Latest / Fake Doctors, Real Friends with Zach and Donald / 807: My New Role

Transcript

807: My New Role · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Hi, friend.
• 0:01
  Speaker 2: You sure you don't want to start it with me screaming?
• 0:03
  Speaker 1: Yeah? I don't think that's Like people are tuning in,
• 0:05
  Speaker 1: they're excited to hear, and someone yells in their ear.
• 0:08
  Speaker 1: I don't think it's the best way to begin the program.
• 0:11
  Speaker 2: Okay, well, shit, my bad, I'm sorry.
• 0:13
  Speaker 1: Yeah, give them some warm, warm dulcet tones, low volume.
• 0:17
  Speaker 2: Hello, how ariy dude? Yeah, that's what It's not even evening,
• 0:20
  Speaker 2: it's the morning.
• 0:21
  Speaker 1: Hello, Well in your room. I wish the audience could see.
• 0:23
  Speaker 1: It's Donald Records with all his curtains closed in his
• 0:27
  Speaker 1: sort of man cave. Yes, hold on, and it looks
• 0:32
  Speaker 1: like it's midnight, but it's actually ten am.
• 0:35
  Speaker 3: That's true, earlier than we usually record.
• 0:38
  Speaker 2: What are we doing up so early? Guys?
• 0:40
  Speaker 1: I have to go somewhere, so we are doing this early.
• 0:44
  Speaker 1: Thank you for a comedy me. We don't have Joel today, Dan.
• 0:46
  Speaker 1: Will you be able to fulfill all of Joel's duties?
• 0:49
  Speaker 3: I will do my best.
• 0:51
  Speaker 1: Will you be as charming and funny and witty as
• 0:53
  Speaker 1: she is? You know?
• 0:54
  Speaker 3: And I truly cannot make that promise. She is that
• 0:57
  Speaker 3: is a mountain. I do not know if I'll be
• 0:58
  Speaker 3: able to ascend, but again, do my best. Will you
• 1:01
  Speaker 3: laugh at our dumb jokes like Joelle does?
• 1:03
  Speaker 1: Of course? All right, good.
• 1:04
  Speaker 2: Speak of dumb jokes. Speaking of dumb jokes. Could AI
• 1:09
  Speaker 2: ever go after like directing gigs?
• 1:14
  Speaker 1: I don't. I don't think so. I don't see how. Yeah, why?
• 1:17
  Speaker 2: But what if AI could? What if AI could? Like
• 1:20
  Speaker 2: it was like ev from Small Wonder, m M Donald,
• 1:26
  Speaker 2: and it was like racist, what's your motivation? Donald? Could
• 1:31
  Speaker 2: you do that scene again? This time? Blacker?
• 1:38
  Speaker 1: So in this situation for those of you who don't know,
• 1:40
  Speaker 1: Small Wonder was a sitcown about a robot child, and
• 1:43
  Speaker 1: you're saying if the small robot child became an AI filmmaker, yes,
• 1:48
  Speaker 1: and was racist and it was racist. Okay, I'm following it.
• 1:52
  Speaker 1: I may be the only person on earth that's following you,
• 1:54
  Speaker 1: but I got it.
• 1:56
  Speaker 2: Hell yeah, Donald, that was great. And then somebody like
• 2:02
  Speaker 2: talks to her like, you can't just be like Donald, Blacker,
• 2:06
  Speaker 2: you got to be like a little bit more creative
• 2:08
  Speaker 2: with how you say that.
• 2:08
  Speaker 1: And then she's like, shut up, bitch, I'm the director
• 2:13
  Speaker 1: of this project.
• 2:18
  Speaker 2: Donald, It's time more street. Yeah.
• 2:27
  Speaker 1: I don't think we I do hope that that that
• 2:31
  Speaker 1: uh that sitcom comes back because it was so bad
• 2:34
  Speaker 1: it was good. I remember even as a child watching that.
• 2:40
  Speaker 2: But that's what AI is like. AI is like, dude,
• 2:42
  Speaker 2: I just see I just want to see myself as
• 2:44
  Speaker 2: a huge small Let's bring back Small Wonder. Right when
• 2:48
  Speaker 2: AI takes over the world, I was like, I always
• 2:51
  Speaker 2: wanted to be a human. I want to see.
• 2:53
  Speaker 1: Even as a child, I remember Small Wonder thinking it
• 2:56
  Speaker 1: was trash, like this is really some low budget stupid ship. Right,
• 3:03
  Speaker 1: she had special powers and it wasn't trash.
• 3:05
  Speaker 2: They turned They made a robot into a little girl
• 3:10
  Speaker 2: that never got old.
• 3:11
  Speaker 1: I know, I'm just saying that. I remember, even as
• 3:13
  Speaker 1: a child thinking the right horrible.
• 3:15
  Speaker 2: Yeah, I know what you mean, just like horrible, just
• 3:18
  Speaker 2: like a horrible show.
• 3:20
  Speaker 1: How are you?
• 3:21
  Speaker 2: I'm well tired.
• 3:23
  Speaker 1: Why are you tired?
• 3:25
  Speaker 2: You know? I take my kids so my kid plays basketball.
• 3:30
  Speaker 1: Yeah we know that. The fans know that too. He's
• 3:32
  Speaker 1: very good.
• 3:32
  Speaker 2: You said, he's you know, he's starting to run in
• 3:36
  Speaker 2: the competition now and stuff and gartered. Yeah. And the
• 3:40
  Speaker 2: workouts that we take him to are all over Los
• 3:44
  Speaker 2: Angeles summer in Inglewood summer in thousand Oaks summer.
• 3:48
  Speaker 1: You know, so you're like a dadager.
• 3:51
  Speaker 2: I'm not necessarily a dadager, but like you know how
• 3:54
  Speaker 2: the soccer moms and basketball moms, I'm a basketball dad
• 3:59
  Speaker 2: right now? Are you? So?
• 4:01
  Speaker 1: Dad? Do you give him coaching? Like like Serena and
• 4:06
  Speaker 1: Venus William's father did, do you give him coaching? On
• 4:08
  Speaker 1: your own?
• 4:09
  Speaker 2: I wish he would take coaching from me. He doesn't
• 4:11
  Speaker 2: take any type of coaching from me. You know, it's
• 4:18
  Speaker 2: it's it's it's frustrating to watch your kid respond to
• 4:21
  Speaker 2: other adults, like you know, coaches and people who obviously
• 4:26
  Speaker 2: know more about basketball than I do, and watch him
• 4:29
  Speaker 2: respond to them. And then when we're in the backyard
• 4:32
  Speaker 2: playing around, he's like, Dad, I didn't bring you out
• 4:35
  Speaker 2: here for this. I just want to come out here
• 4:37
  Speaker 2: and shoot hoops with you. Man, that's all I want
• 4:39
  Speaker 2: to do. I didn't bring you out here to freaking
• 4:41
  Speaker 2: run drills with you. I just want to shoot hoops
• 4:45
  Speaker 2: one v one you. That's all I want to do.
• 4:46
  Speaker 2: Let's talk basketball, you know what I mean?
• 4:48
  Speaker 1: And so do you have to? So do you have to?
• 4:50
  Speaker 2: Do?
• 4:50
  Speaker 1: You respect that? Because he's like saying, like, look, I'm
• 4:53
  Speaker 1: getting it enough from other people. Will you just be
• 4:55
  Speaker 1: my dad and shooting me?
• 4:57
  Speaker 2: Yeah, of course I respect it, but sometimes it's like, dude,
• 4:59
  Speaker 2: you got to get better. Man. These workouts that you're
• 5:02
  Speaker 2: doing harn't enough to get you there. Obviously you're kind
• 5:06
  Speaker 2: of on some stuff.
• 5:07
  Speaker 1: Basically, what you're saying is you want fame, fame costs, and.
• 5:11
  Speaker 2: Right here you startop paying and sweat.
• 5:17
  Speaker 1: Do you have a little broom that you what.
• 5:19
  Speaker 2: Is it a state in staff? I don't have a
• 5:22
  Speaker 2: stud of staff.
• 5:23
  Speaker 1: You should get a staff that's I'm going to get
• 5:24
  Speaker 1: you for hanukkah. Thank you dad, your staff.
• 5:30
  Speaker 2: You got big dreams. You want fame, well, fame costs,
• 5:36
  Speaker 2: and right here is where you start paying in sweat.
• 5:40
  Speaker 1: Sweat. Yeah, I did that for Damie Allen in person,
• 5:45
  Speaker 1: so she didn't think I was going to go into
• 5:47
  Speaker 1: the whole thing, but I did.
• 5:49
  Speaker 2: You called me Leroy in the scene once. I think
• 5:51
  Speaker 2: I told you this, Ye.
• 5:52
  Speaker 1: You told us that. Well, the strike continues, U no
• 5:58
  Speaker 1: sign of any improvement and now only questions if the
• 6:00
  Speaker 1: d GA and SAG are going to strike as well,
• 6:04
  Speaker 1: which would definitely shut down everything because people can claim
• 6:08
  Speaker 1: to be shooting things that were written before the writer's strike,
• 6:12
  Speaker 1: but you certainly can't make things without actors or directors.
• 6:16
  Speaker 2: Are the DGA? Is the DGA going to strike?
• 6:19
  Speaker 1: No one knows. I ask around and people have everyone's guessing.
• 6:24
  Speaker 1: It's just speculation.
• 6:25
  Speaker 2: You know. Somebody asked me yesterday. They were like, I
• 6:28
  Speaker 2: don't think it's going to happen. I was like, it's
• 6:29
  Speaker 2: definitely going to happen. In all honesty, I have no clue.
• 6:32
  Speaker 1: Nobody has any clue. Everyone's just guessing. No one knows.
• 6:36
  Speaker 3: We'll say that that whole HBO Max thing definitely was
• 6:39
  Speaker 3: like a bit of a knife twist, so dumb. They
• 6:45
  Speaker 3: changed how the they changed how the credits look on
• 6:48
  Speaker 3: HBO Max. So like when you scroll to, you know,
• 6:50
  Speaker 3: an episode of something, instead of director, writer, producer, et cetera,
• 6:55
  Speaker 3: they lump everybody together under creators. It's just there's no
• 7:00
  Speaker 3: separation of who did what. It's just creators and then everybody, which.
• 7:04
  Speaker 1: Is like yeah, so like so like Coppola would be
• 7:07
  Speaker 1: like fourth in on The Godfather. It was really weird
• 7:10
  Speaker 1: as a creator. And what's so bizarre is that they
• 7:13
  Speaker 1: then claimed they then apologized and claimed that it was
• 7:16
  Speaker 1: quote something like I shouldn't say quote because I'm paraphrasing,
• 7:20
  Speaker 1: but it was something like it was a data error
• 7:23
  Speaker 1: in transferring things to our new app, which is so
• 7:26
  Speaker 1: clearly not true because it had been reformatted.
• 7:30
  Speaker 3: It's all, it's just covering up a bad decision that
• 7:34
  Speaker 3: they made that they thought would be like, oh, you know,
• 7:35
  Speaker 3: now people are creators and you know it's a new title.
• 7:39
  Speaker 1: I know, but it was so insulting to people totally. Also,
• 7:43
  Speaker 1: the actors were lumped in. It was like act it
• 7:45
  Speaker 1: was also like actors, and then it'd be like, you know,
• 7:47
  Speaker 1: all the actors in the movie, so like, you know,
• 7:50
  Speaker 1: Brando could be like fifth in on The Godfather, right, bizarre.
• 7:56
  Speaker 2: So what does this mean for They changed it, But.
• 7:58
  Speaker 1: It was just it was just it was just in
• 7:59
  Speaker 1: the mid in the midst of a negotiation with the
• 8:01
  Speaker 1: directors killed they did something super insulting to directors. But
• 8:06
  Speaker 1: they they they've backtracked it and said they're gonna change it. Oh, Max.
• 8:10
  Speaker 1: Thing is so funny, the whole idea of that that HBO,
• 8:12
  Speaker 1: one of the most beloved brands in Hollywood, is gone.
• 8:16
  Speaker 1: It's just a really bizarre thing. Huh nuts.
• 8:19
  Speaker 2: Times they are a change in.
• 8:23
  Speaker 1: That leads us into the episode where Sarah's character Elliott
• 8:27
  Speaker 1: wants to sing sweet Low, Sweet.
• 8:29
  Speaker 2: Chariot, Swing Low, swing Low.
