Latest / Table Read / PV & FRANNY - Part 1

Transcript

PV & FRANNY - Part 1 · Table Read

• 0:00
  Speaker 1: Go, Samory, sound like prison. Here we go one, two, three.
• 0:10
  Speaker 2: Samy Ready, I love the all right, and ty whenever
• 0:17
  Speaker 2: You're in.
• 0:20
  Speaker 3: Act one Interior Overton High Day. We're just inside the
• 0:25
  Speaker 3: front doors of a large public high school. We pan
• 0:28
  Speaker 3: around the room, a wall covered in construction paper, posters
• 0:31
  Speaker 3: about American presidents, a water fountain dribbling gently, the girl's bathroom,
• 0:36
  Speaker 3: which opens to disgorged Judy sixteen.
• 0:39
  Speaker 4: She looks upset for a brief moment.
• 0:42
  Speaker 3: We hear her voice over, which fades away as she
• 0:44
  Speaker 3: walks out of frame.
• 0:45
  Speaker 2: But if Colin doesn't like me, then why did he
• 0:47
  Speaker 2: ask me to help him with his homework?
• 0:49
  Speaker 3: We're still panning in the front doors the boys bathroom,
• 0:53
  Speaker 3: and finally we're back wore we started, only now Someone
• 0:55
  Speaker 3: in a bulldog mascot costume stands in front of the posters,
• 0:59
  Speaker 3: looking vaguely sinister.
• 1:01
  Speaker 4: He pulls his cigarette out of a pocket and lights it.
• 1:03
  Speaker 4: He raises it to his grilled mouth.
• 1:06
  Speaker 3: The tip players up, and a moment later, smoke seeps
• 1:09
  Speaker 3: out of the grill.
• 1:10
  Speaker 4: We hear the squeaking of rubber soul on tile.
• 1:13
  Speaker 3: The bulldog looks over and sees Franny Blevins, a fifteen
• 1:16
  Speaker 3: year old Elvis Costello who stops in front of a
• 1:19
  Speaker 3: flyer close on Franny's face as his eyes scan the text.
• 1:24
  Speaker 3: After a moment, we hear a tearing sound and Franny disappears,
• 1:27
  Speaker 3: leaving the bulldog in the background staring after him. Exterior
• 1:31
  Speaker 3: Seattle Streets, afternoon. That sounded so dragnet. Exterior Exterior Seattle Streets, afternoon. Franny,
• 1:41
  Speaker 3: chased by a small dog, bikes along a commercial street.
• 1:44
  Speaker 3: He looks two D like a game of Excite Bike.
• 1:47
  Speaker 2: I was struck by the flyer and decided I had
• 1:49
  Speaker 2: to meet its author immediately.
• 1:51
  Speaker 3: Interior coffee shop, afternoon, p V. Gornic fifteen. A bespectacled
• 1:56
  Speaker 3: girl with long black hair and torn up clothes sits
• 2:00
  Speaker 3: writing in a notebook. On the table are two small
• 2:02
  Speaker 3: white cassio keyboards and a glockenspiel. She wears thimbles on
• 2:08
  Speaker 3: all of her fingers, which makes writing difficult. Suddenly, a
• 2:12
  Speaker 3: flyer slams down in front of her.
• 2:14
  Speaker 2: Is this your flyer?
• 2:15
  Speaker 4: Insert? The flyer reads, seeking bandmates.
• 2:17
  Speaker 3: Influences include Sonic Youth, Except NYC, Ghosts and Flowers, James Blake,
• 2:22
  Speaker 3: Jamesteen James Taylor, James Baldwin, and Rick James find me
• 2:26
  Speaker 3: after school at that one coffee shop. Peev looks up
• 2:29
  Speaker 3: at Franny examines him.
• 2:31
  Speaker 5: I didn't think much of him at first.
• 2:33
  Speaker 4: Now, she continues, writing, have.
• 2:36
  Speaker 2: We met before?
• 2:37
  Speaker 5: Not to my knowledge, I only started at Overton this week.
• 2:40
  Speaker 5: I used to be homeschooled, but my tutor died.
• 2:43
  Speaker 3: Interior PV's house, living room flashback. PV sits opposite her tutor,
• 2:47
  Speaker 3: an ancient woman who appears to be asleep. PV glances
• 2:51
  Speaker 3: up from a geometry textbook. Missus Llewellyn interior coffee shop, continuous.
