Latest / The World of Phil Hendrie / Episode #3570 The New Phil Hendrie Show

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Episode #3570 The New Phil Hendrie Show · The World of Phil Hendrie

• 0:00
  Speaker 1: Have you got a backstage pass to the world Famous
• 0:01
  Speaker 1: Phil Henry Show, do you well? I still want you
• 0:04
  Speaker 1: to listen to this message because you may not appreciate
• 0:07
  Speaker 1: what it is you have in your hot little hands. Figurably,
• 0:10
  Speaker 1: what you do have are thousands of hours of our
• 0:13
  Speaker 1: radio show and our netcasts. We were on the air
• 0:15
  Speaker 1: on radio. We made it to the Radio Hall of Fame.
• 0:18
  Speaker 1: That's how good our radio show was. Innovative. That doesn't
• 0:22
  Speaker 1: even begin to scratch the surface. People four and wide
• 0:25
  Speaker 1: hailed our radio show. Now we do our daily podcast
• 0:28
  Speaker 1: and we get even more involved in our character work.
• 0:31
  Speaker 1: The world of Bobby Dooley, the world of Margaret Gray,
• 0:34
  Speaker 1: the world of Jay Sanos. The citizens ugs are repleased.
• 0:36
  Speaker 1: In fact, they will be on tonight talking about I
• 0:39
  Speaker 1: don't know, whatever stupid stuff they're doing. Pardon that's how
• 0:44
  Speaker 1: I muffle a laugh. I pretend like I'm coughing. So
• 0:48
  Speaker 1: all of that is available to you at Phil Hendryshow
• 0:50
  Speaker 1: dot com. Along with that, we have our home movies
• 0:53
  Speaker 1: and we have our video casts. There's a video component,
• 0:55
  Speaker 1: a visual component of the World Famous Phil Henry Show.
• 0:58
  Speaker 1: Home movies from our family, videocasts from our show, and
• 1:02
  Speaker 1: we have the Saturday Cinema where we take a public
• 1:04
  Speaker 1: domain sh I almost said, you want to say shit. Oh,
• 1:09
  Speaker 1: I'm sorry. Anyway, we take a public domain piece of
• 1:12
  Speaker 1: shit and we do kind of a mystery science theater
• 1:15
  Speaker 1: three thousand commentary. Although it's not really quite the same
• 1:18
  Speaker 1: thing as General Shaw. They actually are trying to be
• 1:20
  Speaker 1: serious as they do commentary on these pieces of shit movies.
• 1:24
  Speaker 1: So put it all together, and what have you got.
• 1:26
  Speaker 1: You got the World Famous Phil Henry Show backstage pass.
• 1:29
  Speaker 1: Get one for a month or for a year, less
• 1:31
  Speaker 1: than ten dollars for the month, less than seven dollars
• 1:33
  Speaker 1: a month averaged out of the course of the year
• 1:35
  Speaker 1: for a year subscription. It's the World Famous Phil Hendry
• 1:37
  Speaker 1: Show is the greatest value online. Other important, ladies, Joen J.
• 1:45
  Speaker 1: Satos of the Citizen's Auxiliary Police is on the air.
• 1:51
  Speaker 1: All right, Thanks a lot, and welcome. We are here
• 1:53
  Speaker 1: in New York City in sort of temporary studios. I've
• 1:57
  Speaker 1: traveled here to New York City with mister Henry to
• 2:00
  Speaker 1: be a part of the World Famous Phil Henry Show's
• 2:03
  Speaker 1: Initial Broadcasts podcast. If you will hear in New York City,
• 2:08
  Speaker 1: mister Henry's doing a play. I guess he's gonna be
• 2:11
  Speaker 1: as kind of an actor or some deal like that, right, Yes,
• 2:14
  Speaker 1: that's correct, Yes, Okay, Well I don't know. I thought
• 2:16
  Speaker 1: all I knew mister Henry as sort of a comedian.
• 2:18
  Speaker 1: He's also kind of a I guess you could say
• 2:21
  Speaker 1: he's a commentator. Yeah, I knew him as a commentator.
• 2:24
  Speaker 1: Don't know he was gow actor or anything like that. Well,
• 2:26
  Speaker 1: you know, that's whatever floats your boat is we like
• 2:29
  Speaker 1: to say, you know, and the citizens uxury police, what
• 2:31
  Speaker 1: we like to say is, yeah, you know, whatever floats
• 2:34
  Speaker 1: your boat, you want to get it on, get it
• 2:35
  Speaker 1: on good, you know, right, whatever floats your boat? Yeah,
• 2:38
  Speaker 1: whatever floats your boat? What is it? Whatever flows the boat?
• 2:43
  Speaker 1: I mean whatever flows, whatever flows your boat, whatever flows
• 2:46
  Speaker 1: my boat. No, I didn't say that. No, generally shoud
• 2:49
  Speaker 1: whatever floats, whatever floats the boat, not whatever floats the boat.
• 2:54
  Speaker 1: It's whatever floats a boat. I mean whatever floats a boat. No,
• 2:59
  Speaker 1: I think the whole on, hold on, I think what
• 3:01
  Speaker 1: you're trying to say is whatever floats your boat. Right,
• 3:05
  Speaker 1: but when you see your boat, you're pointing me, I'm saying,
• 3:07
  Speaker 1: whatever floats your boat? Hey, can I just interrupt you idiots.
• 3:12
  Speaker 1: I beg your pardon. Well you got. What you guys
• 3:14
  Speaker 1: are trying to say is I didn't mean to call
• 3:16
  Speaker 1: you an idiot, Margaret, Well you did. Yeah, you also
• 3:19
  Speaker 1: call me one too. Well, Oh that doesn't matter. God
• 3:23
  Speaker 1: damn man. Look, can we stop for just a minute.
