Latest / CelinaSpookyBoo / We Saw A GHOST At The Driskill Hotel PART TWO W__kallmekris
Transcript
- 0:00Speaker 1: We're in Austin, Texas at the Driscoll Hotel.
- 0:02Speaker 2: We've had a paranormal experience we didn't know until we
- 0:04Speaker 2: read this. Took her body out of here pretty quick.
- 0:07Speaker 3: Oh my god, what's that, what's that, what is that?
- 0:08Speaker 2: I welcome you to touch my hand.
- 0:12Speaker 4: Chris, Chris, Chris, Chris.
- 0:44Speaker 1: I thought I was wearing the dress. We thought we
- 0:46Speaker 1: were wearing the dress. So this is the Jim Hogg room.
- 0:59Speaker 5: President LBJ, during his legislative career, he lived here kind
- 1:02Speaker 5: of unofficially. And then once he was president, anytime he
- 1:04Speaker 5: was back in Austin, he would come stay here. So
- 1:07Speaker 5: LBJ suite is right behind us. And that was the
- 1:09Speaker 5: room he stayed in. And this room connected.
- 1:12Speaker 6: At the time there was a corridor that connected the
- 1:14Speaker 6: two rooms.
- 1:15Speaker 5: So he used this as his like meeting and office space.
- 1:19Speaker 7: Yeah.
- 1:19Speaker 5: So in here is where he watched the successful results
- 1:22Speaker 5: of his 1948 Senate run.
- 1:24Speaker 2: As well as the 64 presidential election.
- 1:27Speaker 5: And then also in this room, the 1934 Texas Rangers
- 1:30Speaker 5: convened before ambushing Bonnie and Clyde.
- 1:32Speaker 2: What?
- 1:34Speaker 8: What?
- 1:35Speaker 2: Oh, my God. Okay, cool. Yeah.
- 1:38Speaker 9: Cool.
- 1:38Speaker 10: I know.
- 1:38Speaker 8: I hear that they, like, the president and his wife, like,
- 1:41Speaker 8: some people, like, have... seeing them like hanging out here
- 1:43Speaker 8: and stuff. Cause I love to stay here.
- 1:45Speaker 2: They did.
- 1:45Speaker 1: So they also had their first date in the grill.
- 1:47Speaker 2: Yeah.
- 1:48Speaker 11: Right.
- 1:48Speaker 2: Oh my God.
- 1:49Speaker 12: It's amazing.
- 1:50Speaker 2: Yeah.
- 1:51Speaker 5: And there's actually a really sweet letter over there in
- 1:53Speaker 5: the corridor or in the now corridor, from Lady Bird
- 1:58Speaker 5: from December 31st, 1999.
- 2:00Speaker 2: And she's just talking about.
- 2:01Speaker 5: Like all the special times they had at the Driscoll
- 2:04Speaker 5: and how much this place means to them. And like,
- 2:06Speaker 5: it's the sweetest letter of all time. I had some
- 2:09Speaker 5: guests in the LBJ suite.
- 2:11Speaker 3: Telling me about, they heard some mysterious knocking kind of
- 2:15Speaker 3: inside the wall.
- 2:15Speaker 5: But yeah, so just LBJ and Lady Bird.
- 2:19Speaker 13: Like that?
- 2:21Speaker 2: Like the knocking would just hurt. What was it? I
- 2:24Speaker 2: don't know. That was knocking him out. Where is it?
- 2:26Speaker 2: That was so f * * * ing weird. Are
- 2:28Speaker 2: they from, like, right here? Are there people in the
- 2:30Speaker 2: suite right now? Because I heard them right there.
- 2:32Speaker 12: The room got hot, so I don't even know.
- 2:35Speaker 2: If you can sit back here.
- 2:38Speaker 14: Oh.
- 2:38Speaker 2: We can't sit here. What's right behind right here? Yeah,
- 2:41Speaker 2: that's all right.
- 2:41Speaker 5: So right there is, that would be the, like, hallway
- 2:44Speaker 5: in LBJ Suite.
- 2:45Speaker 9: Yeah, no, I heard that.
- 2:47Speaker 2: That's right over in the standout. Oh, so like the letters? Yeah, yeah, yeah.
- 2:55Speaker 12: That's what I was talking about from the lady. So
- 2:56Speaker 12: this is where the staff would have come from.
- 2:58Speaker 2: Wow. Okay. Might be for pooping.
- 3:08Speaker 12: I think it's a miscellaneous shirt.
- 3:09Speaker 2: I think it's for pooping. Oh, so nice.
- 3:12Speaker 15: Say it.
- 3:14Speaker 16: Oh, Jesus.
- 3:15Speaker 2: It's good here. We'll up to date. We'll up to date.
- 3:17Speaker 8: Oh, sorry, sorry.
- 3:18Speaker 2: I'll ease up. I'll be gentle. I don't even work here. Oh,
- 3:22Speaker 2: what the.
- 3:23Speaker 8: Can you just push me for a second?
- 3:27Speaker 14: Oh, yeah.
- 3:28Speaker 4: Like, oh, I'm not, oh, oh.
- 3:34Speaker 12: But Adam is having his governor. Doesn't have a one.
- 3:37Speaker 2: Governor, have we won the election?
- 3:40Speaker 5: No.
- 3:40Speaker 2: No, we should have a campaign. We're going to Hogwarts.
- 3:43Speaker 12: We're going through the wall.
- 3:46Speaker 2: It's not comfortable, I'll tell you that. This way would
- 3:49Speaker 2: be better. Oh, you've been on that before.
- 3:51Speaker 17: Oh my, oh my.
- 3:52Speaker 12: God, this is terrifying.
- 4:03Speaker 2: And that was the Christina Cosa.
- 4:05Speaker 12: Christina Coochie Coaster.
- 4:07Speaker 2: Coaster.
- 4:08Speaker 12: Christina Coochie Coaster.
- 4:10Speaker 8: Hello, and right now we are in front of a
- 4:12Speaker 8: portrait of James Stephen Hogg. A man who once sat
- 4:16Speaker 8: in his very room with his wife, watching his election.
- 4:19Speaker 2: The presidential election. And he won. And he won, and
- 4:22Speaker 2: he was not British, despite my accent right now. Wasn't he?
- 4:25Speaker 11: No.
- 4:26Speaker 2: I've been misinformed.
- 4:27Speaker 9: He is.
- 4:28Speaker 2: I just want no one to rush off and try
- 4:29Speaker 2: and get a seat. I don't think there's enough chairs
- 4:31Speaker 2: in here. I don't think so either. Definitely.
- 4:34Speaker 9: Yep.
- 4:34Speaker 8: I was going to say definitely don't pan to your
- 4:36Speaker 8: right or your left.
- 4:37Speaker 3: When we were here earlier, we were learning the history
- 4:39Speaker 3: of this room and we literally heard a knock over
- 4:42Speaker 3: here on this wall.
- 4:44Speaker 2: Um, but yeah, so I just, I'll be doing a
- 4:45Speaker 2: lady bird like that.
- 4:46Speaker 3: So we're gonna use some of our equipment and we
- 4:48Speaker 3: might as well just like see if there's something in here.
- 4:50Speaker 2: We have a flashlight set up. We have some dowsing rods.
- 4:52Speaker 2: We're going to ask some questions and um, It feels president.
- 4:59Speaker 2: It does feel like that. It feels like some of
- 5:01Speaker 2: this went on in here. It does. That was probably consensual,
- 5:05Speaker 2: maybe paid for.
- 5:06Speaker 18: Just saying.
- 5:07Speaker 2: Let's ask about it. We have two sets. Can you
- 5:23Speaker 2: grab me those set? You do it with me?
- 5:25Speaker 11: Yeah, sure.
- 5:25Speaker 4: I don't know.
- 5:26Speaker 2: I've never done this before. You're going to hold them. Yeah.
- 5:32Speaker 2: You don't want to touch the bottom part or the
- 5:34Speaker 2: top part.
- 5:35Speaker 8: Okay.
- 5:35Speaker 2: You want to set your, your arms so they're, they're
- 5:37Speaker 2: perfectly straight.
- 5:38Speaker 13: So.
- 5:38Speaker 2: Okay.
- 5:39Speaker 9: This.
- 5:40Speaker 2: And they're supposed to be pointing down.
- 5:41Speaker 3: Yeah.
- 5:41Speaker 2: You want to point it down a bit.
- 5:43Speaker 8: Sorry.
- 5:44Speaker 2: Oh my God.
- 5:45Speaker 11: Dear Lord.
- 5:46Speaker 2: And then bend it.
- 5:47Speaker 13: Goodness.
- 5:47Speaker 2: I wish my husband's. Remember one like that. I'm not crazy.
- 5:53Speaker 2: People don't know yet. I don't know. Who are you today?
- 5:56Speaker 12: Don't worry about it.
- 5:57Speaker 2: Flashlights on.
- 5:58Speaker 11: Oh.
- 5:59Speaker 2: Oh, do they like our skits?
- 6:01Speaker 8: Probably.
- 6:02Speaker 2: So, they were proper. They were proper.
- 6:05Speaker 13: Teach me. Let's ask quick.
- 6:06Speaker 8: Sure.
- 6:07Speaker 2: Can you turn that back off for us, if you're here?
- 6:12Speaker 2: Is this Jim Hogg? You tapped it once. Can you
- 6:18Speaker 2: tap it to.
- 6:18Speaker 16: Turn it off?
- 6:20Speaker 19: All right, we'll leave you with it.
- 6:21Speaker 4: Okay.
- 6:22Speaker 2: Relax it with the lights on. So, you want to
- 6:24Speaker 2: steady your arms.
- 6:24Speaker 11: Okay.
- 6:26Speaker 2: So, if it crosses... Oh.
- 6:29Speaker 11: Oh.
- 6:30Speaker 2: Sorry, he likes it with the lights on. I think
- 6:31Speaker 2: they're excited for a bit of communication. I think so.
- 6:34Speaker 2: I think they like mine. What were we saying? Right
- 6:35Speaker 2: when it turned off. You were telling him how to
- 6:37Speaker 2: use it. And I said he likes it with the
- 6:39Speaker 2: lights on. So they cross. That's yes.
- 6:43Speaker 3: If they pull apart. So I try not to hold
- 6:45Speaker 3: them down too, too much. Because then that's hard. So
- 6:48Speaker 3: you want to keep them up just at the tiniest
- 6:49Speaker 3: bit of angle.
- 6:50Speaker 2: So cross is going to be for yes.
- 6:52Speaker 11: Okay.