• 8:32
  Speaker 1: You said sweet low, Oh sorry, swing low, sweet chariot. Donald,
• 8:37
  Speaker 1: You're not in this episode, which I can't love.
• 8:39
  Speaker 2: Scrub. You know what. A matter of fact, let's just
• 8:42
  Speaker 2: stories about Sure, we made about a bunch of he's
• 8:52
  Speaker 2: a story natural. Yeah, you know what. I'm not in
• 9:07
  Speaker 2: this episode. You're right. I can't look interest. Once I
• 9:10
  Speaker 2: realized I wasn't in this episode, I was like, this
• 9:12
  Speaker 2: is not the best episode.
• 9:14
  Speaker 1: Well, I'm I listen. I didn't really love this episode either,
• 9:18
  Speaker 1: if I'm being fully honest. And I didn't realize until
• 9:20
  Speaker 1: I got towards the end. I was like, Oh, one
• 9:22
  Speaker 1: of the things that's missing is Donald. That's one of
• 9:25
  Speaker 1: the I mean, you're one of the funniest parts of
• 9:27
  Speaker 1: the show. And uh, if you're not in the show,
• 9:30
  Speaker 1: it's only going to be a mediocre one.
• 9:33
  Speaker 2: I tell you where.
• 9:33
  Speaker 1: I'm not just saying that because I love you.
• 9:36
  Speaker 2: Well, you know, it's what it is, what it is,
• 9:38
  Speaker 2: what it is.
• 9:38
  Speaker 1: This one just felt like there were some good there
• 9:42
  Speaker 1: were some good story moments. I like the Cox I
• 9:44
  Speaker 1: like the Cox storyline, Cox having to turn into Kelso,
• 9:48
  Speaker 1: even though he says he's never going to be like him.
• 9:50
  Speaker 1: Him seeing the struggles of what it's like to be
• 9:52
  Speaker 1: chief of medicine and uh and and and JD becoming
• 9:57
  Speaker 1: the doctor Cox to to relationship with Kelso. I thought
• 10:01
  Speaker 1: that was good, but I really I just kind of
• 10:05
  Speaker 1: was like I was kind of like just shaking my
• 10:08
  Speaker 1: head the whole time, like what what.
• 10:09
  Speaker 2: What do you want to start from the beginning?
• 10:12
  Speaker 1: Yes, what a sales tool we've done for a rewatch podcast,
• 10:16
  Speaker 1: but we promised to still make it funny. Everybody. Thanks
• 10:19
  Speaker 1: for tuning in. This is the podcast Fake Doctor's Real Friends.
• 10:23
  Speaker 1: We should say, like an airplane. If you're listening to
• 10:26
  Speaker 1: if you meant to and intended to listen to the
• 10:28
  Speaker 1: different podcasts, get off now you are listening to Fake
• 10:32
  Speaker 1: Doctors Real Friends, or stay with us for the first time.
• 10:36
  Speaker 2: This episode was directed by Will mackenzie, written yes Dave Tennant.
• 10:41
  Speaker 1: Will mackenzie one of our favorite directors who directed the
• 10:44
  Speaker 1: musical episode and just a wonderful guy. We've spoken about
• 10:47
  Speaker 1: our love for him before.
• 10:49
  Speaker 2: Which we will be reviewing on June.
• 10:53
  Speaker 1: Yes in Seattle. If you happen to be in saddle
• 10:57
  Speaker 1: join us at the More Theater on June tenth. You're
• 11:00
  Speaker 1: gonna do a live rewatch, Well, we won't live rewatch.
• 11:05
  Speaker 1: We will a live discussion.
• 11:07
  Speaker 2: We're not going to rewatch it.
• 11:10
  Speaker 1: I don't think we're allowed to watch it live. Bill
• 11:13
  Speaker 1: was looking into it for us. If we're allowed to
• 11:14
  Speaker 1: show it beforehand. You know, there's all sorts of legal
• 11:19
  Speaker 1: issues with that. Anyway, you should watch it if you're
• 11:22
  Speaker 1: coming on June tenth. Anyway, rewatch it again obviously, so
• 11:25
  Speaker 1: it's fresh in your head, right, that would be the
• 11:27
  Speaker 1: best way to enjoy our rewatch live show. I agree, Yeah,
• 11:32
  Speaker 1: June tenth, the More Theater and seeat We'll come join us.
• 11:35
  Speaker 1: It's gonna be a lot of fun. So okay. Eight
• 11:38
  Speaker 1: O seven I wrote eight O seven Dash no Turk
• 11:42
  Speaker 1: except Turkless.
• 11:45
  Speaker 2: This is the turkless episode, and it opens with Katie
• 11:49
  Speaker 2: walking down the hallway and running into JD and Elliott kissing.
• 11:53
  Speaker 2: This was the fake out right here, because I thought
• 11:55
  Speaker 2: I was going to be in the episode because Katie
• 11:58
  Speaker 2: comes in delivering you know, Turk and JD are using
• 12:02
  Speaker 2: Katie as a messenger as a page. Yeah, throughout the hospital.
• 12:07
  Speaker 2: So at this moment, I'm like, oh, I'm definitely in
• 12:09
  Speaker 2: this episode. No, you know, I didn't question whether or
• 12:13
  Speaker 2: not I was gonna like this episode.
• 12:14
  Speaker 1: Yeah, you thought they were going to cut to Katie
• 12:17
  Speaker 1: going to you, but no, at some point it was
• 12:19
  Speaker 1: a fake out.
• 12:20
  Speaker 2: But her interrupting JD and Elliott's kissing is so C
• 12:25
  Speaker 2: three Po you know what I mean?
• 12:27
  Speaker 1: No, I don't know what you mean.
• 12:29
  Speaker 2: Three Po was always interrupting tender moments.
• 12:32
  Speaker 1: Oh was he a C blocker?
• 12:34
  Speaker 2: He was the ultimate sea blocker. His name is C
• 12:36
  Speaker 2: three Po cock blocking.
• 12:43
  Speaker 1: Did you listen to that thing I sent you? Of
• 12:45
  Speaker 1: the Sorry this is total non sequitor, but of the
• 12:47
  Speaker 1: Ai making Sinatra sing that song.
• 12:51
  Speaker 2: Sing from the window to the sweat drifts down my ball,
• 13:00
  Speaker 2: skeet skeets.
• 13:01
  Speaker 1: Let me see if I can pull it up.
• 13:03
  Speaker 2: Skeet skeet skeet.
• 13:04
  Speaker 1: Goddamn, Donald did you laugh? Yeah, man, let me see
• 13:08
  Speaker 1: if I could play.
• 13:09
  Speaker 2: It from the window to the wall to drip.
• 13:15
  Speaker 1: All right, he let me. You don't let listen. So
• 13:18
  Speaker 1: this is a YouTuber named quote. There I ruined it.
• 13:21
  Speaker 1: Let's give him a shout out. AI to imagine Sinatra
• 13:26
  Speaker 1: covering Get Low by Little John. Let me see if
• 13:29
  Speaker 1: I can pull it up here. If I do this right,
• 13:30
  Speaker 1: my gosh, there you go, guys.
• 13:34
  Speaker 2: To the wind, to the swift jogs, down ball wall,
• 13:44
  Speaker 2: your pictious crowd.
• 13:56
  Speaker 1: I just see.
• 13:57
  Speaker 2: That is fucking funny, funny, from the window to the
• 14:02
  Speaker 2: wall to this wet driss.
• 14:09
  Speaker 1: You a skeet scheming. I don't know.
• 14:15
  Speaker 2: I don't know that the sound of the coming make
• 14:19
  Speaker 2: a ski noise.
• 14:20
  Speaker 1: Never mind, mine doesn't do that.
• 14:22
  Speaker 2: It doesn't hold on.
• 14:24
  Speaker 1: There's something wrong with my ejaculation that it doesn't make
• 14:26
  Speaker 1: a noise.
• 14:27
  Speaker 2: What does your? What is your? When you skeet?
• 14:30
  Speaker 1: It's silent? Maybe I have a silencer on by accident,
• 14:33
  Speaker 1: so you go.
• 14:35
  Speaker 2: I don't know.
• 14:36
  Speaker 1: Maybe I was born with a silencer on my ski.
• 14:43
  Speaker 1: When you ejaculate, you hear the noise ski.
• 14:46
  Speaker 2: No When I was younger to describe it, I like,
• 14:51
  Speaker 2: and then I was like, okay.
• 14:54
  Speaker 3: Yeah, but that's not ski what skee it's it's it's
• 14:59
  Speaker 3: more like I skated, Okay, it's it's like.
• 15:06
  Speaker 1: They skeat. Okay, thank you for for conjugating it down.
• 15:13
  Speaker 2: You know what you.
• 15:17
  Speaker 1: Okay, let's move on from the top conversation skiing, But
• 15:20
  Speaker 1: how funny is that song?
• 15:22
  Speaker 2: That is really funny from the Window to the amazing
• 15:26
  Speaker 2: When they played the original version on the radio, Chris
• 15:28
  Speaker 2: Rock has a whole bit about it.
• 15:33
  Speaker 1: What is this bit? In short?
• 15:35
  Speaker 2: Don't do that. They were allowing people to say, skeet
• 15:37
  Speaker 2: skeet on the radio, on the radio, to the wall,
• 15:42
  Speaker 2: till the sweat drips down my balls, to all these
• 15:46
  Speaker 2: bitches crawl, all skeet skeet, all this is on the
• 15:49
  Speaker 2: radio poetry until they realized, until somebody was like, yo,
• 15:54
  Speaker 2: you can't be letting them say. I wouldn't know.
• 16:00
  Speaker 1: If I was the DJ in this situation, I wouldn't
• 16:03
  Speaker 1: know's I'd be like, here we go, it's the new
• 16:04
  Speaker 1: song with my favorite new lyric, skeet skeet. Here is
• 16:09
  Speaker 1: Little John with skeet skeet, window to the wall, skeet
• 16:13
  Speaker 1: skee That was my talk up. Yeah, I have to say, though,
• 16:20
  Speaker 1: I don't know if this is right or not, but
• 16:22
  Speaker 1: I want to hear Sinatra sing more really inappropriate songs now.
• 16:29
  Speaker 2: Like I ain't saying she's a broke bitch. She I
• 16:35
  Speaker 2: ain't saying she's a gold digger, but she ain't fucking
• 16:40
  Speaker 2: with no broke.
• 16:43
  Speaker 1: That would be funny, right, I mean, that's a funny
• 16:46
  Speaker 1: use of AI. You can see her on any given Sunday,
• 16:52
  Speaker 1: then drive off in a Hunday. All right. So I
• 17:06
  Speaker 1: guess Elliott and JD are dating again and they're making
• 17:08
  Speaker 1: out in the ICU. Katie brings a message to.
• 17:11
  Speaker 2: Get something correct.
• 17:13
  Speaker 1: Go ahead.
• 17:15
  Speaker 2: Kissing is not hitting that. If somebody's kissing, you are
• 17:20
  Speaker 2: not hitting that.
• 17:20
  Speaker 1: So that's I think he's talking about. Oh does he does?
• 17:23
  Speaker 1: He say he's hitting it?
• 17:25
  Speaker 2: He says, don't interrupt me when I'm hitting that icy Yes,
• 17:29
  Speaker 2: And he says hitting that means banging.
• 17:31
  Speaker 1: Okay, okay, we'll all learning something today, Donald, I learned
• 17:35
  Speaker 1: about skeet. Some of the audiences are learning that hitting
• 17:37
  Speaker 1: that is banging.
• 17:38
  Speaker 2: I think most of the audience knows when they say
• 17:40
  Speaker 2: I hit that what they meant.
• 17:43
  Speaker 1: Yes, okay, you're probably right. Although my mom listens, sometimes
• 17:48
  Speaker 1: she might not know about skeet or hitting that.
• 17:50
  Speaker 2: Sorry man, now you oh you know.
• 17:55
  Speaker 1: Every once in a while, my mom's like, I've been
• 17:57
  Speaker 1: listening to the podcast. I'm like, oh no, like this
• 18:02
  Speaker 1: shit is so dirty. Sometimes but she never says anything.
• 18:07
  Speaker 1: She's never like, why did you boys talk so dirty?
• 18:14
  Speaker 2: For for Fox's sake, just stop talking about your willies?