• 3:27
  Speaker 1: I am hosting the Phil Henry Show. No I know that,
• 3:30
  Speaker 1: but I just want to stop here. You got to
• 3:33
  Speaker 1: quit taking everything so personal. Jay, I'm trying to get
• 3:35
  Speaker 1: to the point here, and you're getting your feelings hurt.
• 3:38
  Speaker 1: Oh wow, where do you figure I'll get my feelings hurt? Well,
• 3:41
  Speaker 1: your voice did cracked? You went? You know, yeah you did?
• 3:45
  Speaker 1: I did what the voice cracked? You went? I don't know.
• 3:48
  Speaker 1: I don't know how to describe it. Yeah you kind
• 3:50
  Speaker 1: of did. See. Can I question words? Mister Henry? My understanding.
• 3:52
  Speaker 1: He's learning the lines. He's learning his lines for this play,
• 3:56
  Speaker 1: learning the lines for Oh boy, some people have fallen
• 3:59
  Speaker 1: a long way, my in a long way. Why do
• 4:02
  Speaker 1: you call it falling a long way? I mean, there's Shelley. Look,
• 4:06
  Speaker 1: I know what my job is. You know your job,
• 4:08
  Speaker 1: mister Henriett. I know what his job is stead he's off.
• 4:11
  Speaker 1: He's off play acting every ten like he's going to
• 4:13
  Speaker 1: be some kind of play actor. You know, I don't
• 4:15
  Speaker 1: think he's pretending anything. I think what he's basically saying
• 4:18
  Speaker 1: is he needs to learn these lines for this play.
• 4:21
  Speaker 1: For a play is what he's going to be in
• 4:23
  Speaker 1: his play. Look, why are you here tonight? I'm here
• 4:26
  Speaker 1: tonight on account I came to New York to support boy.
• 4:30
  Speaker 1: All right, Look, miss Santis, don't get your feelings hurt
• 4:32
  Speaker 1: and start to screen, you know, start to cry. What
• 4:35
  Speaker 1: is it with everybody thinking I'm gonna start to cry? Okay,
• 4:37
  Speaker 1: I'm Jay Sanders of the citizens Auxury Police. I'm a
• 4:39
  Speaker 1: Brigadier Admiral. Okay, I bring it. I bring every day
• 4:43
  Speaker 1: and twice on Sunday. So in other words, you're saying
• 4:45
  Speaker 1: you're tough. I'm not just saying it. I'll tell you
• 4:48
  Speaker 1: right now that's who I am. Then why don't you
• 4:50
  Speaker 1: act that way and quit you know, being on the
• 4:53
  Speaker 1: verge of tears every time? Someone? Can I walk out
• 4:56
  Speaker 1: and start again? No, we're in the middle of the
• 4:57
  Speaker 1: show anyway, Thank you very much, General and Margaret. Can
• 5:02
  Speaker 1: we cut all this stuff out? But yeah, we can
• 5:03
  Speaker 1: cut it out. You're not lion. No, I'm not j
• 5:08
  Speaker 1: sends citizens, aug release citizens, Sorry release citizens, auxiliary release citizens,
• 5:16
  Speaker 1: Auxuri release, not release police citizens, auxuri police. And we're
• 5:21
  Speaker 1: in for Phil Henry, who is learning his lines. And
• 5:23
  Speaker 1: as I said to Margaret, it's great when someone has
• 5:27
  Speaker 1: a uh a career that you know, allows them to
• 5:30
  Speaker 1: do a lot of different things. As I said, whatever,
• 5:32
  Speaker 1: whatever bows your whatever, bloats your whatever, bloats your fo
• 5:36
  Speaker 1: whatever floats his boat, whatever floats, whatever floats his boat. No,
• 5:41
  Speaker 1: that's not it, you morons. And if I got to
• 5:43
  Speaker 1: keep interrupting you baboons, that's exactly what I'm gonna do.
• 5:46
  Speaker 1: It's it's whatever floats the boat, whatever floats the boat. Wait,
• 5:51
  Speaker 1: that's not right. It's whatever bloats your float. Your is
• 5:54
  Speaker 1: the keyword, whatever bloats your float. No, you guys are idiots.
• 5:59
  Speaker 1: What did you say to me? I said, you're an idiot, Margaret,
• 6:01
  Speaker 1: because it's whatever floats boat. It's not whatever bloats your
• 6:04
  Speaker 1: foat your whatever bloats your phone. Did you hear what
• 6:07
  Speaker 1: he just said? Okay, I want I'm gonna have to
• 6:09
  Speaker 1: call a haul to all this because it's getting to
• 6:11
  Speaker 1: be stupid. And mister Henry's going, oh boy, he's going
• 6:13
  Speaker 1: to be really pissed off. He's gonna be really pissed off.
• 6:17
  Speaker 1: We don't get, you know, get to where we want
• 6:19
  Speaker 1: to try and be. He you know. Basically what you're
• 6:21
  Speaker 1: trying to say, though, is whatever floats, the boat has
• 6:23
  Speaker 1: to be floated. Yes, okay, then whatever floats, and then
• 6:27
  Speaker 1: there's boat. It depends on what's Whose boat does it
• 6:30
  Speaker 1: belong to? Whose boat does it? I mean, I mean
• 6:33
  Speaker 1: whose boat is it? Oh? It's oh, I see what
• 6:36
  Speaker 1: you said. Yeah, whatever floats my boat. No, it's whatever.
• 6:40
  Speaker 1: I get it. It's whatever floats your boat. Are you sure? Yeah?
• 6:45
  Speaker 1: I'm sure? God did you see that? Gentleman? God, Jada,
• 6:49
  Speaker 1: you need a handkerchiefs so you can blow some of
• 6:51
  Speaker 1: that snot into it. Look at that your nose is running.
