Latest / Stuff Mom Never Told You / Spoiled Saturdays: Across the Spider-Verse
Transcript
- 0:05Speaker 1: Hey, this is Annie and I'm welcome to Steffan Never
- 0:07Speaker 1: Told You production of iHeartRadio, and welcome to another edition
- 0:21Speaker 1: of Spoiled Saturdays.
- 0:22Speaker 2: Yeah, but we've only.
- 0:24Speaker 1: Done one of these. It's been a minute since we've
- 0:26Speaker 1: done two. Okay, we've definitely done something that was like
- 0:31Speaker 1: in the realm of Spoiled Saturdays. I don't know if
- 0:33Speaker 1: we'd called it that yet. Yeah, but yeah, I'm excited.
- 0:39Speaker 1: I'm excited. But yes, as the titles suggest, spoilers, massive spoilers,
- 0:44Speaker 1: everything spoiled. So if you don't want to be spoiled
- 0:47Speaker 1: on the new Spider Verse movie, go away, come back,
- 0:51Speaker 1: go live alone, people, come on, yeah, come on. As
- 0:54Speaker 1: I was doing this, I realized we never did the
- 0:57Speaker 1: first one. We kind of talked about it in the
- 1:02Speaker 1: No we never did it. We talked about it briefly
- 1:05Speaker 1: in our superhero themed holiday feminist movies around the world
- 1:09Speaker 1: where we did like Batman and Iron Man three Expider first.
- 1:15Speaker 2: Oh yeah, I know, because we need to come back
- 1:18Speaker 2: to it then we should.
- 1:19Speaker 1: I have so many thoughts on that. As I was
- 1:22Speaker 1: doing this, I had such a glorious moment of it's
- 1:26Speaker 1: so nice when you just know something so well that
- 1:29Speaker 1: I'm just writing from the heart right, I don't want to.
- 1:34Speaker 2: When we were talking about doing it, I was like,
- 1:36Speaker 2: this is gonna be an easy one for you.
- 1:37Speaker 1: Just go for it. The hard part was condensing it,
- 1:41Speaker 1: to be honest, but I tried my best.
- 1:44Speaker 2: Yes, which listeners, he does have a little little warning
- 1:48Speaker 2: of side note, keep it brief us joly Annie.
- 1:52Speaker 1: For myself, I wrote it in there, don't do it
- 1:55Speaker 1: and speaking of because I wanted to go into all
- 1:59Speaker 1: these tangents about like the animation and the technology involved.
- 2:03Speaker 1: That's not really this podcast, but I did do that
- 2:07Speaker 1: on Movie Crush when I did an episode on the
- 2:09Speaker 1: first one where I really went in. So if you
- 2:13Speaker 1: want to listen to that, I would recommend it. It's
- 2:15Speaker 1: very nerdy. I'm talking about like the Kirby Dots and
- 2:18Speaker 1: the Kirby Crackle and all this stuff. It's great, but
- 2:22Speaker 1: to say, like new technologies have been invented to make
- 2:25Speaker 1: these movies. They have an R and D department to
- 2:28Speaker 1: make these movies, so really cool stuff. This one has
- 2:33Speaker 1: been very successful, It has very been very critically acclaimed.
- 2:36Speaker 1: It made more money and it's opening weeks than the
- 2:38Speaker 1: first one did all together. So it's doing well. And yes,
- 2:43Speaker 1: as Samantha and I were discussing right before, there are
- 2:46Speaker 1: two different versions of this movie in theaters. Essentially what
- 2:50Speaker 1: happened was there was kind of a complaint about some
- 2:52Speaker 1: of the audios, so they fixed some of the audio,
- 2:55Speaker 1: and then there's about twenty very small differences in between
- 2:59Speaker 1: the two of them. So that's just if you want
- 3:02Speaker 1: to look it up. There's some guidelines of the differences,
- 3:05Speaker 1: so you can be like, oh, here we go, that's
- 3:07Speaker 1: the version I watch. Yes, so I'm going to do
- 3:14Speaker 1: a rundown of this plot because it's kind of it's
- 3:17Speaker 1: a lot. I feel like I'll just it'll be easier
- 3:20Speaker 1: if I just go to just go, just go, okay.
- 3:24Speaker 1: So Spider Man Across the Spider Verse is the twenty
- 3:27Speaker 1: twenty three sequel of the critically acclaimed twenty eighteen Spider
- 3:31Speaker 1: Man Into the Spider Verse, both written and produced by
- 3:33Speaker 1: Phil Lord and Christopher Miller. Both of these films are
- 3:37Speaker 1: unique in their animation styles. They have two D, they
- 3:40Speaker 1: have three D, they have stop motion, different frame rates,
- 3:43Speaker 1: bright colors, and just a lot of different stylistic animations
- 3:48Speaker 1: like noir, anime, punk, and colors that make them very
- 3:52Speaker 1: very beautiful. It is like watching a living comic book.
