Latest / Fake Doctors, Real Friends with Zach and Donald / 621: My Rabbit

Transcript

621: My Rabbit · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Yeah, a cupcake. It's a muffin. It's a muffin. It's
• 0:05
  Speaker 1: a muffin. I got a muffin. Look at that. The
• 0:08
  Speaker 1: wife made blueberry muffins for breakin. Yeah, she made him.
• 0:13
  Speaker 1: I missed you. You look so cuddly and huggable. You
• 0:18
  Speaker 1: look so spelt and chiseled. What you doing eating carrots? Yeah?
• 0:24
  Speaker 1: Do you remember that story? Have ever told her in
• 0:26
  Speaker 1: the podcast about Arnod Schwartzeninger telling me to eat carrots? No? No,
• 0:30
  Speaker 1: what I was I was training for something and I
• 0:32
  Speaker 1: was working out in the gym with my trainer, and
• 0:34
  Speaker 1: Arnold Schwartzener walked into the gym, and it was when
• 0:37
  Speaker 1: he was governor, like he had he had like secret service,
• 0:40
  Speaker 1: state level whatever they are, state trooper guys with him
• 0:42
  Speaker 1: and everything. And he's walking around and I didn't know
• 0:45
  Speaker 1: if he was like there just because he knew the
• 0:47
  Speaker 1: owner of the gym, or if he was like, I
• 0:48
  Speaker 1: am governor, I am doing a total of silude. And
• 0:53
  Speaker 1: then he walks right over to me, and I don't again,
• 0:55
  Speaker 1: I have no idea if he recognized me as an
• 0:57
  Speaker 1: actor or if he was just like hello, fellow citizens.
• 1:02
  Speaker 1: But he walks over to me, and he goes, what
• 1:03
  Speaker 1: are your goals with your workout? And I was like,
• 1:07
  Speaker 1: I was, I was in such shock. I just said, well,
• 1:10
  Speaker 1: I guess the simplest way is to put it is
• 1:13
  Speaker 1: I like to look like Brad Pitt in Fight Club.
• 1:15
  Speaker 1: And he has a little pause and he goes, you
• 1:17
  Speaker 1: have to eat a lot of carrots. Okay, man noted
• 1:23
  Speaker 1: so for like, for like months, I was just pounding.
• 1:30
  Speaker 1: Did it work? To this day, yeah, I got a
• 1:32
  Speaker 1: good shape because basically wasn't even an't even carriage. But
• 1:34
  Speaker 1: to this day, I don't know if he meant like
• 1:37
  Speaker 1: like like vegetables or like specifically carrots hilarious. I don't know,
• 1:43
  Speaker 1: but I bet you had a nice little orange glow
• 1:45
  Speaker 1: to you. You have to eat a lot of carrots.
• 1:48
  Speaker 1: That's he walked away. Okay, here's the question, rock cart
• 1:53
  Speaker 1: rock carrots or cooked carrots. I don't know, but I
• 1:56
  Speaker 1: love baby carrots, like when you get so little bag
• 1:59
  Speaker 1: of baby carrots and something snack. We have so much
• 2:02
  Speaker 1: to talk about. I don't even know where to begin
• 2:04
  Speaker 1: with you, all right. I don't know where to begin
• 2:06
  Speaker 1: with you guys either, because so much has happened, yep,
• 2:10
  Speaker 1: so many things. It's been a minute. The fans have
• 2:13
  Speaker 1: been clamoring. The fans have been Some of y'all are dicks.
• 2:16
  Speaker 1: I'm gonna be honest with you. Some of yall are
• 2:18
  Speaker 1: not a great way to start a show for the fans.
• 2:20
  Speaker 1: But ahead, but I'm gonna just keep it one hundred
• 2:22
  Speaker 1: with you. Don't coming for them. Don't come at me
• 2:24
  Speaker 1: with I'm lazy, or come at me with you know, uh,
• 2:28
  Speaker 1: you know, I don't deserve to have my time to
• 2:31
  Speaker 1: myself or anything like that because I feel like I do.
• 2:34
  Speaker 1: I feel like I work hard. I mean, I might
• 2:37
  Speaker 1: not work as hard as some of you out there.
• 2:39
  Speaker 1: I get that a lot of you work way harder
• 2:41
  Speaker 1: than I do, and I appreciate how hard you work.
• 2:44
  Speaker 1: But to come at me and say that I'm lazy
• 2:47
  Speaker 1: because we haven't put out a show in a couple
• 2:49
  Speaker 1: of weeks, you can eat a dick dog. That's a hundred.
• 2:52
  Speaker 1: That's one hundred. Now I'm gonna do a slightly a
• 2:57
  Speaker 1: kinder interpretation of that and also do some how keeping
• 3:00
  Speaker 1: overall for the fans. We're sorry we didn't put out
• 3:02
  Speaker 1: show for a bit. I'm prepping to act in a movie,
• 3:06
  Speaker 1: so it is one hundred percent my fault, and in fact,
• 3:09
  Speaker 1: we're gonna take a little break. We're what we're gonna
• 3:12
  Speaker 1: do housekeeping and Joel correct me if I'm wrong. We're
• 3:14
  Speaker 1: gonna finish season six, and then we're gonna put out
• 3:17
  Speaker 1: a really unique first episode of season seven, and then
• 3:21
  Speaker 1: we truly are going to go on a hiatus because
• 3:23
  Speaker 1: I'm acting in a movie and it is pretty hard
• 3:26
  Speaker 1: to do this well for you guys while I'm acting
• 3:29
  Speaker 1: in a movie. I just can't do it. So we're
• 3:33
  Speaker 1: gonna take a little break. But season we're gonna finish
• 3:35
  Speaker 1: Season six. We're gonna do today and then the next
• 3:38
  Speaker 1: one and then the season seven opener is a really
• 3:42
  Speaker 1: unique episode we did where for the first and probably
• 3:45
  Speaker 1: only time, we watched the episode live at a drive in,
• 3:49
  Speaker 1: So if you want to plan ahead, plan to watch
• 3:52
  Speaker 1: that episode, like instead of just when you're driving, some
• 3:56
  Speaker 1: of you just watch what you're driving. It might be
• 3:57
  Speaker 1: a little bit weird to listen to you because we're
• 3:59
  Speaker 1: watching the show and talking about at the same time,
• 4:01
  Speaker 1: but anyway, the ideal way for you to listen to
• 4:03
  Speaker 1: it would be to like sync up watching the show
• 4:07
  Speaker 1: with our podcast and pause it when we pause it
• 4:09
  Speaker 1: so you can enjoy it the best way. I'm gonna
• 4:12
  Speaker 1: We're gonna take a little break. Go ahead, I'm gonna
• 4:14
  Speaker 1: keep it one hundred with you, guys. It is a
• 4:17
  Speaker 1: very different version of the show right there. Will there
• 4:21
  Speaker 1: there might be silence at times, especially if we're gonna
• 4:25
  Speaker 1: do through. Will cut some out, but but then then
• 4:28
  Speaker 1: they won't be in sync with what You can't cut
• 4:32
  Speaker 1: too much out. I was thinking about that, but that
• 4:34
  Speaker 1: I think it makes it the most optimal experience where
• 4:37
  Speaker 1: you get to hear us laugh. It's like we're all
• 4:38
  Speaker 1: laughing at the same Some of you will love it
• 4:40
  Speaker 1: and some of you will hate it, but just no,
• 4:43
  Speaker 1: either way, it's the only time we're gonna do it
• 4:45
  Speaker 1: like that. There will be a small brief break between
• 4:50
  Speaker 1: the conclusion of season six and the premiere of episode seven,
• 4:54
  Speaker 1: but it's coming and it will be fabulous and you'll
• 4:56
  Speaker 1: really enjoy it. I think we're gonna drop that September thirteenth.
• 5:00
  Speaker 1: All right, there you go. There's your housekeeping, and we
• 5:02
  Speaker 1: love you. And hey, you don't want us to go
• 5:04
  Speaker 1: too fast because we're running out of episodes. I know.
• 5:07
  Speaker 1: I told y'all you could eat a dick. For give
• 5:09
  Speaker 1: it us for trying to pressure. You didn't mean it,
• 5:11
  Speaker 1: they didn't mean it. I want to take someone. I
• 5:13
  Speaker 1: want to take some of them back now. I want
• 5:15
  Speaker 1: to Can we can we rewind? Can we time travel? No? No,
• 5:18
  Speaker 1: I don't think you can take it back. But you pass.
• 5:20
  Speaker 1: It's out there. It's out there. Huh, it's already out there.
• 5:24
  Speaker 1: I and I appreciate the fans that have stuck with
• 5:28
  Speaker 1: us and decided to not unfollow me. But for those
• 5:32
  Speaker 1: of y'all who didst people are passionate about the show.
• 5:39
  Speaker 1: I get it, and so passionate that they're willing to
• 5:41
  Speaker 1: turn their backs on us. I didn't turn my background
• 5:43
  Speaker 1: and you I took a freak on to freaking take
• 5:45
  Speaker 1: a look. That's like. That's like if somebody you're having
• 5:48
  Speaker 1: a conversation with somebody and they go all right, hold
• 5:50
  Speaker 1: that thought. I have to go to the bathroom. I'll
• 5:52
  Speaker 1: be right back, and when they get back, you're like,
• 5:55
  Speaker 1: you're a fucking dick man, and you're like, what I talk.
• 5:58
  Speaker 1: I had to run in the restaurroom to go to
• 6:00
  Speaker 1: take a break. I did to take a break and
• 6:02
  Speaker 1: they're like and they're like, no, you fucking tan your
• 6:04
  Speaker 1: back on me too late? Already follow you on Twitter? Right,
• 6:07
  Speaker 1: That's what it is, man and miss me. They never
• 6:09
  Speaker 1: liked me in the first place. They've been waiting to
• 6:11
  Speaker 1: do it. You've been waiting to do it. I've noticed.
• 6:14
  Speaker 1: I noticed. I noticed my numbers have stalled on Instagram.
• 6:17
  Speaker 1: I've noticed. I'm noticed because you don't post of it.
• 6:20
  Speaker 1: I don't post them either. I post animation. I post
• 6:23
  Speaker 1: that motion animation. I give you what you want, fans?
• 6:26
  Speaker 1: Is that not what you want? Is not what you're getting?
• 6:28
  Speaker 1: Really good, dude, noticeable in your post class definitely took
• 6:33
  Speaker 1: an ardument class and they you know, Okay, So there's
• 6:37
  Speaker 1: a lot of things we have to talk about. One
• 6:39
  Speaker 1: of the things is uh lighten magic. Uh we need
• 6:44
  Speaker 1: to we need to discuss that. I don't care what
• 6:47
  Speaker 1: anybody says, but there's a saying enlightened magic that George
• 6:50
  Speaker 1: Lucas says. You know, when people are like, I can't
• 6:53
  Speaker 1: do this, I don't think I can get through it.
• 6:55
  Speaker 1: I don't know how how are we going to do this?
• 6:56
  Speaker 1: And you know, he says, well, why don't you think
• 6:59
  Speaker 1: about it? You know? And you know and uh and
• 7:03
  Speaker 1: then within you know twenty minutes people have already come
• 7:07
  Speaker 1: up with the idea right of how they're gonna how
• 7:10
  Speaker 1: they're going to solve this problem said problem. Um, that's
• 7:13
  Speaker 1: what Ardmin Academy UH made me do. It made me
• 7:17
  Speaker 1: really think about what I wanted to do through lectures
• 7:22
  Speaker 1: and master classes and stuff like that. It really made
• 7:26
  Speaker 1: me think about it. I've taken two classes now. Both
• 7:29
  Speaker 1: of them are made were amazing. UM. I took Stupid
• 7:33
  Speaker 1: Buddy Studios Animation class first and that was amazing. Alex
• 7:39
  Speaker 1: uh Camer was the teacher there. And then I took
• 7:45
  Speaker 1: the Ardmin uh Academy course and that was taught by
• 7:51
  Speaker 1: so many people, but the main guy was the Stute
• 7:53
  Speaker 1: Stewart UH. And what's great is that you're working with
• 7:56
  Speaker 1: people who are in uh stop motion animation and actually
• 8:03
  Speaker 1: are professionals, and you can actually see their work, whether
• 8:06
  Speaker 1: it be from Stupid Buddies to Robot Chicken and you
• 8:08
  Speaker 1: know Super Mansion to Ardmin Academies. You know Wallace and
• 8:12
  Speaker 1: Grommet and and uh you know uh Shawn the Sheep.
• 8:17
  Speaker 1: It's just so many, there's so many of them on
• 8:19
  Speaker 1: the artaman side, you know what I mean. But just
• 8:22
  Speaker 1: to be able to find the Chicken runs. They did
• 8:24
  Speaker 1: do Chicken Run and they're doing is amazing. They're doing
• 8:28
  Speaker 1: two two's coming out soon. Oh they wonder. I wonder
• 8:31
  Speaker 1: what took them so long? That was such a good movie.
• 8:33
  Speaker 1: That sounds awesome. Well for those of you fans who
• 8:36
  Speaker 1: are interested in stop motion, obviously, Donald, you're an amazing spokesperson.
• 8:40
  Speaker 1: What's that? Even? Ardmin? How do you spell ar d
• 8:42
  Speaker 1: A A r d M A n ardman? Uh? Look
• 8:47
  Speaker 1: them up? Look up Ardmin Academy. Also look up Stupid
• 8:50
  Speaker 1: Buddy Studios. They have a class that comes if you're
• 8:53
  Speaker 1: in the States and stupid. I think it's spelled stop right,
• 8:57
  Speaker 1: Yeah I do, Yeah, stupids called that way. All right?
• 9:01
  Speaker 1: Can we talk about another that's awesome and I'm proud
• 9:02
  Speaker 1: of you. You're killing it. Can we talk about Bad
• 9:05
  Speaker 1: Girl being canceled? Insanity? Joel, you're the expert on these things.
• 9:17
  Speaker 1: Um well, I'm not as allowed to say a lot
• 9:20
  Speaker 1: of fun. I'll take it from my friends marketing and
• 9:24
  Speaker 1: pr perspective of it. It's an interesting decision. It sounds
• 9:29
  Speaker 1: variety thinks it's taxes, which seems to be probable if
• 9:33
  Speaker 1: you don't follow entertainment news. Here's what you need to know.
