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50 Cent and Rotimi Interview · The Breakfast Club

0:01
Speaker 1: Realty for Real celebrity joined the Breakfast Morning. Everybody is
0:08
Speaker 1: DJ M v Angela Ye Sholamine God. We are the
0:10
Speaker 1: Breakfast Club special guests in the building this morning. We
0:14
Speaker 1: got fifty cents and from Power. I don't want to
0:16
Speaker 1: say your name wrong, rod Timmy, tim Timmy, Sir? Did
0:19
Speaker 1: he about this? What did he say? You can come
0:22
Speaker 1: to don't bring no he said, don't bring no bottles,
0:25
Speaker 1: don't bring no shirts with no no no bottle information
0:29
Speaker 1: on it. Oh you got okay, okay, fifty cents here
0:36
Speaker 1: we got one. We don't write the check out. Well,
0:41
Speaker 1: now what's going on? Fifth man? Everything's good man. I
0:44
Speaker 1: got a chance to work with Roald Timmy and he
0:47
Speaker 1: played my young boy on on on on the Power Show,
0:51
Speaker 1: like I met him in jail and he got out
0:52
Speaker 1: before me, like I had got knock off his young boy.
0:57
Speaker 1: You know a lot of youth culture, the way things
0:59
Speaker 1: are all on the street is they don't really have consequence.
1:02
Speaker 1: You're thinking, there's a lot of wet pillows in prison.
1:05
Speaker 1: The crime about it, after the fact, assess it, you
1:08
Speaker 1: know what I'm saying. But when they out on the
1:11
Speaker 1: street and active, they torpedoes all they needed coordinates. But congratulations.
1:15
Speaker 1: We were talking about the second season premiere and how
1:18
Speaker 1: it broke all kinds of records on stars for original series, right,
1:21
Speaker 1: but Angela were expecting that, we were expecting success. I
1:26
Speaker 1: was like this from the very beginning when I was
1:28
Speaker 1: talking Courtney, I was like, this is going watch what happens.
1:31
Speaker 1: Like I intentionally put us in at odge with because
1:36
Speaker 1: of the marketing dollars. I knew Fox was going to
1:38
Speaker 1: spa over the time period. You know, it's commercial network.
1:42
Speaker 1: They could put you s. Look how many covers and
1:45
Speaker 1: how many different things you've seen in their cast the
1:47
Speaker 1: lawn after the fact. You know they spend good money
1:50
Speaker 1: on it because it's in everyone's television programming without them
1:55
Speaker 1: ordering cable, right. You know that's one of your strategies though,
1:58
Speaker 1: Like whenever you got something coming, you picked the thing
2:00
Speaker 1: that's the top, top thing and go at it. I
2:02
Speaker 1: gotta go after Puff with the you know, because his
2:06
Speaker 1: positions number two in the category, and I don't care
2:09
Speaker 1: you know how anyone feels about it. It's my strategist
2:12
Speaker 1: the way I was taught to do things like okay,
2:16
Speaker 1: because you didn't notice and you missed the messaging points
2:18
Speaker 1: over the last twelve years, I sold drugs, and when
2:27
Speaker 1: you when you tell drugs, we could acquire your your company,
2:31
Speaker 1: the corporate decisions made while in that lifestyle. You could
2:36
Speaker 1: kill someone to acquire that position. So you take it
2:39
Speaker 1: to the corporate I will kill you, just not literally, Yeah,
2:42
Speaker 1: it's just you know, but I take it there, and
2:44
Speaker 1: then it gives you additional energy and drive to go
2:48
Speaker 1: in the direction you need to. Strategically speaking, would you
2:50
Speaker 1: say that's why you and Floyd maybe had a little
2:52
Speaker 1: bit of a tiff. I supposed to Floyd, you know
2:54
Speaker 1: what I mean previously when you started your boxing promotions,
2:57
Speaker 1: and maybe that's oh no, no, that wasn't you know
3:00
Speaker 1: what happened with me in Florida. He just decided he
3:02
Speaker 1: wanted to do something else. And he's conditioned because he
3:05
Speaker 1: does what he wants when he wants. He just did
3:08
Speaker 1: something else without warning, like gonna let me know what
3:12
Speaker 1: he was doing. And I'm mad at that. And you know,
3:15
Speaker 1: like when you're in a position where you can get
3:19
Speaker 1: thirty million dollars a fight and spend thirty million getting
3:22
Speaker 1: thirty million, and it don't matter in this because you
3:25
Speaker 1: can consistently win, like that. Um, it's tough to give
3:29
Speaker 1: a person any type of directions or tell him anything.
3:33
Speaker 1: Let's let's let's talk more about power man. You know,
3:34
Speaker 1: first of all, be half on behalf of men everywhere.
3:36
Speaker 1: We want to thank you because I heard that is
3:38
Speaker 1: gonna show her time. Wait ever, so fur we're gonna
3:47
Speaker 1: loop that. Everiso four, We're gonna loop that and let
3:52
Speaker 1: that play on stars and the loop. See what's going
3:56
Speaker 1: on here? How did you make that happen? And did
3:58
Speaker 1: you remember that happened? I? Yeah, man, I was like this,
4:04
Speaker 1: this is artistic. This is the point where you take
4:08
Speaker 1: it to the next level. But you know, I never
4:12
Speaker 1: was waiting for I felt like we anticipating a sex take.
4:17
Speaker 1: We might have to luke that. Let that be say
4:20
Speaker 1: you have to talk to mellow about that, because you
4:21
Speaker 1: were mellow cool. Yeah no, no, no, I didn't say
4:23
Speaker 1: anything to him because I was like, man, this is something,
4:25
Speaker 1: this is a different thing, like this is between you
4:26
Speaker 1: and your wife. I shouldn't be any personal. I was
4:28
Speaker 1: talking a lot, you know what the side like, yo,
4:30
Speaker 1: look you should do creatively, you should really go already. Yeah,
4:35
Speaker 1: it was there, it was there, It was written and
4:37
Speaker 1: they had like like I got a scene with my
4:39
Speaker 1: baby mother. Didin't meet her yet on the show, but
4:41
Speaker 1: you see, like I come into it, and then my
4:44
Speaker 1: character is a little different because I don't want to
4:46
Speaker 1: have that. I didn't even want Sean when we had them,
4:50
Speaker 1: my son, because I didn't want the vulnerability connected to
4:53
Speaker 1: you know, having a word about someone else, those things
4:56
Speaker 1: and just just came in so far into the lifestyle.
