Latest / DA CREW Podcast / SC BOOK GAL & FRIENDS LIVE 12/29/24

Transcript

SC BOOK GAL & FRIENDS LIVE 12/29/24 · DA CREW Podcast

• 0:30
  Speaker 1: Ladies and gentlemen, May I have your attention please? The
• 0:38
  Speaker 1: show starts in ten mine eight seven, six, five, four
• 0:53
  Speaker 1: three two one go.
• 1:09
  Speaker 2: Hey, everyone is Sunday night. And I told you guys
• 1:12
  Speaker 2: that I was gonna be with you guys tonight. So again,
• 1:16
  Speaker 2: my name is Patrice Grumble and I am known as
• 1:19
  Speaker 2: sc book out A four three, And tonight we're gonna
• 1:23
  Speaker 2: be talking about the Flowers of Eve. So we're bringing
• 1:29
  Speaker 2: back this off the one more time and we're gonna
• 1:31
  Speaker 2: get a little bit more deeper into this book. Okay,
• 1:33
  Speaker 2: you guys, So let me give you a little background,
• 1:37
  Speaker 2: and I'm not gonna give much away because you need
• 1:41
  Speaker 2: to get the book. Okay. So girl gets heartbroken, girl
• 1:49
  Speaker 2: meets guy. Okay, girls interesting guy, Girl meets guy. Girl,
• 1:55
  Speaker 2: Guy go on date, girl, guy fall in love girl,
• 2:00
  Speaker 2: baby mama. Yeah, okay. There are some other subtopics going on,
• 2:10
  Speaker 2: as in, you have the best friends that are in
• 2:12
  Speaker 2: this situation and like I told you, baby moms and
• 2:16
  Speaker 2: past loves. But like I said, I'm not going to
• 2:19
  Speaker 2: give you much because I don't want you to not
• 2:24
  Speaker 2: go wrap this book. Okay, So without furthermore, I am
• 2:31
  Speaker 2: going to bring up the author author, the Kendrick L. Northern.
• 2:37
  Speaker 2: How are you tonight? Yeah, I am doing well. So
• 2:45
  Speaker 2: before we start off, you have to tell us a
• 2:46
  Speaker 2: little bit about yourself.
• 2:56
  Speaker 3: For the half years my freedom Alabama. You know, uh,
• 3:05
  Speaker 3: just make a job.
• 3:09
  Speaker 2: Okay, Okay, So we're just gonna dive right into the book.
• 3:13
  Speaker 2: You know. So let's let's talk about these characters. We
• 3:19
  Speaker 2: have talked about them before, but let's get a little
• 3:23
  Speaker 2: bit more deeper. Okay. So let's start off with I'm
• 3:28
  Speaker 2: just going to ask you a general question so we
• 3:30
  Speaker 2: can move right on into it. Which one of these
• 3:34
  Speaker 2: characters or is your favorite? And why is that character
• 3:38
  Speaker 2: your freider? And once we find out about this character,
• 3:41
  Speaker 2: we'll go a little bit more.
• 3:50
  Speaker 3: You know, he was wading up and get home.
• 3:52
  Speaker 2: Yeah, you.
• 4:03
  Speaker 3: Know that's how things happened.
• 4:05
  Speaker 2: Okay, Yes, So Kendrick Kendrick is to me, it seems
• 4:12
  Speaker 2: like he is you or the typical African American male.
• 4:17
  Speaker 2: Would you say that would be true?
• 4:22
  Speaker 3: Thinking out to him life? They can but they I
• 4:29
  Speaker 3: mean you could say that I made it where I
• 4:32
  Speaker 3: want to be the date the man I want to
• 4:34
  Speaker 3: turn to day. That's a giant transition the book. You
• 4:37
  Speaker 3: know what I'm saying, but I told the readers that
• 4:41
  Speaker 3: you know, well a time in your life wrote you
• 4:44
  Speaker 3: know what I'm saying. I just showed him to get
• 4:46
  Speaker 3: by this character.
