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Lux Radio Theatre - "Barnacle Bill" (Old Time Radio, 1946) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: A hard up San Pedro fishing skipper finds his young
• 0:03
  Speaker 1: daughter unexpectedly entering his life. That is the waterfront situation
• 0:09
  Speaker 1: at the center of Lux Radio Theatre's adaptation of MGM's
• 0:12
  Speaker 1: nineteen forty one comedy drama Barnacle Bill. On April first,
• 0:18
  Speaker 1: nineteen forty six, in episode five hundred twenty one, Wallace
• 0:22
  Speaker 1: Bery and Marjorie Maine recreated their film roles as Bill
• 0:26
  Speaker 1: Johansson and Marge Cavendish. Beery's daughter, Carol Ann plays Virginia
• 0:33
  Speaker 1: with Bill's debts, local fishing interests, a three masted schooner,
• 0:37
  Speaker 1: and Marge's hopes for him. All in the harbor current.
• 0:41
  Speaker 1: The story moves through San Pedro's working waterfront, and now
• 0:46
  Speaker 1: our story begins luck present Hollywood.
• 1:02
  Speaker 2: Allus Radio Theater brings you Wallace Bury, Marjorie Main, Noah Berry,
• 1:07
  Speaker 2: and Carol Lamberry in Barnacle Bill, Ladies and Gentlemen, your producer,
• 1:14
  Speaker 2: mister William.
• 1:14
  Speaker 3: Keeling readings from Hollywood Ladies and Gentlemen. There comes a
• 1:24
  Speaker 3: knocking on our door tonight. A seafaring character whose name
• 1:28
  Speaker 3: is famed in song and story Barnicle Bill. While he
• 1:33
  Speaker 3: may not be identical with the gentleman who vowed to
• 1:36
  Speaker 3: sail the sea until I crow, fight and square and
• 1:40
  Speaker 3: chew and smoke. He certainly has many of the lusty
• 1:43
  Speaker 3: and contagious manners of his namesake, and no one could
• 1:47
  Speaker 3: better portray the role of such a character than Wallace Bery.
• 1:51
  Speaker 3: Wally appears co starred with Marjorie Man, his brother Noah,
• 1:56
  Speaker 3: and his daughter Carol Lamb in Metro Boulder Male's boisterous
• 2:01
  Speaker 3: comedy Barnacle Bill asaga spiced with sentiment and humor, and
• 2:06
  Speaker 3: sparked by the excitement so inherent in the lives of
• 2:10
  Speaker 3: those who seek their fortune by the sea, matching brain
• 2:14
  Speaker 3: and muscle with the elements in keeping with that spirit
• 2:18
  Speaker 3: of resourcefulness afloat. Many of you probably saw in a
• 2:22
  Speaker 3: recent issue of Life magazine the photograph of a young
• 2:25
  Speaker 3: American wife sailing to join her husband overseas. Plainly visible
• 2:31
  Speaker 3: in her open suitcase are the gifts she's taking to
• 2:34
  Speaker 3: her husband's family. One is can goods and the other
• 2:39
  Speaker 3: is two packages of luck flakes. And I'm sure that
• 2:43
  Speaker 3: when that young bride meets her in laws for the
• 2:46
  Speaker 3: first time, that friendly gift of luft flakes will do
• 2:50
  Speaker 3: much to break the Ice, as well as to recommend
• 2:53
  Speaker 3: her as a housewife of distinction. We're off to the
• 2:57
  Speaker 3: pungent coast of California and the first stack Sambonnicle Bill,
• 3:01
  Speaker 3: starring Wallace Bury in the title role and Marjorie Mayne
• 3:05
  Speaker 3: as Marge Cavendish, with Noah Berry as Adam Kelly and
• 3:10
  Speaker 3: Carol Ann Berry as Virginia.
• 3:20
  Speaker 4: Like a bra.
• 3:23
  Speaker 5: Sladder, like a flysy that you like a big.
• 3:34
  Speaker 6: Tis you will last.
• 3:44
  Speaker 5: You.
• 3:51
  Speaker 3: It's been nearly six months and Bill Johansson sat in
• 3:55
  Speaker 3: Margie Cavendish's Paula and rendered that parting duet with her Brenda,
• 4:01
  Speaker 3: meaning to tell a pause. But now on the bow
• 4:04
  Speaker 3: of his dilapidated fishing boat, Bill's returning.
• 4:07
  Speaker 7: To Port Pico.
• 4:09
  Speaker 3: His partner labels manfuly at the oars of a rowboat
• 4:13
  Speaker 3: slowly towing the fishing boat in the dock.
• 4:16
  Speaker 6: Hey, why don't you have me with you?
• 4:20
  Speaker 5: Yeah? Help you? Did you ever hear of a captain
• 4:23
  Speaker 5: desserting his ship. I'm just setting here until my vessel
• 4:26
  Speaker 5: sinks from under me. That there's murder tradition, Pico.
• 4:30
  Speaker 8: He made me.
• 4:31
  Speaker 6: But she will talk better if you want some.
• 4:33
  Speaker 4: Of those water.
• 4:34
  Speaker 5: Oh she'll float all right until her we get her
• 4:37
  Speaker 5: into the dock. Hey, Pico, you see that the Blouster
• 4:40
  Speaker 5: schooner over there. That there's the three sisters. Oh go
• 4:45
  Speaker 5: and eat that a pretty ship we see getting. Oh,
• 4:49
  Speaker 5: stop your worrying. There's the boat yard dead ahead. Sure,
• 4:55
  Speaker 5: will you stop your yammering. My sweetie lives in there.
• 4:58
  Speaker 5: She and her Paul. Why him and me's just like
• 5:01
  Speaker 5: father and son. They'll be tickled to death to see me.
• 5:04
  Speaker 5: They'll is that you?
• 5:07
  Speaker 6: Oh Margie?
• 5:08
  Speaker 9: Hello, Pop, that's your father.
• 5:15
  Speaker 5: Be I'm home. Marge s than clare. You'll have a
• 5:21
  Speaker 5: lonely and throwing the line. Tie this up, honey, do it.
• 5:28
  Speaker 5: If you don't, you'll think right here in your front yard.
• 5:31
  Speaker 4: Can't let her.
• 5:32
  Speaker 8: Think you got away.
• 5:37
  Speaker 4: Pull this top on the treadle.
• 5:41
  Speaker 10: You is surprised to say you made help o boards, guys.
• 5:47
  Speaker 9: Don't you try any more of your sick ways? Is
• 5:49
  Speaker 9: my little girl? You good for nothing?
• 5:52
  Speaker 6: Dead beat?
• 5:52
  Speaker 5: Don't you call me a dead beat. I'll sue you
• 5:55
  Speaker 5: for liability.
• 5:56
  Speaker 4: Now stop talking into my papper. I'll put your hair
• 5:58
  Speaker 4: with us. He'll lack.
• 6:00
  Speaker 5: Marge, you ain't changed one teeny bit, have you?
• 6:02
  Speaker 9: You've got that hundred dollars? You will us?
• 6:05
  Speaker 5: Well, I'll tell you the truth. Miss sir Marge, you're
• 6:08
  Speaker 5: just as pretty as you ever was. Oh, this year's Pico,
• 6:11
  Speaker 5: him and Me's partners hot Halo Pico. You remember the
• 6:16
  Speaker 5: little girl I'm always talked about being so handsome and talented?
• 6:20
  Speaker 7: No, I don't remember. Hey, but why did you step
• 6:23
  Speaker 7: on my foot?
• 6:23
  Speaker 5: You remember Pico? My pinup girl?
• 6:26
  Speaker 7: Oh?
• 6:27
  Speaker 5: Yeah, well this is it, Pico on the hook.
• 6:30
  Speaker 9: What about my hundred dollars?
• 6:32
  Speaker 5: Pop? I ain't got it on me at the moment,
• 6:34
  Speaker 5: just an oversight.
• 6:35
  Speaker 9: I'm going for a lawyer right now. Either touch your boat.
• 6:39
  Speaker 4: You ain't gonna nowhere, pap theyll ain't got a boat.
• 6:42
  Speaker 4: He can't face it. You can't face you can't face Well.
• 6:45
  Speaker 9: Get on in the store.
• 6:46
  Speaker 6: Daughter, customer just came in seeing.
• 6:48
  Speaker 5: A minute at Marge, Pico. Ain't that some fine figure
• 6:53
  Speaker 5: of a woman.
• 6:54
  Speaker 7: I don't know being I think maybe you just been
• 6:56
  Speaker 7: looking on the mackerels too long.
• 6:59
  Speaker 5: And Bill you go to get annoyed? Who cares? I
• 7:02
  Speaker 5: don't really own the boat anyway. You don't own your ball,
• 7:05
  Speaker 5: not legal like I don't that both belongs to my daughter.
• 7:08
  Speaker 5: When I bought it, I had a put in Virginny's name.
• 7:11
  Speaker 5: How could I know that? Ain't seen her since I
• 7:14
  Speaker 5: left Gloucester. That's a long time I've go How do
• 7:17
  Speaker 5: I know? I don't know?
• 7:18
  Speaker 7: What are we going to do?
• 7:19
  Speaker 4: Now?
• 7:19
  Speaker 5: You're going to help that fella get that boat up
• 7:21
  Speaker 5: on the crate, Li, I'm going in and smooth some
• 7:23
  Speaker 5: with March. A cracker dog dog Girlant March, you sure
• 7:33
  Speaker 5: have got a fine story here. Everything a seafaring man
• 7:37
  Speaker 5: want for well, I know it's hard work.
• 7:39
  Speaker 4: That's something you wouldn't know anything about.
• 7:42
  Speaker 5: You know, March. I've seen a lot of women in
• 7:45
  Speaker 5: my life, but I never seed any like you. When
• 7:48
  Speaker 5: they're talented, why they ate pretty? And when they're pretty?
• 7:50
  Speaker 5: Why why they sophisticated? Gosh, you got all free combined.
• 7:57
  Speaker 11: Flatters man ever didn't see but somehow it always costs
• 8:01
  Speaker 11: me money.
• 8:02
  Speaker 5: No, No, what did you have to go say that for?
• 8:05
  Speaker 5: I was I was just going to speak about that
• 8:07
  Speaker 5: little bill that I owe, But you got me all embarrassed.
• 8:10
  Speaker 5: You know I don't want Oh, well, I mean to
• 8:13
  Speaker 5: go on here, Well, I change you're kind of a suddon, Marg.
• 8:16
  Speaker 5: I just think had time to have my bank accounts transferred.
• 8:20
  Speaker 5: You got your pants on, Margie, Sure, I got my
• 8:22
  Speaker 5: bridges on.
• 8:23
  Speaker 11: And you're standing in the middle of your bank account
• 8:26
  Speaker 11: right now.
