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Sinners Is So Much Deeper Than You Think!!! (Full Movie Review) · For All Nerds Show

• 0:00
  Speaker 1: I'm with Ryan Cougler because he gave me what I
• 0:04
  Speaker 1: needed and what I needed. What's it.
• 0:19
  Speaker 2: Here's your warning, guys, we're going to talk to some
• 0:23
  Speaker 2: specifics about the film.
• 0:24
  Speaker 1: If you do not want to hear, press stop.
• 0:27
  Speaker 2: Right now, Yeah, Paul whatever, Okay, come back with you
• 0:32
  Speaker 2: finished And they comment, yeah, all right, I wanted you
• 0:37
  Speaker 2: and I'm going in then. I'm mean, i bucks with
• 0:43
  Speaker 2: Ryan Cougler because he gave me what I needed, and
• 0:48
  Speaker 2: what I needed was to shoot up some.
• 0:51
  Speaker 3: Cracks completely, like completely has absolutely nothing to do with
• 1:02
  Speaker 3: the goddamn plot for no reason.
• 1:05
  Speaker 4: It was like it was like Marvels post credit scene,
• 1:09
  Speaker 4: you know, like it was like the one where Captain
• 1:11
  Speaker 4: America sits down and talks to you because you know
• 1:13
  Speaker 4: it has nothing to do with anything, but you still
• 1:15
  Speaker 4: loved it.
• 1:16
  Speaker 2: You know, I'm laughing because this is you. Remember I said,
• 1:21
  Speaker 2: I was just had a lot of comedy for me.
• 1:23
  Speaker 2: I was.
• 1:26
  Speaker 1: Rolling like the way Ryan was like, you know and now.
• 1:35
  Speaker 2: Live when I said, satisfic This is the other reason
• 1:39
  Speaker 2: why it was for no at signs for no no.
• 1:43
  Speaker 1: There's always a reason.
• 1:44
  Speaker 2: To shoot to shootash and no the other stuff and
• 1:47
  Speaker 2: nazis all that there's always.
• 1:49
  Speaker 5: A reason for that, always great reason, fantastic in.
• 1:51
  Speaker 1: The context of a storyline of the film.
• 1:53
  Speaker 4: Maybe the reason I had nothing to do with anything,
• 1:59
  Speaker 4: so what, but it was.
• 2:00
  Speaker 2: He was there at the Boy at the end when
• 2:05
  Speaker 2: when Homeboy was laying on the ground, the grim Wiz
• 2:07
  Speaker 2: was on the ground.
• 2:11
  Speaker 4: He was talking about That was so funny because, like
• 2:15
  Speaker 4: I said, you didn't grow up on the same movies.
• 2:17
  Speaker 4: I grew up all like I grew up watching the
• 2:18
  Speaker 4: eighties action films on like at home with my brother
• 2:21
  Speaker 4: Andrew Higgins, shout out to my bro, shout out to Ashley,
• 2:24
  Speaker 4: and what we would do, Like I have a specific
• 2:27
  Speaker 4: memory of watching Commando and pausing it and like counting,
• 2:33
  Speaker 4: you know, the the amount of what what are they called, squiggs? Yeah,
• 2:38
  Speaker 4: squidge Yeah, when the bloods that. Yeah, we would count
• 2:43
  Speaker 4: them on every shot to be like, oh, they used
• 2:45
  Speaker 4: twelve squids on this, and then we were like when
• 2:48
  Speaker 4: niggas do the dance, the bullet dance. Bro, that was
• 2:52
  Speaker 4: like one of our favorite moments.
• 2:55
  Speaker 5: In eighties action cinema. Anyone who's seen.
• 2:57
  Speaker 4: Any eighties movies knows the bullet dam when someone's getting
• 3:01
  Speaker 4: hit by the submachine guns, and they're.
• 3:02
  Speaker 1: Just the ragged off physics.
• 3:06
  Speaker 2: And what's so funny about that is also the decisions
• 3:09
  Speaker 2: the actor is making.
• 3:10
  Speaker 4: Like always about the actor themselves.
• 3:14
  Speaker 2: But they're being told to do this, but the way
• 3:16
  Speaker 2: they go about it is what's so fucking funny.
• 3:19
  Speaker 1: It's like they always extra to animated.
• 3:23
  Speaker 4: It's like you notice, it's like the Rock selling a stone.
• 3:26
  Speaker 2: It is like selling every single super move from every
• 3:31
  Speaker 2: wrestler you've ever seen in the w w E.
• 3:33
  Speaker 1: And it's just like, especially who will sell who.
• 3:36
  Speaker 4: Was sell the best rock? That the man will do.
• 3:44
  Speaker 4: His head will be on the mat and he'll do
• 3:45
  Speaker 4: a spin. His feet will be straight up in that air. Yeah,
• 3:49
  Speaker 4: straight up in the air. My man does like a
• 3:51
  Speaker 4: leaning tower, piece of upside down.
• 3:53
  Speaker 2: You know.
• 3:54
  Speaker 4: The Rocks sold the Stunner like no one.
• 3:56
  Speaker 1: They did that.
• 3:58
  Speaker 4: Everything double bounce like.
• 4:01
  Speaker 1: Every single chance they could get in centers time.
• 4:06
  Speaker 2: There was no, no, no, every gun anything revolving a gun,
• 4:10
  Speaker 2: involving a gun. Rather, if it was more than just
• 4:12
  Speaker 2: a pop shot them, niggas was them. Niggas was getting taken,
• 4:17
  Speaker 2: their wig was getting thrown back all the way.
• 4:20
  Speaker 1: Listen that, Oh my god, that was so funny. I mean,
• 4:23
  Speaker 1: it was so refreshing for me.
• 4:24
  Speaker 5: I was talking about that whole scene.
• 4:26
  Speaker 4: That whole scene was like to me because there wasn't
• 4:28
  Speaker 4: I mean, other other guys got shot, you know, the
• 4:31
  Speaker 4: vampires got shot, but they never did the dance. But
• 4:33
  Speaker 4: every nigga in that scene did the dance.
• 4:35
  Speaker 1: Well, they also vampires.
• 4:36
  Speaker 4: Then you can't do dan, you can't do the them
• 4:39
  Speaker 4: niggas was doing the dance. And that last one, the
• 4:42
  Speaker 4: last one on the ground. My man had his arms out,
• 4:45
  Speaker 4: he to the side. He like doing that Homer Simpson
• 4:48
  Speaker 4: when he's like rolling around on the circle on the ground.
