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One Piece 891-893 WANNABE · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me
• 0:09
  Speaker 1: covering One Piece episodes eight ninety one through eight ninety three.
• 0:17
  Speaker 1: We are entering Wanoh. Episode eight ninety one's on a
• 0:23
  Speaker 1: whole other page, so I'm not reading that title. Sorry,
• 0:26
  Speaker 1: crunchy roam makes it hard. But eight ninety two is
• 0:28
  Speaker 1: the land of Wano to the Samurai Country where cherry
• 0:31
  Speaker 1: blossoms flutter, and eight ninety three is Otala appears Loofy
• 0:35
  Speaker 1: versus Kayto's army. A little misleading because it's not the
• 0:39
  Speaker 1: whole army. Welcome to spoil Me. Welcome to the show. Everyone.
• 1:03
  Speaker 2: I am Natasha and I'm Floia.
• 1:07
  Speaker 1: Yay, Floren's here for another one to B episode. I'm excited.
• 1:12
  Speaker 1: I'm always so excited when I see these on the schedule.
• 1:15
  Speaker 2: Show.
• 1:16
  Speaker 1: All right, why did you choose these episodes to guests on?
• 1:22
  Speaker 1: We know, but still tell us.
• 1:25
  Speaker 2: Well, we Enternto, and I mean general, it is one
• 1:29
  Speaker 2: of my favorite islands to enter. Like this whole process
• 1:32
  Speaker 2: that they have to dore, I love it. I love
• 1:34
  Speaker 2: the whole sequence and also like not this specific group
• 1:38
  Speaker 2: of episodes. But you started One Piece in twenty twenty one,
• 1:43
  Speaker 2: and we were in this We were in this arc,
• 1:49
  Speaker 2: like we were not exactly here further on, but this
• 1:53
  Speaker 2: was the arc wow when.
• 1:56
  Speaker 1: You started wild Okay, so.
• 1:59
  Speaker 2: I don't know, it's kind of like also not a
• 2:01
  Speaker 2: full full circle moment, but kind of a little bit
• 2:04
  Speaker 2: for me please m h. And yeah, I enjoyed it.
• 2:09
  Speaker 2: I mean these episodes. I also enjoyed this arc. And
• 2:13
  Speaker 2: I already told you however in the discord, and this
• 2:17
  Speaker 2: is going to be another long one. This is going
• 2:20
  Speaker 2: to be.
• 2:21
  Speaker 1: Did you say this is the longest one?
• 2:24
  Speaker 2: Yeah, this is the longest arc in all of one Piece,
• 2:27
  Speaker 2: So one O one O will be right, long ride,
• 2:31
  Speaker 2: enjoyable one better than Dressers in my opinion, Okay, yeah.
• 2:38
  Speaker 1: It's yeah, it's so like when it when it comes
• 2:43
  Speaker 1: to dress Rosa. It started off so strong that my
• 2:47
  Speaker 1: instinct is always to be like dress Rosa wasn't so bad,
• 2:49
  Speaker 1: but I did start to get quite irritated. But like
• 2:52
  Speaker 1: by the end, so you know.
• 2:53
  Speaker 2: Yeah, you know, it's not a bad arc Resource, but
• 2:56
  Speaker 2: Resource is also a lengthy arc. Kind of by the
• 3:01
  Speaker 2: end of it, it's kind of like, yeah, how did
• 3:05
  Speaker 2: you like these three episodes?
• 3:07
  Speaker 1: I really liked them. It's just such a departure in
• 3:10
  Speaker 1: style overall. You know, I was really not expecting everything
• 3:17
  Speaker 1: about Wano to be like so stylized and traditional and like,
• 3:24
  Speaker 1: it feels like there's lots of references as well happening,
• 3:27
  Speaker 1: but that I don't have context for because I haven't
• 3:30
  Speaker 1: really consumed all that much Japanese content, So I think
• 3:35
  Speaker 1: some of it is just like style references and you know,
• 3:40
  Speaker 1: the very classic architecture and titling and and what's the
• 3:49
  Speaker 1: word I want career paths and whatnot. But I really
• 3:57
  Speaker 1: have to say, like the interstitials even having different instruments
• 4:00
  Speaker 1: playing them, because it's like, you know, the I don't
• 4:04
  Speaker 1: know the names of the instruments actually now that I'm
• 4:06
  Speaker 1: saying that, because there's like the guitar string and then
• 4:08
  Speaker 1: there's a flute, and it's that but with entirely different instruments.
• 4:18
  Speaker 1: And I was just like, Oh, that's fun, that's delightful.
• 4:21
  Speaker 1: And our characters are doing different movements we like normally
• 4:25
  Speaker 1: there's sort of an assigned image in the background with
• 4:30
  Speaker 1: like one of our people over it, and depending who
• 4:34
  Speaker 1: it is, the music will be different, Like if it's
• 4:38
  Speaker 1: I think Sanjy, it'll be like war War you know
• 4:45
  Speaker 1: what I'm talking about. So I haven't seen one of
• 4:48
  Speaker 1: those with the new instruments, so I'm interested to see
• 4:53
  Speaker 1: that as well. But overall, it's just like everything feels
• 4:57
  Speaker 1: so very different that it's very fun because as we're
• 5:02
  Speaker 1: getting introduced to everything, I'm having to like adjust expectations
• 5:06
  Speaker 1: and just also my my like understanding because I wasn't
• 5:13
  Speaker 1: expecting everybody to basically be undercover. Mm, so that's surprising.
• 5:20
  Speaker 2: We get, we get a lot. I just before we
• 5:26
  Speaker 2: go for the in this whole thing is just you
• 5:29
  Speaker 2: can see what that was, like, Okay, it's time. Basically
• 5:32
  Speaker 2: he has drawn so many inspirations from different countries and
• 5:35
  Speaker 2: he's like, okay, it's time for Japan, and he went
• 5:39
  Speaker 2: all out. He truly went all out. Yeah, and you
• 5:43
  Speaker 2: can tell that this is basically his home in a way,
• 5:45
  Speaker 2: like this is where you can see like in a
• 5:48
  Speaker 2: way maybe the proudest or like the most knowledge in
• 5:51
  Speaker 2: There's so many little things, as you said, and I
• 5:55
  Speaker 2: love that it is. It is great. I cannot tell
• 5:59
  Speaker 2: you about everything that because I don't know everything, but
• 6:02
  Speaker 2: there are so many cool little details here.
• 6:05
  Speaker 1: Yeah, this is the sort of thing that I bet
• 6:07
  Speaker 1: somebody out there has done like a a really granular
• 6:13
  Speaker 1: breakdown of like everything that is referenced and all of
• 6:17
  Speaker 1: the things that are slightly changed, and I would be
• 6:20
  Speaker 1: super interested in seeing that quantified just as the art
• 6:25
  Speaker 1: goes on. But I really get the sense this is
• 6:32
  Speaker 1: super fun for Oda. There's just a feeling of like
• 6:35
  Speaker 1: I am having a really good time here, you know.
• 6:38
  Speaker 1: And I'll be honest the whole thing with one, Oh,
• 6:42
  Speaker 1: I just didn't really care about because like the two
• 6:45
  Speaker 1: guys that we meet, we've got a what's his name,
• 6:48
  Speaker 1: Momo what's his full name?
• 6:50
  Speaker 2: Though Momo moment is like the last name.
• 6:57
  Speaker 1: Okay, and his dad who's like, sorry, yes, that's right.
• 7:08
  Speaker 2: I'm so in the habit of no, it's all good.
• 7:11
  Speaker 1: Kinemon Kinimon is So he is very funny on a
• 7:17
  Speaker 1: lot of levels. But also I found him to be
• 7:21
  Speaker 1: irritating because he was gross about women in the same
• 7:24
  Speaker 1: way that everybody almost is. And so a part of
• 7:29
  Speaker 1: me just kind of was like anything involving this guy whatever,
• 7:33
  Speaker 1: And I really appreciate that. Immediately I am feeling like, oh,
• 7:41
  Speaker 1: I don't this guy really has nothing to do with
• 7:43
  Speaker 1: it anymore. I'm sure he's going to come very much
• 7:46
  Speaker 1: into play eventually, but I like the fact that we're
• 7:49
  Speaker 1: just getting to see everything operating without him even being involved.
• 7:53
  Speaker 1: So I have a chance to get to the note
• 7:55
  Speaker 1: wana and like it without it being influenced by not
• 7:59
  Speaker 1: liking him. So so far, so good on that front.
• 8:03
  Speaker 2: Also, absolutely, before we I am start with the first episode,
• 8:11
  Speaker 2: I just want to say another yeah, like me in
• 8:15
  Speaker 2: ways watching this show for the first time because the
• 8:18
  Speaker 2: Raverie where we just left, you were like the straw
• 8:22
  Speaker 2: Heads I don't know how, but they will show up somehow,
• 8:24
  Speaker 2: And I was the exact same way. I didn't And
• 8:28
  Speaker 2: now we're gone. It's it's for now. For now, it
• 8:32
  Speaker 2: will come back, but for now it's done for us.
• 8:35
  Speaker 1: Yeah, it's like, I'm kind of delighted to be wrong
• 8:39
  Speaker 1: about that, because I really thought it was going to
• 8:41
  Speaker 1: be a whole other thing that we were going to
• 8:44
  Speaker 1: get before we even wound up in one of that
• 8:46
  Speaker 1: there was going to be a kind of interruption, you know,
• 8:49
  Speaker 1: but it was just such a big grouping of people
• 8:52
  Speaker 1: and so much to keep track of that adding the
• 8:55
  Speaker 1: straw hats creating chaos, I was a little bit like
• 8:58
  Speaker 1: what would even be the plot, Like what would they
• 9:02
  Speaker 1: be trying to do. So, yeah, I'm glad that I
• 9:05
  Speaker 1: was wrong about it. We're doing a whole other thing.
• 9:09
  Speaker 1: Just I was fully satisfied. It's fine. I love that
• 9:11
  Speaker 1: you thought that too, though. It makes me feel less
• 9:13
  Speaker 1: stupid because I feel like that's just of course, we're
• 9:17
  Speaker 1: all going to assume they crash every party pretty much,
• 9:21
  Speaker 1: you know.
• 9:21
  Speaker 2: Like, so before we get Touvano, we have the journey
• 9:28
  Speaker 2: to it. I mean to summarize a little bit from
• 9:34
  Speaker 2: the beginning, they get like the newspaper and Sanji and
• 9:39
  Speaker 2: Choppa cut it up.
• 9:42
  Speaker 1: Chopper cuts it up first, and Sanji is really salty
• 9:45
  Speaker 1: about it until Chopper gives him the princess part of
• 9:48
  Speaker 1: the paper. But yeah, so the fact that they're just
• 9:53
  Speaker 1: hearing about the reverie at this point again, I'm still thinking, oh,
• 9:57
  Speaker 1: they're finding out this is happening. So now we're turning
• 9:59
  Speaker 1: in heading in that direction, or something will be mentioned
• 10:04
  Speaker 1: or you know, like maybe there's an outdated mention of
• 10:08
  Speaker 1: the fact that Shiro host she was taken prisoner and
• 10:11
  Speaker 1: was gonna be sold as a slave, and Lufy thinks
• 10:13
  Speaker 1: he has to rescue her, but actually that's dealt with.
• 10:16
  Speaker 1: But he doesn't know it yet, you know what I mean,
• 10:18
  Speaker 1: which would have sucked probably, but it was just what
• 10:22
  Speaker 1: I thought. So yeah, again, very glad to be wrong
• 10:25
  Speaker 1: about it.
• 10:28
  Speaker 2: And I don't know what the I mean, multiple things happen.
• 10:33
  Speaker 2: It is kind of like the wet wetter turns the
• 10:36
  Speaker 2: water seems to be different. And also this octopus sneaks
• 10:41
  Speaker 2: on board.
• 10:41
  Speaker 1: Yes, this octopus just chilling in the background at one
• 10:45
  Speaker 1: point where we can see it, but Carrot has still
• 10:49
  Speaker 1: not spotted. It was cracking me up because I was
• 10:54
  Speaker 1: literally looking at it like anybody gonna anybody gonna notice it.
• 10:59
  Speaker 1: And I think that later once one gets noticed, it's
• 11:02
  Speaker 1: not even the first one that like the first one
• 11:04
  Speaker 1: was black, the one that gets noticed later is white,
• 11:08
  Speaker 1: so I think there's like another unless it was black.
• 11:10
  Speaker 1: Like the animation style is just meant to be like
• 11:13
  Speaker 1: it's background.
• 11:15
  Speaker 2: Okay, yeah, like the silhouette of it.
• 11:17
  Speaker 1: Gotcha okay, okay, Uh, he's wearing a headband, is that right?
• 11:26
  Speaker 2: I don't know fully, I mean, I cannot tell you
• 11:29
  Speaker 2: too much, of course, but true even yeah, even I
• 11:34
  Speaker 2: cannot really again, I cannot tell you, like just from
• 11:38
  Speaker 2: a cultural reference thing. I'm just like, yeah, there is
• 11:40
  Speaker 2: an octopus with this refeing. He kind of plays on
• 11:44
  Speaker 2: his own head makes music.