• 9:36
  Speaker 1: Discovery and HBO merged into one conglomerate basically Warner Brothers. Yeah,
• 9:43
  Speaker 1: the Warner Brothers, which is HBO's overhead. So they've become
• 9:46
  Speaker 1: one entity. So now the new heads there are trying
• 9:50
  Speaker 1: to file down and organize. You know, what does this
• 9:53
  Speaker 1: new company look like and what are we gonna do
• 9:56
  Speaker 1: going forward? Um And one of the directives of that
• 10:00
  Speaker 1: is they want to move away from releasing on streaming,
• 10:03
  Speaker 1: which is, of course is the big thing HBO did.
• 10:05
  Speaker 1: And initially that you know, it caused a lot of
• 10:08
  Speaker 1: concern and you know, actors get paid more and producers
• 10:11
  Speaker 1: and directors you know, based off of box office, so
• 10:13
  Speaker 1: you don't want to skip the box office. So it
• 10:16
  Speaker 1: was challenging and a confusing time. But it was COVID
• 10:18
  Speaker 1: and they had material to release, so they released on
• 10:21
  Speaker 1: HBO and it became pretty successful. HBO blew up. They
• 10:24
  Speaker 1: I think I'm pretty sure they had the fast show.
• 10:27
  Speaker 1: You're talking about HBO Max, the streaming services where you're
• 10:30
  Speaker 1: talking about, let's be so HBO Max had this moment
• 10:33
  Speaker 1: where they were able to create a cartoon that was
• 10:35
  Speaker 1: so popular. It was able to reverse and go off
• 10:38
  Speaker 1: of streaming and onto television. That was the Harley Quinn cartoon.
• 10:41
  Speaker 1: So they were having all of these huge wins and successes.
• 10:44
  Speaker 1: But the new company doesn't want to do that anymore.
• 10:47
  Speaker 1: That Girl apparently was meant to be streaming as for
• 10:51
  Speaker 1: HBO Max. They tested it for audiences. Heard a lot
• 10:54
  Speaker 1: of mixed things about what happened at that testing. Wow,
• 10:56
  Speaker 1: you didn't hear mixed things about it being tastic? Well, no,
• 10:59
  Speaker 1: one's no, no one's rumors or that it tested well,
• 11:02
  Speaker 1: that's it's not true. A lot of like I mean, yeah,
• 11:05
  Speaker 1: so oh, there's a lot of critical thought of like
• 11:07
  Speaker 1: it's not good, But that DC has had a lot
• 11:09
  Speaker 1: of critical failures that have been huge box office successes.
• 11:13
  Speaker 1: So there is a fandom that enjoying didn't didn't your
• 11:16
  Speaker 1: ocams raise your brain? Go to There's no way they're
• 11:19
  Speaker 1: dumping one hundred million dollars movie that tests well, No,
• 11:23
  Speaker 1: because they still want to drop a flash and I
• 11:25
  Speaker 1: heard nothing good about that and it's main star is
• 11:27
  Speaker 1: a hot mess. I know that Ezra has a lot
• 11:31
  Speaker 1: going on right now. Um, and uh, it'll be interesting
• 11:34
  Speaker 1: to see what they do. I just assume by the
• 11:36
  Speaker 1: same principle that must be testing amazing. This one didn't
• 11:39
  Speaker 1: test well, and they're like, first of all, it's if
• 11:41
  Speaker 1: ninety million dollars is the is the budget it's going
• 11:45
  Speaker 1: to cost, I'm pulling a number out of my ass
• 11:47
  Speaker 1: fifty to advertise and release it. So they're cutting bait
• 11:51
  Speaker 1: because it didn't test well. That's my that was my assumption.
• 11:54
  Speaker 1: It's very possible. I mean, like, like you said, like,
• 11:56
  Speaker 1: we don't have confirmation. But what I do you know
• 11:59
  Speaker 1: is the people that directed the background movie just came
• 12:02
  Speaker 1: off of having Marvel's highest successful show with Miss Marvel,
• 12:06
  Speaker 1: which has gotten a lot of success and a lot
• 12:08
  Speaker 1: of praise. I think it was their number one stream show.
• 12:10
  Speaker 1: So I don't know. I don't know what happened, but
• 12:13
  Speaker 1: they made the choice and we'll see where it goes.
• 12:16
  Speaker 1: I was reading the other day a critic who was saying,
• 12:18
  Speaker 1: you know, typically you have to give these mergers like
• 12:20
  Speaker 1: eighteen months to get an idea of like what is
• 12:23
  Speaker 1: the new direction, how is it gonna work. I think
• 12:25
  Speaker 1: on some level, I'm excited. I love the DC properties.
• 12:29
  Speaker 1: I think that what's your hot take on because I
• 12:30
  Speaker 1: saw gossip that even though Flash is testing well. Because
• 12:35
  Speaker 1: of Ezra's issues, they may dump the Flash, which apparently
• 12:39
  Speaker 1: costs two hundred night. Yeah, I think they should do that.
• 12:43
  Speaker 1: Ezra's on a wild path that's hurt a lot of people,
• 12:48
  Speaker 1: and I don't think that the DCU needs this version
• 12:54
  Speaker 1: of The Flash or this movie to continue. They're launching
• 12:57
  Speaker 1: a new sort of direction with Black Adam. I'm starring
• 13:00
  Speaker 1: the Rock. He describes himself as a franchise Viagra, which
• 13:05
  Speaker 1: is true. Yeah, the Rocks direct quote, He's franchised Viagra,
• 13:11
  Speaker 1: and it's true. And I really like only someone like
• 13:15
  Speaker 1: him could have that kind of confidence because like proof
• 13:18
  Speaker 1: is in The Pudding Man. Yeah, he does it, so
• 13:25
  Speaker 1: that is pretty true. He once injected into the blood stream,
• 13:31
  Speaker 1: he gets the franchise, No pun intended, Rock intended. So
• 13:38
  Speaker 1: I hope they go in that direction and keep you know,
• 13:41
  Speaker 1: Jason Momoa seems to be in it for the long haul.
• 13:43
  Speaker 1: I think they were going to have to do something
• 13:44
  Speaker 1: with Wonder Woman because that last movie, by I think
• 13:47
  Speaker 1: a lot of people's own admissions not hot. So we'll
• 13:50
  Speaker 1: see that last movie was hot. Hot. Garbbage, you know
• 13:56
  Speaker 1: I have my brain is as someone in the production
• 13:59
  Speaker 1: industry just goes to think about all the fucking hard
• 14:02
  Speaker 1: work on both movies and the innumerable hours of blood,
• 14:07
  Speaker 1: sweat and tears by every from the PA to the producer.
• 14:12
  Speaker 1: To make a two hundred million or a ninety million
• 14:14
  Speaker 1: or a fucking one million dollar movie and to have
• 14:17
  Speaker 1: it scrap is just it's just so sad. I just
• 14:20
  Speaker 1: feel I feel for everyone involved because the idea of
• 14:24
  Speaker 1: working so hard on a movie and then no one
• 14:27
  Speaker 1: ever seeing it. It's not like, oh, you know the
• 14:28
  Speaker 1: old days, as we all remember the old days. If
• 14:31
  Speaker 1: if you if you made a theatrical movie and it bombs,
• 14:33
  Speaker 1: you dumped into videos. Straight to video is a quote unquote,
• 14:36
  Speaker 1: it was like it was like, oh it didn't work
• 14:38
  Speaker 1: out straight to video. Now we're talking about movies that
• 14:40
  Speaker 1: are have been put this much effort in love and
• 14:43
  Speaker 1: hard working to them and like no one will will
• 14:45
  Speaker 1: ever see them. I hate to tell you this, Zack,
• 14:49
  Speaker 1: but this is a format that's been going on in
• 14:51
  Speaker 1: Hollywood for the longest. In this quoted pilot season and
• 14:54
  Speaker 1: shooting pilots and then no one ever seeing the pilots,
• 14:58
  Speaker 1: YouTube been in and beings you're right, them being scrapped.
• 15:01
  Speaker 1: I haven't heard. I haven't thought about like that. That's true.
• 15:03
  Speaker 1: But uh, but that being said, I've never been on
• 15:07
  Speaker 1: a ninety million dollar pilot in life. No, but I mean,
• 15:12
  Speaker 1: I don't even mean. I mean, obviously it's in the
• 15:14
  Speaker 1: extreme examples. That's why these movies are so headline breaking
• 15:17
  Speaker 1: is because a movie with a ninety million dollars production
• 15:19
  Speaker 1: budget has never been scrapped. That's nuts. That doesn't bode
• 15:24
  Speaker 1: well for Hollywood either. Like if you're on the outside
• 15:27
  Speaker 1: looking in, like you know, there are certain bro I'm
• 15:30
  Speaker 1: not gonna say, there are certain uh senators and congress
• 15:35
  Speaker 1: people out there that are like this Hollywood. I told
• 15:37
  Speaker 1: you they just throw money away. They just throw the
• 15:40
  Speaker 1: money away and they give it to their friends. That's
• 15:43
  Speaker 1: what you know what I mean. I'm looking at looking
• 15:46
  Speaker 1: at this, I'd be like, ninety million dollars, throw throw
• 15:49
  Speaker 1: them ship to me, you know what I mean? Look
• 15:52
  Speaker 1: at what I can do with that shit? Like god
• 15:55
  Speaker 1: Man's speaking of speaking of this topic, I love and
• 16:00
  Speaker 1: I highly recommend to all of you thirteen lives. Now.
• 16:04
  Speaker 1: This was an MGM movie that was supposed to come
• 16:06
  Speaker 1: out theatrically and really really deserve to be seen theatrically
• 16:11
  Speaker 1: if you have the chance, don't do what I did
• 16:13
  Speaker 1: and watch it on your laptop, because it's a shame
• 16:17
  Speaker 1: Amazon bought MGM and they decided to just take it
• 16:20
  Speaker 1: straight to streaming. This is I think Ron Howard's best
• 16:23
  Speaker 1: movie ever. It's about the thirteen sorry twelve tie boys
• 16:26
  Speaker 1: and their coach who were trapped in a cave and rescued.
• 16:30
  Speaker 1: It's Viege Mortensen, Colin Farrell, Joel Edgerton. Is that how
• 16:33
  Speaker 1: you hit Edgerton? And it's fantastic. I'm telling you to
• 16:38
  Speaker 1: see it. I'm excited about it. But it's what it's.
• 16:40
  Speaker 1: It's kind of the reverse story where you're like, this
• 16:43
  Speaker 1: is I mean, I think it could win Best Picture.
• 16:45
  Speaker 1: It's it's it's it's it's so good and I and
• 16:47
  Speaker 1: I can't believe that they went Amazon chose to go
• 16:50
  Speaker 1: straight to streaming with it. How are they're doing any
• 16:53
  Speaker 1: theatrical releases over there. I mean, I'm sure they'll do
• 16:55
  Speaker 1: the qualifying may If you look at what Disney Plus
• 16:58
  Speaker 1: is doing with streaming, I am imagine that everybody's trying,
• 17:02
  Speaker 1: like why not try and create that type of format
• 17:05
  Speaker 1: like they put out movies in theaters. And they put
• 17:08
  Speaker 1: movies out on streaming and it seems to work both
• 17:13
  Speaker 1: ways for them or am I tripping? I just think
• 17:16
  Speaker 1: that if you you know, I'm still of this. Maybe
• 17:19
  Speaker 1: this is old school, but I'm in the school of like,
• 17:21
  Speaker 1: if it's if it was shot to be a movie
• 17:23
  Speaker 1: that potentially was made for theatrical leagues, like give it
• 17:26
  Speaker 1: as shot, give it as give it yeah, absolutely absolutely,
• 17:29
  Speaker 1: and like and like if it's not performing okay, then
• 17:31
  Speaker 1: then you and you have a lot of money on it,
• 17:33
  Speaker 1: then yeah, then go to your streaming platform. But like
• 17:36
  Speaker 1: you know, I was gonna say, they had a lot. Uh,
• 17:40
  Speaker 1: DC has had a lot of misses with their movies,
• 17:44
  Speaker 1: and they put these some of these movies out and
• 17:46
  Speaker 1: they've been so bad that they've been considered like the
• 17:48
  Speaker 1: worst movies of the year and stuff like that, not once,
• 17:52
  Speaker 1: but multiple times, you know what I mean? Uh, And
• 17:56
  Speaker 1: so I I you know, when when it smells like shit,
• 18:01
  Speaker 1: eventually you want to freaking wash that thing, you know
• 18:03
  Speaker 1: what I mean? Like, can I put that on? Can
• 18:06
  Speaker 1: I get that on my step for my soundboard? Nown? Yes,
• 18:09
  Speaker 1: it smells like shit, Eventually you want to wash it,
• 18:13
  Speaker 1: you know what I mean? Or throw it out or
• 18:16
  Speaker 1: you know what I mean, I don't know. But look,
• 18:17
  Speaker 1: that's and so I think that's where they are with
• 18:20
  Speaker 1: with everything. They're like what we're doing with I think
• 18:24
  Speaker 1: I think the company itself is stepping and saying what
• 18:27
  Speaker 1: we're doing isn't working. I don't think there's a band
• 18:30
  Speaker 1: aid that can fix it. Let's just switch everything around
• 18:36
  Speaker 1: and barely they're looking for one. Oh interesting, See that's
• 18:40
  Speaker 1: hard to I know. I mean, he's sort of won
• 18:43
  Speaker 1: a a zillion. But don't you think well, I mean,
• 18:45
  Speaker 1: I mean, if I was to stars, it's took Star
• 18:48
  Speaker 1: Wars a really long time to find and they it
• 18:50
  Speaker 1: seems they found it with uh, with Fav and Feloni.
• 18:54
  Speaker 1: But uh and and and Figgy. You know, Figy has
• 18:58
  Speaker 1: been around since the beginning of mar though it doesn't miss.