- 3:55Speaker 1: So in the first movie, which yes, I will keep
- 3:59Speaker 1: this brief, Ayles Morales discovers a multiverse of alternate universes
- 4:03Speaker 1: and their respective Spider People and not even people. Always
- 4:07Speaker 1: with their help, he learns to accept his role as
- 4:10Speaker 1: Spider Man after the death of Peter Parker in his universe,
- 4:14Speaker 1: along the way learning his uncle Aaron is the Prowler
- 4:17Speaker 1: who is a villain, and he gets killed by King Pinn,
- 4:21Speaker 1: while also strengthening his relationship with his father, who is
- 4:24Speaker 1: a police officer. All of the other Spider People are
- 4:27Speaker 1: returned to their own universes. The second one picks up
- 4:31Speaker 1: pretty much right where that one ended, though it starts
- 4:35Speaker 1: with Spider Woman slash Gwen Stacy's POV and going a
- 4:41Speaker 1: bit more in depth into her backstory of how she
- 4:44Speaker 1: Spider Woman, was blamed for the death of her best
- 4:47Speaker 1: friend and only friend, Peter Parker, something that has made
- 4:51Speaker 1: her really closed off and has driven a wedge in
- 4:53Speaker 1: her relationship with her police chief father, who is determined
- 4:57Speaker 1: to catch Spider Woman and bring her to Jess This
- 5:00Speaker 1: not knowing it's Quinn and kind of not understanding why
- 5:02Speaker 1: Gwinn doesn't want him to do it. After the events
- 5:07Speaker 1: of the first film, she missus Miles, who is the
- 5:10Speaker 1: first friend she'd made after the death of Peter. While
- 5:14Speaker 1: investigating a disturbance, she sees a sort of Italian Renaissance
- 5:17Speaker 1: version of the Vulture. And by the way, the song
- 5:20Speaker 1: on the soundtrack is called Vulture gets Culture because it
- 5:24Speaker 1: happens at a museum and I love it anyway. And
- 5:28Speaker 1: he's glitching, indicating that he is from another universe. They fight,
- 5:33Speaker 1: and soon Miguel O'Hara slash Spider Man twenty ninety nine
- 5:37Speaker 1: shows up from his universe to aid her, and he
- 5:41Speaker 1: was introduced as an Easter egg in the end credits
- 5:45Speaker 1: of the first one. Actually, he also shows up with
- 5:48Speaker 1: another Spider woman, Jess Drew, and together they are able
- 5:52Speaker 1: to subdue Vulture. Gwynn reveals her true identity to her
- 5:57Speaker 1: father and he tries to arrest her, hurt when accepts
- 6:00Speaker 1: Miguel's very reluctant offer to join the Spider Society and
- 6:04Speaker 1: escapes into a portal with him and Jess. So basically
- 6:08Speaker 1: he's implying he's having to grow and clean up their
- 6:11Speaker 1: mess that they created by trying to fix this collider
- 6:16Speaker 1: multiverse problem, and he's not happy about it and he
- 6:19Speaker 1: doesn't want her in the society, but Jess is like, no, no,
- 6:21Speaker 1: I think we should have her in. Meanwhile, Miles is
- 6:25Speaker 1: struggling to balance his responsibilities as Spider Man with those
- 6:28Speaker 1: of his family and academic life as it comes time
- 6:31Speaker 1: for college applications, especially when his family doesn't want him
- 6:34Speaker 1: to leave Brooklyn. He also imagines telling them about his
- 6:38Speaker 1: identity as Spider Man that he holds himself back, even
- 6:41Speaker 1: as his parents suspect he is lying to them, and
- 6:44Speaker 1: he misses Gwinn too. He also does not have much
- 6:48Speaker 1: in the way of friends, so he keeps mentioning these
- 6:50Speaker 1: friends like Quinn, and his parents are like, why haven't
- 6:52Speaker 1: we never met Quinn and he's like, oh well. He
- 6:57Speaker 1: encounters what he calls a bad guy of the week
- 7:00Speaker 1: called the Spots. I'm just going to call him Spot
- 7:03Speaker 1: throughout this, but it's the Spot who after the accident
- 7:07Speaker 1: with all the alternate universes at the company he worked for,
- 7:10Speaker 1: alchem X, from the first one, he has these interdimensional
- 7:14Speaker 1: spots and portals on his body. He blames Miles for
- 7:17Speaker 1: what happened to him and reveals that he transported the
- 7:20Speaker 1: spider that bit Miles from another dimension Earth forty two.
- 7:25Speaker 1: Spot learns how to travel through universes using his spots
- 7:28Speaker 1: and decides to increase his power to become more than
- 7:31Speaker 1: a bad guy of the week. Gwinn and Miles reunite,
- 7:36Speaker 1: and he follows her and learns she's been tracking Spot
- 7:39Speaker 1: through dimensions. Es tells Gwen to leave Miles behind, but
- 7:42Speaker 1: Miles jumps in the portal after Gwyn, taking them to
- 7:46Speaker 1: Mumbatan on Earth fifty one oh one, Mumbatan being Mumbai
- 7:51Speaker 1: in Manhattan mixed together. They join forces with that universe
- 7:55Speaker 1: of Spider Man, Paveteer Prabakar and Hobie Brown Spider Punk
- 8:02Speaker 1: as you might know him, to take on Spot, who
- 8:05Speaker 1: is draining that universe's collider to increase his power. Spot escapes,
- 8:10Speaker 1: but he leaves Miles with this vision of the death
- 8:13Speaker 1: of his father, Jeff, who had just been promoted to
- 8:15Speaker 1: police captain. While Pavetier is saving his girlfriend, he sees
- 8:20Speaker 1: her father, the police captain, in danger, but is unable
- 8:24Speaker 1: to get to him in time without dropping his girlfriend,
- 8:27Speaker 1: so Miles saves him instead, but Mumbaton starts to collapse
- 8:32Speaker 1: because Miles has disrupted a quote canon event. While some
- 8:36Speaker 1: Spider People come to do damage control, Gwynn, Hoby and
- 8:40Speaker 1: Miles go to the Society's headquarters on Miguel's world, Earth
- 8:44Speaker 1: nine two eight, and it's this huge complex with hundreds
- 8:47Speaker 1: of Spider people. Okay, so brief aside. I know, I
- 8:52Speaker 1: probably don't have to explain this because I've talked about
- 8:54Speaker 1: it a million times on here, but cannon is something
- 8:58Speaker 1: that is produced when accepted authentic author and in something
- 9:03Speaker 1: like Marvel, it's even more than that. It is the
- 9:05Speaker 1: current accepted properties storylines, works that are accepted as the
- 9:11Speaker 1: quote real ongoing story as decided by whoever owns the property.