• 11:45
  Speaker 1: I swear to god, I forgot about that.
• 11:49
  Speaker 2: I'm sure there's some kind of story when octopus is
• 11:52
  Speaker 2: kind of like the gatekeeper into a magic realm in Japan.
• 11:56
  Speaker 2: I could see, oh, but I don't.
• 12:00
  Speaker 1: It didn't even occur to me. But I really love
• 12:01
  Speaker 1: that as an idea.
• 12:04
  Speaker 2: And we get the coyfish. I love this giant coyfish
• 12:10
  Speaker 2: jumping around and it is just I'm sorry, I just
• 12:15
  Speaker 2: basically I think you got this, but I just need
• 12:18
  Speaker 2: to tell as they speak it out loud, the entrance
• 12:21
  Speaker 2: to Wanna is a huge waterfall, and it is sweet water,
• 12:25
  Speaker 2: not salt water. Yes, and basically it creates a river
• 12:29
  Speaker 2: in the ocean. This is how much water comes down there, like, which.
• 12:34
  Speaker 1: Is a real thing. Actually, there are areas that are
• 12:39
  Speaker 1: there are like underwater waterfalls in salt water where there
• 12:45
  Speaker 1: is it's fresh water. And something about the physics of
• 12:51
  Speaker 1: being saturated with salt making it lighter means that the
• 12:54
  Speaker 1: fresh water is able to stay separate. It's so this
• 13:00
  Speaker 1: something I've seen before, as like, this is this He
• 13:03
  Speaker 1: did not make this up, obviously, this is a very
• 13:05
  Speaker 1: like exaggerated version of it. But uh, the ocean's crazy,
• 13:12
  Speaker 1: and so yeah, this is a real thing that I
• 13:16
  Speaker 1: there's a few things in this that it's like you
• 13:18
  Speaker 1: would think he just invented this because it's two bonkers.
• 13:21
  Speaker 1: But like the fish jumping up the waterfall. Yeah, salmon
• 13:24
  Speaker 1: do this, but it sounds fucking unhinged to be like
• 13:29
  Speaker 1: the salmon are climbing. No they're not, Susan, what are
• 13:32
  Speaker 1: you talking about? Do you need your medication? But no
• 13:35
  Speaker 1: they do. That's what fish. Nature's weird.
• 13:40
  Speaker 2: Yeah. And then and on top of that that, there
• 13:43
  Speaker 2: are like bears waiting and just oapen mouth standing.
• 13:46
  Speaker 1: Literally standing there just like oh dinner perfect.
• 13:51
  Speaker 2: Oh yeah nature. Yeah, tell me what you thought about
• 13:56
  Speaker 2: the sequence again, I can just say I love it.
• 13:59
  Speaker 2: I love this whole. Oh. I wanted to say the
• 14:01
  Speaker 2: animations died. I don't know if you noticed, but they're
• 14:04
  Speaker 2: like some kind of steel frames and this is the
• 14:07
  Speaker 2: oh god, there is like this Japanese art of the
• 14:10
  Speaker 2: way the inspiration for Yeah, that.
• 14:14
  Speaker 1: Was exactly what I was going to mention was like
• 14:16
  Speaker 1: the thing that the koi wouldn't make normally much of
• 14:19
  Speaker 1: an impression on me. But once I see the way
• 14:22
  Speaker 1: that it's being animated and that they're doing this like
• 14:25
  Speaker 1: really obvious homage to that art style, I was like, oh,
• 14:28
  Speaker 1: that is a very cool idea, which should have like
• 14:31
  Speaker 1: tipped me off to the way the rest of handling
• 14:36
  Speaker 1: Wano is clearly going to go and like and be
• 14:39
  Speaker 1: this very traditional thing. But I just thought it was
• 14:44
  Speaker 1: going to be, oh, occasional things like this are we're
• 14:47
  Speaker 1: going to see and otherwise it's just understood. But instead
• 14:55
  Speaker 1: it's it's very overt and Wano feels like we're stepping
• 14:58
  Speaker 1: back in time. So yeah, I thought that that was
• 15:02
  Speaker 1: a really cool idea. And feeling harnesses these Koi to
• 15:07
  Speaker 1: pull the ship up in a sequence that is not
• 15:13
  Speaker 1: at all rare, like we've done weird shit like this before,
• 15:16
  Speaker 1: but something about it being the koi it felt very
• 15:20
  Speaker 1: fairy tale like and how perfectly he's got them harnessed
• 15:24
  Speaker 1: up and stuff. I don't know, there was something about
• 15:25
  Speaker 1: this that I was just like, I feel like this
• 15:30
  Speaker 1: sounds like a bedtime story for just a second, And
• 15:33
  Speaker 1: I really really liked that aspect of it was not
• 15:37
  Speaker 1: expecting what happens later, which is like he doesn't even
• 15:40
  Speaker 1: remember where they are the ships on its side. Like
• 15:45
  Speaker 1: clearly everything went left, you know, after these moments. But
• 15:50
  Speaker 1: initially I was just like, oh, the waterfall is not
• 15:54
  Speaker 1: even really an obstacle because we just got these koi
• 15:57
  Speaker 1: to pull us up, no problem, and it was so
• 15:59
  Speaker 1: like it was solid almost instantly. I really enjoy this
• 16:02
  Speaker 1: a lot.
• 16:05
  Speaker 2: I mean, not everybody has a loofy, I guess.
• 16:07
  Speaker 1: But right, Saraphim in the chat says, a cooyfish leaping
• 16:12
  Speaker 1: up a waterfall is a major folk tale where one
• 16:15
  Speaker 1: does so jumping through a tory gate and becomes a dragon,
• 16:20
  Speaker 1: this being the inspiration for magic cart becoming Gira Dose
• 16:24
  Speaker 1: in Pokemon. Oh that is so cool. I find it
• 16:31
  Speaker 1: so interesting how the lore with dragons in a lot
• 16:36
  Speaker 1: of Asia is water related, whereas over here in the
• 16:40
  Speaker 1: West it's very fire and like mountain related. And I
• 16:46
  Speaker 1: always have to sort of adjust my brain because I
• 16:50
  Speaker 1: think of them as a dinosaur like, but it seems
• 16:53
  Speaker 1: like they're much more seen as like sea creatures, not
• 16:58
  Speaker 1: even necessarily like they live really in this But you
• 17:00
  Speaker 1: know what I'm you know what I'm saying, there's like
• 17:02
  Speaker 1: something fish light about them, the.
• 17:05
  Speaker 2: Fish or like certainly like like through like the rivers.
• 17:08
  Speaker 2: How they basically yeah, I think that's that's part of it.
• 17:14
  Speaker 2: But yeah, no, I knew that one about about magic car,
• 17:17
  Speaker 2: but that's that's kind of I was like, first time
• 17:20
  Speaker 2: watching this, I was like, are they going to turn
• 17:22
  Speaker 2: into dragons? This koy? But they don't. They don't.
• 17:25
  Speaker 1: Yeah, I didn't know that, but that would have been
• 17:27
  Speaker 1: really fun if it was just like, oh, yeah, we're
• 17:29
  Speaker 1: uh the sunny is just being pulled by some koi
• 17:34
  Speaker 1: whatever and then all of a sudden you look up
• 17:36
  Speaker 1: and it's a pair of dragons and you're just like,
• 17:38
  Speaker 1: oh shit. But I don't know. Maybe they did. We
• 17:42
  Speaker 1: don't see what happened like after a certain point, so.
• 17:45
  Speaker 2: Yeah, I don't know. So they bake it up there
• 17:48
  Speaker 2: and it is kind of well, now happy, but for
• 17:53
  Speaker 2: a moment, then they see a huge whirlpool and what
• 17:58
  Speaker 2: happens here like we see in episode three. But I
• 18:01
  Speaker 2: think it's okay before I basically talk.
• 18:04
  Speaker 1: About it, Oh yeah, it's totally fine.
• 18:07
  Speaker 2: It is. Oh god, this is a really funny moment.
• 18:10
  Speaker 2: And when one piece of characters move like really fast,
• 18:13
  Speaker 2: there is like these shwing sound. I don't know if
• 18:16
  Speaker 2: you know, yes, yes, and one and one time Lufy
• 18:19
  Speaker 2: is like, I'm not letting go of the koi and
• 18:21
  Speaker 2: then this shwing and Nami is there and punches him down,
• 18:24
  Speaker 2: which she usually kind of moved this fast.
• 18:27
  Speaker 1: Yeah, she is fucking sick of his nonsense. There's a
• 18:30
  Speaker 1: whole thing with him, like wanting Sanji to cook the
• 18:34
  Speaker 1: khoi and Sanji listing off the variety of recipes that
• 18:38
  Speaker 1: he could potentially make, and Carrot being like like, koi
• 18:43
  Speaker 1: have way too many bones and it's only Nami and
• 18:46
  Speaker 1: Chopper being like, can you guys fucking focus? What are
• 18:50
  Speaker 1: you talking about? And I was just like, oh, man,
• 18:53
  Speaker 1: Usually I side with Nami. I'm being the level headed one,
• 18:55
  Speaker 1: but I do kind of want to see what Sanji
• 18:58
  Speaker 1: makes with this khoi because if we're getting distracted, I
• 19:03
  Speaker 1: can get on board if it's food related. So I
• 19:06
  Speaker 1: can't help that.
• 19:07
  Speaker 2: Yeah yeah. And then what happens is that Sanchi basically
• 19:14
  Speaker 2: carries off the rest of the crew except Loufy with
• 19:18
  Speaker 2: his skywalk yeh, that's what's it called. And Louviy gets
• 19:23
  Speaker 2: wrapped up by these octopus. Like first, I was kind
• 19:25
  Speaker 2: of like, no, the octopus is kind of chill, But
• 19:28
  Speaker 2: now I'm like, apparently not yes, and he drowns, and well,
• 19:36
  Speaker 2: not really because we don't really know how he ended
• 19:39
  Speaker 2: up at the beach. But next thing that we see
• 19:42
  Speaker 2: with Loufy and the Sunny is at the beach and
• 19:45
  Speaker 2: the rest of the crew, at least the people that
• 19:48
  Speaker 2: came with us on the Sunny are missing in action. Yes,
• 19:52
  Speaker 2: at least for the moment.
• 19:54
  Speaker 1: Yeah, I mean, I'm never a fan of when our
• 19:59
  Speaker 1: crew gets split up like this, not in terms of like, oh,
• 20:03
  Speaker 1: this is writing that I don't like, but it just
• 20:06
  Speaker 1: gives me such anxiety. But hopefully everybody else is because
• 20:14
  Speaker 1: it Soundy has to carry them all. And he comments
• 20:17
  Speaker 1: about how he has a weight limit, but then he
• 20:19
  Speaker 1: says he's joking, and I'm like, but are you Are
• 20:22
  Speaker 1: you guys all able to make it just fine? Is
• 20:24
  Speaker 1: it really?
• 20:26
  Speaker 2: Like?
• 20:26
  Speaker 1: And the fact that the Sonny is with Lufy and
• 20:32
  Speaker 1: on its side has me a little bit worried, because like,
• 20:35
  Speaker 1: getting it up and back into the water could either
• 20:38
  Speaker 1: be a huge ordeal or it could be super easy
• 20:42
  Speaker 1: cartoon style. The show kind of does what it wants
• 20:47
  Speaker 1: in terms of how big a problem something is actually
• 20:51
  Speaker 1: where there are occasionally going to be times where damage
• 20:55
  Speaker 1: is serious enough that we need to stay here for
• 20:58
  Speaker 1: like a week as repairs are on. But then sometimes
• 21:01
  Speaker 1: it's like, oh, I can have that done by tonight,
• 21:03
  Speaker 1: and we're just gonna it's nothing, you know. So I
• 21:10
  Speaker 1: know that we're here for a mission, and I know that, like,
• 21:13
  Speaker 1: we're not leaving until we have figured that whole situation out.
• 21:19
  Speaker 1: So the Sunny being immediately seaworthy again isn't top priority,
• 21:24
  Speaker 1: but I do worry about the fact that there isn't
• 21:28
  Speaker 1: an easy way to get out if we need to. Potentially, Oh,
• 21:35
  Speaker 1: I heard your your fancy European sirens in the background.
• 21:39
  Speaker 1: There a whole different energy.
• 21:43
  Speaker 2: I don't know fancy, but yeah. I also much like
• 21:47
  Speaker 2: we're sewn. I live close to the fire station. Ah yeah,
• 21:53
  Speaker 2: but I wanted to say, yeah, yeah, we're here for
• 21:57
  Speaker 2: a mission. I kind of skipped abodies. Do you have
• 22:00
  Speaker 2: any questions we get like a flashback of like when
• 22:03
  Speaker 2: they're in soul and stuff like this, Do you want
• 22:06
  Speaker 2: me to kind of explain what he know so far?
• 22:10
  Speaker 2: Or yeah?
• 22:12
  Speaker 1: I think that would be helped because like the flashback
• 22:15
  Speaker 1: actually wasn't as helpful as they usually are, and I
• 22:20
  Speaker 1: think that part of it is just that there's like
• 22:23
  Speaker 1: a lot of names being dropped and whatnot. And the
• 22:27
  Speaker 1: overall thing that I get is Momos is the prince.