- 6:54Speaker 2: Remember we said yes both times. They turn on. And
- 6:56Speaker 2: then when it pulls apart like that, that is going
- 6:58Speaker 2: to mean no.
- 6:58Speaker 12: Okay.
- 6:59Speaker 3: Sometimes your body can influence it a little bit. There's
- 7:01Speaker 3: a lot of, that's why some people speculate a lot
- 7:02Speaker 3: about these.
- 7:03Speaker 2: Oh, it's your body. And if you get a question,
- 7:05Speaker 2: so you want to keep it as still as possible,
- 7:06Speaker 2: but you can reset. I give them a little shake.
- 7:08Speaker 8: Okay.
- 7:09Speaker 2: What'll be interesting is if they do the same thing. Okay.
- 7:12Speaker 2: James Hogg. Okay. Are you here?
- 7:34Speaker 3: If you're here.
- 7:35Speaker 2: Oh, I want to sit here.
- 7:37Speaker 9: I know.
- 7:38Speaker 2: If you're here and set up a flashlight, can you
- 7:43Speaker 2: cross one of our rods? I am not moving. Is
- 7:58Speaker 2: there anyone else here with us? Oh, you got to cross.
- 8:04Speaker 13: Okay, shake it up.
- 8:05Speaker 11: Okay.
- 8:09Speaker 2: James!
- 8:09Speaker 8: I feel like he likes when I talk in an accent.
- 8:15Speaker 3: If you like the flashlight so much, could you turn
- 8:18Speaker 3: it on for us.
- 8:18Speaker 9: Again, please?
- 8:22Speaker 2: Or cross one of these dowsing rods. That's not James.
- 8:29Speaker 2: To spirits who is... Oh, if it's not James.
- 8:33Speaker 13: Just.
- 8:33Speaker 3: Spirits in this room, if you cross the bars, it
- 8:35Speaker 3: means yes.
- 8:35Speaker 2: If you pull them apart, it means no. Is there
- 8:40Speaker 2: another spirit with us right now?
- 8:45Speaker 9: Oh, yeah.
- 8:48Speaker 19: So maybe a different spirit?
- 8:55Speaker 10: Well, are you the spirit who knocked on the wall earlier?
- 9:04Speaker 10: Mine's moving, mine's moving, mine's moving, too.
- 9:06Speaker 9: Oh, my.
- 9:11Speaker 11: God.
- 9:11Speaker 2: Okay, well, were you someone close to Jim Hogg?
- 9:17Speaker 12: Yes.
- 9:19Speaker 2: I have a theory here.
- 9:20Speaker 9: Okay.
- 9:21Speaker 2: Are there many spirits in this room right now? Feel
- 9:26Speaker 2: free to either turn the flashlight off.
- 9:29Speaker 17: What?
- 9:29Speaker 2: I saw the ball move.
- 9:32Speaker 9: Flash it off.
- 9:34Speaker 12: There are literally so many people in here right now.
- 9:37Speaker 2: Gooseys. How far did the bomb move?
- 9:40Speaker 6: Half an inch.
- 9:42Speaker 12: Okay.
- 9:43Speaker 2: They get rolled. Nothing's happened, but we're not communicating with them.
- 9:46Speaker 2: The flashlight hasn't changed. Deserets haven't moved.
- 9:48Speaker 4: Okay.
- 9:51Speaker 2: Samantha, are you in this room?
- 9:54Speaker 18: Good question.
- 10:02Speaker 4: Question.
- 10:03Speaker 2: Mine moved. Are they going in or out? The left
- 10:08Speaker 2: one went in. Mine crossed.
- 10:13Speaker 4: Oh.
- 10:14Speaker 17: Okay.
- 10:14Speaker 2: A lot of really cool things happened in here. Do
- 10:20Speaker 2: you like to relive times?
- 10:22Speaker 9: Oh, whoa.
- 10:23Speaker 2: Immediately. That's creepy.
- 10:26Speaker 19: Immediately.
- 10:29Speaker 2: Do you enjoy all the people that come and go
- 10:31Speaker 2: from the hotel?
- 10:39Speaker 4: Oh, mine went out.
- 10:41Speaker 9: No.
- 10:41Speaker 11: Okay.
- 10:43Speaker 2: Okay.
- 10:43Speaker 4: I could get that, right?
- 10:46Speaker 20: Yeah.
- 10:46Speaker 2: Things have changed. Things have changed. We don't live in
- 10:49Speaker 2: a grandiose time like we used to. Do you know
- 10:51Speaker 2: what I mean?
- 10:52Speaker 9: Yeah.
- 10:54Speaker 8: Oh.
- 10:56Speaker 2: I agree. Do you think the people nowadays are quite boring?
- 10:59Speaker 2: Or annoying?
- 11:03Speaker 8: Are we annoying you by being here?
- 11:07Speaker 11: Oh. No.
- 11:12Speaker 16: No.
- 11:14Speaker 2: So that's good, right? Yeah, we're not annoying them. Okay,
- 11:17Speaker 2: so maybe we're welcome here.
- 11:18Speaker 19: Okay, that's cool.
- 11:19Speaker 2: Do you like politics today? Oh, I'm separating. Are you separating?
- 11:32Speaker 2: Slightly on the left.
- 11:33Speaker 3: Are there any bad spirits in this hotel that you
- 11:37Speaker 3: know of?
- 11:44Speaker 13: I feel like my inner inching apart a little bit.
- 11:47Speaker 14: They both did.
- 11:48Speaker 2: Oh, did they both did?
- 11:49Speaker 4: They both did, yeah.
- 11:50Speaker 16: That's good.
- 11:51Speaker 2: Okay, so it's night.
- 11:52Speaker 9: Not bad.
- 11:53Speaker 2: Not bad.
- 11:54Speaker 8: We're in a friendly, ghosty hotel, which is what we
- 11:57Speaker 8: felt when we both walked in here. And even Jay, like,
- 11:59Speaker 8: everybody was like.
- 12:00Speaker 2: Not all places got to be dark, baby.
- 12:02Speaker 11: No.
- 12:02Speaker 2: Did somebody die in this room?
- 12:05Speaker 17: Oh.
- 12:06Speaker 8: Oh.
- 12:06Speaker 16: A resounding no on my side.
- 12:09Speaker 20: Wow.
- 12:10Speaker 2: That's like an automatic response. Was there a legal activity
- 12:14Speaker 2: that went on in this room?
- 12:15Speaker 4: I don't know if that was me, but those have
- 12:24Speaker 4: crossed as this is going to be yes.
- 12:25Speaker 9: Okay.
- 12:26Speaker 8: Can you turn off the light if you don't want
- 12:28Speaker 8: to be here, if you had any negative experience in
- 12:30Speaker 8: this room?
- 12:32Speaker 11: Huh.
- 12:34Speaker 14: Oh. Oh.
- 12:35Speaker 2: Oh, my good Lord God. I'm goosebumped all over. Okay.
- 12:39Speaker 2: This was supposed to be like a men's club at
- 12:41Speaker 2: some point. Well, it was a bathhouse at one point,
- 12:44Speaker 2: wasn't it?
- 12:44Speaker 13: I think so.
- 12:50Speaker 2: Are the ghosts of this hotel happy that people come
- 12:55Speaker 2: and still visit it?
- 13:09Speaker 3: That's so sweet though it is actually just turned on
- 13:14Speaker 3: double confirmation double.
- 13:15Speaker 2: Confirmation do you think we're weirdos don't cross okay all
- 13:29Speaker 2: right all right is there.
- 13:31Speaker 8: Any remnants of a spirit of bonnie or clyde here
- 13:35Speaker 8: Does any other spirit know Bonnie Clyde?
- 13:37Speaker 2: Okay, that's interesting.
- 13:40Speaker 16: How does one.
- 13:41Speaker 2: Rob a bank?
- 13:47Speaker 13: Oh no.
- 13:47Speaker 8: Oh.
- 13:51Speaker 2: Chris, that's terrifying. I'm not going to. Chris, have you
- 13:54Speaker 2: robbed a bank? Wait, there'll be po-pos in this room.
- 13:58Speaker 2: All right, po-pos. Do you think Chris is up to
- 14:01Speaker 2: no good?
- 14:02Speaker 8: No.
- 14:04Speaker 2: Maybe that's just like a really big no-no to talk
- 14:06Speaker 2: about here.
- 14:07Speaker 19: Maybe they don't even, you know.
- 14:09Speaker 2: That was wild. I wasn't moving at all. Has someone
- 14:14Speaker 2: robbed up a lot of money here? That could be
- 14:17Speaker 2: really cool.
- 14:18Speaker 12: Crime happened here.
- 14:19Speaker 2: Oh, my Jesus. Mine haven't done this. Whoa, okay. What's up, Jamie?
- 14:30Speaker 13: I'm getting here.
- 14:32Speaker 17: I'm getting here.
- 14:33Speaker 2: Oh my god, is that a shit in your pocket?
- 14:37Speaker 2: How long have you been walking around with a shit
- 14:38Speaker 2: in your pocket? Sometimes you just need to know when
- 14:41Speaker 2: to be prepared.
- 14:42Speaker 19: Oh my god.
- 14:43Speaker 8: Here.
- 14:43Speaker 19: I think it's funny, I think.
- 14:47Speaker 11: Oh!
- 14:48Speaker 2: Do you like my poo-poo shenanigans? Ew, it looks so real.
- 14:52Speaker 4: You do?
- 14:54Speaker 2: Don't encourage her, please. I also have It turned off.
- 14:57Speaker 2: It got excited. I have liquid ass. No, it smells
- 15:01Speaker 2: so bad. I have it too. I bring this everywhere
- 15:04Speaker 2: I go.
- 15:05Speaker 12: Why?
- 15:05Speaker 2: Because you just don't know.
- 15:06Speaker 3: Have you never been in a scenario where someone's being
- 15:09Speaker 3: an asshole, but you don't have the balls to say something?
- 15:12Speaker 3: Like all the time they say something and then you
- 15:14Speaker 3: lay in bed. So then you go back in the
- 15:16Speaker 3: situation and as you go by, you spray it and
- 15:18Speaker 3: then you go, was that you?
- 15:21Speaker 2: You've never done that?
- 15:22Speaker 9: You know what?
- 15:23Speaker 16: Can't say I have.
- 15:25Speaker 2: Oh, I do it every week. That's why I always
- 15:26Speaker 2: have this with me. You don't smell it?
- 15:29Speaker 8: No, I've smelled it before because I've ordered it on
- 15:31Speaker 8: Amazon because I literally am you.
- 15:35Speaker 10: No, I can't.
- 15:35Speaker 2: Wait, gotta ask the flashlight.