4:58
Speaker 1: They're just like I don't need anything that I can't
5:01
Speaker 1: walk away from or you know, it would make me
5:04
Speaker 1: softer than a different one. Now is it true that
5:07
Speaker 1: you were gonna play ghost what you decided not to? Well,
5:10
Speaker 1: I was so invested in the actual storyline at one
5:12
Speaker 1: point that I was like, look, it's definitely easier sell
5:16
Speaker 1: for me to go in and saying I would actually
5:18
Speaker 1: play the character. And I was like, you know, I'll
5:21
Speaker 1: play Ghosts because I just was so like and I
5:24
Speaker 1: was losing Courtney at one point she was like, uh,
5:28
Speaker 1: it's been taking time like this. I kind of got
5:30
Speaker 1: to focus on that just that and it was like, look,
5:33
Speaker 1: i'll play I'll do it. And this is then we
5:36
Speaker 1: got picked up and it was like the requite too much,
5:40
Speaker 1: like you know, the networks, and it is for MARII
5:43
Speaker 1: because it's a lot, a lot of work. I feel
5:46
Speaker 1: like your character's gonna get killed on the show Man.
5:48
Speaker 1: He's just so grimy. I just can't see him living
5:50
Speaker 1: past this season. I know. The only thing holding him
5:52
Speaker 1: into the show is me. Guys got picked up for
6:01
Speaker 1: season three though, yeah, yeah, this is gonna go for
6:03
Speaker 1: at least seven seasons. It'll be on for you know,
6:06
Speaker 1: quite some time. I just I think that, you know,
6:09
Speaker 1: like when you say, like they go, you got picked
6:10
Speaker 1: up for season three, I go, you're surprised. I mean,
6:13
Speaker 1: it's the largest show on their network period. So he's like,
6:16
Speaker 1: you're gonna get rid of the largest show on your network.
6:19
Speaker 1: I don't even had stars before Power really did. And
6:23
Speaker 1: after the show goes off, I don't care if you
6:25
Speaker 1: if you can't, you can, we can wait until the
6:30
Speaker 1: show is coming back. How deeper y'a all into the seasons?
6:33
Speaker 1: Are you already like ahead? This is This is a
6:35
Speaker 1: big part of the how they do the story telling,
6:38
Speaker 1: because if they know that they're going that Courtney is
6:42
Speaker 1: really in season five, like as far as the art
6:46
Speaker 1: already written those things, and then it's like going to
6:49
Speaker 1: create the details of season three and then I'll be
6:52
Speaker 1: making requests because I need to see and field things
6:56
Speaker 1: that I know the coaching needs. Yeah, I'm waiting to
6:59
Speaker 1: see the Tory and La La beat up Angela. Oh
7:02
Speaker 1: it's a good So different things got to happen side check.
7:07
Speaker 1: Like you look, they always get into the main chick
7:09
Speaker 1: sidegeck thing. But if the main chick is conditioned for
7:12
Speaker 1: something that was a party of life, that if you
7:15
Speaker 1: make it to the roof of what you can do
7:17
Speaker 1: in that business, and she just wants it to stay
7:19
Speaker 1: the way it is, and you're going, it's never it
7:22
Speaker 1: never ends good. So you're going, we got to try
7:25
Speaker 1: something different, and she's like turning the nose up at
7:28
Speaker 1: what you choose to go on day. Actually, then you
7:31
Speaker 1: start to look at it like maybe she wasn't all
7:35
Speaker 1: the way the right person, you know what I mean,
7:37
Speaker 1: Like it definitely was the right person to go on
7:39
Speaker 1: that journey as far as the legal business was concerned.
7:41
Speaker 1: But now that you're starting to feel like we have
7:43
Speaker 1: the roof of it, what happens next? Because his wife
7:45
Speaker 1: is really doesn't want to see him progress do anything else,
7:48
Speaker 1: just stay where I just wanted to be the way
7:50
Speaker 1: it is, she's comfortable you see you this way. I
7:52
Speaker 1: don't want you to turn into position like when it
7:56
Speaker 1: was like no, we want you to stay bull. You
7:58
Speaker 1: can't be fifteen forget this rap. You know what this?
8:01
Speaker 1: I think when when in the lifestyle itself, you can
8:04
Speaker 1: feel like you create a false sense of security because
8:08
Speaker 1: if they like they got bills or got issues, you're
8:10
Speaker 1: let Nana, I got it, and you don't really know
8:12
Speaker 1: that you got it. You're just saying I'm gonna take
8:15
Speaker 1: care of it. Then I'm willing to take care of
8:16
Speaker 1: it for you at this issue. And then you get
8:18
Speaker 1: out on the street and you do what you can do,
8:20
Speaker 1: and a lot of times you make things happen, you
8:22
Speaker 1: can come back and really take care of it. But
8:24
Speaker 1: it is a false sense because it doesn't there's nothing
8:26
Speaker 1: guaranteed to say that you're gonna be able to do that, right,
8:30
Speaker 1: you know? And I think and that that's where that
8:33
Speaker 1: translates the same A lot they don't know about well
8:36
Speaker 1: Timmy is he was actually supposed to be on Empire. Really, yeah,
8:41
Speaker 1: you look like one of Lucier's kids. You can sing,
8:46
Speaker 1: you can sing, yeah, yeah, yeah. But so that was
8:48
Speaker 1: why it made sense for me to do the show.
8:49
Speaker 1: At first, it was down to me, Quincy and Yazz actually,
8:53
Speaker 1: and then Quincy dropped out and it was down to me. Yas. Yeah,
8:57
Speaker 1: his Puffy Carson was like, how are you gonna let
8:58
Speaker 1: them take your publishing? That? I take people down to
9:03
Speaker 1: me and Yeas And at the time they're telling me,
9:06
Speaker 1: I got it shows you're gonna be you know, you're
9:07
Speaker 1: the guy. So I started looking for places in Chicago.
9:10
Speaker 1: I was, you know, signing on my lease and everything,
9:13
Speaker 1: and I was having meetings with you know, networks and
9:16
Speaker 1: stuff like that. So it got to the point where
9:18
Speaker 1: I was turning down offers from other shows because I
9:20
Speaker 1: thought I was gonna be on. They told you you
9:22
Speaker 1: had the Empire role basically, and you were willing to
9:24
Speaker 1: sign over your publishing and everything. Well that was before
9:27
Speaker 1: I knew really what was going on. Yeah, before all that.
9:30
Speaker 1: So it was just word talking to me, you know,
9:33
Speaker 1: the network saying this mind you know. And then I
9:35
Speaker 1: turned down a couple of things because it was a
9:37
Speaker 1: perfect situation. Well he has Star Wars, yeah, and I
9:39
Speaker 1: have Star Wars. I was like, there was like the
9:42
Speaker 1: fifth time to them back, the fifth time to call
9:44
Speaker 1: me back and there was just another another, another network.
9:47
Speaker 1: So turned it down. But I mean it worked out,
9:50
Speaker 1: worked out. Is it worth signing you're publishing over No,
9:56
Speaker 1: not as a musician, if you really believe me yourself,
9:58
Speaker 1: I mean, if you if you really believe it's it
10:00
Speaker 1: was not worth doing that. But if they asked you
10:01
Speaker 1: to play the gay cent on, it does look something's
10:08
Speaker 1: a really tough. Yeah. I don't think I played a
10:14
Speaker 1: drug dealer gangster who will kill anybody for character. The
10:20
Speaker 1: last a couple of weeks ago, we've seen me before
10:22
Speaker 1: fifth on stage with somebody that you didn't get along with.