- 9:16Speaker 1: In this case, it would be Marvel slash Disney, i e.
- 9:20Speaker 1: Anything not canon would be something like Legends, which is
- 9:23Speaker 1: what it's called in Star Wars and no longer has
- 9:26Speaker 1: any impact on the current canon, though a lot of
- 9:29Speaker 1: crossover can be had there, which is very confusing, very
- 9:33Speaker 1: very confusing. There is also head canon, which is like
- 9:38Speaker 1: your own personal idea of what happened, and you keep
- 9:43Speaker 1: it to yourself, but that's just in your head. That's
- 9:46Speaker 1: how it went and then there's fanin, which is like
- 9:48Speaker 1: when a bunch of head canons come together and make fanin.
- 9:52Speaker 1: And that can be confusing because you think you hear
- 9:54Speaker 1: it all the time because fans believe it. You think
- 9:57Speaker 1: that it's canon, but it's fanin.
- 10:02Speaker 2: That's a whole TikTok trend.
- 10:03Speaker 1: Now I know what to make mistakes.
- 10:06Speaker 2: It's essentially I think when people make mistakes or do
- 10:08Speaker 2: something that's so common, but it's like they're gonna have
- 10:11Speaker 2: to learn for themselves, it's just cannon. It took me
- 10:16Speaker 2: a long time to be like what, Yeah.
- 10:19Speaker 1: I kept seeing headlines about it. I assumed it was
- 10:21Speaker 1: something like very silly, like this is my canon event
- 10:24Speaker 1: and you stubbed a toe or something, but I know,
- 10:26Speaker 1: I don't know.
- 10:27Speaker 2: It's essentially like every person, every fandom or every group
- 10:30Speaker 2: of like growing into this age or doing this. I
- 10:33Speaker 2: guess it could be like when I say my niece
- 10:35Speaker 2: is gonna come to Atlanta, she'll learn for herself and
- 10:38Speaker 2: then become more liberated. I guess in that way liberal
- 10:43Speaker 2: Uh huh, that's like that's canon.
- 10:46Speaker 1: That way interesting? All right, well, listeners, let me know,
- 10:50Speaker 1: because I yeah, I.
- 10:51Speaker 2: Was, I think that's what I assumed.
- 10:54Speaker 1: Well, that's what it seems. You can have a lot
- 10:55Speaker 1: of fun with it. I'll say that. So in this
- 10:59Speaker 1: case of this movie, a cannon event would be something
- 11:02Speaker 1: that has to happen, Yes, because it is cannon. So
- 11:06Speaker 1: Miles is reunited with his mentor, Peter B. Parker and
- 11:10Speaker 1: introduced to his daughter may Day or May, who Peter
- 11:13Speaker 1: had in part because he wanted to raise a child
- 11:16Speaker 1: like Miles. Miguel informs Miles that every Spider Man has
- 11:21Speaker 1: a cannon event that cannot be changed without wrecking reality,
- 11:25Speaker 1: usually the death of a loved one. After a tragedy
- 11:28Speaker 1: in his own universe, Miguel attempted to replace another version
- 11:31Speaker 1: of himself who is happy, but it led to that
- 11:35Speaker 1: universe to collapse, and he did care about that version
- 11:38Speaker 1: of his family, but they all kind of got wiped out.
- 11:42Speaker 1: Miles realizes that his cannon event is coming in two days,
- 11:46Speaker 1: the murder of his father by Spot. He tries to
- 11:49Speaker 1: escape to change it, but Miguel imprisons him. Later, Hoby
- 11:53Speaker 1: helps break him out before jumping away in a portal,
- 11:56Speaker 1: quitting the society. He's a very like fight the System,
- 11:59Speaker 1: fight the man. I'm done and they have these handy
- 12:05Speaker 1: dandy wristband portal jumping things, which is the gizmo from
- 12:10Speaker 1: the end credits of the first one. Miguel orders all
- 12:13Speaker 1: Spider People to stop Miles, resulting in a hectic chase
- 12:18Speaker 1: or He tells Miles that he is a mistake, that
- 12:21Speaker 1: without him his realities Peter Parker would still be alive,
- 12:24Speaker 1: and that Spider was never supposed to bite him and
- 12:28Speaker 1: the reality the Spider came from doesn't have a Spider Man.
- 12:33Speaker 1: So Miles manages to get back to the quote Get
- 12:37Speaker 1: Home Machine with the help of Spider Bite also known
- 12:41Speaker 1: as Margo, and this is a machine that uses DNA
- 12:44Speaker 1: to send people to their home dimension. He returns to
- 12:48Speaker 1: his home dimension after realizing that Gwen and Peter b
- 12:51Speaker 1: knew about all of this, and he feels very betrayed
- 12:53Speaker 1: by that. He reveals that he is Spider Man to
- 12:56Speaker 1: his mom, but she doesn't know who he's talking about,
- 13:01Speaker 1: and then Uncle Aaron arrives and Miles realizes he is
- 13:05Speaker 1: in the wrong reality. The reality of the Spider that
- 13:08Speaker 1: bit him was from this reality and it is the
- 13:11Speaker 1: one that has no Spider Man, so you can like
- 13:13Speaker 1: see chaos outside. Aaron Surprise attacks Miles, and when Miles
- 13:18Speaker 1: wakes up, he's tied to a punching bag, which, by
- 13:20Speaker 1: the way, is a running joke about Spider Man being
- 13:22Speaker 1: a punching bag, and he learns in this universe, Aaron
- 13:26Speaker 1: isn't the Prowler Miles is. Meanwhile, Miguel kicks Gwyn out
- 13:31Speaker 1: of the Spider Society and she returns to her universe
- 13:34Speaker 1: to learn that her father quit his job. They reconcile
- 13:37Speaker 1: and he gives her the Portal Watch thing. I'm sure
- 13:41Speaker 1: there's official name, but you know that Hobie left for her.