• 6:53
  Speaker 1: You were shooting slaver. I was not shooting, no slaver.
• 6:56
  Speaker 1: I was trying to get to the pot of the
• 6:58
  Speaker 1: what it is we're trying to do here? Whatever floats
• 7:00
  Speaker 1: your boat, that's the there. There you go. That's what
• 7:02
  Speaker 1: we wanted to say. Now I forget what it was
• 7:04
  Speaker 1: we were talking about. It doesn't make any difference. You've
• 7:06
  Speaker 1: got Rick bolona on coming on, and Rick Boloona is
• 7:09
  Speaker 1: coming on, and Rick Blone's coming on. Hey, Rick, come
• 7:12
  Speaker 1: on in here. I talked to a fellow officer and
• 7:15
  Speaker 1: talk to you about law enforcement and what's going on
• 7:17
  Speaker 1: in New York the New York for ten Police, the
• 7:19
  Speaker 1: sister agency to the Citizens of Auxili Police in southern California. Like,
• 7:22
  Speaker 1: how you're doing. I'm doing real good. Thank you. So
• 7:25
  Speaker 1: mister Henry's in town and he hasn't any problems or
• 7:28
  Speaker 1: any has he No, mister Henry's doing real great. He's
• 7:31
  Speaker 1: got a verbo in Hell's kitchen, He's got a nice apartment,
• 7:35
  Speaker 1: and he is able to uh, you know, access to
• 7:39
  Speaker 1: move to the theater and through the rehearsal space. So
• 7:42
  Speaker 1: what is have you guys been acting in security for him?
• 7:45
  Speaker 1: We have some of warriors you called him sub commanders,
• 7:50
  Speaker 1: and the Citizens of Auxili Police and the New York
• 7:52
  Speaker 1: for ten Police we call him warriors. We've got three
• 7:55
  Speaker 1: warriors that are ready to do a prince in at
• 7:57
  Speaker 1: any minute. But this is not actual bodyguard duty because
• 8:01
  Speaker 1: they stay behind the Prince of the Principal and the
• 8:04
  Speaker 1: object of the principality. I don't know how to say it,
• 8:06
  Speaker 1: but they stay behind the guy. What we're trying to
• 8:09
  Speaker 1: protect by a buck a good two to three blocks?
• 8:11
  Speaker 1: All right, so you don't the person who's being protected,
• 8:14
  Speaker 1: like mister Henry, does he know that you guys are there?
• 8:17
  Speaker 1: Does he know that we're there? Yeah? I mean does
• 8:19
  Speaker 1: he know that you guys are Does he know that
• 8:21
  Speaker 1: you guys are doing bodyguard service? No, he does not know.
• 8:26
  Speaker 1: He doesn't know that. No, he doesn't know that we're there.
• 8:29
  Speaker 1: We are following at a distance about two to three blocks.
• 8:33
  Speaker 1: Two to three blocks. Well, maybe that's not it. How
• 8:36
  Speaker 1: long is a block? Are you kidding? You guys are
• 8:38
  Speaker 1: from New York City, don't know how long a block is. Well,
• 8:42
  Speaker 1: what I'm saying is now it's not two to three blocks.
• 8:44
  Speaker 1: It feels like it's like maybe three hundred feet. Isn't
• 8:47
  Speaker 1: a block one hundred feet? No, a block is from
• 8:49
  Speaker 1: one light to the next, one link to the next,
• 8:53
  Speaker 1: one light, not one lie one light. Well, I'm sorry,
• 8:57
  Speaker 1: one light to the next, and it's whatever bloats the float. Huh. Okay,
• 9:00
  Speaker 1: everybody just calmed the hell down because I got that wrong,
• 9:04
  Speaker 1: because they got that wrong me. We've got to keep
• 9:05
  Speaker 1: lean on it. Okay, I don't want to keep lean
• 9:07
  Speaker 1: on it. You don't want to keep one. I don't
• 9:09
  Speaker 1: want to keep leeing on it. You don't want to
• 9:12
  Speaker 1: keep leon on it. Not Leon. He doesn't want to
• 9:15
  Speaker 1: keep leaning on it. Oh, ok okay. Anyway, So how
• 9:20
  Speaker 1: are things going doing it? Protection duty? Mister Henry? Well,
• 9:24
  Speaker 1: so far, so good. Mister Henry begins his day generally
• 9:26
  Speaker 1: by walking over here to the Worldwide Plaza, which is
• 9:29
  Speaker 1: between I think it's between fiftieth and forty ninth Street,
• 9:34
  Speaker 1: and he gets himself a Starbucks coffee there in the
• 9:37
  Speaker 1: Worldwide Plaza Starbucks. Sometimes he goes to a restaurant called
• 9:40
  Speaker 1: a Bucking Dog to have breakfast, and sometimes he don't,
• 9:44
  Speaker 1: and it just depends. And you guys are there sort
• 9:46
  Speaker 1: of to do security for him at a distance. That's correct. Yeah,
• 9:50
  Speaker 1: we're at a distance. We stand sort of with our
• 9:54
  Speaker 1: hands fold in front of us. And some people wrote
• 9:57
  Speaker 1: in letters they were really stupid and crude, said, what
• 10:00
  Speaker 1: are you protecting your You know, your ball you're not
• 10:02
  Speaker 1: your balls, but you your genitals. Yeah, it looks like
• 10:05
  Speaker 1: you guys got your hands. No, that's the way people. Okay,
• 10:07
  Speaker 1: hold on for a minute. Now, what is that? That
• 10:10
  Speaker 1: could be one of our squad Uh what do we
• 10:13
  Speaker 1: call it? A cluster? Now you guess that's right. You
• 10:17
  Speaker 1: don't call you you You guys don't have the citizens
• 10:20
  Speaker 1: auxiliary police. They have they have like units. You guys
• 10:24
  Speaker 1: have what Yeah, we call those clusters. And again where
• 10:28
  Speaker 1: we fade. Where we do a fade, we do a
• 10:30
  Speaker 1: fade out, we do a fan out, and we do
• 10:32
  Speaker 1: it in a spread out. Yeah, you guys do the
• 10:34
  Speaker 1: fan out in the spread out. We do the prance out,
• 10:37
  Speaker 1: the prance and the prance about. Say that again, you
• 10:40
  Speaker 1: do the what we do this? We do the prance out,
• 10:43
  Speaker 1: prance in, prance about and prance out, prance out, No, no,
• 10:47
  Speaker 1: I mean prance out, prance in and then prance about.