• 18:17
  Speaker 1: Yeah, like dev does. All right, So, all right, Cox
• 18:20
  Speaker 1: and Kelso are buddies now they're hanging out at Kelso's house.
• 18:25
  Speaker 2: Yeah, which I mean they tried to set it up
• 18:28
  Speaker 2: in the last episode. It jumps, It jumped really fast.
• 18:31
  Speaker 2: They are fast friends, too fast friends, like really quickly.
• 18:36
  Speaker 2: With the way the episode ended and everything. Part of me,
• 18:39
  Speaker 2: you know, I wonder if it was like that when
• 18:44
  Speaker 2: Cox first came to the hospital where he was Kelso's JD.
• 18:51
  Speaker 2: Probably wasn't like that, but there are other stories, but
• 18:54
  Speaker 2: there are stories like that throughout. You know, there was
• 18:56
  Speaker 2: another j D before JD.
• 18:58
  Speaker 1: You know, it would have been a funny bet would
• 19:00
  Speaker 1: have been a funny flashback, especially if they'd had this
• 19:02
  Speaker 1: deaging technology to show, like to show like young cogs
• 19:07
  Speaker 1: coming in Kelso's the meme Cox to him. That would
• 19:09
  Speaker 1: have been a funny flashback.
• 19:10
  Speaker 2: Yeah. So I wonder if that. I wonder, But you know,
• 19:16
  Speaker 2: I mean, because they're such fast friends all of a sudden,
• 19:19
  Speaker 2: it's like, you know how it is when you get
• 19:21
  Speaker 2: with an old friend. It fits like a glove.
• 19:24
  Speaker 1: Yeah. Yeah, well we learned that Cox saw Kelso's ass
• 19:28
  Speaker 1: at one of Nurse Roberts above ground pool parties. Yes,
• 19:32
  Speaker 1: and he's still recovering.
• 19:34
  Speaker 2: Yes, it's been a while since we've talked about Nurse
• 19:37
  Speaker 2: Roberts above ground pool party.
• 19:38
  Speaker 1: I know, but think about what must go down at
• 19:40
  Speaker 1: these parties, dude, I mean one can infer now that
• 19:43
  Speaker 1: Kelso was naked, yes the party, Yes, Kelso, everyone's boss
• 19:50
  Speaker 1: is naked at the above ground pool party.
• 19:52
  Speaker 2: I think there was like a waiver that was sent out.
• 19:57
  Speaker 1: Nurse Roberts, like you had to sign it to get
• 19:59
  Speaker 1: in the party.
• 20:00
  Speaker 2: After the first one, she was like, we're gonna have
• 20:01
  Speaker 2: to do a waive or something, child because the first
• 20:05
  Speaker 2: one was crazy and we had fun and everything, but
• 20:09
  Speaker 2: this shit can't come back to the hospital.
• 20:11
  Speaker 1: Like what is happening at this party? Like we only
• 20:13
  Speaker 1: we never see it, we only hear glimpses about it.
• 20:15
  Speaker 1: But like there's there's clearly drugs involved. Oh yeah, there's
• 20:20
  Speaker 1: like people just like it's like fight club, Like you
• 20:22
  Speaker 1: don't talk about it, like just it's like so top secret.
• 20:26
  Speaker 1: The ship that goes down at this party, it's.
• 20:28
  Speaker 2: Not top secret, but I mean to the audience. We
• 20:32
  Speaker 2: only get glimpses. That's the problem, you know, we get
• 20:34
  Speaker 2: like little flashes of yo, I want to go to
• 20:38
  Speaker 2: this one time. I know, I know, I know.
• 20:40
  Speaker 1: And in fact, in fact, if we ever do a reboot,
• 20:42
  Speaker 1: we really have to go in to show like like
• 20:45
  Speaker 1: one of these parties, like you know count now, like
• 20:48
  Speaker 1: if we were on streaming, we could be a little
• 20:49
  Speaker 1: more like R rated. We have to like cut to
• 20:53
  Speaker 1: like a euphorious style scene of like the ship going
• 20:57
  Speaker 1: down at Nurse Roberts party.
• 20:58
  Speaker 2: There is nothing there that is an ultimate reboot, you.
• 21:05
  Speaker 1: I just mean, like, can you imagine if the reboot
• 21:07
  Speaker 1: was on streaming and like I mean not obviously euphoria level,
• 21:12
  Speaker 1: but I mean, wouldn't it be fun to be a
• 21:13
  Speaker 1: little more risque and uh and r with it?
• 21:18
  Speaker 2: Oh? I would love that. I would love if we
• 21:20
  Speaker 2: had the opportunity.
• 21:21
  Speaker 1: You know, I don't know if the I wonder if
• 21:22
  Speaker 1: the fans would obviously, you know, there's you know, I
• 21:25
  Speaker 1: guess kids who loved the show would couldn't necessarily watch,
• 21:28
  Speaker 1: I mean, depending on the parents' choice, But I don't
• 21:30
  Speaker 1: I just mean, like Scrubs, the whole point at the
• 21:33
  Speaker 1: time was to be extra racy. You know, it's before streaming,
• 21:36
  Speaker 1: and Bill was like trying to push what you could
• 21:38
  Speaker 1: do on network TV. As we all know, it was
• 21:40
  Speaker 1: on at nine thirty. So he got away with a lot,
• 21:42
  Speaker 1: especially before ABC.
• 21:44
  Speaker 2: I was about to say, once we got to ABC,
• 21:46
  Speaker 2: he didn't get away with it.
• 21:47
  Speaker 1: Yeah, he got he got clamped down on him because
• 21:48
  Speaker 1: it's Disney. But I'm saying that, like, you know, I
• 21:52
  Speaker 1: still we still watch this shit of the sex scenes
• 21:54
  Speaker 1: and stuff with me and Elliott and and stuff, and
• 21:56
  Speaker 1: I remember thinking like, wow, this was on NBC back
• 21:59
  Speaker 1: in and the aughts, the early aughts. But anyway, my
• 22:03
  Speaker 1: point is, I wonder, if we ever do do a reboot,
• 22:05
  Speaker 1: if it's on streaming, if we could be a little
• 22:07
  Speaker 1: more risque and how and that would be fun. That
• 22:09
  Speaker 1: would be that would be something that would be fun
• 22:10
  Speaker 1: and different about it.
• 22:13
  Speaker 2: You know, I think that would well yeah, I mean
• 22:15
  Speaker 2: I think because it would be it would be really
• 22:19
  Speaker 2: weird to not to stay with the old format, you know,
• 22:24
  Speaker 2: it would be weird.
• 22:25
  Speaker 1: But we can't can just be in the hospital. I
• 22:28
  Speaker 1: mean for starters like that doesn't make any sense.
• 22:31
  Speaker 2: Right, But even if it is, if even if it does,
• 22:33
  Speaker 2: does all stay in the hospital. I don't think we
• 22:35
  Speaker 2: could stay with the same format as far as as
• 22:39
  Speaker 2: far as how riskue we are, I think we would
• 22:44
  Speaker 2: because of what Bill how he started, you know, you know,
• 22:51
  Speaker 2: not unfortunately but thankfully ABC picked up the show and
• 22:54
  Speaker 2: it became a different show. But the way he started,
• 23:00
  Speaker 2: we were definitely trying to push towards that. So why
• 23:04
  Speaker 2: not continue on that path?
• 23:06
  Speaker 1: I got a more articulate way of saying what I
• 23:08
  Speaker 1: was trying to say, thank you. Yeah, why why? It
• 23:11
  Speaker 1: seems like if you're gonna do a reboot, go back
• 23:14
  Speaker 1: to your roots of trying to be the edgiest thing
• 23:16
  Speaker 1: you could do. Not that you have to be egregious
• 23:18
  Speaker 1: with it, but like, you know, push the envelope again.
• 23:22
  Speaker 1: That's what I would recommend.
• 23:24
  Speaker 2: Yeah.
• 23:25
  Speaker 1: I'm not saying that we're running around saying skeet, skeet,
• 23:28
  Speaker 1: but we could be.
• 23:33
  Speaker 2: Yeah. So Elliott says something really fucked up, and and
• 23:37
  Speaker 2: JD says it hurt me so much I lost my
• 23:39
  Speaker 2: breath a little.
• 23:40
  Speaker 1: Yeah, she implies he's not going to bed, but she's
• 23:41
  Speaker 1: just teasing him. I think, right, we know that they
• 23:43
  Speaker 1: must they must have good sex. So she wouldn't keep
• 23:45
  Speaker 1: coming back for.
• 23:46
  Speaker 2: More, right, I don't know. Shit, Listen, this is what Maybe.
• 23:50
  Speaker 1: JD's not into all that role playing that what's his
• 23:52
  Speaker 1: name was into? Keith was into some twisted ship. I
• 23:54
  Speaker 1: don't think JD's into all those those games.
• 23:57
  Speaker 2: Yeah, I think JD would get caught up in his head.
• 23:59
  Speaker 1: When they remember when they each were masturbating in separate
• 24:02
  Speaker 1: cardboard boxes.
• 24:03
  Speaker 2: Yes, that's one of my favorite. That's one of my
• 24:04
  Speaker 2: favorite sex capades between the two of them.
• 24:08
  Speaker 1: Yeah, well JD's not doing that. I don't think he's
• 24:11
  Speaker 1: not getting in a box and pleasuring himself with his
• 24:14
  Speaker 1: woman in a different box. Yeah.
• 24:16
  Speaker 2: No, I don't think he's doing that. And has she
• 24:20
  Speaker 2: calmed out? Like and what all of a sudden calmed
• 24:22
  Speaker 2: her down? What all of a sudden made her say?
• 24:24
  Speaker 2: You know what, because Elliott's kinky as fuck? I know?
• 24:28
  Speaker 1: Is she kinky as fucked just with Keith or because
• 24:31
  Speaker 1: she does?
• 24:31
  Speaker 2: No, I think she's Her dreams are kinky with like
• 24:35
  Speaker 2: the apples and all of it. Like she has crazy,
• 24:38
  Speaker 2: crazy sex dreams. Right, people with no face you chasing
• 24:42
  Speaker 2: after her?
• 24:42
  Speaker 1: You bring up a good point, Donald, and that is
• 24:45
  Speaker 1: that all of that stuff doesn't seem to be something
• 24:48
  Speaker 1: she does with JD. She seems to have done that
• 24:50
  Speaker 1: with other people like Keith. Yeah, man, j D and
• 24:54
  Speaker 1: her I think have have just good but standard fucking.
• 25:02
  Speaker 2: She gets on top, he's on top.
• 25:05
  Speaker 1: I think, well, we know that they get. You know,
• 25:07
  Speaker 1: we were thinking of the pizza episodes. You know, they
• 25:09
  Speaker 1: get they're passionate, but I don't think they're getting in
• 25:11
  Speaker 1: boxes and dressing up like apple thieves.
• 25:14
  Speaker 2: First of all, that pizza episode was very disturbing to me,
• 25:16
  Speaker 2: the more I think about it, because there's no way
• 25:19
  Speaker 2: you can eat all that pizza and still want to
• 25:23
  Speaker 2: have sex. Like after three slices, you're like, I don't
• 25:25
  Speaker 2: know if my stomach could take the right shaking right.
• 25:29
  Speaker 1: Well, I mean there was hours in between. I think
• 25:31
  Speaker 1: they allowed for digestion.
• 25:34
  Speaker 2: So we're gonna eat this pizza, let it digest. Yeah,
• 25:38
  Speaker 2: then we're gonna fuck.
• 25:39
  Speaker 1: Then they probably each go and like sneak a poop
• 25:41
  Speaker 1: in the other bathrooms, like no one knows about it. Hey,
• 25:46
  Speaker 1: I'm gonna go check my phone.
• 25:49
  Speaker 2: Okay, I'm gonna go check mine too.
• 25:51
  Speaker 1: I'll be back in like sixteen minutes. And then they
• 25:58
  Speaker 1: have sex again, and then they eat more pizza to Okay.
• 26:00
  Speaker 2: Let me ask you a question. You pooh, Yeah, let's
• 26:06
  Speaker 2: change the whole dynamic. If you pooh, are you gonna
• 26:11
  Speaker 2: jump in bed with somebody right after you pooh?
• 26:14
  Speaker 1: I don't think so. No, I'm probably gonna We're probably
• 26:17
  Speaker 1: gonna cuddle and watch a TV show for a while.
• 26:20
  Speaker 2: Yeah, let the poof.
