Latest / Movie Meltdown / 76.2: As Freddy Krueger Becomes The Flying Dutchman

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76.2: As Freddy Krueger Becomes The Flying Dutchman · Movie Meltdown

• 0:00
  Speaker 1: The following feature has been rated R by the Motion
• 0:02
  Speaker 1: Picture Association of America.
• 0:04
  Speaker 2: It is intended for mature audiences and parental discretion is advised.
• 0:19
  Speaker 3: It's showtime folks!
• 0:21
  Speaker 4: Enjoy the show!
• 0:32
  Speaker 5: Hey, this is Amariko Olivo, and you're listening to Movie Meltdown.
• 0:47
  Speaker 2: Get more out of life. Go out to a movie.
• 0:51
  Speaker 6: Out of town.
• 0:54
  Speaker 7: Out of town.
• 0:55
  Speaker 6: Out of the night.
• 0:57
  Speaker 7: Out of town.
• 1:04
  Speaker 8: Kruger!
• 1:04
  Speaker 2: Come on out, you sick bastard! You open this door, Kruger!
• 1:09
  Speaker 2: What do you think I did?
• 1:11
  Speaker 6: I didn't do anything!
• 1:21
  Speaker 9: What are you trying to do tonight?
• 1:26
  Speaker 7: If this is some game.
• 1:30
  Speaker 7: I just don't wanna play.
• 1:34
  Speaker 10: If you wanna stay alive Don't sleep Don't sleep.
• 1:54
  Speaker 2: Welcome to movie meltdowns out on the town once again
• 1:57
  Speaker 2: i am brian and this is roger again i am
• 1:59
  Speaker 2: still misty jay to decide what to go with today.
• 2:04
  Speaker 10: This is jay.
• 2:06
  Speaker 11: And marlena all right.
• 2:10
  Speaker 2: And uh this week's out of the town feature is
• 2:12
  Speaker 2: nightmare on elm street and what you're currently listening to
• 2:16
  Speaker 2: i'm about to unveil on the crew here um This is,
• 2:19
  Speaker 2: once again, while rummaging around through things, I find all
• 2:22
  Speaker 2: kinds of crazy shit. Luckily, and once again, coincidentally for
• 2:25
  Speaker 2: this week's show, I came across my original issue, Freddy's
• 2:29
  Speaker 2: Greatest Hits on Vinyl here.
• 2:31
  Speaker 5: Oh, my. That's amazing. He'd like to peruse me. Look
• 2:35
  Speaker 5: at his face.
• 2:36
  Speaker 10: Does he do any rapping?
• 2:37
  Speaker 5: Look at the back. The back is the best. What
• 2:40
  Speaker 5: is with that move?
• 2:42
  Speaker 11: This is the coolest thing you own.
• 2:44
  Speaker 6: Okay.
• 2:45
  Speaker 5: We've got to put this on the website.
• 2:47
  Speaker 2: Oh, yeah.
• 2:48
  Speaker 11: Yeah.
• 2:48
  Speaker 2: So, yeah, we're going to, I think, do nothing. But, yeah, see,
• 2:52
  Speaker 2: I think we're going out with Do the Freddy. It's
• 2:53
  Speaker 2: pretty classically bad. I'm going to let you guys pick
• 2:57
  Speaker 2: the next two in between now and then. So start
• 3:00
  Speaker 2: thinking about it. There's, let's see.
• 3:02
  Speaker 12: I'm going to have both.
• 3:02
  Speaker 11: Is there going to be a superhero fan?
• 3:03
  Speaker 10: Well, there's only about, let's.
• 3:07
  Speaker 2: See, there's only about five other ones we can throw
• 3:09
  Speaker 2: out there.
• 3:09
  Speaker 10: That's amazing.
• 3:11
  Speaker 11: I want to join the Freddy fan club.
• 3:12
  Speaker 5: Can we do that?
• 3:13
  Speaker 2: I think I did, actually. I know I ordered, because
• 3:15
  Speaker 2: there was a little flyer that came in with that,
• 3:17
  Speaker 2: and I'm pretty sure I ordered the t-shirt that came
• 3:19
  Speaker 2: off of there.
• 3:19
  Speaker 13: See, I don't know what it is. The old Freddy still,
• 3:21
  Speaker 13: to me, looks better than the new one. The new
• 3:24
  Speaker 13: one just does not look good.
• 3:26
  Speaker 2: Which I guess we'll get into in a minute.
• 3:28
  Speaker 5: Yeah.
• 3:29
  Speaker 2: So, to continue on, but yeah, I had to bust
• 3:31
  Speaker 2: that out, and I figure that will be our music
• 3:33
  Speaker 2: for this episode, even though... The vocals on this album
• 3:36
  Speaker 2: are provided by Robert England, of course, who is not
• 3:38
  Speaker 2: in any way, shape, or form affiliated with this movie.
• 3:41
  Speaker 2: I don't really care. We're geeks. We mesh things together
• 3:43
  Speaker 2: in no big mess. So that's what we're going to do.
• 3:45
  Speaker 2: So that will be our theme music for the evening.
• 3:48
  Speaker 11: Awesome. Good.
• 3:49
  Speaker 5: All right.
• 3:50
  Speaker 2: So this week is Nightmare on Elm Street. A year
• 3:53
  Speaker 2: is 2010 since we just went to the theater and
• 3:54
  Speaker 2: saw it. Director Samuel Bayer, the plot, as they put
• 3:59
  Speaker 2: it on IMDb, A reimagining of the horror icon Freddy Krueger,
• 4:03
  Speaker 2: a serial killer who wields a glove with four blades
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  Speaker 2: embedded in the fingers and kills people in their dreams,
• 4:08
  Speaker 2: resulting in their real death in reality, which isn't that redundant.
• 4:12
  Speaker 10: Yeah.
• 4:14
  Speaker 2: Nice wording, IMDb. So, we'll throw out a big spoiler
• 4:20
  Speaker 2: alert right here, because it's a brand new movie, and
• 4:22
  Speaker 2: we're probably going to go well into what the hell's
• 4:25
  Speaker 2: going on. Is it really a spoiler?
• 4:27
  Speaker 12: Because, I mean, really, it's the same thing that happened
• 4:29
  Speaker 12: in the first movie, like 20 some odd years ago.
• 4:31
  Speaker 5: Mostly.
• 4:32
  Speaker 2: There were a few changes. Not so many, but okay,
• 4:35
  Speaker 2: go ahead. So, where would you like to begin on
• 4:38
  Speaker 2: Nightcrown Elm Street?
• 4:39
  Speaker 12: I was not happy with this movie for many different reasons.
• 4:41
  Speaker 12: It was fun at some points. At some points, it
• 4:44
  Speaker 12: was fun. As long as you had never seen the
• 4:46
  Speaker 12: first one, maybe?
• 4:48
  Speaker 2: Yeah, I think I had a little reaction to that.
• 4:50
  Speaker 10: I still think we should have seen this on Dixie Highway.
• 4:54
  Speaker 13: It would have been a lot more entertaining with the
• 4:56
  Speaker 13: people yelling at the screen.
• 4:57
  Speaker 12: Now you've got to wait until Dollar Night.
• 4:59
  Speaker 13: Yeah, Dollar Night would have been a lot more fun.
• 5:02
  Speaker 5: To get the full advantage of the drunken debauchery.
• 5:07
  Speaker 11: I really like the movie, personally.
• 5:10
  Speaker 12: I was not a big fan of this Freddie. I mean,
• 5:12
  Speaker 12: I wanted to like him because I liked that guy
• 5:14
  Speaker 12: in other stuff, but I did not like, I didn't
• 5:17
  Speaker 12: like the makeup. I didn't like the way he looked.
• 5:18
  Speaker 12: I didn't like the way he sounded. I didn't like
• 5:20
  Speaker 12: the way he was written. His lines were just retarded,
• 5:23
  Speaker 12: which is, you know, yeah, they were retarded in the
• 5:24
  Speaker 12: original one, but still at least Robert Englund was awesome
• 5:27
  Speaker 12: enough to be able to pull them off. It was just,
• 5:29
  Speaker 12: it fell flat.
• 5:30
  Speaker 2: And I was just, That is something I was surprised with,
• 5:33
  Speaker 2: because everybody kept saying, you know, oh, you know, Robert
• 5:36
  Speaker 2: Englund's Freddy got so cheesy, and this one's going to
• 5:38
  Speaker 2: be dark, and this one's not going to be all
• 5:39
  Speaker 2: the quippy one-liners. And I was like, many times in
• 5:42
  Speaker 2: this movie, it gets pretty one-liner.
• 5:44
  Speaker 12: But he couldn't pull them off.
• 5:46
  Speaker 2: Yeah, he doesn't have the charisma that Robert Englund did
• 5:49
  Speaker 2: in the makeup.
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  Speaker 12: Like, I mean, I'm sure even Robert Englund could have
• 5:51
  Speaker 12: pulled off the cheesy, I was just petting him line.
• 5:54
  Speaker 12: Not this guy.
• 5:56
  Speaker 2: Stupid. Yeah, there's several of those that were like, wow,
• 5:59
  Speaker 2: that was... that was just really cheesy and it didn't
• 6:02
  Speaker 2: yeah he just didn't have the fun with it to
• 6:05
  Speaker 2: pull it off they just kind of fall flat when
• 6:07
  Speaker 2: he does.
• 6:08
  Speaker 12: Them I didn't like the makeup I thought the original
• 6:11
  Speaker 12: 1984 makeup looked a hell of a lot better yeah
• 6:15
  Speaker 12: maybe not realistic exactly I don't care.
• 6:17
  Speaker 2: Though it's a movie I don't need realism I.
• 6:19
  Speaker 11: Definitely like the original Freddie's makeup a.
• 6:22
  Speaker 2: Lot better yeah and I think the problem was number
• 6:25
  Speaker 2: one they tried to change it and make it realistic
• 6:26
  Speaker 2: but the other problem is Jackie Earl Haley's face And
• 6:30
  Speaker 2: I'm not complaining. I actually like him in the real world,
• 6:32
  Speaker 2: but I'm saying the mixture of the two makes it
• 6:34
  Speaker 2: look weird. Like, he looks like an alien.
• 6:37
  Speaker 10: Yeah, he does.
• 6:37
  Speaker 12: He does.
• 6:38
  Speaker 5: He looks real smooth. Like, his face is cratered and stuff,
• 6:41
  Speaker 5: but it almost has this smoothness to it.
• 6:44
  Speaker 2: It's the nose area. They gave him this big, wide
• 6:46
  Speaker 2: area in the middle that looks like some sort of
• 6:48
  Speaker 2: weird alien.
• 6:49
  Speaker 5: Like the beast.
• 6:51
  Speaker 2: Yeah, like some sort of, yeah. It just doesn't look right.
• 6:55
  Speaker 11: Am I the only one that thinks Jackie Earl Haley
• 6:57
  Speaker 11: is creepy enough outside of the makeup?
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  Speaker 12: Yeah. Oh, yeah.
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  Speaker 2: I mean, he was easily creepier in the flashbacks.
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  Speaker 12: Yeah.
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  Speaker 10: Yeah.
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  Speaker 11: I definitely thought. I was like, oh, freckles.
• 7:08
  Speaker 5: Freckles.
• 7:10
  Speaker 10: Freckles.
• 7:11
  Speaker 5: Well, he obviously had, like, you know, bad acne or
• 7:14
  Speaker 5: something when he was younger.
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  Speaker 2: Yeah.
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  Speaker 5: So he's got those pockmarks and craters and scars.
• 7:18
  Speaker 12: Yeah.
• 7:19
  Speaker 5: Or, I don't know, maybe Chipper Shredder just hit my face.
• 7:22
  Speaker 2: Well, even as a kid, he wasn't a cute kid.
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  Speaker 2: I mean, he was a good actor when he was
• 7:26
  Speaker 2: a little kid. He grew up and kind of disappeared
• 7:29
  Speaker 2: and got scarier looking as he got older. And now
• 7:31
  Speaker 2: he's sort of using that to his advantage. I mean,
• 7:33
  Speaker 2: he's playing every villain in all the movies now, but.
• 7:36
  Speaker 11: He wasn't a villain in The Watchmen. Rorschach wasn't really.
• 7:39
  Speaker 2: Rorschach's kind of a villain. I mean, you know, for
• 7:41
  Speaker 2: a superhero, he's pretty close to a villain.
• 7:44
  Speaker 11: Kind of a vigilante villain.
• 7:45
  Speaker 2: Yeah. I mean, he certainly doesn't really play by anybody's rules.
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  Speaker 12: I don't think they overdid the makeup. They were trying
• 7:52
  Speaker 12: so hard for realism that it just became fake in
• 7:55
  Speaker 12: how real they were trying to make it.
• 7:56
  Speaker 2: Yeah.
• 7:56
  Speaker 5: I don't know. I think there are parts... I thought
• 7:59
  Speaker 5: the makeup was really good. Like, it almost... Seemed like
• 8:02
  Speaker 5: you could see into his cheek a couple times to
• 8:06
  Speaker 5: where just that meatiness.
• 8:08
  Speaker 3: I don't know.
• 8:09
  Speaker 5: I thought it was really good, but not so much
• 8:12
  Speaker 5: a burn victim. Maybe a burn victim who's been picking
• 8:15
  Speaker 5: at his scabs constantly. Or one that got skin grafts. Oh, yeah.
• 8:21
  Speaker 5: He's already got skin grafts.
• 8:23
  Speaker 13: Whereas the old Freddy looks like he got burned and
• 8:25
  Speaker 13: his flesh got ripped off.
• 8:26
  Speaker 6: Yeah, yeah.
• 8:27
  Speaker 10: It was a lot scarier. Not that Nightmare was scared,
• 8:31
  Speaker 10: but he looked freakier.
• 8:33
  Speaker 2: Well, the first one was.
• 8:34
  Speaker 5: The first one was, and that's the one thing that
• 8:37
  Speaker 5: I was excited for, just seeing the commercials, that the
• 8:40
  Speaker 5: first one... First one is, it's creepy. It's really, you know,
• 8:44
  Speaker 5: it's really creepy. And still even nowadays it holds up to, like,
• 8:47
  Speaker 5: give me chills.
• 8:48
  Speaker 12: Like, ugh.
• 8:49
  Speaker 5: But this was not in any way, shape, or form.
• 8:53
  Speaker 5: I liked how they kind of kept the whole body
• 8:55
  Speaker 5: bag in the dream sequence in the school.
• 8:58
  Speaker 12: Yeah.
• 8:59
  Speaker 5: Because that part was really fucking creepy in the first one.
• 9:02
  Speaker 11: The thing I liked about this one is that they
• 9:04
  Speaker 11: kept my favorite scenes. The body bag scene, the scene
• 9:06
  Speaker 11: where she's walking and her feet sink through the stairs.
• 9:09
  Speaker 4: Stink, yeah.
• 9:10
  Speaker 11: And then also the scene where, the part I didn't like,
• 9:13
  Speaker 11: the scene where he comes, his face comes out of
• 9:15
  Speaker 11: the wall.
• 9:16
  Speaker 5: It was too CGI.
• 9:17
  Speaker 2: That looked terrible.
• 9:18
  Speaker 5: It was terrible.
• 9:19
  Speaker 2: It looks so good in the original.
• 9:20
  Speaker 12: That was my response to it. After watching it, I
• 9:22
  Speaker 12: saw it. I was like, oh my God, that's horrible.
• 9:24
  Speaker 5: Yes. No.
• 9:26
  Speaker 2: Yes.
• 9:26
  Speaker 11: Yeah.
• 9:27
  Speaker 12: And I was just like, it wasn't bad enough that
• 9:30
  Speaker 12: he was coming through the wall when they actually put
• 9:32
  Speaker 12: his face on there.
• 9:33
  Speaker 2: I'm like, I'm pretty sure we can figure out who
• 9:35
  Speaker 2: it is. You don't have to change it to the
• 9:37
  Speaker 2: right color and everything. We're at Nightmare on Elm Street.
• 9:40
  Speaker 2: We're pretty sure it's Freddy coming through the wall. But
• 9:44
  Speaker 2: it's funny that you guys like that, because that was
• 9:46
  Speaker 2: one of my least favorite things about this version, was
• 9:49
  Speaker 2: that they kept all that stuff in. I really, and
• 9:52
  Speaker 2: I say this about a lot of cheesy remakes, I
• 9:54
  Speaker 2: wish they would just take a really light version of
• 9:57
  Speaker 2: the story and just go their own way, and I
• 9:59
  Speaker 2: think this one almost stuck too close to trying to
• 10:01
  Speaker 2: hit all the big famous marks from the last one.
• 10:05
  Speaker 2: It's like, well, we've got to work the body bag in,
• 10:06
  Speaker 2: and we've got to.
• 10:08
  Speaker 10: Work the flying bed scene.
• 10:09
  Speaker 5: But I'm surprised that they didn't do the pulling, like,
• 10:12
  Speaker 5: you know, into the bed. The Johnny Depp scene.
• 10:16
  Speaker 2: Which, I mean, they still kind of did their tribute
• 10:19
  Speaker 2: to it yeah they kind of went backwards but you
• 10:22
  Speaker 2: know they still did their little tribute to it but
• 10:24
  Speaker 2: in a way I was just like it's almost like
• 10:26
  Speaker 2: they were working too hard to hit those like these
• 10:28
  Speaker 2: are the really famous scenes we've got to work these
• 10:30
  Speaker 2: in that's.
• 10:31
  Speaker 12: What people want to see they have a certain preconceived
• 10:33
  Speaker 12: notion as to what should be in the movie and
• 10:35
  Speaker 12: they're like.
• 10:36
  Speaker 2: Yeah but people are stupid that's my problem yeah People
• 10:40
  Speaker 2: need to just not be so lame.
• 10:43
  Speaker 12: But people are comfortable with that. They want to stay
• 10:45
  Speaker 12: in their comfort zone. They're like, well, people love this
• 10:47
  Speaker 12: the first time. If we put them to like this,
• 10:49
  Speaker 12: they're going to want.