• 10:51
  Speaker 1: And you you talked about the strength of the prance about,
• 10:54
  Speaker 1: Well the prance about is strong because you can say
• 10:58
  Speaker 1: I'm here and then and then the it's about is
• 11:01
  Speaker 1: you go from here to across the room. Then you're
• 11:03
  Speaker 1: on the ceiling, then you underneath the floor. What does
• 11:05
  Speaker 1: that mean you're on the ceiling, Well, it means you
• 11:08
  Speaker 1: can literally we have the ability to just stick to
• 11:11
  Speaker 1: the ceiling. What are you wait, you tell me out
• 11:13
  Speaker 1: like you're Spider Man or something like that. Not Spider Man.
• 11:16
  Speaker 1: I mean we're talking. We can just kind of hang
• 11:19
  Speaker 1: from the ceiling in a very delicate way, and then
• 11:22
  Speaker 1: then what we call is the scadadle, and that's a
• 11:25
  Speaker 1: very specific term used by the New York Pretend Police.
• 11:29
  Speaker 1: And what is the scadadle? The cadadle is when we're
• 11:32
  Speaker 1: clinging to the ceiling and then we creep and crawl
• 11:35
  Speaker 1: down the side of the building. What are you talking about? Man?
• 11:39
  Speaker 1: You guys sound like you're talking like you're talking about
• 11:41
  Speaker 1: your Spider Man or something. We're not Spider Man. What
• 11:44
  Speaker 1: are we scaring you? Something? Can't take a lot more.
• 11:47
  Speaker 1: You guys are scaring me. You start scaring me. How
• 11:50
  Speaker 1: come your voice cracks like your bitch number one here
• 11:52
  Speaker 1: on the on the on the Bitch's Right Show, on
• 11:55
  Speaker 1: the Bitch's Right Show. So that's how you respect women? Huh?
• 11:59
  Speaker 1: I didn't mean it for you, gra I'm talking to
• 12:01
  Speaker 1: I'm talking to Jay Sanders here as he don't give
• 12:03
  Speaker 1: me no respect. I'm giving you plenty of respect. We
• 12:05
  Speaker 1: need the bitches right show. I'm saying to you that
• 12:08
  Speaker 1: you guys are cling to a ceiling. Then then you
• 12:13
  Speaker 1: skid and then you crawl down the side. You call
• 12:15
  Speaker 1: it the skidaddle. That is the New York. Look. You
• 12:18
  Speaker 1: guys have your spread out, your spread in, you got
• 12:21
  Speaker 1: your your move in and move out. You got your
• 12:23
  Speaker 1: yellow rings slickers. We get to have what's ours. See,
• 12:26
  Speaker 1: and what we call it is the skidaddle. And I
• 12:29
  Speaker 1: will go ahead and I'll put two thumbs up in
• 12:31
  Speaker 1: the air and I'll go scattle, scadaddle, skidaddle, scadaddle. It's
• 12:35
  Speaker 1: a skidaddle alert. And that's going to all of the warriors.
• 12:38
  Speaker 1: Then spread out, cling to the ceiling and then scurried
• 12:41
  Speaker 1: down the side of the wall like the insects, like
• 12:44
  Speaker 1: they just I don't know insects. I don't know. If
• 12:46
  Speaker 1: you ever seen the out a Limit show where the
• 12:48
  Speaker 1: bugs from out of space, they had like faces like people.
• 12:51
  Speaker 1: Oh yeah, I remember that when they were called like
• 12:53
  Speaker 1: they had some kind of name. Yeah, I don't know
• 12:55
  Speaker 1: what it was. That's we patted ourselves after them, like
• 12:59
  Speaker 1: your bugs from out us. Well no, not bugs fromout us.
• 13:03
  Speaker 1: But you know what I'm saying, No, I don't. We're
• 13:06
  Speaker 1: having a hard time with this. It's like we're it's
• 13:09
  Speaker 1: like we can skidattle and scurry down a wall and
• 13:11
  Speaker 1: go hey. It's very much based upon the uh, you know,
• 13:16
  Speaker 1: when trouble sees us coming, which is a citizens of
• 13:18
  Speaker 1: Auxiury Police concept. That's right. We you know, when we
• 13:22
  Speaker 1: see trouble, you know, trouble sees us when we see
• 13:25
  Speaker 1: trouble coming. I don't know how it goes. No, you're
• 13:27
  Speaker 1: talking about like when you know, you go to trouble,
• 13:29
  Speaker 1: you run a trouble. That's exactly right. Well, in the
• 13:32
  Speaker 1: New York Pretend police, we run at trouble too. We
• 13:35
  Speaker 1: scardaddle at it, you know, and so when we see trouble,
• 13:39
  Speaker 1: we skidaddle at it the same way you go at
• 13:42
  Speaker 1: trouble and we go yah, like that just the same
• 13:44
  Speaker 1: way what you guys do it. Yeah, I hope you
• 13:47
  Speaker 1: guys are scarier because we had a few online polls
• 13:51
  Speaker 1: saying are the citizens of Zury police and we go
• 13:53
  Speaker 1: at trouble? Is trouble afraid of us? And like fifty
• 13:56
  Speaker 1: percent said no, which I thought was just as it
• 14:00
  Speaker 1: was pretty rough. You know, the truth hurts either, truth hurts.
