Latest / The Bald Brothers Podcast / 63: Top 10 Hip Hop Logos | #TheBaldBrothersPodcast

Transcript

63: Top 10 Hip Hop Logos | #TheBaldBrothersPodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up y'all? Before you start, The Bob Brothers want
• 0:02
  Speaker 1: to let you know, Kevin on Stage and Friends is
• 0:04
  Speaker 1: airing live stream March twenty nine. Get your tickets Kevinstage
• 0:08
  Speaker 1: dot com.
• 0:09
  Speaker 2: Click the link.
• 0:10
  Speaker 1: You know how it works. We'll send you the link
• 0:11
  Speaker 1: the day of the show. You can watch it live
• 0:13
  Speaker 1: with friends or anytime after on Saturday Sunday. Support live comedy,
• 0:17
  Speaker 1: support black stand up comedians, and support the show. All right,
• 0:21
  Speaker 1: it's been only like less than thirty seconds. Here's the
• 0:23
  Speaker 1: Bob Brothers Podcast. See you next time. Get it shot,
• 0:26
  Speaker 1: getty shot.
• 0:29
  Speaker 3: Don't listen to me, man, I'm a job quitter.
• 0:32
  Speaker 2: All right, here we go.
• 0:35
  Speaker 1: Now holler if you feel me? Oh, now you feel
• 0:38
  Speaker 1: me blue? What up? Y'all? On the list for show?
• 0:44
  Speaker 1: This is the Bob Brothers Podcast. Me and Tony are
• 0:46
  Speaker 1: bad and we're like brothers. We're friends and we wanted
• 0:50
  Speaker 1: to do a podcast together. So we're doing it.
• 0:53
  Speaker 2: All right.
• 0:54
  Speaker 1: It's random and we don't want to hear about it.
• 0:59
  Speaker 1: We're trying to help y'all. Man, we want you to
• 1:00
  Speaker 1: have a good time. Today's first topic, we're gonna be ranking,
• 1:07
  Speaker 1: and I mean ranking.
• 1:08
  Speaker 3: Okay, Oh, in order in order I one number one.
• 1:12
  Speaker 1: Top ten hip hop logos. I know what number one
• 1:16
  Speaker 1: record label logos, not to be confused with with with
• 1:23
  Speaker 1: uh like clothing logos.
• 1:27
  Speaker 2: And this is eighties and nineties.
• 1:28
  Speaker 3: Eighties and nineties.
• 1:30
  Speaker 2: Okay, man, should we rank with you? We just do
• 1:33
  Speaker 2: top ten.
• 1:35
  Speaker 3: We can rank them no matter. I know what number
• 1:38
  Speaker 3: one is. Let be and.
• 1:39
  Speaker 1: Will be gonna belan baby, that's the most that's iconic.
• 1:45
  Speaker 2: I don't. I have no argument. The w tang.
• 1:49
  Speaker 1: Absolutely, I also drew that on my book cover. I
• 1:53
  Speaker 1: used to just draw it just all the time. I've
• 1:56
  Speaker 1: drawn that Wu tang w so many times. Sometimes I
• 1:59
  Speaker 1: got it, sometimes I got a good one. I was like,
• 2:02
  Speaker 1: this probably could be a tattooer me too.
• 2:04
  Speaker 4: Absolutely, I almost got the Wou tang tattoo. Really, it
• 2:07
  Speaker 4: wasn't gonna say Wu tang. I was gonna have that
• 2:09
  Speaker 4: W with my name in it. But I almost did
• 2:11
  Speaker 4: it just in the middle. Yeah, and I punked out.
• 2:15
  Speaker 4: But that to me is the ultimate hip hop logo.
• 2:20
  Speaker 1: Nah, no, no assument. I'm looking at it now and I
• 2:22
  Speaker 1: just remember I used to be the bird. Here you go.
• 2:24
  Speaker 1: The right wing is higher a little, yeah, the left
• 2:27
  Speaker 1: wing of the bird and then it comes down more
• 2:31
  Speaker 1: than you come around.
• 2:32
  Speaker 3: And they did, and it's got the sharp edge on
• 2:34
  Speaker 3: one of the sides. And they did it.
• 2:36
  Speaker 4: They incorporated each individual member with their own version of
• 2:39
  Speaker 4: the logo. So like methid Man, it was upside down.
• 2:43
  Speaker 4: So now that W becomes an M. So for method Man,
• 2:46
  Speaker 4: it was upside down. The jizza they turned it to
• 2:50
  Speaker 4: the side and added a little piece to it to
• 2:53
  Speaker 4: make it a G. Oh, the man was upside down.
• 2:57
  Speaker 4: That was his okay, and so uh iron Man, ghost
• 3:02
  Speaker 4: Face Killer had like a metal W, so everybody was
• 3:07
  Speaker 4: incorporating their own version of the W. Respected Deck had
• 3:11
  Speaker 4: a magnifying glass over his W. What's uh risids was
• 3:17
  Speaker 4: like a digital like a digital W because he was
• 3:21
  Speaker 4: he was doing Bobby Digital Man. His was like iron
• 3:26
  Speaker 4: His W was like yeah, it was like a silver
• 3:30
  Speaker 4: iron because he was an iron Man when he first
• 3:31
  Speaker 4: came out. So yeah, so the WO, I think I
• 3:35
  Speaker 4: think that's the ultimate hip hop logo.
• 3:38
  Speaker 1: Trying to see ghost faces. It keeps springing up. Ghost
• 3:41
  Speaker 1: Face from spream.
• 3:43
  Speaker 4: Iron Man, let me let me see ghost Face iron Man.
• 3:49
  Speaker 1: Logo ghost Face said was funny when first came out.
• 3:52
  Speaker 1: He said, who he said, you finding the man? He
• 3:55
  Speaker 1: tweeted it out him. Oh real, yeah, I was like,
• 3:57
  Speaker 1: this is great.
• 3:57
  Speaker 3: That's dope.
• 3:58
  Speaker 2: Oh I see it?
• 3:59
  Speaker 3: You see yeah?
• 4:00
  Speaker 2: Yeah, Oh that's dope.
• 4:01
  Speaker 1: I don't I'm not gonna I don't think anybody who's
• 4:03
  Speaker 1: watching this or listening to this is going to argue
• 4:05
  Speaker 1: that the Wu tang.
• 4:06
  Speaker 4: Yeah, that's the ultimate logo. Once you see it all
• 4:10
  Speaker 4: you you already know what it is. They don't even
• 4:12
  Speaker 4: have to have the routang planning there anymore, just the W.
• 4:15
  Speaker 1: It's like, absolutely all right, no arguments. And if we
• 4:19
  Speaker 1: were ranking them, I'm not gonna argue that. So what
• 4:22
  Speaker 1: you got next? I would say, Okay, now we're doing best,
• 4:27
  Speaker 1: we're doing most iconic?
• 4:29
  Speaker 2: How are we How are we ranking them? Now?
• 4:31
  Speaker 3: That's the thing are we doing? How are we doing it?
• 4:37
  Speaker 1: I should?
• 4:37
  Speaker 2: I feel like we should do most iconic?
• 4:39
  Speaker 3: Okay, so the W stand.
