Latest / The World of Phil Hendrie / Episode #3970 The New Phil Hendrie Show

Transcript

Episode #3970 The New Phil Hendrie Show · The World of Phil Hendrie

0:04
Speaker 1: Jay Santos of the Citizens Auxiliary Police is on the air. Yes,
0:11
Speaker 1: it is Jay Santos of the Citizens Auxiliary Police. This
0:13
Speaker 1: is the world-famous Phil Hendry Show. We have Major Elvis
0:17
Speaker 1: Newton is going to be on with us as well.
0:18
Speaker 1: Margaret Gray is here, Bud Dickman, General Galen Shaw. I've
0:21
Speaker 1: got some questions.
0:22
Speaker 2: You said Major Newton? Yes.
0:24
Speaker 1: I have some questions for him, too. We're bringing Jay
0:26
Speaker 1: back because, quite frankly, folks, we did not find it
0:28
Speaker 1: to be a satisfactory interview last night. I'm Phil Hendry.
0:38
Speaker 1: We can hear you, Jay.
0:40
Speaker 2: We can hear you.
0:42
Speaker 1: Hold on. Jay Santos, Citizens Auxiliary Police. This is Phil Hendry. Jay,
0:46
Speaker 1: bringing Jay Santos up there from the Citizens Auxiliary Police substation.
0:51
Speaker 1: You're at your house?
0:53
Speaker 2: No, we're not at my house. I wish you would
0:54
Speaker 2: put it that way, Mr. Chairman. We're not at my house.
0:57
Speaker 2: We are at the substation, okay?
0:58
Speaker 1: Yeah, but Jay, this is General Shaw. You guys used
1:01
Speaker 1: your house, your cars.
1:04
Speaker 2: Yes, we do. We use our cars. We use our houses.
1:10
Speaker 1: So you want it to sound really official.
1:11
Speaker 2: God, Miss Gray, you just went... It sounded as if
1:16
Speaker 2: you just sort of slipped one in and just went....
1:21
Speaker 1: I'm going to get up and leave if you don't
1:22
Speaker 1: get rid of him. Let me just talk to him, okay?
1:24
Speaker 1: I'm getting up and leaving if you don't get rid
1:27
Speaker 1: of him. Let me talk to him, Margaret, please. Miss Gray, it's...
1:29
Speaker 1: Don't shut... That was uncalled for. All right, let me
1:33
Speaker 1: get him back up on the line. Jay, we had
1:36
Speaker 1: you on hold.
1:37
Speaker 2: Yeah, what's the problem?
1:38
Speaker 1: How dare you make some kind of a gagging reference
1:40
Speaker 1: to Margaret?
1:42
Speaker 2: Oh, Mr. Henry, I'm very sorry, but it just sounded
1:46
Speaker 2: like you went, go home.
1:48
Speaker 3: Right, that's what it sounded like. And then you said, boy,
1:50
Speaker 3: it sounds like you made some reference as if that's
1:53
Speaker 3: kind of a common occurrence for me.
1:57
Speaker 2: I'm awfully sorry. It's been a long day for me,
2:00
Speaker 2: and it's been a long day for you. I heard
2:02
Speaker 2: you go, and I automatically started thinking that you were
2:07
Speaker 2: choking on.
2:08
Speaker 1: I'm sorry, choking on what?
2:11
Speaker 2: Nothing.
2:12
Speaker 1: I insist you tell me what you were saying. Margaret,
2:14
Speaker 1: let's just leave well enough alone. I insist on saying,
2:18
Speaker 1: what did you say?
2:22
Speaker 2: Ms. Gray, I'm sorry. I want to apologize with all
2:25
Speaker 2: my heart.
2:25
Speaker 1: I'm insisting now. What did you say I was choking on?
2:28
Speaker 2: I said you were choking on someone's dick.
2:30
Speaker 1: Okay, she's just getting up and leaving.
2:34
Speaker 3: I'll tell you right now, Jay, if you were here
2:36
Speaker 3: right now, I'd bury my fist right up your ass
2:40
Speaker 3: through the top of your head and then walk around
2:42
Speaker 3: with you as a purse.