• 14:04
  Speaker 1: I think that poll was invalid because it probably was
• 14:06
  Speaker 1: our cranks. Well, We're here with Rick Blona of the
• 14:09
  Speaker 1: New York Pretend Police, and they have been a providing
• 14:13
  Speaker 1: bodyguard duty to Phil Henry here the last week, although
• 14:16
  Speaker 1: Phil has not been aware of that. No, we were
• 14:18
  Speaker 1: told that mister Henry would have gotten sort of claustrophobic
• 14:22
  Speaker 1: and upset if we allowed ourselves to be seen and
• 14:25
  Speaker 1: to be seen and to be noted as bodyguts. Well,
• 14:30
  Speaker 1: that's something I request, they say, just back off and
• 14:33
  Speaker 1: let mister Henry have his fun. Have you seen, as
• 14:35
  Speaker 1: long as mister Henry's not here, and I don't want
• 14:37
  Speaker 1: to embarrass him or anything, have you seen him do
• 14:39
  Speaker 1: anything unusual? What do you mean unusual? Well, I mean
• 14:41
  Speaker 1: as he visited places they're weird. I think that's invading
• 14:45
  Speaker 1: his privacy a little bit there, Jay, Well, no, I
• 14:47
  Speaker 1: don't think it is at all. I think mister Henry
• 14:48
  Speaker 1: is a public personality and I think we have very
• 14:50
  Speaker 1: right in the world. No, well, no, we haven't seen
• 14:53
  Speaker 1: him do nothing. I mean he stopped off at a restaurant,
• 14:56
  Speaker 1: one restaurant one day, he went to a Mexican restaurant.
• 14:58
  Speaker 1: Another day, he went and got caught a couple of
• 15:00
  Speaker 1: times at Starbucks. He's gone to the little corner market
• 15:03
  Speaker 1: about three four times. Okay, was he buying? As far
• 15:07
  Speaker 1: as we can tell, he's bought cheese, he bought bread,
• 15:10
  Speaker 1: he bought some gum he bought. Are you putting me
• 15:14
  Speaker 1: on or something? Sud Be quiet? See what he has
• 15:17
  Speaker 1: to say, Jay, He bought some gum he bought. He
• 15:22
  Speaker 1: bought some cokes, some diet cokes. Oh, and he bought
• 15:25
  Speaker 1: a bunch of apples. And he bought a bunch of all. Yeah. Right,
• 15:30
  Speaker 1: so that's Phil. Phil does like apples. What kind of apples?
• 15:33
  Speaker 1: He has this thing for green apples? He bought, like
• 15:36
  Speaker 1: I'd say it, with a course of it. I'd have
• 15:37
  Speaker 1: to get Warrior Milton. Warrior Milton, who was in our
• 15:42
  Speaker 1: third strand. We have different strands. We have Strand one,
• 15:45
  Speaker 1: Strand two, strand three, and Milton comes from Long Island,
• 15:48
  Speaker 1: Warrior Milton, and I'd have to call him. But he
• 15:50
  Speaker 1: said he believed that it was green. They was green apples.
• 15:55
  Speaker 1: And he bought three four times about twelve twelve to fifteen.
• 16:00
  Speaker 1: Holygue Jesus, twelve or fifteen green apples? Man, something's wrong
• 16:06
  Speaker 1: with you? J What are you all nervous about? I'm
• 16:08
  Speaker 1: not nervous about it. I don't like the fact that
• 16:09
  Speaker 1: the New York Pretend Police. Are you guys, What do
• 16:13
  Speaker 1: you guys think you're better than us or something like that. No,
• 16:15
  Speaker 1: I don't think we're better than you. But I think
• 16:17
  Speaker 1: we do a far better job at patrol. I think
• 16:19
  Speaker 1: we do a far better job at in addicting serious criminality,
• 16:24
  Speaker 1: Like the time that mister Henry you know, we you know,
• 16:27
  Speaker 1: we follow him to his rehearsal space and at that
• 16:31
  Speaker 1: time and in that place we then did stop him.
• 16:33
  Speaker 1: Oh see, you did have contact with him, Yes, we did.
• 16:35
  Speaker 1: We said, we're the New York Pretend Police and we'd
• 16:38
  Speaker 1: like to see some ID and he told us basically
• 16:41
  Speaker 1: to stick it. You're kidding, Is that what he said? Yeah?
• 16:44
  Speaker 1: He basically said, you know, you guys, are you like
• 16:46
  Speaker 1: Jay Sanders on the Uglier? And I said, I guess
• 16:48
  Speaker 1: you could say that. Yeah, he said, no, I will not, No,
• 16:50
  Speaker 1: I will not, No, I will not, And then he
• 16:51
  Speaker 1: walked on, Well did he said that because he knows
• 16:54
  Speaker 1: he doesn't have any I leegal obligation. You guys are
• 16:57
  Speaker 1: not real police Officers's gray if you do that one time?
• 17:00
  Speaker 1: I want to do I'm sorry, you're gonna do what nothing?
• 17:04
  Speaker 1: Don't go threatening people. Jay. This is the world famous
• 17:06
  Speaker 1: Pel Henry Show. We've had as our special guest, Rick
• 17:09
  Speaker 1: Bologna from the New York Pretend Police and Jay Sanders
• 17:13
  Speaker 1: of the Citizens of Auxuri Police. Rick, we'd like to
• 17:16
  Speaker 1: thank you very much for being well. This is providing
• 17:18
  Speaker 1: bodyguard service for mister Henry. My pleasure. Mister Henry is
• 17:23
  Speaker 1: in good hands, although he didn't know that we're following him.