- 15:37Speaker 3: If you want me to spray liquid ass, turn the
- 15:40Speaker 3: flashlight off.
- 15:42Speaker 13: I hate you.
- 15:45Speaker 2: I hate you. Do it somewhere else. Walk somewhere near me.
- 15:47Speaker 2: I don't want to smell like it. Walk through my
- 15:48Speaker 2: liquid ass. Walk through my liquid ass. No, you must.
- 15:52Speaker 1: Okay.
- 15:53Speaker 2: No, we have to hide.
- 15:55Speaker 12: Yes, ma'am.
- 15:57Speaker 2: The ghost literally asked me, though. Who will walk through
- 15:59Speaker 2: the liquid ass?
- 16:00Speaker 11: Okay.
- 16:01Speaker 12: I don't want to smell like ass.
- 16:04Speaker 2: The ghost asked.
- 16:05Speaker 12: Just smell the hole.
- 16:09Speaker 2: Smell the hole.
- 16:10Speaker 12: And so she's... Smell the hole.
- 16:16Speaker 2: You don't say that before you smell. I'm going to
- 16:18Speaker 2: smell the hole. Just smell the hole. Smell the hole.
- 16:21Speaker 2: It literally smells like an asshole. It smells like my
- 16:26Speaker 2: dog's prayer.
- 16:27Speaker 12: Don't spray it.
- 16:28Speaker 2: Okay, we'll just get everybody to smell it.
- 16:31Speaker 12: I just did.
- 16:31Speaker 2: Hold on.
- 16:35Speaker 21: Okay, Taylor.
- 16:37Speaker 2: You're going to smell it. I know he's going to.
- 16:39Speaker 7: Okay, Taylor.
- 16:40Speaker 8: What?
- 16:42Speaker 2: Just smell it. Jay, you're going to want to see
- 16:44Speaker 2: this because this boy can't handle shit. Come in here.
- 16:47Speaker 2: Am I wrong?
- 16:48Speaker 4: I'm gay.
- 16:49Speaker 13: I have to handle shit.
- 16:50Speaker 2: I was going to say this is unfortunate.
- 16:52Speaker 3: It's so exciting for you to smell this.
- 16:58Speaker 14: No.
- 16:58Speaker 11: Okay.
- 16:59Speaker 2: I want to hold the turd while he smells it.
- 17:02Speaker 8: Take this.
- 17:02Speaker 17: Okay.
- 17:03Speaker 2: So look at this. Are you excited for this? Turn
- 17:06Speaker 2: the flashlight off if you want him to smell it
- 17:07Speaker 2: right now. You want to smell it?
- 17:12Speaker 19: All right, ready?
- 17:13Speaker 2: Remember this, look at this. Okay, get it in your brain.
- 17:16Speaker 2: I want you to breathe deep, okay?
- 17:17Speaker 3: You ready to get a big sniff?
- 17:19Speaker 2: Okay, ready?
- 17:20Speaker 11: Ready?
- 17:25Speaker 2: Oh my God. Oh my God. That smells like after
- 17:29Speaker 2: a hot day, you put your hands down in your pants.
- 17:31Speaker 1: Don't.
- 17:33Speaker 20: Don't.
- 17:33Speaker 12: Not smelling it.
- 17:35Speaker 8: Sharina.
- 17:37Speaker 12: You're metastasizing!
- 17:38Speaker 11: No!
- 17:39Speaker 12: No!
- 17:40Speaker 11: No! No!
- 17:41Speaker 2: It's like you don't want to!
- 17:42Speaker 12: I do.
- 17:48Speaker 2: Not understand!
- 17:50Speaker 12: Well, you have to keep doing it! I have goosebumps!
- 17:53Speaker 19: Sorry.
- 17:53Speaker 2: On one side. Look at my Goosey.
- 17:56Speaker 12: He has Gooseballs! I shaved my arms.
- 18:00Speaker 2: And it's hot as balls in here.
- 18:02Speaker 5: Sorry.
- 18:03Speaker 2: It's not like super warm, but it's too hot for Goosey.
- 18:06Speaker 2: So this is the Maximilian Room. And the big story
- 18:08Speaker 2: in this room starts in 1850.
- 18:10Speaker 5: Ferdinand Maximilian was chosen to be the figurehead for the.
- 18:13Speaker 6: French puppet regime in Mexico.
- 18:14Speaker 13: But he needed a wife.
- 18:15Speaker 2: He married Princess Charlotte of Belgium. Very cute.
- 18:18Speaker 3: They got married.
- 18:18Speaker 5: Charlotte changed her name to Carlotta, so they became.
- 18:21Speaker 2: Emperor and Empress, you know, Ferdinand and Carlotta, Maximilian. Okay.
- 18:25Speaker 22: Set sail for Mexico.
- 18:26Speaker 2: Do you feel the floor moving? I thought it was working.
- 18:29Speaker 7: The vibrating?
- 18:30Speaker 2: Yeah. I feel the sway. I feel very connected.
- 18:35Speaker 8: Definitely have an investigation in this room, absolutely.
- 18:38Speaker 2: So, married, set sail to Mexico.
- 18:40Speaker 5: Things went very well for them for a very short
- 18:42Speaker 5: period of time, because shortly after they arrived, Benito Juarez
- 18:45Speaker 5: started becoming powerful locally. And so the French court decided
- 18:49Speaker 5: that it just kind of wasn't worth it for them
- 18:50Speaker 5: to try to hold on to this regime that was
- 18:52Speaker 5: so far away. Someone else was becoming more powerful, so
- 18:55Speaker 5: they pulled their support. which was obviously bad news for
- 18:57Speaker 5: Ferdinand and Carlotta. So Carlotta set sail. She went back
- 19:00Speaker 5: to Europe and she was like, if I can talk
- 19:01Speaker 5: to the French court in person, maybe I can like
- 19:03Speaker 5: get that support back. But the French court refused to
- 19:05Speaker 5: see her at all. So she went to Italy. She
- 19:08Speaker 5: was waiting audience with the Pope when she got news that, um,
- 19:11Speaker 5: one of his troops had overtaken the palace and executed
- 19:13Speaker 5: Ferdinand before a firing squad.
- 19:16Speaker 20: Yeah.
- 19:17Speaker 5: Obviously devastating. She lived the rest of her life in
- 19:20Speaker 5: kind of sadness, solitude. She never returned to the Americas.
- 19:23Speaker 5: But later in life, she learned about a belated wedding
- 19:25Speaker 5: gift for a man to her that had been on
- 19:27Speaker 5: its way to the palace when she left.
- 19:28Speaker 2: And it was these eight years. Oh my gosh. That's her.
- 19:32Speaker 8: Yeah.
- 19:33Speaker 11: Wow.
- 19:34Speaker 5: So each one, obviously, ornately detailed. They're diamond dusted. And
- 19:38Speaker 5: then each one is crowned with the bust of Carlotta herself.
- 19:40Speaker 2: Can you carry the other ending?
- 19:42Speaker 11: I know, right?
- 19:43Speaker 2: It's going to sink in my house.
- 19:45Speaker 12: We don't need to put YouTube anymore.
- 19:47Speaker 2: So how did they end up here?
- 19:49Speaker 8: So.
- 19:51Speaker 5: In 1930, you were asking about renovations. There have been
- 19:54Speaker 5: kind of a handful of big renovations throughout our history.
- 19:56Speaker 5: So 1930 was a big renovation year. The GM at
- 19:58Speaker 5: the time, his wife really loved antiquing. And so this
- 20:02Speaker 5: was a men's parlor that was becoming a men and
- 20:04Speaker 5: women's dining room yeah so the gm's wife she uh
- 20:08Speaker 5: went to an auction in san antonio just because she
- 20:10Speaker 5: was like out and about your hello antiquing and she
- 20:12Speaker 5: saw these mirrors.
- 20:14Speaker 1: We love antiquing we love it yes she saw these
- 20:16Speaker 1: mirrors and she.
- 20:17Speaker 2: Was like oh my gosh these will be a perfect
- 20:18Speaker 2: fit in the soon-to-be.
- 20:20Speaker 5: Dining room yeah and so she bought the full set
- 20:22Speaker 5: for two thousand five hundred dollars.
- 20:26Speaker 2: In 1930 1930 so that would be about this much
- 20:29Speaker 2: thanks jay Yeah. The full set is worth about $ 9
- 20:32Speaker 2: million now. Why is there oxygen in this room? And
- 20:36Speaker 2: there should be books.
- 20:37Speaker 5: Once they had the mirrors installed, they started doing some,
- 20:40Speaker 5: you know, kind of research into what they were, learning
- 20:41Speaker 5: about Ferdinand and Carlotta, and they built the Maximilian Room.
- 20:44Speaker 3: Wow.
- 20:45Speaker 2: So they didn't even know when they bought those mirrors. Yep.
- 20:47Speaker 2: The significance.
- 20:48Speaker 11: Wow.
- 20:48Speaker 2: That's so amazing.
- 20:48Speaker 1: They were just like a really lucky antiquing fact.
- 20:50Speaker 2: Investments. That's why we never stop thrifting.
- 20:54Speaker 8: Exactly, because we might come across a $ 9 million mirror
- 20:57Speaker 8: so I can get the quilt.
- 20:57Speaker 11: In one day.
- 20:57Speaker 2: You know what? I'm going to manifest it.
- 20:59Speaker 4: Yep.
- 21:00Speaker 2: So activity-wise, do we have activity here?
- 21:03Speaker 5: In some cultures, it is said that when mirrors face
- 21:05Speaker 5: each other, they create a portal.
- 21:07Speaker 2: Obviously, the mirrors definitely face each other here. It has
- 21:11Speaker 2: also been said, even though.
- 21:12Speaker 5: Carlotta obviously was never at the Driscoll herself, her energy
- 21:17Speaker 5: was kind of tied to the mirrors when they were created.
- 21:20Speaker 5: And obviously, Carlotta was a very beautiful woman. And when
- 21:23Speaker 5: she or her mirrors are being appreciated, like all beautiful women,
- 21:26Speaker 5: she likes to stop by, hear people appreciating her.
- 21:29Speaker 8: Wow.
- 21:30Speaker 2: So people have seen Carlotta kind of show up in
- 21:33Speaker 2: the mirror. I don't like this. I really feel like tonight, like,
- 21:41Speaker 2: I feel like this is very much, I feel it here.
- 21:44Speaker 14: Yeah.
- 21:44Speaker 2: This is it. Yeah, we're going to have fun.
- 21:46Speaker 17: Yeah.
- 21:47Speaker 2: I love the portals. We're going to party with Carlotta.
