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Is Chris Brown Better Than Michael Jackson?, Sexyy Red Lipgloss, Date Night Rules & More · What More Can I Say?

• 0:02
  Speaker 1: Hey, what up? Y'all? Welcome to it? And one more?
• 0:04
  Speaker 2: Can I say podcast episode right? What episode were on?
• 0:07
  Speaker 2: BRO one seven two? I'm one of your hosts. Tone
• 0:11
  Speaker 2: gopo woo woo. Go ahead, introduce the other woo woos,
• 0:19
  Speaker 2: the late wood Wolves of the Pot. Uh she fumpy
• 0:21
  Speaker 2: adviied she's the first se pot, the only lady of
• 0:24
  Speaker 2: the Pot.
• 0:24
  Speaker 1: Her name is Kiki Friends.
• 0:27
  Speaker 3: Hey, hey wood Wool, how are you feeling?
• 0:30
  Speaker 1: Yeah, I ll ask you look great today?
• 0:31
  Speaker 4: Thank you? Curtsey. If Marie beauty y'all.
• 0:34
  Speaker 3: Herrow first you get them filled in, then you get them.
• 0:42
  Speaker 4: Zach is learning.
• 0:43
  Speaker 3: Yes, yes, we just but we.
• 0:44
  Speaker 1: Did watch you put on eyeliner. Ladies.
• 0:46
  Speaker 2: I'm gonna let you know it's gross and interesting all
• 0:48
  Speaker 2: at the same time.
• 0:49
  Speaker 4: I don't understand how it's gross.
• 0:51
  Speaker 1: Just seeing your whole eyeball kind of freaks me out.
• 0:53
  Speaker 2: When you pull your eye down like you gotta eye
• 0:55
  Speaker 2: out and you were doing it with one How was
• 0:57
  Speaker 2: you doing that?
• 0:57
  Speaker 4: Yeah? I don't know. It's a task, you see.
• 1:00
  Speaker 1: I have a whole yeah thing.
• 1:02
  Speaker 4: One day I'm gonna have a hair makeup team. I
• 1:04
  Speaker 4: can't wait. That's my dream.
• 1:07
  Speaker 1: Go get it.
• 1:07
  Speaker 2: You gonna get it, all right, Let's get to the
• 1:09
  Speaker 2: funny man of the part man.
• 1:10
  Speaker 1: His name is Zach Bug. What's up?
• 1:13
  Speaker 3: What's happening, what's happening? How y'all feeling good? Happy?
• 1:18
  Speaker 1: D n C?
• 1:20
  Speaker 3: Yeah?
• 1:21
  Speaker 1: Are you doing something? Are you doing something with the.
• 1:23
  Speaker 3: D n C. No, I'm not.
• 1:25
  Speaker 4: I'm not because he what she was gonna say nothing.
• 1:34
  Speaker 4: I was gonna make fun of you for being a
• 1:37
  Speaker 4: Trump supporter. But that ain't nothing to make fun. It's
• 1:41
  Speaker 4: all right. I've seen you down there them rally. I
• 1:45
  Speaker 4: seen you. I've seen you down there.
• 1:47
  Speaker 3: I'm not Trump.
• 1:49
  Speaker 4: He just took his red hat off before he walked
• 1:51
  Speaker 4: in here.
• 1:53
  Speaker 3: Now, if you ask my tax bracket sometimes. Come on,
• 1:57
  Speaker 3: Oh good, go ahead, talk your talk sometimes.
• 2:01
  Speaker 1: All right, all right, well, let's go ahead and yell
• 2:03
  Speaker 1: right into the pod.
• 2:05
  Speaker 2: Chris Brown Tank Tank says Chris Brown is better than
• 2:09
  Speaker 2: Michael Jackson. I respect Tank, He's an R and B
• 2:12
  Speaker 2: artist and known him for a long time, a friend
• 2:14
  Speaker 2: of the show. But my brother has lost his goddamn mine.
• 2:18
  Speaker 2: In my opinion, what do y'all think, Kiki, It's just like.
• 2:22
  Speaker 4: The same feeling I felt after going to see Chris
• 2:24
  Speaker 4: Brown at this tour. It's something that happens to you.
• 2:27
  Speaker 4: Like when the day I went to the tour, the
• 2:29
  Speaker 4: next day I made a video addressing jay Z like
• 2:32
  Speaker 4: I don't work in the music industry, Like I don't
• 2:34
  Speaker 4: need my job. I felt so deeply about what I
• 2:37
  Speaker 4: saw Chris Brown do. I made a full video addressing
• 2:41
  Speaker 4: jay Z that went viral too, right, So that was insane,
• 2:45
  Speaker 4: and I think that is what happened to Tank. He went,
• 2:48
  Speaker 4: he got mesmerized, like we tend to do when we
• 2:50
  Speaker 4: watch Chris Brown perform, and we come back talking crazy.
• 2:53
  Speaker 4: And that's that's the prime example. I've had this same
• 2:56
  Speaker 4: argument with Zach where he tried to compare Chris Brown
• 2:58
  Speaker 4: and Beyonce. I did, let's not do that. You can't
• 3:01
  Speaker 4: compare greats. Chris Brown is fruit off of Michael Jackson's tree.
• 3:04
  Speaker 4: Why would you ever disrespect him and compare them. If
• 3:07
  Speaker 4: somebody is fruit off your tree, Let let they're both
• 3:10
  Speaker 4: great in their all regard. But to say he's better
• 3:13
  Speaker 4: than Michael Jackson, there is no Chris Brown without Michael Jackson,
• 3:18
  Speaker 4: so he can never be better than him.
• 3:19
  Speaker 1: Facts.
• 3:20
  Speaker 4: That's my take there.
• 3:21
  Speaker 1: It is. I love it. I love it. Zach what
• 3:22
  Speaker 1: you think.
• 3:24
  Speaker 3: I'm just you know, I was talking crazy. I have
• 3:27
  Speaker 3: to see it Chris Brown too, because I was saying
• 3:29
  Speaker 3: that he was better than beyond that, he was still
• 3:31
  Speaker 3: talented beyond that. I still stand by that, and on
• 3:35
  Speaker 3: his take, I believe that I don't think he's better.
• 3:38
  Speaker 3: I don't think that Chris Brown has made the impact
• 3:40
  Speaker 3: that Michael Jackson has made and still made has made.
• 3:44
  Speaker 3: You know what I'm saying with I love Chris Brown's
• 3:47
  Speaker 3: first album, which I think was his best. But have
• 3:50
  Speaker 3: you seen Off Off the Wall? It ain't ain't been
• 3:53
  Speaker 3: no off you know, said Chris Brown doesn't have to
• 3:54
  Speaker 3: Off the Wall type of project. He doesn't have a
• 3:56
  Speaker 3: thriller type of project. Michael Jackson still has the most
• 4:00
  Speaker 3: purchase CD of all time. You know what I'm saying.
• 4:02
  Speaker 3: It's still things that Chris hasn't done on the Michael
• 4:05
  Speaker 3: Jackson level now where I think he can be compared
• 4:07
  Speaker 3: to him. It's just pure talent, Like you can't deny
• 4:10
  Speaker 3: that Chris is. Chris Brown is the best dancer I
• 4:14
  Speaker 3: have ever seen when it comes to dancing, like I've
• 4:18
  Speaker 3: never seen even Michael's routines as fly as Mike was
• 4:22
  Speaker 3: as innovative as Mike was. All that stuff that Mike did,
• 4:28
  Speaker 3: Chris just looked like he breathed the dance moves. I
• 4:30
  Speaker 3: told y'all, it looked like he teached them crazy. I'm
• 4:34
  Speaker 3: telling you, I've never seen nobody dance and sing like
• 4:38
  Speaker 3: that at the same time in my life. I still
• 4:40
  Speaker 3: don't think he's better than Michael Jackson, but I can
• 4:43
  Speaker 3: see where tank might have thought that.
• 4:45
  Speaker 2: Yeah, Tanker lost to the sauce he did beyond, and
• 4:50
  Speaker 2: I think I did too. I had to get Beyonce
• 4:53
  Speaker 2: her credit because Beyonce and I still I say it
• 4:55
  Speaker 2: all the time. I get physical sales people to sold
• 4:57
  Speaker 2: in the physical sale era more credit than the streaming stuff.
• 5:01
  Speaker 2: That metric doesn't make sense to me, and it's somebody
• 5:03
  Speaker 2: made up a metric. There's a real thing about a
• 5:05
  Speaker 2: person going to a store and grabbing it. So Beyonce
• 5:08
  Speaker 2: comes from a piece of that and the streaming and
• 5:11
  Speaker 2: the streaming thing. And I was around to see the
• 5:12
  Speaker 2: Beyonce like how that whole thing happened. Like, she's not
• 5:17
  Speaker 2: not gonna say she's cooled off, she's plateaued, she's plateaud
• 5:21
  Speaker 2: at her point, she's not going there's no way Beyond
• 5:23
  Speaker 2: could get any higher. It's no way, like there's no
• 5:27
  Speaker 2: way that No, seriously, there's no way. There's nothing that
• 5:31
  Speaker 2: Beyond could do right now that would make her bigger
• 5:34
  Speaker 2: than what she is. She's already the biggest. It's no
• 5:38
  Speaker 2: what it would be is a sustaining thing. But she
• 5:40
  Speaker 2: can't get bigger. What I'm saying is, I remember the
• 5:43
  Speaker 2: Beyonce glow up. I was there for that.
• 5:46
  Speaker 1: I was there. I seen the Michael Jackson thing.
• 5:49
  Speaker 2: Seeing that I see Michael Jackson and the thing where
• 5:51
  Speaker 2: I say with the mic thing, with the dancing, I
• 5:54
  Speaker 2: might agree with Zach a little bit on that dancing thing.
• 5:58
  Speaker 2: Michel was innovative whole a lot of a lot of
• 6:02
  Speaker 2: stuff was way ahead of his time, the fashion, all
• 6:05
  Speaker 2: of that. But Chris Brown, what Chris Brown brings it
• 6:08
  Speaker 2: his dancing is is a lot of street dance moves,
• 6:13
  Speaker 2: a lot of a lot of classical choreography and just
• 6:18
  Speaker 2: and then imagineation. It's like he like all of that
• 6:20
  Speaker 2: blends to one which makes him. It makes his dance
• 6:23
  Speaker 2: moves probably a little bit better than Mike's.
• 6:26
  Speaker 1: But that would be the only thing that I would say.
• 6:28
  Speaker 4: You can't guys, I wish we could.
• 6:32
  Speaker 1: He takes Mike's stuff.
• 6:33
  Speaker 4: That's say you can't.
• 6:34
  Speaker 1: You can't.
• 6:35
  Speaker 4: It's Chris Brown. There is no Chris Brown dance without
• 6:38
  Speaker 4: Michael Jackson.
• 6:38
  Speaker 1: That's true.
• 6:39
  Speaker 4: So therefore, how dare you ever compare? You understand that
• 6:45
  Speaker 4: you can't? Know you can't. In my mind you can,
• 6:48
  Speaker 4: but you shouldn't because because it's silly. It's it takes
• 6:52
  Speaker 4: away from the person who is the who is it,
• 6:54
  Speaker 4: which is Michael Jackson. It takes away it's this respect.