10:25
Speaker 1: The last time we've seen that, it was altercation. So
10:27
Speaker 1: when I seen fifty cent performing next to French Montan,
10:30
Speaker 1: I thought it was yeah, that was that was like
10:33
Speaker 1: I was doing the dance, it's a new dance called
10:34
Speaker 1: the shot, Big Shock, Little Fish. I seen it was like,
10:39
Speaker 1: this is my way of making him uncomfortable, because that's
10:42
Speaker 1: what he does. Did you have a conversation you just
10:44
Speaker 1: now we were into each other backstage, like French he
10:47
Speaker 1: used to be around like like when I did that
10:49
Speaker 1: back in the days, had a psychic told me and
10:52
Speaker 1: he recorded he definitely like so it's like you know time,
10:57
Speaker 1: It's like I go even whip the puffy, like I'm
11:00
Speaker 1: saying those things people misinterpreted if they don't know. I
11:03
Speaker 1: don't care if they misinterpreted anymore. Like I look at
11:05
Speaker 1: it and I go, whoever's in the top position or
11:08
Speaker 1: in the league position, I make that competition. But then
11:12
Speaker 1: myself with that because I'm I'm gonna position to myself
11:15
Speaker 1: well in the category regardlessly. So it's like, I mean,
11:18
Speaker 1: if you're losing markets year and you see me gaining,
11:20
Speaker 1: you understand why, and no, tell him to tech the numbers.
11:23
Speaker 1: He's losing Monkets year and I'm gaining, You don't like
11:27
Speaker 1: just in that position he's done other thing? Student makes
11:31
Speaker 1: me kind of situation. See he look, he knows the
11:36
Speaker 1: old thing. Like the guys. Its points that we could
11:39
Speaker 1: have easily, I could have easily transitioned to make money
11:42
Speaker 1: on different things. Did he turn his nose up back?
11:44
Speaker 1: Because I think it was ego, you know, it felt
11:48
Speaker 1: like it was losing something that was that he built
11:50
Speaker 1: or did he you know, but the deal making you
11:53
Speaker 1: ain't never gonna have. Nobody says, okay, okay, I'll give
11:55
Speaker 1: away my my my profits, so you're gonna let me
12:00
Speaker 1: pretty much. What Jimmy was saying at that point was
12:01
Speaker 1: he gonna give me the money and I have the profits,
12:05
Speaker 1: not fifty percent of it. I can have his portion
12:08
Speaker 1: that problem and we couldn't make it. Yep, you know.
12:12
Speaker 1: So I'm like, yeah, yeah, you know, you know I
12:19
Speaker 1: get said. He was like yeah, basically all the way
12:23
Speaker 1: we heard to mix tapes. I didn't realize that I've
12:28
Speaker 1: been saying it for so long though it's been a while.
12:32
Speaker 1: I remember the mixed I Camember with the name of
12:33
Speaker 1: but she was on the album couple went to the
12:34
Speaker 1: shovel in the Graveyard or something, yeah, And I was
12:37
Speaker 1: like that, man, I don't like him. We can started
12:42
Speaker 1: to come over like because and it's not personal like
12:45
Speaker 1: other people help it, like James Cruise and them. You know,
12:48
Speaker 1: I don't like them. He's another one. I seen it
12:50
Speaker 1: on stage. Used to work with him, yeah, because he
12:53
Speaker 1: worked with Chris Lden and stuff like that. And I
12:56
Speaker 1: used to be really cool that you should travel with me,
12:58
Speaker 1: you know what I'm saying. But the stuff, the temperament
13:01
Speaker 1: makes me not really helly flip floppy, like you go
13:04
Speaker 1: back and forth you don't have to choose people, like
13:06
Speaker 1: if you have a relationship with one person, I look
13:08
Speaker 1: at it. I just I don't expect people to go
13:10
Speaker 1: because of my relationship with you. When I go over here,
13:15
Speaker 1: I'm gonna be someone different or behave differently. You know
13:18
Speaker 1: what I'm saying. You can say, look, well you know
13:19
Speaker 1: I have a relationship with them is It doesn't mean
13:21
Speaker 1: that you one completely phases out the other. It just
13:25
Speaker 1: people know how to position themselves where they're not creating
13:29
Speaker 1: that ripple where you don't feel like you did this
13:31
Speaker 1: person now that you go over there. But if you
13:33
Speaker 1: have somebody working for you that you know used to
13:36
Speaker 1: work with somebody else that you don't get along with,
13:37
Speaker 1: I'm sure you wouldn't want them to Still, I don't
13:40
Speaker 1: even bring them in the room right when I'll start
13:43
Speaker 1: when I have an issue, Well, I'm addressing that person.
13:45
Speaker 1: If they previously they don't put them in that position,
13:48
Speaker 1: you know what I'm saying. But if they felt like
13:50
Speaker 1: they got the like some sort of allegiance or some
13:53
Speaker 1: sort of loyalty to that person, now then you go okay.
13:55
Speaker 1: But then when I see them, I don't feel at energy.
13:57
Speaker 1: I feel like they're almost afraid of of my actions
14:01
Speaker 1: or what how I would receive some of the things
14:03
Speaker 1: that they've been doing. You know, guys uncomfortable from what
14:05
Speaker 1: they said they was gonna do, you know what I mean,
14:08
Speaker 1: Like when they see you and it's like why do
14:11
Speaker 1: you feel like why are you so uncomfortable? Don't grudge,
14:14
Speaker 1: but you've been saying you're gonna do something, or you've
14:16
Speaker 1: been saying things that make you uncomfortable internally when you
14:20
Speaker 1: see the person. You know what I'm saying. And that's
14:22
Speaker 1: that's where I kind of get from because I don't
14:25
Speaker 1: like him. I ran into him his wife and his
14:27
Speaker 1: kids at the summer Jack and I love his daughters,
14:32
Speaker 1: like the kids don't. They don't have no bad in them,
14:35
Speaker 1: you know what I'm saying. And when his wife it's like,
14:37
Speaker 1: oh no, not like shit, I didn't want to take
14:40
Speaker 1: a picture. I'm like, we didn't get the from over here.