• 22:32
  Speaker 1: His father was executed unjustly, but he did it as
• 22:38
  Speaker 1: a hero to sacrifice himself to save a bunch of
• 22:41
  Speaker 1: other people that would have been hurt if he didn't
• 22:43
  Speaker 1: fall on his sword, so to speak. And the dude
• 22:47
  Speaker 1: who is now in charge the what is is it
• 22:52
  Speaker 1: a shogun? Okay? He made it deal with Kaido and
• 22:57
  Speaker 1: is like basically in his post. So it's a corrupt
• 23:03
  Speaker 1: system and we're trying to rescue the island from him
• 23:08
  Speaker 1: and his like the way he's choosing to run things.
• 23:11
  Speaker 1: Although as of right now it does seem like one
• 23:16
  Speaker 1: I was doing pretty well under this guy, just on
• 23:20
  Speaker 1: the surface. But there is some mention of capturing a
• 23:25
  Speaker 1: loofy for slave labor, so you know, there's the surface
• 23:30
  Speaker 1: isn't necessarily the whole story?
• 23:33
  Speaker 2: Yeah, I mean again, dress Rosa also looked fine and
• 23:40
  Speaker 2: then yeah, no, I feel like you summed it up
• 23:43
  Speaker 2: pretty well. I think is there something else? I mean,
• 23:48
  Speaker 2: this is why the struts are here to help them.
• 23:51
  Speaker 2: One other thing that is kind of in the background.
• 23:54
  Speaker 2: But and I know again we're kind of similar in
• 23:57
  Speaker 2: this way, and that we're not so in that in
• 24:00
  Speaker 2: the porglyphs. But yes, one of the road pornoglyphs, one
• 24:05
  Speaker 2: of these red pornogliphs that leads to the one piece,
• 24:08
  Speaker 2: is apparently in Kaidosha, so we also want to get
• 24:16
  Speaker 2: our hands on.
• 24:17
  Speaker 1: That, gotcha. Yes, I totally forgot about that.
• 24:21
  Speaker 2: But yeah, yeah, but again, there were kind of similar.
• 24:25
  Speaker 2: Some people love this whole thing. I'm I'm just kind
• 24:29
  Speaker 2: of like waiting to see how it plays out.
• 24:32
  Speaker 1: Like I'm kind of like, fine, yeah, yeah, exactly, I
• 24:39
  Speaker 1: I am is Oh my god, I keep wanting to
• 24:45
  Speaker 1: say Kaido. You guys just you just told me his
• 24:50
  Speaker 1: name the guy that I said that I didn't like,
• 24:54
  Speaker 1: Q thank you. I need to remember it sounds like cinnamon.
• 25:00
  Speaker 1: He is he here on one of like hiding. Well,
• 25:06
  Speaker 1: I guess you can't tell me that, can you.
• 25:09
  Speaker 2: I mean, we by the way I think of kinemon,
• 25:13
  Speaker 2: and I think of kinemo like the the Japanese is
• 25:18
  Speaker 2: it that, oh kimono where kimonos? That's how you say it? Okay,
• 25:23
  Speaker 2: so I kind of make the link just invert that. Yeah, yeah,
• 25:28
  Speaker 2: kind of like that but different. Yeah, kimono, Yeah, I
• 25:35
  Speaker 2: mean I cannot tell you. However, I mean we can
• 25:38
  Speaker 2: move forward a little bit to our crew that we
• 25:41
  Speaker 2: have not seen in a long time, and we have
• 25:44
  Speaker 2: some like flashbacks or like visions, not visions, it's flashbacks
• 25:48
  Speaker 2: for them where they remember that. He tells them, you
• 25:52
  Speaker 2: must be living in secret, because again, Kaitos, people are
• 25:57
  Speaker 2: everywhere and they cannot know we are here as long
• 26:01
  Speaker 2: as our allies are not also here and way too dangerous,
• 26:06
  Speaker 2: so stay hidden. That's basically what he tells them. We
• 26:10
  Speaker 2: don't know where he is, but that's kind of and
• 26:13
  Speaker 2: his instructions today, right.
• 26:17
  Speaker 1: And I didn't see this coming at all because my
• 26:23
  Speaker 1: mental image of the situation was kind of that there
• 26:26
  Speaker 1: was going to be a similar like a group of
• 26:33
  Speaker 1: resistors that were hiding Mirjuana, that we could like go
• 26:37
  Speaker 1: meet up with and hide out with and like do
• 26:40
  Speaker 1: these little gorilla attacks in the way that the rebel
• 26:43
  Speaker 1: army is like out here resisting the world government. So
• 26:49
  Speaker 1: I thought all of us are going to meet up
• 26:51
  Speaker 1: with the other folks who are fighting back, But instead
• 26:56
  Speaker 1: it feels like there is no organized group that is
• 26:59
  Speaker 1: trying to fight back.
• 27:00
  Speaker 2: It is.
• 27:03
  Speaker 1: Just sort of we're on recon right now, trying to
• 27:05
  Speaker 1: gather information only and get to know And I don't
• 27:09
  Speaker 1: know how much this is a factor, but perhaps it's
• 27:13
  Speaker 1: also partially we need to grow to know our neighbors
• 27:20
  Speaker 1: and gain some trust in the community so that like,
• 27:25
  Speaker 1: once we do start to know what's going on or
• 27:27
  Speaker 1: need to do things, that we can get other people
• 27:30
  Speaker 1: to help because they have grown to trust us. But
• 27:34
  Speaker 1: I like, as of right now, I don't know how
• 27:37
  Speaker 1: much of a thing that even is. It just feels
• 27:39
  Speaker 1: like it could potentially be convenient that you've got locals
• 27:43
  Speaker 1: on your side who have grown to like and respect you, hopefully,
• 27:48
  Speaker 1: although in Usup's case, I feel like that's really not
• 27:54
  Speaker 1: going to work out long term in that way, So
• 27:57
  Speaker 1: he's not thinking that through.
• 28:01
  Speaker 2: Yeah, that's that's fair. Well, let let's talk about the
• 28:04
  Speaker 2: destroyers here. Who's so first we already mentioned him. He
• 28:08
  Speaker 2: is not a snake oil sailor, he's a toad oil.
• 28:13
  Speaker 1: Cracked me up by really that when he was saying
• 28:16
  Speaker 1: it's toad oil, I was like, why is this tickling
• 28:19
  Speaker 1: my brain? And then later when it's just the like
• 28:24
  Speaker 1: toad oil salesman. I was like, that's why, Oh, that
• 28:28
  Speaker 1: is pretty good. This is how has he not been
• 28:33
  Speaker 1: caught yet? They've been there a while. It's amazing that
• 28:36
  Speaker 1: nobody has just beat the ever living ship out of
• 28:39
  Speaker 1: him yet.
• 28:41
  Speaker 2: What. Yeah, you you already mentioned that you're not really
• 28:47
  Speaker 2: feeling that he is wise necessary. But I don't know
• 28:55
  Speaker 2: he depending on how much he's setting up shop, you know,
• 28:59
  Speaker 2: like how much he's moving around, I would say, because
• 29:03
  Speaker 2: that's also a thing with snake old the sailor, as
• 29:05
  Speaker 2: far as I've known from history, is they're always constantly moving,
• 29:09
  Speaker 2: so they basically scan people and move away. Yeah.
• 29:13
  Speaker 1: I guess that's the thing that that it feels like
• 29:15
  Speaker 1: he's sort of staying in one place because I don't
• 29:18
  Speaker 1: see the size of one. Oh, I don't really have
• 29:20
  Speaker 1: a great idea of, like, you know, the size of
• 29:23
  Speaker 1: the population. So I'm figuring that, like it's a small
• 29:28
  Speaker 1: enough community that people are going to begin to word
• 29:31
  Speaker 1: will travel, you know, but evidently not quite yet. So
• 29:37
  Speaker 1: I just worry that when there comes a point where
• 29:39
  Speaker 1: people are going to need to trust our guys, he
• 29:43
  Speaker 1: may have done some damage here.
• 29:45
  Speaker 2: I don't know. Maybe perhaps I I just wanted to
• 29:51
  Speaker 2: ask you is it too early? I'm just going to
• 29:55
  Speaker 2: ask you. We had gres Rosa once again where half
• 30:02
  Speaker 2: of our crew left and you were like, sometimes where's Nammy,
• 30:08
  Speaker 2: where's suddenly mm hmmmm hmm. But if you have not
• 30:12
  Speaker 2: fully realized we had an entire arc without us up
• 30:17
  Speaker 2: without Soro on Whole Cake and basically where the other
• 30:23
  Speaker 2: half of the crew was missing, and now it seems
• 30:27
  Speaker 2: like we were finally all together. H do you feel
• 30:31
  Speaker 2: like this? I mean, we had Dress Rosa and what's
• 30:35
  Speaker 2: it called Whole Cake? So I'm going to ask you,
• 30:38
  Speaker 2: do you feel like this was kind of worth it
• 30:40
  Speaker 2: to split them up that way? Or would you have
• 30:43
  Speaker 2: rather them all involved in each of the arms.
• 30:47
  Speaker 1: I think in Dress Rosa it was like a lot
• 30:50
  Speaker 1: more noticeable because of the fact that there's also like
• 30:56
  Speaker 1: the weirdness of some folks being around for part of
• 30:59
  Speaker 1: it and then they like split off and get separated.
• 31:04
  Speaker 1: So I think that's as a factor as well, that
• 31:07
  Speaker 1: like we were together for a second and like, right,
• 31:11
  Speaker 1: weren't the there was like a moment where they split
• 31:15
  Speaker 1: apart because of the attack from there's the fight between
• 31:20
  Speaker 1: Trafalgar and Do Flamingo. So I think that was part
• 31:27
  Speaker 1: of what kind of got me like where are they
• 31:29
  Speaker 1: because it felt like we started off with them. Yeah,
• 31:32
  Speaker 1: we had a thing that caused us to split, but
• 31:36
  Speaker 1: they can't have just left like it was just it
• 31:38
  Speaker 1: felt like they were in the wings and that they
• 31:40
  Speaker 1: would come back any second, whereas here there was an
• 31:43
  Speaker 1: official split that was like we are making a plan
• 31:49
  Speaker 1: and we are specifically deciding some you guys are going
• 31:52
  Speaker 1: another way, which had me less like distracted by it.
• 31:57
  Speaker 1: And I think that probably at Hole Cake, if everybody
• 32:01
  Speaker 1: were together, it may have been that there would be they.
• 32:07
  Speaker 1: I feel like the straw Hats all together with everybody's
• 32:11
  Speaker 1: abilities might be too close to a match for the baddies,
• 32:20
  Speaker 1: not really saying that they would have beaten everybody necessarily
• 32:23
  Speaker 1: because I don't really think that, but like, if we
• 32:26
  Speaker 1: really want there to be tension, we've got to depower
• 32:31
  Speaker 1: our people a little bit, you know, and give a
• 32:35
  Speaker 1: good reason why. Lufy is sort of like facing down
• 32:37
  Speaker 1: with certain characters all by himself, because there's only so
• 32:41
  Speaker 1: much you can do to sideline somebody by getting them
• 32:44
  Speaker 1: stuck between two buildings for a huge amount of an arc.
• 32:49
  Speaker 1: So him going up against uh, what's his name Kategori.
• 32:55
  Speaker 1: When he's in the mirror world, I guess we could
• 32:57
  Speaker 1: have done that where he goes through the mirror and
• 32:59
  Speaker 1: then the entrance gets shattered.
• 33:00
  Speaker 2: But like.
• 33:02
  Speaker 1: If Zorro's around, if Frankie is around, I feel like
• 33:08
  Speaker 1: it's too evenly matched or more even. So I think
• 33:15
  Speaker 1: probably splitting them up there was a good call, and
• 33:20
  Speaker 1: that way because they didn't win. They win inasmuch as
• 33:25
  Speaker 1: they are alive and they have humiliated Big Mom, but
• 33:28
  Speaker 1: they haven't actually defeated her. And so how do we
• 33:32
  Speaker 1: explain if we in the future beat her without having
• 33:35
  Speaker 1: there be another like two year gap where everybody just
• 33:38
  Speaker 1: powers up. Well, this time we bring everybody, you know,
• 33:44
  Speaker 1: so that's reasonable to me. Yeah, yeah, I have to.
• 33:50
  Speaker 2: I ask this because again in retrospect, I like this
• 33:55
  Speaker 2: splitting up more. At the time I didn't like it,
• 33:59
  Speaker 2: but looking get it, like seeing these two arts, like
• 34:03
  Speaker 2: how it all was set up and worked out, I'm
• 34:05
  Speaker 2: kind of like, okay, no, it works out right, you know,
• 34:08
  Speaker 2: And I can also see why Oda did it, why
• 34:11
  Speaker 2: he decided to do you know, it makes sense. But
• 34:14
  Speaker 2: at the time, as a viewer, I was kind of like,
• 34:17
  Speaker 2: that's a bullshit.
