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Sherlock Holmes Radio The Viennese Strangler Basil Rathbone, Nigel Bruce, T · Sherlock Holmes

• 0:00
  Speaker 1: And now for our weekly visit with a good doctor Watson.
• 0:03
  Speaker 1: Let's see if he's waiting for us. Good evening, mister, oh,
• 0:13
  Speaker 1: good evening, doctor plang a phonograph.
• 0:16
  Speaker 2: I see, yes, my boy, that particular millennires some very
• 0:19
  Speaker 2: potent memories for me. Here, I'll turn the thing off.
• 0:23
  Speaker 2: You haven't come here to listen to Moat. You want
• 0:28
  Speaker 2: a story, don't you, young?
• 0:30
  Speaker 1: That's right, doctor, Well, let's sit down, all right, patter, Now.
• 0:35
  Speaker 2: I'll tell you what thank you doctory again in Vienna
• 0:39
  Speaker 2: in eighteen hundred and eighty nine, many many years before,
• 0:43
  Speaker 2: the insane house painter named schickel Gruber had converted that
• 0:47
  Speaker 2: case city into a place of fear and of pression.
• 0:50
  Speaker 1: And what were you and Sherlock Holmes doing there, doctor?
• 0:53
  Speaker 2: Just taking a trip, mister Forman. In those early days
• 0:57
  Speaker 2: of our association, we didn't have the time, all the
• 0:59
  Speaker 2: money for the taking trips. No, no, no. We were
• 1:03
  Speaker 2: in Vienna because Holmes had been engaged in certain highly
• 1:06
  Speaker 2: important investigations. We were staying in a charming person inhabited
• 1:11
  Speaker 2: by students and musicians. And on the night the story began,
• 1:16
  Speaker 2: we'd finished dinner and had returned to our room. I
• 1:19
  Speaker 2: was busy making some notes on the investigation we just included,
• 1:23
  Speaker 2: and Holmes was scraping away at his beloved violin.
• 1:35
  Speaker 3: That's wrong. Why can't I get it?
• 1:38
  Speaker 2: Pretty?
• 1:38
  Speaker 4: To me?
• 1:38
  Speaker 5: Pretty? Really old chapter?
• 1:41
  Speaker 3: A hippy fingered one of the listen to this sounds
• 1:49
  Speaker 3: like a fiddler anolish.
• 1:50
  Speaker 2: Wake take it easy, homes did. There's no need to
• 1:54
  Speaker 2: fling the violin down like.
• 1:56
  Speaker 3: That's not old, chap Why with all your other excellent qualities,
• 2:00
  Speaker 3: are you not a pianist?
• 2:01
  Speaker 2: What's a piano you going to do with it?
• 2:03
  Speaker 3: In this case? Everything is a piano in this room.
• 2:05
  Speaker 3: And if you could play it and not that so
• 2:06
  Speaker 3: not that I'm struggling with, might have some meaning. Come in,
• 2:10
  Speaker 3: oh living to see me?
• 2:13
  Speaker 6: You are?
• 2:15
  Speaker 3: That is my name?
• 2:16
  Speaker 6: Then I wish to see you. I'm Leo Ustein. I
• 2:20
  Speaker 6: live here on this consume.
• 2:21
  Speaker 5: How do you do?
• 2:22
  Speaker 4: This?
• 2:22
  Speaker 3: Is my friend, Doctor Watson.
• 2:23
  Speaker 4: How do you do?
• 2:24
  Speaker 2: Hea?
• 2:24
  Speaker 3: Doctor Ullenstein? May I pay my tribute to the brilliant.
• 2:29
  Speaker 5: If you're piano.
• 2:30
  Speaker 3: Playing, you have the exact precision of praising that that demands,
• 2:35
  Speaker 3: Doctor Watson, and I with Christmas the command performance you
• 2:37
  Speaker 3: gave it the Imperial Court a fortnight a girl.
• 2:39
  Speaker 2: Hey juya, so I knew I had seen you somewhere before.
• 2:43
  Speaker 2: My friend was just expressing the need of a pianist
• 2:46
  Speaker 2: as you walked in, Young lady. Perhaps I'm trying.