• 10:49
  Speaker 11: To do that.
• 10:50
  Speaker 2: But I think that's bullshit. I wish they would just
• 10:52
  Speaker 2: make a good movie of their own. You can take
• 10:54
  Speaker 2: this basic idea. Because, I mean, there's a hell of
• 10:57
  Speaker 2: a lot of potential there. It's like all you have
• 10:59
  Speaker 2: to do is once you enter the dream world, you
• 11:01
  Speaker 2: can do fucking anything. So, I mean, really, they've got
• 11:04
  Speaker 2: unlimited ways that they could take this and and they
• 11:07
  Speaker 2: stick really close, and it's almost like they do start
• 11:10
  Speaker 2: to stray off here and there, but it's like they
• 11:11
  Speaker 2: have to make a U-turn sometimes to get back to,
• 11:14
  Speaker 2: oh wait, we gotta work this scene in. So I
• 11:17
  Speaker 2: almost wish they would've strayed further away from that, because
• 11:20
  Speaker 2: when it got to the body bag scene, or when
• 11:21
  Speaker 2: it got to the flipping around in the bed scene,
• 11:23
  Speaker 2: I just watched the other one the night before and
• 11:25
  Speaker 2: I'm like, I've already seen these. And not, I've just
• 11:27
  Speaker 2: seen these the night before. It's just like, these are familiar. Like,
• 11:30
  Speaker 2: I've already seen this. If you're, you know, you only
• 11:33
  Speaker 2: get a chance to make so many movies, Mr.
• 11:35
  Speaker 11: Director.
• 11:36
  Speaker 2: You know, it's like you only get a chance to
• 11:37
  Speaker 2: do so much. Why take something... We've already seen almost
• 11:40
  Speaker 2: shot for shot only make it a little worse in
• 11:43
  Speaker 2: some cases because I didn't even like the flipping around
• 11:45
  Speaker 2: in the bed scene. I think that's ridiculous and overdone.
• 11:48
  Speaker 2: It was really creepy the first time because there's very
• 11:51
  Speaker 2: little to it. And then she flips around and then
• 11:54
  Speaker 2: she hits up on the ceiling and is like calling
• 11:56
  Speaker 2: out to him. And the first one is like disturbing
• 11:58
  Speaker 2: and weird. This looks like fucking gymnastics.
• 12:01
  Speaker 5: And the blood I think was a lot better in
• 12:03
  Speaker 5: the first one too to where like when he like
• 12:06
  Speaker 5: dug his claws it was almost like And she hit
• 12:08
  Speaker 5: the bed. It was almost like an explosion to where
• 12:11
  Speaker 5: this was just kind of like a leaking. It was
• 12:13
  Speaker 5: just kind of like.
• 12:16
  Speaker 13: I don't know.
• 12:16
  Speaker 5: She's leaking. It wasn't as dramatic in the right way
• 12:22
  Speaker 5: as it was in the first movie, I feel.
• 12:24
  Speaker 13: I will give it props on its dream sequences, though.
• 12:28
  Speaker 13: I mean, the visuals in it were good, I thought.
• 12:31
  Speaker 13: The transfers between dreams and the way... Yeah, I mean,
• 12:35
  Speaker 13: it's pretty close to the way my head works, you know,
• 12:37
  Speaker 13: when you're in one spot, and then all of a sudden, bam, you're.
• 12:40
  Speaker 10: In another spot, and you're like, what the hell?
• 12:42
  Speaker 2: Which the first one did that, too, but this one
• 12:44
  Speaker 2: did a really good version of that. They did a
• 12:46
  Speaker 2: really good version.
• 12:47
  Speaker 13: Of that, and there were a lot of good, just
• 12:49
  Speaker 13: the backgrounds, the visuals were great, but, you know, like
• 12:52
  Speaker 13: you said, it's all... These were all shocks that have
• 12:56
  Speaker 13: already been done. We've already seen them try to shock
• 12:59
  Speaker 13: us in a new way. Once we see her rolling
• 13:02
  Speaker 13: around on the ceiling, you're like.
• 13:04
  Speaker 2: Oh, we already know what's going to happen.
• 13:05
  Speaker 13: He's going to claw us to the chest, and then
• 13:07
  Speaker 13: the other guy's going to run out the room, and
• 13:09
  Speaker 13: he's going to get blamed for it.
• 13:11
  Speaker 10: We already know this.
• 13:12
  Speaker 2: Yeah.
• 13:12
  Speaker 10: So do something different. Do something that's going to, you know,
• 13:15
  Speaker 10: catch us off guard.
• 13:16
  Speaker 5: Like have a mini Freddy jump out of her chest
• 13:18
  Speaker 5: and run around. And then there's like a mini Freddy
• 13:20
  Speaker 5: in reality that they have to deal with.
• 13:22
  Speaker 2: Wasn't that like five or six? I thought by the
• 13:24
  Speaker 2: time they hit dream child, he had a mini Freddy.
• 13:26
  Speaker 11: Was it?
• 13:27
  Speaker 2: I'm pretty sure. I think there was.
• 13:29
  Speaker 5: Oh my God. Now I have to go back and
• 13:30
  Speaker 5: watch it. That sounds awesome.
• 13:33
  Speaker 2: Oh man.
• 13:34
  Speaker 11: I think the reason that I like this movie, um,
• 13:37
  Speaker 11: I know we were talking earlier about how they try
• 13:39
  Speaker 11: to give backstories to villains and make them seem like
• 13:41
  Speaker 11: they're not villains. And I was kind of pissed at
• 13:44
  Speaker 11: a certain point in the movie they kind of did
• 13:46
  Speaker 11: that because at the point when the parents told the kids... Like,
• 13:50
  Speaker 11: the teenagers didn't remember that and they thought that the
• 13:53
  Speaker 11: parents had just, like, misconstrued what they said and he
• 13:56
  Speaker 11: was coming back to get them because they lied. And
• 13:59
  Speaker 11: at that point of the movie, I was just like, oh,
• 14:00
  Speaker 11: fuck this movie. But at the end, when they find
• 14:03
  Speaker 11: out that he's coming to get them because.
• 14:07
  Speaker 12: They weren't lying, not.
• 14:08
  Speaker 11: Because they were. And they still gave Freddy a little
• 14:12
  Speaker 11: bit of backstory when they chased him into the warehouse
• 14:15
  Speaker 11: and set it on fire and stuff like that. I
• 14:18
  Speaker 11: thought it was just enough to make the movie, for
• 14:22
  Speaker 11: it to make sense. They didn't overdo it and over
• 14:25
  Speaker 11: try to make you Oh, poor Freddy. He just misunderstood.
• 14:29
  Speaker 10: Yeah, that's kind of what I was afraid of.
• 14:31
  Speaker 13: Because I saw that part in there where he was
• 14:33
  Speaker 13: kind of like watching the previews.
• 14:35
  Speaker 5: Where he's like, I didn't do anything.
• 14:36
  Speaker 10: And I was like, oh, my God, you got to
• 14:38
  Speaker 10: be kidding me. I mean, he did do something. I mean,
• 14:42
  Speaker 10: come on.
• 14:43
  Speaker 13: So when they do finally get to that point, you're like, yeah, yeah, see, see,
• 14:46
  Speaker 13: I told you. But still, even with the new Freddy,
• 14:49
  Speaker 13: and even though you find out all the stuff, it
• 14:52
  Speaker 13: doesn't make him as likable as the old Freddy.
• 14:55
  Speaker 10: For some reason, you knew the old Freddy was evil.
• 14:57
  Speaker 12: But he had charisma.
• 14:58
  Speaker 13: But he had charisma, and it made you like him.
• 15:00
  Speaker 13: And you didn't care if he was killing teenagers or not, because...
• 15:03
  Speaker 13: More than likely, if you're most of the geeks like
• 15:05
  Speaker 13: we were, you were sitting around going, yeah, take that.
• 15:08
  Speaker 5: Yeah, yeah.
• 15:08
  Speaker 2: You were siding with it.
• 15:09
  Speaker 12: Yeah.
• 15:10
  Speaker 2: Especially in the sequels. I mean, by the time you
• 15:12
  Speaker 2: hit four and on, you're just there to watch him
• 15:15
  Speaker 2: hack up teenagers.
• 15:16
  Speaker 5: You want them all to die.
• 15:17
  Speaker 2: The first one, you don't feel that way. You know,
• 15:19
  Speaker 2: the Heather Lander camp is a good main character. You
• 15:21
  Speaker 2: like her. You're on her side. You like Johnny Depp.
• 15:24
  Speaker 2: You know, you're on their side, but... By the time
• 15:26
  Speaker 2: he becomes the hero of the movie, he is what
• 15:29
  Speaker 2: you're there for, and you're there to watch him hack
• 15:32
  Speaker 2: up these annoying kids. So they make the kids more
• 15:34
  Speaker 2: annoying and more ridiculous.
• 15:36
  Speaker 10: As they go on.
• 15:37
  Speaker 11: Well, also another thing that I liked about this movie,
• 15:41
  Speaker 11: in the original, it was more like the kids were
• 15:44
  Speaker 11: paying for what the parents did. The kids weren't necessarily involved. Like,
• 15:49
  Speaker 11: Freddy didn't have a hand in hurting them so much.
• 15:51
  Speaker 2: Yeah.
• 15:52
  Speaker 11: But in this one, Freddy had.
• 15:54
  Speaker 2: I do.
• 15:55
  Speaker 11: He was after them and not.
• 15:56
  Speaker 2: Specifically, those kids. Like, they've got the photo. He's icing
• 16:01
  Speaker 2: them in order of, you know, whoever he wanted to. Yeah. So, it...
• 16:05
  Speaker 2: I do like that. And that was what I was
• 16:07
  Speaker 2: going to say on the, on the, what I, you know,
• 16:09
  Speaker 2: I went through some of the things I didn't like,
• 16:10
  Speaker 2: what I did like was sort of the mystery aspect
• 16:13
  Speaker 2: of it. They do enter into that like middle hour
• 16:15
  Speaker 2: there that becomes, you know, the two of them sort
• 16:18
  Speaker 2: of trying to track down all the facts and trying
• 16:20
  Speaker 2: to backtrack and figure out where, you know, how come
• 16:23
  Speaker 2: we don't know about this, you know, this school that
• 16:25
  Speaker 2: we went to and where are all these other kids that,
• 16:27
  Speaker 2: you know, have disappeared. And, So I like that angle.
• 16:30
  Speaker 2: I think, again, I think that's what it should have
• 16:32
  Speaker 2: focused more on is quit trying to hit all these
• 16:35
  Speaker 2: specific scenes that we've seen before. And focus more on
• 16:38
  Speaker 2: that and just go somewhere else. Just take that story
• 16:40
  Speaker 2: and run with it. Because, like, the scene in the drugstore,
• 16:45
  Speaker 2: that was a whole new thing. I kind of like that.
• 16:47
  Speaker 2: He's attacking her in the middle of the drugstore. Shit's
• 16:49
  Speaker 2: getting knocked off on the shelf. So it's like he's
• 16:51
  Speaker 2: sort of crossing over into the real world at that
• 16:53
  Speaker 2: point with her. That was sort of an original thing.
• 16:56
  Speaker 2: And then, you know, they get sort of off track
• 16:59
  Speaker 2: after that.
• 16:59
  Speaker 12: Yeah.
• 17:00
  Speaker 2: I didn't even mind when they end up in the
• 17:03
  Speaker 2: cave and they learn more. That was kind of cool, too,
• 17:06
  Speaker 2: because it ties to that story that you were saying.
• 17:09
  Speaker 2: It's like him sort of getting even with these kids
• 17:11
  Speaker 2: for basically selling them down the river. And they are
• 17:15
  Speaker 2: the reason he is the way that he is. So
• 17:17
  Speaker 2: it does make more sense. And it's more directly related
• 17:21
  Speaker 2: to the kids versus the original.
• 17:22
  Speaker 11: Yeah, that's what I liked about it.
• 17:25
  Speaker 2: I did like that part.
• 17:26
  Speaker 4: Nice.
• 17:27
  Speaker 12: I like for the most part that kids weren't incredibly
• 17:29
  Speaker 12: obnoxious in this movie.
• 17:31
  Speaker 2: Yeah.
• 17:31
  Speaker 12: Aside from the boyfriend. He kind of wanted him to
• 17:33
  Speaker 12: die just because he seemed like an asshole.
• 17:35
  Speaker 2: The one that went to prison?
• 17:37
  Speaker 12: Yeah.
• 17:37
  Speaker 2: Yeah, he was a douche.
• 17:38
  Speaker 12: He was kind of an asshole. For the most part,
• 17:39
  Speaker 12: I didn't hate the kids in this movie. Like, I
• 17:42
  Speaker 12: like Katie Cassidy. She's adorable. She's David Cassidy's daughter, and
• 17:45
  Speaker 12: she was in Harper's Island, which I loved. So I
• 17:48
  Speaker 12: like her.
• 17:48
  Speaker 2: Can we talk about the blonde, though? What was the
• 17:50
  Speaker 2: blonde's name?
• 17:51
  Speaker 12: Katie Cassidy? Like the main blonde?
• 17:53
  Speaker 2: Yeah, the first one.
• 17:53
  Speaker 12: Chris?
• 17:54
  Speaker 2: Died, Chris.
• 17:54
  Speaker 12: Yeah, Katie Cassidy.
• 17:55
  Speaker 2: How old is she?
• 17:57
  Speaker 12: Is she mid-20s?
• 17:59
  Speaker 2: She looks it. As they're sitting in high school, I
• 18:01
  Speaker 2: was like, isn't that chick 30? Like, what the hell
• 18:03
  Speaker 2: is she doing in high school?
• 18:04
  Speaker 5: She was one of the ones that definitely did not
• 18:06
  Speaker 5: fit that.
• 18:07
  Speaker 2: She didn't. Like, I mean, Beaver can almost still pull
• 18:09
  Speaker 2: off high school. But I'm just like, that chick was
• 18:12
  Speaker 2: just like, dude, seriously. Like, when she stood up next
• 18:15
  Speaker 2: to her mom, I was like, what'd you do as
• 18:17
  Speaker 2: the mom?
• 18:18
  Speaker 5: I was like, she.
• 18:19
  Speaker 2: Looks as old as her mom.
• 18:20
  Speaker 12: But I still liked her.
• 18:21
  Speaker 2: Yeah, I didn't dislike her.
• 18:22
  Speaker 12: And it wasn't overly distracting that she was, I mean,
• 18:25
  Speaker 12: it was noticeable. It wasn't like over to the point
• 18:27
  Speaker 12: where like, no, this fuck is me.
• 18:28
  Speaker 5: But I mean.
• 18:30
  Speaker 12: How is Beaver getting these roles? I'm sorry.
• 18:32
  Speaker 11: You can't make horror movies without him anymore. But I
• 18:35
  Speaker 11: don't understand because he's.
• 18:36
  Speaker 12: Not really attractive.
• 18:37
  Speaker 5: I don't know.
• 18:37
  Speaker 2: I like him though.
• 18:38
  Speaker 11: He was really cute in Veronica Mars but he's just
• 18:40
  Speaker 11: gotten like ugly.
• 18:42
  Speaker 12: He had a little mustache, too, that really creeped me out.
• 18:45
  Speaker 11: A crustache?
• 18:46
  Speaker 5: It was very strange. The rape stache.
• 18:48
  Speaker 12: But it's like, how does he keep getting these roles?
• 18:50
  Speaker 10: Who the hell are you talking about?
• 18:52
  Speaker 5: Beaver.
• 18:53
  Speaker 10: The Johnny Depp kid. The one that lives through.
• 18:55
  Speaker 2: The whole story, basically. Oh, that kid?
• 18:57
  Speaker 12: Yeah. He was Beaver and Veronica Mars.
• 18:59
  Speaker 2: I like him. I mean, as a character, he's... He's okay.
• 19:02
  Speaker 10: He's a tolerable character.
• 19:03
  Speaker 12: But he's not... For the most part, actors are supposed
• 19:07
  Speaker 12: to be like... and you put him on the wall.
• 19:11
  Speaker 2: You'd think it'd be the boyfriend who got that role,
• 19:12
  Speaker 2: because he's the pretty boy, the one that went to prison.
• 19:15
  Speaker 12: No, the pretty, pretty boy was Kellen Lutz, who got
• 19:17
  Speaker 12: killed off in the first, like, ten minutes.
• 19:19
  Speaker 2: The one in the diner?
• 19:20
  Speaker 12: Yeah, he was from fucking Twilight. You're going to kill
• 19:22
  Speaker 12: him off in the first ten minutes?
• 19:24
  Speaker 2: Whatever. I'm trying to think what he reminded me of.
• 19:27
  Speaker 12: He's a dracula he should have got killed off that
• 19:29
  Speaker 12: soon yeah but um still i liked him i mean i.
• 19:32
  Speaker 2: Didn't i'm so i was surprised they offed him as
• 19:35
  Speaker 2: quick as they did because i thought they were setting
• 19:36
  Speaker 2: him up to be sort of you know carrying the
• 19:38
  Speaker 2: story and i thought he would make it about to
• 19:41
  Speaker 2: win the blonde you know comes in it.
• 19:43
  Speaker 12: Was one of the bigger names in it like i
• 19:44
  Speaker 12: said after just gotten off twilight you figured he'd have.
• 19:46
  Speaker 11: More he didn't have enough time one thing that I
• 19:49
  Speaker 11: do like about The Nightmare on the Middle Streets, they
• 19:52
  Speaker 11: set you up to follow someone who you think is
• 19:55
  Speaker 11: the main character and you're going to be following throughout
• 19:58
  Speaker 11: the movie.
• 19:58
  Speaker 12: Like with Chris.
• 20:00
  Speaker 11: And she dies.
• 20:00
  Speaker 5: I like that.
• 20:02
  Speaker 2: They did change gears like three times right off the bat.
• 20:04
  Speaker 2: It's like we think it's the guy, but you kind
• 20:06
  Speaker 2: of can see him getting taken. But you do sort
• 20:08
  Speaker 2: of follow the Chris girl for a good amount of time.