• 34:18
  Speaker 1: Right, Yes, yeah, I really understand the there's just a
• 34:25
  Speaker 1: a different type of anxiety when everybody was planning on
• 34:32
  Speaker 1: it going different. So everybody getting split up at Dress
• 34:36
  Speaker 1: Rosa when that wasn't what we had wanted to do,
• 34:39
  Speaker 1: and not really knowing where the rest of the team
• 34:41
  Speaker 1: even is. It's not just that they're not here. We
• 34:46
  Speaker 1: don't go see them at all in the midst of
• 34:48
  Speaker 1: the arc. There's no like cut over and see what's
• 34:52
  Speaker 1: happening with them, and there isn't during hole Cake, but
• 34:56
  Speaker 1: I don't need it because I know the plan is
• 34:59
  Speaker 1: to go to Wano, so that's fine. So here it's
• 35:02
  Speaker 1: a similar thing as at Dress Rosa, where we all
• 35:05
  Speaker 1: planned on arriving at the same time on the sunny
• 35:08
  Speaker 1: and we get split up right at the end, which
• 35:11
  Speaker 1: was not our intention. And now this whole thing just
• 35:14
  Speaker 1: didn't go to plan. And we all know that I'm
• 35:17
  Speaker 1: a control freak and I want things to go to plan,
• 35:19
  Speaker 1: and if they don't, that makes me deeply uncomfortable. So
• 35:22
  Speaker 1: it's no surprise that it's really more about like, did
• 35:25
  Speaker 1: we agree to this and make a contingency plan for it,
• 35:29
  Speaker 1: or is this just everything goes awry? Because we're getting
• 35:34
  Speaker 1: into a situation that we don't even really fully understand.
• 35:38
  Speaker 1: I there's a moment in the flashbacks with because like Nami,
• 35:43
  Speaker 1: when she sees the weather changing, She's like, actually, Kineone
• 35:47
  Speaker 1: told me that the weather is part of what makes
• 35:50
  Speaker 1: approaching the island really hard. Did we actually see him
• 35:54
  Speaker 1: tell her this or is this a flashback that's just
• 35:58
  Speaker 1: like her POV.
• 36:00
  Speaker 2: I think this is new information.
• 36:02
  Speaker 1: This at the time, I think, okay, because I was
• 36:06
  Speaker 1: really feeling like I don't remember this. But again, I
• 36:10
  Speaker 1: don't like kenem On, so maybe that's just like anything
• 36:12
  Speaker 1: that he says, I'm just like not going to fully
• 36:14
  Speaker 1: pay attention to. And that's on me.
• 36:17
  Speaker 2: That's fair. So back to the back to the straw
• 36:21
  Speaker 2: heads other people that you don't like, Robin she is.
• 36:25
  Speaker 1: I don't dislike Robin. I just find her boring.
• 36:28
  Speaker 2: It's fine, it's fine. I'm teasing the audience this way.
• 36:34
  Speaker 2: She is a geisha or in training to become a geisha. Well,
• 36:38
  Speaker 2: what are your thoughts about about that?
• 36:45
  Speaker 1: My thoughts are somebody had to do it. You know,
• 36:48
  Speaker 1: we're gonna go into this sort of like historical era.
• 36:52
  Speaker 1: There's gotta be a geisha it has to be, it
• 36:55
  Speaker 1: has to happen, and she's the only woman with them,
• 36:58
  Speaker 1: of course, you know, I appreciate that it is being
• 37:04
  Speaker 1: shown as something really difficult, though, Like this is not
• 37:10
  Speaker 1: oh she gets to just like be glamorous and social
• 37:15
  Speaker 1: and it's some sort of princess treatment. This is fucking training,
• 37:20
  Speaker 1: and it is grueling in a very different way. And
• 37:25
  Speaker 1: I appreciate that because I feel like so often anything
• 37:31
  Speaker 1: about like the way that women's work question mark, that's
• 37:38
  Speaker 1: not really the word I want, but you know, anything
• 37:41
  Speaker 1: historically involving women can be downplayed quite a bit and
• 37:48
  Speaker 1: treated like very unseeriously, and it is truly difficult in
• 37:57
  Speaker 1: a way that is just really different than like manual
• 38:01
  Speaker 1: labor or something. So it's also sort of funny because
• 38:06
  Speaker 1: like Robin is so taciturn you know, she really doesn't.
• 38:11
  Speaker 1: She's not a chatty kathy, So it's kind of perfect
• 38:15
  Speaker 1: for her because you're only meant to talk very very
• 38:20
  Speaker 1: specific moments and in a very specific way. So I
• 38:24
  Speaker 1: feel like, on the one hand, it does sort of
• 38:26
  Speaker 1: suit her personality. Also, geessha are supposed to be highly
• 38:31
  Speaker 1: highly educated, so that they can converse about a lot
• 38:33
  Speaker 1: of topics and she is, so maybe that like training
• 38:38
  Speaker 1: involved getting information.
• 38:41
  Speaker 2: That I mean, I don't know. She's the only one
• 38:44
  Speaker 2: that we have some idea why she's in the position
• 38:47
  Speaker 2: that she is seen her. I don't know. Her teacher
• 38:55
  Speaker 2: is basically saying, oh, you want to be basically invited
• 39:00
  Speaker 2: to the shogun's feet, right, right right, So basically probably
• 39:05
  Speaker 2: to get her intel, is my guess. Yeah, like she
• 39:08
  Speaker 2: wants to get closer. With all the others, we actually
• 39:12
  Speaker 2: don't know what they're doing because Frankie's just seems to
• 39:14
  Speaker 2: be building houses.
• 39:19
  Speaker 1: I could see that if there were something that's being constructed,
• 39:22
  Speaker 1: if he's on the inside, he could build in like
• 39:25
  Speaker 1: escape routes or something. But I don't know. Zorro is
• 39:30
  Speaker 1: a weird one because like he's just fighting the way
• 39:33
  Speaker 1: he's always fought. So it doesn't feel like necessarily anything
• 39:38
  Speaker 1: specific for him as much as just stay sharp, buddy,
• 39:41
  Speaker 1: because we're gonna need a fighter eventually.
• 39:43
  Speaker 2: You know.
• 39:45
  Speaker 1: Also, I'm a sucker for any time that you've got
• 39:51
  Speaker 1: a beautiful woman who is infiltrating a place to get information.
• 39:57
  Speaker 1: It's a that is a plot point that, if done right,
• 40:01
  Speaker 1: can be so delightful and so satisfying to watch, Like
• 40:07
  Speaker 1: I'm trying to remember. I think it might be Winter
• 40:09
  Speaker 1: Soldier the have you seen Captain America Winter Soldier?
• 40:14
  Speaker 2: I have not know.
• 40:16
  Speaker 1: Okay, so mild spoiler here, but there's a point where
• 40:19
  Speaker 1: Scarlett Johansson's character Black Widow r i P. She is
• 40:25
  Speaker 1: getting interrogated and Scarlet Johnson dead the character is dead her,
• 40:33
  Speaker 1: the Black Widow is eventually killed.
• 40:35
  Speaker 2: Oh I didn't even know that.
• 40:37
  Speaker 1: Sorry. Sorry. It is like something that is addressed a lot,
• 40:42
  Speaker 1: because like her sister has taken over in the current properties, so.
• 40:48
  Speaker 2: I have not after like even before that, but after endgame,
• 40:52
  Speaker 2: I feel like that was I was like, okay, I'm good,
• 40:55
  Speaker 2: that's fair. It was not because it was bad, but
• 40:57
  Speaker 2: I'm just kind of like the rat.
• 41:00
  Speaker 1: Yeah, the story is like complete, and I agree in
• 41:03
  Speaker 1: large part. The one thing I will say is I've
• 41:06
  Speaker 1: never been that big a fan of Scarlett Johansson, but
• 41:09
  Speaker 1: Florence Pugh is her little sister who has taken on
• 41:12
  Speaker 1: the main role, and Florence Peugh is so great, So
• 41:16
  Speaker 1: she made me care about a character that I otherwise
• 41:19
  Speaker 1: kind of didn't. And Thunderbolts is worth a watch, I
• 41:23
  Speaker 1: think because it deals a lot with like mental health.
• 41:27
  Speaker 1: But anyway, anyway, so Scarlett Johansson is getting interrogated and
• 41:35
  Speaker 1: she's tied to a chair and getting beaten and this
• 41:40
  Speaker 1: guy is like, you know, tell me what youah blah blah,
• 41:44
  Speaker 1: and he'll say something and then she'll be like, but wait,
• 41:46
  Speaker 1: I thought such and such and he's like, you idiot,
• 41:49
  Speaker 1: that's what he wanted you to think. It's actually blah
• 41:51
  Speaker 1: blah blah. And then he gets a call on his
• 41:54
  Speaker 1: cell phone and he answers and gets this look and
• 41:57
  Speaker 1: he's like, oh, it's for you, and he holds it
• 42:00
  Speaker 1: up to her ear and it's Bruce calling her Bruce
• 42:06
  Speaker 1: Banner and she's like, hey man, this is really not
• 42:09
  Speaker 1: a good time. I'm in the middle of an interrogation
• 42:11
  Speaker 1: and this idiot is giving me everything. And the guy
• 42:14
  Speaker 1: holding the phone gives her a look and she just
• 42:16
  Speaker 1: gives him a look back, like please, and she's like, oh, okay, no, yeah,
• 42:22
  Speaker 1: I can be there in like four hours, and the
• 42:25
  Speaker 1: dude closes the phone on her and she's like, yeah,
• 42:27
  Speaker 1: I'm so sorry. I got to cut this short. And
• 42:29
  Speaker 1: she just busts out of her bonds and beats the
• 42:32
  Speaker 1: shit out of him and gets out of there, and
• 42:34
  Speaker 1: it turns out the whole thing is she sets it
• 42:37
  Speaker 1: up to make it seem like she has no power
• 42:40
  Speaker 1: because that's what they expect, because she's just a woman,
• 42:43
  Speaker 1: and she's just, you know, like not to be taken seriously,
• 42:46
  Speaker 1: and she'll just lean into that in a way that
• 42:50
  Speaker 1: my ego would never allow. I couldn't. I couldn't. I
• 42:55
  Speaker 1: couldn't be constantly underestimated, even if I know it's strategically
• 42:59
  Speaker 1: advantageous to me, it would chafe at me and bother
• 43:03
  Speaker 1: me that I can, you know. And this is something
• 43:05
  Speaker 1: that comes up in like all kinds of things where
• 43:07
  Speaker 1: women have to Veronica Mars is another one where she
• 43:11
  Speaker 1: has to pretend to be like a nube to computers
• 43:14
  Speaker 1: and gaming, and she has to tolerate tons of man'splaining
• 43:17
  Speaker 1: and misogyny in order to infiltrate this like group. And
• 43:21
  Speaker 1: I'm just watching it like I would never be able
• 43:24
  Speaker 1: to shut the fuck up. I would just snap these
• 43:26
  Speaker 1: guys' heads off because it's so irritating, But you can't.
• 43:30
  Speaker 1: So all this to say, this sort of thing, when
• 43:37
  Speaker 1: done well, is like delicious to me because it's playing
• 43:41
  Speaker 1: on a lot of the exact things that, like, I know,
• 43:46
  Speaker 1: it's so tropy, but it's tropy because women just get
• 43:51
  Speaker 1: this treatment anyway, so we may as well try to
• 43:55
  Speaker 1: exploit that. And I just I'm in and Robin is
• 44:01
  Speaker 1: always just exactly who she is. There's never her like
• 44:05
  Speaker 1: pretense with her, So I think that's also interesting. It's
• 44:08
  Speaker 1: like we're getting a Robin who's having to put on
• 44:11
  Speaker 1: a show and I never see that.
• 44:14
  Speaker 2: That's true. She has to be kind of like when
• 44:18
  Speaker 2: she later sees the Sorrow picture, she has to be like,
• 44:21
  Speaker 2: oh no, I don't know, you know, like and kind
• 44:25
  Speaker 2: of well acting yeah, I yeah, we will see if
• 44:30
  Speaker 2: Oda and Robin can pull it off. Yeah, and fulfilio
• 44:33
  Speaker 2: or for Freelio wishes, ye, now, Sorrow. Sorrow is supposed
• 44:42
  Speaker 2: to be a ronin. As far as I know, a
• 44:45
  Speaker 2: ronin is basically a samurai who lost his lord. Basically,
• 44:50
  Speaker 2: as a samurai, you have a lord, and when the
• 44:53
  Speaker 2: lord gets killed or something happens to him, dishonored you,
• 44:58
  Speaker 2: and nobody else basically takes you in. You become a
• 45:00
  Speaker 2: wandering samurai, which is a rolling m as far as
• 45:04
  Speaker 2: I know. And these basically oftentimes are depicted as like
• 45:09
  Speaker 2: people who drunk but still have honor, Like this is
• 45:11
  Speaker 2: a lot where this whole thing comes from, and he
• 45:16
  Speaker 2: gets arrested for no reason at all on it.
• 45:20
  Speaker 1: Yeah, it's really weird. I was like, did I miss something?
• 45:24
  Speaker 1: But it just seems like somebody somewhere got attacked and
• 45:27
  Speaker 1: they're just out looking for a guy who's got a
• 45:29
  Speaker 1: sword maybe, and that's all it takes. I don't know,
• 45:35
  Speaker 1: but he runs into somebody on the street. We don't
• 45:38
  Speaker 1: really get a good look at that person's face. It
• 45:41
  Speaker 1: seems pretty clear pretty quickly who it is.