• 17:25
  Speaker 1: And see that's the thing that's I don't know, man, Jay,
• 17:29
  Speaker 1: why don't you just you know, back it off? Yeah, Jay,
• 17:30
  Speaker 1: you're all done? Oh? Fuck this? Goat? What's your language? Do?
• 17:35
  Speaker 1: Fuck it? I don't know if we're ever gonna want
• 17:37
  Speaker 1: you back on. I'd like to thank you again very much,
• 17:39
  Speaker 1: Rick for being on the world famous Fel Henry Show.
• 17:42
  Speaker 1: Thank you, Rick Boloona. Oh yeah, thank you very much,
• 17:45
  Speaker 1: and thank you very much. Yeah. It sucks. This whole
• 17:49
  Speaker 1: deal is this whole deal sucks? Ass, God, it sucks ass.
• 17:55
  Speaker 1: We'll be right back here the world Famous Phil Henry Show.
• 17:57
  Speaker 1: Thanks again to Jay Sattis of the Citizens of Zuri
• 18:00
  Speaker 1: Police and Rick Bologna of the New York Pretend Police six.
• 18:08
  Speaker 1: I'm Jay Santas the Citizens Uxury Police, and I have
• 18:11
  Speaker 1: been contracted to do a commercial for mister Henry's show.
• 18:15
  Speaker 1: I think it's necessary to make sure everyone understands and
• 18:19
  Speaker 1: when it comes to police officers and of course law enforcement,
• 18:23
  Speaker 1: we the Citizens Uxury Police, are the primary shoot, primary,
• 18:29
  Speaker 1: the primary police agency. And these chump change why weights
• 18:35
  Speaker 1: they come flying in here and everybody wants to get
• 18:38
  Speaker 1: down on the ground, start licking anyway, Get a backstage
• 18:42
  Speaker 1: pass to the world Famous Phil Henry Show. Don't be
• 18:44
  Speaker 1: like Jay Sandos sitting sniveling and crying, because we happen
• 18:49
  Speaker 1: to give some difference and some respect to the New
• 18:51
  Speaker 1: York Pretend Police New York for Tea oh Man, the
• 18:55
  Speaker 1: world Famous Phil Henry Show. Get a backstage past today.
• 18:58
  Speaker 1: Less than ten dollars for the month, less than seven
• 19:00
  Speaker 1: dollars a month for the year at philindryshow dot com,
• 19:03
  Speaker 1: the greatest value online other than porn. Welcome back the
• 19:06
  Speaker 1: World Famous Phil Henry Show. It is Phil Henry and
• 19:09
  Speaker 1: I was, in point of fact, running some lines. Margaret.
• 19:13
  Speaker 1: I guess you know, being in the theater, you know
• 19:14
  Speaker 1: a little bit about this, right, Well, yes I do.
• 19:17
  Speaker 1: Phil I know what it's like to have to, you know,
• 19:21
  Speaker 1: memorize lines and the words and all of that. How
• 19:26
  Speaker 1: good were you at that, Margaret? I was great. I
• 19:29
  Speaker 1: had almost a photographic memory. I don't even know what
• 19:31
  Speaker 1: are we talking about here, because the theater that I'm
• 19:34
  Speaker 1: familiar with, I just went out on stage and sang
• 19:37
  Speaker 1: and went look at it. You know, what do you
• 19:40
  Speaker 1: mean memorized lines where you're in a play. Yes, I know, yes,
• 19:45
  Speaker 1: I had to memorize lines. But it must be different
• 19:48
  Speaker 1: because all I remember was going out in these wonderful
• 19:52
  Speaker 1: gowns and moving about and singing. And I don't know, Margaret,
• 19:57
  Speaker 1: were you ever really on the stage that back? Right?
• 20:01
  Speaker 1: I said, to take it back at this fist goes
• 20:03
  Speaker 1: right through your head and out that window behind your head. Margaret,
• 20:06
  Speaker 1: that was the most violent thing I've ever heard, I
• 20:08
  Speaker 1: swear to God. All right, I take it back God. Well,
• 20:11
  Speaker 1: it's a good question, Margaret. Were you how dare either
• 20:15
  Speaker 1: one of you suggest that I lie? Well, you're saying
• 20:17
  Speaker 1: you don't know what it is to memorize lines. I
• 20:20
  Speaker 1: was in musical theater. I don't know about plays and
• 20:23
  Speaker 1: drama and that kind of thing. Yes, I memorized lines,
• 20:26
  Speaker 1: but it seemed like it was something as simple as,
• 20:29
  Speaker 1: is miss Greystone ready yet? I you know, something like that,
• 20:33
  Speaker 1: is Miss Greystone ready yet? That reminds me of a song?
• 20:35
  Speaker 1: And then I'd break into some enchanted evening. Do do do? Do? Do?
• 20:40
  Speaker 1: Do you know? No? I don't. Oh look at film,
• 20:43
  Speaker 1: No I don't. I don't, Margaret, I don't know what
• 20:46
  Speaker 1: you're talking about. However, that having been said, but what
• 20:48
  Speaker 1: do you think you're, mister theater veteran? Now, no, I don't.
• 20:52
  Speaker 1: It's just kind of weird to say that you were
• 20:53
  Speaker 1: in a sort of theater where you don't know what
• 20:55
  Speaker 1: it is to never mind, it's it's fine. We got
• 20:59
  Speaker 1: our lines written on the back of a napkin. Okay,
• 21:01
  Speaker 1: here Margaret, you say this, then sing a song, then
• 21:03
  Speaker 1: say this, then sing a song. See what I'm saying.