• 19:02
  Speaker 1: He doesn't miss. Yeah, he does. Some of those movies
• 19:04
  Speaker 1: of trash man, Come on, now, let's keep it one
• 19:06
  Speaker 1: hundred man. You want to watch them all, you watch
• 19:08
  Speaker 1: them all. I don't watch them all. To be look,
• 19:10
  Speaker 1: let's be honest, some of those as much as I
• 19:13
  Speaker 1: want to be in all of the all of the
• 19:15
  Speaker 1: problems of the right, all of the properties that we're
• 19:21
  Speaker 1: talking about even Batgirl, I would freaking throw my life
• 19:25
  Speaker 1: on the line to freaking be able to do all
• 19:27
  Speaker 1: of the stunts and action shit that they probably did
• 19:30
  Speaker 1: in that Bad Boy and Kicking ass Man. I would
• 19:32
  Speaker 1: be so freaking excited to be a part of that,
• 19:36
  Speaker 1: even if at the end of it they said it's
• 19:38
  Speaker 1: never gonna come out. But maybe that's because I'm used
• 19:41
  Speaker 1: to that, you know what I mean. I'm used to
• 19:43
  Speaker 1: doing projects. I'm used to pilot season of spitting. I'm
• 19:46
  Speaker 1: so passionate about it, good things right, Thank goodness. I'm
• 19:52
  Speaker 1: used to pilot season. I'm used to all of these things.
• 19:55
  Speaker 1: I'm used to feeling like this is it, this is
• 19:57
  Speaker 1: my big shot, and then it's not happening, you know
• 19:59
  Speaker 1: what I mean, And then like, are the show that
• 20:01
  Speaker 1: we're all talk gonna talk about in a couple of
• 20:03
  Speaker 1: minutes scrubs? Sometimes it does happen. It's the it's the
• 20:07
  Speaker 1: roll of the dice, and Warner Brothers is willing to
• 20:09
  Speaker 1: take that role right now. It's willing to roll of
• 20:11
  Speaker 1: dice right now and say, look, everything that we have
• 20:14
  Speaker 1: is not working, and we know this, and all of
• 20:17
  Speaker 1: us know this too. You could say what you want.
• 20:19
  Speaker 1: There are certain things that are working. There are little
• 20:22
  Speaker 1: pockets here and there that are working. But let's be honest, man,
• 20:25
  Speaker 1: you're not excited for it like you're excited for Disney Plus.
• 20:28
  Speaker 1: When Disney Plus shows up, you're like, Yo, let's go
• 20:31
  Speaker 1: fucking like the Mandalorian freaking all of these Marvel things
• 20:34
  Speaker 1: like you get excited for that. And Warner Brothers wants
• 20:37
  Speaker 1: that too, and they have the properties to do that,
• 20:40
  Speaker 1: So why not say, you know, what we're doing right
• 20:42
  Speaker 1: now isn't working. Let's let's figure something out. I agree
• 20:46
  Speaker 1: with I agree with it. I think it sucks. As
• 20:48
  Speaker 1: an actor, or as a producer, or as a company
• 20:52
  Speaker 1: who has invested a lot of their energy into the
• 20:55
  Speaker 1: DC brands, all of the humans that have been involved
• 21:00
  Speaker 1: in that, I know it sucks that this is happening. Uh.
• 21:03
  Speaker 1: And I'm so happy, you know, like a part of
• 21:06
  Speaker 1: me was a part of this, you know what I mean.
• 21:07
  Speaker 1: The reason why Legends of Tomorrow didn't come back was
• 21:10
  Speaker 1: because they were like, we're not going to bring back
• 21:11
  Speaker 1: all of these shows, you know what I mean. There's
• 21:14
  Speaker 1: there's petitions to save these you know, Legends of Tomorrow.
• 21:17
  Speaker 1: It's probably not gonna happen. But it's because they're doing
• 21:21
  Speaker 1: this and they're trying to reverse or not reverse or
• 21:24
  Speaker 1: course correct where DC's going, and all of you out
• 21:28
  Speaker 1: there can say what you want to say and be
• 21:30
  Speaker 1: like Donald, you're fucking tripping. But as a whole right now,
• 21:33
  Speaker 1: it ain't working. Let's keep it one. It'd be really
• 21:37
  Speaker 1: interesting to see. I think it's the only thing really
• 21:39
  Speaker 1: left to see is if is if they release the
• 21:41
  Speaker 1: flash or not. That's that's really fascinating thing to think about.
• 21:48
  Speaker 1: I mean, there'd be no doubt they'd release it, but
• 21:52
  Speaker 1: it sounds like they're considering it. If it's good. Listen,
• 21:55
  Speaker 1: how about this. If it's good, I would suggest putting
• 21:58
  Speaker 1: it out. You know what I mean, I'm gonna keep
• 22:01
  Speaker 1: it one hundred Aquaman. I like my rumors, My my rumors,
• 22:05
  Speaker 1: my rumors, my rumor my what do you call my?
• 22:07
  Speaker 1: My whisperers? Tell me your rumor mill, your rumor mill.
• 22:10
  Speaker 1: Remember in gamey Thrones, that guy who's like the whisper Yeah, yeah, varius, yeah,
• 22:14
  Speaker 1: vers my varisses. Tell me it's good for one thing.
• 22:25
  Speaker 1: Do you listen that song? I just saying me, Yeah,
• 22:27
  Speaker 1: I said, I texted you saw her song. I don't
• 22:30
  Speaker 1: really know her. Oh I love her? How do you
• 22:32
  Speaker 1: not know her? Dude, dude, this song you guys, I
• 22:36
  Speaker 1: don't have my rig to to play it, but um, Joel,
• 22:40
  Speaker 1: it's happening. Well next next thing, you know, Zach's gonna
• 22:44
  Speaker 1: be into neo soul and everything. That would be amazing.
• 22:47
  Speaker 1: I really like it. Every Joe well, you know this
• 22:51
  Speaker 1: song her hard Place by her? Yeah, are you kidding me?
• 22:55
  Speaker 1: Are you kidding me? Are you kidding me? You know this?
• 22:58
  Speaker 1: Are you kidding me? I'm in Jim, it's so all right.
• 23:01
  Speaker 1: So I grew up with no because she probably heard
• 23:06
  Speaker 1: because I shut something thought there's nothing left, say assistant.
• 23:12
  Speaker 1: I was driving my assistant and he put this so
• 23:14
  Speaker 1: caught up place. All of a sudden, I'm like, what
• 23:20
  Speaker 1: is this? And I got my shazam out. You know
• 23:24
  Speaker 1: all that. I don't know, but it's amazing. Yeast like
• 23:29
  Speaker 1: four hundred times today. Yeah, I'm Jim. That's so. That's
• 23:31
  Speaker 1: what dude. You and I should have been married. We
• 23:33
  Speaker 1: should have gotten married. We should have just freaked because
• 23:35
  Speaker 1: I couldn't want to listen to Drake. I don't want
• 23:37
  Speaker 1: to listen to Drake. You would have been listening to her.
• 23:39
  Speaker 1: I'm telling you you would have been listening to that.
• 23:41
  Speaker 1: We listened to the same ship. We should have gotten
• 23:43
  Speaker 1: married and then had an open relationship where we could,
• 23:46
  Speaker 1: you know, call the kind of rap is it trapp
• 23:49
  Speaker 1: we where it's kind of like trap music that's trying
• 23:52
  Speaker 1: the monotony trap. I'm not into the trap, but I
• 23:56
  Speaker 1: really like her. Let's all right, our last thing and
• 23:58
  Speaker 1: then we'll get into the shows that we called scrubs. Well,
• 24:02
  Speaker 1: I was, I was listening to I hadn't heard this song,
• 24:04
  Speaker 1: and I was like, oh, it's a trap song. Let
• 24:06
  Speaker 1: of those sens say this is a trap? No no, no, no, no,
• 24:08
  Speaker 1: no no, you're conflating two different things. Oh okay, that
• 24:11
  Speaker 1: song is fire and it's my new favorite song I'm
• 24:14
  Speaker 1: gonna listen to and I love her voice. I don't
• 24:16
  Speaker 1: know her song that was a trap. So I grew up.
• 24:18
  Speaker 1: So I grew up with this young lady named Misha Headman, right,
• 24:21
  Speaker 1: and she is she works with her. She originally worked
• 24:25
  Speaker 1: with Alicia Keys and actually works with her. Alicia Keys
• 24:28
  Speaker 1: I grew up with also. Uh anyway, so I've been
• 24:32
  Speaker 1: up on her for a really long time. Misha used
• 24:35
  Speaker 1: to put out like on her Instagram like promotions of
• 24:38
  Speaker 1: where her would be at the equivalent of hotel, cafe,
• 24:42
  Speaker 1: small little venues where not a lot of people would
• 24:45
  Speaker 1: be there and stuff. She's been around for a while.
• 24:47
  Speaker 1: She can play to gain She's a musician. She could
• 24:50
  Speaker 1: play pretty much every instrument. And she's got to dyne
• 24:52
  Speaker 1: in my voice. I think I get what's key for
• 24:55
  Speaker 1: a lot of young women in this industry. If you
• 24:58
  Speaker 1: have a baritone voice and you can sing from your chest,
• 25:02
  Speaker 1: it really does work. Because Lauren Hill her you know
• 25:06
  Speaker 1: what I mean, It's all kind of like the same sound,
• 25:08
  Speaker 1: and it's all very she does. She reminded low Register Hill.
• 25:13
  Speaker 1: But yeah, that could be on the Miseducation of Lauren Hill.
• 25:17
  Speaker 1: It's no doubt, no doubt. The show was no because
• 25:22
  Speaker 1: I got to talk about light magic. Oh yeah, let's
• 25:24
  Speaker 1: do a short thing. There's a Donald's yelling about the
• 25:27
  Speaker 1: amazing documentary about industrial Lton magic that's on Disney Plus.
• 25:31
  Speaker 1: I like to bet it in the sequels. It made
• 25:33
  Speaker 1: me want to watch the prequels, which I don't get
• 25:35
  Speaker 1: mad I've never seen um, but the movies. The documentary
• 25:39
  Speaker 1: is so interesting that it makes you want to watch them.
• 25:43
  Speaker 1: I think, first of all, Phil Tippet, you're my hero.
• 25:46
  Speaker 1: I've said it to you before, I'll say it to
• 25:48
  Speaker 1: you again. I've never met him in person, never said
• 25:50
  Speaker 1: it to his face, never met him in person. But
• 25:52
  Speaker 1: he is my hero. He's the reason why it's gonna
• 25:54
  Speaker 1: be your your fiftieth birthday present is I'm gonna I'm
• 25:57
  Speaker 1: gonna find out how much it is for to fly
• 25:59
  Speaker 1: Phil Tippet to your house and have him hang out
• 26:02
  Speaker 1: with you for an afternoon and we just do stop
• 26:04
  Speaker 1: motion animational. Yeah, and he used animates with you for
• 26:06
  Speaker 1: like an hour an hour. I need more than that.
• 26:08
  Speaker 1: I need more than that. I'll pay the extra. I'll
• 26:12
  Speaker 1: pay the extra if he's into it. I'm gonna find
• 26:14
  Speaker 1: out what Phil tippets hourly is. It's probably hash. I
• 26:17
  Speaker 1: don't care. Whatever you get it, whatever you get it,
• 26:19
  Speaker 1: whatever I l M pays you daily. I think Zach
• 26:23
  Speaker 1: can match it. That's her fiftieth birthday present. I just
• 26:28
  Speaker 1: figured it out, all right, count of sand baby, we
• 26:31
  Speaker 1: gotta start this fucking shop. I know it's been like
• 26:33
  Speaker 1: a half an hour, six seven eight stories about show
• 26:38
  Speaker 1: we made about a bunch of doctor nurses, and I said,
• 26:44
  Speaker 1: he's a stories never so get around you here, yeah,
• 26:52
  Speaker 1: around here. M this episode it is bizarre, but I
• 27:01
  Speaker 1: laughed a lot. I did laugh a lot. Also, it
• 27:04
  Speaker 1: was very It's a very straightforward message though, you know
• 27:08
  Speaker 1: what I mean, like say no when you don't want it,
• 27:12
  Speaker 1: or guess what you're doing, you're settling. That's the whole episode, dude, Yeah,
• 27:18
  Speaker 1: that's and also the other main messages. How parenthood changes you? Well, yeah,
• 27:23
  Speaker 1: parent who changes how you look, how you look at everything.
• 27:25
  Speaker 1: Your perspective definitely changes when you realize there's more at
• 27:31
  Speaker 1: stake other than just yourself. Then absolutely, our best friend
• 27:34
  Speaker 1: Carrie Brothers, we should announce just had a beautiful, beautiful
• 27:38
  Speaker 1: little boy. Oh, congratulations. He and Jess, Yes, he and Jess.
• 27:43
  Speaker 1: Jess had the baby. Jess wiss. Yes, our composer, composer,
• 27:48
  Speaker 1: a fancy composer wife. She had, she had, she had
• 27:51
  Speaker 1: the baby. Carrie has she has the vagina. Yeah, but
• 27:55
  Speaker 1: Carrie did plant his seat. Yeah, Carrie shot shot shot.
• 27:59
  Speaker 1: He shot a shot shot shot shot shots fired. Ba's exciting.
• 28:07
  Speaker 1: Our our beste has, our best ease have a beautiful
• 28:10
  Speaker 1: little baby boy. So welcome to the club, Welcome to
• 28:14
  Speaker 1: no Sleep, Welcome to all of it. Enjoy it's so
• 28:20
  Speaker 1: much fun. Yeah. Donald always says all the horrible things
• 28:23
  Speaker 1: about it, but then he's like, it's so much fun.
• 28:25
  Speaker 1: How a lot of parents feel. Yeah, yeah, it's the
• 28:29
  Speaker 1: worst thing ever, but it's so much fun and I
• 28:31
  Speaker 1: wouldn't try. Well, okay, we are, we are? This is
• 28:37
  Speaker 1: episode what number? Joel? Six twenty one, six twenty one? Everybody?
• 28:43
  Speaker 1: This is the penultimate meaning which is one of my
• 28:47
  Speaker 1: favorite SAT words, meaning second to last episode of sixth
• 28:52
  Speaker 1: seasons pen Ultimate. I used to think I used to
• 28:56
  Speaker 1: think it meant last, but pen ultimate means second to last, ultimate,
• 29:01
  Speaker 1: pen ultimate. Yeah, this is the pen This is your
• 29:05
  Speaker 1: pen ultimate chance here, yeah right, this is your penultimate.