• 2:56
  Speaker 2: With before, No, I'm pretty sure we've met. Then again,
• 2:59
  Speaker 2: I have a terrible memory. They say that's a prerequisite
• 3:02
  Speaker 2: for happiness. Not so good for his Stree exams. What's
• 3:06
  Speaker 2: your name?
• 3:07
  Speaker 4: PV pauses in a writing.
• 3:09
  Speaker 2: But he was.
• 3:10
  Speaker 5: Persistent, and persistence is important in any artistic endeavor. Did
• 3:14
  Speaker 5: you know that the Beatles played more than six hundred
• 3:16
  Speaker 5: shows before they even got signed? Did you know that
• 3:19
  Speaker 5: the Beatles played more than six hundred shows before they
• 3:22
  Speaker 5: even got signed?
• 3:23
  Speaker 2: I didn't, but I do know that there are more
• 3:25
  Speaker 2: than three hundred and fifty thousand different kinds of beatles.
• 3:28
  Speaker 2: I'm Franny PV.
• 3:30
  Speaker 5: I'm sorry I was brusque before. I just hate meaning
• 3:33
  Speaker 5: new people and old people.
• 3:35
  Speaker 2: PV like the amplifier.
• 3:37
  Speaker 5: M hm tie.
• 3:38
  Speaker 4: On page three, we just missed one pickup right in
• 3:41
  Speaker 4: the middle of the scene.
• 3:42
  Speaker 3: In the middle of page three, it says, inside a
• 3:44
  Speaker 3: picture of a pb amplifier.
• 3:46
  Speaker 4: Oh okay, this was marked out in mind. Oh sorry, yeah,
• 3:49
  Speaker 4: I'm just not going to take responsibility. This is not
• 3:53
  Speaker 4: my fault. This is not my fault. It was not.
• 3:58
  Speaker 2: Some fire.
• 4:00
  Speaker 4: I'm not sure if I can. What does I say?
• 4:03
  Speaker 3: It's an insert a picture.
• 4:05
  Speaker 4: Of a PV amplifier. Okay, set inset inset yes, in set.
• 4:12
  Speaker 3: Intel in bread a picture of a PV amplifier. In
• 4:19
  Speaker 3: set a picture of a PV amplifier.
• 4:22
  Speaker 2: That's your real name, I had I legally changed.
• 4:25
  Speaker 3: Interior City Hall flashback. PV stands at the desk. A
• 4:29
  Speaker 3: registrar looks over her application.
• 4:31
  Speaker 2: You need to be eighteen to change your name without
• 4:33
  Speaker 2: a guardian President Miami teen.
• 4:35
  Speaker 3: She presents a driver's license inset PV's fake driver's license.
• 4:39
  Speaker 3: Her real name is blurred out, and her birthday is
• 4:41
  Speaker 3: shown as twelve. Twenty five, two thousand and four.
• 4:45
  Speaker 2: Could you laminate this yourself? Of course not.
• 4:48
  Speaker 3: Interior Kinko's another flashback. PV stands at the desk. A
• 4:52
  Speaker 3: Kinko's employee looks over the as yet unlaminated fake driver's license.
• 4:57
  Speaker 2: Uh, are you trying to get me to laminate a
• 4:58
  Speaker 2: fake driver's license?
• 5:01
  Speaker 5: Of course not.
• 5:03
  Speaker 3: We hear the sound of a copy or Peev looks
• 5:05
  Speaker 3: over and sees Franny making copies. Interior Coffee Shop, continuous.
• 5:09
  Speaker 2: With before I knew we'd met before.
• 5:12
  Speaker 4: Franny sits down opposite PV.
• 5:14
  Speaker 5: I guess we have what were you making copies of? Anyway?
• 5:17
  Speaker 3: Interior Kinko's continuous with previous flashback. Franny pulls one of
• 5:22
  Speaker 3: the flyers out of the tray. Inset. Franny's flyer shows
• 5:25
  Speaker 3: a very ugly dog, along with the text trying to
• 5:28
  Speaker 3: lose this dog answers to Lemur. Please, if you see him,
• 5:31
  Speaker 3: do not return him to me Franni. Interior Coffee Shop,
• 5:36
  Speaker 3: continuous with before did it work? Franny points Lemur's waiting
• 5:40
  Speaker 3: outside the coffee shop, just next to Franny's bike.