- 13:46Speaker 1: She uses it to go to Miles's universe, intending to
- 13:49Speaker 1: help him, only to learn he's not there. A team
- 13:53Speaker 1: from the Society are there too, Miguel and Jess and
- 13:56Speaker 1: Scarlet Spider, who's like the really angsty emo. Spider Man
- 14:00Speaker 1: puts together a team to help Miles, including Peter B Spider, Noir,
- 14:05Speaker 1: Spider Ham, Pabetier, Hobie, Margo, and may Day. And that's
- 14:09Speaker 1: how it ends. Cliffhanger, So in this alternate universe, his
- 14:25Speaker 1: dad Miles, his dad is dead and Aaron has survived.
- 14:28Speaker 1: But that brings me to one of the things that,
- 14:30Speaker 1: of course kept popping up in my feed. The creators
- 14:32Speaker 1: have said this is their version of the Empire strikes Back.
- 14:36Speaker 1: It has the vision of losing a loved one, but
- 14:38Speaker 1: it's inverted because it's so it's sort of like the
- 14:42Speaker 1: reveal at the end is that, oh, I'm the villain
- 14:46Speaker 1: and oh my dad is dead. Instead of Impire strikes Back,
- 14:49Speaker 1: the reveal is, oh, my dad's the villain and he's alive.
- 14:53Speaker 1: Oh yeah. But it has a bunch of like if again,
- 14:56Speaker 1: if I was left to my drothers, as the cool
- 14:58Speaker 1: people say, I would just go in to that and
- 15:01Speaker 1: talk about hilarities. And the difference is but one person
- 15:07Speaker 1: pointed out, is actually more like Matrix Reloaded, because you
- 15:11Speaker 1: get to the end of Matrix Reloaded and you realize, like,
- 15:14Speaker 1: this whole time, you thought you were fighting to do
- 15:16Speaker 1: the right thing and do good, and there's this whole
- 15:18Speaker 1: system in place that is keeping you from changing anything.
- 15:22Speaker 1: So I thought that was interesting. There's also a big ah.
- 15:28Speaker 1: I don't know if it's theory is the right word,
- 15:30Speaker 1: but a lot of people have pointed out that in
- 15:32Speaker 1: the first one, when Miles and Spider Man first interact,
- 15:38Speaker 1: Spider Man has like the red blue like Spider tingle
- 15:41Speaker 1: things happening, and Miles has purple and green and they
- 15:45Speaker 1: kind of have like this headache moment. And some people
- 15:48Speaker 1: have said he was supposed to be that world's Prowler
- 15:52Speaker 1: because of the Spider from the other universe. Things went
- 15:57Speaker 1: to differently.
- 15:59Speaker 2: Like when Uncle and dies he becomes the new Prowler.
- 16:01Speaker 2: Is that what it's supposed to be.
- 16:03Speaker 1: It's supposed to be. Yeah, like he was because he
- 16:05Speaker 1: loved to sell Claren. Yeah, I was following in his footsteps,
- 16:08Speaker 1: really wanted to do it. They haven't. I don't think
- 16:11Speaker 1: the creators have said if they meant to do it
- 16:13Speaker 1: or not, but it feels very They don't usually put
- 16:17Speaker 1: anything in these movies without it meaning something, so which
- 16:23Speaker 1: leads us too the discussion. One of the big things
- 16:27Speaker 1: people have talked about is whether or not there's a
- 16:30Speaker 1: trans character in this movie. And so the reason people
- 16:36Speaker 1: are talking about that is because quote, the film subtly
- 16:42Speaker 1: integrates additional affirmation for the transgender community, and Spider Gwynn,
- 16:46Speaker 1: voiced by Hailey Steinfeld, prominently displaying pink and blue hues
- 16:49Speaker 1: symbolic of the transgender flag, while her father's police uniform
- 16:53Speaker 1: briefly reveals a badge adorned with the trans flag. And
- 16:58Speaker 1: so in Gwyn's world, it's very it's watercolor based. The
- 17:02Speaker 1: colors are representative of her emotions and how she feels
- 17:06Speaker 1: at that moment, and most often they are the colors
- 17:11Speaker 1: of the trans flag, and the artists clearly know what
- 17:14Speaker 1: those colors are if they have a trans flag featured
- 17:16Speaker 1: in two different instances in her world. So the art
- 17:21Speaker 1: styles in these movies are very specific to each character
- 17:25Speaker 1: and they are meant to communicate something about that character.
- 17:28Speaker 1: Here's a quote from one of the creators about the
- 17:30Speaker 1: futuristic slash blade runner style that they use for Miguel's world.
- 17:35Speaker 1: And you can see the lines on Miguel like the
- 17:37Speaker 1: pencil is unfinished. It's kind of a cruel joke on Miguel,
- 17:41Speaker 1: who's essentially asserting that the future is written, but the
- 17:43Speaker 1: image is constantly undermining his argument and saying, in fact,
- 17:47Speaker 1: the future is not completely fleshed out. And here's a
- 17:50Speaker 1: quote from Vox. Devotees have pointed out that the Spider
- 17:54Speaker 1: Woman is literally Eg has a trans flag in her room,
- 17:58Speaker 1: and symbolically EG the experiences the allegory of coming out
- 18:02Speaker 1: depicted as a trans ally, if not trans herself. Gwenn's
- 18:06Speaker 1: possible transness and even her allyship is a big deal.
- 18:10Speaker 2: So from fan the green Casey quote, trans and even
- 18:14Speaker 2: SYS fans have every right to say Gwen Stacy is trans,
- 18:18Speaker 2: even if the movies never outright confirm it. We can't
- 18:21Speaker 2: deny that it's been hinted at. The fact is, if
- 18:24Speaker 2: she can make somebody feel represented, who are you to
- 18:27Speaker 2: tell them they're wrong. Fans also noticed that Gwenn's father,
- 18:31Speaker 2: policeman George Stacy, has a transgender flag that he wears
- 18:35Speaker 2: on his uniform. That's notable for a couple of reasons.