• 29:12
  Speaker 1: Your kids, when you're mad at your ultimate pen ultimate chance,
• 29:18
  Speaker 1: this is your pen ultimate chance. What the heck are
• 29:21
  Speaker 1: you talking about? There's your second to lasting, me second
• 29:23
  Speaker 1: to last and me second the last. Remember that penultimate
• 29:25
  Speaker 1: penultimate SAT? I saw bullet Train too? Wait did you
• 29:31
  Speaker 1: see did you see tal gun? Maverick? No, I'm gonna go.
• 29:34
  Speaker 1: I'm gonna go soon. Now are you kidding me? Man?
• 29:36
  Speaker 1: Don't yell at me. I'm gonna go out still the theaters.
• 29:38
  Speaker 1: You went and saw a bullet train before you saw
• 29:40
  Speaker 1: a top gun mater. I'm gonna go see it. I'm
• 29:42
  Speaker 1: gonna say one thing, though, Can I say one thing
• 29:44
  Speaker 1: off topic? You never do to my fellow directors and
• 29:49
  Speaker 1: sound mixers who might listen to this movie. It used
• 29:51
  Speaker 1: to be the problem that the prince of the film
• 29:53
  Speaker 1: when you're actually projecting film would always be different. And
• 29:56
  Speaker 1: the joke with directors is, oh my god, you're never
• 29:57
  Speaker 1: gonna see it as good as it looks in the
• 29:59
  Speaker 1: lab again, because always look like shit and the projectors
• 30:01
  Speaker 1: are all shit. Now it's all digital, and I'm told
• 30:04
  Speaker 1: the only variable really, because it's binary code, is that
• 30:07
  Speaker 1: some theaters turn down their bulb to save the lifetime
• 30:10
  Speaker 1: of the bulb to save money. But other than that,
• 30:13
  Speaker 1: it's still a digital projection. But the sound mix must
• 30:17
  Speaker 1: be always different, because I've seen two action movies in
• 30:20
  Speaker 1: a row now and I can't fucking hear the dialogue.
• 30:22
  Speaker 1: There's like twenty percent of the dialogue missing, because I'm
• 30:25
  Speaker 1: sure it sounds amazing in your perfect mixed studio, but
• 30:29
  Speaker 1: in the movie theater so much with all these actions sounds,
• 30:34
  Speaker 1: I can't fucking hear the dialogue. Maybe I'm just well,
• 30:37
  Speaker 1: it might be that. It might be also the theater
• 30:39
  Speaker 1: that you're in. Also, some theaters are definitely made so
• 30:43
  Speaker 1: that you feel like you're still in the studio where
• 30:48
  Speaker 1: the mixer. One of them was Man's Chinese, which would
• 30:51
  Speaker 1: imagine is probably the best sounding theater in the world. Oh,
• 30:54
  Speaker 1: I don't know. We might need to beat that because
• 30:56
  Speaker 1: I don't want Man's Chinese coming after Zach when he
• 30:58
  Speaker 1: premiers this movie. There. No, I'm okay with it. I
• 31:02
  Speaker 1: love Man's Chinese. Remember when you said, Zack, remember when
• 31:05
  Speaker 1: you said out there to suck the sound? You want
• 31:12
  Speaker 1: to Joe, you want to put your hands in the
• 31:14
  Speaker 1: freaking cement, didn't you, Zach? I love Man. I love
• 31:17
  Speaker 1: Man's Chinese so much that when I'm excited to see
• 31:20
  Speaker 1: a movie, I go, I'm gonna go see it at Man's,
• 31:22
  Speaker 1: Like this is like the place to see a movie.
• 31:25
  Speaker 1: But I went to Man's and then I also went
• 31:27
  Speaker 1: to another giant chain place and it's two action movies
• 31:31
  Speaker 1: in a row where I'm like, I'm missing twenty percent
• 31:33
  Speaker 1: of dialogue. Now, I'm sure that it sounds great in
• 31:36
  Speaker 1: the final mix stage, but like I'm saying, the variable
• 31:39
  Speaker 1: of picture is kind of gone these days, other than
• 31:43
  Speaker 1: somebody turning down their bulb to make it to save
• 31:46
  Speaker 1: life of their bulb with their projector. But the variable
• 31:48
  Speaker 1: of sound difference is there more than ever because maybe
• 31:52
  Speaker 1: you're right, some people crank the base for their theater,
• 31:54
  Speaker 1: or they cranked this or that, and they're fucking up
• 31:56
  Speaker 1: the mix. So you you're missing like twenty five percent
• 31:58
  Speaker 1: of dialogue, right, Red, that's my ret I couldn't hear
• 32:03
  Speaker 1: some of Bullet Train. I totally understand where you're coming from.
• 32:06
  Speaker 1: I feel like a lot of these movies aren't necessarily
• 32:13
  Speaker 1: I don't know, I think a lot of these I
• 32:14
  Speaker 1: think a lot of these movies are missing. It all
• 32:19
  Speaker 1: goes back to light and magic man. I think a
• 32:21
  Speaker 1: lot of these movies are missing the mark when it
• 32:23
  Speaker 1: comes to the things that they can do. So it's like,
• 32:27
  Speaker 1: all right, you can, we can do anything now, but
• 32:30
  Speaker 1: the one thing that's lacking is good story. So now
• 32:33
  Speaker 1: people are, you know, still focusing on we need to
• 32:38
  Speaker 1: have the best action sequence, or we need to have
• 32:41
  Speaker 1: the best explosion sequence, or we need to have the
• 32:44
  Speaker 1: best flying sequence, and they're missing story now and so
• 32:51
  Speaker 1: you know, did it matter if you miss twenty minutes
• 32:54
  Speaker 1: of the conversation. I think it does, and I don't
• 32:58
  Speaker 1: mean and I'm sure the filmmakers and the sound mentres
• 33:01
  Speaker 1: would would would hate to hear this. You struggle because
• 33:04
  Speaker 1: I've got it myself on so many times to get
• 33:06
  Speaker 1: everything perfect. You're literally like, can you turn the fucking
• 33:10
  Speaker 1: lighter sound down one decibel? Let me hear it like that.
• 33:13
  Speaker 1: I mean, that's how anal you are to get it perfect.
• 33:16
  Speaker 1: And then you don't want you don't want the audience
• 33:18
  Speaker 1: missing dialogue. I mean, it's all supposed to be perfectly balanced,
• 33:21
  Speaker 1: you know what I mean? Right? I understand that, But
• 33:26
  Speaker 1: was that the was the movie about the dialogue? It
• 33:30
  Speaker 1: doesn't matter if the movie is about it could be
• 33:32
  Speaker 1: one was Nope, and one was Bulletrain. They're amazing directors
• 33:36
  Speaker 1: who were telling giant stories. They don't want they don't
• 33:38
  Speaker 1: want their words missed. I totally hear it. I saw
• 33:42
  Speaker 1: Top Gun Maverick. There's not a lot of talking in it.
• 33:45
  Speaker 1: There is talking, and I was able, I was able
• 33:47
  Speaker 1: to understand everything they said. You know what I mean,
• 33:49
  Speaker 1: I'm gonna keep it one hundred. I don't know if
• 33:50
  Speaker 1: it's the I don't know if it's the theater that
• 33:52
  Speaker 1: you went to, and I don't know if it's the
• 33:53
  Speaker 1: creators of it. But I'll tell you one thing. The
• 33:56
  Speaker 1: special effects meant nothing to me. In Top Gun Maverick.
• 34:00
  Speaker 1: There's no effects. They really were in the planes. It's real.
• 34:02
  Speaker 1: But all of that shit wasn't. That didn't mean anything.
• 34:05
  Speaker 1: Even that meant nothing to me. The story is what
• 34:08
  Speaker 1: saves that movie. Man, That's what's really great about that movie.
• 34:12
  Speaker 1: And I think that's I think that's what missing is.
• 34:14
  Speaker 1: That's what's missing in some of these movies. Now, I
• 34:17
  Speaker 1: haven't you're saying separate thing. I was saying a diatribe
• 34:22
  Speaker 1: on sound mixing, and you're saying stories missing. I think
• 34:24
  Speaker 1: a lot of action movies. I agree. I think that's
• 34:27
  Speaker 1: I think that's part of it. I think I think
• 34:28
  Speaker 1: the reason why you missed out on so much is
• 34:31
  Speaker 1: because they're trying to get the sound so fucking dope
• 34:34
  Speaker 1: to make it so that the audience is having an
• 34:36
  Speaker 1: experience from with the sound. And I don't think I
• 34:39
  Speaker 1: think that's missing the mark. Fuck that shit. Tell a
• 34:41
  Speaker 1: good story and to sit will all it'll all fall
• 34:44
  Speaker 1: into place. You know what I mean. I think that's Fences,
• 34:49
  Speaker 1: the fight choreographer, whoever did the fight and bullet train
• 34:52
  Speaker 1: it was. It was sort of the biggest standout. I
• 34:54
  Speaker 1: think it was amazing fight sequences. I think that's the story.
• 34:58
  Speaker 1: I think that's the story of the movie, though, you
• 35:00
  Speaker 1: know what I mean, I think the story of them, Like,
• 35:02
  Speaker 1: I think the story of the movie is check out
• 35:04
  Speaker 1: the fight that we can, that we can we can do.
• 35:09
  Speaker 1: Look at our Joey King all grown up and starring
• 35:11
  Speaker 1: in a movie with Brad Pitt. She's a movie star. Man,
• 35:15
  Speaker 1: Remember when when you did when you did our scene,
• 35:18
  Speaker 1: when you did your scene with her, we knew she
• 35:20
  Speaker 1: was a movie star back then. No, man, she's a
• 35:22
  Speaker 1: movie star. Though. Man, she's like she's got like she
• 35:25
  Speaker 1: looked at this all right, the Joey King moment. She's
• 35:28
  Speaker 1: a god. She's got like. She's so beautiful first of all,
• 35:33
  Speaker 1: but so talented. She's wish I was here but her
• 35:39
  Speaker 1: acting and wish I was here. Right, she's so talented.
• 35:42
  Speaker 1: But she's also quirky and funny, which is so right,
• 35:47
  Speaker 1: which is so important for an actor, or however how
• 35:52
  Speaker 1: much an actor. We're still correct way to say it Joel.
• 35:55
  Speaker 1: Actor is fine actor, but for an actor, and I
• 35:58
  Speaker 1: don't want to get in trouble. You out, Oh you good? Yeah.
• 36:02
  Speaker 1: I have always know what I mean for actresses as
• 36:04
  Speaker 1: actors too, but I don't want to say wrong either, Duelle.
• 36:07
  Speaker 1: If I'm wrong, I like actor. It's all encompassing. Yeah,
• 36:11
  Speaker 1: but I think right on. I think it's so important
• 36:14
  Speaker 1: for actors to have a really good sense of humor,
• 36:18
  Speaker 1: and she has an amazing sense of humor. And so
• 36:20
  Speaker 1: she will not only be able to do drama, which
• 36:24
  Speaker 1: she did and Wish I was here, which she did
• 36:26
  Speaker 1: fabulously and wish I was here, but she can also
• 36:28
  Speaker 1: do comedy. She can also do romance. She can also
• 36:33
  Speaker 1: do actions what we're seeing right now, because she's so
• 36:37
  Speaker 1: athletic as well. I really do believe she's a movie star. Man.
• 36:40
  Speaker 1: I'm really proud of her. You said at a Princess movie.
• 36:44
  Speaker 1: That Princess movie kicked ass. I don't know if you
• 36:46
  Speaker 1: guys saw it yet. That's where she's like, that's where
• 36:48
  Speaker 1: she's like a fighter and stuff like that, A fighting princess. Yeah.
• 36:51
  Speaker 1: The princess is being forced to marry off and she
• 36:53
  Speaker 1: has to basically like get down the tower through all
• 36:58
  Speaker 1: of these like an army of people, and so she's
• 37:00
  Speaker 1: like sneaking around and stabbing him. She's such a badass
• 37:04
  Speaker 1: in it. Look, I'm just saying, man, we but we
• 37:07
  Speaker 1: knew this when she was a kid. When she was
• 37:08
  Speaker 1: a kid, you know what I mean. We knew this
• 37:10
  Speaker 1: when I wish I was here, when we were working
• 37:13
  Speaker 1: on wish I was here. We knew that she was this,
• 37:15
  Speaker 1: and so you know, it's really good to see it
• 37:17
  Speaker 1: come to fruition. I'm proud of her. I gotta stay
• 37:20
  Speaker 1: watching her kick ass with Brad Pitt. I felt proud
• 37:23
  Speaker 1: of our joy king. All Right, why don't we take
• 37:25
  Speaker 1: a break, and we promise you audience, we will. We
• 37:28
  Speaker 1: will finally talk about scrubs and television. Okay, We'll be
• 37:31
  Speaker 1: right back after these words. And ha ha ha ha
• 37:41
  Speaker 1: ha ha. I sound like I have a cold this
• 37:45
  Speaker 1: whole episode. Did you notice that I didn't? You did
• 37:48
  Speaker 1: notice it? I did not. I do notice those guns.
• 37:51
  Speaker 1: So I do notice those guns, ladies and gentlemen. Days
• 37:55
  Speaker 1: thems watch this, well, there are ads abdominals as they say,
• 38:04
  Speaker 1: he insuded that this boy has been putting the work
• 38:09
  Speaker 1: in at the work, but He's also been putting the
• 38:13
  Speaker 1: work in at the refrigerator and he is eating chicken
• 38:17
  Speaker 1: and broccoli. It looks like, no, no, do you have
• 38:20
  Speaker 1: to do you have to be Oh sorry, do you
• 38:22
  Speaker 1: have to be nude for this movie that you're about
• 38:24
  Speaker 1: to do? Um? Not nude. I'm like in bed with
• 38:27
  Speaker 1: my um with my girlfriend shirtless, so I didn't want
• 38:32
  Speaker 1: to not look my best. All right, let's talk about
• 38:35
  Speaker 1: the choke scrubs. Um, I do so a have a cold?
• 38:37
  Speaker 1: In the voiceover, and uh and on, I just noticed
• 38:40
  Speaker 1: that little trivia. Um, Elliott is questioning whether she just
• 38:44
  Speaker 1: to remind everyone where we are, Elliott's questioning whether she
• 38:47
  Speaker 1: should marry Keith. She's having second thoughts. Um. Kim has
• 38:52
  Speaker 1: just returned from the conference where we discovered she's pregnant,
• 38:55
  Speaker 1: and I was lying to me and all of my
• 38:57
  Speaker 1: friends about lose the baby, and she's actually very, very pregnant.
