Latest / Frightmares / Ep. 3 - A Chat With Cory
Transcript
- 0:45Speaker 1: Hello, and welcome back to Frightmares. This is episode number three.
- 0:48Speaker 1: I am your host, Austin Proctor, and today I am
- 0:50Speaker 1: joined the special guest one of my good old buddies,
- 0:52Speaker 1: mister Corey Johnson. Hey, hey, all right, So we kind
- 0:56Speaker 1: of had a little glitch with the last time. With
- 0:59Speaker 1: the first time we recorded this, my computer decided to
- 1:02Speaker 1: delete it all for whatever fuck reason. So we're back
- 1:05Speaker 1: in the studio doing this shit again, episode three redo.
- 1:09Speaker 1: We're gonna split it into two parts this time because
- 1:11Speaker 1: I guess there's an issue with my computer recording over
- 1:14Speaker 1: an hour. So with all that being said, let's just
- 1:17Speaker 1: jump right in and we're gonna get into Corey's background
- 1:19Speaker 1: of horror and what got him into the genre and
- 1:21Speaker 1: all that good stuff. So kick it over to you, sir.
- 1:24Speaker 2: So, uh yeah, my my introduction into horror isn't movies.
- 1:30Speaker 2: It's actually video games technically. Uh, My sister had a
- 1:33Speaker 2: boyfriend that was living with us back in the day,
- 1:36Speaker 2: and he had like a PS one and a PS
- 1:38Speaker 2: two and I got to sit and watch him in
- 1:41Speaker 2: a dark, dreary basement play the original Resident Evil and
- 1:46Speaker 2: the original Silent Hill Nice and so all the lights
- 1:50Speaker 2: off you know, just sitting in there, big, nice glowing
- 1:53Speaker 2: CRT tube TV. And something about it just made it.
- 1:58Speaker 2: It was so real to me. I was like, because
- 2:01Speaker 2: the original Resident Evil had a full motion video.
- 2:05Speaker 3: Yeah, in the in the beginning.
- 2:06Speaker 1: I don't think I played that one. And when was that? Hell, Like,
- 2:08Speaker 1: how long ago was that? Like how old we are?
- 2:11Speaker 1: It was like two thousand and two.
- 2:13Speaker 2: It was probably two thousand and two when it was
- 2:15Speaker 2: being played. I think it came out in like nineteen
- 2:17Speaker 2: ninety eight. Jesus Christ, Yeah, nineteen ninety six, nineteen ninety eight.
- 2:21Speaker 2: But the beginning scene, like it's like a movie. There
- 2:24Speaker 2: are real people being shot, like shooting seriously. Yeah, So
- 2:28Speaker 2: I'm like shit, So in my in my young person brain,
- 2:31Speaker 2: I'm like, this is happening. This is a real thing
- 2:33Speaker 2: that's going on right now. And plus it takes place
- 2:37Speaker 2: in a fictional mansion in the woods in the mountains,
- 2:41Speaker 2: and I lived in the woods in the mountains, so
- 2:43Speaker 2: I'm like, I know of a like abandoned house up
- 2:47Speaker 2: down the street.
- 2:47Speaker 3: I shot it. Yeah, So so that was that was
- 2:52Speaker 3: one of my things. Now.
- 2:55Speaker 2: The real introduction probably was my cousin Jared, and he
- 3:01Speaker 2: used to babysit me when I was like three and four,
- 3:04Speaker 2: and he would chase me around his house in a
- 3:07Speaker 2: ghost face mask from Scream with a baseball bat with
- 3:12Speaker 2: a knife, all kinds of way. Well not a real knife, right,
- 3:14Speaker 2: no real knife?
- 3:15Speaker 1: Oh great, So just like the fucking movie just daggers
- 3:17Speaker 1: out right, stat.
- 3:19Speaker 2: Just chase me around, and of course, uh, I would
- 3:23Speaker 2: run and jump into the pool because I was like, oh,
- 3:26Speaker 2: the killer won't get me in the pool. No, I
- 3:28Speaker 2: can't swim right of course, of course not so. And
- 3:31Speaker 2: funny thing now is he's a dentist. So that makes
- 3:34Speaker 2: it just even that much more creepy that he's.
- 3:37Speaker 1: Got that pass behind him chasing kids around with knives. Yeah, yeah, yeah,
- 3:42Speaker 1: all right, that's a pretty awesome fucking background. Okay, So
- 3:47Speaker 1: what was the first movie that you can remember seeing
- 3:50Speaker 1: that was like a horror movie? And how old were you?
- 3:52Speaker 2: Uh, first horror movie that I could probably remember seeing
- 3:57Speaker 2: is The Friday the thirteenth, the very first one, all right,
- 4:00Speaker 2: And I was.
- 4:01Speaker 3: I couldn't have been more than like seven or eight.
- 4:05Speaker 2: We so I lived in a small town back in
- 4:08Speaker 2: the day, and we didn't have any like Blockbusters or
- 4:12Speaker 2: Red Box wasn't a thing. Netflix wasn't a thing. So
- 4:16Speaker 2: we had to go to one of two places. One
- 4:18Speaker 2: place was a little bit more family oriented. You could
- 4:21Speaker 2: get most of your Blockbuster stuff, You could rent your
- 4:24Speaker 2: you could rent video games and consoles, sort.
- 4:27Speaker 3: Of like you would do at Blockbuster.
- 4:29Speaker 1: Right.
- 4:30Speaker 2: But the place that I went with my best friend
- 4:33Speaker 2: whose name is Kyle uh, it was a place called Video.
- 4:36Speaker 3: Tan Video Tan t A and t A. So it
- 4:41Speaker 3: was it was a.
- 4:41Speaker 2: Combination of a video rental slash tanning salon videos up front,
- 4:49Speaker 2: tanning beds in the back.
- 4:50Speaker 1: Gotta be the weirdest combination, honestly.
- 4:52Speaker 3: And I think it's still there to this day.
- 4:54Speaker 1: I mean, they're they're doing something that no one else
- 4:56Speaker 1: is doing, so it wouldn't surprise me if that they're
- 4:58Speaker 1: still there.
- 4:59Speaker 2: And and this, So this was the This was the
- 5:01Speaker 2: kind of place that like two eight year olds could
- 5:03Speaker 2: walk in. If you've got ten bucks, you can rent
- 5:05Speaker 2: pretty much anything that isn't behind the.
- 5:08Speaker 3: Yeah, they they did not care. Awesome, So we would
- 5:11Speaker 3: watch it.
- 5:12Speaker 2: We would watch the series at my buddy's house every
- 5:15Speaker 2: other weekend. His brother got a fantastic enjoyment out of
- 5:22Speaker 2: making the Jason noises, uh like through like through the hallway.
- 5:27Speaker 2: I think he even set up a walkie talkie at
- 5:29Speaker 2: some point in the room where I was sleeping, so
- 5:32Speaker 2: you would hear.
- 5:35Speaker 1: Just like on volume all the way up. You're like,
- 5:37Speaker 1: what the fuck is no, not.
- 5:38Speaker 2: Even volume all the way up, like to make it
- 5:40Speaker 2: seem like it was farther away. So oh yeah, yeah, yeah, yeah, yeah,
- 5:45Speaker 2: all all kinds of ridiculous nonsense that they put me through.
- 5:48Speaker 1: You've had a pretty interesting background with Scream or ghost
- 5:51Speaker 1: Face and Jason. Okay, all right, and is that your
- 5:55Speaker 1: favorite favorite movie? Favorite horror movie would be the Jason series.
- 5:58Speaker 3: Maybe you know it's it's the nearest and dearest to
- 6:01Speaker 3: my heart.
- 6:01Speaker 2: But my favorite horror movie in general is probably The Exorcist.
- 6:06Speaker 1: Okay, a little paranormal.
- 6:07Speaker 2: Paranormal, and plus you know it's they say it's cursed,
- 6:11Speaker 2: and if you do the research into like the people
- 6:13Speaker 2: that acted in it, all the stuff that went around it,
- 6:16Speaker 2: it truly is a cursed movie.
- 6:18Speaker 1: And you wait, you you mentioned earlier about something about
- 6:21Speaker 1: you were watching this movie and someone on snapshot.
- 6:24Speaker 3: Okay, yeah, yeah, yeah, so I was. I was.
- 6:28Speaker 2: I think it was night before Halloween, probably probably like
- 6:31Speaker 2: two in the morning, right before the Witching hour, right, yeah,
- 6:34Speaker 2: And it was the scene where the woman's walking through
- 6:38Speaker 2: the house trying to get to her daughter and you
- 6:39Speaker 2: see the Pazuzu demon for the very first time.
- 6:41Speaker 3: It's just that flash.
- 6:43Speaker 2: And I get the snapchat from my friend and she's like, hey,
- 6:48Speaker 2: look at this, and I look at the picture and
- 6:50Speaker 2: it's just these droplets of blood creating like a small trail,
- 6:54Speaker 2: and I'm like, what the hell And she says, well,
- 6:57Speaker 2: you know, I went and got my dogs fixed and
- 6:59Speaker 2: they had to have some work done. Uh So I
- 7:02Speaker 2: figured since it's right next to the food bowl, that
- 7:04Speaker 2: the it was from the dogs. But the trail goes
- 7:08Speaker 2: nowhere perfect. I checked my dogs. They're not bleeding. So
- 7:12Speaker 2: there's just this trail of blood on the floor somewhere.
- 7:15Speaker 2: And I'm sitting there movie pause, looking at my phone
- 7:19Speaker 2: and I paused it at the exact frame that the
- 7:21Speaker 2: posusers you could see the because it's like a two
- 7:24Speaker 2: frame flash.
- 7:25Speaker 1: Yeah, it's boom.
- 7:26Speaker 2: I paused it like, and I'm like, I don't know
- 7:28Speaker 2: if I want to finish the movie.
- 7:31Speaker 3: No, that definitely not going to bed.
- 7:33Speaker 2: I was like, I'm gonna I'm gonna have to sit
- 7:35Speaker 2: up watch some Disney movies or something Comedy Central.
- 7:38Speaker 3: Cleanse my palette a little bit.
- 7:40Speaker 1: All right, So favorite is the Exorcists, all right? And
- 7:42Speaker 1: then do you have a favorite genre of horror? You
- 7:45Speaker 1: mentioned Exorcists and Jason, but it's their favorite genre.
- 7:48Speaker 2: So for for favorite genres, it's it's definitely got to
- 7:52Speaker 2: be either a good slash or flick slash, bad slasher,
- 7:55Speaker 2: fake Okay. Yeah, and you know the paranormal exorcism, not like, oh,
- 8:00Speaker 2: there's a ghost, but you never see the ghost like
- 8:03Speaker 2: I want something like bending over backwards, crawling up walls
- 8:06Speaker 2: and spitting blood arists.
- 8:08Speaker 1: All right, fair enough, and you're already okay, so we
- 8:11Speaker 1: already mentioned a movie that your absolute favorite. It's the Extorcist.
- 8:14Speaker 1: Uh is there our favorite icon that you have, probably, Jason, No,
- 8:18Speaker 1: it would actually be the Persis. Oh shit.
- 8:20Speaker 2: Okay, So because it's it's one of those things that
- 8:24Speaker 2: you know, it's grounded in reality. It is the Sumerian
- 8:29Speaker 2: wind God. So to have something like that and to
- 8:33Speaker 2: put a face on it and to put actions behind it,
- 8:36Speaker 2: it's just like it's so it's so.
- 8:38Speaker 3: Real to you.
- 8:40Speaker 2: You can do research on it and you can, you know,
- 8:42Speaker 2: it's it's just something cool.
- 8:45Speaker 3: Yeah.
- 8:45Speaker 2: So plus it's it's one of those it's one of
- 8:48Speaker 2: those first horror movies that you know, people were the
- 8:51Speaker 2: priests were standing outside of the theater going, hey.
- 8:54Speaker 1: People are like vomiting and like in the theaters and
- 8:56Speaker 1: like weaving and stuff like that. Like it was crazy.
- 8:58Speaker 2: My mother tells me a story of the first she
- 9:01Speaker 2: snuck out to go see The Exorcist opening night in
- 9:05Speaker 2: the theater theaters in theaters, and she she recounts of
- 9:10Speaker 2: her sitting in the fetal position in the movie theater
- 9:15Speaker 2: chair with her headphones in her walkman, and she had
- 9:18Speaker 2: it was like Tom Petty playing or something, and she
- 9:21Speaker 2: was rocking back and forth, saying the Lord's pressure Christ.
- 9:25Speaker 3: Yeah.
- 9:26Speaker 1: So holy.
- 9:27Speaker 2: So a movie like that to have that impact on
- 9:29Speaker 2: a culture, it's it's phenomenal.
- 9:32Speaker 1: All right, fair enough, I guess. I guess as we're
- 9:35Speaker 1: talking about awesome movies, is there any awesome movies that
- 9:38Speaker 1: are coming out this year or coming soon that you're
- 9:40Speaker 1: like really looking forward to.
- 9:42Speaker 2: I'm looking forward to. I know you and Gabby talked
- 9:44Speaker 2: about one of them, Polaroid Fuck.
- 9:47Speaker 1: Yeah, because interesting.
- 9:49Speaker 3: So I saw the previews for that back when I
- 9:51Speaker 3: saw it.
- 9:53Speaker 1: Yeah, it was a while ago that they did, and
- 9:54Speaker 1: she even mentioned that she was like, I saw this
- 9:56Speaker 1: trailer like ages ago and like almost two years ago,
- 10:00Speaker 1: and now there it's coming out like this year, and
- 10:02Speaker 1: I'm like, this looks great. It really does look great.
- 10:04Speaker 2: It it's uh, it almost kind of reminds me of Shutter, Yes,
- 10:08Speaker 2: a little bit, I think, but it's also there's there's
- 10:13Speaker 2: something different about it that I just think seems cool.
- 10:16Speaker 1: Okay.
- 10:17Speaker 2: And then the other one that I'm really looking forward
- 10:20Speaker 2: to is called followed.
- 10:22Speaker 1: Oh okay, I remember you mentioning this.
- 10:24Speaker 2: Yeah, so it's uh, it's basically this YouTuber, this YouTube
- 10:28Speaker 2: star YouTube star air quotes because you can't see what
- 10:34Speaker 2: we're doing, right, and he he decides he wants to
- 10:38Speaker 2: get more views. He does a lot of like urban exploring,
- 10:41Speaker 2: haunted areas and like spooky YouTube stuff, okay, because there's
- 10:45Speaker 2: a whole subculture of that on YouTube. And they go
- 10:50Speaker 2: to a a hotel that is supposed to be haunted
- 10:56Speaker 2: and they it kind.
- 10:59Speaker 1: Of sounds like tragedy girls. I don't know if you've
- 11:01Speaker 1: seen that. I think I have not. Yeah, basically, these
- 11:03Speaker 1: girls try to become famous by going and like documenting
- 11:06Speaker 1: all this horror stuff that's happening in this town. So
- 11:08Speaker 1: that kind of sounds similar to that how they're like, oh,
- 11:11Speaker 1: I want to be you know, I want to be famous.
- 11:13Speaker 1: Let me go do this and try and do that.
- 11:15Speaker 1: But this takes place in a hotel that you said
- 11:17Speaker 1: it does.
- 11:18Speaker 3: It's a little different.
- 11:19Speaker 2: I was trying to find because I know they changed
- 11:21Speaker 2: the name of the hotel in the trailer. I was,
- 11:25Speaker 2: I was trying to find it. But it's based off
- 11:29Speaker 2: of the Cecil Hotel. It's it's a hotel that there's
- 11:34Speaker 2: a girl named Alisa Lamb that died. Oh yeah, yeah, it's.
- 11:39Speaker 3: Based off that hotel.
- 11:41Speaker 2: They even in the trailer, they even recreate that exact
- 11:45Speaker 2: scene where she's yeah, okay, looking through the looking through
- 11:49Speaker 2: the elevator door, and then it closes and then it
- 11:51Speaker 2: cuts to black, and then they're on the roof.
- 11:52Speaker 3: And they're like, oh, check this out. It's super cool.
- 11:55Speaker 2: Yeah, it looks awesome because it it almost looks like
- 11:58Speaker 2: they're gonna take a bunch of pop culture urban legends
- 12:02Speaker 2: and throw them together, but not in that cheesy way
- 12:05Speaker 2: that the urban If you ever saw urban legend, yeah
- 12:08Speaker 2: back in.
- 12:08Speaker 3: The day, not as cheese, not as campy or whatever.
- 12:12Speaker 2: Plus it's found footage, which I mean has a special
- 12:15Speaker 2: spot in my heart.
- 12:16Speaker 1: I'm a sucker for found footage. I don't care a
- 12:18Speaker 1: lot of people don't like it. Whatever. No, I'm a
- 12:20Speaker 1: sucker for found footage. If you can do it, well,
- 12:22Speaker 1: I'm in so for sure. All right, that some good stuff.
- 12:26Speaker 1: I think that's all the questions. Yeah, because I know
- 12:29Speaker 1: we talked about you and HHN and how you're not
- 12:31Speaker 1: that's not your things.
- 12:32Speaker 2: So yeah, I'm trying to dip my toes back into it.
- 12:36Speaker 3: It's just one of those things, you know.
- 12:37Speaker 2: I have some bad experiences, yeah, and caused some bad experience.
- 12:42Speaker 1: Yeah, which is understandable. And you say kind of jumpy.
- 12:45Speaker 1: You said, if I like poked around the corner and
- 12:47Speaker 1: yelled boo, you'd probably get scared. Oh yeah yeah. All right,
- 12:50Speaker 1: So we won't touch on AHHN for now. So since
- 12:52Speaker 1: I'm done with the questions, I guess let's just get
- 12:54Speaker 1: into these movies that we've seen. We're gonna talk about
- 12:57Speaker 1: a couple that we've seen that we both seen, and
- 13:00Speaker 1: I guess we'll just kick it off with Bad Ben, that.
- 13:02Speaker 2: Whole fucking saga of Bad Ben. Uh, let's do this
- 13:07Speaker 2: the best worst movie. They really are the best worst movies.
- 13:11Speaker 2: And if you've never seen any of them, please go
- 13:13Speaker 2: to Amazon. There's five of them. There's Bad Ben and
- 13:16Speaker 2: then there's the sequel, which is a prequel. It's called
- 13:19Speaker 2: Steelmanville Road. And then there's Bad or Ben Crescent Moon
- 13:22Speaker 2: Clown and Bad Ben the Mondonal Effect.
- 13:24Speaker 1: Let's star at the beginning. Uh, well, I guess the
- 13:26Speaker 1: first movie that was put out, Bad Ben, and it's
- 13:28Speaker 1: about this guy. His name is Nigel Bach or something.
- 13:31Speaker 2: Like that, but yeah, he his character name is Tom Ryan,
- 13:34Speaker 2: Tom Riley. He buys a house at a sheriff's sale,
- 13:39Speaker 2: just sight on scene, like hey, you want it, and
- 13:41Speaker 2: he goes, yeah, this this could be this could be
- 13:44Speaker 2: my ticket out.
- 13:45Speaker 1: Right dumps all his money into it.
