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That 90s Show (S19E11) · Four Finger Discount (Simpsons Podcast)

• 0:02
  Speaker 1: Look at that lighthouse. That's the ultimate expression of foulo
• 0:06
  Speaker 1: centric technocracy, violating mother Sky.
• 0:09
  Speaker 2: I thought they were just toss up boats, could see them.
• 0:11
  Speaker 1: No March, Everything penus shaped is bad.
• 0:14
  Speaker 3: Four Finger discount dude.
• 0:32
  Speaker 4: Welcome to four Finger Discounts. But this week we're here
• 0:34
  Speaker 4: to review an episode that, honestly, I've been very looking
• 0:37
  Speaker 4: forward to getting stuck into. It's an episode that is
• 0:40
  Speaker 4: very divisive at the time. Apparently it was absolutely just
• 0:44
  Speaker 4: panned by critics, panned by fans. How dare you do this,
• 0:47
  Speaker 4: Matt silence to us diehoud Simpsons fans, it is that
• 0:50
  Speaker 4: ninety show.
• 0:51
  Speaker 5: I'm Dando and I am guy. It's coming to fresh
• 0:53
  Speaker 5: from the fresh from the nineties. This was a very
• 0:56
  Speaker 5: pleasurable step back in time for me. I've got to say,
• 0:58
  Speaker 5: I mean, look, the episode had it's pros and cons, shall.
• 1:02
  Speaker 4: We say, but I think it had way more pros
• 1:03
  Speaker 4: and cons though.
• 1:04
  Speaker 5: I really am I can't see the issue. I don't.
• 1:08
  Speaker 4: I am flabbergasted. I don't understand. It's season nineteen, everybody, right,
• 1:14
  Speaker 4: I get we still want some continuity, but I think
• 1:17
  Speaker 4: Matt does a good enough job at establishing at the
• 1:19
  Speaker 4: start that this is just not gonna be one of
• 1:21
  Speaker 4: those canon ones. It's just gonna be one that where
• 1:23
  Speaker 4: you just we fuck around with things. It's just gonna
• 1:25
  Speaker 4: be a bit of fun. It's more of a parody
• 1:27
  Speaker 4: of the floating timeline than anything.
• 1:29
  Speaker 5: It is. Let me put it to you this way,
• 1:31
  Speaker 5: yeah back when, let me take you way way way
• 1:34
  Speaker 5: back in time, backb even on the nineties, the time
• 1:35
  Speaker 5: and space to the nineteen seventies and even the early
• 1:38
  Speaker 5: nineteen eighties when I was reading Marvel comic books, and
• 1:40
  Speaker 5: one of the titles that I enjoyed most was called
• 1:43
  Speaker 5: what If Now.
• 1:44
  Speaker 4: And Matt's I'm a big comic book fan.
• 1:46
  Speaker 5: People will be aware of what If because Disney, Pluses
• 1:48
  Speaker 5: and Marvel have turned it into a TV series. But
• 1:51
  Speaker 5: what they did was the fine folks at Marvel, Stanley,
• 1:53
  Speaker 5: et cetera recognized, Okay, we've got established timelines and established
• 1:57
  Speaker 5: cannon for various characters, but what if here's a couple
• 2:01
  Speaker 5: of titles or a couple of things they had on
• 2:03
  Speaker 5: the covers. What if the Avengers had never been What
• 2:07
  Speaker 5: if Spider Man had kept his six arms? What if
• 2:09
  Speaker 5: Jane Foster had found the Hammer of Thought? What if
• 2:11
  Speaker 5: Everyone You Dared Evil was blind?
• 2:13
  Speaker 4: It's anthology of interest for fit drama, the what if machine?
• 2:16
  Speaker 4: What if Spider Man had joined the Fantastic Four, all
• 2:19
  Speaker 4: this kind of stuff, and it's the stuff that comic
• 2:21
  Speaker 4: book nerds and look nerds.
• 2:23
  Speaker 5: It's fun nerds. Are any strips to go? Wouldn't it
• 2:25
  Speaker 5: be finish? Deadhead? Wouldn't it be interesting in that? Just like that?
• 2:28
  Speaker 5: And if you push it, well, I saw myself as
• 2:31
  Speaker 5: a comic book guy on the on the common go.
• 2:34
  Speaker 5: And this is why they'll never make it a little
• 2:35
  Speaker 5: at the Rings movie, which is not a bad gag
• 2:39
  Speaker 5: in the overall scheme of thanks, but that's how I
• 2:42
  Speaker 5: viewed this episode. It's a it's a little branch off.
• 2:43
  Speaker 4: It's just fun. It's through the nineties. Oh yeah, I
• 2:47
  Speaker 4: thought it was just cool seeing the Simpsons, who were
• 2:49
  Speaker 4: arguably the most iconic pop culture license of the nineties.
• 2:53
  Speaker 4: There weren't many more bigger ones in the.
• 2:54
  Speaker 5: Simpsons and seeing them view through a nineties len.
• 2:57
  Speaker 4: Living in the nineties, but not as if the Simpsons
• 2:59
  Speaker 4: were a part of just the pop culture world. It
• 3:03
  Speaker 4: was just the sixth were actually part of the world
• 3:05
  Speaker 4: in the real world. They were the biggest thing in
• 3:06
  Speaker 4: the nineties, arguably besides well Scipho Get's reference here as well.
• 3:09
  Speaker 4: Cipher was another big one. It was just cool seeing
• 3:11
  Speaker 4: the world's collide, it was to Punt. Having attended.
• 3:16
  Speaker 5: Having said all that, I mean, it's not a great
• 3:20
  Speaker 5: episode in terms. I mean, the story's kind of flimsy,
• 3:23
  Speaker 5: and I didn't mind it.
• 3:23
  Speaker 4: I thought it felt like a nineties teen one of
• 3:26
  Speaker 4: those nineties movies where you know where it's going. It's
• 3:29
  Speaker 4: kind of cliche, but it's still a couple of good
• 3:32
  Speaker 4: songs here and there that make you sort of feel things. Yeah,
• 3:35
  Speaker 4: Empire Records. It's kind of wacky, kind of silly, but
• 3:37
  Speaker 4: like you still enjoy it because it felt like a
• 3:38
  Speaker 4: time capsule. I guess it's kind of felt like a
• 3:41
  Speaker 4: nineteen ninety seventeen comedy in my opinion.
• 3:44
  Speaker 5: That's a good way of putting it, certainly, And I
• 3:46
  Speaker 5: guess that it didn't really I suppose as job wasn't
• 3:50
  Speaker 5: to reveal anything new about Homer in Marge's relationship or
• 3:54
  Speaker 5: anything like that, or their family dynamic. I suppose it
• 3:57
  Speaker 5: took a little bit of a diversion here and there,
• 3:59
  Speaker 5: and look, some parts actually worked, but a lot of
• 4:02
  Speaker 5: it was just, oh, you're kind of playing the hits here,
• 4:05
  Speaker 5: and I know, sometimes we don't mind playing the hits.
• 4:07
  Speaker 5: Sometimes we enjoy seeing what is it, five faces for
• 4:10
  Speaker 5: radio or good Faces for radio.
• 4:12
  Speaker 4: Well, when they spend when they spent a lot of
• 4:13
  Speaker 4: episodes playing the shits.
• 4:15
  Speaker 5: That's true. Sometimes it's good to get the greatest hits.
• 4:18
  Speaker 4: Yes, yeah, I just thought at various times because this
• 4:22
  Speaker 4: is an Avana story essentially, it's the story of Kirk
• 4:25
  Speaker 4: Obain's rise and fall through Homer, I was getting Homer's
• 4:28
  Speaker 4: Barbershop Quartet vibes one of those episodes where you could
• 4:32
  Speaker 4: argue that episode's not cannon either because it's never referenced
• 4:34
  Speaker 4: really again, no, I mean, it doesn't fuck around with
• 4:37
  Speaker 4: the timeline essentially, but it's just one of those things where, wait,
• 4:40
  Speaker 4: they were in this huge like a global phenomenon. It
• 4:42
  Speaker 4: doesn't really makes sense because it's never acknowledging and where
• 4:44
  Speaker 4: all these money go all that kind of stuff. Here,
• 4:47
  Speaker 4: it's kind of the same as I said, it also
• 4:48
  Speaker 4: is the timeline with it in the nineties. But if
• 4:51
  Speaker 4: you are a Beatles fan, you really enjoy that episode
• 4:54
  Speaker 4: Homes barber Quartet, But you can still enjoy it even
• 4:55
  Speaker 4: if you're not a Beatles fan. This one here, I
• 4:58
  Speaker 4: feel like I put it on for Elliott the other day,
• 5:00
  Speaker 4: which I was quite shocked at the needle moment, but
• 5:02
  Speaker 4: obviously it's explained as a joke later.
• 5:03
  Speaker 5: Wrong.
• 5:03
  Speaker 4: But he really enjoyed this. But I really enjoyed it
• 5:07
  Speaker 4: because I'm a Navana fan and I got the references.
• 5:10
  Speaker 4: I thought he did a really good job in this episode.
• 5:12
  Speaker 4: I really enjoyed it.
• 5:13
  Speaker 5: Yeah, I'll tell you what. I'm well sort of jumping
• 5:15
  Speaker 5: ahead the favorite moments here, but when they kicked into
• 5:17
  Speaker 5: politically and correct, I'm like, not a bad song.
• 5:20
  Speaker 4: But most of are just parodies of Navana, so oh yeah,
• 5:22
  Speaker 4: very much of the.
• 5:22
  Speaker 5: All parodies of Navana and other bands of the grunge eur.
• 5:26
  Speaker 5: Oh god, damn it. I just realized that there might
• 5:29
  Speaker 5: be you might hit me with a trivia question, and
• 5:31
  Speaker 5: I'm thinking, oh, should have written this down.
• 5:33
  Speaker 4: No, I've actually got nothing in my trivia yet. I'll
• 5:35
  Speaker 4: just wing him on the spot. I'm going to do it.
• 5:37
  Speaker 5: I'm gonna do one now though. Oh okay, but I
• 5:43
  Speaker 5: guess I was looking at it also through looking at
• 5:45
  Speaker 5: the relationship of Homer and Marge, and I guess it
• 5:48
  Speaker 5: took it in a slightly different direction. We always tend
• 5:50
  Speaker 5: to view Marge as well. Homer's definitely punching above his weight,
• 5:55
  Speaker 5: and Marge perhaps sidelining her own dreams and her own
• 5:58
  Speaker 5: ambitions and maybe your own sort of self worth to
• 6:00
  Speaker 5: some degree by quite unquite settling the Homer.
• 6:03
  Speaker 4: But but I didn't fear that watching this one though.
• 6:06
  Speaker 4: Homa wasn't holding her back really in this I mean,
• 6:09
  Speaker 4: she had big dreams, but she was going to She
• 6:12
  Speaker 4: had big dreams go to college. She was like, yeah, sure,
• 6:13
  Speaker 4: I'll work hard so you can go to college.
• 6:16
  Speaker 5: He wasn't holding your back. He was working hard so
• 6:18
  Speaker 5: you could go. That's true. I guess one thing that
• 6:21
  Speaker 5: I was thinking was about how these two compliment each other.
• 6:25
  Speaker 5: And I guess in the real original canon Simpsons timeline,
• 6:29
  Speaker 5: how they I guess how Homer provides Marge with the
• 6:33
  Speaker 5: unconditional love that was maybe missing it in her childhood,
• 6:37
  Speaker 5: or the complete attention, complete focus, like this woman is
• 6:41
  Speaker 5: the world and I'm the one who sees that. I'm
• 6:43
  Speaker 5: the one who gets to give it to And yeah,
• 6:45
  Speaker 5: Marge is clear like that's great love. It terrible Jela personas.
• 6:53
  Speaker 5: Homer's self worth gets boosters as well as like, here's
• 6:56
  Speaker 5: this incredible woman who's actually.
• 6:58
  Speaker 4: In love with me, in love with me, so just
• 7:00
  Speaker 4: how we feel all the I wake up with day
• 7:04
  Speaker 4: and go how why I don't care.
• 7:06
  Speaker 5: I'm gonna tell I'm just gonna ride this train until
• 7:09
  Speaker 5: it goes up the tracks, mainly due to my poor locomotive.
• 7:12
  Speaker 4: Ship't don't let him meet Professor August.
• 7:16
  Speaker 5: That's the only I probably would have not been Professor
• 7:21
  Speaker 5: August certainly dressed like him. Okay, other than the sandals.
• 7:24
  Speaker 5: The sandals are terrible. What does he say to the
• 7:26
  Speaker 5: to the faculty lounge. What are those bikes called? I
• 7:31
  Speaker 5: don't know, but there's there's like reclining bike. That's like
• 7:34
  Speaker 5: it's just.
• 7:34
  Speaker 4: They're not pompous, but you're just like, what are you doing?
• 7:37
  Speaker 5: It's actually bitter for the It's a bike.
• 7:39
  Speaker 4: Yes, bike, here's the thing rolls reverse right If this
• 7:44
  Speaker 4: was a story. Season nineteen, Homer has a dream. Marge
• 7:48
  Speaker 4: takes up a job to pay for Homer's dream. He
• 7:51
  Speaker 4: then has a manager there who's a hot woman who
• 7:54
  Speaker 4: he falls for, and then leaves Marge to go with
• 7:57
  Speaker 4: the hot woman, we would be how dare you what
• 8:00
  Speaker 4: a brick here on? She's going March not a very
• 8:04
  Speaker 4: good person. I know that the story is supposed to
• 8:09
  Speaker 4: be that home is holding her back, but we've seen
• 8:13
  Speaker 4: how every other couple of Springfields living at that point
• 8:15
  Speaker 4: in time, they're just the same.
• 8:16
  Speaker 5: I don't think he's holding her back. Yeah. The other
• 8:19
  Speaker 5: thing is, though, I mean, these characters are going to
• 8:21
  Speaker 5: be what nineteen twenty? Yeah? Is that so their kids?
• 8:25
  Speaker 5: Their kids haven't really worked it out yet, just figuring
• 8:29
  Speaker 5: out who she is and what she wants. And sometimes
• 8:32
  Speaker 5: you get led astray by a worldly gentleman who's you know,
• 8:36
  Speaker 5: down with the down with the matriarchy. I was getting.
• 8:38
  Speaker 4: Have you ever seen the movie Loser with Jason Binks.
• 8:41
  Speaker 5: I haven't, actually I know of it. It's Yeah, by
• 8:44
  Speaker 5: the director of Clueless, and it's Yeah Jason Biggs and
• 8:47
  Speaker 5: Mina Savari from American Pie.
• 8:49
  Speaker 4: And so clips of that movie were used in the
• 8:52
  Speaker 4: film clip four teenage dirt Bag, one of the most
• 8:54
  Speaker 4: iconic songs of my childhood.
• 8:56
  Speaker 5: Right, well done by your buddy bring them Yeah.
• 8:58
  Speaker 4: So if you haven't listened to my one of my
• 8:59
  Speaker 4: fat interviews, have ever done check out Brendan Brown the
• 9:02
  Speaker 4: least thing of Weeks. He came on the show and
• 9:04
  Speaker 4: we talked about Comeber what episode. I think it was
• 9:05
  Speaker 4: taught abut his career in the end, I think it did.
• 9:07
  Speaker 4: But it was just really, really, really fun. But that
• 9:09
  Speaker 4: was the first time that I heard the song with
• 9:12
  Speaker 4: the word gun still not cut out because they played
• 9:14
  Speaker 4: it on the sound. Yeah, it was just in the I.
• 9:17
  Speaker 5: Always wondered what he brought to school. I guess it
• 9:19
  Speaker 5: was a gun.
• 9:19
  Speaker 4: Yes, so it was a gun, and you can listen
• 9:21
  Speaker 4: to it on Spotify and it's just not cut out,
• 9:22
  Speaker 4: And just like at the time, it.
• 9:23
  Speaker 5: Was like you heard the word Strangely, it's probably more
• 9:28
  Speaker 5: triggering now that it's bizarre are actually bringing guns to school?
• 9:31
  Speaker 4: I mean that they were at the time as well.