2:45
Speaker 1: What are you laughing at? Nothing, nothing at all. You?
2:50
Speaker 2: No, no, no.
2:51
Speaker 1: No, I'm not laughing. So we just lost Margaret Gray.
2:56
Speaker 2: Did you hear what she just said? Major Elvis Newton.
2:59
Speaker 2: This is Major Elvis Newton. I just heard what Margaret
3:02
Speaker 2: Grace said to my brigadier admiral. He was also a
3:06
Speaker 2: long-time subcommander. And in many ways, I still see Jay
3:10
Speaker 2: as a very efficient and very exuberant subcommander. But she
3:17
Speaker 2: just said to him, first of all, it was a
3:21
Speaker 2: piece of humiliation. And it also begs the question, we're
3:26
Speaker 2: talking about trying to figure out here, you know, what
3:32
Speaker 2: the respect level is. I don't know.
3:35
Speaker 1: Yeah, I don't know either. I forget what it was
3:37
Speaker 1: we were talking about.
3:37
Speaker 2: We were talking about Mr. Henry. I said, I forget.
3:40
Speaker 1: She was mispronouncing something. You said it sounded like a gag.
3:44
Speaker 2: Yes, that's it. She went, I don't know.
3:46
Speaker 1: All right, let's get off that kick because she's just
3:48
Speaker 1: left the studio. And, Margaret, if you're driving home and
3:50
Speaker 1: you're listening to this, let me at least call you
3:53
Speaker 1: after we get off the air, okay? If you don't mind.
3:55
Speaker 3: I haven't left yet.
3:57
Speaker 1: Jesus, you scared the hell out of me. What are
3:59
Speaker 1: you doing?
3:59
Speaker 2: Hanging in that courtroom?
4:00
Speaker 1: Hanging in the corner. I said hanging in the corner.
4:03
Speaker 2: Mr. Gray, I want to just apologize from the bottom,
4:09
Speaker 2: right down to the bottom of my heart.
4:11
Speaker 3: Don't listen. Listen to me and listen very carefully. When
4:13
Speaker 3: you start making references to a woman gagging on something,
4:17
Speaker 3: you're going to be the next one gagging on something.
4:19
Speaker 3: I told you, Jay. I'm going to put my fist
4:21
Speaker 3: through your mouth, through the back of your head, and
4:24
Speaker 3: walk around with you as a purse.
4:26
Speaker 2: Are you kidding me? Excuse me. You're not kidding, are you?
4:31
Speaker 1: No, I'm not. I don't think she is. Yes, Margaret
4:34
Speaker 1: generally doesn't kid like that.
4:35
Speaker 2: Have you ever seen Ms. Gray affect that well of violence?
4:38
Speaker 1: Hey, look, Jay, just keep your enforcement efforts to the
4:41
Speaker 1: streets out there in the world, not on my show.
4:44
Speaker 1: We have with us Jay Sanis of the Citizens' Observatory Police.
4:46
Speaker 1: The bigger question that we asked you the other night
4:48
Speaker 1: and you refused to answer it, I know you have
4:50
Speaker 1: Major Elvis Newton... Uh, what do you mean when you
4:53
Speaker 1: say it is armed response? Because... Hold on just a minute.
4:56
Speaker 2: Hold on. I'm sorry to shoot it. Holy Jesus. 2553. Right. Monkey, monkey. Monkey, monkey.
5:03
Speaker 2: This is Monkey Central. Monkey, monkey.
5:04
Speaker 3: 3-3.
5:06
Speaker 2: I said this is monkey, monkey. I'm Monkey Central. Grand monkey.
5:11
Speaker 3: Boop.
5:12
Speaker 2: Grand monkey, grand monkey. Come see the sunshine. When I
5:17
Speaker 2: see you, you'll be behind. Grand monkey, grand monkey. Boop.
5:22
Speaker 2: Fort Street Street. Roger. Monkey, Monkey Boy, Monkey Boy.
5:28
Speaker 1: Hey, Jay, you going to be done any time this year?
5:30
Speaker 2: Hold on for a minute, Mr.
5:31
Speaker 1: Henry.
