!
• 2:26:55
  Speaker 6: Help me, very stoned!
• 2:26:58
  Speaker 2: Help me, very stoned!
• 2:27:19
  Speaker 6: And then, like a shell, but I needed to turn.
• 2:27:21
  Speaker 6: Then I, boy, breathed deep and I was letting go
• 2:27:27
  Speaker 6: of the air, trying to make the greatest force I could.
• 2:27:29
  Speaker 2: Then I turned the.
• 2:27:31
  Speaker 6: Body like this, fell down like this, looking up, with
• 2:27:34
  Speaker 6: my hand burning from the burn.
• 2:27:37
  Speaker 1: And I thought, damn, I almost died, bro. And then
• 2:27:41
  Speaker 1: a camera arrived.
• 2:27:44
  Speaker 2: It was live.
• 2:27:44
  Speaker 4: That's the defense of the TZ, bro!
• 2:27:46
  Speaker 2: Pica, right?
• 2:27:48
  Speaker 4: Dude, it's absurd, man!
• 2:27:50
  Speaker 2: This is live there. Then Kazea. Then Kazea. What is this?
• 2:27:54
  Speaker 6: I don't think Kazea was live. It was someone who
• 2:27:56
  Speaker 6: was there. I think it was Bolívia, I don't know.
• 2:28:00
  Speaker 3: What happened, bro?
• 2:28:00
  Speaker 6: Then I was still funny, bro.
• 2:28:02
  Speaker 2: With the face all real, you know?
• 2:28:03
  Speaker 6: Because the clothes rolled here. You think the guys didn't
• 2:28:05
  Speaker 6: even notice.
• 2:28:05
  Speaker 4: The drama you lived, right?
• 2:28:09
  Speaker 1: .
• 2:28:11
  Speaker 4: .
• 2:28:20
  Speaker 6: .
• 2:28:25
  Speaker 4: Imagine the guy dying and
• 2:28:32
  Speaker 4: him laughing, saying, Brazil cries at this moment.
• 2:28:35
  Speaker 3: And he was fucking himself.
• 2:28:36
  Speaker 4: Bolívia was the only one who was worried about you.
• 2:28:38
  Speaker 4: Bolívia is crazy.
• 2:28:40
  Speaker 2: Man, look at the.
• 2:28:42
  Speaker 4: Current.
• 2:28:45
  Speaker 2: Look at the beating that is the rhyme. It's very strong.
• 2:28:47
  Speaker 6: Crazy, crazy.
• 2:28:49
  Speaker 3: Don't you have the return? Never again I joke about it.
• 2:28:51
  Speaker 4: Never again I joke about it.
• 2:28:53
  Speaker 2: You guys who are worried, relax.
• 2:28:53
  Speaker 6: Now it's just.
• 2:29:00
  Speaker 4: That's how you draw the line.
• 2:29:03
  Speaker 3: It's from there to the back. It's a lesson. No problem,
• 2:29:08
  Speaker 3: my friend.
• 2:29:10
  Speaker 2: My face. The reason I went in is because the
• 2:29:14
  Speaker 2: current is too strong. I didn't know it was so strong.
• 2:29:17
  Speaker 6: But then I managed to hold on to the root
• 2:29:20
  Speaker 6: of a.
• 2:29:20
  Speaker 2: Grass that stopped my body.
• 2:29:27
  Speaker 1: Eita, mas é aquilo que você falou, a galera deve
• 2:29:28
  Speaker 1: estar olhando e falando.
• 2:29:29
  Speaker 2: Ah, tá zoando, não passou nada disso não, porra.
• 2:29:31
  Speaker 3: Não sentiu o drama, não sentiu o drama. É porque
• 2:29:34
  Speaker 3: você é o soldado do entretenimento.
• 2:29:35
  Speaker 2: É só você se colocar no lugar.
• 2:29:36
  Speaker 6: É isso que as pessoas precisam exercitar.
• 2:29:39
  Speaker 4: Entendeu?
• 2:29:40
  Speaker 2: Porque eu sou só um boneco.
• 2:29:42
  Speaker 6: It must be a hologram for some people.