• 9:33
  Speaker 4: That's why they had to cut it out because of
• 9:34
  Speaker 4: the Columbine. But I just remember that movie being it's
• 9:36
  Speaker 4: the first time I heard the word gun in the
• 9:39
  Speaker 4: Jope Bag song. And you watch it and you think
• 9:41
  Speaker 4: that the movie is going to be about what the
• 9:43
  Speaker 4: film because the film clip has a little story to
• 9:45
  Speaker 4: itself and it's sort of like takes. It's got the actors,
• 9:47
  Speaker 4: it's got Jason and Mina Mina playing roles in the
• 9:50
  Speaker 4: film clip, and you just assume that Loser is going
• 9:53
  Speaker 4: to be the teenage Joe Bag film clip. But in
• 9:55
  Speaker 4: movie Forum it's not at all as Jason Biggs is
• 9:59
  Speaker 4: a loser who goes unique falls for this girl, but
• 10:01
  Speaker 4: she's having a relationship with her professors.
• 10:04
  Speaker 5: That's right. So that's why I was just like, this
• 10:05
  Speaker 5: kind of feels like loser. Okay, interesting, Yeah, I'm about
• 10:08
  Speaker 5: to check out Loser one of these it's not that great.
• 10:11
  Speaker 4: Well maybe or maybe I could not, but yeah, over all,
• 10:16
  Speaker 4: I really really enjoyed this episode just purely because being
• 10:19
  Speaker 4: a nineties kid Nirvana fan references to sign I think
• 10:21
  Speaker 4: I really like the Seinfeld moment that.
• 10:24
  Speaker 5: Felt a bit on the nose to me, and all
• 10:26
  Speaker 5: at a lot of the references just felt like, hey,
• 10:29
  Speaker 5: remember the nineties. I felt like, what was that series?
• 10:31
  Speaker 5: We love the nineties? They had those I don't remember
• 10:34
  Speaker 5: that we love the nineties. It sounds like, right up
• 10:36
  Speaker 5: my alley, either VH one or MTV or okay, okay,
• 10:39
  Speaker 5: they had all those things where yeah, let's get together
• 10:42
  Speaker 5: a bunch of comedians or a bunch of personalities from
• 10:45
  Speaker 5: and also now yeah, yeah, like twenty to one or
• 10:47
  Speaker 5: something like that.
• 10:47
  Speaker 4: And I have to explain to the person, is because
• 10:49
  Speaker 4: you have no idea howther.
• 10:50
  Speaker 5: Worse someone's a comedian. Well, you know they drag out
• 10:56
  Speaker 5: Mark McGrath from Sugar Sugar Ray or.
• 10:58
  Speaker 4: Sugar Ray, Sugar ray? Was that every morning?
• 11:01
  Speaker 5: That's that's about to call them sugar fly for some reason.
• 11:04
  Speaker 5: I'm like they so they had a big was their
• 11:06
  Speaker 5: song fly just want to fly? Yeah?
• 11:08
  Speaker 4: Yeah, that that flies in there somewhere and sugar.
• 11:13
  Speaker 5: Like flies to sugar. I've gone beyond slang. Adris is like,
• 11:19
  Speaker 5: oh the flies are getting on the sugar wave them away.
• 11:25
  Speaker 4: That terrible man, That's that's where he cares that now
• 11:28
  Speaker 4: us talking about the flies to sugar, shoe fly, sugar fly.
• 11:35
  Speaker 5: Sugar fly back on. But yeah, it did. It did
• 11:39
  Speaker 5: feel a bit that way in some regards, But look
• 11:44
  Speaker 5: a lot of it. I enjoyed. It's it's certainly not
• 11:46
  Speaker 5: top tier, but it's it's no, it's no lurs Wigan Jesus.
• 11:52
  Speaker 4: It was only up from there, wasn't it?
• 11:54
  Speaker 5: The only way is up? My favorite? What were your
• 11:59
  Speaker 5: favorite moments from the episode? Like I said, the politically
• 12:01
  Speaker 5: incorrect lyrics when they kicked in. I'm like, I know
• 12:04
  Speaker 5: they've taken the piss, and what is it? What's what's
• 12:07
  Speaker 5: the tune?
• 12:08
  Speaker 4: Because I thought it was Lithium, right, But on on
• 12:12
  Speaker 4: IMDb one of the users says it's the cover of
• 12:14
  Speaker 4: the song, which wasn't one of the more popular songs.
• 12:17
  Speaker 4: I know it's Francis Farmer will Have Her Revenge on
• 12:19
  Speaker 4: second right, I know the song, and I'm like, is.
• 12:21
  Speaker 5: That on Bleach? I don't think it's on never Mind.
• 12:25
  Speaker 5: That's not never Mind.
• 12:25
  Speaker 4: No, that's that's on the one that's sort of just
• 12:28
  Speaker 4: like B sides and shit, I'm pretty sure maybe it
• 12:30
  Speaker 4: is on in Utero. I think it might be on
• 12:31
  Speaker 4: in uter that they're like, follow up, Yeah, so Bleach.
• 12:34
  Speaker 5: Bleach is the ep pride to never Mind, right.
• 12:37
  Speaker 4: So yeah, so you had never Mind was the first
• 12:40
  Speaker 4: big album, and you had that so about a Girl
• 12:43
  Speaker 4: was on Bleach, right, So that was the first one
• 12:45
  Speaker 4: where it's like, oh, these guys are pretty good. And
• 12:47
  Speaker 4: then never Mind came out boom, and then in Utero,
• 12:49
  Speaker 4: which was a different style of music, but they enjoyed it.
• 12:52
  Speaker 5: No, I liked in Utero a lot.
• 12:54
  Speaker 4: I'm pretty sure, Francis Farmers on that, on that, but
• 12:57
  Speaker 4: I heard this and I'm just like, this just sounds
• 12:58
  Speaker 4: like I'm so because I thought it was I thought
• 13:02
  Speaker 4: it was lithium.
• 13:03
  Speaker 5: Regardless, I'm sure it was it was.
• 13:05
  Speaker 4: That's the beauty about Nirvana songs, right, you can you
• 13:08
  Speaker 4: can take Nirvana songs and play them in the form
• 13:11
  Speaker 4: of lullabys and they sound like really good lollaby songs.
• 13:13
  Speaker 4: They're just really good melodies.
• 13:14
  Speaker 5: Oh yeah, yeah, or in any way. I mean, firos
• 13:19
  Speaker 5: was kind of a letdown after Fury Road. Sorry, this
• 13:21
  Speaker 5: is a tangent, but that's wait a minute, the guys
• 13:25
  Speaker 5: have a stroke that the he's talking about. I'm in
• 13:28
  Speaker 5: somewhere with the trust Man. Furiosa was kind of a
• 13:32
  Speaker 5: let down after Fury Road. Not not as good, but
• 13:36
  Speaker 5: the trailer has like this, not even it's not a
• 13:40
  Speaker 5: metal version of great Now. I forgot that was it?
• 13:45
  Speaker 1: No?
• 13:45
  Speaker 4: No, no, no, yeah, Madness of the World. Yeah, but
• 13:50
  Speaker 4: it's yeah, I mean the David Bowie song who Nevana covered.
• 13:54
  Speaker 5: Yes, yes, so it's originally yeah, yeah, I'm an idiot,
• 13:58
  Speaker 5: Zach cut all this out. I'm absolutely useless.
• 14:02
  Speaker 4: So David Bowie's David Bowie song, and then Ivana covered
• 14:05
  Speaker 4: it for their unplug sessions and.
• 14:06
  Speaker 5: Then it's on the It's on the trailer for Burio,
• 14:09
  Speaker 5: but in this very sort of not operatic version. But
• 14:11
  Speaker 5: it's like, oh yeah, that kind of works. So what
• 14:14
  Speaker 5: I'm saying is Devana, they're pretty good. I took the
• 14:18
  Speaker 5: scenic round to get there, but yeah, that was not bad.
• 14:21
  Speaker 5: I've told let me give you another story that's maybe
• 14:24
  Speaker 5: slightly better, or at least an anecdote. Yeah. No, I
• 14:29
  Speaker 5: mean I was around, well, of course I was around
• 14:31
  Speaker 5: in the early nineties, but I remember this very very
• 14:34
  Speaker 5: distinctly because it really felt like a change of the guard. Yeah.
• 14:38
  Speaker 5: I was staying with my sister in Hong Kong and
• 14:41
  Speaker 5: we had MTV in Australia, but that this is MTV
• 14:43
  Speaker 5: all day round, as opposed to MTV like a couple
• 14:46
  Speaker 5: of couple of hours on a Friday night. And the
• 14:49
  Speaker 5: songs that kept playing and the clips that were really
• 14:51
  Speaker 5: big were things like black or White, and particularly the
• 14:55
  Speaker 5: one I remember is Yes, I think it was too
• 14:59
  Speaker 5: legit to quick it by Hammer, and they had these
• 15:02
  Speaker 5: massive film clips. They were just like these huge extravaganzas.
• 15:05
  Speaker 5: Everything was overproduced. To the max, and it just felt
• 15:07
  Speaker 5: like this this bubble is about the pop man. This
• 15:10
  Speaker 5: just feels like entertainment's just getting too big, too unwieldy.
• 15:14
  Speaker 5: And then about a month after me being there, here's
• 15:18
  Speaker 5: this new band, added Fiata called him to Dan. It's like,
• 15:22
  Speaker 5: why MTV, why behide this person? They're terrible, But you
• 15:26
  Speaker 5: know you hear you know, the opening riff of smells
• 15:29
  Speaker 5: like teen spirit, and honestly it feels like, oh ship,
• 15:32
  Speaker 5: we've just reset the world changed. Yeah, we've absolutely gone
• 15:36
  Speaker 5: back to formula. It's fantastic. So that's something I'll never
• 15:40
  Speaker 5: forget about in Thevana and something I always really appreciate
• 15:42
  Speaker 5: about him. It's like they just almost grab popular culture
• 15:46
  Speaker 5: by the scruffer neck and said Michael Jackson hammer, sit
• 15:50
  Speaker 5: the fuck down, shoe fly, shoe fly, make way for
• 15:54
  Speaker 5: Mark McGrath. This has been gay's pop culture coin.
• 16:00
  Speaker 4: One thing for me is I always look back and
• 16:02
  Speaker 4: go to shave it. I hate that I missed Nirvana
• 16:05
  Speaker 4: because they were done by ninety three ninety four, right
• 16:08
  Speaker 4: because Klonel passed Bay ninety four, the band was essentially
• 16:10
  Speaker 4: done by like ninety three. Oh yeah, they weren't. They
• 16:15
  Speaker 4: were on the downfall in the sense that they weren't
• 16:17
  Speaker 4: they were rocky, they were splitting out. Just Kurt wasn't
• 16:19
  Speaker 4: in the good place. You can't really remember much shit
• 16:22
  Speaker 4: before you're like four or five, and I was five
• 16:24
  Speaker 4: and ninety three. So I have memories of my next
• 16:27
  Speaker 4: door neighbor who her name was Daddy L and she
• 16:29
  Speaker 4: was sort of like the older kid who'd always like,
• 16:32
  Speaker 4: I'd go over her house and she'd show me some
• 16:33
  Speaker 4: albums and things like that. I remember she would play Nirvana,
• 16:36
  Speaker 4: but I don't know whether that was whilst I was
• 16:37
  Speaker 4: still a band or whether that was Post's death. But
• 16:40
  Speaker 4: my earliest memories in Navana were just this cool girl
• 16:43
  Speaker 4: next you just pie Nevana.
• 16:44
  Speaker 5: One might say you were almost in utero at the time. Yeah,
• 16:47
  Speaker 5: exactly right.
• 16:48
  Speaker 4: Yeah, So I just I have no memories of them
• 16:50
  Speaker 4: being a band at the time I was. My childhood
• 16:53
  Speaker 4: was just the groove town. Was the Groovetown? That's one
• 16:57
  Speaker 4: of my trivia questions.
• 16:58
  Speaker 5: But anyway, that's one that all fail because I've already
• 17:01
  Speaker 5: forgot the name. But that was also a good piss
• 17:03
  Speaker 5: take of just the new Jack swing and love to You.
• 17:07
  Speaker 4: That's boys to men.
• 17:08
  Speaker 5: So I think it's boised men.
• 17:10
  Speaker 4: I feel like they're a default band when you hear
• 17:11
  Speaker 4: a song that you're like, it's boised to men, right.
• 17:14
  Speaker 5: Very much? Slow Dancer proms, Yes.
• 17:16
  Speaker 4: Yes, what's the other song that end of time?
• 17:22
  Speaker 5: I think we're singing them in exactly the same although
• 17:26
  Speaker 5: we've come to the end of the real end of
• 17:32
  Speaker 5: the road. Yes, so don't really be dancing out with
• 17:35
  Speaker 5: your best girl at prom because like, wait a minute,
• 17:38
  Speaker 5: you're going after college and you're probably going to sleep
• 17:40
  Speaker 5: with this closing time. Meanwhile, I'm going to go work
• 17:42
  Speaker 5: at Laser Tag. But yeah, but good, good soundtrack all round.
• 17:46
  Speaker 5: And I thought sad Gasm songs are actually pretty good
• 17:48
  Speaker 5: song they were, They're my favorite.
• 17:50
  Speaker 4: But also I really like Margarine as it's good Serene
• 17:53
  Speaker 4: as well.
• 17:53
  Speaker 5: Yeah, and I just liked them sort of. I think
• 17:58
  Speaker 5: the professor really embodied a but just the early days
• 18:00
  Speaker 5: of political correctness. Now we have quote unquote who woke culture.
• 18:04
  Speaker 4: We had this in the nineties that just went all
• 18:07
  Speaker 4: the way over it didn't he Oh yeah, anything that's
• 18:10
  Speaker 4: checked like a penis is bad.
• 18:12
  Speaker 5: Man. You've got audiences in twenty two before going you know,
• 18:15
  Speaker 5: he's onto.
• 18:15
  Speaker 4: Something he's got. I just really enjoyed. I thought you
• 18:20
  Speaker 4: about to l like this. It's kind of like a
• 18:21
  Speaker 4: Devil's Advocate. It's kind of random, kind of silly. It's
• 18:23
  Speaker 4: not as good as Devil's Advocate. Obviously, nothing will be.
• 18:25
  Speaker 4: But throwing the oxygen, throwing the things. Where would I
• 18:29
  Speaker 4: get my oxygen? Makes no sense.
• 18:34
  Speaker 5: I should have looked this up before him. But I
• 18:37
  Speaker 5: don't know if it was in the nineties of the
• 18:38
  Speaker 5: two thousand, but oxygen bars were kind of okay, yeah,
• 18:41
  Speaker 5: where you could just go and get like pure H
• 18:43
  Speaker 5: two own and apparently get you not high, but walt feeling.
• 18:47
  Speaker 5: I feel kind of refreshed, kind of like a like
• 18:50
  Speaker 5: a detox in some way comes out of the store
• 18:52
  Speaker 5: where we get my oxygen world rusty. So yeah, we're
• 18:56
  Speaker 5: my favorites. What did you enjoy?
• 18:57
  Speaker 4: So I've already gone through mine, So Oxygen, the sid
• 19:01
  Speaker 4: and just the songs in general, because I saw a
• 19:03
  Speaker 4: really sweet moment and just that the song choice as
• 19:05
  Speaker 4: well of Bittersweet Symphony was in here closing time. Those
• 19:09
  Speaker 4: songs just epitomize the nineties, you know, like not the
• 19:12
  Speaker 4: nineties pop, nineties rock, you know what I mean? Like
• 19:14
  Speaker 4: Bittersweet Symphony was huge from when I was a child. Yeah,
• 19:17
  Speaker 4: and they got in trouble because they copied Rolling Stones obviously,
• 19:19
  Speaker 4: but in closing.
• 19:21
  Speaker 5: A little bit bad. It was it Richard Ashcroft from
• 19:24
  Speaker 5: Yeah the verb yeah, because I mean the Stone's got
• 19:28
  Speaker 5: enough money, can't get rid to the bar.
• 19:36
  Speaker 4: But closing Time for me, whenever you hear closing time,
• 19:39
  Speaker 4: you get taken back to ninet ninety seven. Right, It's
• 19:41
  Speaker 4: just you get sucked. It's like a time capture. You
• 19:44
  Speaker 4: showed back to closing time at a nightclub in the
• 19:47
  Speaker 4: who's the band?
• 19:48
  Speaker 5: Subsonic?
