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Bonus IMPROV - Attacked by a Gang of Beavers · Very Fine Friends

• 0:00
  oh yeah yeah oh francis welcome to very fine friends oh you're bringing up the catchphrase
• 0:19
  everything okay yeah me you're the depressed comedian if you want to know what that's about
• 0:25
  tune in to last week's full main episode.
• 0:28
  But today, we're doing...
• 0:31
  Bonus!
• 0:34
  Improv!
• 0:35
  Improv! Improv! Improv!
• 0:38
  Joe, can we get a suggestion?
• 0:42
  Suggestion is advantage.
• 0:47
  Advantage.
• 0:50
  Do you feel you have any advantages?
• 0:52
  I feel I do have some.
• 0:55
  And then some other things that are not advantages.
• 0:58
  So you think it all balances out for the most part?
• 1:04
  Yeah.
• 1:05
  I don't care about balance.
• 1:06
  I want all the advantages.
• 1:08
  Yeah.
• 1:08
  That would be nice,
• 1:09
  but none of the disadvantages,
• 1:11
  but then I wonder like,
• 1:14
  not like,
• 1:17
  like something like,
• 1:19
  like sense of humor.
• 1:21
  If you were fully advantaged your whole life,
• 1:23
  would you develop a sense of humor?
• 1:26
  No.
• 1:27
  Yeah.
• 1:27
  See, so it's like that I consider to be an advantage now.
• 1:30
  But I, but like, that's, there's a reason why people say like hot ladies aren't funny
• 1:36
  because they never had to be.
• 1:39
  Right.
• 1:40
  I don't know how you managed both.
• 1:42
  Ah, nice.
• 1:43
  Thank you.
• 1:44
  Uh, incorrect, but thank you.
• 1:48
  Ay, ay, ay.
• 1:49
  Ay, ay, ay.
• 1:51
  What's an advantage you wish you had?
• 1:53
  I wish I had musical ability of some kind or some kind of art ability.
• 2:07
  I am not a good artist at all.
• 2:09
  That's a good one.
• 2:10
  Really good one.
• 2:10
  Yeah.
• 2:11
  Because it's so impressive.
• 2:12
  Yeah.
• 2:12
  People can just paint and draw.
• 2:14
  Yeah.
• 2:14
  In fact, I'm going to take art over music.
• 2:17
  Yeah.
• 2:18
  Yeah.
• 2:18
  Well, art, we might have talked about this at one point.
• 2:20
  art is great because
• 2:22
  I mean with music you don't really need an audience
• 2:24
  either you can't just like make music for yourself
• 2:26
  but I feel like art is more conducive to like
• 2:28
  you just expressing
• 2:30
  yourself and you never need to share it with anyone
• 2:32
  yeah
• 2:33
  you know I'd love that
• 2:36
  you could be art buddies together
• 2:38
  well you do art you do all the drawings for the invention of the week I didn want to say anything yeah i mean and you are sharing it with the world at very fine friends slash inventions you got me
• 2:50
  hey hey hey hey oh you don't mind if i use that to like my own catchphrase no please it's for the
• 2:57
  world thank you yeah that's sweet yeah and now improv
• 3:09
  Son, can you come in here, please?
• 3:13
  Sure, Papa. What's up?
• 3:17
  First of all, I told you don't call me that.
• 3:20
  I'm sorry.
• 3:21
  It's okay.
• 3:25
  I found these under your bed.
• 3:28
  It's a bunch of canvases.
• 3:32
  Papa, no! I mean, Daddy, no!
• 3:36
  I would like if you could explain this, please.
• 3:38
  These are some varied and disturbing imagery.
• 3:44
  And it's all signed Papa Junior, which I don't like that as a name for you either.
• 3:50
  I thought PJ was kind of cute.
• 3:52
  Well, I'm so embarrassed, Papa.
• 3:58
  Call me Dad if you must.
• 4:01
  Okay.
• 4:02
  Dad.
• 4:04
  I don't like the way that sounds either.
• 4:06
  Call me Steve.
• 4:06
  Okay.
• 4:07
  still too familiar steve yeah i'm really sorry about this it's just there's no other way that
• 4:14
  i could have expressed myself i found these blank canvases these canvai if you will and in the middle
• 4:21
  of the night i snuck them home and i did my elaborate drawings of what i wished would happen
• 4:26
  to everyone in town.
• 4:28
  Yeah.
• 4:30
  That brings me to this first one.
• 4:33
  It's
• 4:34
  a picture
• 4:36
  of what I'm assuming is the mayor.
• 4:39
  Oh, yeah.
• 4:40
  He's got a top hat and a big
• 4:42
  sash that says mayor on it.
• 4:45
  And
• 4:46
  he's being
• 4:48
  attacked
• 4:48
  by a gang of beavers.
• 4:52
  Yeah, and one of the beavers is holding
• 4:54
  a scythe at an angle that you can tell just from
• 4:56
  the image is about to cut into him and rip his body in half.
• 5:03
  Has the mayor wronged you in some way, son?
• 5:06
  The mayor?
• 5:07
  No, he's great.
• 5:09
  I think he's doing some real nice things for this city.
• 5:13
  Why would you draw something like this?