• 4:42
  Speaker 2: W stands for sure.
• 4:44
  Speaker 1: I feel like run DMC is a very iconic log right,
• 4:50
  Speaker 1: Run DMC is so simple and what they mean to
• 4:55
  Speaker 1: hip hop, it's it's a great logo. I'm looking at
• 4:58
  Speaker 1: it now, it's like it's also been redone a million times.
• 5:02
  Speaker 1: You know what I'm saying it's different shirts and all
• 5:04
  Speaker 1: that type of stuff. Uh yeah, run DEMC. I mean
• 5:09
  Speaker 1: there's some other ones that I'm like, are looking at too,
• 5:11
  Speaker 1: but I feel like run DMC got to make the
• 5:14
  Speaker 1: list and probably would be towards the top.
• 5:16
  Speaker 3: Yeah for sure, for sure, Run demn C.
• 5:21
  Speaker 2: Foe shall you're up tone?
• 5:23
  Speaker 4: All right, So we got Wu Tang, we got run DMC.
• 5:30
  Speaker 4: I'm gonna go with Public Enemy.
• 5:33
  Speaker 2: That's what the next one.
• 5:34
  Speaker 3: I was gonna say, the demand the target.
• 5:38
  Speaker 4: Yeah, that's a perfect visual representation of what Public Enemy
• 5:43
  Speaker 4: was about and what the name says.
• 5:47
  Speaker 2: They got it.
• 5:48
  Speaker 1: That might be up there with Wu Tang as far
• 5:51
  Speaker 1: as like this encompasses the music we make, because that's
• 5:54
  Speaker 1: all Public Enemy was.
• 5:56
  Speaker 2: That's what their music was about.
• 5:58
  Speaker 1: Wu Tang was all shouting thirty six chambers all that stuff.
• 6:01
  Speaker 1: It looked like it could be like a Conglue Dojo's crest.
• 6:05
  Speaker 1: Public Enemy got the same vibe about it. Sure along
• 6:11
  Speaker 1: that line, I'm gonna throw death row in there, okay,
• 6:13
  Speaker 1: because that logo literature that was a terrifying I was
• 6:17
  Speaker 1: like y'all went with.
• 6:18
  Speaker 3: It was so gritty and man like with the.
• 6:22
  Speaker 1: Man with the mask over in the chair.
• 6:24
  Speaker 3: Yeah, I was like, dang, matched the record label for sure.
• 6:33
  Speaker 1: Like that's what I'm saying, that's all I'm looking at
• 6:35
  Speaker 1: it now. I'm like, y'all really jumped out there with
• 6:37
  Speaker 1: the with the wildness. Yeah, it's gonna be tough to on.
• 6:41
  Speaker 1: I'm telling you right now I'm looking at the other
• 6:43
  Speaker 1: We only got six left.
• 6:44
  Speaker 3: Dang, I gotta put is it my turn again?
• 6:49
  Speaker 2: Your turn?
• 6:50
  Speaker 3: Nature?
• 6:52
  Speaker 2: Same?
• 6:52
  Speaker 4: Naughty by nature man, that's not by nature man. They
• 6:55
  Speaker 4: were selling the merch they was selling them. Let you
• 6:58
  Speaker 4: know it was hidden.
• 7:00
  Speaker 1: I know I did a flipping that churchy by next year.
• 7:02
  Speaker 3: So well, see that's naughty about nature, symbol and merch. Five.
• 7:08
  Speaker 1: Okay, now I'm gonna say, man, I don't know, Tom,
• 7:12
  Speaker 1: we might be just moving around. Okay, Dang, she's talking
• 7:20
  Speaker 1: about iconic. I'm gonna still say this. I don't know
• 7:24
  Speaker 1: how you feel Cash Money Records logo.
• 7:28
  Speaker 3: Over No Limit Tank. The No Limit Tank is more iconic.
• 7:34
  Speaker 1: I feel like the cash Money logo is just so
• 7:36
  Speaker 1: perfectly for the Cash Money recording the two thousand.
• 7:44
  Speaker 4: I would say the Tank is more visually iconic. Lash
• 7:48
  Speaker 4: Money is the better label.
• 7:51
  Speaker 2: Yeah, yeah, but let me, look at the limit.
• 7:53
  Speaker 3: The no Limit tank though hit different. They had the
• 7:58
  Speaker 3: tank in the video. They had an actual tank. Said
• 8:06
  Speaker 3: it is limit tank.
• 8:08
  Speaker 1: But okay, let me just pause us for a second,
• 8:10
  Speaker 1: because we only got were running out of spots. We
• 8:13
  Speaker 1: run out of spots. We need to be we got
• 8:15
  Speaker 1: real estate. Because you still have death Jam, which is
• 8:18
  Speaker 1: not like a visually interesting logo in that sense, but
• 8:23
  Speaker 1: death Jam is a very iconic logo. You got bad Boy,
• 8:28
  Speaker 1: you got Rockefeller, you know you still got cash money,
• 8:34
  Speaker 1: and you got outcasts. That's one of my personal favorite logos.
• 8:40
  Speaker 1: But I don't think a lot of people know that,
• 8:42
  Speaker 1: like recognize it. And you have bad Boy.
• 8:46
  Speaker 2: And you have n w A.
• 8:48
  Speaker 3: Onyx has a fire logo.
• 8:50
  Speaker 1: I feel like n w A has to go in there.
• 8:55
  Speaker 2: That's why I feel like.
• 8:55
  Speaker 4: It's the red letters right yeah, but yeah, but yeah,
• 9:00
  Speaker 4: n w A should be there.
• 9:01
  Speaker 1: It has to be. That's why I feel like we
• 9:03
  Speaker 1: might be n w A should be there. I don't
• 9:06
  Speaker 1: know what we are deciding.
• 9:07
  Speaker 3: Gonna trave called question is iconic too.
• 9:10
  Speaker 1: I like their logo as well. Let me pull this
• 9:15
  Speaker 1: one up the head. I'm sorry, y'all, I'm looking down
• 9:16
  Speaker 1: because no Limit tank got to go up in there,
• 9:19
  Speaker 1: you think for sure, absolutely no matter what.
• 9:22
  Speaker 3: No limit what no limit did, we gotta get n
• 9:27
  Speaker 3: W in there. We gotta get the no limit tank.
• 9:32
  Speaker 1: You also got to you know that bad boy what
• 9:34
  Speaker 1: they did? So so death had the fro but so
• 9:38
  Speaker 1: so deaf and the fro and I was living in
• 9:40
  Speaker 1: the South at that time. Social depth, that's what I'm
• 9:43
  Speaker 1: saying we got. And the Rough Riders logo logo is
• 9:46
  Speaker 1: hard too, and that's easily memorial. That's what I'm saying.
• 9:49
  Speaker 1: That's seven. We only got five spots. We know we're
• 9:52
  Speaker 1: not taking Wu Tang off.
• 9:53
  Speaker 3: That is a lot Tang public in a stands run DMC.
• 9:59
  Speaker 1: Is it that you think so?
• 10:01
  Speaker 3: Yeah? Because people remix that so many times.