5:32
Speaker 2: Monkey Boy, Monkey Boy, where do you go? Every time
5:35
Speaker 2: I see you, you're, it's a no-go. 10-3-2-3-3.
5:38
Speaker 1: 25-4.
5:38
Speaker 2: 10-3-3-3-3. 10-3-3-3-3.
5:39
Speaker 3: 10-3-3-3-3.
5:39
Speaker 1: 10-3-3-3-3.
5:40
Speaker 2: Grand Monkey, Grand Monkey. Fuck this. What are you laughing at? You.
5:58
Speaker 2: Why is it so funny?
6:00
Speaker 1: Jay, you know what? You're not saying anything, are you?
6:02
Speaker 1: Is there actually anybody on the other end of that line?
6:05
Speaker 2: Of course there is. You can hear them ringing through.
6:08
Speaker 1: What's this Grand Monkey thing?
6:10
Speaker 2: That happens to be a code that we are now
6:12
Speaker 2: using here at Citizens Auxiliary Police. I'm the Grand Monkey.
6:15
Speaker 2: We say, Monkey, Monkey, Monkey, Monkey. We say it four times.
6:17
Speaker 2: You've now reached the Grand Monkey, who's a brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr-brr.
6:38
Speaker 1: Armed response.
6:39
Speaker 2: We want to know what kind of arms you guys
6:42
Speaker 2: are carrying. Okay? Ow-ho! God damn, he just kicked me
7:09
Speaker 2: right in the nuts. Did I really? No.
7:13
Speaker 1: You guys are going to get....
7:16
Speaker 2: Look, Mr. Henry, you may find it funny. I faked
7:19
Speaker 2: like I'm going to kick all of my subcommanders and
7:21
Speaker 2: all of the members of my command. I do actually
7:24
Speaker 2: fake like I'm going to bury a boot right in
7:26
Speaker 2: their ball sack, but then I hold up. So in
7:30
Speaker 2: many ways, their screams of agony are real.
7:33
Speaker 1: But you didn't really kick him.
7:34
Speaker 2: No, I didn't touch him. He didn't touch me, but
7:36
Speaker 2: I saw the boot headed toward my testicle, and I went, ah, ah,
7:39
Speaker 2: and then, you know.
7:41
Speaker 3: Okay.
7:44
Speaker 1: Can I take over? Phil, why don't you sit down, okay?
7:46
Speaker 2: We'll take over.
7:47
Speaker 1: No, I'm not sitting down.
7:49
Speaker 3: Phil Henry didn't get much sleep over the last week,
7:51
Speaker 3: and as a result, he was seeing things.
7:54
Speaker 1: And hearing things.
7:55
Speaker 2: Yes, I heard all about it.
7:56
Speaker 1: How are you feeling, Phil? I was feeling great until
7:59
Speaker 1: I got on the air with you guys.
8:01
Speaker 2: Oh, listen to this guy, will you? Well, excuse me
8:03
Speaker 2: for breathing. Grab the phone out of my hand, you'll
8:07
Speaker 2: lose the use of that hand. I'm sorry, Major, but
8:09
Speaker 2: we've got to get moving along. Next time you grab
8:12
Speaker 2: something out of my hand, you will lose the use
8:15
Speaker 2: of that hand. Do you understand? You'll walk around like
8:18
Speaker 2: Boris Karloff in that movie where he had it all
8:20
Speaker 2: crimped up on his chest. Remember that movie?
8:23
Speaker 1: Can we get to the show?
8:24
Speaker 2: All right. Mr. Henry, so what we've decided to do is,
8:29
Speaker 2: we will, first of all, it is armed response, okay?
8:32
Speaker 1: Is that a loaded weapon?
8:33
Speaker 2: Yes, it is. Yes, it is.
8:35
Speaker 1: Okay, that's the first straight answer we've gotten out of
8:37
Speaker 1: you guys. It's taken us one and a half shows.
8:39
Speaker 1: So you're going to be driving around with a loaded weapon?
8:42
Speaker 2: Yes, we are.
8:42
Speaker 1: Okay, can you tell us what kind?
8:44
Speaker 2: It's a long gun, okay?