- 18:38Speaker 2: One of those is that in the real world, trans
- 18:41Speaker 2: activists have said that trans people, especially black transgender people,
- 18:45Speaker 2: often face discrimination from law enforcement. Said discrimination is a
- 18:50Speaker 2: huge reason why trans people don't feel comfortable asking police
- 18:54Speaker 2: for help.
- 18:55Speaker 1: Yes, and you see him wearing the flag after he
- 18:59Speaker 1: accepts her identity a spider woman and believes her because
- 19:02Speaker 1: she's continually telling him this and he doesn't leave her,
- 19:05Speaker 1: indicating that he is an ally and some speculate that
- 19:08Speaker 1: he would only be an ally in the context of
- 19:11Speaker 1: Gwenn's potential of being trans if he had a trans
- 19:14Speaker 1: family member, then it made me happy because the Mark
- 19:18Speaker 1: Hamill gift is going around again of when he says,
- 19:23Speaker 1: if you believe Luke Skywalker is gay, he's gay. Yes,
- 19:28Speaker 1: but that brings us to the question why not do
- 19:30Speaker 1: it outright? Countries censor LGBTQ plus content and studios know it,
- 19:35Speaker 1: and they are studios are primarily profit driven. Again, they
- 19:39Speaker 1: are not allies. That's what we talked about in our
- 19:41Speaker 1: recent episode about what's happening and a bunch of a
- 19:45Speaker 1: bunch of these companies in the US, even with this
- 19:47Speaker 1: small mention, like I didn't even notice it the first
- 19:50Speaker 1: time this movie has been banned in two countries. And yeah,
- 19:54Speaker 1: that's what we talked about. With what's going on with
- 19:56Speaker 1: Target and bud Light facing backlash. It's not an excuse
- 20:01Speaker 1: at all, but that is what they're thinking. And I
- 20:05Speaker 1: will note the creators have kind of flat out said
- 20:08Speaker 1: that the studio metals they're kind of big sneaky about it,
- 20:17Speaker 1: but basically they were fired from Solo. Oh. I don't
- 20:20Speaker 1: know if you know that, but anyway, they were, and
- 20:22Speaker 1: they have said about that. I always remember the original
- 20:24Speaker 1: trilogy were independent movies. Yeah, something else before we move
- 20:31Speaker 1: on from Gwen Stacy Gwinn Stacy. It's kind of infamous
- 20:39Speaker 1: for an example of fridging. It's not just that, but
- 20:44Speaker 1: in Spider Man to the Amazing Spider Man two there's
- 20:47Speaker 1: that kind of like slow mow fall that she has.
- 20:51Speaker 1: But that's based on the night Gwen Stacy died, which
- 20:55Speaker 1: is this very well known comic and when it came out,
- 21:01Speaker 1: people were shocked and Marvel received death threats because she
- 21:04Speaker 1: was a popular character. People loved her, and she died
- 21:09Speaker 1: because it was implied, it was very dark. It was
- 21:12Speaker 1: a like stark turn for their normal storytelling because the
- 21:17Speaker 1: implication was maybe he had killed her from the whiplash
- 21:21Speaker 1: of catching her and that's how she died. But it
- 21:24Speaker 1: started this whole thing called Gwen Stacy syndrome because because
- 21:33Speaker 1: that was it was such a popular plotline. Even though
- 21:36Speaker 1: people were pissed about it and they were heard about
- 21:37Speaker 1: it, it became like this iconic scene and in every Spider
- 21:41Speaker 1: Man movie, I'm pretty sure literally every Spider Man movie
- 21:44Speaker 1: there's some kind of reference of like somebody following and
- 21:48Speaker 1: you catch them with the web. It became known as
- 21:51Speaker 1: Gwen Stacy syndrome. And it was kind of the start
- 21:55Speaker 1: of like, it's just not a safe to date be
- 21:57Speaker 1: a woman dating Spider Man. It doesn't matter if you're
- 22:01Speaker 1: just like a one off or like you've been dating
- 22:04Speaker 1: for a while, Like you are not safe. So it's
- 22:07Speaker 1: this whole thing. I would love to come back and
- 22:09Speaker 1: talk about that more. And in this movie, Gwen Stacy
- 22:12Speaker 1: says in every other universe, Gwen Stacy falls for Spider Man,
- 22:16Speaker 1: which kind of implies like love, but it also implies, yeah,
- 22:19Speaker 1: a literal fall. Yes, But let us move on for
- 22:24Speaker 1: now to canon events and problems with fandom and cannon.
- 22:30Speaker 1: We've talked about toxic fandom at length, but that's kind
- 22:33Speaker 1: of what's going on here. From the Verge. Here's a quote.
- 22:37Speaker 1: It's an insidious, pernicious and this is especially important racist
- 22:42Speaker 1: idea that has thrived in segments of the Spider Man
- 22:44Speaker 1: fandom ever since Miles first appeared in Marvel's comics, and
- 22:47Speaker 1: the way across the Spider Verse subverts it to deepen
- 22:50Speaker 1: Miles's lore is one of the movie's most spectacular feats.
- 22:54Speaker 1: So they were saying, the real villain is not Miguel
- 22:58Speaker 1: or the Spot, it is this toxic fandom. When Miles,
- 23:04Speaker 1: who is a teen of black and Puerto Rican descent,
- 23:07Speaker 1: was introduced in twenty eleven, there was a huge backlash
- 23:10Speaker 1: as sort of like not my Spider Man thing that
- 23:12Speaker 1: was definitely soaked in racism going on, and this overall
- 23:16Speaker 1: idea that he wasn't as good as Peter Parker, that
- 23:20Speaker 1: he was not really Spider Man, which is at the
- 23:24Speaker 1: heart of the whole film of Miles being told he's
- 23:27Speaker 1: a mistake. If you weren't here, your universe of Spider
- 23:29Speaker 1: Man would still be here. You're not supposed to be here,
- 23:32Speaker 1: that he's the quote original anomaly that started this whole thing,
- 23:36Speaker 1: and Miles saying I'm going to do things my own way.