• 10:07
  Speaker 1: Are you standing on death row? Not by nature thinking
• 10:13
  Speaker 1: of what's on the outside to because what you're gonna
• 10:16
  Speaker 1: leave out? The only one I'm for sure on is
• 10:19
  Speaker 1: Wu Tang public enemy and death bro.
• 10:26
  Speaker 2: I could say, run DMC could come off.
• 10:29
  Speaker 1: Oh man, me could come off.
• 10:33
  Speaker 3: Run DMC.
• 10:34
  Speaker 4: That's a top tier logo and a fund that people
• 10:37
  Speaker 4: remix all the time.
• 10:39
  Speaker 2: The funt I do agree, that's a great merch.
• 10:42
  Speaker 3: Run DMC, right, there.
• 10:43
  Speaker 1: It just represents Oh yeah, I could say anything.
• 10:47
  Speaker 3: It just represents hip hop.
• 10:49
  Speaker 1: It does represent hip hop? Does the Death Jam logo
• 10:52
  Speaker 1: represent hip hop?
• 10:53
  Speaker 4: It the n w aed To Got a great Low
• 10:59
  Speaker 4: Boys Got a good too, Delicious Vinyl.
• 11:03
  Speaker 2: I like that logo Actually like Nazis.
• 11:05
  Speaker 1: Logo, so I love the way nas encompasses him. It's
• 11:10
  Speaker 1: got the like five percenter, you know what I'm saying.
• 11:13
  Speaker 1: What he was on at that Na's logo is fire.
• 11:17
  Speaker 1: My personal I get the outcast. I just really liked
• 11:19
  Speaker 1: the Outcasts and it's Larry Atlanta, you know what I'm saying.
• 11:23
  Speaker 2: But we only got room for two.
• 11:24
  Speaker 1: Five, So we we gotta look at this too. We
• 11:28
  Speaker 1: need to define what we are defining it by. Is
• 11:31
  Speaker 1: it recognizability? Is it what it means a hip hop?
• 11:34
  Speaker 1: Is it aesthetically is it the graphic design? Is it
• 11:36
  Speaker 1: how well it encompasses what's talking about? Because I feel
• 11:39
  Speaker 1: like your logos are going to differ based on the qualifications,
• 11:45
  Speaker 1: because I feel like a lot of these really encompass
• 11:47
  Speaker 1: the group or label really well. Like the Bad Boys
• 11:50
  Speaker 1: logo is iconic, but I don't necessarily love.
• 11:52
  Speaker 2: That as a logo.
• 11:54
  Speaker 1: It's just like, oh, yeah, bad boy, but it's not
• 11:57
  Speaker 1: like Public Enemy where it's like that is a great
• 11:59
  Speaker 1: graphic design for that group, and like the graphic design,
• 12:03
  Speaker 1: the music, the group, like all of that fits within
• 12:07
  Speaker 1: the Public Enemy logo.
• 12:08
  Speaker 3: When you see it, so so many things flood you.
• 12:11
  Speaker 1: Yeah, Woo Tang is just such an original iconic logo
• 12:15
  Speaker 1: that it could be. It could be shot out of
• 12:17
  Speaker 1: the bats.
• 12:17
  Speaker 3: When I saw that logo, I had to wear it.
• 12:20
  Speaker 1: Yeah, take it fifteen, y'all. We gotta keep it hard, right,
• 12:24
  Speaker 1: we gotta we gotta stick to Team Wu Tang logo.
• 12:28
  Speaker 3: It's yeah, I had to wear it.
• 12:31
  Speaker 1: Remember, and they were selling the Jackets T shirt was
• 12:34
  Speaker 1: the knockoff stuff. I was all in the merch sales.
• 12:38
  Speaker 1: Is U is partly because of how good the logo is. Yeah,
• 12:42
  Speaker 1: but I feel like.
• 12:43
  Speaker 3: That's why I'm put Naughty by Nature in the mix,
• 12:44
  Speaker 3: because they were selling that merch. They were selling that
• 12:47
  Speaker 3: merch and they was wearing it and rocking it.
• 12:49
  Speaker 1: Absolutely. The rock a Feller logo m because the Rock
• 12:53
  Speaker 1: of Wear was good. But I feel like the Rough
• 12:55
  Speaker 1: Riders if you're gonna go, are the Rough Riders logo
• 12:57
  Speaker 1: because they were new and fresh account it was more impact. Yeah,
• 13:03
  Speaker 1: MC boys, really that just that the way it's written.
• 13:06
  Speaker 3: Besty boys is fire.
• 13:08
  Speaker 1: E p m D is good e pm D, but
• 13:11
  Speaker 1: see e pm D looks like a version of the
• 13:13
  Speaker 1: run DMC fine, which is what you were saying.
• 13:17
  Speaker 3: I really like the Onyx logo a lot.
• 13:20
  Speaker 2: Yeah, me too.
• 13:20
  Speaker 1: I love that Onyx logo. Salt and Pepper got a
• 13:25
  Speaker 1: good one to. We're gonna pick the five. Now stand, okay,
• 13:29
  Speaker 1: make sure you standing. We know you stand on wu tang.
• 13:31
  Speaker 3: I'm standing on the five that we got. I can't
• 13:34
  Speaker 3: get rid of you.
• 13:35
  Speaker 1: Lock them in, yeah, public enemy. You locked in death row,
• 13:37
  Speaker 1: death row. You locked in death row, locked in not
• 13:41
  Speaker 1: by nature, you're standing in there. Yeah, all right, so
• 13:43
  Speaker 1: we got how about we talk about the let's figure
• 13:46
  Speaker 1: out the seven that we're gonna try to turn into five.
• 13:51
  Speaker 1: What are the contenders for the other five? So the continents,
• 13:53
  Speaker 1: we say, no limit, no limit is in there. You
• 13:56
  Speaker 1: you want cash money, I'm.
• 13:58
  Speaker 2: Gonna throw cash money in there if I can sneak
• 14:00
  Speaker 2: them in.
• 14:01
  Speaker 3: Uh. We said, n w A.
• 14:03
  Speaker 2: And w A gotta be talked about.
• 14:06
  Speaker 1: You got bad boys, boy, and you got so so deaf,
• 14:10
  Speaker 1: so so deaf. That's already that's fine, And then we
• 14:16
  Speaker 1: said even the Fuji s logo. I really like the
• 14:19
  Speaker 1: Fuji's logos fire. Oh, you got the outcast logo and
• 14:23
  Speaker 1: you got the rough Riders.
• 14:24
  Speaker 3: Are SAPs hell ain't no punk either.
• 14:27
  Speaker 2: Yeah, like there's two has a good logo.
• 14:32
  Speaker 3: Pepper has a great logo, big pun.
• 14:36
  Speaker 1: You gotta throw something Pepper at least in the discussion for.
• 14:38
  Speaker 3: The Fire feel me and Nah's logos.
• 14:44
  Speaker 1: Fire, Okay, of these, I feel like.
• 14:51
  Speaker 3: UGK got a good one too.
• 14:54
  Speaker 2: N w A.
• 14:54
  Speaker 1: This is gonna be tough to convince me that's not
• 14:56
  Speaker 1: top ten because of how big they were. That fund
• 15:02
  Speaker 1: also has been used a lot, and it also almost
• 15:05
  Speaker 1: represents a region as well, you know what I'm saying.