• 4:50
  Speaker 2: And the other reason why Bennett saying like it doesn't
• 4:53
  Speaker 2: have no bearing is because, like this stuff happened after the.
• 4:57
  Speaker 4: Movies was over over.
• 4:59
  Speaker 2: Every thing was was resolved essentially right mainly, but I
• 5:04
  Speaker 2: was waiting for this moment. Specifically, I was because this
• 5:07
  Speaker 2: is the moment that you see in the trailers.
• 5:08
  Speaker 1: You see a piece of it. It did not go
• 5:11
  Speaker 1: the way I expected.
• 5:12
  Speaker 2: No, I thought it was gonna be something totally different.
• 5:15
  Speaker 2: And this is what I think. I love, I love
• 5:17
  Speaker 2: you know, we always complain, oh they show too much
• 5:19
  Speaker 2: in the trailer. No, they did this ship, right, Ryan
• 5:22
  Speaker 2: wants to learn from Marvel about lying to niggas in
• 5:24
  Speaker 2: the trailer because the lies nigga because when you see
• 5:29
  Speaker 2: what fuck it?
• 5:31
  Speaker 4: Because the trunk, and they mentioned the trunk earlier. They're like, oh,
• 5:33
  Speaker 4: we gotta have to get the trunk.
• 5:34
  Speaker 5: And so I'm like, who the.
• 5:38
  Speaker 1: Old school version of popped the trump?
• 5:40
  Speaker 4: I said, yeah, they popped the trump. The movie's over,
• 5:46
  Speaker 4: And even I.
• 5:47
  Speaker 2: Think it was Who's who who said that? Haley, you
• 5:49
  Speaker 2: ain't got to pop the trunk, Like she basically said that.
• 5:51
  Speaker 2: She said, you don't need to do that, like because
• 5:54
  Speaker 2: to your point.
• 5:54
  Speaker 1: The movie's over.
• 5:55
  Speaker 2: If that happens, right, Like, just like if that happens
• 5:58
  Speaker 2: during the latout, shit is over. If that happen, it's right.
• 6:00
  Speaker 2: So I understood it all matched up. Another thing that
• 6:08
  Speaker 2: was fucking hilarious the vampires. The white vampires specifically because
• 6:13
  Speaker 2: there are a mixture that ends up being a.
• 6:15
  Speaker 1: Mixture of vampires.
• 6:16
  Speaker 2: Here them whities them Were they from Ireland or were
• 6:20
  Speaker 2: they from Scotland?
• 6:23
  Speaker 1: What they Island or Scotland?
• 6:25
  Speaker 4: You sure?
• 6:26
  Speaker 5: I'm pretty sure they were Irish?
• 6:28
  Speaker 1: Okay, the accent was giving.
• 6:30
  Speaker 5: Irish and the dancing British too.
• 6:33
  Speaker 2: So the reason why I'm asking is because my man's
• 6:36
  Speaker 2: the white vampire was rive dancing on that ass.
• 6:39
  Speaker 4: Yes if river dancing Irish as far as I know,
• 6:43
  Speaker 4: but you might be right, yes.
• 6:46
  Speaker 1: It's Irish, but the guy's accent was a little off
• 6:48
  Speaker 1: to me.
• 6:48
  Speaker 2: But anyway, seeing with me chewed.
• 6:58
  Speaker 4: Like, you know, the two leads, the vampire and the
• 7:01
  Speaker 4: lead human Michael, were both you know, eating up that scene.
• 7:04
  Speaker 2: The vampires were so funny me because they was the
• 7:07
  Speaker 2: highest level of trolls you've ever seen in real life.
• 7:10
  Speaker 2: When Mike nan'ses they are hold up in this shack,
• 7:14
  Speaker 2: feared and for the life, and Mike Man's is outside
• 7:17
  Speaker 2: with his boys river dancing talking about I'm gonna kill
• 7:21
  Speaker 2: oh y'all like I was rhying, laughing like that sent
• 7:26
  Speaker 2: me into fucking orbit when that shit went down, and
• 7:29
  Speaker 2: just how they was taunting these people, like even when Haley,
• 7:33
  Speaker 2: when Haley went that way she went and she was
• 7:36
  Speaker 2: just like, we're gonna kill all y'all. She skirted away
• 7:38
  Speaker 2: like that shit is. As soon she become a vampire,
• 7:40
  Speaker 2: you become infinitely funny. That's what I've learned from this film.
• 7:43
  Speaker 5: And see again, like Lost Boys.
• 7:45
  Speaker 4: You know, I always know about the Lost Boys because
• 7:48
  Speaker 4: Lost Boys hasn't seen Michael's the leads. You know, Michael's
• 7:52
  Speaker 4: the lead character and he's a human at this point
• 7:56
  Speaker 4: and the lead vampire. He's in the vampire's cave chilling
• 7:59
  Speaker 4: with them, you know, he doesn't know they're vampires. And
• 8:01
  Speaker 4: they're all eating takeout food and he hands them uh
• 8:06
  Speaker 4: Chinese box of noodles and he tastes it and he's like,
• 8:11
  Speaker 4: it's like some rice first, the first those rice and
• 8:13
  Speaker 4: he's eating the rice. He's like, Michael, you're eating maggots, Michael,
• 8:16
  Speaker 4: and he looks down again and it's maggots in the
• 8:20
  Speaker 4: ground and they're all cracking up because it's just rights again.
• 8:23
  Speaker 4: And then he's like, oh, have some noodles and he
• 8:25
  Speaker 4: hands them the noodles. In this it's all kind of
• 8:28
  Speaker 4: worms and it's mind ship. You know, it's never explained.
• 8:33
  Speaker 4: Lost Boys has a lot of stuff about the vampires.
• 8:35
  Speaker 4: They just don't explaining. They just do things. I mean,
• 8:39
  Speaker 4: it's dope though.
• 8:39
  Speaker 1: And the reference to the Empires are the worst of them.
• 8:42
  Speaker 4: Yeah, And the reference to the Lost Boys that I
• 8:44
  Speaker 4: didn't want to talk about in the spoiler part was
• 8:47
  Speaker 4: the whole idea that if you kill the lead vampire,
• 8:50
  Speaker 4: does the person turned back to normal? Because that's lost
• 8:52
  Speaker 4: boys and lost Boys they're trying to vampire, so Michael
• 8:56
  Speaker 4: will turn back to normal. And I love that. This
• 8:58
  Speaker 4: was like, Nah, well.