• 20:11
  Speaker 2: Like longer than... Cause watching the original last night, that's
• 20:13
  Speaker 2: what I forgot was how quick we offer. Like, I mean,
• 20:16
  Speaker 2: you get maybe a couple of scenes and in the
• 20:18
  Speaker 2: first 15 minutes she's gone and it switches gears and
• 20:21
  Speaker 2: you follow Heather the rest of the movie.
• 20:23
  Speaker 12: I mean, I've liked that ever since Psycho.
• 20:24
  Speaker 2: Yeah.
• 20:25
  Speaker 12: There haven't been quite enough movies for me where it's
• 20:27
  Speaker 12: like the work, work actually catches you off guard because
• 20:29
  Speaker 12: you find you're actually invested in this character and then,
• 20:32
  Speaker 12: Oh wait, shit, they're dead. Now what?
• 20:36
  Speaker 2: That's an interesting way to do a storyline, and a
• 20:39
  Speaker 2: lot of Hollywood stuff doesn't want to do that because
• 20:43
  Speaker 2: it wants to have its bankable actor and it doesn't
• 20:46
  Speaker 2: think the audience is smart enough to change gears like
• 20:48
  Speaker 2: that and follow.
• 20:49
  Speaker 10: A new one.
• 20:49
  Speaker 2: They're usually not. Yeah, they aren't really, which is funny.
• 20:53
  Speaker 2: I like the little flashback scene we see where they
• 20:56
  Speaker 2: chase him into the warehouse, but I've noticed how many
• 20:58
  Speaker 2: movies do that now where they'll have the character like,
• 21:01
  Speaker 2: have some sort of, like, they're in the flashback. They're
• 21:04
  Speaker 2: standing there watching it, but nobody sees them. And I
• 21:06
  Speaker 2: think it's just an excuse to be able to full-on
• 21:08
  Speaker 2: show you the entire scene of the flashback because we're
• 21:11
  Speaker 2: too dumb to piece the story together. And it's probably
• 21:15
  Speaker 2: necessary for a lot of people, but... I just think
• 21:18
  Speaker 2: it's funny because I see that a lot in movies now.
• 21:20
  Speaker 12: It gave us more of a chance to see Clancy Brown.
• 21:22
  Speaker 12: I love me some Clancy Brown. He should be in everything.
• 21:24
  Speaker 10: Who's Clancy Brown?
• 21:25
  Speaker 2: He was in Carnival.
• 21:25
  Speaker 12: The dad.
• 21:26
  Speaker 2: Oh, Brother Justin. Yes.
• 21:28
  Speaker 11: Yeah, I loved him. He was also in Lost.
• 21:30
  Speaker 12: Also in Highlander.
• 21:31
  Speaker 11: Yep, that's true. He's been in a lot of awesome,
• 21:34
  Speaker 11: awesome stuff.
• 21:36
  Speaker 12: And some bad stuff too.
• 21:37
  Speaker 2: What the hell are you saying? I mean, I guess
• 21:42
  Speaker 2: we're safe in that they gave us that minor flashback
• 21:46
  Speaker 2: into Kruger's life because they really could have gone the
• 21:48
  Speaker 2: Halloween route and we could have gotten him as a kid.
• 21:51
  Speaker 2: Somebody killing his cat and his dad being an alcoholic
• 21:54
  Speaker 2: and beating the hell out of him.
• 21:56
  Speaker 12: And Sherry Moon was his mom.
• 21:57
  Speaker 2: Sherry Moon was his mom.
• 21:58
  Speaker 11: I'd probably kill people if she were my mom.
• 22:01
  Speaker 2: Then he goes to Juvie. And, I mean, we really
• 22:03
  Speaker 2: could have, like, gotten a whole lot of backstory on
• 22:05
  Speaker 2: shit we don't care about and isn't necessary.
• 22:08
  Speaker 11: Yeah.
• 22:09
  Speaker 2: I do like that it sort of just gives you
• 22:11
  Speaker 2: that glimpse of it, but I like the time we
• 22:14
  Speaker 2: spend with him as a real person, because I think
• 22:16
  Speaker 2: it does. And maybe that's why we don't like him
• 22:18
  Speaker 2: so much. Maybe that's why the old Freddy Krueger we liked,
• 22:21
  Speaker 2: we could get behind, because we don't really know what happened.
• 22:24
  Speaker 2: We're just like, whatever. He's a child killer. Yeah, that too.
• 22:30
  Speaker 2: But again, that's not his fault. He's just the evil
• 22:33
  Speaker 2: demon seed.
• 22:35
  Speaker 11: I kind of think that the reason everyone likes... Old,
• 22:38
  Speaker 11: original Freddy is basically, like Misty said, because of Robert
• 22:42
  Speaker 11: Englund's charisma.
• 22:43
  Speaker 2: He's charismatic. He really is.
• 22:44
  Speaker 11: I actually felt a little bit of sympathy at certain
• 22:48
  Speaker 11: points at the scene where they're, like, burning the warehouse down.
• 22:50
  Speaker 2: Yeah.
• 22:51
  Speaker 11: For him in this movie, you know. And, I mean,
• 22:54
  Speaker 11: it was small, you know, because.
• 22:56
  Speaker 10: Yeah. People like that.
• 22:57
  Speaker 11: I don't really.
• 22:59
  Speaker 2: But that scene right before that, like when he's out
• 23:00
  Speaker 2: in the yard playing with the kids and you're like,
• 23:02
  Speaker 2: there's a minute where you're like, well, what if he
• 23:04
  Speaker 2: didn't do anything? Because he does really seem to like
• 23:06
  Speaker 2: these kids and they sort of give you this glimpse
• 23:09
  Speaker 2: at like what could have been a normal relationship. So
• 23:11
  Speaker 2: you do kind of start to worry, it's like, what
• 23:13
  Speaker 2: if he didn't do anything? What if it was, you know, wrongfully,
• 23:16
  Speaker 2: you know, accused, and then they just vigilante'd his ass, and,
• 23:19
  Speaker 2: you know, which would be a different turn in the movie,
• 23:22
  Speaker 2: and I think it would have been less likable as
• 23:24
  Speaker 2: the series goes on if he was, oh, he's innocent, no,
• 23:27
  Speaker 2: you know, I think it makes him more of a
• 23:30
  Speaker 2: villain that, you know, for the story is if he
• 23:33
  Speaker 2: actually did do that, and it makes more sense as,
• 23:35
  Speaker 2: you know, as the story goes, but.
• 23:37
  Speaker 13: My only question is, now that he's off to all
• 23:39
  Speaker 13: the kids except for the two... Now how is he
• 23:42
  Speaker 13: going to come back and get a whole new batch
• 23:43
  Speaker 13: of kids?
• 23:44
  Speaker 2: He did that every movie, though, if you remember.
• 23:47
  Speaker 10: Yeah, but in the original movie, he wasn't specifically after
• 23:49
  Speaker 10: a number of kids that had ratted him out.
• 23:53
  Speaker 2: It was the kids of Elm Street. All kids of
• 23:56
  Speaker 2: Elm Street. This time, yeah, it was very specific kids.
• 24:01
  Speaker 10: Is he going to be after their kids now?
• 24:03
  Speaker 6: Maybe.
• 24:03
  Speaker 11: Maybe it's going to flash forward into the future and
• 24:05
  Speaker 11: those two people will have hooked.
• 24:07
  Speaker 10: Up and had babies. 23,000.
• 24:10
  Speaker 5: Awesome.
• 24:10
  Speaker 11: It's going to take them a thousand years.
• 24:12
  Speaker 2: Well, it couldn't be Freddy 2000 because it's already 2000.
• 24:16
  Speaker 12: Freddy X.
• 24:18
  Speaker 2: Freddy X. Freddy goes to space. No, it's supposed to
• 24:22
  Speaker 2: be the fourth in all the series. They'll do a pre-prequel.
• 24:26
  Speaker 11: And then we'll look at the whole backstory. I don't know.
• 24:28
  Speaker 11: This Freddy was human, more human, and the other Freddy
• 24:31
  Speaker 11: was just more of like this hilarious....
• 24:35
  Speaker 2: He wasn't even... Again, to just go back to that
• 24:37
  Speaker 2: first one, he wasn't in that first movie. He is...
• 24:39
  Speaker 2: He's got a few of the one-liners, but he is...
• 24:42
  Speaker 2: He's more mysterious in the first one. Like, you really
• 24:44
  Speaker 2: had no idea... who he is in the beginning like
• 24:47
  Speaker 2: it's hard to do that on this movie this remake
• 24:49
  Speaker 2: because we have so much backstory on him you know
• 24:52
  Speaker 2: we as an entire generation have been watching him so
• 24:55
  Speaker 2: it's hard to be like who is this guy and
• 24:57
  Speaker 2: what's his motivation you know I mean it's hard to
• 24:59
  Speaker 2: look at it like a new character when even if
• 25:02
  Speaker 2: they change stuff we're all so familiar with him whereas
• 25:04
  Speaker 2: you watch that first Nightmare on Elm Street nobody had
• 25:07
  Speaker 2: any idea who this character was and you do start
• 25:10
  Speaker 2: wondering why he's here and why he's attacking these kids
• 25:13
  Speaker 2: and it does leave a lot of like sort of
• 25:15
  Speaker 2: ambiguity to it like you don't know what his motivation
• 25:19
  Speaker 2: is whereas this one I mean it's pretty early on
• 25:21
  Speaker 2: you start you know again you can't go into it
• 25:24
  Speaker 2: fresh you've got so much backstory that you know why
• 25:26
  Speaker 2: he's doing it but I mean rewatching the first one
• 25:29
  Speaker 2: there's a lot of that that's just like up in
• 25:31
  Speaker 2: the air like you're just like where is this weird
• 25:33
  Speaker 2: character coming from why is he killing him why does
• 25:36
  Speaker 2: he have crazy dream powers and it's just hard to
• 25:38
  Speaker 2: take a fresh look on a property that's so well known.
• 25:42
  Speaker 12: It's been so long since I don't remember why he
• 25:44
  Speaker 12: was killing.
• 25:44
  Speaker 2: Him It's the parents.
• 25:46
  Speaker 5: Just revenge against the parents for having set him on fire.
• 25:50
  Speaker 12: Why did they set him on fire again?
• 25:51
  Speaker 11: Because he was a child.
• 25:52
  Speaker 2: Molester and killer. Again, he was just a killer. He
• 25:56
  Speaker 2: was a child murderer is what they referred to in
• 25:58
  Speaker 2: the old one. They never said anything about molesting kids. But,
• 26:00
  Speaker 2: I mean, as the series went on, a lot of
• 26:02
  Speaker 2: people just assumed that he was molesting children. You've got
• 26:05
  Speaker 2: to find ways to make it more despicable.
• 26:06
  Speaker 12: Yeah.
• 26:06
  Speaker 13: Well, see, the other thing that kind of gets you
• 26:09
  Speaker 13: on the whole movie, too, is you know at some
• 26:12
  Speaker 13: point they're going to... In the first Freddy movie, you
• 26:15
  Speaker 13: didn't know too much about him, like you were saying.
• 26:18
  Speaker 10: He was in these dreams, and you were like, holy shit,
• 26:20
  Speaker 10: there's this guy.
• 26:21
  Speaker 13: He's in the dreams. You don't know how to kill him.
• 26:22
  Speaker 13: How are they going to kill him? How do you
• 26:24
  Speaker 13: fight a dream? Whereas now that you see the first movie,
• 26:27
  Speaker 13: you already know all the backstory. You're like, okay, all
• 26:28
  Speaker 13: they've got to do is pull him into reality, and
• 26:30
  Speaker 13: then they can kill him. Come on, pull him into reality.
• 26:33
  Speaker 13: So you already know all that shit. So that takes
• 26:35
  Speaker 13: out half the shit right there.
• 26:37
  Speaker 2: Well, and they just kept reworking the rules every movie.
• 26:40
  Speaker 11: Yeah.
• 26:40
  Speaker 2: Because even at the end of this one, spoiler alert,
• 26:43
  Speaker 2: they defeat Freddy. But I was like, well, okay, now
• 26:46
  Speaker 2: he's gone. I was like, well, wait, he's gone at
• 26:48
  Speaker 2: the end of every fucking Freddy movie. Like, they beat
• 26:50
  Speaker 2: him at the end of every Freddy movie, and then
• 26:53
  Speaker 2: some little magical thing happens at the end, and he laughs, and,
• 26:55
  Speaker 2: you know, he's coming back in the next one. So,
• 26:57
  Speaker 2: I mean, no matter what... an end all be all
• 27:00
  Speaker 2: way to get rid of him that they come up
• 27:02
  Speaker 2: with by the next movie you know he's coming back
• 27:04
  Speaker 2: so it doesn't really even matter how they wrap this
• 27:05
  Speaker 2: one up either it's just like well shit as long
• 27:07
  Speaker 2: as this makes money we know he's coming back so
• 27:09
  Speaker 2: no matter what you do to kill him or defeat
• 27:12
  Speaker 2: him or send him off to never never land or
• 27:13
  Speaker 2: whatever the fuck you want to call it it doesn't
• 27:15
  Speaker 2: matter as long as he makes money we know he's
• 27:17
  Speaker 2: coming back they're gonna find the loophole.
• 27:19
  Speaker 12: Towards the end, it kind of bothered me. It was
• 27:21
  Speaker 12: probably a big spoiler. When she throws the lantern thing
• 27:24
  Speaker 12: against the wall and catches the far side of the
• 27:27
  Speaker 12: room on fire. I'm like, no, I would have caught
• 27:28
  Speaker 12: his ass on fire right then and there. Yeah. Because
• 27:32
  Speaker 12: they leave. You could have time to crawl back out.
• 27:33
  Speaker 2: At first, that's what I thought she was going to do.
• 27:35
  Speaker 2: I thought she was going to finish setting him on
• 27:37
  Speaker 2: fire that they did 20-some odd years ago.
• 27:39
  Speaker 12: No, she just throws it across the room, the farthest
• 27:41
  Speaker 12: corner from where he actually... I'm like, no. Bitch tried
• 27:44
  Speaker 12: to kill me.
• 27:45
  Speaker 11: No.
• 27:45
  Speaker 2: I think she was just trying to burn those naked
• 27:46
  Speaker 2: pictures of herself.
• 27:49
  Speaker 13: I'd take his hand and end up fucking killing himself
• 27:52
  Speaker 13: with his own damn hand.
• 27:53
  Speaker 10: I mean, they cut his hand off. I mean, come on.
• 27:55
  Speaker 10: Spoiler alert. He just stabbed the fucker to death with
• 28:00
  Speaker 10: his own hand.
• 28:01
  Speaker 2: In part two, is it going to be like duct
• 28:03
  Speaker 2: tape back on?
• 28:04
  Speaker 11: Yeah. You know? I don't know.
• 28:05
  Speaker 2: Who knows?
• 28:06
  Speaker 12: Who knows?
• 28:07
  Speaker 5: Oh, Freddy.
• 28:10
  Speaker 12: You wacky guy.
• 28:11
  Speaker 5: You cheeky monkey.
• 28:13
  Speaker 11: You cheeky bastard.
• 28:16
  Speaker 12: Maybe that's just me. Maybe I would have wanted to
• 28:19
  Speaker 12: see him burn first.
• 28:21
  Speaker 2: I thought it was just some sort of poetic irony of,
• 28:24
  Speaker 2: ha ha, now he's on fire again.
• 28:26
  Speaker 5: Oh my gosh.
• 28:28
  Speaker 2: That's what I was just really just finishing the job
• 28:30
  Speaker 2: the parents did.
• 28:31
  Speaker 5: Yeah, seriously.
• 28:32
  Speaker 2: The parents half-assed it and she was going to finish
• 28:34
  Speaker 2: the job.
• 28:35
  Speaker 10: This time I'm going to freeze them.
• 28:36
  Speaker 12: Then she equally half-asses it and leaves.
• 28:39
  Speaker 2: Yeah.
• 28:40
  Speaker 11: But I mean, you don't want to like watch someone
• 28:42
  Speaker 11: burn in a building as.
• 28:43
  Speaker 2: You're standing to get away.
• 28:46
  Speaker 5: Yeah.
• 28:46
  Speaker 2: All the things you did to all her friends.
• 28:49
  Speaker 12: Fuck you. Somebody killed all my friends. I'm going to
• 28:51
  Speaker 12: sit there and watch them burn.
• 28:53
  Speaker 2: That's because you're evil.
• 28:54
  Speaker 10: We know that. I'd do the same thing. I wouldn't
• 28:56
  Speaker 10: burn him, though. I'd smash him with a sledgehammer.
• 28:58
  Speaker 2: Yeah, so you know that?
• 28:58
  Speaker 5: Yeah, definitely. Destroy him.
• 29:02
  Speaker 2: We didn't have crazy booby traps. I forgot about that
• 29:05
  Speaker 2: in the old one. Crazy booby traps. And I said
• 29:08
  Speaker 2: this last night.
• 29:09
  Speaker 5: Was it a sledgehammer to the chest? Yeah, it was awesome.
• 29:11
  Speaker 2: I said this last night when I was watching. I
• 29:13
  Speaker 2: was like, you know, John Hughes owes Wes Craven a
• 29:16
  Speaker 2: little credit, basically. Because, I mean... That was years before
• 29:21
  Speaker 2: Home Alone, and she booby-trapped her house to defeat the
• 29:23
  Speaker 2: bad guy. I was like, come on now. John Hughes
• 29:27
  Speaker 2: had to rip that off a little bit. Because I
• 29:29
  Speaker 2: don't remember anybody booby-trapping their own house to defeat the
• 29:31
  Speaker 2: bad guy before.
• 29:32
  Speaker 8: Freddie well you do it now but not when 84
• 29:36
  Speaker 8: i know.
• 29:40
  Speaker 2: I don't know. I wouldn't put it past you as
• 29:41
  Speaker 2: a four-year-old.
• 29:42
  Speaker 13: That's the other thing that I was laughing about was
• 29:44
  Speaker 13: when they were digging out the boxes marked 96 and 97.