• 4:48
  Speaker 2: Now, I have to admit you, guys, throughout the whole book,
• 4:52
  Speaker 2: even though the book, I want to say, if I
• 4:54
  Speaker 2: can't remember, I think if between maybe two hundred and
• 4:57
  Speaker 2: fifty to three hundred pages. But in this time span
• 5:01
  Speaker 2: of the book, you literally see the character development between
• 5:06
  Speaker 2: each one of the characters from their hurt, their frustration,
• 5:10
  Speaker 2: their pain to their triumph. And that's one thing I
• 5:13
  Speaker 2: do like when authors do that, and the reason being
• 5:16
  Speaker 2: is because I like cliffhangers. But once I really get
• 5:23
  Speaker 2: into your book, these characters like become friends, become individuals
• 5:27
  Speaker 2: that I see on an everyday basis, And of course
• 5:31
  Speaker 2: you're going to be rooting yeah, yeah, yeah for your
• 5:34
  Speaker 2: favorite character. And that's why in most books. Now, sometime
• 5:40
  Speaker 2: I can do a cliffhanger, but in most books, I
• 5:43
  Speaker 2: want to see that character in so many terms, get
• 5:47
  Speaker 2: what they deserve, good or bad. Okay, so let's talk
• 5:54
  Speaker 2: between the two ladies, between Eve and Mo, who was
• 5:59
  Speaker 2: your favorite character and why.
• 6:06
  Speaker 3: I play Eve with my favorite character be times. You know,
• 6:08
  Speaker 3: as I wrote a book like I say in Rights Caculus,
• 6:12
  Speaker 3: and you know that's a transition from a streets you
• 6:15
  Speaker 3: know what I'm saying, and learning what love is. You know,
• 6:18
  Speaker 3: you have a realization of what type of difficult woman
• 6:21
  Speaker 3: you would like to do understand the rest of your life.
• 6:23
  Speaker 3: So I have to get the character around here. If
• 6:25
  Speaker 3: I had also show the pains and the hard age,
• 6:28
  Speaker 3: you know what I'm saying, to get because you know,
• 6:29
  Speaker 3: every relationship is my person.
• 6:32
  Speaker 2: Great, So if you can give Eve a piece of advice,
• 6:37
  Speaker 2: what would that advice be for her?
• 6:44
  Speaker 3: I would like to see you know what I'm saying
• 6:45
  Speaker 3: that you know, although you always be dependent on someone
• 6:48
  Speaker 3: in the world, no matter what it may be, you know,
• 6:51
  Speaker 3: got to have some type of things for yourself ussel.
• 6:54
  Speaker 3: But at the same time you have to know how
• 6:56
  Speaker 3: to how to a line between the two and you
• 6:59
  Speaker 3: know how to learn out of love and the different
• 7:05
  Speaker 3: the status you know so much the one of time,
• 7:09
  Speaker 3: Like I say, because she was traveling in a life
• 7:13
  Speaker 3: where she's depended on the man.
• 7:15
  Speaker 2: You know what I'm saying right right, because she was
• 7:19
  Speaker 2: and that's one of the things that Eve has to
• 7:22
  Speaker 2: go through in the book, she has to, let's just say,
• 7:28
  Speaker 2: in so many words, reinvent herself because herself was in
• 7:34
  Speaker 2: her love. But then something happened to her love. And
• 7:37
  Speaker 2: I'm not going to tell y'all what happened, so y'all
• 7:39
  Speaker 2: got to read the book to forgure out what's happened.
• 7:41
  Speaker 2: But something happens to her love, which leaders her now
• 7:47
  Speaker 2: trying to reinvent herself into the woman that she becomes
• 7:51
  Speaker 2: in this book. You have a lot of subplots going
• 7:56
  Speaker 2: on in your book. In to be for this to
• 8:02
  Speaker 2: be your first release, not your first written book, but
• 8:05
  Speaker 2: your first release, you made all your subtopic topics or
• 8:15
  Speaker 2: sub situations intertwined with each other. How in the world
• 8:21
  Speaker 2: did you make that happen and keep everything straight?