• 8:27
  Speaker 5: You know, dog gone, Well, I'll pay you the first
• 8:29
  Speaker 5: load of fish. I get pay off a one hundred dollars
• 8:32
  Speaker 5: with one load of fish.
• 8:33
  Speaker 7: Huh for some optimist that's it.
• 8:35
  Speaker 5: Won't call me names when I go after fish, I
• 8:38
  Speaker 5: get them.
• 8:39
  Speaker 4: Yeah, prices ain't what.
• 8:41
  Speaker 5: They used to bring ow mis off of my crackers?
• 8:46
  Speaker 5: Have I been eating your crackers?
• 8:48
  Speaker 4: Cosh your hand?
• 8:48
  Speaker 7: You see?
• 8:49
  Speaker 5: Well you got me so dog gun stirred up. I
• 8:51
  Speaker 5: don't even know what I'm doing, Margie, dog goonet, you're
• 8:54
  Speaker 5: you're pretty in the sea bass Nah stole.
• 8:57
  Speaker 7: That soft talk.
• 8:58
  Speaker 4: I'm talking about the face, not the look. Some things
• 9:03
  Speaker 4: are tough, Bill, they are Rah. There's no good thief
• 9:06
  Speaker 4: in town.
• 9:07
  Speaker 5: No, marg don't be like your Paul.
• 9:09
  Speaker 4: I'm not talking about you. I'm talking about a hound
• 9:12
  Speaker 4: dog named Adam Kelly. He runs the wholesale business.
• 9:16
  Speaker 11: Here and all he gives is five cents a pound
• 9:19
  Speaker 11: for tona.
• 9:20
  Speaker 5: Well what do they sell it to him? Part?
• 9:22
  Speaker 4: Because ain't nobody else will buy? When they try to killing.
• 9:25
  Speaker 11: These stubs on the town. Somebody's got to stand up
• 9:29
  Speaker 11: to that part. They'll I think you're the.
• 9:33
  Speaker 4: One to do it.
• 9:34
  Speaker 5: Who me? Why should I go out after five cents
• 9:39
  Speaker 5: when I can get turkey sent sword face? Uh?
• 9:42
  Speaker 11: You mean why should you work hard when you can
• 9:45
  Speaker 11: sit on that broad beam of yours and wait for
• 9:48
  Speaker 11: a sword face to come by?
• 9:49
  Speaker 5: Oh? What do you gotta be that way? Far? March?
• 9:52
  Speaker 5: I'm simply protecting your investment in me. How long is
• 9:56
  Speaker 5: it going to take before my boat's ready to go again?
• 9:59
  Speaker 4: If Jeff says today.
• 10:00
  Speaker 5: Oh you just wait and see what I'm.
• 10:03
  Speaker 4: And why are your boats here? You're living on the
• 10:05
  Speaker 4: boat no more? Bored with me? And pup?
• 10:08
  Speaker 5: Well you just remember this? Soon's my ship seaworthy. I'm
• 10:12
  Speaker 5: going fishing. Why I regard my financial obligation to you
• 10:16
  Speaker 5: as a well as a dead honor? I'd be nothing
• 10:20
  Speaker 5: more than a mangy old, unreputable sea going skunk was
• 10:25
  Speaker 5: either try and well shaw on you and your Paul,
• 10:28
  Speaker 5: wouldn't I.
• 10:29
  Speaker 4: You're taking me something terrible now.
• 10:32
  Speaker 5: But about saying March now, don't go on it? How
• 10:35
  Speaker 5: can you think of such a thing?
• 10:46
  Speaker 4: Wake up your hair?
• 10:47
  Speaker 5: Oh oh, oh, hello March. Don't hello me. No, wait
• 10:58
  Speaker 5: a minute. You ought to be shamed yourself breaking into
• 11:02
  Speaker 5: a gentleman's boutoir like this.
• 11:04
  Speaker 4: I hope you had a good time last night for that.
• 11:06
  Speaker 5: Blonde Marjorie Cabin dish.
• 11:10
  Speaker 4: Don't blah blah blahlah. So you went to I'm that swoon?
• 11:13
  Speaker 5: What blonde? Oh oh her, that was just an of mine,
• 11:21
  Speaker 5: that's all.
• 11:22
  Speaker 4: And oh school town. Her name's man Man. She's worked
• 11:26
  Speaker 4: that saloon for twenty years.
• 11:28
  Speaker 5: Say if your paty says I was in that saloon,
• 11:32
  Speaker 5: he's telling a big fib. He's just mad because I
• 11:34
  Speaker 5: wouldn't buy him a beard.
• 11:37
  Speaker 11: I heard you brought in a big sword fish yesterday afternoon,
• 11:40
  Speaker 11: a big sword fish.
• 11:41
  Speaker 5: I almost foot overboard. It was so little it's sold.
• 11:44
  Speaker 4: It was sad. You promised to pay me out the
• 11:46
  Speaker 4: first Polly God.
• 11:47
  Speaker 5: Sure I did in a minute. Two, Hey, Pico, come here, pardon,
• 11:53
  Speaker 5: come on over here, come here, give this kelvin dish.
• 11:56
  Speaker 5: That there five dollars we've been saving special for her.
• 12:03
  Speaker 5: Well give it to her, but give it to her
• 12:07
  Speaker 5: all start and let that be a lesson, Miss Margie Cabin.
• 12:11
  Speaker 5: They should never condemned nobody until they're convicted.
• 12:14
  Speaker 11: Yeah, last night ought to be a lesson to you
• 12:18
  Speaker 11: to stay away from blonde name many my five dollars.
• 12:23
  Speaker 5: You'll give it to her a bead idea, But that
• 12:25
  Speaker 5: five dollars, I gotta say some money to my dear
• 12:28
  Speaker 5: own mother. I'm glad you spoke of that Piko, A
• 12:31
  Speaker 5: fellow who don't take care of his parents. Ain't no good.
• 12:34
  Speaker 5: Oh gosh, oh you'll.
• 12:37
  Speaker 7: Get thirty dollars for spont fish.
• 12:39
  Speaker 5: How could you be so selfish? Pico? I got expenses
• 12:43
  Speaker 5: and income taxes and everything to pay that big.
• 12:46
  Speaker 7: Five bland and a salon. She killed your money.
• 12:49
  Speaker 5: I'll talk to me about last night. It's a horrible member,
• 12:52
  Speaker 5: But I'm going to say some money to my pull
• 12:54
  Speaker 5: on mother. Up yapping about your mam. Come on, help
• 12:59
  Speaker 5: me get up on that because I got to relax
• 13:01
  Speaker 5: in the sunshine and then get me some coffee. Don't
• 13:05
  Speaker 5: forget the cream. Where are I going to get your cream?
• 13:08
  Speaker 5: I got no cow. Use your imagination steal it off
• 13:11
  Speaker 5: of somebody's front door stair made I you wish I
• 13:14
  Speaker 5: had a headful of brains like you. Sure wish you
• 13:17
  Speaker 5: had in my head.
• 13:22
  Speaker 7: Hey, alright, you have to yell like that, can't you see?
• 13:26
  Speaker 5: I'm stop that streetsing lady saying? Who said you could
• 13:32
  Speaker 5: come aboard my ship? You're the two noisiest females I
• 13:40
  Speaker 5: ever seed.
• 13:41
  Speaker 12: You're not strangers, Will Johansen, This little girl happens to.
• 13:45
  Speaker 4: Be your daughter?
• 13:46
  Speaker 9: What did you say?
• 13:48
  Speaker 5: What are you? Well? Letty Breckon bridgets you ain't it?
• 13:53
  Speaker 9: You always was.
• 13:54
  Speaker 5: Bad luck to me?
• 13:56
  Speaker 12: And you remember your baby?
• 13:57
  Speaker 5: I hope, sure I do. But this year kid that
• 14:01
  Speaker 5: ain't her mine was only all well, she was only
• 14:04
  Speaker 5: about that long.
• 14:06
  Speaker 13: Children have a way of growing up. Well, Virginia, you
• 14:09
  Speaker 13: finally had your wish. You've seen your father.
• 14:12
  Speaker 12: Now let's get off this smelly old boat.
• 14:14
  Speaker 8: Oh no, I can't. I can't leave my father.
• 14:17
  Speaker 12: It's quite obvious your father doesn't want you.
• 14:19
  Speaker 8: Oh of course you want me. Gave me this boat,
• 14:22
  Speaker 8: didn't he?
• 14:22
  Speaker 9: Sure?
• 14:23
  Speaker 5: Wait a minute, you had it registered in my name.
• 14:26
  Speaker 8: Because we got a notice, and that's how you know
• 14:28
  Speaker 8: we find you here.
• 14:29
  Speaker 5: Yes, but I only did that.
• 14:31
  Speaker 12: Nothing can prove to me that he's fit to be
• 14:33
  Speaker 12: your father?
• 14:34
  Speaker 5: Who ain't fit? Now? Don't you go poisoning her mind
• 14:36
  Speaker 5: like your Denner. Mo's ain't nobody that's any fitter, and
• 14:40
  Speaker 5: I'm staying with him forever.
• 14:42
  Speaker 12: Now, Look, dear, I've been over this with you one
• 14:44
  Speaker 12: hundred times.
• 14:45
  Speaker 8: I can't leave you.
• 14:47
  Speaker 12: All right.
• 14:48
  Speaker 13: Your suitcase is there on the dock, and you know
• 14:50
  Speaker 13: her you can reach me. I'll stay at the hotel
• 14:52
  Speaker 13: in town until my ticket runs out.
• 14:54
  Speaker 12: When you're ready to go home. When you want anything,
• 14:58
  Speaker 12: just tell a phone.
• 14:59
  Speaker 8: Thanks. I'm going to miss you.
• 15:02
  Speaker 12: It won't be for long, darling, I'm quite sure of that. Goodbye, dear, goodbye.
• 15:07
  Speaker 5: Hey, where's she going?
• 15:09
  Speaker 8: That's a Gloucester and I'm going to stay with you.
• 15:12
  Speaker 8: You know, I've thought about you all my life. It's
• 15:16
  Speaker 8: sure going to be good having my own paw and
• 15:18
  Speaker 8: sitting aboard my own boat.
• 15:20
  Speaker 5: Ye, don't you go getting any ideas, you know, I'm
• 15:23
  Speaker 5: still the skipper.
• 15:24
  Speaker 8: Sure, you're a pauw. We always had a sea captain
• 15:27
  Speaker 8: our family.
• 15:28
  Speaker 5: My grandpa was Oh, he practically drove me from the
• 15:32
  Speaker 5: bosom of my family.
• 15:34
  Speaker 8: Folks back home were awful proud of me. They gave
• 15:37
  Speaker 8: him this. Look this telescope.
• 15:40
  Speaker 5: Oh gee, that's some telescope, ain't it got?
• 15:44
  Speaker 8: For being the best skipper in Gloucester. He had a schooner,
• 15:48
  Speaker 8: the most beautiful thing you ever saw, just like that
• 15:51
  Speaker 8: one over there.