• 29:47
  Speaker 13: I was sitting over in the corner giggling because I
• 29:49
  Speaker 13: was like, I was drunk at a bar in 96
• 29:53
  Speaker 13: in Florida.
• 29:54
  Speaker 2: Yeah, she's looking back at her childhood. I'm like, wow,
• 29:57
  Speaker 2: way back in 97. Yeah, whoa. I was going to
• 30:01
  Speaker 2: work that day. Preschool my ass.
• 30:06
  Speaker 12: And again, if you look at the boxes and if
• 30:08
  Speaker 12: you went back that far, she might have been the
• 30:10
  Speaker 12: age of the character she was supposed to have actually
• 30:12
  Speaker 12: been playing.
• 30:14
  Speaker 5: Yeah, she is.
• 30:17
  Speaker 2: It made sense to me.
• 30:18
  Speaker 5: Shut up.
• 30:19
  Speaker 10: No, I'm just saying for her.
• 30:21
  Speaker 11: Robot Chicken did this funny Freddy Krueger backstory thing. I
• 30:28
  Speaker 11: can't remember exactly how it went, but it was just
• 30:30
  Speaker 11: like a series of unfortunate events that led to him
• 30:33
  Speaker 11: being late.
• 30:34
  Speaker 10: I think I remember seeing that.
• 30:35
  Speaker 5: That's pretty funny.
• 30:38
  Speaker 11: Like his kid gave him an itchy sweater. Oh, the
• 30:42
  Speaker 11: sweater's so itchy.
• 30:44
  Speaker 12: I vaguely remember that. But nobody can remember the details.
• 30:48
  Speaker 11: I don't remember anything else about it, but yeah. I
• 30:50
  Speaker 11: just know I'm going to have to put that up
• 30:52
  Speaker 11: on the internet in a little while.
• 30:55
  Speaker 2: So what did you think of the new Nancy? Yeah.
• 30:57
  Speaker 5: She's really pretty uh but she she sucked as far
• 31:04
  Speaker 5: as i like well i liked how the old nancy
• 31:07
  Speaker 5: was you could she was freaked out and you could
• 31:10
  Speaker 5: tell that she was really like on the edge of
• 31:13
  Speaker 5: having a nervous breakdown every second in the movie yeah
• 31:16
  Speaker 5: this just didn't look ready for a nap she just
• 31:17
  Speaker 5: yeah she was like i'm an artist and whatever and God,
• 31:21
  Speaker 5: I don't want to go to sleep, but I could.
• 31:23
  Speaker 5: I didn't get any of that. She's about to freaking
• 31:26
  Speaker 5: lose control.
• 31:27
  Speaker 2: I don't want to go to sleep.
• 31:29
  Speaker 12: I can't go to sleep. But here, I'll take a
• 31:30
  Speaker 12: bubble bath. Yeah, really?
• 31:32
  Speaker 13: Oh, my God. No, the guy had the right idea.
• 31:36
  Speaker 13: He's stealing adrenaline.
• 31:37
  Speaker 12: Adrenaline.
• 31:39
  Speaker 5: That's how you do it.
• 31:40
  Speaker 12: And it still didn't keep him awake.
• 31:42
  Speaker 5: He didn't put it in his heart.
• 31:44
  Speaker 11: He just put it in his leg.
• 31:45
  Speaker 10: It's Bieber.
• 31:46
  Speaker 12: He had a rocket surgery.
• 31:47
  Speaker 5: It's going to go to your foot.
• 31:49
  Speaker 10: I mean, I guess it would have been true.
• 31:52
  Speaker 2: Did you have a rocket surgery?
• 31:54
  Speaker 5: But yeah, I don't think she did a good job
• 31:57
  Speaker 5: at all as far as.
• 31:59
  Speaker 5: Being on the raggedy edge, she just didn't play that
• 32:02
  Speaker 5: as well as the original did.
• 32:04
  Speaker 2: Yeah, she's way more under control about it.
• 32:08
  Speaker 10: She wasn't as ingenuitive either.
• 32:10
  Speaker 2: No, no. Well, and she didn't have that, I'm going
• 32:12
  Speaker 2: to fight back.
• 32:13
  Speaker 6: No.
• 32:14
  Speaker 2: Nancy in the old one just gets pissed. She's just like,
• 32:17
  Speaker 2: I'm in control of this.
• 32:18
  Speaker 5: You're killing my friend.
• 32:20
  Speaker 10: And that's what I was waiting for.
• 32:21
  Speaker 13: I was waiting for her at some point to go,
• 32:24
  Speaker 13: I'm in charge of this shit now.
• 32:25
  Speaker 12: Yep. And she never really did.
• 32:27
  Speaker 10: It never happened.
• 32:28
  Speaker 2: And that's the other thing they have to figure out,
• 32:30
  Speaker 2: usually in all these movies, is number one, if you
• 32:32
  Speaker 2: get him out in the real world, you can destroy him.
• 32:34
  Speaker 2: Number two, it's a dream. If you learn how to
• 32:36
  Speaker 2: control the dream, you can do whatever the fuck you want.
• 32:39
  Speaker 2: You can defeat him just as easily. So they never
• 32:42
  Speaker 2: really get into that either. It's like they're just trapped
• 32:45
  Speaker 2: in the dream world, and the only way for them
• 32:46
  Speaker 2: to fight him is to bring him out into the
• 32:48
  Speaker 2: real world. But I think, and maybe they're just saving
• 32:51
  Speaker 2: up for the sequels. I don't know. But I think
• 32:53
  Speaker 2: that was always an interesting way they would go in
• 32:54
  Speaker 2: a lot of the sequels, even as bad as the
• 32:56
  Speaker 2: sequel's got, is when the kids would learn to make
• 32:59
  Speaker 2: use of the dream world and actually use that to
• 33:02
  Speaker 2: their advantage and fight against it.
• 33:03
  Speaker 12: They even make a comment in this one about how
• 33:05
  Speaker 12: that's the main point of the nightmares is that you
• 33:08
  Speaker 12: don't have control and that's what makes them scary and
• 33:10
  Speaker 12: what makes them so hard is that you don't have control.
• 33:12
  Speaker 12: So maybe because of that, he is controlling the dream world,
• 33:16
  Speaker 12: and even you in your dream can't have any say
• 33:19
  Speaker 12: over it.
• 33:19
  Speaker 2: I guess. I mean, maybe they just are going in
• 33:22
  Speaker 2: an entirely different direction, because I know they tried to find... Yeah,
• 33:25
  Speaker 2: I mean, they do bring that up. So, I mean,
• 33:27
  Speaker 2: it is something that maybe they just... thought that was
• 33:29
  Speaker 2: very unrealistic not that this is realistic yeah it.
• 33:33
  Speaker 11: Seems in the original nancy just randomly arrived at this
• 33:36
  Speaker 11: conclusion that she can pull freddy into the real world
• 33:39
  Speaker 11: i don't remember there being a part where she she pulled.
• 33:41
  Speaker 2: His hat she yeah she's got the hat okay in
• 33:43
  Speaker 2: the scene with roger rabbit remember.
• 33:45
  Speaker 13: Yeah okay i forgot about it was the scene that
• 33:48
  Speaker 13: we're trying to do the uh sleep analysis yeah like
• 33:51
  Speaker 13: that on her and she pulls the hat.
• 33:52
  Speaker 2: Out But yeah, this one, after he steals the drugs,
• 33:56
  Speaker 2: is it just me or was that a big Pulp
• 33:57
  Speaker 2: Fiction thing?
• 33:59
  Speaker 10: Yeah.
• 33:59
  Speaker 2: We had a nice little nod to Pulp Fiction there.
• 34:01
  Speaker 2: Because even when she sat up, she sat up and
• 34:03
  Speaker 2: pulled it out exactly like Uma Thurman. She just looks
• 34:06
  Speaker 2: at her chest like, the fuck is this needle doing
• 34:08
  Speaker 2: to my chest?
• 34:10
  Speaker 12: That's the same reaction I have every time.
• 34:12
  Speaker 5: Yeah.
• 34:12
  Speaker 2: Every couple of weeks when we have to adrenalize your ass.
• 34:15
  Speaker 12: It's usually during the show.
• 34:16
  Speaker 2: Pretty much.
• 34:18
  Speaker 11: That would hurt.
• 34:21
  Speaker 5: You're safe. You don't know.
• 34:23
  Speaker 11: No, I've had needles very close to my chest in
• 34:25
  Speaker 11: the last week. It fucking hurts.
• 34:28
  Speaker 5: You're not that.
• 34:29
  Speaker 10: You won't know.
• 34:30
  Speaker 13: You just got the initial shock of waking up going,
• 34:33
  Speaker 13: what the fuck's this needle.
• 34:33
  Speaker 5: Doing to my chest?
• 34:36
  Speaker 2: So while we're on the changes that they've made, how
• 34:39
  Speaker 2: about the... The scientific evidence that they throw in now
• 34:42
  Speaker 2: that your brain shuts down after 72 hours, which I'm
• 34:47
  Speaker 2: pretty sure he kept saying they were micronauts. If not,
• 34:50
  Speaker 2: that's what I'm going to call it. From here on out,
• 34:53
  Speaker 2: your brain has micronauts, and you start dreaming even if
• 34:56
  Speaker 2: you're awake.
• 34:56
  Speaker 10: How do I collect them all?
• 34:58
  Speaker 2: Collect all the micronauts.
• 34:59
  Speaker 10: Micronauts were cool.
• 35:01
  Speaker 5: Yeah.
• 35:03
  Speaker 2: So, yeah, I don't know. What did you think of
• 35:05
  Speaker 2: that addition to it?
• 35:06
  Speaker 12: Was it real?
• 35:07
  Speaker 2: I don't know.
• 35:08
  Speaker 10: I mean, as long as they're not metachlorians, I'm fine.
• 35:11
  Speaker 11: You do start going crazy and like dreaming while you're
• 35:14
  Speaker 11: awake after you've not slept for so long but the
• 35:16
  Speaker 11: whole like going into a coma after you haven't slept
• 35:19
  Speaker 11: for four days just i don't think.
• 35:20
  Speaker 13: That's was it only four days i thought they said
• 35:22
  Speaker 13: it was 72 hours but maybe that was the.
• 35:25
  Speaker 2: Micro they've still adjusted it because i mean in the
• 35:27
  Speaker 2: old one i think she was up to like seven
• 35:29
  Speaker 2: days of not really sleeping and she said the record
• 35:31
  Speaker 2: was like 11 or something so they definitely went a
• 35:35
  Speaker 2: different more scientific route.
• 35:37
  Speaker 13: On this one well they got that one guy Just
• 35:39
  Speaker 13: like in Guinness records, I think, that hasn't slept at
• 35:41
  Speaker 13: all in, like, I forgot how many years.
• 35:44
  Speaker 2: Does he take naps?
• 35:44
  Speaker 5: No, I don't think he takes naps either.
• 35:47
  Speaker 10: He just works.
• 35:47
  Speaker 12: Does he power nap?
• 35:49
  Speaker 4: No.
• 35:49
  Speaker 2: Does he have Micronauts?
• 35:51
  Speaker 5: I don't think he has Micronauts.
• 35:52
  Speaker 10: He's got the whole set.
• 35:53
  Speaker 2: He's collected them all.
• 35:54
  Speaker 10: In that much time.
• 35:55
  Speaker 12: Yes.
• 35:56
  Speaker 10: Good Lord.
• 35:58
  Speaker 11: I like that her hair did not go gray.
• 36:00
  Speaker 2: I'm surprised it did.
• 36:02
  Speaker 11: I like that in.
• 36:03
  Speaker 2: The first one. I thought it was kind of a
• 36:04
  Speaker 2: cool look for the old Nancy. I thought about doing
• 36:07
  Speaker 2: that with mine too.
• 36:09
  Speaker 12: It's purple instead.
• 36:11
  Speaker 10: I've already done that with mine. It's natural.
• 36:13
  Speaker 11: It's about ready to die too.
• 36:15
  Speaker 2: You didn't need Freddy for that.
• 36:16
  Speaker 10: Come on man, I'm going for the Nick Fury look.
• 36:18
  Speaker 5: You're going for.
• 36:22
  Speaker 12: The old look. I gotta keep you looking young.
• 36:25
  Speaker 5: Just do what she wants, Jay. It'll be easier.
• 36:27
  Speaker 12: It is.
• 36:28
  Speaker 5: For everyone.
• 36:28
  Speaker 12: I'll win eventually anyways.
• 36:30
  Speaker 10: She will.
• 36:31
  Speaker 5: It's not fair.
• 36:32
  Speaker 12: Life's not fair.
• 36:34
  Speaker 5: All right, back to them.
• 36:36
  Speaker 2: Oh, so I don't know. What sort of our final
• 36:43
  Speaker 2: thoughts on it?
• 36:45
  Speaker 12: It was tolerable. It would be a lot better if
• 36:48
  Speaker 12: I hadn't seen the first one. It was watchable. It's
• 36:50
  Speaker 12: fun at some points, but I don't think it's anywhere near...
• 36:52
  Speaker 12: Nothing's ever going to touch the original.
• 36:54
  Speaker 5: No, no.
• 36:55
  Speaker 12: I didn't like that guy as Freddy just because he
• 36:57
  Speaker 12: didn't have any charisma whatsoever. He didn't have any.
• 37:01
  Speaker 5: To me, really.
• 37:02
  Speaker 2: He really didn't. I mean, he works as the original version.
• 37:05
  Speaker 2: He works in the flashbacks really well, but he just
• 37:08
  Speaker 2: doesn't have, you know, even without the charisma.
• 37:12
  Speaker 12: They seem pretty proud of their effect of having his
• 37:14
  Speaker 12: glove break something metal just so they can have sparks.
• 37:16
  Speaker 12: They overused the hell out of it.
• 37:17
  Speaker 5: Super sparks.
• 37:18
  Speaker 2: We do like sparks. I mean, shiny things and sparks.
• 37:21
  Speaker 2: We like that.
• 37:22
  Speaker 5: But not like it's like lighting a fuse to dynamite
• 37:25
  Speaker 5: or something like that. Because that's what I'm saying.
• 37:26
  Speaker 12: And every scene they had him in, he had to
• 37:28
  Speaker 12: have it too. It's a dream.
• 37:30
  Speaker 11: I didn't like the way he was like.
• 37:31
  Speaker 12: You're right.
• 37:32
  Speaker 2: Like, yeah. Yeah, he did like the clicky sound. He
• 37:36
  Speaker 2: didn't do that in the old one, so not so much.
• 37:38
  Speaker 2: He just did the blade noise.
• 37:41
  Speaker 5: I didn't know if that was like him being excited
• 37:44
  Speaker 5: or if he was just like a nervous tick or whatever.
• 37:47
  Speaker 2: Or just fucking with him. Hey, listen to these. I'm
• 37:49
  Speaker 2: going to stab you with these in a minute. Cha-cha-cha.
• 37:54
  Speaker 12: Yeah. I don't know.
• 37:55
  Speaker 11: I really liked the movie and Freddy was definitely not
• 38:00
  Speaker 11: as good as the original Freddy, like no charisma, but
• 38:04
  Speaker 11: you know, I like the way it went into more
• 38:06
  Speaker 11: detail about his backstory. And it kind of made, it
• 38:09
  Speaker 11: made a little bit more sense to me, but I
• 38:12
  Speaker 11: think they could have had more like surrealistic dream scenes.
• 38:15
  Speaker 11: Like at the very beginning where the guy is like
• 38:18
  Speaker 11: wandering through the diner and there's like all these pig
• 38:21
  Speaker 11: heads and like really gross shit. And then like, he's
• 38:23
  Speaker 11: following this weird, creepy waitress and That part was cool,
• 38:28
  Speaker 11: but there was another.
• 38:28
  Speaker 5: Yeah, that part was cool.
• 38:29
  Speaker 11: Every dream, they were just in the boiler room, which
• 38:31
  Speaker 11: is scary at first, but when everyone's down there, it's
• 38:34
  Speaker 11: just kind of like, ah, we've seen this.
• 38:36
  Speaker 10: It's like the boiler room again.
• 38:38
  Speaker 2: I know. That was the one thing I was going
• 38:40
  Speaker 2: to bring up is why is there a boiler room
• 38:42
  Speaker 2: in this movie? Yeah.
• 38:44
  Speaker 10: He wasn't killed in the boiler room.
• 38:45
  Speaker 2: He wasn't. I mean, and he didn't work in a
• 38:47
  Speaker 2: boiler room. The old one was part of it. He
• 38:49
  Speaker 2: worked in a boiler room, and then they chased him
• 38:51
  Speaker 2: to the boiler room, and it all tied in. That's
• 38:52
  Speaker 2: a good point. now it's like he lived in a
• 38:55
  Speaker 2: basement but not a boiler room there wasn't fire everywhere
• 38:58
  Speaker 2: it was a basement.
• 38:59
  Speaker 11: It was held in a factory but it wasn't like
• 39:01
  Speaker 11: a boiler it was.
• 39:02
  Speaker 2: A factory it was like a truck it looked like
• 39:05
  Speaker 2: a truck junkyard or something because they had all the
• 39:08
  Speaker 2: tractor trailers out there when they chased him in and.
• 39:10
  Speaker 10: It just looks like he got killed the tool shit.
• 39:12
  Speaker 2: Yeah it was like it doesn't have anything to do
• 39:14
  Speaker 2: with the boiler room so why the hell It's another
• 39:17
  Speaker 2: one of those that like we've got so much lore
• 39:19
  Speaker 2: of Freddy at this point that it's like we almost
• 39:21
  Speaker 2: have to work in the boiler room even though now
• 39:24
  Speaker 2: with them changing the story it makes no sense.
• 39:25
  Speaker 12: Yeah.
• 39:26
  Speaker 4: I don't know.
• 39:27
  Speaker 12: The only thing that bothered me a lot was they
• 39:28
  Speaker 12: seemed to rely too heavily on like the they weren't
• 39:31
  Speaker 12: even like jump scares they were like Everything's okay. Then
• 39:34
  Speaker 12: he'll move his face real fast and you'll see his face.