• 39:03
  Speaker 1: That was a very formulate funny moment. That's two funny moments.
• 39:06
  Speaker 1: One where Carlos senses in the force that Elliot's obsessing
• 39:10
  Speaker 1: and she runs and grabs her. The other one. The
• 39:13
  Speaker 1: other one is when Kim keeps trying to link with
• 39:18
  Speaker 1: j D and j D keeps ditching her, keeps he
• 39:24
  Speaker 1: keeps totally dissing her everywhere and the creative ways. In
• 39:27
  Speaker 1: the final one, he's literally trying to climb out the
• 39:30
  Speaker 1: window and she catches him. He doesn't want to talk
• 39:33
  Speaker 1: about it. He's not ready, but I totally understand. Man.
• 39:36
  Speaker 1: She totally lied. She said that the baby didn't exist. Yeah,
• 39:41
  Speaker 1: and she really wants forgiveness pretty rapidly. I mean it's
• 39:44
  Speaker 1: it's a little like, please give me some time, you know.
• 39:47
  Speaker 1: She's very aggressive, like we literally just left a conference. Yeah,
• 39:52
  Speaker 1: let's do your lie just got found out, and she's like,
• 39:54
  Speaker 1: can you forgive me? Likew be my friend again? Yeah?
• 39:59
  Speaker 1: And and you guys didn't really ever do it. Oh wait, no,
• 40:05
  Speaker 1: you do do it. Well, you do do it after
• 40:06
  Speaker 1: they after the baby's created, because you've got there's that
• 40:09
  Speaker 1: moment where you try to work it out. So you're
• 40:14
  Speaker 1: definitely banging. You're definitely banging in that profess I don't
• 40:17
  Speaker 1: remember by can I say bang? Joel is banging at
• 40:23
  Speaker 1: everybody says banging. Everybody says banging? Right, you bang? Fine? Um?
• 40:29
  Speaker 1: When did banging not being come? Okay? Um? I don't
• 40:32
  Speaker 1: I just don't want to be inappropriate, you know what
• 40:34
  Speaker 1: I mean. I don't want people to be like this, dude.
• 40:36
  Speaker 1: So Joel will tell you if you've said anything that's
• 40:40
  Speaker 1: not correct. Um uh so we I just want to
• 40:43
  Speaker 1: point out that Beard Fisa is definitively the pharmacist. Is
• 40:49
  Speaker 1: this the sixth episode? Investigation into is Beard Fisa the
• 40:54
  Speaker 1: pharmacist or not is concluded in this episode because he's
• 40:57
  Speaker 1: clearly standing in the window talking to someone in the
• 41:01
  Speaker 1: in the in the lobby, Yes, as he's been before.
• 41:06
  Speaker 1: Jad's conscience is a giant rabbit in a track suit.
• 41:12
  Speaker 1: The track suit is because of mister Fortelly, his mean
• 41:15
  Speaker 1: fizzed teacher, and the rabbit head is because his uncle
• 41:19
  Speaker 1: once ate a rabbit and got belly. Murms all right,
• 41:22
  Speaker 1: without saying anything, Zach, Yeah, Joel, do you know who
• 41:26
  Speaker 1: the Fatelles are? No, Daniel? Do you know who the
• 41:31
  Speaker 1: Fates are? The Patellis? But last name isn't okays he's
• 41:41
  Speaker 1: giving a trivia question. Okay, No, I don't know, audience.
• 41:43
  Speaker 1: Do you know who the Fells are? No? Do you
• 41:46
  Speaker 1: ever see a little movie called Goonies? Yeah? Just a
• 41:49
  Speaker 1: little masterpiece called Goonies Classic? Do you know what the
• 41:52
  Speaker 1: bad guy's last names were for Telly good Yes, yes,
• 42:00
  Speaker 1: I mean good job, good job, good job. Now, Donald,
• 42:02
  Speaker 1: do you remember who played the rabbit Franklin got better? Yes?
• 42:09
  Speaker 1: I think he was our second. He was out of
• 42:13
  Speaker 1: the second eighty or the first eight I forgot, but
• 42:16
  Speaker 1: he was a second who got promoted to first. Him
• 42:18
  Speaker 1: and Scott. I have no idea who the voices do you? No? Okay,
• 42:23
  Speaker 1: I looked on even on the Scrubs Wiki didn't have
• 42:26
  Speaker 1: it everything. Trevor Ran got the answers. Zach Um Turk
• 42:32
  Speaker 1: is so excited about having his baby after he's just
• 42:35
  Speaker 1: said that women can be cuckoo. We then cuts to
• 42:38
  Speaker 1: him asking JD to hold his baby over a small
• 42:42
  Speaker 1: net so that Turk can photoshop his baby. Duncan that
• 42:46
  Speaker 1: sounds like something you'd really do. Yes, I would do that.
• 42:51
  Speaker 1: I mean, it's just because I'm into special effects. Like
• 42:54
  Speaker 1: we talked about light and magic and how much I
• 42:56
  Speaker 1: liked it more than the sequels. Yeah, just to circle
• 43:01
  Speaker 1: back to that, reiterate, Yeah, just just to reiterate that,
• 43:05
  Speaker 1: I too feel like I would take certain situations in
• 43:08
  Speaker 1: my life and try and do by the way, photoshop
• 43:13
  Speaker 1: you know where that came from, right, Industrial Industrial Light
• 43:17
  Speaker 1: and magic Baby just put it out there. It was
• 43:20
  Speaker 1: one of the guys like little side projects, right, yeah,
• 43:22
  Speaker 1: it was. Yeah, it was one of the Yeah, it's exactly.
• 43:25
  Speaker 1: So I'm just I hope he's rich as hell. I
• 43:27
  Speaker 1: hope no one fucked up his his his winnings. I don't.
• 43:31
  Speaker 1: I don't think anybody has fucked up their winnings in
• 43:33
  Speaker 1: that area. No, I'm saying. And the way it is
• 43:36
  Speaker 1: portrayed in the documentary is that it was like his
• 43:38
  Speaker 1: little side project and then he invented photoshop, and then
• 43:41
  Speaker 1: I just hope that he Uh, there was only one
• 43:47
  Speaker 1: there's only one mistake I LM made. There's only one mistake,
• 43:50
  Speaker 1: and that was selling Pixar. They're like, I don't believe
• 43:53
  Speaker 1: in his cartoon ship. Yeah you take it here, jobs,
• 43:57
  Speaker 1: it's yours. That's true. By the way, I mean, Turk
• 44:02
  Speaker 1: is holding a point and shoot camera and I just
• 44:04
  Speaker 1: I just I just was reading and it goes without
• 44:07
  Speaker 1: saying that the point and shoot camera is pretty much
• 44:10
  Speaker 1: dead because of the iPhone or because of cell phones,
• 44:13
  Speaker 1: and and you know, if you want to higher end
• 44:16
  Speaker 1: pro camera, you go and buy that. But the point
• 44:18
  Speaker 1: and shoot itself. I just stumbled across an article that
• 44:21
  Speaker 1: was saying it is pretty much dead because your your
• 44:25
  Speaker 1: your phone is just as good. Yeah, I wonder if
• 44:29
  Speaker 1: this was what if people saw this, you know what
• 44:32
  Speaker 1: I mean? Like you always say, from film, the digital
• 44:36
  Speaker 1: was a big big is a big big thing, right,
• 44:38
  Speaker 1: It changed, the revolutionized the industry and everything it all
• 44:42
  Speaker 1: goes back to It all goes back to light magic.
• 44:44
  Speaker 1: But anyway, it changed the It changed the industry. So
• 44:48
  Speaker 1: when it went from film to digital, were they like,
• 44:52
  Speaker 1: pretty soon, we're not gonna need the camera guys, that's
• 44:54
  Speaker 1: what this means. We're not gonna need this. We're not
• 44:56
  Speaker 1: gonna need the point and shoot anymore. Pretty soon, pretty
• 44:59
  Speaker 1: soon we're gonna be able to use it on our phone.
• 45:01
  Speaker 1: Pretty Soon it'll be in our eyes. We'll be able
• 45:03
  Speaker 1: to act, you know what I mean? Like, yeah, well,
• 45:06
  Speaker 1: could you see the progression of could you see the
• 45:09
  Speaker 1: progression of how this is all gonna go all go
• 45:12
  Speaker 1: away eventually? Like well of course started starting ahead ahead,
• 45:18
  Speaker 1: you go ahead, you go ahead. The special thing is
• 45:22
  Speaker 1: it's really the glass of a lens, of a magical
• 45:25
  Speaker 1: lens um. I think so your camera phone is never
• 45:30
  Speaker 1: gonna well, I mean, obviously one day it could, but
• 45:32
  Speaker 1: currently doesn't have a magical, beautiful you know, from from
• 45:38
  Speaker 1: one to one hundred thousand dollars and everything in between
• 45:42
  Speaker 1: level piece of glass, I should say, to priceless because
• 45:46
  Speaker 1: a panavision lens you came and buy, you can only reenter.
• 45:48
  Speaker 1: So it'll be interesting to see if if but what
• 45:51
  Speaker 1: do I know, but if if the idea of a
• 45:53
  Speaker 1: pro camera will ever go away. It's hard to imagine
• 45:57
  Speaker 1: that tech. It's sort of a waste to put that
• 45:58
  Speaker 1: technology in a phone. Um But but anyway, the market
• 46:03
  Speaker 1: that was that was holding h like, like obviously a
• 46:06
  Speaker 1: point shoot camera like a dad taking a picture of
• 46:08
  Speaker 1: his kid, is now on the cell phone because not
• 46:11
  Speaker 1: only is the camera quality insane, but you can also
• 46:13
  Speaker 1: instantly then send it to your your friends and your
• 46:16
  Speaker 1: wife and your family right away. Man Like, it changed everything,
• 46:20
  Speaker 1: it really And I like film, man Like, I like
• 46:23
  Speaker 1: looking at old pictures from when I was a kid
• 46:25
  Speaker 1: and stuff like that. I like the way that looked
• 46:27
  Speaker 1: and stuff. Yeah, and it's it's really interesting you look
• 46:33
  Speaker 1: at the only time you get to see pictures of
• 46:35
  Speaker 1: people like that, or when they've passed away though, you
• 46:37
  Speaker 1: know what I mean, because it's been that long since
• 46:40
  Speaker 1: cameras have since film cameras have been pretty much obsolete
• 46:46
  Speaker 1: in the in the picture game, you know, yeah, any
• 46:51
  Speaker 1: of printing pictures even I want to give a shout out. Actually,
• 46:54
  Speaker 1: I don't even think they're as sponsor of ours. I
• 46:56
  Speaker 1: doubt there. I wish they would be. Joel make them
• 46:58
  Speaker 1: as sponsored ours. But frame Bridge, um, I don't you
• 47:01
  Speaker 1: guys have used this yet. They're really cool. Uh, listeners,
• 47:04
  Speaker 1: this is not an ad. I'm telling you. If you
• 47:06
  Speaker 1: just use them, you you literally send them. I think
• 47:11
  Speaker 1: it's an app. I don't know if it's an app
• 47:12
  Speaker 1: or it's probably an app end the website. But you
• 47:14
  Speaker 1: just you upload your picture, you pick a frame, you
• 47:17
  Speaker 1: pick a matt you can't even choose a little plaque,
• 47:20
  Speaker 1: and it comes and they sent it here and you
• 47:22
  Speaker 1: pick the size obviously, and they send it to your
• 47:23
  Speaker 1: house in like a week. It's INCREDI I just used it,
• 47:27
  Speaker 1: and it was I used it for a present for somebody.
• 47:30
  Speaker 1: Image back there. That's frame Bridge. So that magical thing
• 47:33
  Speaker 1: of like, oh it's annoying to print a picture and
• 47:34
  Speaker 1: then I gotta get a frame and all that, Like
• 47:36
  Speaker 1: I'm endorsing. This is my personal non ad endorsement of
• 47:40
  Speaker 1: Frame Bridge. All right, let's move on. Um Cox says
• 47:43
  Speaker 1: that pregnant women are allowed to be crazy. Donald your thoughts, Yeah, man, yeah, man,
• 47:52
  Speaker 1: I mean I don't know how you can when I've
• 47:56
  Speaker 1: never had my hormone shift so rapidly before. Yeah, you know, Um,
• 48:01
  Speaker 1: I don't go through a lot of the things that
• 48:04
  Speaker 1: women go through, from obulating to you know, all of
• 48:09
  Speaker 1: these things change your pH balance is what I you, Well,
• 48:15
  Speaker 1: it changes that to the changes, it changes that too,
• 48:21
  Speaker 1: you know what I mean. pH balance changes. I get
• 48:23
  Speaker 1: all fucked up, right, but it but it changes your
• 48:26
  Speaker 1: harm one balance and it changes like it changes your
• 48:29
  Speaker 1: equal like it it messages with you, you know what
• 48:32
  Speaker 1: I mean. And it's easy to be dismissive and call
• 48:35
  Speaker 1: someone crazy, but I think you're allowed to. I think
• 48:40
  Speaker 1: you're especially if you're pregnant. And that's forcing all of
• 48:45
  Speaker 1: these changes to happen. And you can't go on medication
• 48:48
  Speaker 1: to control these changes because it will harm the baby.
• 48:51
  Speaker 1: You have to let this process happen. So I don't
• 48:55
  Speaker 1: know if it's called being crazy. I think it's more like,
• 48:58
  Speaker 1: you know, the baby is running its course through the
• 49:03
  Speaker 1: mother and you, and the mother is more than allowed
• 49:06
  Speaker 1: to go through these problems. Yeah, all right, so wait,
• 49:10
  Speaker 1: let's move on. Jad says that Kim can stay at
• 49:13
  Speaker 1: his house, which is very nice. Um. He does assume
• 49:16
  Speaker 1: that she's gonna take the couch, which is which is
• 49:19
  Speaker 1: funny because like she is pregnant, she's not gonna likely
• 49:22
  Speaker 1: stay on the couch. But the rabbit is the one
• 49:24
  Speaker 1: who tells him to give her the bed. But here's
• 49:30
  Speaker 1: what I understand. The second I mean, Kim is not
• 49:33
  Speaker 1: even out of the room. Kim isn't barely out of
• 49:36
  Speaker 1: the room, and Jady puts on a porn Uh. Can
• 49:40
  Speaker 1: hear the noise. I couldn't believe this was on scrubs.