• 2:49
  Speaker 6: I do not play the amateur.
• 2:52
  Speaker 4: Mean to be.
• 2:53
  Speaker 2: Who is just that?
• 2:54
  Speaker 6: My life is dedicated to my professional understand for line and.
• 2:57
  Speaker 3: Now, please tell me what can I do to help you.
• 2:59
  Speaker 3: I'm a presume you will come to see me in
• 3:01
  Speaker 3: my professional capacity.
• 3:03
  Speaker 6: That is correct, heir Homes, So I realized you a
• 3:06
  Speaker 6: great detective like you. My problem must seem quite trivial.
• 3:10
  Speaker 6: I I am being blackmailed by a man in the
• 3:13
  Speaker 6: sponsible He is Shando, our pardier Hungarian painter who lived
• 3:18
  Speaker 6: in the studio upstairs. I've heard of him since two
• 3:22
  Speaker 6: months now. Ever, since you know my secret, he's come
• 3:24
  Speaker 6: to me for money, and today he telled me he
• 3:27
  Speaker 6: must have two hundred and fifty goods or he will
• 3:30
  Speaker 6: go to the police. I have not that much money,
• 3:35
  Speaker 6: hair Homes. Please to tell me what I shall do.
• 3:38
  Speaker 5: Just what hold does he have of you?
• 3:39
  Speaker 6: My brother Karl he got into some trouble. He and
• 3:43
  Speaker 6: the police were looking for him, but he ran away
• 3:46
  Speaker 6: to munch as you say Munich. Him thunder our party
• 3:49
  Speaker 6: knew of this. He was a friend of mine. Thought,
• 3:53
  Speaker 6: when this trouble come on my body, I turned to
• 3:55
  Speaker 6: Shandor for help, which mother call out of the country,
• 3:58
  Speaker 6: and he turned on me for.
• 3:59
  Speaker 2: Black A fat man.
• 4:03
  Speaker 3: First, black failures A cowards at hand, I think doctor
• 4:05
  Speaker 3: Watson and I will call on the gentlemen. By the way,
• 4:07
  Speaker 3: does he have any written evidence of your brother's crime?
• 4:10
  Speaker 6: Yeah, he has this address in Munich. Show Shandor a
• 4:14
  Speaker 6: letter from him when he first go there, and keep
• 4:16
  Speaker 6: the letter.
• 4:16
  Speaker 4: Do not give it back to him.
• 4:18
  Speaker 2: If he gave the police your brother's address at the
• 4:21
  Speaker 2: rest of her they would of course.
• 4:23
  Speaker 6: Hair Homes, Will you please to tell me what I
• 4:26
  Speaker 6: should do? I cannot go on to say my music.
• 4:31
  Speaker 3: I shall be most happy to help you, and if
• 4:34
  Speaker 3: you will lead the way, we'll see how persuasive we
• 4:36
  Speaker 3: can be with Shandor a padi.
• 4:51
  Speaker 6: This is studio Hairhomes at the end of the corridor.
• 4:54
  Speaker 3: I see, I remember a young lady. You better let
• 4:57
  Speaker 3: me do most of the talking.
• 5:06
  Speaker 2: He must be out, that's as possible. Locked.
• 5:11
  Speaker 3: I think bearning a mind out on his profession will
• 5:13
  Speaker 3: take the liberty of opening his door.
• 5:18
  Speaker 2: Looking a very complicated lot for me, and.
• 5:21
  Speaker 3: I think this skeleton key will do the trick.
• 5:24
  Speaker 6: Very dangerous hair homes.
• 5:25
  Speaker 2: It's shun no, no, no, no, don't you worry about
• 5:28
  Speaker 2: that product. We're perfectly capable of taking care of our souls.
• 5:32
  Speaker 3: Ah there we are, close the door behind you, Will Watson, I.
• 5:44
  Speaker 2: Don't see a thing. I'll strike a match.
• 5:49
  Speaker 5: Oh God, look at him.
• 5:54
  Speaker 3: Stober his death the gas, Willy Watson, I try hope
• 6:00
  Speaker 3: are judging from his appearance for a line, Fullenstein. I
• 6:03
  Speaker 3: think Sandor Party had other enemies besides yourself less scrupulous enemies.