• 15:08
  Speaker 1: So I feel like if you have the top ten
• 15:09
  Speaker 1: logos and you see n w A, nobody's gonna be like,
• 15:11
  Speaker 1: what's in w A doing in there?
• 15:13
  Speaker 2: Logo and iconic?
• 15:15
  Speaker 1: So n w A, you feel good, all right?
• 15:18
  Speaker 3: Throw up in there?
• 15:19
  Speaker 2: So we only got four left. N w as off.
• 15:26
  Speaker 3: Man.
• 15:26
  Speaker 1: I really like the Social Death so much.
• 15:30
  Speaker 3: Social deaf is Fire. So so Deaf is Fire.
• 15:35
  Speaker 1: Social Deaf is such a it's such an interesting way.
• 15:39
  Speaker 1: It encompasses the South their music. They also was showing.
• 15:43
  Speaker 2: That logo a lot.
• 15:44
  Speaker 3: They were like they were.
• 15:46
  Speaker 1: So so Death logo was everywhere, and I feel like
• 15:50
  Speaker 1: we ain't really got nothing in the South either, and
• 15:53
  Speaker 1: the South.
• 15:53
  Speaker 3: No Limits Tank is coming. That No Limit Tank is
• 15:58
  Speaker 3: making this.
• 15:58
  Speaker 1: I love No Limit? So do you what you social different?
• 16:01
  Speaker 3: No Limit? We can't get both in it.
• 16:05
  Speaker 2: But I mean, if you had to choose one, if.
• 16:07
  Speaker 3: I had to choose one, I'm going the Tank over
• 16:10
  Speaker 3: so Death because the Tank just represented also it also
• 16:16
  Speaker 3: represented I mean, it's black excellence for sure on the
• 16:19
  Speaker 3: social deft side, but the tank represented black independent excellence
• 16:26
  Speaker 3: on a true independent tip.
• 16:28
  Speaker 2: And they was cranking out.
• 16:30
  Speaker 4: They would crank. The stuff Master P was doing was crazy.
• 16:34
  Speaker 4: I still feel like so so there was still working
• 16:36
  Speaker 4: under the umbrella of white record labels in corporate America.
• 16:40
  Speaker 3: But No Limit what No Limit? We got both?
• 16:45
  Speaker 4: They're both visually iconic, but No Limit represented something else.
• 16:50
  Speaker 4: It was just like, yo, we can do this ship ourselves.
• 16:53
  Speaker 1: And boom, And I love that logo too.
• 16:59
  Speaker 3: Yeah, Task Money not gonna make it.
• 17:01
  Speaker 2: I feeling like I feel like just of what's left.
• 17:04
  Speaker 1: Cash Money is playing still about his cash money.
• 17:09
  Speaker 3: Yeah, I mean yeah, and the way.
• 17:11
  Speaker 1: It fit in with the dollar sign. Baby, it was
• 17:13
  Speaker 1: to the point it's basic. Three more left and we
• 17:16
  Speaker 1: still got cash money. Bad Boys, Social Death, Outcast, rough Rider,
• 17:20
  Speaker 1: Salt and Pepper.
• 17:22
  Speaker 3: Let's get that rough Riders in there.
• 17:23
  Speaker 1: I was gonna say, I love the rough Shark.
• 17:28
  Speaker 3: Sorry, man, let's get that the hell up in there.
• 17:31
  Speaker 1: It's motorcycles, it's biker club. The people was getting the
• 17:36
  Speaker 1: r rough Riders. Rough Riders got to stay.
• 17:40
  Speaker 3: It was gritty, it was dope, it was fresh, it
• 17:42
  Speaker 3: was clean. I like that Rough Riders.
• 17:45
  Speaker 1: We didn't even say Rockefeller, what what that look like?
• 17:49
  Speaker 4: I'm thinking of rock aware what the Rockefeller logo look like.
• 17:52
  Speaker 4: It's just it's just rock and Feller spelled out right.
• 17:55
  Speaker 2: Let me see, because I think I might be thinking.
• 17:58
  Speaker 3: I'm thinking of the rocking where you know, clothing r W.
• 18:05
  Speaker 3: That's what's in my brain because I'm insaying in my brain,
• 18:10
  Speaker 3: old you a little non doing Google.
• 18:14
  Speaker 1: Oh no, Tom Rockefeller's got a good logo. I don't
• 18:18
  Speaker 1: know if it's top ten, but it's good.
• 18:20
  Speaker 4: Oh yeah, the record with the r oh yeah, that's.
• 18:24
  Speaker 3: A good one. That is a good logo.
• 18:26
  Speaker 1: Pissn't we gotta throw it in the conversation?
• 18:29
  Speaker 3: Man? Yeah, Rockefeller got a good logo.
• 18:31
  Speaker 1: That is that kind of feels like jay Z either
• 18:34
  Speaker 1: businessman or a business man.
• 18:36
  Speaker 3: That's a good logo.
• 18:37
  Speaker 1: That's a good logo.
• 18:39
  Speaker 2: Piss, But we only have two more?
• 18:42
  Speaker 3: We got two more? Who we got lifting?
• 18:45
  Speaker 1: We got cash Money, bad Boys, Social Depth, Outcast, Salt
• 18:49
  Speaker 1: and Pepper Rockefeller. Somebody said bone thugs. I can't readily
• 18:53
  Speaker 1: identify their logo.
• 18:54
  Speaker 3: What logo they have? Sugar heel gang?
• 19:00
  Speaker 2: Oh that fine is for show?
• 19:03
  Speaker 3: Oh the bone find is fire?
• 19:06
  Speaker 1: Mmm. I don't think it's top ten though, And I
• 19:11
  Speaker 1: like Bone but I'm sorry Kansia. If you're listening, you know,
• 19:17
  Speaker 1: Trip called Quest is also a good logo.
• 19:19
  Speaker 3: We love Trap call Quest. Just just that.
• 19:23
  Speaker 1: Man, it's so timely too. I love the trip call
• 19:26
  Speaker 1: quiest logo. And and the chick too, the red.
• 19:32
  Speaker 3: Green and the green red and black woman. Who that's fire?
• 19:39
  Speaker 2: Is it top?
• 19:40
  Speaker 1: There's two more cash Money, bad Boys, Soco, deth Outcast,
• 19:44
  Speaker 1: Salt and Pepper Rockefeller, Trip call Quest for two logos,
• 19:50
  Speaker 1: it might be easy to eliminate something before he choose
• 19:53
  Speaker 1: the final I feel like cash money ain't strong enough.
• 19:55
  Speaker 3: Cash money can get a body. Catch money guy cast money.
• 20:02
  Speaker 3: So you was like playing get him in the Hello.
• 20:08
  Speaker 1: Yeah, we got Salt pepper Man.
• 20:11
  Speaker 2: Name of the two?
• 20:12
  Speaker 1: You you probably even though I really like the way
• 20:15
  Speaker 1: it looks, Yeah, are you going?
• 20:19
  Speaker 2: Outcasts?
• 20:19
  Speaker 1: Gonna be iconic enough for the final two?