• 5:43
  Speaker 4: Man, that's one ugly dog.
• 5:45
  Speaker 2: Sorry, it's okay, So you want to start a band.
• 5:48
  Speaker 5: No, I want to continue a band, but with more
• 5:51
  Speaker 5: musicians than I have now.
• 5:52
  Speaker 2: Oh, how many musicians do you have? Now?
• 5:54
  Speaker 5: One? What do you play?
• 5:56
  Speaker 2: Guitar, leader, rhythm? Yes, what about you?
• 6:00
  Speaker 5: Primarily cassio, b altone, monophonic synthesizer and glockenspiel.
• 6:03
  Speaker 2: Cool. So what do you want to call the band?
• 6:06
  Speaker 2: What's your name again, Franny? Hmmm?
• 6:09
  Speaker 5: Probably just PV?
• 6:10
  Speaker 2: Then okay, what about the album?
• 6:13
  Speaker 5: I'm torn at the moment. Either My Sorrow is Depthless
• 6:17
  Speaker 5: or Where's My Pony?
• 6:19
  Speaker 4: They're both really good.
• 6:21
  Speaker 5: I know you want to hear a song.
• 6:23
  Speaker 2: Sure.
• 6:23
  Speaker 3: PEV stands up and shouts at the bristo, who's been
• 6:26
  Speaker 3: playing a tranquil Nora Jones tune.
• 6:28
  Speaker 4: Hey, Hey.
• 6:31
  Speaker 3: He turns off the song. She sits cross legged, cracks
• 6:34
  Speaker 3: her knuckles.
• 6:37
  Speaker 5: This one's called don't touch Me.
• 6:39
  Speaker 3: PV begins. We hear a full band, even though it's
• 6:42
  Speaker 3: just her playing.
• 6:48
  Speaker 6: Don't touch me, don't touch me. If you touch me.
• 6:51
  Speaker 2: I think I'm.
• 6:52
  Speaker 6: Gonna scream, don't touch me, don't touch me.
• 6:56
  Speaker 2: If you touch me.
• 6:57
  Speaker 1: I think I'm gonna scream, don't don't touch me, don't
• 7:06
  Speaker 1: don't touch me. If you don't touch me. I think
• 7:09
  Speaker 1: I'm gonna scream. Don't don't touch me, don't don't touch me.
• 7:13
  Speaker 1: If you don't touch me, I think I'm gonna scream.
• 7:21
  Speaker 4: I don't like you.
• 7:22
  Speaker 5: I think I even hate you. I don't hate you.
• 7:25
  Speaker 2: I think maybe I love you. I don't love you.
• 7:28
  Speaker 2: I don't even like you. Don't touch me, don't touch me.
• 7:44
  Speaker 6: Don't, don't, don't touch me. Don't, don't don't touch me.
• 7:47
  Speaker 6: If you don't, don't, don't, don't, don't, don't, don't, don't
• 7:50
  Speaker 6: touch me.
• 7:51
  Speaker 2: Don't, don't, don't touch me.
• 7:52
  Speaker 6: If you don't, don't, don't, don't, don't.
• 8:01
  Speaker 4: I don't like you.
• 8:02
  Speaker 1: I think I even hate you, and I think maybe
• 8:05
  Speaker 1: I love you even like you.
• 8:09
  Speaker 2: Don't talk to me.
• 8:26
  Speaker 4: Silence.
• 8:27
  Speaker 3: A number of customers have left Franny's clearly in love.
• 8:31
  Speaker 3: After a beat that, Barissa turns Nora back on.
• 8:34
  Speaker 2: That was awesome. I know.
• 8:37
  Speaker 5: Oh sorry, thank you. Now, if we're thinking of starting
• 8:43
  Speaker 5: a band, obviously I'll have to audition you.
• 8:45
  Speaker 2: How's your lunch period looking?
• 8:46
  Speaker 5: Tomorrow?
• 8:47
  Speaker 3: Wide open interior, overton lunch room. The next day, we're
• 8:50
  Speaker 3: in a traditional high school lunchroom. Franni enters. He spots
• 8:54
  Speaker 3: TV alone at a table.