14:42
Speaker 1: And like him, I just say how the kid if
14:45
Speaker 1: I said your kid at that point, or don't even
14:47
Speaker 1: say how that are like because it just it just
14:49
Speaker 1: felt funny that and I think on my the way
14:54
Speaker 1: I took like her response to me is like right now, yeah,
14:58
Speaker 1: his wife. Yeah, like it just felt like whatever he's
15:00
Speaker 1: been saying to her, may I feel like that because
15:03
Speaker 1: that's her husband, so she gotta ride with her husband. No, No,
15:05
Speaker 1: I got that. I'm just saying to you, like I
15:06
Speaker 1: don't have anything with him. Did he should be discussing
15:09
Speaker 1: with his wife uncomfortable when she saw me. You old
15:12
Speaker 1: grudges against New York executives because they didn't sign you
15:14
Speaker 1: and they had the chance back in the day. But no,
15:16
Speaker 1: I just didn't deal with them, like at the point
15:19
Speaker 1: my peak point, I didn't run around and go, oh,
15:22
Speaker 1: let's do a feature, let's work together, like they didn't
15:24
Speaker 1: help me get in, and then you want me to
15:26
Speaker 1: help you sell records. You know what I mean. I'm like,
15:29
Speaker 1: I don't care like then. To be honest with you,
15:33
Speaker 1: the things that happened to our culture based on Southern
15:35
Speaker 1: based music coming in are cool. People start moving a
15:38
Speaker 1: little more to the music, They dance like New York
15:41
Speaker 1: when they love you, we get a bob and they
15:44
Speaker 1: leave with the same passion you would have had for
15:47
Speaker 1: the guy that took his shook his hair out and
15:49
Speaker 1: sweated say he was crumped or whatever. And the energy
15:53
Speaker 1: and the actual club and I'm like, I ain't got
15:56
Speaker 1: nothing but a Yankee had. I'm all New York, you
15:59
Speaker 1: know what saying. It's just what that changed it, and
16:02
Speaker 1: it simplified things. It made it not as complex. Like
16:05
Speaker 1: there was a point where he was writing stories backwards,
16:07
Speaker 1: like in the funeral, Like I wrote on an animal ambition,
16:10
Speaker 1: it starts at the funeral. Then I explained to you
16:13
Speaker 1: how he got to his funeral. Nas was writing like
16:16
Speaker 1: a movie started the end and then go back to
16:18
Speaker 1: you know, go back to what happened. And like we
16:21
Speaker 1: had got so complex in the story writing side of
16:24
Speaker 1: things that, um, it started to kind of be like,
16:28
Speaker 1: let me listen and understand the art versus just having
16:33
Speaker 1: a good time. And I saw you speak up for
16:35
Speaker 1: Troy you have on Instagram and everybody was going in
16:37
Speaker 1: on them for selling forty records. What made you do that? Well?
16:41
Speaker 1: You know, I like, I didn't wasn't sure I liked
16:43
Speaker 1: Troy at first, because I was hearing a lot of
16:45
Speaker 1: meat yeah, people were saying he was a you know yeah,
16:49
Speaker 1: And then I go, I've been there for how long?
16:54
Speaker 1: How many people did you hear that? This sounded like
16:56
Speaker 1: big I'm saying, how many people sounded like Jay at
17:01
Speaker 1: different points. Yo, they don't have that thing from their
17:04
Speaker 1: favorite artist, and he's not copying, he's doing his version
17:07
Speaker 1: of it. And now when you see the do do
17:09
Speaker 1: do do do that record kind of sold me on him,
17:12
Speaker 1: like I was like, I liked this and then you
17:13
Speaker 1: did a song with him. Yeah, and you bring him
17:15
Speaker 1: on tour with you, bang bang record. I bring him
17:17
Speaker 1: out every did not then not tied up when I
17:20
Speaker 1: when we I've been setting dates because you got to
17:23
Speaker 1: go so far ahead and I'll let them, you know,
17:26
Speaker 1: come on the tour. And Chris Lady who passed away,
17:29
Speaker 1: his daughter has her own show. Yeah, I've seen her
17:32
Speaker 1: drive in your car and she crashed your car. Yeah listen, no,
17:34
Speaker 1: that wasn't Chris Ltdy's daughdos you have been upset what
17:38
Speaker 1: I'm saying for him? Soon as I've seen the caption,
17:40
Speaker 1: and I said, oh, but I've seen how old is she?
17:43
Speaker 1: She's only she's the baby, Like what'st the name? She did,
17:47
Speaker 1: We're going around the corner and she said, look, come
17:49
Speaker 1: around the corner of the car and the guy but
17:52
Speaker 1: it was really his fault as an uber driver. And
17:55
Speaker 1: he opens like he's already double part and he opened
17:59
Speaker 1: the door and just hit the bombers the middle. Then
18:03
Speaker 1: you'll see to take because I because I was like, yo,
18:12
Speaker 1: like man, I didn't see it coming right, you know,
18:14
Speaker 1: And it was like it's funny though, I was like,
18:18
Speaker 1: we just take. It was like the first segment of
18:21
Speaker 1: Q tip is gonna take for also, and then she
18:24
Speaker 1: like building her television show right here in the light,
18:27
Speaker 1: you know. And then so I was up on and
18:29
Speaker 1: went up on teams he like two seconds later. I
18:32
Speaker 1: was like, who's here to see that? You get a
18:34
Speaker 1: lot of money for them pictures? Man, yeah, they got
18:37
Speaker 1: And then as soon as the guy, the guy from
18:38
Speaker 1: the like from the card or he came and wanted
18:41
Speaker 1: to take a picture, I was like, yeah, I mean
18:44
Speaker 1: cool because she already had me in the space where
18:46
Speaker 1: I was just I'm already in that headspace where everything's okay, cool,
18:50
Speaker 1: whatever you want to do. So his insurance is handling it. No, no, no,
18:53
Speaker 1: I took care of that. Ain't no ten thousand dollar fix.
18:59
Speaker 1: People want to know who you tied up and put
19:01
Speaker 1: a gun to in the double XL office to get
19:03
Speaker 1: kick kid on the Oh I didn't do that. I
19:05
Speaker 1: don't do that he really did. Look, he really did
19:10
Speaker 1: that on his own and check this out. He's really
19:13
Speaker 1: a freshman vet, you know, because he's been around, bumped around.
19:17
Speaker 1: But that I tell him, I say, that's what my
19:19
Speaker 1: career was like. Like not everyone gets to start when
19:22
Speaker 1: they're ready, but when they do get into position the
19:25
Speaker 1: right way, it just leaves them season. It's like a comedian.
19:28
Speaker 1: Comedians are always overworked. They always have to be fine
19:34
Speaker 1: tu him for so long that when they do get
19:36
Speaker 1: the shot, like you'll see like having heart been around
19:38
Speaker 1: for a minute. Then when he get in position, boom
19:40
Speaker 1: and you see him and he'd be like, how are
19:42
Speaker 1: they able to work this much? You know, like to
19:44
Speaker 1: be on these shows and movies all at the same time.
19:47
Speaker 1: It's because it's light work to him because he's been working.
19:50
Speaker 1: Now he's been out and don't stand up in different
19:53
Speaker 1: things Like I think that like comedians are like, it's
19:56
Speaker 1: like fitness. You can't really miss a daylight, you know
20:00
Speaker 1: what I'm saying. When you stay fine tuned and your
20:02
Speaker 1: time and it is right, your thoughts move faster and
20:04
Speaker 1: it's just and you just in pocket. I think where
20:07
Speaker 1: you haven't been to the gym for a few weeks.
