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Papoose Interview · The Breakfast Club

• 0:01
  Speaker 1: Real people, real celebrity real joined the Breakfast Morning everybody
• 0:08
  Speaker 1: is DJ Envy Angela yee shawl. I mean the guy.
• 0:10
  Speaker 1: We all the Breakfast Club special guests in the building.
• 0:13
  Speaker 1: Boot Stop, what stop? What's going on? Almond stores today? Yeah,
• 0:18
  Speaker 1: Today's today. Man. I like this follow up because you know,
• 0:21
  Speaker 1: knock around the Dream no, no, no say American Backward
• 0:28
  Speaker 1: not SMA dream took a while to come out, but
• 0:30
  Speaker 1: you can't right back with the Sophomore Project. Definitely, man,
• 0:32
  Speaker 1: definitely Man. Just trying to keep it going, man, and
• 0:35
  Speaker 1: keep that work ethic out there. Absolutely. Now. We were
• 0:37
  Speaker 1: talking about this behind the scenes about you being on
• 0:40
  Speaker 1: Love and Hip Hop, and we actually were kind of
• 0:42
  Speaker 1: excited about it between all of us because you know
• 0:45
  Speaker 1: the show. We're like, but then we heard you and
• 0:47
  Speaker 1: Remy was gonna be on there, and we're like, okay,
• 0:49
  Speaker 1: maybe you know they are stepping it out. We have
• 0:51
  Speaker 1: some other friends that are going to be on this
• 0:53
  Speaker 1: season as well. So how are you approaching What made
• 0:56
  Speaker 1: you decide to do that? Um, Actually, it was actually
• 0:59
  Speaker 1: a lot of interests there for a long time, you
• 1:01
  Speaker 1: know what I mean, But we was kind of hesitant
• 1:03
  Speaker 1: to do it. They actually wanted me to do it
• 1:04
  Speaker 1: when she was locked up, just start doing it and
• 1:06
  Speaker 1: build up to when she came home. But he was like, nah,
• 1:09
  Speaker 1: just going off for Other people were saying what I mean,
• 1:12
  Speaker 1: But when we looked into it, and to be honest,
• 1:14
  Speaker 1: they made an awful we couldn't refuse, you know what
• 1:15
  Speaker 1: I mean, good money, let's go for it. Saw something
• 1:18
  Speaker 1: new Man and this season that they said they actually
• 1:20
  Speaker 1: trying to have people on the show that are doing
• 1:22
  Speaker 1: stuff that are really moving out here. Wow, Wow, I
• 1:24
  Speaker 1: have to watch more like Rich Dollars and all those
• 1:26
  Speaker 1: guys like that. Shout out to them, you know what
• 1:28
  Speaker 1: I mean. I mean, I ain't trying this. Nobody. The
• 1:33
  Speaker 1: title it is love and hip hop, you know what
• 1:35
  Speaker 1: I'm saying. So it's like I always looked for that
• 1:37
  Speaker 1: whenever I did look at the show. I mean, Ryan
• 1:41
  Speaker 1: ran exactly, because I think people go on there and
• 1:42
  Speaker 1: they're like, oh, it's gonna be different when I go
• 1:44
  Speaker 1: on there, I'm gonna change it. And sometimes that doesn't happen.
• 1:47
  Speaker 1: But I will say the casts of people surrounding y'all
• 1:49
  Speaker 1: as well, you know, and did you rememly have to
• 1:52
  Speaker 1: talk and be like Okay, we're not gonna get dragged
• 1:53
  Speaker 1: into no drama. Let's make sure they don't try to
• 1:56
  Speaker 1: create room. Don't like that, man, she don't like to
• 1:59
  Speaker 1: play nothing or none of that. Like she like, whatever
• 2:02
  Speaker 1: gonna happen is gonna happen, Like I'm the one that
• 2:04
  Speaker 1: because you don't want them to put no surprise somebody up. Yeah,
• 2:07
  Speaker 1: but I'd be more like that. How you said, like
• 2:09
  Speaker 1: we need to worry about this, about it, like be
• 2:11
  Speaker 1: on point. She'd like you listen, we're not doing all that,
• 2:13
  Speaker 1: like what ever gonna happen, gonna happen. But they have
• 2:15
  Speaker 1: the planner and she's the Yeah, she's like, I don't
• 2:18
  Speaker 1: like like over thinking stuff, but it's possible and swing
• 2:20
  Speaker 1: on somebody. Though now we can't, we can't do that. Yeah,
• 2:25
  Speaker 1: was my worry that she's on there if somebody act
• 2:27
  Speaker 1: up and then me react and then it's on camera.