• 15:52
  Speaker 5: Well that there, well that that's the three sisters. You know.
• 15:57
  Speaker 5: I brought her out all the way from the East
• 16:00
  Speaker 5: coast myself. You did, mm, I was going to go
• 16:03
  Speaker 5: down to the South seas. Whether when they own this
• 16:06
  Speaker 5: dog gone it? They went and laid it up.
• 16:07
  Speaker 8: Gosh, I wish yet, lady, and you did that. I
• 16:11
  Speaker 8: was sure you were a real sea catch.
• 16:13
  Speaker 5: Good. Oh say what about that that telescope that's got
• 16:17
  Speaker 5: gold bands around it? Ain't it?
• 16:19
  Speaker 4: You're going?
• 16:20
  Speaker 5: I bet I bet we could borrow a hundred dollars
• 16:23
  Speaker 5: on that. Don't you say? You come with me?
• 16:25
  Speaker 8: I want you to need an old friend of mine,
• 16:31
  Speaker 8: you manaca am.
• 16:33
  Speaker 5: He's nobody's friend, not eating me his own? Watch me
• 16:37
  Speaker 5: wake him up?
• 16:38
  Speaker 9: What's going on here? What is foundation? Get out of here?
• 16:43
  Speaker 5: Oh pop, friend Margie? You leave Herbie, you sit down here,
• 16:47
  Speaker 5: But Jinny Margie must be out in the kitchen. I'll
• 16:50
  Speaker 5: be right back. What is it?
• 16:54
  Speaker 7: Guess who?
• 16:55
  Speaker 9: Honey?
• 16:56
  Speaker 4: I don't have to nobody, but you come in without
• 16:59
  Speaker 4: being asked.
• 17:00
  Speaker 5: Gosh, m sure smells good. Whatever you're cooking march. You know, honey,
• 17:05
  Speaker 5: it must get awful. Loan some around here without nobody
• 17:08
  Speaker 5: to talk to. Accept that cranky old man of yours.
• 17:11
  Speaker 5: Now you, oh you don't know what I mean? I mean,
• 17:15
  Speaker 5: don't you ever think what a blessing little children is?
• 17:19
  Speaker 4: Well you're finally proposing.
• 17:23
  Speaker 5: Oh no, no, nah, honey, you're you're jumping out conclusions.
• 17:26
  Speaker 5: I don't mean little babies, I mean growed up like
• 17:30
  Speaker 5: my daughter. Oh, oh, Jenny, Jenny, come in here.
• 17:34
  Speaker 4: So that's it. I might have known you're a beg
• 17:36
  Speaker 4: of us.
• 17:36
  Speaker 5: Oh but Martie, you got me all wrong. No, No,
• 17:40
  Speaker 5: her mom died when she was a little bitty baby.
• 17:44
  Speaker 5: Why she must be twelve or fourteen? Fifteen? Now see mind, Look,
• 17:50
  Speaker 5: ain't it's you a nice kid? Well, here's what I've
• 17:53
  Speaker 5: been thinking. I thought that maybe you could put a
• 17:56
  Speaker 5: little old cop there in your room where she could sleep.
• 17:58
  Speaker 5: And so I'm willing to pay you a little extra
• 18:02
  Speaker 5: for board, and then you will have her as security
• 18:05
  Speaker 5: for what I owe you.
• 18:07
  Speaker 4: Oh your hands, is that a swell idea?
• 18:10
  Speaker 6: What you're doing here?
• 18:12
  Speaker 4: Take this quarter, go get a couple more pork chops
• 18:15
  Speaker 4: for launch.
• 18:15
  Speaker 5: You mean she can stay get along with you?
• 18:18
  Speaker 4: Straighten that all out?
• 18:22
  Speaker 5: Hey, you ain't got a got an extra slick dime? Habit?
• 18:27
  Speaker 5: What car? Well? I maybe i'd get a little card,
• 18:31
  Speaker 5: but I can get along without it. I guess now
• 18:34
  Speaker 5: here you you'd be nice and plank jenny like your pa.
• 18:38
  Speaker 4: Hello, honey, would you really like to stay here with me?
• 18:44
  Speaker 8: I don't know. I thought my father wanted me. He
• 18:48
  Speaker 8: gave me his boat. That's why I came out here.
• 18:50
  Speaker 8: But now I know I did it just so I
• 18:52
  Speaker 8: wouldn't have to pay his bill.
• 18:54
  Speaker 4: Who in the world ever told you that whether he's
• 18:59
  Speaker 4: the word of truth in there isn't I reckon? I
• 19:01
  Speaker 4: ought to know?
• 19:03
  Speaker 11: Say you ought to heard your pep talk about you
• 19:08
  Speaker 11: prouder in a cucumber?
• 19:10
  Speaker 4: What prouder?
• 19:12
  Speaker 7: Now?
• 19:12
  Speaker 11: Look, child, your path ain't no great shakes to look at.
• 19:16
  Speaker 11: But fat boy's got some good qualities down underneath.
• 19:19
  Speaker 8: Oh, I know, I'm sure he has.
• 19:22
  Speaker 6: Look.
• 19:22
  Speaker 8: Can I set the table for you?
• 19:23
  Speaker 5: Oh?
• 19:23
  Speaker 4: You know you don't need to bother, but I'd like
• 19:26
  Speaker 4: to hold me.
• 19:27
  Speaker 8: I can keep pause from my paw.
• 19:29
  Speaker 4: Well, you'll be all right, honey. And you know there's
• 19:33
  Speaker 4: some other ways we can help him. Your pap don't
• 19:36
  Speaker 4: know it, but what he needs in his life is
• 19:39
  Speaker 4: a woman.
• 19:40
  Speaker 8: Well I'm not exactly a woman.
• 19:43
  Speaker 4: Oh well, you'll do all right, now, I'll help you.
• 19:45
  Speaker 8: Do you think you'll ever be assuring enough? Seat?
• 19:48
  Speaker 11: Well, with both of us concentrating on him, there's no
• 19:50
  Speaker 11: telling what's going to happen.
• 19:52
  Speaker 4: Now, let's see tomorrow Sunday. How do you like to
• 19:54
  Speaker 4: go to church? Honey? You mean, oh, and specially your
• 19:58
  Speaker 4: paw become a nice room to me the preacher.
• 20:00
  Speaker 8: Don't you think, Oh that'd be wonderful.
• 20:03
  Speaker 4: Yes, sir, there's no telling what's gonna happen.
• 20:08
  Speaker 9: Like a blood can halt.
• 20:11
  Speaker 4: Needs bloodness like the floors nay.
• 20:19
  Speaker 6: Boo.
• 20:32
  Speaker 14: Our stars will return in XT two a bonnacle bill.
• 20:35
  Speaker 14: In just a moment, say lebby, what are the stars
• 20:38
  Speaker 14: going to wear in the Easter parade?
• 20:40
  Speaker 15: Well, starting from the ground up, I'd say anyone who
• 20:42
  Speaker 15: owns a pair of nylons will have them on that day.
• 20:46
  Speaker 12: The stars guard their nylons like gold, you know, just
• 20:48
  Speaker 12: like the rest of us.
• 20:50
  Speaker 5: That must mean luxe care.
• 20:51
  Speaker 12: Oh naturally, because lux cut runs way down.
• 20:54
  Speaker 5: Imagine a movie star with a run clout.
• 20:57
  Speaker 15: At Colbert for instance, you know she's just This's won
• 21:00
  Speaker 15: the Fashion Academy's award for the best Dressed Woman on
• 21:02
  Speaker 15: the screen, on.
• 21:03
  Speaker 14: The screen or off the screen. I've never seen Claudette
• 21:05
  Speaker 14: look less than perfect, and it's.
• 21:07
  Speaker 15: All her own good taste. Remember those stunning clothes she
• 21:10
  Speaker 15: wears and Tomorrow Is Forever She selected practically all of
• 21:13
  Speaker 15: them herself. Directors say, she not only knows what looks
• 21:17
  Speaker 15: well on her, but knows what clothes will help the
• 21:19
  Speaker 15: mood of.
• 21:19
  Speaker 14: The scene that's important than the picture, like Tomorrow Is Forever,
• 21:22
  Speaker 14: where there are so many tense emotional situations.
• 21:25
  Speaker 12: Yes, and perfect clothes. Care is important too.
• 21:28
  Speaker 15: Suppose Claudette got a stocking run when she's pleading with
• 21:31
  Speaker 15: Orson Wells, who plays the part of her first husband.
• 21:34
  Speaker 12: But international studios watch out for things like that.
• 21:37
  Speaker 15: They specify luck for stockings as well as all other
• 21:40
  Speaker 15: nice washables.
• 21:41
  Speaker 14: Lux care really does make stockings last longer. Hundreds of
• 21:45
  Speaker 14: scientific strain tests proved that stockings washed with LUs didn't
• 21:49
  Speaker 14: go into runs nearly so quickly as those washed with
• 21:51
  Speaker 14: strong soap or rubbed with cake soap.
• 21:53
  Speaker 15: So no matter what kind of stockings you're planning to wear,
• 21:56
  Speaker 15: in the Easter parade, prolong their life with lux care.
• 22:00
  Speaker 14: You can make your lux go further too, if you
• 22:02
  Speaker 14: use only as much as you need to make rich suns.
• 22:05
  Speaker 14: Lux contains vital material, so don't waste it. Here's mister
• 22:09
  Speaker 14: Keeley at the microphone.
• 22:11
  Speaker 3: Our curtain rises on Act two of Barnacle Bill, starring
• 22:15
  Speaker 3: Wally Berri in the title role and Marjorie Maine as
• 22:18
  Speaker 3: Marge Cavendish, with Noah Biri as Kelly and Carol Anne
• 22:23
  Speaker 3: Berry as Virginia. Margie's campaign to reform Bill has borne
• 22:29
  Speaker 3: a sudden and startling result.
• 22:32
  Speaker 5: She's actually succeeded in getting him to church.
• 22:35
  Speaker 3: Margie and Virginia beam happily as they join Bill in
• 22:40
  Speaker 3: the closing and.
• 22:43
  Speaker 5: We shall fabre Die.
• 22:46
  Speaker 7: Bringing in the scene. In the scene, we shall ratie.
• 22:58
  Speaker 5: Ing Ma.
• 23:07
  Speaker 3: It's two hours later now, and with the Minister as
• 23:11
  Speaker 3: a guest for Sunday dinner, Marjie, her father and Virginia
• 23:15
  Speaker 3: wait hopefully for Bill.
• 23:19
  Speaker 5: Coming.
• 23:19
  Speaker 16: How long we got to wait for that biscuit weaver? Hush,
• 23:23
  Speaker 16: don't shush me, that's his priches. I could eat the shock.