8:46
Speaker 1: It's a long gun?
8:47
Speaker 2: That's correct, yes.
8:49
Speaker 1: So that's pretty heavy. That's either, you know, is it automatic?
8:51
Speaker 2: Automatic. Automatic what?
8:53
Speaker 1: Is it an automatic weapon?
8:55
Speaker 2: No, it's not. Yes, it is. As a matter of fact,
8:57
Speaker 2: it is automatic. Let me get the phone.
9:01
Speaker 3: Mr.
9:01
Speaker 2: Henry, we are going around armed response with large... Now,
9:07
Speaker 2: please listen, and listen carefully. And if I hear any laughter,
9:10
Speaker 2: I am going to make it my business to find
9:12
Speaker 2: whoever was laughing. Excuse me. To find whoever was laughing.
9:16
Speaker 2: And I will take them... And I will... Oh, God.
9:21
Speaker 2: You talk about having anal sex with their corpse. What
9:25
Speaker 2: did you just say to me? I didn't touch him. No,
9:30
Speaker 2: he reared back with a fake kick.
9:32
Speaker 1: Hey, Jay, what's the point of saying something like that?
9:34
Speaker 2: Well, he said it was going to merely make... The
9:36
Speaker 2: only thing that's going to scare anybody is if you
9:38
Speaker 2: say you're going to have anal with their corpse. Okay, Jay,
9:41
Speaker 2: listen to this. I'm having anal with your corpse right
9:44
Speaker 2: after the show ends. Woo! Did you? Major Newton, I've
9:50
Speaker 2: never said this to you. You're an asshole. That's right.
9:53
Speaker 2: That's me, Major Elvis Newton. You try to embarrass me,
9:57
Speaker 2: Major Elvis Newton.
9:58
Speaker 1: All right, guys, listen to me. So what's the story here?
10:01
Speaker 1: So you are a long gun, and you don't want
10:08
Speaker 1: to tell us what kind of a gun?
10:09
Speaker 2: I can tell you right now, it's a super soaker.
10:12
Speaker 2: You asshole. It looks like a legitimate gun. They paint
10:16
Speaker 2: it black. There's no bullets in there. We fill it
10:19
Speaker 2: full of water.
10:20
Speaker 1: You guys are running around, armed response, with a super soaker.
10:24
Speaker 1: So if I were to call you to my house
10:25
Speaker 1: and say there's someone breaking in, you'd meet them with
10:28
Speaker 1: a water pistol.
10:30
Speaker 2: Let me tell you something. If these guys wield it
10:32
Speaker 2: the proper way, in a threatening manner, as if it's real,
10:36
Speaker 2: you'd scare off every burglar, every Christian soul, within 100
10:41
Speaker 2: square miles of this place. I agree with you, General Shaw.
10:46
Speaker 2: What's your name again? My name is Melvin Newton, Major.
10:49
Speaker 2: Major Elvis Newton. Yes. Okay, I agree, but.
10:53
Speaker 1: That kind of goes against the brand, though.
10:55
Speaker 2: What is that supposed to mean, against the brand?
10:56
Speaker 1: You guys are all hard-ass and stuff, the citizens of
10:58
Speaker 1: Deer Lake Police, and you're riding around with super soakers
11:01
Speaker 1: painted up to look like real guns. Why don't you
11:03
Speaker 1: have real guns?
11:05
Speaker 2: Because I don't... We're not....
11:09
Speaker 1: You're not what? You're not qualified to have one?
11:13
Speaker 2: Not right now, no. We can't be licensed because I...
11:18
Speaker 2: I'll do it. Be careful how you say this. Major
11:21
Speaker 2: Newton spent time in a psychiatric facility. Look at him.
11:27
Speaker 2: Look at him. Look at him. He's going... You prick.
11:30
Speaker 2: I swear I'll never forgive you for this. You said
11:32
Speaker 2: I could go ahead and say it, okay?
11:34
Speaker 1: Major Newton, you spent time in a psychiatric facility.
11:37
Speaker 2: Yes. I was at the Plasgal. I was actually at
11:40
Speaker 2: Sweet Farm, and I was transferred over to Plasgal, which
11:43
Speaker 2: is in Arizona.