- 21:48Speaker 2: Any time in my house when my husband and I
- 21:50Speaker 2: put a mirror up across the other one, he's like,
- 21:52Speaker 2: stop that. I know what you're trying to do. Make
- 21:54Speaker 2: it portals and shit. Make a little portal.
- 22:03Speaker 8: It's hot here like it's like it's really weird and
- 22:06Speaker 8: it just it's like it happened when i like looked
- 22:08Speaker 8: up and look in the mirrors and stuff i'm just like.
- 22:11Speaker 20: You're so hard i feel different in here yeah yeah
- 22:15Speaker 20: i feel um peaceful in here if you will uh
- 22:18Speaker 20: we are in the maximilian room and what are.
- 22:21Speaker 3: We gonna do well it's known as the empress room
- 22:23Speaker 3: because of the mirrors we learned about earlier and i
- 22:25Speaker 3: don't know.
- 22:26Speaker 2: What it is about this place but i just feel
- 22:27Speaker 2: like I feel her. I feel her energy. It's whimsical energy. Yeah,
- 22:31Speaker 2: and it's not like the room. It feels like the mirrors.
- 22:34Speaker 3: And I feel like we need to open up in here.
- 22:36Speaker 2: And I feel like I just want to see if
- 22:37Speaker 2: we can, like, hear from her. I don't know. I
- 22:40Speaker 2: don't know if we're going to see her. I'm hoping
- 22:42Speaker 2: we see her. But I just, I feel her. Do you? Yeah.
- 22:47Speaker 8: Okay. Yeah, it's like I really want to, like, sit
- 22:51Speaker 8: and focus. And you can walk me through, like, opening
- 22:55Speaker 8: ourselves up.
- 22:55Speaker 11: Connecting.
- 22:56Speaker 20: Connecting.
- 22:56Speaker 4: Okay.
- 22:57Speaker 2: Let's do it.
- 22:58Speaker 3: Before we start opening up, I just want to set
- 23:01Speaker 3: this music box up, because I know it's not the ballroom.
- 23:03Speaker 9: No.
- 23:04Speaker 2: But it feels... I just feel her, like... Maybe she'll
- 23:06Speaker 2: appreciate it. Yeah, we'll see.
- 23:08Speaker 9: See.
- 23:08Speaker 13: All right, how do you want to set.
- 23:18Speaker 4: Up for this?
- 23:20Speaker 22: You tell me.
- 23:21Speaker 16: I'm new to this, so.
- 23:22Speaker 13: Probably back to back.
- 23:23Speaker 11: Okay.
- 23:23Speaker 2: When I went to Thursday night... The first thing I
- 23:26Speaker 2: do is I kind of envision.
- 23:27Speaker 3: A white light, eyes closed, through my hands, my feet,
- 23:31Speaker 3: working all the way up my body, through my head,
- 23:34Speaker 3: up into the sky, through the skies, connecting to the universe.
- 23:37Speaker 3: And then I bring it down and I run it
- 23:39Speaker 3: through where I am. So I run it through the
- 23:41Speaker 3: walls of the hotel, the energy of the hotel.
- 23:43Speaker 2: And that's kind of how I connect. I clear my
- 23:45Speaker 2: mind of everything.
- 23:46Speaker 19: Else going on in my life. I absorb it and
- 23:48Speaker 19: I become.
- 23:48Speaker 13: A part of it.
- 23:49Speaker 3: It takes me just like a few minutes, but I
- 23:51Speaker 3: feel like that visualization and that intention is what's going
- 23:55Speaker 3: to connect you.
- 23:55Speaker 11: Okay.
- 24:12Speaker 3: How did Farrah go in this room? I can't keep
- 24:15Speaker 3: my eyes closed because I'm so dizzy. That's weird.
- 24:18Speaker 16: I feel... I.
- 24:21Speaker 2: Find it hard to focus.
- 24:24Speaker 8: Mm-hmm.
- 24:25Speaker 2: I literally can't get my ankles anymore. I feel like
- 24:28Speaker 2: I'm pretty.
- 24:31Speaker 19: Open. You ready?
- 24:39Speaker 8: Yeah.
- 24:40Speaker 19: All right.
- 24:42Speaker 3: The little aspect that we can do here is combing
- 24:45Speaker 3: and doing portal. Remember I was talking about mirrors and portal?
- 24:49Speaker 3: I feel like that could be a really fun thing.
- 24:50Speaker 3: Can you guys see that on camera?
- 24:53Speaker 2: We're going down a really heavy chest.
- 24:55Speaker 3: It's weird when you think of like, you know, like mediums,
- 24:58Speaker 3: they get messages and like to them, it's probably the
- 25:00Speaker 3: same way.
- 25:01Speaker 2: I'm like, okay, I'm getting these memories and this feels weird.
- 25:03Speaker 2: I don't want to say it out loud because it
- 25:04Speaker 2: doesn't make sense.
- 25:05Speaker 4: No, no.
- 25:05Speaker 3: Are you getting any kind of sounds or words or memories?
- 25:09Speaker 3: It doesn't have to be.
- 25:10Speaker 8: Words, visions.
- 25:11Speaker 2: No, no, not currently. Weird feeling, heavy feeling. That's about it.
- 25:17Speaker 3: It's crazy to think that she never saw these. The
- 25:20Speaker 3: one thing that she didn't talk about that happened was
- 25:22Speaker 3: they promised if they were going to hurt him, they
- 25:24Speaker 3: weren't going to shoot him in the face. And they
- 25:27Speaker 3: ended up doing that, which is something she found out
- 25:29Speaker 3: about and was really, really upset about.
- 25:31Speaker 2: So I could get why she's here.
- 25:33Speaker 19: I'd want to stay in here.
- 25:35Speaker 2: It feels safe.
- 25:37Speaker 3: If you're here with us right now, can you give
- 25:42Speaker 3: us a sign by making a noise?
- 25:44Speaker 11: Yes.
- 26:01Speaker 3: We have this really fun contraption right here, and if
- 26:03Speaker 3: you walk in front of it like Chris just did,
- 26:06Speaker 3: it'll make some really cool, pretty noises. If you're here
- 26:13Speaker 3: with us, can you walk in front of it? We
- 26:19Speaker 3: heard the story about you with the bridal catalog. There
- 26:23Speaker 3: was a man in here, and he was shooting pictures, and...
- 26:29Speaker 3: He saw you in the mirrors in a beautiful gown.
- 26:36Speaker 8: Okay.
- 26:39Speaker 2: If this isn't Carlotta, can you walk in front of
- 26:43Speaker 2: the music box again? I'm curious. We should use the
- 26:53Speaker 2: EMF readers.
- 26:56Speaker 11: To.
- 26:59Speaker 19: Little friends.
- 27:13Speaker 2: Reggie was just one specific reader, maybe. The shield's really good.
- 27:32Speaker 9: It's good.
- 27:33Speaker 14: It does.
- 27:34Speaker 2: Extraordinarily so. Almost like.
- 27:43Speaker 2: It feels like there's.
- 27:45Speaker 9: No blood in here.
- 27:46Speaker 2: Let's give her one last shot. If there's anyone in
- 27:49Speaker 2: here with us, can you give us an audible sound?
- 28:05Speaker 19: I've never heard more quiet in my life.
- 28:07Speaker 13: It's like insanely quiet.
- 28:10Speaker 2: I feel like we're in like a different place. Like
- 28:13Speaker 2: we're in, like it was even mild, like just being
- 28:15Speaker 2: out there, it had a hum. I know. But this
- 28:17Speaker 2: doesn't even have a hum.
- 28:18Speaker 16: Do you feel anything else?
- 28:26Speaker 9: No.
- 28:27Speaker 2: I just feel like we're surrounded by $ 9 million in mirrors.
- 28:30Speaker 8: We're just really cheap people in a really expensive place.
- 28:36Speaker 3: We should try and just sit and stare at these
- 28:39Speaker 3: mirrors and just see.
- 28:43Speaker 2: They say it's actually really, really dangerous to stare into
- 28:45Speaker 2: mirrors at nighttime.
- 28:46Speaker 8: Bring on the danger, baby.
- 28:53Speaker 3: I'm curious why before, when you look through the product,
- 28:55Speaker 3: you keep reverberating and seeing the same light that's cast
- 28:57Speaker 3: on this.
- 28:58Speaker 16: Yeah.
- 28:58Speaker 2: But you see like the one, two, three, the fourth
- 29:02Speaker 2: mirror in.
- 29:02Speaker 9: Yeah.
- 29:03Speaker 2: It's black.
- 29:03Speaker 9: Yeah.
- 29:04Speaker 16: Why?
- 29:05Speaker 2: I don't know.
- 29:08Speaker 13: I'm going to start that one.
- 29:20Speaker 9: It's getting lighter, too.
- 29:21Speaker 16: A little bit.
- 29:25Speaker 2: I'm getting really dizzy. That's what I felt when I
- 29:27Speaker 2: was on the floor.
- 29:28Speaker 4: That was weird.
- 29:34Speaker 9: What?
- 29:34Speaker 2: Somebody's squeezing my head.
- 29:39Speaker 11: Film.
- 29:40Speaker 19: My heartbeat in my face.
- 29:43Speaker 9: What was that?
- 29:48Speaker 2: That was the door.
- 29:50Speaker 16: That was in this room. That wasn't outside this room.
- 29:57Speaker 16: Could you make that noise again if that was Is
- 30:03Speaker 16: somebody sitting over there?
- 30:10Speaker 3: If there's someone here with us right now, can you
- 30:13Speaker 3: make one more noise?
- 30:32Speaker 19: I'm going to let you do it.
- 30:36Speaker 2: Feel free to show yourself in the mirror.
- 30:38Speaker 17: It's weird.
- 30:49Speaker 2: It does get like lighter in the furthest mirror.
- 30:52Speaker 13: Why is it black?
- 30:54Speaker 2: You get vertigo when you stare into it for long? No,
- 30:58Speaker 2: like it gets, it's like getting lighter.
- 31:00Speaker 8: It's weird.
- 31:00Speaker 2: It's hard to see. I literally need glasses. Is it
- 31:09Speaker 2: still dark for you?
- 31:10Speaker 16: The further one?
- 31:12Speaker 20: Yeah.
- 31:13Speaker 14: No.
- 31:13Speaker 2: I mean, not as dark as it was before. What
- 31:21Speaker 2: are you seeing there now? I see an extra mirror
- 31:24Speaker 2: now for some reason.
- 31:31Speaker 8: It's like there's a window in the furthest one, but
- 31:33Speaker 8: I know there's not. I see it too, but it
- 31:36Speaker 8: wasn't there before.