- 13:47Speaker 2: Dumps all his money into it, which bad idea, bad
- 13:50Speaker 2: idea best And he he said, he finds all these
- 13:56Speaker 2: security cameras just litered throughout the house and he's like,
- 13:59Speaker 2: this is weird.
- 14:00Speaker 1: And all the stuff is still there from the previous owners.
- 14:02Speaker 1: Like he's like, I like, why did all these people
- 14:04Speaker 1: leave all their shit?
- 14:05Speaker 2: Like like books, dishware, there's I think there's some clothes
- 14:10Speaker 2: in the closet, huff, Like it's one hundred percent everything
- 14:13Speaker 2: still there, right, and he he starts to notice like
- 14:19Speaker 2: just some weird thing, like I thought I closed that door, right, Oh,
- 14:22Speaker 2: I thought I thought I pushed this chair in when
- 14:24Speaker 2: I stood up. So he finds the uh somehow he
- 14:28Speaker 2: finds the guy who had set up all the security
- 14:32Speaker 2: cameras originally.
- 14:33Speaker 1: Yeah, for the schedule company.
- 14:34Speaker 2: Yeah, and then gets in contact with him and he's like, hey,
- 14:36Speaker 2: can you turn these on for me? And the guy's like,
- 14:38Speaker 2: I don't know if you want to do that, and
- 14:40Speaker 2: he's like, no, just do it. Just send it to
- 14:42Speaker 2: my iPad.
- 14:43Speaker 1: I have to make a movie, Okay, you need to
- 14:44Speaker 1: turn all these times.
- 14:46Speaker 2: So he gets the security cameras turned on, and just
- 14:50Speaker 2: throughout the entire movie, he's watching these security cameras and
- 14:53Speaker 2: just this bizarro bonker shit starts happening right now. It
- 14:57Speaker 2: doesn't happen until he walks into the woods.
- 15:00Speaker 3: Number one.
- 15:00Speaker 2: Oh yeah, uh never something ye never walk into the woods.
- 15:04Speaker 2: Never walk into the woods. I think was it at night? Originally? No? No, no, no,
- 15:08Speaker 2: he uh because he went out to the shed, opened
- 15:11Speaker 2: the shed, found some ship, found some bloody tools, like
- 15:15Speaker 2: a bloody pickaxe and a bloody shovel, and you're like, Okay.
- 15:19Speaker 1: This is weird.
- 15:20Speaker 3: This is like being a horror movie fan. You're like, ah,
- 15:23Speaker 3: red flag number.
- 15:24Speaker 1: Yeah, red flag. And he's just like whatever, Like no,
- 15:26Speaker 1: you don't just say whatever, just ship like that. You
- 15:28Speaker 1: just don't do that. And then later he goes in
- 15:30Speaker 1: the woods, finds his fucking grave and then and just
- 15:33Speaker 1: desecrete it, just desecrats. He's like, oh, fuck this. And
- 15:35Speaker 1: then you know, he finds like this child's toy and uh,
- 15:38Speaker 1: it's just from that point on it just goes downhill
- 15:40Speaker 1: and it just gets worse and worse, and the acting
- 15:43Speaker 1: is kind of hokey. You know, it's just the one guy.
- 15:45Speaker 1: It's just Tom Riley the whole entire movie. It's it's
- 15:48Speaker 1: made with a skeleton groove of people. Yeah, it really is,
- 15:51Speaker 1: like there's one other voice you hear in the movie,
- 15:55Speaker 1: and it's the it's the guy that set up the
- 15:57Speaker 1: security cameras. You never see him, Nope, it's it's uh
- 16:02Speaker 1: Tom Riley as the main character.
- 16:04Speaker 3: And then.
- 16:06Speaker 2: Somebody is doing the spectral voices behind the scenes, and
- 16:10Speaker 2: I think like one person edited it.
- 16:12Speaker 1: Yeah, so it's like very very not a lot of
- 16:15Speaker 1: people do this. But like what actually happens in the
- 16:17Speaker 1: movie is fun and it's very original and the story
- 16:20Speaker 1: is great. But yeah, the acting is a little hokey,
- 16:22Speaker 1: but it is a good it's a good found footage movie.
- 16:24Speaker 1: It's shot on an iPhone and surveillance cameras and that's it.
- 16:27Speaker 3: Yeah.
- 16:27Speaker 2: And the thing I like about the story is it's
- 16:30Speaker 2: based in American mythos.
- 16:33Speaker 1: Oh yeah, it's the it's the Jersey Devil.
- 16:34Speaker 2: Yeah, it's based off the Jersey Devil, right, and so
- 16:38Speaker 2: you're like, oh, that's super cool, and they never give
- 16:41Speaker 2: you like, hey, it's the Jersey Devil, but they're like
- 16:45Speaker 2: it's me.
- 16:46Speaker 3: It's like hey hey wing wing. Yeah.
- 16:48Speaker 1: But then and then you move to the second one
- 16:50Speaker 1: and it has a good ending too. I did like
- 16:52Speaker 1: the ending. And then you know, you moved to the
- 16:53Speaker 1: second one, which is a prequel, and it shows the
- 16:55Speaker 1: family that moved into it before him, and it's even
- 16:59Speaker 1: more hokey. Like you know, there's like five people in
- 17:01Speaker 1: this one. And it's one thing when you have one
- 17:03Speaker 1: bad actor, but when you have like five or six.
- 17:05Speaker 1: You can really notice how bad it is and the
- 17:08Speaker 1: CG they use and the good The.
- 17:10Speaker 2: Worst part about the bad acting is you can tell
- 17:13Speaker 2: that like three of the characters, uh, the main wife
- 17:16Speaker 2: and her friend. You can tell like they are legitimately
- 17:20Speaker 2: trying to act.
- 17:21Speaker 1: Oh, they're trying their hearts out, like they're doing their best,
- 17:23Speaker 1: and like, that's why I like it, because I can
- 17:25Speaker 1: tell that these people really want to sell this movie.
- 17:27Speaker 1: But it just comes off pretty pretty bad. Yeah, it's
- 17:30Speaker 1: it's it's forced, it really is. But that one describes
- 17:34Speaker 1: everything that leads up to him moving in and again,
- 17:37Speaker 1: how you get to bad Ben? Yeah, how you get
- 17:40Speaker 1: to bad Bend? They go into the more of like
- 17:41Speaker 1: the I guess the mythology if you want to call
- 17:43Speaker 1: it that. So that one was pretty good and then
- 17:45Speaker 1: you go ending though the ending was, oh god, they
- 17:50Speaker 1: they crank it up to eleven, rip the knob off,
- 17:53Speaker 1: and throw it.
- 17:53Speaker 3: Into the review.
- 17:54Speaker 1: You just throw it into the fucking woods. But like,
- 17:57Speaker 1: I still like them so much, so you know, they
- 17:58Speaker 1: move to Badder Ben and this is the this is
- 18:01Speaker 1: the third installment of the trilogy, and it was great.
- 18:05Speaker 1: I liked it, you know, somehow dude comes back and
- 18:08Speaker 1: all this stuff, and I was like, I'm really enjoying
- 18:10Speaker 1: this movie. But then you get to cresit moon Clown
- 18:13Speaker 1: and uh it's oh man. I don't want to talk
- 18:16Speaker 1: too much about better Ben because there's a lot of spoilers,
- 18:18Speaker 1: but yeah, yes at Moonclown, oh man, it's oh my lord.
- 18:23Speaker 2: So it was like they're like, hey, we made the money,
- 18:26Speaker 2: let's let's uh, let's do another one.
- 18:28Speaker 3: But not even try.
- 18:29Speaker 1: No, yeah, not even try. It's literally just one girl
- 18:32Speaker 1: that like the people move in after him, and it's
- 18:34Speaker 1: one chick because her parents have left for the night
- 18:37Speaker 1: or left for the weekend and she's alone and it's
- 18:39Speaker 1: just her basically going around mopping stuff up, closing doors,
- 18:42Speaker 1: saying hello, hello, and then nothing really happens and then
- 18:45Speaker 1: it ends, and I was like, what was the point
- 18:47Speaker 1: of that?
- 18:48Speaker 2: Also, you you can get a better creature costume from
- 18:53Speaker 2: Spirit Halloween, then you whatever they did.
- 18:57Speaker 1: It was so bad. Yeah, they they explain everything that's happening,
- 18:59Speaker 1: and basically like the last two minutes because Tom, fuck
- 19:02Speaker 1: this movie. I'll spo I don't care this movie, so
- 19:04Speaker 1: like just don't watch this one, but like Tom.
- 19:07Speaker 3: Watch it for the very racist ending.
- 19:09Speaker 1: Okay, yeah, okay, that yes. But Tom comes into this
- 19:12Speaker 1: one for some reason because he sees the stuff going
- 19:15Speaker 1: on on the iPad and then just like explains everything.
- 19:17Speaker 1: And I was like, that was an okay description, but
- 19:20Speaker 1: like you waited until like the last ten minutes to
- 19:23Speaker 1: do that, and he's just very nonchalant about the whole thing, like,
- 19:25Speaker 1: oh yeah, come on, let's do this. I'm like, okay,
- 19:28Speaker 1: that was that was a way to end that movie. Yes,
- 19:30Speaker 1: something I saw with my eyes.
- 19:31Speaker 2: And then and when he's explaining everything to the girl,
- 19:34Speaker 2: he's like, oh, yeah, is there is there this specific
- 19:37Speaker 2: book in the house and you get it? And she
- 19:39Speaker 2: goes yeah, and he goes, oh, come check it out.
- 19:41Speaker 2: Here's everything that has to do with anything about this house.
- 19:44Speaker 2: And it's just this big, huge leather bound codex.
- 19:47Speaker 1: Yeah, he's just flipping through, just describing everything, and I'm like, oh, okay,
- 19:50Speaker 1: that that was one way to do that.
- 19:52Speaker 2: So clown is it spelled with a sea or a
- 19:54Speaker 2: K And the girl looks at him like what it is, Like,
- 19:57Speaker 2: it's it's a sea unless it's killer clown from outer space.
- 20:00Speaker 1: I'm pretty sure it's spelled with the.
- 20:02Speaker 2: C yeah, of course, now if it is spelled with
- 20:05Speaker 2: the K, because obviously there's two different clowns in the book.
- 20:09Speaker 3: I want to see that movie.
- 20:10Speaker 1: Do you want to see that movie? Yeah? The Crescent Moon.
- 20:12Speaker 1: Oh geez, that's too many keys. That's okay, So crespt
- 20:19Speaker 1: Moon clown. It's definitely worth a watch. Go grab a beer.
- 20:24Speaker 3: Yeah, it's it's not worth the watch. It's where the
- 20:26Speaker 3: hate watch.
- 20:27Speaker 1: It's exactly so that is the fourth movie and the
- 20:30Speaker 1: whole saga of Bad Bend, and the last one is
- 20:32Speaker 1: Bad Ben the Mandala effect. Did you actually get a
- 20:34Speaker 1: chance to watch that one? I?
- 20:36Speaker 3: I did, and it's it's just bizarre.
- 20:39Speaker 1: Did did you? Did you like it?
- 20:41Speaker 2: Though I did like it, I didn't like it as
- 20:44Speaker 2: much as the rest of them, okay, just because I
- 20:47Speaker 2: was like, ah, you know, I've seen it already. It
- 20:49Speaker 2: it feels like you're just watching the if you just
- 20:54Speaker 2: feels like you're watching Bad Ben mixed with Memento, It's
- 20:58Speaker 2: it's it's just the same movie playing over but slightly different.
- 21:02Speaker 1: Yeah. So if you're not, if you're not like familiar
- 21:04Speaker 1: with the mondoal effect, it's basically like all these parallel,
- 21:06Speaker 1: universal universes co existing, and then you know they kind
- 21:09Speaker 1: of like at the end of by by half it
- 21:10Speaker 1: through the movie's like I feel like I've been here before.
- 21:12Speaker 1: I feel like this. It's like it was I like
- 21:14Speaker 1: the idea. Yeah, you're right, it is kind of just
- 21:16Speaker 1: like watching the first one over and over and over again.
- 21:18Speaker 1: But I thought it was fun.
- 21:20Speaker 3: Yeah.
- 21:21Speaker 2: No, it's definitely a fun ride. It's definitely a little
- 21:24Speaker 2: bit of a mind bender, right, but it's was it necessary?
- 21:29Speaker 3: No?
- 21:30Speaker 1: I feel like he's just like, ah, man, people are
- 21:31Speaker 1: really liking these movies. I'm just gonna keep making them
- 21:33Speaker 1: and see how long I can go. And the funny
- 21:35Speaker 1: thing is that I think the first one came out
- 21:37Speaker 1: in twenty sixteen, so in two years or I guess
- 21:40Speaker 1: three years now, this guy's made like five movies. And
- 21:42Speaker 1: this is his actual house the movie or the house
- 21:44Speaker 1: in the movie, it's his house in real life. Yeah,
- 21:47Speaker 1: that's kind of weird.
- 21:47Speaker 3: And not only that, he made the first one for
- 21:49Speaker 3: like three hundred.
- 21:50Speaker 1: Bucks and you know that was just all cameras. Yeah, yeah, yeah, okay,
- 21:55Speaker 1: So yeah, if you have not seen Bad Ben all
- 21:58Speaker 1: five or streaming on Netflix or Amazon Prime, please go
- 22:01Speaker 1: watch them.
- 22:02Speaker 3: They are awesome, definitely worth the watch.
- 22:04Speaker 1: And then the other movies that we both seen that
- 22:06Speaker 1: I actually actually rewatched Hell House last night with Gabby.
- 22:09Speaker 1: She loved it.
- 22:10Speaker 3: Had she not seen it, but you hadn't seen it.
- 22:12Speaker 2: Fantasticeah, So we're gonna talk about hell House LLC and
- 22:15Speaker 2: the sequel, Hell House LLC two. So Abdon the Abadon
- 22:20Speaker 2: Hotel and honestly, I love haunted house movies and it
- 22:23Speaker 2: was found footage, but it's like a haunted house, haunted
- 22:26Speaker 2: house movie because it's a movie about an actual haunted
- 22:28Speaker 2: house that they put into this hotel.
- 22:30Speaker 1: And I fucking loved it.
- 22:31Speaker 2: And number two is a haunted house, haunted house movie
- 22:35Speaker 2: movie exactly.
- 22:37Speaker 1: Like there's so many levels to these movies, but they
- 22:40Speaker 1: were fucking so much fun.
- 22:42Speaker 2: So go ahead and tell us about the first one.
- 22:43Speaker 2: So the first one, it opens up with this crew.
- 22:49Speaker 2: It's not really explained until like fifteen twenty minutes, and it's.
- 22:52Speaker 1: A documentary crew. Yeah, are interviewing people.
- 22:54Speaker 3: Yeah, but it they don't really explain that strang No,
- 22:56Speaker 3: yeah they don't.
- 22:57Speaker 1: They're just like here you go.
- 22:58Speaker 2: Yeah, So you think it's like the producers of the
- 23:02Speaker 2: movie setting this in, but it's actually anyway. So it's
- 23:05Speaker 2: this crew going in to document the abandoned hell house
- 23:11Speaker 2: where some kind of tragedy happened.
- 23:14Speaker 3: Nobody knows what it is. And then they.
- 23:16Speaker 2: Cut to footage from a housegoer's cell phone that got
- 23:23Speaker 2: posted to YouTube or something.
- 23:25Speaker 3: And they're like, oh, look at this, Oh, look at
- 23:27Speaker 3: all this spooky stuff. Oh this is so cool.
- 23:30Speaker 2: And then as they start to go down into the
- 23:31Speaker 2: basement for the last leg of the house, nobody can
- 23:36Speaker 2: move and they're like, what's going on? And then you
- 23:38Speaker 2: see all these people just start flooding up the stairs
- 23:41Speaker 2: and then the camera turns and runs and cuts black
- 23:46Speaker 2: start the movie. So it's about this crew that I
- 23:52Speaker 2: guess they go from city to city Eastern Seaboard and
- 23:56Speaker 2: they open up houses for a Halloween, and I guess
- 24:01Speaker 2: they're trying to recoup their last loss of whatever their
- 24:06Speaker 2: house was last time.
- 24:08Speaker 1: It was in Queens or something is New York or something.
- 24:10Speaker 1: It's somewhere, and they mentioned how like it kind of bombed,
- 24:12Speaker 1: and they're like, this is our like way to bring
- 24:14Speaker 1: it back.
- 24:14Speaker 2: Yeah, yeah, And they make it seem like this is
- 24:17Speaker 2: our last chance and right yeah, which doesn't make sense
- 24:20Speaker 2: to me, because I'm like, if this was your last
- 24:22Speaker 2: chance this, you would definitely not be doing this house,
- 24:25Speaker 2: right and you're in nowhere upstate New York.
- 24:29Speaker 1: Yeah, it's in the middle of nowhere. And I'm still
- 24:32Speaker 1: kind of confused them how they funded this if the
- 24:34Speaker 1: last one fucked.
- 24:35Speaker 3: Up, you know, like, yeah, if they've bombed so bad.
- 24:37Speaker 1: Yeah, they have all this money to like set up
- 24:38Speaker 1: all these props. And I obviously a lot of stuff
- 24:40Speaker 1: was there because the hotel was just abandoned, but like,
- 24:42Speaker 1: it's still like, where did they get the money to
- 24:44Speaker 1: just put all this extra shit in there?
- 24:46Speaker 2: Plus, if you if you read in between the lines
- 24:48Speaker 2: of what they're saying and like news reports and stuff
- 24:51Speaker 2: in the movie universe, their their last Haunted house was
- 24:55Speaker 2: not that bad. It was apparently a decent hit for
- 24:59Speaker 2: the area. Uh So for them to be like, oh,
- 25:02Speaker 2: last year was so bad and to hear like, oh
- 25:04Speaker 2: last year was it's weird.
- 25:07Speaker 1: It was a little weird. Yeah, But I loved what
- 25:08Speaker 1: they did with it. The actors were great. They they
- 25:10Speaker 1: it was a very natural movie. It didn't seem forced
- 25:13Speaker 1: like bad Ben was. Uh. The only problem I had
- 25:16Speaker 1: with a couple scenes of it was. It was very
- 25:18Speaker 1: shaky at some points, like when he would grab the camera.
- 25:20Speaker 2: Yeah, it is very shaky. One of one of my
- 25:24Speaker 2: favorite scenes was the stroke blide Hallway. Oh my god,
- 25:27Speaker 2: so fun fact fucked me up, dude, the fun fact
- 25:31Speaker 2: when they locked the guy in there that was shooting
- 25:34Speaker 2: the scene with the camera, he legitimately had freak out
- 25:37Speaker 2: because he did not know that one of the other
- 25:40Speaker 2: actors was in there screwing with him. Oh shit, okay,
- 25:44Speaker 2: so he that that him being like, give me out
- 25:46Speaker 2: of here, give me out.
- 25:47Speaker 3: That's him, that's real, that's him actually freaking out. He
- 25:52Speaker 3: sold it so well. Oh yeah, yeah, yeah.