11:45
Speaker 1: Is it a forensic hospital?
11:46
Speaker 2: Oh, look at him. Whoa! Forensic hospital, huh?
11:51
Speaker 1: Was it a forensic hospital?
11:53
Speaker 2: Yes, it was. Forensic hospitals have a hospital for a criminal,
11:56
Speaker 2: and we know that.
11:58
Speaker 3: So, Major Newton, you have no call to talk to
12:00
Speaker 3: anybody about anything. You were almost put in a nuthouse.
12:05
Speaker 2: Yeah. Yeah. Oh, boy. What I wouldn't give to just,
12:11
Speaker 2: what I wouldn't give Mr. Henry to drive a truck
12:13
Speaker 2: right through your studio right now. Just gun it right
12:17
Speaker 2: from the street, hop a curb, head right through your studio,
12:20
Speaker 2: and just plow right through.
12:21
Speaker 1: Yeah, that sounds like the kind of criminal shit you do.
12:24
Speaker 1: So here's the thing.
12:25
Speaker 2: Oh, criminal shit. Hold on, hold on.
12:27
Speaker 1: Here's the thing. We have armed response. Well, now I know.
12:31
Speaker 1: I think probably law enforcement will not allow you guys
12:34
Speaker 1: to have guns. Is that true, Jay?
12:38
Speaker 2: Yes, it's true. You asshole. Because you was put in
12:44
Speaker 2: a male institution.
12:47
Speaker 1: You ought to fire that guy, Major Newton, and you
12:50
Speaker 1: become the new Major Newton, whatever the hell you'd be.
12:54
Speaker 2: I'd be the Newton? You'll never be the Newton. Never.
12:59
Speaker 2: You sit down before you fall down. Who are you
13:06
Speaker 2: laughing at?
13:07
Speaker 1: So we find out that Major Elvis Newton, because he
13:09
Speaker 1: spent time in a mental institution, they cannot legally license
13:12
Speaker 1: the weapons they have, so when they say armed response,
13:15
Speaker 1: they're going out. It is pretty funny, Major.
13:18
Speaker 2: Oh, it's very funny. I'm trying to present the look
13:21
Speaker 2: of a law enforcement force that is lethal, okay?
13:25
Speaker 1: And you're doing it with super soakers.
13:27
Speaker 2: You're doing it with super soakers. That's what I'm doing.
13:31
Speaker 2: What up?
13:32
Speaker 3: Mr.
13:32
Speaker 2: Henry, I've got to ask you, are you a homosexual?
13:35
Speaker 1: Why, are you interested?
13:40
Speaker 2: I just kicked Jay in the nuts. No, he didn't. Well,
13:45
Speaker 2: it felt like, I imagined that I was kicking.
13:47
Speaker 1: Get the fuck out of here for the second day
13:50
Speaker 1: in a row. What?
13:51
Speaker 2: What do you mean, what?
13:53
Speaker 1: What are we trying to prove with these guys? Okay,
13:55
Speaker 1: number one, I don't want to have Jay on the
13:56
Speaker 1: show again for another few weeks. I never want that
13:58
Speaker 1: Major Elvis Newton. The guy was in a mental institution. He,
14:05
Speaker 1: you know, wanted to be coded in so that, you know,
14:08
Speaker 1: he'd be on the show. They're going to go out
14:11
Speaker 1: and they're going to use super soakers. I heard a
14:14
Speaker 1: rumor about this. Well, we heard it this afternoon.
14:16
Speaker 2: Yeah. Whatever.
14:19
Speaker 1: Major Elvis Newton. You know, I should have known.
14:22
Speaker 3: That guy has been cracked from the beginning.
14:24
Speaker 1: And you're right.
14:24
Speaker 3: You should have known because I always suspected there was
14:27
Speaker 3: something seriously, seriously wrong with him.
14:31
Speaker 1: I'm Margaret Gray. Yeah.
14:33
Speaker 2: Yeah, Ms.
14:33
Speaker 1: Gray.
14:38
Speaker 2: Oh, my God.
14:38
Speaker 1: All right. Do we have Dr. Jim Sadler? Because Dr.