- 31:37Speaker 9: I know.
- 31:37Speaker 19: I'm afraid to break eye contact. I'm losing my mind.
- 31:55Speaker 2: What?
- 31:57Speaker 3: I can see myself in the far mirror.
- 31:59Speaker 19: But like my face is different.
- 32:03Speaker 11: Okay.
- 32:08Speaker 2: I can't see your face at all. You don't?
- 32:10Speaker 14: No.
- 32:12Speaker 3: I see myself with a different face. But like I'm
- 32:15Speaker 3: moving different. Like I'm not moving.
- 32:17Speaker 2: It's like I'm walking away like farther into it.
- 32:26Speaker 18: Is it you?
- 32:30Speaker 3: Selena.
- 32:34Speaker 4: Selena, come back.
- 32:36Speaker 19: Let's turn this through.
- 32:42Speaker 18: I like.
- 32:45Speaker 11: This.
- 32:46Speaker 19: Sina, you good?
- 32:55Speaker 11: Okay.
- 32:56Speaker 2: And you're gonna be lost.
- 32:57Speaker 19: A little bit.
- 33:00Speaker 2: I felt like feeling going further back.
- 33:04Speaker 9: Yeah.
- 33:05Speaker 2: How long has it been?
- 33:06Speaker 11: 13 minutes.
- 33:08Speaker 9: Okay.
- 33:09Speaker 3: Okay, it's the back as far as I could.
- 33:16Speaker 8: Whoa.
- 33:17Speaker 2: Whoa, I'm sorry. Do you see? Do you see how
- 33:20Speaker 2: you can see the back of me?
- 33:21Speaker 14: Yeah.
- 33:22Speaker 2: But it wasn't the back of me. I turned around
- 33:23Speaker 2: and I faced myself.
- 33:25Speaker 4: And then I walked.
- 33:27Speaker 3: I kept walking backwards and walking backwards. But, like, my
- 33:31Speaker 3: face wasn't my face.
- 33:32Speaker 2: It's good to have a face.
- 33:34Speaker 19: You think it was her?
- 33:37Speaker 16: No.
- 33:38Speaker 3: I don't know.
- 33:38Speaker 19: I don't know.
- 33:40Speaker 13: How do you feel?
- 33:41Speaker 8: Good?
- 33:41Speaker 2: I felt like I wasn't here.
- 33:42Speaker 3: When I kind of came up for a second there,
- 33:45Speaker 3: I got really scared.
- 33:47Speaker 2: Like I was in a dream.
- 33:47Speaker 22: That's what it felt like.
- 33:48Speaker 2: It felt like you were walking away in a dream.
- 33:51Speaker 2: Astral projection. Like I was looking at myself.
- 33:52Speaker 16: That's what it felt like.
- 33:53Speaker 2: But you're back now. It feels like I need.
- 33:55Speaker 3: To, like, it's not like I need to finish it up,
- 33:57Speaker 3: but I feel like I need to be, like, I'm
- 33:59Speaker 3: not inside you.
- 34:00Speaker 9: Yeah, do that.
- 34:01Speaker 2: My whole soul's out here. Here with us. My soul's here.
- 34:04Speaker 2: I just need to twerk and throw it back.
- 34:07Speaker 13: Don't do that.
- 34:08Speaker 2: My eyes burn.
- 34:09Speaker 4: I do.
- 34:10Speaker 2: I have time blinking.
- 34:11Speaker 4: Okay.
- 34:12Speaker 2: I felt bad. I felt guilt about blinking.
- 34:15Speaker 4: Ten minutes.
- 34:16Speaker 2: That was really interesting. That was interesting. That was strange.
- 34:18Speaker 2: Not bad.
- 34:19Speaker 8: No.
- 34:19Speaker 4: But just.
- 34:21Speaker 11: Mm-hmm.
- 34:22Speaker 20: Did that thing flicker?
- 34:23Speaker 3: Yeah.
- 34:23Speaker 2: But it didn't make a noise.
- 34:25Speaker 12: Nope.
- 34:25Speaker 2: It flickered, though, and nobody's near it. Interesting.
- 34:29Speaker 9: I have a question.
- 34:30Speaker 2: Are you trapped in the mirrors?
- 34:46Speaker 11: Huh.
- 34:47Speaker 2: Well, Miss Carlotta, if you were here, then you could
- 34:52Speaker 2: show me your spooky mirror portal.
- 34:54Speaker 9: Yeah.
- 34:55Speaker 2: That was weird, though. It was very.
- 34:57Speaker 8: Okay. Okay.
- 34:59Speaker 19: Yeah, it wasn't me.
- 35:00Speaker 2: No, it wasn't. You're not supposed to know my... Are
- 35:03Speaker 2: these mirrors portals? Do you have anything that you need
- 35:15Speaker 2: to tell us?
- 35:15Speaker 9: Hmm.
- 35:24Speaker 4: Okay. All right.
- 35:26Speaker 8: Sorry, I just.
- 35:26Speaker 2: It just did it again.
- 35:27Speaker 4: It did it again.
- 35:30Speaker 16: It flashed.
- 35:30Speaker 2: Flickered again?
- 35:31Speaker 20: Yep.
- 35:31Speaker 6: Interesting.
- 35:33Speaker 3: Interesting.
- 35:35Speaker 2: This is what I saw. I saw the back of myself.
- 35:38Speaker 9: Yeah.
- 35:38Speaker 2: And then I did this.
- 35:41Speaker 3: My face was on my face. I don't know if
- 35:43Speaker 3: my eyes were playing tricks on me. And then I
- 35:44Speaker 3: started doing this. And I kept going back in the
- 35:47Speaker 3: mirrors farther back. I kept going farther back.
- 35:52Speaker 11: Yeah.
- 35:52Speaker 2: That's... Well, it was just like guest services that I forgot.
- 35:56Speaker 2: I thought it was a ghost. Guest services.
- 36:00Speaker 12: That's so cool. So it just automatically calls the front desk.
- 36:03Speaker 4: Wow.
- 36:04Speaker 2: It's turned into Owen Wilson.
- 36:05Speaker 20: Wow.
- 36:11Speaker 5: So room 525, in this room, there have been a
- 36:14Speaker 5: lot of reported ghost activities.
- 36:16Speaker 2: Similar people have seeing someone in the mirror.
- 36:19Speaker 3: There are stories about two different brides who haunt this hotel.
- 36:23Speaker 2: So you'll know they're around. Both of them, I believe,
- 36:25Speaker 2: are in their wedding dresses.
- 36:27Speaker 11: Okay.
- 36:27Speaker 2: Just walking. A little foreshadowing for two. Are you stuck
- 36:30Speaker 2: in this.
- 36:31Speaker 14: Room at all?
- 36:31Speaker 12: Oh, immediately.
- 36:34Speaker 2: There's been lots of, again, similar lights on and off.
- 36:38Speaker 2: The brides in their little dresses coming around.
- 36:40Speaker 11: Okay.
- 36:41Speaker 2: Showing up in the mirrors. Which mirror?
- 36:43Speaker 21: The one above the bed or the one in the bathroom?
- 36:45Speaker 21: I think the one above the bed. Because it's in
- 36:47Speaker 21: a weird spot. Also, Selena and Taylor are sleeping in
- 36:51Speaker 21: this room. So we're going to have a little investigation
- 36:53Speaker 21: in there tonight.
- 36:54Speaker 8: Yeah.
- 36:55Speaker 3: Do you know if they like people who are not
- 36:58Speaker 3: married or married more?
- 36:59Speaker 2: Like if they know I'm married, is that going to
- 37:02Speaker 2: be a thing? Because are they like a jealous?
- 37:04Speaker 5: I have heard that the brides show up for other brides.
- 37:09Speaker 5: So there have been a lot of reports of, like,
- 37:10Speaker 5: if someone is staying here for their wedding.
- 37:12Speaker 22: They'll see the bride.
- 37:14Speaker 2: I have to get married tonight. You should get married tonight.
- 37:17Speaker 22: I think that might.
- 37:19Speaker 2: Will you marry me tonight? You're already married. Okay, but, like,
- 37:23Speaker 2: where are we? We're not in Utah.
- 37:25Speaker 12: Okay, I will marry Audrey tonight.
- 37:27Speaker 2: I love that. Oh, perfect. I can't wait.
- 37:30Speaker 19: Amazing.
- 37:31Speaker 2: The thing with the brides is it's like recent history.
- 37:34Speaker 20: Yes.
- 37:35Speaker 2: So that's why. People are still alive. Yeah, people who
- 37:37Speaker 2: were there still work here.
- 37:38Speaker 13: For sure. For sure.
- 37:40Speaker 17: For sure.
- 37:41Speaker 2: The only deaths in total have happened here.
- 37:43Speaker 9: It is not.
- 37:43Speaker 12: Uncommon for people in any hotel.
- 37:46Speaker 14: Oh, yeah.
- 37:46Speaker 12: To pass away in their own trend.
- 37:49Speaker 2: Well, it's like, that's where I would go.
- 37:50Speaker 12: Or just for natural causes.
- 37:52Speaker 2: Yeah, you don't want to do it in your own house.
- 37:53Speaker 8: No.
- 37:53Speaker 2: You want your family to find it. Poor housekeeping. Like,
- 37:56Speaker 2: people go on vacation when they have heart condition. Right.
- 37:59Speaker 3: True.
- 38:00Speaker 2: Like, end of life. So, like, those are kind of like,
- 38:04Speaker 2: we don't exactly keep.
- 38:05Speaker 8: A record of it.
- 38:07Speaker 2: It's a 137-year-old hotel. Shit's gonna happen. Give or take
- 38:10Speaker 2: one or two years. Yeah, for sure. If I ever
- 38:13Speaker 2: make a choice, I'm gonna come in here because it's
- 38:15Speaker 2: a cool hotel. Appreciate that. You can be one of
- 38:18Speaker 2: our other ghosts. My ticker's not ticking right. I'm going
- 38:20Speaker 2: to the Driscoll. I'll come with you.
- 38:23Speaker 6: Okay.
- 38:23Speaker 2: Hold my hand.
- 38:24Speaker 11: Yeah.
- 38:24Speaker 7: Anyway.
- 38:24Speaker 14: Anyway.
- 38:25Speaker 3: This is the FYI, your hotel is haunted room.
- 38:28Speaker 5: This floor also, one of my coworkers, like a month
- 38:30Speaker 5: or so ago, she comes to the office and.
- 38:33Speaker 22: She goes, well, I just had to upgrade someone to
- 38:45Speaker 22: a suite because their.