• 5:15
  It's just art.
• 5:16
  It's expression.
• 5:19
  Would you ask a movie director why they would write a scary movie?
• 5:23
  No Papa Steve Oh okay All right All right I guess the beavers do have they have a certain glint in their eyes Yeah
• 5:35
  Looks like, I don't know, probably it was hard to paint.
• 5:39
  You did a good job with the light reflecting out of their eyes.
• 5:41
  Good job.
• 5:42
  Thank you.
• 5:43
  Thank you, P.S.
• 5:44
  Cool.
• 5:45
  No, stop.
• 5:46
  No.
• 5:47
  Stop it.
• 5:50
  Let's move on to this next.
• 5:51
  Oh, my favorite.
• 5:54
  Yeah. Why don't you describe what's going on in this one?
• 5:58
  Well, here's you.
• 5:59
  Yeah.
• 5:59
  With your mom and dad.
• 6:01
  Yeah.
• 6:02
  And your mom and dad's heads have exploded.
• 6:07
  That's what I thought.
• 6:08
  I mean, they didn't have heads, but I was assuming it was Grandpa and Meemaw.
• 6:13
  Yeah, I put their IDs in their hands so you'd know.
• 6:15
  Yes.
• 6:17
  You made Meemaw an organ donor, which we both know she's not.
• 6:21
  I see the world as I'd like it to be.
• 6:24
  Are you mad at your grandparents?
• 6:28
  Why would you even think that?
• 6:30
  Well,
• 6:33
  your meemaw and grandpa,
• 6:37
  they're just neck with blood spurting out the top.
• 6:41
  It's a metaphor.
• 6:44
  As a parent, if you lose your head,
• 6:46
  it could affect your child.
• 6:48
  Well, it does look like it's affected me.
• 6:51
  You've also made me,
• 6:52
  I'm on my hands and knees
• 6:55
  well not my hands, my knees
• 6:57
  hands in the air
• 6:58
  platoon style
• 7:02
  and
• 7:04
  I'm fully naked son
• 7:06
  how did I do?
• 7:09
  that's not
• 7:10
  it at all
• 7:11
  I'm smooth in front
• 7:13
  are you trying to emasculate me?
• 7:16
  no
• 7:17
  what I was trying to do was
• 7:18
  to show the hidden feminine
• 7:20
  you know which which you put away uh no well i don't have any hidden feminine well i think if
• 7:29
  you look at the canvas no that's just it feels grossly grossly inaccurate okay well maybe it
• 7:34
  leads you to question a few things and that's really the point of art can we put these away
• 7:39
  my my privacy i feel has been violated uh it's too late for that son it's too late for that
• 7:44
  now this next one seems to be a self portrait oh you found that one yes i found them all
• 7:54
  found them all yeah pretty big bed
• 7:59
  and also you lofted your bed i just walked a room right under there so hiding things under
• 8:07
  your bed not really a good strategy okay noted you not that bright noted Yeah I an artist not a mathematician It not a math thing
• 8:19
  So you don't like the canvas?
• 8:21
  This one's interesting.
• 8:22
  Yeah.
• 8:23
  So this is how you see yourself.
• 8:25
  Yes, with a row of teats that are penises.
• 8:28
  Yes.
• 8:29
  And hands are reaching from off the canvas as though to grab.
• 8:34
  And if you notice, every one of those hands is someone in town.
• 8:45
  Really?
• 8:46
  Yeah.
• 8:50
  Every hand.
• 8:52
  Who's this one?
• 8:53
  That's Uncle Phil.
• 8:57
  Oh, your uncle's in this.
• 8:59
  Yeah, it's art.
• 9:01
  This one's a librarian.
• 9:04
  This hand is mine.
• 9:06
  Now, think about that.
• 9:07
  Think about that.
• 9:08
  Coming from off from the side?
• 9:11
  Yeah.
• 9:11
  Yeah.
• 9:14
  Son.
• 9:19
  I'm a little worried.
• 9:22
  Why?
• 9:25
  Don't you do it.
• 9:27
  I'm sorry, I'm trying.
• 9:29
  Why are you worried?
• 9:31
  I'm just your artist son.
• 9:34
  Can I show you something?
• 9:36
  Of course.
• 9:38
  I'm a little worried.
• 9:41
  I'm also an artist.
• 9:43
  Well, let me see.
• 9:44
  Maybe the apple tree fell close to the apple.
• 9:51
  Here's my self-portrait.
• 9:57
  Aye, aye, aye.
• 10:00
  That's right, it's just...
• 10:02
  it's me and I have a lot of hands and they're all going off.
• 10:09
  Now I'm worried our paintings have merged.
• 10:11
  Well,
• 10:12
  I think if we just hang them in different rooms,
• 10:13
  it'll be okay.
• 10:15
  But what if we put them next to each other?
• 10:22
  You're shaking your head,
• 10:23
  Papa.
• 10:25
  Don't call me that.
• 10:27
  All right.
• 10:28
  Well,
• 10:28
  one of us has to burn our portrait.
• 10:32
  Penis is her hands.
• 10:40
  Well, let me think about it.
• 10:44
  Well, you're already in mine.
• 10:46
  Let's burn yours.
• 10:48
  Scene.