• 23:27
  Speaker 16: Where do you suppose William is now attack in a
• 23:30
  Speaker 16: silly question. He stopped off in the saloon. My father
• 23:34
  Speaker 16: wouldn't go near a saloon.
• 23:36
  Speaker 5: I should hope not, especially on the Sabbath.
• 23:39
  Speaker 9: Bill, ain't that choosy?
• 23:41
  Speaker 5: Now?
• 23:41
  Speaker 4: Hush up, Paul. Bill took the players just last night,
• 23:44
  Speaker 4: the New Virginia.
• 23:45
  Speaker 8: He promised me, he promised me.
• 23:50
  Speaker 5: That's William, now, isn't it. Listen he's singing.
• 23:54
  Speaker 9: Higher than a close near to work.
• 23:59
  Speaker 8: They know how as?
• 24:01
  Speaker 5: Oh hello, Shitney, Hello, what have you been?
• 24:05
  Speaker 4: You've got a breath stum enough to drive a pylon,
• 24:08
  Speaker 4: and the minister's.
• 24:09
  Speaker 5: Here, Reverend, permit me to congratulate you on your sermon
• 24:13
  Speaker 5: this morning. I was I was just tell the boys
• 24:16
  Speaker 5: dollar the slued Oh.
• 24:19
  Speaker 6: After all your problems?
• 24:21
  Speaker 5: Oh what everybody chicking on me for?
• 24:24
  Speaker 9: You brought your word.
• 24:26
  Speaker 8: That's the worst thing anybody can do.
• 24:28
  Speaker 11: Now, you got a tears, you're nre low down sea
• 24:32
  Speaker 11: cow you come here, Marcie, you let go my ear?
• 24:36
  Speaker 4: Not a put off getting drunk on Sunday.
• 24:38
  Speaker 5: Pop collar off, Baker, turn me loose.
• 24:40
  Speaker 4: You get your head under that spot here, here's water
• 24:45
  Speaker 4: something you normal thing about?
• 24:46
  Speaker 5: Stop at Mark, stop at that hole, Stop at my honey.
• 24:51
  Speaker 5: This is sheer madness. Jenny, Is that that you? Jenny?
• 25:08
  Speaker 5: What you're doing? Jenny, I'm I'm awfully sorry about what
• 25:16
  Speaker 5: happened this afternoon. Shee what you're thinking about.
• 25:21
  Speaker 8: I'm thinking about Grandpa? What about grands I'm thinking I'd like.
• 25:27
  Speaker 5: To do just what he did, cast me out or
• 25:30
  Speaker 5: go ahead if he gets stuck out trying to help you.
• 25:34
  Speaker 8: I'm thinking about when Grandpa got sick the last time.
• 25:38
  Speaker 8: The doctor told him you never get out of bed again.
• 25:41
  Speaker 8: That night, Grandpa got up and went out to his boat.
• 25:44
  Speaker 5: But you just said he was ailing.
• 25:46
  Speaker 8: That didn't matter because he was a sea captain. The
• 25:49
  Speaker 8: sea captains don't like.
• 25:51
  Speaker 7: To die and bick.
• 25:52
  Speaker 5: That's right, we don't sick as he was.
• 25:55
  Speaker 8: He went out to sea all alone. Nobody ever saw. Oh,
• 26:02
  Speaker 8: I think that's a beautiful way to die.
• 26:04
  Speaker 5: Oh that's a fine thing to be talking about. You're
• 26:08
  Speaker 5: too young to why what what would I do without you? Jimmy? Oh,
• 26:15
  Speaker 5: that's crazy? Whatever made you?
• 26:18
  Speaker 8: Don't you start crying now?
• 26:20
  Speaker 5: I'm just sorry for the way I had treated you
• 26:23
  Speaker 5: as all. And I wasn't crying either. Something just flew
• 26:27
  Speaker 5: in my eye, Jinny, I'm going to get myself a job.
• 26:33
  Speaker 5: I'm going to go to work.
• 26:35
  Speaker 8: You won't have to look for job. Papire got one
• 26:38
  Speaker 8: for you.
• 26:38
  Speaker 5: Oh no, why did you have to go and do that?
• 26:40
  Speaker 8: Far tell us what is going out tomorrow? You don't
• 26:44
  Speaker 8: have to take it if you don't want to.
• 26:45
  Speaker 5: Well, I guess the trouble is I want to Paul.
• 26:51
  Speaker 5: Could you just be like that again?
• 26:53
  Speaker 8: Oh sure, Paul?
• 26:55
  Speaker 5: Wait wait, I make sure that nobody's peaking. Nobody speaker.
• 27:01
  Speaker 17: Guys, take a kut to my tony, my mardy, I
• 27:20
  Speaker 17: look up a game.
• 27:21
  Speaker 6: Don't worry.
• 27:22
  Speaker 12: Don't forget you away.
• 27:23
  Speaker 6: You're hit me anywhere, jiddy, That ain't no for turn
• 27:26
  Speaker 6: to talk.
• 27:27
  Speaker 8: You tell me, don't let it go, honey.
• 27:37
  Speaker 4: Oh well, let me back in the month.
• 27:39
  Speaker 5: Melling like a can of farny.
• 27:42
  Speaker 8: I love studies much.
• 27:44
  Speaker 4: Yeah, me too.
• 27:50
  Speaker 5: There he is much fact, Papa, Papa, Hello, Jenny, guys,
• 27:55
  Speaker 5: sir My glad to see you all. Oh jee oh
• 28:00
  Speaker 5: go away, get away, you'll get all smelly with fish. Hello,
• 28:03
  Speaker 5: min hell, don't get hold you know me? Them to
• 28:07
  Speaker 5: come to me like shops to a hunk of port.
• 28:10
  Speaker 4: You mean like these the honey telly boy, the bad.
• 28:18
  Speaker 5: You sure will Hello, Jenny, Gee. When I get paid off, Ginny,
• 28:24
  Speaker 5: I'm gonna have as much as two hundred dollars and
• 28:27
  Speaker 5: I'm going to buy you the prettiest dress that I
• 28:30
  Speaker 5: can find, too.
• 28:31
  Speaker 8: Gosh, I'd like a dress, Papa. Let's say that money
• 28:35
  Speaker 8: save it?
• 28:36
  Speaker 5: What for?
• 28:37
  Speaker 8: Oh maybe there's something like that school?
• 28:39
  Speaker 5: Or say she's still in the harbor, ain't she the
• 28:44
  Speaker 5: three sisters guys having a ship like that, that's worth
• 28:50
  Speaker 5: saving p aint.
• 28:52
  Speaker 6: We're gonna get paid off now.
• 28:54
  Speaker 5: Well, I'm coming Pico. Come on, honey, we'll pick up
• 29:03
  Speaker 5: one and fifty, one hundred and sixty five. Hey, what
• 29:07
  Speaker 5: is this? We're all sleep and bill? But what can
• 29:10
  Speaker 5: we do about it? Well? I figured I had about
• 29:12
  Speaker 5: two hundred dollars coming to me. Where is that Adam
• 29:14
  Speaker 5: Kelly Fellow? Ain't that his office there on the dock?
• 29:17
  Speaker 6: He no use bills?
• 29:18
  Speaker 7: Kelly ain't here your dead fellow works for him?
• 29:20
  Speaker 18: Dick Kelly ad Dixon checked the waits for us.
• 29:23
  Speaker 5: I'd be suspicious, but Bacon did it. He's always been
• 29:26
  Speaker 5: honest before. While we get paid by the weight of fish,
• 29:29
  Speaker 5: and one thing I do know is what fish ways?
• 29:31
  Speaker 8: The man needs the money pot can't you do something
• 29:34
  Speaker 8: about it?
• 29:34
  Speaker 5: Them crooks. They can't do nothing like that to us,
• 29:37
  Speaker 5: for Jinny, not unless they cut us in on it.
• 29:40
  Speaker 8: You're going to stick up to the fisherman, aren't you.
• 29:42
  Speaker 5: Well, I'm going to do something here.
• 29:45
  Speaker 17: You you wait here, don't worry, man, My Paul gets
• 29:49
  Speaker 17: your money for you, my paw by Kelly's home.
• 29:52
  Speaker 10: Gang.
• 29:52
  Speaker 18: I have you got any business with Kelly? You can
• 30:03
  Speaker 18: tell it to me.
• 30:05
  Speaker 5: Okay, mister Dixon. I figured somebody made about three thousand
• 30:09
  Speaker 5: dollars extra off of that Lord of Tuna. Me and
• 30:12
  Speaker 5: those boys out there just brung in, you know, huh yeah,
• 30:15
  Speaker 5: But they no sense taking trouble if you can settle
• 30:18
  Speaker 5: things peaceful like walking for the gang or just for
• 30:22
  Speaker 5: yourself and here alone, ain't I what are you figure
• 30:25
  Speaker 5: you got coming? About fifty bucks? I'll just so there'll
• 30:29
  Speaker 5: be no hard feelings. Of course, this year don't include
• 30:32
  Speaker 5: anything for keeping my mouth shut? What's that worth? Well?
• 30:35
  Speaker 5: I got a pretty big mouth, mister Dixon. How about
• 30:38
  Speaker 5: a hundred bucks that would only about half shut my
• 30:41
  Speaker 5: mouth on more? All right, hand it.
• 30:44
  Speaker 18: Over and then fishermen out there, they're coming here. Put
• 30:47
  Speaker 18: that door on your pucket and beat it.
• 30:49
  Speaker 5: Oh wait, wait a minute, Huh that's my kid with them.
• 30:52
  Speaker 5: See well what about it? Well that kids my conscience.
• 30:55
  Speaker 5: I guess I've changed my mind. Dixon, Hey, what's wrong?
• 30:59
  Speaker 5: Would you that kid? A promise? This time? I'm keeping it?
• 31:03
  Speaker 5: Are you going to pay those fishmen? Beare and square?
• 31:05
  Speaker 6: Not just me but all of them.
• 31:07
  Speaker 5: I'll get away with you. Sure, I'm get away, but
• 31:09
  Speaker 5: you're coming with me. Now you're either paying those men off?
• 31:14
  Speaker 5: Roun'd punching you, mister Wright, square in the nose?
• 31:16
  Speaker 18: Fine, since I was staying with that gang? Ready to
• 31:18
  Speaker 18: tell me a pause?
• 31:19
  Speaker 5: It's between you and me? Are you lord? Okay? Your
• 31:22
  Speaker 5: head off? You want them off? Hey? That boys? This
• 31:27
  Speaker 5: chair fighters sick, pray private, but.
• 31:31
  Speaker 18: Stay down your hampson mean will be getting up, haven't
• 31:36
  Speaker 18: you here?
• 31:36
  Speaker 5: Watch this one catch herself attuning fish Mister Dixon.
• 31:45
  Speaker 6: Kelly's coming to McDonald come get off right, get off
• 31:50
  Speaker 6: right down?