• 2:29:43
  Speaker 2: No, he doesn't exist. I said he's a soldier of entertainment.
• 2:29:45
  Speaker 3: Oh, no, you fixed your eye and you're fucked with
• 2:29:47
  Speaker 3: the tumor?
• 2:29:47
  Speaker 4: What the fuck?
• 2:29:48
  Speaker 2: Yeah, exactly, exactly. The tumor, fuck it.
• 2:29:52
  Speaker 4: Fix the tumor, man. And then I.
• 2:29:54
  Speaker 2: The guy is not in favor of comedy, man.
• 2:29:56
  Speaker 6: Then I keep saying, man, you put it in a place, Rio,
• 2:29:58
  Speaker 6: at night.
• 2:29:59
  Speaker 2: I can ask for a.
• 2:29:59
  Speaker 5: Round of applause for this moment of experience of our defense.
• 2:30:04
  Speaker 2: What a scare. How cool, man. Thank you, guys. I'm
• 2:30:07
  Speaker 2: so excited that I almost died. So I'm going to
• 2:30:09
  Speaker 2: do more. That's it.
• 2:30:11
  Speaker 5: Now everyone knows what you really went through there.
• 2:30:14
  Speaker 2: Thank you, man.
• 2:30:15
  Speaker 3: Thank you. Thank you.
• 2:30:16
  Speaker 1: Because I wanted people to understand that. I almost went
• 2:30:19
  Speaker 1: to hell in.
• 2:30:20
  Speaker 6: The name of entertainment. And I'm a guy who gives
• 2:30:23
  Speaker 6: me a lot, right? Leãozinho, I put my hand in
• 2:30:27
  Speaker 6: the fucking mouth of the lion. Here too, in the
• 2:30:30
  Speaker 6: bravo range, I put.
• 2:30:31
  Speaker 3: The little arm of the dog.
• 2:30:34
  Speaker 2: Wow, that was crazy.
• 2:30:35
  Speaker 4: You put me, messed up.
• 2:30:37
  Speaker 1: I made you go. That was crazy. The guy almost
• 2:30:39
  Speaker 1: broke my arm, man.
• 2:30:41
  Speaker 3: Man, that was crazy.
• 2:30:41
  Speaker 2: A Doberman biting my arm, damn it. Are you crazy?
• 2:30:44
  Speaker 2: But he was with the thing. He was, but fuck it,
• 2:30:47
  Speaker 2: that thing is nothing for him, man.
• 2:30:48
  Speaker 3: Man, the thing is.
• 2:30:50
  Speaker 6: It went through my, not his, but the impact of
• 2:30:53
  Speaker 6: the tooth. I felt the tooth touching the bone.
• 2:30:54
  Speaker 3: Man, surreal, surreal.
• 2:30:55
  Speaker 6: Mine, specifically mine, it went through the fucking cloth and
• 2:30:59
  Speaker 6: got hit and hurt. And when the guy saw the foreman,
• 2:31:03
  Speaker 6: he said like this, oh, it got a little bit, right?
• 2:31:06
  Speaker 6: This never happened, no. And it went on.
• 2:31:09
  Speaker 3: I said, man, how did it go? The dog looked
• 2:31:12
  Speaker 3: like a demon, brother. Very serious.
• 2:31:14
  Speaker 4: The dog must have been very stressed, right?
• 2:31:16
  Speaker 2: No, man. I don't do this on camera. Seriously, bro.
• 2:31:19
  Speaker 2: Son of a bitch show.
• 2:31:21
  Speaker 6: No, that was a crazy one.
• 2:31:22
  Speaker 4: Who was the guest?
• 2:31:23
  Speaker 2: Sorry, guys.
• 2:31:23
  Speaker 4: Us? Yeah, man.
• 2:31:24
  Speaker 2: I'm talking. Branco Brabo, go.
• 2:31:26
  Speaker 3: I didn't go. This was the first time I went.
• 2:31:28
  Speaker 3: Donado Tarzan naked.
• 2:31:29
  Speaker 4: Yeah.
• 2:31:29
  Speaker 2: Dog bite. It's just necropsia, rota, blood, dead victim.