• 20:22
  Speaker 3: I love that logo though. That logo is fire.
• 20:25
  Speaker 2: I feel like social deaf is in the conversation.
• 20:27
  Speaker 3: It is social deff should not be eliminated just yet.
• 20:30
  Speaker 1: Okay, so we got bad boys gonna be tough out
• 20:34
  Speaker 1: Rockefeller Drive call quest. If it was me, I would
• 20:37
  Speaker 1: go social deaf and bad boy.
• 20:40
  Speaker 3: Let me look at the bad boy logo.
• 20:42
  Speaker 2: Yeah, a little angry baby with the with the backwards.
• 20:46
  Speaker 3: That bad boy logo is iconic.
• 20:48
  Speaker 1: That's what I'm saying. SoCal deaf is too. Also, I
• 20:52
  Speaker 1: try to sell someone with outcast logo, people couldn't recognize it.
• 20:55
  Speaker 3: Okay, So we take our cast off.
• 20:57
  Speaker 1: People, and I knew, how y'all don't know this people?
• 21:00
  Speaker 1: I didn't even know that was outcast. And I was
• 21:01
  Speaker 1: like something, That's what I'm saying. People knew not by nature? Yeah,
• 21:08
  Speaker 1: they recognized running him so easy. Yeah, so we got
• 21:12
  Speaker 1: Bad Boys, Social Deaf Rockefeller trip call quest, I'm.
• 21:16
  Speaker 2: Going so so deaf.
• 21:18
  Speaker 1: I love that logo.
• 21:20
  Speaker 3: I'm not mad at it. And the tatame I had it,
• 21:23
  Speaker 3: I'm not mad at it. The Brad Brad God.
• 21:28
  Speaker 2: I thought she was the most beautiful one.
• 21:30
  Speaker 1: She's still very pretty, yeah, but as a I thought
• 21:32
  Speaker 1: she was also so different and cool, like she had the.
• 21:34
  Speaker 2: Braids, she was rapping.
• 21:36
  Speaker 1: I didn't know, you know what I'm saying much about it,
• 21:38
  Speaker 1: but I was like, she's the first female rapper to
• 21:41
  Speaker 1: go platinum? What she she was?
• 21:45
  Speaker 4: After Funk the Five came out ninety four, Little Kim
• 21:48
  Speaker 4: was like ninety six, ninety seven.
• 21:53
  Speaker 3: Yeah, so Funk the Five.
• 21:54
  Speaker 2: Was the first Man with my Mind.
• 21:56
  Speaker 3: Yeah, the first platinum album by female MC.
• 21:59
  Speaker 1: You know what? Because that Okay, that was when I
• 22:01
  Speaker 1: was ten eleven. I was going to Atlanta for the summers.
• 22:03
  Speaker 1: Ninety six. I was thirteen, so I live in North Carolina.
• 22:05
  Speaker 1: That's when I remember Little Kim because that poster came
• 22:07
  Speaker 1: out and she had that.
• 22:10
  Speaker 2: Dang. I thought that. I thought the years were closer though.
• 22:14
  Speaker 1: All right, we got one more on Social diffens out,
• 22:16
  Speaker 1: so we got bad Boy Rockefeller Tribe call Quests. Okay,
• 22:22
  Speaker 1: here's my problem. Bad Boy's iconic. Give you that. I
• 22:27
  Speaker 1: feel like a Trip called Quest perfectly exemplifies that group.
• 22:31
  Speaker 3: Absolutely.
• 22:33
  Speaker 1: It just is, and it's they're so important to hip
• 22:35
  Speaker 1: hop and that's a very recognizable thing. It's kind of
• 22:40
  Speaker 1: like Keeth Herring type clothing.
• 22:42
  Speaker 3: Oh yeah, keep hearing.
• 22:45
  Speaker 1: Yeah, Rockefeller logo is dope. But if it didn't make
• 22:50
  Speaker 1: the top ten, I wouldn't be like, ain't no Rockefeller.
• 22:54
  Speaker 4: I feel like they kind of forced it on us
• 22:56
  Speaker 4: to the chain. You're right with the Rock and Feller chain.
• 23:00
  Speaker 1: I feel like the Rock of Wear logo might be
• 23:02
  Speaker 1: more iconic. To be honest, I feel like the because
• 23:05
  Speaker 1: they sell so many, so so many clothes, that might
• 23:08
  Speaker 1: be bigger than the Rock A Feller. We both had
• 23:10
  Speaker 1: to look it up. The top nine.
• 23:12
  Speaker 3: I had to look it up.
• 23:13
  Speaker 1: The top nine come to your mind. You don't I
• 23:16
  Speaker 1: say tripcal Quest, You automatically these nine.
• 23:19
  Speaker 2: You can see those.
• 23:22
  Speaker 1: Feller. So it's basically tripcal Quest or bad Boy.
• 23:32
  Speaker 3: A part of me wants to be like a tribe.
• 23:37
  Speaker 2: You're leaning towards bad Boy.
• 23:38
  Speaker 4: I'm leaning towards bad Boy just because we have to
• 23:43
  Speaker 4: give credence to how often you see it on the product.
• 23:50
  Speaker 4: Since it represented the record label, we were seeing the
• 23:53
  Speaker 4: bad Boy more often than we were with the tribe.
• 23:57
  Speaker 3: So I'm gonna go with bad Boy on the ten.
• 23:59
  Speaker 3: I'm going this is our love tribe.
• 24:01
  Speaker 2: I'm with you.
• 24:02
  Speaker 1: It's tough ten hip hop logos number one. We're not
• 24:07
  Speaker 1: in ranking. It was hard enough to get to right,
• 24:10
  Speaker 1: WU Tang Run DMC, Public Enemy, Death Bro, Naughty by Nature,
• 24:16
  Speaker 1: n w A, No Limit, Rough Riders, So So Deaf,
• 24:20
  Speaker 1: bad Boy, honorable mentioned tribe called Quests, Rockefella and cash
• 24:26
  Speaker 1: Money even though Tony hates them. And Louisiana Rap and
• 24:29
  Speaker 1: I put the tank on the.
• 24:30
  Speaker 2: You did you did?
• 24:31
  Speaker 3: That's Louisian projects, all right?
• 24:34
  Speaker 1: Next up for this episode, we're with episode five.
• 24:39
  Speaker 3: Yeah, we get the mount Rushmore of Nix.
• 24:43
  Speaker 1: Mount Rushmore of ninety sick. Huh.
• 24:47
  Speaker 4: So are we doing we He's doing our own like
• 24:49
  Speaker 4: that we did the desserts or is this we just
• 24:52
  Speaker 4: pick it full.
• 24:54
  Speaker 1: I feel like let's keep it tough. Since we're doing tough.
• 24:57
  Speaker 1: This is the quinn essential four.
• 25:02
  Speaker 3: That's ninety sitcoms of ninety sitcoms.
• 25:06
  Speaker 1: Well, I feel like it's really hard because Martin and
• 25:08
  Speaker 1: Fresh Prince they're already taking them. You can't take the
• 25:11
  Speaker 1: rest is up to y'all.
• 25:13
  Speaker 4: Martin and Fresh Prince are already taking them to slides.