• 19:49
  Speaker 4: Yeah, something sonic, isn't it? Yeah, Closing Time is sung
• 19:55
  Speaker 4: by semi sonic Sam, Yeah, I knew something Sonic. Yeah,
• 19:58
  Speaker 4: that's a great song really, But he's my anecdote, right,
• 20:02
  Speaker 4: So we're talking about songs that sounded the same, right,
• 20:04
  Speaker 4: because we all singing under the end of the bl
• 20:06
  Speaker 4: blah blah. So my friend of mine, local musician Nathan six,
• 20:10
  Speaker 4: I'll give him a shout out right changing sex six
• 20:12
  Speaker 4: six S do W E c K T S six Right, Okay,
• 20:17
  Speaker 4: he has a child and he was okay, yeah, and
• 20:20
  Speaker 4: his child he's a guitarist, like he's a musician and
• 20:22
  Speaker 4: his son's playing like guitar, so just like strumming it. Yeah,
• 20:26
  Speaker 4: he's singing the A, B C right, and then towards
• 20:29
  Speaker 4: the end of it he's sort of like flubs the
• 20:31
  Speaker 4: losing gaze aby. Now twin good twin maybe singing to it.
• 20:37
  Speaker 4: Either way, it's like he realizes in that moment he's
• 20:39
  Speaker 4: like twin killed twin kirl. Now no, wait a minute,
• 20:44
  Speaker 4: let's say song. You can see that Cole is going.
• 20:48
  Speaker 4: He transitioned into another song without realizing. He gets halfway
• 20:50
  Speaker 4: through the second version goes, wait a.
• 20:52
  Speaker 5: Minute, the words, the whole words alive. There are only
• 20:57
  Speaker 5: six songs in everything. Active Creation is a slide variation
• 21:02
  Speaker 5: from there on.
• 21:02
  Speaker 4: You can see the pause and anyone starts clapping, and
• 21:04
  Speaker 4: you can see that and his head's going, don't clap.
• 21:07
  Speaker 5: This is.
• 21:09
  Speaker 4: This is all what's going on here. But yeah, all right,
• 21:15
  Speaker 4: so let's get into trivia.
• 21:16
  Speaker 5: But before the actually stone cutters.
• 21:19
  Speaker 4: Oh okay then, because we do love KDG, don't.
• 21:30
  Speaker 5: We, Just as Tony Stark loves his daughter three thousand,
• 21:35
  Speaker 5: we love kd G one hundred, yeah, and she loves
• 21:37
  Speaker 5: us one I got.
• 21:41
  Speaker 4: There also shouts to our men, Andrew Swan keeping us
• 21:44
  Speaker 4: alive or keeping the website alive anyway in the Discord,
• 21:46
  Speaker 4: think you so much for support.
• 21:47
  Speaker 5: Mane, you're doing it fifty dollars a time as well.
• 21:49
  Speaker 5: That's Andrew, that's Andrews Andrews Zach, Zach definitely cut that
• 21:53
  Speaker 5: out the other Zach cut that out as a joke.
• 21:57
  Speaker 5: This is not a joke. Cut that out, and Swanny
• 22:01
  Speaker 5: the Master of Discord.
• 22:02
  Speaker 4: Yes, and Andrew's with his fifty dollars support absolute legend.
• 22:06
  Speaker 5: Oh yeah, of course.
• 22:09
  Speaker 4: Andrew Elliot, Jo O'Neil from si Index podcast and the
• 22:13
  Speaker 4: following people are our stonecutners as well. We've got Jonathan Mullman,
• 22:17
  Speaker 4: Richie what, Rach Beasley, Jonathan.
• 22:19
  Speaker 5: That's Jordan Moulman, Richie, What did I say? You said?
• 22:21
  Speaker 5: Jonathan Mulman Richie, Oh.
• 22:23
  Speaker 4: Jonathan Rossie, Oh my god, Zach cut it out, Megan Za.
• 22:31
  Speaker 5: Sorry to everybody we're insulting.
• 22:34
  Speaker 4: Jordan Mumaed Richie, Jonathan Rossi, Rach Beasley, Stephen Roberts, Shawn
• 22:38
  Speaker 4: d V, Pete Anderson, Timothy Belson, Andrew Davis, Ryan Dunlap,
• 22:42
  Speaker 4: Kevin Dentil, Planned Flood, Shandon Hofer, Ball of Window Bank,
• 22:45
  Speaker 4: Jack McFadden, Heath Applebee, Adri McLeod Lewis Kavanagh, Martrel Even
• 22:49
  Speaker 4: Rhese Roberts, Ginger and Pickle, Preston Murray, tala Enriquez, Declan Phoenix,
• 22:53
  Speaker 4: Brian McCoy, Josh Hallier, Logan b James Sheppard, Joe Read
• 22:57
  Speaker 4: and Sac Dave Petzels McNally, Gavin Lane, Damie Miller, and
• 23:00
  Speaker 4: Isabella Murphy. Thank you so much for supporting us here
• 23:02
  Speaker 4: being top tier supporters. Stonecutters at the four Finger Discout
• 23:05
  Speaker 4: Network that the listeners going, what just happened? Guy Blue
• 23:12
  Speaker 4: kisses to the camera.
• 23:13
  Speaker 5: I should have blown them a bit louder. Yes, Shall
• 23:15
  Speaker 5: I do it again? Do it again? Chef's kiss? Just kiss?
• 23:19
  Speaker 5: Next question?
• 23:20
  Speaker 4: You there eating the bast hip music. First question, I
• 23:23
  Speaker 4: only have a few?
• 23:24
  Speaker 5: Hm.
• 23:24
  Speaker 4: You said this a lot. I don't even asked for three.
• 23:27
  Speaker 4: So well, that's good.
• 23:28
  Speaker 5: That's a dictionary definition of that's the requirement three. Okay?
• 23:31
  Speaker 5: What Professor August's office hours three to five? Three or five?
• 23:37
  Speaker 4: What is the name of the record studio where Homer
• 23:41
  Speaker 4: lose the cop Lennion Cala Recording? Oh is a groove
• 23:44
  Speaker 4: land Groovestone Groovestone.
• 23:47
  Speaker 5: Speaking of records, sad Gasm's album Desolation Hatchback is released
• 23:52
  Speaker 5: on which record label?
• 23:53
  Speaker 4: Oh shit, didn't I didn't even hear that part.
• 23:56
  Speaker 5: What was that? They had it listed in on the
• 23:58
  Speaker 5: MTV music video and it was a few through Mucus Records,
• 24:03
  Speaker 5: US records. All right, what were the three quotes from
• 24:06
  Speaker 5: the Seinfeld moment?
• 24:08
  Speaker 4: No soup for you, master of my Domain and human
• 24:15
  Speaker 4: Newman is one. Yeah, it's a sponge waity and sponge wory.
• 24:18
  Speaker 5: Yes, yes. And my final question for you, the DreamCatcher
• 24:24
  Speaker 5: that Professor August gives Marge is from which tribe? No idea,
• 24:28
  Speaker 5: it's lacon A Paine, lack of pain.
• 24:30
  Speaker 4: Can we just say Professor August dirty dog right, one
• 24:34
  Speaker 4: of these guys who, yes, was very big in the
• 24:36
  Speaker 4: in the nineties and probably prior to from the I'm
• 24:40
  Speaker 4: going to say from the sixties to the nineties, but
• 24:41
  Speaker 4: even probably before then, learned man that experienced in worldliness,
• 24:46
  Speaker 4: basically just being horn dogs to the young students, let
• 24:50
  Speaker 4: me teach you a few things about, young lady. I
• 24:53
  Speaker 4: have taught you about literature and art, and now it's
• 24:55
  Speaker 4: time for the ways of love. May I kiss you,
• 25:00
  Speaker 4: but yeah, that's then couching it in a very PC way.
• 25:04
  Speaker 4: I mean, these days apparently well I don't know if
• 25:07
  Speaker 4: they still are called soy boys or something like that,
• 25:09
  Speaker 4: but in the nineties we called them snags sensitive new
• 25:12
  Speaker 4: age guys. That's what I ate from buddies on a
• 25:15
  Speaker 4: Saturday morning. There are good snags that you get off
• 25:19
  Speaker 4: the new age guys. That's what I was eating it.
• 25:24
  Speaker 5: You're eating me without making sense, the varying me. But yeah,
• 25:31
  Speaker 5: you would have these guys who would essentially, you know,
• 25:33
  Speaker 5: I really respect you and at the same time, I
• 25:37
  Speaker 5: really want to jump your bones, but I'm not going
• 25:38
  Speaker 5: to do it without your Yeah. Another phrase from the nineties,
• 25:43
  Speaker 5: but maybe the eighties, probably just from Martin Light to Scollnest,
• 25:50
  Speaker 5: but they would couch their horn dog tendencies in a
• 25:55
  Speaker 5: great deal of respect and admiration for the divine feminine,
• 25:59
  Speaker 5: you know they're not so basically just like babe, I
• 26:02
  Speaker 5: really want to slam.
• 26:04
  Speaker 4: There comes a point in time in life where you
• 26:05
  Speaker 4: think that that's you know, girls just want you to
• 26:08
  Speaker 4: be no emotional and consider it. If I say that
• 26:11
  Speaker 4: sit to Nicholas, she'd go fuck.
• 26:12
  Speaker 5: Off, mate. We get here out of what There are
• 26:16
  Speaker 5: times when it's a fine line to walk. One wants
• 26:19
  Speaker 5: to be respectful.
• 26:19
  Speaker 4: One ye, Nikola never bought that ship. Never just oh yeah,
• 26:23
  Speaker 4: look nick wants me to be nice, but not be
• 26:25
  Speaker 4: a dickhead.
• 26:26
  Speaker 5: That's the thing.
• 26:27
  Speaker 4: Yes, that'd be a simp.
• 26:28
  Speaker 5: Yeah, that's simp that's the other word. Yes, soy boy
• 26:31
  Speaker 5: is kind of that's very two thousand and late. Or hey,
• 26:34
  Speaker 5: soy boy, simpers is the new hotness. But you gotta
• 26:40
  Speaker 5: walk that fine line with me between being respectful of
• 26:42
  Speaker 5: your of your romantic partner, but also god damn baby,
• 26:47
  Speaker 5: you're so well I can't get your hands off.
• 26:48
  Speaker 4: It depends if you want to end up in the
• 26:49
  Speaker 4: frien zone of the end zone.
• 26:52
  Speaker 5: We learned a bit about what happens after six pm.
• 26:59
  Speaker 5: Those were my questions. Did you ask me one?
• 27:02
  Speaker 4: Ask you one more? What was the name of the
• 27:04
  Speaker 4: little toy Yachtipus?
• 27:07
  Speaker 5: Oh damn it bitter sweet and he was playing I
• 27:10
  Speaker 5: remember the whole scene. It was quite vivid, but I
• 27:13
  Speaker 5: did not remember his name. Fuzzy. It's Cutipus, beautypuss. Okay,
• 27:16
  Speaker 5: yeah it was it shoe fly a sugar pl.
• 27:21
  Speaker 4: All right, So the original air of that ninety show,
• 27:25
  Speaker 4: which confusing now when you google it.
• 27:26
  Speaker 5: Because you get that shitty TV show.
• 27:28
  Speaker 4: There is a TV show called that ninety. Yeah, did
• 27:30
  Speaker 4: they do that eighty show as well? I think they did.
• 27:32
  Speaker 4: It went for one season, maybe maybe two. It didn't work,
• 27:35
  Speaker 4: But they've done that ninety show. But that's this is
• 27:37
  Speaker 4: an actual, like direct sequel to that seventies So that
• 27:40
  Speaker 4: eighty show was no reference to it at all around the
• 27:43
  Speaker 4: previous and this one was like, hey, it's the original guys,
• 27:45
  Speaker 4: but they're older and they've got their owin kids. Now
• 27:47
  Speaker 4: are they all in it?
• 27:48
  Speaker 5: Kush is not.
• 27:49
  Speaker 4: I don't think Kutcher made an appearance.
• 27:52
  Speaker 5: No, but Topa Grace is still the lead.
• 27:56
  Speaker 4: Well he's not the lead, but he's yeah, he's in it.
• 27:58
  Speaker 5: Yeah.
• 27:59
  Speaker 4: And Laura, Yeah, she's in it.
• 28:01
  Speaker 5: And do you have any Laura propon? Yeah? So, and
• 28:05
  Speaker 5: does anyone get that job? Did you have anything you've
• 28:08
  Speaker 5: seen Wayne as well?
• 28:09
  Speaker 4: And the guy who played.
• 28:14
  Speaker 5: Yes, and oh that's right, because we should we shouldn't laugh, No, no,
• 28:27
  Speaker 5: we should not laugh. What kurtwood Smith though, was back his.
• 28:31
  Speaker 4: Dad right, Yeah, which was nice to see. And kiddy
• 28:33
  Speaker 4: and their grandma and Grand.
• 28:34
  Speaker 5: Debora Joe up. That's right.
• 28:36
  Speaker 4: Good couple always looked old, so did kurtwood Smith.
• 28:40
  Speaker 5: Though, even have you seen robot Cop? Yes, what do
• 28:43
  Speaker 5: you think? Loved it? Such a dope movie. Let's not
• 28:46
  Speaker 5: talk about let talk about Robock. We'll do it movie guys.
• 28:49
  Speaker 5: We'll do movie guys on Robo Cop. But I look
• 28:51
  Speaker 5: at him in that though, and he's like, I can
• 28:54
  Speaker 5: see you're not old, but I don't know, you're kind
• 28:57
  Speaker 5: of golamish. Maybe it's one hundred and fifty years old.
• 29:01
  Speaker 4: Kind of looks like but obviously the guy and Lost
• 29:03
  Speaker 4: is a lot better looking. But Lock oh yeah, similar
• 29:06
  Speaker 4: kind of facial structure.
• 29:07
  Speaker 5: A little bit yeah, which I mean not much.
• 29:10
  Speaker 4: We'll kind of give it up on Lost. We're nearly
• 29:12
  Speaker 4: the end of season two, okay, And I didn't want
• 29:15
  Speaker 4: to say, like I thought Nicholas enjoyed. I said, Nicola
• 29:18
  Speaker 4: kind of feels like it's going nowhere, and she's just like, yeah,
• 29:20
  Speaker 4: I'm getting the same vibe.
• 29:21
  Speaker 5: It's starting to feel like it's we've got a branch
• 29:24
  Speaker 5: off and do interesting new ship. There's only so much
• 29:26
  Speaker 5: we can do with this.
• 29:27
  Speaker 4: Jack has never been into for like five episodes it's
• 29:29
  Speaker 4: like they've just run out of shit to do. Yeah,
• 29:31
  Speaker 4: it's like backstory, backstory, backstory.
• 29:33
  Speaker 5: And I was like, just start watching the X Files again. Oh,
• 29:36
  Speaker 5: that's what's happening. Absolutely, And if you if you listen
• 29:40
  Speaker 5: to TV launch Pod, you'll understand why, because Dan and
• 29:43
  Speaker 5: I was just like, oh, you know what's really.
• 29:44
  Speaker 4: Good is the Xbox Ma she seending each other. X
• 29:47
  Speaker 4: files means for the.
• 29:49
  Speaker 5: Actually I did send you one this morning, didn't I?
• 29:51
  Speaker 4: Yeah, so x Files. It was the latest episode of
• 29:54
  Speaker 4: TV launch Pod where we Go we haven't checked it
• 29:56
  Speaker 4: out already. We go and we reviewed the part episodes
• 29:59
  Speaker 4: of classic TV show in this week. It looks like
• 30:00
  Speaker 4: it's going to be How I Met Your.
• 30:01
  Speaker 5: Mother, although yes, I am starting to regret actually proposing
• 30:06
  Speaker 5: that as a title because the competition was news Radio.
• 30:11
  Speaker 5: And then Dan and I started talking about news radio
• 30:13
  Speaker 5: yesterday and how hey, you know who's in this is
• 30:15
  Speaker 5: Phil Harmon? Well, Andy do but Joe Rogan that's interesting,
• 30:20
  Speaker 5: Dave Foley from Kids at the Hall, And who's the lead?
• 30:24
  Speaker 5: More Attiney I think is the female lead?
• 30:26
  Speaker 4: I'll tell you right now, yeah, because if it is,
• 30:28
  Speaker 4: she was in a movie that I watched on the
• 30:30
  Speaker 4: weekend and she was really good in it. Vicky Lewis
• 30:32
  Speaker 4: is Beth Marotteini yestiny.