20:09
Speaker 1: When you go back the workout, it feels abnormally tough
20:14
Speaker 1: or harder like it it's just awful little bit, you
20:15
Speaker 1: know what I mean. And then we see what happens.
20:18
Speaker 1: It's still you know, overall funny people. But if they
20:22
Speaker 1: haven't been out there, and then those circus, I think
20:24
Speaker 1: that they're not ask because as they usually are. I
20:26
Speaker 1: actually did kid kids dope. I just think that when
20:28
Speaker 1: he's with the unit, people are used to hearing the unit.
20:31
Speaker 1: They don't want And you know, look when I said,
20:36
Speaker 1: I listened to the record just to line for line
20:38
Speaker 1: on the record, and I go, no, that's right. Like
20:41
Speaker 1: just like when you was picking the artists at the
20:42
Speaker 1: very beginning, you go, can you wrap? Like no, you could?
20:47
Speaker 1: This kid a rat? Like it's different guys that you
20:49
Speaker 1: see them kind of pull themselves into the front a
20:51
Speaker 1: little bit like they've been there as a little artist
20:54
Speaker 1: like like fabulous, like uh, different guys like because these
20:59
Speaker 1: are mixtape guys originally for me, like I hear him
21:03
Speaker 1: on the clue table, you're him on the joint. And
21:05
Speaker 1: then they started to emerge, pull out into the front
21:07
Speaker 1: because then they're out working their PIDs, you know, and
21:11
Speaker 1: you look and you go, Father's the the first guy
21:15
Speaker 1: to call for R and B remix, you know what
21:18
Speaker 1: I mean? Like that's who he was in the very beginning,
21:20
Speaker 1: and then it bled over into him doing some things
21:22
Speaker 1: that just dope, like that last uh comfing season record
21:26
Speaker 1: that was a fifty cent record, Like in my head
21:29
Speaker 1: like a debt, was like, oh this is it? Why
21:31
Speaker 1: is this not the single? You know? And then I
21:34
Speaker 1: ran into him at the Jewel I time I jump
21:36
Speaker 1: on that right way because it was like I already
21:40
Speaker 1: belonged on the record. You know that. What happened with
21:42
Speaker 1: the with the boxing thing that you had, they said
21:44
Speaker 1: they filed for bankruptcy. We watched the fight? Where was
21:46
Speaker 1: that in Houston? We had that fight out Houston? Did
21:51
Speaker 1: man out people? You know, it's cool about me being
21:56
Speaker 1: a promoter Like people there's no sympathy for winners, right,
22:00
Speaker 1: so they'd like to see you Louis at points and
22:04
Speaker 1: our coaches out with the old end with the new.
22:06
Speaker 1: You know, you've coached in general. So the significance in
22:09
Speaker 1: being able to stay is understanding that. So if I'm
22:12
Speaker 1: associated to a fighter, people pay more attention to it
22:15
Speaker 1: because they love or they hate fifty cent and they'll go,
22:18
Speaker 1: I want to see him lose because that's fifty cent fighter,
22:21
Speaker 1: or I want to him win because and the more
22:25
Speaker 1: passionate they are about them, the more people tune in.
22:28
Speaker 1: Like like Floyd just showed the formula of the marketing
22:32
Speaker 1: was pretty boy, Floyd didn't work. The Money Team money
22:35
Speaker 1: may work because we said we got all the money
22:38
Speaker 1: in the world in the middle of a recession, and
22:40
Speaker 1: that was interesting, right, you know what I'm saying, And
22:43
Speaker 1: you're tuning in just hate money, stack the money phones
22:49
Speaker 1: and you know, and you know how this ends, don't you.
22:55
Speaker 1: They're sitting there with that and you're going, like that
22:58
Speaker 1: just works, and then like it works for Champion, don't
23:01
Speaker 1: necessarily work for me overall. So I like, this is
23:04
Speaker 1: why I started with the United Nation the World Food
23:07
Speaker 1: Program thing, and then I started doing different things, you know,
23:11
Speaker 1: I like what different organizations, you know, because I'm trying
23:16
Speaker 1: to consistently to keep people understanding and I'm conscious of things,
23:21
Speaker 1: you know, and a lot a lot of times, you know,
23:25
Speaker 1: I do this on purpose of time running circles, so
23:28
Speaker 1: I don't have to answer the question like many of
23:29
Speaker 1: you ask me, how hold Tiffany. We know this is
23:35
Speaker 1: skilled people, but but but I I look at it, Oh,
23:44
Speaker 1: like I look at it like when when there's an
23:46
Speaker 1: opportunity to do something that, um the people haven't seen,
23:51
Speaker 1: I don't know, like something new, I should jump in
23:54
Speaker 1: and go ahead and do it. Like people look when
23:56
Speaker 1: they see me with fing and different things, they go, well,
23:59
Speaker 1: I didn't see that coming, Like what made you decide
24:01
Speaker 1: to do that? And I'm like, it makes perfect sense
24:04
Speaker 1: for me at this point. But from the business and
24:06
Speaker 1: they say, I saw a story with SMS olds you
24:09
Speaker 1: two point three million. Yeah, because look, I'm not really
24:13
Speaker 1: that wealthy. My companies do great gradual like I make
24:16
Speaker 1: a little bit of money. You gotta talk to like
24:21
Speaker 1: I was saying this, I don't get paid very much
24:23
Speaker 1: per year, like from from my from my companies. He's saying,
24:27
Speaker 1: you don't have the liquid, but you have these companies
24:30
Speaker 1: that are worth a lot of money. And then it's
24:32
Speaker 1: because those companies are protected, you know what I mean.
24:35
Speaker 1: And then you pay yourself money that in case you
24:39
Speaker 1: become liable for something. There's not a whole lot there
24:42
Speaker 1: for them to just take from what have happened with
24:45
Speaker 1: the world's all situation because I see they post they
24:47
Speaker 1: posted you in the content. Now out figured out how
24:53
Speaker 1: I didn't realize. Did they do so well? Well? Starts cool?
25:01
Speaker 1: They bake big money over Speaking of big money, we've
25:06
Speaker 1: seen you posing with Ted. That's Chelsea handling little boyfriend.
25:09
Speaker 1: Don't he run? He do? He ran? Now over ABC.
25:13
Speaker 1: That's what it was at I met Hollywood. That's a
25:15
Speaker 1: little awkward. Then you added Chelsea in the picture because
25:19
Speaker 1: you came to me. I didn't know she's a comedian.
25:22
Speaker 1: I'm sure she has a great sense of humor about
25:24
Speaker 1: he approached you. They said the same girl before you
25:30
Speaker 1: said you could you? You know it's cool to winning
25:33
Speaker 1: that auto man, she would have been tracking. It would
25:36
Speaker 1: have sound different. Yea, now fifty. They both said they're
25:45
Speaker 1: looking forward to seeing on episode four. Let me let
25:49
Speaker 1: me say one thing though, Now, what if, for the
25:51
Speaker 1: sake of your artist me, you had to go nude
25:54
Speaker 1: and your things? Would you be down with that to
25:57
Speaker 1: take it to the next level? Listen, man, how you
26:01
Speaker 1: confusing for terrorists? I don't think about your trying movie.