• 6:08
  Speaker 2: He's been strangled because the finger marks on his throat
• 6:11
  Speaker 2: is he yes, but it is too warm. Though I'm
• 6:17
  Speaker 2: afraid he's dead.
• 6:19
  Speaker 4: I am glad.
• 6:20
  Speaker 6: That's a bad man deserved to that.
• 6:23
  Speaker 3: Watson. You notice the fingers of the killer, broken the
• 6:25
  Speaker 3: skin and drawn blood.
• 6:27
  Speaker 6: We should he not communicate with the police before we
• 6:30
  Speaker 6: do that?
• 6:30
  Speaker 3: For line, we may see if we can find you
• 6:31
  Speaker 3: a brother's letter. Help move the body, Will you Watson?
• 6:34
  Speaker 3: Lying across an open dispatch box that might contain the
• 6:36
  Speaker 3: document in question, Go on.
• 6:39
  Speaker 5: That's it a.
• 6:43
  Speaker 3: Mhm, but a painter the late mister that party was
• 6:45
  Speaker 3: an unusually methodical man. Everything filed here in alphabetical order.
• 6:50
  Speaker 3: You know, we are you fall line, they are Wullenstein
• 6:54
  Speaker 3: and the letter has the Munichue postmark. I think this
• 6:57
  Speaker 3: must be the document in question when you examine it,
• 6:59
  Speaker 3: please for all.
• 7:01
  Speaker 6: Yeah, yeah, this is the letter here, Holmes. How can
• 7:05
  Speaker 6: I thank you?
• 7:05
  Speaker 3: It's very little thankful for it's the blackmailer are still alive.
• 7:08
  Speaker 3: I feel it wouldn't have been so simple a matter.
• 7:12
  Speaker 3: I wonder what other treasures this box contains? Hello, Hello,
• 7:17
  Speaker 3: what is it?
• 7:18
  Speaker 2: All? Interesting?
• 7:19
  Speaker 3: Extremely interesting.
• 7:24
  Speaker 2: Information on the case that we've just been working out.
• 7:27
  Speaker 3: From the names attached to the document, I think we
• 7:29
  Speaker 3: may assume that the dead man did not confine his
• 7:32
  Speaker 3: blackmailing to struggling young pianists. He was after big game tools.
• 7:36
  Speaker 2: We'd better be careful, homes. I don't think that we
• 7:39
  Speaker 2: should go for the police just yet.
• 7:41
  Speaker 3: No, we will start by having a little talk with
• 7:43
  Speaker 3: the other residents of this pon who lives in the
• 7:46
  Speaker 3: room adjoining this one. I too here and the room
• 7:50
  Speaker 3: across the landing.
• 7:51
  Speaker 6: L Kung Fo, the guy Chinese actor. He's performing here
• 7:54
  Speaker 6: on Vienna.
• 7:55
  Speaker 3: I see them I think we'll start by calling on him.
• 7:57
  Speaker 3: Return to your room, forelign, and we will let you
• 7:59
  Speaker 3: know later what we've found. In the meantime, saying nothing
• 8:01
  Speaker 3: to anyone of.
• 8:02
  Speaker 6: What has happened, do everything you tell me. Please once again,
• 8:06
  Speaker 6: please let me thank you for what you've done for.
• 8:13
  Speaker 2: You know, Holmes, I'm not sure that girl didn't strangle
• 8:16
  Speaker 2: a fundy, yourself a pianist. We have unusual strength of
• 8:19
  Speaker 2: her fingers, and we know that she had the motive.
• 8:24
  Speaker 2: Look how naturally calm she was when she realized the
• 8:26
  Speaker 2: man who was dead and discreet what he was alone.
• 8:29
  Speaker 3: I think what you refer to was unnatural calmness is
• 8:31
  Speaker 3: really the cold attachment of the true water.
• 8:33
  Speaker 2: Well, I have a feeling we should keep an eye
• 8:35
  Speaker 2: on her, just to say.
• 8:36
  Speaker 5: We were watching.