• 9:01
  Speaker 2: I'm trying to think because every like vampire stuff I've
• 9:04
  Speaker 2: ever watched from my childhood on, I don't think it's
• 9:07
  Speaker 2: ever been that way. I think if I remember everything
• 9:10
  Speaker 2: I've ever watched from like Blade Queen of the Damn like,
• 9:15
  Speaker 2: because we didn't, I don't think that was everything. Like
• 9:18
  Speaker 2: if you killed the that's lost for you're the progeny
• 9:22
  Speaker 2: is your progenitor your progenitor or what's that called?
• 9:25
  Speaker 5: Do you if you killed the arch vampires?
• 9:29
  Speaker 4: Yeah, And I feel like I never heard of that.
• 9:31
  Speaker 2: I didn't think there was ever a connection like that,
• 9:35
  Speaker 2: so that was a new concept for me.
• 9:36
  Speaker 1: I was like, I ain't know that was possible.
• 9:37
  Speaker 4: Yeah, well that is, I know that comes up and
• 9:40
  Speaker 4: Lost Boys for the first time, at least for me.
• 9:42
  Speaker 4: I'm not sure if it was in other vampires before
• 9:44
  Speaker 4: that or whatnot, but that's a big point of Lost
• 9:46
  Speaker 4: Boys in the world. I'm just like, no, no, not no, no.
• 9:50
  Speaker 2: Just saying the thing is you could kill them main
• 9:51
  Speaker 2: one of the other ones looking like damn, you went
• 9:53
  Speaker 2: out bad, like I.
• 9:55
  Speaker 4: Noticed, Like I think in Blade when he kills them,
• 9:57
  Speaker 4: all the other ones die, right, Maybe I can't remember,
• 10:03
  Speaker 4: but I know that's but like I said, Lost Boys
• 10:06
  Speaker 4: is one of those films that if you're a vampire
• 10:08
  Speaker 4: lover you've seen in you're referencing or you're you know,
• 10:11
  Speaker 4: it's referencing you, it's influencing you. So I would just
• 10:15
  Speaker 4: love that Brian David that shout out to it. And
• 10:17
  Speaker 4: it was also like that moment in Avengers when they're like,
• 10:20
  Speaker 4: that's in the future.
• 10:20
  Speaker 5: Lied to me.
• 10:21
  Speaker 4: You know, I wanted to yell that out in the
• 10:23
  Speaker 4: I wanted to yell that in the theater, but I
• 10:24
  Speaker 4: didn't want to do that in the theater. I wanted
• 10:26
  Speaker 4: to be lost.
• 10:29
  Speaker 2: And to your point of just the referencing and stuff
• 10:31
  Speaker 2: is just and also just throwing us off.
• 10:33
  Speaker 1: You fucking lied, and it.
• 10:35
  Speaker 2: Is a great job because you know it's like, oh,
• 10:38
  Speaker 2: you thought what you thought, what you knew about vampire
• 10:41
  Speaker 2: is actually matched here, and it didn't.
• 10:43
  Speaker 1: And there were still the traditional stuff, you know, the garlic,
• 10:46
  Speaker 1: the steaks, you.
• 10:47
  Speaker 2: Know, all that stuff that the vampires being essentially impervious
• 10:50
  Speaker 2: to bullets and stuff like that, Like you got to truly,
• 10:52
  Speaker 2: there's only a couple of ways that really kill them
• 10:54
  Speaker 2: besides the sun itself.
• 10:56
  Speaker 1: Like that remains the same just in every story.
• 11:00
  Speaker 5: The one that I.
• 11:00
  Speaker 4: Felt like was a bit of influence that I loved
• 11:03
  Speaker 4: was the original John Carpenter's The Thing, because the Thing
• 11:08
  Speaker 4: has that same idea. Once all these people are trapped
• 11:11
  Speaker 4: in a room and they don't know that which one
• 11:14
  Speaker 4: of them is the thing. You've never seen the Thing, right,
• 11:19
  Speaker 4: it is. It'll fuck you up. You got to see it.
• 11:20
  Speaker 4: It's one of the things that you got to see.
• 11:21
  Speaker 4: But it's like that where they're all you know, because
• 11:24
  Speaker 4: the thing infets people and can turn into people. So yeah,
• 11:28
  Speaker 4: like it doesn't always look like a monster like sometimes no,
• 11:33
  Speaker 4: sometimes it'll look just like you.
• 11:35
  Speaker 5: So like it's for people.
• 11:37
  Speaker 4: And there's the samous scene where they do this blood
• 11:39
  Speaker 4: test because like I think, it's if you hold fire
• 11:42
  Speaker 4: to it, the thing reacts, so they all take a
• 11:44
  Speaker 4: bit of their blood, put it in a tray, and
• 11:47
  Speaker 4: then hold the match to it, and then finally it
• 11:50
  Speaker 4: jumps on one of them and they're like, NIGGI you
• 11:52
  Speaker 4: the thing, you know, and that's you know. But so
• 11:55
  Speaker 4: it's that type of scene when they're all trying to
• 11:56
  Speaker 4: figure out who's the vampire. That's what I was like, Yeah,
• 12:00
  Speaker 4: this is a big you know, I love it. Yeah,
• 12:03
  Speaker 4: I mean, I'm not saying like stealing from the thing.
• 12:05
  Speaker 4: It's just great things like this influence all of us.
• 12:08
  Speaker 4: And it's like, you know, you give a little shout,
• 12:10
  Speaker 4: you know, it's like you little shout there, a little
• 12:11
  Speaker 4: shots boys out of the thing. You know. I love it.
• 12:16
  Speaker 4: And another thing we didn't discuss there in the spoiler,
• 12:19
  Speaker 4: and that I just I mean, I absolutely love Like
• 12:22
  Speaker 4: there's there's two things like if we're talking more about it,
• 12:24
  Speaker 4: I really do you know, really do like appreciate in
• 12:27
  Speaker 4: this film. It's like one is the vampires and their
• 12:30
  Speaker 4: whiteness and how like they come along trying to sing
• 12:33
  Speaker 4: this white music to these people who are playing blues
• 12:36
  Speaker 4: and they're over here trying to see this bullshit, you know,
• 12:39
  Speaker 4: and yeah, and it's like they I was even trying
• 12:43
  Speaker 4: of mad at all, my going being like, oh that's cool,
• 12:45
  Speaker 4: you know, but I think that's that vampire mental influence
• 12:50
  Speaker 4: like they were doing a bit of that where they
• 12:51
  Speaker 4: weren't really saying it, but they were showing that these
• 12:53
  Speaker 4: vampires can influence your mind, like when they.