• 8:28
  Speaker 3: I mean see reality, you know, and how the wild
• 8:31
  Speaker 3: roads of world roads to it interns, you know, different
• 8:34
  Speaker 3: day of a different day every time. It's different actions,
• 8:37
  Speaker 3: you know, so every time they lifestyles and things they
• 8:40
  Speaker 3: go through, you know, just like like kind of like
• 8:43
  Speaker 3: social media just being social period. Its just share, thank
• 8:48
  Speaker 3: you for coming, and you know, those things become reality.
• 8:53
  Speaker 3: It makes consail.
• 8:55
  Speaker 2: That is true. That is true. A lot of the
• 8:59
  Speaker 2: situations and this book to you guys, you can pinpoint
• 9:02
  Speaker 2: it to happen to somebody that you know. So I'm
• 9:05
  Speaker 2: gonna ask you, Okay, which one of these situations in
• 9:12
  Speaker 2: your book did you enjoy writing the most?
• 9:24
  Speaker 3: I think that I But.
• 9:29
  Speaker 2: You gotta choose one I know you had. Okay, you, guys,
• 9:37
  Speaker 2: I'll give you three. I'll give you my favorite three,
• 9:39
  Speaker 2: and then you tell me which one you want you like.
• 9:43
  Speaker 2: I love the situation between Eve and Mo and how
• 9:49
  Speaker 2: Mo gets Eve out of her shell to actually go
• 9:52
  Speaker 2: out to the club. She gives her this confidence, like,
• 9:57
  Speaker 2: come on, mama, you gotta get it together. You know,
• 10:00
  Speaker 2: we got to continue on with life. So that's one.
• 10:05
  Speaker 2: How about the situation where Carlos and Kendrick is talking
• 10:11
  Speaker 2: and Kendrick has given Carlos that, hey man, you got
• 10:15
  Speaker 2: to cut this out because life is short. Things are
• 10:18
  Speaker 2: going on and I don't want you anything to happen
• 10:21
  Speaker 2: to you when he's doing his little dealings or the ooh,
• 10:31
  Speaker 2: I don't want to talk about that one. I don't
• 10:33
  Speaker 2: want to talk about that one. The fourth of July
• 10:40
  Speaker 2: where everyone was together and it seemed like it was
• 10:46
  Speaker 2: just heaven on earth. What's one of those three situations
• 10:49
  Speaker 2: was your favorite to write about? And why?
• 10:57
  Speaker 3: Uh? I think they all again out I say, after.
• 11:05
  Speaker 4: God, oh, come on, What is the thing that would
• 11:11
  Speaker 4: say is that you know when they had went on
• 11:13
  Speaker 4: their first day, pride to that you know they had
• 11:16
  Speaker 4: that exchanged numbers, the like particular street dude, you know,
• 11:20
  Speaker 4: being out there for the bad.
• 11:22
  Speaker 3: He forgets the college because he had got an offigures thing.
• 11:25
  Speaker 3: So when they finded her stuff, so it was at
• 11:27
  Speaker 3: the point where he made him to seem like he
• 11:30
  Speaker 3: forgot his podty, he gets the dead pies or whatever.
• 11:33
  Speaker 3: So he takes the stigma in her head and that's
• 11:35
  Speaker 3: when it goes on to the black man out there
• 11:37
  Speaker 3: the street. But when I always head at dinner, you
• 11:40
  Speaker 3: know what I'm saying. I ain't gonna say the reason,
• 11:42
  Speaker 3: but it was the pride that she wasn't expected. That's whatever.