26:04
Speaker 1: You got a lot of guys that like power, But
26:06
Speaker 1: I think the frontal nudity scene for me would help me.
26:09
Speaker 1: I think it would bring my female fan base to
26:12
Speaker 1: all time high. Yeah, I've heard that. I thought to
26:14
Speaker 1: be cool. Damn maaginely's supposed to keep this? Would you
26:21
Speaker 1: do it? Yeah? I would. I would. I had to
26:24
Speaker 1: make sense though, I had to be like a real scene.
26:27
Speaker 1: I wouldn't just yeah yeah for no reason. That's that's
26:31
Speaker 1: like some That's what I would do instead of what
26:34
Speaker 1: the Kardashians that did. Yeah. Yeah, things was over. Like
26:38
Speaker 1: if I felt like things were like like this, don't
26:43
Speaker 1: talk it in like the older guy, like you're just
26:48
Speaker 1: like the spar you like like you just worked out
26:51
Speaker 1: and something like that, and you just come walking past
26:53
Speaker 1: you like you know, he got he got that look.
26:56
Speaker 1: Life is over over? Okay, what does the matter with you?
26:59
Speaker 1: You know what I mean? Young boys they care about everything.
27:01
Speaker 1: The child was wrapped up like this, Yo, what's going
27:04
Speaker 1: on if you walk around like this? Look? I got
27:07
Speaker 1: over that like last year, like ten years ago, things
27:10
Speaker 1: slowed down. I got the little blue pill working this
27:13
Speaker 1: thing out now when you think a little Wayne situation, man,
27:17
Speaker 1: that was interesting. I didn't. I didn't. Like I just
27:19
Speaker 1: heard that this morning. Yeah that now I would get
27:24
Speaker 1: title really it's something exclusive. You know. I didn't understand
27:28
Speaker 1: why why they thought you would buy into Title without
27:33
Speaker 1: when everyone that was up there was signed to a major,
27:36
Speaker 1: so there was nothing exclusive that I would pay the
27:40
Speaker 1: twenty hours for. You know what I mean? If this
27:42
Speaker 1: content coming like in the future, they're gonna stop pulling
27:45
Speaker 1: content over that that would allow them to have things
27:49
Speaker 1: that the rest of the commercial music world doesn't doesn't happen,
27:52
Speaker 1: I pay down to be partnered up with Title also, No,
27:58
Speaker 1: why not? No? I mean, I just I don't know
28:00
Speaker 1: if it's partner of a title of if it's creating
28:02
Speaker 1: a competitor. M Yeah. I saw the interview you did
28:06
Speaker 1: with a Letti and Damage in in LA and you
28:08
Speaker 1: said that none of them, none of those guys owned
28:10
Speaker 1: their music anyway, So how are you gonna get their
28:12
Speaker 1: food to content? Right? That's yeah, that's what I was saying, Like,
28:14
Speaker 1: I just if you have if everyone there is contracted
28:17
Speaker 1: and they have to be on every platform they can
28:19
Speaker 1: to move as many units as possible. They can't just
28:22
Speaker 1: say like we want like they're saying by titles as
28:28
Speaker 1: artists for artists, that's the right, and I know that's
28:33
Speaker 1: the intention of the marketing, But the general public could
28:36
Speaker 1: look at it and say, look, we're really rich people,
28:41
Speaker 1: we're cool, so give us twenty dollars per you know,
28:45
Speaker 1: the buy title for twenty dollars that because they'll look
28:48
Speaker 1: the person. It's the interpretation of it. Like when the
28:51
Speaker 1: people look at it the average person. Some of them
28:53
Speaker 1: will look and say, I just see a bunch of
28:55
Speaker 1: rich people asking me to give my money my money
28:57
Speaker 1: for yeah, for nothing exclusive right now? What's your relationship
29:01
Speaker 1: with Taragi? Have you seen him? I did? I ran
29:04
Speaker 1: into the billboard one. Did you get her to do
29:06
Speaker 1: the front to a new DD scene too? That would
29:08
Speaker 1: be better, right if we could do the front New
29:10
Speaker 1: Dudy scenes together on a separate movie. What did she
29:16
Speaker 1: say when you when you see him? She was cool,
29:18
Speaker 1: like you know, you know it's ill is uh. I
29:21
Speaker 1: had ran into her when she was we was talking
29:24
Speaker 1: a shock. I was there the Luds camp and him
29:29
Speaker 1: we got a crazy like our relationship go back for
29:31
Speaker 1: so far that he was in the radio department at
29:34
Speaker 1: Columbia when I was in ninety eight, you know what
29:38
Speaker 1: I mean? Luda was working on radio and he played
29:40
Speaker 1: me ludicrous music then and then he went off took
29:44
Speaker 1: off Luda Blue. Then I got away from you know,
29:48
Speaker 1: Columbia Records, and the Mines came around after, so it
29:51
Speaker 1: was cool like then talking to him, like we like
29:55
Speaker 1: ran into each other at the same time, so it
29:58
Speaker 1: was real cool because they got a good friendship too,
30:01
Speaker 1: you know, so you've got a chance to kick it.
30:03
Speaker 1: But she was like, that's just cool stuff and saying
30:06
Speaker 1: that she um the babies is grown, no problem, no
30:12
Speaker 1: shots about the Empire power back and forth, I think,
30:15
Speaker 1: and I think she understands too. It brought attention to
30:17
Speaker 1: both shows. Really it doesn't. I mean it doesn't. It
30:19
Speaker 1: didn't hurt anything. I think the competitive iantage is just there,
30:22
Speaker 1: like when people people are conscious of competition and they
30:26
Speaker 1: look at it and they go which one is better?
30:29
Speaker 1: Why you don't know which one you think is better
30:31
Speaker 1: if you don't watch both, you know what I mean.
30:34
Speaker 1: And that's like if you got one on premium cable
30:36
Speaker 1: versus one, you can see more aggressive content and Power
30:41
Speaker 1: versus what's happening on Empire. I do wish Power was
30:46
Speaker 1: on Netflix though, because I'd be like, after the end
30:47
Speaker 1: of the episodes, I'd be like, I gotta wait till
30:50
Speaker 1: next week. I like waiting till next week. I enjoy
30:52
Speaker 1: that the anticipation and people really really that Courtney did
30:57
Speaker 1: a really good job at pacing herself. She's so now
31:01
Speaker 1: that that that people being so invested in the characters.
31:05
Speaker 1: It is because of the pace of the story, Like
31:06
Speaker 1: you got a chance to learn, like to know these people.
31:09
Speaker 1: That's very true, because you even want to know more,
31:11
Speaker 1: Like I don't want to know more about Thetory's character.