• 31:51
  Speaker 5: Hey, where you are our voice? Keep out of this.
• 31:53
  Speaker 5: That'sh it for a fine. Come on, let's get him fight.
• 31:59
  Speaker 5: Oh I ain't had such a good time and I
• 32:01
  Speaker 5: left them dawn Marine just don't stand their addiction. What
• 32:10
  Speaker 5: did you find out. Where's your answers about a shipyard?
• 32:15
  Speaker 5: That's fine, fine, sleeps the boarder.
• 32:17
  Speaker 18: Eh, but if it's all the same hu posts, I
• 32:20
  Speaker 18: ain't picking another fight.
• 32:21
  Speaker 5: Find a bunch of dopes. We are letting them beat
• 32:23
  Speaker 5: our ears off. No, we're not picking any fights. I
• 32:28
  Speaker 5: got a better idea. I'm listening. You and McDonald are
• 32:31
  Speaker 5: going aboard that boat, open up the seacups and cast
• 32:34
  Speaker 5: her all a nice clean job. See what about the cops?
• 32:38
  Speaker 5: What about them? What are they going to find? The
• 32:41
  Speaker 5: boat will be at the bottom of the harbor. Too bad? Yeah,
• 32:46
  Speaker 5: excuse me? I, oh.
• 32:59
  Speaker 6: My, what's the matter?
• 33:01
  Speaker 8: What are you hollering about?
• 33:02
  Speaker 15: Oh?
• 33:03
  Speaker 9: You ain't your corner.
• 33:04
  Speaker 5: What's the idea of putting a mouse crap in my bed?
• 33:08
  Speaker 4: What do you mean mouse?
• 33:09
  Speaker 7: Why?
• 33:11
  Speaker 5: I don't know why, I only oh I'm pickle, of
• 33:16
  Speaker 5: course you getting put in my bunk. It must have
• 33:19
  Speaker 5: just floated in in all this water here going back
• 33:22
  Speaker 5: to sleep, peacle, I'll just water what pinkle? We're thinking this,
• 33:27
  Speaker 5: we're thinking let's get out of here, Quit yowling and
• 33:33
  Speaker 5: step right out on the top pair.
• 33:38
  Speaker 6: Nobody moves me.
• 33:39
  Speaker 8: Docre half the rope.
• 33:43
  Speaker 5: For the hold on We're all right, Pekle. You're just
• 33:46
  Speaker 5: a few people from the dock. Margie, Margie F Brown, Honey,
• 33:54
  Speaker 5: we're sinking. What get your dingy?
• 33:59
  Speaker 7: Mark and row.
• 34:05
  Speaker 4: All right?
• 34:06
  Speaker 5: That crazy people left the seahawks open. Bullam in the dinghy?
• 34:15
  Speaker 5: Mark pull him in yourself. Well, honey, just to do that,
• 34:20
  Speaker 5: I get this mouse cap off my pinky there. Well, honey,
• 34:25
  Speaker 5: looks like I'll have to be boarding.
• 34:27
  Speaker 7: With you, after all, you won't be living on that boat.
• 34:32
  Speaker 5: Well, I guess it's just state Marky bringing us post
• 34:35
  Speaker 5: post together. Who might have struggle against the stars, you.
• 34:40
  Speaker 4: Know, billy boys. I might let you hold my hands
• 34:46
  Speaker 4: if it wasn't a run.
• 34:48
  Speaker 5: Oh, Marchie Cavendie.
• 34:58
  Speaker 7: He's a good things.
• 35:01
  Speaker 5: She's sinking.
• 35:02
  Speaker 7: Any shadows water easy to find you with the massive.
• 35:04
  Speaker 5: Bug the water. You're gonna hire yourself a diving suit
• 35:07
  Speaker 5: and go down and look her over. Why do I
• 35:09
  Speaker 5: have to go downstairs in the water because you was
• 35:12
  Speaker 5: the one that left the sea cocks open.
• 35:14
  Speaker 9: That's why how many times I want to tell you
• 35:15
  Speaker 9: I didn't do it?
• 35:16
  Speaker 5: You did? So would I do a crazy thing like that? No?
• 35:21
  Speaker 5: Now you going to ask much here? I am jinny
• 35:25
  Speaker 5: having a sale.
• 35:26
  Speaker 8: They're gonna celebrate this. There what and ocmans there they're
• 35:29
  Speaker 8: trying to sell.
• 35:30
  Speaker 5: Oh well they can't do that.
• 35:32
  Speaker 8: When do we do? Somebody takes her away?
• 35:33
  Speaker 5: Don't even think of such things. Come on, I'm getting
• 35:36
  Speaker 5: over there and see what.
• 35:42
  Speaker 4: I've got.
• 35:43
  Speaker 9: Twenty five hundred.
• 35:44
  Speaker 5: That's terrible. That there boath costs at least fifty thousand dollars.
• 35:48
  Speaker 5: That's right, Massifa people. I'm buying ships like the Three
• 35:51
  Speaker 5: Sisters these days?
• 35:52
  Speaker 7: All right, I got.
• 35:53
  Speaker 5: Twenty five hundred, twenty five hundred fires the pirn and
• 35:57
  Speaker 5: the last time twenty six raised six hundred dollars. On
• 36:02
  Speaker 5: why that fair? And the last time so that gentleman
• 36:07
  Speaker 5: with the little girl, step up, brother and pay your deposit?
• 36:09
  Speaker 5: Who mean, well, natural lamb, But mister, I just happened
• 36:14
  Speaker 5: to be passing by. I don't say that much money,
• 36:17
  Speaker 5: but I couldn't take less than one hundred and fifty
• 36:19
  Speaker 5: dollars to buying a twenty six hundred dollars deal. Well,
• 36:22
  Speaker 5: one hundred and fifty, that's different. What's your name? Oh Bill?
• 36:25
  Speaker 5: Tell why William?
• 36:27
  Speaker 8: Captain William? You're hunting and I dressed to care the
• 36:30
  Speaker 8: cavin Just try.
• 36:31
  Speaker 5: To thank your young lady. Well, Captain, the balance is
• 36:33
  Speaker 5: doing ten days. Here's the address to send it to
• 36:36
  Speaker 5: the boat's are yours?
• 36:37
  Speaker 9: Now?
• 36:37
  Speaker 8: Did you hear that?
• 36:39
  Speaker 5: The sisters is our guys? Look at her? Ain't she beautiful?
• 36:44
  Speaker 7: Where are we going to get twenty four hundred and
• 36:46
  Speaker 7: fifty dollars?
• 36:47
  Speaker 5: Paul?
• 36:47
  Speaker 4: Get it?
• 36:47
  Speaker 7: Won't you?
• 36:48
  Speaker 5: Paul? Well, there's only one person I know got that
• 36:51
  Speaker 5: much money. It's going to be a terrible sacrifice that
• 36:55
  Speaker 5: I guess the time has come to make it.
• 37:06
  Speaker 4: Down. Bell sure was thoughtful of you bring this flower.
• 37:14
  Speaker 4: Thunder does things.
• 37:18
  Speaker 5: Oh, they ain't have as delicate as you are, Margie,
• 37:23
  Speaker 5: Say Margie, Jenny's asleep and your pop's out.
• 37:32
  Speaker 8: Just you Ma Bell.
• 37:34
  Speaker 4: Sitting in the parlor like yeah.
• 37:38
  Speaker 5: Yeah, guys, Mark, would you sing that best song again,
• 37:43
  Speaker 5: just just for old times sake?
• 37:46
  Speaker 4: My sure, Bell kind of like it myself, you know.
• 37:49
  Speaker 5: It's it's so soothing the way you sing it.
• 37:56
  Speaker 10: Like a broad's gladness, like the plod, like cofee.
• 38:13
  Speaker 19: It's small over you got me, You got the all
• 38:27
  Speaker 19: choke up, Margie. I never seen such.
• 38:30
  Speaker 5: Amazing talents all wrapped up in one little woman.
• 38:34
  Speaker 4: Oh I'm a really talented.
• 38:39
  Speaker 5: You know, Margie. When I get my book, I'm going
• 38:42
  Speaker 5: to get an organ just like this year. And then,
• 38:45
  Speaker 5: if I'm lucky enough, I'm going to marry a woman
• 38:48
  Speaker 5: like you, and I'll have her sing that song to
• 38:52
  Speaker 5: me every night before I go to sleep.
• 38:55
  Speaker 4: I'm attractive there.
• 38:56
  Speaker 5: Yeah, But I guess ma's much sense in talking. How
• 38:59
  Speaker 5: am I want to get? Get that? They're kind of
• 39:02
  Speaker 5: a vote?
• 39:03
  Speaker 4: Why I thought you was buying three sisters?
• 39:05
  Speaker 5: Yes, I am, but you know it's it's the hardest
• 39:09
  Speaker 5: thing in the world doing business with them. They're big bankers.
• 39:12
  Speaker 5: That their rate of interest in scandalss. Why I'd be
• 39:16
  Speaker 5: just working for a heartless corporation, not for the woman
• 39:20
  Speaker 5: I love. Bell.
• 39:22
  Speaker 4: I ain't gonna let you do it.
• 39:23
  Speaker 5: You ain't gonna let me do work March.
• 39:25
  Speaker 4: Work for no heartless corporate.
• 39:28
  Speaker 5: Oh no, no, honey, I guess I'm I'm doomed.
• 39:33
  Speaker 4: Oh no, yea, Because if it wouldn't embarrass Yourn, I'd
• 39:41
  Speaker 4: like to loan you that money.
• 39:42
  Speaker 5: Must March.
• 39:44
  Speaker 4: I got the money for you.
• 39:45
  Speaker 7: That's after.
• 39:48
  Speaker 5: I can't I can't believe that. I couldn't believe it
• 39:51
  Speaker 5: unless I fell it in my hand.
• 39:53
  Speaker 4: Well, here it is Bell. It's for you.
• 39:56
  Speaker 5: Gosh, oh gee, ain't that a lovely shade of green?
• 40:02
  Speaker 5: March honey, yeh March honey. Uh, pucker up the lips
• 40:11
  Speaker 5: of yours. They're all up. Yeah yeah, Margie, m hm.
• 40:21
  Speaker 5: Let's let's whistle at their song. Honey.
• 40:35
  Speaker 14: We pause now for station identifications. This is CBS, the
• 40:38
  Speaker 14: Columbia Broadcasting System. Our stars will return with Act three
• 41:03
  Speaker 14: in a moment. Every year a new starlets rise in Hollywood,
• 41:07
  Speaker 14: some faith, but others shine more brightly. Every year, our
• 41:11
  Speaker 14: studio scout Libby Collins, has brought one of Metro Golden
• 41:15
  Speaker 14: Mayer's most promising young players yesternight as our guests. She's
• 41:19
  Speaker 14: Dollothy Patrick, long and blue eyed, with talent to match.