• 25:16
  Speaker 4: That's Abraham Lincoln and George Washington already.
• 25:19
  Speaker 1: Sure, rest is up to y'all. We can we can
• 25:22
  Speaker 1: debate about, but we would scrap and I'll claw and
• 25:25
  Speaker 1: buy it if you're telling me either of those.
• 25:27
  Speaker 2: Don't go on.
• 25:28
  Speaker 3: Yeah, those those two are on.
• 25:29
  Speaker 1: It, and I spent the most time. And also those
• 25:31
  Speaker 1: hold up as far as like I can watch those.
• 25:34
  Speaker 1: I feel like the storylines week Yeah, storylines and Fresh
• 25:38
  Speaker 1: Princes are way better. But the comedy Martin was a
• 25:42
  Speaker 1: comedy forward show. I feel like the storylines often were
• 25:46
  Speaker 1: just a vehicle to let Martin trying to.
• 25:47
  Speaker 3: Get Martin to wild out right here, right now.
• 25:50
  Speaker 2: And I signed up for this.
• 25:52
  Speaker 3: I miss shows like that.
• 25:54
  Speaker 1: Just Jamie Fox. Jamie Fox show. They was just like
• 25:57
  Speaker 1: I miss Jamie in positions to be funny and.
• 26:00
  Speaker 3: We're not just talking black, we're just talking ninety. Yeah.
• 26:03
  Speaker 2: Well I was gonna say nineties. Oh no, I didn't.
• 26:06
  Speaker 3: I meant black, Oh you meant black?
• 26:08
  Speaker 2: Yeah?
• 26:08
  Speaker 3: Oh okay, this makes it easier. Yeah, because I was
• 26:11
  Speaker 3: damn sure about Seinfeld on my.
• 26:13
  Speaker 2: Mouth definitely meant black.
• 26:15
  Speaker 1: I don't know if you can do my restaurant if
• 26:16
  Speaker 1: it's all nineties, because I have strong feelings about perfect strangers.
• 26:20
  Speaker 3: All used to love that Full House.
• 26:22
  Speaker 1: I used to love it ran Full House, probably right
• 26:26
  Speaker 1: up under Martin Fresh Prince, and maybe Living Singles was cracking.
• 26:30
  Speaker 4: What you gotta dude, The Seinfeld is like my favorite
• 26:34
  Speaker 4: TV comedy.
• 26:35
  Speaker 3: Everybody knows that.
• 26:36
  Speaker 1: But so just black, Just Black. So we got Martin
• 26:40
  Speaker 1: Fresh Prince. So now I feel like, man, this is tough.
• 26:44
  Speaker 3: All right, So let's run there. Let me run.
• 26:45
  Speaker 4: I'm gonna run down the ninety sixcoms from my from
• 26:48
  Speaker 4: my own.
• 26:50
  Speaker 2: Let's get this.
• 26:51
  Speaker 3: Living Single mm hmm. We got Moesha yep, Family Matters, Yep,
• 26:57
  Speaker 3: we got Rock. Oh. I love Rock.
• 27:02
  Speaker 4: I love Rock as well. You get the drama, you
• 27:06
  Speaker 4: get the comedy. It was fine.
• 27:07
  Speaker 1: He grabbed Clifton Powell and he caught him by his
• 27:11
  Speaker 1: real name. That's how messed up Clifton Power.
• 27:14
  Speaker 3: Because they were.
• 27:15
  Speaker 1: Doing live shows. They was innovative on the camera back. Yes,
• 27:19
  Speaker 1: I didn't know the set was that small man. But
• 27:21
  Speaker 1: Clinton Power was like, I think his name, what's his
• 27:22
  Speaker 1: real name, Charles Charles, Yeah, he said Charles.
• 27:25
  Speaker 3: Yeah, we're staying in character. We locking in Rock was
• 27:31
  Speaker 3: beautiful Ella Joyce Man, Ella Joe.
• 27:34
  Speaker 4: I was watching the movie with Jalil White in it.
• 27:38
  Speaker 4: Who made the potatoes sound? I watched that recently and
• 27:41
  Speaker 4: she was in and I was like, yo, she was fine.
• 27:43
  Speaker 1: Then she reminds me of the lights girl off of
• 27:47
  Speaker 1: Family Matters who passed? Oh, the one that likes Steve
• 27:51
  Speaker 1: Man said, Steve, you is and Nord You know I'm
• 27:55
  Speaker 1: a big fan of was tripping. I said, Steve, you
• 27:58
  Speaker 1: gotta get it together, thief or gripping right now?
• 28:03
  Speaker 3: Ripping?
• 28:04
  Speaker 2: You focused too much.
• 28:05
  Speaker 3: Myro was Moro was crushing but the hard ones with
• 28:12
  Speaker 3: the hard ones. But for me, like tamp, she was
• 28:15
  Speaker 3: on his neck.
• 28:17
  Speaker 1: Cosby Shows started in the eighties. I believe it started
• 28:20
  Speaker 1: in the eighties.
• 28:20
  Speaker 3: It doesn't count Cosby Show was out because it started
• 28:23
  Speaker 3: in the eighties. Two to seven, Amen, these are eighties.
• 28:26
  Speaker 2: We'll do an eighties sitcom.
• 28:27
  Speaker 4: Yeah, they bled over into the nineties. We're talking when
• 28:31
  Speaker 4: you started in the nineties. So we got Sister's sister,
• 28:34
  Speaker 4: we got the Jamie Fox Show, we got the Wayne's Brothers,
• 28:38
  Speaker 4: we got Homeboys in out of Space.
• 28:42
  Speaker 3: About that.
• 28:43
  Speaker 1: Because I was so young, I was like, Okay, let's dude,
• 28:47
  Speaker 1: had Ron, you had flex.
• 28:49
  Speaker 2: Yeah, it was you can't make that show today.
• 28:52
  Speaker 3: Absolutely not.
• 28:53
  Speaker 2: There was.
• 28:54
  Speaker 1: There was green screen.
• 28:56
  Speaker 2: They was on a that was wild in the High.
• 29:00
  Speaker 1: In the House, Kim Wayne's Yep, we got so was
• 29:06
  Speaker 1: that everything.
• 29:07
  Speaker 3: That's pretty much yet. I think that's the nineties.
• 29:09
  Speaker 1: It's gonna be the It's gonna probably make the top list. Okay,
• 29:13
  Speaker 1: multiple season show, Smart Guy, hanging with mister Cooper.
• 29:17
  Speaker 2: Then you got Steve Harvey Show too, the.
• 29:19
  Speaker 1: Steve Harvey Show, you got Me and the Boys, you
• 29:21
  Speaker 1: got THEA. I loved the Fine was in that too.
• 29:26
  Speaker 2: Brandy was in THEA.
• 29:27
  Speaker 3: She wasn't the Jason Weaver was in there.
• 29:29
  Speaker 2: Jason.
• 29:30
  Speaker 1: We were in front of the park Uh.
• 29:33
  Speaker 3: One on one. One on One was in two thousands.
• 29:37
  Speaker 3: The Parkers was in two thousands, nty. It was either
• 29:40
  Speaker 3: the late nineties or parent hood not the parent trap.