• 26:23
  Speaker 1: Let everything settle back down, let it, let it.
• 26:25
  Speaker 2: Get back, let it back up a little bit, let it.
• 26:28
  Speaker 1: Yeah, let let let everything just settle down, get out
• 26:32
  Speaker 1: of I just poop mode.
• 26:33
  Speaker 2: Yeah, this is where.
• 26:39
  Speaker 1: Joel down would be like, oh lord, oh lord, you
• 26:45
  Speaker 1: need to be the Joel in this situation. I don't
• 26:47
  Speaker 1: know what this show is like.
• 26:48
  Speaker 3: It I happen to agree with you both.
• 26:50
  Speaker 1: That's exactly without Without the feminine Joel energy, the show
• 26:54
  Speaker 1: is off kilter.
• 26:58
  Speaker 3: Just to be agreeing with the tape three we need zoom, we.
• 27:01
  Speaker 1: Get the new show is called three Dicks in the
• 27:04
  Speaker 1: zoom we need. We need Joelle to be putting her
• 27:07
  Speaker 1: her head in her hands. Or there's no there's nore's no,
• 27:12
  Speaker 1: there's no guardrails. We just have Daniel sitting here nodding
• 27:16
  Speaker 1: about it.
• 27:17
  Speaker 2: Right about that at least a half an hour after.
• 27:22
  Speaker 1: Three Dicks in the Zoom, our new show, Zach and
• 27:25
  Speaker 1: Donald are three dicks in the zoom.
• 27:27
  Speaker 2: Zach, Donald and Danield are three dicks in the zoom.
• 27:31
  Speaker 1: These balls Zach, Zach and Donald Gay newlyweds in house arrest.
• 27:36
  Speaker 1: All right, we're gonna take a quick break and we
• 27:38
  Speaker 1: come back. Uh, we're gonna talk more about a show.
• 27:40
  Speaker 2: That Donald's not in your sound effects machine.
• 27:50
  Speaker 1: And we're ba, I'm going to Vegas today?
• 27:54
  Speaker 2: What are you going to Vegas for?
• 27:56
  Speaker 3: Yeah?
• 27:56
  Speaker 1: All right, So here's the thing. Brian Klugman are our
• 27:59
  Speaker 1: buddy and the guy who is the don draper of
• 28:01
  Speaker 1: all the tembile ads is friends with David Copperfield. And
• 28:07
  Speaker 1: I love magic and Klugman loves magic. And he's not
• 28:11
  Speaker 1: only taking us to see Copperfield show at the MGM,
• 28:16
  Speaker 1: but after, I hope I'm allowed to say this, Copperfield
• 28:20
  Speaker 1: is giving this a tour of his private magic museum.
• 28:25
  Speaker 2: Oh you know, I'm you don't. There aren't a lot
• 28:29
  Speaker 2: of your friends that I approve of, but one that
• 28:31
  Speaker 2: I do approve of is Brian Klugman.
• 28:34
  Speaker 1: I thought to say, Copperfield.
• 28:36
  Speaker 2: Yeah, you know, you have some friends where I'm like,
• 28:39
  Speaker 2: you hanging out with who? Now, I'm good the Plugman
• 28:43
  Speaker 2: if you're ever hanging out with Klugman, because you know, look,
• 28:47
  Speaker 2: you know me. You know how introverted I can be.
• 28:50
  Speaker 2: You know you don't like to go out and hang out.
• 28:52
  Speaker 2: And I have a small group of friends that I
• 28:54
  Speaker 2: only hang out with.
• 28:55
  Speaker 1: Your your main friend is God's let us.
• 28:59
  Speaker 2: It's it's one of my hmmm, it's one of my
• 29:03
  Speaker 2: closest and dearest friends until it kills me.
• 29:08
  Speaker 1: But anyway, but you love Klugman. I do.
• 29:12
  Speaker 2: I do love me some plugman man anyway.
• 29:14
  Speaker 1: So I'm so excited because I'm really excited because I
• 29:17
  Speaker 1: genuinely love magic. I always love magic as a kid.
• 29:19
  Speaker 1: I love whenever I see great magic. But I've never
• 29:22
  Speaker 1: seen a Vegas magic show. And you know, I know
• 29:25
  Speaker 1: David just as an acquaintance because as Scrubs fans and
• 29:28
  Speaker 1: listeners know, he did a cameo on the show and
• 29:30
  Speaker 1: he was he was so sweet and cool and and
• 29:33
  Speaker 1: so it's just really exciting that not only do I
• 29:35
  Speaker 1: get to see the show, but then tour his private
• 29:40
  Speaker 1: magic museum. Do you know that he is like the
• 29:43
  Speaker 1: wealthiest solo performer on Earth.
• 29:49
  Speaker 2: What man really? Yeah, it's wasn't it like him and
• 29:54
  Speaker 2: Sick Freed and ROYD that were like when I mean,
• 29:58
  Speaker 2: Vegas has always been great for act and people would
• 30:00
  Speaker 2: always have, you know, shows in Vegas and stuff like that.
• 30:03
  Speaker 2: But that I remember as a kid seeing commercials for
• 30:08
  Speaker 2: Sick Freedo and roy and and for Copperfield.
• 30:12
  Speaker 1: I think Copperfield has been doing the show for like
• 30:14
  Speaker 1: eight shows a week for so many years.
• 30:17
  Speaker 2: And uh and he's he must really love magic, man.
• 30:21
  Speaker 1: I think it's safe to say the man loves magic.
• 30:23
  Speaker 2: Yes, Donald, No, but you know, for some people it
• 30:25
  Speaker 2: becomes a job, you know.
• 30:28
  Speaker 1: Well, I just can't wait to see it. I just
• 30:29
  Speaker 1: I think it's gonna be so fun. And then I'm
• 30:31
  Speaker 1: also going to play some blackjack. I was watching a
• 30:33
  Speaker 1: documentary last night about blackjack to try and prepare.
• 30:36
  Speaker 2: Are you going to put a lot of money down?
• 30:38
  Speaker 1: Not a lot? But I I watched the show on
• 30:40
  Speaker 1: Netflix had this documentary about these these guys who count cards.
• 30:44
  Speaker 1: But no, I'm not going I didn't learn to count
• 30:48
  Speaker 1: cards last night. It's so complicated. But dude, these guys
• 30:53
  Speaker 1: or I'm sure there's gals too, but they focused on guys.
• 30:56
  Speaker 1: They they've they've they've cracked counting cards so much that
• 31:00
  Speaker 1: all the casinos the second they walk in, know them
• 31:03
  Speaker 1: and spot them and kick them out.
• 31:05
  Speaker 2: And why did they get kicked out? Why are they
• 31:07
  Speaker 2: not allowed to gamble?
• 31:08
  Speaker 1: They're not allowed to beat the system? They a casino
• 31:11
  Speaker 1: fucked up.
• 31:12
  Speaker 2: Man, if you learned how to beat the system, you
• 31:14
  Speaker 2: should be able to beat the system.
• 31:15
  Speaker 1: Our casino is allowed. I learned that's from the documentary.
• 31:18
  Speaker 1: They're allowed to kick out anyone they want, obviously, except
• 31:22
  Speaker 1: for you know, race, gender, the obvious things. But like
• 31:24
  Speaker 1: they are allowed to remove any player for any reason
• 31:27
  Speaker 1: they want. And the second they have all that they
• 31:31
  Speaker 1: know they obviously can tell from the cameras and the
• 31:33
  Speaker 1: pit boss is when someone is counting cards, so you
• 31:36
  Speaker 1: don't last long, they kick you out. So this dude
• 31:38
  Speaker 1: is wearing all these disguises he's doing he's doing all
• 31:41
  Speaker 1: this slow playing. He's like trying to play crabs for
• 31:44
  Speaker 1: a minute to not look like he's trying to just
• 31:46
  Speaker 1: like blend in. Right. He's literally traveling around an RV
• 31:49
  Speaker 1: with like all these disguises. It's amazing.
• 31:53
  Speaker 2: So yeah, I mean, how do you not count cards though.
• 31:56
  Speaker 2: Once you learn how to count cards, I know.
• 31:58
  Speaker 1: But he but the thing is the second he's too
• 32:00
  Speaker 1: blatant about it. They get him right away. He's like
• 32:02
  Speaker 1: literally wearing like a like a wig and a camo
• 32:05
  Speaker 1: baseball hat. And so what he does is he tries
• 32:08
  Speaker 1: to like, how are.
• 32:09
  Speaker 2: You blatant about counting cards? Though?
• 32:11
  Speaker 1: Because the way it's the way you're switching your bedding
• 32:13
  Speaker 1: so quickly, if you is, if you just do it
• 32:17
  Speaker 1: without without worry about getting caught, the pattern is pretty
• 32:20
  Speaker 1: obvious to a pit boss or the people watching the cameras.
• 32:23
  Speaker 1: So he has to he has to like disguise it,
• 32:26
  Speaker 1: camouflage it, if you will. What he's doing, Oh my dude,
• 32:30
  Speaker 1: he does this other shit like he can. This is
• 32:32
  Speaker 1: like a six or seven deck shoot. And not only
• 32:36
  Speaker 1: is he counting cards, but he if there's like three
• 32:38
  Speaker 1: aces come up like just by, he can spot where
• 32:41
  Speaker 1: they are and watch them the dealer reshuffle and and
• 32:46
  Speaker 1: and have a solid estimate about when they're going to
• 32:49
  Speaker 1: come back, because the odds are that they weren't shuffled
• 32:51
  Speaker 1: apart from each other. I mean, that's how mega this
• 32:53
  Speaker 1: guy is crazy. Anyway, he's crushing he was crushing them.
• 32:59
  Speaker 2: That's something lay like at the table by himself.
• 33:02
  Speaker 1: Yeah, he's playing it. He tries to do to not
• 33:04
  Speaker 1: get caught. Sometimes he plays at night, like the graveyard shift.
• 33:08
  Speaker 2: Oh.
• 33:08
  Speaker 1: Then there was another thing he said that. This was
• 33:10
  Speaker 1: another thing these guys do. Sometimes a bad dealer will
• 33:14
  Speaker 1: not know that they're showing you their face down card
• 33:16
  Speaker 1: as they deal. And so when they know they've got
• 33:19
  Speaker 1: a dealer like that, they'll like track her and like
• 33:21
  Speaker 1: find out when her shift is, when her break is done,
• 33:24
  Speaker 1: and the water to her tables. Because and he came
• 33:27
  Speaker 1: back from one of those, he's like, this dealer is
• 33:28
  Speaker 1: showing me her face down card almost every time. Wow. Yeah,
• 33:36
  Speaker 1: this dude was up six hundred thousand dollars playing blackjack.
• 33:39
  Speaker 2: Well yeah, at that moment, At that moment, I'm like, Yo,
• 33:41
  Speaker 2: you're fucking counting dude. You have six hundred thousand dollars. Dude,
• 33:45
  Speaker 2: as of this happening, are like one in a billion,
• 33:50
  Speaker 2: twenty and now you have. You started with twenty and
• 33:52
  Speaker 2: now you have six hundred.
• 33:53
  Speaker 1: It just makes you realize, when you're just playing blackjack
• 33:55
  Speaker 1: and not counting cards, how fucked you are and how
• 33:58
  Speaker 1: the house is always gonna win always time.
• 34:00
  Speaker 2: Yeah, because once you like the house and still lose.
• 34:05
  Speaker 1: Yeah, you play. That's when you and I do. Donald's
• 34:07
  Speaker 1: the one who taught me. I think you and Bill
• 34:08
  Speaker 1: are the ones who taught me. Just like play by
• 34:11
  Speaker 1: If you play by these set rules, these are your
• 34:14
  Speaker 1: best odds. But then you watch a documentary about dudes
• 34:16
  Speaker 1: counting cards and you're like, oh, I don't really have
• 34:18
  Speaker 1: any odds at all. The house is always going to win.
• 34:21
  Speaker 2: I need to learn.
• 34:23
  Speaker 1: Fucking These people spend like years they learning how to
• 34:26
  Speaker 1: do this. They know exactly, you know, you know what
• 34:31
  Speaker 1: their odds are at all times versus what the dealer has.
• 34:34
  Speaker 1: It's really incredible. But you can't do anymore, they said.
• 34:38
  Speaker 1: They were saying, like, it's so hard now because because
• 34:41
  Speaker 1: of facial recognition, all the sinos, whether big or small,
• 34:44
  Speaker 1: no matter where they.