• 49:43
  Speaker 1: You can hear like fake porno noises off the TV
• 49:47
  Speaker 1: and the rabbit. The rabbit is totally cool that the
• 49:50
  Speaker 1: rabbits like downs like, don't worry, I gotta and he says,
• 49:52
  Speaker 1: I got, oh, I gotta carry for her. Jad and
• 49:55
  Speaker 1: the rabbit are watching porn together. Kim hasn't even like
• 49:58
  Speaker 1: closed the bedroom. She's like pulling her suitcase in the
• 50:01
  Speaker 1: other room. She ain't coming back out, by the way,
• 50:06
  Speaker 1: it's you know back in the day when it was
• 50:08
  Speaker 1: obviously there's it's not on his phone. So he's like
• 50:10
  Speaker 1: he's watching a movie, like he puts on like a
• 50:12
  Speaker 1: pornographic film. Do you think he rented it from the
• 50:15
  Speaker 1: VHS store? You remember when they had like the beaded
• 50:20
  Speaker 1: area that, Yeah, I never, I never. I don't think
• 50:25
  Speaker 1: I was ever made it to the age or all
• 50:27
  Speaker 1: they were alive where I could go to the beaded area. Okay,
• 50:32
  Speaker 1: so everybody is mad at came at the hospital. All
• 50:35
  Speaker 1: my friends are coming to my defense. They're rallying around me,
• 50:39
  Speaker 1: as they should. They you give her the evil eye.
• 50:42
  Speaker 1: Uh but wait a second, this is where we're having
• 50:45
  Speaker 1: a She was also a colleague though. Yeah, so a
• 50:49
  Speaker 1: lot of these people are being very unprofessional. Well they're friend,
• 50:53
  Speaker 1: I'm I'm I'm like Ferris Bueller of the hospital. And
• 50:56
  Speaker 1: she was there. She was there the whole time that
• 50:58
  Speaker 1: we were there. That Turk and d with their Kim
• 51:01
  Speaker 1: was there, the whole doesn't matter. Every everyone the gossip
• 51:04
  Speaker 1: has spread that she's done something horrible and they're all
• 51:07
  Speaker 1: giving her the cold shoulder, and it's funny. Uh that
• 51:11
  Speaker 1: is it's robbed. Uh Ted and Lloyd are together and
• 51:15
  Speaker 1: they go hussy liar, and then Lloyd goes jerk, and
• 51:19
  Speaker 1: then he goes, who is that. Church stares at a
• 51:24
  Speaker 1: blank clipboard just to he's so cocky, Patience, he likes,
• 51:30
  Speaker 1: he's so we were. Bill is reminding the audience the
• 51:33
  Speaker 1: stereotype that surgeons are so cocky. Well, they they have
• 51:39
  Speaker 1: one goal in life, and that's to do surgery's they
• 51:44
  Speaker 1: want to. And so he didn't even need to look
• 51:45
  Speaker 1: at the clipboard. He knows he wanted to cut him open.
• 51:47
  Speaker 1: I already know what I want to do. I'm gonna
• 51:49
  Speaker 1: cut this guy open. M h. I mean to look
• 51:53
  Speaker 1: at the paperwork, right and then and then j D
• 51:57
  Speaker 1: informs Church, look, dude, this is a very dangerous surgery.
• 52:01
  Speaker 1: It's risky, you know, especially the situation that this guy
• 52:06
  Speaker 1: is in right now that he's put himself in to
• 52:08
  Speaker 1: do that could cause this guy's life. And Turk doesn't
• 52:11
  Speaker 1: give a shit, which is, you know, well I doesn't
• 52:15
  Speaker 1: give a shit. He's he's being cavalier again, like he's
• 52:18
  Speaker 1: being a typical stereotypical surgeon who just wants to do
• 52:21
  Speaker 1: surgery on a guy. And he's being here, I mean
• 52:25
  Speaker 1: that was my interpretation. It's not it's not like the guy.
• 52:28
  Speaker 1: The guy would benefit from the surgery, but Turk's not fully.
• 52:33
  Speaker 1: Turk's being cocky about his ability to pull it off
• 52:36
  Speaker 1: on an older man without any harm, right, without consequences. Right,
• 52:42
  Speaker 1: then we have a Lloyd and Charisse making out Charis.
• 52:46
  Speaker 1: That's Angela Thistle right, that was Angela. Yes, Angela is
• 52:50
  Speaker 1: one of our amazing writers on the show. She's she's
• 52:54
  Speaker 1: I believe was last working for Mixed dish Um. It's
• 52:58
  Speaker 1: really really good talented writer. She's the one that bought
• 53:00
  Speaker 1: all of that. She's the one that brought all of
• 53:02
  Speaker 1: the hip hop flavor to Scrubs, keeping in one hundred
• 53:04
  Speaker 1: with everybody out there, like you know common, all these
• 53:08
  Speaker 1: people being on Scrubs, that's all Angela. That was Angela's work,
• 53:12
  Speaker 1: and so she deserves a huge shout out. She brought
• 53:14
  Speaker 1: a lot of She brought a lot of relevance as
• 53:20
  Speaker 1: far as like she spoke forth from the hip hop community.
• 53:25
  Speaker 1: And so when Scrubs had all of that on there,
• 53:29
  Speaker 1: it was actually genuine because it came from somebody who
• 53:32
  Speaker 1: was about that, who was about that. She was super cool.
• 53:34
  Speaker 1: And now this is I believe her only cameo licking
• 53:37
  Speaker 1: Lloyd's face. Yes, that was a sexy moment. I'm not
• 53:43
  Speaker 1: gonna lie. Yeah, it didn't look bad. It didn't look
• 53:47
  Speaker 1: like Lloyd looks like he's doing well. Angela's beautiful. Lloyd
• 53:51
  Speaker 1: looked like he enjoyed it. I hope she likes speed metal.
• 53:57
  Speaker 1: That's a good mixture. And then the worst thing that's
• 54:02
  Speaker 1: ever happened to Scrubs comes out. Are you talking about travelocity?
• 54:07
  Speaker 1: I am talking about Wait before we get there, let
• 54:09
  Speaker 1: me just I wrote a couple more things down. That's
• 54:12
  Speaker 1: the very next thing someone knows. Someone says, how did
• 54:15
  Speaker 1: you get so good at being mean? And then someone
• 54:17
  Speaker 1: else says it gets much easier when you're married. I
• 54:19
  Speaker 1: thought was something relevant to discuss. And then carl is
• 54:25
  Speaker 1: trying to throw the a big bachelor party just to
• 54:29
  Speaker 1: establish the story points, and Elliot's being very controlling. She's
• 54:34
  Speaker 1: a control control, she takes over dude, she takes over,
• 54:39
  Speaker 1: she takes over a bachelor party. Carlo is furious is
• 54:42
  Speaker 1: she's and she says, she says something funny. I laughed at. Um,
• 54:47
  Speaker 1: My grandma still thinks I'm a virgin despite what was
• 54:50
  Speaker 1: painted on our town's water tower. Elliot's Elliot's. Elliot's like
• 55:00
  Speaker 1: the Arnold Drummond of Scrubs. Man, everything has happened to her.
• 55:04
  Speaker 1: Everything has happened to her. She's Arnold and Dudley. Yeah,
• 55:08
  Speaker 1: that's a different Strokes reference. For those of you who
• 55:10
  Speaker 1: are too young, all right, Donald, you discussed it. I
• 55:13
  Speaker 1: believe this is the only time we did this. It's
• 55:14
  Speaker 1: so cringe. It made me even this many years later,
• 55:17
  Speaker 1: made my stomach turn. But go ahead. We did a
• 55:20
  Speaker 1: Travelocity commercial in the middle of Scrubs so we can
• 55:23
  Speaker 1: make someone, so we can make some Now, we that
• 55:27
  Speaker 1: so the show could make some funny Yeah, I imagine budget.
• 55:33
  Speaker 1: What year was season said? What did we go to
• 55:36
  Speaker 1: the rep? Was it? This is the final season on? Uh?
• 55:43
  Speaker 1: Is this the Vegas rat Party? I don't know. I
• 55:47
  Speaker 1: don't know. I don't think that's a good question. I
• 55:49
  Speaker 1: wonder when the Vegas Rap Party was. All I know
• 55:52
  Speaker 1: is that we never did this. I don't think we
• 55:53
  Speaker 1: ever did it again. But this was right around the time,
• 55:55
  Speaker 1: just for those of you who don't know, No, I
• 55:59
  Speaker 1: was gonna say right around the time when this sort
• 56:01
  Speaker 1: of thing started to happen where people were like where
• 56:04
  Speaker 1: brands were coming into TV shows and saying, hey, if
• 56:06
  Speaker 1: you can slip our brand in the show, we'll give
• 56:09
  Speaker 1: you a whole lot more money for your budget or
• 56:12
  Speaker 1: you know, usually for your budget. Right, that's real, that's
• 56:14
  Speaker 1: what it was for. Yeah, So everybody and Bill was
• 56:16
  Speaker 1: saying no, no, no, left and right, left right, other
• 56:18
  Speaker 1: shows were doing it, and finally Bill caved and said,
• 56:21
  Speaker 1: all right, we'll try it. And this is so cringing
• 56:25
  Speaker 1: and bad, but this is a Travelocity ad that we
• 56:29
  Speaker 1: say in the middle of the show. We even try
• 56:31
  Speaker 1: to make fun of it. But being like, see, wouldn't
• 56:33
  Speaker 1: I be a great spokesperson, dude, I'm just saying, man,
• 56:37
  Speaker 1: look I get it. And I had a We had
• 56:39
  Speaker 1: some really fun things happen during that season, but this
• 56:43
  Speaker 1: was a moment where you look at it you're like, yeah,
• 56:46
  Speaker 1: it's super crazy. Is this where it jumped We jumped
• 56:49
  Speaker 1: the shark? Is this the shark jump right here? That's
• 56:52
  Speaker 1: if we kept If we kept doing it, it would
• 56:54
  Speaker 1: have been But I think this is literally the only
• 56:55
  Speaker 1: time we ever did. I think Bill probably said I
• 57:00
  Speaker 1: imagine Bill probably had a lot of pressure and then
• 57:02
  Speaker 1: finally tried it. Hated it and never did it again.
• 57:06
  Speaker 1: By the way, Elliott hits three keys, this is such
• 57:08
  Speaker 1: a so bad. She goes like she literally hits three keys,
• 57:11
  Speaker 1: and she goes, my whole trip's booked. It's like, Wow,
• 57:18
  Speaker 1: travel l City really is easy. You just hit three
• 57:21
  Speaker 1: keys and you're entirely everything you wanted to have happened
• 57:23
  Speaker 1: on your honeymoon is done. That's fucking hilarious. You don't
• 57:27
  Speaker 1: you need to put your credit carded? No, you haven't
• 57:30
  Speaker 1: put anything down. You don't even to pay for anything.
• 57:33
  Speaker 1: It was so cringe. But I mean a little tribute
• 57:36
  Speaker 1: I learned on Scrubs Wiki. Someone says that there's no
• 57:42
  Speaker 1: place truly named Kokomo. What apparently Apparently there are many
• 57:48
  Speaker 1: places named Kokomo in the United States, including Hawaii. Where's
• 57:52
  Speaker 1: the real Copa Cabana at That's the question. Cocoa Cabana
• 57:57
  Speaker 1: was a club, hottest spot north of Havana, Havannah. What
• 58:00
  Speaker 1: wasn't that New York? Was Cocabana was New York? Was it?
• 58:04
  Speaker 1: It was like the place to go in New York,
• 58:06
  Speaker 1: the Copa at the Copa or Miami Coba Cabanat spot
• 58:15
  Speaker 1: north of so the hottest spot north of Havana if
• 58:18
  Speaker 1: Cuba is. If Cuba is south, is the southernest spot.
• 58:23
  Speaker 1: Havana is in Cuba, the hottest spot north. That's everything up. Yeah, yeah,
• 58:30
  Speaker 1: thanks thanks for that Google. Yes, Cuba Cubana is a
• 58:33
  Speaker 1: New York night club that existed in several locations throughout
• 58:37
  Speaker 1: New York. What years? Uh? He opened in February fifth,
• 58:42
  Speaker 1: opened originally November tenth, nineteen forty and apparently one just
• 58:46
  Speaker 1: reopened in February fifth, twenty twenty two at the cob
• 58:53
  Speaker 1: Na The hottest spot north of hot I know is back.
• 59:00
  Speaker 1: I don't want Does your wife have a hot guy? No,
• 59:03
  Speaker 1: I don't want hot guy. I think I bet you
• 59:07
  Speaker 1: he would like to think he's a hot man, but
• 59:13
  Speaker 1: he is fine when he's not your He definitely sees
• 59:16
  Speaker 1: a lot of vagina. Anyway, hot guys back and um,
• 59:26
  Speaker 1: he's he's he's our ob gyn And it's a boy.
• 59:32
  Speaker 1: And it was moving When JD found out he was
• 59:34
  Speaker 1: a boy. I thought I got goosebumps. It was funny.
• 59:37
  Speaker 1: There's a line where I go, it's I go, it's
• 59:40
  Speaker 1: a boy. What's his name? Yeah, he didn't say that
• 59:47
  Speaker 1: was cute. Sam Perry Gilligan Dorian is the name. Now,
• 59:51
  Speaker 1: why did you say Gilligan again? Well, I think it's
• 59:55
  Speaker 1: implied for for the audience that JD's a big Gilligan's
• 1:00:00
  Speaker 1: Island fan. I think I say I wanted you and
• 1:00:03
  Speaker 1: I had battled over it, and you got Chewbacca and
• 1:00:06
  Speaker 1: I got Gilligan for our kid's names, which is what
• 1:00:09
  Speaker 1: we should probably be accurate, because if I had to
• 1:00:11
  Speaker 1: choose a pop culture name, I would choose Gilligan over Chewbacca. Well,
• 1:00:16
  Speaker 1: you don't want to call your kids chewey. That is cute,
• 1:00:19
  Speaker 1: but maybe he's his nickname, not his should take an
• 1:00:25
  Speaker 1: ad break soon, by the way, because we're not having it.