• 2:29
  Speaker 1: But people know who to do that too and who not,
• 2:31
  Speaker 1: you know what I mean? Now, there was a time
• 2:33
  Speaker 1: behind the scenes they I remember hearing they said Poos
• 2:36
  Speaker 1: can't travel with Remy for a little while because he'd
• 2:38
  Speaker 1: be going nuts on people if anybody says something a
• 2:41
  Speaker 1: little sideways. Nah, I'll be I'll be chilling, man, I'll
• 2:44
  Speaker 1: be trying to keep that never happened. Oh nah, man,
• 2:49
  Speaker 1: I'm trying to get away from that. You know what
• 2:51
  Speaker 1: I'm saying. It's a business, right, you know what I mean?
• 2:53
  Speaker 1: So we're schilling. Were just positive? So are we trying
• 2:56
  Speaker 1: to make sure what part of your putting out this album?
• 2:59
  Speaker 1: And then you're doing loving hip hop and you guys
• 3:01
  Speaker 1: have the song out together now as well. It's this
• 3:04
  Speaker 1: all like a setup for your own show too. Oh yeah, definitely?
• 3:07
  Speaker 1: We um you know, interested in getting a spinding off
• 3:10
  Speaker 1: after this? You know it's a stepping stone. Are you
• 3:12
  Speaker 1: trying to stay on staying with fever? You know what
• 3:14
  Speaker 1: I mean? Right, definitely want to do that. Now the
• 3:15
  Speaker 1: record you got Todd Dallas sign on the hook? Are
• 3:17
  Speaker 1: you finally bucklingto the system and doing record? Man? Honestly,
• 3:23
  Speaker 1: I always I always did different joints man, you know
• 3:25
  Speaker 1: what I'm saying. It's just that people don't look deep
• 3:27
  Speaker 1: enough like my core audience. They know I always was
• 3:29
  Speaker 1: versatile and switched it up, you know what I'm saying. But, um,
• 3:32
  Speaker 1: the records are actually pushed out there, you might be right.
• 3:34
  Speaker 1: It wasn't you know what I mean, get towards that,
• 3:36
  Speaker 1: but I always had them, like on my mixtape, just
• 3:37
  Speaker 1: to be versatile. But yeah, I'm stepping it up a
• 3:40
  Speaker 1: little bit more. Then you have to tell your core audience.
• 3:42
  Speaker 1: It's not like I'm not who I was before. I'm
• 3:44
  Speaker 1: just expanding because sometimes your fans be like, what are
• 3:47
  Speaker 1: you trying to do? Are you're selling out? You're crossing over?
• 3:49
  Speaker 1: But I don't explain myself to them because you know what,
• 3:51
  Speaker 1: like a lot of people, they they hit me up
• 3:54
  Speaker 1: on social media, your path, swear man, you the best,
• 3:56
  Speaker 1: you greatest ever. I run them into the cement the street.
• 3:58
  Speaker 1: It's the same thing. But it's like, yo, man, that's cool,
• 4:00
  Speaker 1: But did you buy my album? Like, if I had
• 4:02
  Speaker 1: a penny for anybody that gave me them compliments, I'd
• 4:05
  Speaker 1: be rich. I'll been meeting the man. So I'm like, yo,
• 4:06
  Speaker 1: buy the actual project if you really believe it in
• 4:08
  Speaker 1: your heart? You know what I mean? That's how I feel.
• 4:11
  Speaker 1: Do you wish you would have ever remained independent throughout
• 4:13
  Speaker 1: your whole career? Man? Yeah, I definitely wish. It's way better, yo,
• 4:17
  Speaker 1: way better. I wish from the from the start, I
• 4:19
  Speaker 1: never ever signed to a major. Man, even with the
• 4:21
  Speaker 1: money that you got drive up. Yeah, the money helped.