• 45:46
  Speaker 2: But uh, it's.
• 45:49
  Speaker 1: Interesting because like I really thought he was gonna have
• 45:53
  Speaker 1: some further proof and before he does what he does,
• 45:58
  Speaker 1: and he just does what he does and then flees
• 46:02
  Speaker 1: and it's all. I expected this to be much more
• 46:10
  Speaker 1: of a gotcha moment, and it really is.
• 46:16
  Speaker 2: You said, you're surprised that Lizip has been caught. I'm
• 46:19
  Speaker 2: surprised that Sorrow hasn't been in a situation like this
• 46:22
  Speaker 2: sooner fair. I expected him to be his spot basically basically,
• 46:30
  Speaker 2: to be blown up immediately. Well, we need it for
• 46:35
  Speaker 2: at least Lufi to set foot on the island before
• 46:38
  Speaker 2: before or there was like another moment low otherwise it's
• 46:46
  Speaker 2: not believable.
• 46:47
  Speaker 1: I have to say.
• 46:48
  Speaker 2: So Sorrow gets taken in by his guards and he
• 46:52
  Speaker 2: is to comment, Seppuku, I feel like it's the term
• 46:57
  Speaker 2: which is killing yourself is the sammurai should die in
• 47:02
  Speaker 2: battle or by this method, which is an honorable way
• 47:07
  Speaker 2: to go right, because you, I don't know, pay for
• 47:10
  Speaker 2: your things. I'm not so deep in this, lord. I
• 47:14
  Speaker 2: am just gonna say these animations where like he grabs
• 47:20
  Speaker 2: on his apps and he makes like this move and
• 47:24
  Speaker 2: he just is there shirtless and he pulls.
• 47:27
  Speaker 1: His shirt open and the camera's got like his nipple
• 47:30
  Speaker 1: is like the whole frame for a second as he
• 47:33
  Speaker 1: like pulls his shirt open, and I was just like, okay,
• 47:36
  Speaker 1: heated rivalry. What is going on?
• 47:41
  Speaker 2: Oh my god? Can I I love these moments so equality,
• 47:44
  Speaker 2: Like if we get book shots from the ladies, then
• 47:46
  Speaker 2: let's get more Sorrow shots of his books.
• 47:48
  Speaker 1: Please agree?
• 47:51
  Speaker 2: He did rivalry? Quick question. I I've never seen it,
• 47:55
  Speaker 2: but I let me tell you, I think I saw
• 47:59
  Speaker 2: this before. I'm deeply a romantic, so anything romance is
• 48:03
  Speaker 2: truly not my style. And I like sexiness in TV
• 48:08
  Speaker 2: shows oftentimes doesn't do it for me because I'm just like,
• 48:11
  Speaker 2: I can just go and watch a poor m These
• 48:14
  Speaker 2: are like the two Grape and I'm just kind of like,
• 48:16
  Speaker 2: should I watch it? Is my question.
• 48:19
  Speaker 1: I'm going to say yes, because it's exceptional on both fronts.
• 48:24
  Speaker 1: It's exceptional in that who like the the directing of
• 48:28
  Speaker 1: the sex scenes is so much more zeroed in and
• 48:35
  Speaker 1: so much more realistic in a hot way to what
• 48:39
  Speaker 1: sex is like versus the very weird showiness of most
• 48:44
  Speaker 1: TV sex scenes that feel really performative. It does not.
• 48:48
  Speaker 1: It feels like you're getting to see a private moment
• 48:51
  Speaker 1: between people in a way that it doesn't usually feel.
• 48:55
  Speaker 1: And the romance the two leads have such fucking bonkers
• 49:02
  Speaker 1: chemistry that it like, setting aside the romance, they are
• 49:08
  Speaker 1: just so much fun to watch together and the dynamic
• 49:11
  Speaker 1: between them that even if it were a platonic thing
• 49:17
  Speaker 1: and they you know, like there's just it's exciting, Like
• 49:21
  Speaker 1: there's the bounce back and forth. And one of the actors,
• 49:27
  Speaker 1: the character is Russian and the actor is not. He's
• 49:32
  Speaker 1: from Texas originally, but he delivers like a five or
• 49:40
  Speaker 1: six minute long monologue in Russian only at one point
• 49:44
  Speaker 1: in the show and evidently had such impeccable pronunciation and
• 49:51
  Speaker 1: his accent was so great that native Russian speakers thought
• 49:56
  Speaker 1: he was Russian and were very surprised in interviews to
• 50:00
  Speaker 1: find out that he was Textan and they were just
• 50:02
  Speaker 1: like what And he when you see him in interviews,
• 50:09
  Speaker 1: he's this like soft boy, very like sweet and kind
• 50:12
  Speaker 1: of goofy and whatever. But in the show as the
• 50:16
  Speaker 1: Russian he is get on your knees and you're just like, whoa,
• 50:22
  Speaker 1: I almost did that. I almost did that over here
• 50:25
  Speaker 1: on the other side of the TV screen, And he's
• 50:27
  Speaker 1: like I worried after seeing the interviews that I wouldn't
• 50:31
  Speaker 1: be able to take him seriously in the Russian accent anymore.
• 50:34
  Speaker 1: Not a problem. It's like he's a completely different person,
• 50:37
  Speaker 1: and he is so magnetic and so hot. I mean
• 50:41
  Speaker 1: they're both extremely hot.
• 50:43
  Speaker 2: I mean, come on, I have seen pictures, you know,
• 50:46
  Speaker 2: and like, like I probably need I need to watch it.
• 50:51
  Speaker 1: I really recommend it. Like I totally get what you're
• 50:55
  Speaker 1: talking about, because TV sex usually fucking sucks, like it's
• 50:59
  Speaker 1: always goofy, and romance is it's always like, oh, we're
• 51:04
  Speaker 1: gonna just create this romance because it conveniently provides a
• 51:09
  Speaker 1: way to do lazy plotting, plotting where things just happen
• 51:12
  Speaker 1: because of jealousy or misunderstanding. And so I tend to
• 51:17
  Speaker 1: feel like I don't like romance, but it's just that
• 51:20
  Speaker 1: most romance is bad. That's really what it is. When
• 51:24
  Speaker 1: it's good, it's it's fantastic to watch.
• 51:28
  Speaker 2: So I yeah, I mean not too. I mean. One
• 51:33
  Speaker 2: other thing that I'm just gonna say is also I'm
• 51:35
  Speaker 2: kind got tired as a gay person myself of the
• 51:40
  Speaker 2: secret gay lovers story.
• 51:42
  Speaker 1: Totally get that.
• 51:43
  Speaker 2: H you know, it's kind of like, okay again, you know,
• 51:47
  Speaker 2: you can't take a basic story and when you tell
• 51:50
  Speaker 2: you really well, it's still worth it. But I'm also oftentimes,
• 51:55
  Speaker 2: can we do something different with gay characters? Please?
• 51:59
  Speaker 1: I completely understand, Well, I mean I don't completely understand,
• 52:02
  Speaker 1: but I can imagine and I won't lie. When I
• 52:06
  Speaker 1: went into Heated Rivalry, I was kind of hoping. I
• 52:10
  Speaker 1: can't say too much because of the spoilers, obviously, but
• 52:16
  Speaker 1: I will say it's super well done. And also, a
• 52:20
  Speaker 1: listener in the chat during one of My lives informed
• 52:23
  Speaker 1: me that hockey remains like one of the only major
• 52:26
  Speaker 1: sports in which there are no out players whatsoever. It's
• 52:31
  Speaker 1: just for whatever reason, it's hyper masculine and there isn't
• 52:36
  Speaker 1: a single publicly gay player, so that baggage is like
• 52:44
  Speaker 1: being She was like kind of addressing that specifically when
• 52:48
  Speaker 1: she wrote the books, because the show's based on books.
• 52:52
  Speaker 2: Yeah, I'm going to give you a try and come
• 52:55
  Speaker 2: back around with you.
• 52:56
  Speaker 1: Please tell you and listen to the spoil me is
• 53:00
  Speaker 1: on that because I had so much fun just the
• 53:03
  Speaker 1: first episode. Dude, you'll see. But there were a couple
• 53:11
  Speaker 1: of moments where I was like, do I need to
• 53:12
  Speaker 1: pause this and like take a moment.
• 53:15
  Speaker 2: Because take a shower.
• 53:18
  Speaker 1: Very literally going like oh boy, I need I need
• 53:22
  Speaker 1: to catch my breath. So, uh yeah, I'll be very
• 53:25
  Speaker 1: interested to hear what you have to say about it.
• 53:27
  Speaker 1: There's a there's a channel in the discord, so come
• 53:30
  Speaker 1: in there and tell me everything. I got my mom
• 53:33
  Speaker 1: to watch it. I rewatched it with my husband and
• 53:37
  Speaker 1: he was super into it and was just like at
• 53:39
  Speaker 1: one point I was like, you want to watch another one?
• 53:41
  Speaker 1: He's like, no, there's only six. We have to make
• 53:43
  Speaker 1: it last. I don't want it to be over yet.
• 53:46
  Speaker 1: I was like, yeah, I know, it's real short.
• 53:50
  Speaker 2: Wow, I fought eight leaves.
• 53:53
  Speaker 1: Nope, yeah, it's too short. It's it's perfect, but it's tragic. Anyway,
• 54:00
  Speaker 1: I'm so sorry. Seraphim is in the chat talking about
• 54:03
  Speaker 1: back to Sorrow. It probably took Sorrow that long just
• 54:06
  Speaker 1: to find his way to the town. But then it
• 54:08
  Speaker 1: is so fitting that Zorro has caused things to wander
• 54:11
  Speaker 1: in an entirely different show. So yeah, bringing up Zorro
• 54:16
  Speaker 1: gets us off to objectify men a little bit more. Please, Yeah,
• 54:22
  Speaker 1: like Zero went on.
• 54:23
  Speaker 2: His as Yeah, I so Sorrow basically, Ah, this is
• 54:32
  Speaker 2: something I wanted to tell you. It is recap for you.
• 54:38
  Speaker 2: It's it's going to come up, but it is not
• 54:41
  Speaker 2: going to be You don't need to remember everything perfectly.
• 54:45
  Speaker 2: Sorrow's sword he got from Maria's Island, like Fri La
• 54:51
  Speaker 2: bar because the guy who captures him is like, oh,
• 54:57
  Speaker 2: this sort that you have is a national treasure.
• 55:03
  Speaker 1: I don't remember this. The guy who captures him, the.
• 55:08
  Speaker 2: Kuma know that here in one No in one.
• 55:14
  Speaker 1: Oh oh I'm sorry, you said thriller Bark. So I'm
• 55:17
  Speaker 1: thinking back. Okay, so he got it on thriller Bark.
• 55:22
  Speaker 1: Exactly what were the circumstances of him getting it. On
• 55:24
  Speaker 1: thriller Bark, I don't remember.
• 55:26
  Speaker 2: Yes, because it's not explained here at all, and I
• 55:29
  Speaker 2: don't think like they go truly deeply into it. So
• 55:33
  Speaker 2: basically what happened is Mauria went to Kaido or Touano
• 55:39
  Speaker 2: and on Tuano and what Kaido was yes, and get
• 55:44
  Speaker 2: his ass beaten in the sense of that all of
• 55:48
  Speaker 2: his crew died. Mariya's crew was dead, and that was
• 55:52
  Speaker 2: him kind of being like, Okay, I need not a
• 55:54
  Speaker 2: living crew, I needed that crew. So he started his
• 55:58
  Speaker 2: Sombi crew that we encompa oh okay, and he talked
• 56:04
  Speaker 2: about it. He he that's something that we're learning through
• 56:07
  Speaker 2: the Bark that Maria got defeated by Kaido. And one
• 56:12
  Speaker 2: thing that he did was he stole a corpse and
• 56:14
  Speaker 2: a sword from the land of Juana of a hero
• 56:19
  Speaker 2: of folk here basically okay, and that's the corpse was
• 56:26
  Speaker 2: got Brooks, Brooks shadow, So the shadow of brook was
• 56:30
  Speaker 2: in this corpse. That's the one that Sorow thought, and
• 56:34
  Speaker 2: that's where the sword is coming from.
• 56:37
  Speaker 1: Okay.
• 56:39
  Speaker 2: And basically this guy, this corpse and this sword are
• 56:42
  Speaker 2: apparently super important to Juano and people are kind of like,
• 56:48
  Speaker 2: I mean here, they're kind of like, are you the
• 56:51
  Speaker 2: one who stole this? So like, what the fuck is
• 56:53
  Speaker 2: going on? And that's just for you to know why
• 56:58
  Speaker 2: people might react to Soro and this sort a little
• 57:03
  Speaker 2: strongly because basically the whole country knows it has been stolen.
• 57:07
  Speaker 1: Okay, yeah, I definitely did not remember that at all,
• 57:12
  Speaker 1: so appreciate that.
• 57:14
  Speaker 2: It's not as far as I know, it's never fully
• 57:18
  Speaker 2: or it's a little bit shown, but I feel like
• 57:21
  Speaker 2: this is not an instance where I said, come on,
• 57:23
  Speaker 2: give us a little bit more flashbacks.