• 29:43
  Speaker 3: My brother and me, the.
• 29:45
  Speaker 2: Parkers that couldn't started in the nineties, couldn't.
• 29:48
  Speaker 1: I thought it started in two thousand, two thousand. I'm
• 29:50
  Speaker 1: being honest with you, I hated this show.
• 29:53
  Speaker 2: I wasn't.
• 29:53
  Speaker 3: I hated the park.
• 29:54
  Speaker 1: Show talking in two thousand and four, y'all, oh man, yo,
• 29:58
  Speaker 1: I just I think about the Parkers. They was running
• 30:01
  Speaker 1: the same type of like joke structure as like Martin's. Like,
• 30:05
  Speaker 1: first of all, Martin talking about Pam, I was just like,
• 30:08
  Speaker 1: I'm gonna laugh because y'all the camaraderie, but none of
• 30:11
  Speaker 1: these jokes are landing.
• 30:11
  Speaker 2: That's true to me. Pam was fine to me, the
• 30:16
  Speaker 2: jokes were.
• 30:16
  Speaker 3: Still Fullam was like, but no, that's just not true.
• 30:20
  Speaker 3: Like with the with the with the Red Fox and honest,
• 30:23
  Speaker 3: we was like, all right, no disrespect. But you know
• 30:29
  Speaker 3: when Fred Sam used to go and I was like,
• 30:32
  Speaker 3: all right, I see where you're coming from. Fred. But
• 30:37
  Speaker 3: with Pam, Pam too cute for this, We're not buying it.
• 30:43
  Speaker 1: They were. Her and Jina were like, but Pam, she
• 30:47
  Speaker 1: used to make some faces that was too Oh.
• 30:49
  Speaker 3: Yeah, she can take it. She can change the face.
• 30:52
  Speaker 1: And she they I love that they gave her strong
• 30:54
  Speaker 1: jokes too. She would be getting Martin. He probably got
• 30:57
  Speaker 1: the better.
• 30:57
  Speaker 3: Of her, but she got her hanging in there.
• 31:00
  Speaker 1: She got hers off. She also has consistently been. She
• 31:03
  Speaker 1: didn't in three network sitcom she was a fantastic and
• 31:08
  Speaker 1: everybody hates Cris for me, you know, that's like one
• 31:11
  Speaker 1: of those popular shows ever in Brazil. Really, people in
• 31:13
  Speaker 1: Brazil apparently they get like b Lewis saying, they get
• 31:15
  Speaker 1: them black shows.
• 31:16
  Speaker 2: They get all shows later.
• 31:18
  Speaker 1: But Brazil, Brazil is the second largest population of black
• 31:22
  Speaker 1: people in the world outside of Nigeria, so they really
• 31:24
  Speaker 1: love black shows. Apparently everybody hates Chris is like the
• 31:27
  Speaker 1: cult classes. I love this Brazil. She's funny, but she
• 31:30
  Speaker 1: had Martin syndication. Everybody hates Chris syndication. And in the
• 31:34
  Speaker 1: neighborhoods it's closing in on syndication. They haven't hit one
• 31:37
  Speaker 1: hundred episodes.
• 31:38
  Speaker 2: They're closed.
• 31:39
  Speaker 4: They did they did, Yeah, they are like one hundred
• 31:41
  Speaker 4: and five three shows.
• 31:46
  Speaker 2: Bruh, and what most people be happy with one?
• 31:48
  Speaker 3: Right? She got three three three show? All right?
• 31:52
  Speaker 1: So okay, So Malcolm and Eddie was really funny.
• 31:56
  Speaker 3: Two more slots. I'm giving the third slot delivering.
• 31:59
  Speaker 1: I was just about to say that, yeah, said there's
• 32:02
  Speaker 1: so many, but I watched that show pretty I don't
• 32:07
  Speaker 1: think I missed an episode, and it will I thought
• 32:09
  Speaker 1: every Woman was beautiful. I thought, first of all, Quinn
• 32:12
  Speaker 1: Teva has looked like that. Eric Alexander was so funny. Yeah,
• 32:16
  Speaker 1: beautiful too. Regime Kim Coles and Sinclair.
• 32:20
  Speaker 3: Cansling was perfect.
• 32:21
  Speaker 1: It was great, great, had a great job with it.
• 32:24
  Speaker 1: Did for instance, this stole a great, great show. Fantastic idea.
• 32:30
  Speaker 1: We appreciate y'all. We're not even gonna wait until yours ends.
• 32:33
  Speaker 1: We're gonna start out.
• 32:35
  Speaker 3: Doing now living single. You got a great black thing
• 32:38
  Speaker 3: going there. We're taking this ship. We're taking it the NBC.
• 32:43
  Speaker 1: I think I just started rand me watching that. Also,
• 32:45
  Speaker 1: Girlfriends of the ninety sitcom it.
• 32:47
  Speaker 3: Started in the nineties. You sure, No, I'm not.
• 32:51
  Speaker 1: I think that started in two thousands. Probably might be
• 32:54
  Speaker 1: around the time that Blackish. Also the ninety six Come
• 32:57
  Speaker 1: No Girlfriend started two thousand and eight.
• 33:01
  Speaker 3: Yeah, man, I was like, hold on god, wait, it
• 33:03
  Speaker 3: didn't start that late. Wow, Wait, no, that's the final episode?
• 33:15
  Speaker 2: Oh my bad?
• 33:16
  Speaker 1: Two thousand Okay, So I was not that far off.
• 33:19
  Speaker 1: It wasn't far off, okay, but it was just like
• 33:21
  Speaker 1: the cosmic show. Wait, so when the when the Parkers
• 33:24
  Speaker 1: check that again?
• 33:25
  Speaker 2: Was that the final episode?
• 33:26
  Speaker 3: Yeah?
• 33:26
  Speaker 1: Because you might have looked at the final I did.
• 33:30
  Speaker 1: I didn't realize nineteen ninety nine was the first episode
• 33:33
  Speaker 1: the Parkers.
• 33:34
  Speaker 3: So Parkers is nineties.
• 33:35
  Speaker 1: But then maybe it's like the Cosmby Show. It started
• 33:39
  Speaker 1: in the eighties, led in the nineties. Parker started in
• 33:41
  Speaker 1: the ninety nine, but almost all of it was in
• 33:43
  Speaker 1: the two thousands.
• 33:43
  Speaker 3: Oh so okay, yeah, it.
• 33:45
  Speaker 1: Wouldn't make it anyway now my now on my mom
• 33:47
  Speaker 1: b the OGIV thing, I was like, monicuets fat and
• 33:51
  Speaker 1: Kim is dumb just like man.
• 33:53
  Speaker 2: I don't like it.
• 33:55
  Speaker 3: Joke.
• 33:55
  Speaker 1: So we're not including oh girlfriends in two thousand. Okay,
• 33:59
  Speaker 1: so we got one. Yeah for me, if I'm being honest,
• 34:03
  Speaker 1: and I'm sorry to the other shows, it's The Wayne's
• 34:05
  Speaker 1: Brothers or Jamie Fox Show for me as far as
• 34:08
  Speaker 1: like what I personally enjoyed the most.
• 34:14
  Speaker 2: So hard because I love both of those shows.