• 4:24
  Speaker 1: The money was good, but I think I would have
• 4:25
  Speaker 1: cashed out better because I had such a demand, because
• 4:27
  Speaker 1: I would just went independent. Who knows why I would
• 4:29
  Speaker 1: have been at right now? You think the major lay
• 4:32
  Speaker 1: yeah project, Yeah it did because when when it was
• 4:35
  Speaker 1: time to drop the actual project, they started playing games. Yeah,
• 4:39
  Speaker 1: and we backed out and we left with some bread.
• 4:41
  Speaker 1: But the bigger picture got hurt by that because the
• 4:44
  Speaker 1: album didn't come out. So people was like, oh man,
• 4:46
  Speaker 1: the album. So that album that none of those signs
• 4:49
  Speaker 1: could ever come out, I mean, got outdated. So I
• 4:52
  Speaker 1: just had to revamp it. And I kept the same
• 4:53
  Speaker 1: concept and the same idea, but I had to revamp
• 4:55
  Speaker 1: because it got it was old, right, you know what
• 4:57
  Speaker 1: I mean? I saw interview recently. You said you and
• 5:00
  Speaker 1: rem a real competitive in the studio. Man. Oh yeah, yeah,
• 5:02
  Speaker 1: we're competitive definitely as far as what just just like
• 5:06
  Speaker 1: balls or like y'all can y'all tell each other now
• 5:10
  Speaker 1: that I was whacked. Oh yeah. It's hard to take
• 5:13
  Speaker 1: somebody close to you though sometimes I usually fire I
• 5:15
  Speaker 1: just fire you back, man, Like remember what's trying to
• 5:17
  Speaker 1: fire yourself. Officers fire you back. You know what I mean?
• 5:19
  Speaker 1: I chilled, she shilled. She don't like the chill, so
• 5:20
  Speaker 1: we go out. She ain't gonna chill, but just go
• 5:24
  Speaker 1: y'all know, but do you listen? And does she listen?
• 5:27
  Speaker 1: Like if you like? Mm, that's the bag. I don't
• 5:30
  Speaker 1: like that. You should change that? Would you really change it?
• 5:32
  Speaker 1: Or all? Give me down? But later on, I see
• 5:35
  Speaker 1: people are taking my advice on the low. You know,
• 5:37
  Speaker 1: she ain't gonna let me know on the spot, but
• 5:38
  Speaker 1: I see that she took my vice. Just red me
• 5:40
  Speaker 1: get disrespectful with because red Me is disrespectful. Like, yeah,
• 5:43
  Speaker 1: she's respectful everybody. She don't discriminate, you know what I mean.
• 5:47
  Speaker 1: I'm trying to change your but you know it's gonna
• 5:49
  Speaker 1: happen gradually. I like the fact that you're not afraid
• 5:51
  Speaker 1: that the show Black love man, Oh yeah, it's like yeo,
• 5:54
  Speaker 1: it is not even just Blackloo, this love in general. Nah. Yeah, definitely,
• 5:58
  Speaker 1: it's genuinely how we feel, you know what I mean
• 5:59
  Speaker 1: about each other. It's not a front. So when it's real,
• 6:02
  Speaker 1: you know, you don't gotta hid it. Like I feel
• 6:04
  Speaker 1: like I don't know when hip hop is like, we
• 6:05
  Speaker 1: don't let him host. You know what I mean, money
• 6:07
  Speaker 1: of a bitches, And I think that's just fake, you
• 6:09
  Speaker 1: know what I'm saying. So that's why you know we
• 6:11
  Speaker 1: needs afraid to show. I feel like it's influential, was
• 6:13
  Speaker 1: making other people want to do it. We just had
• 6:15
  Speaker 1: a discussion last week because Joe Budens had said he
• 6:17
  Speaker 1: didn't like how Meek moves with Nikki likes too he's
• 6:20
  Speaker 1: too much of a simple with her. Is the words
• 6:23
  Speaker 1: did he use that don't bother you at all? Nah man,
• 6:26
  Speaker 1: you gotta you gotta let me grow. Man, you know
• 6:28
  Speaker 1: what I'm saying. As you get older, you look at
• 6:30
  Speaker 1: life differently. And I know through my experiences certain things
• 6:32
  Speaker 1: I did when I was younger, I don't want to
• 6:34
  Speaker 1: be doing that no more. I want to be hit
• 6:35
  Speaker 1: in everywhere. I want to make a sacrifice and you
• 6:37
  Speaker 1: don't build a family. Absolutely what I'm saying. And the
• 6:40
  Speaker 1: albums out now, who who's on the album? Um? I
• 6:43
  Speaker 1: got a joint with me may No Red Cafe. You
• 6:46
  Speaker 1: know what I'm saying. I gotta joint with me and
• 6:48
  Speaker 1: Troy yaf um Ron Browns. I got DJ Premier people
• 6:52
  Speaker 1: like that. You can't kept the real New York. Yeah, definitely,
• 6:55
  Speaker 1: Man's that's where I'm from. Man like, I ain't ashamed
• 6:57
  Speaker 1: to say at one point, at one point, you got
• 6:59
  Speaker 1: a problem, he said, J's weren't supporting you. Are you
• 7:01
  Speaker 1: still having that problem? Oh yeah, he said, Hell yeah.