• 8:56
  Speaker 2: Hey, so you want to go straight to the music
• 8:58
  Speaker 2: room or should we eat?
• 8:59
  Speaker 5: Somebody hates me?
• 9:00
  Speaker 2: What? Somebody hates me?
• 9:03
  Speaker 5: I got a hate note in my locker. We have
• 9:05
  Speaker 5: to figure out who put it there.
• 9:06
  Speaker 2: What about the audition?
• 9:08
  Speaker 5: This is the audition. A band is a family, Franny,
• 9:12
  Speaker 5: we have to support each other holistically. Now, who do
• 9:15
  Speaker 5: you think wrote it?
• 9:16
  Speaker 4: She glances around the lunch room.
• 9:19
  Speaker 5: What about him?
• 9:20
  Speaker 2: He looks mean? I doubt it. That's Dale Wilson in
• 9:23
  Speaker 2: the World's Nicest bully.
• 9:24
  Speaker 3: We slide over to Dale Wilson, who does indeed look
• 9:27
  Speaker 3: super mean. A small kid walks over and fearfully deposits
• 9:31
  Speaker 3: a handful of change on the table.
• 9:33
  Speaker 2: Here's my lunch money deal. I've told you a million times.
• 9:36
  Speaker 2: I don't want your money. I'm sorry, it's not more.
• 9:39
  Speaker 2: I'll do better tomorrow.
• 9:41
  Speaker 3: He scurries off. Dale looks confused, even hurt. Please don't
• 9:45
  Speaker 3: We slide back to Pev and Franny.
• 9:48
  Speaker 5: Okay, what about her? She's got crazy eyes.
• 9:51
  Speaker 2: No, that's Aaron Coltrera, Editor at large for the Overton
• 9:54
  Speaker 2: Free Press.
• 9:55
  Speaker 3: Aaron Coltrera a mousey girl in over large hipster glasses,
• 10:00
  Speaker 3: interviewing the bulldog mascot.
• 10:02
  Speaker 2: For the last time. Who's inside that costs you? No comment?
• 10:08
  Speaker 4: We slide back to PV and Franny.
• 10:10
  Speaker 2: Aaron's always looking for dirt, but she's mostly harmless.
• 10:14
  Speaker 5: Okay, And what about that girl?
• 10:17
  Speaker 2: Huh? That's Judy Cortland. She's weird, but only because she
• 10:20
  Speaker 2: thinks she's a protagonist.
• 10:21
  Speaker 3: We pull back to find Judy sitting at a table
• 10:24
  Speaker 3: directly in front of PV and Franny, who suddenly go
• 10:26
  Speaker 3: blurry as if they become background characters.
• 10:30
  Speaker 4: There's Colin over there.
• 10:32
  Speaker 5: I'm not going to look at him.
• 10:33
  Speaker 4: Crap, I looked at him.
• 10:35
  Speaker 2: What are those two birdos doing looking at me? I
• 10:38
  Speaker 2: bet they're just jealous of what I have with Colin?
• 10:41
  Speaker 2: See what I mean? Everybody else is just a side
• 10:44
  Speaker 2: character and her story. It's super annoying.
• 10:46
  Speaker 4: We return focus to PV and Franny.
• 10:48
  Speaker 2: You aren't important enough to Tomereta Hayden?
• 10:50
  Speaker 5: No, then, who did it?
• 10:53
  Speaker 4: Well?
• 10:53
  Speaker 2: Have you rouked anyone recently?
• 10:56
  Speaker 5: I did stop by rehearsal for the Overton Orchestra yesterday.
• 11:00
  Speaker 3: The Interior Music Room day. The Orchestra wraps up a
• 11:04
  Speaker 3: pretty terrible rendition when the Saints go marching in. After
• 11:07
  Speaker 3: the last note is parted out, Pev stands up in
• 11:09
  Speaker 3: the back of the room.
• 11:11
  Speaker 5: That was terrible.
• 11:14
  Speaker 1: None of you can be in my band.
• 11:17
  Speaker 2: That was terrible.
• 11:18
  Speaker 4: None of you can be in my band. Maybe just
• 11:20
  Speaker 4: back off it?
• 11:21
  Speaker 3: Just me, I honestly thought that was the note.
• 11:26
  Speaker 4: I would be a little more gentle.