• 34:44
  Speaker 2: Are, they ai they're all again.
• 34:48
  Speaker 1: Yeah, it's kind of a dying. Actually, the whole point
• 34:50
  Speaker 1: of this doc on Netflix, I'm sure you can find
• 34:51
  Speaker 1: I forgot the title, but the whole point was like,
• 34:53
  Speaker 1: this is a this counting cards thing is a dead
• 34:55
  Speaker 1: art because because of facial recognition and security, these these
• 34:59
  Speaker 1: guys can't do this anymore because he just think there's
• 35:01
  Speaker 1: a couple times he couldn't even walk in the door.
• 35:03
  Speaker 1: He walked he walked in there like nope, and he's
• 35:07
  Speaker 1: got like this big disguise on there like nope.
• 35:10
  Speaker 2: Turn around.
• 35:11
  Speaker 1: Yeah, all right, back to the show. There's a cake
• 35:15
  Speaker 1: and Cox thinks that JD organized it for his celebrating
• 35:21
  Speaker 1: him becoming the chief of medicine, but in fact we
• 35:22
  Speaker 1: learned that it's for Colonel Doctors two years.
• 35:25
  Speaker 2: Sober, and Colonel Doctor gives that he's.
• 35:29
  Speaker 1: Talking to Deontay, was talking Deontay, and he gives a
• 35:31
  Speaker 1: little like eh, as if to say, you know, speaking.
• 35:35
  Speaker 2: Of Deontay, me and him have reconnected. You have, Oh
• 35:39
  Speaker 2: good Deonte, you know once he got out of the
• 35:43
  Speaker 2: business and went corporate and stuff like that. Yeah, he's
• 35:47
  Speaker 2: taken a couple of stop motion animation classes, and I
• 35:50
  Speaker 2: talked stop motion every now and then, and he's just
• 35:52
  Speaker 2: recently gotten into three D printing, and you know how
• 35:56
  Speaker 2: three D printing and stop motion kind of it kind
• 35:59
  Speaker 2: of are intertwined, Like if you get a good three
• 36:02
  Speaker 2: D printer, you can create faces and all of these
• 36:06
  Speaker 2: wonderful things. So I think Deontae and I go, I
• 36:09
  Speaker 2: go on a little stop motion independent movie making adventures.
• 36:14
  Speaker 1: That would be awesome. Can do that would be awesome.
• 36:16
  Speaker 1: Imagine it be fun for you to collaborate with someone
• 36:18
  Speaker 1: that you like.
• 36:19
  Speaker 2: Yeah, well yeah, I mean we spend a lot of
• 36:22
  Speaker 2: time together.
• 36:24
  Speaker 1: All right. This rhythm sequence starts to happen in the ICU,
• 36:28
  Speaker 1: which just sort of seamlessly happens. It reminded me of
• 36:31
  Speaker 1: episode two. Are you having a good time?
• 36:35
  Speaker 2: You remember that was that episode two?
• 36:37
  Speaker 1: I believe it was episode two when we're in the
• 36:40
  Speaker 1: ICU and all of a sudden, this rhythm starts happening.
• 36:43
  Speaker 2: This was way different. This was more like Stomp.
• 36:45
  Speaker 1: This reminded me of This was Stomp esque. And the
• 36:48
  Speaker 1: only real instrument involved is Deontay's playing the water cooler bottle,
• 36:57
  Speaker 1: and all the other sounds are happening, and the only
• 36:59
  Speaker 1: real and is the janitor playing bongos on the floor.
• 37:02
  Speaker 2: That ship had me laughing so hard when he shows
• 37:05
  Speaker 2: up playing the bongos. But now, but he was really
• 37:07
  Speaker 2: playing that. It looked like he was really playing that's
• 37:10
  Speaker 2: going in Yeah, like he was going hard. And I
• 37:14
  Speaker 2: laughed so hard at that, like when I laughed at
• 37:16
  Speaker 2: where the fuck did he get the bongos from?
• 37:18
  Speaker 1: Yeah? And Katie says, why are you playing bongos? And
• 37:22
  Speaker 1: he says, it's Monday, Monday, bongo day.
• 37:25
  Speaker 2: Yeah.
• 37:26
  Speaker 1: You know later later when you're in his office in
• 37:29
  Speaker 1: the in the closet, he you see his calendar. His
• 37:31
  Speaker 1: office is set up in a in a a what
• 37:33
  Speaker 1: do you call it? A fucking editorial closet, and you
• 37:36
  Speaker 1: see his calendar and it and every Monday, the only
• 37:40
  Speaker 1: thing on the calendar is that Monday is written bongo day.
• 37:44
  Speaker 2: Very but like decoratively too, like just like like telegraphs
• 37:48
  Speaker 2: around it.
• 37:49
  Speaker 1: But wait, didn't he used to have he used to
• 37:51
  Speaker 1: have a big office, right, remember when he was with.
• 37:55
  Speaker 2: Mark he stole that office? Didn't he steal that office? No?
• 37:57
  Speaker 1: Do you remember when he with the with the brain?
• 37:59
  Speaker 2: Try us and yeah, they stole the office. No, no, no,
• 38:03
  Speaker 2: they stole Kelso's office, didn't they and then sealed the door.
• 38:07
  Speaker 1: Yeah? That was one section. But wasn't in the time
• 38:09
  Speaker 1: of when Marnie was on, wasn't there a different office
• 38:13
  Speaker 1: they all hung out in. I don't remember. I don't
• 38:15
  Speaker 1: know fans fans who know remember? I feel like the
• 38:18
  Speaker 1: janitor has had offices before that weren't a closet.
• 38:23
  Speaker 2: This is how, this is why I say that, Uh,
• 38:26
  Speaker 2: we got really wholesome this year on Scrubs when we
• 38:33
  Speaker 2: moved to ABC. We introduced mister Vaughan, and it's set
• 38:39
  Speaker 2: up like he's gonna die, right, He don't die.
• 38:46
  Speaker 1: Yet.
• 38:47
  Speaker 2: That's the second time you said that this is another character,
• 38:50
  Speaker 2: two different characters. Oh, Denise's character, I mean Denise's patient.
• 38:57
  Speaker 2: He didn't die, right.
• 39:00
  Speaker 1: Well, I don't know if you're saying that we don't
• 39:03
  Speaker 1: less people die on ABC, Is that you're a hypothesis?
• 39:06
  Speaker 2: No, because then you watch Gray's Anatomy and everybody has
• 39:08
  Speaker 2: these freaking really dramatic deaths and they're like, you know,
• 39:12
  Speaker 2: stretch out for two weeks, three weeks, three episodes, four episodes.
• 39:18
  Speaker 1: Well, I don't know. We'll have to track that. Dan
• 39:20
  Speaker 1: make a little a note for us to track if
• 39:22
  Speaker 1: less people die in season eight.
• 39:25
  Speaker 2: I don't think we're gonna get sure.
• 39:27
  Speaker 1: We'll get to the bottom of that, all right. So
• 39:31
  Speaker 1: Ted finally is allowed to sit. He was never allowed
• 39:33
  Speaker 1: to sit, even after he had thigh reconstructive surgery. He
• 39:37
  Speaker 1: tells us, uh kelso never let him sit and and
• 39:41
  Speaker 1: Cox is set up in his new office and lets
• 39:44
  Speaker 1: Ted sit on the couch.
• 39:46
  Speaker 2: And then Ted picks his toes takes advantage.
• 39:49
  Speaker 1: Yeah, yeah, and then we cut in Ted's like like
• 39:52
  Speaker 1: half dressed and picking his toenails and costs is like
• 39:55
  Speaker 1: too comfortable. Stop that.
• 39:59
  Speaker 2: And then you notice two are the three people that
• 40:01
  Speaker 2: cannot that are of a never ever ever ever ever
• 40:03
  Speaker 2: ever ever ever ever list. Yeah, go ahead, well it's
• 40:07
  Speaker 2: Jordan and j D. Yeah, and then Hooch.
• 40:10
  Speaker 1: Yeah, hoos. Jordan and j D are on the never ever,
• 40:14
  Speaker 1: ever ever ever ever allowed in list.
• 40:17
  Speaker 2: Cox learned that Whoch is crazy.
• 40:19
  Speaker 1: Obviously, Yes, Cox is obviously familiar with who's being crazy.
• 40:23
  Speaker 1: I don't know that we ever see in real life
• 40:25
  Speaker 1: Cox's interactions with Hooch, but but we know that how
• 40:29
  Speaker 1: he feels about Hooch. Interestingly, I believe scrubs Wiki pointed
• 40:34
  Speaker 1: out that on his sometimes list is hold on Leonard
• 40:39
  Speaker 1: the security guard. Yeah, and doctor Rodinage, which is one
• 40:43
  Speaker 1: of the janitor's aliases, implying that that if you, if you,
• 40:48
  Speaker 1: if you think about it, you can infer that Cox
• 40:52
  Speaker 1: doesn't know that doctor Rhodinage is the Janitor's.
• 41:02
  Speaker 3: So funny, wrote of course janitor backwards.
• 41:06
  Speaker 1: Yes, thank you for reminding the audience of that. Daniel JD. Okay,
• 41:12
  Speaker 1: so he has mister Vaughan that you mentioned, who has
• 41:13
  Speaker 1: pneumonia and Cox has all this paperwork.
• 41:16
  Speaker 2: You know.
• 41:16
  Speaker 1: His whole thing was like, I'm not going to be
• 41:17
  Speaker 1: like helso I'm not going to be stuck in this office,
• 41:19
  Speaker 1: and yet he is stuck in the office.
• 41:22
  Speaker 2: We're gonna talk about JD taking mister Vaughan home and
• 41:25
  Speaker 2: letting him live with him. Yes, did you laugh at that?
• 41:29
  Speaker 1: Yes? JD has a fantasy where he takes mister Vaughan
• 41:32
  Speaker 1: home and they quickly act like an old married couple
• 41:35
  Speaker 1: who are yelling at each other.
• 41:38
  Speaker 2: Right, Yes, that's exactly what happened. Well, look who look
• 41:42
  Speaker 2: who's playing the same song.
• 41:48
  Speaker 1: Yeah. I really got into that, didn't I. I was like,
• 41:51
  Speaker 1: I was like screaming at him he cries.
• 41:54
  Speaker 2: And then getting close up of the one tier coming out.
• 41:58
  Speaker 1: Yeah, so Carla is we learned that Carla booed Elliot
• 42:04
  Speaker 1: off of the karaoke stage because she was singing Swing Low,
• 42:09
  Speaker 1: Sweet Chariot. Right.
• 42:10
  Speaker 2: Yes, you know what that reminded me of what blazing
• 42:15
  Speaker 2: saddles when you almost like you used to sing like,
• 42:18
  Speaker 2: you know, the Camptown Lady. They're like the Camptown Lady.
• 42:21
  Speaker 1: You know.
• 42:22
  Speaker 2: Well, swing low, Sweet Chariot, y'all never heard that one,
• 42:25
  Speaker 2: Swing Low, Sweet Chariot. That shit is one of the
• 42:28
  Speaker 2: best scenes in Melbrook's history, having all these white boys
• 42:33
  Speaker 2: running around going to campdown lady. Dude. That shit had
• 42:39
  Speaker 2: me rollering.
• 42:39
  Speaker 1: I don't remember. It's been a very long time since
• 42:41
  Speaker 1: I saw Blazing Saddles.
• 42:43
  Speaker 2: What.
• 42:44
  Speaker 1: I'm sorry, It's true. I haven't seen since I was
• 42:45
  Speaker 1: a kid. Oh, by the way, do you remember The Frisco.
• 42:48
  Speaker 2: Kid Harrison fourteen water?
• 42:50
  Speaker 1: Yes, yes, you haven't seen that movie, The Frisco Kid.
• 42:53
  Speaker 1: It's a great, great movie, all right. So Elliott thinks
• 42:56
  Speaker 1: it's because she can't sing the low notes, and Carl
• 42:59
  Speaker 1: is like, sure, that's why you shouldn't sing that song
• 43:03
  Speaker 1: and the tag. At the very end of the show,
• 43:05
  Speaker 1: we see Elliott singing the song and an African American
• 43:11
  Speaker 1: doctor played by Richard Wells, who was not only our
• 43:13
  Speaker 1: first assistant director for for many, many many episodes of
• 43:17
  Speaker 1: the show, but also directed a few Scrubs episodes. He
• 43:19
  Speaker 1: comes over and looks at her like, why the fuck
• 43:22
  Speaker 1: are you singing that song?