• 30:35
  Speaker 5: Yeah. She's a movie called The Iron Claw, which you
• 30:37
  Speaker 5: might dig because Stephen Ritzen as well Steve what a
• 30:41
  Speaker 5: cast what a cur but bangers except Andy.
• 30:44
  Speaker 4: Dick, who should be like, yeah all he got his
• 30:46
  Speaker 4: head banged into a bar by John Lovet's So that
• 30:48
  Speaker 4: is one of my favorite stories of ALTA.
• 30:49
  Speaker 5: Yeah, we love it.
• 30:50
  Speaker 4: It would have been made that story better if it
• 30:52
  Speaker 4: didn't bait his head into the bar. If you just
• 30:53
  Speaker 4: bitch slapped. Have you seen the video of a guy
• 30:59
  Speaker 4: I don't know obviously out of the fight whatever, and
• 31:00
  Speaker 4: this guy walks in, kisses the back of his hand
• 31:03
  Speaker 4: and his bit slaps him, knock him clean out. Oh
• 31:05
  Speaker 4: my goodness, that's one of my favorite videos ever. This
• 31:07
  Speaker 4: guy is just like talking shit. This guy walks in,
• 31:09
  Speaker 4: doesn't do nothing, goes kiss in the back of his
• 31:11
  Speaker 4: hand and slaps this guy. It's the kiss first.
• 31:14
  Speaker 5: The kiss is just incredible.
• 31:16
  Speaker 4: Yeah, I'm going to show you after we finished. I
• 31:18
  Speaker 4: don't believe and this guy just goes down.
• 31:21
  Speaker 5: So look, we're probably going to be talking about how
• 31:22
  Speaker 5: I met your mother, which is not bad. It's also
• 31:23
  Speaker 5: I've got a castle have really good, really good performance
• 31:26
  Speaker 5: backing it up with news radio. But I think we're
• 31:27
  Speaker 5: going to do something on news radio.
• 31:29
  Speaker 4: Yes for sure. I don't know whether you actually stream
• 31:31
  Speaker 4: it anywhere. I've got on DVD.
• 31:32
  Speaker 5: If you need to borrow it, I'm gonna I'm probably
• 31:34
  Speaker 5: gonna need to borrow it. Yes, uh, but you know,
• 31:36
  Speaker 5: I watch this movie called The Iron Claw, which you
• 31:38
  Speaker 5: might like because it's about.
• 31:39
  Speaker 4: On Eric's yes who the relations that I think is
• 31:41
  Speaker 4: like the nephews or the grandsons were on a w
• 31:43
  Speaker 4: this week.
• 31:44
  Speaker 5: Oh yeah, there you go, Dannel and I did not
• 31:47
  Speaker 5: plan this. We never planned anything. As you can tell,
• 31:50
  Speaker 5: Zach edit it, Zach make his look profecial, but Iron
• 31:55
  Speaker 5: Claus was actually really good. Look and go what's the
• 31:59
  Speaker 5: deal with Zach? I was like someone's been drinking the Jews.
• 32:05
  Speaker 4: Apparently it's very very sort of was what was it
• 32:08
  Speaker 4: the mehmi of Rhapsody style where it's like a good story, Yeah,
• 32:10
  Speaker 4: really accurate, but a good story.
• 32:13
  Speaker 5: Oh yeah yeah. I mean the guy plays Rick Flair
• 32:15
  Speaker 5: is terrible or something. I don't know enough about Ric Flair.
• 32:18
  Speaker 5: I thought Okay, I know, I know of Rick Flair.
• 32:20
  Speaker 5: It's just a style and profile and woo. They have
• 32:23
  Speaker 5: a lot of woo with it. But it was a
• 32:25
  Speaker 5: good movie, incredibly sad because, yeah, I said, I don't
• 32:28
  Speaker 5: think I'm gonna think I said to Lou, I don't
• 32:30
  Speaker 5: think it's going to go things are going well with
• 32:32
  Speaker 5: the von Erics, Yes, and things went really bad for
• 32:34
  Speaker 5: the bon Erics.
• 32:35
  Speaker 4: So the way I love that how I said, we're
• 32:37
  Speaker 4: gonna get into the stab of the episode about ten
• 32:38
  Speaker 4: minutes ago. I didn't even read the air date out
• 32:41
  Speaker 4: what what happened?
• 32:44
  Speaker 5: Well, we haven't done the whole this is the title,
• 32:46
  Speaker 5: this is the board. There's no board.
• 32:48
  Speaker 4: I said, let's get into the review. And then stopping happened?
• 32:52
  Speaker 5: You and I just like talking.
• 32:54
  Speaker 4: We just spoke for ten minutes.
• 32:55
  Speaker 5: But yeah.
• 32:55
  Speaker 4: The original January twenty seven, two thousand and eight, written
• 32:58
  Speaker 4: by Matt Salmon, directed by Mark Kirkland, I Guess stars
• 33:01
  Speaker 4: from Widow, Yanke Vick, who returned again, and Kurt Loder
• 33:03
  Speaker 4: as himself from MTV News. The couch gag was the
• 33:06
  Speaker 4: family sitting on the couch the screen gyms out to
• 33:08
  Speaker 4: show them as a painting in a museum with a
• 33:10
  Speaker 4: handwritten caption cessan nest pass.
• 33:13
  Speaker 5: Sittingug in good Guess, which is a reference to the
• 33:17
  Speaker 5: famous nineteen twenty nine painting by Renee Magrite. I'm not
• 33:21
  Speaker 5: rich pronouncing that called the Treachery of.
• 33:23
  Speaker 4: Images, sort of says here in the Wikipedia, because you
• 33:26
  Speaker 4: know that's trans well, that translates to this is not
• 33:28
  Speaker 4: a couch yag.
• 33:29
  Speaker 5: Yeah, and the original picture is a pipe with underneath.
• 33:32
  Speaker 5: This is not a pipe. It's like, but it's a part.
• 33:35
  Speaker 5: I think it is a pipe, yeah, which point mcgret goes, No, No,
• 33:38
  Speaker 5: it's a picture of a pipe, not actually a pipe.
• 33:41
  Speaker 5: Picture of a pipe and a whole bunch of friends.
• 33:43
  Speaker 5: She said, what the fuck you get that?
• 33:46
  Speaker 4: That meme of calies from Bill and Dead, who.
• 33:52
  Speaker 5: The best one of those I ever saw? Was like,
• 33:53
  Speaker 5: what if cats hav An, isn't it? It's just pictures
• 33:55
  Speaker 5: of us? He's so funny. He was getting sad I
• 34:03
  Speaker 5: feel about because I just caught myself in the in
• 34:05
  Speaker 5: the monitor there. I thought I was trying to pull
• 34:07
  Speaker 5: the Keanu Reeves face of like whoa, and instead I
• 34:09
  Speaker 5: looked like that guy who was in the audience of
• 34:11
  Speaker 5: America's got Talent or Australie John Talent.
• 34:13
  Speaker 4: Oh man, we do we have to do?
• 34:19
  Speaker 5: We have to pivot the video? Can we just do audio?
• 34:22
  Speaker 5: People say, hey, you've got a lovely boys, but your
• 34:24
  Speaker 5: face but her face good face for radio. I mentioned
• 34:29
  Speaker 5: that those guys earlier. If you if you were listening
• 34:32
  Speaker 5: to our Most ReBs episode, a recent episode of Going
• 34:34
  Speaker 5: down to Sound Park, I will tell you about the
• 34:36
  Speaker 5: Lovely Louise and I went to a ball on her birthday,
• 34:39
  Speaker 5: give her a birthday message. Yesterday was the Lovely Louise's birthday.
• 34:42
  Speaker 5: Happy birthday, beautiful. I love you so much. Yes. And
• 34:45
  Speaker 5: also I never watched the show.
• 34:46
  Speaker 4: I don't think I've spoken about this on four figure
• 34:48
  Speaker 4: discout yet, but I may have mentioned how my mum
• 34:51
  Speaker 4: had a cancer scare recently ships successful surgery. They feel
• 34:54
  Speaker 4: like they've got it all out and she needs to
• 34:56
  Speaker 4: have scanser for six months just to do backup check.
• 34:57
  Speaker 5: So it all worked out well. Thumbs up.
• 35:00
  Speaker 4: But I'm mum kick cancers s Yes, exactly right, just
• 35:03
  Speaker 4: in case I haven't mentioned on this podcast.
• 35:04
  Speaker 5: So it's good news all round. It is good news
• 35:06
  Speaker 5: on fourteen dix sounds. Yeah.
• 35:08
  Speaker 4: So the episode starts off and I've got here Christmas episode.
• 35:11
  Speaker 5: Oh, by the way, just let me wrap up that
• 35:13
  Speaker 5: we went to the ball on Saturday night and the
• 35:14
  Speaker 5: band that was playing was a local Couver band called
• 35:17
  Speaker 5: Good Faces or good Heads for Radio. Good head Fredia
• 35:19
  Speaker 5: his good Faces Fredia. It might be good Faces Forreda.
• 35:21
  Speaker 5: They were solid. Yeah, gets some good tunes. I got
• 35:24
  Speaker 5: out and danced a lot lose. Good friend Madeline said,
• 35:28
  Speaker 5: we hadn't seen a guy like that before. She referred
• 35:30
  Speaker 5: to me as the ball guy. I said, the ball guy.
• 35:33
  Speaker 5: That's pretty obvious. No, no, no, the ball guy, ala the
• 35:35
  Speaker 5: fall guy. I said, well, that's a pun worthy of
• 35:37
  Speaker 5: guy Davis himself. Then she hung up. It's like, fuck
• 35:42
  Speaker 5: that guy all right? Now? Will you return you to
• 35:46
  Speaker 5: that ninety show already in progress?
• 35:48
  Speaker 4: Yes, forty minutes of the episode. Oh my god, you're
• 35:50
  Speaker 4: getting a bonus episode. So the the starting while she's going,
• 35:56
  Speaker 4: is this gonna be a Christmas episode? It's like, it's cold,
• 35:58
  Speaker 4: there's no Christmas in this size. The fact that it's
• 36:01
  Speaker 4: called at the start and they throw their well, there are.
• 36:03
  Speaker 5: Other things that happen in winter besides Christmas.
• 36:05
  Speaker 4: Yeah, but there's a Christmas song playing on the on.
• 36:07
  Speaker 5: The What is that winter Wonderland? Or yeah? Which is
• 36:11
  Speaker 5: a Christmas song? I guess so it's a Christmas song.
• 36:14
  Speaker 5: Slaves ring, I forgot slave bells. Probably a Christmas song?
• 36:18
  Speaker 5: Win to Wonderland.
• 36:19
  Speaker 4: So he throws what is a it's not a it's
• 36:20
  Speaker 4: not a record players? Something else a gramophone? Yes, throws that,
• 36:23
  Speaker 4: and the fire throws all their warm closer to the
• 36:25
  Speaker 4: fire to.
• 36:25
  Speaker 5: Keep them warm. Not a bad gag.
• 36:27
  Speaker 4: This felt a bit forced with the thought global woman
• 36:29
  Speaker 4: would take care of it. Al Gore could do nothing right.
• 36:31
  Speaker 5: I know.
• 36:32
  Speaker 4: I just feel like Homer isn't smart enough to make
• 36:34
  Speaker 4: these kind of jokes. But you know, they like to
• 36:35
  Speaker 4: sleep and sleep sleep.
• 36:36
  Speaker 5: I like to show how politically astute they are. Yep.
• 36:39
  Speaker 5: But it shouldn't be saying that when Matt's gonna be
• 36:41
  Speaker 5: on the net, Salmon thinks he's so SMARTT Salmon, you're
• 36:46
  Speaker 5: so smart.
• 36:47
  Speaker 4: So Season nineteen Simpsons can't go without having a list
• 36:50
  Speaker 4: gag bar It's magazines, out Popular Sayings, red Book, you
• 36:54
  Speaker 4: can tell Big and Tall, Halloween Cushion catalog, and then
• 36:57
  Speaker 4: it's the memory box. I'm just like, why does every
• 37:00
  Speaker 4: I've had one of these moments now, yeah, it's literally
• 37:02
  Speaker 4: every moment every episode.
• 37:03
  Speaker 5: Now, well this feels like the rise of the Internet
• 37:05
  Speaker 5: as well, when listicals were a big thing. Yeah.
• 37:07
  Speaker 4: True, but season eighteen was all side showed malt. We
• 37:11
  Speaker 4: haven't had much side sho mail season nineteen.
• 37:12
  Speaker 5: Have We don't even them blaining.
• 37:14
  Speaker 4: Now it's now it's lists. It's like they have their
• 37:16
  Speaker 4: the writer's room every year has their little It's always.
• 37:18
  Speaker 5: Going to be something new, isn't it down done? Yeah,
• 37:20
  Speaker 5: you're always going to find something to take issue, which
• 37:22
  Speaker 5: kind you does? Enjoy stuff?
• 37:23
  Speaker 4: So it's the memory box you're going to throw much.
• 37:25
  Speaker 5: Just don't do that.
• 37:26
  Speaker 4: And Lisa finds that she's got a college degree. What
• 37:29
  Speaker 4: do you mean, how do you have a college dereow?
• 37:30
  Speaker 4: I thought that bless you with the unplanned miracle of me,
• 37:32
  Speaker 4: as Bart says, and she tries to but there's a
• 37:34
  Speaker 4: bar here, tries to explain the logic of was it Lisa,
• 37:38
  Speaker 4: if we're ten and two mats yes, So basically it's
• 37:42
  Speaker 4: actually not a.
• 37:42
  Speaker 5: Bad side gag that she just does this really elaborate
• 37:46
  Speaker 5: kind of mathematical equation. It's really just you could have
• 37:49
  Speaker 5: done a little long division.
• 37:51
  Speaker 4: To eight minus ten.
• 37:52
  Speaker 5: Yes, pretty much.
• 37:53
  Speaker 4: Yes, But basically this is their way, is Matt's way
• 37:56
  Speaker 4: of explaining, Look, the timeline doesn't make sense. Let's just
• 37:59
  Speaker 4: have some with it, yes, and don't take it seriously.
• 38:02
  Speaker 4: What if yeah, what if? Yes, So margin Homer, they
• 38:05
  Speaker 4: moves into the nineties.
• 38:06
  Speaker 5: Now, so they're talking about the nineties when, as Homer
• 38:09
  Speaker 5: points out, young people did believe in their dreams. It
• 38:11
  Speaker 5: really was a kind of thing where it's you can
• 38:14
  Speaker 5: work your shitty minimum frame of reference. I was my
• 38:21
  Speaker 5: age corresponds with the decades pretty well, and that I
• 38:23
  Speaker 5: was born in nineteen sixty nine, so you in your twenties. Yeah. Yeah.
• 38:27
  Speaker 5: I entered the nineteen nineties a fresh face, twenty year old. Yeah,
• 38:30
  Speaker 5: this is the time when you were becoming well, you
• 38:32
  Speaker 5: were in Homers, you were Homer. I was essentially Homer
• 38:35
  Speaker 5: and remain so to this day. Yeah. But it was
• 38:38
  Speaker 5: like the nineties felt like, yeah, you know, times are
• 38:42
  Speaker 5: a little bit tight in some ways, and you know
• 38:44
  Speaker 5: the problems that always exist, but it really feel like wow,
• 38:48
  Speaker 5: and things just about possible. We've got this thing called
• 38:49
  Speaker 5: the Internet. You can came with just about anyone in
• 38:51
  Speaker 5: the world. Learn all these different things, fantastic.
• 38:54
  Speaker 4: It's like we grew up. You know, I was a
• 38:55
  Speaker 4: nineties child. We had s Club seven saying don't stop,
• 38:59
  Speaker 4: never give up was the anthem. But I did like
• 39:01
  Speaker 4: that Bart had never heard of the nineties as well,
• 39:03
  Speaker 4: if he was probably one of the biggest icons of
• 39:05
  Speaker 4: the nineties.
• 39:05
  Speaker 5: Very good point.
• 39:06
  Speaker 4: Yeah, so margin hope of moving into their apartment and
• 39:08
  Speaker 4: I think it was called Springfield Palace. It was his
• 39:10
  Speaker 4: various apartments or was the palace.