• 21:06
  Speaker 1: So you're basically like the musical relief or something. I
• 21:09
  Speaker 1: don't like the word relief. It sounds like after someone
• 21:12
  Speaker 1: meets me, they've got to yeah, peel off like three
• 21:15
  Speaker 1: sheets of toilet paper. You're a real Let's wait a minute, Margaret, Wait,
• 21:19
  Speaker 1: well that's what that's basically what you said. I know,
• 21:22
  Speaker 1: I said that, I don't like it when he repeats
• 21:23
  Speaker 1: it back, Well, that's what you say, Yeah, bugs, what
• 21:27
  Speaker 1: is it? What's your name again? It's not bug. Bud's right,
• 21:30
  Speaker 1: he said, it sounds like you're a piece of two.
• 21:33
  Speaker 1: You know, it sounds like what Margaret, what you said was,
• 21:36
  Speaker 1: I know what I said. I just don't like it
• 21:39
  Speaker 1: when someone says to me that after someone meets me,
• 21:41
  Speaker 1: they've got to peel off three sheets of toilet paper.
• 21:46
  Speaker 1: There's Phil again. So what we should do here, Phil
• 21:50
  Speaker 1: is interview you, and Bud's here with a few questions.
• 21:53
  Speaker 1: I've got some Margaret, We really do want to talk
• 21:55
  Speaker 1: to you, Phil about how you're enjoying New York. Are
• 21:57
  Speaker 1: you enjoying New York very much? So? You know, what
• 21:59
  Speaker 1: about this dump that you're living in. I wouldn't say
• 22:02
  Speaker 1: it's a dump, it's a verbo, it's a what do
• 22:05
  Speaker 1: you mean dump? You've been complaining about it. Well, all
• 22:08
  Speaker 1: you've been doing is bellyaching about how small it is.
• 22:10
  Speaker 1: It's a studio apartment. Yes, it's a studio apartment. But
• 22:14
  Speaker 1: it has all the amenities. It has a you know,
• 22:17
  Speaker 1: a refrigerator, and let me guess, does it have a
• 22:20
  Speaker 1: flushing toilet. Yes, it does. Wow. Why that's some that's
• 22:23
  Speaker 1: pretty modern. You guys know what I'm talking about. Yeah,
• 22:25
  Speaker 1: but minster you know, you were belly aching, I should
• 22:27
  Speaker 1: say belly aching, but you was saying that you wish
• 22:30
  Speaker 1: you had a washing machine. Yeah, I wish I had
• 22:33
  Speaker 1: a washing machine. But it don't have a washing machine.
• 22:34
  Speaker 1: But there is a laundry service that I use. They
• 22:36
  Speaker 1: come and they pick up the clothes, they wash it,
• 22:38
  Speaker 1: and they drop it off. That's not cheap. No, it's
• 22:41
  Speaker 1: not cheap. But you know what, I throw my money
• 22:43
  Speaker 1: around anyway. So, now where do you eat? What are
• 22:45
  Speaker 1: the restaurants you like? There's a Peruvian joint halfway down
• 22:48
  Speaker 1: the block that I like. They have a sabic there.
• 22:50
  Speaker 1: And I didn't know anything about Peruvian food. I didn't
• 22:52
  Speaker 1: know that there was a special cuisine. But apparently Jackie
• 22:55
  Speaker 1: tells me Miami is crawling with Peruvian restaurants. What what
• 23:00
  Speaker 1: you talk about? That's what she said. She said, Miami's
• 23:03
  Speaker 1: got tons and tons of proving restaurants. She knew what
• 23:06
  Speaker 1: I was talking about. There's a couple of Mexican restaurants
• 23:09
  Speaker 1: that are great. There's two Italian places. I mean this
• 23:13
  Speaker 1: is not the best place to be living if you
• 23:14
  Speaker 1: want to lose weight. But you said you're doing a
• 23:17
  Speaker 1: lot of walking. I'm doing a lot of walking. You know.
• 23:19
  Speaker 1: We walk over to the rehearsal space, we walk over
• 23:21
  Speaker 1: to the theater. I had to walk up to iHeartMedia
• 23:23
  Speaker 1: the other day, which is about a fifteen minute walk.
• 23:26
  Speaker 1: I actually like it. I like walking. So what are
• 23:28
  Speaker 1: you gonna take the subway? The only reason why I
• 23:31
  Speaker 1: would take the subway is it down on fifteenth Street
• 23:35
  Speaker 1: is the SGI is the Buddhist center that I go to. Now, Phil,
• 23:38
  Speaker 1: let's talk about this Buddhism. I don't want to talk
• 23:40
  Speaker 1: about it, Okay, temistry and you ought to be you
• 23:44
  Speaker 1: should talk about it to convert people to Buddhism. Oh well,
• 23:47
  Speaker 1: you get out of here, man. Anyway, it's the what
• 23:50
  Speaker 1: are you looking at? I think it's very disappointing you're
• 23:52
  Speaker 1: talking about that way. Anyway, it's the Buddhist center down there,
• 23:55
  Speaker 1: and I go to and I you know, read up
• 23:57
  Speaker 1: on stuff, and that's about well, that's a fifteen and
• 24:00
  Speaker 1: I'm way up, you know, the opposite side of town.
• 24:03
  Speaker 1: So and then there is the CBS Pharmacy, which is
• 24:07
  Speaker 1: about the same distance. I mean, you know this place
• 24:09
  Speaker 1: is to walk to. Well, those sound like some really
• 24:11
  Speaker 1: fun scenic spots. Let's see the Buddhat Center, the pharmacy,
• 24:15
  Speaker 1: and iHeartMedia. Hey, I'm not exactly here man to go sightseeing.