• 2:31:32
  Speaker 4: Man, the blow to his jaw, right, bro? Very strong.
• 2:31:36
  Speaker 4: Very strong. How many PSI?
• 2:31:38
  Speaker 6: Does anyone have this info?
• 2:31:46
  Speaker 4: And worse than that is only the.
• 2:31:48
  Speaker 8: Jacaré, right?
• 2:31:49
  Speaker 1: They say it's the jacaré' s closing, like tons.
• 2:31:53
  Speaker 4: Let's go?
• 2:31:53
  Speaker 3: Bring the jacaré, invite us.
• 2:31:54
  Speaker 2: Head like this, look.
• 2:31:56
  Speaker 3: The jacaré is good in this ass here.
• 2:31:59
  Speaker 2: Let's shave everyone's ass.
• 2:32:00
  Speaker 3: Let's do this kitchen shaving in our program. Let's go.
• 2:32:03
  Speaker 4: But I want to keep changing the chat.
• 2:32:14
  Speaker 2: Yeah, so... Realize your will to play.
• 2:32:15
  Speaker 3: I want you to put a.
• 2:32:16
  Speaker 2: A four-finger wax on your hand, like this.
• 2:32:19
  Speaker 1: Let's realize our will to play, let's do it.
• 2:32:24
  Speaker 3: And come? And come and come.
• 2:32:25
  Speaker 2: No, it can be here, it can be there. Wherever
• 2:32:27
  Speaker 2: you want, bro.
• 2:32:28
  Speaker 4: Okay, no, no, no.
• 2:32:29
  Speaker 2: Here it's going to be a more f * *
• 2:32:30
  Speaker 2: * ing expectative break.
• 2:32:30
  Speaker 1: Ah, so people can understand what's the rhythm here of Podpá.
• 2:32:34
  Speaker 4: Yeah, bro.
• 2:32:34
  Speaker 6: That people are thinking.
• 2:32:35
  Speaker 3: That Nutella is the thing. That we didn't change, no.
• 2:32:38
  Speaker 3: F * * *.
• 2:32:38
  Speaker 2: So let's do the kitchen decoration here on this table.
• 2:32:39
  Speaker 4: Please.
• 2:32:39
  Speaker 2: Is it marked, then, on the next one?
• 2:32:41
  Speaker 3: Now?
• 2:32:42
  Speaker 2: No, now it can't be.
• 2:32:43
  Speaker 3: Now, Cuja is tired.
• 2:32:45
  Speaker 2: You think this is Vila César, bro? You're going to say,
• 2:32:47
  Speaker 2: my mother is.
• 2:32:47
  Speaker 3: Going to this woman?
• 2:32:49
  Speaker 4: But for me, you can stop this, right? You rented
• 2:32:51
  Speaker 4: a studio this size to be a joke? Is it
• 2:32:53
  Speaker 4: the same thing as before? Damn, there's only water, this shit.
• 2:32:55
  Speaker 6: I knew he was going to get pissed.
• 2:32:57
  Speaker 2: Hey, bro, did you like the episode?
• 2:32:58
  Speaker 4: I liked it, bro. I'm going to say sincerity.
• 2:33:02
  Speaker 3: In the sincere.
• 2:33:03
  Speaker 4: I liked it.
• 2:33:04
  Speaker 2: Really? 4th and 5th of September?
• 2:33:07
  Speaker 1: 4th and 5th of September, Rock in Rio, Supernova, me
• 2:33:10
  Speaker 1: and Luqueta, Zero will also be there.
• 2:33:13
  Speaker 2: What day is Zero singing?
• 2:33:14
  Speaker 4: Zero sings on the same day as me, he opens
• 2:33:17
  Speaker 4: the stage, his show, I won't remember exactly the time,
• 2:33:20
  Speaker 4: but it's like 2 and a half, something like that.
• 2:33:22
  Speaker 2: More in the afternoon, okay. Zero will come here, I think,
• 2:33:25
  Speaker 2: with Barbieri.
• 2:33:26
  Speaker 4: He will come, I think, after Rock in Rio, right?
• 2:33:28
  Speaker 6: He's awesome, I have a tattoo, he drew me naked, right?