• 6:58
  Speaker 4: It's disrespectful to my Michael Jackson to compare him to
• 7:02
  Speaker 4: somebody like Chris Brown. Chris Brown is a goat of
• 7:05
  Speaker 4: this era. He is a goat of his time. The
• 7:07
  Speaker 4: next one that come after him will be comparedon y'all
• 7:10
  Speaker 4: will be disrespecting Chris comparing somebody to him. My thing is,
• 7:14
  Speaker 4: there is no Chris Brown without Michael Jackson. How can
• 7:17
  Speaker 4: y'all sit up and compare them to.
• 7:21
  Speaker 3: Let me give you a comparison. Okay, I guess you
• 7:23
  Speaker 3: can understand. Okay, because you got to bring it to
• 7:25
  Speaker 3: because if I was talking to tone, I would use sports.
• 7:28
  Speaker 3: But as I'm talking to you, here we go. Come on,
• 7:30
  Speaker 3: you remember when y'all first black women first start wearing weave. Okay,
• 7:35
  Speaker 3: y'all had that yaki. It was a little stuck together.
• 7:38
  Speaker 3: It wasn't quite right. Okay, Now y'all have beautiful lace
• 7:42
  Speaker 3: front hair. You know what I'm saying, It would it
• 7:45
  Speaker 3: wouldn't be no, no, it wouldn't be no lace front
• 7:48
  Speaker 3: beautiful hair without yaki. But the lace front is still
• 7:51
  Speaker 3: better than the yaki. Not to say that Michael Jackson
• 7:54
  Speaker 3: is yaki. All I'm saying is all I'm saying is
• 7:58
  Speaker 3: that things do makes It's not about Its not about
• 8:09
  Speaker 3: Michael Jackson being yackie. It's about things coming. You can
• 8:13
  Speaker 3: be better. Okay. So here's the thing. If he Michael
• 8:15
  Speaker 3: Jackson say that he learned everything from James Brown, right,
• 8:19
  Speaker 3: But Mike said he learned everything from James Brown, he said,
• 8:22
  Speaker 3: it would be no Michael Jackson without James Brown. And
• 8:26
  Speaker 3: that's facts that it wouldn't be. But nobody be like, oh,
• 8:29
  Speaker 3: James is the greatest ever. Mike is still the greatest
• 8:31
  Speaker 3: ever because he just took it to another level. And
• 8:34
  Speaker 3: all we said was in the dancing aspect, one aspect
• 8:37
  Speaker 3: of being an artist, just that one aspect of being
• 8:41
  Speaker 3: an artist.
• 8:42
  Speaker 2: Chris is superior. He always said, Key, you take comparison
• 8:47
  Speaker 2: all the time. Do you take comparison as disrespect? I
• 8:50
  Speaker 2: know when we're just debating comparison, it's just the fun
• 8:54
  Speaker 2: of the greats. It's the Mike versus le Bron. It's like, hey,
• 8:59
  Speaker 2: I say, I can't say that Lebron's better than than
• 9:03
  Speaker 2: Michael Jordan because.
• 9:04
  Speaker 1: I've seen it.
• 9:05
  Speaker 2: I've seen both of them, and I'm like, yo, I
• 9:09
  Speaker 2: just the Mic thing was my thing, and maybe that's
• 9:11
  Speaker 2: just what it is. Zack Jack's on the other side
• 9:14
  Speaker 2: of that argument. He's gonna say the one thing. But
• 9:16
  Speaker 2: I don't think either one of us are saying that
• 9:19
  Speaker 2: the other one is less than. It's just comparing great
• 9:23
  Speaker 2: with great, and I'm not I'm not. Again, like I said,
• 9:26
  Speaker 2: I've seen Michael. I've seen the Michael Jackson. I have
• 9:29
  Speaker 2: penny loafers for crying out loud and a members only jacket.
• 9:32
  Speaker 1: Come on, but what.
• 9:36
  Speaker 3: The Michael Jackson the.
• 9:38
  Speaker 1: Jacket it had right here.
• 9:41
  Speaker 2: I had a snap the black Michael Jackson. Michael Jacksons
• 9:48
  Speaker 2: so Billy Jean, who are members only?
• 9:51
  Speaker 1: God? I hate it when.
• 9:52
  Speaker 4: I'm sorry, Okay, I'm sorry, I just had all right, I.
• 9:56
  Speaker 1: Aged this conversation way out, so I'm going to move respect.
• 10:00
  Speaker 4: It's so disrespectful, bro. If I am the when you
• 10:04
  Speaker 4: think about when you when you want to describe greatness
• 10:07
  Speaker 4: and you use my name, nobody can be compared to me.
• 10:11
  Speaker 4: I'm Michael Jackson. Every male and female artist has mirrored
• 10:17
  Speaker 4: their career or tried to to what I have done
• 10:20
  Speaker 4: from the impact that he had across the world, people
• 10:24
  Speaker 4: that didn't even speak English running down the street. That's
• 10:27
  Speaker 4: Michael Jackson. Nobody has done that. Nobody has that impact.
• 10:33
  Speaker 4: So how can y'all sit up and compare them? If
• 10:36
  Speaker 4: I am the great of my genre, don't dare ever
• 10:40
  Speaker 4: compare somebody to me. Just tell them person, mich will
• 10:43
  Speaker 4: be proud. You're doing a great job. You're gonna be
• 10:46
  Speaker 4: the first Chris Brown. You will never compare to Michael
• 10:49
  Speaker 4: Jackson because that's Michael Jackson. But you will because you
• 10:52
  Speaker 4: are great.
• 10:53
  Speaker 3: I get it, I get what you're saying.
• 10:56
  Speaker 4: You say I love There's only one Michael. There's one Oprah.
• 11:00
  Speaker 4: There's one like you.
• 11:01
  Speaker 1: Can't who are you.
• 11:04
  Speaker 2: When you think it's disrespectful to compare uh Oprah? And
• 11:08
  Speaker 2: like a windy not windy now, but I'm talking about
• 11:10
  Speaker 2: Windy at her height and like and the impact the media.
• 11:13
  Speaker 2: That's not saying either one of them are bad. They
• 11:16
  Speaker 2: are both great media moguls. But to compare to how
• 11:20
  Speaker 2: they came up the impact, that's just fun conversation.
• 11:24
  Speaker 1: That's fun debate.
• 11:25
  Speaker 4: It's not there's one Oprah and I loved down. There's one. O.
• 11:31
  Speaker 4: Here's the thing, there's one. There's never been another one.
• 11:33
  Speaker 4: There's one Oprah. Ain't nobody dominated television that way, started
• 11:37
  Speaker 4: her own network, came out with cooking books, came out
• 11:39
  Speaker 4: with put other people on create. There's not another one.
• 11:43
  Speaker 4: So to compare to.
• 11:45
  Speaker 1: Respectful can you compare? Can you compare?
• 11:48
  Speaker 2: And just to compare, like say like an Oprah who
• 11:50
  Speaker 2: came before Tyler period with a Tiler perioder, that's a
• 11:53
  Speaker 2: fun conversation to have.
• 11:54
  Speaker 4: That's Tyler Perry. There's one. They both came up present
• 12:01
  Speaker 4: who came up through plays.
• 12:06
  Speaker 3: Here's the thing, y'all not realizing the reason, y'all. So
• 12:11
  Speaker 3: it's because because he did not grow up in the barbershop.
• 12:17
  Speaker 3: This is what we do in the barbershop. You compare
• 12:20
  Speaker 3: and argue, and we have these debates, and it just be.
• 12:22
  Speaker 3: That's what it is.
• 12:24
  Speaker 4: Compare people that are comparable.
• 12:27
  Speaker 2: Chris Brown and Michael Jackson can be compared to this.
• 12:31
  Speaker 4: Brown set it out his own mouths, I'm done arguing
• 12:33
  Speaker 4: with y'all after this. He set out his own mouth
• 12:35
  Speaker 4: that he that he could never be compared to Michael Jackson, he.
• 12:40
  Speaker 3: Said, and Michael Jackson said he could never be compared
• 12:44
  Speaker 3: to James Brown.
• 12:44
  Speaker 4: He can't because guess what, he ran lots around James.
• 12:48
  Speaker 1: But you gotta understand what I'm saying. It was Mike James.
• 12:52
  Speaker 3: Was James his mind about James Brown.
• 12:55
  Speaker 4: Ain't no other Michael Jackson. I don't give a damn
• 12:58
  Speaker 4: what y'all say. Is one Michael Jackson.
• 13:01
  Speaker 1: It's one.
• 13:02
  Speaker 4: Bra was just dancing the whole Guess what, because because
• 13:09
  Speaker 4: before Chris Brown thought to move his hand.
• 13:11
  Speaker 1: And Michael did that.
• 13:14
  Speaker 3: This Okay, okay, James, it's one person that move walked.
• 13:22
  Speaker 3: It's one person. But he wouldn't know to move walk
• 13:25
  Speaker 3: if James, it's the same one. You do that all
• 13:28
  Speaker 3: day for everything.
• 13:30
  Speaker 1: All right, all right, let's move on, man.
• 13:32
  Speaker 2: This is an interesting conversation to Gary Indiana shot Michael
• 13:37
  Speaker 2: I don't shot.
• 13:38
  Speaker 3: Him out disrespect.
• 13:43
  Speaker 2: We love Michael obviously comparing to you, youmaniac, you go crazy.
• 13:49
  Speaker 1: Let's go, let's get to this.
• 13:52
  Speaker 2: Uh, this was interesting, and I thought this was a
• 13:54
  Speaker 2: I thought this is a weird exchange between Blad and Marlon.
• 13:59
  Speaker 3: Wayne saw it, man.
• 14:02
  Speaker 1: You didn't see a kiki, so you saw it. Talk
• 14:04
  Speaker 1: about that little bit. Yeah, So they.
• 14:05
  Speaker 4: Were arguing back and forth on Twitter. I didn't know
• 14:07
  Speaker 4: what was going on, but I saw that Vlad was
• 14:11
  Speaker 4: reaching out to Marlin for an interview, and I believe
• 14:13
  Speaker 4: Marlin responded, if I'm right rider with a saying, my
• 14:17
  Speaker 4: fee for the interview is what forty thousand dollars? Yea
• 14:20
  Speaker 4: forty thousand dollars? And Vlad got offended and started, you know,
• 14:24
  Speaker 4: blasting him online for that. And y'all know how I
• 14:26
  Speaker 4: feel about this, because I feel like we messed up
• 14:31
  Speaker 4: the game when we decided to First of all, no
• 14:33
  Speaker 4: mean's not say week because I ain't never paid for
• 14:35
  Speaker 4: an interview and never planning to. So what I feel
• 14:39
  Speaker 4: like the game got messed up when people on social
• 14:42
  Speaker 4: media started paying for guests to come onto their platforms.
• 14:46
  Speaker 4: To me, that is insane. It's insane. And it's disrespectful
• 14:50
  Speaker 4: to the craft because I'm doing you a service, just
• 14:53
  Speaker 4: like you doing me a service to sit across from
• 14:55
  Speaker 4: me and have me ask you about your career. I
• 14:57
  Speaker 4: wish I would pay for an interview, y'all know how.