• 24:19
  Speaker 1: You're not, No, Well, I would think you're in the
• 24:22
  Speaker 1: largest city. What are the largest cities in the world
• 24:24
  Speaker 1: and the largest city in the United States, And you
• 24:27
  Speaker 1: don't want to do any sightseeing. No, I don't do
• 24:29
  Speaker 1: want to do any sightseeing. Okay, I want to do
• 24:32
  Speaker 1: my thing. I want to enjoy my time off. Yeah,
• 24:35
  Speaker 1: with my friends. Don is my good buddy Don Older.
• 24:38
  Speaker 1: There's going to be in town on the twenty fifth.
• 24:40
  Speaker 1: My godson lives in a downtown financial district with his wife,
• 24:44
  Speaker 1: Mallory and Joe. And I'm going to have lunch with
• 24:47
  Speaker 1: my good friend Andy Cowboo is my producer at WIFD
• 24:51
  Speaker 1: in Miami for many years. Oh, Tory Ryder is coming
• 24:56
  Speaker 1: into town now. Tory Ryder is your friend. She's on
• 24:59
  Speaker 1: the air in Chicago. Yes, Terri was on the air
• 25:01
  Speaker 1: in Chicago and Portland, a lot of places. She's a
• 25:04
  Speaker 1: great radio talent. She's written a book called She Said
• 25:07
  Speaker 1: What which is kind of like her autobiography. Now you're
• 25:10
  Speaker 1: in that book. But she doesn't call you Phil. She
• 25:12
  Speaker 1: calls you something like schmuck. Right, what do you mean schmuck? Yeah,
• 25:16
  Speaker 1: but she calls you something Differentcy, she calls me something.
• 25:20
  Speaker 1: It doesn't call me schmuck. Well what does she call you?
• 25:22
  Speaker 1: I forget. I think maybe it's like Paul or Biff
• 25:25
  Speaker 1: or so. I don't know. Yeah, so it could be schmuck. No,
• 25:28
  Speaker 1: it could I don't believe it's schmuck. Anyway, Yeah, I
• 25:30
  Speaker 1: am in the book. That's a You should check out
• 25:32
  Speaker 1: Torry's book. She said, what, it's a great it's a
• 25:35
  Speaker 1: great chronicle and journal of the the travails and travels
• 25:39
  Speaker 1: of a woman in broadcasting, a high profile personality like Turian,
• 25:44
  Speaker 1: which she's endured and what she's enjoyed. But anyway, and
• 25:48
  Speaker 1: she was also in the Phil Henry documentary. Ah, there's
• 25:52
  Speaker 1: something you've been avoiding, and we'd like to talk a
• 25:54
  Speaker 1: little bit about that. That is the Henri documentary, which
• 25:57
  Speaker 1: is now streaming Ladies and Gentlemen on two. Be all right, Yeah, yeah,
• 26:04
  Speaker 1: yes it is. Yes, Phil hasn't mentioned that at all,
• 26:07
  Speaker 1: and that is available in Canada. I think it's available
• 26:09
  Speaker 1: in Canada. The reason why I say that my cousins
• 26:11
  Speaker 1: have asked me where they can see it, and I
• 26:12
  Speaker 1: think it is. Yes. Terry Ryder is featured as an
• 26:15
  Speaker 1: interview subject in that In that documentary, is is Bill Hayter,
• 26:20
  Speaker 1: Henry Rowlins. There's a lot of great, great people who
• 26:23
  Speaker 1: were interviewed. And I had no idea how Patrick got
• 26:26
  Speaker 1: these folks to sit down and talk about the Phil
• 26:29
  Speaker 1: Henry Shield, but I was very very grateful. Yeah, Toury's
• 26:31
  Speaker 1: in that as well. So and I'm gonna have lunch
• 26:33
  Speaker 1: with her dinner. No, she's gonna come to the play,
• 26:37
  Speaker 1: all right. And then one more than my stepdaughter Katherine,
• 26:42
  Speaker 1: who is a flyer. She's a flyer. She's a flight
• 26:44
  Speaker 1: attendant for Amigo. What is it, Yeah, it's Amigo Airlines.
• 26:49
  Speaker 1: What's Amigo Airlines? Oh, I'm sorry, it's Alaska. That's exactly right, Yeah,
• 26:54
  Speaker 1: Alaska Airlines. She flies. She's going to come into town
• 26:57
  Speaker 1: and see the play. So you know, I'm going to
• 26:59
  Speaker 1: be kind of nervous with all these people that I
• 27:01
  Speaker 1: don't watch in the play. But and how have the
• 27:03
  Speaker 1: rehearsal has been going very good? What. I don't know what. Yeah,
• 27:07
  Speaker 1: they've been going really good and we got a great
• 27:09
  Speaker 1: director and Mike Keller and Tom Alpers the writer, and
• 27:13
  Speaker 1: Christine Blackburn's our producer, and a great, great cast of people.
• 27:17
  Speaker 1: So we'll let you know when when it's October the ninth.
• 27:20
  Speaker 1: You know you're you're kind of tight lipped about this play. No,
• 27:23
  Speaker 1: I'm not, man, I just don't know what else to say.
• 27:25
  Speaker 1: I don't want to give too much stuff away, but
• 27:27
  Speaker 1: we are very very grateful if people want to come
• 27:28
  Speaker 1: and see it. So that's Phil Henry in the Pitch,
• 27:31
  Speaker 1: starting October ninth in New York off Broadway. Yeah, oh yeah, yeah, Jesus,
• 27:42
  Speaker 1: World Famous Phil Henry Show is executive produced by me
• 27:44
  Speaker 1: Phil Henry for Siempri Incorporated. Alrights reserved on iHeart Podcasts.
• 27:49
  Speaker 1: This is General Kaylin Shaw. Yes, so what he Well,
• 27:54
  Speaker 1: I said it before you said, this is a Bud Dickman.
• 27:56
  Speaker 1: All right, this is a Bud Dickman. It don't matter yet,
• 27:59
  Speaker 1: too late, it's not hard to relation