31:14
Speaker 1: I want to know more about lives character, Like I
31:15
Speaker 1: want to see where they where they go, like, because
31:19
Speaker 1: lives character, everything that she wanted in her life is intashes,
31:24
Speaker 1: you know what I mean. It's like so it's like
31:27
Speaker 1: whenever things come around, it's like she's like, I got
31:33
Speaker 1: a lot of cool stuff. And it's an ill storyline.
31:36
Speaker 1: I could come because you like, maybe she'll get jealous
31:39
Speaker 1: of Tasha one day and set her up or something
31:41
Speaker 1: eventually if somebody offers it the opportunity and she's the
31:44
Speaker 1: close friends, so she's like the first place that she
31:47
Speaker 1: starts to send the money she needs, you know, she's mad,
31:50
Speaker 1: she's putting it sending it to her house. Did you
31:53
Speaker 1: just give us a spoiler? No? No, but damn maybe
31:58
Speaker 1: setting me up. I like, how like how she tell goes,
32:02
Speaker 1: oh and do me one favorite. I need you to
32:04
Speaker 1: stop talking to Angela. Yeah, I'm like, why are you
32:06
Speaker 1: going on my telephone? I'm immediately going the way did
32:10
Speaker 1: you go through my phone? She said, you should have
32:12
Speaker 1: watched the phone signed to fifty as an artist. Now
32:17
Speaker 1: you know, we were doing something. He got a record
32:19
Speaker 1: coming out, A lot of me and him featured on
32:21
Speaker 1: the record. You know, I just I really liked the song,
32:24
Speaker 1: so I wanted to be a part of it, and
32:26
Speaker 1: I got on it. And I mean when people around
32:29
Speaker 1: you talented, like for me, I would look and say,
32:32
Speaker 1: y'all do it like Jeremond down on me and the
32:35
Speaker 1: number one record, And you know, I said fifty jeremid
32:39
Speaker 1: number one because I felt like it was number one.
32:41
Speaker 1: And I worked to get that record in the position
32:43
Speaker 1: it was saying because def Jam didn't understand it. And
32:47
Speaker 1: then I had to. After we did the song, I
32:51
Speaker 1: went we shot a video in the recording studio, we
32:54
Speaker 1: put it out. Then that didn't do it as much
32:59
Speaker 1: as I felt like it was supposed to do. So
33:00
Speaker 1: I went back and I did a video with Canaan,
33:04
Speaker 1: but Kennon k Hill was a little kid to do
33:05
Speaker 1: the voiceover. Yes, I picture that every time I hear it,
33:08
Speaker 1: and then I had Chelsea put it on the show
33:11
Speaker 1: and it was like, got like thirty million view Wow,
33:13
Speaker 1: and it jumped the song the singular number ten on iTunes,
33:16
Speaker 1: and then def Jam found the money to shoot the
33:18
Speaker 1: video and the record went on to be the head.
33:20
Speaker 1: You just did that because you're a fan of the record. Yeah,
33:22
Speaker 1: because at the time it was the song that we
33:25
Speaker 1: had out, like that's my song, two of my voices
33:28
Speaker 1: on it. You're gonna get involved in more TV man, Yeah, yeah,
33:31
Speaker 1: I got you got to Broy got a few other
33:33
Speaker 1: shows come up. We're gonna see him. I started marketing
33:36
Speaker 1: for him, my own one. I told him about it.
33:41
Speaker 1: I got some pieces in action. Yeah, south Pool, July
33:47
Speaker 1: twenty fourth. I just spoke to Jake, but he text
33:49
Speaker 1: me yesterday because Dan paris promoting it. It's there. It's
33:53
Speaker 1: cool and okay, so good. It's a good, good show.
33:57
Speaker 1: It's not what you would think expect from a boxing
33:59
Speaker 1: film because of like the Rockies and things, because the
34:03
Speaker 1: sport itself has been enough action for you to show
34:08
Speaker 1: the theatrics of boxing. But when you when you get
34:11
Speaker 1: outside the ring, it's it's a real intense story, like
34:14
Speaker 1: it's dope. This is a new improved fifty though fifty
34:17
Speaker 1: Like he's shutting, he's stopping his centensis are you saying
34:20
Speaker 1: just enough? No run on stuff, no matter, stop figuring
34:26
Speaker 1: that out. You know, if I had the proper etiquette classes,
34:31
Speaker 1: things would be crazy. But you know, I don't want
34:34
Speaker 1: to go into public speak. I'm not trying to, you know,
34:36
Speaker 1: chase Obama down, but that you know, I'm leaving it
34:39
Speaker 1: like keep it hip hop. Sometimes I talking slang on
34:42
Speaker 1: right and slang on the Instagram and stuff like that.
34:47
Speaker 1: And you watch these people correct me and be like, oh,
34:50
Speaker 1: now do you feel better about your life? You feel
34:54
Speaker 1: better about your life? You unhappy? Mother. I want to
34:58
Speaker 1: ask you to what you thought of the Apple Screaming deal,
35:00
Speaker 1: because you know, you know, of course you did great
35:03
Speaker 1: business with Jimmy and Drake that that that's what the
35:06
Speaker 1: Beasts deal was about. They really wanted the rights the
35:10
Speaker 1: stream shot. Apple has always been interested in music. Think
35:13
Speaker 1: about it. The first place we started talking about going
35:14
Speaker 1: to buy music be iTunes. It be Apple, you know, like,
35:19
Speaker 1: so now they they're like from their relationship Steve Jobs
35:22
Speaker 1: Jimmy relationship from way back, like the first time they
35:25
Speaker 1: did probably placement in the music video was the ipart
35:28
Speaker 1: and P and P. And it's because I immediately jumped
35:31
Speaker 1: out there as soon as he said something about the
35:33
Speaker 1: I pod said, you think you can sell us and
35:36
Speaker 1: Jimmy's is strange enough. Whatever you say, they're gonna do it,
35:40
Speaker 1: you know. And then they gave me a one hundred
35:42
Speaker 1: fifty thousand dollars to do it, and we put it
35:44
Speaker 1: against the course of the music video. At that point
35:46
Speaker 1: we had the huge budgets, so it didn't do nothing.
35:50
Speaker 1: Was a drop in the bucket, you know. And now
35:53
Speaker 1: it's like, I mean, I think it's cool like that
35:56
Speaker 1: music is just gonna be consumed differently. It's no lack
35:59
Speaker 1: of interest in it because we're gonna still want to
36:01
Speaker 1: go out and enjoy the festivities the way we've been.
36:04
Speaker 1: Now you post a lot of pictures of your son,
36:07
Speaker 1: so sire, and you also have him working now too, right, well, no,
36:10
Speaker 1: it's just the kids, special kids for their own coverage
36:15
Speaker 1: for college. He come in like you just did this
36:19
Speaker 1: one thing. Like the people approach me about him, like
36:23
Speaker 1: put me in the face of kick corner like, um,
36:27
Speaker 1: not kids safe products because they got like audio products
36:31
Speaker 1: that won't go over seven seven m. So it doesn't
36:35
Speaker 1: damage your ear drums when kids are still developing, because
36:38
Speaker 1: we'll let let the kid use the headsets that we're using.