- 25:55Speaker 1: Yeah. The movie was great. Uh, it's very it's not
- 25:58Speaker 1: very jump scary. There's not a lot of like boom moments,
- 26:00Speaker 1: but it's it's very creepy. It's like a lot of
- 26:03Speaker 1: creep factor and like stuff kind of just like being
- 26:05Speaker 1: there that wasn't there a minute ago, and you're like,
- 26:07Speaker 1: oh fuck.
- 26:08Speaker 2: It's very psychological. There are certain points where you'll think
- 26:11Speaker 2: you'll see something, right because obviously it's a haunted house,
- 26:15Speaker 2: and you'll think you'll see something and you'd be like, wait, no,
- 26:17Speaker 2: hold on, I'm gonna hit pause, I'm gonna go a
- 26:19Speaker 2: few frames back. Okay, so that's what I think. I see,
- 26:22Speaker 2: go a few frames back.
- 26:23Speaker 3: No, it's still there.
- 26:24Speaker 2: Yeah, all right, cool, and then you hit it again
- 26:27Speaker 2: and you see something completely different.
- 26:29Speaker 1: It was definitely a trip and I had heard about
- 26:32Speaker 1: it a couple of months ago, but never it didn't
- 26:34Speaker 1: see until a couple of weeks ago, and I was like, wow,
- 26:36Speaker 1: what took me so long to watch this? Because these
- 26:37Speaker 1: movies are.
- 26:38Speaker 2: Because it's one of those movies that kind of get
- 26:40Speaker 2: shuffled into the back along with all those the Haunting
- 26:44Speaker 2: on whatever Street, the Haunting in whatever house, and you're
- 26:46Speaker 2: just like, it's gonna be one of these throwaway trash things.
- 26:50Speaker 1: And it's also got LLC in the title, and obviously
- 26:52Speaker 1: I know what that means. But I was like, hell
- 26:54Speaker 1: house l l S. I was like, that sounds like
- 26:56Speaker 1: a weird thing. And I don't know, I was throwing
- 26:58Speaker 1: makes it sound like a business? What is right? Yeah?
- 27:00Speaker 1: And I mean it is a business, because you know
- 27:02Speaker 1: they do go travel around and do these haunted houses.
- 27:04Speaker 1: But yeah, I guess the title kind of just made
- 27:06Speaker 1: me be like, eh, I don't I don't know about that,
- 27:08Speaker 1: but Uh. I think my favorite part is when they
- 27:10Speaker 1: when they just move in there and start sleeping there.
- 27:12Speaker 1: I'm like, why would you do that?
- 27:13Speaker 3: What are you doing to literally taking your work home
- 27:16Speaker 3: with you?
- 27:17Speaker 1: Yeah? Like, but I mean, honestly solid film. They really
- 27:20Speaker 1: did a very good job of filming.
- 27:22Speaker 2: The thing that I like most about it is every
- 27:26Speaker 2: time a specific subject gets brought up, they're just like,
- 27:30Speaker 2: I don't even Yeah, they just sweep a lot of
- 27:34Speaker 2: like big issues under the rug and you're like, wait, what, no,
- 27:38Speaker 2: tell me, like I want to know.
- 27:40Speaker 3: I want to know, and you never know.
- 27:41Speaker 1: And it's funny because one of the guys even like
- 27:43Speaker 1: fuck this, I'm out and leaves and then there's a
- 27:45Speaker 1: shot of him in the grass and the guy's like
- 27:46Speaker 1: are you gonna leave? He's like no, I can't leave,
- 27:48Speaker 1: and it's like why can't you leave? They don't really
- 27:50Speaker 1: explain why he can't leave, but he wants to leave.
- 27:52Speaker 1: But then he's like, I guess I gotta go back
- 27:53Speaker 1: and like finish this and like that was a mistake.
- 27:56Speaker 2: Yeah that was stupid to go back there, and uh,
- 27:58Speaker 2: deal with that house. Never go and never go back there.
- 28:01Speaker 2: But yeah, they don't really explain why it happened. In
- 28:04Speaker 2: the first one, they only explained how it happened, but then.
- 28:07Speaker 3: And they barely explain how it happened.
- 28:09Speaker 1: Yeah, exactly. It's very loose with how they explain it.
- 28:12Speaker 1: But then you get to the second one, and then
- 28:14Speaker 1: I know you didn't you weren't too much of a
- 28:16Speaker 1: fan of it because you were kind of like, I
- 28:17Speaker 1: feel like this isn't necessary. But I was like, I
- 28:18Speaker 1: like the explanation of why it all happened because it
- 28:21Speaker 1: kind of wraps it all up in a nice little bow.
- 28:23Speaker 1: What I liked it.
- 28:24Speaker 2: So yeah, And you know, after I rewatched it a
- 28:27Speaker 2: few days ago, and after a second watch, I'm like, Okay,
- 28:31Speaker 2: you know what, I can appreciate it a little bit
- 28:33Speaker 2: more now the main quote unquote antagonist.
- 28:39Speaker 3: I thought they could have, you know, the lawyer guy. Yeah, well,
- 28:44Speaker 3: now you've ruined him.
- 28:45Speaker 1: I didn't, No, I didn't. He's an empty when when
- 28:47Speaker 1: they're interviewing him, he's such a fucking prick, Like this
- 28:50Speaker 1: guy is such an ass for no reason, but he
- 28:53Speaker 1: plays he plays a pivotal part in that movie. And
- 28:55Speaker 1: you'll if you watch it, you'll understand what we're talking about.
- 28:57Speaker 2: There's no spoilers, and and you know, after you give
- 29:01Speaker 2: the second watch, you're like, oh, he's dropping mad Hands.
- 29:05Speaker 1: Oh yeah the whole time. I'm actually gonna rewatch it
- 29:07Speaker 1: tonight because we didn't get to watch it last night,
- 29:09Speaker 1: so we're gonna I'm gonna show Gabby that tonight and
- 29:11Speaker 1: see what she thinks, because honestly, I love I watched
- 29:13Speaker 1: them both back to back. I was like, these movies
- 29:14Speaker 1: are fucking awesome.
- 29:15Speaker 3: And and see, I watched them back to back too.
- 29:18Speaker 2: I actually had to sail the Seven Seas for the
- 29:20Speaker 2: second one because I did not have Shudder at the time,
- 29:24Speaker 2: so I was like, oh, where's this one?
- 29:26Speaker 3: And then I searched for it and it was like
- 29:27Speaker 3: a Shutter original on my as well.
- 29:29Speaker 1: Yeah, cause the first one is oh yeah, it is
- 29:31Speaker 1: a shutter run because the first one's on Amazon Prime,
- 29:32Speaker 1: and yeah, the second one is a Shutter original. Yeah.
- 29:35Speaker 1: So if you if you don't have Shudder, get it.
- 29:37Speaker 1: It's four a month, so worth it.
- 29:38Speaker 2: It's totally worth It's totally worth it. Plus you don't
- 29:42Speaker 2: not only do they have horror, they have suspense. Kung
- 29:44Speaker 2: Fu got dark.
- 29:45Speaker 1: Comedy is like all kinds of nonsense. But yeah, so yeah,
- 29:48Speaker 1: the second one, like I said, it kind of explains
- 29:50Speaker 1: what happens in the first one and why, and it
- 29:53Speaker 1: shows a bunch of people going into the hotel after
- 29:55Speaker 1: everything's happened, and then just like never being heard from again, which.
- 29:58Speaker 3: Which was my actual favorite.
- 30:00Speaker 1: A lot of creepy stuff.
- 30:01Speaker 2: And the best part about it is it it's never
- 30:05Speaker 2: like one person goes in, they disappear in a specific way,
- 30:08Speaker 2: right the next person goes in, they disappear in a
- 30:11Speaker 2: completely different way. It's never say me, yeah, the house
- 30:14Speaker 2: doesn't be the house does not have an m O. Yeah,
- 30:17Speaker 2: the house just wants to fuck you up.
- 30:19Speaker 1: Yeah, And it goes into the history of the house
- 30:20Speaker 1: and what and I'm just like, oh my god, this
- 30:22Speaker 1: fucking place is just it's honestly, it's like it's like,
- 30:25Speaker 1: fucking hell. Don't ever go there but bump hell. So yeah,
- 30:30Speaker 1: those Bad Band, the Whole Saga, Hell House. Honestly, they're
- 30:33Speaker 1: great movies. Go check them out. Like I said, they're
- 30:36Speaker 1: all on Amazon Prime or shutter. Uh. So those are
- 30:38Speaker 1: the movies that we've both seen recently. So now let's
- 30:42Speaker 1: get into you had, like what two or three?
- 30:45Speaker 3: I have? I have two?
- 30:46Speaker 1: Okay, you know what I'll throw. I'll throw another one
- 30:48Speaker 1: on there too. So go ahead, go ahead and kick
- 30:50Speaker 1: off your first one. All right.
- 30:51Speaker 2: So my first one is called The Alchemist Cookbook. It
- 30:55Speaker 2: is another Skeleton Crew type of movie, which I think,
- 31:00Speaker 2: I think I'm starting to develop a pattern with like
- 31:03Speaker 2: the smallest number of people that you can get normally
- 31:07Speaker 2: come out with the best movies.
- 31:08Speaker 3: Hey, it's about.
- 31:11Speaker 2: A chemical like chemistry major in college who I guess
- 31:19Speaker 2: drops out of college and decides to be a hermit
- 31:21Speaker 2: out in the woods. Oh yeah, like one hundred percent
- 31:26Speaker 2: off the grid.
- 31:26Speaker 3: You see it.
- 31:27Speaker 2: You see him like chopping firewood, burning it down, making
- 31:29Speaker 2: his own charcoal to make a water filter.
- 31:32Speaker 1: Jesus Christ.
- 31:33Speaker 2: Yeah, and he's he's living in this tiny, tiny trailer
- 31:39Speaker 2: that is probably ten by ten maybe if that's oh
- 31:44Speaker 2: it's tiny, okay, trying to do something in alchemy, which
- 31:49Speaker 2: I guess they don't really explain it up until about
- 31:51Speaker 2: halfway through, but you kind of guess that he's trying
- 31:55Speaker 2: to make gold, okay for whatever reason, just because like, uh,
- 32:00Speaker 2: it's it's technically a total of four characters, if you
- 32:04Speaker 2: want to count two non human characters, one being the
- 32:08Speaker 2: main character's cat. No, the cat's awesome, and it's it's
- 32:15Speaker 2: super strange because whenever he's starting to do alchemy, he
- 32:18Speaker 2: puts the cat in like a basket and shuts the top.
- 32:22Speaker 3: Okay, so he treats.
- 32:25Speaker 2: The cat like it's a child, like, Oh, you don't
- 32:26Speaker 2: need to be seeing this. You don't need to be
- 32:28Speaker 2: out here for this. Your mouth, you don't need to
- 32:32Speaker 2: hear this.
- 32:32Speaker 3: Cats don't keep your mufs on. Uh.
- 32:37Speaker 2: And then so you get the main character. You've got
- 32:39Speaker 2: the main character's cousin. So you think he's the main
- 32:43Speaker 2: character is completely self sufficient out there and you're like, man,
- 32:45Speaker 2: how's he how's he living like this? And then a
- 32:49Speaker 2: couple of scenes happen and his cousin is showing up
- 32:52Speaker 2: with uh, with like food supplies, things like this, things
- 32:56Speaker 2: like that.
- 32:57Speaker 3: Uh.
- 32:58Speaker 2: There's there's a big emphasis on music in the movie too.
- 33:03Speaker 3: Uh. Good score, but.
- 33:07Speaker 2: It's none of it is original. It's soundtracked, but it's
- 33:11Speaker 2: all like they have like some real heavy hip hop,
- 33:15Speaker 2: like some metal, some classical, and depending on what's going
- 33:18Speaker 2: on in the movie, the music kind.
- 33:20Speaker 3: Of foreshadows it a little bit.
- 33:22Speaker 2: So when there's like some metal music playing there's obviously
- 33:25Speaker 2: gonna be some like heavy psychological stuff going on.
- 33:29Speaker 1: So it's like the it's like music kind of like
- 33:31Speaker 1: sets the tone for what's happening.
- 33:32Speaker 2: Oh yeah, I think, but doesn't set the tone immediately
- 33:36Speaker 2: sets the tone for like three scenes later.
- 33:38Speaker 1: That's cool.
- 33:39Speaker 3: Oh yeah, it's awesome. It's really cool.
- 33:41Speaker 2: Okay, So you've got those three characters, and then you've
- 33:45Speaker 2: got the main antagonist, which is ghost demon type thing.
- 33:52Speaker 2: It's never one hundred percent explained.
- 33:57Speaker 3: Uh.
- 33:57Speaker 2: And it's also very strange because it is an all
- 34:01Speaker 2: black cast. So when the demon possesses somebody and he
- 34:07Speaker 2: starts using like the N word and stuff and speaking
- 34:11Speaker 2: in a bonyx but with a demonic tone, it's it's
- 34:16Speaker 2: it's very off putting and almost adds to the level
- 34:20Speaker 2: of realism because it's not like, oh, he's speaking backwards
- 34:23Speaker 2: in Latin.
- 34:24Speaker 1: Yeah, he's like yo run yo shit, And you're like, what, like,
- 34:28Speaker 1: what is this okay? And is that streaming anywhere?
- 34:31Speaker 2: Uh?
- 34:31Speaker 3: It's I think it's on Hulu.
- 34:34Speaker 2: I watch it on Hulu when I did my fourteen
- 34:36Speaker 2: day free trial and then canceled. Nice because I'm cheap
- 34:40Speaker 2: as hell. IMDb says it's on Amazon Prime. I have
- 34:45Speaker 2: not seen it there, but that doesn't mean don't go
- 34:49Speaker 2: check and look.
- 34:50Speaker 1: I'm gonna check out. I'm checking Hulu now.
- 34:52Speaker 2: It's it's it's definitely worth a watch. It's not a
- 34:55Speaker 2: long movie.
- 34:56Speaker 3: It's an hour and twenty two minutes.
- 34:58Speaker 1: Yeah, yep, yep, it's a yep on Hulu verified. Okay, cool, cool, cool,
- 35:01Speaker 1: put that on my list.
- 35:03Speaker 2: Yeah, it's uh our in twenty two minutes. It's it's
- 35:06Speaker 2: very just kind of out there. It's it's a movie
- 35:10Speaker 2: that you're gonna sit there and be like, all right,
- 35:12Speaker 2: what's going on next? Like even his little insignificant like
- 35:16Speaker 2: him going fishing, like out on a boat in the
- 35:18Speaker 2: middle of a lake, You're just like, Okay, what's gonna happen?
- 35:22Speaker 3: Okay, Oh he got a fish? All right?
- 35:23Speaker 1: Click?
- 35:23Speaker 2: Oh, like a lot a lot of lead up to
- 35:27Speaker 2: like a lot of like red herrings.
- 35:29Speaker 1: Okay.
- 35:30Speaker 3: So I really enjoyed that. Now.
- 35:33Speaker 2: My second movie is actually a period piece called The Awakening.
- 35:39Speaker 1: I feel like I see like I feel like I've
- 35:41Speaker 1: heard of that, but I'm not entirely who who's in
- 35:43Speaker 1: that one?
- 35:44Speaker 3: Uh? Who's in it? So we got Rebecca Hall Dominic West.
- 35:49Speaker 1: A bunch of people that I I don't know, No.
- 35:51Speaker 3: You know, Dominic West. He was he was, uh, he
- 35:57Speaker 3: was in the Wire.
- 35:58Speaker 1: Okay wait, oh is this the one you were talking
- 36:01Speaker 1: about to me earlier when we were texting and he
- 36:03Speaker 1: was like, it's got a really weird ending.
- 36:04Speaker 3: Oh yeah, okay, So.
- 36:06Speaker 2: He was in the Wire, he was in Chicago, he
- 36:09Speaker 2: was in Punisher war Zone.
- 36:12Speaker 1: So he's been doing a pretty good amount of stuff.
- 36:13Speaker 1: He was in turmb Raider, Oh my god.
- 36:15Speaker 2: Okay, yeah, no, so he was also oh no, never mind,
- 36:20Speaker 2: oh yeah, yeah, no, he was in Finding Dory too. Wow.
- 36:23Speaker 1: So this guy is well versed in the uh movie realm.
- 36:26Speaker 2: Oh yeah, so this is it's a it's a I'm
- 36:30Speaker 2: not normally one for period piece horror.
- 36:33Speaker 1: Same.
- 36:35Speaker 2: If it's done well, it's done really well. But if
- 36:39Speaker 2: it's not done really well, it's normally really bad.
- 36:41Speaker 1: Yeah, it's like boring, like I mean, but.
- 36:44Speaker 2: The premise of the movie is there's a woman in
- 36:49Speaker 2: nineteen twenties England. So nineteen twenties England, and she got
- 36:54Speaker 2: to go to Oxford and she got to go to Cambridge.
- 36:56Speaker 3: She is a learned woman in the twenties okay, And.
- 37:00Speaker 2: Throughout the movie people are like, oh, you know, women
- 37:03Speaker 2: shouldn't be going to school.
- 37:06Speaker 3: This is like four years after World War One.
- 37:10Speaker 2: Yeah, so like a lot of the characters are still
- 37:12Speaker 2: heavily affected by the war. And what she does is
- 37:17Speaker 2: she goes around and she debunks spiritual occurrences. It opens
- 37:24Speaker 2: with her literally crashing a seance, exposing the entire seance
- 37:31Speaker 2: for what it is, and then having the cops come
- 37:34Speaker 2: in and arrest the people for taking the people's money.
- 37:37Speaker 3: To hold the seance.
- 37:38Speaker 2: Wow, okay, And it's so it starts off, you're like
- 37:43Speaker 2: zero to one hundred real quick, and you're like, all right,
- 37:46Speaker 2: this is awesome, and then it it kind of plateaus
- 37:49Speaker 2: for a little bit. She she goes off to this
- 37:51Speaker 2: boarding school out in the country because there's been these
- 37:56Speaker 2: rumors of a ghost boy. And the guy that comes
- 38:00Speaker 2: to her says, oh, see, here's these pictures and you
- 38:03Speaker 2: see this hazy boy on the side, and she's like, oh,
- 38:07Speaker 2: that's an old school yard trick because they had to
- 38:09Speaker 2: pan the camera to get all so he just stands
- 38:13Speaker 2: at one end for the picture and then runs all
- 38:15Speaker 2: the way over to the other side, like people do
- 38:18Speaker 2: that all the time, all over the world, and he goes, yeah,
- 38:21Speaker 2: but see he's in nineteen fourteen, nineteen fifteen, sixteen, seventeen,
- 38:27Speaker 2: eighteen nineteen, the same age, same age, same child. And
- 38:31Speaker 2: she's like, well, you know, the pictures are blurry, you
- 38:34Speaker 2: can't really tell. And he goes, yeah, but what about
- 38:36Speaker 2: this one. I can understand how he got from one
- 38:38Speaker 2: side to the other, but how did he get open
- 38:40Speaker 2: the window? And you no, and then you see the
- 38:43Speaker 2: same little ghost child up in a window and you're like,
- 38:46Speaker 2: all right, I see where this is going. All right,
- 38:48Speaker 2: movie cool, cool, And it's it's just a really well done,
- 38:55Speaker 2: you know, period piece. They there's a lot of imagery
- 38:59Speaker 2: that is, you know, nineteen twenty style. The dialogue doesn't
- 39:05Speaker 2: feel forced up. But again it's English as well, so
- 39:10Speaker 2: you know the the kind of posh.