• 11:47
  Speaker 2: No see in that scene, he was nothing but being
• 11:49
  Speaker 2: a player. That was one of those smooth nineteen eighties
• 11:56
  Speaker 2: bully ocean type player moves. I can't and why I said, Billy, Okay,
• 12:08
  Speaker 2: you could call it romantic. A typical guy would say that,
• 12:12
  Speaker 2: but for a female, you guys, it was one of those.
• 12:16
  Speaker 2: It was smooth, and I know people's like Billy Oshan.
• 12:19
  Speaker 2: I love Billy Oshan. Okay, I've got a new found
• 12:23
  Speaker 2: love to his music again. But you know, Billy Ocean
• 12:26
  Speaker 2: had those.
• 12:28
  Speaker 3: We wasn't the Caribbean.
• 12:34
  Speaker 2: Yeah, so you know Bill Yoshi used to wait those though.
• 12:38
  Speaker 2: He was always in a suit. If you look at
• 12:41
  Speaker 2: all the Billy Oshan he was always in a suit
• 12:43
  Speaker 2: or a soft collar Pulo shirt in a suit. So
• 12:46
  Speaker 2: that's what I was getting when that scene came along.
• 12:53
  Speaker 2: Which scene was the hardest to write?
• 13:02
  Speaker 3: You know, Matree the.
• 13:02
  Speaker 1: Right for me.
• 13:03
  Speaker 3: It was a transition at the end of the book
• 13:07
  Speaker 3: where where everything was coming together on the podcast came
• 13:11
  Speaker 3: through a head, you know, and it give them the
• 13:13
  Speaker 3: tragic guy. Like like I said, we didn't get too
• 13:15
  Speaker 3: much weight because you know, when he was some tragic
• 13:18
  Speaker 3: they happened, you know in the world was up to happen,
• 13:21
  Speaker 3: you know what I'm saying. They pretty much bring you
• 13:24
  Speaker 3: know out o the time they had hangs out was
• 13:26
  Speaker 3: bringing family and friends together for some reason. So it
• 13:30
  Speaker 3: was kind of you know, trying to bring it together
• 13:32
  Speaker 3: and try to because it was the book guy at
• 13:33
  Speaker 3: the same time, so it was kind of hard, but
• 13:37
  Speaker 3: how I had managed to find a way, and they.
• 13:41
  Speaker 2: Okay, can I give them a little snippet, just a
• 13:44
  Speaker 2: little snippet of the last seventy five pages, just a
• 13:48
  Speaker 2: little I'm not gonna give away a lot, just a
• 13:50
  Speaker 2: little cannot please? Okay, he did, but just.
• 13:57
  Speaker 3: Know some secrets, some secrets and some the seat. Oh
• 14:01
  Speaker 3: he came to a head, you know, and uh, some
• 14:04
  Speaker 3: tragity happened, Uh, situation in the hospital. It's a situation
• 14:10
  Speaker 3: now dout there in the world you have. That's why
• 14:13
  Speaker 3: you take yourself and be more uh eventually inclined to
• 14:16
  Speaker 3: what you're doing. You know what I'm saying, protect it
• 14:18
  Speaker 3: because of things up there that you catch and uh,
• 14:22
  Speaker 3: you know, there's there's things that would uh suicide, there's things,
• 14:27
  Speaker 3: uh you know that a part of what you're going
• 14:31
  Speaker 3: through to make your college you want to urstic violence.
• 14:34
  Speaker 3: It's everything repped up in one but you can relate to.