• 39:36
  Speaker 12: It wasn't even regular jump scares where someone would make
• 39:39
  Speaker 12: a loud sound. It was just like.
• 39:41
  Speaker 2: Those edits they do where they edit out five and
• 39:44
  Speaker 2: he just suddenly turns around because they edited it.
• 39:46
  Speaker 12: They seem to do that quite a bit.
• 39:47
  Speaker 11: It's really popular.
• 39:49
  Speaker 2: Every movie, specifically horror movies, love to do that.
• 39:51
  Speaker 12: It seemed to overdo it. It seemed to rely too
• 39:53
  Speaker 12: heavily on that because I love jump scares. I love
• 39:56
  Speaker 12: everything gets all tense and then all of a sudden
• 39:58
  Speaker 12: something will jump out. But I don't like that just
• 40:00
  Speaker 12: cutting scenes where it just... comes in i don't know.
• 40:03
  Speaker 2: I think yeah i think they've gotten into that in
• 40:05
  Speaker 2: the last like 10 years it's like all those movies
• 40:07
  Speaker 2: like the parasite eve movies and like all of those
• 40:10
  Speaker 2: that like now anytime something's supposed to be freaky they've
• 40:13
  Speaker 2: got to edit it so it's all jerky and all
• 40:15
  Speaker 2: of a sudden they're looking at you and it's creepy
• 40:17
  Speaker 2: and i'm like i've seen this a thousand.
• 40:19
  Speaker 11: Times the first time that they started doing that in
• 40:21
  Speaker 11: movies that freaked the fuck out of me nothing was
• 40:24
  Speaker 11: ever scary but now it's just every.
• 40:26
  Speaker 2: Movie it I mean, I saw it years ago. The
• 40:28
  Speaker 2: first time I remember somebody doing that, I'm pretty sure,
• 40:31
  Speaker 2: was in Jacob's Ladder. They did that fucked up stuff.
• 40:33
  Speaker 2: And that was Adrian Lyon. That was a long damn
• 40:35
  Speaker 2: time ago. But it took them, like, ten years before
• 40:37
  Speaker 2: it became just something they had to stick into every
• 40:40
  Speaker 2: bad horror movie.
• 40:41
  Speaker 11: Just the whole speeding up process.
• 40:44
  Speaker 2: Yeah, the speeding up, jerky, unnatural look. And it is creepy.
• 40:47
  Speaker 11: It was really scary in The Exorcist when she, like, goes, ooh.
• 40:50
  Speaker 2: That first couple of times you saw it, you're like,
• 40:52
  Speaker 2: that's fucked up. That is weird. But now, again, now
• 40:55
  Speaker 2: if you put it in every movie that comes out
• 40:58
  Speaker 2: every weekend, it's not creepy anymore.
• 41:00
  Speaker 12: Like every creepy girl you see climbing downstairs, all jerky-like. Yeah.
• 41:03
  Speaker 2: We've seen that before.
• 41:04
  Speaker 11: Every remake, it's like, it's not.
• 41:06
  Speaker 10: Any Marilyn Manson video.
• 41:07
  Speaker 2: Yeah, really.
• 41:08
  Speaker 11: It was really scary at first, but now it's just like,
• 41:10
  Speaker 11: you've seen it.
• 41:11
  Speaker 13: Yeah, you need to find, well, that's the problem, is
• 41:13
  Speaker 13: they need to come up with another way to freak
• 41:16
  Speaker 13: people out.
• 41:16
  Speaker 12: I know. Which is why the rain creeped me out
• 41:18
  Speaker 12: so much the first time we watched it, because I
• 41:19
  Speaker 12: had not seen that before.
• 41:20
  Speaker 10: You had not seen that before, yeah.
• 41:22
  Speaker 2: What are they.
• 41:23
  Speaker 12: Going to bring out that nobody's seen now?
• 41:24
  Speaker 10: Yeah, well, somebody will figure out something.
• 41:26
  Speaker 13: As far as my feelings on this movie, it was okay.
• 41:30
  Speaker 13: I still like the original better, which is kind of
• 41:32
  Speaker 13: why I'm like, well, it didn't need to be remade.
• 41:35
  Speaker 13: So I really don't have that much of a feeling
• 41:39
  Speaker 13: on this movie.
• 41:40
  Speaker 10: It's just like, eh, it's a movie. Am I going
• 41:42
  Speaker 10: to see it again?
• 41:42
  Speaker 2: No.
• 41:43
  Speaker 10: If I rent movies or if we decide.
• 41:45
  Speaker 13: To download a movie, am I going to download this
• 41:47
  Speaker 13: one or the first Nightmare on Elm Street?
• 41:50
  Speaker 10: I'll download the first one. I'll watch the first one.
• 41:52
  Speaker 10: I don't care about this one.
• 41:53
  Speaker 2: I mean, that was kind of my thing. I wasn't...
• 41:56
  Speaker 2: I didn't... That.
• 42:05
  Speaker 5: Would be awesome as a segue for the show.
• 42:07
  Speaker 2: It actually would.
• 42:08
  Speaker 5: That's for you guys.
• 42:11
  Speaker 12: Sorry, Roger fell asleep.
• 42:13
  Speaker 5: I'm taking my 10-second nap. Your micro-nap? My micro-nap. Yeah, definitely.
• 42:21
  Speaker 2: Sorry.
• 42:22
  Speaker 12: That was my fault. I totally interrupted. So, no, my
• 42:24
  Speaker 12: thing was....
• 42:28
  Speaker 2: I mean, I didn't hate it. Like, I ended up
• 42:30
  Speaker 2: liking it more than I expected, I guess. I mean,
• 42:33
  Speaker 2: I liked the mystery aspect of it. I didn't hate
• 42:36
  Speaker 2: the kids as much as... I mean, most of these
• 42:37
  Speaker 2: remakes have really annoying kids, and I didn't hate most
• 42:40
  Speaker 2: of them.
• 42:40
  Speaker 12: You didn't get over... For once, it was a teen
• 42:43
  Speaker 12: movie that you didn't get beat down with drugs and,
• 42:45
  Speaker 12: you know, sex.
• 42:46
  Speaker 10: Yeah, that was Roger's main complaint.
• 42:49
  Speaker 5: No titties in this movie! Seriously, come on.
• 42:51
  Speaker 12: I mean, that's why I liked the characters more, because
• 42:53
  Speaker 12: you didn't have that, you know, over-stereotypical bullshit in there.
• 42:56
  Speaker 12: You didn't have that, you know... hey dude let's go
• 42:59
  Speaker 12: get high a little little sex little premarital sex little
• 43:04
  Speaker 12: drug use it's like which is why i think i
• 43:07
  Speaker 12: like the characters.
• 43:08
  Speaker 2: They sort of scaled it back because i mean even
• 43:10
  Speaker 2: the old one we had premarital sex and this one
• 43:12
  Speaker 2: we don't get any of that they like take a
• 43:14
  Speaker 2: nap together you know that's the most we get in
• 43:17
  Speaker 2: this new one a little So maybe it's aiming more
• 43:20
  Speaker 2: for that PG-13 crowd, even though it's not. I mean,
• 43:23
  Speaker 2: I don't know. I don't know if that was on purpose,
• 43:26
  Speaker 2: if they were just trying to keep it from crossing
• 43:28
  Speaker 2: that line with people.
• 43:29
  Speaker 11: That's how America works, though. You can have all the
• 43:32
  Speaker 11: blood and violence you want, but if anyone, like, shows
• 43:34
  Speaker 11: a nipple.
• 43:35
  Speaker 12: Oh, God.
• 43:36
  Speaker 11: Jesus Christ.
• 43:37
  Speaker 2: It just puts it in a different category of movie.
• 43:40
  Speaker 2: You can have those, but it just sort of ups
• 43:42
  Speaker 2: the ante, and then you get a lot more flack
• 43:44
  Speaker 2: for that kind of stuff. Yeah. I guess I see
• 43:46
  Speaker 2: why from their marketing standpoint, possibly. Maybe they think they
• 43:50
  Speaker 2: can hit a wider audience with this version of it.
• 43:52
  Speaker 2: But I don't know. To me, I think the end
• 43:55
  Speaker 2: result is it's not bad, but I'm still just kind
• 43:58
  Speaker 2: of let down by the potential that they don't do
• 44:01
  Speaker 2: anything new. I think watching them as recently as I did,
• 44:06
  Speaker 2: I still find, like even now... How many years later,
• 44:10
  Speaker 2: and the fact that I've seen it many, many times,
• 44:13
  Speaker 2: some of those scenes are still disturbing. Like, a lot
• 44:16
  Speaker 2: of them. Like, even the basic, you know, when she
• 44:19
  Speaker 2: flies up off the bed. Like, I remember the first
• 44:21
  Speaker 2: time seeing that was fucked up. And then her on
• 44:24
  Speaker 2: the ceiling. And then the blood fountain obviously fucked kids
• 44:28
  Speaker 2: up for generations. So... Like, there's a lot of those scenes,
• 44:31
  Speaker 2: and it's not just one or two. There's quite a
• 44:34
  Speaker 2: few in that first movie that are just, like, jarring
• 44:36
  Speaker 2: and were totally original. The body bag scene fucked you
• 44:40
  Speaker 2: up when you were a kid, and she's sitting there.
• 44:42
  Speaker 2: And the fact that they recreate that, it's just kind
• 44:44
  Speaker 2: of like, ugh. But we've already seen that. That was
• 44:46
  Speaker 2: fucked up the first time I saw it. Now it's
• 44:48
  Speaker 2: just you paying homage to it, but we've already seen it.
• 44:51
  Speaker 2: You know, it's, yeah, it's not cool. So I think
• 44:54
  Speaker 2: that's what I'm most let down by is the fact
• 44:56
  Speaker 2: that they just... they were too busy trying to hit
• 44:59
  Speaker 2: all those marks of the old one. I really think
• 45:01
  Speaker 2: the old one doesn't get enough credit for having these
• 45:04
  Speaker 2: kind of cool groundbreaking scenes. Whereas the, the new one
• 45:07
  Speaker 2: just seems like it's, it's just trying to tap into
• 45:10
  Speaker 2: that too much and it doesn't bother to explore anything new,
• 45:13
  Speaker 2: but it almost reminds me of, uh, and I've got
• 45:16
  Speaker 2: a kid, so it almost reminds me of the episode
• 45:18
  Speaker 2: of SpongeBob where, uh.
• 45:20
  Speaker 10: The, uh, we're, uh, Oh God.
• 45:23
  Speaker 13: Now I can't think of the pirates name, the ghost, uh,
• 45:27
  Speaker 13: david no damn it what the hell's.
• 45:29
  Speaker 2: His name i think i know who you're talking about
• 45:31
  Speaker 2: but i can't yeah.
• 45:32
  Speaker 13: It's the one that scares everybody uh flying the flying
• 45:35
  Speaker 13: dutchman it's the one where he moves in with spongebob
• 45:37
  Speaker 13: and he scares him like every day he does different.
• 45:40
  Speaker 5: Things like and he freaks him the fuck out for like.
• 45:43
  Speaker 13: The first week and then after about a week he's
• 45:46
  Speaker 13: like and he's just like yawn and he's like he's
• 45:51
  Speaker 13: like you know it's like We've already seen all this
• 45:54
  Speaker 13: shit before.
• 45:54
  Speaker 10: You got to come up with something new because you're
• 45:56
  Speaker 10: not scaring us anymore.
• 45:57
  Speaker 2: Yeah.
• 45:58
  Speaker 13: It just, yeah, it all, it was all nice. And
• 46:01
  Speaker 13: maybe if somebody hasn't seen these things before, maybe it's scary.
• 46:04
  Speaker 13: But to us, it was like, it's like, oh, there
• 46:07
  Speaker 13: she goes. She's on the ceiling.
• 46:08
  Speaker 5: Yep.
• 46:09
  Speaker 10: We know what's going to happen now. Oh, the body bag?
• 46:11
  Speaker 2: Yeah, that's pretty cool.
• 46:12
  Speaker 10: It's not too bad, but yeah.
• 46:14
  Speaker 2: I've seen it before. I mean, even picking it up
• 46:16
  Speaker 2: and dragging it down the hall. That was almost shot
• 46:19
  Speaker 2: for shot. I was like, that's too much.
• 46:21
  Speaker 10: The original?
• 46:22
  Speaker 2: Freaked the fuck out of me. It did. That part still.
• 46:25
  Speaker 10: This one, it's like... We already know what's going to happen.
• 46:29
  Speaker 13: I think somebody behind me was like at the point
• 46:31
  Speaker 13: where she flies up the ceiling and she gets stabbed.
• 46:34
  Speaker 10: She falls down. The guy's like, oh, my God, oh,
• 46:35
  Speaker 10: my God. The guy behind me is like, they're going
• 46:37
  Speaker 10: to blame him for it. Nice.
• 46:42
  Speaker 11: One thing I really wish that this movie would have
• 46:44
  Speaker 11: put in it, like, I mean, there's a point where
• 46:47
  Speaker 11: they all realize they're having the same dream. But in
• 46:49
  Speaker 11: the original– For me, that was like the eeriest part
• 46:52
  Speaker 11: when they all got together and realized they were having
• 46:54
  Speaker 11: the same dream. Just that feeling.
• 46:56
  Speaker 5: Yeah.
• 46:57
  Speaker 11: That, I mean, I know I have when I watched
• 46:59
  Speaker 11: the movie.
• 47:00
  Speaker 2: It would be creepy.
• 47:01
  Speaker 10: Yeah.
• 47:01
  Speaker 11: Just thinking about how creepy that would be. That wasn't really,
• 47:05
  Speaker 11: they all realized they were having the same dream, but
• 47:06
  Speaker 11: they're like, oh, we're having the same dream.
• 47:07
  Speaker 2: They're just like, wow, that's weird.
• 47:09
  Speaker 10: Or the other guy's like, no, be quiet.
• 47:10
  Speaker 5: I don't want to hear it.
• 47:12
  Speaker 11: Yeah.
• 47:13
  Speaker 2: What's funny is the change in, again, that it's such
• 47:16
  Speaker 2: a short amount of time, but things have changed so much.
• 47:18
  Speaker 2: Because I remember watching that the first time, and it
• 47:21
  Speaker 2: was such a big deal that she was drinking coffee.
• 47:23
  Speaker 4: Oh, yeah.
• 47:24
  Speaker 2: This high school girl drinking coffee all the time. And
• 47:27
  Speaker 2: I'm like, shit, now there's not a 10-year-old out there
• 47:29
  Speaker 2: that's not throwing down espressos night and day.
• 47:31
  Speaker 10: Yeah, my kid.
• 47:32
  Speaker 2: Can I have an espresso?
• 47:34
  Speaker 6: No.
• 47:34
  Speaker 11: Can I have a chai latte?
• 47:36
  Speaker 2: No.
• 47:37
  Speaker 5: Can I drink some beer?
• 47:37
  Speaker 4: No.
• 47:38
  Speaker 11: No.
• 47:39
  Speaker 12: It is.
• 47:41
  Speaker 2: Yeah, little kids. Coffee is such a marketable thing now
• 47:45
  Speaker 2: that everybody drinks that stuff all the time.
• 47:48
  Speaker 10: I remember as a kid being like, that's an adult beverage.
• 47:50
  Speaker 10: It's coffee and beer. You don't drink those until you
• 47:53
  Speaker 10: get old.
• 47:54
  Speaker 2: So it's funny just in that little span of time
• 47:57
  Speaker 2: it's like things have changed quite a bit i don't.
• 47:59
  Speaker 10: Think i drank coffee till i turned like 20 or something.
• 48:03
  Speaker 2: Just because it's a long time for me too and
• 48:04
  Speaker 2: she was like it was such a big deal this
• 48:06
  Speaker 2: high schooler drinking coffee she had a coffee pot she
• 48:09
  Speaker 2: was sneaking it in her room just you know so
• 48:11
  Speaker 2: her mom wouldn't know she was drinking all that coffee
• 48:13
  Speaker 2: and i was like wow kids do that all day
• 48:15
  Speaker 2: long i.
• 48:16
  Speaker 11: Remember begging my mom when i was younger to uh
• 48:19
  Speaker 11: let me drink coffee. Like my cousin, this is before
• 48:22
  Speaker 11: coffee shops existed on every street corner, but she took
• 48:25
  Speaker 11: us to a coffee shop downtown. And, uh, we got
• 48:29
  Speaker 11: this like half ass, like mostly milk, I'm sure coffee beverage.
• 48:34
  Speaker 11: And after that I was like obsessed with cappuccino. And
• 48:37
  Speaker 11: my mom was like pissed off at my cousin. Like
• 48:39
  Speaker 11: she'd taken us to a strip club or something.
• 48:42
  Speaker 10: How dare you?
• 48:43
  Speaker 11: Now she's addicted to coffee. It's going to stud her growth.
• 48:46
  Speaker 11: She's going to be short. Um, And you're taller than
• 48:49
  Speaker 11: most of us here.
• 48:50
  Speaker 5: I am taller than most of us.
• 48:52
  Speaker 2: Coffee's good for you.
• 48:53
  Speaker 11: I think I am taller than everybody here.
• 48:57
  Speaker 2: Oh, wow. The only other thing I did remember, you
• 49:00
  Speaker 2: mentioned this earlier, something that was good that they sort of,
• 49:02
  Speaker 2: and this is what I'm saying, they took the idea
• 49:05
  Speaker 2: and just went an entirely different way with it. Because
• 49:07
  Speaker 2: the part in the old one where she's running up
• 49:09
  Speaker 2: the stairs... and she can't get up the stairs and
• 49:11
  Speaker 2: her feet are sinking in. That's a very dreamlike state.
• 49:13
  Speaker 2: That is one of those everybody's had that I'm trying
• 49:16
  Speaker 2: to run away, I'm trying to run away and I can't.
• 49:17
  Speaker 2: No matter what I do, I can't get away.
• 49:19
  Speaker 12: Yeah.
• 49:20
  Speaker 2: Found a good way to sort of make that happen.