• 8:36
  Speaker 3: We will. And now I suggest, with their visit across
• 8:38
  Speaker 3: the landing to the distinguished Chinese actor, mist A lying
• 8:41
  Speaker 3: to fold you wish to see me if you could
• 9:02
  Speaker 3: spare some moments then, But of course, gentlemen, please do
• 9:04
  Speaker 3: come in. My name is Shark Holmes. This is my colleague,
• 9:07
  Speaker 3: doctor Watson.
• 9:09
  Speaker 4: I am greatly part to Mitchell. You are not here
• 9:12
  Speaker 4: to see me in your professional capacity. I hope stuff.
• 9:15
  Speaker 3: Oh no, not exactly. I just wanted to ask you
• 9:17
  Speaker 3: a few questions.
• 9:18
  Speaker 2: Please to ask me anything.
• 9:19
  Speaker 3: Do you know Shandor Paddy the paint Huo lives across
• 9:21
  Speaker 3: the hall.
• 9:22
  Speaker 4: I know him by sight that we not do each
• 9:25
  Speaker 4: other on the stairs.
• 9:26
  Speaker 3: Nothing more I see. Have you been in your rooms evening?
• 9:29
  Speaker 5: May I ask? But yes, I have.
• 9:31
  Speaker 4: Been sitting here quietly for the past few hours, reading
• 9:33
  Speaker 4: over the analecs of Canus?
• 9:38
  Speaker 2: May asked, Will you heard any unusual noises this evening,
• 9:42
  Speaker 2: sounds of struggle or a cry from the direction of
• 9:45
  Speaker 2: sandor party's room, Prince, I do not think so.
• 9:49
  Speaker 4: Wait, yes, yes, I think I did hear least voices
• 9:52
  Speaker 4: in there, and the sound.
• 9:53
  Speaker 5: Of a cry.
• 9:54
  Speaker 3: But how long ago was this? Perhaps?
• 9:57
  Speaker 4: More?
• 9:58
  Speaker 5: Is anything wrong?
• 9:59
  Speaker 3: Has a love will come to Chandor Dandor? I thought
• 10:04
  Speaker 3: you said you would only a nodding acquaintance with the gentleman.
• 10:07
  Speaker 4: Well, he is a well known artist. It is only
• 10:10
  Speaker 4: natural I should call him by his first's name, mister Holmes,
• 10:12
  Speaker 4: even though I do not know him. Has something happened
• 10:15
  Speaker 4: to him?
• 10:16
  Speaker 3: I'm afraid so, But I can't tell you any more
• 10:17
  Speaker 3: about it.
• 10:18
  Speaker 5: At the moment.
• 10:19
  Speaker 3: Thank you for your cooperation. We will see you again.
• 10:21
  Speaker 3: No dud believing sir, What do.
• 10:22
  Speaker 7: You think.
• 10:27
  Speaker 2: Foll I wasn't telling us the truth? You know? Home
• 10:29
  Speaker 2: he seemed very shifted to me.
• 10:31
  Speaker 3: We were going downstairs to the potter's desk. Any one
• 10:35
  Speaker 3: entrance to this answer will remember the porter may be
• 10:37
  Speaker 3: able to tell us of any unusual comings and goings
• 10:40
  Speaker 3: in the last hour or two. Come on, old chap,
• 10:42
  Speaker 3: don't doddle. It's a great deal of work ahead of us.
• 10:58
  Speaker 2: Yeah, here hopes.
• 10:59
  Speaker 5: What can I do for you?
• 11:01
  Speaker 3: How long have you been on dury tonight?
• 11:02
  Speaker 2: Since five o'clock?
• 11:04
  Speaker 3: You notice what people have come in or gone out
• 11:06
  Speaker 3: since then? No Fune has gone out splendid And who
• 11:09
  Speaker 3: came in?
• 11:09
  Speaker 4: Foil and Unstein came in just after six and the
• 11:12
  Speaker 4: upperdeed the painter have come in a few minutes later.
• 11:17
  Speaker 3: Who lives in the other ground floor apartments besides Dr
• 11:19
  Speaker 3: Watson and myself The only.