• 39:11
  Speaker 5: It was always a place because they were doing a
• 39:13
  Speaker 5: bit of a riff on Melrose Place.
• 39:14
  Speaker 4: Of course they work, they said, because of Meloe's Place.
• 39:17
  Speaker 5: We had. Yes. By the way, if you are interested
• 39:20
  Speaker 5: in the nineties at all, get on YouTube and just
• 39:22
  Speaker 5: look up the Melrose Place opening credit.
• 39:24
  Speaker 4: I never watched it. I just know how to lock
• 39:25
  Speaker 4: the ear was in it.
• 39:26
  Speaker 5: She was a bit later when it's because initially was like, yeah,
• 39:29
  Speaker 5: we're going to do like a not a serious show
• 39:32
  Speaker 5: about you know, well, it was going to be a
• 39:35
  Speaker 5: grown up version of Beverly Hills. And it's the same
• 39:38
  Speaker 5: guy who created it. Okay, Yeah, we're young and gorgeous
• 39:42
  Speaker 5: and we're trying to make it in la And after
• 39:44
  Speaker 5: a while it just became.
• 39:46
  Speaker 4: Like a weird soapie because who was it that made it?
• 39:49
  Speaker 4: Darren Starr star who was the spelling? Aaron Spelling, Aaron spell?
• 39:53
  Speaker 5: Oh what was she in? Tory spelling? Was in Tory spelling?
• 39:57
  Speaker 5: But yeah, Aaron Spelling was like the executive producer of
• 39:59
  Speaker 5: those they Yes.
• 40:01
  Speaker 4: Was it because he has something to do with those shows?
• 40:02
  Speaker 5: Didn't? Yeah? Yeah, Now, whether it was just the Tory
• 40:05
  Speaker 5: connection or he actually gave him a little backing because
• 40:08
  Speaker 5: you know, he was one of the biggest names in TV.
• 40:11
  Speaker 5: I can't remember, but she was like one of the
• 40:13
  Speaker 5: original NEPO babies because you're looking at the Castle No.
• 40:16
  Speaker 5: Two and going Wow, Luke Perry, Wow, Shannon Doddy ripped
• 40:19
  Speaker 5: to both by the way, Wow Jason, all these good
• 40:21
  Speaker 5: looking people and Tory Spelling. So she was attracted ish yeah,
• 40:26
  Speaker 5: attracted ish Yeah, I have to be attractive adjacent.
• 40:30
  Speaker 4: Look at us being or nineteen nineties judging people by
• 40:32
  Speaker 4: their looks.
• 40:33
  Speaker 5: I know this is not very twenty twenty four of us.
• 40:35
  Speaker 4: But basically, so they're moving into the partment. Kirkie is
• 40:37
  Speaker 4: still a simp for Luanne Luenne always DTF but not
• 40:41
  Speaker 4: a good wife. I don't think no, no, and also
• 40:45
  Speaker 4: disrupting his six hour six hours internet download. Yes, get
• 40:50
  Speaker 4: her photo of her cheating on him. Marge and Homer
• 40:53
  Speaker 4: are eating noodles.
• 40:55
  Speaker 2: I'm afraid it's.
• 40:56
  Speaker 6: Top Rayman again with you, baby, top Ramen tea like
• 41:00
  Speaker 6: coup o noodles. You know he's a Kia foam food
• 41:06
  Speaker 6: done do velcrow together.
• 41:10
  Speaker 2: I'm sorry, I'm not ready to do that yet. I
• 41:13
  Speaker 2: want to wait until I'm married or at least really
• 41:15
  Speaker 2: drunk again.
• 41:16
  Speaker 5: One of those things was like, you know what, it's cool.
• 41:19
  Speaker 5: I work my minimum wage job. I've got enough to
• 41:21
  Speaker 5: get a pack of marlbro lights and a pack of
• 41:24
  Speaker 5: Maggie two minute noodles.
• 41:25
  Speaker 4: Now do you think they had Marge here say that
• 41:28
  Speaker 4: she doesn't have sex until she's married, right, so that
• 41:31
  Speaker 4: you would never think that she's having sex with a professor.
• 41:33
  Speaker 5: Oh that's a good point. Yeah, I mean I thought
• 41:38
  Speaker 5: maybe it was the one concession to the original timeline,
• 41:41
  Speaker 5: like it's branched off a little bit, but now it's
• 41:44
  Speaker 5: going to go back into the yeah, the ot yeah
• 41:48
  Speaker 5: to speak. But that's a really good point about Oh no,
• 41:50
  Speaker 5: she's keeping herself pew up.
• 41:52
  Speaker 4: So yeah, because if she was sleeping with the professor.
• 41:54
  Speaker 5: You'd be like, oh mar oh March, Yeah, what are
• 41:57
  Speaker 5: you Luyanne? Yeah?
• 41:58
  Speaker 4: Yeah, So I think that that was the sort of
• 41:59
  Speaker 4: a litle plot points, so you wouldn't think that she
• 42:01
  Speaker 4: slipped in with the professor.
• 42:02
  Speaker 5: Maybe, I don't know.
• 42:03
  Speaker 4: So now there are Groupstone Records and home is in
• 42:05
  Speaker 4: an inoffensive urban light hip hop smooth groove band.
• 42:09
  Speaker 5: I'll make rub to you? What I'll make rub to you? Mean? Well,
• 42:13
  Speaker 5: wasn't the song I'll make love to you? Yeah? But
• 42:14
  Speaker 5: he said I'll make rub Okay, Well it's I suppose
• 42:17
  Speaker 5: it's probably even sexier I'll make rub to you. It
• 42:21
  Speaker 5: just sounds like I'll make love to you. Yeah, yess sir.
• 42:24
  Speaker 5: I was trying to Color Me Bad. That was the
• 42:26
  Speaker 5: band that I was thinking. When were they? I don't know,
• 42:30
  Speaker 5: I never heard of them. Have you never heard of
• 42:31
  Speaker 5: collor Me Bad? They had a song called I Want
• 42:33
  Speaker 5: to Sex You Up? I want to sex you up? Okay,
• 42:35
  Speaker 5: but they seem like a very united I want to
• 42:37
  Speaker 5: make you sweat. I know that song, La la la
• 42:39
  Speaker 5: la long. I'm going to have to do a bit
• 42:41
  Speaker 5: of google on color Me Bad, which is a sentence
• 42:43
  Speaker 5: that no one has ever said in the last ten years.
• 42:45
  Speaker 4: It's funny how there's so many songs from my childhood
• 42:47
  Speaker 4: that I put on now for the kids to listen to,
• 42:49
  Speaker 4: and I go, I don't think my kids singing this
• 42:50
  Speaker 4: like boom boom boom, I Wants You in My Room?
• 42:52
  Speaker 5: Yeah, oh shit, Wait a minute. All these popular songs
• 42:55
  Speaker 5: and teenagers are about.
• 42:57
  Speaker 4: What about the backtor words? Am I sex you?
• 42:59
  Speaker 5: Well? Yeah, we're fucking eight. You have you watched the
• 43:03
  Speaker 5: documentary on Loup Perlman on Netflix called Dirty Pop?
• 43:07
  Speaker 4: No, but I saw the start of it. It's like,
• 43:09
  Speaker 4: now you have to watch it.
• 43:10
  Speaker 5: Yes, otherwise guy's going to be talking about is the
• 43:12
  Speaker 5: bad boy the group his face? Yeah? Sign it on
• 43:15
  Speaker 5: your bingo card, folks, Guys talking about John Stewart on
• 43:19
  Speaker 5: SNL doing the Loup perlmlting again. Call me bad years
• 43:22
  Speaker 5: active nineteen eighty five to nineteen ninety eight, then twenty ten,
• 43:25
  Speaker 5: twenty nineteen, now twenty twenty two to pressents. I keep
• 43:28
  Speaker 5: taking a break. Help help?
• 43:30
  Speaker 4: What was it was it?
• 43:31
  Speaker 5: Help? I Need money? What was that song the Simpsons
• 43:33
  Speaker 5: I'm Hungry you Need Money or something like that? Again?
• 43:39
  Speaker 5: Unified Theory of four Finger Discount. They made a cameo
• 43:42
  Speaker 5: appearance as themselves on a nineteen ninety two episode of
• 43:44
  Speaker 5: Beverly Hills nine oh two, Wow, Okay, Full Circle, Yes Indeed,
• 43:47
  Speaker 5: nominated for two Grammys, won two Soul Trained Music Awards,
• 43:50
  Speaker 5: and were nominated for five Hours. Their music appeared in
• 43:53
  Speaker 5: New Jack City and Glee. That's two Great Taste That
• 43:57
  Speaker 5: Taste back together. Best know for the singles I Want
• 43:59
  Speaker 5: to Sex You Up and All for Love By the Way,
• 44:02
  Speaker 5: colum Me Bad had two d's and color Me Bad.
• 44:05
  Speaker 5: Oh Yeah, you gotta be bad? Yes indeed, Okay, you
• 44:09
  Speaker 5: gots the sass. This has been your history lesson on
• 44:14
  Speaker 5: New Jack Swing in the nineteen nineties with your host
• 44:16
  Speaker 5: Guy Davis. We now return you to that ninety show.
• 44:19
  Speaker 4: Marge says that the relationship is about to unravel, though,
• 44:21
  Speaker 4: like Kevin Costner's career due to her getting into college.
• 44:24
  Speaker 5: Yeah, a bit harsh, felt just that.
• 44:27
  Speaker 4: Feels like one of those jokes where it's just like
• 44:28
  Speaker 4: shoehorn in a little bit.
• 44:30
  Speaker 5: It was a bit although, Yeah, Costner's career in the
• 44:31
  Speaker 5: nineties was a fascinating series of people now but they're
• 44:36
  Speaker 5: not because Horizon, well he was on yellow side with
• 44:39
  Speaker 5: the bigger shows on TV. He decided to take all
• 44:42
  Speaker 5: his money mortgage some of his many properties and like,
• 44:44
  Speaker 5: I'm gonna self finance my great American Western that nobody
• 44:47
  Speaker 5: went to see. He's like, I'm gonna make it in
• 44:50
  Speaker 5: four parts. No one went to see the first part,
• 44:51
  Speaker 5: and now Netflix is like, we'll pick up the rest
• 44:54
  Speaker 5: for the pennies on the dollar. Yeah, bad luck for Kevin,
• 44:57
  Speaker 5: although I find it cold water World. What a world?
• 45:02
  Speaker 5: What a world? Water World? War? All right? Mars.
• 45:07
  Speaker 4: Basically, so she's got into college here and home is
• 45:09
  Speaker 4: kind of annoyed, and she's like, it's going to be
• 45:10
  Speaker 4: an expensive dream, and he gets, you know what, you
• 45:12
  Speaker 4: deserve it, so he says, I'm going to go.
• 45:14
  Speaker 5: Make a dumblast joke about college and collage. Yea, I
• 45:16
  Speaker 5: did not appreciate it.
• 45:17
  Speaker 4: So Homer says he's going to go make money to
• 45:20
  Speaker 4: so she can pay for her college by going back
• 45:22
  Speaker 4: and getting job with his dad. And grandpa owns a
• 45:23
  Speaker 4: laser tag, which we're big in the nineties and I
• 45:26
  Speaker 4: still kids still enjoyed them now, but they're not like
• 45:29
  Speaker 4: the thing anymore. They feel dated now, like you're playing
• 45:32
  Speaker 4: laser tag. It's like this feels this feels like when
• 45:35
  Speaker 4: you put out the PlayStation one.
• 45:36
  Speaker 5: Yeah, they do. They have laser tag at Laser Questions. Yeah, okay,
• 45:40
  Speaker 5: I ever did it twice. I think I maybe did
• 45:43
  Speaker 5: it once. And my nephew Rory actually had like a
• 45:47
  Speaker 5: home game of.
• 45:49
  Speaker 4: Laser tag them as well. Yeah, the blue things that
• 45:52
  Speaker 4: struck around your chest. Yeah, we'll give you a little shot.
• 45:54
  Speaker 4: I might even get a shock mine.
• 45:55
  Speaker 5: It's just a shot really like malfunctioned.
• 45:58
  Speaker 4: I was shocked when I got shocked. Didn't say that come,
• 46:03
  Speaker 4: but mine would just make like a beeping sound. Yeah okay, yeah,
• 46:06
  Speaker 4: So anyway, the pussy version, yes, so you know, he
• 46:09
  Speaker 4: says to Grandpa, I need money. We need money for none.
• 46:11
  Speaker 5: Of your business.
• 46:12
  Speaker 4: They give me a job at your business, and Hope
• 46:14
  Speaker 4: turns off the machine. The kids are beating up at
• 46:15
  Speaker 4: Laser quest anyway, Margin arrives at college and she's loving
• 46:18
  Speaker 4: just the scenery and just the vibe and coming book.
• 46:20
  Speaker 5: Guys.
• 46:20
  Speaker 4: There, as you were saying earlier, sitting on the grass,
• 46:23
  Speaker 4: this place is just.
• 46:24
  Speaker 2: Like the brochure autumnly ball sessions.
• 46:29
  Speaker 1: And that is why the Lord of the Rings can
• 46:31
  Speaker 1: never be filmed.
• 46:32
  Speaker 4: So this is meant to be a parody of Kabaye.
• 46:36
  Speaker 4: But this doesn't feel like just an early nineties parent.
• 46:38
  Speaker 4: It feels just like the nineties decade page. Yes, yeah,
• 46:41
  Speaker 4: well Scie Felt wasn't around. Oh I guess it just
• 46:43
  Speaker 4: started when when was a thing?
• 46:46
  Speaker 5: That's funny my theater in decades is you know you
• 46:49
  Speaker 5: always talk about them, they're always broken into halves.
• 46:52
  Speaker 4: Well, for me, the nineties started in ninety four. That's
• 46:55
  Speaker 4: all I can remember. I can't remember before that.
• 46:57
  Speaker 5: That's the thing. The first half of the nineties feels
• 46:58
  Speaker 5: very different to the second half. And it's just as
• 47:00
  Speaker 5: the first half of the eighties feels very different to
• 47:02
  Speaker 5: the second half.
• 47:02
  Speaker 4: When you get to like nineties playlists, you can tell
• 47:05
  Speaker 4: when a song was early nineties, when a.
• 47:06
  Speaker 5: Song was late night. Absolutely you can.
• 47:08
  Speaker 4: Yeah, I feel it in the eighties though. Do you
• 47:10
  Speaker 4: think that the eighties just sounds like the eighties?
• 47:11
  Speaker 5: Oh? No, absolutely not, no, no no. And when you know
• 47:15
  Speaker 5: you've got sort of what we commonly viewers eighties nostalgia,
• 47:19
  Speaker 5: it's all very neon and dayglow. That's from eighty five onwards. Yeah,
• 47:26
  Speaker 5: the first half of the eighties is very bland, it's
• 47:29
  Speaker 5: basically bleed over from the seventies. So really okay, oh yeah,
• 47:32
  Speaker 5: I mean no, there's a lot of good stuff in there,
• 47:33
  Speaker 5: but it's more sort of beige and brown.
• 47:37
  Speaker 4: But when was Obviously this is not an iconic song
• 47:40
  Speaker 4: of the nineties for me, it is, but the song
• 47:43
  Speaker 4: from foot Trot Flats, Oh it oppens, Slice Heaven that's eighties?
• 47:47
  Speaker 5: Is that late eighties old? Because I remember dancing out
• 47:49
  Speaker 5: it my not a fucking.
• 47:50
  Speaker 4: Song right, high school prom I love Shards. That's one
• 47:54
  Speaker 4: of the songs where if it comes on, I have
• 47:55
  Speaker 4: to listen to it and I smile.
• 47:56
  Speaker 5: The entire time. Dave Doblinds in the films, him and
• 48:01
  Speaker 5: all these guys just in a pub, just dancing, just dancing.
• 48:04
  Speaker 5: What a song? I think I picked up a couple
• 48:06
  Speaker 5: of dance moves from the Slice and Slash. A good song.
• 48:09
  Speaker 4: Yeah, great song. Yeah, all right, enough about the eighties
• 48:11
  Speaker 4: and the nineties. Let's go we should talk about the
• 48:13
  Speaker 4: ninety because that's what this episode is. So she's got
• 48:16
  Speaker 4: into college and she's really enjoying the vibe of everything,
• 48:19
  Speaker 4: and uh, they like to So she goes to the
• 48:21
  Speaker 4: cultural history lecture. We bought all you required textbooks, throw
• 48:25
  Speaker 4: them away. That just sums up university, in school, school
• 48:27
  Speaker 4: in general.