• 11:33
  Speaker 5: That was terrible. None of you can be in my band.
• 11:38
  Speaker 3: She storms out the Triangle player dings the Triangle interior
• 11:42
  Speaker 3: over to lunchroom, continuous with before.
• 11:46
  Speaker 5: You're right, Franny, it must have been one of those
• 11:48
  Speaker 5: terrible musicians. You've passed your audition. Let's start a band.
• 11:53
  Speaker 3: She puts out a hand to shake, but as Franny
• 11:55
  Speaker 3: reaches for it, Pev pulls back.
• 11:57
  Speaker 5: Just to be perfectly clear, once we're in a band together,
• 12:00
  Speaker 5: there can never be any sort of romantic relationship between us.
• 12:03
  Speaker 2: Oh why, I mean not that it, but why exactly?
• 12:09
  Speaker 5: Because artistic collaboration and romance are incompatible.
• 12:13
  Speaker 2: What about Fleewood Mac.
• 12:15
  Speaker 3: We see a brief picture of Stevie and Lindsay, we'll
• 12:18
  Speaker 3: see brief flashes of every band couple.
• 12:20
  Speaker 4: Franny mentions, sure, but.
• 12:22
  Speaker 2: And the white stripes the Cramps Arcade Fire, Sonic, Youth Abba,
• 12:27
  Speaker 2: New Order, I don't know, Blondie, Stereo lab the cocktail twins.
• 12:32
  Speaker 5: Those are just the many exceptions that prove the rule. Okay,
• 12:35
  Speaker 5: so you can take it or leave it.
• 12:37
  Speaker 4: She offers her hand again. Franny agonizes, no way.
• 12:41
  Speaker 2: Could I have any problem with that? So I'm shaking
• 12:45
  Speaker 2: your hand now.
• 12:46
  Speaker 5: Eventually he does great Platonic Bandmates for Life, first rehearsal tomorrow.
• 12:53
  Speaker 2: Sure, Oh wait, I can't. I've got Chinese class We'll
• 12:57
  Speaker 2: have to do Wednesday.
• 12:58
  Speaker 5: You speak Chinese, say something.
• 13:01
  Speaker 2: Okay oshen when need this?
• 13:03
  Speaker 3: Zuyba subtitled translation appears, I want to kiss your mouth?
• 13:09
  Speaker 5: What does that mean?
• 13:10
  Speaker 2: I dumpling? See you Wednesday.
• 13:14
  Speaker 3: Franny turns and walks off interior Chinese classroom evening. The
• 13:18
  Speaker 3: class is being led through some drills by a Chinese instructor.
• 13:22
  Speaker 3: Phrases for wooing and courtship has been written on the board.
• 13:25
  Speaker 3: Franny's distracted, covering his workbook with PV written in the
• 13:28
  Speaker 3: style of the PV amplifier's logo.
• 13:31
  Speaker 2: Even though we were bandmates now, I couldn't stop having
• 13:34
  Speaker 2: romantical thoughts about PV. It made it difficult to concentrate
• 13:39
  Speaker 2: was jang ting when need the sway.
• 13:41
  Speaker 4: Subtitle I want to kiss you on the mouth.
• 13:44
  Speaker 2: No woman, wait tho fa.
• 13:51
  Speaker 4: Subtitle Let's go back to my place.
• 13:55
  Speaker 2: Woman. By the time Wednesday night rolled around, I was
• 14:01
  Speaker 2: a ball of nerves Nita Pungyona subtitle what about your friend?
• 14:09
  Speaker 4: Is she single?
• 14:10
  Speaker 2: I had to be charming, and I've never been very
• 14:12
  Speaker 2: good at charming.
• 14:15
  Speaker 4: Ya me wroung wa see walk ganju waufa who see.
• 14:24
  Speaker 3: Subtitle you're smothering me. I feel like I can't breathe, so.
• 14:29
  Speaker 2: I invited my best friend over to advise me.
• 14:46
  Speaker 3: Interior Franny's Room night close on Aj Vascher, a young fifteen.
• 14:51
  Speaker 3: He's extremely dorky, but with an unshakable and frankly inexplicable confidence.
• 14:56
  Speaker 2: Rannie, it's all about confidence. If you think you're then
• 15:00
  Speaker 2: she'll think you're cool. Look at me. I know I'm cool,
• 15:04
  Speaker 2: which makes me even cooler than if I just thought
• 15:06
  Speaker 2: I was.