• 15:00
  Speaker 1: Okay, So, but this is another thing. Though.
• 15:02
  Speaker 2: There are like Jimmy Fallon, I mean, there's other there's
• 15:07
  Speaker 2: instances where people good morning a Marria. There are instances
• 15:10
  Speaker 2: do they union, No, they pay for the interview because
• 15:14
  Speaker 2: it's not necessarily paying for the giving of the information rights.
• 15:20
  Speaker 2: It's the time the artists getting there because they don't.
• 15:23
  Speaker 2: It's a lot of different it's a lot of different
• 15:25
  Speaker 2: reasons why they pay.
• 15:25
  Speaker 1: They do pay.
• 15:27
  Speaker 2: Like you know, when you see people come on and say, hey,
• 15:29
  Speaker 2: you know, come tell us about your life story. And
• 15:32
  Speaker 2: let's just say it's a regular person that that show
• 15:35
  Speaker 2: pays for their travel the per diem and they're not
• 15:38
  Speaker 2: giving them physical the money, but they're taking care of
• 15:40
  Speaker 2: the expenses and everything. I totally agree in some cases,
• 15:45
  Speaker 2: but I understand when it happens. My thing, what I
• 15:47
  Speaker 2: thought was that it was and Zach you could respond to.
• 15:50
  Speaker 2: I thought it was just unprofessional. I thought, I mean,
• 15:53
  Speaker 2: blad blad been doing this for a very long time.
• 15:56
  Speaker 1: I was disappointed in them.
• 15:57
  Speaker 2: I mean, all right, Marlon gave his number forty k
• 16:01
  Speaker 2: if it's a dumb ass number, you and I think
• 16:03
  Speaker 2: he's friends with Adam twenty two or academics. Y'all gonna
• 16:06
  Speaker 2: laugh at it, behind this, behind the back. But you
• 16:08
  Speaker 2: don't go on social media. That's your business because we
• 16:11
  Speaker 2: know you don't pay other people for interviews. Are you
• 16:13
  Speaker 2: talking about every money that you gave somebody? No, he
• 16:17
  Speaker 2: gave you a number. You ain't like it.
• 16:19
  Speaker 1: Now.
• 16:20
  Speaker 2: The part where God sticky to me was is when
• 16:22
  Speaker 2: Marlin said, hey man, look, you can't let a black
• 16:25
  Speaker 2: man tell your number, and now you mad about it
• 16:28
  Speaker 2: because I gave you my number. If you ain't want it,
• 16:30
  Speaker 2: don't take it. The point of it being when he
• 16:33
  Speaker 2: and Blast said, are you bringing race into it?
• 16:36
  Speaker 1: See?
• 16:36
  Speaker 2: The problem is and this is where I might be
• 16:39
  Speaker 2: Tsu little tsukin comrad, is that yo, when white and
• 16:50
  Speaker 2: traditionally black folks get get angry, and maybe it's people
• 16:55
  Speaker 2: be and mill around the same age.
• 16:56
  Speaker 1: We get upset because when a.
• 16:58
  Speaker 2: Black person say something, now you mad. When we say
• 17:02
  Speaker 2: something about like, hey man, this is my number. Let
• 17:04
  Speaker 2: it be my number and you don't mess with me.
• 17:06
  Speaker 2: Why you gotta go telling everybody? Would you have done
• 17:08
  Speaker 2: that to one of your white counterparts? Why can't I
• 17:10
  Speaker 2: just stand on my number. It is what it is
• 17:12
  Speaker 2: and cool, But instead you want to try to blast
• 17:15
  Speaker 2: it and not be professional. That's not professional to say
• 17:19
  Speaker 2: something about somebody's number public That's like talking about your
• 17:22
  Speaker 2: salary publicly.
• 17:24
  Speaker 4: I agree with that part. I don't think he should
• 17:26
  Speaker 4: have put his like that shouldn't have been the reason.
• 17:28
  Speaker 4: I was just more insulted, like why are we Like
• 17:31
  Speaker 4: I understand covering travel and things like that. If I
• 17:35
  Speaker 4: have you coming, I have a network show that a
• 17:37
  Speaker 4: network is paying for. But like, just if I built
• 17:41
  Speaker 4: a platform and I'm watching and I want to invite
• 17:43
  Speaker 4: you on my platform to talk about everything that you
• 17:45
  Speaker 4: have going on and promote whatever you have going on,
• 17:48
  Speaker 4: I cannot see myself paying you.
• 17:50
  Speaker 2: But if you're reaching out key, key, if you reaching
• 17:52
  Speaker 2: out to that person like, hey, I want that any
• 17:55
  Speaker 2: because I've done it. I've reached out for people to
• 17:57
  Speaker 2: be on ipop and be on my show and they
• 17:59
  Speaker 2: come back with an number, I'll be like, no, I'm
• 18:02
  Speaker 2: not doing that but it's somebody that I really wanted.
• 18:06
  Speaker 2: Let's just say it with somebody I really wanted and
• 18:08
  Speaker 2: they had something popping. And I'm like, yo, because you
• 18:12
  Speaker 2: gotta remember now wearing the information age where content. But
• 18:16
  Speaker 2: you don't even know Cat like Cat Williams that we
• 18:20
  Speaker 2: all know got put on by Cat Williams's rent. And
• 18:25
  Speaker 2: I know because I know Shannon Sharp is a solid dude,
• 18:27
  Speaker 2: So I know we peeled them to me from cool.
• 18:29
  Speaker 3: Bread, get it, Tomato. Paying for an interview is like
• 18:32
  Speaker 3: paying for coochie.
• 18:33
  Speaker 4: Thank you.
• 18:34
  Speaker 3: It just don't feel right. It just don't feel right.
• 18:37
  Speaker 3: I just would not if I can't get your saying that.
• 18:41
  Speaker 3: But if I can't, if I can't get your interview
• 18:43
  Speaker 3: based off my mirriad, I need to work harder.
• 18:45
  Speaker 4: Thank you.
• 18:45
  Speaker 3: You know what I'm saying. Put myself in position.
• 18:47
  Speaker 1: I'm reaching the interview. I get it. Why can't I
• 18:50
  Speaker 1: reach it?
• 18:50
  Speaker 3: So now I'm gonna dress that. Now I'm an address boss, okay.
• 18:54
  Speaker 2: Because if I'm reaching out to you, I'm asking for
• 18:57
  Speaker 2: your team.
• 18:57
  Speaker 3: Rubs me the wrong way anyway with his interrogation style
• 19:03
  Speaker 3: of interview, where you ask these young black artists incriminating
• 19:06
  Speaker 3: questions that you don't even show your face on that
• 19:09
  Speaker 3: his whole his whole setup has always bothered me. First
• 19:13
  Speaker 3: of all, I hate that, you know what I'm saying,
• 19:15
  Speaker 3: you older, You are older white male who has more
• 19:18
  Speaker 3: intelligence in certain areas. And you get these young street
• 19:21
  Speaker 3: dudes who got followings and asked them streak incriminating stuff,
• 19:25
  Speaker 3: you know what I'm saying all the time, and then
• 19:27
  Speaker 3: put them in positions. Then you put these these captions
• 19:31
  Speaker 3: and headlines that in site, beefs and on what's the name.
• 19:34
  Speaker 3: Response to this is, I don't like a white man
• 19:36
  Speaker 3: doing that with our culture, playing with us like that
• 19:38
  Speaker 3: in the first place. Okay, not saying it'd be better
• 19:40
  Speaker 3: for black men was doing it, but I don't like it.
• 19:42
  Speaker 3: You don't even show your face. That really pisses me off.
• 19:44
  Speaker 3: Second thing is this is this is the second or
• 19:48
  Speaker 3: third time he has tried to out black celebrities. Just
• 19:52
  Speaker 3: recently boss Man Dillo. He was trying to get boss
• 19:56
  Speaker 3: Man Dilo, who was coming right boss Man. He said
• 19:59
  Speaker 3: he got scammed by boss Man Dil, put him all out,
• 20:02
  Speaker 3: made this big old scene about it, and it come
• 20:05
  Speaker 3: come to find out somebody had changed the number on
• 20:07
  Speaker 3: his page and he wasn't talking to boss Man Dilo people,
• 20:11
  Speaker 3: But that wasn't the way he came at it. He
• 20:12
  Speaker 3: came out and said, boss Man Dilo, if you want
• 20:15
  Speaker 3: to last in this industry, you can't be scamming people
• 20:18
  Speaker 3: like trying to blow him up right, using his platform
• 20:21
  Speaker 3: to shit on that man. And he was wrong. Now
• 20:24
  Speaker 3: it's Marlin WANs. And then didn't he get into it
• 20:27
  Speaker 3: with somebody one of these It was a political person
• 20:32
  Speaker 3: he had got into it with not too long ago.
• 20:33
  Speaker 3: I can't remember who. It was, another black person, just
• 20:37
  Speaker 3: out back and forth and they called him out and
• 20:38
  Speaker 3: then he oh, he played He said, I'm gonna tell
• 20:41
  Speaker 3: your network or something. He cried wolf basically, you know
• 20:45
  Speaker 3: what I'm saying, and acted like this person was just
• 20:48
  Speaker 3: totally against him and was a racist. You know what
• 20:49
  Speaker 3: I'm saying. I'm not a fan of lad First, I
• 20:54
  Speaker 3: follow Boosy all that money. Boot He tell us how
• 21:01
  Speaker 3: much you pay all the time you talk to Boosy
• 21:04
  Speaker 3: every single week, and you pay Boosy. So if you don't,
• 21:07
  Speaker 3: now Marlin give you a number, and you got a
• 21:08
  Speaker 3: problem with it, you don't you not standing on what
• 21:11
  Speaker 3: me and Kei Kei talking about as far as I'm
• 21:13
  Speaker 3: not paying nobody, maybe you might have something to stand on,
• 21:16
  Speaker 3: but you pay certain people. Yeah, you pay for your interviews.
• 21:20
  Speaker 2: You and I look, I don't have a problem with
• 21:22
  Speaker 2: how have a black because it's a content business. What
• 21:25
  Speaker 2: Blad is doing is a smart move. He pays for
• 21:28
  Speaker 2: the person to come sit down. You sit down, I
• 21:31
  Speaker 2: get the content I made. I may I make money
• 21:34
  Speaker 2: off of the content. I make money off of the content.
• 21:37
  Speaker 2: Because even in some of the responses, he was saying that, YO,
• 21:40
  Speaker 2: forty K for an interview, Your interview only gonna do
• 21:43
  Speaker 2: X amount of views, which that equals whatever that equals
• 21:46
  Speaker 2: for him on his monetization. So I understand the whole
• 21:49
  Speaker 2: paying paying back and forth for interviews. I understand what
• 21:54
  Speaker 2: artists are like, Yo, I can't just come sit down
• 21:56
  Speaker 2: with you because.
• 21:57
  Speaker 1: I don't know this interview is going to make some money.
• 22:00
  Speaker 2: I might sit down and say something and you're going
• 22:03
  Speaker 2: to cash out. Now, if we we you on a
• 22:06
  Speaker 2: promo run, You're on a promo run.
• 22:08
  Speaker 1: Come on, that's an even exchange. But if I'm we
• 22:11
  Speaker 1: the what more can I say? Podcast?