• 48:28
  Speaker 5: I'm guessing there are a lot of professors and teachers
• 48:30
  Speaker 5: who got into the profession because they saw Robin Williams
• 48:34
  Speaker 5: of Dead Poets Society, throw away those textbooks. It's damn
• 48:38
  Speaker 5: for me to teach you the actual all the ship
• 48:41
  Speaker 5: I teach you life. Yeah, you think you're here to
• 48:44
  Speaker 5: learn about literature, You're actually here to learn about life.
• 48:47
  Speaker 4: Speaking of Robin Williams, a clip came up on social
• 48:50
  Speaker 4: media to day.
• 48:50
  Speaker 5: I think it was Twitter. Was he talking about Trump? No, no, no, no.
• 48:53
  Speaker 4: It was just it was from Goodbill Hunting where he
• 48:55
  Speaker 4: was talking about how he misses his wife's farts. Oh yeah,
• 48:59
  Speaker 4: and the what a fucking scene?
• 49:01
  Speaker 5: Really good.
• 49:02
  Speaker 4: They're the things you remember. Goes, you know, I spent
• 49:04
  Speaker 4: all these years with it. But that's the ship I remember.
• 49:06
  Speaker 5: But it'd so loud you woke up the dog.
• 49:08
  Speaker 4: Yeah, yeah, that's the ship you remember.
• 49:09
  Speaker 5: Yeah. And I don't know if that's the scene where
• 49:12
  Speaker 5: they sort of zoom in on on will that damon
• 49:15
  Speaker 5: and the cameras sort of shaking. That's because the camera
• 49:17
  Speaker 5: abraider was laughing. Was the oka, Yeah, and Gus van
• 49:21
  Speaker 5: sand who directed and said, O kaep it in it works,
• 49:23
  Speaker 5: and I really did, Rob Williams Lord.
• 49:26
  Speaker 4: Na, the world's never been the same. It's kind of
• 49:28
  Speaker 4: like Phil Hartman comedy was never the same really, and
• 49:32
  Speaker 4: then as soon as when left the world, it just
• 49:34
  Speaker 4: didn't feel the same anymore.
• 49:37
  Speaker 5: Lose, like a foundational block, but it felt like a
• 49:40
  Speaker 5: piece of the puzzles missing. The puzzle's not going to
• 49:42
  Speaker 5: be quite complete again. You can, maybe you know, shape
• 49:46
  Speaker 5: someone to be similar to, but Na one of a kind,
• 49:49
  Speaker 5: one on one.
• 49:50
  Speaker 4: So he's basically Professor August here luring margin with the feminist,
• 49:56
  Speaker 4: anti male.
• 49:57
  Speaker 5: Well yeah, with his yeah, very very enlightened worldview.
• 50:02
  Speaker 1: That's why instead of x X, I think of the
• 50:05
  Speaker 1: female genes in a more positive light.
• 50:09
  Speaker 2: Plus plus, professor, do you think white male scientists have
• 50:15
  Speaker 2: marginalized the contributions of the third world?
• 50:19
  Speaker 1: Great question, and the answer is, of course, could a
• 50:22
  Speaker 1: tribe a bushmen have invented penicillin? Maybe they already have,
• 50:25
  Speaker 1: but no one asked them, No one asked them.
• 50:30
  Speaker 5: Yeah.
• 50:30
  Speaker 4: So she's talking to it to Homer about everything she's
• 50:32
  Speaker 4: learned in class, and did you say everything every president
• 50:34
  Speaker 4: was a straight white man. It's like, oh, okay, I
• 50:36
  Speaker 4: see what this guy's doing.
• 50:37
  Speaker 5: Yeah, and it's a bit of a play on how
• 50:41
  Speaker 5: naive you are when you first get your first taste
• 50:43
  Speaker 5: of sort of like quote unquoite higher learning. Yeah, yeah,
• 50:45
  Speaker 5: and oh my god, yeah, it's in front of her
• 50:49
  Speaker 5: eyes the entire time. Oh did you know? Yeah, I
• 50:54
  Speaker 5: forgot which pill does what in the matrix? Blue pill
• 50:57
  Speaker 5: puts you back in the matrix, right right, yea, yeah,
• 50:58
  Speaker 5: because it's all been sort of.
• 51:00
  Speaker 4: I'm going back into matrix.
• 51:01
  Speaker 5: Mate. How many times have.
• 51:04
  Speaker 4: We said I am Cyrus.
• 51:05
  Speaker 5: Joey Pants has just got the right idea. Give me
• 51:08
  Speaker 5: a rare steak, and you know, I want to be famous,
• 51:11
  Speaker 5: not super famous, but just famous enough that I know.
• 51:13
  Speaker 5: Have you heard that story about Kevin Bacon about how
• 51:17
  Speaker 5: recently he had like a makeup job and like disguises
• 51:21
  Speaker 5: so he could go out as not Kevin Bacon. He's like,
• 51:24
  Speaker 5: it sucked, really, no one was nice to me. I
• 51:28
  Speaker 5: had to stand in life by copy like a chump.
• 51:31
  Speaker 5: And it made sense because he's been glad to be normal.
• 51:33
  Speaker 5: He's been pretty much famous his entire life, well not
• 51:36
  Speaker 5: his entire.
• 51:36
  Speaker 4: Life, but He's almost like a meme now, isn't.
• 51:38
  Speaker 5: He very much so? But from about the age of
• 51:41
  Speaker 5: twenty or so with the original think he was yeah,
• 51:45
  Speaker 5: and he's you know, in his mid sixties now. So
• 51:47
  Speaker 5: that's two thirds of your life that you've just.
• 51:50
  Speaker 4: Been Hey and a person who people want to get
• 51:54
  Speaker 4: a photo with and is cool yes, as opposed to yeah,
• 51:57
  Speaker 4: I'm got a photo of Kevin Bacon. It's like that's cool.
• 51:59
  Speaker 5: Yeah, but not everyone's tacond photos of him all the time.
• 52:03
  Speaker 5: It's like, oh, what you mean. I can't leave dunkin
• 52:05
  Speaker 5: Donuts with a coffee and a couple of bear claws
• 52:07
  Speaker 5: like Ben Affleck. Anyway, I don't know how we got
• 52:14
  Speaker 5: to that story.
• 52:14
  Speaker 4: But we're talking about Kevin Bacon. How we get to
• 52:17
  Speaker 4: Kevin Bacon?
• 52:18
  Speaker 5: That's what I was curious about. One of the six
• 52:19
  Speaker 5: degrees that Kevin Bacon.
• 52:21
  Speaker 4: Marge was falling for Professor's learning. I don't know, Robin
• 52:27
  Speaker 4: william Robin Williams, we'll never get there, so.
• 52:30
  Speaker 5: Let's get back to where we were. It's a lot
• 52:31
  Speaker 5: like this episode of that ninety show that was just
• 52:33
  Speaker 5: a what if tangent?
• 52:34
  Speaker 4: Yes, it really was.
• 52:36
  Speaker 5: It's not official cannon of full finger discount.
• 52:38
  Speaker 4: So they're at the front of the university. This is
• 52:39
  Speaker 4: where she makes the sound and he was like, that's
• 52:41
  Speaker 4: a weird. So I've never heard that sound before.
• 52:43
  Speaker 5: Are you sick?
• 52:44
  Speaker 4: And so she's falling for the professor after one class.
• 52:47
  Speaker 4: So now we cut back and we had a really
• 52:50
  Speaker 4: weird sort of like ratcon here with the gas man
• 52:53
  Speaker 4: trying to fix the gas, like, this is what's going
• 52:55
  Speaker 4: on here. They're telling a story back in the Springford house,
• 52:57
  Speaker 4: and it just felt like a bit of a random
• 52:59
  Speaker 4: moment that they'll mean to the gas man.
• 53:01
  Speaker 5: I felt sorry for gas man. Yeah, monkey out and
• 53:03
  Speaker 5: trying to make the gas flow.
• 53:04
  Speaker 4: So Marge says that, you know, I was falling from
• 53:06
  Speaker 4: my professor more and more. And the guy just keeps
• 53:09
  Speaker 4: putting putting down. White males is just white male put down,
• 53:11
  Speaker 4: put down, put down. March just getting sucked in because
• 53:13
  Speaker 4: of this, And then Marge's study. We did some good
• 53:16
  Speaker 4: things something we do this podcast exactly. Yeah, Marge is
• 53:19
  Speaker 4: now studying whilst.
• 53:20
  Speaker 5: That makes it for so many things.
• 53:23
  Speaker 4: This is where he's watching Seinfeld.
• 53:29
  Speaker 6: Oh Lane, will you ever find someone who's sponge worthy?
• 53:33
  Speaker 2: Professor Margas says the situation comedy is a doom genre.
• 53:37
  Speaker 6: Here's what I say to that, No, super you, because
• 53:40
  Speaker 6: I am master of my domain new Man.
• 53:44
  Speaker 4: You're right sort of shoehorns in all the gags, all
• 53:46
  Speaker 4: the quotes. But that's kind of what people were doing
• 53:49
  Speaker 4: in the nineties. They were quoting Seinfeld a lot, weren't they.
• 53:51
  Speaker 4: But the Master of My Domain we talked about it
• 53:53
  Speaker 4: on the episode The Contest of Talking Seiinnfeler. Check it
• 53:56
  Speaker 4: out if you haven't already where that didn't feel like
• 53:59
  Speaker 4: a quote that anyone would naturally say in real life,
• 54:01
  Speaker 4: and that people were trying it.
• 54:02
  Speaker 5: Weren't they. Oh yeah, have you seen the Udi that's
• 54:06
  Speaker 5: just got all the Seinfeld quotes on it, Lose Loose
• 54:08
  Speaker 5: sun has Okay, Yeah, well it's got you know, YadA
• 54:10
  Speaker 5: YadA and no soup for U and all that kind
• 54:12
  Speaker 5: of stuff. So yeah, I mean, for a show that
• 54:14
  Speaker 5: was pretty smart and very you know, well constructed and
• 54:17
  Speaker 5: well put together and well acted, it did seem really
• 54:20
  Speaker 5: reliant on catchphrases, or it did seem to want to
• 54:22
  Speaker 5: make fetch happen.
• 54:23
  Speaker 4: It's like once once the first one picked up, they went,
• 54:26
  Speaker 4: oh this is something.
• 54:26
  Speaker 5: This is something we can Yeah, we can maybe make
• 54:28
  Speaker 5: T shirts out of this.
• 54:29
  Speaker 4: Yeah, yeah, but do we do merch?
• 54:32
  Speaker 5: Do we do some merch?
• 54:32
  Speaker 4: We got Uncle Rico, We should definitely do some forking
• 54:34
  Speaker 4: a discap merch? Would you guys be interested in the
• 54:36
  Speaker 4: Fortking a discap? I'm probably mugs, right, coffee mugs?
• 54:39
  Speaker 5: Yeah, or like my head is like a pintalel. I
• 54:44
  Speaker 5: think mugs. Yeah.
• 54:46
  Speaker 4: But Homer here what she said, I wish you would
• 54:48
  Speaker 4: support my comments and my beliefs. And He's like, I
• 54:50
  Speaker 4: worked really hard all day to pay for your education.
• 54:53
  Speaker 4: They just want to sit there and watching TV. This
• 54:55
  Speaker 4: is my support. Yeah, And I'm just like, you know what,
• 54:57
  Speaker 4: I'm pro Homer here home has done nothing wrong the
• 55:00
  Speaker 4: whole he was keeping it back. It doesn't work in
• 55:03
  Speaker 4: this story. He was wasn't really supportive at first, but
• 55:06
  Speaker 4: then he worked hard.
• 55:08
  Speaker 5: Well, it's pay for education. It's it's misunderstandings and just
• 55:13
  Speaker 5: blind spots on the part of I guess both of them.
• 55:17
  Speaker 5: When you're at a stage where it's like, oh, I'm
• 55:19
  Speaker 5: learning so much about the world and everything else, and
• 55:21
  Speaker 5: you know, I've found these interesting things to say or
• 55:23
  Speaker 5: interesting ways of looking at the world. And I want
• 55:25
  Speaker 5: to share it with the one that I love, and
• 55:26
  Speaker 5: they're kind of like, really, just rather watch the footy
• 55:29
  Speaker 5: and it's kind of that's where you get your wife
• 55:32
  Speaker 5: to the footy as well. Am I actually with the
• 55:34
  Speaker 5: right person? And yeah? And on the other hand, you know,
• 55:37
  Speaker 5: I was like, really, I'm busting us at the laser quest,
• 55:41
  Speaker 5: you know, through Cologe so he can own you. Yeah,
• 55:46
  Speaker 5: you're a thing. Yeah that's professor.
• 55:49
  Speaker 4: We'll get to that sleazy guy. So he's got marks
• 55:52
  Speaker 4: all over his stomach, in his back because the kids
• 55:53
  Speaker 4: keep shooting in the laser tag and she was robbing
• 55:56
  Speaker 4: his back for him, and she realizes that she's having
• 55:57
  Speaker 4: visions of him being a professor.
• 55:59
  Speaker 5: August with his toy blazer.
• 56:00
  Speaker 4: Yeah, Homer and Marge now in bed with closing time playing.
• 56:03
  Speaker 5: That was really it was a poignant yeah kind of
• 56:06
  Speaker 5: thing because I mean no lines were needed. You and Nicola,
• 56:10
  Speaker 5: of course, have a wonderful relationship. I'm sure you have
• 56:14
  Speaker 5: never had moments where you've been laying and you sort
• 56:15
  Speaker 5: of have your backstone to one that was like not that,
• 56:18
  Speaker 5: oh this person doesn't have sent me. But you may
• 56:19
  Speaker 5: have had moments like, oh, we we're not on the
• 56:22
  Speaker 5: same page about this. I feel a little distant.
• 56:24
  Speaker 4: Well, we never Nickola and I have a rule. You
• 56:26
  Speaker 4: never go to bed, never go to be angry. Yeah,
• 56:29
  Speaker 4: I've done the same, but every once in a while
• 56:32
  Speaker 4: you might work. I hope she doesn't leave me something
• 56:37
  Speaker 4: just still there. But closing Time is just a great song.
• 56:43
  Speaker 5: It's a great musical accompanying to accompaniment to that.
• 56:46
  Speaker 4: Yeah, things aren't going well though for them at all. Meanwhile,
• 56:49
  Speaker 4: August is talking up her art and he says, you
• 56:52
  Speaker 4: call missed the farm, so he's just make it more
• 56:54
  Speaker 4: personal now. And Homer has a little message here I
• 56:57
  Speaker 4: miss you, and he somehow makes the turns that into
• 56:59
  Speaker 4: a negative.
• 57:00
  Speaker 5: I'm like, fuck you, fuck you man.
• 57:01
  Speaker 2: Yeah, oh thanks, it's just a note for my boyfriend.
• 57:07
  Speaker 1: Let me guess he's a high school flame who's preventing
• 57:09
  Speaker 1: you from flowering.
• 57:10
  Speaker 2: Almost perfect for me. Just look at this note I miss.
• 57:14
  Speaker 1: You, actually, Marge. If I may deconstruct that letter when
• 57:18
  Speaker 1: he writes I miss you, I is the subject and
• 57:21
  Speaker 1: you is the object. You are his object, but.
• 57:25
  Speaker 2: Almost so supportive. He's paying for you to go to college.
• 57:29
  Speaker 1: He's paying for you like he owns you. I'm sorry,
• 57:32
  Speaker 1: but that is oppression.
• 57:34
  Speaker 2: Well, I know you never say anything that is an
• 57:36
  Speaker 2: objective March.
• 57:37
  Speaker 1: Your assignment is to think about what I have said
• 57:39
  Speaker 1: about your relationship. When is it do before it's too late?
• 57:44
  Speaker 4: Steph and how May comes looking for Madge at university
• 57:48
  Speaker 4: and they all make fun of his pronunciation of his wam.
• 57:50
  Speaker 5: They call him a towny anyway go back to town
• 57:53
  Speaker 5: yeah or does he miss? I think his pronounces the
• 57:56
  Speaker 5: surname of the artist.