• 11:20
  Speaker 4: Two other apartments in the one to the right of
• 11:22
  Speaker 4: the court that lives Madame Jansen, she's a Seedish lady.
• 11:26
  Speaker 4: And sculptors and the Milan Signora Violetti, the Italian Oars.
• 11:30
  Speaker 3: Oh, thank you, thank you very much. I'm much obliged
• 11:32
  Speaker 3: to you. I'm happy to be of service her home.
• 11:35
  Speaker 2: Were we off to now back to our room.
• 11:38
  Speaker 3: We'll call on let him be a LETTI if she's
• 11:39
  Speaker 3: at home.
• 11:47
  Speaker 2: Sounds as if she's very much at home.
• 11:55
  Speaker 8: Yours geral l com that need a friend ever come
• 11:58
  Speaker 8: to see me? Vo rubbish sim I have so much
• 12:03
  Speaker 8: wish to make it acquaint and listen, I'm appropriate.
• 12:07
  Speaker 2: We can understand for a moment, Matem, I felt want
• 12:10
  Speaker 2: to ask you question.
• 12:12
  Speaker 3: I just want to I know your question.
• 12:15
  Speaker 6: You played the violina.
• 12:16
  Speaker 5: I have heard you.
• 12:18
  Speaker 7: You want to know whether the great Valaria will allow
• 12:21
  Speaker 7: you to a company. Are in the magnificent soprano Aria?
• 12:24
  Speaker 5: Halloo?
• 12:25
  Speaker 7: So from a Mozart le float to my Chico? Do
• 12:29
  Speaker 7: you let this answer to your question?
• 12:32
  Speaker 3: See if you don't mind me? Was not one of
• 12:43
  Speaker 3: my questions.
• 12:44
  Speaker 2: You not, but I will seeing it with you.
• 12:47
  Speaker 3: Jose this day you got me, But then at the
• 12:49
  Speaker 3: moment there are other things on my mind. You're at
• 12:52
  Speaker 3: Do you know Sadi.
• 12:55
  Speaker 7: Boy sighed that he does even guys at me, But
• 12:58
  Speaker 7: I don't pay attention. I didn't even like angan.
• 13:01
  Speaker 3: You haven't seen in the evening, I've been alone.
• 13:04
  Speaker 7: A reviewing the score. I have to see the next
• 13:16
  Speaker 7: week here in Vianna. I hope you will both to
• 13:19
  Speaker 7: be president.
• 13:20
  Speaker 4: It would be a great tree.
• 13:25
  Speaker 2: Sat you must have gor to stone.
• 13:27
  Speaker 8: But come and see me again, and I will sing
• 13:30
  Speaker 8: for your port before your Naghborana.
• 13:37
  Speaker 2: It's got the woman. She's not your murders, I'm sure.
• 13:41
  Speaker 2: And now I suppose we'll have to question this stothless woman,
• 13:45
  Speaker 2: and then we'll have talked to everyone in the house.
• 13:47
  Speaker 3: Now, I think before we visit her, and we'll examine
• 13:49
  Speaker 3: the dead man's room a little walk closely. They're black
• 13:51
  Speaker 3: in the statch box may hold the keys of this mystery.
• 14:10
  Speaker 2: Scarpapers they tell an interesting story. A party had obviously
• 14:17
  Speaker 2: been blackmailing Madame Jansen's the sculpture.
• 14:19
  Speaker 3: Yes, and also our friend, the Chinese actor Lating Foe, and.
• 14:22
  Speaker 2: Lating Foe was lying when he said that he didn't
• 14:23
  Speaker 2: know said by George Field of poor people living in
• 14:26
  Speaker 2: this house in his pall.
• 14:29
  Speaker 3: That's a matter what I found in the scar ash
• 14:32
  Speaker 3: on the carpet, Principal, a small foot leading us to
• 14:35
  Speaker 3: this closet.
• 14:37
  Speaker 2: But they must have been hiding in.
• 14:38
  Speaker 5: The possibly.
• 14:41
  Speaker 3: Take a look at these Watson.
• 14:44
  Speaker 2: And the hair, long black hair, Where were they?