• 1:00:28
  Speaker 1: We're gonna we'll be right back after these very funny words,
• 1:00:38
  Speaker 1: and we're bad. Okay. Um So now Turk, Turk all
• 1:00:45
  Speaker 1: of a sudden realizes that the patient has a kid
• 1:00:49
  Speaker 1: and has a grandchild. No, he thinks it's a grandchild.
• 1:00:53
  Speaker 1: Turns out that it's a guy's daughter. Oh, that's ship.
• 1:00:57
  Speaker 1: And then Turk realizes, oh, now I have to look
• 1:01:00
  Speaker 1: at this in a new light because Turk is a
• 1:01:03
  Speaker 1: new father and he sees the guy as a new father.
• 1:01:06
  Speaker 1: And now he reassesses all of his cockiness, right, and yeah,
• 1:01:10
  Speaker 1: because all of this can be fixed, you know what
• 1:01:11
  Speaker 1: I mean. The guy puts the work in, puts the exercise,
• 1:01:14
  Speaker 1: and all of these things that are going on with
• 1:01:17
  Speaker 1: him can be fixed. And so he wants to give
• 1:01:20
  Speaker 1: that guy the option before he decides to cut him
• 1:01:23
  Speaker 1: open um. But that's that's at least Turk the way
• 1:01:26
  Speaker 1: Turk sees it. Uh. JD for some reason sees it
• 1:01:31
  Speaker 1: as Church coppying out and being a bit of a
• 1:01:37
  Speaker 1: h what's the word a coward? And well, I think
• 1:01:41
  Speaker 1: JD is like, wait a minute, JD doesn't understand, and
• 1:01:44
  Speaker 1: we're gonna learn that that Church schools him on and
• 1:01:47
  Speaker 1: and Cox school him on. You don't understand. Way you
• 1:01:50
  Speaker 1: have a kid, everything changes. So JD doesn't understand. That's
• 1:01:54
  Speaker 1: what Bill's setting up here is is what are you doing? Why?
• 1:01:58
  Speaker 1: Why you you what? What changed? You said? He was
• 1:02:01
  Speaker 1: a good candidate, You felt confident, you could, your skills
• 1:02:04
  Speaker 1: were up to par, and it didn't matter that he
• 1:02:06
  Speaker 1: was older in age and what the fuck? And you're like,
• 1:02:09
  Speaker 1: I don't know how to tell you this other than
• 1:02:11
  Speaker 1: when you realize when you're a parent, you see things
• 1:02:13
  Speaker 1: totally differently. I didn't know he was the father of
• 1:02:15
  Speaker 1: a young kid. Like, now I see it totally differently.
• 1:02:17
  Speaker 1: Now I don't want to take the risk. Yeah, And
• 1:02:21
  Speaker 1: which sets up the word no, which I underlined heavily.
• 1:02:25
  Speaker 1: You know, Yeah, because this is a moment where you
• 1:02:30
  Speaker 1: know that no is probably the heart, one of the heart.
• 1:02:33
  Speaker 1: You don't have a very difficult time saying that, Zach.
• 1:02:36
  Speaker 1: I've noticed, like, and I know you do have a
• 1:02:40
  Speaker 1: difficult time saying it, but you're still able to say no,
• 1:02:44
  Speaker 1: even when your body and everything is going against you
• 1:02:48
  Speaker 1: and saying just say yes, dude, You're still capable. You're
• 1:02:52
  Speaker 1: still able to say no. That's a very good quality
• 1:02:55
  Speaker 1: to have. As much as people might think no is
• 1:02:58
  Speaker 1: a bad thing. To the ability to say no, it's
• 1:03:03
  Speaker 1: such a freaking great power, you know. And uh, and
• 1:03:09
  Speaker 1: that's what we explore in this moment in Scrubs and
• 1:03:12
  Speaker 1: how in so many different ways it can affect people.
• 1:03:15
  Speaker 1: It con affect people in a positive way, and it
• 1:03:17
  Speaker 1: can affect people in a negative way. And uh, it's
• 1:03:21
  Speaker 1: just you know, I for some reason, I took that moment,
• 1:03:26
  Speaker 1: this this moment in the whole show. I was like,
• 1:03:28
  Speaker 1: this is a great life lesson for anyone out there.
• 1:03:31
  Speaker 1: You know, um, we say yes to so many things
• 1:03:34
  Speaker 1: because we don't want to let anyone down, or we
• 1:03:35
  Speaker 1: want to feel like we're pleasing people, or you know, uh,
• 1:03:39
  Speaker 1: we're we're scared that how we're gonna be perceived if we,
• 1:03:43
  Speaker 1: uh don't go with the crowd. Sometimes saying no. Most
• 1:03:47
  Speaker 1: of the times I find saying no it's very rewarding
• 1:03:51
  Speaker 1: and it and it keeps you out of a lot
• 1:03:53
  Speaker 1: of the shit that you don't want to be involved in.
• 1:03:55
  Speaker 1: You know, um uh it might take you to be
• 1:04:00
  Speaker 1: you're late forties to realize that. So we're we're we're
• 1:04:03
  Speaker 1: teaching you younger folks now learn now. Well, I've been listen.
• 1:04:08
  Speaker 1: I've been watching you do it for the longest. Like
• 1:04:10
  Speaker 1: I've seen things where people would be like, yo, you
• 1:04:12
  Speaker 1: want this, and it would be something that's it's not
• 1:04:15
  Speaker 1: maybe the coolest thing in the world, but you could
• 1:04:17
  Speaker 1: tell that, you know, it's it's something that somebody offered.
• 1:04:22
  Speaker 1: But when you when they give it to you, what
• 1:04:24
  Speaker 1: are you gonna do with it? I'm gonna I can't,
• 1:04:26
  Speaker 1: I can't do anything with it right now? Where am
• 1:04:28
  Speaker 1: I gonna hold it? Where? Where am I gonna put it?
• 1:04:29
  Speaker 1: Where can I do? And you're very capable of saying
• 1:04:33
  Speaker 1: no in a in a nice way, of course. Absolutely,
• 1:04:36
  Speaker 1: I'm the guy that would be like, yeah, sure, and
• 1:04:38
  Speaker 1: then when the dude turns his back, try to figure
• 1:04:40
  Speaker 1: out what the fuck am I gonna do with this thing?
• 1:04:42
  Speaker 1: What am I gonna do with this thing? You know
• 1:04:43
  Speaker 1: what I mean? When the way that I don't and
• 1:04:46
  Speaker 1: and and don't let him see me do whatever it
• 1:04:49
  Speaker 1: is that I do with this thing, you know what
• 1:04:51
  Speaker 1: I mean? When the better choice would have been to
• 1:04:54
  Speaker 1: just be like no, sorry, man. Well, I never read
• 1:04:59
  Speaker 1: the books The Four Agreements. No, either of you, Jowell
• 1:05:03
  Speaker 1: or Daniel, I have not know. I highly recommend this
• 1:05:06
  Speaker 1: book to everybody. Um, it's short, you'll read it very quickly.
• 1:05:13
  Speaker 1: But one of the main tenets of it I just
• 1:05:16
  Speaker 1: googled it to make sure I didn't fuck it up.
• 1:05:17
  Speaker 1: But it's um to be impeccable with your word. Speak
• 1:05:22
  Speaker 1: with integrity, say only what you mean, Avoid using the
• 1:05:27
  Speaker 1: word to speak against yourself or to gossip about others.
• 1:05:30
  Speaker 1: Use the power of your word in the direction of
• 1:05:32
  Speaker 1: truth and love. Now, that is a way more articulate
• 1:05:35
  Speaker 1: way of just u of saying, be truly honest and
• 1:05:40
  Speaker 1: and and you'll get yourself out of so many problems
• 1:05:42
  Speaker 1: if you're you're straight and direct and so yeah, I
• 1:05:47
  Speaker 1: think that if you're if you're feeling no in your
• 1:05:49
  Speaker 1: brain and no is true for you, you need to
• 1:05:53
  Speaker 1: say no in a in a kind, friendly manner. Okay,
• 1:05:58
  Speaker 1: So I know this is going to skip a lot
• 1:06:01
  Speaker 1: of things. But then at the end of this show
• 1:06:04
  Speaker 1: we go completely against this lesson and j D says,
• 1:06:10
  Speaker 1: you know what, bucket, let's try and do this. But
• 1:06:14
  Speaker 1: we know what we know. We have the we have
• 1:06:16
  Speaker 1: the vantage point of knowing how that works out for him.
• 1:06:19
  Speaker 1: The audience, the audience at the time doesn't. But now
• 1:06:22
  Speaker 1: those have seen the whole series know how going against
• 1:06:25
  Speaker 1: what he felt, going against his integrity, how that worked out.
• 1:06:29
  Speaker 1: It didn't work out. Well, um, skip, you skipped one
• 1:06:37
  Speaker 1: thing I want to talk about. Well, first of all,
• 1:06:40
  Speaker 1: Turk ran into ugly Betty at Cosco. I thought it
• 1:06:45
  Speaker 1: was a photoshop, but you didn't run into um. And
• 1:06:50
  Speaker 1: then the funny thing in the in the in the cafeteria.
• 1:06:52
  Speaker 1: All right, So I felt saw this on The first
• 1:06:54
  Speaker 1: thing I saw was on Scrubs Wiki, was that when
• 1:06:56
  Speaker 1: the janitor confronts JD because he's happy that everyone's turn
• 1:07:00
  Speaker 1: roman there matting janitor barely has any storyline in the
• 1:07:02
  Speaker 1: whole Yeah, it was, you know, it's a two part episode, uh, basically,
• 1:07:10
  Speaker 1: And and there was no room for for Neil in
• 1:07:13
  Speaker 1: this episode, I guess, but he has two sentences. But anyway,
• 1:07:16
  Speaker 1: when he comes back in the cafeteria and it's said
• 1:07:19
  Speaker 1: on scrubs WICKI um that on the lunchboard behind him
• 1:07:24
  Speaker 1: that dessert was spelled wrong. It was spelled as desert.
• 1:07:28
  Speaker 1: So I thought that was kind of interesting, and I
• 1:07:30
  Speaker 1: paused on it, and then I noticed something that's not
• 1:07:33
  Speaker 1: on scrubs Wicky, but it should be, is that under
• 1:07:36
  Speaker 1: drinks the only thing it says under drinks is hot carls. Now,
• 1:07:48
  Speaker 1: for those of who don't know Daniel, can you google
• 1:07:52
  Speaker 1: what a hot Carl is? Oh no, Daniel, don't do that.
• 1:07:55
  Speaker 1: Your search engine will be fucked up forever. Oh it's
• 1:07:59
  Speaker 1: it's too late, my search it be fucked up forever.
• 1:08:01
  Speaker 1: But yeah, it's a It's not good. Is it pooping
• 1:08:05
  Speaker 1: on someone's chest while while having sex? That's well's I mean,
• 1:08:12
  Speaker 1: for whatever reason, I'm not quite sure why this is
• 1:08:15
  Speaker 1: an addition to the defication, but it's someone who is
• 1:08:20
  Speaker 1: usually covered in plastic wrap. Wait, the pooper or the
• 1:08:27
  Speaker 1: poop the poop bee is covered in plastic wrap and
• 1:08:30
  Speaker 1: then defecated upon. Oh sounds so sexy. You can't feel
• 1:08:36
  Speaker 1: it at all. You can feeling it all over people,
• 1:08:45
  Speaker 1: all right, So anyway, you should pause audience if you're
• 1:08:47
  Speaker 1: ever watching these episodes on the janitor shot in the
• 1:08:50
  Speaker 1: cafeteria because dessert is spelled wrong and the only thing
• 1:08:54
  Speaker 1: they offered to drink is a hot Carl Buddy Patrick Bolton,
• 1:09:02
  Speaker 1: Uh fucked up? Or he nailed it. He nailed it.
• 1:09:12
  Speaker 1: Somebody at Disney right now. It's like this mother, we
• 1:09:18
  Speaker 1: got a problem, Like whoever did that? Like we gotta
• 1:09:21
  Speaker 1: we gotta, we gotta fix this. Cox has seen the
• 1:09:23
  Speaker 1: Wiggles live in concert twice. Yeah, that's the thing I
• 1:09:28
  Speaker 1: find myself doing a lot. You know the soundtrack that
• 1:09:31
  Speaker 1: I'm listening to in my Ionic five right now that
• 1:09:35
  Speaker 1: I'm driving around Lovely Hyundai Ionic Car, beautiful Car, beautiful Car,
• 1:09:42
  Speaker 1: wonderful Car, Um the Zombies three soundtrack, And I'm gonna
• 1:09:49
  Speaker 1: be honest with you, Shit's fire. Do you listen to it?
• 1:09:53
  Speaker 1: When your kids aren't in the car. When they're not
• 1:09:56
  Speaker 1: in the car, I find myself come on out, come,
• 1:10:00
  Speaker 1: come on out now in the park in the wild, Hey,
• 1:10:05
  Speaker 1: come on out now. Listen the fire. Did you see
• 1:10:09
  Speaker 1: that viral video? I think I probably said it to
• 1:10:11
  Speaker 1: you of the dad jamming ounce of the like Kids
• 1:10:14
  Speaker 1: Show song. He was like, dude, they're fires, They're fired.
• 1:10:17
  Speaker 1: I listened to the Zombie's three soundtrack like it's freaking
• 1:10:20
  Speaker 1: religious tapes and it's Sunday, and I got the kids
• 1:10:24
  Speaker 1: in the car and we missed church and we're on
• 1:10:26
  Speaker 1: our way to Disneyland, Like you know what I mean.
• 1:10:28
  Speaker 1: I listened to it. I love it. I love that
• 1:10:29
  Speaker 1: you listen to it without the kids of the car.
• 1:10:30
  Speaker 1: That's my favorite part. It's it's you. You probably wouldn't
• 1:10:34
  Speaker 1: put on the Wiggles Red Car though, No, no, no,
• 1:10:37
  Speaker 1: no no, But like Zombies three soundtrack, high School Musical
• 1:10:41
  Speaker 1: sound the High School Musical, the Musical series or whatever. No,
• 1:10:45
  Speaker 1: I don't. We watched that too. Olivia Rodrigo be killing it,
• 1:10:48
  Speaker 1: that all of them be killing it, like for real, man,
• 1:10:51
  Speaker 1: we kids. I didn't have this when I was I
• 1:10:54
  Speaker 1: take it back. There was one show back in the day.