• 57:58
  Speaker 4: I think it's the first name because it will say Joe,
• 58:01
  Speaker 4: I thought, And then they say anyway anyway, but you
• 58:05
  Speaker 4: know they're all making fun of him. Homer walks in
• 58:07
  Speaker 4: and she's having a chat with August with the with
• 58:09
  Speaker 4: the dreamcatch or whatnot. This is nothing like Animal House.
• 58:12
  Speaker 4: I smashed a Beaty's guitar and he sued me successfully.
• 58:15
  Speaker 4: Bahoma can't can't sing R and be aniemore. He's just
• 58:17
  Speaker 4: he's down trotted. He's just he feels like margin's gonna
• 58:20
  Speaker 4: leave him. He's lost his girl and he's what really
• 58:22
  Speaker 4: hard for her. So he turns the R and B
• 58:25
  Speaker 4: into guitar rock, utilizing as a Then it's grunching or
• 58:30
  Speaker 4: something whatever, but it's.
• 58:31
  Speaker 5: Great because the word grunge is actually part of the acronym.
• 58:34
  Speaker 4: Yes, so now they're sad gasm and they're seemed politically
• 58:38
  Speaker 4: in correct. And I've got here it sounds like Luthian,
• 58:42
  Speaker 4: but apparently it's Francis Farmer. Anyway, it's it's.
• 58:44
  Speaker 5: Catchy, it's brown. Hey, it's white love.
• 58:55
  Speaker 6: It's black.
• 58:58
  Speaker 5: Step Night, King of Num, colotent.
• 59:08
  Speaker 3: Of Hurt, really dark dum.
• 59:16
  Speaker 5: Jesse duck dot kurrent Current.
• 59:19
  Speaker 1: It's Marvin, your cousin, Marvin Cobain.
• 59:22
  Speaker 5: You know that new sound you're looking for, Well, listen
• 59:24
  Speaker 5: to this.
• 59:30
  Speaker 4: We get a back to the future reference here. Hey,
• 59:32
  Speaker 4: it's your cousin.
• 59:37
  Speaker 5: It's funny, we're talking about political greatness and all that.
• 59:39
  Speaker 5: I mean, some people take back to the Future to
• 59:41
  Speaker 5: task because it's like, oh, so you're saying Chuck Berry
• 59:44
  Speaker 5: didn't invent rock and roll, that there was actually a
• 59:46
  Speaker 5: white man that did it.
• 59:48
  Speaker 4: You mean Jonanan didn't, right, imagine Forrest Gump did.
• 59:53
  Speaker 5: But you've got people, yeah, very online people that will say, yeah,
• 59:57
  Speaker 5: the back the Muture is pretty racist and also, you know,
• 1:00:00
  Speaker 5: kind of kind of sexist.
• 1:00:01
  Speaker 4: I said that a white guy wrote, Okay.
• 1:00:04
  Speaker 5: Can't we just enjoyed Back to the Future, such a
• 1:00:08
  Speaker 5: good movie.
• 1:00:09
  Speaker 4: But Marge leaves for the professor because she ses the
• 1:00:14
  Speaker 4: band and he basically, what is it? He says, he
• 1:00:17
  Speaker 4: walks something.
• 1:00:18
  Speaker 5: This isn't entertainment, this is genocide or something.
• 1:00:20
  Speaker 4: I know, you have a bit of a little test here.
• 1:00:23
  Speaker 4: And she leaves with the professor because I think he
• 1:00:25
  Speaker 4: says something on the lines and the guy's like, I
• 1:00:27
  Speaker 4: can do that, and she jumps on his bike and
• 1:00:28
  Speaker 4: wides off, and I was like, March, what are you doing?
• 1:00:31
  Speaker 4: And then the girl walks up says, can you sew
• 1:00:33
  Speaker 4: my boobs? And you write Marge come back? And I
• 1:00:35
  Speaker 4: just think they painted Homer as really sympathetic throughout this
• 1:00:37
  Speaker 4: entire episode.
• 1:00:38
  Speaker 5: No, we didn't get any jerk house home.
• 1:00:40
  Speaker 4: Well, we designed to feel bad for homework. That's the
• 1:00:43
  Speaker 4: That's what I was getting. I was feeling bad for
• 1:00:44
  Speaker 4: having the entire time. It sounds bad, right because this
• 1:00:47
  Speaker 4: guy's just swiped in and Marge has fallen for It's
• 1:00:49
  Speaker 4: just weird.
• 1:00:50
  Speaker 5: She fell under his spell. Yeah, his academic spell.
• 1:00:52
  Speaker 4: We come back from commercial and mum, why do you
• 1:00:54
  Speaker 4: stop talking for two and a half minutes being in
• 1:00:55
  Speaker 4: a commercial break? I was like, twenty yes, and then
• 1:00:58
  Speaker 4: they're just splitting everything up and she's getting all the goodtuff.
• 1:01:01
  Speaker 4: He's getting like the old the type writer. She's getting
• 1:01:03
  Speaker 4: the computer or whatever.
• 1:01:04
  Speaker 5: He well, he won though, because he's got the LP
• 1:01:07
  Speaker 5: he's been She got the CDs, yes, but what was
• 1:01:09
  Speaker 5: the stock? So he got en wrong and she got Microsoft? Yeah,
• 1:01:14
  Speaker 5: Microsoft a big winner. Enron absolute disaster. Yes.
• 1:01:17
  Speaker 4: Then they say who gets qute Puss? And he breaks
• 1:01:20
  Speaker 4: it and then bittersweet symphony players. It's just it's another
• 1:01:22
  Speaker 4: good use of music.
• 1:01:23
  Speaker 5: Wasn't it. Yeah.
• 1:01:25
  Speaker 4: So then he goes to mos which is now a
• 1:01:26
  Speaker 4: cigar bar, which apparently was a big thing in the
• 1:01:28
  Speaker 4: ninety cigar bars. Yeah, I don't really recall was old enough.
• 1:01:31
  Speaker 4: Marge is now going on tour with Professor August to
• 1:01:35
  Speaker 4: Springfield's most non wheelchair friendly restaurants because he's just a touchebag.
• 1:01:39
  Speaker 4: It's just it's that epitomizes his character, right.
• 1:01:43
  Speaker 5: Yeah, it felt a little much for me, But then,
• 1:01:45
  Speaker 5: you know, we're talking about a twenty four minute sitcom episode.
• 1:01:48
  Speaker 5: Of course we're going to sort of really go for
• 1:01:50
  Speaker 5: the gusto when it comes to stereotyping and whatnot, and
• 1:01:52
  Speaker 5: the oxygen gag here as well, which I liked. That
• 1:01:54
  Speaker 5: was good.
• 1:01:56
  Speaker 4: But Homer sings shave Me, which is a parody of
• 1:01:58
  Speaker 4: rape me.
• 1:02:05
  Speaker 6: Friends have played a bay.
• 1:02:08
  Speaker 5: Shake me with.
• 1:02:09
  Speaker 6: Your eye, irony man.
• 1:02:19
  Speaker 4: We're now at August House and Sadgasm comes on the radio.
• 1:02:23
  Speaker 4: Basically it's like I watched sports too, and he says
• 1:02:25
  Speaker 4: this big melodramatic thing about the end zone or whatever.
• 1:02:27
  Speaker 5: Is this where he says this is an entertainment, this
• 1:02:29
  Speaker 5: is genocide. Yeah, because the Patriots are in the redskins
• 1:02:33
  Speaker 5: en zon. It's like, come on, actually, pretty funny gig
• 1:02:35
  Speaker 5: if it's funny, come on. Oh yeah, this is exactly
• 1:02:38
  Speaker 5: where I've written. Okay, they're overdoing the professor. Yeah. Yeah,
• 1:02:41
  Speaker 5: they're really laying on the political reckness aspect of it
• 1:02:44
  Speaker 5: really heavily. But also there's the underlying smarminess and douchitess. Yeah.
• 1:02:48
  Speaker 4: And it is the first time he has to go
• 1:02:49
  Speaker 4: at March too because she puts on us the radio
• 1:02:51
  Speaker 4: and Sadgasm comes on.
• 1:02:52
  Speaker 5: He goes, no, I want whale songs, and it's like, oh.
• 1:02:54
  Speaker 4: Shit, So he asked, can I compliment your appearance? May
• 1:02:57
  Speaker 4: I preach you for a kiss? Harassment or willing consent.
• 1:03:01
  Speaker 4: Willing consent.
• 1:03:02
  Speaker 5: She's just like just kiss me like sake.
• 1:03:04
  Speaker 4: It's very much Nicola. If I said can I, I
• 1:03:06
  Speaker 4: always do say, Like, when you're gonna kiss Louise, do
• 1:03:09
  Speaker 4: you say? Do you asked off for concept? But like,
• 1:03:12
  Speaker 4: is this like a mutual eyesight, like okay, we're going
• 1:03:14
  Speaker 4: for a kiss here or do you go, okay kiss you?
• 1:03:16
  Speaker 5: Well, now it's just smooching on us.
• 1:03:19
  Speaker 4: I remember the first time you say the bones jumping
• 1:03:21
  Speaker 4: the bones.
• 1:03:23
  Speaker 5: The first time I kissed, I said, I didn't say,
• 1:03:25
  Speaker 5: can I kiss you? I don't really want to kiss you?
• 1:03:28
  Speaker 5: He said, well, too bad?
• 1:03:36
  Speaker 4: Who are you?
• 1:03:38
  Speaker 5: And I'd rather be going out with Brad Pitt? But
• 1:03:40
  Speaker 5: we can't hit everything we want? Who are Davis? You are?
• 1:03:46
  Speaker 4: Do you remember the first words you said to Louise
• 1:03:47
  Speaker 4: in person?
• 1:03:48
  Speaker 5: Yeah? Was it? So? Was it a blind day? What
• 1:03:50
  Speaker 5: was it? We met on Tinder? Ah? I was Tinder,
• 1:03:53
  Speaker 5: that's right, and we talked online for about a week.
• 1:03:55
  Speaker 5: I think we may I don't know if we chatted
• 1:03:57
  Speaker 5: on the phone at all. We may have with video
• 1:03:59
  Speaker 5: and you can actually put the hand to the ear.
• 1:04:00
  Speaker 5: It actually makes sense. What are you talking about? When
• 1:04:08
  Speaker 5: we met in person. The first thing I said to
• 1:04:12
  Speaker 5: her was, I thought the photo of you was gonna
• 1:04:15
  Speaker 5: be the prettiest thing I saw all night. Nice one,
• 1:04:18
  Speaker 5: and she was gorgeous.
• 1:04:20
  Speaker 4: Nichola walked in on me in a toilet, so I
• 1:04:25
  Speaker 4: was We had a mutual friends party. It was the
• 1:04:29
  Speaker 4: thirtieth of April, because it was the same night that
• 1:04:33
  Speaker 4: the Prince Harry, Prince William and Kate got married. Because
• 1:04:37
  Speaker 4: Nicola said she was watching because she came back from
• 1:04:38
  Speaker 4: Perth that night and she was watching that on the
• 1:04:40
  Speaker 4: television in the airport before she came back. A friend
• 1:04:43
  Speaker 4: of mine, Phil, who've mentioned the show before, my best
• 1:04:45
  Speaker 4: man at my wedding, he said, having a party at
• 1:04:47
  Speaker 4: Someone told Howse she you want to come and I
• 1:04:48
  Speaker 4: was like, I'm just finished radio. I was like, I'm
• 1:04:49
  Speaker 4: pretty toys, id come come?
• 1:04:50
  Speaker 5: Come?
• 1:04:50
  Speaker 4: So we get there and Nichola had a mutual friend
• 1:04:53
  Speaker 4: who knew this person. So I'd never met Nichol before.
• 1:04:55
  Speaker 4: She'd been a jown for like a month before she
• 1:04:57
  Speaker 4: went to Perth for visit. I never met during that time.
• 1:05:00
  Speaker 4: She came back. The first night she came to that party.
• 1:05:02
  Speaker 4: The toilet was in a bathroom, I used a toilet,
• 1:05:04
  Speaker 4: was walking out. She walked in for first once, nicol
• 1:05:06
  Speaker 4: ever said to him, She's like, fuck, you're a cute
• 1:05:08
  Speaker 4: they aren't you.
• 1:05:09
  Speaker 5: That's it.
• 1:05:10
  Speaker 4: Since then, we spent two nights apart together at most,
• 1:05:13
  Speaker 4: so we've just been together ever since.
• 1:05:15
  Speaker 5: Then there was a rewriting history. Next first words were
• 1:05:18
  Speaker 5: in fact light a match. That's a very sweet story.
• 1:05:22
  Speaker 4: Yes, And then I very rarely made moves on girls
• 1:05:26
  Speaker 4: like it was just but I had Nicholas. Like I
• 1:05:29
  Speaker 4: remember saying to Nicola, no, and I was on the radio,
• 1:05:31
  Speaker 4: but I never like used that as like a pickup line.
• 1:05:33
  Speaker 4: But I was just like, I'm a djub on the
• 1:05:35
  Speaker 4: radio and she was like bullshit, and I'm like, no,
• 1:05:36
  Speaker 4: We've got like the logo on my ass, and she
• 1:05:38
  Speaker 4: was like, we'll prove it. And I dropped my pants
• 1:05:40
  Speaker 4: in the street to prove that I had the I've
• 1:05:42
  Speaker 4: got a tedto on my ass of my radio show
• 1:05:44
  Speaker 4: logo lost the bet during the show and I showed
• 1:05:47
  Speaker 4: her that and she was just like, okay, cool, but.
• 1:05:49
  Speaker 5: One might say one a bet.
• 1:05:51
  Speaker 4: But then that's the thing. I was just like, I
• 1:05:53
  Speaker 4: never tried it with anyone else, but for Nicola. For
• 1:05:55
  Speaker 4: some reason, my brain was just like, no, you're going
• 1:05:57
  Speaker 4: to try it with this person? Yeah when you know
• 1:05:58
  Speaker 4: you know, yeah, it was just subconscious I was, but nope,
• 1:06:00
  Speaker 4: keep going, keep trying.
• 1:06:03
  Speaker 5: It'll pay off.
• 1:06:03
  Speaker 4: Yes, and it did pay off, but the guys just
• 1:06:05
  Speaker 4: being a douchebake here ask complimently appearance gets the spooch
• 1:06:08
  Speaker 4: on with March but not having sex because she's not
• 1:06:10
  Speaker 4: having sex to a marriage. We established this already. Homer
• 1:06:13
  Speaker 4: now hates being famous. Every rock star's dream of hating
• 1:06:15
  Speaker 4: being famous. And with our Yanke Vick is covering Shaved
• 1:06:18
  Speaker 4: Me with his own song, and apparently Kirk Obain said,
• 1:06:21
  Speaker 4: I never felt famous until we had covered my song.
• 1:06:24
  Speaker 4: But you know, as Homer says, he he who was
• 1:06:26
  Speaker 4: tired of weird al is tired of life.
• 1:06:29
  Speaker 5: I'm not gonna lie.
• 1:06:29
  Speaker 4: I was never like huge And with our Yankee Vick.
• 1:06:31
  Speaker 5: Songs, no, I think I again.
• 1:06:35
  Speaker 4: I appreciate everything he's done, but respected the game more
• 1:06:38
  Speaker 4: than actually, yeah, well you're the one who's good at.
• 1:06:42
  Speaker 5: This, aren't you. Yeah, I mean you're kind of.
• 1:06:44
  Speaker 4: You've made it a thing. It's like you get all
• 1:06:46
  Speaker 4: these kids bands and was like, no, you're not the Wiggles.
• 1:06:47
  Speaker 4: The Wiggles made this a thing. He's like the he's
• 1:06:50
  Speaker 4: the the Wiggles of that genre to Homer. Homers hate
• 1:06:57
  Speaker 4: has being famous. Of course, So margin August are now
• 1:06:59
  Speaker 4: at the lighthouse. But it's a fellow centric technocracy, violeting
• 1:07:02
  Speaker 4: mother nature.
• 1:07:03
  Speaker 5: It's like they're just told those ships can say.
• 1:07:05
  Speaker 4: No everything Pinischet is bad. And she sees a wedding
• 1:07:08
  Speaker 4: and this is what really this is where it really unravels.
• 1:07:11
  Speaker 4: So she sees a wedding, Oh it's a wedding, or
• 1:07:13
  Speaker 4: slavery's alive and well in Springfield, and you're like, shut.