• 14:48
  Speaker 3: I'm a hook in the cupboard, and one bracing themselves
• 14:50
  Speaker 3: back so as to be out of sight, could easily
• 14:52
  Speaker 3: leave such evidence.
• 14:53
  Speaker 5: I've got it home, I've got it.
• 14:54
  Speaker 2: The long black hair, the long nails that caused the
• 14:56
  Speaker 2: peculiar mouf, and the party's throat and the small footprint.
• 14:59
  Speaker 3: It was woman, possibly, but which one? Caroline Pullenstein and
• 15:03
  Speaker 3: Signora Fiolett him both have blonde hair, remember, and it
• 15:05
  Speaker 3: must be that stop us one, not necessarily?
• 15:07
  Speaker 2: Who else?
• 15:08
  Speaker 3: Not a woman might have small feet, long nails, and
• 15:10
  Speaker 3: long black hair.
• 15:12
  Speaker 2: By joby Chinese accessly.
• 15:14
  Speaker 5: Come on, I hope he's too uh, I come on,
• 15:34
  Speaker 5: let's go in.
• 15:40
  Speaker 2: Look at him. He's praying.
• 15:44
  Speaker 5: His head's in his head.
• 15:45
  Speaker 3: Oh my dear fellow, I'm afraid prayers can do him
• 15:47
  Speaker 3: no good. Now he's been strangled, strangled with his own chow.
• 16:01
  Speaker 1: Doctor Watson's story will continue in just a second, So
• 16:04
  Speaker 1: I'm gonna take that second.
• 16:05
  Speaker 3: For a fast question.
• 16:07
  Speaker 1: I know you've probably tasted port wine, but have you
• 16:10
  Speaker 1: ever tasted Petree California port?
• 16:12
  Speaker 2: Have you?
• 16:13
  Speaker 1: Because if you haven't tried pet Report. Well, you can
• 16:16
  Speaker 1: just tell yourself right now. You don't know how good
• 16:18
  Speaker 1: a port can be. Pet Report is rich, red and hearty.
• 16:23
  Speaker 1: But what you want to know is how does it taste.
• 16:25
  Speaker 1: The answer to that is short and sweet. The taste
• 16:28
  Speaker 1: is terrific. And say Petrick, California Muscatel is on the
• 16:31
  Speaker 1: terrific side too. Petrie Musketell has the flavor and fragrance
• 16:35
  Speaker 1: of real juicy muscat grape. Both wines are perfect after
• 16:41
  Speaker 1: dinner or anytime you're sitting around talking with your friends.
• 16:44
  Speaker 2: Try them. They're great.
• 16:46
  Speaker 1: They've got to be because they're Petree. And now back
• 16:58
  Speaker 1: to tonight's you Sherlock Holmes. The famous pair are staying
• 17:01
  Speaker 1: in Vienna, where they've become involved in the mysterious strangling
• 17:04
  Speaker 1: of a notorious blackmailer. As we rejoin our story, Sherlock
• 17:08
  Speaker 1: Holmes and doctor Watson are cost questioning another of the suspects,
• 17:11
  Speaker 1: a Swedish sculptress by the.
• 17:13
  Speaker 8: Name of Madame John.
• 17:16
  Speaker 3: What do you want with me?
• 17:17
  Speaker 4: Why have you come in here?
• 17:18
  Speaker 2: We just wanted to ask you a few questions, Madam
• 17:21
  Speaker 2: with my figurines?
• 17:23
  Speaker 3: May I ask you always working?
• 17:24
  Speaker 2: Play?
• 17:24
  Speaker 6: Yeah?
• 17:25
  Speaker 3: But what's that to you?
• 17:26
  Speaker 6: Do you wish to buy some of my sculptors?
• 17:28
  Speaker 3: No, but I assure you the question was pertinent.
• 17:31
  Speaker 7: Tell me who you are and stop fasting my time.
• 17:33
  Speaker 2: My friend is a private detective, madam, a detective. Who
• 17:37
  Speaker 2: ain't you here?
• 17:38
  Speaker 3: No one sent me here. I'm conducting an investigation of
• 17:41
  Speaker 3: the murder of schandor of Paddi and.