• 2:33:31
  Speaker 6: I have this story with Zero.
• 2:33:32
  Speaker 3: This is wonderful.
• 2:33:33
  Speaker 2: He painted me naked.
• 2:33:34
  Speaker 4: Look.
• 2:33:34
  Speaker 6: He painted me naked.
• 2:33:36
  Speaker 2: This is me naked in front of his eyes.
• 2:33:41
  Speaker 4: Oh, it's true.
• 2:33:41
  Speaker 1: He made the little pimple here. And there's this little
• 2:33:45
  Speaker 1: dot here.
• 2:33:45
  Speaker 2: Do you see this little dot here?
• 2:33:47
  Speaker 1: Your pimple reaches the navel, bro. This is the scar, right?
• 2:33:51
  Speaker 2: This is the scar he gave with his pick's head. Fuck.
• 2:33:54
  Speaker 4: Fuck, very fucking. Yeah, guys. The picks have heads.
• 2:33:58
  Speaker 3: Very fucking. Congratulations.
• 2:34:00
  Speaker 1: I also have a tattoo of a mythical here, of
• 2:34:01
  Speaker 1: a pick. You can leave it for later.
• 2:34:04
  Speaker 3: I think this.
• 2:34:05
  Speaker 2: Tattoo is really cool.
• 2:34:06
  Speaker 3: You guys are really cool.
• 2:34:07
  Speaker 2: You guys are the best.
• 2:34:08
  Speaker 6: Post your room, your dressing room with.
• 2:34:10
  Speaker 2: Pictures with you.
• 2:34:11
  Speaker 4: It looks like a parish.
• 2:34:12
  Speaker 2: You guys are really cool. You guys have been working
• 2:34:15
  Speaker 2: together for a long time. It was for one to.
• 2:34:18
  Speaker 3: Hate the other.
• 2:34:18
  Speaker 6: You guys are an example.
• 2:34:20
  Speaker 2: Clap your hands for me.
• 2:34:21
  Speaker 6: Clap your hands for Mítico.
• 2:34:23
  Speaker 3: Prince of Pará.
• 2:34:30
  Speaker 4: Caralho, obrigado.
• 2:34:31
  Speaker 3: A gente não vai brigar não, mano.
• 2:34:32
  Speaker 4: Pô, eu quero vocês pra sempre. Todo mundo fica nessa expectativa.
• 2:34:35
  Speaker 4: Vocês não brigam?
• 2:34:36
  Speaker 5: O máximo que a gente vai fazer é amor. É,
• 2:34:39
  Speaker 5: aí a gente tem que marcar depois aquele churrasquinho igual
• 2:34:42
  Speaker 5: rolou lá em casa.
• 2:34:43
  Speaker 4: Porra.
• 2:34:44
  Speaker 2: Né?
• 2:34:44
  Speaker 4: Que pra mim não chegou o convite.
• 2:34:46
  Speaker 2: Eita, sabia que isso ia dar merda.
• 2:34:48
  Speaker 4: Mas às vezes acontece da galera estar sem sinal no celular, né?
• 2:34:51
  Speaker 2: Hoje em dia.
• 2:34:54
  Speaker 4: Muito interferência. Opa!
• 2:34:56
  Speaker 2: A Bruna... Foi na casa dele.
• 2:34:57
  Speaker 6: Isso é tema sensível. Não foi lá ainda.
• 2:35:00
  Speaker 4: Verdade.
• 2:35:00
  Speaker 3: Não, mas eu vou meter.
• 2:35:02
  Speaker 2: Um churrasco lá. Mas já tem ano já, né?
• 2:35:03
  Speaker 4: Já.
• 2:35:04
  Speaker 1: I remember you were so happy. You said, man, thank you.
• 2:35:07
  Speaker 1: There's time because I can't relax like this. I was
• 2:35:10
  Speaker 1: in a fucking rush.
• 2:35:11
  Speaker 2: But I'm still in need of it.
• 2:35:13
  Speaker 4: So, no.
• 2:35:13
  Speaker 6: All of us are still in the movement, working like hell.