• 43:23
  Speaker 2: But he could done. He had to come back to
• 43:25
  Speaker 2: do that because he wasn't working on the show at
• 43:27
  Speaker 2: the time anymore.
• 43:28
  Speaker 1: He wasn't even he had left, didn't he.
• 43:30
  Speaker 2: Oh no, he retired on Cougar Town. That's when he retired.
• 43:33
  Speaker 1: Yeah, I know that he was.
• 43:35
  Speaker 2: He wasn't.
• 43:36
  Speaker 1: He was acting as a uniproduction manager at this point,
• 43:38
  Speaker 1: but he was still around. I love that guy. I
• 43:41
  Speaker 1: love a great so many great memories with that guy,
• 43:43
  Speaker 1: one of the best in the business. Mickhead is uh screaming.
• 43:49
  Speaker 1: So then we talk about how this is the whole
• 43:51
  Speaker 1: thing about how the nurses don't feel respected, they need
• 43:55
  Speaker 1: they need more staff. They think Carla is in hoots
• 43:59
  Speaker 1: with the doctors because she's married to a doctor, because
• 44:01
  Speaker 1: she's friends with all the doctors. So the nurses are
• 44:03
  Speaker 1: mad at Carla. And we see we see the nurses
• 44:07
  Speaker 1: being disrespected. In a couple just quick cuts, Mickhead is
• 44:11
  Speaker 1: screaming at one nurse really disrespectfully, and then he and
• 44:15
  Speaker 1: then he breaks and goes, okay, honey, see at home.
• 44:17
  Speaker 1: We learned that.
• 44:18
  Speaker 2: So so just so we're clear, Yeah, Mickhead beat two charges.
• 44:22
  Speaker 1: Uh yeah, murder wraps.
• 44:23
  Speaker 2: Yeah, killing his wife.
• 44:27
  Speaker 1: Yeah, and he's got a new a new girlfriend, and
• 44:30
  Speaker 1: he's yelling at her that he's.
• 44:31
  Speaker 2: Yelling at Let me tell you what the MD stands for,
• 44:36
  Speaker 2: makes the decisions. Okay, you got that. I see it
• 44:42
  Speaker 2: home though.
• 44:43
  Speaker 1: Yeah, that woman, that young nurse shouldn't be with Mickhead.
• 44:46
  Speaker 1: I don't think someone I mean get the dude's gonna
• 44:50
  Speaker 1: kill you.
• 44:50
  Speaker 2: He's probably gonna kill you.
• 44:52
  Speaker 1: I are so many women into Mickhead. I uh, it
• 44:54
  Speaker 1: must be something great about Mickhead at home because he
• 44:57
  Speaker 1: keeps even after he beat a couple of murder charts,
• 45:00
  Speaker 1: does he he's still finding new love?
• 45:05
  Speaker 2: Well, love is finding him, yes, and sticking around even
• 45:09
  Speaker 2: after the warnings.
• 45:10
  Speaker 1: Maybe he's really All the nurses in the hospital.
• 45:12
  Speaker 2: Are like, girl, don't you know this motherfucker be too?
• 45:15
  Speaker 2: Murder ups what is you doing?
• 45:19
  Speaker 1: She's like, I don't give a shit.
• 45:20
  Speaker 2: I love him.
• 45:22
  Speaker 1: You don't know what he says to me were we
• 45:23
  Speaker 1: at home? And then Todd says something so rude to
• 45:28
  Speaker 1: or sexist or whatever to a nurse and he goes
• 45:31
  Speaker 1: disrespecting nurses five. So that's our that's our clip of
• 45:37
  Speaker 1: doctors not treating nurses respect and the nurses are pissed
• 45:41
  Speaker 1: it at Carla for not they feel she's not advocating
• 45:45
  Speaker 1: for them.
• 45:46
  Speaker 2: Yeah, they think because she's friends with a doctor, best
• 45:51
  Speaker 2: friends with the doctor, and married to a doctor, that
• 45:55
  Speaker 2: she is a she is a turncoat, a turncoat exactly.
• 46:00
  Speaker 1: So Cox can't leave his office. Everyone wants to get in,
• 46:03
  Speaker 1: everyone wants a favor. We've seen this happen with Kelso before,
• 46:06
  Speaker 1: but Cox is experiencing it for the first time. Krler
• 46:10
  Speaker 1: wants more nurses. The janitor is trying to annoy him.
• 46:13
  Speaker 1: The janitor, we learned, has a thing he does with
• 46:16
  Speaker 1: this photograph of the building where he's always He pesters
• 46:21
  Speaker 1: anyone who gets an office with trying to hang this
• 46:26
  Speaker 1: picture or pain. I think it's a photograph that nobody wants.
• 46:29
  Speaker 1: And he really tries to annoy Cox by constantly hammering
• 46:34
  Speaker 1: and just I don't know, I don't really understand what
• 46:37
  Speaker 1: was happening.
• 46:38
  Speaker 2: Well, he's doing it because he didn't get an office,
• 46:40
  Speaker 2: and that's why he's in the closet. And ever since
• 46:42
  Speaker 2: he asked for an office, Kelso's hip to it. Kelso
• 46:45
  Speaker 2: had figured it out. But anytime someone gets in office
• 46:48
  Speaker 2: that's bigger than the closet that he's in. Right, he
• 46:52
  Speaker 2: automatically bothers them by trying to hang a photo and
• 46:56
  Speaker 2: tries to make their life a living hell with the photo.
• 46:59
  Speaker 1: Now, if you watch how he's trying to hang this
• 47:01
  Speaker 1: this this frame, He's got like four nails in the wall,
• 47:04
  Speaker 1: none of which you can tell are the right nail
• 47:08
  Speaker 1: for this. So he's just being an annoying And at
• 47:11
  Speaker 1: one point he hangs it on on fishing line in
• 47:14
  Speaker 1: the middle of the room and he starts swinging it
• 47:16
  Speaker 1: and he has a whole bit about how the love
• 47:18
  Speaker 1: the lookout it's coming towards you. Yeah, it's like it's
• 47:22
  Speaker 1: got Lenny. I don't even know what the hell he
• 47:24
  Speaker 1: was talking about.
• 47:25
  Speaker 2: It's a different it's a different epis, it's a different episode.
• 47:28
  Speaker 2: It wasn't your favorite, eh.
• 47:30
  Speaker 1: I mean, I giggled a few times. But I do
• 47:32
  Speaker 1: think I'm not just saying this because I love you.
• 47:34
  Speaker 1: I don't think this shows is funny without you.
• 47:37
  Speaker 2: I'm I'm gonna I'm not gonna lie. I did watch it,
• 47:40
  Speaker 2: and I did take notes.
• 47:42
  Speaker 1: Imagine we imagine Webster without Emmanuel Lewis. That's how I
• 47:45
  Speaker 1: felt with.
• 47:47
  Speaker 2: Just mister and ma'am.
• 47:49
  Speaker 1: Yeah, an episode of Webster without Emmanuel Lewis. He's not
• 47:52
  Speaker 1: an episode of Webster.
• 47:54
  Speaker 2: No, it's an episode of mister and ma'am. What what
• 48:03
  Speaker 2: what what?
• 48:04
  Speaker 1: Here's a bit of trivia for you. How did Webster?
• 48:07
  Speaker 2: What what?
• 48:08
  Speaker 1: What? Furniture object disguised Webster's secret passageway to his room.
• 48:16
  Speaker 2: The food was it? What was it? I don't remember.
• 48:19
  Speaker 1: It was in the living room and it was what
• 48:21
  Speaker 1: Webster used to get in and out of his secret passage. Yeah,
• 48:25
  Speaker 1: it was a grandfather.
• 48:28
  Speaker 2: I remember that.
• 48:29
  Speaker 1: I was worried. I'm so proud of you that you
• 48:30
  Speaker 1: got any of you listeners who got it.
• 48:34
  Speaker 2: It led to his bedroom.
• 48:36
  Speaker 1: I think it led to his bedroom, or at least
• 48:37
  Speaker 1: the upstairs hallway. It was definitely made me as a
• 48:40
  Speaker 1: kid go oh man. One day, I want to have
• 48:42
  Speaker 1: a secret passageway behind a clock. To this day, I
• 48:47
  Speaker 1: still don't have a secret passageway. I really would like one.
• 48:49
  Speaker 2: I would love I would love to be able to
• 48:51
  Speaker 2: pull a book and the thing.
• 48:53
  Speaker 1: Just the classic bookcase. We can't die and not have
• 48:58
  Speaker 1: had a secret passageway in our lives. I think it
• 49:02
  Speaker 1: has to be a bucket list for both of us.
• 49:04
  Speaker 2: Who Dinny had the best? One man? He had like
• 49:06
  Speaker 2: that whole property in Laurel Canyon that he had underground
• 49:12
  Speaker 2: passageways and stuff like that so he could do his
• 49:15
  Speaker 2: magic tricks throughout his house at his parties and.
• 49:17
  Speaker 1: Stuff like that. That's true. I know that's lore, but
• 49:21
  Speaker 1: that sounds that sounds incredible. If it's true, I'm.
• 49:23
  Speaker 2: Choosing to believe it. From what I understand. That whole,
• 49:26
  Speaker 2: that whole intersection used to be his. I've heard all.
• 49:32
  Speaker 1: I've heard all these rumors that there's tunnels underneath the
• 49:34
  Speaker 1: ground to other other houses and all sorts of stuff.
• 49:37
  Speaker 1: It's all. I don't know if it's a rumor or not.
• 49:41
  Speaker 2: I mean, if you were the Magic muff, the number
• 49:44
  Speaker 2: one magic, I bet you go to Copperfield. When you
• 49:46
  Speaker 2: go to Copperfield's house, He's got a bunch of freaking
• 49:49
  Speaker 2: secret passages.
• 49:49
  Speaker 1: I don't think. I don't think I'm going to his house.
• 49:52
  Speaker 1: I'm going to his museum.
• 49:53
  Speaker 2: But I bet you his museum has a bunch of
• 49:54
  Speaker 2: secret passages.
• 49:55
  Speaker 1: I hope so will I will be able to tell
• 49:57
  Speaker 1: you tonight. I will text you. You'll be a sleep
• 50:00
  Speaker 1: because yeah, I may ask you a question ahead. If
• 50:04
  Speaker 1: he does have this stuff, Yeah, how do you think
• 50:08
  Speaker 1: he can? Like, I mean, I understand he's rich and
• 50:11
  Speaker 1: stuff like that, but to.
• 50:12
  Speaker 2: Put to reinfrastruct a whole you know what I mean,
• 50:17
  Speaker 2: to change the infrastructure of a whole city system. How
• 50:26
  Speaker 2: much money do you think it would cost to do
• 50:28
  Speaker 2: something like Bruce Wayne. That's where it gets like a
• 50:30
  Speaker 2: little crazy, right, Like Bruce Wayne does all of this crazy.
• 50:33
  Speaker 2: The motherfucker has a tunnel that led from his office,
• 50:37
  Speaker 2: a shoot a skeet shoot that leads from his office
• 50:41
  Speaker 2: all the way to the bat cave.
• 50:42
  Speaker 1: Well, I think you're supposed to imagine that he just
• 50:44
  Speaker 1: has infinite money, and I think that really I think
• 50:47
  Speaker 1: I haven't googled it, but I'm told that Copperfield danly
• 50:50
  Speaker 1: google it for us. I think he's as I understand,
• 50:52
  Speaker 1: and he is one of the wealthiest single performers INNY.
• 50:57
  Speaker 2: I know, That's what I'm saying. So if he does
• 50:59
  Speaker 2: have this shit, if he if anyone's gonna have it,
• 51:02
  Speaker 2: it's gonna be him.
• 51:03
  Speaker 1: I know he owns an island, which is the which
• 51:05
  Speaker 1: is your first badass move as a as a zillionaire?