• 49:22
  Speaker 2: This one does it and kind of takes it.
• 49:24
  Speaker 12: Up a notch.
• 49:24
  Speaker 2: And that falling down into the hallway thing was a
• 49:28
  Speaker 2: cool shot. That was awesome. That's the only thing they
• 49:30
  Speaker 2: did that was sort of a touch of the old
• 49:32
  Speaker 2: one that they sort of went in a new direction
• 49:34
  Speaker 2: with it and did almost a... Well, not a better job, but...
• 49:37
  Speaker 2: they did their own thing with it, you know? It's
• 49:39
  Speaker 2: like they really did sort of make that their own,
• 49:41
  Speaker 2: whereas I wish they would have done more of that
• 49:43
  Speaker 2: with all these other things that they kept trying to do.
• 49:45
  Speaker 2: But other than that, yeah, I think a lot of
• 49:47
  Speaker 2: the other stuff just falls in that same category. So
• 49:50
  Speaker 2: it's likable, it's fun, it's watchable, but, you know, it's
• 49:53
  Speaker 2: certainly not reinventing the whole series, I guess. I don't know.
• 49:57
  Speaker 2: As much as they probably wanted it to.
• 49:59
  Speaker 13: I think the most fun could be had seeing this
• 50:01
  Speaker 13: at the dollar movies.
• 50:03
  Speaker 5: On a Friday night no you go on 50 cent
• 50:06
  Speaker 5: night 50.
• 50:07
  Speaker 13: Cent night at the dollar movies oh hell no is
• 50:11
  Speaker 13: the best time to go see this oh yes oh
• 50:13
  Speaker 13: hell yes oh.
• 50:15
  Speaker 12: Hell yes or even more watch it with your mom Oh.
• 50:19
  Speaker 10: Yeah, watching it with my mom.
• 50:21
  Speaker 13: Watching it with my mom is almost as bad as
• 50:24
  Speaker 13: going to the dollar theater.
• 50:25
  Speaker 5: What's he doing? What's he doing?
• 50:26
  Speaker 10: No, don't go in there.
• 50:27
  Speaker 5: Don't go in there. She's going to get stabbed.
• 50:29
  Speaker 10: She's going to get stabbed. Oh, see, I told you.
• 50:31
  Speaker 10: I told you she's stabbed. She's dead now.
• 50:33
  Speaker 5: I'll tell your mother to shut up.
• 50:37
  Speaker 10: My mom's like, what's.
• 50:39
  Speaker 5: Going on next?
• 50:39
  Speaker 10: What's going on next, mom? Just watch the movie. Just
• 50:41
  Speaker 10: watch the movie, mom.
• 50:42
  Speaker 5: I can't stand that.
• 50:44
  Speaker 2: Are you offering to lease out your mother to our listeners?
• 50:46
  Speaker 2: If you want the full experience, give us enough money.
• 50:49
  Speaker 2: I'll ship my mom out to you.
• 50:51
  Speaker 10: If you want a small Asian lady screaming in the background.
• 50:54
  Speaker 2: Well, who doesn't?
• 50:55
  Speaker 10: She's going to die!
• 50:57
  Speaker 11: I mean, is your mom available for rent? Because I
• 51:00
  Speaker 11: keep trying to rent your mom all the time.
• 51:02
  Speaker 10: For egg rolls?
• 51:03
  Speaker 13: Yeah, egg rolls.
• 51:04
  Speaker 2: Yeah, otherwise that sounds kind of dirty, but for egg
• 51:07
  Speaker 2: roll purposes.
• 51:07
  Speaker 10: It easily happens around my birthday.
• 51:10
  Speaker 12: She makes the best egg rolls in the world, ever.
• 51:14
  Speaker 11: Trying to buy your mom for a night, James.
• 51:16
  Speaker 5: Aren't we all?
• 51:19
  Speaker 2: A hot night.
• 51:19
  Speaker 5: A hot night behind the oven.
• 51:22
  Speaker 2: On the stove.
• 51:23
  Speaker 12: Getting out the deep fryer.
• 51:26
  Speaker 11: Do you have... I'll ask you later.
• 51:30
  Speaker 10: This is coming to the cooking show.
• 51:32
  Speaker 2: Welcome to Cooking with Movie Mountain. I make popcorn.
• 51:38
  Speaker 11: Ask if you had a sticky rice maker because I
• 51:40
  Speaker 11: have a giant pack of sticky rice that you guys
• 51:42
  Speaker 11: could have.
• 51:43
  Speaker 2: Now it's back to being dirty again.
• 51:44
  Speaker 12: Sticky rice. We're going to get one eventually. All right.
• 51:49
  Speaker 12: Back to the show.
• 51:50
  Speaker 2: By the way, there was no podcasting in this. I
• 51:52
  Speaker 2: was lied to in the early advanced. The closest thing
• 51:55
  Speaker 2: we got, the one kid was a video blogger. That's
• 51:59
  Speaker 2: an entirely different thing. Early on they said, and they
• 52:02
  Speaker 2: almost made it sound like the Johnny Depp kid, like
• 52:04
  Speaker 2: Beaver was going to be a podcaster or something, but
• 52:07
  Speaker 2: we didn't get any of that.
• 52:08
  Speaker 3: Lies.
• 52:08
  Speaker 12: I'm kind of glad though.
• 52:09
  Speaker 2: Yeah, I was too actually. I was glad to see it, but.
• 52:12
  Speaker 2: They did sort of make use of the new technology,
• 52:14
  Speaker 2: and we got to watch on his video blog as
• 52:16
  Speaker 2: this kid just deteriorated. Again, that was something they added.
• 52:20
  Speaker 2: That was cool. That was a new addition to the
• 52:22
  Speaker 2: storyline that they couldn't have done in.
• 52:24
  Speaker 10: The old one.
• 52:25
  Speaker 12: And that was one thing that was pissing me off.
• 52:26
  Speaker 12: You can't Google shit that fast and find results like
• 52:28
  Speaker 12: the first thing. You can't do that.
• 52:29
  Speaker 10: Yeah, yeah, because I try to look up people all
• 52:31
  Speaker 10: the time, and it takes me a good three, four hours.
• 52:34
  Speaker 12: And then usually me doing it for you. But still,
• 52:36
  Speaker 12: you can't just Google in somebody's first and last name
• 52:38
  Speaker 12: in the... First reply right there?
• 52:39
  Speaker 11: Especially if it's a normal name like Sarah Turner. Let's
• 52:44
  Speaker 11: Google Sarah Turner.
• 52:45
  Speaker 12: That's going to be the first thing that pops up
• 52:46
  Speaker 12: is exactly what you're looking for. No, that don't happen.
• 52:49
  Speaker 2: Well, I was being more tech geek because knowing how
• 52:53
  Speaker 2: I kill time uploading this every week, when he gets...
• 52:56
  Speaker 2: Spoiler alert. You almost see him get offed in that
• 52:59
  Speaker 2: last one. I'm like, wait, who uploaded that? Did Freddy
• 53:02
  Speaker 2: upload that after he killed him? Because if he killed
• 53:04
  Speaker 2: him while he was still recording, it wouldn't have ended
• 53:07
  Speaker 2: up on the internet. Somebody's got to upload it after
• 53:10
  Speaker 2: the fact.
• 53:11
  Speaker 10: See maybe he was see they make you think nobody
• 53:14
  Speaker 10: thinks about.
• 53:14
  Speaker 13: That I was a geek it was he was filming
• 53:17
  Speaker 13: it while he was and he got.
• 53:20
  Speaker 2: Maybe there's some sort of special intern webs version that
• 53:23
  Speaker 2: automatically does it while you're recording seriously.
• 53:26
  Speaker 11: Doubt it I don't know first take i mean.
• 53:29
  Speaker 2: Yeah no that's what i'm saying i'm like most of
• 53:30
  Speaker 2: these you put it together yourself you save it as
• 53:33
  Speaker 2: a file you upload it i don't know that i
• 53:35
  Speaker 2: just was being a tech geek there and going wait
• 53:37
  Speaker 2: a minute.
• 53:38
  Speaker 10: Well see that's the thing freddie came in and he uploaded.
• 53:41
  Speaker 2: It and he seems kind of like a geek i mean.
• 53:43
  Speaker 10: He updated his website.
• 53:45
  Speaker 12: He probably did that's the least he could do yeah
• 53:50
  Speaker 12: i can't have this guy just die off and not have.
• 53:53
  Speaker 10: Any evidence of him dying.
• 53:54
  Speaker 2: Yeah Got to put this out there for Nancy to buy.
• 53:57
  Speaker 10: Got to finish it.
• 53:59
  Speaker 2: All right. I guess we can wrap up with our
• 54:01
  Speaker 2: tech geek problems with the movie. So which of these
• 54:05
  Speaker 2: songs would you like to go out on here? Kind
• 54:07
  Speaker 2: of think what our options are. We've got Dance or Else,
• 54:11
  Speaker 2: Wooly Bully, Down in the Boiler Room, or In the
• 54:14
  Speaker 2: Midnight Hour.
• 54:15
  Speaker 5: I like Down in the Boiler Room.
• 54:16
  Speaker 10: Yeah, I second that one.
• 54:18
  Speaker 2: Are we up for that one?
• 54:19
  Speaker 12: I'm good.
• 54:19
  Speaker 5: Sounds good to me.
• 54:21
  Speaker 2: We will go out with Down in the Boiler Room, which,
• 54:23
  Speaker 2: by the way, as I went back and re-listened to
• 54:25
  Speaker 2: some of these, there's barely any Robert Englund in them.
• 54:28
  Speaker 2: It's like studio musicians, and it's mostly girls, and they're
• 54:31
  Speaker 2: singing like in unison, and there's like one girl taking lead,
• 54:35
  Speaker 2: and then every once in a while, Freddie goes, ha, ha, ha, ha.
• 54:38
  Speaker 12: Oh, God.
• 54:38
  Speaker 10: You don't even do the Freddie?
• 54:41
  Speaker 2: Yeah, I mean, he's in, he's got his little lines
• 54:44
  Speaker 2: here and there.
• 54:44
  Speaker 11: Does it rap?
• 54:45
  Speaker 5: Because that'd be so sweet.
• 54:46
  Speaker 2: Not as much as I was hoping, really.
• 54:47
  Speaker 10: It'd probably be awesome if he, yeah, did it.
• 54:50
  Speaker 2: Unfortunately, we're going with Down in the Boiler Room.
• 54:53
  Speaker 11: I really wish they still made albums like this, you know?
• 54:56
  Speaker 2: Classy albums like freddie's greatest hits well no.
• 54:59
  Speaker 11: I just mean like you know there's no i mean
• 55:01
  Speaker 11: if a new movie comes out the bad guy doesn't
• 55:04
  Speaker 11: have this ridiculous joke.
• 55:05
  Speaker 12: Album you know i don't know greatest hits this is
• 55:09
  Speaker 12: no joke there's.
• 55:10
  Speaker 2: No joke they are serious about that shit woolly woolly
• 55:14
  Speaker 2: for fuck's sakes.
• 55:16
  Speaker 11: I like that all i have to do is dream
• 55:18
  Speaker 11: song i like that they closed with that i thought
• 55:21
  Speaker 11: that was a good choice.
• 55:22
  Speaker 2: Yeah, I thought that was interesting. And kind of them
• 55:26
  Speaker 2: being jokey about it all. Yeah. So, but, yeah, we'll
• 55:30
  Speaker 2: go out with Down in the Boiler Room since there's
• 55:32
  Speaker 2: no need for a boiler room in this movie.
• 55:34
  Speaker 5: No, no.
• 55:34
  Speaker 10: Nope, nope, nope.
• 55:35
  Speaker 2: All right, we will take a break and be back
• 55:38
  Speaker 2: with the rest of the show.
• 55:41
  Speaker 10: Down in the boiler.
• 55:47
  Speaker 9: Room You know it's scary You know it's dark You
• 55:57
  Speaker 9: ought to know Be.
• 55:59
  Speaker 7: Afraid to go Listen to your heart.
• 56:06
  Speaker 9: Afraid to stop And afraid to go.
• 56:17
  Speaker 3: He's waiting for you Darling.
• 56:21
  Speaker 14: Me And now, before the next show starts, let's enjoy
• 56:38
  Speaker 14: an information.
• 56:41
  Speaker 4: Foolish friends, Freddy Krueger is on your phone. Dial this
• 56:45
  Speaker 4: number now. I've got some tales to tell. Freddy's favorite
• 56:48
  Speaker 4: bedtime stories. Dead time stories. All brand new. Straight from
• 56:55
  Speaker 4: my boiler room to your home. So dial this number
• 57:00
  Speaker 4: now if you dare. Tell them that it's such a.
• 57:05
  Speaker 15: $ 2 the first minute, 45 cents each additional minute.
• 57:07
  Speaker 4: Children, get your parents' permission before you dial.
• 57:09
  Speaker 16: Popsyndicate.com Your one stop for all your unhealthy obsessions. Breaking
• 57:16
  Speaker 16: news and in-depth reviews on all of your favorite movies, music,
• 57:20
  Speaker 16: TV shows, podcasts, comics, books. Popsyndicate.com It's part of your problem,
• 57:28
  Speaker 16: you know.
• 57:28
  Speaker 2: You haven't seen enough movies. All of life's riddles are.
• 57:30
  Speaker 1: Answered in the movies.
• 57:31
  Speaker 4: And now, on with the show.
• 57:35
  Speaker 6: Uno, dos, one, two, tres, cuatro.
• 57:41
  Speaker 17: Watch it now. Watch it, watch it. Here it comes,
• 57:56
  Speaker 17: here it comes.
• 58:01
  Speaker 6: Yeah, that's right. You got it. Watch it now. And
• 58:13
  Speaker 6: it's all ready. About a thing she saw. With two
• 58:20
  Speaker 6: big horns.
• 58:20
  Speaker 11: And a world.
• 58:24
  Speaker 6: It's all about. And it's all ready.
• 58:37
  Speaker 2: All right we're back and we've got feedback.
• 58:42
  Speaker 8: Yes first up we heard from randy who has been
• 58:49
  Speaker 8: working on this for a while so he actually got
• 58:51
  Speaker 8: the the specifics together for his ketchup his uh i
• 58:55
  Speaker 8: think that's how he referred to it he's playing ketchup on.
• 58:57
  Speaker 2: The last several episodes.
• 58:59
  Speaker 10: Randy it is the unshakable randy.
• 59:02
  Speaker 18: Hey y'all it's randy here i figured i'd call in
• 59:05
  Speaker 18: and catch up on all the feedback that I haven't
• 59:07
  Speaker 18: done because I suck first of all it was great
• 59:10
  Speaker 18: seeing you guys at Horror Hound. I wish some of
• 59:12
  Speaker 18: the rest of the gang could have made it there.
• 59:14
  Speaker 18: You were definitely missed. Marlene, it was nice meeting you. Misty,
• 59:17
  Speaker 18: it was great meeting you. I'm less afraid of you
• 59:19
  Speaker 18: than I was before. And Brian, great as always. starting
• 59:24
  Speaker 18: with Triangle. I'm also more of a time crimes guy.
• 59:27
  Speaker 18: Listening to you, you uncovered a lot of stuff that
• 59:29
  Speaker 18: made me think about the movie and appreciate it more.
• 59:31
  Speaker 18: My two rewrites that would have been done on Triangle,
• 59:33
  Speaker 18: one or the other, would be either to rip off
• 59:36
  Speaker 18: the crow, where if you die within 100 miles of
• 59:39
  Speaker 18: the water, a seagull has to carry your soul away
• 59:42
  Speaker 18: once you ran over him. In the opening accident, the
• 59:46
  Speaker 18: rest of the seagulls were like, fuck it, get her!
• 59:48
  Speaker 18: And it was all seagull-based mayhem.
• 59:52
  Speaker 12: Maybe, hey.
• 59:53
  Speaker 2: It could happen.
• 59:54
  Speaker 18: The second thing is, and this is a little more realistic,
• 59:57
  Speaker 18: I get really aggravated when they take a movie and
• 1:00:00
  Speaker 18: they put all these tertiary characters in and then they're
• 1:00:03
  Speaker 18: just there suffering for no reason. The one scene that
• 1:00:05
  Speaker 18: would have made this movie absolutely rock would have been
• 1:00:08
  Speaker 18: if at the accident scene when she was getting out,
• 1:00:11
  Speaker 18: if the people that were either gawking or assisting or
• 1:00:15
  Speaker 18: whatever were all there in the crowd. Not laid out blatantly,
• 1:00:19
  Speaker 18: but if that was there and then she was somehow
• 1:00:21
  Speaker 18: projecting them into her private hell, that would be great. Otherwise,
• 1:00:25
  Speaker 18: what the fuck, universe? You know, I'm going out on
• 1:00:27
  Speaker 18: a boat because this bitch has problems. I have to
• 1:00:30
  Speaker 18: die endlessly until I'm stacked like cordwood. You know, fuck that.
• 1:00:35
  Speaker 18: Good movie, though. And great dissection. Well done. I have
• 1:00:40
  Speaker 18: the burbs on my to-watch pile because I'm an asshole
• 1:00:42
  Speaker 18: and I've never watched it. I just, I don't know.
• 1:00:45
  Speaker 18: Tom Hanks' cutesiness.
• 1:00:48
  Speaker 2: I'm an asshole.
• 1:00:49
  Speaker 18: I avoid that kind of stuff, but I'll give it
• 1:00:50
  Speaker 18: a try. Brian, hats off to you for getting the
• 1:00:53
  Speaker 18: crew to sit through Night of the Lepus. It's got bunnies!
• 1:00:57
  Speaker 18: How can you not like that? I love that kind
• 1:00:59
  Speaker 18: of cheesy awfulness, and it was great hearing about it.
• 1:01:02
  Speaker 18: The Sasquatch movies, I love hearing you guys discuss them.