• 1:10:56
  Speaker 1: Two shows back in the day that did give you
• 1:10:59
  Speaker 1: to good music, and they were slept on heavily, and
• 1:11:01
  Speaker 1: one didn't last long. There was two one Jam is
• 1:11:06
  Speaker 1: truly outray He just truly, truly truly outray. He just
• 1:11:11
  Speaker 1: whoa jam jam? That show was. The music on that
• 1:11:16
  Speaker 1: show was bomb that one. And then everybody slept on
• 1:11:23
  Speaker 1: this show back in the day. But Rags to Riches
• 1:11:25
  Speaker 1: Man had. What they did was they took like old
• 1:11:28
  Speaker 1: school music and then remixed it, and so it would
• 1:11:32
  Speaker 1: be like, so you know how I love him, I
• 1:11:35
  Speaker 1: love him, I love him, and where he goes, I follow,
• 1:11:39
  Speaker 1: I follow, I follow. They did a remake of it
• 1:11:43
  Speaker 1: and this girl singing it about this boy that she
• 1:11:45
  Speaker 1: likes who plays basketball, and back in the day that
• 1:11:49
  Speaker 1: that one, and what was the other one that came out.
• 1:11:52
  Speaker 1: We were in high school when this came out, and
• 1:11:54
  Speaker 1: all of our peers were in it too, like high
• 1:11:56
  Speaker 1: school high or something like that, and it was like
• 1:11:59
  Speaker 1: it only it happens, but somebody out there knows what
• 1:12:02
  Speaker 1: I'm talking about. Once and a live time, right, Carl
• 1:12:08
  Speaker 1: Payne was in it. You only get a chance like
• 1:12:12
  Speaker 1: this once in a live time. Mark Blucas was in it.
• 1:12:19
  Speaker 1: I think I know no Mark Blue when I went
• 1:12:22
  Speaker 1: to high school with it was in it. Also is
• 1:12:24
  Speaker 1: a TV show or a movie a TV show And
• 1:12:27
  Speaker 1: it didn't last long. Musicals never last long. Cop Rock
• 1:12:30
  Speaker 1: doesn't didn't work cop Rock, cop Rock. That was a
• 1:12:34
  Speaker 1: big swing. What was the other one? The law? The
• 1:12:37
  Speaker 1: the LA law? What was the one where it was
• 1:12:39
  Speaker 1: the musical and it was a law show too? Musical
• 1:12:43
  Speaker 1: law show? No, but you have not. It was really bizarre.
• 1:12:51
  Speaker 1: It didn't last long, but it was like NYPD Blue,
• 1:12:53
  Speaker 1: but they would break into song. No musical television show
• 1:12:56
  Speaker 1: lasts long like that. Yeah, man, dude, that show didn't
• 1:13:01
  Speaker 1: come on man. It was a syndicated show though. Bro.
• 1:13:08
  Speaker 1: It was like trying to think of an example. Why
• 1:13:10
  Speaker 1: are you qualifying it. I'm just thinking an example of them.
• 1:13:12
  Speaker 1: I'm just saying it wasn't like that ship came on
• 1:13:14
  Speaker 1: ABC or CBS or NBA. Also wasn't it also wasn't
• 1:13:18
  Speaker 1: like a show that where they broke into song like
• 1:13:21
  Speaker 1: a musical. The music was like like in context of
• 1:13:25
  Speaker 1: they were singing because they were in a school where
• 1:13:27
  Speaker 1: they saw right, no in fame, they would be walking
• 1:13:30
  Speaker 1: down you freaking de Lancey Street and all of a
• 1:13:34
  Speaker 1: sudden breakout to come. Oh, it was like glee like that,
• 1:13:38
  Speaker 1: because I know the wind that bought us didn't mean
• 1:13:42
  Speaker 1: let's finish this girl. There are a lot of people
• 1:13:46
  Speaker 1: out there that know what I'm talking about. Carla plans
• 1:13:49
  Speaker 1: a mega choose your own adventure Batchel the rep party.
• 1:13:53
  Speaker 1: I mean, she really comes through. But that's that's what
• 1:13:58
  Speaker 1: she would do for anyone. You know, that's like the
• 1:14:02
  Speaker 1: so we talk about how Carl is the heart of
• 1:14:05
  Speaker 1: the show and this episode needs that big moment because
• 1:14:09
  Speaker 1: there's so much disappointment. You know, JD goes against what
• 1:14:13
  Speaker 1: he should do, and and the other storyline is, you know,
• 1:14:20
  Speaker 1: Elliott taking over this moment for even though it's her wedding.
• 1:14:26
  Speaker 1: Her taking over the moment of bachelorette party or planning
• 1:14:30
  Speaker 1: the wedding plant Starry, planning the festivities that the maid
• 1:14:34
  Speaker 1: of honor has, she took She's taking that away from Carla.
• 1:14:38
  Speaker 1: But she did it. You know what was so genius
• 1:14:40
  Speaker 1: about what Carla did was she she did it the
• 1:14:42
  Speaker 1: ultimate Elliot way. Yeah, she did, like I choose your adventure,
• 1:14:46
  Speaker 1: So like I booked this, I booked four versions of that.
• 1:14:50
  Speaker 1: I've got three versions of that. If you want to
• 1:14:52
  Speaker 1: pick up so and so she's on the corner, if
• 1:14:54
  Speaker 1: not duck, which was such a disc of that woman.
• 1:14:58
  Speaker 1: But anyway, but it was fun. Casey was like, that's
• 1:15:03
  Speaker 1: kind of fucked up. It is, but I was. And
• 1:15:06
  Speaker 1: then I said to Casey but she didn't know what happened,
• 1:15:09
  Speaker 1: so who cares? Yeah, but they told her, like, wear
• 1:15:11
  Speaker 1: a nice dress and wait on the corner. Something might
• 1:15:14
  Speaker 1: happen to you. I gets so fucked up. Well it
• 1:15:16
  Speaker 1: didn't though. Sorry, that character got all dolled up and
• 1:15:21
  Speaker 1: still on the corners and they got dissed. Well, She's like,
• 1:15:25
  Speaker 1: I guess I'll go get dinner. I don't know what
• 1:15:27
  Speaker 1: that was about, Carla, what's that about? Anyway? I thought
• 1:15:31
  Speaker 1: that was a very sweet ending. And then JD, you're right.
• 1:15:33
  Speaker 1: He decides Uh to settle Kim. Kim wants him to to.
• 1:15:38
  Speaker 1: He says, you know, there's a one in a million
• 1:15:41
  Speaker 1: chance that I'm gonna forgive her. I'm gonna try. That's
• 1:15:45
  Speaker 1: he settles, man like, and that's I don't think that's
• 1:15:48
  Speaker 1: a good and we know how it ends. But at
• 1:15:50
  Speaker 1: the in that moment, in that point in time. I
• 1:15:53
  Speaker 1: don't think that's a good message for j D too. Yes,
• 1:15:57
  Speaker 1: but it's very good, uh series screenwriting to make you
• 1:16:00
  Speaker 1: want to tune in next week. Absolutely all thanks to
• 1:16:05
  Speaker 1: over our over lord, William Van Duser, Lawrence the Third
• 1:16:08
  Speaker 1: I think, or the fourth. But that's kind. It's a controversial.
• 1:16:11
  Speaker 1: It's a controversial thing, uh, if anything, you know, Yeah,
• 1:16:15
  Speaker 1: but it's relatable. I think lots of people can relate.
• 1:16:19
  Speaker 1: But it's so. But if a TV show makes you go,
• 1:16:22
  Speaker 1: oh my god, I've made that fucking mistake, I'm so
• 1:16:24
  Speaker 1: glad it's not me. I can't wait till next week
• 1:16:26
  Speaker 1: when I can watch him fuck up. Yeah, all right,
• 1:16:32
  Speaker 1: that's it. We did it, everybody. We love you. We
• 1:16:35
  Speaker 1: told you the plan. We got one more. Then we're
• 1:16:38
  Speaker 1: gonna take a little break. Then we're gonna do seven
• 1:16:41
  Speaker 1: and one, and then we're gonna take like a two
• 1:16:43
  Speaker 1: month break, right Joel while I make a movie. Yeah,
• 1:16:47
  Speaker 1: but we love you all very very much. Anything you
• 1:16:49
  Speaker 1: want to say, Donald Phazon listen. I don't know why
• 1:16:53
  Speaker 1: I say that. And I get so mad at actors
• 1:16:55
  Speaker 1: when I'm watching movies and they start with a sentence
• 1:16:59
  Speaker 1: by going listen or look. Does that piss you off? Ever? No? Okay,
• 1:17:05
  Speaker 1: when you're watching movies and the actor is in a scene,
• 1:17:08
  Speaker 1: this is the one thing I want you to look
• 1:17:10
  Speaker 1: for it. I look for it all the time. These
• 1:17:12
  Speaker 1: are the two words that you hear. Always listen and look,
• 1:17:16
  Speaker 1: sometimes without Sometimes it's every fucking line. Look, look, Look.
• 1:17:24
  Speaker 1: Every line starts with look or listen. Listen, listen every
• 1:17:28
  Speaker 1: line anyway. You know what pointed me off when they
• 1:17:31
  Speaker 1: remove the rear view mirror because to get a better
• 1:17:34
  Speaker 1: shot of the person. I can't stand that shit in there, dude,
• 1:17:37
  Speaker 1: what the look? I am up? Hey, young filmmakers, old filmmakers,
• 1:17:43
  Speaker 1: don't fucking remove the rear view mirror. I am of
• 1:17:46
  Speaker 1: the I am of the If you can't do it
• 1:17:48
  Speaker 1: in real life, don't do it on CG. You know
• 1:17:51
  Speaker 1: what I mean. I don't want to do his headrest.
• 1:17:53
  Speaker 1: I've seen some headrest missing now too, the headrest, BacT.
• 1:17:57
  Speaker 1: What the fuck are you doing? If I got to
• 1:17:59
  Speaker 1: wear a seat belt? Do you remember when we remember
• 1:18:03
  Speaker 1: when you didn't have to wear the seat belts in
• 1:18:04
  Speaker 1: the movies? I know now they won't let you shoot
• 1:18:05
  Speaker 1: anything out a seatbelts in the front seat. No, period.
• 1:18:12
  Speaker 1: I think you a adults can be in the back
• 1:18:14
  Speaker 1: seat without a seatbelt on. There's no it depends on
• 1:18:17
  Speaker 1: the company. I think it depends on the company anyway.
• 1:18:20
  Speaker 1: But anyway, don't take off the rear view mirror. My
• 1:18:24
  Speaker 1: point is I would saying I started my sentence with, listen. Uh.
• 1:18:28
  Speaker 1: I am really excited to have this moment of you know,
• 1:18:36
  Speaker 1: just getting my ship back together. Uh, because this whole
• 1:18:40
  Speaker 1: summer vacation, I'm looking at it as a summer vacation.
• 1:18:43
  Speaker 1: I've been hanging out with my children, which has been
• 1:18:46
  Speaker 1: such a great blessing and such a great thing. But
• 1:18:49
  Speaker 1: it's taken me away from uh my weed. Not my weed,
• 1:18:57
  Speaker 1: I still smoke that shit, but it's taken me away
• 1:18:59
  Speaker 1: from what. It's taken me away from, you know, my craft,
• 1:19:03
  Speaker 1: my passion and stuff like that. And so I'm really
• 1:19:07
  Speaker 1: eager for them to go back to school so I
• 1:19:09
  Speaker 1: can figure out, you know, what the next step is,
• 1:19:12
  Speaker 1: because as of right now, I am enjoying watching them grow.
• 1:19:16
  Speaker 1: That's really all I want to do. I wake up
• 1:19:18
  Speaker 1: in the morning and I'm like, what's on the calendar.
• 1:19:20
  Speaker 1: I got a couple of work things, and other than that,
• 1:19:23
  Speaker 1: watching the kids grow, you know. And I am really
• 1:19:27
  Speaker 1: looking forward to these next two months where I don't
• 1:19:31
  Speaker 1: have to as much as I love doing the podcast
• 1:19:33
  Speaker 1: and everything like that, before we do it, it's a
• 1:19:35
  Speaker 1: big stress. It's a big stress, you know what I mean,
• 1:19:38
  Speaker 1: Like getting getting it's almost like fantasy football, getting the
• 1:19:42
  Speaker 1: freaking uh, making sure I get my notes in, making
• 1:19:45
  Speaker 1: sure I get all of that stuff. Well, I think
• 1:19:47
  Speaker 1: what you're saying is so that we all we always
• 1:19:49
  Speaker 1: you know, we don't phone this in. We really we
• 1:19:51
  Speaker 1: want to put on an entertaining show for y'all, and
• 1:19:54
  Speaker 1: and Donald and I do our homework and we want
• 1:19:57
  Speaker 1: to I still this many episode it's in um like beforehand,
• 1:20:01
  Speaker 1: I'm like, oh gosh, I hope you're entertaining today, Zach,
• 1:20:04
  Speaker 1: come on, you got thee. So I always stress out
• 1:20:08
  Speaker 1: about I don't want to be I don't want to
• 1:20:10
  Speaker 1: have to be like Daniel. Cut that. Please cut that, Daniel,
• 1:20:13
  Speaker 1: please cut that when we do our notes and stuff
• 1:20:15
  Speaker 1: like that. So I am gonna miss you guys. I
• 1:20:17
  Speaker 1: am gonna miss you know. I got one more I
• 1:20:21
  Speaker 1: know we got one more episode, and I am gonna
• 1:20:23
  Speaker 1: miss you guys. But I'm very excited to have a
• 1:20:26
  Speaker 1: moment to you know, decompress and and I'm excited to
• 1:20:30
  Speaker 1: listen to your favorite song over and over again. If
• 1:20:34
  Speaker 1: it's nothing, if it will change. I'm caught up in
• 1:20:37
  Speaker 1: y'alla and a hard place. But if nothing, Dad to say,
• 1:20:45
  Speaker 1: but I'm caught up in yalla and a hard place.
• 1:20:52
  Speaker 1: All right. We love you all. Five six sor about shore.
• 1:20:57
  Speaker 1: We made a job Dotson nurses Jan Janitor, who loved him.
• 1:21:03
  Speaker 1: I said, here's the stories. Netural should not