• 12:56
  Speaker 5: Start talking to you, you you know, you fall prey.
• 12:59
  Speaker 2: To them, right, And I think that's just it, And
• 13:02
  Speaker 2: I was actually thinking about that when it came to
• 13:04
  Speaker 2: what I was was, I was reviewing as the vampire
• 13:07
  Speaker 2: rules in this universe, and I was actually going back
• 13:10
  Speaker 2: and forth on that because especially because you know the
• 13:13
  Speaker 2: other main rule of most vampire things is that like
• 13:15
  Speaker 2: vampires cannot cross this threshold unless you invite, so that
• 13:20
  Speaker 2: you know that.
• 13:20
  Speaker 1: Remained true in this same situation.
• 13:22
  Speaker 2: But then you know, I was thinking of things like
• 13:24
  Speaker 2: True Blood where it's like they have the power of glamour, right,
• 13:27
  Speaker 2: which is which is just O O P charisma right,
• 13:31
  Speaker 2: the charismas plus one thousand and at times Sinners kind
• 13:36
  Speaker 2: of made it like there was something there, but then
• 13:38
  Speaker 2: it wasn't that strong, where like like for example and
• 13:41
  Speaker 2: True Blood, if somebody glamored you, your ass was done
• 13:44
  Speaker 2: for like there was it was almost a trance. There
• 13:47
  Speaker 2: was no coming out of it, whereas in Sinners you
• 13:49
  Speaker 2: could see that it may have had an effect like
• 13:52
  Speaker 2: there was even some like literally on screen physically you
• 13:54
  Speaker 2: could see hazing around the person, like the screen became
• 13:57
  Speaker 2: not screen, but there the depth of field became a
• 13:59
  Speaker 2: little blite, like you can tell that there was some
• 14:02
  Speaker 2: thing affecting them, but it wasn't so much that it
• 14:05
  Speaker 2: was just like that person was entrapped mentally. So that's
• 14:08
  Speaker 2: why I was going back and forth, was like, were
• 14:09
  Speaker 2: they really have influence or was it just because they
• 14:11
  Speaker 2: were so fucking weird that you were just like trying
• 14:14
  Speaker 2: to figure out, well, who is this person?
• 14:16
  Speaker 5: It's a bit of both, I think.
• 14:17
  Speaker 4: And then also I think it was another thing that
• 14:20
  Speaker 4: I think representative visually was sometimes the vampire's eyes would
• 14:24
  Speaker 4: turn red and sometimes they would go gray.
• 14:27
  Speaker 5: And when they went gray, I think that was like
• 14:28
  Speaker 5: what you were calling the glamour.
• 14:30
  Speaker 4: And then the other side of it is once again
• 14:32
  Speaker 4: going back the Lost Boys, is if the vampires outside
• 14:35
  Speaker 4: of your home, the powers don't work like that, like
• 14:38
  Speaker 4: in Lost Boys, how the vampire fools them to lead
• 14:41
  Speaker 4: vampire who they don't know. This is a bit spoiler
• 14:43
  Speaker 4: for a thirty forty year old movie, but whatever, how
• 14:45
  Speaker 4: they don't know that, how he gets away from it?
• 14:47
  Speaker 4: How they don't figure out the lead vampires dating their mom,
• 14:51
  Speaker 4: and they don't realize it because he comes over for
• 14:52
  Speaker 4: dinner one night and they invite him in. And once
• 14:56
  Speaker 4: they invite him in, they try all the trips on him.
• 14:57
  Speaker 4: They throw garlic at him, then they get him to
• 14:59
  Speaker 4: eat some g garlic. They put a mirror in front
• 15:01
  Speaker 4: of him, you know, because then I feel they throw
• 15:05
  Speaker 4: holy water on him and nothing happens. He eats the garlic,
• 15:09
  Speaker 4: he sees his reflection, the holy water does nothing. And
• 15:13
  Speaker 4: then at the end when he reveals himself, he's like, nigga,
• 15:16
  Speaker 4: y'all inviting me in. Nothing works after you invite me.
• 15:18
  Speaker 4: And so it's like, I think that's going with that
• 15:20
  Speaker 4: same type of rules set here where unless they're inside,
• 15:24
  Speaker 4: it doesn't work like that, you know what I mean.
• 15:26
  Speaker 4: It's like it's it's working, but it ain't working like
• 15:29
  Speaker 4: you know that potential, yes, because like the Asian woman
• 15:33
  Speaker 4: was about to bounce, you know, she was like, but
• 15:36
  Speaker 4: she was, I mean, man's.
• 15:38
  Speaker 5: Did eight minutes to her and she was still considering.
• 15:41
  Speaker 2: Also attributed that to the fact that one her what
• 15:45
  Speaker 2: was her husband was taking her she was already deeply
• 15:49
  Speaker 2: you know, beside herself about what was happening. They threatened
• 15:51
  Speaker 2: their child, So I just thought she was long gone.
• 15:55
  Speaker 1: Forget the fucking glamor. She was fucking gone out of it.
• 15:58
  Speaker 2: Out of her mind at that point because it was
• 16:00
  Speaker 2: so much that just happened to her in a short
• 16:01
  Speaker 2: span of time to.
• 16:03
  Speaker 1: Fuck up her mind.
• 16:03
  Speaker 4: Yes, but man was still getting eight and she was
• 16:05
  Speaker 4: not that concerned. There was some glamoring going on. And
• 16:13
  Speaker 4: then the other thing that I didn't want to distruss
• 16:15
  Speaker 4: during the spoiler free part, and that goes back to
• 16:18
  Speaker 4: the river of music and everything was the appearance by
• 16:21
  Speaker 4: the legend Buddy Guy at the end, which blew my
• 16:26
  Speaker 4: mind because as you know, Buddy is one of those
• 16:29
  Speaker 4: people who is a big influence on Hendrix. He is
• 16:31
  Speaker 4: a blues legend. I honestly did not know the brother
• 16:34
  Speaker 4: was still alive. So I was just so happy because
• 16:37
  Speaker 4: I see his name in the credits, I'm like, Buddy Guy.
• 16:39
  Speaker 4: And then he's you know, the old due on screen
• 16:41
  Speaker 4: playing blues. I'm like, oh, this's fucking Buddy Guy. Because
• 16:43
  Speaker 4: I don't even know what he looked like at this point,
• 16:45
  Speaker 4: and so I was like, oh, nah, that's Buddy Guy.