• 41:24
  Speaker 14: How did you get started in the movies?
• 41:25
  Speaker 5: Are they talent?
• 41:27
  Speaker 7: Scout?
• 41:27
  Speaker 8: Saw me in a little theater play in Hollywood, mister Keary.
• 41:30
  Speaker 12: The next day I was signing a contract without a
• 41:32
  Speaker 12: screen test.
• 41:34
  Speaker 5: Quite a compliment I soon made one.
• 41:36
  Speaker 20: MGM was casting for The Green Years, and I'd read A. J.
• 41:39
  Speaker 20: Cronin's book and thought it would make a magnificent picture.
• 41:42
  Speaker 5: What part would you test it? Bod?
• 41:44
  Speaker 20: Are they the role that Beverly Tilet finally got but
• 41:47
  Speaker 20: all of us are happy that she got it. She's
• 41:49
  Speaker 20: perfect as Tom Drake's sweetheart.
• 41:51
  Speaker 3: That's very generous of you, and I understand that MGM
• 41:54
  Speaker 3: has plans for you.
• 41:55
  Speaker 20: Yes, they're casting me in the new Jerome Current picture.
• 41:59
  Speaker 20: But I hope sometime I can list of Charles Colbrin.
• 42:02
  Speaker 20: He's really sucurbed in the Green years his grandfather.
• 42:04
  Speaker 3: Gow Tell me, Darthy, now that you're on the road
• 42:07
  Speaker 3: to success, what are you going to buy that you've
• 42:09
  Speaker 3: always wanted?
• 42:12
  Speaker 12: Laugerie.
• 42:13
  Speaker 20: I love pretty splits and nineties Chivarry pinks and blues
• 42:17
  Speaker 20: and yellows.
• 42:18
  Speaker 12: But you can be sure I'll take good care of
• 42:20
  Speaker 12: them with luck if that interests mister Kennedy.
• 42:23
  Speaker 14: Indeed it does, Dorothy. You know, even girls on a
• 42:25
  Speaker 14: budget can have more pretty laingurie if they give under
• 42:28
  Speaker 14: things gentle lux care.
• 42:30
  Speaker 12: Isn't that right, Libby, Perhaps you better explain that to Kennedy.
• 42:33
  Speaker 5: Well.
• 42:33
  Speaker 14: Scientific washing tests showed that dundees washed with a strong soap,
• 42:37
  Speaker 14: hot water, and rough handling so looked faded and dragged.
• 42:40
  Speaker 14: Those washed the luxe way stayed color fresh and lovely
• 42:43
  Speaker 14: three times as long so instead of spending money just
• 42:46
  Speaker 14: to replace faded dundees, you can.
• 42:48
  Speaker 5: Buy a new one.
• 42:49
  Speaker 12: That is, you send no more than you would otherwise.
• 42:51
  Speaker 14: Right, so you can feel as glamorous as you please
• 42:54
  Speaker 14: without being extravagant. Lux keeps ondaes lovely so much longer
• 42:58
  Speaker 14: it's worth waiting for. Thank you for coming tonight, Dorothy,
• 43:02
  Speaker 14: And a suggestion to our radio audience. If you can't
• 43:05
  Speaker 14: get luck the first time you try, try again. More
• 43:08
  Speaker 14: is on the way. We'll return you now to mister
• 43:11
  Speaker 14: William Keeley.
• 43:13
  Speaker 3: After our final curtain, you're invited backstage for a brief
• 43:16
  Speaker 3: chat with tonight's stop. Here's the final act of Bonnacle Bill,
• 43:21
  Speaker 3: starring Wallace Berry as the gentleman in question, Marjorie Mayne
• 43:25
  Speaker 3: as Marge, with nor Biy as Kelly, and Caroline Berry
• 43:30
  Speaker 3: as Virginia. It's the following morning, and stretched out on
• 43:39
  Speaker 3: the docks of his newly acquired schooner, Bill Johansen watches
• 43:44
  Speaker 3: as Pico paints the format, but in his heart as
• 43:47
  Speaker 3: a cold terror, for he's led Marge to believe that
• 43:51
  Speaker 3: he'll marry her. Bill is a most unhappy character.
• 43:55
  Speaker 6: Hey Peter, why don't you never help me?
• 43:58
  Speaker 5: To work, cause I'm saying and Pico, you and me
• 44:01
  Speaker 5: are getting out of here. We're going to the south
• 44:03
  Speaker 5: Sea Island.
• 44:03
  Speaker 7: What kind of dog?
• 44:05
  Speaker 16: You know?
• 44:06
  Speaker 5: I always had my heart set on the South Seas. Well,
• 44:10
  Speaker 5: that's where we're going. All I'm worrying about is getting
• 44:16
  Speaker 5: provisions and stuff to trade to them their natives down there.
• 44:19
  Speaker 7: Well you mean like bes and calicoes.
• 44:21
  Speaker 5: Yeah, lollipops, umbrellas. It would take just about treat under dog,
• 44:25
  Speaker 5: but with a company. And keep your mouth shut. Get
• 44:30
  Speaker 5: back to that paint. Can hello, Jimmy, come on the board, Joe,
• 44:34
  Speaker 5: get up. Yeah, I've been working like a dog.
• 44:38
  Speaker 8: What to tell you about?
• 44:42
  Speaker 5: Phil Man?
• 44:42
  Speaker 14: The boys was thinking how you could turn the schooner
• 44:45
  Speaker 14: into a refrigerator boat. Muite, easy, refrigerator boat? You mean
• 44:48
  Speaker 14: going after them tone the boats buying a fish. Sure,
• 44:52
  Speaker 14: Kelly made a fortune doing it, and so can you.
• 44:54
  Speaker 14: You treat a square bill. We'll buy the ice and
• 44:56
  Speaker 14: upright on chairs. So that's a swell idea.
• 45:00
  Speaker 5: I mean you do it? Oh, sure, yeah, I'll do it.
• 45:02
  Speaker 5: Sure you're not well, I'll go make arrangements for the
• 45:05
  Speaker 5: ice right away.
• 45:07
  Speaker 8: Wait, I tell March Gosh, she'll be as proud of
• 45:09
  Speaker 8: you as I.
• 45:11
  Speaker 7: Did. I think now we're never going to get to
• 45:14
  Speaker 7: the South Sea.
• 45:14
  Speaker 5: We're shoving off, just like I said, How are you
• 45:17
  Speaker 5: How we're going to get the Calaquois in the umbrella?
• 45:19
  Speaker 5: How from Adam Kelly? He's going to buy him for it?
• 45:22
  Speaker 5: Feel you crazy again? When Kelly finds out that we're
• 45:25
  Speaker 5: in the fish business here, borrow us three hundred dollars
• 45:27
  Speaker 5: just to get rid of the competition, you preache, my fellow.
• 45:32
  Speaker 21: But Genny going to get one big disappoint No, no,
• 45:36
  Speaker 21: she won't feel bad. Why I might even take her
• 45:40
  Speaker 21: with us to the South Seas. I want to finish
• 45:42
  Speaker 21: up that mast. I'm going to town and can do
• 45:44
  Speaker 21: some high find.
• 45:55
  Speaker 22: Hey be all these boxes full of cal cos we
• 45:57
  Speaker 22: Sho're going to do plenty business with us?
• 45:59
  Speaker 5: How she sure we are? Now? Hurry up and get
• 46:01
  Speaker 5: them down below? What about Jenny? Of course not. I
• 46:06
  Speaker 5: just looked in on a cabin. She sums me she
• 46:08
  Speaker 5: would like to live on the school all quit stallings,
• 46:11
  Speaker 5: quit stal. We'll be getting tired in about three hours.
• 46:14
  Speaker 4: Bill.
• 46:14
  Speaker 22: What Genie gonna say when she finds out we're going
• 46:16
  Speaker 22: to the south She ain't going to find out. We'll
• 46:19
  Speaker 22: just tell her we're going on a shakedown cruise and later. Hello, Jinny,
• 46:25
  Speaker 22: say what are you doing up at this hour the night? Well,
• 46:31
  Speaker 22: we were just taking on some supplies, that's all. Oh,
• 46:38
  Speaker 22: I ain't they've been county, are you?
• 46:41
  Speaker 8: Miss Patilla? And all the fishermen. They're going to make
• 46:44
  Speaker 8: you captain the whole fishing fleet.
• 46:46
  Speaker 5: Who wants to be a captain of a fishing fleet.
• 46:48
  Speaker 5: We're going to the South seas, Jinny. Instead of spelling fish,
• 46:52
  Speaker 5: we're going to spell them their coconut.
• 46:54
  Speaker 4: Please, you just go.
• 46:56
  Speaker 5: This is the only chance I've got and I'm gone.
• 46:59
  Speaker 5: We're eveing tonight, all right then, Paul, go ahead. I'm
• 47:03
  Speaker 5: not going with you, Jenny, Jenny, where you're going? Jenny?
• 47:17
  Speaker 5: That you?
• 47:18
  Speaker 8: Letty my dad? What's the matter? Letty?
• 47:23
  Speaker 13: I want to go home.
• 47:24
  Speaker 8: Could you come for me in the morning? Car here,
• 47:27
  Speaker 8: you're not ill. I'm all right. I just want to
• 47:30
  Speaker 8: go back home. If that worthless father of your oh please,
• 47:34
  Speaker 8: oh call names, please can you come and get me, dear,
• 47:39
  Speaker 8: I'll be there early in the morning. Thank you, Aunt, Letty?
• 47:42
  Speaker 8: Good night?
• 47:44
  Speaker 4: Oh some thirsty child?
• 47:47
  Speaker 8: What's true? It's Paul fathers a stick up for his friends.
• 47:52
  Speaker 8: He doesn't care what happens to mister Pattilla and all
• 47:54
  Speaker 8: the others.
• 47:55
  Speaker 6: He's gonna run away to south Sea.
• 47:58
  Speaker 8: Why that?
• 48:01
  Speaker 4: I know just how you feel, honey. When you love somebody,
• 48:06
  Speaker 4: you want to be proud of him, and when you can't.
• 48:12
  Speaker 8: It hurts.
• 48:14
  Speaker 4: That's him.
• 48:15
  Speaker 7: But don't you worry.
• 48:17
  Speaker 4: I'm having a little talk with Bill Johannison right now.
• 48:24
  Speaker 5: So by way, oh dog gone at March? What do
• 48:29
  Speaker 5: you want to scare me like that? Far?
• 48:31
  Speaker 4: Tell you have been nothing but a disappointment. Tell me
• 48:33
  Speaker 4: ever since the laid eyes on you. I can forgive
• 48:34
  Speaker 4: you for that, but I can't forgive you for breaking
• 48:36
  Speaker 4: the heart of your own little girl.
• 48:38
  Speaker 5: Now what have I done?