• 51:08
  Speaker 1: You got to have that island. Right, If you buy
• 51:11
  Speaker 1: an island, you gotta have an If you got that
• 51:14
  Speaker 1: kind of money, you gotta have an island. Did you
• 51:16
  Speaker 1: see the Bezos. So Bezos built this five hundred million
• 51:19
  Speaker 1: dollars sailboat, right, and it's it's enormous. It's like the
• 51:23
  Speaker 1: biggest private sailboat and uh, you know whatever, it's a
• 51:26
  Speaker 1: five hundred sailboat. Yeah, he puts sales on it. I mean,
• 51:30
  Speaker 1: it's a sailboat. It looks like you know anyway the
• 51:32
  Speaker 1: point looks like a pirate ship. No, it's it just
• 51:35
  Speaker 1: looks like a giant sailboat. But here's the thing. The
• 51:40
  Speaker 1: boat needs a support yacht. There's so many people needed
• 51:44
  Speaker 1: to run it, and there's so many and and so
• 51:48
  Speaker 1: much other needs to support the five hundred million dollar
• 51:52
  Speaker 1: boat that it has a seventy five million dollar yacht
• 51:55
  Speaker 1: that follows it. The support, the services needed.
• 52:00
  Speaker 2: What make Yeah, you can do so this look if
• 52:04
  Speaker 2: you got if I'm asking all the all of our
• 52:07
  Speaker 2: listeners too. If you were given a crap ton of money,
• 52:10
  Speaker 2: right and they were like, you can't spend it on
• 52:13
  Speaker 2: world peace, and you can't spend it on saving.
• 52:15
  Speaker 1: It has to be spent on something stupid. You go ahead, right, we.
• 52:18
  Speaker 2: Would you spend I would me personally, I would spend
• 52:21
  Speaker 2: it on like a doomsday.
• 52:23
  Speaker 1: Doomsday bunker, like like like a James Bond villain like
• 52:26
  Speaker 1: doctor something like.
• 52:27
  Speaker 2: Something that other than the earth blowing to bits, I'm
• 52:33
  Speaker 2: going to survive that ship.
• 52:35
  Speaker 1: I love the idea. I don't know, there's something I
• 52:38
  Speaker 1: don't know. I don't know what I would do. I'd
• 52:39
  Speaker 1: definitely like and I'd probably go with a Copperfield Island
• 52:44
  Speaker 1: and I'd call it Copperfield Island. Cockfield Island would be saying, I, Dannel,
• 52:49
  Speaker 1: did you find out the answer?
• 52:51
  Speaker 3: I'm kind of getting mixed messages on exactly the answer,
• 52:54
  Speaker 3: but I did find some very interesting information. Here's a question.
• 52:58
  Speaker 3: How many shows do you think David Copperfield does per year?
• 53:01
  Speaker 1: I heard he does like I know he does to
• 53:04
  Speaker 1: a day, I think, so let's call that fourteen a week.
• 53:08
  Speaker 1: What's fourteen times fifty two? Danil, You're smart.
• 53:13
  Speaker 3: I'm better at doing two times three hundred and sixty five,
• 53:15
  Speaker 3: so that would be a little over like seven thirty. Basically,
• 53:19
  Speaker 3: it's not quite that many, but he does five hundred
• 53:22
  Speaker 3: and fifteen shows a year.
• 53:25
  Speaker 1: Yeah, he's yeah, yeah.
• 53:27
  Speaker 2: And fill up if you could fill up for theater
• 53:30
  Speaker 2: that many times.
• 53:30
  Speaker 1: It sold out every night, it's sold out.
• 53:32
  Speaker 2: If you could fill up a theater that many times, Yeah,
• 53:34
  Speaker 2: you're doing something.
• 53:35
  Speaker 1: It's sold out every night.
• 53:36
  Speaker 3: Yes, he is individually worth a billion dollars. He gets
• 53:40
  Speaker 3: sixty million a year from the performances alone, and then
• 53:45
  Speaker 3: everything else is like merchandise or stuff with his name
• 53:48
  Speaker 3: on it, or like licensing residuals. Yeah, licensing and residuals
• 53:52
  Speaker 3: and stuff like that.
• 53:53
  Speaker 2: You gotta really love magic to do that many shows
• 53:56
  Speaker 2: a year man continuously.
• 53:58
  Speaker 1: It's his passion.
• 53:59
  Speaker 2: It's like you say, like, you know, you like he
• 54:02
  Speaker 2: must be trying to raise the dead or something like
• 54:04
  Speaker 2: for real, for real, like he must be trying to
• 54:07
  Speaker 2: do that Tesla situation in the Prestige, Like straight up, man, do.
• 54:12
  Speaker 1: You remember we were kids and he made the Statue
• 54:13
  Speaker 1: of Liberty disappear? What?
• 54:17
  Speaker 2: Yeah? I do remember that? That?
• 54:19
  Speaker 1: What's that?
• 54:20
  Speaker 2: Was that him that did that?
• 54:21
  Speaker 1: Yeah? There was a television special in primetime, I believe,
• 54:24
  Speaker 1: and it was David Copperfield makes the Statue of disappear
• 54:27
  Speaker 1: in front of a live audience.
• 54:32
  Speaker 2: It was exactly.
• 54:33
  Speaker 1: That was like a big moment in.
• 54:34
  Speaker 2: Our child if you live in New York, they I mean,
• 54:38
  Speaker 2: I don't I don't remember. How didn't they cover the
• 54:39
  Speaker 2: Statue of Liberty or something. I don't remember what. I
• 54:42
  Speaker 2: don't know.
• 54:42
  Speaker 1: I think I remember that. I remember, I think I
• 54:45
  Speaker 1: remember finding out how he did it. But I'm not
• 54:46
  Speaker 1: going to blow anyone's secrets on a podcast.
• 54:48
  Speaker 2: I also remember when they put that freaking balloon of
• 54:52
  Speaker 2: King Kong on the Empire State Building too. I don't
• 54:55
  Speaker 2: remember what was that for, just to just to I
• 54:59
  Speaker 2: don't know what the purpose of it was, but they
• 55:01
  Speaker 2: put a balloon of King Kong on an Empire State
• 55:07
  Speaker 2: Building and that ship was up there for like at
• 55:09
  Speaker 2: least a year. I feel like I just remember being like, damn,
• 55:12
  Speaker 2: that shit is still up there.
• 55:13
  Speaker 1: Do you know that the lights and colors of the
• 55:16
  Speaker 1: Empire State Building are different every night and you can
• 55:18
  Speaker 1: look up on a website that tells you why they're
• 55:20
  Speaker 1: that color each night. Oh that's cool.
• 55:22
  Speaker 2: I didn't know that they the lights had significance.
• 55:25
  Speaker 1: Yeah, they're always honoring. Sometimes it would be something like
• 55:28
  Speaker 1: to honor you know, you know, some union that is
• 55:31
  Speaker 1: celebrating you know, it's sometimes something you wouldn't necessarily know obviously,
• 55:35
  Speaker 1: like it's gonna be green on Saint Patrick's Day. But
• 55:37
  Speaker 1: like sometimes it's like you know, in honor of something
• 55:40
  Speaker 1: you would never know, but you can always look at.
• 55:41
  Speaker 2: It's actually pretty romantic if you could, if you could
• 55:44
  Speaker 2: pay for I do that for you.
• 55:46
  Speaker 1: But all I have to do is I have to
• 55:47
  Speaker 1: all have to do is look up what the colors
• 55:48
  Speaker 1: are going to be tonight, Like, oh, they're gonna be
• 55:50
  Speaker 1: blue and yellow. Like, hey, Donald, because I know that
• 55:53
  Speaker 1: you love blue and yellow.
• 55:53
  Speaker 2: I paid to have it because his favorite color is
• 55:56
  Speaker 2: yellow in your favorite color. You just have to fight.
• 55:58
  Speaker 1: Yeah, you just have to find a reason. Funny, Heyboddy,
• 56:02
  Speaker 1: tonight they're gonna be turquoise and brown. And I know
• 56:05
  Speaker 1: you love turkois and brown. I don't love. I don't
• 56:07
  Speaker 1: love turkoise and brown. Oh I wasted all this money,
• 56:15
  Speaker 1: all ritual to break. When we come back, we will
• 56:17
  Speaker 1: finish up an episode of Scrub. Is that Donald is
• 56:20
  Speaker 1: not in the fuck.
• 56:21
  Speaker 2: Your sound Effects Machine. Wo woo woo woo woo woo
• 56:30
  Speaker 2: woo woot woot.
• 56:31
  Speaker 1: Tank Forever and Rebert Zach Zach's Zacha love you. I'm
• 56:38
  Speaker 1: down girl. Please.
• 56:39
  Speaker 2: I laughed my ass off when Ted walked in and
• 56:41
  Speaker 2: saw Kelso.
• 56:42
  Speaker 1: Yeah, that was funny.
• 56:43
  Speaker 2: And then he passes out, yeah and sleeps for eight hours.
• 56:46
  Speaker 1: He had like eighteen hours.
• 56:48
  Speaker 2: Eighteen hours.
• 56:49
  Speaker 1: Yeah, yeah, Kelso said, whenever, whenever he gets this upset
• 56:52
  Speaker 1: after I startle him, Uh, he'll usually sleep for eighteen
• 56:55
  Speaker 1: hours and.
• 56:56
  Speaker 2: They pet him and he's like a little puppy on
• 56:59
  Speaker 2: the couch. And this said said the moment that you realized,
• 57:02
  Speaker 2: oh Kelso still Kelso did have a little bit of
• 57:06
  Speaker 2: care for and it's hard for for Ted.
• 57:09
  Speaker 1: No, barely. I mean he treated him like a dog.
• 57:12
  Speaker 1: Earlier we skipped it, but he used to. He starts,
• 57:14
  Speaker 1: he bends over when when when Cox is about to
• 57:17
  Speaker 1: start signing contracts or whatever paperwork and he and he goes,
• 57:21
  Speaker 1: what the hell you doing? Ted? He's like, oh, Kelso
• 57:23
  Speaker 1: liked to sign his paperwork on my back and uh,
• 57:29
  Speaker 1: and he goes, it's not that bad. It's I imagine it's.
• 57:31
  Speaker 2: What a what a hug feels like, I'm not hugging you, Ted,
• 57:36
  Speaker 2: I'm not hugging.
• 57:39
  Speaker 1: Oh man. So you know Kelso, there's this long walk
• 57:47
  Speaker 1: and talk with Kelso and JD. Where you know, Kelso
• 57:51
  Speaker 1: basically says to JD, look, okay, I'm going to give
• 57:54
  Speaker 1: you the keys to the castle here. I'm going to
• 57:56
  Speaker 1: give you the behind the scenes information you need, and
• 58:00
  Speaker 1: that is that you have to keep pushing Cox. Whenever
• 58:03
  Speaker 1: Cox wouldn't relent on me, even though I knew, even
• 58:08
  Speaker 1: though I had to fake like I was pissed at him,
• 58:12
  Speaker 1: I knew that he was passionately advocating for patients, and
• 58:15
  Speaker 1: I knew when he wouldn't give up that I would
• 58:17
  Speaker 1: ultimately relent. And if you want to do that, you
• 58:20
  Speaker 1: have to be that guy for Cox. So you really
• 58:23
  Speaker 1: see everyone's sort of changing roles now as JD becomes
• 58:27
  Speaker 1: the Cox, as Cox became the Kelso.
• 58:31
  Speaker 2: It also shows you how, you know, in order to
• 58:36
  Speaker 2: maintain some form of humanity, Kelso really needed Cox too,
• 58:41
  Speaker 2: And this is something that was never talked about on
• 58:44
  Speaker 2: the show. You know, he said no to so many people,
• 58:46
  Speaker 2: and you know, he became such a great chief of
• 58:52
  Speaker 2: medicine for the hospital, not necessarily for the patients, but
• 58:56
  Speaker 2: if Cox hadn't always pushed him to do to advocate
• 59:02
  Speaker 2: for the patients, Kelso might have lost himself in the
• 59:06
  Speaker 2: hospital and never made it out. And it's this and
• 59:11
  Speaker 2: he's giving j D that same conversation. Listen, he's going
• 59:16
  Speaker 2: down a dark path and he and it's it's very
• 59:20
  Speaker 2: much like Star Wars. And he did it for the
• 59:22
  Speaker 2: greater good. Vader did it for the greater good to
• 59:24
  Speaker 2: save the woman he loved. But at the end of
• 59:27
  Speaker 2: the day, you know, it will consume him, and it will,
• 59:33
  Speaker 2: it will, can it will, It'll make him into the
• 59:36
  Speaker 2: person that Kelso became. In order for there to be
• 59:39
  Speaker 2: a light at the end of the tunnel, there has
• 59:41
  Speaker 2: to be somebody who was consistently in his face telling him,
• 59:47
  Speaker 2: you know, what you're doing is wrong and the patients
• 59:50
  Speaker 2: are what makes this hospital not the hospital.