- 23:39Speaker 1: We don't have time to get into this. But also
- 23:43Speaker 1: when Miles was first introduced, he was not given a
- 23:47Speaker 1: lot of depth. That is not to excuse any racist
- 23:51Speaker 1: attacks at all, but it did improve. Like, but that
- 23:55Speaker 1: says something too of people say like, well, you gave
- 23:57Speaker 1: Peter Parker so much attention in time and depth, and
- 23:59Speaker 1: then you introduced this character and really didn't do it.
- 24:02Speaker 1: But these movies have and games the games too have
- 24:06Speaker 1: really given like fleshed out his character a lot more,
- 24:09Speaker 1: there's the idea I saw a quote from one of
- 24:13Speaker 1: the creators involved of like encountering this anger from fans,
- 24:18Speaker 1: So that has to be the same story over and over,
- 24:21Speaker 1: and if you deviate from that in any way, just
- 24:24Speaker 1: anger about it. And so on the movie, it's Miles
- 24:28Speaker 1: tampering with Cannon that makes Miguel angry, not the dimension
- 24:33Speaker 1: jumping villain that is like what really upsets him. And
- 24:37Speaker 1: then Canon getting to dictate who gets to be Spider
- 24:41Speaker 1: Man when the message at the heart of these movies
- 24:44Speaker 1: is that anyone can be Spider Man. I also think
- 24:49Speaker 1: there's a moment of that's like examining bad Allyship at
- 24:52Speaker 1: the end with Gwenn and Peter b choosing to protect
- 24:57Speaker 1: the status quo over him, Like, didn't they didn't tell
- 24:59Speaker 1: him any thing about it. They were willing to like
- 25:02Speaker 1: just go ahead with this, and then realizing that they
- 25:05Speaker 1: were wrong, And then you do have people loved it.
- 25:09Speaker 1: But Hope's whole fight the power vibe, this is wrong,
- 25:14Speaker 1: we shouldn't be doing it. It is also a coming
- 25:18Speaker 1: of age story for sure, realizing that things weren't what
- 25:23Speaker 1: you thought that they were, and identity growing up as
- 25:28Speaker 1: a superhero for sure. According it to Vox's alex Abod Santos,
- 25:33Speaker 1: who I have we've been quoting throughout across the Spider
- 25:36Speaker 1: Verse centralizes queer and trans imagery, symbolism, and allegories while
- 25:41Speaker 1: creating a Spider Man whose narrative identity operates with a
- 25:44Speaker 1: lot of components of a coming out story. So that's
- 25:46Speaker 1: actually from movie Web about the Vox article that we
- 25:50Speaker 1: have been But yeah, like the whole idea of the
- 25:54Speaker 1: fear of telling your guardians, of being told you don't belong.
- 25:58Speaker 1: His mother's message of ever let anyone tell you you
- 26:01Speaker 1: don't belong fits into all of this.
- 26:03Speaker 2: Yeah, And the quote goes on Rio's worries about her
- 26:06Speaker 2: son mirror so many fears that parents of LGBTQ children have,
- 26:11Speaker 2: mainly that family acceptance is the easy part, and it's
- 26:14Speaker 2: that not being able to protect them from the world
- 26:16Speaker 2: that they live in is much more difficult. She knows
- 26:20Speaker 2: he has a secret and she'll love him no matter what,
- 26:23Speaker 2: but she also knows that not everyone will accept her
- 26:25Speaker 2: son as much as she does. And yeah, that's from
- 26:27Speaker 2: the Box article.
- 26:29Speaker 1: Yes, yeah, And there are a lot of articles about
- 26:32Speaker 1: this about kind of the how queer people connect to
- 26:36Speaker 1: that idea of you have to hire this part of
- 26:38Speaker 1: yourself and being afraid to share it. So that's really interesting.
- 26:42Speaker 1: I think that's one of the reasons it resonates for
- 26:43Speaker 1: so many people too. Well, we have to talk about
- 26:48Speaker 1: the animation a little bit. We want to rain myself in.
- 26:50Speaker 1: But I would say, literally every frame, pause it it's
- 26:54Speaker 1: our I did it with the first one. It's really fun.
- 26:57Speaker 1: There's so much going on. I remember a lot of
- 27:00Speaker 1: people were saying, oh, I'm so overstimulated after seeing it,
- 27:03Speaker 1: And I saw it before. You and I went together
- 27:06Speaker 1: right on my second time. But my first time, I
- 27:09Speaker 1: was in the front row and I was like all
- 27:13Speaker 1: the way back like a played interurbulence. Yeah, I mean
- 27:18Speaker 1: both of them.
- 27:18Speaker 2: I was like, I because I saw have bad vision anyway,
- 27:22Speaker 2: and then my contacts often get blurry. But but the
- 27:25Speaker 2: way it sets up, I adjusted my contacts a lot, realizing,
- 27:29Speaker 2: oh no, that's just that's just the way it is.
- 27:31Speaker 2: It's from my vision as I typically think it is.
- 27:36Speaker 1: So I did a lot.
- 27:36Speaker 2: I'm like, oh god, blinking, so many blinkings.