- 39:11Speaker 3: Too is it is?
- 39:13Speaker 2: It far away from what they sound like now, But
- 39:16Speaker 2: it's it's really cool. It deals with a lot of
- 39:19Speaker 2: like real world like how PTSD affected some people, how
- 39:25Speaker 2: going to war affected some people. Uh, it's it's just
- 39:28Speaker 2: really cool. I definitely give it two thumbs up. And
- 39:32Speaker 2: the ending is your I had to go back the past.
- 39:37Speaker 2: I don't know forty five minutes of the movie and
- 39:40Speaker 2: rewatch only the last forty five minutes.
- 39:42Speaker 1: Well that much time though, like forty five minutes, soly shit.
- 39:46Speaker 2: So they give you a real big like oh hey,
- 39:49Speaker 2: here's the twist, right, and then the ending happens you're like, wait,
- 39:52Speaker 2: that wasn't twist.
- 39:53Speaker 3: There's a bigger twist. What.
- 39:55Speaker 2: So it's like m Ni Shyamalan on top of m
- 39:57Speaker 2: Night Shyamalan Shyamalan Squared, except way better than any movie
- 40:02Speaker 2: he's ever done, except for the sixth sense.
- 40:04Speaker 3: Okay, shit, yeah no. So they give you a twist
- 40:08Speaker 3: and you're like.
- 40:08Speaker 2: Okay, so that's how that happened. And then the end
- 40:13Speaker 2: you're like, okay, wait what because a specific event happens
- 40:20Speaker 2: and you're like, okay, so that makes sense. And then
- 40:24Speaker 2: actions of the character right after that event happens make
- 40:30Speaker 2: it seem like the event didn't happen, but it still
- 40:33Speaker 2: happens because like oh yeah, my god, no, definitely, And
- 40:38Speaker 2: then you want to go back and watch the entire
- 40:40Speaker 2: movie just figure out because they they show you all
- 40:43Speaker 2: these little bits, like you get certain events, then you
- 40:47Speaker 2: get to a certain point in the movie and you
- 40:49Speaker 2: get flashbacks of those events happening with context.
- 40:53Speaker 3: Huh.
- 40:54Speaker 2: Ok So you're like, oh, okay, that makes sense, but
- 40:58Speaker 2: then the ending makes it no sense. It's fantastic, right,
- 41:02Speaker 2: but it makes no sense.
- 41:03Speaker 1: Okay. So that was the Awakening and that's I think
- 41:05Speaker 1: I've seen that on Netflix. I'm pretty sure.
- 41:08Speaker 3: Uh no, I saw it on Shutter Shutter Prime.
- 41:13Speaker 1: Okay, so it's out there on the on the streaming platforms,
- 41:16Speaker 1: go check it. Oh yeah, okay, all right, So let
- 41:20Speaker 1: me get into one. It was called Havenhurst. This is
- 41:23Speaker 1: one I found off of Netflix. And the general idea
- 41:27Speaker 1: of this movie is it deals with The main actress
- 41:30Speaker 1: is Julie Ben's She's from Dexter, nice blonde, you know her?
- 41:33Speaker 1: Oh yeah, yeah, yeah yeah. So she's the main actress.
- 41:35Speaker 1: And this one kicks off in an apartment.
- 41:37Speaker 4: Uh.
- 41:38Speaker 1: It pants around to these two people at a table,
- 41:41Speaker 1: one guy named Jason and his girlfriend named something.
- 41:44Speaker 2: Uh.
- 41:45Speaker 1: He's doing like Lanta coke and shit, and I'm like, okay,
- 41:47Speaker 1: what's going on? And like the you know, the chick
- 41:49Speaker 1: is like drawing all this crazy shit on a notepane me. Okay.
- 41:53Speaker 1: The guy gets up, Jason goes to the bathroom. You
- 41:55Speaker 1: hear like this clang and class, you know, clash, something falls,
- 41:58Speaker 1: and like she's like, Jason, are you okay? She goes
- 42:00Speaker 1: to investigate. She opens the bathroom door, slips in blood,
- 42:04Speaker 1: busts her ass, and then sees Jason just dead on
- 42:06Speaker 1: the floor and she's freaking the fuck out. Something or
- 42:10Speaker 1: someone pulls her off screen. She somehow manages to get up,
- 42:14Speaker 1: flee the apartment, goes down the halls, banging on all
- 42:17Speaker 1: the doors, trying to get someone to help. No one's helping,
- 42:19Speaker 1: so she just hauls ass to the elevator, gets into
- 42:22Speaker 1: the elevator, and then when she's in there, she looks up.
- 42:24Speaker 1: Something pulls her up. The door's closed, and then as
- 42:28Speaker 1: janitor opens the doors and then just immediately goes to
- 42:31Speaker 1: start cleaning the mess, and I'm like, what the fuck?
- 42:33Speaker 1: And then the title sequence comes up and I'm like, okay.
- 42:36Speaker 1: So then it focuses on Julie Ben's and she is
- 42:38Speaker 1: in rehab. She's just getting out of rehab, and then
- 42:41Speaker 1: she's being sent like a halfway house, you know, be
- 42:43Speaker 1: rehabilitated and they give you a job and all that stuff.
- 42:46Speaker 1: And then the girl from the beginning, Jackie or no Jackie,
- 42:50Speaker 1: is Julie Bens, and she's looking for her friend Danielle,
- 42:52Speaker 1: who's been missing and you know her Jason died, So
- 42:55Speaker 1: she ends up in that same apartment where Danielle. So
- 43:00Speaker 1: Jackie's like, why did I end up here? She goes
- 43:02Speaker 1: and talks to like the you know, the person who
- 43:04Speaker 1: owns the lot or whatever it is. She's like, you know,
- 43:06Speaker 1: how did I end up in the same apartment? Oh,
- 43:08Speaker 1: it's just you know, luck of the drawer or whatever.
- 43:10Speaker 1: And I'm like, bullshit, Okay, I can see it past that.
- 43:13Speaker 1: So red flag number flaw.
- 43:15Speaker 2: Actually that'd be red flag number two's red flag number one.
- 43:18Speaker 2: The janitor just cleaning up the mess, Like, who's so
- 43:22Speaker 2: nonchalant exactly.
- 43:23Speaker 1: So I'm immediately really like there's something about this place
- 43:28Speaker 1: that's really fucked up. So, you know, she goes and
- 43:30Speaker 1: talks like I said, the landlord. After that she leaves,
- 43:34Speaker 1: but you also find out that the guy who was
- 43:36Speaker 1: a janitor is the son of the lady who owns
- 43:39Speaker 1: the building. So another thing. I'm like, another fucking red flag,
- 43:42Speaker 1: Like this is so weird. And eventually it's another one
- 43:46Speaker 1: of those slow slip into madnesses. And anytime that someone
- 43:50Speaker 1: gets evicted, they just end up disappearing. So I'm like, Okay,
- 43:53Speaker 1: there's there's something that is going between the eviction notice
- 43:56Speaker 1: and these people disappearing, and it sets it up to
- 43:58Speaker 1: be like a kind of a paranormal You're like, oh,
- 44:00Speaker 1: this is gonna be like a fun haunted house movie.
- 44:02Speaker 1: And then like forty five minutes in, it's like tonal
- 44:05Speaker 1: shift to a whole different type of like genre. I'm
- 44:07Speaker 1: not gonna stay with kind of genre, but it just
- 44:09Speaker 1: goes a whole another way, and I'm like, oh, this
- 44:11Speaker 1: is something so much more fucked up. And then it
- 44:13Speaker 1: goes into the background of haven Hurst and what's happened
- 44:16Speaker 1: there and all this fucking crazy shit. And it was honestly,
- 44:19Speaker 1: go check it out. It was a wild ride. It
- 44:22Speaker 1: didn't have a great ending. I thought it was gonna
- 44:25Speaker 1: end differently, but I also it was also set up
- 44:27Speaker 1: to be a different movie, so I kind of understand
- 44:29Speaker 1: why it ended that way, right, But my god, it
- 44:31Speaker 1: was a good time.
- 44:32Speaker 3: Anything with haven or Hurst in the name, just stay
- 44:36Speaker 3: away from those locations all.
- 44:39Speaker 1: No, But it was a great movie. Yeah. Julie Bens
- 44:42Speaker 1: is amazing as always, and the acting was great, and
- 44:44Speaker 1: the story was really original, and once it gets into
- 44:47Speaker 1: the kind of the grit of it, it's great. It's very,
- 44:50Speaker 1: very original movie. So I recommend Havenhurst. It's on Netflix.
- 44:53Speaker 1: I think it was like hour and twenty five minutes.
- 44:56Speaker 1: Pretty much anything that's under an hour and a half.
- 44:58Speaker 1: I've just been throwing on my list and watching late.
- 45:00Speaker 1: So that was the first movie I saw. It was
- 45:03Speaker 1: a good time. And then the second one. Oh, Caliber,
- 45:06Speaker 1: have you seen Caliber? I have not Caliber on Netflix.
- 45:11Speaker 1: It's a Netflix original, I believe. And it's spelled c
- 45:14Speaker 1: A L I b R E not b e R,
- 45:16Speaker 1: so it's spelled in like the.
- 45:18Speaker 2: So I've I've seen the title card for it. I
- 45:21Speaker 2: have not checked it out.
- 45:22Speaker 1: Go check it out.
- 45:23Speaker 3: I thought it was an action movie.
- 45:25Speaker 1: No it's not. It's not really horror in a sense.
- 45:28Speaker 1: But this was on besides a quiet place, this was
- 45:31Speaker 1: one of the most stressful movies that I have ever watched.
- 45:33Speaker 1: And I can't say much about it besides like two guys.
- 45:37Speaker 1: I think it's set in Scotland. Two guys in Scotland.
- 45:39Speaker 1: You know, they go hunting and something happens when they
- 45:42Speaker 1: go hunting, and that's literally all I can say about it.
- 45:44Speaker 1: I'm serious, because it goes from them hunting to this,
- 45:47Speaker 1: holy fuck, what's happening? And then it's seriously, it just
- 45:50Speaker 1: the levels of this movie. It just gets worse and
- 45:52Speaker 1: worse and worse, and you really feel for this guy
- 45:54Speaker 1: because he's got a wife, he's got you know, kids,
- 45:56Speaker 1: he's got this friend that he goes out with hunting,
- 45:58Speaker 1: and then something crazy he happens and now he's like,
- 46:01Speaker 1: what the fuck are we gonna do? And they try
- 46:03Speaker 1: to take care of the situation, and then it literally
- 46:05Speaker 1: just gets worse and worse and worse and worse, and
- 46:07Speaker 1: by the end of it, you're just like, oh my god,
- 46:08Speaker 1: I feel so fucking sorry for this guy because he
- 46:10Speaker 1: did he didn't even do anything, and like it's such
- 46:13Speaker 1: such a short review on it, but it's I can't
- 46:16Speaker 1: say anything because in the first twenty minutes something happens
- 46:18Speaker 1: and you're like, oh, fuck, this is not good.
- 46:21Speaker 2: I know, it's such a vague it's such a vague description,
- 46:25Speaker 2: but I'm gonna go home and good.
- 46:27Speaker 1: No, it was good. I suggest if you liked, you know,
- 46:29Speaker 1: if you like the Quiet Place and that kind of
- 46:30Speaker 1: like dread and suspense and fear, this movie seriously had
- 46:34Speaker 1: me like my heart was racing the whole time. I
- 46:35Speaker 1: was like, holy fuck, what is gonna happen? And it
- 46:37Speaker 1: just gets worse and worse and worse. It's a good
- 46:40Speaker 1: movie on Netflix. Go check it out.
- 46:42Speaker 3: Gotta love Netflix.
- 46:43Speaker 1: Gotta love Netflix. I've been finding a lot of good
- 46:45Speaker 1: stuff on Netflix lately, just these random finds that all just.
- 46:47Speaker 3: Want to loh on Netflix. Well, yeah, I mean, of
- 46:52Speaker 3: course that's gonna happen.
- 46:54Speaker 2: Zomb Beavers. What zombiavers. Oh no, that's amazing. What are
- 46:57Speaker 2: you talking about? No, No, it's amazing in a really
- 47:01Speaker 2: awful way. Uh yeah, that's another one. If you've never
- 47:04Speaker 2: seen that one, go grab a beer, go watch Zombieavers.
- 47:08Speaker 2: Fucking awesome. I think that was all I had.
- 47:10Speaker 3: More like a pin of not not a beer. One
- 47:13Speaker 3: beer is not enough.
- 47:14Speaker 1: Go grab a couple of beers and get drunk and
- 47:16Speaker 1: watch that movie. Is it still on there to this day?
- 47:18Speaker 3: I think so? Oh my god, I watched that like
- 47:20Speaker 3: two years ago. I know it's on a shutter now.
- 47:26Speaker 1: Jesus Christ. Zombie Beavers? What what? Like? How can it
- 47:28Speaker 1: get much worse than that? All Right? I think that's
- 47:32Speaker 1: all I have from movies. Did you have anything else
- 47:35Speaker 1: you wanted to talk about.
- 47:36Speaker 3: The other one that we have both seen Ghana where.
- 47:41Speaker 2: Gyana Giant whatever it was Gana J.
- 47:47Speaker 3: Hannah.
- 47:47Speaker 1: There's like one hundred whiz pronounced this. It was definitely
- 47:51Speaker 1: a weird movie, but yeah, give us the uh.
- 47:54Speaker 3: So. So it opens in what can only be.
- 48:00Speaker 2: Described by looking at it is tribal something or other.
- 48:05Speaker 3: Oh yeah, I forgot about that intro, that's right.
- 48:07Speaker 2: And they just have this guy strapped to a stone,
- 48:12Speaker 2: like like giant rock, just like, yeah, just strapped to
- 48:15Speaker 2: a stone, and then they they cut his scalp off.
- 48:19Speaker 1: They're just like oh okay.
- 48:21Speaker 2: And then it transitions to a blonde chick standing in
- 48:26Speaker 2: a hotel balcony on the phone, and you're like wait what.
- 48:29Speaker 1: Like this was a big gap of something because it
- 48:31Speaker 1: takes it I think it was like sixteen seventy or
- 48:34Speaker 1: some shit. It takes place in Saipan, like that's the opening.
- 48:36Speaker 1: I'm like, oh okay. Yeah. Then it jumps like present day
- 48:38Speaker 1: and you're like, okay.
- 48:39Speaker 2: So it takes place in Saipan out in Thailand, yep.
- 48:43Speaker 2: And it's this group of hotel architects and resort developers
- 48:49Speaker 2: and they are they have bought a section of land
- 48:54Speaker 2: and they're they're scouting it out to see what they
- 48:56Speaker 2: can do with it.
- 48:58Speaker 1: Yeah, they want to build like results like resort.
- 49:00Speaker 3: They want to build a resort.
- 49:01Speaker 2: And it's going between, all right, do we tear all
- 49:04Speaker 2: of this out and do very modern or do we
- 49:08Speaker 2: leave everything as is and give it that natural, almost
- 49:12Speaker 2: Hawaii type vibe. And as they're scouting around looking at stuff, Uh,
- 49:18Speaker 2: they they send up a drone actually, and they see
- 49:21Speaker 2: these two guys just walking through the woods and like
- 49:25Speaker 2: you said, there was nobody out here, and they're like,
- 49:27Speaker 2: all right, well, let's let's go follow one Like.
- 49:28Speaker 1: Oh, it's probably just the locals.
- 49:29Speaker 2: They're like what, yeah, why are why are the locals
- 49:32Speaker 2: here there? We had to pass like three fences to.
- 49:34Speaker 1: Get into this, so what like the locked fences, Like
- 49:37Speaker 1: it's not easy to get in there.
- 49:38Speaker 3: So they they follow this.
- 49:41Speaker 2: Uh, these two locals in the woods, not like follow follow,
- 49:44Speaker 2: but they follow along the trail and they just see
- 49:48Speaker 2: these these two locals sitting in front of a stone
- 49:52Speaker 2: face praying, worshiping, and they basically scare them, scare them out. Uh.
- 50:01Speaker 3: One of the guys speaks Sipan.
- 50:03Speaker 1: Whatever the language is.
- 50:05Speaker 2: Yeah, and he's like, y'all need to get out of here.
- 50:08Speaker 3: I've got a gun.
- 50:09Speaker 2: And one of them and one of the Americans recognized
- 50:13Speaker 2: the word gun.
- 50:14Speaker 3: He's like, wait, you have a gun. He's like I'm lying.
- 50:16Speaker 1: Yeah. He's like, shit's fine, it's fine.
- 50:20Speaker 2: And they figure out that these guys were praying in
- 50:22Speaker 2: front of a statue in front of.
- 50:26Speaker 3: A Japanese World War two bunker.
- 50:30Speaker 2: Uh And You're like, okay, cool bunker, let's do it
- 50:33Speaker 2: all right, And they're like, ah, so should we should
- 50:37Speaker 2: we go check inside and see what it is? And
- 50:40Speaker 2: like two of them are like no, like don't go
- 50:42Speaker 2: in there, Like that's a bad idea.
- 50:44Speaker 3: Who knows what's down there. They're like, it's who knows
- 50:46Speaker 3: if it's safe.
- 50:47Speaker 1: Let's not go down in there do that. It could
- 50:49Speaker 1: be like ten feet or it could be like a mile,
- 50:50Speaker 1: Like no, let's just not.
- 50:51Speaker 3: Yeah, let's just not Let's just call the crew, demolish it,
- 50:55Speaker 3: eat and be done with it. And one of them
- 50:57Speaker 3: was like, nah, I could lead to structural issues.
- 51:00Speaker 2: Yeah, to check it out, And I'm like, why why
- 51:03Speaker 2: would you do that? Spoiler alert They go in is.
- 51:07Speaker 3: That really a spoiler.
- 51:10Speaker 2: So they decide to go in, and from I don't know,
- 51:15Speaker 2: one hundred feet in, shit just goes south.
- 51:17Speaker 1: Yeah, I'm already like, wow, what is already happening in
- 51:20Speaker 1: this fucking bunker?
- 51:21Speaker 2: So they walk in and they're they're looking around and
- 51:25Speaker 2: you know, you know, everything's ransacked, trash all over the place.
- 51:32Speaker 2: Dead well, they don't see the dead bodies yet, they
- 51:35Speaker 2: see all the uh because they're looking in like the
- 51:39Speaker 2: barracks and like, all right, this is bizarre. There's still
- 51:43Speaker 2: like maps up here, but there's all this trash. If
- 51:45Speaker 2: somebody was squatting, you would think they would take the
- 51:47Speaker 2: stuff to sell it for some.
- 51:49Speaker 3: Kind of profit something.