• 1:01:05
  Speaker 18: I'm never going to sit through them, because I live
• 1:01:08
  Speaker 18: in the suburbs. I'm Sasquatch-free. I'd like a Sasquatch, but
• 1:01:12
  Speaker 18: I'm more likely to get a Triffid, and that would
• 1:01:14
  Speaker 18: suck a dick. I always thought Lust in the Dust
• 1:01:18
  Speaker 18: was John Waters.
• 1:01:19
  Speaker 5: Who knew?
• 1:01:20
  Speaker 18: Black Waters of Echo's Pond, that was perhaps a masterstroke
• 1:01:23
  Speaker 18: by you guys. I really enjoyed the parking lot dissection.
• 1:01:28
  Speaker 18: It was like a CSI where you were standing around
• 1:01:30
  Speaker 18: the chalk outline of that goddamn film. You actually made
• 1:01:33
  Speaker 18: me want to see it. I don't know how you
• 1:01:36
  Speaker 18: did that, but I'm interested. Well done. Now I'm behind
• 1:01:40
  Speaker 18: and I haven't heard the Hit Girl, I mean Kick-Ass episode,
• 1:01:43
  Speaker 18: but But I wanted to give you a couple of thoughts,
• 1:01:45
  Speaker 18: so forgive me if I'm retreading familiar ground. I read
• 1:01:48
  Speaker 18: the comic, and I really enjoyed the comic, and I
• 1:01:50
  Speaker 18: like Matthew Vaughn's stuff. I think Layer Cake was really
• 1:01:53
  Speaker 18: an underrated film. That being said, the movie really felt homogenized.
• 1:01:58
  Speaker 18: It went through the system, and they took it and
• 1:02:00
  Speaker 18: screamed it in front of a bunch of mouth-breathing tourists
• 1:02:03
  Speaker 18: from God knows where, and they didn't get it. I'm
• 1:02:06
  Speaker 18: sure it never got that far. I'm sure the stuff
• 1:02:08
  Speaker 18: that was in the comic didn't make productions. But it
• 1:02:10
  Speaker 18: really would have been awesome. It was a lot darker,
• 1:02:13
  Speaker 18: a lot more violent. I'm thankful for what I got.
• 1:02:16
  Speaker 18: What I got was a good movie, but it could
• 1:02:17
  Speaker 18: have been a lot stronger. You know, movie made by committee.
• 1:02:21
  Speaker 18: What can you do? Other than that, thanks very much.
• 1:02:25
  Speaker 18: That's all I got. Out here.
• 1:02:26
  Speaker 2: Take care. Awesome.
• 1:02:28
  Speaker 5: Yeah, take care.
• 1:02:30
  Speaker 12: I no longer strike fear in the heart of Randy.
• 1:02:32
  Speaker 2: Well, probably a little bit. Just not as much.
• 1:02:35
  Speaker 12: You make me sound so mean. I'm not really that mean.
• 1:02:39
  Speaker 12: I don't know.
• 1:02:39
  Speaker 2: Do you go on with that, Jay?
• 1:02:42
  Speaker 5: Choose your words carefully, sir. She's not bad. What?
• 1:02:48
  Speaker 10: She's not bad. You just don't want to get on
• 1:02:50
  Speaker 10: her bad side.
• 1:02:51
  Speaker 5: That's true.
• 1:02:52
  Speaker 2: But, you know, a good 90% of the earth is
• 1:02:54
  Speaker 2: on your bad side. You just got to get on
• 1:02:56
  Speaker 2: the right side.
• 1:02:57
  Speaker 13: Yeah.
• 1:03:01
  Speaker 2: I do like the seagull idea, though. I like working
• 1:03:04
  Speaker 2: more seagulls, attacking people into that movie. Yeah. And the accident,
• 1:03:09
  Speaker 2: that's actually kind of cool if they would have worked
• 1:03:11
  Speaker 2: those people in standing around in two part of a
• 1:03:13
  Speaker 2: loop as it went on. That's kind of a cool idea, too.
• 1:03:16
  Speaker 2: So I agree with that one. And just to let
• 1:03:19
  Speaker 2: you know, I am wearing my Black Waters of Echo
• 1:03:22
  Speaker 2: Pond Echoes, whatever the hell that movie is, shirt right
• 1:03:25
  Speaker 2: now that I got from the producer of the movie.
• 1:03:28
  Speaker 12: Which I just remembered, oh, you told me that I
• 1:03:30
  Speaker 12: had one. I have no idea what happened to it.
• 1:03:32
  Speaker 2: You got one, too. You watched the cheesy trailer. You
• 1:03:34
  Speaker 2: said you have, too.
• 1:03:34
  Speaker 12: Are you sure you didn't steal one?
• 1:03:36
  Speaker 2: No, we ended up with several after that.
• 1:03:38
  Speaker 11: When did this happen?
• 1:03:39
  Speaker 2: I don't even remember. It was at a convention years ago. Oh, okay.
• 1:03:42
  Speaker 2: He's been pushing this movie for at least two years
• 1:03:46
  Speaker 2: or more. And, yeah, so we watched the trailer a
• 1:03:48
  Speaker 2: long time ago.
• 1:03:49
  Speaker 12: I've been looking like a douchebag the whole time he's done.
• 1:03:51
  Speaker 8: Well, yeah.
• 1:03:52
  Speaker 10: Did I watch this movie?
• 1:03:54
  Speaker 11: No.
• 1:03:54
  Speaker 2: No.
• 1:03:55
  Speaker 11: I was going to say, isn't that the director that
• 1:03:57
  Speaker 11: we saw at the last convention?
• 1:03:59
  Speaker 12: Mm-hmm. With all the kick-ass tattoos. Yeah.
• 1:04:01
  Speaker 2: Mm-hmm.
• 1:04:02
  Speaker 12: This douchebag hair.
• 1:04:03
  Speaker 2: That's him.
• 1:04:05
  Speaker 5: Mm-hmm.
• 1:04:06
  Speaker 2: So, yeah, I... You know, I guess we're trading off.
• 1:04:09
  Speaker 2: I'm still promoting it. Maybe that's the trade-off after the dissection. Really,
• 1:04:15
  Speaker 2: I just thought it was funny when I put it
• 1:04:17
  Speaker 2: on this morning. It was just as a joke, mostly.
• 1:04:20
  Speaker 2: Because it's funny you're wearing it now.
• 1:04:22
  Speaker 11: That's what I think when I put my outfits on
• 1:04:25
  Speaker 11: every day. It's just a joke.
• 1:04:26
  Speaker 2: This is just funny as hell. Nobody else gets it,
• 1:04:29
  Speaker 2: but I think this is funny. I do think that
• 1:04:32
  Speaker 2: a lot, actually.
• 1:04:33
  Speaker 12: That's part of why I wore my Boondock Saints shirt,
• 1:04:35
  Speaker 12: so I could bitch about how bad the second one was.
• 1:04:38
  Speaker 11: I have a striped French boat shirt on.
• 1:04:41
  Speaker 12: You're no Bill Moseley, I'll tell you that right now.
• 1:04:44
  Speaker 2: He does wear girls' clothes better than most men.
• 1:04:47
  Speaker 11: Yeah, better than me.
• 1:04:51
  Speaker 4: Oh, Lord.
• 1:04:51
  Speaker 2: But yes, thank you, Randy.
• 1:04:53
  Speaker 11: Yay, Randy.
• 1:04:54
  Speaker 2: As always, awesome to hear from you.
• 1:04:56
  Speaker 12: He doesn't call in near enough. Does he not love
• 1:04:58
  Speaker 12: us anymore?
• 1:04:59
  Speaker 5: He saves up.
• 1:05:01
  Speaker 11: You just need to give him your cell phone number, Misty,
• 1:05:03
  Speaker 11: to follow you sometimes.
• 1:05:06
  Speaker 2: I did talk to him.
• 1:05:07
  Speaker 11: You guys are, like, bored and chit-chat about what's going on.
• 1:05:10
  Speaker 12: All right, do we have any more feedback?
• 1:05:11
  Speaker 2: Yes, we do.
• 1:05:12
  Speaker 5: Awesome.
• 1:05:13
  Speaker 2: Next up, we actually get quite a real-world response about
• 1:05:17
  Speaker 2: our juvenile cartoon discussion.
• 1:05:19
  Speaker 12: Oh, nice.
• 1:05:19
  Speaker 2: Which is odd, because, you know, we don't usually know
• 1:05:22
  Speaker 2: how to operate around adults.
• 1:05:24
  Speaker 5: I'm telling you, it's a conversation that spurs... Good conversation.
• 1:05:30
  Speaker 5: I mean, everyone's got an opinion.
• 1:05:32
  Speaker 2: Yes, they do.
• 1:05:34
  Speaker 5: I'm a wizard with my words.
• 1:05:36
  Speaker 12: You're a word master.
• 1:05:37
  Speaker 5: Be jealous.
• 1:05:39
  Speaker 2: Well, everybody does have an opinion, including Fozzie Bear. So
• 1:05:42
  Speaker 2: this week we hear from Fozzie Bear.
• 1:05:45
  Speaker 1: Hey, guys.
• 1:05:45
  Speaker 2: This is Fozzie.
• 1:05:46
  Speaker 1: I just wanted to call because you were talking recently
• 1:05:49
  Speaker 1: about the vanishing Saturday morning cartoons. And I actually have
• 1:05:53
  Speaker 1: a theory about this, and I've done a little research,
• 1:05:55
  Speaker 1: and I think I'm right, but I think I'm right
• 1:05:57
  Speaker 1: about everything. So what I think happened, you'll notice that
• 1:06:00
  Speaker 1: the cartoons actually started to fade around. I think maybe
• 1:06:03
  Speaker 1: the early 90s, late 80s, they started to disappear. Well,
• 1:06:07
  Speaker 1: this is when the No Child Left Behind Act went
• 1:06:10
  Speaker 1: into place to increase the education of America's youth. and
• 1:06:16
  Speaker 1: part of that bill was to increase educational programming on television,
• 1:06:20
  Speaker 1: and every television station was required to show a certain
• 1:06:23
  Speaker 1: amount of educational programming throughout the week for children. And
• 1:06:28
  Speaker 1: they had to fill so many hours, and most television
• 1:06:30
  Speaker 1: stations would only give up Saturday mornings because those were
• 1:06:35
  Speaker 1: lower ratings for them. They weren't really going to lose
• 1:06:37
  Speaker 1: any money, but to follow along with governmental guidelines, they
• 1:06:41
  Speaker 1: had to put educational programs on there. So that's why
• 1:06:43
  Speaker 1: now we just have, like, Bill Nye– and other scientists
• 1:06:47
  Speaker 1: doing experiments and having creepy old men have little boys
• 1:06:52
  Speaker 1: come to their apartment to do experiments all the time.
• 1:06:54
  Speaker 1: So that's where we have all these shows, and that's
• 1:06:57
  Speaker 1: where cartoons have gone. So it's really sad, but I
• 1:06:59
  Speaker 1: blame the Clintons for it more than anything in the world.
• 1:07:03
  Speaker 1: And that's my thoughts on that. Okay, you're doing a
• 1:07:04
  Speaker 1: great job. Hope to talk to you soon.
• 1:07:06
  Speaker 12: Bye.
• 1:07:07
  Speaker 10: I think he's correct.
• 1:07:07
  Speaker 5: No, yeah, definitely.
• 1:07:09
  Speaker 11: Yep. I really love Bill Nye and Beacon's World. I
• 1:07:11
  Speaker 11: fucking love the show.
• 1:07:12
  Speaker 5: Remember Mr. Wizard way back in the day?
• 1:07:14
  Speaker 11: Mr.
• 1:07:14
  Speaker 5: Wizard was the man. He was awesome.
• 1:07:16
  Speaker 12: I never watched any of those shows. I watched Bob
• 1:07:18
  Speaker 12: Ross as a child, which I am happy to report
• 1:07:20
  Speaker 12: that he is still on television.
• 1:07:21
  Speaker 5: Yes, he is.
• 1:07:22
  Speaker 12: And he's on 1030 every morning on KET, and I
• 1:07:25
  Speaker 12: will tell everybody to watch Bob Ross.
• 1:07:27
  Speaker 5: Yeah, Bill Nye and, you know, all those....
• 1:07:30
  Speaker 2: In thinking that, I'm trying to decide maybe Freddy Krueger
• 1:07:33
  Speaker 2: was just trying to be a scientist. Hey kids, would
• 1:07:36
  Speaker 2: you like to come down to the cave and do
• 1:07:37
  Speaker 2: some experiments? Maybe that's all he was up to. He
• 1:07:41
  Speaker 2: was just trying to, you know.
• 1:07:43
  Speaker 5: He's like weird and gross.
• 1:07:44
  Speaker 2: Let me show you my beakers.
• 1:07:47
  Speaker 11: Bill Nye was awesome because he's hot.
• 1:07:50
  Speaker 5: I don't know about that.
• 1:07:51
  Speaker 12: If you knew Marlena, you would realize that's a normal statement.
• 1:07:54
  Speaker 2: Yeah, that is a very Marlena statement.
• 1:07:57
  Speaker 11: Beakman's World, awesome because there was a man and a
• 1:07:59
  Speaker 11: rat costume.
• 1:08:01
  Speaker 5: And the chick was hot. Well, they changed several times.
• 1:08:04
  Speaker 2: There was at least three of those.
• 1:08:05
  Speaker 5: I like the first generation.
• 1:08:07
  Speaker 2: The one was actually in a lot of other movies
• 1:08:09
  Speaker 2: and stuff. What's really sad, and if we still did
• 1:08:12
  Speaker 2: the dead people, I probably would have brought this up
• 1:08:14
  Speaker 2: that week. This has been probably several months ago now,
• 1:08:16
  Speaker 2: but the guy in the rat suit's dead now.
• 1:08:18
  Speaker 5: Wow, what happened?
• 1:08:19
  Speaker 2: Isn't that sad?
• 1:08:20
  Speaker 11: That's so sad.
• 1:08:21
  Speaker 5: I'm going to cry.
• 1:08:22
  Speaker 12: Rat-related death?
• 1:08:24
  Speaker 11: You know, actually, I have a sick rat right now.
• 1:08:27
  Speaker 5: She has rhinitis.
• 1:08:27
  Speaker 11: She's dead. She had a stroke.
• 1:08:30
  Speaker 10: What the hell is Rhinox?
• 1:08:32
  Speaker 11: It's when her head is tilted to the side and
• 1:08:34
  Speaker 11: she can't move it any other way.
• 1:08:35
  Speaker 12: I'm not laughing because of that.
• 1:08:37
  Speaker 5: It's the saddest thing.
• 1:08:39
  Speaker 12: I'm laughing because I call him Sugar Booger all the time.
• 1:08:42
  Speaker 11: And there's another rat named Dr.
• 1:08:43
  Speaker 12: Poopinstein.
• 1:08:44
  Speaker 5: I never call him that.
• 1:08:45
  Speaker 11: I didn't name them.
• 1:08:47
  Speaker 13: Rhinox sounds like something you spray in your truck bed
• 1:08:50
  Speaker 13: to protect it from bricks.
• 1:08:51
  Speaker 5: Rhino lining.
• 1:08:52
  Speaker 10: That's okay. It's got Rhinox.
• 1:08:54
  Speaker 11: It's really sad, but she's almost at the end of
• 1:08:57
  Speaker 11: her lifespan anyway, which is two years. So.
• 1:09:00
  Speaker 12: Wow our salamander's getting sluggish.
• 1:09:02
  Speaker 10: Yeah he's not eating the fish like he used to.
• 1:09:05
  Speaker 12: I think he just became friends with them yeah he.
• 1:09:07
  Speaker 10: Got tired of eating his buddies that's sad he realized.
• 1:09:10
  Speaker 13: That we're gonna buy it yeah i wasn't gonna buy
• 1:09:12
  Speaker 13: him another salamander play with so All right.
• 1:09:15
  Speaker 2: Mark Ritz was the lab rat on Beakman's World, and
• 1:09:19
  Speaker 2: it was kidney cancer. Died at 63. It's pretty sad.
• 1:09:23
  Speaker 5: He was that old?
• 1:09:24
  Speaker 2: Yeah, I mean, those shows were all from the 90s.
• 1:09:26
  Speaker 2: I mean, even as old as he was, they'd been
• 1:09:28
  Speaker 2: repeating for years.
• 1:09:30
  Speaker 11: Yeah, I know, but I mean, the 90s, it's... That was, like,
• 1:09:33
  Speaker 11: 20 years ago.
• 1:09:34
  Speaker 2: 20 years ago. So, I mean, if he was 40.
• 1:09:36
  Speaker 10: Yeah, don't remind me. 20 years ago.
• 1:09:37
  Speaker 2: I mean, because he looked pretty old in there. So,
• 1:09:39
  Speaker 2: I mean, if he was in his 40s at that point,
• 1:09:42
  Speaker 2: you know.
• 1:09:42
  Speaker 11: God, I just can't even believe the 90s were 20
• 1:09:46
  Speaker 11: years ago.
• 1:09:46
  Speaker 12: Yeah.
• 1:09:46
  Speaker 2: Sad, isn't it?
• 1:09:47
  Speaker 10: You don't like that.
• 1:09:48
  Speaker 11: Not every part of the 90s.
• 1:09:50
  Speaker 2: No, all of them. All of them.
• 1:09:52
  Speaker 5: All of them.
• 1:09:53
  Speaker 6: Oh, fuck.
• 1:09:53
  Speaker 11: 1999 wasn't 20.
• 1:09:57
  Speaker 2: Once you're done with the decade, they get crammed into
• 1:09:59
  Speaker 2: one little package, and they all get sorted into one
• 1:10:02
  Speaker 2: year in a box in that mom's attic.
• 1:10:05
  Speaker 10: Kind of a drunken blur for me.
• 1:10:08
  Speaker 11: And it just becomes a Mo Rocha talking about it
• 1:10:11
  Speaker 11: on I Love the 90s.
• 1:10:13
  Speaker 2: That's right. We can't relive this stuff if it's not
• 1:10:16
  Speaker 2: for VH1.
• 1:10:17
  Speaker 12: Yeah.
• 1:10:17
  Speaker 2: They are in charge of our memories, and we trust them.