• 57:25
  Speaker 1: It's weird how much the show loves to do flashbacks
• 57:28
  Speaker 1: when we don't need them, and then doesn't when I
• 57:31
  Speaker 1: feel like they could be really necessary. I just do
• 57:34
  Speaker 1: not understand the logic behind it sometimes, but what can
• 57:38
  Speaker 1: you do?
• 57:39
  Speaker 2: This connection between Maria and Kaido is also kind of
• 57:45
  Speaker 2: you only realize this in a rewatch when you listen
• 57:49
  Speaker 2: to Maria's dialogue on Monfrilla Bar, which is now like
• 57:54
  Speaker 2: four hundred episodes ago. But wow, again, episode rewatching one
• 58:00
  Speaker 2: piece is worth it that re acity And yeah, what
• 58:08
  Speaker 2: I mean, you didn't expect Sorrow to do what he
• 58:10
  Speaker 2: does here? But what did you expect if him going
• 58:15
  Speaker 2: to jail or to kill himself.
• 58:18
  Speaker 1: When he is just like I guess by it's by then,
• 58:22
  Speaker 1: like he says something really casual, like he is just
• 58:26
  Speaker 1: going to kill himself, and I'm watching him, like, I
• 58:31
  Speaker 1: know that you don't really value your own life all
• 58:34
  Speaker 1: that much, but this is too passive even for you,
• 58:37
  Speaker 1: because the whole thing is maintain your role is what
• 58:44
  Speaker 1: plays in everybody's heads every time they start to consider
• 58:49
  Speaker 1: deviating from the character they've chosen to play in this town.
• 58:54
  Speaker 1: And so the thing that he keeps telling himself is
• 59:00
  Speaker 1: I have to keep the peace and not fight back
• 59:03
  Speaker 1: against all of these guys. And I'm like, I'm pretty
• 59:06
  Speaker 1: sure that Keenumon would not be mad at you not
• 59:09
  Speaker 1: killing yourself or the sake of keeping up the intrigue.
• 59:16
  Speaker 1: I don't think you'd expect that of you, But you
• 59:18
  Speaker 1: know what, maybe he would. That dude's crazy, so perhaps
• 59:23
  Speaker 1: he would. I But like I said, the fact that
• 59:30
  Speaker 1: he Here's the thing that's so funny to me is like,
• 59:35
  Speaker 1: when you stop and think about it, it actually makes sense,
• 59:40
  Speaker 1: even though at first blush for me, it kind of doesn't.
• 59:43
  Speaker 1: But the more I think about it, the more I'm like, yeah, well,
• 59:45
  Speaker 1: you're assigning the wrong motivations, because like he looks like
• 59:48
  Speaker 1: he's just gonna go ahead and kill himself. And then
• 59:51
  Speaker 1: he catches a whiff of the dude judging him, whose
• 59:55
  Speaker 1: name I do not remember that it's okay, Yeah, he's like,
• 1:00:01
  Speaker 1: oh the smell of blood, you're the slasher, kills the
• 1:00:08
  Speaker 1: guy and takes off, which I think I would be like, oh, okay,
• 1:00:15
  Speaker 1: so he's doing this in order to avoid death himself.
• 1:00:22
  Speaker 1: But wouldn't you want to prove that the guy is
• 1:00:26
  Speaker 1: the slasher so that they're not still after you. But
• 1:00:31
  Speaker 1: that's not really why he does it. He doesn't out
• 1:00:34
  Speaker 1: this guy and kill him because he's trying to keep
• 1:00:36
  Speaker 1: himself alive. He does it because this guy is hurting
• 1:00:40
  Speaker 1: people and Zoro is just like not going to have that.
• 1:00:45
  Speaker 1: He's not gonna leave this guy alive to go around
• 1:00:48
  Speaker 1: the hurting more people. So the fact that he doesn't
• 1:00:54
  Speaker 1: wind up dead himself is incidental to the fact that
• 1:00:59
  Speaker 1: he just wanted to ensure that this dude could not
• 1:01:02
  Speaker 1: commit any more murders.
• 1:01:04
  Speaker 2: I think, I mean in the beginning, when he are
• 1:01:10
  Speaker 2: still when they're on the street, Sorro stops him, and
• 1:01:13
  Speaker 2: he says something like he tells him like he don't
• 1:01:18
  Speaker 2: he stops him. He could just let him run past him,
• 1:01:21
  Speaker 2: but he's kind of like already there deciding to put
• 1:01:26
  Speaker 2: an end to this for what reason? Basically, you know,
• 1:01:31
  Speaker 2: he could just do nothing and not speak to this guy,
• 1:01:35
  Speaker 2: you know, and not holding up, but he does. So
• 1:01:40
  Speaker 2: I think I think there's something there in in your
• 1:01:42
  Speaker 2: theory and what you're in your takeaway of this.
• 1:01:47
  Speaker 1: I don't want I just want to know how we
• 1:01:49
  Speaker 1: prove that this is the guy who was doing it.
• 1:01:51
  Speaker 1: We don't really hear much about the slashings, you know,
• 1:01:56
  Speaker 1: like with the there's like villagers gossiping about it later,
• 1:02:05
  Speaker 1: but there's not really that many specifics, And I don't
• 1:02:09
  Speaker 1: know if there is a way to prove that it
• 1:02:12
  Speaker 1: was this guy. Was he was he like a deranged
• 1:02:16
  Speaker 1: serial killer. There's a point when he's practicing with his
• 1:02:19
  Speaker 1: sword where he says something like swords grow stronger the
• 1:02:24
  Speaker 1: more human blood they drink. He says something.
• 1:02:29
  Speaker 2: Crazy, yeah, and everybody's just like, and here's the true killer.
• 1:02:37
  Speaker 1: Did you hear him? So maybe that was the only
• 1:02:43
  Speaker 1: reason why is that he he's like literally killing people
• 1:02:47
  Speaker 1: because he thinks that it's doing something to like make
• 1:02:50
  Speaker 1: his blades stronger. But like other I what I was
• 1:02:57
  Speaker 1: gonna say was if he is like a crazy serial
• 1:02:59
  Speaker 1: killer that doing this sort of thing that in serial
• 1:03:03
  Speaker 1: killer lore, there's often like, uh, what do you call them?
• 1:03:07
  Speaker 1: Trophies that the killer will accumulate. They'll take a piece
• 1:03:10
  Speaker 1: of jewelry, or they'll take like a lock of hair,
• 1:03:13
  Speaker 1: so that eventually you can tie them definitively back to
• 1:03:17
  Speaker 1: the victim somehow. And I don't know if they're if
• 1:03:22
  Speaker 1: he was doing anything like that, are they going to
• 1:03:24
  Speaker 1: go into his apartment and find a bunch of stuff
• 1:03:27
  Speaker 1: that now that you know he's dead and he's not
• 1:03:31
  Speaker 1: there to prevent you from rifling through all of his stuff.
• 1:03:34
  Speaker 2: It reveals I feel like Sorrow doesn't care.
• 1:03:38
  Speaker 1: Zorro definitely doesn't care. I am very stuck on this.
• 1:03:41
  Speaker 2: Yes, yeah, I know that you do, but Soro doesn't.
• 1:03:44
  Speaker 2: So yeah, m hmm, we will. It's a little funny
• 1:03:52
  Speaker 2: moment where Usop is kind of like talking like being
• 1:03:56
  Speaker 2: accused of you noticed leisure and he has like I
• 1:03:58
  Speaker 2: have tank kids and the youngest is only seven.
• 1:04:03
  Speaker 1: Yeah, my wife had like three sets of twins somehow.
• 1:04:06
  Speaker 2: Yeah, definitely, yeah, yeah, but okay, I kind of also
• 1:04:11
  Speaker 2: wanted to talk about the last episode, which is I mean,
• 1:04:16
  Speaker 2: it's not that much, but it is Loofy on the
• 1:04:19
  Speaker 2: beach mm hmm, and we get like the flashback that
• 1:04:26
  Speaker 2: we already talked about. I wanted you to ask and
• 1:04:31
  Speaker 2: wanted to ask you, have you realized that Lufy used
• 1:04:35
  Speaker 2: the future side future vision thing in this episode.
• 1:04:39
  Speaker 1: There's a point where the camera zooms in on his
• 1:04:41
  Speaker 1: eyes and there's like an effect that happens, So I
• 1:04:46
  Speaker 1: I I felt like he did something with hockey, but
• 1:04:51
  Speaker 1: I wasn't sure what it was.
• 1:04:54
  Speaker 2: That makes sense now that you say bullet, Yeah, it
• 1:04:58
  Speaker 2: doesn't look in this direction. And I'm just gonna say
• 1:05:02
  Speaker 2: when I saw this, I cheered so much because sometimes
• 1:05:07
  Speaker 2: people or like characters get like power upgrades and then
• 1:05:11
  Speaker 2: don't use them or like it doesn't come really into play,
• 1:05:14
  Speaker 2: and this was kind of like confirming like, oh no,
• 1:05:17
  Speaker 2: he has this in the bag now, like and I'm like, yay,
• 1:05:21
  Speaker 2: like this is awesome. I love to see that that
• 1:05:25
  Speaker 2: this is something that our Loofy is able to do.
• 1:05:28
  Speaker 1: Now, Yeah, I I I don't read that many like
• 1:05:40
  Speaker 1: what's the word I want lit RPG or what is
• 1:05:43
  Speaker 1: the name of this? Is this show in what is
• 1:05:46
  Speaker 1: the name of this type of Yeah, okay, so people
• 1:05:52
  Speaker 1: acquiring powers and stuff? Is it something that I have
• 1:05:56
  Speaker 1: a lot of exposure to in fiction, But I have
• 1:06:00
  Speaker 1: heard that this is something that a lot of people
• 1:06:02
  Speaker 1: will get irritated by. Is like the introduction of a
• 1:06:06
  Speaker 1: power clearly meant to deal with this specific plot line here,
• 1:06:12
  Speaker 1: and then later, once we're done with that plot, we
• 1:06:15
  Speaker 1: act like they can't do that anymore because it's simply
• 1:06:18
  Speaker 1: too convenient and that it would solve too many problems
• 1:06:21
  Speaker 1: and then we would have no story. And I appreciate
• 1:06:27
  Speaker 1: that it's not like louviy was able to achieve that
• 1:06:34
  Speaker 1: future site, but like not super consistently, not always available
• 1:06:41
  Speaker 1: at the drop of a hat. He has really had
• 1:06:43
  Speaker 1: to like work for it. And I wouldn't be mad
• 1:06:48
  Speaker 1: if it were the sort of thing that he doesn't
• 1:06:50
  Speaker 1: get right all the time. But yeah, let's not pretend
• 1:06:53
  Speaker 1: that he doesn't have this ability. You can explain it
• 1:06:57
  Speaker 1: by having it be that he isn't always quite able
• 1:07:01
  Speaker 1: to Like it's not at will. It's sort of an
• 1:07:04
  Speaker 1: involuntary thing during a moment of crisis that I could believe.
• 1:07:08
  Speaker 2: You know it is also if you want to talk
• 1:07:12
  Speaker 2: about it, it doesn't matter because it's a bullet and
• 1:07:16
  Speaker 2: we know his bulletproof is sure, yes, but it's still
• 1:07:21
  Speaker 2: a cool moment. I just like like to to see him.
• 1:07:25
  Speaker 1: Agreed.
• 1:07:25
  Speaker 2: Yeah, and you said, I forgot that this episode was
• 1:07:29
  Speaker 2: called Lufi versus the Army of Caido. It's like two people,
• 1:07:33
  Speaker 2: it's two dudes.
• 1:07:34
  Speaker 1: I was really expecting something, guys. I tried, like I
• 1:07:39
  Speaker 1: had tried for so long not to listen to the
• 1:07:41
  Speaker 1: titles and stuff, and I was able to do that
• 1:07:45
  Speaker 1: for the most part until I started watching through crunchy roll,
• 1:07:50
  Speaker 1: which makes it a lot harder just the way that
• 1:07:54
  Speaker 1: they have things set up. It's not as convenient. And
• 1:08:00
  Speaker 1: so this is one where I saw the title before
• 1:08:04
  Speaker 1: I started it, and I really had like I was
• 1:08:07
  Speaker 1: actually thinking to myself when I saw the title already,
• 1:08:10
  Speaker 1: that escalates quick, And no it doesn't. It does not
• 1:08:14
  Speaker 1: escalate that quick. It's just not what it sounds like.
• 1:08:18
  Speaker 1: It's weird, how like these titles can be so detailed
• 1:08:21
  Speaker 1: that they tell you way too much, but they can
• 1:08:24
  Speaker 1: also just lie to you basically straight up I guess
• 1:08:29
  Speaker 1: these guys are technically members of his army maybe.
• 1:08:35
  Speaker 2: I mean, I mean we I think they have like
• 1:08:38
  Speaker 2: a transpondo snail and not talking to title.
• 1:08:42
  Speaker 1: But they're not even talking to him right there?
• 1:08:44
  Speaker 2: Is it?
• 1:08:44
  Speaker 1: The guy with the cards. That's why I was assuming
• 1:08:47
  Speaker 1: it is.