14:41
Speaker 1: Sadler is going to help me. As I said to
14:44
Speaker 1: the pre-show audience, and I might as well say to
14:46
Speaker 1: you guys now, I experienced a very strange phenomenon the
14:49
Speaker 1: other night, actually Sunday night, whereby my speech became scrambled.
14:54
Speaker 1: And not so much scrambled as I was talking about
14:58
Speaker 1: stuff that I don't really remember saying. until I finally
15:02
Speaker 1: kind of woke up from it. It was some sort
15:04
Speaker 1: of a sleep state that I was in while my
15:06
Speaker 1: eyes were awake and I was talking. I was so
15:08
Speaker 1: bloody tired Sunday night. That's what happened. So I looked
15:12
Speaker 1: this up on the pre-show as well as on Sunday,
15:17
Speaker 1: and there is something called, well, there's a variety of
15:21
Speaker 1: different things. One of them is called transient fatigue, local sleep,
15:26
Speaker 1: automatic behavior, the science behind overtired nonsense speech is the
15:31
Speaker 1: way they put it. Now, let me see if there's
15:33
Speaker 1: a thing called aphasia. Aphasia is a disorder that affects
15:35
Speaker 1: how you communicate. No, that's not what it is. That's
15:38
Speaker 1: the thing from the.
15:39
Speaker 3: That's from the migraine headache that that reporter for Channel
15:42
Speaker 3: 5 had.
15:43
Speaker 1: Right, that poor girl. There is an actual video that
15:47
Speaker 1: survives of this young lady, a reporter, a damn good
15:50
Speaker 1: reporter for Channel 5 in L.A., and she still works
15:52
Speaker 1: for them, who had a migraine headache, and it created
15:55
Speaker 1: this aphasia, and she began to just speak in Nonsense
15:59
Speaker 1: she knew at the time though. She was speaking nonsense
16:01
Speaker 1: with me. This felt like I had fallen asleep and
16:04
Speaker 1: I was like I I just lost contact with that
16:09
Speaker 1: level of my brain where shit made sense And I
16:13
Speaker 1: was just talking This nonsense and then I finally kind
16:17
Speaker 1: of woke up through it. I asked myself at one point.
16:19
Speaker 1: Why am I even talking about this? So this is
16:23
Speaker 1: aphasia this is what they're giving us So that's what
16:26
Speaker 1: happened And it was part of the pre-show and actually
16:31
Speaker 1: part of the video that we were recording for the
16:33
Speaker 1: show because I totally blew it. I didn't videotape Jay.
16:39
Speaker 1: So we have Dr. Jim Sadler. Is that right?
16:42
Speaker 2: Yes.
16:42
Speaker 3: After all of that, he's still.
16:44
Speaker 2: Dr.
16:44
Speaker 1: Sadler is waiting on the phone.
16:47
Speaker 2: Dr.
16:47
Speaker 1: Jim Sadler in San Diego right now.
16:49
Speaker 2: Dr.
16:49
Speaker 1: Sadler, how are you?
16:50
Speaker 2: Hey, Phil. I'm doing pretty good. How are you feeling?
16:53
Speaker 1: Fine, fine. I... I got some sleep last night.
16:56
Speaker 2: Well, it sounds like that's probably what you needed was
16:58
Speaker 2: a lot of sleep. We find that in the case
17:03
Speaker 2: of hyperactive sleep, where a person has not had enough
17:08
Speaker 2: sleep and they've got to get some... I don't know.
17:11
Speaker 1: Do you know anything about this?
17:13
Speaker 2: I don't know a lot about it, no. But I
17:16
Speaker 2: was kind of bullcrapping along until I could get some
17:19
Speaker 2: things here.
17:20
Speaker 1: Well, I don't want to, you know, if it's not
17:21
Speaker 1: an area of your expertise.
17:23
Speaker 2: No, I understand what it is. Basically what you were, Phil,
17:27
Speaker 2: was you were asleep. A certain part of your brain
17:30
Speaker 2: was asleep while you was talking, see?