- 51:52Speaker 2: And then they hear a siren. And once they hear
- 51:57Speaker 2: the siren, you know, just like any time you hear
- 52:00Speaker 2: a sirron, shit goes bad and the door to the
- 52:03Speaker 2: outside closes. Now they're fucked and and it closes and
- 52:08Speaker 2: locks itself and they can't get out. And as they're
- 52:12Speaker 2: walking around, they see what I thought was like a
- 52:16Speaker 2: ghoul or a zombie hobbling at them, and he grabs
- 52:22Speaker 2: onto him and he just starts speaking real cryptically, and
- 52:26Speaker 2: I can't give you what he says, because.
- 52:29Speaker 4: It it will ruin the movie probably eat and they
- 52:34Speaker 4: they just start to be tormented by their past wrongdoings,
- 52:39Speaker 4: even if it's not technically wrongdoing something that they blame
- 52:45Speaker 4: themselves for, they start to be haunted by and it
- 52:50Speaker 4: just it just goes sideways real quick.
- 52:52Speaker 1: Yeah, it was an interesting It was interesting. I don't know,
- 52:55Speaker 1: I don't know how i'd even rate that movie. Maybe
- 52:57Speaker 1: like a five, but I would.
- 53:01Speaker 3: Story wise, I would put it at like a six
- 53:03Speaker 3: and a half. Seven.
- 53:04Speaker 2: Yeah, it was an original story implementation wise, Yeah, about
- 53:09Speaker 2: a four.
- 53:11Speaker 3: Ending twist, about a three.
- 53:13Speaker 1: Yeah, because you get to the ending and you're like,
- 53:14Speaker 1: I'm not sure exactly what happened, Like, at least for me,
- 53:18Speaker 1: I was like, I don't even know what the outcome
- 53:20Speaker 1: technically is at this point.
- 53:22Speaker 2: Because it makes you think like, okay, so were doing
- 53:26Speaker 2: this again, Like.
- 53:27Speaker 1: Yeah, what's going are we about to replay this? Or
- 53:29Speaker 1: is this just it? And this is done?
- 53:31Speaker 3: So it is this the fate of this one guy?
- 53:34Speaker 3: Or is this the fate? Oh? Yeah?
- 53:37Speaker 1: And at an hour and forty five minutes, I was like.
- 53:41Speaker 2: It does drag in some places, but the places where
- 53:45Speaker 2: it doesn't drag, they do a lot.
- 53:47Speaker 3: Of world building, right, Yeah.
- 53:49Speaker 2: And when you have something that's gonna be cryptic and
- 53:53Speaker 2: gonna start out back in the sixteen hundred's and gonna
- 53:57Speaker 2: throw Laura at you and then not explain it, you
- 53:59Speaker 2: gotta have some world to build upon it.
- 54:01Speaker 1: Yeah, exactly, And again I just I still at the
- 54:04Speaker 1: end of it. I was just like, God, I was like,
- 54:06Speaker 1: it's almost like I need a rewatch maybe to maybe
- 54:09Speaker 1: fully understand it more.
- 54:10Speaker 2: Definitely need a rewatch. But it's also one of those
- 54:13Speaker 2: ones that it leaves you kind of tired.
- 54:16Speaker 1: Yeah, exactly. I was just like, oh my god.
- 54:18Speaker 2: I remember feeling the same way at the ending of
- 54:22Speaker 2: Gana that I did at the ending of Inception.
- 54:25Speaker 3: That just like, yeah, I'm that is the hard way
- 54:28Speaker 3: to put it. You're just like I did too much
- 54:31Speaker 3: thinking during this movie, exactly.
- 54:34Speaker 2: Yeah, because it's one of those movies where you want
- 54:36Speaker 2: to figure out what's going to happen before it happens.
- 54:39Speaker 3: You're like, oh, I got it, I got it.
- 54:40Speaker 1: No, No, You're like I got and then it ends
- 54:42Speaker 1: and you're like, I don't think I got it.
- 54:43Speaker 3: I was like, I don't think I got it at all.
- 54:45Speaker 1: I need a nap.
- 54:46Speaker 3: Place. Oh my god.
- 54:48Speaker 1: Okay, so yeah, that one. I know for sure. It's
- 54:51Speaker 1: on Netflix again. It's like an hour and forty five,
- 54:53Speaker 1: So go ahead and check all those stuff that we've
- 54:55Speaker 1: reviewed out. We're gonna cut it here in case my
- 54:58Speaker 1: computer decides to take another as it's already done twice. Uh,
- 55:02Speaker 1: and then we're gonna come back and do some trivia.
- 55:05Speaker 1: We're gonna play first at three, and then we'll do
- 55:08Speaker 1: some horror news and uh yeah, so we will be
- 55:11Speaker 1: right back. Welcome back to Fright Maares. This is episode three,
- 55:56Speaker 1: Part two. The first half we did where we review
- 56:00Speaker 1: some movies and talked about Corey's past and horror. And
- 56:03Speaker 1: now we are going to play the what is this.
- 56:07Speaker 3: Trivial Pursuit Horror Movie Edition?
- 56:10Speaker 1: That is, right, one hundred years of horror. We played
- 56:12Speaker 1: this on the last episode, and I liked this so much.
- 56:14Speaker 1: I was like, let's just keep it in and see
- 56:16Speaker 1: how awful I do every time, because normally I lose.
- 56:19Speaker 1: Gabby is the fucking master at this game.
- 56:21Speaker 2: So now, now, how many episodes is gonna take you
- 56:24Speaker 2: to start remembering questions?
- 56:26Speaker 1: Well, that's that's my whole thing is I'm like, Okay,
- 56:29Speaker 1: we're gonna get to a point where we're gonna start
- 56:30Speaker 1: hearing the same ones. But it's gonna be a while
- 56:32Speaker 1: because there's there's I think there's five, there's one hundred cards,
- 56:36Speaker 1: but there's one, two, three for like, so there's like
- 56:38Speaker 1: six hundred questions. So it's gonna be a while. But
- 56:41Speaker 1: I figure we can do this every time, and by
- 56:43Speaker 1: the time we get back around to it, either I'll
- 56:45Speaker 1: have forgotten or I'll be like, fuck, yeah I remember,
- 56:47Speaker 1: So there you go. Yeah. I do want to say
- 56:49Speaker 1: thank you to everyone who has listened. I've gotten a
- 56:52Speaker 1: lot of positive feedback from multiple people, and people seem
- 56:55Speaker 1: to be enjoying that. So thank you guys for you know,
- 56:57Speaker 1: supporting this, and uh, we're gonna do this for as
- 57:00Speaker 1: long as movies are around, which will be forever.
- 57:02Speaker 3: So thank you to future listeners as well.
- 57:05Speaker 1: Yeah, exactly, thank you, Just thank you to everyone. Seriously,
- 57:07Speaker 1: I didn't expect this reaction, Like, you know, I put
- 57:09Speaker 1: this on Facebook and you hit me up, and a
- 57:11Speaker 1: lot of people hit me up. They are like, oh,
- 57:12Speaker 1: I wanted to be on the podcast. I'm like, all right, cool,
- 57:15Speaker 1: So I'm gonna try and have as many people on
- 57:17Speaker 1: as I can. So whoever's interested, shoot me a message
- 57:20Speaker 1: on Facebook, and uh yeah, we'll have you on the show.
- 57:22Speaker 3: And remember, kids, turn on, tune in and rip the
- 57:26Speaker 3: knob on.
- 57:28Speaker 1: All right, So I guess since I lost last time,
- 57:32Speaker 1: I'll just let you roll and uh, we'll just we'll
- 57:35Speaker 1: get this going. Okay. So you've got yellow?
- 57:39Speaker 2: Oh wait are those Oh I gotta flip these over
- 57:40Speaker 2: because those are the answers on top.
- 57:42Speaker 1: That's not gonna do us very well. Okay, all right,
- 57:44Speaker 1: so yellow is uh slasher I believe? Oh god, damn it,
- 57:50Speaker 1: you o God, Okay, you got a pretty easy one.
- 57:53Speaker 1: Real life killers Ed Gain and Elmer Wayne influenced the
- 57:57Speaker 1: creation of character no hold on.
- 57:59Speaker 2: Sir, Norman hold on, No, goddamn it influenced the creation
- 58:02Speaker 2: of what character in the Texas Chainsaw Massacre?
- 58:05Speaker 3: Oh leather face, Yes, leather face.
- 58:08Speaker 1: So that's one. God, you already have to a great start.
- 58:10Speaker 2: Except except it was actually Norman Bates. I mean no, like,
- 58:15Speaker 2: not in Texas Chainsaw. Yeah, not in Texas Change.
- 58:17Speaker 1: He inspired three total. It was the other fase, uh
- 58:20Speaker 1: Psycho or Norman and something else. I could have sworn
- 58:24Speaker 1: it was three, all right, So my go oh shit,
- 58:26Speaker 1: that's really loud. Okay, orange Orange. I think orange is
- 58:30Speaker 1: the pentagram one, so I think that's uh yeah, gotta
- 58:32Speaker 1: be paranormal or something.
- 58:33Speaker 2: Who directed the nineteen seventy three movie don't look now.
- 58:39Speaker 1: Oh god, foulgy. I don't know. I have no idea.
- 58:45Speaker 3: Nicholas rose r e.
- 58:50Speaker 1: G Rogae Rogae alright, the one? Yeah whatever, I didn't Yeah,
- 58:55Speaker 1: so that's who that is. Never heard of him before. Great,
- 58:58Speaker 1: I've never heard of that movie before. The same. All right,
- 59:01Speaker 1: that's purple, so that is how Come on, what the
- 59:06Speaker 1: f what actor played Ash and Army of Darkness?
- 59:09Speaker 3: Yeah, Bruce Campbell.
- 59:10Speaker 1: Oh my god, I've got a crock of shit.
- 59:13Speaker 2: This is it's my psychic powers, forcing all the easy
- 59:16Speaker 2: questions up to the top.
- 59:17Speaker 1: Seriously, this is gonna be over and like I got
- 59:19Speaker 1: orange again? Okay, great, another fucking movie from the seventies.
- 59:22Speaker 3: I'm sure, uh not the seventies. One decade up?
- 59:29Speaker 1: Come on?
- 59:30Speaker 2: Oh, what is the name of the youngest freeling child
- 59:33Speaker 2: in Poltergeist nineteen eighty two?
- 59:35Speaker 1: Oh my god, I should know this. It's the blonde one.
- 59:38Speaker 1: It's the little oh man, I know her? Oh man,
- 59:42Speaker 1: God damn it. Oh man, I feel like such a
- 59:46Speaker 1: shit for not knowing this.
- 59:50Speaker 2: All right, So just think of any stereotypical white eighties
- 59:56Speaker 2: child name.
- 59:57Speaker 3: There's only like twelve of them.
- 1:00:00Speaker 1: Now now, and it's not carry Anne, God damn it.
- 1:00:02Speaker 1: It's something and that is that it is.
- 1:00:05Speaker 2: And you're not far off with the beginning letter of
- 1:00:08Speaker 2: the first one.
- 1:00:11Speaker 1: I don't funk, I don't know.
- 1:00:13Speaker 3: I'll give you a hint. Okay, what what do you
- 1:00:15Speaker 3: do on Christmas? Door to door?
- 1:00:18Speaker 1: Oh, Carol Anne? Okay, I'll give you the We'll take
- 1:00:21Speaker 1: a half point on that. I just like, I can't
- 1:00:24Speaker 1: tell you how many times I went through that maze
- 1:00:25Speaker 1: at HHM last year and at least like god fuck
- 1:00:27Speaker 1: piece of shit.
- 1:00:28Speaker 2: All right, that's another truly terrifying movie. I love the
- 1:00:32Speaker 2: original Poltergeist.
- 1:00:33Speaker 1: I haven't seen two or three, but three is are
- 1:00:36Speaker 1: Three is on shutter if. I listened to another shot
- 1:00:39Speaker 1: a podcast called Chocks and they really like three. So
- 1:00:41Speaker 1: I'm gonna try and blow through two and three and
- 1:00:43Speaker 1: see what TV scene?
- 1:00:44Speaker 3: Man?
- 1:00:45Speaker 1: Oh, I know you know the girl died after those
- 1:00:47Speaker 1: movies too, right? No I didn't, Yeah, she died like
- 1:00:50Speaker 1: after doing Actually I think it was it was like
- 1:00:52Speaker 1: halfway through the second or the third one where she
- 1:00:55Speaker 1: died and they had to do a scene with a
- 1:00:57Speaker 1: dummy of her and it was Yeah, I'm not even kidding,
- 1:01:00Speaker 1: that's bizarre. It's true facts. Yeah, poor little girl because
- 1:01:03Speaker 1: she was not that old.
- 1:01:04Speaker 2: Just like the just like the mom I think it's
- 1:01:06Speaker 2: the mom from uh the Exorcist broke her back.
- 1:01:10Speaker 3: Yeah, filming when she got thrown against the wall, just.
- 1:01:13Speaker 1: Like, God damn, can we like tone it down just
- 1:01:15Speaker 1: a little bit.
- 1:01:16Speaker 2: That's why the that's why the seventies and eighties were
- 1:01:19Speaker 2: the best for horror movies because they had to do everything.
- 1:01:21Speaker 1: With yeah, and there was like no boundaries. They're like, yeah,
- 1:01:23Speaker 1: just do whatever. It's fine, you're back.
- 1:01:25Speaker 3: We're gonna we're gonna refrigerate this entire room.
- 1:01:28Speaker 1: It'll only be like forty degree is It's right?
- 1:01:30Speaker 3: Yeah, And none of you are allowed to wear coats? No,
- 1:01:32Speaker 3: fuck that?
- 1:01:34Speaker 1: All right? You got Lello mellow yellow. Let's see here
- 1:01:39Speaker 1: and a Nightmare. On Elm Street series nineteen eighty four
- 1:01:41Speaker 1: to nineteen ninety one, Amanda Krueger is what school teacher, nurse,
- 1:01:46Speaker 1: nun or police officer.
- 1:01:52Speaker 2: And I said, I'm a fan of Slash. I'm gonna
- 1:01:57Speaker 2: say school teacher.
- 1:01:58Speaker 1: Negative, she wasn't. I've never seen them. I'm not even
- 1:02:05Speaker 1: gonna lie I have never seen one Freddy movie.
- 1:02:07Speaker 3: Really.
- 1:02:07Speaker 1: Yeah, well, because you have to remember, at least if
- 1:02:10Speaker 1: you've listened the first couple episodes. I grew up in
- 1:02:12Speaker 1: a Christian household. Oh yeah, so I didn't see my
- 1:02:15Speaker 1: first horror. I mean, I saw Aliens was like seven
- 1:02:17Speaker 1: or eight. But I didn't see my first saw a
- 1:02:18Speaker 1: movie or a horror movie, which was saw until I
- 1:02:20Speaker 1: was fourteen. And then I didn't really even get into
- 1:02:22Speaker 1: horror until, like, you know, like I was sixteen, So
- 1:02:25Speaker 1: all the movies that are old I was like, I
- 1:02:27Speaker 1: didn't have a chance to see.
- 1:02:29Speaker 2: I will recommend if you are going to start with
- 1:02:33Speaker 2: the Nightmare and aland Street series, yeah, do not watch
- 1:02:37Speaker 2: the remake first.
- 1:02:38Speaker 1: Oh no, it's what was that one? Was that one
- 1:02:41Speaker 1: called like something New Nightmare or whatever? Yeah, Wes Craven's
- 1:02:45Speaker 1: New Nightmare.
- 1:02:45Speaker 2: Yeah yeah, And not that it's bad, but they they
- 1:02:49Speaker 2: give way too much detail about what Freddy did to.
- 1:02:53Speaker 3: The kids, Okay, and you're like, I don't need to
- 1:02:56Speaker 3: know that.
- 1:02:57Speaker 2: He was already creepy enough and now I don't need
- 1:03:01Speaker 2: to know that I touched kids. Think I've seen I
- 1:03:04Speaker 2: think I've seen Freddy Versus Jason, but it was probably
- 1:03:06Speaker 2: one time, and it was a long time ago.
- 1:03:08Speaker 3: That barely counts.
- 1:03:09Speaker 1: Yeah, I know. So that's on my list.
- 1:03:11Speaker 2: There's a lot of eighties and seventies that are like
- 1:03:14Speaker 2: on my list to watch that I need to watch
- 1:03:15Speaker 2: because they're classics.
- 1:03:16Speaker 3: Hey, Hollywood, when we getting Freddy versus Jason? Two?
- 1:03:19Speaker 1: Hey, listen'd alright from my turn that's so fucking loud.
- 1:03:24Speaker 1: Purple again, I think the Purple's.
- 1:03:26Speaker 2: Top it is, okay, Oh Jesus god.
- 1:03:31Speaker 1: All right.
- 1:03:31Speaker 2: In the nineteen forty one film The wolf Man, the
- 1:03:36Speaker 2: protagonist Lawrence Talbot, buys a cane decorated with a silver
- 1:03:41Speaker 2: bust of what animal.
- 1:03:46Speaker 3: Werewolf?
- 1:03:46Speaker 1: Like a wolf?
- 1:03:48Speaker 3: Yeah?
- 1:03:48Speaker 1: Yeah? Yeah?
- 1:03:50Speaker 2: Fuck yeah, alright, so you're one and a half one
- 1:03:52Speaker 2: and a half points, yes, because you really just gave
- 1:03:55Speaker 2: that one to me?
- 1:03:55Speaker 1: All right, you're up.
- 1:03:57Speaker 3: I didn't give that one to you.
- 1:03:58Speaker 2: I mean yeah, one yeah, okay, yellow again. I think
- 1:04:03Speaker 2: this is a slasher again. Oh Jesus, this is gonna
- 1:04:07Speaker 2: be fun. The Phantom of the Opera nineteen twenty five
- 1:04:10Speaker 2: was originally released in what audio format?
- 1:04:13Speaker 1: A silent or silent? A silent horror film. Fuck this,
- 1:04:18Speaker 1: we're playing A five? This is too quick.
- 1:04:21Speaker 2: I'm cool, No see I So I read the book
- 1:04:25Speaker 2: the opera really, and you want.
- 1:04:28Speaker 3: To talk about a dull, fucking book. Okay? Have you
- 1:04:33Speaker 3: ever seen the Phantom of the Opera?
- 1:04:35Speaker 1: I saw. I think I saw the one that they remade.
- 1:04:37Speaker 1: I was in high school.
- 1:04:38Speaker 3: Okay, so you have seen an iteration of it? Yeah? Yeah, yeah, Okay.
- 1:04:43Speaker 2: So you know the scene where they're in the graveyard,
- 1:04:46Speaker 2: I don't really it's it's okay, so it's it's middle
- 1:04:49Speaker 2: end of the movie. Okay, so the scene last it's
- 1:04:53Speaker 2: a it's a fifteen minute segment out of the movie.
- 1:04:57Speaker 3: In the book, it's like nine chapters. Fucking why you wanna?