• 1:08:48
  Speaker 2: Oh my god, I'm so proud of you. Yes, because
• 1:08:51
  Speaker 2: you see him.
• 1:08:51
  Speaker 1: In profile and I was like, oh, that's a fucking
• 1:08:53
  Speaker 1: tarot guy.
• 1:08:55
  Speaker 2: That's what I think. Mest's see he's here as well.
• 1:08:58
  Speaker 2: We haven't seen him in a while, but yes, Hawkins,
• 1:09:00
  Speaker 2: his name is Hawkins.
• 1:09:02
  Speaker 1: Okay.
• 1:09:03
  Speaker 2: Yes, I was kind of like, oh, should I ask
• 1:09:05
  Speaker 2: her if she knows who that is? But you know, okay,
• 1:09:08
  Speaker 2: But I also remember that you were kind of just
• 1:09:12
  Speaker 2: like intwequed by him. I remember that.
• 1:09:15
  Speaker 1: Yeah, And he's got a really particular I mean, they
• 1:09:18
  Speaker 1: all have particular looks, but in profile, I feel like
• 1:09:23
  Speaker 1: he is very recognizable, and he has like a really
• 1:09:29
  Speaker 1: low key way about him as well, so the weirdly
• 1:09:35
  Speaker 1: laid back vibe despite being like, he's like bloodthirsty, but
• 1:09:40
  Speaker 1: he's not agro in the way that you're used to.
• 1:09:44
  Speaker 1: When you think of that the combo, I was just
• 1:09:47
  Speaker 1: like yeah, this is that weird guy I can't remember.
• 1:09:51
  Speaker 1: It's not like I can remember his name, so don't
• 1:09:53
  Speaker 1: be too proud of me, Hawkins. But you know, the
• 1:09:57
  Speaker 1: Tarot thing is also particular to my hyper fixations and interests,
• 1:10:02
  Speaker 1: So there's that that's fair.
• 1:10:05
  Speaker 2: But it seems like the probably will get more of
• 1:10:08
  Speaker 2: him here because well not because but I mean last
• 1:10:12
  Speaker 2: time we got some a little bit more Beje Beji,
• 1:10:15
  Speaker 2: who we also met in the back in Sabodi. So
• 1:10:19
  Speaker 2: like it seems like these characters from from that time
• 1:10:23
  Speaker 2: seemed to pop up here and there. Yeah, which again,
• 1:10:26
  Speaker 2: rewatching makes it so much more fun, Like, oh, you're
• 1:10:30
  Speaker 2: you're later on, you're doing this and death and all
• 1:10:33
  Speaker 2: of them, you know.
• 1:10:35
  Speaker 1: Yeah, Like you're talking about how Maria was beaten by Kaido.
• 1:10:41
  Speaker 1: I cannot tell you how I didn't remember that. Like
• 1:10:43
  Speaker 1: that's practically brand new information to me at this point
• 1:10:47
  Speaker 1: because I do not remember. But if I, like, if
• 1:10:51
  Speaker 1: I were going back and I heard that, I would
• 1:10:54
  Speaker 1: be like, oh, we're hearing about this all the way
• 1:10:57
  Speaker 1: back here, you know, I really do, like there's no
• 1:11:05
  Speaker 1: avoiding it. But I really do regret that I don't
• 1:11:08
  Speaker 1: have the frame of reference for something, so I don't
• 1:11:12
  Speaker 1: retain them, you know, not like partially because I can.
• 1:11:18
  Speaker 1: I'm sure for some folks like listening to the show
• 1:11:21
  Speaker 1: they get frustrated, but even less for that, I feel
• 1:11:24
  Speaker 1: like there's just a lot of enjoyment to be had
• 1:11:28
  Speaker 1: from connecting these dots, and I just can't do it
• 1:11:32
  Speaker 1: the first time around. It's just that it's not how
• 1:11:34
  Speaker 1: this is designed.
• 1:11:36
  Speaker 2: So yeah, it's I mean, it's but a different experience,
• 1:11:42
  Speaker 2: you know, And I feel like and also a valid
• 1:11:45
  Speaker 2: one because I enjoy listening to your thoughts and even
• 1:11:50
  Speaker 2: if you don't connect the dots, you still have interesting
• 1:11:55
  Speaker 2: and valid takes.
• 1:11:56
  Speaker 1: Thank you.
• 1:11:59
  Speaker 2: Now, Yeah, Loofy on the beach basically knocks those two
• 1:12:04
  Speaker 2: people out. But before that, a dog question, Mark.
• 1:12:09
  Speaker 1: I, what is he talking about? A dog? What are
• 1:12:14
  Speaker 1: you talking about?
• 1:12:15
  Speaker 2: Sir? I'm gonna tell you this is going to be
• 1:12:18
  Speaker 2: referred to as a dog. I think maybe it's meant
• 1:12:23
  Speaker 2: to be like a temple dog, you know, like the
• 1:12:25
  Speaker 2: stanches of those temple dogs.
• 1:12:27
  Speaker 1: Okay, mmmmm hmmm.
• 1:12:30
  Speaker 2: I think that's the inspiration, but it is weird looking still.
• 1:12:36
  Speaker 1: A temple dog would really be a good explanation because
• 1:12:40
  Speaker 1: I'm looking at it, and I'm just like, the closest
• 1:12:43
  Speaker 1: I can get is lion, and it doesn't really even
• 1:12:47
  Speaker 1: quite look like a lion either. But dog doesn't feel
• 1:12:52
  Speaker 1: right at all, So I think you're right. Once I
• 1:12:57
  Speaker 1: take once, I like step back and look at the
• 1:12:59
  Speaker 1: overall design. This is just what that kind of stylized
• 1:13:05
  Speaker 1: figure looks like. Oh, Saraphim isn't sorry, Saraphim has been
• 1:13:11
  Speaker 1: commenting a bunch and I'm only just seeing it. Koma
• 1:13:14
  Speaker 1: u is what it's called. An U is Japanese for dog. Okay, yeah,
• 1:13:20
  Speaker 1: this uh koma chios is this specific guy's name, this
• 1:13:28
  Speaker 1: specific dog. I hate saying that, though, but fair the
• 1:13:35
  Speaker 1: lion quality of it cannot be overstated. Though he's got
• 1:13:40
  Speaker 1: a full on maine. He's got a tail that's not
• 1:13:43
  Speaker 1: quite lion like, but it is definitely like flufy in
• 1:13:47
  Speaker 1: a way that feels like it doesn't match the rest
• 1:13:51
  Speaker 1: of the body in a way that lions are, you know. Overall,
• 1:13:58
  Speaker 1: I am really curious to see who designed the Temple
• 1:14:02
  Speaker 1: dogs and what dog they were looking at when they
• 1:14:05
  Speaker 1: designed that, because that must have been a real weird
• 1:14:08
  Speaker 1: looking dog that you based all of your stuff on.
• 1:14:12
  Speaker 2: It feels more like, you know how their drawings of it. Basically,
• 1:14:17
  Speaker 2: people went to Africa where long pastimes and came back
• 1:14:22
  Speaker 2: to Europe and we're like you had there, like these
• 1:14:24
  Speaker 2: things called elephants and they're like gray, have huge ears
• 1:14:29
  Speaker 2: a trunk and then people start to draw it right,
• 1:14:33
  Speaker 2: and it's just.
• 1:14:33
  Speaker 1: Like the weirdest fucking creature.
• 1:14:36
  Speaker 2: Yeah, it's basically this where somebody saw a dog and
• 1:14:39
  Speaker 2: somebody who has never seen a dog gets explained to
• 1:14:41
  Speaker 2: it what a dog is like and has to draw its,
• 1:14:44
  Speaker 2: like make a statue of it.
• 1:14:46
  Speaker 1: It's like kind of like this, I guess, which like
• 1:14:50
  Speaker 1: fair not everybody is an artist. And if you're just
• 1:14:53
  Speaker 1: going from memory as well, like how much is your
• 1:14:57
  Speaker 1: memory going to shift what it looks like after a
• 1:15:00
  Speaker 1: months long travel to get home again and having to
• 1:15:05
  Speaker 1: recall Yeah, it's really no surprise. It's like a game
• 1:15:08
  Speaker 1: of telephone with yourself.
• 1:15:13
  Speaker 2: It is. Yeah, I mean memory is memory is weird? Trust?
• 1:15:17
  Speaker 1: Yeah?
• 1:15:19
  Speaker 2: Oh no it is not.
• 1:15:22
  Speaker 1: Guys.
• 1:15:23
  Speaker 2: Oh oh you want to tell a story?
• 1:15:26
  Speaker 1: No I don't.
• 1:15:28
  Speaker 2: I'm just don't remember it.
• 1:15:29
  Speaker 1: Anybody who is who has been like a major part
• 1:15:35
  Speaker 1: of Unspoiled community over the past month We're currently in
• 1:15:40
  Speaker 1: July of twenty twenty six. Will will know how many
• 1:15:45
  Speaker 1: fuck ups I made just over the past two weeks,
• 1:15:49
  Speaker 1: with like putting the wrong theme song to certain shows,
• 1:15:52
  Speaker 1: forgetting to edit an outro, forgetting to add it to
• 1:15:56
  Speaker 1: the podcast like feed at all, or misnaming it, or
• 1:16:03
  Speaker 1: losing the episode, like watching the wrong episodes happen. For
• 1:16:08
  Speaker 1: one piece, I read the wrong chapters for one of
• 1:16:11
  Speaker 1: the books I'm covering. I mean, I can't not tell you, guys,
• 1:16:16
  Speaker 1: my memory has been fucked for the past month in
• 1:16:21
  Speaker 1: a way that is really starting to like low key
• 1:16:24
  Speaker 1: worry me no, And I'm just like, it's the fucking perimenopause,
• 1:16:30
  Speaker 1: is what it is. They don't talk about this enough,
• 1:16:32
  Speaker 1: but I think that women need to like hear more
• 1:16:34
  Speaker 1: about the various symptoms because you just think you're losing it,
• 1:16:40
  Speaker 1: and you are losing it, but it's like your body
• 1:16:43
  Speaker 1: is doing this to you. It's not aging in a
• 1:16:46
  Speaker 1: simple sense of just our brains begin to not function
• 1:16:49
  Speaker 1: as well. It's the hormone changes fuck up how everything works.
• 1:16:55
  Speaker 2: Yeah, so, I mean, I'm not an expert, but as
• 1:16:58
  Speaker 2: far as I understand, it is not a kind of
• 1:17:02
  Speaker 2: like a second property, you know, like where you whole
• 1:17:05
  Speaker 2: hormone household really changes.
• 1:17:09
  Speaker 1: It's a weird thing where it's like the reverse of puberty,
• 1:17:13
  Speaker 1: because like what happens for us for puberty is that
• 1:17:17
  Speaker 1: we begin to produce a lot more estrogen and progesterone,
• 1:17:20
  Speaker 1: but parentmenopause that drops away, and that's part of why
• 1:17:24
  Speaker 1: we stop ovulating or yeah, And so when we go
• 1:17:30
  Speaker 1: through it, we become more hormonally like men. And this
• 1:17:36
  Speaker 1: results in the hourglass figure filling out and becoming more square,
• 1:17:41
  Speaker 1: the full lips thinning. Everything that we associate with a
• 1:17:46
  Speaker 1: feminine appearance begins to be undone by the hormones reducing,
• 1:17:54
  Speaker 1: and we as people are fed the fuck up with
• 1:18:00
  Speaker 1: everybody in a way that is closer to how men
• 1:18:04
  Speaker 1: are all the time. But it's the first time for
• 1:18:08
  Speaker 1: us that we have really felt like The dudes will
• 1:18:15
  Speaker 1: often talk about dealing with women in menopause and how
• 1:18:19
  Speaker 1: much more challenging we are, and the reality is that's
• 1:18:21
  Speaker 1: because we're bringing we're matching energy with you, and you
• 1:18:26
  Speaker 1: are difficult, and we just would capitulate a lot, but
• 1:18:30
  Speaker 1: there comes a point where we don't do that the
• 1:18:32
  Speaker 1: same way. This also results in many more divorces.
• 1:18:38
  Speaker 2: That anyway, Yes, you're not looking like they used to look. Yeah, anyway,
• 1:18:53
  Speaker 2: Gloopy punches these guise in the face and we get Tala.
• 1:19:01
  Speaker 2: I just needed to think about her name and this
• 1:19:04
  Speaker 2: little kid, and I'm just gonna tell you already in
• 1:19:08
  Speaker 2: terms of kid characters.
• 1:19:11
  Speaker 1: Yes, I think she's very solid, agreed and ye know what?
• 1:19:17
  Speaker 2: Yeah, what are your thoughts? And we also get to
• 1:19:19
  Speaker 2: see her ability in action.
• 1:19:22
  Speaker 1: Yeah I don't. We don't really fully get like what
• 1:19:25
  Speaker 1: this is like in explained in words. We see her
• 1:19:30
  Speaker 1: like make something that appears on her face that she
• 1:19:33
  Speaker 1: pulls off, and it's a treat for the dog. I
• 1:19:37
  Speaker 1: really hate that I have to call it the dog,
• 1:19:39
  Speaker 1: but I have to because it's just so much easier.