- 27:41Speaker 1: Yeah, but it is really cool, like all the different
- 27:44Speaker 1: styles and brain rates and how they interact and it
- 27:46Speaker 1: is awesome. I will say, the longest ever animated film
- 27:50Speaker 1: produced by an American studio, and it is part It's
- 27:54Speaker 1: essentially part one of two. I mean, it's a trilogy,
- 27:57Speaker 1: but I really feel like this one and the next
- 27:58Speaker 1: one are like a two parter. They said they tried
- 28:01Speaker 1: to put it all on one movie, but it just
- 28:02Speaker 1: was not happening. A fourteen year old did get hired
- 28:06Speaker 1: to animate the lego scene. The creators saw it on YouTube,
- 28:09Speaker 1: did not realize it was fourteen year old. They were
- 28:13Speaker 1: so impressed. They were like, all right, they.
- 28:16Speaker 2: Have a major motion picture under their resume at fourteen,
- 28:20Speaker 2: Like they are, They're done, They're ready, like they can
- 28:24Speaker 2: make these movies.
- 28:26Speaker 1: Yes. Yes. There have been some articles coming out lately,
- 28:30Speaker 1: which is especially interesting because we're still in the midst
- 28:33Speaker 1: of the writer's strike about some animators saying that this
- 28:37Speaker 1: was not sustainable. They can't keep working like this, and
- 28:41Speaker 1: in the words of this person, the next movie, which
- 28:44Speaker 1: is supposed to come out in March, might not come
- 28:46Speaker 1: out in twenty twenty four at all because it is
- 28:49Speaker 1: so much and several of the animators quit. One called
- 28:54Speaker 1: it death by a Thousand paper cuts because of the
- 28:57Speaker 1: lack of understanding by Lordly in this article. It was
- 29:01Speaker 1: a variety article about how three D animation works and
- 29:05Speaker 1: late revisions, so essentially like, at a certain point you
- 29:09Speaker 1: want to be I can't just revise this at the end.
- 29:12Speaker 1: It has to happen a lot in the beginning. But
- 29:15Speaker 1: it was kind of the opposite of that, and apparently
- 29:18Speaker 1: he needed to get every sequence approved. But it was
- 29:23Speaker 1: interesting because they were talking about what they're talking about
- 29:27Speaker 1: with the writers strike right now, and what we've talked
- 29:29Speaker 1: about and industries like this and like that, because they
- 29:34Speaker 1: were saying, you know you do you want to work
- 29:36Speaker 1: on something that you love, and they know that. And
- 29:40Speaker 1: also if you leave as an artist and someone else
- 29:43Speaker 1: takes over than your name, it's not yours anymore, especially
- 29:47Speaker 1: if they fix it at the end of that revision.
- 29:50Speaker 1: So they were talking about, like maybe we need to
- 29:53Speaker 1: do something with the union or something like that, so
- 29:55Speaker 1: we'll see how that plays out. There is also so
- 30:00Speaker 1: to add more work onto them. A woman led spinoff
- 30:04Speaker 1: called Spider Woman in the Mix. I don't know much
- 30:08Speaker 1: about that yet. I don't think they've really said much
- 30:10Speaker 1: about it. And then a lot of articles have also
- 30:15Speaker 1: come out and I've made the argument that the success
- 30:17Speaker 1: of these films shows that people do want to see
- 30:20Speaker 1: more diverse representation, that it is more representative of all
- 30:23Speaker 1: of us. Here's a quote from MPR and North America
- 30:27Speaker 1: Exit tracking found that the audience was about one third
- 30:30Speaker 1: Latino and another third black and Asian. Diversity percentage is
- 30:33Speaker 1: far higher than for most superhero films. And like, going
- 30:37Speaker 1: back to the trans the possibility of a trans character,
- 30:43Speaker 1: Like so many people were talking about that, and it's
- 30:45Speaker 1: one of those things like I'm really happy that's in there.
- 30:47Speaker 1: That's a flag that says protect trans kids in Enguin's room,
- 30:51Speaker 1: but it's also so frustrating that it's like those little
- 30:54Speaker 1: scraps for your like, ah representation. I mean, I'm super
- 30:58Speaker 1: thrilled it's in there, but it's also like we could
- 31:01Speaker 1: get more, we could get more. And then, because I
- 31:16Speaker 1: have been really good and I haven't gone too long,
- 31:19Speaker 1: We're gonna have a fun bit at the bottom, okay,
- 31:23Speaker 1: which is just some of my random Easter eggs.
- 31:26Speaker 2: All right, Okay, so just behind the curtain here, I
- 31:32Speaker 2: saw the outro. I thought it was the end. There's
- 31:35Speaker 2: a whole full other page.
- 31:39Speaker 1: I was gonna cut it if we went too long, but.
- 31:42Speaker 2: We did okay, So it was a surprise.
- 31:46Speaker 1: This whole recordings by surprise. I'm just I like to
- 31:49Speaker 1: keep you on your toes.
- 31:50Speaker 2: You.
- 31:51Speaker 1: I like you. You're good. So a couple of random
- 31:55Speaker 1: Easter eggs. There is a I believe it's a billboard
- 31:59Speaker 1: that says all of it always all over the place,
- 32:01Speaker 1: and it's a bagel place, which is everything everywhere all
- 32:03Speaker 1: at once, or a love it. There's a venom bit
- 32:08Speaker 1: that I love that Donald Gover does show up Donald Glover. Yeah,
- 32:13Speaker 1: there's a lot of there's a couple, not a lot
- 32:16Speaker 1: of folks at Marvel's as in the MCUs, because soon
- 32:20Speaker 1: this will be Marvel as well. Spider Man like doctor
- 32:24Speaker 1: Strange and to Yes, but I really want to go
- 32:33Speaker 1: through a very fun list. This is so minuscule. So
- 32:38Speaker 1: Polygon has this article where they identified like pretty much
- 32:42Speaker 1: all of the Spider people, and some of them are
- 32:45Speaker 1: so funny. But please look up the article. I was
- 32:48Speaker 1: cackling reading it and I can't believe this is all real,
- 32:51Speaker 1: but it is so all these quotes are from them.