• 22:13
  Speaker 2: And I'm like hey, and I'm like hey, I'm reaching
• 22:16
  Speaker 2: out to you, because I know if i'm we're gonna
• 22:18
  Speaker 2: reach out for the trending people. They they deserve a
• 22:22
  Speaker 2: chance to make money off of their content. Now that's
• 22:26
  Speaker 2: just how if we like a breakfast cub, No, you
• 22:29
  Speaker 2: don't have to. If you're the breakfast cup, you the
• 22:30
  Speaker 2: biggest thing in culture. You don't have to pay for
• 22:34
  Speaker 2: anybody to sit their ass down there, because if you
• 22:36
  Speaker 2: don't go talk to them, nobody's gonna know what the
• 22:39
  Speaker 2: you have going on. But if you that's when you
• 22:42
  Speaker 2: reach that point, that's when you reached that point. But
• 22:45
  Speaker 2: I'm sure, I'm sure early on something. Maybe maybe it
• 22:50
  Speaker 2: was an exchange sometime.
• 22:51
  Speaker 3: Maybe it's like paying for I'm not paying for you.
• 22:54
  Speaker 4: If you If you, I'm sorry, I haven't made it.
• 22:58
  Speaker 3: If I haven't made it to the situation where that
• 23:00
  Speaker 3: young lady would like to just give me the vagina
• 23:03
  Speaker 3: based off of who I am and what I've done
• 23:05
  Speaker 3: so far, then that means it ain't for me exactly.
• 23:08
  Speaker 3: But I'm not gonna try to speed up my process
• 23:11
  Speaker 3: or speed up anything.
• 23:16
  Speaker 4: You've taken the value out of what we do. I'm sorry.
• 23:20
  Speaker 4: That's you've taken the value out of what we do
• 23:22
  Speaker 4: and who we are because guess what, you don't respect me.
• 23:26
  Speaker 4: You don't. You didn't come sit on my platform because
• 23:28
  Speaker 4: you respect me. You think I'm dope, you think I'm intelligent,
• 23:30
  Speaker 4: you think I'm gonna have a great conversation with you.
• 23:32
  Speaker 4: You came here because I paid you. I can't, I
• 23:34
  Speaker 4: don't want it.
• 23:36
  Speaker 1: I got It's.
• 23:40
  Speaker 2: If you're the breakast stake were the breakfast Cub, we
• 23:42
  Speaker 2: sit down, you're the breakfast Cub. It benefit the breakfast
• 23:46
  Speaker 2: Cup has built up their platform so crazy that it
• 23:50
  Speaker 2: benefits everybody to come sit their ass down. I eat
• 23:54
  Speaker 2: while the president, the people that are trying to become
• 23:56
  Speaker 2: president are coming to sit down. But does it bit
• 24:00
  Speaker 2: fits you to go sit to somebody on a lower pat.
• 24:03
  Speaker 4: Yes, yes, because guess guess what. You're not popping unless
• 24:08
  Speaker 4: all of us are talking about you. You're not popping
• 24:11
  Speaker 4: unless I'm giving my commentary about your concerts and talking
• 24:14
  Speaker 4: about your music and talking about your your design, your
• 24:17
  Speaker 4: clothes and what you do. We make you dope, we
• 24:21
  Speaker 4: make as an entertainer. You're not trending unless we're talking
• 24:26
  Speaker 4: about it. Breakfast club or not. You're not You're not
• 24:29
  Speaker 4: unless we're talking about it. Guess what, you're not popping.
• 24:34
  Speaker 4: So if I'm giving you my I'm giving you my
• 24:36
  Speaker 4: platform and paying you for it, that that that takes
• 24:40
  Speaker 4: away all the value in what I do and what
• 24:42
  Speaker 4: I bring to the table, because now you don't respect me.
• 24:45
  Speaker 4: You don't you think I need you and you don't
• 24:48
  Speaker 4: need me. That's how you when you when you let
• 24:50
  Speaker 4: when you pay somebody for an interview, you're telling them basically,
• 24:53
  Speaker 4: I need you so bad, but you don't need me
• 24:55
  Speaker 4: at all. But guess what, if we stop talking about
• 24:57
  Speaker 4: all these artists, nothing happens. And that's what that's what
• 25:01
  Speaker 4: content create. That's for TikTokers, content creators and musicians. If
• 25:06
  Speaker 4: we if the people that if we stop talking about it,
• 25:09
  Speaker 4: not's hopping. I don't give a damn.
• 25:11
  Speaker 1: Who you know what I'm saying because because if you want,
• 25:15
  Speaker 1: I guess I understand it. From the business perspective.
• 25:17
  Speaker 3: I don't, But I don't care if you want, if
• 25:19
  Speaker 3: you won't act, Let's say I got a thousand people
• 25:21
  Speaker 3: to listen to what I say. Okay, if you want
• 25:23
  Speaker 3: access to this thousand in Chicago, you need to sit
• 25:27
  Speaker 3: your ass right here. If you don't think my thousand
• 25:29
  Speaker 3: or whatever is valuable to your career. Move along.
• 25:33
  Speaker 1: I get it, No, I get it.
• 25:34
  Speaker 3: But but on the same hand, you can't be sitting
• 25:38
  Speaker 3: here charging for interviews and then your album drop and
• 25:41
  Speaker 3: you sell thirty thousand copies in the first week and
• 25:43
  Speaker 3: then be saying the man is trying to take you
• 25:45
  Speaker 3: out and don't nobody, ain't nobody support you.
• 25:47
  Speaker 1: That's a whole nother That's a different conversation.
• 25:50
  Speaker 3: So I shit your butt down. Money is exchanged, Okay,
• 25:54
  Speaker 3: the money should never be exchanged before between the person
• 25:57
  Speaker 3: interviewing and the artists. The money is exchanged to the
• 26:00
  Speaker 3: going to should be the back end people, the labels.
• 26:03
  Speaker 3: You know what I'm saying. They put the money out
• 26:05
  Speaker 3: there to be able to send the play of people
• 26:07
  Speaker 3: out there because they're gonna recoup and whatever they situation
• 26:10
  Speaker 3: or deal is. We shouldn't be going back and forth.
• 26:14
  Speaker 3: It just it's cheap.
• 26:15
  Speaker 1: I think. I think what we're doing is I think
• 26:16
  Speaker 1: it's cheap. We're doing is two different It's cheap.
• 26:20
  Speaker 3: It's like taking steroids.
• 26:21
  Speaker 4: That's cheap.
• 26:21
  Speaker 1: I think.
• 26:22
  Speaker 2: No, No, I think what you're what you're mixing up is
• 26:24
  Speaker 2: two different type of things, right, and I think that
• 26:27
  Speaker 2: because we've been in radio for so long, and I
• 26:30
  Speaker 2: do understand what you because we understand, we understand the
• 26:33
  Speaker 2: process of building the personality. If you build it, they
• 26:36
  Speaker 2: will come. We all been the we've all been the
• 26:38
  Speaker 2: weekend personality. Well, hey, you don't get the interviews, you've
• 26:41
  Speaker 2: been the overnight personality.
• 26:42
  Speaker 1: You don't get the interviews.
• 26:43
  Speaker 2: You're like, Man, I just got to keep building myself
• 26:45
  Speaker 2: up so I'll eventually get these, right. But I think
• 26:49
  Speaker 2: I think that's that type of media, right. But then
• 26:53
  Speaker 2: you have this over here, which is a business. It's
• 26:56
  Speaker 2: a business, not it's not necessarily not necess necessarily the
• 27:00
  Speaker 2: way we are traditional on the traditional media side, see it.
• 27:04
  Speaker 2: It's a business. It is a content. I have to
• 27:08
  Speaker 2: get content. I'm either we're gonna get paid regardless. We've
• 27:12
  Speaker 2: said it before a monthst ourselves. It don't matter if
• 27:15
  Speaker 2: anybody come in here and talk about like I said,
• 27:18
  Speaker 2: any I've said this a thousand times doing radio.
• 27:21
  Speaker 1: You could talk about.
• 27:22
  Speaker 2: Hey, telling you man, you don't have you don't get
• 27:26
  Speaker 2: to interview. The guests know you wish you was in
• 27:29
  Speaker 2: LA I will know you wish you was in New York. Yeah,
• 27:32
  Speaker 2: I do, And I think that's a and I love
• 27:35
  Speaker 2: those people that are in those media markets with the celebrities.
• 27:38
  Speaker 2: But which one is easier to be on with all
• 27:40
  Speaker 2: the celebrities or have people listen to you for twenty
• 27:42
  Speaker 2: years for just you, Because that's the thing, you know.
• 27:47
  Speaker 4: That's why any artists that come in here need a
• 27:49
  Speaker 4: value the platform that you've created, in the space that
• 27:53
  Speaker 4: you've created to allow them to promote their art. So
• 27:55
  Speaker 4: that's why if we give it away, we're diminishing what
• 27:59
  Speaker 4: we've built. I'm just saying now, I do understand why
• 28:03
  Speaker 4: there are people out there paying because there are a
• 28:05
  Speaker 4: lot of people who want to be interviewers and who
• 28:08
  Speaker 4: want to be personalities, who don't have the gift, who
• 28:10
  Speaker 4: were never never supposed to be doing that, but they
• 28:13
  Speaker 4: saw a way to go viral and a way to
• 28:15
  Speaker 4: make money, and now they've overly saturated the market with
• 28:19
  Speaker 4: the with the bullshit is what it is. It's a
• 28:21
  Speaker 4: lot of it's a lot of people out here with
• 28:23
  Speaker 4: a microphone that don't need one, okay, and they paying
• 28:26
  Speaker 4: for interviews. I'm telling you right now now, you ain't
• 28:32
  Speaker 4: getting no money out of me. I don't give that
• 28:34
  Speaker 4: if I gotta talk to Ryder for twenty years. That's
• 28:36
  Speaker 4: gonna be my podcast, me talking to Rod. He'll listen,
• 28:39
  Speaker 4: because it ain't no way I'm paying for anybody to
• 28:42
  Speaker 4: sit across from me. But I didn't have a platform.
• 28:46
  Speaker 4: I was on my computer before I even walked in
• 28:48
  Speaker 4: the radio station. I had a blog that I built
• 28:50
  Speaker 4: up that had a million followers. Somebody like Tank didn't
• 28:54
  Speaker 4: know me from nobody. I sent him an email, can
• 28:56
  Speaker 4: I interview? He did a phone interview with me. I
• 28:58
  Speaker 4: had no real platform, but he did it. So now
• 29:02
  Speaker 4: whenever solid, very solid. So now whenever Tank, no matter
• 29:06
  Speaker 4: what Tank doing his career, he can always come on
• 29:09
  Speaker 4: any platform on my own because he gave me that
• 29:11
  Speaker 4: opportunity from the ground up. So if you yes, and
• 29:15
  Speaker 4: so it's like artists, so you don't have to have
• 29:17
  Speaker 4: if you truly about your business, an artist will give
• 29:20
  Speaker 4: you opportunity, like Zach said, to build up your yourself
• 29:24
  Speaker 4: to get to a point. So now you now you
• 29:26
  Speaker 4: deserve to have artists come talk to you. But if
• 29:28
  Speaker 4: you don't, if you just out here paying, I have
• 29:30
  Speaker 4: no respect for you.