- 1:05:02Speaker 2: So you think Tolkien can make walking boring? Na homie
- 1:05:07Speaker 2: fan of the Opera is like takes the cake. It's
- 1:05:09Speaker 2: like four and a half inches.
- 1:05:10Speaker 1: Holy, it's a book.
- 1:05:12Speaker 3: It's so dense.
- 1:05:14Speaker 1: Yeah, pass on that one. I actually just listened to
- 1:05:16Speaker 1: uh pet Cemetery recently because I haven't even seen the
- 1:05:19Speaker 1: movies of that one. I'm doing this whole thing with
- 1:05:21Speaker 1: King where I'm gonna listen to the books before I
- 1:05:23Speaker 1: watch them. I mean, i've seen it, intuthing like that.
- 1:05:24Speaker 1: But Pet Cemetery. Have you read or listened to that one?
- 1:05:27Speaker 3: Yeah? I've so, I'm a huge King fan. I've read
- 1:05:33Speaker 3: the Dark Tower series. I've read.
- 1:05:35Speaker 2: Yeah. No, I honestly, though you don't like it, It's
- 1:05:39Speaker 2: not that I don't like it.
- 1:05:40Speaker 3: I kind of like the movie better. Okay wait, yeah,
- 1:05:42Speaker 3: which is which is a far cry for me for
- 1:05:44Speaker 3: a lot of stuff. But I liked the visual.
- 1:05:49Speaker 2: Aspect of pet Cemetery more than I liked reading it.
- 1:05:53Speaker 2: Whereas if you read something like it and it's over
- 1:05:56Speaker 2: one thousand pages.
- 1:05:57Speaker 1: It's a forty six hour audio book, like holy fuck.
- 1:06:00Speaker 1: Oh yeah, the pet Cemetery was only sixteen hours and
- 1:06:04Speaker 1: it was narrated by Michael Shall, read by Michael C. Hall.
- 1:06:07Speaker 1: So I was it was game. I was like, this
- 1:06:09Speaker 1: is what no.
- 1:06:11Speaker 2: No, no, oh, man, I thought that was awesome.
- 1:06:16Speaker 1: I bought it solely on that fact.
- 1:06:17Speaker 3: Now, okay, was he doing the voice as Dexter?
- 1:06:21Speaker 1: No, he did voices, he did. He did like the
- 1:06:23Speaker 1: basic narration.
- 1:06:24Speaker 3: See, I'm not about it. I don't like it. When
- 1:06:26Speaker 3: I don't like it when he does voices.
- 1:06:28Speaker 1: The voices are good, so voices are like. I was like,
- 1:06:31Speaker 1: I don't know about it. But then I listened to it.
- 1:06:33Speaker 1: I was like, no, I was good. I mean when
- 1:06:34Speaker 1: he does like the little girl voice, which there's a
- 1:06:36Speaker 1: couple it happens a couple of times over but no,
- 1:06:38Speaker 1: his voice of Judd, dude, it was. It was a
- 1:06:40Speaker 1: good read or it was a good listen, I guess.
- 1:06:42Speaker 1: So I would recommend.
- 1:06:43Speaker 3: That I can't.
- 1:06:44Speaker 2: I'm not good with audiobooks because I'm one of those
- 1:06:48Speaker 2: people that like, when I'm reading, I like it is
- 1:06:52Speaker 2: in my head.
- 1:06:52Speaker 3: I am watching it through my mind, and if.
- 1:06:54Speaker 2: I hear somebody's voice doing a voice that I don't
- 1:06:58Speaker 2: think is what my brain would produce, kills the entire se.
- 1:07:02Speaker 1: I don't read ever, I'd barely read, so for me,
- 1:07:04Speaker 1: an audiobook was great. Plus, I said, at a desk
- 1:07:06Speaker 1: all day, so I can just like, I can knock
- 1:07:07Speaker 1: out that. But it was sixteen hours. I knocked out
- 1:07:09Speaker 1: only two days. But for me, since I don't like reading,
- 1:07:11Speaker 1: I was like, oh, this is fun, but I mean,
- 1:07:13Speaker 1: overall is a book fucking creepy. But it was kind
- 1:07:16Speaker 1: of slow. But then it builds to the end and
- 1:07:17Speaker 1: you're like, holy shit, You're like, this was great.
- 1:07:20Speaker 3: So if you want to get into uh audiobooks.
- 1:07:22Speaker 1: Yeah, I mean I want to do it. Oh wait,
- 1:07:24Speaker 1: what are you gonna recommend?
- 1:07:25Speaker 3: Pretty much anything by Lovecraft?
- 1:07:27Speaker 1: Lovecraft?
- 1:07:28Speaker 3: Okay, like HP Lovecraft.
- 1:07:29Speaker 2: Yeh yeah, yeah, At the Mountains of Madness, Uh, the
- 1:07:33Speaker 2: Dunwich Horror and Call It would be the three that
- 1:07:38Speaker 2: I would recommend. Yeah, I've got an app called Audible,
- 1:07:40Speaker 2: so that's where I get all my stuff. That's where
- 1:07:42Speaker 2: I that's where I read all those Okay, fun fact
- 1:07:45Speaker 2: about At the Mountains of Madness. Germo del Toro was
- 1:07:49Speaker 2: actually slated to do a At the Mountains of Madness
- 1:07:54Speaker 2: movie led by Brad.
- 1:07:57Speaker 1: Pitt, and what happened with that?
- 1:07:59Speaker 3: Stupid studio just said no.
- 1:08:01Speaker 2: Yeah, fucking figure damn. Yeah, that would have been amazing. Like,
- 1:08:05Speaker 2: I don't even know what it's about, but that just
- 1:08:06Speaker 2: I'm already.
- 1:08:08Speaker 3: So it's a especially with his fish people.
- 1:08:11Speaker 2: Yeah, since love crafty and stuff is real tentacles and
- 1:08:15Speaker 2: fish people. Anyway, At the Mountains of Madness is a
- 1:08:20Speaker 2: short story about this team of explorers going to Antarctica
- 1:08:28Speaker 2: to do research. Okay, and they find just so as
- 1:08:34Speaker 2: you're getting toward the South Pole, there's big mountains of glaciers,
- 1:08:38Speaker 2: and they find that it's not glaciers.
- 1:08:41Speaker 3: It's an ancient city.
- 1:08:44Speaker 2: And that's all I will leave, okay, because it's all right.
- 1:08:49Speaker 1: I'll check that out. Yeah, I got, I got what
- 1:08:51Speaker 1: I think I got another move it's another King? Oh
- 1:08:53Speaker 1: h not the Stand? Fuck? What is it? Let me
- 1:08:55Speaker 1: look it up? But basically I want I want to
- 1:08:57Speaker 1: do an episode where I listened to like three or
- 1:08:59Speaker 1: four of the books and then watch the movies because
- 1:09:01Speaker 1: Gabby has uh The Stand, and I'm gonna listen to
- 1:09:04Speaker 1: the Stand and then she just got in the Stand
- 1:09:06Speaker 1: like I guess the TV series there's like a four
- 1:09:09Speaker 1: part mini series of The Stand.
- 1:09:11Speaker 3: Yeah.
- 1:09:11Speaker 1: Yeah, so we're gonna do that. Oh it's I have
- 1:09:13Speaker 1: The Outsider. I got that. I'm not sure if you've
- 1:09:15Speaker 1: read that.
- 1:09:16Speaker 3: I have not read it, but I know that it's
- 1:09:20Speaker 3: Is it on Netflix? Is it on Netflix? Or is
- 1:09:22Speaker 3: on shutter the Outsider? Yeah?
- 1:09:24Speaker 1: Is it? There's a movie.
- 1:09:25Speaker 3: Duh, Yeah, there's a movie now.
- 1:09:27Speaker 1: Oh shit.
- 1:09:27Speaker 2: No.
- 1:09:28Speaker 1: I just saw the book and it was I was
- 1:09:29Speaker 1: I could get I got it for free and I
- 1:09:30Speaker 1: was like, I'll try that because I had like a
- 1:09:31Speaker 1: great ratio.
- 1:09:32Speaker 3: Maybe maybe I was. I mean, I'll check it out
- 1:09:34Speaker 3: either way, but I could be wrong. Don't quote me
- 1:09:37Speaker 3: on that.
- 1:09:38Speaker 1: And I'm also gonna do you know, I've obviously seen
- 1:09:40Speaker 1: The Shining is one of my favorite movies. I'm gonna
- 1:09:41Speaker 1: listen to that book and then it and I'm like,
- 1:09:44Speaker 1: fucking it's I got forty six hours. That is also long.
- 1:09:47Speaker 3: Also, don't listen to that at work? What it?
- 1:09:51Speaker 1: Why is that?
- 1:09:53Speaker 2: Cause there's there's a whole couple chapters about, like, h
- 1:09:57Speaker 2: like a children orgy.
- 1:09:59Speaker 1: Oh yeah, I know, Gabby has prefaced that.
- 1:10:02Speaker 2: Yeah, that's that's just not necessarily office things to be
- 1:10:05Speaker 2: playing over the speakers.
- 1:10:06Speaker 3: Fair.
- 1:10:07Speaker 2: No, no, no, I listened to it with my headphones.
- 1:10:08Speaker 2: Oh okay, yeah, no, I'm.
- 1:10:11Speaker 1: Just blaring this overwork and people are like what no, yeah,
- 1:10:14Speaker 1: with my head I.
- 1:10:16Speaker 2: Don't know how much you like to alienate people, man,
- 1:10:20Speaker 2: I will say, though I would, I personally would go
- 1:10:25Speaker 2: get a copy of The Shining from some bookstore and
- 1:10:29Speaker 2: sit down and read it.
- 1:10:31Speaker 3: Cry.
- 1:10:31Speaker 1: I just might.
- 1:10:32Speaker 3: I like, like I can't focus for like a long
- 1:10:34Speaker 3: enough time.
- 1:10:35Speaker 2: Part of it, part of the thing about that book
- 1:10:38Speaker 2: is holding it in your hands and like you're like, okay,
- 1:10:43Speaker 2: maybe maybe it's the book that's it.
- 1:10:45Speaker 1: Oh. I also just want to know why King hated
- 1:10:49Speaker 1: the movie so much, Like I know why, but like
- 1:10:51Speaker 1: I want to read the book and be like, oh, yeah,
- 1:10:53Speaker 1: I can see why because you know, it's he fucking
- 1:10:54Speaker 1: hates Kubrick's adaptation because it leaves so much out, So
- 1:10:58Speaker 1: like I want to see why he hates it so much,
- 1:10:59Speaker 1: and like, how I guess better the book is because
- 1:11:02Speaker 1: that's all I've ever heard.
- 1:11:03Speaker 2: Yeah, the book is way better. The whole Room to
- 1:11:06Speaker 2: two thirty seven. Yeah, that whole scene in the book
- 1:11:12Speaker 2: is way more descriptive.
- 1:11:15Speaker 1: And there's it's so hard to be descriptive in a
- 1:11:17Speaker 1: movie because you can show something on camera, but then
- 1:11:20Speaker 1: if you write down what's happening, it's so much easier
- 1:11:22Speaker 1: to describe it. So I can I can totally understand.
- 1:11:25Speaker 2: But uh, Peter Jackson did a fantastic job with the
- 1:11:30Speaker 2: Lord of the Ring series.
- 1:11:31Speaker 3: Yeah, well they were, you.
- 1:11:32Speaker 1: Know, they were also like, god, that's like three hours
- 1:11:35Speaker 1: the director's cuts on those I mean, but yeah, you're right,
- 1:11:37Speaker 1: You're right. They were fucking fantastic films.
- 1:11:39Speaker 3: So yeah, so you can't use the excuse of oh,
- 1:11:42Speaker 3: it's harder to do. No, you're.
- 1:11:45Speaker 1: Right, I'll still love the movie, but I definitely I'm
- 1:11:48Speaker 1: excited to read the book and compare it. So fair enough,
- 1:11:51Speaker 1: I think it's I'm just gonna go. I think it's
- 1:11:53Speaker 1: my turn. All right, Orange, do it up? Give me
- 1:11:56Speaker 1: something that's kind of easy.
- 1:11:58Speaker 2: Ah, this one should be easy. Yes, this is at
- 1:12:01Speaker 2: least drama from this decade.
- 1:12:02Speaker 1: All right, there we go.
- 1:12:04Speaker 2: In the twenty ten movie Insidious, Boom, Dalton Lambert inherited
- 1:12:09Speaker 2: his ability to astro project from which of his parents father,
- 1:12:14Speaker 2: Yeah boom, all right, so I didn't even have to
- 1:12:16Speaker 2: I didn't even have.
- 1:12:17Speaker 3: To look at that. Okay, if you didn't know that,
- 1:12:20Speaker 3: you're under a rock.
- 1:12:22Speaker 1: Yeah. Those movies are great. I love that.
- 1:12:26Speaker 3: Last Key was terrible.
- 1:12:27Speaker 1: Oh okay, yeah, sorry, sorry, I like I like the trilogy.
- 1:12:30Speaker 1: I like one, two, and three, but yeah, we talked
- 1:12:31Speaker 1: about that.
- 1:12:32Speaker 3: I was like, Last Key was just so here's the
- 1:12:34Speaker 3: here's the thing.
- 1:12:36Speaker 2: I liked the monster from Last Key, absolutely, he was dope, right,
- 1:12:41Speaker 2: But I couldn't I couldn't get behind the rest of everybody.
- 1:12:46Speaker 1: Yes, it made me try to care about something that
- 1:12:48Speaker 1: I was just like, I don't really care about. Yes, unfortunately,
- 1:12:51Speaker 1: So you've got is that purple or some.
- 1:12:54Speaker 3: Shit that is? That is red?
- 1:12:56Speaker 1: Okay? Oh I love this movie. What Character and Yoube
- 1:13:00Speaker 1: nineteen ninety seven helps design the Cube shape? Prison Clinton McNeil,
- 1:13:04Speaker 1: David Worth, doctor Helen Holloway or Joan Levine kind of
- 1:13:07Speaker 1: a spoiler question.
- 1:13:09Speaker 3: So never seen the movie?
- 1:13:12Speaker 1: Oh man, there's like three of them. I think they're
- 1:13:14Speaker 1: all on Netflix.
- 1:13:15Speaker 2: I know they're so good, and I've had like I've
- 1:13:18Speaker 2: had I've had movie days with people and they'd be like, oh,
- 1:13:20Speaker 2: we should watch Cube. I'm like, dude, it's so uh
- 1:13:24Speaker 2: it's just so bizarre and it's that it's like so
- 1:13:26Speaker 2: nineties too, but it's it's good.
- 1:13:28Speaker 1: It's good.
- 1:13:29Speaker 3: So I'm gonna guess that it's the doctor.
- 1:13:33Speaker 1: Doctor Helen Halloway. Yeah, incorrect, it is David Worth. Yeah.
- 1:13:39Speaker 1: I don't know any I don't know these games. Yeah, no,
- 1:13:41Speaker 1: the movie. The movie was good. I like that one.
- 1:13:43Speaker 1: I haven't seen two or three. Those are like you
- 1:13:45Speaker 1: the you know, it's on my list, but one day,
- 1:13:47Speaker 1: one day I'll watch them. Green Green, Green It up
- 1:13:53Speaker 1: sorry to recap. You're at three, I'm at two and
- 1:13:55Speaker 1: a half.
- 1:13:56Speaker 2: Yeah, you made just gonna go ahead and pass on
- 1:14:00Speaker 2: this one.
- 1:14:02Speaker 1: Fuck who directed.
- 1:14:04Speaker 3: The nineteen seventeen films Satan's Rhapsody?
- 1:14:08Speaker 1: What even were people even alive?
- 1:14:11Speaker 2: Then?
- 1:14:11Speaker 3: What the fuck?
- 1:14:15Speaker 1: Oh? Let me just throw out okay, give me like,
- 1:14:18Speaker 1: is it a min like an American name? Is it like?
- 1:14:20Speaker 3: Uh?
- 1:14:20Speaker 1: No? Okay, where would you say that this person is from?
- 1:14:25Speaker 1: What would be your best guest?
- 1:14:26Speaker 2: So I can just kind of like throw out, like
- 1:14:28Speaker 2: a name, Romania, Vladoff, Romanovski, I.
- 1:14:37Speaker 3: Know, Nino Asila.
- 1:14:40Speaker 1: Holy shit? Okay, alrighty, then.
- 1:14:43Speaker 3: Yeah, what was that? What was the name of Satan seventeen?
- 1:14:49Speaker 1: Honestly, I didn't even know that they've made horror movies
- 1:14:51Speaker 1: that I mean, I does say one hundred years of horror,
- 1:14:53Speaker 1: but Jesus Christ, good god, nineteen seventeen. I'd love to
- 1:14:57Speaker 1: see something from like that old and see how probably.
- 1:14:59Speaker 3: Awful was well.
- 1:15:00Speaker 2: I mean, so if you go back and you watch
- 1:15:02Speaker 2: the uh like the old Bello Lugosi, Draculas or.
- 1:15:09Speaker 3: I think it's Werner Herzog for.
- 1:15:10Speaker 2: Yeah, Frankenstein, those are those are just good, right, Yeah,
- 1:15:16Speaker 2: those are just plain good.
- 1:15:18Speaker 1: But I mean, how old are those about?
- 1:15:21Speaker 3: Nineteen twenties, nineteen thirties, jeez? Okay, yeah, no, some of
- 1:15:24Speaker 3: them are.
- 1:15:25Speaker 2: Silent, some of them have some sound, but just it's
- 1:15:28Speaker 2: it's quality of actors.
- 1:15:30Speaker 3: Yeah, I suppose, So all right, I.
- 1:15:31Speaker 1: Would love to yeah to your turn. I just don't
- 1:15:33Speaker 1: even know where I would get that. Okay, that's pink or.
- 1:15:36Speaker 3: Sail the Seven Seas, my friend.
- 1:15:38Speaker 1: That's true. Oh, great movie? It follows or in It
- 1:15:43Speaker 1: follows twenty fourteen. The lead character, Jamie j Height is
- 1:15:47Speaker 1: played by what actress? Oh man, that's that's Oh god,
- 1:15:51Speaker 1: I don't yeah, bro, I don't fucking know. Yeah. I
- 1:15:54Speaker 1: think it's Micah Monroe and m Ai Mika Yeah, Meek
- 1:16:00Speaker 1: Mika Monreel.
- 1:16:01Speaker 3: So, speaking of it.
- 1:16:02Speaker 2: Follows, I have a serious logistical problem with that and
- 1:16:06Speaker 2: hit me. So when she goes around, she's like, I'm
- 1:16:10Speaker 2: being followed by something, and it was like I can't
- 1:16:12Speaker 2: see it. Yeah, So here's how you solve this problem. Okay,
- 1:16:17Speaker 2: grab a can of spray paint. Now everybody can see
- 1:16:20Speaker 2: the monster. Do you think it would have to be
- 1:16:23Speaker 2: because if you can, if you can be physically.
- 1:16:25Speaker 3: Grabbed by something, and pulled up by your own.
- 1:16:27Speaker 1: Oh that's true. Yeah, you're right.
- 1:16:28Speaker 3: Yeah.