- 32:53Speaker 1: But I thought, Samantha, you and I could go back
- 32:55Speaker 1: and forth with a few of my favorite ones. Okay,
- 33:00Speaker 1: let's start with jess Drew, a quote created in nineteen
- 33:04Speaker 1: seventy six in a rush to stop an animation studio
- 33:06Speaker 1: from grabbing the trademark to the Spider Woman name. Comic
- 33:09Speaker 1: book Jessica actually has no real relation to either Peter
- 33:12Speaker 1: Parker or Miles Morales, having instead acquired her powers in
- 33:16Speaker 1: a bewilderingly arcane origin involving Hydra, her geneticist father, and
- 33:21Speaker 1: possibly a talking cow. Spider versus Chess is thus a
- 33:25Speaker 1: wholesale reinvention of the concept, though comics Chess did famously
- 33:29Speaker 1: have a book in which she did superhero stuff while pregnant,
- 33:32Speaker 1: which she did in the movie Yes.
- 33:34Speaker 2: Hobby Brown, He was fun. Hoby won the affection of
- 33:38Speaker 2: fans by siding with people against their corporate oppressors, leading
- 33:43Speaker 2: the downtrodden masses against the establishment, and breaking his guitar
- 33:46Speaker 2: over the head of the United States President. I like it.
- 33:50Speaker 1: I love it.
- 33:51Speaker 2: Oh, she's very English punk.
- 33:52Speaker 1: I love that.
- 33:53Speaker 2: Yes. In the in the.
- 33:56Speaker 1: It's like magazine cut out santamation. So good, It's so good,
- 34:00Speaker 1: bombastic bag man. Peter Parker learned to his horror that
- 34:05Speaker 1: the black costume he had been wearing was actually a
- 34:07Speaker 1: symbiote alien from another planet that left him briefly without
- 34:10Speaker 1: any costume to wear around town. But longtime phrenemy Johnny
- 34:15Speaker 1: Human Torch Storm Lint a hand, giving Parker one of
- 34:18Speaker 1: his own extra suits, a paper lunch bag to put
- 34:21Speaker 1: over his face, and a kick me sign surreptitiously taped
- 34:25Speaker 1: to his back for good measure. Oh my gosh, I
- 34:29Speaker 1: can't believe this.
- 34:29Speaker 2: Is real Spider Cat. Which, yeah, you said spider people earlier.
- 34:34Speaker 2: There are a lot, a lot of that. He is
- 34:37Speaker 2: a spider man and also a cat. The typical cooterie
- 34:41Speaker 2: of gamers from Earth nine ninety nine. Spider Cat gained
- 34:45Speaker 2: his powers through an encounter with one of the mystical
- 34:48Speaker 2: Spider Totems in an untold tale that presumably makes as
- 34:52Speaker 2: much sense as any other story involving the mystical Spider Totems.
- 34:58Speaker 2: That's the thing.
- 35:00Speaker 1: It's a thing Spider verse. But wow, okay, yes, listen
- 35:05Speaker 1: to this one, Teter Tarker. Spider Rex is just because
- 35:16Speaker 1: it's heterodactyl, all yeah, yeah, but it is spelled everybody
- 35:23Speaker 1: p T E t R p t A r k
- 35:26Speaker 1: e R. But anyway, spider Rex, a resident of the
- 35:30Speaker 1: prehistoric world of Earth sixty six Wildfowler t Rex Peter
- 35:35Speaker 1: Darker had a chance encounter with a spider filled meteorite,
- 35:40Speaker 1: granting him wondrous spider like powers. In an early battle
- 35:44Speaker 1: against his nemesis Nerana Soorman uh Tarker accidentally allowed a
- 35:49Speaker 1: tree branch to take the life of the villain, teaching
- 35:52Speaker 1: him an important lesson about responsibility. So good.
- 36:00Speaker 2: And then we have the Peter parked car, which is
- 36:05Speaker 2: an anthropomorphic talking car Spider Man.
- 36:11Speaker 1: These are all in the movie movies.
- 36:13Speaker 2: It's ridiculous.
- 36:15Speaker 1: Yes, so all of those work quotes from that Polygon
- 36:18Speaker 1: article that's kind of just tracking all of the Easter
- 36:21Speaker 1: eggs in there, so please please go read it. I
- 36:23Speaker 1: was laughing so hard, but you can feel kind of
- 36:28Speaker 1: the it shines through that the fans are making these
- 36:32Speaker 1: and they're putting in all of these things. I love it.
- 36:36Speaker 1: I love it. Can't wait to go again. Yes, Wow,
- 36:41Speaker 1: this was fun. I'm excited about doing another Spoiled Saturdays,
- 36:45Speaker 1: So if you have suggestions for that, please let us know.
- 36:50Speaker 1: You can email us Stuff India Mom Stuff at iHeartMedia
- 36:52Speaker 1: dot com. You can find us on Twitter I'm Mom
- 36:54Speaker 1: Stuff podcast or on Instagram and TikTok at stuff I
- 36:56Speaker 1: Never told you. We're also on YouTube. We have a
- 36:59Speaker 1: teap book store. We have a book. You can pre
- 37:02Speaker 1: order it. It is coming out August twenty ninth. You
- 37:05Speaker 1: can pre order it at stuff you should read books
- 37:07Speaker 1: dot com. We also you can pre order it on Audible.
- 37:11Speaker 1: Thanks a zawais to our super producer Christina, our executive
- 37:14Speaker 1: producer Maya, and our contributor Joey. Thank you, Hope I
- 37:18Speaker 1: didn't spoil everything for you. And thanks to you. Oh no, yeah, Steph,
- 37:25Speaker 1: I'll never told you. This production of iHeartRadio. For more
- 37:27Speaker 1: podcasts or my heart Radio, you can check out the
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