• 7:04
  Speaker 1: Say what you got to say to Envy right now?
• 7:07
  Speaker 1: You know, all right, Envy, Man play my record. Man
• 7:10
  Speaker 1: plays to every everyone playing very played you every morning
• 7:15
  Speaker 1: to the point where other people complained. The complain that's
• 7:19
  Speaker 1: the problem. That's the problem. Though. I'm glad you said
• 7:22
  Speaker 1: they don't care, but those are the haters. That's why
• 7:24
  Speaker 1: I can't give me I'll need to be stop hating. Man.
• 7:26
  Speaker 1: You know what I'm saying. I don't know what. Why
• 7:28
  Speaker 1: did they complain about? I think and you know that
• 7:30
  Speaker 1: we actually they said the records to New York. That's
• 7:32
  Speaker 1: what they were saying. But I called over. I asked
• 7:34
  Speaker 1: them to make a universal version. But you know what,
• 7:36
  Speaker 1: that's Those are people. I need to be slapped because
• 7:39
  Speaker 1: why a hating? Why are you hating on me for
• 7:41
  Speaker 1: I'm playing what I gotta do to support my family.
• 7:43
  Speaker 1: Don't try to stop me from eating, Like, come on. Man,
• 7:46
  Speaker 1: that's good advice though to do a universal you're talking
• 7:48
  Speaker 1: about this now I did it. I took his advice though,
• 7:50
  Speaker 1: I did it. But um, yeah, I think that. I think.
• 7:53
  Speaker 1: I think Envy and the other DJ show me a
• 7:55
  Speaker 1: little bit more like they don't owe me nothing, but
• 7:57
  Speaker 1: you know, if you feel like I'm doing something that's
• 7:58
  Speaker 1: worth it, YO help me. And then they gave me
• 8:01
  Speaker 1: some feedback to im like here's what the issue is
• 8:03
  Speaker 1: and gave yeah, definitely. But I can't say he don't
• 8:06
  Speaker 1: play my music because he do play it, you know
• 8:08
  Speaker 1: what I mean kind of time. But I'm just saying,
• 8:10
  Speaker 1: like you know, when some of the out the town
• 8:11
  Speaker 1: dudes come out, I need that same parade, you know
• 8:14
  Speaker 1: what I mean, going so same shot. I feel like
• 8:16
  Speaker 1: I could take it from there. Yeah I can't. Just
• 8:18
  Speaker 1: I mean I feel don't just play the record once
• 8:20
  Speaker 1: or twice, like, yeah, I don't really help programming and
• 8:22
  Speaker 1: the people. I needed consistency so I can grow and
• 8:25
  Speaker 1: I mean really get some with Now I said, you
• 8:27
  Speaker 1: hating on some other rappers. They probably deserved it. Trolling.
• 8:31
  Speaker 1: Oh yeah, complex what was he doing? So it's kind
• 8:36
  Speaker 1: of like a it's like a hitting camera, you know,
• 8:41
  Speaker 1: trolling something. They had these rappers, I'm coming rappers come
• 8:44
  Speaker 1: in the studio. They got to work with pet Poos
• 8:46
  Speaker 1: and he dissed them on their own track. Basically, Yeah,
• 8:49
  Speaker 1: I was watching it. They were like, oh man, I
• 8:52
  Speaker 1: was growing up. I was, you know, listening to him
• 8:53
  Speaker 1: since I was thirteen. I didn't. Yeah, I mean, it
• 8:58
  Speaker 1: was just um set for complex. It was all the fun,
• 9:02
  Speaker 1: you know what I mean. They actually gave them them
• 9:03
  Speaker 1: do some exposure on the site, you know what I'm saying, right,
• 9:06
  Speaker 1: So it wasn't yeah, because they were like, here's a
• 9:07
  Speaker 1: link to hear this rap. Ye. Yeah, yeah, it was.