• 16:47
  Speaker 4: You know, and so that was just so great because
• 16:49
  Speaker 4: you get to see, you know, the living representation of
• 16:53
  Speaker 4: this river of music, who is you know, from that
• 16:56
  Speaker 4: era and is still here. That was just so dope.
• 17:00
  Speaker 4: And to have that actor playing him, and you know,
• 17:03
  Speaker 4: it's like Buddy's playing you know, a character. He's not
• 17:05
  Speaker 4: Buddy Guy in.
• 17:06
  Speaker 2: The film by Miles Katon.
• 17:10
  Speaker 4: When my man said Sammy that one time, I was
• 17:13
  Speaker 4: cracking up, yeah the Vampire when he was like, Sammy.
• 17:18
  Speaker 1: Is so funny. They're so funny.
• 17:21
  Speaker 4: But like I say, you have got You're gonna have
• 17:23
  Speaker 4: to watch The Lost Boys after this because it's like
• 17:25
  Speaker 4: it just goes because what's his name? Keifer Sutherland is
• 17:29
  Speaker 4: the head vampire. So you want to talk about a
• 17:30
  Speaker 4: charismatic asshole, you know, young Keifer, like young pretty Heifer,
• 17:35
  Speaker 4: you know, doing his full on keeper like yeah it is,
• 17:39
  Speaker 4: you know, it's one of the things. And so yeah, yeah, yeah,
• 17:42
  Speaker 4: but no, that having Buddy Guy in this movie and
• 17:44
  Speaker 4: then just that, like I said, I could talk forever
• 17:46
  Speaker 4: about that scene and the music going from blues to
• 17:50
  Speaker 4: hip hop, you know, to Africa to seeing the like
• 17:54
  Speaker 4: dancers from West Africa, to see just all the type
• 17:57
  Speaker 4: of things and how the music. You know, you know,
• 18:00
  Speaker 4: I was, you know, in love with whatever, but I
• 18:02
  Speaker 4: you know, I give the man his prop and how
• 18:04
  Speaker 4: he blended the blues and you hear the twerk come in,
• 18:07
  Speaker 4: You hear all the different range of everything. You see
• 18:10
  Speaker 4: the guitar player who's like a little hindred to little
• 18:13
  Speaker 4: Bootsy Collins in there.
• 18:15
  Speaker 5: You know, it was just it was beautiful. That was beautiful.
• 18:18
  Speaker 2: Yeah, And that's the scene I was referencing in the
• 18:21
  Speaker 2: Spoilly Free part of our review, just about what actually
• 18:24
  Speaker 2: made me cry.
• 18:25
  Speaker 1: Okay, I wasn't tearing. I was crying.
• 18:28
  Speaker 2: And again just being sensitive to music and for el
• 18:35
  Speaker 2: sas is a lot the sonics, just being sensitive to
• 18:38
  Speaker 2: how sonically this is, how it hits your body, and
• 18:44
  Speaker 2: how it evokes thoughts and memories and emotions. And then
• 18:48
  Speaker 2: for Ryan and Ludwig and everyone else involved in that scene,
• 18:52
  Speaker 2: to tie it into di diaspora and tie it into
• 18:55
  Speaker 2: our story. And again I'm referring to Black Americans, but
• 18:58
  Speaker 2: to tie into that blackness of culture, and of course
• 19:02
  Speaker 2: then the extended aspera where we all come from our ancestors.
• 19:06
  Speaker 2: Like using that aspect of as mentioned before, the power
• 19:10
  Speaker 2: of Black people and the ways that some of us
• 19:13
  Speaker 2: are so gifted in inclined that we break the physical
• 19:17
  Speaker 2: and spiritual barriers and space time barriers through music, nigga
• 19:23
  Speaker 2: who like And then to turn around and personify that
• 19:27
  Speaker 2: very thought and show me on screen and that you
• 19:30
  Speaker 2: said it what I was thinking, just about the fact
• 19:32
  Speaker 2: that then to seamlessly blend different music together like floating
• 19:37
  Speaker 2: around the room where you are them niggas was having
• 19:41
  Speaker 2: the best time of day life and that as they
• 19:43
  Speaker 2: call it, the juke joint in the club right, think
• 19:45
  Speaker 2: of as a millennial, think of you sitting there with
• 19:48
  Speaker 2: your business casual on in wherever club love or whatever,
• 19:53
  Speaker 2: and you having the best night of your life and
• 19:56
  Speaker 2: you are dancing and you are just in flow and
• 19:59
  Speaker 2: you're and just to say, yeah, in those situations when
• 20:02
  Speaker 2: it's that deep and connected, your ancestors is right there.
• 20:07
  Speaker 2: That shit, that shit, just everything I'm saying is what
• 20:11
  Speaker 2: like literally all those thoughts entering my head as I
• 20:14
  Speaker 2: was watching this, and I was just in tears.
• 20:16
  Speaker 1: And then what made it like all of that's made
• 20:18
  Speaker 1: it so so so so powerful. And then the cherry
• 20:21
  Speaker 1: on top was when because there were two people in
• 20:24
  Speaker 1: there that were Asian or Chinese descent. Their ancestors were
• 20:27
  Speaker 1: there too.
• 20:28
  Speaker 2: And that's what I'm talking about when I say black
• 20:31
  Speaker 2: people will never do what the fuck our pressors do
• 20:34
  Speaker 2: to us.
• 20:34
  Speaker 1: And we are not the fucking.
• 20:36
  Speaker 2: Saying we don't exclude, We don't do that shit. That
• 20:40
  Speaker 2: shit is not natural, that shit is on some evil
• 20:42
  Speaker 2: blood shit. I'm telling you we when this is natural
• 20:45
  Speaker 2: to us. If our people, our people will get the
• 20:48
  Speaker 2: shine that they need and the image. If there's other
• 20:50
  Speaker 2: people around, we're gonna feature them too. Like that was
• 20:53
  Speaker 2: a conscious decision, right, you have two and I don't
• 20:57
  Speaker 2: know if the people in real life are Chinese. Uh
• 20:59
  Speaker 2: let me see it's Yaobo Child, yes, and then his wife,
• 21:02
  Speaker 2: the lady who played his wife, Legion le Gray Child.
• 21:06
  Speaker 1: Yes.
• 21:07
  Speaker 2: For them to have their culture also just expressed and
• 21:12
  Speaker 2: so beautifully and in flow with black culture. Like and
• 21:15
  Speaker 2: we always talk about that what they said, the black
• 21:17
  Speaker 2: and yellow persuasion, the black and yellow.