- 38:45Speaker 2: Room was haunted.
- 38:46Speaker 6: So one of her clients was here and it was
- 38:50Speaker 6: the middle of the night.
- 38:51Speaker 2: She felt someone.
- 38:52Speaker 6: Touch her as she was like, you know, kind of
- 38:55Speaker 6: went back to sleep. And she was like, wait a minute,
- 38:56Speaker 6: I'm staying here alone. Like, why is no one touching me?
- 39:00Speaker 6: And then all of a sudden she kind of like
- 39:01Speaker 6: realized that literally the lights in the room turned on.
- 39:04Speaker 6: And so she gets up, she turns the lights off
- 39:07Speaker 6: and the light turns back on and she like turns
- 39:10Speaker 6: it off again. The light turns back on and she like,
- 39:13Speaker 6: out loud is like please stop like I'm trying to
- 39:16Speaker 6: sleep and she was like she felt this like energetic like.
- 39:20Speaker 20: From the spirit being like I'm just gonna keep turning
- 39:23Speaker 20: the light back on oh my god um and so
- 39:26Speaker 20: we're thinking like.
- 39:26Speaker 6: The next morning she was like can I get into
- 39:28Speaker 6: a different room like just want to sleep. In that
- 39:32Speaker 6: ghost book, there is a story that is very, very
- 39:35Speaker 6: similar from like years and years and years.
- 39:37Speaker 20: Ago, which I just discovered today of almost the exact
- 39:41Speaker 20: same thing happening.
- 39:42Speaker 8: Okay.
- 39:42Speaker 2: So you want to get upgraded. Just say your room's haunted.
- 39:46Speaker 5: Now no one's getting up right now.
- 39:48Speaker 2: No one's getting up. She ruined it for everyone.
- 39:50Speaker 20: There's at least one ghost around here who's, again, mischievous,
- 39:54Speaker 20: but likes to kind of mess with solo female travelers
- 39:58Speaker 20: when they're trying to sleep.
- 39:59Speaker 15: Okay.
- 39:59Speaker 2: Love that.
- 40:06Speaker 12: See, the donuts was going to... What's going to do it?
- 40:14Speaker 2: Why was he here? Oh, no, you're far away. Whoa, whoa, whoa.
- 40:19Speaker 2: Holy shit, that jacked it right up. That's wild.
- 40:21Speaker 13: It doesn't make noise, though.
- 40:24Speaker 17: No, that's the only thing.
- 40:26Speaker 13: I'm sorry, guys.
- 40:27Speaker 4: Hey, what is going on? That was weird. Anybody here?
- 40:32Speaker 2: Anybody want to hang out? We're just going to hang out.
- 40:35Speaker 2: If you guys want to hang out. Is that how
- 40:38Speaker 2: you get girls? That vocabulary is... Oh, man.
- 40:42Speaker 14: Oh.
- 40:43Speaker 2: Was that funny?
- 40:43Speaker 9: What the?
- 40:46Speaker 8: Oh, are you interested in Jay, my editor?
- 40:49Speaker 2: Do you want to get married?
- 40:52Speaker 12: Ooh.
- 40:55Speaker 2: Do you want to get married to one of the
- 40:57Speaker 2: bachelors in here? Got two bachelors.
- 41:03Speaker 8: We are currently in the room that Selena and Taylor
- 41:06Speaker 8: are staying in, which is said to be one of
- 41:08Speaker 8: the most haunted rooms in the hotel.
- 41:10Speaker 2: Yes, which is really interesting.
- 41:12Speaker 3: Once you Google room 525 at the Driscoll Hotel, you're
- 41:15Speaker 3: going to find a pretty dark story?
- 41:19Speaker 2: Yes.
- 41:20Speaker 8: Yes, a dark story that correlates so well with each other,
- 41:23Speaker 8: like two things that happened in this room. It's very
- 41:26Speaker 8: scary because there was two brides exactly 20 years apart.
- 41:29Speaker 8: Exactly 20 years apart? And one of them is actually when.
- 41:32Speaker 2: We're talking about the brides and the EMF is going
- 41:34Speaker 2: off like crazy. Yeah, like crazy.
- 41:36Speaker 3: But yeah, there were two brides 20 years apart that
- 41:39Speaker 3: actually self- Self-canceled.
- 41:42Speaker 11: Yes.
- 41:42Speaker 2: Self-canceled. Ended the subscription to life.
- 41:45Speaker 3: And it was crazy because there's actually people who still
- 41:47Speaker 3: work in this hotel that were actually around for the
- 41:50Speaker 3: second one.
- 41:50Speaker 9: Yeah.
- 41:51Speaker 2: So it's not something that... It's pretty recent.
- 41:53Speaker 13: Yeah.
- 41:53Speaker 3: But the internet is very alive with what happened in
- 41:56Speaker 3: this room. Both jilted lovers, but the second story is
- 41:58Speaker 3: one that people know a lot. And she was jilted
- 42:01Speaker 3: by a lover. She was supposed to get married here.
- 42:03Speaker 12: He.
- 42:04Speaker 3: I don't know if he ended it or something like that.
- 42:06Speaker 3: But she stayed here and she stayed in this room.
- 42:08Speaker 3: And she had his credit card and she went out
- 42:09Speaker 3: shopping a lot. And she'd always bring her bags.
- 42:12Speaker 8: She supposedly spent like around $ 40, 000 on the credit card.
- 42:15Speaker 2: In the health fitness room?
- 42:16Speaker 3: Mm-hmm.
- 42:16Speaker 9: I guess.
- 42:17Speaker 2: So what ended up happening was one day she got
- 42:20Speaker 2: herself a pistol. She came up here.
- 42:23Speaker 3: She grabbed a pillow to muffle the sound. Put it
- 42:26Speaker 3: against her stomach and drank a lot of alcohol.
- 42:29Speaker 20: Yeah.
- 42:30Speaker 2: And then pulled the trigger. And they said that if
- 42:32Speaker 2: she wouldn't have died from the wound, she would.
- 42:34Speaker 13: Have from the alcohol poisoning.
- 42:35Speaker 2: So that happened somewhere in this room. And the other woman,
- 42:42Speaker 2: I believe she also did it with a pistol. Was it?
- 42:47Speaker 14: Yes.
- 42:47Speaker 2: Okay. But she did it in her head.
- 42:51Speaker 3: Other than her stomach and that's 20 years before that
- 42:53Speaker 3: which we're in this like century so that's kind of
- 42:57Speaker 3: it's scary yes i'm assuming i don't know when you
- 43:00Speaker 3: first walked in here did you feel negative energy when
- 43:03Speaker 3: we came down the hallway where she's been seen a
- 43:05Speaker 3: lot so she's been seen walking down this hallway with
- 43:07Speaker 3: bags i was like whoa taylor there's like a woman
- 43:09Speaker 3: and there are some there's a there's a vibe here
- 43:11Speaker 3: in the room was interesting because like i said we
- 43:13Speaker 3: had the rain sounds that was kept changing and were
- 43:15Speaker 3: turned off we had the high in there taylor thought
- 43:18Speaker 3: he saw someone in the bathroom me i think a
- 43:20Speaker 3: lot of things happened in the bathroom i just get
- 43:22Speaker 3: like a vibe in there but um it doesn't feel
- 43:25Speaker 3: like the rest of the hotel no like there's a
- 43:27Speaker 3: bit of like a sadness yeah to this room yeah
- 43:31Speaker 3: but it says that you know she likes brides people
- 43:34Speaker 3: you know i'm just curious i'm married.
- 43:37Speaker 2: Yes i'm sorry i'm sorry you didn't get.
- 43:39Speaker 16: Married not even close to that.
- 43:42Speaker 3: So i'm just curious how the energy is going to
- 43:44Speaker 3: kind of react with us yeah That thing keeps going off.
- 43:47Speaker 2: Yeah, the EMF is going crazy. So I hope that
- 43:50Speaker 2: you guys know that you can come out and speak
- 43:53Speaker 2: to us. We mean no disrespect, but we'd really like
- 43:55Speaker 2: to hang out and meet you. Show the world. I
- 43:58Speaker 2: don't know if anyone ever has. I don't think so.
- 44:00Speaker 2: In this room, we want to try and do the
- 44:02Speaker 2: Estes method. We're going to set up everything in here
- 44:04Speaker 2: because I want to see. We have the flashlight. We
- 44:05Speaker 2: have the REM pod. We finale here. We're going to
- 44:08Speaker 2: put it all out.
- 44:09Speaker 8: Let's do it.
- 44:09Speaker 2: Let's do it.
- 44:30Speaker 3: All right, we have the REM pod set up on
- 44:31Speaker 3: the bed. We have the music box pointed. I'm actually,
- 44:34Speaker 3: I think it'd be cool if we did it down low.
- 44:37Speaker 14: Yeah.
- 44:37Speaker 2: Music box set down low.
- 44:39Speaker 3: We have cat balls all over the room.
- 44:42Speaker 2: We have the flashlight. And the one thing like I'm
- 44:44Speaker 2: kind of curious is where it happened. Yes, there were
- 44:49Speaker 2: two people. It's all going up again.
- 44:51Speaker 4: Okay, interesting.
- 44:53Speaker 2: Nothing is on right now.
- 44:54Speaker 3: No. So I think it's a good time to ask
- 44:56Speaker 3: in general. Are either of the spirits of these women...
- 45:00Speaker 3: here with us.
- 45:02Speaker 2: Right now.
- 45:08Speaker 12: Oh my god oh my god it.
- 45:10Speaker 8: Took us a while to settle the sun and that
- 45:11Speaker 8: flashlight has not gone off it has not done anything if.
- 45:15Speaker 3: You are they're just they're here to talk yeah.
- 45:21Speaker 2: Are you going to be able to tell us where
- 45:25Speaker 2: you passed away in this room You can touch any
- 45:32Speaker 2: of the items that are in this room. If it's
- 45:34Speaker 2: close to where it happened.
- 45:35Speaker 14: Yep.
- 45:36Speaker 2: Any of the falls, you can just touch them. Go
- 45:40Speaker 2: close to them.
- 45:50Speaker 8: Okay.
- 45:51Speaker 9: This is like.
- 45:52Speaker 2: Does that do any good? Do you have the temperature gun? 75...
- 46:05Speaker 2: That's a lot warmer here. It's colder, like... Okay, this
- 46:16Speaker 2: is by three degrees.
- 46:17Speaker 9: Really?
- 46:18Speaker 2: Where the pillow is compared to... It's 76.4, 74, 73, 74.