• 29:31
  Speaker 1: I get it. I get it. I get that. I
• 29:32
  Speaker 1: get that.
• 29:33
  Speaker 2: And to what me and all of us were saying,
• 29:36
  Speaker 2: I mean, it's a reason why Zach's Zach said it
• 29:39
  Speaker 2: and you said it and I've said it, is that
• 29:41
  Speaker 2: Tank's gonna be around. All of those artists are gonna
• 29:43
  Speaker 2: be around because they the way they do promote. You
• 29:45
  Speaker 2: do promote and they do get out and touch everybody.
• 29:49
  Speaker 2: You say, Nipsey Hustle. The reason Nipsey Hustle was so
• 29:51
  Speaker 2: loved because he talked to God damn, you didn't realize
• 29:54
  Speaker 2: he talked to every single person every blog while he
• 29:57
  Speaker 2: was on this planet.
• 29:58
  Speaker 1: He talked to everybody and had interaction.
• 30:01
  Speaker 3: That's the one victory lap the album before he passed,
• 30:05
  Speaker 3: he went on a crazy crazy It was everywhere and
• 30:08
  Speaker 3: that album was super successful. If you look at everybody
• 30:11
  Speaker 3: who does the crazy media runs, they win. You don't
• 30:15
  Speaker 3: talk to everybody and lose. Now, if you just go
• 30:17
  Speaker 3: like you said, just go talk to the breakfast club
• 30:19
  Speaker 3: and go home and post that ain't enough. That's not
• 30:23
  Speaker 3: gonna cut it.
• 30:24
  Speaker 1: People don't.
• 30:24
  Speaker 3: They care more. They more attached to it. When they
• 30:27
  Speaker 3: see when they see give me an artist, when they.
• 30:31
  Speaker 2: See talking, when they see ice, spice next to tone,
• 30:35
  Speaker 2: Your people are gonna be more inclined to see what
• 30:37
  Speaker 2: Ice Spice got going on, opposed to somebody that they
• 30:40
  Speaker 2: don't know.
• 30:40
  Speaker 1: That's fair.
• 30:41
  Speaker 3: You know what I'm saying. You like somebody that they
• 30:43
  Speaker 3: can't touch and see. That's a difference.
• 30:46
  Speaker 1: That's fair. Oh I love that, man. I love media.
• 30:50
  Speaker 1: Love that, Kiki. I love a media bag. All right,
• 30:56
  Speaker 1: let's get you this real quick.
• 30:58
  Speaker 2: Sexy Sexy Red release some lip gloss.
• 31:04
  Speaker 1: Who saw it? You see it? You heard about it?
• 31:08
  Speaker 3: Ahead, well, Kiki, Uh, Sexy Red has her own lip
• 31:11
  Speaker 3: gloss with some interesting names. You want to hear them?
• 31:13
  Speaker 1: Yes, I got him.
• 31:17
  Speaker 3: You got him in front of him.
• 31:18
  Speaker 1: I have it right in front of me. I want
• 31:20
  Speaker 1: to read them. Okay, you go ahead read him.
• 31:23
  Speaker 3: I thought you had him some very interesting names. And
• 31:27
  Speaker 3: I writer, please get the editor out right now. As
• 31:31
  Speaker 3: I say some of the names. Cou chie juice, I
• 31:35
  Speaker 3: repeatku chie juice. I got to say, like an iHeart
• 31:38
  Speaker 3: radio music festival. Uh keyword booty brown. That's booty brown.
• 31:49
  Speaker 1: Mm hmm.
• 31:51
  Speaker 3: H n ut.
• 31:58
  Speaker 1: Pink mhmm.
• 32:01
  Speaker 2: Yellow discharge, you're lying, yellow discharge.
• 32:08
  Speaker 4: You gone aria gonorrhea, blue.
• 32:16
  Speaker 3: Sack sex on my period fruits, you lion, you can
• 32:26
  Speaker 3: get all these.
• 32:29
  Speaker 2: Great sexy red lip glosses. My god, that's got you.
• 32:35
  Speaker 1: That is don't stop.
• 32:37
  Speaker 2: That's that's that's some of the worst names ever. But
• 32:42
  Speaker 2: it's sexy red dough. Gee, what you thought she's gonna
• 32:44
  Speaker 2: name it? I thought she's gonna name it pink rainbows
• 32:50
  Speaker 2: over the No, she's named it. Who's wearing gonarea and
• 32:55
  Speaker 2: who's kissing the girl that's got the gona real lip gloss?
• 32:58
  Speaker 2: Yellow discharge, yellow discharges craz mm hmm.
• 33:03
  Speaker 3: I saw boody brown coming. Yeah, I expected boody brown,
• 33:07
  Speaker 3: even p hole pink.
• 33:09
  Speaker 1: But I didn't think she was gonna say nothing blue.
• 33:13
  Speaker 3: I think this is I ain't gonna lie tell you
• 33:16
  Speaker 3: as much as you know, I love big sexy, but
• 33:19
  Speaker 3: I gotta keep it real.
• 33:19
  Speaker 1: It's the pot.
• 33:20
  Speaker 4: Please.
• 33:21
  Speaker 3: This is a disgrace. This is not only a This
• 33:24
  Speaker 3: is a disgrace. This is a disgrace to to our people.
• 33:29
  Speaker 3: This is a disgrace to black people, just disgrace to herself.
• 33:31
  Speaker 3: This is just this is we're getting kind of like
• 33:36
  Speaker 3: they have they have a thing in comedy where let's
• 33:39
  Speaker 3: say you make fun of like special people or like
• 33:42
  Speaker 3: special d or something, and they call that it like
• 33:45
  Speaker 3: a cheap joke like this is just a cheap joke.
• 33:47
  Speaker 3: It's like you don't get no respect for that. Anybody
• 33:49
  Speaker 3: can make fun of something like that. That's like low
• 33:51
  Speaker 3: hanging fruit. And this feels really cheap and low to me.
• 33:55
  Speaker 3: You know what I'm saying, Like, come on, man, sex
• 33:58
  Speaker 3: on my period yellow dish. We gotta have some type
• 34:01
  Speaker 3: of cool, some type of ware. I'm not necessarily saying
• 34:04
  Speaker 3: it's got to be Christian lip gloss. I'm not saying
• 34:06
  Speaker 3: it has to be you know, like I'm just above
• 34:10
  Speaker 3: this whole moral compass. But come on, bro, Donna, Rhea,
• 34:15
  Speaker 3: we had a point and you and who you think
• 34:17
  Speaker 3: your fan base is. That's what I'm more young girls,
• 34:20
  Speaker 3: and a lot of these young girls don't know it's entertainment.
• 34:22
  Speaker 3: They take this and believe it like I believed my
• 34:25
  Speaker 3: artists coming up. You know what I'm saying, like, come on, man,
• 34:29
  Speaker 3: this is.
• 34:30
  Speaker 1: I mean sexy red. It's what it is.
• 34:33
  Speaker 2: It's all in character. It's all falling in character. So
• 34:37
  Speaker 2: who's whose fault?
• 34:38
  Speaker 1: Is it? Whose fuck?
• 34:39
  Speaker 2: It's definitely on brand. It ain't like you see it
• 34:42
  Speaker 2: ain't like Alicia Keys released this sexy Red. Did I
• 34:48
  Speaker 2: mean so it's not like everybody acting surprised. I said, man,
• 34:52
  Speaker 2: you can't be same thing I've always said, you can't
• 34:54
  Speaker 2: be surprised when you we smoking cousin, roll up weed
• 34:57
  Speaker 2: in the place you're not supposed to roll weed up.
• 34:59
  Speaker 2: Shouldn't should have never been invited her to the party
• 35:03
  Speaker 2: like this.
• 35:03
  Speaker 1: She here, Now, this is what you're gonna get. This
• 35:06
  Speaker 1: is what you ate.
• 35:07
  Speaker 2: Sexy Red not going anywhere now is a woman? Key, key,
• 35:12
  Speaker 2: here we go. This is what I say. Women don't
• 35:16
  Speaker 2: check other women. Y'all be like, okay, sis, this is
• 35:19
  Speaker 2: what this is one of those moments.
• 35:21
  Speaker 4: First of all, shut up because you're talking about some women.
• 35:24
  Speaker 4: Don't check women.
• 35:27
  Speaker 1: Each other.
• 35:29
  Speaker 4: Y'all don't check each other.
• 35:30
  Speaker 1: Crazy.
• 35:31
  Speaker 2: If a dude messes up in a relationship, we'll tell
• 35:33
  Speaker 2: it same to his face.
• 35:34
  Speaker 1: We're like this, this.
• 35:36
  Speaker 4: Ain't messing up in a relationship.
• 35:38
  Speaker 2: This is if you get caught, If your boy get caught,
• 35:41
  Speaker 2: your boy get calls selling drugs, You're like, I told
• 35:44
  Speaker 2: you shouldn't have did that.
• 35:45
  Speaker 1: Bro.
• 35:45
  Speaker 4: Let me tell you my only the only thing that
• 35:48
  Speaker 4: is upsetting to me about this is the young fans.
• 35:52
  Speaker 4: Her fan base is little children. Her fan base unfortunately
• 35:57
  Speaker 4: is high school age girls. And although it's so hard
• 36:04
  Speaker 4: for me because I I don't you know, it's so
• 36:08
  Speaker 4: hard for me because it's not I don't like it
• 36:13
  Speaker 4: if I feel sorry for all the parents who are
• 36:16
  Speaker 4: gonna have to tell their daughters you cannot order the
• 36:18
  Speaker 4: sexy real loss lip gloss. I bet not catch you
• 36:21
  Speaker 4: with the sexy red lip gloss. It's just unfortunate because
• 36:24
  Speaker 4: I think you are free to be a character and
• 36:26
  Speaker 4: express yourself, but there is a point where you're marketing
• 36:29
  Speaker 4: to a certain demographic, and lip gloss is for little
• 36:33
  Speaker 4: girls who can't wear lipstick or have it, don't do
• 36:36
  Speaker 4: full beats. Lip gloss is something you take with you
• 36:38
  Speaker 4: when you first start wearing makeup. So to me, it's
• 36:41
  Speaker 4: very much geared towards children. It's in this pink, sparkly case.
• 36:45
  Speaker 4: It's giving child like and that's what's that's what's really
• 36:49
  Speaker 4: bothering me is because I love sexy red music. I
• 36:52
  Speaker 4: like I like twerking and turning up to sexy red.
• 36:54
  Speaker 4: But I'm a grown woman and so when you know,
• 36:58
  Speaker 4: if I bought this for one of my girls bachelorres
• 37:00
  Speaker 4: party as a joke or something that's different but it's
• 37:02
  Speaker 4: not being marketed towards me. It's being marketed towards little
• 37:05
  Speaker 4: kids and teenagers. And that's what's uncomfortable for me because
• 37:09
  Speaker 4: as an artist, if I was sexy read this would
• 37:12
  Speaker 4: be an exclusive line that you could only get, you know,
• 37:16
  Speaker 4: at a certain like it would be some type of parameter.
• 37:18
  Speaker 4: That packaging will look totally different. It would be like
• 37:20
  Speaker 4: almost like a sex toy thing versus lip gloss. That's
• 37:23
  Speaker 4: something a child would want.