• 21:19
  Speaker 1: Connection, right, Like to see that, like because you know
• 21:22
  Speaker 1: Ryan said that.
• 21:22
  Speaker 4: He was writing it Jan Chinese boy, Like there are
• 21:26
  Speaker 4: so many for him to.
• 21:29
  Speaker 1: Say, Yo, we're in it in the thirties and they're
• 21:31
  Speaker 1: in this town.
• 21:32
  Speaker 2: That's all black and the supermarket. The general store is
• 21:37
  Speaker 2: owned by the Chinese people, like they are in our
• 21:40
  Speaker 2: neighbor We all together, the neighborhoods.
• 21:42
  Speaker 1: We grow up together, we live together.
• 21:44
  Speaker 2: You understand, Like that shit was for it to be
• 21:47
  Speaker 2: set in that time frame, it was reflective of modern times.
• 21:50
  Speaker 1: It was anyway, I'm going off the deep end now.
• 21:53
  Speaker 2: I'm just saying that scene and art and everything about
• 21:56
  Speaker 2: like the integration of cultures or the intersections of cultures
• 22:01
  Speaker 2: really touched me.
• 22:03
  Speaker 5: I think I was more sitting there.
• 22:05
  Speaker 4: Like damn it.
• 22:06
  Speaker 2: Like you said, you're not the only one with the idea.
• 22:13
  Speaker 2: And yes, it was represented on a different medium, but
• 22:16
  Speaker 2: I know, but no, no, and you know, but honestly,
• 22:23
  Speaker 2: the way it's done in Hendricks is different, Like it
• 22:26
  Speaker 2: may be the similar thing, but it's not execute it
• 22:31
  Speaker 2: the same way.
• 22:32
  Speaker 4: No, it's not, because it's different medium.
• 22:34
  Speaker 2: I say that to say, I don't think anyone will
• 22:36
  Speaker 2: really truly call you guys fighters or anything.
• 22:38
  Speaker 5: No, because I don't think.
• 22:39
  Speaker 4: I mean, one sentence is going to reach a lot
• 22:42
  Speaker 4: more people than interested. Wow, let's keep it a buck.
• 22:46
  Speaker 5: You know, this is a big, big movie, you know.
• 22:49
  Speaker 1: I just think that aside it being two totally different jobres.
• 22:53
  Speaker 1: I think you'll be fine.
• 22:54
  Speaker 4: No, I'm fine.
• 22:55
  Speaker 1: I don't I don't know mediums.
• 22:57
  Speaker 4: I think mediums were going to make that comparison, or
• 22:59
  Speaker 4: you know, there are a few other people will you know, definitely,
• 23:02
  Speaker 4: people wh've seen both will probably make the comparison. But
• 23:05
  Speaker 4: like I said, I'm just also happy to see that
• 23:08
  Speaker 4: idea express more because something that is like, you know,
• 23:10
  Speaker 4: when you talk about music, I remember, I'm you know,
• 23:12
  Speaker 4: this is my life, like this is all I do
• 23:13
  Speaker 4: and think, breathe, live, and that idea is something that
• 23:17
  Speaker 4: I've thought, brie've lived since the beginning, and I've always
• 23:20
  Speaker 4: tried to explain to people, like especially the era that
• 23:23
  Speaker 4: I came up in as a DJ, every party was
• 23:26
  Speaker 4: like that. You know, we didn't just play hip hop
• 23:30
  Speaker 4: or whatever, you know, we played everything because you know
• 23:34
  Speaker 4: that's hip hop started as a music form where the
• 23:38
  Speaker 4: original hip hop DJs weren't There was no hip hop records,
• 23:41
  Speaker 4: so all the records they were playing were other forms
• 23:44
  Speaker 4: of music that they made into hip hop. And so
• 23:47
  Speaker 4: that was the approach that we took, you know, especially
• 23:50
  Speaker 4: the generations that I came up with, it was like
• 23:52
  Speaker 4: you played everything for when there wasn't many hip hop
• 23:54
  Speaker 4: records still, you know what I mean. So to fill
• 23:56
  Speaker 4: up a party, you had to play some Michael Jackson,
• 23:58
  Speaker 4: you had to play some gap band, you had to
• 24:00
  Speaker 4: you know, go back, and you had to teach people.
• 24:02
  Speaker 4: You know. That was what we were always about, teaching
• 24:05
  Speaker 4: and showing you the past and showing you the future
• 24:07
  Speaker 4: through that same route. And that's why we put that,
• 24:11
  Speaker 4: you know, that's why I put that idea into Hindrance
• 24:13
  Speaker 4: because it's just how I've always lived through music. And
• 24:15
  Speaker 4: it's once again, like I keep saying, this one form
• 24:19
  Speaker 4: of music. It changes forms, do the technology and thing,
• 24:23
  Speaker 4: but we're always making blues and you can put this
• 24:26
  Speaker 4: you know, there's a Thurrool line. You can play all
• 24:28
  Speaker 4: of this shit together. It all works together because it's
• 24:31
  Speaker 4: all black music. And I just love to see that.
• 24:34
  Speaker 4: That was a really beautiful like you know, we put
• 24:37
  Speaker 4: it in the physical form. To see it in audio
• 24:39
  Speaker 4: and visual form. It's really dope. And it'll really get
• 24:42
  Speaker 4: across this idea to a lot of people, which I'm
• 24:46
  Speaker 4: just always happy about. More people will start to understand
• 24:49
  Speaker 4: the death and power of black music like that was
• 24:52
  Speaker 4: our thing in Hindrance We've talked about how black music
• 24:55
  Speaker 4: fuels our revolution, and that's what I want more people
• 25:00
  Speaker 4: but understand is how black music is like it just
• 25:04
  Speaker 4: it's the center of black culture in America. It is,
• 25:09
  Speaker 4: you know, it is everything to our culture, into our
• 25:12
  Speaker 4: life and that anything that expresses that, I'm just fully behind.
• 25:16
  Speaker 2: And black music is music, global, global force.
• 25:23
  Speaker 1: That's you said the same thing in a different way.
• 25:27
  Speaker 4: All music is black music. It all comes from Africa.
• 25:31
  Speaker 1: Fan, Yeah, all music and black music. Black music is music.
• 25:34
  Speaker 2: Listen this again, just the power of music and what
• 25:39
  Speaker 2: it could bring and what it could open up and
• 25:41
  Speaker 2: the doors another reason why why I'm always just so
• 25:45
  Speaker 2: deeply interested in.