• 2:35:15
  Speaker 6: So we need this desopilation. But I really want us
• 2:35:17
  Speaker 6: to stay old. Meeting for the rest.
• 2:35:19
  Speaker 2: Of our lives, man.
• 2:35:22
  Speaker 6: Can you, man? I closed here with you now.
• 2:35:26
  Speaker 2: Yeah, the three of them. Telling.
• 2:35:28
  Speaker 6: Remember that we used to do some shows where people
• 2:35:31
  Speaker 6: were stuck and we didn't say anything at all. To
• 2:35:35
  Speaker 6: announce show stuff, to play bad.
• 2:35:38
  Speaker 2: I met Lucas sending DMs to him on Twitter.
• 2:35:40
  Speaker 4: Yeah, it was cool. Igão was one of the first
• 2:35:42
  Speaker 4: guys to see me, you know? Yeah, really?
• 2:35:44
  Speaker 2: No, it's not like that. I'm not an eye-catcher. We
• 2:35:47
  Speaker 2: were on the same line.
• 2:35:48
  Speaker 3: You're an eye-catcher.
• 2:35:49
  Speaker 2: I remember you doing a react. This was Pandemias. I
• 2:35:53
  Speaker 2: watched it, man. Thank you, my brother.
• 2:35:55
  Speaker 3: Thank you.
• 2:35:56
  Speaker 2: I love you guys.
• 2:35:57
  Speaker 3: Thank you, okay?
• 2:35:57
  Speaker 2: Thank you.
• 2:35:58
  Speaker 4: Guys, I enjoyed it a lot, okay? You're awesome, Lucas.
• 2:36:00
  Speaker 4: Say it. You're awesome. Call your glasses. Thiago, you're an
• 2:36:04
  Speaker 4: awesome guy. You're all good, okay? What's this song? You're beautiful.
• 2:36:08
  Speaker 4: More than awesome.
• 2:36:09
  Speaker 2: It was from a soap opera, right?
• 2:36:12
  Speaker 4: You're beautiful, yes. Is it from the beautiful soap opera?
• 2:36:19
  Speaker 4: It makes sense, right? But I don't know if it is.
• 2:36:20
  Speaker 4: It's from a soap.
• 2:36:21
  Speaker 2: Opera and there's also one from a soap opera.
• 2:36:23
  Speaker 3: It's too bad, huh?
• 2:36:23
  Speaker 2: It's too beautiful, Igão.
• 2:36:24
  Speaker 3: You're... Wow, I zoomed in, but you're like... All deformed?
• 2:36:27
  Speaker 2: Ah, so that's it. It's in blur.
• 2:36:29
  Speaker 4: No, stop.
• 2:36:29
  Speaker 2: It's like a little blur.
• 2:36:30
  Speaker 4: Did I do well for you? Let me see. Did
• 2:36:32
  Speaker 4: I do well, baby?
• 2:36:39
  Speaker 2: It's dangerous to play the ox.
• 2:36:41
  Speaker 6: I'm trying to remember a song that I love from
• 2:36:44
  Speaker 6: a soap opera.
• 2:36:44
  Speaker 2: It's from SBT.
• 2:36:45
  Speaker 3: SBT?
• 2:36:45
  Speaker 2: Yeah, but it's very weak.
• 2:36:46
  Speaker 4: Soft, man.
• 2:36:46
  Speaker 2: I'm happy for you. I'm a big fan of the ox.
• 2:36:49
  Speaker 4: Which one from SBT?
• 2:36:51
  Speaker 3: Which soap opera?
• 2:36:52
  Speaker 2: It wasn't this one.
• 2:36:58
  Speaker 3: Let's finish with the song, then.
• 2:37:00
  Speaker 4: The guys don't bring guitars anymore, they bring guitars. Ah, man.
• 2:37:04
  Speaker 3: The thing got comfortable. Now it's just Rock in.
• 2:37:06
  Speaker 2: Rio, right? It got comfortable. We sang... Man, there's this episode, right?
• 2:37:09
  Speaker 2: That we sang together. Wow, it was sensational. There's that
• 2:37:12
  Speaker 2: one from Guaraná, Antarctica, too. That helped me a lot, man,
• 2:37:14
  Speaker 2: in the song.