• 15:07
  Speaker 3: We pull back to see that the two of them
• 15:09
  Speaker 3: are playing magic the gathering.
• 15:11
  Speaker 2: And I'll remove three tokens from chantre towards there defiance
• 15:14
  Speaker 2: to deal four damage to your angel of acid. I
• 15:18
  Speaker 2: don't know, Aj, I'm not your confidence can be simulated.
• 15:21
  Speaker 2: That's just something unconfident people said exactly. Attack, attack, attack,
• 15:28
  Speaker 2: and I think you're dead. That's four six nine damage. Yep,
• 15:32
  Speaker 2: you're dead. Sorry, you got any food? No, but my
• 15:35
  Speaker 2: mom left money so I could order something.
• 15:37
  Speaker 3: Franny points to a fan of five dollar bills pinned
• 15:40
  Speaker 3: to a bulletin board.
• 15:41
  Speaker 4: A note says for anything but.
• 15:43
  Speaker 3: Pizza, pizza obviously. Exterior Seattle Streets, afternoon. Franny bike's along
• 15:49
  Speaker 3: the streets, holding his guitar in one hand.
• 15:51
  Speaker 4: Lemur is still running along behind him.
• 15:53
  Speaker 2: On the way to Pev's house. I was nearly overcome
• 15:56
  Speaker 2: with anxiety, even with the encouraging notes I'd written on
• 15:59
  Speaker 2: the backs of my hands.
• 16:00
  Speaker 3: Franny glances down at the back of his hands. On
• 16:02
  Speaker 3: the left, he's written you are cool. On the right
• 16:06
  Speaker 3: see other hand. Exterior PV's House, afternoon. Franny looks up
• 16:13
  Speaker 3: at the house. It's a castle. You could host royalty here.
• 16:16
  Speaker 3: Franny ties up Lemur and passes through a gate. Exterior
• 16:20
  Speaker 3: PV's House, gardens continuous. Franny passes through an elaborate Japanese garden.
• 16:26
  Speaker 3: Franny crunches across the gravel of a wilder English style garden.
• 16:30
  Speaker 3: Franny crosses a tennis court overgrown with weeds, then a
• 16:33
  Speaker 3: croquet pitch in a putting green where a creepy groundskeeper
• 16:36
  Speaker 3: is trimming the grass with nail scissors. They make eye contact.
• 16:40
  Speaker 3: Franny finally arrives at the enormous front door. He presses
• 16:44
  Speaker 3: the doorbell.
• 16:45
  Speaker 4: Beat. Don't go in there. Franny turns the groundskeeper is
• 16:51
  Speaker 4: very close. Don't go in there?
• 16:53
  Speaker 2: Why not because.
• 16:58
  Speaker 4: We're renovating the foyer. Oh, he uses side door.
• 17:03
  Speaker 2: Thanks.
• 17:04
  Speaker 3: Franny goes. The grounds keeper notices a blemish on the
• 17:07
  Speaker 3: front door. He raises an electric sander he wasn't holding
• 17:11
  Speaker 3: a few seconds ago, and begins sanding the door.
• 17:13
  Speaker 2: I could do that.
• 17:19
  Speaker 3: Interior interior Pev's House. Moments later, Franny enters a large
• 17:24
  Speaker 3: dining room.
• 17:25
  Speaker 1: Hello, Franny, is that you come upstairs?
• 17:29
  Speaker 2: Okay?
• 17:30
  Speaker 3: Franny looks around but doesn't see any stairs. He passes
• 17:33
  Speaker 3: through a restaurant sized kitchen, a sitting room, a drawing room,
• 17:37
  Speaker 3: and an indoor bowling alley. Finally, he finds a small
• 17:40
  Speaker 3: elevator manned by a doorman who looks exactly like the groundskeeper.
• 17:45
  Speaker 3: Interior elevator continuous, So is.
• 17:48
  Speaker 2: That guy outside your twin brother.
• 17:50
  Speaker 4: What guy outside? An uncomfortable pause, the elevator stops. Second floor,
• 17:56
  Speaker 4: name is the first door.
• 17:57
  Speaker 3: Franny exits the elevator. Interior PV's bedroom a while later.