- 46:22Speaker 2: Did something happen over here? on the couch or by
- 46:38Speaker 2: the couch and give us a sign. Can you turn
- 46:44Speaker 2: that cat ball that I've circled back on?
- 46:48Speaker 11: Nope.
- 47:00Speaker 8: Okay.
- 47:00Speaker 2: Okay. So it happened here. I think that's one of
- 47:04Speaker 2: them happened there.
- 47:05Speaker 3: One of them definitely happened in this, which, you know,
- 47:09Speaker 3: if there was nothing there, especially like that kind of
- 47:11Speaker 3: makes sense, not wanting to be seen in the window,
- 47:13Speaker 3: but wanting to be seen from the door.
- 47:16Speaker 2: If somebody came in. Ooh, I got gooses.
- 47:21Speaker 12: Yeah.
- 47:22Speaker 2: That just felt cold.
- 47:27Speaker 7: Okay.
- 47:27Speaker 2: We have a, we have a lot of different tools here.
- 47:29Speaker 11: Oh, right.
- 47:31Speaker 2: Is it a flashlight?
- 47:32Speaker 14: Yeah.
- 47:33Speaker 2: They really like communicating with the flashlight.
- 47:35Speaker 1: I know.
- 47:35Speaker 2: It's really interesting. Are you stuck in this room at all? Oh, immediately.
- 47:48Speaker 2: So the one, the one woman can see it in
- 47:50Speaker 2: the hallway.
- 47:50Speaker 3: The other one has not been seen anywhere, but like
- 47:54Speaker 3: her energy is just felt in this room.
- 47:57Speaker 8: Yeah.
- 47:57Speaker 3: So that would have been in the seventies, right? If
- 48:00Speaker 3: you are the bride from the seventies, can you turn.
- 48:04Speaker 2: That flashlight on?
- 48:12Speaker 3: Did you think when you ended your life that you'd
- 48:15Speaker 3: be able to leave this place? It's just sad. Are
- 48:31Speaker 3: you still sad that you're trapped here? Do you find
- 48:38Speaker 3: peace in the fact that you're here?
- 48:42Speaker 2: I don't know why. I'm just so sad.
- 48:48Speaker 3: I'm sorry that things didn't work out for you. And
- 48:55Speaker 3: that guy was a piece. Screw that guy. You deserve
- 48:59Speaker 3: better than what happened.
- 49:07Speaker 2: Do you feel her emotion?
- 49:08Speaker 9: Yeah.
- 49:09Speaker 19: What does it feel like?
- 49:12Speaker 2: Just like, empty. Because I've never had this happen to
- 49:17Speaker 2: me before.
- 49:17Speaker 8: Really?
- 49:26Speaker 2: It's like, that's crazy. Like as soon as that light
- 49:30Speaker 2: turned off, it was like, whew.
- 49:33Speaker 8: Yeah.
- 49:34Speaker 3: Maybe she finds feelings in you that are the same.
- 49:42Speaker 3: It's worth like being in this room and feeling the
- 49:44Speaker 3: silence of the room. Being alone in this room, you
- 49:47Speaker 3: turned on. Like imagine being just you in this room
- 49:50Speaker 3: and you had one person you planned your whole life with.
- 49:53Speaker 3: And then you were completely alone in here.
- 49:57Speaker 2: Alone again, all alone. And you had nowhere to go.
- 50:01Speaker 2: It's going on and off.
- 50:03Speaker 3: If no one's ever talked to you that much before,
- 50:06Speaker 3: can you turn off a flashlight? We sympathize you, for you,
- 50:18Speaker 3: with you. We sympathize you, for you, with you.
- 50:25Speaker 9: I know, I just feel like this whole world, like, just, like,
- 50:38Speaker 9: so alone.
- 50:39Speaker 3: It's crazy to think someone, like, planned their whole life
- 50:43Speaker 3: and then it was just, like, I didn't see any
- 50:45Speaker 3: other way to.
- 50:48Speaker 7: Go on.
- 50:50Speaker 2: Do you get any pictures in your head of, like,
- 50:55Speaker 2: what you think she'll look like? I just picture her
- 50:57Speaker 2: on the floor.
- 50:58Speaker 13: Not, not past.
- 51:00Speaker 2: Like, she's just, like, defeated.
- 51:01Speaker 13: I feel like she's, like, kind of gone.
- 51:10Speaker 2: To, like, set her peace with that.
- 51:12Speaker 8: But maybe we can try to, like, talk to her
- 51:14Speaker 8: through Estes or something.
- 51:16Speaker 3: You guys have seen us do this before and I
- 51:18Speaker 3: think it's one of the most interesting ways to actually
- 51:20Speaker 3: connect with the spirit world and something that's coming up again.
- 51:25Speaker 3: I think it's one of the most interesting ways to
- 51:26Speaker 3: actually talk to the spirit world and kind of a
- 51:28Speaker 3: way that helps me concentrate and zone in on it.
- 51:31Speaker 3: We've had some crazy experiences like at the antique mall
- 51:34Speaker 3: and stuff. So we're going to put these headphones on
- 51:35Speaker 3: and what these spirit boxes are doing are scanning through
- 51:38Speaker 3: radio frequencies at an unbelievable rate that you can't hear anything.
- 51:42Speaker 3: And the weird thing is, is words will jump out.
- 51:43Speaker 3: And what we've experienced is you're going to hear the
- 51:45Speaker 3: same voice. So you guys will be asking us questions.
- 51:48Speaker 2: And we'll see if it makes any sense.
- 51:51Speaker 7: Yeah.
- 51:52Speaker 2: We've never done this before. Two people at the same time.
- 51:54Speaker 2: Shout out. We're interested to see.
- 51:55Speaker 11: Yep.
- 51:55Speaker 2: We're not going to be able to hear each other.
- 51:57Speaker 2: We're not going to be able to hear them, so.
- 51:59Speaker 3: If, like, anything weird happens, take your things off.
- 52:01Speaker 2: You don't feel comfortable. Got it.
- 52:02Speaker 8: Ready?
- 52:03Speaker 20: Yep.
- 52:10Speaker 18: Is there anything.
- 52:11Speaker 2: You want to say?
- 52:13Speaker 15: Either of the two brides that you've mentioned in the stories?
- 52:18Speaker 2: Yes.
- 52:19Speaker 9: Girl.
- 52:21Speaker 16: Hey.
- 52:21Speaker 12: How are you?
- 52:24Speaker 9: How are you feeling?
- 52:26Speaker 2: In here.
- 52:27Speaker 7: You're in here?
- 52:29Speaker 3: In here with us?
- 52:32Speaker 2: Yeah. Hey.
- 52:36Speaker 9: Hi.
- 52:37Speaker 2: Betrayed.
- 52:37Speaker 19: Betrayed by your husband?
- 52:39Speaker 8: Or soon to be?
- 52:41Speaker 2: Sarah?
- 52:42Speaker 18: Is that your name?
- 52:45Speaker 13: Hers.
- 52:45Speaker 18: So there's two of you?
- 52:50Speaker 3: Are both of you here with us?
- 52:54Speaker 12: Is there anyone else here with us?
- 52:57Speaker 2: Tell mom. What do you want us to tell mom?
- 53:03Speaker 2: She's like a big sigh.
- 53:03Speaker 12: Are you upset?
- 53:07Speaker 9: Bathroom.
- 53:07Speaker 3: The bathroom.
- 53:08Speaker 7: Is that where.
- 53:12Speaker 11: It happened?
- 53:14Speaker 10: Yeah.
- 53:16Speaker 2: Too late. I think I just heard like a mistake.
- 53:24Speaker 9: Abuse.
- 53:25Speaker 11: Were you abused?
- 53:28Speaker 12: Who's here with us right.
- 53:31Speaker 8: Now?
- 53:31Speaker 2: I want space.
- 53:32Speaker 18: Are we bothering.
- 53:42Speaker 17: You?
- 53:45Speaker 2: I don't think so. Absolutely.
- 53:48Speaker 8: Stop.
- 54:03Speaker 2: You good?
- 54:05Speaker 9: We're good. How are you?
- 54:08Speaker 2: Mentally?
- 54:10Speaker 11: Lately, no.
- 54:11Speaker 9: Not good.
- 54:12Speaker 2: No.
- 54:12Speaker 18: Unfortunately not, but how.
- 54:16Speaker 9: Are you doing?
- 54:21Speaker 2: Mom, this time.
- 54:25Speaker 10: Did it happen at 12.14?
- 54:28Speaker 7: You know.
- 54:29Speaker 2: Do I know what time it was? I literally just
- 54:32Speaker 2: heard trigger.
- 54:32Speaker 3: Did you pull the trigger?
- 54:41Speaker 2: She told me.
- 54:44Speaker 12: Who told you?
- 54:46Speaker 2: It's over.
- 54:48Speaker 11: He told you it was over.
- 54:51Speaker 12: Oh.
- 54:54Speaker 18: Did you decide to leave?
- 54:56Speaker 3: Her.
- 54:59Speaker 4: Told me.
- 55:03Speaker 2: He called.
- 55:06Speaker 4: Every night.
- 55:09Speaker 9: Kill me.
- 55:17Speaker 4: One more.
- 55:19Speaker 8: One more what?
- 55:20Speaker 4: Not again.
- 55:21Speaker 9: You wouldn't do it again?
- 55:23Speaker 2: Over.
- 55:23Speaker 9: Hand.
- 55:25Speaker 3: Hand.
- 55:27Speaker 4: Over. Regret.
- 55:31Speaker 8: No.
- 55:33Speaker 2: Mom, no.
- 55:36Speaker 18: I think your mom might know by now.
- 55:40Speaker 3: Tell her.
- 55:41Speaker 2: I want to run. Where do you want to run?
- 55:45Speaker 9: Go outside.
- 55:47Speaker 2: You want us to go outside? Do you want us
- 55:48Speaker 2: to leave this room? Inescapable. I just.
- 56:00Speaker 9: What's... Why.
- 56:07Speaker 9: Terrible.
- 56:07Speaker 4: Feels such.
- 56:11Speaker 2: Stop. Oh. Do you want us to stop this?
- 56:16Speaker 8: Please.
- 56:17Speaker 2: Is there anything we can.
- 56:22Speaker 11: Do to help?
- 56:24Speaker 2: I feel like I'm seeing it play out in my
- 56:25Speaker 2: head right now. Like, not headphones, just between... If you guys...
- 56:31Speaker 2: You guys... Hold on.
- 56:33Speaker 7: Is there anything we can do to help?
- 56:46Speaker 3: I don't know.
- 56:53Speaker 9: We can't.