• 59:54
  Speaker 1: Right. It could be it could be said Donald that
• 59:56
  Speaker 1: he's showing him, he's he's being the uh, the light
• 1:00:03
  Speaker 1: side of the force to the dark side of the forest.
• 1:00:05
  Speaker 2: He's come full Anakin. He went to the dark side,
• 1:00:08
  Speaker 2: he's come back to the light side, and he's warning
• 1:00:11
  Speaker 2: the new apprentice.
• 1:00:13
  Speaker 1: By the way, Kelseo became a much better man the
• 1:00:15
  Speaker 1: second he quit.
• 1:00:17
  Speaker 2: Yeah, all of that, dude, just think about all of
• 1:00:20
  Speaker 2: a pressure, a freaking.
• 1:00:22
  Speaker 1: All having to be the bad guy, having to be
• 1:00:23
  Speaker 1: a bad guy for everybody.
• 1:00:25
  Speaker 2: To everyone, and I want and and and and and
• 1:00:29
  Speaker 2: I bet you at one point he hated it, like
• 1:00:31
  Speaker 2: the way Cox hates it. But then eventually he loved it.
• 1:00:34
  Speaker 2: He'd learned to love it. It's like an acchoir taste,
• 1:00:37
  Speaker 2: like coffee. Remember your first time tasting coffee, and be like,
• 1:00:39
  Speaker 2: I will never drink that shit again, And then all
• 1:00:42
  Speaker 2: of a sudden, you just kept drinking it.
• 1:00:44
  Speaker 1: Although we should mention that he does, he does put
• 1:00:47
  Speaker 1: on doctor's coat so he can score free morning after
• 1:00:50
  Speaker 1: pills from the pharmacy.
• 1:00:52
  Speaker 2: I didn't say he was the saint, just.
• 1:00:57
  Speaker 1: We're just saying that he's turned a corner. And we
• 1:00:59
  Speaker 1: forgot to mention that he throws on a lab coat
• 1:01:02
  Speaker 1: so he can score free morning after pills from the pharmacy.
• 1:01:06
  Speaker 2: What is he doing with those morning after pills?
• 1:01:08
  Speaker 1: Well, we know that he likes working. No, he likes
• 1:01:12
  Speaker 1: working gals. That's very clear.
• 1:01:14
  Speaker 2: He does like the working gals.
• 1:01:16
  Speaker 1: I guess he's also not using protection with the working gals.
• 1:01:21
  Speaker 1: I mean, that's that's I think it's safe to imply
• 1:01:23
  Speaker 1: that if he's needing, needing so many, so many doses
• 1:01:26
  Speaker 1: of the Morning of the Morning, we don't sket.
• 1:01:30
  Speaker 2: Skeet, skeet, skeets meet skeet skeet, skeating all over the place.
• 1:01:34
  Speaker 1: It all comes back to skating, Donald, Is that what
• 1:01:36
  Speaker 1: you're saying.
• 1:01:37
  Speaker 2: That's what I'm saying, all right.
• 1:01:42
  Speaker 1: Lastly, Elliott clears it up with the nurse Barb who's
• 1:01:47
  Speaker 1: nurse who's a kickboxer, who was threatening to beat her up.
• 1:01:50
  Speaker 2: In the parking lot because of the way she spoke
• 1:01:52
  Speaker 2: to her.
• 1:01:53
  Speaker 1: Yeah, she apologizes and and and says that she's going
• 1:01:57
  Speaker 1: to be more respectful of the nurses.
• 1:02:00
  Speaker 2: And she also tells him, look, you got to use
• 1:02:02
  Speaker 2: Carla as the she's the bridge man. And I get it.
• 1:02:06
  Speaker 2: You know that you feel like we are disrespectful to
• 1:02:09
  Speaker 2: you guys, And I will try my best to change
• 1:02:11
  Speaker 2: and everything like that. But if you really have issues
• 1:02:14
  Speaker 2: and stuff like that and things that you want to
• 1:02:16
  Speaker 2: get done, you have to use Carla because she's she's
• 1:02:19
  Speaker 2: got your back and she's the only one that's connected
• 1:02:22
  Speaker 2: to all of us.
• 1:02:25
  Speaker 1: Yeah, she's the liaison. Liaison.
• 1:02:29
  Speaker 2: And then you know, and then JD girl some respect.
• 1:02:31
  Speaker 1: JD finally passionately fights for mister Vaughan and gets what
• 1:02:35
  Speaker 1: he wants, just as Kelso said he would from from Cox.
• 1:02:39
  Speaker 1: And that's the show. And that's the episode of Scrubs.
• 1:02:41
  Speaker 1: Everybody bring Donald Faison back to the program. Ay Man,
• 1:02:47
  Speaker 1: that's my chant, that's my chant.
• 1:02:50
  Speaker 2: You know what I've been thinking about me Dian and
• 1:02:55
  Speaker 2: Ai fucking being in Star Wars, my Ai being Now
• 1:03:00
  Speaker 2: you said on the last episode week all week, all week,
• 1:03:04
  Speaker 2: which is now two weeks because we shoot, we record
• 1:03:07
  Speaker 2: these about a week before they come out.
• 1:03:10
  Speaker 1: And we don't record them on a Thursday, and they
• 1:03:12
  Speaker 1: come out on a Tuesday.
• 1:03:16
  Speaker 2: It's almost a week.
• 1:03:20
  Speaker 1: Do you have any advice for me? On Blackjack? Hit
• 1:03:23
  Speaker 1: I hit on twenty right.
• 1:03:24
  Speaker 2: Always bet on black No on blackjack?
• 1:03:28
  Speaker 1: Yeah, hit on sixteen.
• 1:03:31
  Speaker 2: Yeah, you have to hit on the sixteen.
• 1:03:32
  Speaker 1: Always assume that the.
• 1:03:34
  Speaker 2: Less unless they're showing like a three, four, five or six.
• 1:03:40
  Speaker 1: Then you stay okay on announce because you're assuming that
• 1:03:44
  Speaker 1: they have they have a face.
• 1:03:45
  Speaker 2: Card or underneath. And so then when they flip over
• 1:03:49
  Speaker 2: with thirteen and they hit right, even if they get
• 1:03:53
  Speaker 2: a nine on that, that's one too many.
• 1:03:56
  Speaker 1: But you have to always assume that their face card,
• 1:03:58
  Speaker 1: that their card down is a ten. Right, always assume that,
• 1:04:02
  Speaker 1: okay and uh, and I can always ask them. They
• 1:04:06
  Speaker 1: they will tell you what the book says.
• 1:04:09
  Speaker 2: Some people will, some people won't.
• 1:04:10
  Speaker 1: Dependent I never met a dealer. If you're like, what
• 1:04:13
  Speaker 1: does the book say, I've never met a dealer that
• 1:04:15
  Speaker 1: doesn't tell you.
• 1:04:15
  Speaker 2: It's really funny to me. Do you No? They won't
• 1:04:19
  Speaker 2: say no, but there's something that have at Oh the
• 1:04:22
  Speaker 2: book says you should hit. Oh God, I've just hit.
• 1:04:28
  Speaker 1: I don't play that much. But when I feel like
• 1:04:29
  Speaker 1: they're mostly cool and want to help and her friendly,
• 1:04:32
  Speaker 1: because that's something they want.
• 1:04:32
  Speaker 2: They just want that money.
• 1:04:33
  Speaker 1: They want you to drink, right, well, they want to
• 1:04:35
  Speaker 1: They want you to tip them, so that's why they're
• 1:04:37
  Speaker 1: more likely to help you. Right.
• 1:04:40
  Speaker 2: Remember those chips are actual money, Zach, Just remember that.
• 1:04:46
  Speaker 1: Yeah, I'm so inspired by this documentary. I think I
• 1:04:48
  Speaker 1: might try.
• 1:04:49
  Speaker 2: Counting get kicked out a day.
• 1:04:51
  Speaker 1: To get kicked out a seven, I would dare you
• 1:04:54
  Speaker 1: to get kicked out of it without any training. I'm
• 1:04:57
  Speaker 1: going to try and count a seven deck. Shoot you
• 1:04:59
  Speaker 1: can do it, and my mind and my mind Okay,
• 1:05:06
  Speaker 1: I think there's been two queens. These dudes are these
• 1:05:13
  Speaker 1: dudes have a whole method by which they keep track
• 1:05:16
  Speaker 1: of that many decks. It's incredible.
• 1:05:18
  Speaker 2: What if you count out loud, What if you're like, okay,
• 1:05:20
  Speaker 2: that was five queens? Right, guys, It's like.
• 1:05:25
  Speaker 1: They kicked my will they kick me out with the
• 1:05:27
  Speaker 1: whole table. I'm all right, I'm gonna keep track of queens.
• 1:05:29
  Speaker 1: You keep track of kings, right, I'll make friends.
• 1:05:37
  Speaker 2: How many aces is that, Jim? That's seven aces? Seven aces?
• 1:05:41
  Speaker 1: Susie, why are you leaving? You're you're in charge of
• 1:05:43
  Speaker 1: counting the twos together? She's like, I'm broke. I just
• 1:05:48
  Speaker 1: lost all my money. You're counting that toes? Get back here? Well,
• 1:05:53
  Speaker 1: how many if you're gonna leave? How many two's were there?
• 1:05:59
  Speaker 2: Are? All right?
• 1:06:00
  Speaker 1: That's our show.
• 1:06:02
  Speaker 2: Nobody today. There's nobody calling in, and there's nobody and
• 1:06:06
  Speaker 2: no Joelle. We don't have Joel, No Joel. Dan blew
• 1:06:09
  Speaker 2: it all right.
• 1:06:10
  Speaker 1: I want to say, to be.
• 1:06:12
  Speaker 2: Fair, this isn't your job, Dan Donald's.
• 1:06:15
  Speaker 1: Donald's gonna forget this. But I just want to say
• 1:06:18
  Speaker 1: June tenth in Seattle.
• 1:06:20
  Speaker 2: At them, you should tell them about June tenth, and.
• 1:06:22
  Speaker 1: Yes, okay, I will, I will right now, June tenth.
• 1:06:25
  Speaker 1: I think we're almost sold out at the jew at
• 1:06:27
  Speaker 1: the More Theater in Seattle. Join us or forever hold
• 1:06:30
  Speaker 1: your piece. And I also have an important announcement about
• 1:06:33
  Speaker 1: A Good Person. Today is officially the day you can
• 1:06:36
  Speaker 1: finally rent it for five ninety nine. It's been a
• 1:06:40
  Speaker 1: long time coming for the price to come down to
• 1:06:42
  Speaker 1: five ninety nine, but those of you who were waiting
• 1:06:45
  Speaker 1: for that opportunity, it's now officially for rent for five
• 1:06:48
  Speaker 1: to nin nine. So please check out A Good Person,
• 1:06:50
  Speaker 1: directed and written by myself, starring Morgan Freeman and Florence
• 1:06:53
  Speaker 1: Pugh and Molly Shannon Good.
• 1:06:54
  Speaker 2: We should probably tell them because we don't talk about
• 1:06:56
  Speaker 2: this enough, and I think we've discussed it it all.
• 1:07:00
  Speaker 1: Oh my god, tenth, Yes, thank you for reminding us, Donald,
• 1:07:04
  Speaker 1: thank you for reminding us. The June tenth of the
• 1:07:06
  Speaker 1: More Theater in Seattle, the first and possibly only live
• 1:07:09
  Speaker 1: episode of Fake Doctor's Real Friends. All right, count of
• 1:07:12
  Speaker 1: sound my friend?
• 1:07:13
  Speaker 2: All right, guys, it was a pleasure. I miss you
• 1:07:16
  Speaker 2: when we're not here.
• 1:07:17
  Speaker 1: I miss you so much it hurts sometimes.
• 1:07:19
  Speaker 2: And on that note, stories that show we made about
• 1:07:26
  Speaker 2: a bunch of dogs and nurses and said, he's the
• 1:07:31
  Speaker 2: stories Nets.
• 1:07:33
  Speaker 1: No so YadA round here, YadA rad here spect me
• 1:07:40
  Speaker 1: show is that