• 37:25
  Speaker 2: And you know what, I never knew that that lip
• 37:28
  Speaker 2: gloss is the beginner.
• 37:30
  Speaker 3: Yeah, make up.
• 37:31
  Speaker 4: Yeah, And it's like in the world it's so demonic
• 37:35
  Speaker 4: and it's so it's like we okay, we.
• 37:38
  Speaker 2: Let that is not that is not title.
• 37:51
  Speaker 1: I got it. I got it.
• 37:53
  Speaker 3: I have to I found it.
• 37:54
  Speaker 1: Okay.
• 37:57
  Speaker 3: First of all, Key Key's title is director of Outreach. Yes,
• 38:02
  Speaker 3: at Jesus is the life my church?
• 38:05
  Speaker 1: Into this into this mask.
• 38:09
  Speaker 3: What you're gonna kill the kids? It's at church.
• 38:12
  Speaker 4: I can't, I can't. You have to take a stand somewhere.
• 38:15
  Speaker 4: And I hate when you put me in a position
• 38:16
  Speaker 4: where I gotta take a stand because, like I again,
• 38:19
  Speaker 4: you know what I'm saying, it's fun be a lot
• 38:22
  Speaker 4: of sex Red. That's what you say, that's red. But
• 38:25
  Speaker 4: now it's like, that's making me uncomfortable that you're selling.
• 38:29
  Speaker 3: But I guess what I'm saying is what makes I
• 38:31
  Speaker 3: mean even with the those titles, then that means you're
• 38:35
  Speaker 3: really uncomfortable with sexy Red because those the music is
• 38:39
  Speaker 3: still geared for those same girls that you are, you know,
• 38:43
  Speaker 3: looking at you know that you're talking about it, you
• 38:45
  Speaker 3: feel this concerned for but but they actually singing and
• 38:48
  Speaker 3: loving the music.
• 38:49
  Speaker 4: They love her and the music and they love it.
• 38:52
  Speaker 3: So it's really it's all tied in because the lip
• 38:55
  Speaker 3: gloss is only an extension of the brand of her brand,
• 38:58
  Speaker 3: which is that, you know what I'm.
• 39:00
  Speaker 4: Saying, absolutely same way when we was coming up, we
• 39:03
  Speaker 4: had Little Kim, we had Trina, we had Nicki Minaj,
• 39:05
  Speaker 4: we had you know, all our female rappers were very
• 39:07
  Speaker 4: vulgar in their lyrics and said all kind of stuff
• 39:09
  Speaker 4: saing with male rappers. We all rap it, we all
• 39:12
  Speaker 4: sang it. But I wasn't putting lip gloss on my
• 39:14
  Speaker 4: lips at twelve. You know what I'm saying. I was
• 39:17
  Speaker 4: sneaking and listening to Trina. I was sneaking make it better,
• 39:21
  Speaker 4: though it does make it better. I was Trina didn't
• 39:23
  Speaker 4: give me a lip bloss that call to put on
• 39:25
  Speaker 4: my lips. But singing a like, singing a song is
• 39:30
  Speaker 4: selling me a product to put on my lips.
• 39:35
  Speaker 1: If you put lip gloss song, I mean, what's the
• 39:39
  Speaker 1: next step?
• 39:39
  Speaker 3: And I guess, I guess. What I'm trying to get
• 39:41
  Speaker 3: y'all to see is I understand that lip gloss is
• 39:43
  Speaker 3: a physical product, right, but so is music. You just
• 39:47
  Speaker 3: don't may not physically grab it.
• 39:49
  Speaker 4: So you want to cancel her.
• 39:50
  Speaker 1: I don't.
• 39:50
  Speaker 3: I don't want to count. But since we have, since
• 39:53
  Speaker 3: we hear and we having this conversation, do you think
• 39:57
  Speaker 3: more kids know about out the lip gloss or know
• 40:01
  Speaker 3: about the music that Sexy Red puts out consistently? Do
• 40:04
  Speaker 3: you think they're hearing the lip gloss more than they're
• 40:07
  Speaker 3: hearing this music in rotation time after time after time
• 40:10
  Speaker 3: when they go to the party. They friends may not
• 40:12
  Speaker 3: even that, they might not even get the lip gloss,
• 40:14
  Speaker 3: but they know the songs, they know the music, and
• 40:17
  Speaker 3: they live that. You understand what I'm saying.
• 40:19
  Speaker 2: That's way the music is way more impactful than the
• 40:23
  Speaker 2: lip gloss to.
• 40:24
  Speaker 1: Me, I mean like at that point. But this is
• 40:27
  Speaker 1: the thing.
• 40:28
  Speaker 3: No, we have to stay here because you canna say you.
• 40:32
  Speaker 2: Could you could, Like I told you, my whole era
• 40:35
  Speaker 2: of my life was gangster music. I was there, you
• 40:38
  Speaker 2: guys make fun. I was there the creation. I was
• 40:40
  Speaker 2: there the creation of gangster music as a kid.
• 40:43
  Speaker 4: As a kid, it didn't make you go pick up
• 40:45
  Speaker 4: a gun.
• 40:46
  Speaker 1: It didn't make me go pick up a gun. The
• 40:49
  Speaker 1: biggest drug dealer in the city, it didn't take me.
• 40:52
  Speaker 3: No, it didn't do that to you. Hold on, hold on,
• 40:54
  Speaker 3: let's stay there. Write what you just said. It didn't
• 40:56
  Speaker 3: do that to you, but it did that to somebody else.
• 40:59
  Speaker 2: That's it, dudes, and my Now you could come on, Zach,
• 41:06
  Speaker 2: drug You cannot say that music does not influence our culture.
• 41:10
  Speaker 1: Zach, let me get right here, and it does have
• 41:13
  Speaker 1: a bit of an influence. But listen to me. Tell
• 41:15
  Speaker 1: you done, Drew, or you then grew up with the dude.
• 41:19
  Speaker 2: You the dude that you grew up with, grew up
• 41:21
  Speaker 2: y'all hanging out everybody.
• 41:22
  Speaker 1: It's a cruel y'all.
• 41:23
  Speaker 2: Five guys, y'all hanging out, y'all hoop every day, and
• 41:26
  Speaker 2: then you know the dude is going to be the
• 41:29
  Speaker 2: drug dealer out of your group because his family life
• 41:32
  Speaker 2: is just a little different than yours. His mama carried gun,
• 41:36
  Speaker 2: his daddy different, They his uncles, his uncles always got weed.
• 41:41
  Speaker 2: He a kid and he coming up in it. It's
• 41:44
  Speaker 2: his surroundings, his surroundings in his neighborhood.
• 41:47
  Speaker 3: That his surroundings are influenced by the music, whether it
• 41:52
  Speaker 3: came directly hood a.
• 41:53
  Speaker 2: Hood family, zach a hood family going to produce hood kids.
• 41:59
  Speaker 2: I do the god turned out to be one of
• 42:01
  Speaker 2: the biggest drug dealers in on the South Side.
• 42:04
  Speaker 1: It that I grew up with. Guess what. His whole
• 42:07
  Speaker 1: family were hustlers. They it it.
• 42:10
  Speaker 2: That's what he knew. So when he got old enough,
• 42:13
  Speaker 2: he got o. All the music did was tell his
• 42:16
  Speaker 2: family story. So it made them more comfortable. Yes, but
• 42:20
  Speaker 2: he was gonna be a drug dealer.
• 42:21
  Speaker 4: I think what both of y'all saying is true. What
• 42:24
  Speaker 4: I think the part where missing is that and why
• 42:26
  Speaker 4: I say it's a difference when you're selling a child
• 42:28
  Speaker 4: an inappropriate product versus putting out an inappropriate song, is
• 42:32
  Speaker 4: that it is really your parents' job to raise you.
• 42:35
  Speaker 4: It is your parents' job to be your biggest influencer. Now,
• 42:38
  Speaker 4: a lot of parents out here are not doing their job,
• 42:41
  Speaker 4: and so you do have kids that are are influenced
• 42:43
  Speaker 4: by music and are at school showing people they booty
• 42:46
  Speaker 4: is brown and everything else because they mamas and daddy's
• 42:50
  Speaker 4: ain't teaching them the right way to go. That's the
• 42:52
  Speaker 4: difference for me. As far as when an artist is
• 42:55
  Speaker 4: actually marketing and selling a child an inappropriate product, that's
• 43:00
  Speaker 4: where the difference is. Music has been toxic since the
• 43:03
  Speaker 4: They all people music the freakiest. If you listen to
• 43:06
  Speaker 4: some of them all records, they nastier than anything Sexy
• 43:09
  Speaker 4: Red could say. But if your parent is doing your job,
• 43:11
  Speaker 4: then the music cannot be blamed for who you turn
• 43:14
  Speaker 4: out to be. In my opinion, so because a lot
• 43:16
  Speaker 4: of because like what you're saying is it's some truth,
• 43:18
  Speaker 4: there's act. But then Dan, we might as well be
• 43:20
  Speaker 4: a gospel station. Everybody gotta play because if you say
• 43:23
  Speaker 4: anything incorrect, then you saying that we influence in the
• 43:26
  Speaker 4: just but your parents got to do their job at.
• 43:28
  Speaker 1: The end of the day.
• 43:29
  Speaker 3: Here's the difference. Here is the difference. And I'm happy
• 43:31
  Speaker 3: we are here because we are having this conversation. The
• 43:35
  Speaker 3: difference is this as a people. As a people, we
• 43:39
  Speaker 3: are influenced by music. Okay, Tone said he saw the
• 43:42
  Speaker 3: gangster rap era come up. Okay, here's the difference. The
• 43:46
  Speaker 3: difference is back in the day, there was balance. Okay,
• 43:52
  Speaker 3: you there was a balance. You had R and B
• 43:55
  Speaker 3: music when we was out, there was dance music. There
• 43:59
  Speaker 3: was music that was and violent at all. There was
• 44:02
  Speaker 3: music where there were people rapping about positive things that
• 44:05
  Speaker 3: weren't rapping about picking up a gun at anything. So
• 44:08
  Speaker 3: as a child growing up, you are influenced. Whether you
• 44:11
  Speaker 3: think you it's just your parents or whatever. Everybody is
• 44:13
  Speaker 3: influenced by what they see in here or their childhood.
• 44:16
  Speaker 3: That's completely what it is. But what I'm saying is
• 44:19
  Speaker 3: back in the day, when you have varieties of music,
• 44:22
  Speaker 3: you could literally go to what fit you the best.
• 44:26
  Speaker 1: Okay.
• 44:26
  Speaker 3: What I'm worried about with today is most of our
• 44:30
  Speaker 3: all of all black people ain't gangster. All black people
• 44:34
  Speaker 3: don't sell dope. But my issue, all black women ain't
• 44:38
  Speaker 3: nasty and want to be And that's okay if that's
• 44:41
  Speaker 3: who you are, Like you said that, brother, But guess
• 44:43
  Speaker 3: what where is the music that sounds like the person.
• 44:47
  Speaker 1: That I am and.
• 44:50
  Speaker 3: Heart finish because I know, because I'm at the point
• 44:57
  Speaker 3: in my life where I know it's entertainment. What I'm
• 44:59
  Speaker 3: trying to say, what you've.