• 25:48
  Speaker 1: What it means too.
• 25:49
  Speaker 2: And also just in this particular time frame, like as
• 25:53
  Speaker 2: a black person like you purposely being silenced from doing
• 25:56
  Speaker 2: things like playing music right, the music of your people right,
• 26:00
  Speaker 2: let alone the music you make up right then and
• 26:02
  Speaker 2: there because you're looking for solace in something, right, are
• 26:05
  Speaker 2: you looking for a different world than what you're currently in?
• 26:09
  Speaker 1: You do that through the music.
• 26:10
  Speaker 5: Who was that who played uh, Sammy's father.
• 26:15
  Speaker 1: Well the Preacher, I know that, but saw Williams.
• 26:20
  Speaker 5: That was Williams And that was okay.
• 26:23
  Speaker 4: Williams Leon like slightly resemble each other.
• 26:28
  Speaker 1: I wasn't you know they do slightly.
• 26:30
  Speaker 5: Especially as they gotten older because Leon.
• 26:32
  Speaker 4: Is like le.
• 26:35
  Speaker 2: So I always had had hair and so I don't
• 26:38
  Speaker 2: know if he sings anymore, but I know he was
• 26:40
  Speaker 2: a poetry and he was like we did R.
• 26:43
  Speaker 1: And B for a little bit too.
• 26:44
  Speaker 4: I didn't know that I know he did the poetry
• 26:46
  Speaker 4: was first singing, probably singing poetry, you know, like, yeah, just.
• 26:52
  Speaker 2: The maybe two more things for me to mention before
• 26:55
  Speaker 2: I'm done, Just as I mentioned, just the inclusion of
• 26:59
  Speaker 2: cultures and stuff like that, and even though it was short,
• 27:01
  Speaker 2: it was brief.
• 27:02
  Speaker 1: The inclusion of the indigenous people's.
• 27:04
  Speaker 5: That I was mad they didn't come back around.
• 27:08
  Speaker 2: I wish there was more, And perhaps I was just
• 27:10
  Speaker 2: something that got cut and the time or whatever, but
• 27:14
  Speaker 2: like I would have loved to see more of that
• 27:16
  Speaker 2: because to be wander like they're in Mississippi in this
• 27:20
  Speaker 2: in this if I'm not mistaken, are they in Mississippi
• 27:23
  Speaker 2: in this setting?
• 27:25
  Speaker 5: I know they left Chicago and came back to the South.
• 27:29
  Speaker 2: The reason also why I'm saying that is because they're
• 27:32
  Speaker 2: at least on im D. I am DBB wrong, but
• 27:34
  Speaker 2: it says Mississippi chalk tall chalk.
• 27:37
  Speaker 1: Taw orseback Scout. Okay, so I was trying to.
• 27:41
  Speaker 2: Remember was it all centered to Mississippi right or did
• 27:43
  Speaker 2: they even say They did say where they were. Yeah,
• 27:47
  Speaker 2: but anyway, I really, you know, the first nations being
• 27:52
  Speaker 2: representative like.
• 27:54
  Speaker 1: That, you have to Yeah, they were there.
• 27:57
  Speaker 2: They are with black people, you know what I'm saying,
• 27:59
  Speaker 2: Like the people we all were together in this, We've
• 28:03
  Speaker 2: always been together.
• 28:05
  Speaker 4: I always point to people to have.
• 28:07
  Speaker 1: Them there, like, yeah, they're there too.
• 28:08
  Speaker 4: Yeah. And I always point out when people are like,
• 28:11
  Speaker 4: don't understand, you know, like Native Americans are First Nation
• 28:17
  Speaker 4: and why it's so important to have them in this.
• 28:19
  Speaker 5: I always asked, do you.
• 28:20
  Speaker 4: Know any hmm? And just and and and why don't
• 28:25
  Speaker 4: you know any? Because they didn't enslave them, you know,
• 28:34
  Speaker 4: they they had an other solution for them. And that's
• 28:36
  Speaker 4: why you know, a nation that went from millions to
• 28:39
  Speaker 4: however many there are. Now you know a nation that
• 28:43
  Speaker 4: you know covered this nation and people covered this continent
• 28:46
  Speaker 4: in people. And now do you know any Native you know,
• 28:49
  Speaker 4: First Nation people?
• 28:52
  Speaker 1: That's just fuck up it is.
• 28:53
  Speaker 4: And that's what I mean. That was beautiful and I
• 28:56
  Speaker 4: wish they'd come back around. I wanted to see them
• 28:58
  Speaker 4: whip some vampire ass.
• 29:00
  Speaker 2: That and I just I just love seeing that representation
• 29:04
  Speaker 2: in film because you don't get a lot of it
• 29:05
  Speaker 2: in general. And to see, like you said, to see
• 29:07
  Speaker 2: that they was there to whip ass and the ants
• 29:10
  Speaker 2: was on the run. Yes, man's was on the run
• 29:12
  Speaker 2: from that, because if they caught his ass, it would
• 29:14
  Speaker 2: have been a fucking like that ship was the phenomenon
• 29:18
  Speaker 2: been a great prequel.
• 29:19
  Speaker 4: Maybe maybe you know, one day somebody does the prequel
• 29:21
  Speaker 4: and shows because you know the vampires. It was like
• 29:25
  Speaker 4: he was running and burning like they had his ass running.
• 29:31
  Speaker 1: He would have because they didn't let his ass in.
• 29:34
  Speaker 4: That would have been it for what happened, you know
• 29:36
  Speaker 4: what happened before yo.
• 29:39
  Speaker 2: And I just the last thing, I just really wanted
• 29:41
  Speaker 2: to give a shout out to Jamie Lawson, who played Pearlin,
• 29:44
  Speaker 2: the love interests of Sammy. First of all, she's I was.
• 29:51
  Speaker 2: Every time she went scream, I went like this, like
• 29:52
  Speaker 2: my mouth dropped.
• 29:53
  Speaker 1: She is so beautiful, No, she's her.
• 29:58
  Speaker 2: Her beauty is just reminded me of my lif That's point,
• 30:00
  Speaker 2: just of how beautiful we looked in Centers. We as
• 30:04
  Speaker 2: a people are skin Most of the people on screen
• 30:08
  Speaker 2: were dark skin or or you know, darker brown whatever,
• 30:11
  Speaker 2: And to see the melanin richness like we were shining.
• 30:17
  Speaker 1: Yeah, I ain't talking about Reese. I'm talking about you,
• 30:20
  Speaker 1: not in a belly way fascine on the face.