• 14:40
  Speaker 2: And the crazy thing about it is, you guys, if
• 14:43
  Speaker 2: you're living here in Charleston, you everybody, if you're breathing,
• 14:50
  Speaker 2: you've heard about the tragedy situation that just happened in
• 14:54
  Speaker 2: the Charleston area. When it came down to domestic violence,
• 14:57
  Speaker 2: and that is one of the situations that happened in
• 15:00
  Speaker 2: this book. So I don't mean to put you on
• 15:03
  Speaker 2: the spot, but I'm gonna ask how important was it
• 15:06
  Speaker 2: to have that factor of domestic violence. How important was
• 15:13
  Speaker 2: that to be in the book? Do you feel that
• 15:17
  Speaker 2: it was something that could have been left out in
• 15:20
  Speaker 2: the book still be the same. Now I would like
• 15:23
  Speaker 2: you to answer that question and then be as the reader,
• 15:25
  Speaker 2: I'll come back and answer that question.
• 15:30
  Speaker 3: Well, I feel it was very important because a lot
• 15:33
  Speaker 3: of people, like I say, when I write, write, we
• 15:36
  Speaker 3: had to come up book like to write, but things
• 15:38
  Speaker 3: that actually happened in the world. I'm saying with people
• 15:41
  Speaker 3: that can relate, but I feel human, you know what
• 15:44
  Speaker 3: I'm saying. But a lot of times these are things
• 15:49
  Speaker 3: that need to get addressed, you know what I'm saying,
• 15:51
  Speaker 3: that people need to be aware of. You know, it's
• 15:53
  Speaker 3: important they're just moving out the hurt, you know what
• 15:56
  Speaker 3: I'm saying. That I find in shape at the same
• 16:00
  Speaker 3: time that needs to be loved listen to because they
• 16:05
  Speaker 3: go up to something that they just one it just happened,
• 16:10
  Speaker 3: you know.
• 16:13
  Speaker 2: So it's important to me and I think as the reader.
• 16:17
  Speaker 2: You putting that in the book, I feel that it
• 16:20
  Speaker 2: was very important. And the reason why I feel like
• 16:23
  Speaker 2: it was important is because it brought awareness to it.
• 16:26
  Speaker 2: A lot of people would sweep it under rug and
• 16:29
  Speaker 2: think about it when something else tragic happens, especially here
• 16:32
  Speaker 2: in the state of South Carolina where we have one
• 16:35
  Speaker 2: of the highest rates of domestic violence, and you bring
• 16:41
  Speaker 2: in it to light in the book. It gave that character.
• 16:48
  Speaker 2: And I don't want to say it like this, you guys,
• 16:50
  Speaker 2: I truly don't, but it gave that character such a
• 16:53
  Speaker 2: human sense that you really can look and go someplace,
• 17:00
  Speaker 2: or you can be at home and think about somebody
• 17:02
  Speaker 2: who's going through this, and it puts you in the
• 17:04
  Speaker 2: situation of how you can encourage that person, how you
• 17:08
  Speaker 2: can be there for that person, because when they're ready
• 17:11
  Speaker 2: to leave, you need to be all right, let's go,
• 17:13
  Speaker 2: let's do what we need to do. You know what
• 17:15
  Speaker 2: I'm saying.
• 17:16
  Speaker 1: So, what.
• 17:24
  Speaker 2: Scene was the most romantic to you? Because you hit
• 17:28
  Speaker 2: a couple of nerves on some of these scenes? Some
• 17:33
  Speaker 2: of these scenes, Yeah, which one was the worst most
• 17:38
  Speaker 2: romantic one? You feel, guy?
• 17:49
  Speaker 3: She expected to house, you know what I'm saying. She
• 17:53
  Speaker 3: might the biggest houses already down. Uh that you know
• 17:59
  Speaker 3: he's got up front. He's at man. He wasn't like
• 18:03
  Speaker 3: being tact that he hadn't put it no otherwise he's
• 18:09
  Speaker 3: not had the day to have his cooking skills. You
• 18:12
  Speaker 3: know what I'm saying. It's making conser. You know what
• 18:16
  Speaker 3: I'm saying, just time to go out. People need to
• 18:20
  Speaker 3: tell you don't know how to do it going, you
• 18:25
  Speaker 3: know what I'm saying. He kept essential.