17:32
Speaker 1: Okay, that sounds about right. And then when I woke up,
17:35
Speaker 1: and I did, I literally woke up and I said, well,
17:37
Speaker 1: what the hell am I talking about this for?
17:38
Speaker 2: Yeah, that's when your mind came together and it said, wow,
17:43
Speaker 2: you know, we've got to pull it together. So your
17:46
Speaker 2: mind kind of came together and said to itself, I
17:49
Speaker 2: got to pull it together. Yeah, okay.
17:52
Speaker 1: Thanks a lot, Doc.
17:52
Speaker 2: You know something, General Shaw? I got a call here
17:56
Speaker 2: a half hour ago from Bud who said, do you
17:58
Speaker 2: know anything about this sleep babbling? And I said, what
18:02
Speaker 2: the fuck are you talking about?
18:07
Speaker 1: Sorry for bothering you, Doc.
18:09
Speaker 3: That's what happens when we call these guests up late.
18:12
Speaker 1: Yeah. Sorry for bothering you, Doc. I didn't mean to
18:14
Speaker 1: do that.
18:19
Speaker 2: Oh, yeah.
18:20
Speaker 1: All right, so dig it. 9-1-1, great show. I was very,
18:26
Speaker 1: very proud and am very, very proud to be a
18:28
Speaker 1: part of that show. The first two episodes that I
18:31
Speaker 1: was on, the first one called That Sinking Feeling. The
18:34
Speaker 1: next one was Fire in the Hole that I think
18:37
Speaker 1: just aired on Thursday.
18:39
Speaker 3: That's the one where you're in the caved-in tunnel with
18:42
Speaker 3: Angela Bassett's character and Zach Tinker's character.
18:45
Speaker 1: Right. And then we try to get our asses out
18:48
Speaker 1: of that tunnel. Now, next week is going to be
18:51
Speaker 1: one called Streets of Fire. And I personally was happy
18:57
Speaker 1: because that's a really emotional performance that I give in
19:01
Speaker 1: that particular episode. I don't know, man. I don't like
19:04
Speaker 1: watching myself on TV, so I haven't seen any of these.
19:08
Speaker 1: People have been very kind when they say, oh, Phil, sorry,
19:10
Speaker 1: you're really great. And I don't know, man. But, you know,
19:13
Speaker 1: I'm finding my way, baby, in this this thing. But
19:17
Speaker 1: a great show, great crew. I love the director, Brad
19:19
Speaker 1: Buecher is a terrific guy. Angela Bassett was great. And
19:23
Speaker 1: Zach Tinker, particularly, a hell of a guy, man, to
19:25
Speaker 1: talk to and hang out with. So yeah, the next
19:28
Speaker 1: one is... And that great crew of actors they have
19:31
Speaker 1: in that show. And all these guys are in wardrobe.
19:34
Speaker 1: They're dressed as firefighters. And I made the mistake of
19:37
Speaker 1: saying to one of the production assistants, I said, are
19:39
Speaker 1: these guys... Real firemen? And she goes, are actors? No,
19:43
Speaker 1: those are actors. She was really offended. Excuse me, I
19:46
Speaker 1: didn't mean to. They look like authentic firemen to me.
19:50
Speaker 1: But no, these were actors wearing. They're in their costume, Phil.
19:54
Speaker 1: I understand. Yes, I understand. And in their costume they were. So,
20:00
Speaker 1: and I'll be in costume too.
20:02
Speaker 2: What are you wearing?
20:03
Speaker 1: Like I've got a hard hat on and a tag
20:05
Speaker 1: that says my character's name and I'm all dirty and
20:09
Speaker 1: It was a lot of fun, man, to be dirty
20:11
Speaker 1: and to be involved in that much sweat. Those long
20:15
Speaker 1: days and just crazy, crazy environment. I had a blast.
20:20
Speaker 1: So check that out next week. What's it called again?
20:25
Speaker 1: Streets of Fire.
20:27
Speaker 2: Yeah.
20:29
Speaker 1: Yeah, well, the world-famous Phil Henry Show.
20:30
Speaker 2: Thanks a lot, Phil. You're welcome.
20:32
Speaker 1: You're welcome. World-famous film and show executive produced by Phil