• 45:00
  Speaker 1: Been listening to the future since you grew up said.
• 45:03
  Speaker 2: Nine, you drunk Lean and I ain't touched the I
• 45:07
  Speaker 2: ain't touch no lean because it's all been entertainment to
• 45:10
  Speaker 2: me and I got good parents, right. But here, hear
• 45:14
  Speaker 2: me out, hear me out. Do you think I got
• 45:17
  Speaker 2: these tattoos.
• 45:18
  Speaker 3: On my body because I liked tattoos or because Wiz
• 45:22
  Speaker 3: Khalifa was out and Skinny was getting tatted.
• 45:25
  Speaker 1: Yes, it was getting tatted. That was the thing.
• 45:29
  Speaker 4: Yeah, I got mad because I had.
• 45:32
  Speaker 3: What I'm trying to say is we do stuff because
• 45:36
  Speaker 3: of art with people that we like. Yeah, mine was
• 45:39
  Speaker 3: just a tattoo and it's not a life ending decision.
• 45:42
  Speaker 3: But some people decided tom to carry a gun, some
• 45:45
  Speaker 3: people decided to sell dope because Jeez made it sound good.
• 45:48
  Speaker 3: Some people did it. No, I'm not saying it's his fault.
• 45:55
  Speaker 3: I'm saying music influences us, and we can't sit up
• 45:58
  Speaker 3: here and act like music that.
• 46:01
  Speaker 2: You're trying to act like. It's the only.
• 46:07
  Speaker 4: Music is bad. Were playing Tyler TAM's you got us
• 46:13
  Speaker 4: ain't from here? It don't matter you got we have?
• 46:17
  Speaker 4: You act like we just out here in all our
• 46:20
  Speaker 4: music and shoot them up back back our killers. Don't
• 46:22
  Speaker 4: even wrap about it no more.
• 46:24
  Speaker 3: All I'm all I'm saying is music has in music.
• 46:27
  Speaker 3: Now I'm getting to take it even deeper.
• 46:30
  Speaker 1: I'm ready to argue that it is music.
• 46:35
  Speaker 3: If this is what I'm trying to get, try to
• 46:36
  Speaker 3: understand it's not about I don't even want to get
• 46:38
  Speaker 3: that deep. All I'm trying to say is we don't
• 46:43
  Speaker 3: control the music that is mainstream, and I'm gonna leave
• 46:46
  Speaker 3: it here. We don't Other entities and other corporations that
• 46:50
  Speaker 3: do not look like us control the mainstream music. Okay,
• 46:54
  Speaker 3: there is a reason R and B has died and
• 46:57
  Speaker 3: it's not become as mainstreaming. I'm not saying R and
• 46:59
  Speaker 3: B artist don't because you know, people say what about Tim?
• 47:02
  Speaker 3: What about I'm not saying That's what I'm trying to say,
• 47:07
  Speaker 3: what about him?
• 47:08
  Speaker 1: Okay?
• 47:09
  Speaker 3: What I'm trying to say. What I'm trying to say
• 47:12
  Speaker 3: is are the music had so much influences that corporations
• 47:18
  Speaker 3: and people that wanted people to act a certain way
• 47:20
  Speaker 3: when they wanted the flood. The prison pipelines started to
• 47:22
  Speaker 3: sign more gangster artists and started to push that more
• 47:25
  Speaker 3: often because they realized that that behavior caused people to
• 47:28
  Speaker 3: go to jail, which fed the prison pipeline system. We
• 47:32
  Speaker 3: had more love song to the lady, Why you got him?
• 47:35
  Speaker 4: We say, I'm trying to save our jobs because Zach,
• 47:38
  Speaker 4: what you want us.
• 47:39
  Speaker 3: To do and nothing we can do about it. I'm
• 47:41
  Speaker 3: not saying anything we can do about it, kid, Oh,
• 47:44
  Speaker 3: it's not gonna hit the same if I ain't introducing
• 47:46
  Speaker 3: the sexy red record you, I'm not telling the girls
• 47:50
  Speaker 3: you know what I'm saying.
• 47:51
  Speaker 4: I'm just saying I love.
• 47:53
  Speaker 3: I love first of all, I love when women pop
• 47:55
  Speaker 3: ay couchie. I would never stop a grown woman from
• 47:57
  Speaker 3: popping up kochie. I just don't want a teenager to be.
• 48:02
  Speaker 1: The point this one.
• 48:04
  Speaker 2: Like at some point, and what I do, I wish
• 48:08
  Speaker 2: somebody would have it's on brand for sex.
• 48:10
  Speaker 1: You read again, it's on brand.
• 48:11
  Speaker 2: But I still wish that somebody would have told told
• 48:15
  Speaker 2: her like, you know what, nah this one, this one,
• 48:18
  Speaker 2: let's not do this one, or let's have far with
• 48:22
  Speaker 2: let's have far with another couple of names.
• 48:24
  Speaker 1: Let's just play with but nah, not these. But I
• 48:27
  Speaker 1: mean it is what it is.
• 48:29
  Speaker 2: It's on brand. We'll see what happens with it. Last
• 48:31
  Speaker 2: one before we get out of here. It's a couple.
• 48:35
  Speaker 1: Uh.
• 48:35
  Speaker 2: I want to ask you, when you are out with somebody,
• 48:38
  Speaker 2: is there etiquette involved?
• 48:40
  Speaker 1: Is there?
• 48:41
  Speaker 2: Is?
• 48:41
  Speaker 1: There is the etiquette?
• 48:42
  Speaker 2: Like so you Zach brings a girl around, Zach brings
• 48:47
  Speaker 2: a girl around me and you and all our co workers?
• 48:51
  Speaker 1: Is is there a certain etiquette she has to fall into?
• 48:56
  Speaker 4: I would hope everybody got a little etiquette about themselves
• 48:58
  Speaker 4: in all settings.
• 49:00
  Speaker 2: I mean in a sense of about being over familiar
• 49:02
  Speaker 2: with your friends, Like have you ever worried about how
• 49:04
  Speaker 2: your person is gonna be when they meet your friends
• 49:08
  Speaker 2: or it's a gathering at the house all you have
• 49:10
  Speaker 2: you ever worried about that?
• 49:12
  Speaker 1: No?
• 49:12
  Speaker 4: Me, personally, I don't play that. So everybody around me?
• 49:14
  Speaker 2: Are are you coaching? Like you coach them up? Like, hey,
• 49:17
  Speaker 2: we get over here, don't do this, don't do that?
• 49:21
  Speaker 1: Is that something you do?
• 49:22
  Speaker 4: No? But I feel like if I have to do that,
• 49:25
  Speaker 4: then we already got some issues because you should know
• 49:28
  Speaker 4: how to conduct yourself around my friends, around my boys, homeboys, whatever.
• 49:33
  Speaker 4: Like if me and Timothy go out and we run
• 49:35
  Speaker 4: into his friends, I'm not I'm not. I'm not in
• 49:39
  Speaker 4: his friends like I'm not in the friends face and
• 49:42
  Speaker 4: trying like you know what I'm saying. It's just a
• 49:43
  Speaker 4: certain you your have. I don't like when you say
• 49:47
  Speaker 4: I know better, because I'm what like I'm you know,
• 49:51
  Speaker 4: I'm me? I know better?
• 49:54
  Speaker 1: You don't know better? You got good sense?
• 49:57
  Speaker 3: Yes, that's why you're talking back in the day, you
• 50:02
  Speaker 3: no better.
• 50:02
  Speaker 4: Woman my friends. Damn yeah, like I don't.
• 50:15
  Speaker 1: I don't know how it was. That was because you
• 50:19
  Speaker 1: know better?
• 50:20
  Speaker 4: Like, yes, you can't tell a millennial woman she know better.
• 50:31
  Speaker 4: But yeah, yeah, it's a certain way to act around
• 50:34
  Speaker 4: your your your spouse's friends in a in a different setting.
• 50:37
  Speaker 4: And we all have seen the girl that's way too friendly.
• 50:41
  Speaker 4: That's so what way too friendly? We have all seen that.
• 50:45
  Speaker 4: Like if my guy is cracking, you could see my
• 50:47
  Speaker 4: man side too when he talks to you. I got
• 50:49
  Speaker 4: a problem because why is he smelling that hard? What's
• 50:52
  Speaker 4: all over here? What's what's so funny? You know what
• 50:54
  Speaker 4: I'm saying? Like And if I'm not in the conversation,
• 50:57
  Speaker 4: Why is you bring my man to the function and
• 50:59
  Speaker 4: he and corner just cheese. I see all his teeth.
• 51:02
  Speaker 4: That's a problem for me.
• 51:04
  Speaker 1: What you're doing exactly? You think that's there's there's etiquette.
• 51:08
  Speaker 2: Do you ever worry about that when you bring somebody
• 51:10
  Speaker 2: around the friends?
• 51:11
  Speaker 3: Hell, yeah, I took this girl. I brought this girl
• 51:17
  Speaker 3: to the club one time, and I didn't know. I
• 51:21
  Speaker 3: guess I was just a stepping stone for her to
• 51:24
  Speaker 3: get to the guys.
• 51:25
  Speaker 1: You yeah, there go.
• 51:28
  Speaker 3: When I tell you she was like all in his face,
• 51:32
  Speaker 3: I was like, oh I had I was. I was
• 51:37
  Speaker 3: so embarrassed, in hurt, you know what I'm saying, Like,
• 51:39
  Speaker 3: I was like, damn, she really is in this dude's face.
• 51:43
  Speaker 1: You know what I'm saying, Come.
• 51:44
  Speaker 2: Back to you, like, what what are you trying about?
• 51:46
  Speaker 3: What we're talking about?
• 51:48
  Speaker 1: Grandfad to leave you?
• 51:49
  Speaker 2: Yeah, like it's etiquette right here. I don't even know
• 51:52
  Speaker 2: what I still no shade. I couldn't really even tell
• 51:57
  Speaker 2: you what Zach ex wife looked like. I on like, like,
• 52:02
  Speaker 2: I just don't look at people's women in the face
• 52:05
  Speaker 2: friendly with Now, if we become friends over years, you'd
• 52:09
  Speaker 2: have been man with it and it's over time.
• 52:11
  Speaker 1: Now we now we we cool. Everything's cool. But when
• 52:14
  Speaker 1: I first be I'm not gonna be all engaging with
• 52:17
  Speaker 1: your girl and.
• 52:18
  Speaker 2: Hey, what's up? Hey laughing and touching on her and
• 52:21
  Speaker 2: none of that stuff. And your girl don't touch on me, right,
• 52:24
  Speaker 2: don't touch on me. It's just a But I've seen situations,
• 52:28
  Speaker 2: I've been in situations. What else that etiquette is? It
• 52:31
  Speaker 2: just goes out do it. I always I'm I promise
• 52:35
  Speaker 2: you just because I'm out. There's some alcohol. A lot
• 52:38
  Speaker 2: of times I understand women and they get that they
• 52:42
  Speaker 2: might feel insecure, and it's in a space.
• 52:44
  Speaker 1: And if we all feel script. If I go around
• 52:46
  Speaker 1: you and you got.