• 18:29
  Speaker 2: To them saying So as the author, you were saying,
• 18:34
  Speaker 2: Kendrick was showing off his culinary skills and how you
• 18:38
  Speaker 2: can have a good time in As the reader, Kendrick
• 18:44
  Speaker 2: was trying to you know what, ladies and gentlemen. Okay,
• 18:48
  Speaker 2: so he just had easy access. If he did everything
• 18:51
  Speaker 2: at home, he ain't got to worry about driving anywhere.
• 18:54
  Speaker 2: He was already at home. But that part was very sentimental.
• 18:58
  Speaker 2: He was very sweet in that part. When y'all read,
• 19:01
  Speaker 2: did y'all see Kendrick has something up on her sleeve
• 19:03
  Speaker 2: from the get though, So let's go to the secondary characters,
• 19:08
  Speaker 2: call those and mo these two worthy the train tracks
• 19:22
  Speaker 2: as I may call it. Sometimes the two characters you
• 19:25
  Speaker 2: want them to get together but one character got this
• 19:28
  Speaker 2: situation going on and the other character got this situation
• 19:32
  Speaker 2: going on. Why did you choose the path that you
• 19:35
  Speaker 2: gave them to.
• 19:41
  Speaker 3: The similar background, Like I said, like she was. She
• 19:46
  Speaker 3: was the one that always wanted to be loved. But
• 19:50
  Speaker 3: the way she was love that wait, you know what
• 19:52
  Speaker 3: I'm saying.
• 19:53
  Speaker 4: She was more.
• 19:54
  Speaker 3: Collected in the house anything. So she was wishing to
• 19:57
  Speaker 3: raise around or ms race round. You know that material
• 20:01
  Speaker 3: value is the main thing. So she used the way
• 20:03
  Speaker 3: to get through. She used a little too curious to
• 20:06
  Speaker 3: stuff on the street. It's a smoke. And that the
• 20:08
  Speaker 3: other hand, you had Condon do the same thing. He
• 20:11
  Speaker 3: was raised pretty much enough in struggles and I'm saying
• 20:14
  Speaker 3: that he had to get out to get it, hide
• 20:16
  Speaker 3: and get it. I'm saying somebody means he had, so
• 20:20
  Speaker 3: he took at the same time. They both wanted the love.
• 20:24
  Speaker 3: They both wanted to do benefit. You know, just the
• 20:27
  Speaker 3: way it came up to the water, to the water
• 20:29
  Speaker 3: streets and the turble walls, trying to be good. She's
• 20:32
  Speaker 3: a turble war. I wanta love that turble world. Hay
• 20:35
  Speaker 3: Man get high lives no material though I got died.
• 20:40
  Speaker 3: I whether you say got pridec groups and get you
• 20:41
  Speaker 3: out out and stuff that I'm saying the designer.
• 20:43
  Speaker 2: Thing, you know, and that is true because you can
• 20:52
  Speaker 2: tell Carlos had this this sweet sweet the player wanted
• 21:02
  Speaker 2: to be teamed. Let's put it like that, okay, And she,
• 21:07
  Speaker 2: the player asked, was getting tired. To me, it seems
• 21:10
  Speaker 2: like more was getting tired because she was wanting what
• 21:12
  Speaker 2: Eve and Kendrick had. So that's why I say, well,
• 21:16
  Speaker 2: she she was getting tired of the games that was
• 21:20
  Speaker 2: being played between her and the guy that she was with.
• 21:24
  Speaker 2: So when you have the player that wants to be
• 21:27
  Speaker 2: teamed and the player that is tired and they get together,
• 21:35
  Speaker 2: my question is will they work?
• 21:42
  Speaker 3: Yeah, it's very much a crash court. It's an experience
• 21:45
  Speaker 3: that she learned.
• 21:47
  Speaker 2: You know.