• 1:07:15
  Speaker 5: Up, they're this guy.
• 1:07:17
  Speaker 4: Yeah, they're over egging this particularly said I want to
• 1:07:19
  Speaker 4: get married one day. Was like that make people think
• 1:07:21
  Speaker 4: that women are still stupid. And she calls him associate
• 1:07:24
  Speaker 4: professor jerk and he takes it to heart and he says,
• 1:07:28
  Speaker 4: you know, get denied tenor because the department head it
• 1:07:31
  Speaker 4: was an idiot.
• 1:07:32
  Speaker 5: And then so you could have made that a gag
• 1:07:35
  Speaker 5: as opposed to just a line.
• 1:07:37
  Speaker 4: Yeah, sort of his story wrapping up felt kind of
• 1:07:41
  Speaker 4: I thought, I think it would have been better if
• 1:07:43
  Speaker 4: I guess it was nice to say him get beaten
• 1:07:44
  Speaker 4: up a little bit, wasn't it, because he'd been a
• 1:07:45
  Speaker 4: douche bag. Margine's home on the TV, sing and Margarine.
• 1:07:58
  Speaker 6: Spread Yellow Girl on my pancake cart, Country jun Girl
• 1:08:04
  Speaker 6: in my grocery cart.
• 1:08:06
  Speaker 2: Could he be singing about me?
• 1:08:11
  Speaker 5: He is? I paid for her dreams.
• 1:08:14
  Speaker 6: She taught me to cry like Waterine knives like rain
• 1:08:18
  Speaker 6: from my eyes.
• 1:08:21
  Speaker 5: I can't believe you're not mine. I can't believe.
• 1:08:31
  Speaker 6: You're not mine, my dream Drene.
• 1:08:40
  Speaker 5: Margarine, Magarine, Margarine, he loves me so much after what I.
• 1:08:52
  Speaker 4: Did to him, And sad Gasamin is the new support
• 1:08:56
  Speaker 4: breaking up and hums hold himself on his manser because
• 1:08:58
  Speaker 4: he's got an addiction for that Kurt Loader reporting from
• 1:09:02
  Speaker 4: the nineties. Then Marge goes to rescue him, and he
• 1:09:04
  Speaker 4: walked in and as a needle in his arm, and.
• 1:09:05
  Speaker 5: I was like, oh, sure, that's confronted him.
• 1:09:07
  Speaker 4: Yeah, But it turns out that I knew it.
• 1:09:09
  Speaker 5: He didn't need it. I thought that was a nice
• 1:09:11
  Speaker 5: little fat switch. Too many forrappuccino.
• 1:09:13
  Speaker 4: Yes, he really did any injections. So he's now in hospital.
• 1:09:16
  Speaker 4: She asked him to take her back and be on
• 1:09:20
  Speaker 4: the horizon. We've got reality shows, Britney spears, a lot
• 1:09:22
  Speaker 4: of home runs all of a sudden in the baseball
• 1:09:25
  Speaker 4: and the President.
• 1:09:26
  Speaker 5: But I'm wondering if that's around the time of the
• 1:09:28
  Speaker 5: doping scan. Of course it is.
• 1:09:29
  Speaker 4: Yeah, steroids in baseball, yep, and the talk about the
• 1:09:32
  Speaker 4: president who would never lie, never, never, never. So now
• 1:09:36
  Speaker 4: they're at the minigolf course, now, Philith, this was Matt
• 1:09:38
  Speaker 4: Salmon's way of trying to bring it back to the
• 1:09:41
  Speaker 4: history that we remember of when they first did it
• 1:09:43
  Speaker 4: in the put golf Mini Put. So they go to
• 1:09:48
  Speaker 4: minigov Course, in the castle, I think it was the
• 1:09:49
  Speaker 4: castle is at the windmill? I think it's a windmill,
• 1:09:52
  Speaker 4: win mill or the castle? Either way, Where did I miss?
• 1:09:55
  Speaker 5: How did it end? Did you ever get back together? Yep?
• 1:09:57
  Speaker 6: That professor couldn't keep me in march apart. I mean
• 1:10:00
  Speaker 6: unless he had been a little nicer at the beach.
• 1:10:04
  Speaker 2: That professor did teach me one good lesson, Homie is
• 1:10:08
  Speaker 2: where my heart is.
• 1:10:11
  Speaker 6: And once we were back together, I was too happy
• 1:10:14
  Speaker 6: ever to grunge again.
• 1:10:17
  Speaker 5: I thought was a sweet ending.
• 1:10:19
  Speaker 4: The professor from the UNI's outside Condham townies again, But
• 1:10:21
  Speaker 4: I thought all in all, why would you hate this episode?
• 1:10:26
  Speaker 4: I understand the gripe with the continuity, but I think
• 1:10:28
  Speaker 4: they establish at the start that this is just a
• 1:10:30
  Speaker 4: bit of fun.
• 1:10:30
  Speaker 5: This is damning it with ray and praise. It's too
• 1:10:32
  Speaker 5: inoffensive to hate. Yeah, there's nothing wrong with it. There
• 1:10:35
  Speaker 5: were ways to improve it.
• 1:10:37
  Speaker 4: Certainly as a nineties kid, I enjoyed it.
• 1:10:39
  Speaker 5: I thought it was just fine. Yeah, I'd give it
• 1:10:41
  Speaker 5: a tweet out of five.
• 1:10:43
  Speaker 4: Yeah, there's nothing wrong with I enjoyed this more than
• 1:10:46
  Speaker 4: most episodes I had in season nineteen so far. So anyway,
• 1:10:49
  Speaker 4: I wonder if the outrage came from Epler Boswegian as
• 1:10:52
  Speaker 4: much as what this one, because this one was just
• 1:10:53
  Speaker 4: like absolutely just like how dare you like? Principle on
• 1:10:55
  Speaker 4: the pulpit levels and I'm thinking they were just.
• 1:10:57
  Speaker 5: How dear you would gret A Turnberg? Yeah, I just couldn't.
• 1:11:00
  Speaker 5: I could understand, but I don't get that now. Plupos
• 1:11:02
  Speaker 5: Wigan are far more of a debarkle than this. This
• 1:11:05
  Speaker 5: was a perfectly pleasant, i won't say non event but
• 1:11:10
  Speaker 5: a trifle. That's some with Mark koklek Roder. You're not
• 1:11:14
  Speaker 5: bad at your joke. You do Simpsons good. What do
• 1:11:17
  Speaker 5: we learn Bomber, What did.
• 1:11:19
  Speaker 4: You learn from this episode, mister Davis.
• 1:11:21
  Speaker 5: That the woke culture of the twenty twenties is really
• 1:11:24
  Speaker 5: just the new coke to the original the snags since
• 1:11:29
  Speaker 5: new age guys, it's really just a rebrand of full
• 1:11:33
  Speaker 5: throttle nineties political correctness.
• 1:11:35
  Speaker 4: I miss when ad breaks run into and a half minutes.
• 1:11:40
  Speaker 5: Have you been you mentioned the Olympics earlier? Have you
• 1:11:42
  Speaker 5: been watching the twenty twent ten dollars? That's right? Yeah,
• 1:11:45
  Speaker 5: so you don't have to put up with any of
• 1:11:46
  Speaker 5: it ads, okay, peasants and non Channel nine and we're
• 1:11:50
  Speaker 5: seeing it like same ads all the time. And also
• 1:11:53
  Speaker 5: it's like, I think the problem with commercial TV is
• 1:11:54
  Speaker 5: actually the commercials. They've got these ads for Telstra, I'm
• 1:11:58
  Speaker 5: naming names folks, and then the weird sort of stop
• 1:12:02
  Speaker 5: motion animation. I get the feeling. Let someone at the
• 1:12:04
  Speaker 5: added and she's watched a lot of Wes Anderson's like,
• 1:12:07
  Speaker 5: we're going to be sort of weird and quirky and
• 1:12:08
  Speaker 5: a little bit of bleak, and you're not quite sure
• 1:12:10
  Speaker 5: what we're advertising and how we're going about it. I
• 1:12:14
  Speaker 5: was watching Going fuck Off. I own shares in Telstra.
• 1:12:19
  Speaker 5: I might sell them because of these ads and shares
• 1:12:22
  Speaker 5: the only shares I own, I get a dividend of
• 1:12:26
  Speaker 5: something like fifty dollars a quarter. So yeah, but I said,
• 1:12:35
  Speaker 5: I'm gold nigger anyway, But yes, I do want shares
• 1:12:39
  Speaker 5: in Telstra, but after these ads, I'm thinking maybe not. Yes. Yeah.
• 1:12:43
  Speaker 4: Watching the ten play app, which is Channel ten here
• 1:12:45
  Speaker 4: in Australia, we watch have you been paying attention?
• 1:12:47
  Speaker 5: On there?
• 1:12:48
  Speaker 4: Because I'm not watching its standard definition of Fox help,
• 1:12:51
  Speaker 4: and we don't have an area on our TV, so
• 1:12:52
  Speaker 4: we have to be only stream and so.
• 1:12:55
  Speaker 5: You're spitting like you're making some grand gesture. It's like
• 1:12:57
  Speaker 5: I couldn't do it anyway.
• 1:13:00
  Speaker 4: So we watched it through the app and the ads
• 1:13:05
  Speaker 4: just every ad break is the same, like four or
• 1:13:07
  Speaker 4: five ads.
• 1:13:07
  Speaker 5: Yes, often they'll play the same ad back to bad.
• 1:13:09
  Speaker 4: Yes, And I'm like, we just saw this ad, why
• 1:13:12
  Speaker 4: is this on again? I like sexy Land, but still.
• 1:13:16
  Speaker 5: I was already attending. I was already a patriot of sex.
• 1:13:19
  Speaker 5: You don't need to do the hard sount It did.
• 1:13:20
  Speaker 4: Become like a little inject for us, though, because the
• 1:13:22
  Speaker 4: sexy Lent ad had sort of like a big, sort
• 1:13:24
  Speaker 4: of scale of society it was like a you know,
• 1:13:28
  Speaker 4: a drag, a drag queen. There was just a young white,
• 1:13:31
  Speaker 4: straight couple. There was an older woman and Nicko and I.
• 1:13:34
  Speaker 4: The inject for us was always just like you reckon,
• 1:13:36
  Speaker 4: she's buying, she's getting up tonight, she's old ladies, just
• 1:13:42
  Speaker 4: like holding a box, Like what's in that box?
• 1:13:47
  Speaker 5: Anyway? Right in? Let us know what's in to quote
• 1:13:50
  Speaker 5: Brad pettin seven, what's in the ads?
• 1:13:52
  Speaker 4: If you could support us on Patreon, that would be
• 1:13:53
  Speaker 4: much appreciated, that too.
• 1:13:55
  Speaker 5: But if we'd like to know what you think is
• 1:13:57
  Speaker 5: in the sexy Land box for the old Lady forward,
• 1:14:00
  Speaker 5: your names will be it's.
• 1:14:02
  Speaker 4: The Guy Davis New Name Championship. All right, Well you're
• 1:14:05
  Speaker 4: jumping right into it. Okay, so you're messing with the timeline.
• 1:14:08
  Speaker 4: The current leaderboard stands at this In first position, we
• 1:14:13
  Speaker 4: have Jared Homby on thirteen points, In second position we
• 1:14:17
  Speaker 4: have Adam Worehouse on twelve points, only one point behind,
• 1:14:20
  Speaker 4: and in third position we have a tie between Kyle
• 1:14:22
  Speaker 4: Muldoon Clever Kyle and Phil Hawkins on seven points.
• 1:14:25
  Speaker 5: Take it away, Take it away? Okay, first point one
• 1:14:28
  Speaker 5: point goes to come as.
• 1:14:30
  Speaker 4: You were not bad. That is all a newbie to
• 1:14:33
  Speaker 4: the new name leaderboard. It's Daniel Hartley.
• 1:14:36
  Speaker 5: Ah, nice work, Dan, you're on the leaderboard. You may
• 1:14:39
  Speaker 5: get a little something if you get lucky at the
• 1:14:42
  Speaker 5: end of this wild card. Yes, a wild card. Two
• 1:14:44
  Speaker 5: points go to same sad time, same bad, Flannel Al.
• 1:14:48
  Speaker 4: He's getting closer. He hasn't the j yet, but Phil
• 1:14:51
  Speaker 4: Hawkins are the two points. Is now outright third on
• 1:14:53
  Speaker 4: nine points.
• 1:14:54
  Speaker 5: So far, well done, Phil, We are lucky to have
• 1:14:56
  Speaker 5: you with us.
• 1:14:57
  Speaker 4: But will Adam or Jerry get away here with the
• 1:14:59
  Speaker 4: three point of wish Finally, let's.
• 1:15:00
  Speaker 5: Wind out because the three points and the three points
• 1:15:02
  Speaker 5: go to never mind the timeline.
• 1:15:05
  Speaker 4: It's Fergus Jeffs's never been on the letter board yet
• 1:15:07
  Speaker 4: this season, so many wild cards, so three points two Fergus,
• 1:15:12
  Speaker 4: Jeff's well done, Fergus. That means that now in first
• 1:15:15
  Speaker 4: position is still Jared on thirteen Jared Hornby second position,
• 1:15:18
  Speaker 4: Adam Moorehouse on twelve points, and in third position we
• 1:15:21
  Speaker 4: have Phil Hawkins on nine points.
• 1:15:24
  Speaker 5: This is quite the horse race. Yeah, Phil, thrill to
• 1:15:28
  Speaker 5: see how this progresses. He's nearly got the Jay's four
• 1:15:29
  Speaker 5: points away from getting the j back Phil playing the
• 1:15:33
  Speaker 5: long game, you know, keeping us all entertained.
• 1:15:35
  Speaker 4: Yes, so yes, I said Jared, Adam and Phil Now first, second,
• 1:15:39
  Speaker 4: and third. As we just mentioned, the next episode of
• 1:15:43
  Speaker 4: four Figure Discount from season nineteen, we shall be reviewing
• 1:15:45
  Speaker 4: Love Springfield and I can't say that love Springfieldian style.
• 1:15:49
  Speaker 4: It's a time twist. He loves springfielder and style and
• 1:15:52
  Speaker 4: also our channel.
• 1:15:53
  Speaker 5: Let me try love spring Feeding it is. I'm going
• 1:15:58
  Speaker 5: to show this guy does stumble love spring fielding and stuff.
• 1:16:02
  Speaker 4: Yeah, you have to slow down.
• 1:16:04
  Speaker 5: You've got to slow down, You got to focus, You
• 1:16:05
  Speaker 5: got to concentrate as opposed to just rap it on
• 1:16:07
  Speaker 5: like we do on four figure.
• 1:16:08
  Speaker 4: This exactly right. SA's gona the next episode of season nineteen.
• 1:16:11
  Speaker 4: We were doing a classic episode in a couple of
• 1:16:13
  Speaker 4: weeks as well. I'll tell you what it is, will
• 1:16:15
  Speaker 4: surprise you with it. Find a little guy on Springfield
• 1:16:18
  Speaker 4: and of course our chat with mister Matt Salmon, the
• 1:16:20
  Speaker 4: producer of the Simpsons, our main man. He's been kind
• 1:16:24
  Speaker 4: enough to give us some of his time this week,
• 1:16:26
  Speaker 4: and we shall be throwing up that chat on here.
• 1:16:28
  Speaker 4: We just thought it would be a good way to
• 1:16:29
  Speaker 4: sort of a good time, because you know he wrote
• 1:16:31
  Speaker 4: that seventh, that ninety show. He's very proud of this episode.
• 1:16:34
  Speaker 4: He likes to defend it. Give him some chats to
• 1:16:36
  Speaker 4: defend it. Yeah, someone for the defense. My first thing
• 1:16:38
  Speaker 4: he'd be like, I don't think of anything to defend.
• 1:16:40
  Speaker 5: Mate. Good talking to a matut bute.
• 1:16:42
  Speaker 4: So guys, think again for all your support here at
• 1:16:45
  Speaker 4: four figure discap Misa Davis any find the words for
• 1:16:47
  Speaker 4: those incredible listeners out there.
• 1:16:48
  Speaker 5: We hope you've enjoyed listening to dandel and Guy, just
• 1:16:51
  Speaker 5: a couple of monkey men making the gas flow sh