• 52:47
  Speaker 2: Your guys, your guy friends, your girlfriends around, it's I'm
• 52:51
  Speaker 2: gonna feel insecure.
• 52:52
  Speaker 1: But I'm only locking in with you.
• 52:54
  Speaker 2: I'm a I'm a I'm a I'm really kind of
• 52:56
  Speaker 2: play the friends of the conversation. They laughing, I'm a
• 53:00
  Speaker 2: laugh somebody laughing. Somebody speak to me, say something cool,
• 53:03
  Speaker 2: But it's all I'm just here.
• 53:05
  Speaker 1: I'm really just decoration. I'm not I'm just sure.
• 53:08
  Speaker 3: I'm not the life of the party.
• 53:09
  Speaker 1: I'm not the life of the party.
• 53:10
  Speaker 3: Absolutely.
• 53:11
  Speaker 2: I'm not the life of the party. I'm super hospitable.
• 53:14
  Speaker 2: Anybody wants some drinks, I'm about to go to the
• 53:16
  Speaker 2: bar get some drinks.
• 53:17
  Speaker 1: I'm not.
• 53:18
  Speaker 3: And even when you ask that, you ask your woman first.
• 53:21
  Speaker 3: Oh you got hey, baby, you need anything? You know,
• 53:24
  Speaker 3: you need anything? Any y'all y'all straight? Maybe good? You know,
• 53:27
  Speaker 3: you might even come back to her just to reassure.
• 53:29
  Speaker 3: Like I'm being a gentleman for everybody. But you know,
• 53:32
  Speaker 3: I'm here, this is my this is my one on
• 53:34
  Speaker 3: what I'm saying, Like you know, it ain't no you know,
• 53:37
  Speaker 3: and none of that.
• 53:37
  Speaker 2: But I've seen women get out their body and they body.
• 53:42
  Speaker 1: I was in the situation before a long time ago
• 53:44
  Speaker 1: where woman.
• 53:45
  Speaker 2: Grabbed one of my friend's legs, laughing, laughing, kept grabbing it.
• 53:51
  Speaker 4: It's like that that real crazy.
• 53:56
  Speaker 2: So let me ask you what type of laugh with
• 53:58
  Speaker 2: it like? Or like did she grab it with some
• 54:03
  Speaker 2: like it was? It was it was a patent three grabs.
• 54:06
  Speaker 2: I counted, Oh my god, I couldn't help it. Man,
• 54:09
  Speaker 2: I locked in. I locked it after I did the
• 54:13
  Speaker 2: first one. I remember locking in after the first one.
• 54:16
  Speaker 2: The pat with you, the first happened with the arm
• 54:20
  Speaker 2: on the shoulder. It was arm on the shower, and.
• 54:22
  Speaker 4: Like, I'm like, she's doing too much.
• 54:24
  Speaker 2: I was like, okay, I'm gonna say something. It was
• 54:28
  Speaker 2: I'm gonna say something about this a little later. Huh oh,
• 54:32
  Speaker 2: that was out of pocket. Out of the pocket.
• 54:36
  Speaker 1: He's still cracking jokes though it's a time, but I'm watching.
• 54:39
  Speaker 1: I'm gimmin. I can't help it.
• 54:40
  Speaker 4: What was your homie doing.
• 54:42
  Speaker 2: My homie is stead telling, telling the joke, but he's
• 54:44
  Speaker 2: getting uncomfortable.
• 54:45
  Speaker 3: You can see.
• 54:46
  Speaker 1: I can see it on his face. I gotta remember
• 54:48
  Speaker 1: how this happened.
• 54:49
  Speaker 2: And he was like, so then she did it again,
• 54:56
  Speaker 2: and then and then again, and then he cracked did
• 55:00
  Speaker 2: it again after the fun He's he freaked out. He
• 55:04
  Speaker 2: freaked out. He like he freaked out, and I'm looking like.
• 55:08
  Speaker 3: Yeah, oh, you're gonna came out here inbarrassed.
• 55:10
  Speaker 2: I was like, you came out here embarrassed. She tried to,
• 55:14
  Speaker 2: you know, like reaffirm and touch me, touch me. I
• 55:18
  Speaker 2: just took my hand off, took her hand out.
• 55:20
  Speaker 1: Quietly.
• 55:21
  Speaker 2: He got up because he knew what was getting there happened.
• 55:24
  Speaker 2: He got up and I just you know, I just
• 55:27
  Speaker 2: I explained to it like that's high disrespect. That's a
• 55:30
  Speaker 2: high level of disrespect. And she tried to explain it like, yo,
• 55:33
  Speaker 2: I'm just trying to be engaging with everybody.
• 55:36
  Speaker 1: But I was like I said, I never understood that.
• 55:38
  Speaker 1: I never understood.
• 55:40
  Speaker 2: I watched people do that this past weekend with other people,
• 55:45
  Speaker 2: did I know. I was like, I watched my guy
• 55:47
  Speaker 2: person he brought and she was overly friendly, and I'm
• 55:52
  Speaker 2: watching him get watching him get disgusted. I'm just looking
• 55:55
  Speaker 2: at it like I was like, damn. And that's why
• 55:58
  Speaker 2: I wanted to bring it up on the pocket. I
• 55:59
  Speaker 2: was like, is there like this unwritten attiquette that people
• 56:03
  Speaker 2: shouldn't have?
• 56:03
  Speaker 1: Oh?
• 56:04
  Speaker 4: Absolutely, women when you are you know, I have a
• 56:08
  Speaker 4: lot of male friends. I think I hang around more
• 56:10
  Speaker 4: men than I do women, And I'm very conscious about
• 56:14
  Speaker 4: when I meet one of my male friends partners, if
• 56:17
  Speaker 4: we go out, I'm addressing her. You know what I'm saying.
• 56:19
  Speaker 4: When I run into Hey queen, I might not even
• 56:21
  Speaker 4: know your name. Hey beautiful, I'm gonna speak to you
• 56:24
  Speaker 4: before I just come in and start having a conversation
• 56:26
  Speaker 4: with your man. To me, that's like you it's just
• 56:28
  Speaker 4: a level of respect, like as a woman. How would
• 56:31
  Speaker 4: you want somebody to active that if you was out
• 56:33
  Speaker 4: with your man. You know what I'm saying, Like, don't
• 56:34
  Speaker 4: disregard he got a woman with him, addressed her first,
• 56:37
  Speaker 4: and then I just talked to that's his name, Drip.
• 56:40
  Speaker 4: I just talked to Cocho Jones about this. I said,
• 56:42
  Speaker 4: when you did that, well, she did the Usher tribute,
• 56:56
  Speaker 4: everybody started across the world. She went to do a
• 56:59
  Speaker 4: lap dance in the front row. She danced on his
• 57:02
  Speaker 4: wife first, and then asked her. Wasn't okay if she
• 57:06
  Speaker 4: danced on Usher? That's Russia? But he has a wife.
• 57:10
  Speaker 4: You have to just be respectful. It's a way to
• 57:12
  Speaker 4: do things. And so when you see somebody with their
• 57:15
  Speaker 4: partner address state partner, you know what I'm saying.
• 57:17
  Speaker 3: All right, that's what I'm saying.
• 57:19
  Speaker 1: It's a funny thing. We almost ad time. It's a
• 57:22
  Speaker 1: little bit longer. Boy.
• 57:23
  Speaker 4: Wow, y'all stressed me out.
• 57:25
  Speaker 1: Yeah, we stressed you out. We didn't get to see
• 57:28
  Speaker 1: you and we do that on the audio only pod.
• 57:31
  Speaker 2: Yeah we could do that. Yes, sorry, we could do that.
• 57:34
  Speaker 2: Oh yeah ts R Yeah, shout out to everybody. Final
• 57:37
  Speaker 2: thoughts Kiki. Let's go ahead.
• 57:38
  Speaker 1: We got a wrap. We're not able to transfer this audio.
• 57:42
  Speaker 3: Final thoughts.
• 57:43
  Speaker 4: I love y'all. Y'all got a badshirt from tone.
• 57:47
  Speaker 1: Yea, I found a way that to get it done too.
• 57:49
  Speaker 4: Come on now, if you see my man out and
• 57:51
  Speaker 4: he's smelling, you could see his sattooth missing. Just no,
• 57:53
  Speaker 4: I'm not going to say it between the watching and
• 57:54
  Speaker 4: dryer when I get home. I'm just playing. But yeah,
• 57:58
  Speaker 4: that's it. Be respectful see people, partners.
• 58:01
  Speaker 3: Uh sid uh to final thought. Make sure y'all continue
• 58:10
  Speaker 3: to support us on TSR Live. Man, we appreciate everybody
• 58:14
  Speaker 3: who's been checking in. We do that on Thursdays at
• 58:16
  Speaker 3: seven thirty Central time. Man, and shout out to Rider.
• 58:19
  Speaker 3: I want to give a special shout out to Rider
• 58:22
  Speaker 3: while we're on the pod for the way he was
• 58:24
  Speaker 3: hitting them switches. Shout out to did.
• 58:28
  Speaker 1: You thank you? Right showed up? Yeah, right, showed up
• 58:31
  Speaker 1: showing in the fourth quarter.
• 58:33
  Speaker 2: Baby that's learning on the fly, learned it and got
• 58:36
  Speaker 2: this is what I need to do.
• 58:39
  Speaker 1: My dog, my dog wait to show up. Hey.
• 58:43
  Speaker 2: Yeah, final thoughts, I'll keep echoing it like the rest
• 58:45
  Speaker 2: of my members of the pod Man, we want to
• 58:47
  Speaker 2: thank you so much for supporting us on here and
• 58:50
  Speaker 2: of course the audio and TSR Live that is the
• 58:53
  Speaker 2: new baby.
• 58:54
  Speaker 1: Definitely run those numbers up. Share it.
• 58:56
  Speaker 2: Tell everybody when you see us post up something, please share,
• 59:00
  Speaker 2: share a share, but thank you so much. We really
• 59:02
  Speaker 2: appreciate it. And that link is coming up for the merch.
• 59:06
  Speaker 2: I found out how to do it through Amazon. Yeah,
• 59:10
  Speaker 2: I do this that so oh that's the special help
• 59:13
  Speaker 2: of somebody from the pod.
• 59:14
  Speaker 4: Can we get one?
• 59:15
  Speaker 1: Yeah?
• 59:16
  Speaker 3: We gotta pay.
• 59:18
  Speaker 1: I got, I got a free you want to? Plus
• 59:22
  Speaker 1: I got? I got them?
• 59:24
  Speaker 3: You got any more media?
• 59:25
  Speaker 1: I got? So? I got?
• 59:25
  Speaker 3: How many more?
• 59:26
  Speaker 1: You don't cut up? I only had to I took.
• 59:29
  Speaker 2: I took my two out cutting them up.
• 59:35
  Speaker 3: So I got them on and.
• 59:39
  Speaker 1: Get out.
• 59:39
  Speaker 3: Seen everybody with one?
• 59:41
  Speaker 1: But I got I'm gonna give you all next bottle grin?
• 59:46
  Speaker 4: Yeah, where you get that from?
• 59:48
  Speaker 1: You get that? Babe?
• 59:49
  Speaker 2: Okay, I hate y'all, but that being said, but what
• 59:54
  Speaker 2: can we say