- 1:16:28Speaker 2: Because yeah, so if it can physically interact with the world, yeah,
- 1:16:32Speaker 2: it has to have yeah, corporeal stuff.
- 1:16:35Speaker 1: Oh shit, okay, because yeah, I was thinking. I was like,
- 1:16:37Speaker 1: but wait, now, that won't work. Yeah. I remember the
- 1:16:38Speaker 1: scene when she gets yanked up and I'm like, oh,
- 1:16:39Speaker 1: you can't see it, okay.
- 1:16:41Speaker 2: Yeah, with cant go to cops and be like, this
- 1:16:44Speaker 2: fucking thing's following me.
- 1:16:46Speaker 3: I mean I did like the movie. Great, yeah, great,
- 1:16:49Speaker 3: good concepts.
- 1:16:50Speaker 1: Oh yeah, but yeah, you're right, Yeah, there's a there's
- 1:16:52Speaker 1: a yeah, just s mark it up and so at
- 1:16:55Speaker 1: least it can be seen for sake, because it can
- 1:16:57Speaker 1: only walk.
- 1:16:58Speaker 2: Yeah, it can't run after you. All you have to
- 1:17:00Speaker 2: do is get arm's length and he can't grab you.
- 1:17:02Speaker 1: That was the creepiest part, especially when she was just
- 1:17:04Speaker 1: sitting there in like the school, and then if you
- 1:17:06Speaker 1: just see that thing walking, I'm like, get the fuck
- 1:17:08Speaker 1: out of it. Yeah, the old lady. I was like, no, no,
- 1:17:10Speaker 1: I don't like this movie. That's fucking creepy. Okay.
- 1:17:13Speaker 2: I got Green doing Green Green, all right, God, here
- 1:17:20Speaker 2: we go. Within the past two decades, Hey, who directed
- 1:17:25Speaker 2: the two thousand and one film The Devil's Backbone.
- 1:17:29Speaker 1: Oh is that the move? I think I know that
- 1:17:32Speaker 1: movie sounds familiar. No, I'm thinking of Devil's Past. Never mind,
- 1:17:37Speaker 1: I've got no clue. I'm gonna say Jeremy was Jeremy.
- 1:17:43Speaker 1: That's it.
- 1:17:44Speaker 2: No, just that we were just talking about him. Too serious?
- 1:17:49Speaker 3: Oh come on, I actually, uh god, damn it.
- 1:17:53Speaker 2: I've actually been doing a del Toro fest for what
- 1:17:57Speaker 2: it can be doing. Just rewatch Pans Labor. Okay, yeah,
- 1:18:00Speaker 2: that's a that's a fun ride. I have that that
- 1:18:04Speaker 2: in Crimson Peak.
- 1:18:06Speaker 1: I think, you know, I think I bought Crimson Peak
- 1:18:08Speaker 1: for Gabby for Christmas, So I need to watch that one.
- 1:18:10Speaker 1: I don't. I don't think i've seen Pants Labyrinth. I
- 1:18:12Speaker 1: don't think it's like I said, I haven't seen some movies.
- 1:18:14Speaker 3: Pans Labyrinth is not a horror movie.
- 1:18:17Speaker 1: It's more like a fantasy sci fi, right or the
- 1:18:19Speaker 1: kind of also period the guy with the iyes right, Yeah,
- 1:18:22Speaker 1: it's also a period piece.
- 1:18:23Speaker 2: Also is one hundred percent in Spanish, like like Spain Spanish?
- 1:18:28Speaker 1: Oh is it?
- 1:18:29Speaker 3: Yeah?
- 1:18:29Speaker 1: Oh shit? No English subtitles then? Yeah? Oh shit? So
- 1:18:33Speaker 1: how the fun I can't believe I didn't even I know, Like,
- 1:18:35Speaker 1: I can't believe I didn't even like know that, Like
- 1:18:37Speaker 1: it's crazy.
- 1:18:37Speaker 3: Wow. All right, yeah, no, it's it's good movie. Good
- 1:18:40Speaker 3: watch is it?
- 1:18:41Speaker 1: You returned?
- 1:18:42Speaker 3: Yes?
- 1:18:44Speaker 1: Oh yeah, you asked me. Yeah, the Devil's back on.
- 1:18:45Speaker 3: That's right.
- 1:18:47Speaker 1: I can't say that. Okay, that's yellow, yes, all right.
- 1:18:50Speaker 1: The Burning nineteen eighty one is the film debut of
- 1:18:54Speaker 1: what Academy Award winning.
- 1:18:55Speaker 3: Actress Jane Fonda.
- 1:19:02Speaker 1: Holly Hunter.
- 1:19:03Speaker 3: Oh yeah, okay, yeah, like some of.
- 1:19:06Speaker 1: These are like right on the nose, we can get them.
- 1:19:08Speaker 3: So how so is there a Holly Hunt and a
- 1:19:11Speaker 3: Holly Hunter?
- 1:19:13Speaker 1: Oh?
- 1:19:13Speaker 3: Shit?
- 1:19:13Speaker 1: I was I was thinking, oh is there? I mean,
- 1:19:16Speaker 1: I mean I guess yeah, I was thinking of Holly Hunt.
- 1:19:19Speaker 2: I guess okay, yeah, because I was like, wouldn't she
- 1:19:23Speaker 2: like Hi young in nineteen naty Holly.
- 1:19:25Speaker 1: Let's look this up because yeah, now I was thinking
- 1:19:27Speaker 1: of exactly who you said, Holly Hunt. Okay, so yeah
- 1:19:32Speaker 1: there is there's Okay, there's Holly Hunt, and then there's
- 1:19:34Speaker 1: Holly Hunter. Okay.
- 1:19:36Speaker 2: The more you know, yeah, I fucking had no idea
- 1:19:39Speaker 2: purple and purple are we got?
- 1:19:45Speaker 3: So if you get this wrong. I'm I'm taking your
- 1:19:50Speaker 3: taking your credit.
- 1:19:51Speaker 1: Oh please don't.
- 1:19:52Speaker 2: Granted, it's the nineteen thirty two version stayed fairly the
- 1:19:56Speaker 2: same in the What is the name of the ancient
- 1:20:00Speaker 2: Egyptian character in The Mummy?
- 1:20:05Speaker 1: Emo?
- 1:20:05Speaker 3: Tap mo?
- 1:20:09Speaker 4: Yay?
- 1:20:11Speaker 1: Yeah, okay, yeah, I don't know how to spell it,
- 1:20:13Speaker 1: but yeah okay emo tap yes, okay, got it? Got it?
- 1:20:17Speaker 1: Oh and apparently no, it's just Holly Hunter. There's no
- 1:20:20Speaker 1: Holly Hunt whom we think of? What hunt?
- 1:20:23Speaker 2: There's someone Hunt Hell whatever?
- 1:20:26Speaker 1: Close enough? Okay, got it, nailed it.
- 1:20:29Speaker 3: You just listened to us lose two IQ points.
- 1:20:32Speaker 1: Yeah, we really. That was a struggle. That was a
- 1:20:34Speaker 1: real big struggle there. All right, So it's your turn
- 1:20:37Speaker 1: or is it my turn? My god? What did you
- 1:20:40Speaker 1: just it's.
- 1:20:40Speaker 3: It's my turn to roll?
- 1:20:41Speaker 1: Okay, you're turning to roll. Hit it up?
- 1:20:43Speaker 3: So three and two and a half?
- 1:20:47Speaker 1: Didn't I just get Is it still three and two
- 1:20:49Speaker 1: and a half?
- 1:20:49Speaker 3: Yeah? That that was your second one? Right?
- 1:20:51Speaker 2: No?
- 1:20:51Speaker 1: No, no, no, no, it's I'm three and a half now. Yeah. Okay, yeah,
- 1:20:54Speaker 1: I'm three and a half because I got that last one. Okay,
- 1:20:56Speaker 1: what is the red and purple pink red whatever. Okay,
- 1:21:00Speaker 1: in a voice cameo role? What acts? Okay in what
- 1:21:04Speaker 1: in a voice cameo role? What actor played the fiance
- 1:21:09Speaker 1: of protagonist Michelle in ten Cloverfield Lane twenty sixteen.
- 1:21:15Speaker 3: Huh fuck Yeah, because I paid like the most minimal
- 1:21:22Speaker 3: attention to that movie.
- 1:21:23Speaker 1: Yeah, I wasn't a huge fan Morgan Freeman, John Goodman,
- 1:21:32Speaker 1: John Goodman was. I don't know where I got Morgan from. Yeah,
- 1:21:35Speaker 1: John Goodman was great Man.
- 1:21:37Speaker 2: I'm the only one that cares about the goddamn rules. Okay,
- 1:21:43Speaker 2: give me the answer. I'll give you one hint, just
- 1:21:45Speaker 2: because it's so obscure. Uh, I don't know how to
- 1:21:49Speaker 2: give you a hint. I can tell you he was
- 1:21:52Speaker 2: one of the people in the Hangover.
- 1:21:54Speaker 3: Oh, Bradley Cooper. There you go.
- 1:21:56Speaker 1: I'll give you half of that one.
- 1:21:57Speaker 3: So there we are.
- 1:21:58Speaker 2: So I was like, I was like, Okay, it's either
- 1:22:01Speaker 2: gonna be Bradley Cooper or it's either gonna be Galfinakis.
- 1:22:06Speaker 3: I can't I don't know the names of the other
- 1:22:07Speaker 3: two Ed Helms.
- 1:22:09Speaker 1: And someone else. I don't know the other guy. Okay,
- 1:22:11Speaker 1: I'm up. We're doing yellow.
- 1:22:14Speaker 3: Notice how we have not hit a single blue or
- 1:22:16Speaker 3: a gray?
- 1:22:16Speaker 1: Yeah, that happens, yellow, right.
- 1:22:22Speaker 2: What is the nickname of the protagonist Teresa Geldman in
- 1:22:28Speaker 2: the twenty seventeen film Happy Death Day.
- 1:22:31Speaker 1: What's her name in the movie?
- 1:22:32Speaker 3: What's her nickname?
- 1:22:34Speaker 1: Oh?
- 1:22:35Speaker 3: Fuck?
- 1:22:36Speaker 1: How about I give you the name of the actress?
- 1:22:38Speaker 3: No, no, God, that doesn't count because that's not on
- 1:22:41Speaker 3: the car.
- 1:22:42Speaker 1: Damn it. What's her nickname in the movie? What the fuck?
- 1:22:46Speaker 1: All right? Does it? Wait? Does it? Did it give
- 1:22:47Speaker 1: her name on there? Yeah?
- 1:22:49Speaker 3: The protagonist Teresa Geldman?
- 1:22:52Speaker 1: Diagonist Teresa Geldman.
- 1:22:54Speaker 3: So her her name in the movie is Teresa.
- 1:22:57Speaker 1: Yeah, t a right, close Tessa. No, I don't know that.
- 1:23:03Speaker 1: It's tree. Oh that's right, son of a bitch. Speaking
- 1:23:06Speaker 1: of that movie, yeah, I love that movie.
- 1:23:09Speaker 3: It's fun.
- 1:23:10Speaker 1: Yeah, but it's groundhog Day. Well yeah, no, oh yeah,
- 1:23:15Speaker 1: I know. I'm not donem not disputing that it was.
- 1:23:17Speaker 1: It was super fun though, but I remember getting people
- 1:23:20Speaker 1: hating it so much, and then finally went to see
- 1:23:21Speaker 1: it and I was like, I love that movie.
- 1:23:23Speaker 3: It was I would not say great, I loved it.
- 1:23:27Speaker 1: It was a fun time.
- 1:23:28Speaker 3: Five out of ten, it was. It was cosmically average man.
- 1:23:33Speaker 3: In my opinion. Man, okay, fair enough, fair enough, all right,
- 1:23:38Speaker 3: you're up? All right?
- 1:23:40Speaker 1: Orange still this is the first orange I think.
- 1:23:43Speaker 2: Uh oh wait, no, that's supernatural, isn't it.
- 1:23:46Speaker 1: Uh yeah, I think I don't have the I don't
- 1:23:49Speaker 1: have the box.
- 1:23:50Speaker 3: But yeah, yeah, just give bucks to me.
- 1:23:52Speaker 1: And did you really yeah?
- 1:23:54Speaker 2: You threw it at me last time we tried to
- 1:23:56Speaker 2: record and you said, here, take this.
- 1:23:57Speaker 3: I don't want anymore.
- 1:23:58Speaker 1: Oh, fair enough, all right? What are the names of
- 1:24:01Speaker 1: the twin siblings of Thomason in The Witch twenty fifteen? Ah?
- 1:24:07Speaker 3: Fuck, that's a great movie too.
- 1:24:10Speaker 1: Yeah. That was good. That was one of the period
- 1:24:11Speaker 1: piece movies that I actually liked. Great film, won a
- 1:24:14Speaker 1: lot of awards, I think or something, dude, Zip and Zach,
- 1:24:20Speaker 1: Zip and Zach I mean not God.
- 1:24:21Speaker 2: I wish uh mercy and Jonas. I should have figured
- 1:24:28Speaker 2: it was gonna be something biblical, but I'm like, all right,
- 1:24:31Speaker 2: nebekinezzer eli.
- 1:24:33Speaker 1: Fuck.
- 1:24:35Speaker 3: I don't know.
- 1:24:35Speaker 1: I don't know, man, I don't know. Okay, we got
- 1:24:37Speaker 1: a blue. There's a blue. I think blue is is
- 1:24:40Speaker 1: the second one down. I'm pretty sure, yes, which looks
- 1:24:44Speaker 1: like great to me.
- 1:24:47Speaker 2: The remake of the Fly in nineteen eighty six was
- 1:24:51Speaker 2: a remake of the movie with the same name released.
- 1:24:54Speaker 3: In what year?
- 1:24:55Speaker 1: The Wait? The Fly in eighty seven was a was
- 1:24:57Speaker 1: a remake eighty six. Oh shit, Yeah, so that was
- 1:25:01Speaker 1: a remake of a remake of this movie that you're
- 1:25:04Speaker 1: trying that I'm trying to answer.
- 1:25:06Speaker 3: Yeah, so the Fly?
- 1:25:08Speaker 2: Yeah in sixty eight, Yeah, it was a remake of
- 1:25:11Speaker 2: The Fly in what year?
- 1:25:13Speaker 3: Oh?
- 1:25:14Speaker 4: Oh?
- 1:25:14Speaker 1: Oh, okay, sorry, sorry.
- 1:25:15Speaker 3: Gotcha, really badly worded question.
- 1:25:18Speaker 1: Yeah, I'm going to say it is there like multiple choice? No,
- 1:25:22Speaker 1: that's fucked, fucked Okay, I'm gonna say Okay, So I'm
- 1:25:26Speaker 1: gonna say nineteen forty five, No, damn it, what was it?
- 1:25:33Speaker 3: Nineteen fifty eight? You weren't horribly far off? Damn it?
- 1:25:37Speaker 2: Okay, And see I would I would have said like
- 1:25:39Speaker 2: fifty two because I watched the original and it's bad.
- 1:25:43Speaker 2: It's Croninbergie, it's definitely and all right, you're up, alrighty.
- 1:25:51Speaker 1: Alright, Oh another blue not the blue? Okay? In Hostile
- 1:25:55Speaker 1: Part two in two thousand and seven, which character survives
- 1:25:58Speaker 1: the film Whitney, Lorna or Paxston. They give you a
- 1:26:02Speaker 1: fucking option for who survived it, but not a fucking
- 1:26:05Speaker 1: option for the year. Get out of here. I'll read
- 1:26:07Speaker 1: those options again. Beth Whitney, Lorna or Paxton. Uh nice?
- 1:26:15Speaker 1: All right, so you're at four and a half.
- 1:26:16Speaker 3: Fuck yeah, because I never saw part two?
- 1:26:19Speaker 1: Oh yeah, same.
- 1:26:20Speaker 2: I think I saw one and then I saw the
- 1:26:23Speaker 2: third one, which was oddly good.
- 1:26:25Speaker 3: It was I didn't know there was a third.
- 1:26:26Speaker 1: It was super fucking gory.
- 1:26:28Speaker 2: Well because the first one, like I saw the first
- 1:26:31Speaker 2: Hostel because it came out in two thousand and five,
- 1:26:33Speaker 2: I think, yeah, yeah, so I was like seven.
- 1:26:40Speaker 1: Holy shit, that was like I was fourteen or fifteen. Yeah,
- 1:26:43Speaker 1: but that was like then the torture porn. Like that
- 1:26:44Speaker 1: was the era of torture porn. I saw that in
- 1:26:47Speaker 1: theaters on Yeah. Who brought you to that?
- 1:26:52Speaker 3: I don't remember.
- 1:26:53Speaker 2: No, Actually, nobody brought me to that because the theater that.
- 1:26:56Speaker 3: We had in our town.
- 1:26:58Speaker 1: Oh that's right, that's they were just like there, you're fine,
- 1:27:01Speaker 1: just going.
- 1:27:01Speaker 2: Well not only that, so so there's the main auditorium
- 1:27:07Speaker 2: where you can go down and sit, but if you
- 1:27:09Speaker 2: go behind the counter and up the stairs where technically
- 1:27:13Speaker 2: storage is now back during Jim Crow Laws, that was
- 1:27:16Speaker 2: where the segregation was, and it was up top next
- 1:27:20Speaker 2: to the projector.
- 1:27:22Speaker 3: So I took art classes from the original owner.
- 1:27:25Speaker 2: So whenever I paid to go see a movie, she
- 1:27:27Speaker 2: would let me go sit up top, so I would
- 1:27:30Speaker 2: get literally next to the projector and looking down it
- 1:27:35Speaker 2: was like instead of having to do that crane, I
- 1:27:38Speaker 2: get to see it directly nobody and you could put
- 1:27:41Speaker 2: your feet up on the balcony.
- 1:27:43Speaker 3: And I was terrified.
- 1:27:44Speaker 1: Oh yeah, holy shit. All right. So the craziest story, dude,
- 1:27:50Speaker 1: I swear to god. Okay, uh I think that. Yeah.
- 1:27:56Speaker 2: Fun fact about that movie theater. My buddy Kyle worked
- 1:27:59Speaker 2: there for like a number of years, and whenever I
- 1:28:02Speaker 2: would come to visit, I'd be like, yo, man, I'm
- 1:28:03Speaker 2: gonna go up watch a movie.
- 1:28:05Speaker 1: He's like, all right, free movies, man, Yeah, pretty much awesome.
- 1:28:08Speaker 3: So read uh.
- 1:28:11Speaker 2: Oh, what is the name of the fictional preserve in
- 1:28:17Speaker 2: which the titular settlement of the two thousand and four
- 1:28:20Speaker 2: film The Village set.
- 1:28:22Speaker 1: You know what's fucked up is when we when I
- 1:28:24Speaker 1: first got this, we kind of messed around with it,
- 1:28:26Speaker 1: and that was one of the fucking questions.
- 1:28:28Speaker 2: And I just watched the YouTube video about the about
- 1:28:32Speaker 2: the village too.