• 1:10:22
  Speaker 18: Houseparts.
• 1:10:24
  Speaker 8: Oh, God.
• 1:10:24
  Speaker 2: I like Michael Ian Black for me.
• 1:10:26
  Speaker 5: Yeah, I know.
• 1:10:27
  Speaker 11: What happened to him? He doesn't do anything anymore.
• 1:10:30
  Speaker 12: They sit around and wait for VH1 to make specials.
• 1:10:33
  Speaker 11: Actually, Mo Rocha and Bill Nye are both celebrity judges,
• 1:10:37
  Speaker 11: or whatchamacallit, on Who Wants to Be a Millionaire, which
• 1:10:42
  Speaker 11: is still on every morning.
• 1:10:44
  Speaker 5: Really?
• 1:10:45
  Speaker 4: It is?
• 1:10:45
  Speaker 12: Yeah.
• 1:10:46
  Speaker 2: That's sad.
• 1:10:47
  Speaker 11: They're the... celebrity lifeline or whatever.
• 1:10:51
  Speaker 10: What?
• 1:10:51
  Speaker 2: That is sad. They have nothing else to do but
• 1:10:53
  Speaker 2: sit by the phone waiting for people to call and go,
• 1:10:56
  Speaker 2: what is the capital Ecuador? I don't know. I used
• 1:11:01
  Speaker 2: to know that.
• 1:11:02
  Speaker 5: Well, shit, Beedleman or Bill Nye would be great lifelines.
• 1:11:06
  Speaker 2: I mean, shit, we're all these people like that.
• 1:11:08
  Speaker 11: That's really smart.
• 1:11:10
  Speaker 2: I'm not calling Michael.
• 1:11:12
  Speaker 11: And the other day, What's-Her-Face Blossom was on there.
• 1:11:14
  Speaker 2: Who the hell's Blossom? Malcolm Belcher.
• 1:11:18
  Speaker 5: What the fuck's her name? The hideous chick from that
• 1:11:20
  Speaker 5: TV show?
• 1:11:21
  Speaker 2: Yeah, I'm not calling her either.
• 1:11:24
  Speaker 5: Rhinoplasty?
• 1:11:25
  Speaker 2: Yeah, really.
• 1:11:26
  Speaker 12: That's like a damn dirty hippie.
• 1:11:29
  Speaker 5: Yeah.
• 1:11:30
  Speaker 2: Regardless, thank you, Fozzie Bear.
• 1:11:32
  Speaker 5: No, Fozzie Bear, thank you. That was awesome.
• 1:11:35
  Speaker 2: Yeah, that was way more thought out than I expected
• 1:11:37
  Speaker 2: out of any of our listeners. So thank you for
• 1:11:39
  Speaker 2: coming through. Hey, Fozzie's a sophisticated gentleman.
• 1:11:42
  Speaker 11: I did like Fozzie, but I'm going to have to
• 1:11:44
  Speaker 11: say Gonzo was my favorite.
• 1:11:45
  Speaker 12: He did like chicken. Yeah.
• 1:11:47
  Speaker 2: I did like Gonzo.
• 1:11:48
  Speaker 5: Actually, no, no, no, not Gonzo. I take it back.
• 1:11:50
  Speaker 2: Rolf. Ralph. Ralph was good. Dr.
• 1:11:53
  Speaker 5: Teeth was awesome.
• 1:11:54
  Speaker 2: Dr. Teeth was awesome.
• 1:11:55
  Speaker 11: He was great. Benson and Beaker.
• 1:11:57
  Speaker 2: All right. Otherwise, that is pretty much it for the feedback,
• 1:12:01
  Speaker 2: so keep it coming, guys.
• 1:12:03
  Speaker 10: There was somebody answered my question. Was it Neiman?
• 1:12:06
  Speaker 2: That was Greg, actually.
• 1:12:08
  Speaker 11: Okay.
• 1:12:09
  Speaker 2: So if you wanted to, uh, Cindy, thank you out
• 1:12:10
  Speaker 2: to Greg for answering our question.
• 1:12:12
  Speaker 13: My, my key up question, which is why key up
• 1:12:16
  Speaker 13: in battle of the planets kept going, you know, Oh.
• 1:12:21
  Speaker 10: God, it drove me nuts. And it wasn't just me.
• 1:12:23
  Speaker 13: There are other people that I knew that grew up
• 1:12:24
  Speaker 13: at G-Force that were like, I wanted to strangle.
• 1:12:26
  Speaker 2: Yeah, I was right there with you on that.
• 1:12:29
  Speaker 13: Greg, thank you for answering my question. The, uh, basically
• 1:12:32
  Speaker 13: he pointed out that was in the Japanese version. They
• 1:12:34
  Speaker 13: had to bleep out a lot of, cursing, which I
• 1:12:39
  Speaker 13: really want to go back and watch the original now.
• 1:12:42
  Speaker 10: Is it Gatchaman?
• 1:12:45
  Speaker 5: Science Ninja Team Gatchaman.
• 1:12:47
  Speaker 2: I always thought that's what it was, but I don't know.
• 1:12:49
  Speaker 2: I haven't watched that one either. Is all the cursing
• 1:12:52
  Speaker 2: in Gatchaman?
• 1:12:52
  Speaker 12: Yes, it is.
• 1:12:53
  Speaker 5: It's the unedited version, I'm pretty sure.
• 1:12:56
  Speaker 13: Now I've got to go back and watch that so
• 1:12:58
  Speaker 13: it'll be even more enjoyable.
• 1:12:59
  Speaker 4: I remember.
• 1:13:01
  Speaker 13: I actually went back on YouTube and watched some of
• 1:13:03
  Speaker 13: the older versions of just G-Force and just.
• 1:13:06
  Speaker 10: Realized the dialogue was so horrible. I could barely watch it.
• 1:13:11
  Speaker 12: My reaction is, is that Casey Kasem?
• 1:13:13
  Speaker 13: Yeah, it was Casey Kasem playing Mark.
• 1:13:17
  Speaker 2: I forget about that.
• 1:13:18
  Speaker 5: It was just one of.
• 1:13:19
  Speaker 10: Those, look, here they come. They have guns.
• 1:13:21
  Speaker 12: It's like, why is Shaggy talking?
• 1:13:23
  Speaker 10: Run the other way.
• 1:13:25
  Speaker 2: Let's make a snack scoop. Oh, wait, wrong cartoon. I'm
• 1:13:28
  Speaker 2: on every cartoon on right now.
• 1:13:30
  Speaker 11: It's so weird how you think these cartoons are awesome
• 1:13:33
  Speaker 11: when you're growing up and you go back and rewatch
• 1:13:35
  Speaker 11: them as an adult, like a speed racer. Most people
• 1:13:38
  Speaker 11: that go back and watch that, that loved it as
• 1:13:40
  Speaker 11: a kid, they're like, God damn. Damn, this show is stupid.
• 1:13:42
  Speaker 2: A lot of those were pretty bad.
• 1:13:43
  Speaker 10: Yeah.
• 1:13:44
  Speaker 2: Especially Hanna-Barbera. As much as I liked Hanna-Barbera, they were hacks,
• 1:13:49
  Speaker 2: and they didn't hide it.
• 1:13:50
  Speaker 5: Oh, hell yeah.
• 1:13:51
  Speaker 10: Thundar the Barbarian.
• 1:13:52
  Speaker 12: I just bought me some She-Ra, so I'm going to
• 1:13:54
  Speaker 12: be watching that. I also got an AJ Wright that
• 1:13:56
  Speaker 12: had She-Ra. The best of She-Ra with the movie in
• 1:13:59
  Speaker 12: five episodes.
• 1:14:00
  Speaker 5: Oh, that's good.
• 1:14:01
  Speaker 2: Yeah, it's not so good.
• 1:14:02
  Speaker 5: That's a deal.
• 1:14:02
  Speaker 2: Have you seen the movie?
• 1:14:03
  Speaker 10: It's been a while.
• 1:14:05
  Speaker 12: Oh, man.
• 1:14:05
  Speaker 2: I just heard a wrap-up of the movie in the
• 1:14:06
  Speaker 2: last few months.
• 1:14:07
  Speaker 5: And wow, it is.
• 1:14:09
  Speaker 10: Was it a live action?
• 1:14:10
  Speaker 5: No.
• 1:14:11
  Speaker 2: It was like five episodes strung together, basically.
• 1:14:13
  Speaker 10: That's all it was. I'm excited.
• 1:14:17
  Speaker 5: Good luck.
• 1:14:17
  Speaker 2: I want to hear the recap on that one from you, too,
• 1:14:20
  Speaker 2: because I'm not sure how it's going to go over.
• 1:14:24
  Speaker 10: All right.
• 1:14:24
  Speaker 2: But, yep, thank you to everyone who sent us feedback
• 1:14:27
  Speaker 2: this week. So keep it coming.
• 1:14:28
  Speaker 10: Thank you.
• 1:14:29
  Speaker 5: Thank you.
• 1:14:30
  Speaker 6: Thank you.
• 1:14:31
  Speaker 11: Thanks. Don't be shy.
• 1:14:34
  Speaker 12: Just let your feelings.
• 1:14:36
  Speaker 13: Roll on by.
• 1:14:38
  Speaker 15: Don't be shy. We'd like to hear from you. So
• 1:14:41
  Speaker 15: give us a call at 502-365-5565. Or you can email
• 1:14:46
  Speaker 15: us at geeksatmoviemeltdown.com. And just stop by the website for
• 1:14:50
  Speaker 15: our frequent updates. That's moviemeltdown.com. And while you're there, click
• 1:14:54
  Speaker 15: on the forums link and go to our message boards
• 1:14:56
  Speaker 15: at Pop Syndicate. Or go to popsyndicate.com and go to
• 1:14:59
  Speaker 15: the forum sections and look for Movie Meltdown.
• 1:15:03
  Speaker 10: On by, on by.
• 1:15:05
  Speaker 6: On by, on by.
• 1:15:08
  Speaker 12: I was mad. I was mad at Sean Patrick Flannery
• 1:15:12
  Speaker 12: for looking like he did.
• 1:15:13
  Speaker 2: That's sad because, dude, that's your career. You were supposed
• 1:15:17
  Speaker 2: to be a pretty boy.
• 1:15:18
  Speaker 10: Yeah, she was like, put your shirt back on.
• 1:15:20
  Speaker 2: You get fat.
• 1:15:21
  Speaker 5: It's over, dude.
• 1:15:21
  Speaker 12: Him and the other guy. I mean, Sean Patrick Flannery,
• 1:15:24
  Speaker 12: his face is just swelled up. And I said, he
• 1:15:28
  Speaker 12: looks like, at some point I'm like, is that Alan Rickman?
• 1:15:31
  Speaker 12: Because he's starting to look like Alan Rickman.
• 1:15:34
  Speaker 10: You weren't the only one who thought that either.
• 1:15:35
  Speaker 12: I looked it up.
• 1:15:37
  Speaker 2: Everybody's like, what's Alan Rickman doing?
• 1:15:40
  Speaker 12: If you Google what happened to Sean Patrick Flannery's face,
• 1:15:42
  Speaker 12: you'll find a lot of shit.
• 1:15:44
  Speaker 2: Okay, kids, get out your decoder pins.
• 1:15:45
  Speaker 18: No, no, no, no, no, no.
• 1:15:46
  Speaker 5: Set your pins to B2. Here is the message.
• 1:15:52
  Speaker 2: It is time. Well, the movie meltdown secret. I don't know.
• 1:15:56
  Speaker 2: We don't even know for sure what we're watching. Wowzers.
• 1:15:59
  Speaker 2: We're actually, well, we're still going where we said we
• 1:16:02
  Speaker 2: were going, but not necessarily next week. Next week, some
• 1:16:06
  Speaker 2: of us won't be here, so we're probably going to
• 1:16:09
  Speaker 2: rework things a little bit. So we'll have to see. Basically,
• 1:16:12
  Speaker 2: I'm going to see what I decide to put together
• 1:16:14
  Speaker 2: between now and next week.
• 1:16:15
  Speaker 12: You're going to find some shit that I don't want
• 1:16:16
  Speaker 12: to watch.
• 1:16:16
  Speaker 2: No, not necessarily. There's another idea I've been toying with.
• 1:16:20
  Speaker 2: So if I can make that happen, it's going to
• 1:16:21
  Speaker 2: be awesome. If not, we're going to pick something that
• 1:16:23
  Speaker 2: probably Misty doesn't want to watch.
• 1:16:25
  Speaker 10: Nazis.
• 1:16:27
  Speaker 12: Whatever.
• 1:16:27
  Speaker 2: Misty loves Nazis.
• 1:16:28
  Speaker 11: I like movies about Nazis sometimes. Depends on the movie, really.
• 1:16:32
  Speaker 12: Not even zombie Nazis can bring me in sometimes.
• 1:16:34
  Speaker 5: I really like Dead Snow.
• 1:16:36
  Speaker 11: I have nightmares about that shit fox scene though.
• 1:16:40
  Speaker 5: Shit fox scene? I need to see this.
• 1:16:45
  Speaker 12: I think you do.
• 1:16:45
  Speaker 11: I like the movie.
• 1:16:46
  Speaker 12: You can watch it now on Netflix.
• 1:16:47
  Speaker 11: If you have it.
• 1:16:48
  Speaker 5: I know. You can't.
• 1:16:53
  Speaker 2: But the following week we will end up where we
• 1:16:55
  Speaker 2: said we were going the last time anyway. So we
• 1:16:58
  Speaker 2: are going to watch April Fool's Day. Yay! Get excited.
• 1:17:03
  Speaker 5: I'm excited.
• 1:17:04
  Speaker 2: I've actually already been contacted by several people.
• 1:17:07
  Speaker 5: Oh, really?
• 1:17:08
  Speaker 2: Well, I'm pretty sure Nick at Eskimo and Barbarella were
• 1:17:11
  Speaker 2: both on board for the, for God's sakes, don't watch
• 1:17:13
  Speaker 2: the remake. Which just fueled my fire to go and
• 1:17:17
  Speaker 2: make sure I at least watch it. And I told them,
• 1:17:19
  Speaker 2: I was like, don't worry, I'm not inflicting it upon
• 1:17:22
  Speaker 2: everyone else, but yeah, they said it's really bad.
• 1:17:25
  Speaker 12: Are we done?
• 1:17:27
  Speaker 5: Almost.
• 1:17:31
  Speaker 12: All right, that's where I'm going to ask for Roger
• 1:17:33
  Speaker 12: to leave.
• 1:17:33
  Speaker 2: All right, on that note, I think we will wrap
• 1:17:35
  Speaker 2: it up. So, yeah, I guess we should go out with,
• 1:17:38
  Speaker 2: what did we say? Do the Freddy.
• 1:17:40
  Speaker 5: How are we going out? Do the Freddy?
• 1:17:41
  Speaker 2: Do the Freddy is pretty classically horrible.
• 1:17:44
  Speaker 5: He's doing it on the back of the album.
• 1:17:45
  Speaker 2: Yeah, we're going to, I think, inflict the Do the
• 1:17:48
  Speaker 2: Freddy upon you. So this is from Freddy's Greatest Hits.
• 1:17:51
  Speaker 2: And wait, what is the band called? Turn on the front.
• 1:17:54
  Speaker 11: What is it?
• 1:17:55
  Speaker 12: The Elm Street Group.
• 1:17:56
  Speaker 11: Ah, yes.
• 1:17:56
  Speaker 2: Freddie and the Elm Street Group doing Do the Freddie.
• 1:17:59
  Speaker 2: So enjoy.
• 1:18:01
  Speaker 5: And we're sorry.
• 1:18:02
  Speaker 2: And do the Freddie. Otherwise, that about does it. We
• 1:18:04
  Speaker 2: will return next week. Same geek time, same geek feed.
• 1:18:06
  Speaker 2: Thanks for listening.
• 1:18:07
  Speaker 5: Thanks, guys.
• 1:18:08
  Speaker 12: Rock on.
• 1:18:09
  Speaker 5: Sweet.
• 1:18:09
  Speaker 12: Bye-bye.
• 1:18:09
  Speaker 5: I'm Freddie, and this is for you.
• 1:18:23
  Speaker 7: Hear the happy feet dancing to the beat of the thread.
• 1:18:28
  Speaker 6: Throw that guy.
• 1:18:31
  Speaker 7: In front, make a line in back, then you're ready.
• 1:18:39
  Speaker 7: Pick your feet up, swing your arms up to move
• 1:18:43
  Speaker 7: your head both ways like you see him do.
• 1:18:46
  Speaker 10: Then jump, repeat to the sweet.
• 1:18:50
  Speaker 6: Beat of the Freddy.
• 1:18:51
  Speaker 10: To the Freddy.
• 1:18:55
  Speaker 5: Hear the.
• 1:18:58
  Speaker 7: Pretty feet running from the beat of the Freddy. Ha
• 1:19:11
  Speaker 7: ha ha ha!
• 1:19:43
  Speaker 10: I'm ready, and this is for you. Pick your feet up.
• 1:19:51
  Speaker 5: Swing your arms up too. If you have always liked to.
• 1:19:57
  Speaker 3: See him do it, then just repeat to the swinging
• 1:20:01
  Speaker 3: beat of the wedding hall.
• 1:20:05
  Speaker 10: Do the threading, do.
• 1:20:08
  Speaker 6: The threading Keep awake, don't sleep, cause you.
• 1:20:12
  Speaker 10: Gotta keep watch for threading In.
• 1:20:14
  Speaker 6: The boy love room.
• 1:20:20
  Speaker 7: He'll be coming soon Do the threading Do the threading
• 1:20:25
  Speaker 7: Do the.
• 1:20:29
  Speaker 19: Threading I can't tell what's real anymore. Is there anybody
• 1:20:42
  Speaker 19: else out there that this is happening to?
• 1:20:45
  Speaker 15: This show is a production of Movie Meltdown, produced and
• 1:20:47
  Speaker 15: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:20:51
  Speaker 15: To help support the show, email producer at moviemeltdown.com for
• 1:20:54
  Speaker 15: ways that you can contribute or advertise with us.