• 34:20
  Speaker 3: Yeah, we're taking our personal feelings out of this.
• 34:23
  Speaker 1: You don't have to I.
• 34:26
  Speaker 4: Out of those two, I prefer The Wayne's Brothers over
• 34:31
  Speaker 4: the Jamie Fox Show. I prefer Jamie Fox and a
• 34:34
  Speaker 4: big and a big reason for that is I hated
• 34:42
  Speaker 4: the Jamie Fox Show intro.
• 34:46
  Speaker 1: You what.
• 34:47
  Speaker 3: I love that. Yeah, get here. I got in front
• 34:52
  Speaker 3: of the cartoon background he did this.
• 34:55
  Speaker 2: I was like the.
• 34:57
  Speaker 1: Things you get mad at and that you sticked. You
• 35:00
  Speaker 1: always crashed open the intro Michael Jackson and the shiki
• 35:04
  Speaker 1: tucked into the you can't see nothing else.
• 35:07
  Speaker 3: I hate how cheesy that intro was. The wad galy
• 35:12
  Speaker 3: hair round the fast background. Then he and the drop
• 35:16
  Speaker 3: top convertible all fake. The drop top convertible, y'all, but
• 35:22
  Speaker 3: this is my intro.
• 35:23
  Speaker 4: It's like watching it come on and I'm just like,
• 35:28
  Speaker 4: I don't have no beef with the song, just the visuals.
• 35:31
  Speaker 1: It was.
• 35:33
  Speaker 4: It was like watch over to the cartoon Martin coming
• 35:36
  Speaker 4: out of mar I'm the man. He came out of
• 35:39
  Speaker 4: the TV with that big ass hair like. I didn't
• 35:42
  Speaker 4: like it. I didn't like it. I was like, oh, man,
• 35:48
  Speaker 4: Wayne's brothers had a much better intro.
• 35:51
  Speaker 1: That's one of the best theme songs of all time.
• 35:54
  Speaker 1: It's on there like parody the intro and we're singing
• 35:57
  Speaker 1: that color. You'd be a high fived and print the
• 36:01
  Speaker 1: first one.
• 36:01
  Speaker 4: And even when they remixed it later that that don't
• 36:04
  Speaker 4: Don't don't that was fired too.
• 36:06
  Speaker 2: No argument, but to me that don't matter.
• 36:10
  Speaker 4: Oh yeah, yeah, I'm just being I'm being nitpicky. But
• 36:13
  Speaker 4: it was just like I couldn't get past. So I've
• 36:16
  Speaker 4: seen more Wayne's Brothers episodes than I have with the
• 36:19
  Speaker 4: Jamie Fox Show. I feel like the Jamie Fox Show
• 36:22
  Speaker 4: cast is strong, yeah, with Braxton, with Garrett Morris with
• 36:26
  Speaker 4: his aunt with with fancy great cast, But I also
• 36:32
  Speaker 4: feel like the Wayne's Brothers cast with Pops and uh uh.
• 36:38
  Speaker 1: Yept like the Wayne's brother The Wayne's Brothers and the
• 36:43
  Speaker 1: Jamie Fox Show is the same as the Martin and
• 36:46
  Speaker 1: the Fresh Prince issue. Wayne's Brothers is like, we're gonna
• 36:50
  Speaker 1: make you laugh every time. Who cares the story can
• 36:54
  Speaker 1: be like, because we're here to be funny.
• 36:56
  Speaker 4: We're gonna let Marlon wild out, We're gonna let Sean
• 37:00
  Speaker 4: do the quips.
• 37:02
  Speaker 1: Yes, and Pop's also gonna come up with the outfits,
• 37:06
  Speaker 1: with the one liners, with the funny stuff. So three
• 37:09
  Speaker 1: of the four of those main castors here for the funny.
• 37:13
  Speaker 1: Jamie was carrying a lot of the heavy lifting on
• 37:17
  Speaker 1: the funny him and and Braxton that that back and forth.
• 37:21
  Speaker 2: But like fancy Uncle Junr, I mean his name is
• 37:24
  Speaker 2: uncle Junr. That show, but he is Uncle Jr. And
• 37:26
  Speaker 2: the mom.
• 37:27
  Speaker 1: They're just vehicles to get the story going.
• 37:31
  Speaker 3: Man, Dang, I'm leaning Waynes Brothers.
• 37:40
  Speaker 1: I'm leaning towards the Jamie Fox show. So here what
• 37:43
  Speaker 1: we're gonna do, Patreon, y'all gonna decide of these two
• 37:46
  Speaker 1: what should make the list? Just put the Wayne's or
• 37:51
  Speaker 1: or Fox because I'm not gonna argue either way that
• 37:56
  Speaker 1: I love both of them. Lean towards but we'll see.
• 37:59
  Speaker 1: We'll take a vote Jamie Fox because we got Fox, Fox, Waynes, Fox, Wayns, Fox,
• 38:05
  Speaker 1: Fox Fox Fox Fox Waynes, Fox Fox Waynes, Fox Fox Waynes,
• 38:11
  Speaker 1: Fox Fox Wayns.
• 38:13
  Speaker 2: I think it's more Foxes. Yeah, I can't choose.
• 38:18
  Speaker 1: Go to your head now.
• 38:20
  Speaker 3: I think I'm seeing Wayns is getting thick again.
• 38:24
  Speaker 1: About sixty five to thirty five, maybe sixty forty. It's
• 38:27
  Speaker 1: not a blowout, no, because whever you see three Fox
• 38:30
  Speaker 1: and you see four man, this Fox also has an emoji,
• 38:33
  Speaker 1: so your mind can pick that up easily. True.
• 38:36
  Speaker 2: The Wayns ain't got no emoji.
• 38:38
  Speaker 3: Damn. This is tough.
• 38:39
  Speaker 1: This is closer than fifty five forty five.
• 38:42
  Speaker 3: Damn, this is a tough one something y'all said both
• 38:46
  Speaker 3: on the.
• 38:47
  Speaker 1: Line, we're gonna have to split the mountain. We're gonna
• 38:50
  Speaker 1: have to split the mountain. Put a little jemy, little
• 38:52
  Speaker 1: little wayings, okay, because.
• 38:53
  Speaker 3: We couldn't fast on the mountain Rushmore.
• 38:55
  Speaker 1: Yeah, they couldn't even separate it in the in the Patriarchs.
• 38:59
  Speaker 3: So we were doing wayns Fox.
• 39:01
  Speaker 2: Wayne's Fox show.
• 39:02
  Speaker 1: We'll get because the Wayne's didn't get the end of
• 39:04
  Speaker 1: their season anyway, so we just will split it. We
• 39:07
  Speaker 1: don't usually do that, but this one is it's kind
• 39:10
  Speaker 1: of all right. We appreciate y'all. Uh. That was the
• 39:14
  Speaker 1: second thing, right, yeah, yeah, yeah, all right. This has
• 39:17
  Speaker 1: been the Bob Brothers podcast. Watch it on YouTube wherever
• 39:19
  Speaker 1: you get your podcasts. We'll see you next week.
• 39:21
  Speaker 3: Boom.
• 39:22
  Speaker 1: All right, we'll