• 30:24
  Speaker 2: I'm talking about our light. We were literally glowing on screen.
• 30:30
  Speaker 2: And it takes directors and people like writing coogle it
• 30:34
  Speaker 2: to bring that out.
• 30:35
  Speaker 4: Yeah.
• 30:36
  Speaker 1: So that's all I got to say about Sinnence.
• 30:39
  Speaker 2: I fuck with it A plus y'all won.
• 30:44
  Speaker 4: Yeah, I fully agree. Like I said, I want everyone
• 30:47
  Speaker 4: to see this film. I think it's the best film
• 30:49
  Speaker 4: I've seen this year. I fully expect it to be
• 30:52
  Speaker 4: on my top ten list at the end of the year.
• 30:55
  Speaker 4: And as I was walking away from the theater, I
• 30:57
  Speaker 4: was like, yo, you know, because Mickey seventeen is winning
• 30:59
  Speaker 4: a movie movies where I feel like it's gonna be
• 31:01
  Speaker 4: on people's top ten lists and Centers ain't. And I'm
• 31:03
  Speaker 4: gonna be real tight at the end of the year
• 31:05
  Speaker 4: when I see that happen. So I'm looking at y'all,
• 31:07
  Speaker 4: you know, because y'all look funny out there, just giving
• 31:10
  Speaker 4: movies hype because it's a great director.
• 31:12
  Speaker 1: Yeah, but I.
• 31:13
  Speaker 2: Actually have well remember Mickey bombed, so you don't have
• 31:16
  Speaker 2: to worry about that.
• 31:16
  Speaker 4: But no, but don't mean bomb don't. You will still
• 31:19
  Speaker 4: be putting them all.
• 31:20
  Speaker 1: But it's not popular, how about that?
• 31:22
  Speaker 2: But from everything I'm seeing, I think Sinners is gonna
• 31:26
  Speaker 2: do it in.
• 31:27
  Speaker 4: It's gonna be the number one movie this weekend. It's
• 31:29
  Speaker 4: gonna be big money.
• 31:30
  Speaker 5: Yeah.
• 31:30
  Speaker 1: It first of all they've been and it was getting.
• 31:34
  Speaker 4: On all the money.
• 31:35
  Speaker 1: They have been.
• 31:37
  Speaker 2: Promoing this movie for like a year and a half,
• 31:39
  Speaker 2: and I said, nik of, y'all, don't stop showing me
• 31:42
  Speaker 2: a Sinners ig ad in twenty.
• 31:45
  Speaker 4: Twenty three everywhere I went, everywhere I went yesterday.
• 31:49
  Speaker 2: And it's so funny cause we're always complaining like there's
• 31:51
  Speaker 2: not enough promo, No, like get this ship out my
• 31:53
  Speaker 2: face and drop them over.
• 31:55
  Speaker 1: And it wasn't because I was I was just like,
• 31:56
  Speaker 1: drop the movie, drop the movie. They dropped it in.
• 31:59
  Speaker 2: Holy shit, No, I think sentences, Yeah, it's gonna be
• 32:02
  Speaker 2: number one, but it's gonna do it. It had had the
• 32:04
  Speaker 2: big buzz of I don't know if it's saying as
• 32:07
  Speaker 2: if it's true as of today, but it debuted with
• 32:09
  Speaker 2: one hundred percent on Rotten Tomatoes. Yeah, I'm gonna you
• 32:12
  Speaker 2: and I are probably gonna be contributing more to that. Yeah,
• 32:15
  Speaker 2: maybe that ninety nine. Now, I don't know it's gonna
• 32:17
  Speaker 2: be one hater. It always is, but nigga, they y'all better.
• 32:22
  Speaker 1: See this fucking film.
• 32:23
  Speaker 4: There used to be this one black dude who people
• 32:25
  Speaker 4: would wait for his review because he was always like
• 32:27
  Speaker 4: the biggest hater and he worked. He like it wasn't
• 32:30
  Speaker 4: New York Times, but he was like big time, you know,
• 32:32
  Speaker 4: and his reviews would always mess.
• 32:35
  Speaker 5: Up the perfect scores.
• 32:36
  Speaker 4: So I don't know if he's still writing though, but
• 32:39
  Speaker 4: now it's definitely getting thumbs up. For me, I want
• 32:41
  Speaker 4: everyone to see this immediately, see it again, Like Todd
• 32:46
  Speaker 4: Danna said, see it on the biggest spring, you can
• 32:48
  Speaker 4: see it on. No It's it's pure thumbs up. It's
• 32:52
  Speaker 4: definitely and it's a vampire film enthusiast. It's going to
• 32:55
  Speaker 4: my top five. You know, I'm a lost boys at
• 32:57
  Speaker 4: it where that's my number one, But you know what
• 33:01
  Speaker 4: I mean much else for I would like be like,
• 33:05
  Speaker 4: you know, it's above this as far as Empire movies
• 33:07
  Speaker 4: after Lost Boys, I put you know, centers don't have
• 33:09
  Speaker 4: to battle for the number two spot with everything else.
• 33:13
  Speaker 4: I like the more. I like Dustal down, yeah, because
• 33:17
  Speaker 4: it's like it's like I said, it has the same plot,
• 33:19
  Speaker 4: but it like the blackness of this just you know,
• 33:22
  Speaker 4: puts it so far, you know, leagues ahead of Dustal Dawn,
• 33:25
  Speaker 4: dustle Don had Salma Hia that stuff, you know, big
• 33:29
  Speaker 4: off for that.
• 33:29
  Speaker 5: Look that was prime Salmon Hia days.
• 33:32
  Speaker 1: I understand.
• 33:36
  Speaker 4: I get just like you know, Shorty in this one,
• 33:38
  Speaker 4: but this is you know, this had I know what's
• 33:41
  Speaker 4: an actress and name.
• 33:42
  Speaker 2: Again Sam's girl Jamie Lawson Woomy is a woom is
• 33:48
  Speaker 2: also Yeah, incredible.
• 33:50
  Speaker 5: But you know I appreciated all the love scenes in
• 33:54
  Speaker 5: this film as well.
• 33:56
  Speaker 4: I definitely did.
• 33:57
  Speaker 2: Yeah, And I was right, there's a one hater, got
• 34:01
  Speaker 2: it because of that ninety nine percent right now, which
• 34:02
  Speaker 2: I'm still looking at one hundred percent. So yeah, in
• 34:05
  Speaker 2: any case that I think that's it.
• 34:06
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