• 18:02
  Speaker 3: PV's room is gigantic. A large portion of it has
• 18:05
  Speaker 3: given over to musical instruments and recording equipment. Franny Marvel's
• 18:09
  Speaker 3: at a nearly wall sized poster of the band The Stranglers.
• 18:12
  Speaker 5: You're a Stranglers fan.
• 18:14
  Speaker 4: Franny turns to find PV sitting on the bed.
• 18:16
  Speaker 2: I don't think I know them well.
• 18:18
  Speaker 5: You should. We'll do an overview of seminal punk rock
• 18:21
  Speaker 5: musicians at a future rehearsal.
• 18:22
  Speaker 4: PV notices Franny's guitar.
• 18:24
  Speaker 5: You didn't have to bring that. I've got plenty of
• 18:26
  Speaker 5: guitars here.
• 18:27
  Speaker 3: PV gestures towards a rack of at least twenty guitars.
• 18:31
  Speaker 2: WHOA, I can see that.
• 18:33
  Speaker 5: Yeah, my parents buy me a lot of presents. It's
• 18:36
  Speaker 5: how they make up for their lack.
• 18:37
  Speaker 2: Of presence exactly.
• 18:41
  Speaker 5: I think they're getting divorced, and it'll be contentious too,
• 18:44
  Speaker 5: because of all the money. Money makes people crazy, even
• 18:47
  Speaker 5: more than love.
• 18:48
  Speaker 2: I think, where'd it come from?
• 18:50
  Speaker 5: Who can say? Where love comes from pheromones.
• 18:54
  Speaker 2: I guess, Oh, I meant the money. Oh, bottled water,
• 18:57
  Speaker 2: bottled water.
• 18:59
  Speaker 5: Yeah, water, bottled water.
• 19:01
  Speaker 4: Insert a still image of tapwater bottled water.
• 19:04
  Speaker 3: The catchphrase on the label says, who's got time to
• 19:07
  Speaker 3: walk to the sink?
• 19:08
  Speaker 5: Tap water?
• 19:09
  Speaker 2: Bottle water.
• 19:09
  Speaker 5: It's tapwater only bottled tap water, bottled water.
• 19:14
  Speaker 3: This is not.
• 19:17
  Speaker 2: Me. Oh yeah, that stuffs great, really quenching.
• 19:24
  Speaker 5: Yeah, my grandfather invented it, which meant my parents never
• 19:27
  Speaker 5: had to work, so they make music, terrible music, by
• 19:30
  Speaker 5: which I mean classical.
• 19:32
  Speaker 2: My parents were never together, and my mom's a pilot,
• 19:35
  Speaker 2: so I don't see her much. That's why I do
• 19:37
  Speaker 2: so many extracurricular activities like Chinese class yeah, andrama club
• 19:43
  Speaker 2: and guitar lessons, book club, aerial gymnastics.
• 19:46
  Speaker 3: Interior Blacksmith day Franni stands next to an anvil.
• 19:49
  Speaker 2: I'm apprenticed to a blacksmith exterior stable.
• 19:52
  Speaker 4: Day Franny brushes the main of a miniature horse.
• 19:55
  Speaker 2: I grew miniature horses, even though I'm allergic.
• 19:58
  Speaker 4: He sneezes, spooking the horse. Exterior garden.
• 20:03
  Speaker 3: Day Franny's drying a cactus with a hair dryer, and.
• 20:07
  Speaker 2: I'm a member of the Succulent Horticultural Society of Seattle.
• 20:11
  Speaker 2: It's difficult to grow cacti here because of all the rain,
• 20:14
  Speaker 2: so we do a lot of drying.
• 20:17
  Speaker 3: Interior PV's bedroom continuous with before Franni sits down at
• 20:20
  Speaker 3: the mixing board.
• 20:22
  Speaker 2: Anyway, how do you want to start? Should we write
• 20:24
  Speaker 2: a song?
• 20:25
  Speaker 5: I think I should hear one of your originals. Then
• 20:28
  Speaker 5: we can attempt to synthesize our style into a cohesive hole.
• 20:31
  Speaker 3: Okay, Franny takes out his guitar, a sheep busted up acoustic.
• 20:36
  Speaker 4: He takes a deep breath.
• 20:38
  Speaker 2: How about a love song,