• 21:48
  Speaker 3: So a lot of people go through some plays and
• 21:50
  Speaker 3: that with a lot of people afraid to see about
• 21:53
  Speaker 3: love and relationship. They afraid they don't get the level
• 21:56
  Speaker 3: of pain that they'll go through, you know, and everybody
• 22:00
  Speaker 3: like ya Door was just like everybody don't have in person.
• 22:08
  Speaker 3: You know what I'm saying, A person love the love
• 22:10
  Speaker 3: that they come up and have to fight and they
• 22:12
  Speaker 3: come through and have understanding and come back together and realize.
• 22:16
  Speaker 3: But hey, we can't think the work have as a clood.
• 22:21
  Speaker 3: Everything is in person.
• 22:25
  Speaker 2: Well, in this book, they did have the moments of
• 22:27
  Speaker 2: honky dory. That's when they did the Fourth of July
• 22:30
  Speaker 2: and when the ladies just was out getting hair and
• 22:33
  Speaker 2: stuff done. But then each one of the characters had
• 22:37
  Speaker 2: their what I call them knockout dragouts. And there were
• 22:40
  Speaker 2: plenty of times in this book I did not see
• 22:44
  Speaker 2: the characters working through it. And when they did work
• 22:47
  Speaker 2: through it, you're at that, oh my god, they came
• 22:50
  Speaker 2: to an understanding moment. And it's not one of those
• 22:53
  Speaker 2: ones where and y'all know me, y'all know I love
• 22:58
  Speaker 2: me a good erotic book. But this book wasn't one
• 23:03
  Speaker 2: of these books where as they had sex and then
• 23:06
  Speaker 2: two three page laters, they're back to it. This book
• 23:09
  Speaker 2: is one of those books where they talked it out,
• 23:11
  Speaker 2: they thought it out and came to a conclusion. So
• 23:16
  Speaker 2: that is another reason why I did love the way
• 23:20
  Speaker 2: this book was stared. So we're going to come back
• 23:26
  Speaker 2: to you because we talked about the characters, and we
• 23:28
  Speaker 2: talked about the situations, and we don't want to give
• 23:30
  Speaker 2: out too much I want to know is there. I
• 23:38
  Speaker 2: know you're working on one to two projects. Okay, do
• 23:43
  Speaker 2: you want to talk about those projects.
• 23:51
  Speaker 3: It's going with a special woman of mine, like a book,
• 24:00
  Speaker 3: you know what I'm saying, the story a couple. You
• 24:03
  Speaker 3: know what I'm saying. It's like the yah you know
• 24:07
  Speaker 3: things it's time desire, you know, Yeah, go on the journey.
• 24:13
  Speaker 3: You know, they aronical you know, they little uh stories,
• 24:16
  Speaker 3: you know what I'm saying. That's essentially and you can
• 24:19
  Speaker 3: have a little romance, gamble kicking the you know, it's
• 24:23
  Speaker 3: it's a treat for the week yourself there to get
• 24:25
  Speaker 3: the type of role you know what I'm saying, they
• 24:27
  Speaker 3: thing something.
• 24:30
  Speaker 2: Yeah, and then you have another one that's you might
• 24:33
  Speaker 2: be dropping like two books almost at the same time. Huh.
• 24:40
  Speaker 3: Well, like I said, I got out it on. Uh
• 24:42
  Speaker 3: That's what I'm staying by as I had told myself. Man,
• 24:45
  Speaker 3: I'm working one thing at a time, you know, so
• 24:48
  Speaker 3: you know, got to support out there around it. You know,
• 24:51
  Speaker 3: support is the main thing.