• 1:19:43
  Speaker 1: But we don't know what it's made out of, Like,
• 1:19:45
  Speaker 1: I don't think she says, does she? It looked like
• 1:19:48
  Speaker 1: a rice ball or a cookie or something, yeah, out
• 1:19:51
  Speaker 1: of her face. So I'm just like, girl, what was that?
• 1:19:57
  Speaker 2: Is that?
• 1:19:57
  Speaker 1: Bone?
• 1:19:58
  Speaker 2: Is it? We don't know yet, but I'm gonna say
• 1:20:06
  Speaker 2: tell you. This is also a Japanese folklore where basically
• 1:20:12
  Speaker 2: a person has this treats and feeds it to a dog.
• 1:20:18
  Speaker 2: And a monkey, and I feel like to a third
• 1:20:20
  Speaker 2: animal and basically becomes friends with them. Okay, And it
• 1:20:27
  Speaker 2: is like a pretty popular or folklore in Japan. Okay,
• 1:20:31
  Speaker 2: and this is basically what this is based on. And
• 1:20:36
  Speaker 2: it seems like when she feeds it to the monkey
• 1:20:38
  Speaker 2: that he becomes friendly to her, Yes, magically.
• 1:20:44
  Speaker 1: And apparently he's been a real pain in the ass
• 1:20:46
  Speaker 1: to deal with, so getting him to be friendly is
• 1:20:51
  Speaker 1: a huge accomplishment because this has been something that's like
• 1:20:57
  Speaker 1: resulted in I don't know if it's like I can't
• 1:21:00
  Speaker 1: say that it resulted in her getting captured by these
• 1:21:02
  Speaker 1: guys because that's not what I think happened there. But
• 1:21:05
  Speaker 1: we don't really find out what the circumstances were leading
• 1:21:08
  Speaker 1: up to her getting captured. The only thing we get
• 1:21:10
  Speaker 1: is like a really brief clip of her yelling that
• 1:21:15
  Speaker 1: you're gonna get yours at some point because you guys
• 1:21:18
  Speaker 1: are enemies, and she's mentioned somebody specifically I don't remember.
• 1:21:25
  Speaker 2: She says the Kosuki Klan, and the Kosuki is basically
• 1:21:29
  Speaker 2: almost famably because moment is and Sarah f M says, yeah, yeah,
• 1:21:36
  Speaker 2: she says it. She said, calls it the KEEPI doango,
• 1:21:39
  Speaker 2: and it is some kind of dumpling apparently dumpling.
• 1:21:45
  Speaker 1: Oh my god, if I could just make dumplings come
• 1:21:48
  Speaker 1: out of it. I love dumpling so much, y'all. I
• 1:21:52
  Speaker 1: it's a problem. They're not cheap and I I'm not
• 1:21:59
  Speaker 1: going to get into this, but I love them. I
• 1:22:03
  Speaker 1: love them, and they are so high energy to make.
• 1:22:07
  Speaker 1: I never make them. I will only buy them. And
• 1:22:09
  Speaker 1: they're not cheap to buy either. And I could eat
• 1:22:12
  Speaker 1: like thirty of them and be like, I might be done.
• 1:22:17
  Speaker 1: I might, but I could probably have another one if
• 1:22:22
  Speaker 1: I could just make dumping. The only thing is that
• 1:22:24
  Speaker 1: you don't always have sauce on you, and that's rough
• 1:22:26
  Speaker 1: dumpling without sauce.
• 1:22:27
  Speaker 2: I mean, yeah, that's ofugh. I love them as well,
• 1:22:32
  Speaker 2: but for me, it's truly out of the prising. Yeah,
• 1:22:35
  Speaker 2: it's because oftentimes it's kind of you get six for
• 1:22:38
  Speaker 2: like fifteen or sixteen yeah here, and it's kind of
• 1:22:42
  Speaker 2: like six.
• 1:22:45
  Speaker 1: I buy them frozen. There's like a company called Nila,
• 1:22:49
  Speaker 1: and they're kind of pricey through them and my husband
• 1:22:51
  Speaker 1: just went to a Asian grocer and bought a couple bags.
• 1:22:56
  Speaker 1: And I'm stoked because they're different flavors and he bought
• 1:23:00
  Speaker 1: dumpling sauce, and so yeah, we're gonna fucking tear up
• 1:23:03
  Speaker 1: some dumplings later. And I'm so excited about it. But
• 1:23:06
  Speaker 1: they you know, it's a yeah, you are not gonna
• 1:23:12
  Speaker 1: get full on dumplings unless you're willing to spend way
• 1:23:15
  Speaker 1: more than you want to spend. They are an appetizer. Yeah, sad,
• 1:23:20
  Speaker 1: but true.
• 1:23:22
  Speaker 2: It is so well, is there anything I mean, yeah,
• 1:23:27
  Speaker 2: is there anything that you wanted to talk about in
• 1:23:29
  Speaker 2: these episodes that we have not talked about yet?
• 1:23:32
  Speaker 1: Yeah, I'm trying to think because it's like, I.
• 1:23:35
  Speaker 2: Mean, we also see Looviy using his conqueror's hockey on
• 1:23:40
  Speaker 2: the monkey and basically taming him or them. I don't
• 1:23:44
  Speaker 2: know the gender of the monkey, but that's very basically
• 1:23:48
  Speaker 2: be like sit down. I think she calls it a
• 1:23:51
  Speaker 2: he I think so too. Yeah, And I like to
• 1:23:56
  Speaker 2: see that Louvy doesn't at least not need to punch
• 1:24:00
  Speaker 2: anymals anymore.
• 1:24:02
  Speaker 1: That's true.
• 1:24:04
  Speaker 2: So I hope you're happy with that. It's a little
• 1:24:07
  Speaker 2: bit more humane way.
• 1:24:08
  Speaker 1: Yes, definitely. I this little girl being able to make
• 1:24:13
  Speaker 1: dumplings too. It surprised me that Lufy doesn't have a
• 1:24:17
  Speaker 1: stronger reaction to that, Like with the eater that he is,
• 1:24:21
  Speaker 1: I would really expect him to just be like, can
• 1:24:25
  Speaker 1: I have some? Can you make me some?
• 1:24:27
  Speaker 2: You know?
• 1:24:28
  Speaker 1: But maybe that's coming. I don't know.
• 1:24:31
  Speaker 2: We have we come off a food based arc where
• 1:24:37
  Speaker 2: it has been said.
• 1:24:37
  Speaker 1: That, oh, the food that you make from your powers
• 1:24:41
  Speaker 1: is not good. Yeah, you're right. Lufy is not that
• 1:24:44
  Speaker 1: smart or discerning though, so probably he'd still ask for it, I.
• 1:24:47
  Speaker 2: Think probably, but maybe he didn't realize what it was.
• 1:24:51
  Speaker 1: Yeah, just like what is that?
• 1:24:52
  Speaker 2: In general?
• 1:24:53
  Speaker 1: I'm like, what, Yeah, I don't know what to like.
• 1:24:59
  Speaker 1: The dog is hers already, She's right, yeah, so this
• 1:25:05
  Speaker 1: is like just the second pet that she's acquired. Pretty much.
• 1:25:10
  Speaker 1: That's handy damn.
• 1:25:14
  Speaker 2: So what are your final thoughts and maybe some expectation
• 1:25:19
  Speaker 2: prediction for this are.
• 1:25:24
  Speaker 1: I'm trying to think because like, I don't know, I
• 1:25:31
  Speaker 1: I don't know enough about the enemy that we're dealing
• 1:25:37
  Speaker 1: with and exactly what the setup is there. This little
• 1:25:41
  Speaker 1: girl like talking shit means that there are definitely some
• 1:25:44
  Speaker 1: people who are very vocally not happy, but she's the
• 1:25:48
  Speaker 1: only one that we really see so far, and she.
• 1:25:53
  Speaker 2: And she gets grapped up immediately.
• 1:25:55
  Speaker 1: Yeah, and they talk about like, oh, well, he'll make
• 1:25:59
  Speaker 1: a great laborer and you're gonna have a lifetime of slavery.
• 1:26:02
  Speaker 1: So obviously they're doing something somewhere. It's very funny to
• 1:26:08
  Speaker 1: me how they're just like, yeah, dude, lifetime of slavery.
• 1:26:10
  Speaker 1: And then he dares to fight back, and they're just like,
• 1:26:13
  Speaker 1: what the fuck? Yeah, he doesn't want a lifetime of slavery, guys,
• 1:26:18
  Speaker 1: I know, it's crazy. He hasn't. He didn't even hear
• 1:26:21
  Speaker 1: them say that, but well maybe he did.
• 1:26:24
  Speaker 2: What do I know?
• 1:26:26
  Speaker 1: But yeah, I don't. I don't know, like especially because
• 1:26:29
  Speaker 1: we don't see where everybody else, what they're up to,
• 1:26:33
  Speaker 1: and how far apart we are, So I don't know
• 1:26:36
  Speaker 1: how long before we rejoin each other, if it's going
• 1:26:39
  Speaker 1: to be like a whole arc where we're separated on
• 1:26:41
  Speaker 1: totally different sides of the island, or is it just
• 1:26:44
  Speaker 1: gonna be a few episodes with us meeting different people
• 1:26:47
  Speaker 1: and then we reconnect and we've brought together the team
• 1:26:50
  Speaker 1: with disparate players from you know, I don't know. I
• 1:26:54
  Speaker 1: don't have any theory yet.
• 1:26:58
  Speaker 2: I'm excited. I'm really excited for this one. I don't know,
• 1:27:01
  Speaker 2: it's just it's gonna be so good.
• 1:27:05
  Speaker 1: Yay, Okay, I love that. I love seeing that excitement.
• 1:27:08
  Speaker 1: It gets me excited. That's that's exactly what I want
• 1:27:11
  Speaker 1: to see.
• 1:27:14
  Speaker 2: This is.
• 1:27:15
  Speaker 1: Yeah, this is the vibe as well with like this
• 1:27:18
  Speaker 1: season of Supernatural and Marashaan is just like giddy most
• 1:27:22
  Speaker 1: of the time, and I'm just like, oh shit, okay,
• 1:27:24
  Speaker 1: it's happening.
• 1:27:26
  Speaker 2: Yeah, no, it's it's gonna be so many, so many
• 1:27:30
  Speaker 2: great things are coming your way. Mm hmm.
• 1:27:34
  Speaker 1: All right, well, I guess that's everything. Perfect timing, though,
• 1:27:40
  Speaker 1: Is there anything else that you want to say before
• 1:27:42
  Speaker 1: wrapping up?
• 1:27:43
  Speaker 2: You mentioned reacts, right, yeah, yes, I everybody. I am
• 1:27:49
  Speaker 2: on YouTube under the name just South just the way
• 1:27:55
  Speaker 2: that you say it, and South is is a UF.
• 1:27:59
  Speaker 2: You can find me there and I do reactions to
• 1:28:01
  Speaker 2: drop out content if you know, drop out TV game Changer,
• 1:28:06
  Speaker 2: Dimension twenty very important people. You probably have seen clips.
• 1:28:11
  Speaker 1: Of this almost definitely.
• 1:28:13
  Speaker 2: Yeah, and yeah, I make reactions today, so please go
• 1:28:18
  Speaker 2: and follow and leave a subscription, leave a comment. It
• 1:28:21
  Speaker 2: would mean a lot. I have been doing it. I
• 1:28:23
  Speaker 2: don't know why I have not mentioned it, but I
• 1:28:25
  Speaker 2: have doing this for like a year now, and it's
• 1:28:27
  Speaker 2: kind of feeling good, like I still enjoy doing it,
• 1:28:32
  Speaker 2: you know, like I was never got tired of it.
• 1:28:34
  Speaker 2: It's just something I do on the side, and it
• 1:28:38
  Speaker 2: would be awesome if I get more traction.
• 1:28:41
  Speaker 1: Definitely, I'd say repeat your the user name again.
• 1:28:46
  Speaker 2: Yes, I need to be better at this. Just south
• 1:28:50
  Speaker 2: just s a uf sauf.
• 1:28:55
  Speaker 1: And what platform is this?
• 1:28:57
  Speaker 2: Is it?
• 1:28:57
  Speaker 1: Instagram?
• 1:28:58
  Speaker 2: YouTube?
• 1:28:58
  Speaker 1: YouTube?
• 1:28:59
  Speaker 2: It's on YouTube?
• 1:29:00
  Speaker 1: Gotcha? All right?
• 1:29:01
  Speaker 2: Cool?
• 1:29:03
  Speaker 1: All right, everybody, Well, thank you all again so much
• 1:29:05
  Speaker 1: for listening, and thank you to those of you who
• 1:29:08
  Speaker 1: were in the chat Lena and Sarah m. And thank
• 1:29:12
  Speaker 1: you Florian of course for booking the wannabe joining me today.
• 1:29:16
  Speaker 1: Delighted to have you. It's always so fun.
• 1:29:19
  Speaker 2: It was really awesome.
• 1:29:22
  Speaker 1: All right, everybody, Until next time, Tulu motherfuckers.
• 1:29:27
  Speaker 2: Bye, yay, Thank you Florian.
• 1:30:03
  Speaker 1: That was an Unspoiled Network podcast.