- 56:56Speaker 18: We just want to make sure you're at peace.
- 57:02Speaker 11: Tell us what we can.
- 57:08Speaker 2: Do. Help us.
- 57:09Speaker 11: Stop.
- 57:13Speaker 12: Stop.
- 57:15Speaker 11: Stop. Please.
- 57:23Speaker 2: Please.
- 57:28Speaker 12: Who's here with us right now?
- 57:29Speaker 11: I can't.
- 57:47Speaker 2: I gotta stop. I gotta stop.
- 57:54Speaker 8: Like, there's... Like three times in the last, I don't
- 57:57Speaker 8: even know how long we were doing this. The last
- 57:59Speaker 8: like minute where like a girl like screamed in my ear.
- 58:02Speaker 3: Oh, yeah, the last words.
- 58:07Speaker 2: I stopped hearing anything and I followed her. I followed
- 58:11Speaker 2: her in from the front and it was like I
- 58:13Speaker 2: was walking behind her and I followed her in and
- 58:15Speaker 2: the lady at.
- 58:16Speaker 3: The front desk said, hey, and she didn't respond. And
- 58:19Speaker 3: then I followed her up the elevator and I followed
- 58:21Speaker 3: her into the room.
- 58:22Speaker 2: She sat the bags down. She sat the bags.
- 58:29Speaker 3: Down in like one fluid motion. She didn't go to
- 58:31Speaker 3: the washroom. She didn't do anything. I don't know if
- 58:33Speaker 3: something happened when she was out. That was like the
- 58:35Speaker 3: last straw, but I followed her in. She sat her
- 58:37Speaker 3: bags down.
- 58:38Speaker 2: She went and then was somewhere on this side of
- 58:40Speaker 2: the room. She got back.
- 58:42Speaker 3: She grabbed the pillow. She stood against this wall where
- 58:45Speaker 3: the thing was going off. And then it like paused
- 58:47Speaker 3: for the longest time and she just stood there staring.
- 58:50Speaker 3: And I was over here and our eyes were like,
- 58:52Speaker 3: we were staring at each other. And then there was.
- 58:57Speaker 2: The loudest bang and I took these off. I heard
- 59:01Speaker 2: a scream and that's why I took mine off.
- 59:03Speaker 3: That was like the clearest like actual like watching of
- 59:08Speaker 3: something I've ever seen.
- 59:09Speaker 2: I was hearing three different sounds. voices, like, over and
- 59:11Speaker 2: over again. I only heard one.
- 59:12Speaker 8: There were two women, and then there was a man
- 59:14Speaker 8: trying to talk. Every time he was saying something, it was.
- 59:17Speaker 9: It.
- 59:20Speaker 2: Was very negative.
- 59:23Speaker 14: I don't know.
- 59:24Speaker 2: What were you guys asking? Does anything.
- 59:27Speaker 4: Okay.
- 59:29Speaker 13: Okay, Sarah.
- 59:34Speaker 10: She kept asking about if mom knew.
- 59:37Speaker 11: She was sad.
- 59:40Speaker 15: We said she probably knows by now and she wasn't
- 59:43Speaker 15: happy about it. It did seem like there was two
- 59:45Speaker 15: different women coming through, but she was more prominent. You
- 59:49Speaker 15: could tell you were switching between whoever. And then all
- 59:52Speaker 15: of a sudden it got negative with you. And I
- 59:53Speaker 15: think that's when the man came through.
- 59:55Speaker 13: I only had one. I had one voice.
- 59:57Speaker 2: And it was always the same. And then it got
- 1:00:00Speaker 2: to a point where I didn't hear any words anymore.
- 1:00:04Speaker 2: And that's when I went into, like, I fully watched her. Like,
- 1:00:07Speaker 2: this hotel looked so different. This room looked so different.
- 1:00:11Speaker 2: But this was the 90s.
- 1:00:12Speaker 3: This wasn't the 70s. So whoever I was with, I.
- 1:00:16Speaker 14: Think, was.
- 1:00:19Speaker 4: In the 90s.
- 1:00:20Speaker 2: I feel like I might have been with somebody. It
- 1:00:23Speaker 2: felt like the guy was... A very negative energy in
- 1:00:29Speaker 2: the other person. It's like he was yelling.
- 1:00:32Speaker 8: He was trying to yell, and I couldn't hear what
- 1:00:34Speaker 8: he was saying sometimes. But he may have been abusive
- 1:00:41Speaker 8: or something.
- 1:00:43Speaker 19: That's what it felt like.
- 1:00:44Speaker 2: She just hated her life and hated what she did.
- 1:00:48Speaker 13: And felt like she couldn't escape.
- 1:00:50Speaker 2: Inescapable.
- 1:00:51Speaker 19: She said he left.
- 1:00:54Speaker 15: I just feel like, I feel like whatever.
- 1:00:58Speaker 2: Is here doesn't know that it's us. doesn't know that
- 1:01:11Speaker 2: it's okay to let go.
- 1:01:12Speaker 3: And I feel like we just, as a good collective
- 1:01:15Speaker 3: group right now, if you guys don't mind just putting
- 1:01:17Speaker 3: your energy out there, I just want to say to
- 1:01:20Speaker 3: whatever spirit is in this room, spirits that are in
- 1:01:23Speaker 3: this room, things happen that make us feel connected to places,
- 1:01:29Speaker 3: but that we have more power in ourselves, be living
- 1:01:32Speaker 3: or dead, that can help us go to where we
- 1:01:34Speaker 3: want to and you don't have to stay here. and
- 1:01:37Speaker 3: relive the things you live because it felt like a
- 1:01:39Speaker 3: mistake but it just.
- 1:01:40Speaker 8: Feels like a lot of what they did to themselves
- 1:01:42Speaker 8: was something they regretted a lot.
- 1:01:45Speaker 3: And that they just felt to move on from that
- 1:01:47Speaker 3: my feeling when she came up it was just like
- 1:01:49Speaker 3: i i can't it was like she was like she
- 1:01:51Speaker 3: had tears in her eyes but she was so determined
- 1:01:53Speaker 3: she and it's like she just came back from buying
- 1:01:55Speaker 3: stuff which is like a weird and her mind was
- 1:01:57Speaker 3: just like okay good i'm done reset that's what it
- 1:02:02Speaker 3: felt like it felt like she like Like she wasn't
- 1:02:04Speaker 3: thinking logically. Like her choice was just like, okay, this
- 1:02:07Speaker 3: will reset and I can do this all again.
- 1:02:09Speaker 2: Felt like a glitch in the matrix. That's what it
- 1:02:11Speaker 2: felt like.
- 1:02:12Speaker 3: So whoever's here might sound cliche, create your own white
- 1:02:17Speaker 3: light or just leave.
- 1:02:19Speaker 2: Cause whoever you think.
- 1:02:20Speaker 3: Is tying you here is not here anymore. If you
- 1:02:27Speaker 3: see a white light, can you turn on anything else
- 1:02:30Speaker 3: in this room? If you want to stay and you
- 1:02:41Speaker 3: find comfort here, can you turn on something in this room?
- 1:02:51Speaker 3: You know, sometimes you just get really lost in yourself.
- 1:02:56Speaker 17: Yeah.
- 1:02:57Speaker 13: And maybe it'll take them a hundred years to figure
- 1:02:59Speaker 13: it out.
- 1:03:02Speaker 14: Yep.
- 1:03:06Speaker 8: Reaffirming night you really need to let it pass which
- 1:03:12Speaker 8: is like the hardest thing.
- 1:03:13Speaker 3: To do working through things I bet working through things
- 1:03:16Speaker 3: is a lot harder when you're dead it's.
- 1:03:18Speaker 8: I can't yeah so don't put yourself in that situation
- 1:03:22Speaker 8: which is something we both struggle with a lot and
- 1:03:26Speaker 8: it's like this has been a lot.
- 1:03:27Speaker 14: Of reflection for me and I'm sure you as well
- 1:03:34Speaker 14: makes you just see life differently yeah Life is.
- 1:03:37Speaker 2: Fleeting, but it passes so fast, and so do those feelings.
- 1:03:41Speaker 8: And that's what I felt when we were doing this,
- 1:03:44Speaker 8: is that, like, they regret what they did.
- 1:03:48Speaker 9: They also did bring up, are you mentally okay? Yeah.
- 1:03:54Speaker 3: Oh.
- 1:03:55Speaker 11: Oh.
- 1:03:55Speaker 2: And we were both just like, not lately. I feel
- 1:03:58Speaker 2: like we've all kind of had it struggling.
- 1:04:01Speaker 8: What I'm saying is that, like, I feel like they were,
- 1:04:04Speaker 8: expressing how they felt in those moments and how regretful
- 1:04:08Speaker 8: they are and how that's not the way that they
- 1:04:11Speaker 8: would have wanted to end things.
- 1:04:13Speaker 2: Or how.
- 1:04:16Speaker 3: Hindsight's 2020 yeah and like i think you know we've
- 1:04:20Speaker 3: i'm sure everyone in this room has had a moment
- 1:04:21Speaker 3: where like we've kind of been in a different headspace
- 1:04:29Speaker 3: and it's crazy when you can come out of that
- 1:04:30Speaker 3: headspace and you look back at how you were thinking and.
- 1:04:33Speaker 2: You're like that wasn't Yeah. Right. I think that's a
- 1:04:37Speaker 2: good message even, you know, to end on is the
- 1:04:39Speaker 2: fact that, like.
- 1:04:40Speaker 16: I think so.
- 1:04:41Speaker 2: Life is so weird and it's super up and it's
- 1:04:43Speaker 2: super down.
- 1:04:44Speaker 13: But, like, it gets better. Mm-hmm.
- 1:04:47Speaker 2: It always does. It always will.
- 1:04:49Speaker 20: Always will.
- 1:04:49Speaker 11: Mm-hmm.
- 1:04:50Speaker 13: And don't forget that, okay?
- 1:04:51Speaker 2: Don't forget that. Get yourself a good friend.
- 1:04:53Speaker 11: Yeah.
- 1:04:54Speaker 8: Yeah.
- 1:04:54Speaker 2: Yeah. That's all I can do.
- 1:04:58Speaker 10: There's always donuts at the end of the tunnel.
- 1:05:00Speaker 2: We'll get donuts. We're going to get donuts. Food and donuts. Yeah,
- 1:05:04Speaker 2: there's always donuts.
- 1:05:12Speaker 18: This is a work of fiction. Any resemblance to anyone,
- 1:05:19Speaker 18: living or dead, is coincidental and unintentional.
- 1:05:42Speaker 11: Thank you.