• 24:53
  Speaker 2: So okay, yeah, So have we seen you have your
• 24:58
  Speaker 2: social media contacts? We see that you are on Instagram,
• 25:03
  Speaker 2: and you are on Blue Sky, and you are on
• 25:08
  Speaker 2: Twitter and now I see that you were able to
• 25:12
  Speaker 2: create a Facebook page. So if you're looking at the
• 25:17
  Speaker 2: bottom and screening guys, you see everything is really his
• 25:21
  Speaker 2: first and last name, the Kendrick Norlan and all of
• 25:25
  Speaker 2: his profile pictures. It's his book that if you look
• 25:30
  Speaker 2: this way, Flowers of Eve, that is all of his
• 25:35
  Speaker 2: profile pictures, which I think is very smart. So it
• 25:38
  Speaker 2: gives the readers and other authors who want to contact
• 25:42
  Speaker 2: you a way of making sure that they have you.
• 25:47
  Speaker 2: Is there anything else you would like to say to
• 25:51
  Speaker 2: your readers about what you wanting to do, Any thanks,
• 25:59
  Speaker 2: any shout out, just anything to close out my very
• 26:05
  Speaker 2: last show of twenty twenty four.
• 26:11
  Speaker 3: Yeah, I'm going to give a shout out to the
• 26:14
  Speaker 3: green and collaboration after you know, everything that's happening right now.
• 26:19
  Speaker 3: You know she used to roogle it out, you know,
• 26:21
  Speaker 3: the shout out that you know what I'm saying, the
• 26:24
  Speaker 3: shout out you know, I don't know know play the
• 26:27
  Speaker 3: factor in the growth, in the betterment of how everything
• 26:30
  Speaker 3: is going. And you know, I don't want to put
• 26:35
  Speaker 3: it like I said, I don't want to put myself
• 26:36
  Speaker 3: in the specific genre where I like, uh, it's just
• 26:40
  Speaker 3: some of the urban talent, some of the earth work
• 26:43
  Speaker 3: that did you no ass you pros no talent. You know,
• 26:47
  Speaker 3: become better better as you get and if you don't
• 26:50
  Speaker 3: choose any finish as well. But you know, over time,
• 26:53
  Speaker 3: you know, I wrote on different things. I got chairs,
• 26:55
  Speaker 3: some books, estomatic books, by the mysteries, you know what
• 26:57
  Speaker 3: I'm saying, better urban books, and you know I want
• 27:01
  Speaker 3: to test baces on everything, so I'm not stucky. No box.
• 27:04
  Speaker 3: You know you think you said alm on time game
• 27:07
  Speaker 3: you for look to get everything to everybody, you know,
• 27:11
  Speaker 3: and one day, you know I'm saying, you guys see
• 27:13
  Speaker 3: men say anything that's uh you open every day, you
• 27:17
  Speaker 3: know I'm saying one day But like I said, man,
• 27:20
  Speaker 3: you just want to thank you everybody. You don't believe it?
• 27:23
  Speaker 3: Then they give me a chance, you know, uh applied
• 27:26
  Speaker 3: to the criminal justice system and the crooks in it,
• 27:30
  Speaker 3: you know, trying to get all these brothers as yeah,
• 27:35
  Speaker 3: eat hands. You know everybody they make mistakes, thame, but
• 27:38
  Speaker 3: everybody ain't you know, tied down to take mistakes, you know,
• 27:42
  Speaker 3: So I just want to go prett much pretty much.
• 27:45
  Speaker 2: Then, Well, thank you for joining me tonight, you guys.
• 27:50
  Speaker 2: This is my very last Show of twenty twenty four,
• 27:54
  Speaker 2: and I am just honored to say thank you for
• 27:59
  Speaker 2: another year, another season. And I will see you guys
• 28:03
  Speaker 2: Tuesday night when I'm with the rest of the ladies
• 28:07
  Speaker 2: and we're gonna bring in the New Year's well, we're
• 28:10
  Speaker 2: gonna bring it. We're gonna bring in our podcast New
• 28:12
  Speaker 2: Years to see it like that. Okay, but thank you guys.
• 28:15
  Speaker 2: Another Sunday night in the books, Happy New Year, great blessings,
• 28:22
  Speaker 2: Good night everyone. Bye.