• 9:10
  Speaker 1: It was all the fun. After it, we all shook
• 9:11
  Speaker 1: hands and laughed, you know what I mean. It was
• 9:13
  Speaker 1: it was a good look. Somebody could have that could
• 9:15
  Speaker 1: have went wrong. Somebody could have got mad and you
• 9:17
  Speaker 1: never know. Oh yeah, no, we wasn't gonna do that. Man.
• 9:20
  Speaker 1: We know it was a prank and that's what we
• 9:21
  Speaker 1: had in our mind from the door. So we even
• 9:23
  Speaker 1: just having some fun, that's all. Man. Now. I saw
• 9:25
  Speaker 1: another interview recently you did when you said you disagree
• 9:28
  Speaker 1: with they sat rocket when he said in New York
• 9:29
  Speaker 1: doesn't have a distinct sound. Oh yeah. They asked me that.
• 9:32
  Speaker 1: I was on an interview with all I Think all
• 9:34
  Speaker 1: hip Hop dot Com and they asked me about that,
• 9:36
  Speaker 1: and I was like, yeah, I totally disagree. Of course,
• 9:37
  Speaker 1: New York has a distinct sound right now, though, I
• 9:40
  Speaker 1: mean in the nineties they did, early two thousands, I
• 9:42
  Speaker 1: don't know about right now. I think we do. And
• 9:44
  Speaker 1: I used on Bobby Smurder for example. I think Bobby
• 9:46
  Speaker 1: Smurder is a New York sound, you know what I mean,
• 9:49
  Speaker 1: not just lyrically, but you hear Brooklyn in that man,
• 9:53
  Speaker 1: you know what I mean. I liked the hit Shore.
• 9:54
  Speaker 1: I love it when you hit like things like that
• 9:56
  Speaker 1: of that nature. Like some of these dudes you here,
• 9:58
  Speaker 1: they don't sound like they from here, even in the interviews,
• 10:01
  Speaker 1: even the interview, they talk like they from another region.
• 10:03
  Speaker 1: I think that's because they're influenced by a lot of
• 10:05
  Speaker 1: the rappers that like. You gotta think. You look at
• 10:08
  Speaker 1: Fattip Fetti Wapp was influenced by Gucci man, you know
• 10:11
  Speaker 1: what I mean. You look at him trying to think
• 10:13
  Speaker 1: asav Rocky said he was influenced by rappers from Texas.
• 10:16
  Speaker 1: That Texas, so they have that sling like I was
• 10:19
  Speaker 1: influenced by your nass, your jay Z. So those are
• 10:22
  Speaker 1: the type of things that influence me. It is just
• 10:23
  Speaker 1: I think they're influences, right, Yeah, that's the music. But
• 10:25
  Speaker 1: I'm saying when they when they're talking, they see me
• 10:28
  Speaker 1: like vocal canus. Yeah, I'm saying everything has an overall picture. Yeah,
• 10:33
  Speaker 1: New York definitely has. We always gonna have a sound.
• 10:35
  Speaker 1: Like I said, I use That's why I use Smirred
• 10:36
  Speaker 1: as an example, because that's why I liked it so much.