• 17:45
  Speaker 6: Did Good and Jack.
• 17:48
  Speaker 2: Yes, madam, but we happen to know that you had
• 17:50
  Speaker 2: a motive for killing him. He's been blackmailing you. Get
• 17:54
  Speaker 2: out of here.
• 17:55
  Speaker 7: What light have you to come here?
• 17:56
  Speaker 2: In question? No? No, no, no, look here, madam. If
• 17:58
  Speaker 2: you know what's good for you, you will ask.
• 18:00
  Speaker 5: So can you know what's good for you?
• 18:01
  Speaker 6: You'll get out of here.
• 18:02
  Speaker 3: Both mine, Watson, But Homes you can't part give in, madam,
• 18:05
  Speaker 3: for our intrusion, We've meant no rudeness.
• 18:07
  Speaker 7: You have been read intolerance.
• 18:09
  Speaker 3: We real go away.
• 18:13
  Speaker 2: We never made you back down like that. Homes. Obviously
• 18:16
  Speaker 2: she's the killer.
• 18:17
  Speaker 3: But the hair with chuck black, Yes, short hair, and
• 18:21
  Speaker 3: didn't you notice the size of our feet?
• 18:22
  Speaker 5: Anyway?
• 18:22
  Speaker 3: She works in play but novel. I might have suspected her.
• 18:26
  Speaker 2: Home, so should tell me what you're driving out of the.
• 18:28
  Speaker 3: Answer to these killings now, Watson.
• 18:30
  Speaker 5: But I'll have to prove it.
• 18:31
  Speaker 3: I'm said, I must work with I to old Chap.
• 18:33
  Speaker 3: If you mind waiting for me in our room.
• 18:34
  Speaker 5: No, no, no, wait a.
• 18:35
  Speaker 3: Minute, wait a minute, that may be dangerous. Wait for
• 18:38
  Speaker 3: me and Senora. Your letter is wrong. If you mind,
• 18:40
  Speaker 3: I'll join you there as soon as my work is done.
• 18:43
  Speaker 3: Pretend that you have returned because you were so enchanted
• 18:46
  Speaker 3: with her voice got home.
• 18:47
  Speaker 2: You don't ask me to be alone with that woman.
• 18:50
  Speaker 3: Do as I say, Watson, and don't question me. Isn't
• 18:52
  Speaker 3: a moment to be lost of different?
• 19:18
  Speaker 7: Of course you know that Aria, my dear doctor.
• 19:21
  Speaker 2: No matter, ma'm.
• 19:24
  Speaker 4: You're not about great Hutt.
• 19:29
  Speaker 2: Course, But I can't identify its work.
• 19:33
  Speaker 7: That was left, so you're still in mad at all?
• 19:38
  Speaker 7: Tell me your favorite composer.
• 19:40
  Speaker 6: I will you sing something with just for you.
• 19:43
  Speaker 7: I will pull the gas light down.
• 19:47
  Speaker 3: And that will be so much more a monthing.
• 19:51
  Speaker 7: No, oh, is your favorite composed?
• 19:57
  Speaker 2: Haven't? What's your name? Warns?
• 20:04
  Speaker 7: There is a heavy like a master German composers, not
• 20:07
  Speaker 7: the theolactic, and a musterream.
• 20:09
  Speaker 2: Oh here she goes again?
• 20:20
  Speaker 4: Come in.
• 20:26
  Speaker 7: Cone of the street is come into the lie.
• 20:32
  Speaker 2: Chinese act.
• 20:35
  Speaker 3: I am sorry to make commotions, but as we say
• 20:38
  Speaker 3: in my country, those for return from craves, secrets, double knowledge.
• 20:42
  Speaker 4: Oh you're devil, you devil, I kill you.
• 20:46
  Speaker 2: On thank you one.
• 20:51
  Speaker 3: Confession, senor, you can justify it to it. Watch some homes,
• 20:54
  Speaker 3: are you're not general.
• 20:57
  Speaker 2: My liking? Yeah, she's painted home.
• 21:05
  Speaker 3: Painted, eh, but an undramatic exit for a most dramatic lady.