• 2:37:15
  Speaker 6: Because we sang the song, the thing went viral, and
• 2:37:17
  Speaker 6: then people got to know my sound, right?
• 2:37:19
  Speaker 2: You were with your partner playing the violin, right?
• 2:37:21
  Speaker 6: That's right, Vitinho.
• 2:37:23
  Speaker 2: He's going to be there on stage with us. Man,
• 2:37:24
  Speaker 2: but that episode, which is... Laura... Eu vou ser mítico, Lucas.
• 2:37:44
  Speaker 4: If you go to Rock Hill, please fuck your other stage. Okay?
• 2:37:46
  Speaker 2: Go see the boys.
• 2:37:47
  Speaker 4: Come see us.
• 2:37:47
  Speaker 3: Supernova stage. Send this one there. Fuck your other stage.
• 2:38:09
  Speaker 2: Better not. Better not, right?
• 2:38:12
  Speaker 4: Who's talking about this is Igor Underground.
• 2:38:14
  Speaker 2: Yeah, Igor Underground, man.
• 2:38:16
  Speaker 9: Sorry.
• 2:38:16
  Speaker 4: No, guys.
• 2:38:17
  Speaker 3: Leave a like, subscribe. Next week there's more.
• 2:38:20
  Speaker 2: Wow, there was a Rock in Rio.
• 2:38:22
  Speaker 6: Can I send a hug here? For my staff, Afonso.
• 2:38:26
  Speaker 2: You made it strong, man.
• 2:38:28
  Speaker 4: Do a biceps, a double biceps. No, but show this
• 2:38:30
  Speaker 4: fucking shit.
• 2:38:31
  Speaker 3: No, I'm ashamed.
• 2:38:31
  Speaker 2: No, go fuck yourself.
• 2:38:32
  Speaker 4: Show it. No, but I'm going to show it. Oh, fuck!
• 2:38:35
  Speaker 4: It's big, man.
• 2:38:36
  Speaker 2: But show it like this, Defante, like this.
• 2:38:40
  Speaker 3: There you go. What about you, Luquinhas?
• 2:38:42
  Speaker 2: Are you bored? No, you'll have to show it. Show
• 2:38:45
  Speaker 2: it to me too. The guy is bored. Hey, are
• 2:38:47
  Speaker 2: you training?
• 2:38:47
  Speaker 6: Man, you were in the gringa these days.
• 2:38:50
  Speaker 2: Training on the street. These guys are holding on to
• 2:38:52
  Speaker 2: make love for five hours without stopping. Take it.
• 2:38:56
  Speaker 6: Without taking it from inside.
• 2:38:57
  Speaker 2: Show your young myth.
• 2:38:58
  Speaker 3: My, it's mushy.
• 2:38:59
  Speaker 2: But it's good, man.
• 2:39:00
  Speaker 4: It's top.
• 2:39:01
  Speaker 2: Squirrel.
• 2:39:01
  Speaker 4: What about yours, Igor?
• 2:39:02
  Speaker 2: It must be bad too.
• 2:39:03
  Speaker 4: There, look. Hey, man.
• 2:39:06
  Speaker 2: Thank you, Afonso.
• 2:39:08
  Speaker 3: Thanks, Afonso. No, Carlão, I'll be back next month.
• 2:39:12
  Speaker 1: I'll never be back, but I'll be fat, put on
• 2:39:15
  Speaker 1: the temple tattoos, and I don't.
• 2:39:16
  Speaker 4: Want to know anything.
• 2:39:17
  Speaker 2: Temples and fat.
• 2:39:18
  Speaker 4: Temples and fat. My new album.
• 2:39:20
  Speaker 1: I like those fat asses that look like this. They
• 2:39:23
  Speaker 1: throw coins around them. I'm here to complicate myself.
• 2:39:26
  Speaker 4: Go ahead, young man. I didn't complicate myself yet, but.
• 2:39:30
  Speaker 2: I love you.
• 2:39:30
  Speaker 4: I didn't complicate myself yet, but I'm ready.
• 2:39:41
  Speaker 2: Thank you.