36:41
Speaker 1: But if they turned the value all the way up. Yeah,
36:46
Speaker 1: so you're ready for a daughter next door? I do
36:48
Speaker 1: want to have a daughter. I don't know where I'm
36:50
Speaker 1: ready to. Did you play in the last one? The
36:54
Speaker 1: last one you said it was a little that's why
36:58
Speaker 1: he was already here for a year before news. Yea,
37:01
Speaker 1: you will do the celebrity thing this time, let me
37:02
Speaker 1: go get a celebrity check. I don't know, man, see
37:06
Speaker 1: when you saying like you got but this way, you
37:11
Speaker 1: see what you said that the celebrity thing like that?
37:13
Speaker 1: That scares me. That's the point where you're not in
37:16
Speaker 1: control anymore. Someone else is there who can completely change
37:20
Speaker 1: the perception of right the things they're saying or doing.
37:23
Speaker 1: Following that, when that doesn't work, well, oh, I've been
37:27
Speaker 1: saying so you like like how like people started calling
37:29
Speaker 1: Kanye Kanye Kardashian got you. I don't know, it's just marketing.
37:37
Speaker 1: You don't know what they're gonna do is crazy. Afterwards,
37:40
Speaker 1: they would have thought. They would have never thought that
37:42
Speaker 1: the dad is a star when you take give me
37:46
Speaker 1: some boobs. Look, Amy, I'm gonna be honest. My sexualogy
37:50
Speaker 1: for the last five years, I come to the anoledgement.
37:53
Speaker 1: I'm look, I'm a lesbian. I'm a lesbian right now,
37:57
Speaker 1: I'm not cutting nothing about changing nothing, but I'm a lesbian.
38:00
Speaker 1: And look, girl, if you ever think about going that way,
38:03
Speaker 1: I'm here for you. You know, like, you didn't change nothing.
38:07
Speaker 1: You just what boots on some crazy dress up joint.
38:10
Speaker 1: You haven't even committed you want to commit? Cut you
38:11
Speaker 1: cut it, kind of just kind of cut it off. See,
38:14
Speaker 1: then we're gonna know it's real. We know it's real. Yeah,
38:17
Speaker 1: I would never right now, you're cross dressing, right you
38:20
Speaker 1: cause dressing extreme cross stressing. You wouldn't did boobs and
38:23
Speaker 1: and came back. That's that's what an extreme cross stressing.
38:25
Speaker 1: And you're still saying I do want that girl that
38:27
Speaker 1: I still want the girls. Nah, you gotta commit, broa,
38:30
Speaker 1: how are you gonna do that? How do you go
38:32
Speaker 1: that far for that? Whatever? Man? I think this is
38:35
Speaker 1: I openmotional stun on some levels. Think about it absolutely
38:38
Speaker 1: because you're not changing any positions. You're just saying, well,
38:40
Speaker 1: you're just physically changing something. Absolutely, Now you now your
38:43
Speaker 1: parents one you know, went up one hundred minimum at
38:49
Speaker 1: sixty five. This is something you have to consider that
38:52
Speaker 1: sixty five. Man, Listen, everything is not as hard as
38:54
Speaker 1: the status it used to be. So you're sitting there
38:56
Speaker 1: looking like this weight, I think I can pull it off. Man.
39:01
Speaker 1: If I was a transgender that actually committed all the
39:04
Speaker 1: way because you peter us off, i'd be upset, like,
39:06
Speaker 1: how is he to post the boy for us? Some
39:08
Speaker 1: people are upset, Yeah, because you're not going all the way.
39:12
Speaker 1: That's just it's interesting. I Um. All I can think
39:16
Speaker 1: about when I first saw was how it affects the kids.
39:19
Speaker 1: How it affect the kids because going to school and
39:22
Speaker 1: they're going yo, pops is your mom like you know kids?
39:28
Speaker 1: Because brutal the truth? Yeah it ain't. It's just flat
39:36
Speaker 1: out truth. You can't even But that one felt like
39:38
Speaker 1: a punch, didn't it. Like you'd be like, oh yeah, yeah,
39:43
Speaker 1: you know, I got some interesting things going on back
39:45
Speaker 1: at the crib. What's the difference you think between Caitlin
39:47
Speaker 1: and young thuck what you said, whoa, that's a huge Yeah.
39:54
Speaker 1: I think playing with lines and for shock value and
39:58
Speaker 1: stuff with these I don't know, like because he said
40:00
Speaker 1: he was smoking a penis. Yeah, and he's engaged getting
40:06
Speaker 1: married to a woman. Man. We live in the non
40:09
Speaker 1: traditional time. That's a good way to say, Rod Timmy,
40:18
Speaker 1: we appreciate you and fifty for joining us. We look
40:20
Speaker 1: at this new music gonna beat this week. Renee is
40:22
Speaker 1: telling me. He said it was tomorrow, he said later
40:25
Speaker 1: on in the week now, oh yeah, and we need
40:27
Speaker 1: a power calendar with Nottrii Angela and lives on three
40:32
Speaker 1: months we got. We're gonna put that on the loop.
40:35
Speaker 1: We gonna have that on Instagram popping. She's aware, she's
40:39
Speaker 1: ready for her She worked hard, like I told with Courtney.
40:43
Speaker 1: Courtney one of the people that I put her in front,
40:47
Speaker 1: in front of her, I want to jobs because we
40:49
Speaker 1: have a relationship before that, we've been cool from MTV
40:52
Speaker 1: anything else. So it's like she was ready. She had
40:55
Speaker 1: been working on acting stuff for a long time. So
40:58
Speaker 1: I was like, yo, I want you to meet with
41:01
Speaker 1: her so you can you know, she can read, you know,
41:02
Speaker 1: I talk about that roll and stuff Courtney. Yeah. They
41:06
Speaker 1: sat and she was like, listen, I'm really really happy
41:09
Speaker 1: you did that. You know what I'm saying, because she
41:12
Speaker 1: was ready. Like I'm not gonna put people. I never
41:14
Speaker 1: played somebody that I don't feel like it's ready for
41:17
Speaker 1: that position right there, Like as a favor no, I
41:20
Speaker 1: go no. When I know he got that thing already,
41:23
Speaker 1: then I'm like, yeah, put that there because it belonged there.
41:26
Speaker 1: And then people will go They're usually happy that I
41:29
Speaker 1: made the suggestion like yours. Yeah, and they really wanted
41:34
Speaker 1: to be on this season because I know he was
41:35
Speaker 1: featured one. There you go, I'll be back, but we
41:43
Speaker 1: appreciate you joining us. Fifty cent role Timmy sir, And
41:46
Speaker 1: it's the Breakfast Club. Good mine