• 21:20
  Speaker 2: Well homes. Now that you've tell Senora Violetti over to
• 21:23
  Speaker 2: the police, perhaps you tell me what made you certain.
• 21:26
  Speaker 4: That she was.
• 21:27
  Speaker 3: It was obvious from the beginning that a party was
• 21:29
  Speaker 3: strangled by someone with long fingernails the night on four
• 21:32
  Speaker 3: was killed at ruled him Mountains. Then who was the
• 21:34
  Speaker 3: woman with a motive and long nails? And I mentioned,
• 21:39
  Speaker 3: my dear fellow, was the woman falling Ollenstein? Know being
• 21:41
  Speaker 3: a conci pianist, her nails were naturally shot the sculptists
• 21:45
  Speaker 3: who worked in clay.
• 21:46
  Speaker 2: Again, no, that would make.
• 21:47
  Speaker 3: It impossible for her to mold her delicate figurines. Therefore, Signoletti,
• 21:52
  Speaker 3: by the process of elimination, was the only woman with
• 21:55
  Speaker 3: long nails.
• 21:56
  Speaker 2: Why did she stragle the Chinese actors too?
• 21:58
  Speaker 3: And doubted that he witnessed the first kill. The long
• 22:00
  Speaker 3: black hairs in the closet were from his cue, and
• 22:04
  Speaker 3: I presumed that later he threatens Senora Yalette, and so
• 22:07
  Speaker 3: he himself was strangled.
• 22:08
  Speaker 2: I still don't understand why she stangled up, partly in
• 22:11
  Speaker 2: the first place.
• 22:11
  Speaker 3: You want more, I think you'll find that been backmailing
• 22:14
  Speaker 3: her tool. Remember, he had documents incriminating everyone in the
• 22:17
  Speaker 3: house except her, and I think we may assume she
• 22:21
  Speaker 3: killed him and then removed her own papers from the
• 22:22
  Speaker 3: dispatch box.
• 22:23
  Speaker 5: But I know proof and so well.
• 22:25
  Speaker 3: I had to frighten her into confession.
• 22:27
  Speaker 2: So that's why you disguise yourself as I tung Fu.
• 22:30
  Speaker 3: Yes, I borrowed the robes from his room. Lucky that
• 22:33
  Speaker 3: the lights below as I entered. Yes, And it's also
• 22:37
  Speaker 3: fortunate that to the average European all Chinese look alike,
• 22:42
  Speaker 3: Alan Oh fraulein Urenstein, you were coming in to see
• 22:46
  Speaker 3: you in a few minutes.
• 22:48
  Speaker 6: So anxiously is everything all right?
• 22:50
  Speaker 3: Well from your point of view, my dear young lady,
• 22:53
  Speaker 3: there's nothing more for you to worry about.
• 22:55
  Speaker 2: Oh.
• 22:55
  Speaker 6: I would like to say you hair homes I I've.
• 22:58
  Speaker 5: Done it a little for you.
• 22:59
  Speaker 3: But if you really feel that you want me something,
• 23:02
  Speaker 3: perhaps justice once, you wouldn't mind accompanying an amateur. It
• 23:07
  Speaker 3: would be a pleasure. What did you wish me to
• 23:09
  Speaker 3: play in Mota matter? But of course ran that spent.
• 23:16
  Speaker 6: You like doctor.
• 23:19
  Speaker 2: Very much, very much. In fact, I might say he
• 23:25
  Speaker 2: is my favorite composer. Charming, perfectly charming. I only wish
• 23:42
  Speaker 2: that that all our adventures then, so melodiously tonight.
• 24:01
  Speaker 1: Sherlock Holm's Adventure is written by Dennis Green and Anthony Boucher,
• 24:04
  Speaker 1: and is based on an incident in the Sir Arthur
• 24:06
  Speaker 1: Conan Doyle story a case of identity. Mister Rathbone appears
• 24:09
  Speaker 1: to the courtesy of Metro Golden Mayor and mister Bruce
• 24:11
  Speaker 1: to the courtesy of Universal Pictures, where they are now
• 24:13
  Speaker 1: starring in the Sherlock Holmes series