• 10:39
  Speaker 1: I heard that New York like that, Brooklyn. You could
• 10:41
  Speaker 1: tell them out there, you know what I mean. You
• 10:42
  Speaker 1: can hear and you can feel it. So what's the
• 10:44
  Speaker 1: overall golf? Golf for papoos? Where do you see yourself? Like,
• 10:47
  Speaker 1: what would that be ideal for you? I just see
• 10:50
  Speaker 1: myself growing on different levels and you know, opening different
• 10:52
  Speaker 1: businesses and getting money and just being a family man,
• 10:55
  Speaker 1: taking care of my family. Balanced. Yeah, definitely. I saw
• 11:00
  Speaker 1: you teet one did it? You tweeted um? So? Oh
• 11:02
  Speaker 1: so they acting like they want lyrics again? When fab
• 11:05
  Speaker 1: was doing the free Friday, Yeah yeah. Do you think
• 11:09
  Speaker 1: that was a novelty thing or you think people really
• 11:11
  Speaker 1: want the lyrics again. Um, I think because I think
• 11:17
  Speaker 1: most of the mainstream was just paying attention because Fab
• 11:20
  Speaker 1: did it, because he never stopped freestyling. I mean, not
• 11:23
  Speaker 1: just myself, a lot of rot we never stopped freestyling,
• 11:25
  Speaker 1: you know what I mean. Nobody wasn't really paying attention
• 11:27
  Speaker 1: like that. But I think when Fab did it, you know,
• 11:29
  Speaker 1: I mean it shout the fab. It just made the
• 11:32
  Speaker 1: mainstream people pay attention for a little while. I mean
• 11:34
  Speaker 1: that's and I think especially over the old school beats. Yeah, yeah,
• 11:38
  Speaker 1: you do it over the nineties beach It's like, oh okay,
• 11:39
  Speaker 1: he really freestyling. Oh yeah, definitely definitely. But that never
• 11:42
  Speaker 1: stopped though. Would you would you ever do a turn
• 11:44
  Speaker 1: up record? Um? What you mean like a trap beat? Yeah,
• 11:49
  Speaker 1: I'll do it just to show my versatility and keep
• 11:50
  Speaker 1: it moving, you know what I'm saying, Like like how
• 11:52
  Speaker 1: Big did when he did the um Bone Dogs. Yeah,
• 11:55
  Speaker 1: but I wouldn't stayed in and just lived and move in,
• 11:58
  Speaker 1: you know what I mean. I cheered for men and
• 11:59
  Speaker 1: keep it moving. You can't do it that's cool, like
• 12:03
  Speaker 1: to be versatil. I just don't like when cass stay
• 12:05
  Speaker 1: did you know what I mean as a fan, you
• 12:06
  Speaker 1: know what I mean. Do you like what New York
• 12:08
  Speaker 1: is at right now? Yeah? Yeah, I like when New
• 12:11
  Speaker 1: York is at right now. I mean I just dropped
• 12:12
  Speaker 1: my album to day. I feel like we're in a
• 12:13
  Speaker 1: good space. It's where album coming out on Fridays now. Yeah,
• 12:18
  Speaker 1: they switched it up, and that's like a big deal
• 12:19
  Speaker 1: to anybody, right because you know, we're so used to
• 12:22
  Speaker 1: I can't even ever remember a time when albums didn't
• 12:24
  Speaker 1: come out on Tuesdays. I mean, they actually gave me
• 12:25
  Speaker 1: the option, and I chose the Friday because I was
• 12:27
  Speaker 1: supposed to come out in June, but then we pushed
• 12:29
  Speaker 1: back and he was like, Yo, you want to do
• 12:30
  Speaker 1: a Tuesday because they're doing Fridays now. I say, I'll
• 12:32
  Speaker 1: do the Friday. It sounds good, something new, you know
• 12:36
  Speaker 1: what I mean. So whatever, I was with it, and
• 12:38
  Speaker 1: the song called Michael Jackson Um. In the chorus, I
• 12:41
  Speaker 1: made a reference to Jenna Jackson and Michael Jackson like
• 12:43
  Speaker 1: she wanted control and I want to beat it like
• 12:45
  Speaker 1: Michael Jackson got you know what I mean. So the
• 12:47
  Speaker 1: chorus was kind of catchy. So I was like, that's
• 12:48
  Speaker 1: the title of Michael Jackson, because I'm listening, listening for
• 12:51
  Speaker 1: a sample, I'm no Michael Jackson. Yeah, yeah, No. It
• 12:54
  Speaker 1: was just the references and the metaphors to Jenna Jackson
• 12:57
  Speaker 1: and Michael Jackson. That's like a great description of your relationship. Okay, right, right,
• 13:02
  Speaker 1: right exactly, Man, shout out the rim. All right, Well,
• 13:05
  Speaker 1: we appreciate you joining us. Yeah, man, thanks for having me. Man,
• 13:08
  Speaker 1: I need anybody to go out there and cop that project.
• 13:10
  Speaker 1: You Can't Stop Destiny. It's on our tunes. Men. I
• 13:12
  Speaker 1: think y'all gonna love it. Man, all right, it's the
• 13:14
  Speaker 1: breakfast of its path poosh path poos. Yeah.