• 48:39
  Speaker 11: Yout tot understand of us to tell you? I come
• 48:43
  Speaker 11: to get her clothes. She's going back home with rant Letty?
• 48:47
  Speaker 5: Going back home? Why she can't do that. I'll go
• 48:51
  Speaker 5: up and talk to her.
• 48:53
  Speaker 11: No, yay, you ain't gonna get around her if that's
• 48:56
  Speaker 11: all a tongue yours like you did.
• 48:57
  Speaker 5: Me means she wants to go home. She don't want
• 49:02
  Speaker 5: to stay with her own pop.
• 49:04
  Speaker 4: No right, No two ways are talking about the Bill.
• 49:07
  Speaker 4: You just ain't no person to bring up a child.
• 49:10
  Speaker 5: Well, I'll go get her clothes march. You tell her,
• 49:15
  Speaker 5: I said, so long, and she has time to send
• 49:20
  Speaker 5: me one of them there picture postal cards? Will your man?
• 49:24
  Speaker 23: I'll tell her, hey been, I got on the boxes below.
• 49:35
  Speaker 23: Come on the starting to change. What's the matter with you?
• 49:40
  Speaker 5: Shut up?
• 49:41
  Speaker 7: You seek maybe?
• 49:42
  Speaker 5: Huh?
• 49:42
  Speaker 7: All you do for two hours now is look on
• 49:44
  Speaker 7: top of the water. You see something?
• 49:47
  Speaker 5: Maybe I see my future career going out on the tide,
• 49:51
  Speaker 5: and there's nothing I can do about it.
• 49:53
  Speaker 7: Oh way, you forget that when we get to south Sea.
• 49:55
  Speaker 5: Easy, we ain't going to the South Seas bier. We're
• 49:59
  Speaker 5: staying here. Stop asking me questions. It's the only conscience
• 50:05
  Speaker 5: of mind. First time in my whole life I ever
• 50:09
  Speaker 5: had trouble out wrestling my innerself.
• 50:11
  Speaker 7: Bill, Why do you think you're gonna do? You're gonna
• 50:14
  Speaker 7: help those fishermen like like Genny?
• 50:15
  Speaker 5: She said, No, woman's gonna tell me what to do. Here.
• 50:21
  Speaker 5: You take this your telescope, and you go up and
• 50:24
  Speaker 5: give it back to Jenny before she goes away and
• 50:27
  Speaker 5: get back here. We're loading up with ice the first
• 50:30
  Speaker 5: thing in the morning.
• 50:45
  Speaker 6: I say, look, Bill, can you take any more?
• 50:47
  Speaker 16: Like?
• 50:47
  Speaker 5: Yeah? About three more ton, Joe.
• 50:50
  Speaker 6: Yeah, about three more ton? Joe?
• 50:52
  Speaker 5: Hey, hey, there are you? Where do you think you're
• 50:54
  Speaker 5: gonna pap?
• 50:55
  Speaker 16: I'm coming up all these vestals now yet come you
• 50:59
  Speaker 16: got a real feeling skipper aboard?
• 51:01
  Speaker 5: Hey, you just pick up that duffle bag and get
• 51:04
  Speaker 5: back while you belong. We're shoving off here any second.
• 51:06
  Speaker 3: Now.
• 51:06
  Speaker 9: I'm staying right, but I am. I'm here to protect
• 51:09
  Speaker 9: my little girl's interest.
• 51:11
  Speaker 7: In the ship.
• 51:11
  Speaker 5: Does Marge? Now you're down here, that ain't.
• 51:14
  Speaker 9: None of your business.
• 51:15
  Speaker 6: That's okay, Joe.
• 51:18
  Speaker 5: Hey, Sad, don't go give any orders on my boat, Okay, Joe,
• 51:23
  Speaker 5: get on them sales, Pico. We're on our way.
• 51:25
  Speaker 6: Stand by the test of not put that out?
• 51:39
  Speaker 5: See, Pico, did you ever see a sweeter sailing ship
• 51:43
  Speaker 5: in all your life?
• 51:44
  Speaker 9: We shall go fast?
• 51:45
  Speaker 24: Being shucks, Bill knew anything about sailing heat. Check out
• 51:50
  Speaker 24: them topsils, Pico. You know something, I think I've changed
• 51:55
  Speaker 24: my mind. After all, I'm starting to smell them their
• 51:58
  Speaker 24: coconut palms. You think, ain't no reason why on earth
• 52:01
  Speaker 24: why we can't keep right on sailing down to the
• 52:04
  Speaker 24: South seas.
• 52:05
  Speaker 9: What's heck?
• 52:05
  Speaker 7: Yeah, but what are we going to do but Pops here?
• 52:07
  Speaker 5: Oh, just chuck him over board for the shark.
• 52:10
  Speaker 9: You better stop talking like that.
• 52:12
  Speaker 5: Well, sharks wouldn't need him anyway, he's too tough. Can
• 52:15
  Speaker 5: you sail a dory? Pop ten Ice?
• 52:18
  Speaker 9: Shield? I can shield one from here to China?
• 52:21
  Speaker 5: Well you're going to sail one from here to San
• 52:23
  Speaker 5: Pedro right now?
• 52:24
  Speaker 9: Don't you try a Philo Hunson.
• 52:26
  Speaker 7: I'll have the law on you.
• 52:28
  Speaker 5: Get that dory ready, Piko, No you hollering from march Pops.
• 52:32
  Speaker 5: She can't hear you. Yes I can, Margie boy, honey,
• 52:38
  Speaker 5: what are you doing on board this ship?
• 52:41
  Speaker 4: Hey? You just stop trying to scare my pop?
• 52:43
  Speaker 5: Oh shut, I have us only pooling. Say, don't you
• 52:48
  Speaker 5: know it's felonious to stow away on somebody's boat?
• 52:51
  Speaker 4: And don't you know I wouldn't let you do any
• 52:53
  Speaker 4: hard work on an empty stomach.
• 52:55
  Speaker 5: You come aboard to be out cooking. You got a
• 52:58
  Speaker 5: stoo on the stove right now? Sure you ain't suspicious
• 53:01
  Speaker 5: of me or nothing like that.
• 53:03
  Speaker 4: Oh, of course you're all right, Bill, I just things
• 53:05
  Speaker 4: are taking no chances.
• 53:06
  Speaker 5: Well that's different, say, Ginny, ain't hiding down below two.
• 53:12
  Speaker 7: Is she no?
• 53:14
  Speaker 4: Bill, Ginny's gone off with her aunt?
• 53:18
  Speaker 5: Oh well, well I was just hop Look, ain't got
• 53:22
  Speaker 5: Kelly's sheep out there? Huh Yeah, that's Kelly's refrigerator boat.
• 53:28
  Speaker 5: All right.
• 53:28
  Speaker 9: He's signal and Jewish. He's tunning Bill to come up alongside.
• 53:32
  Speaker 5: Well, let him come. We might as well get this
• 53:34
  Speaker 5: over with dollars anytime.
• 53:41
  Speaker 6: Hey, what's the idea? You answered?
• 53:43
  Speaker 5: Man? That you the play on a con? I'm in
• 53:46
  Speaker 5: the fish business, Kelly, you urny double prusser.
• 53:49
  Speaker 8: I give you a dream.
• 53:50
  Speaker 5: It much to keep your big nose out of my record.
• 53:53
  Speaker 5: Don't worry about your money. You'll getting back with infant
• 53:56
  Speaker 5: as soon as we're important again. You already, Yeah, you'll
• 54:01
  Speaker 5: never got back to Fort Wile. You just follow me
• 54:03
  Speaker 5: and see what happens. We heap for the fishing bank
• 54:06
  Speaker 5: right now, he deal? You'll sleep yet? Sure, I'm asleep.
• 54:23
  Speaker 5: I'm worn out. First, donas day's work you've ever done? Yeah?
• 54:29
  Speaker 7: Now is your fill up with June? Bill?
• 54:32
  Speaker 16: H ooh, Joe got his clothes in Bill, Good thing
• 54:36
  Speaker 16: we dropped anchor. Maybe she'll live by more?
• 54:40
  Speaker 5: What's that noise?
• 54:42
  Speaker 16: I hear something? Now call yourself a sailer snoring away
• 54:47
  Speaker 16: in the Yank dagon. Good thing I'm aboard. We'd all
• 54:50
  Speaker 16: get down and it was such a helpless critically, it's.
• 54:54
  Speaker 5: Your man, Who are you?
• 54:56
  Speaker 9: What donation you doing on this boat?
• 54:59
  Speaker 6: I said, Phil will.
• 55:01
  Speaker 7: Help shut it up?
• 55:02
  Speaker 5: With it? You would holler none. Now, come on, Diction,
• 55:07
  Speaker 5: we gotta get over here. There.
• 55:11
  Speaker 6: I've come on. Martie pc Hey, wake up. He's got
• 55:17
  Speaker 6: you pop. Why aren't you Diction get it?
• 55:20
  Speaker 5: Why you never stop trying? Do you? Kelly? Why you
• 55:23
  Speaker 5: two bits? Ceralla? Open the so you you're the one
• 55:31
  Speaker 5: that tried to drive me before? Uh get that playing man? No, no,
• 55:37
  Speaker 5: this here's a private pipe. You go. Okay, March, maybe
• 55:42
  Speaker 5: you better give me a hand here shut get out
• 55:44
  Speaker 5: of my way, brother, I'm straight into the stud that's
• 55:50
  Speaker 5: set only Martie and you better duck. Here comes Kelly.
• 56:07
  Speaker 4: Coming to Bill. What are they going to do with them?
• 56:10
  Speaker 5: Now? You can get up now, honey, turn him loose,
• 56:13
  Speaker 5: turn them loose, Yeah, out of pract their sculls. But
• 56:16
  Speaker 5: I got work for him to do it.
• 56:19
  Speaker 4: I got to get back home Bill, and worried about
• 56:21
  Speaker 4: path the eight films to go down there.
• 56:23
  Speaker 5: It's not a little old man my eye. Ardi, Look
• 56:26
  Speaker 5: the folks, he's blowing away. I don't like these wind bill.
• 56:30
  Speaker 5: I think, well, the harder the better, the sooner we'll
• 56:32
  Speaker 5: get home. We see him this tub home. You keep
• 56:35
  Speaker 5: out of this year conversation.
• 56:37
  Speaker 18: You can't start your engines with that water in the hole.
• 56:39
  Speaker 5: We don't need no engine. Get on your feet, both
• 56:42
  Speaker 5: of you. Well, what are you going to do with us?
• 56:44
  Speaker 5: Make sailors out of you, o angels? You too, go
• 56:47
  Speaker 5: pard and get on that anchor and.
• 56:49
  Speaker 7: Jump in the captain's face.
• 56:52
  Speaker 5: And when that anchor's up you two low down skunks.