- 1:28:33Speaker 1: Oh my god, we sound up a bit. I don't know,
- 1:28:38Speaker 1: I'm overthinking it. The preserve, I don't know.
- 1:28:41Speaker 3: I mean that's one of the words.
- 1:28:42Speaker 1: Is it really preserved? Oh shit?
- 1:28:45Speaker 2: So give give me, give me a give me a
- 1:28:47Speaker 2: middle name, or give me a give me a middle word,
- 1:28:50Speaker 2: a middle bit, a middle bit. What do you find
- 1:28:54Speaker 2: in preserves?
- 1:28:55Speaker 1: Preserved?
- 1:28:56Speaker 3: Deer? Preserve?
- 1:28:58Speaker 1: Plame?
- 1:28:58Speaker 3: Okay? What what? What is a deer? Deer is animal?
- 1:29:02Speaker 3: But what's another word for animal? Mammal?
- 1:29:08Speaker 1: I don't know.
- 1:29:09Speaker 3: Wildlife?
- 1:29:10Speaker 1: Oh fuck, alright, preserve wildlife that's what it was.
- 1:29:13Speaker 2: No, it's it's it's walker wildlife preserve.
- 1:29:18Speaker 3: I was trying to give you the god.
- 1:29:22Speaker 1: Retarded. I am struggling mammal.
- 1:29:28Speaker 3: Not all animals are mammals.
- 1:29:33Speaker 1: Lose my mind over here?
- 1:29:34Speaker 3: All right?
- 1:29:34Speaker 1: What you got another red?
- 1:29:37Speaker 3: That's red? Oh god?
- 1:29:40Speaker 1: Okay, you get another? My god?
- 1:29:43Speaker 3: Okay.
- 1:29:43Speaker 1: And the climactic pool scene. This fucking word titular hate
- 1:29:47Speaker 1: that word entity of it follows uses what form to attack?
- 1:29:50Speaker 1: J So that scene in the end in the water
- 1:29:54Speaker 1: what what form? Yeah? The pool scene.
- 1:30:00Speaker 3: I remember much everything about that movie except for the end.
- 1:30:03Speaker 1: I just remember them throwing a bunch of ship in
- 1:30:05Speaker 1: the pool. I was about it, uh a child her father? Oh,
- 1:30:12Speaker 1: all right, we are, we're getting there. We're gonna get that.
- 1:30:14Speaker 1: We only we only do one more. Actually no, wait,
- 1:30:16Speaker 1: I'm at three and a half and you're at four
- 1:30:17Speaker 1: and a half, so you need one more.
- 1:30:18Speaker 2: So if you get one, I will give it to you,
- 1:30:20Speaker 2: and I will advance your half point to a full point.
- 1:30:23Speaker 3: Oo look at that.
- 1:30:24Speaker 1: Okay, all right, just.
- 1:30:26Speaker 3: Because it has taken way longer than it was supposed to.
- 1:30:28Speaker 2: Whatever, It's fine, you're not gonna get this awesome, That's
- 1:30:34Speaker 2: what I like to hear. In the nineteen eighty three
- 1:30:36Speaker 2: film video Drome, the Civic TV station is located in
- 1:30:40Speaker 2: what Canadian city?
- 1:30:42Speaker 1: Alberta?
- 1:30:43Speaker 3: Wrong, Toronto? There's only like three you're gonna guess?
- 1:30:50Speaker 2: Well, I know, I figured. I figured I wouldna you're
- 1:30:53Speaker 2: gonna do Vancouver Toronto or I.
- 1:30:54Speaker 1: Didn't want to do Toronto. I was like, that's probably
- 1:30:56Speaker 1: not that. I'll go with whatever.
- 1:30:58Speaker 2: Fine, So to give you an idea, any movie shot
- 1:31:03Speaker 2: in Canada shot in Toronto.
- 1:31:05Speaker 3: Yeah, it's like the Hollywood of Canada.
- 1:31:08Speaker 2: All right, fair enough, I'll remember that for next time
- 1:31:09Speaker 2: it comes up. Alright, that is blue.
- 1:31:17Speaker 1: What is the name of the sinister club which kidnaps
- 1:31:20Speaker 1: victims in the Hostile series two thousand and five to
- 1:31:22Speaker 1: twenty eleven. Oh god, it's three words, I give up,
- 1:31:30Speaker 1: give up.
- 1:31:32Speaker 3: That was not my answer, but that's my answer.
- 1:31:34Speaker 1: Least hunting Club.
- 1:31:35Speaker 3: Yeah, I would. I would have never gotten that.
- 1:31:37Speaker 2: All right, come on, let me get this one. Let
- 1:31:38Speaker 2: me get this one, yellow, Come on, come on, you're
- 1:31:46Speaker 2: fucking Oh what actress portrayed Duena Lionheart, daughter of Edward Lyonheart,
- 1:31:52Speaker 2: in the nineteen seventy three film Theater of Blood.
- 1:31:56Speaker 3: Who portrayed her?
- 1:31:57Speaker 1: Like, what was her acting with the real name?
- 1:31:58Speaker 3: Yeah? Which is the real name?
- 1:32:00Speaker 2: Oh?
- 1:32:00Speaker 1: My god? Is it anyone? Is it? Hell? And Hunt?
- 1:32:05Speaker 3: No?
- 1:32:05Speaker 1: God, damn, could you fucking imagine?
- 1:32:07Speaker 3: Oh my gosh, I would quit.
- 1:32:10Speaker 1: I have done, set these headphones down and walk doing
- 1:32:14Speaker 1: the rest of the podcast on my own. He's gone
- 1:32:16Speaker 1: out the building.
- 1:32:17Speaker 3: Uh, Diana rigg.
- 1:32:19Speaker 1: No, all right, let's do one more round apiece, like
- 1:32:21Speaker 1: one more back and forth and then, uh, you know,
- 1:32:23Speaker 1: if I don't get it, then it's over, because yeah,
- 1:32:25Speaker 1: we're at like thirty eight minutes here, Okay, Purple purple, purple, purple.
- 1:32:30Speaker 1: Well this is the win right here, so we're good.
- 1:32:33Speaker 1: And what decade does it twenty seventeen take place? Ah,
- 1:32:40Speaker 1: not the original, because the original takes place in a
- 1:32:42Speaker 1: different it did, so what decade?
- 1:32:46Speaker 3: Seventies?
- 1:32:47Speaker 1: God damn it, Corey the eighties?
- 1:32:49Speaker 3: Ah fuck?
- 1:32:50Speaker 2: Oh my gosh, okay, one more for me if I
- 1:32:54Speaker 2: can get this, I'm diviner, bro. That is like the
- 1:32:59Speaker 2: most miniscu rul of details for everything involving that franchise.
- 1:33:03Speaker 1: What what do you mean? When did it take place?
- 1:33:05Speaker 1: The eighties? That's it?
- 1:33:07Speaker 3: Yep.
- 1:33:08Speaker 1: It didn't ask for a specific year. Gave you ten
- 1:33:11Speaker 1: a little bit better. I was only like one away
- 1:33:14Speaker 1: ten technically exactly. Yeah, there you go.
- 1:33:19Speaker 3: Uh.
- 1:33:20Speaker 2: What are the three rules to the Wija board in
- 1:33:25Speaker 2: Wiga or Evil?
- 1:33:27Speaker 3: Oh?
- 1:33:27Speaker 1: Fuck? Are you ready for this ship and want to
- 1:33:29Speaker 1: blow your mind? Fuck? Okay, never play alone, always say goodbye?
- 1:33:35Speaker 3: Fuck? What's the third one?
- 1:33:37Speaker 1: Oh my god? Oh is it something about never breaking
- 1:33:42Speaker 1: the like? Oh man, God damn it, I thought I
- 1:33:46Speaker 1: knew all three. It's always always always ask if there's
- 1:33:51Speaker 1: a oh man, oh man?
- 1:33:54Speaker 2: Always okay, nonag gym.
- 1:33:59Speaker 1: Now listen, okay, okay, So yeah, I'll never play alone,
- 1:34:02Speaker 1: never play a never played a graveyard cemetery. Oh yes, boom,
- 1:34:08Speaker 1: oh my god. And technically I didn't win, but he's
- 1:34:11Speaker 1: given it to me. So there we go, Bina being
- 1:34:13Speaker 1: a boy a boom. That's one win for me. Yay,
- 1:34:15Speaker 1: because we got through like a quarter of that stuff. Yeah,
- 1:34:17Speaker 1: and it's we're at about forty minutes and we're doing.
- 1:34:20Speaker 3: A horror podcast.
- 1:34:21Speaker 1: Listen, listen. It's all good, okay. So I'm gonna end
- 1:34:24Speaker 1: with some news here. I got a bunch of stuff
- 1:34:26Speaker 1: to mention us. The Jordan Peele movie got pushed back
- 1:34:30Speaker 1: one week for reasons I have no idea why.
- 1:34:33Speaker 3: You know what, I'm kind of happy about that.
- 1:34:35Speaker 2: That means he's putting quality time into it, okay, because
- 1:34:39Speaker 2: you know that he's the one that pushed it back.
- 1:34:42Speaker 1: It has to be well fair enough because he's coming
- 1:34:44Speaker 1: out on my birthday and I'm okay with that.
- 1:34:45Speaker 3: So because everybody else wants it to come out, like now.
- 1:34:48Speaker 1: Yeah, I'm ready for that, but yeah, it's coming out
- 1:34:50Speaker 1: on my birthday. So that's March twenty second. Now that'll
- 1:34:52Speaker 1: be a Friday. Scream Factory is releasing a blu ray
- 1:34:56Speaker 1: of Green infernout now. It's already out on Blu Ray,
- 1:34:59Speaker 1: but they are doing a whole revamp of it. They're
- 1:35:01Speaker 1: doing a new slipcover, they're doing newly commissioned art, and
- 1:35:04Speaker 1: there's a limited poster of seven hundred pieces that you
- 1:35:08Speaker 1: can get if you pre order it. And there's a
- 1:35:10Speaker 1: bunch of new extras that are going to be on
- 1:35:11Speaker 1: that desk as well. That'll be announced in March. I'm
- 1:35:14Speaker 1: looking forward to that because Green Inferno is pretty fucking
- 1:35:16Speaker 1: awesome movie. I like that one. Halloween was released last Tuesday,
- 1:35:21Speaker 1: so if you don't have that, go grab that. I
- 1:35:23Speaker 1: just ordered my copy the other day. And then let's see. Oh,
- 1:35:26Speaker 1: there's a Final Final Destination reboot in the works, which
- 1:35:30Speaker 1: I'm kind of excited for. I mean, you know, it's
- 1:35:33Speaker 1: supposed to be a reimagining. It's the sixth installment, and yet,
- 1:35:37Speaker 1: like I said, it's a reimagining according to New Line.
- 1:35:40Speaker 1: Also the writers for this one, New Line's still doing it.
- 1:35:43Speaker 1: Oh yeah, And the writers for this one have done
- 1:35:45Speaker 1: Foresaw movies, The Collector and the new adaptation of the
- 1:35:48Speaker 1: Scary Scary Stories to Tell.
- 1:35:50Speaker 3: In the Dark.
- 1:35:51Speaker 2: So I am in for that, Okay, I'm in for that,
- 1:35:54Speaker 2: all right, I'm down, like I will definitely check that out.
- 1:35:56Speaker 3: But see, I don't know if i'll like it as much.
- 1:35:58Speaker 2: If they don't keep at nineties well aesthetic to.
- 1:36:04Speaker 1: It, well we'll have to hope they do, because it's
- 1:36:06Speaker 1: said it does say sixth and I mean, so I'm hoping.
- 1:36:08Speaker 1: I don't know if it's gonna be it'say reboot, so
- 1:36:10Speaker 1: it doesn't say like they're redoing the first one, but
- 1:36:13Speaker 1: I don't know if they're gonna continue. I don't think
- 1:36:14Speaker 1: I saw what, So there's I don't think I saw five.
- 1:36:17Speaker 1: I saw one through four, but I don't think I saw.
- 1:36:19Speaker 3: I was the one that's in three D.
- 1:36:21Speaker 1: That was when they were doing that whole three D
- 1:36:23Speaker 1: era of like everything's in three D. Like great, So
- 1:36:26Speaker 1: I'm kind of excited for that. There's no more to watch. Yeah,
- 1:36:29Speaker 1: I'll definitely give it a watch. And I don't know,
- 1:36:30Speaker 1: there's nothing, no more information besides it's just in the works,
- 1:36:33Speaker 1: So I'm excited for that. The trailer for Velvet Buzzsaw
- 1:36:36Speaker 1: is out and that's actually on Netflix, and that's going
- 1:36:39Speaker 1: to be released on two or February first, which is
- 1:36:42Speaker 1: a straight to next Netflix film. I'm pretty excited about
- 1:36:45Speaker 1: that one. It's got Jake, Jillen Hall, and Tony Collette,
- 1:36:47Speaker 1: so I'm already on.
- 1:36:48Speaker 3: Board with that.
- 1:36:48Speaker 1: Okay, yeah cool. I saw that and I was like,
- 1:36:51Speaker 1: I'm down.
- 1:36:52Speaker 3: More for less, less for Jill, but I like see.
- 1:36:56Speaker 1: I like Jillen Hall, and uh, Nightcrawler. I thought he
- 1:36:59Speaker 1: was okay, So if he's going to bring that to
- 1:37:02Speaker 1: the table, I forget that movie exists.
- 1:37:04Speaker 2: Yeah, that movie so far under the radar sometimes, but yeah, no,
- 1:37:08Speaker 2: it's a great film, just because everybody has such a
- 1:37:10Speaker 2: bad taste in their mouth from Suicide Squad.
- 1:37:13Speaker 1: Yeah wait, Jill and Hobinson Suicide Squad.
- 1:37:16Speaker 2: Okay, yeah, I was about to say, I was like,
- 1:37:18Speaker 2: wait a second, yeah, yeah, Her Dark.
- 1:37:21Speaker 1: Yeah.
- 1:37:21Speaker 2: I didn't even see that one just because of I
- 1:37:22Speaker 2: heard nothing good about it, Like, not one good thing.
- 1:37:26Speaker 1: So we'll just forget that movie. Let's see. Ghostbusters three
- 1:37:30Speaker 1: has been announced from Jason Wrightman. He's writing it or
- 1:37:34Speaker 1: doing something with it. There's no cast yet, but all
- 1:37:36Speaker 1: the original cast said that they were down so ackroyd Uh,
- 1:37:40Speaker 1: the other guys I can't remember right now?
- 1:37:42Speaker 3: How can you forget Bill Murray?
- 1:37:44Speaker 2: Now?
- 1:37:44Speaker 1: Bill Mooy, dan Ackroyd and then Ernie Ernie something, Yeah,
- 1:37:49Speaker 1: that guy, that dude. So they said they're all down
- 1:37:51Speaker 1: for it, and I'm like, okay, let's do that, because
- 1:37:54Speaker 1: I've always wondered why they never did a third one.
- 1:37:56Speaker 1: You know, they one and two and then they kind
- 1:37:57Speaker 1: of just stopped. You figured they were gonna do a
- 1:37:59Speaker 1: third one.
- 1:37:59Speaker 2: But is only zool There is no day. No, Actually,
- 1:38:02Speaker 2: my dog's name is a fun fact. I'm not even kidding.
- 1:38:06Speaker 1: And then lastly, Happy Death Day Too was slated to
- 1:38:09Speaker 1: come out the fourteenth of February, on Valentine's Day, but
- 1:38:13Speaker 1: a dad who lost his daughter in the Parkland school
- 1:38:17Speaker 1: shootings tweeted at Universal because that's the anniversary of the shooting.
- 1:38:21Speaker 1: It happened on Valentine's Day twenty eighteen. Really yeah, so
- 1:38:25Speaker 1: he tweeted at Universal asking them to move the date
- 1:38:28Speaker 1: because although it's not a movie about school shooting, having
- 1:38:31Speaker 1: the title of Happy Death Day to you was like,
- 1:38:34Speaker 1: you know, it's just kind of a sensitive time.
- 1:38:36Speaker 3: And it takes place in a college.
- 1:38:38Speaker 1: Yeah, so even though it's not about a school shooting,
- 1:38:40Speaker 1: Universal obliged too. They were like, yeah, we'll move it
- 1:38:42Speaker 1: up to the thirteenth, and then they're not even gonna
- 1:38:44Speaker 1: show it in the Parkland area. So I was like, oh,
- 1:38:45Speaker 1: that's pretty cool. Good, good job Universal, Universal, that's good moves. Yeah,
- 1:38:49Speaker 1: that's not bad. So that's all my news. I think
- 1:38:51Speaker 1: you said you had one thing or something.
- 1:38:53Speaker 3: No, nope, we talked about the movie earlier. Movie followed.
- 1:39:00Speaker 2: In the beginning, So that was like your news basically, Yeah,
- 1:39:03Speaker 2: pretty much.
- 1:39:04Speaker 3: I don't have a whole lot of horror news.
- 1:39:06Speaker 1: That's fine. I follow all this shit on Facebook and
- 1:39:08Speaker 1: then I'll just save it and then i'll write it down.
- 1:39:10Speaker 1: Plus all this stuff is it's probably old news by now,
- 1:39:12Speaker 1: but I'm letting everyone know just in case you don't
- 1:39:15Speaker 1: follow all the stuff that I do.
- 1:39:16Speaker 2: So first I've heard it. It's new to me exactly.
- 1:39:19Speaker 2: So that was that's pretty much it we did. God,
- 1:39:22Speaker 2: we did almost two hours, which is fucking awesome. So
- 1:39:25Speaker 2: this will be part one and part two. Part one
- 1:39:27Speaker 2: will be on SoundCloud and then once we get over
- 1:39:29Speaker 2: to iTunes and all that shit, it'll all be one giant.
- 1:39:31Speaker 3: Episode, proper podcast length. My friend.
- 1:39:33Speaker 1: Yeah man, So that is the end of episode three.
- 1:39:36Speaker 1: I'm gonna have Corey back on frequently. Because I felt
- 1:39:39Speaker 1: like this went very well.
- 1:39:40Speaker 3: I feel like it went quite well as well.
- 1:39:42Speaker 1: So next week will be I guess This Saturday is
- 1:39:45Speaker 1: gonna be me and Gabby and my buddy Will. We're
- 1:39:47Speaker 1: gonna do some ghost stuff. We're gonna talk about ghost stories,
- 1:39:51Speaker 1: ghost ship, all this ghost stuff. Oh and Unsane ghost
- 1:39:54Speaker 1: Ship the movie. Yes, all right, we're gonna do all
- 1:39:56Speaker 1: this ghost stuff. So that's gonna be the next episode.
- 1:39:59Speaker 1: And I think movie, uh yeah, And I just recently
- 1:40:02Speaker 1: saw that, so I'm agreed. I'm excited to talk about
- 1:40:04Speaker 1: that one. So that'll be on February second. That's where
- 1:40:07Speaker 1: we're gonna record that one. So I guess in the meantime,
- 1:40:10Speaker 1: stay tuned and stay
- 1:40:11Speaker 2: Spooky, stay spooky, and always sleep at the lights on,
- 1:40:15Speaker 2: always