• 56:54
  Speaker 5: Is going to man the pumps from here home March
• 56:57
  Speaker 5: here's going to be standing over you with this here
• 57:00
  Speaker 5: blaying kid. Now, get gone.
• 57:11
  Speaker 25: The United States cost God repeat on storm warning Yale,
• 57:15
  Speaker 25: Hurricane Moss moving north from coast to lower California. Meloson
• 57:19
  Speaker 25: is seventy miles wind increasing all ships south of the
• 57:24
  Speaker 25: appointment and anything you'll to remind me. They want me
• 57:27
  Speaker 25: a supplementary mark ten minutes stand bye. Well how did
• 57:36
  Speaker 25: you get in here, young lady?
• 57:37
  Speaker 8: Please? He said, the coast guard could tell me, And
• 57:40
  Speaker 8: you had any words than the three sisters.
• 57:41
  Speaker 5: She's my father's good, three sisters. She left the fishing
• 57:44
  Speaker 5: banks this morning for San Pedrol.
• 57:46
  Speaker 8: Then they're right in the middle of the storm. Isn't
• 57:49
  Speaker 8: there anything you can do?
• 57:50
  Speaker 5: No, But they'll make it all right. She's a fine
• 57:53
  Speaker 5: ship and the rest is up to the skipper.
• 57:56
  Speaker 8: Then I guess I'm not worried my paws the skippers.
• 57:59
  Speaker 8: He's just about the best sea captain there is. He'll
• 58:02
  Speaker 8: bring her in, all right.
• 58:10
  Speaker 5: Three sister in a board. She's saying, the three sister
• 58:14
  Speaker 5: get out of the ducks. Everybody. Bill's bringing her in,
• 58:16
  Speaker 5: bringing her in and now and now the duck says
• 58:29
  Speaker 5: that Pop's got to be all right, and the Coastguard
• 58:32
  Speaker 5: is detaining Miss Kelly and mister Dixon. All I got
• 58:36
  Speaker 5: to say is all I got to say is for Jinny, Jenny, Jenny,
• 58:44
  Speaker 5: Gee Gush. I thought you were with across the country
• 58:48
  Speaker 5: in Glouster. When it came time to leave, I just
• 58:51
  Speaker 5: couldn't go talk geez guysh.
• 58:54
  Speaker 8: Anyway, mind you told you weren't really going to South
• 58:57
  Speaker 8: seas after all. You know what else she said? She said,
• 59:00
  Speaker 8: you're the best sea captain in the whole world.
• 59:03
  Speaker 5: Did she say that?
• 59:04
  Speaker 8: And here, Paul, here's Grandpa's telescope. I know he'd want
• 59:08
  Speaker 8: you to have it, because I know he'd be just
• 59:10
  Speaker 8: as proud of you as Ion.
• 59:12
  Speaker 5: Oh, Jinny, thanks, Marty.
• 59:16
  Speaker 6: Hey, Marty.
• 59:18
  Speaker 8: Oh, she's living at pap she's talking to somebody.
• 59:21
  Speaker 5: Who get that?
• 59:22
  Speaker 8: Pop?
• 59:23
  Speaker 5: Minister Jenny, Honey, how'd you like to be one of
• 59:28
  Speaker 5: my bridesmaids? Together in holy wedlock and a pledge their
• 59:41
  Speaker 5: faith each to the other, and have declared same by
• 59:44
  Speaker 5: joining their right hands. I now pronounced that you are
• 59:47
  Speaker 5: husband and wife. You may fain the bride with you? Well,
• 59:52
  Speaker 5: ain't I got her?
• 59:53
  Speaker 9: Ah?
• 59:53
  Speaker 8: You can kiss her?
• 59:56
  Speaker 5: Kiss her certainly, go ahead. I'm game if you are, Margie.
• 1:00:04
  Speaker 4: I'm a waiting billy boys.
• 1:00:20
  Speaker 14: Our stars will return in a moment for their curtain call.
• 1:00:24
  Speaker 14: Do you have a big family dinner on Sundays? It's
• 1:00:27
  Speaker 14: good to see the folks, isn't it? But don't you
• 1:00:29
  Speaker 14: sometimes wish you could serve dinner on paper plates? All
• 1:00:33
  Speaker 14: morning you're in the kitchen making a pie, stuffling a chicken. Afterwards,
• 1:00:37
  Speaker 14: there's a mountain of dishes to wash, what with Grandma
• 1:00:39
  Speaker 14: and Grandpa's sister Lil and Fred and their young Betty Junior.
• 1:00:43
  Speaker 14: Your husband and yourself. If your menu includes fruit, sherbet, roast, chicken,
• 1:00:47
  Speaker 14: dessert and coffee, you'll have at least seventy three pieces
• 1:00:51
  Speaker 14: of silver and dishes to wash. Quite a stack. But
• 1:00:54
  Speaker 14: do you know that less than two tablespoons and Lux
• 1:00:57
  Speaker 14: Flakes will do all those dishes?
• 1:00:59
  Speaker 5: Pretty thrift? Isn't it that rage?
• 1:01:01
  Speaker 14: You could wash the dishes for over twenty big Sunday
• 1:01:03
  Speaker 14: dinners with just one big box of Lux Flakes, and
• 1:01:07
  Speaker 14: lots more dinners than that when your family's down to
• 1:01:09
  Speaker 14: normal size. A big box of Lux does all those
• 1:01:12
  Speaker 14: dishes because it goes further. Tests prove that an ounce
• 1:01:16
  Speaker 14: of Lux Flakes actually washes up to twice as many
• 1:01:18
  Speaker 14: dishes as an ounce of any of ten other leading soaps.
• 1:01:22
  Speaker 14: And no matter how many dishes you have to wash,
• 1:01:24
  Speaker 14: Lux will help your hands stay soft and smooth and lovely,
• 1:01:29
  Speaker 14: even if strong soaps have left your hands red and rough.
• 1:01:32
  Speaker 14: Just changing the gentle Lux for dishes will make them
• 1:01:35
  Speaker 14: lovely again. Why not change the Lux for your dishes?
• 1:01:39
  Speaker 14: Here's your producer, mister William Keeley.
• 1:01:43
  Speaker 3: Oh, thanks for the four star performance. Go to that
• 1:01:46
  Speaker 3: able firm of very, very very and Maine, who come
• 1:01:51
  Speaker 3: to the foot lines for a curtain call.
• 1:01:53
  Speaker 4: Oh very sure, head me out number tonight. They're a
• 1:01:56
  Speaker 4: talented bunch, all.
• 1:01:57
  Speaker 3: Right, and we're especially happy to welcome young Caroline to
• 1:02:00
  Speaker 3: this stage. I'm sure she's headed for a great career.
• 1:02:03
  Speaker 8: Thank you, mister Keating. But you know Dad should take an.
• 1:02:06
  Speaker 5: Extra bo that's right, today's his birthday, April first. Eh.
• 1:02:10
  Speaker 5: I'm afraid so, Bill, But I hope we're going to
• 1:02:13
  Speaker 5: skip any jokes about April food.
• 1:02:16
  Speaker 3: Well, if you say so, Wally. But it's too bad
• 1:02:19
  Speaker 3: you couldn't have had it taken a day off for
• 1:02:20
  Speaker 3: your birthday.
• 1:02:21
  Speaker 4: They off Every time I have a birthday. It's like
• 1:02:24
  Speaker 4: a year off.
• 1:02:25
  Speaker 5: Marjorie, you surely can't be worried about your age, not
• 1:02:29
  Speaker 5: since the ninety six Infantry Division voted you their occupation girl.
• 1:02:33
  Speaker 4: They got stamina, those boys.
• 1:02:35
  Speaker 8: What's the difference in this name between a pinup girl
• 1:02:37
  Speaker 8: and occupation girl?
• 1:02:38
  Speaker 7: Are you kipting?
• 1:02:39
  Speaker 4: Honey? You've got eyes, haven't you?
• 1:02:42
  Speaker 3: Well, Marjorie, I'm sure the ninety six division wouldn't have
• 1:02:45
  Speaker 3: chosen you unless you've been an inspiration to that. Oh wait,
• 1:02:48
  Speaker 3: hurried back anyways, Wally, how come the wax a waves
• 1:02:52
  Speaker 3: didn't elect you a.
• 1:02:53
  Speaker 5: Pinup boy Shocks Bill. Of course, it embarrasses me to
• 1:02:57
  Speaker 5: tell about it, but they tossed the coin between me
• 1:03:00
  Speaker 5: and Van Johnson two out of three, two out of three. Well,
• 1:03:05
  Speaker 5: then it was three out of five, four out of seven,
• 1:03:09
  Speaker 5: five out of nine, and so on until Van Johnson one.
• 1:03:14
  Speaker 11: We'll have you on my wall, Wally, except I don't
• 1:03:17
  Speaker 11: think it goes so well with Pine Troupe designed.
• 1:03:19
  Speaker 8: I think Dad looks much better against the background of
• 1:03:22
  Speaker 8: our Jacksonville Ranch.
• 1:03:23
  Speaker 5: Wonderful country up there in Jacksonville, Walllyy.
• 1:03:26
  Speaker 7: Yeah.
• 1:03:26
  Speaker 5: Bill, when the theater goes see Bad Basket, in which
• 1:03:29
  Speaker 5: Marjory and I just finished with Market of Bryant from
• 1:03:32
  Speaker 5: Metric Golden Mayor, they'll appreciate how beautiful that country is
• 1:03:35
  Speaker 5: up there.
• 1:03:36
  Speaker 7: I understand that pictures having his premiere in Wyoming this week.
• 1:03:39
  Speaker 5: What are you presenting here on lux next week?
• 1:03:41
  Speaker 3: Bill, next Monday Night, We're bringing our audience another colorful,
• 1:03:45
  Speaker 3: exciting drama, Metro Golden Male's Western thriller honky Ton, and
• 1:03:50
  Speaker 3: our stars are Lana Turner and John Horier.
• 1:03:54
  Speaker 7: I can see audience approves the cast.
• 1:03:57
  Speaker 5: Bill.
• 1:03:57
  Speaker 4: I could kind of go for that holyac.
• 1:03:59
  Speaker 3: Almost and hockey talk is a story made to order
• 1:04:03
  Speaker 3: for them. The fast moving saga of a gentleman gambler,
• 1:04:07
  Speaker 3: quick on the trigger, reckless both at love and dice,
• 1:04:11
  Speaker 3: and a woman whose loyalty and deep devotion follow him
• 1:04:14
  Speaker 3: to the dramatic climax of his dangerous career.
• 1:04:17
  Speaker 5: Sure sounds like an exciting evening bill. Good Night, good night,
• 1:04:22
  Speaker 5: I'm very happy return.
• 1:04:27
  Speaker 1: Lux Radio Theater's Barnacle Bill has reached its close. Goodnight,
• 1:04:31
  Speaker 1: and thank you for sharing another evening of classic radio