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BOOK CLUB: THE HOUSEMAID (FINALE) · Relatables

• 0:00
  Speaker 1: Previously on Relatables Baddies book Club, they go upstairs, they
• 0:03
  Speaker 1: make sweet sweet love or night this pissed me off?
• 0:08
  Speaker 2: But where was the descriptive language?
• 0:11
  Speaker 1: How big is it? How long did he last? How
• 0:13
  Speaker 1: many times did she come? How wet was she? What
• 0:16
  Speaker 1: was his moaning? Like? Where was this?
• 0:18
  Speaker 2: It's been ten years. I want to know how it
• 0:19
  Speaker 2: feels the first time.
• 0:21
  Speaker 1: Like, if you're gonna put sex in a book, give
• 0:24
  Speaker 1: us what we want. Yeah.
• 0:25
  Speaker 2: I was like was there a page missing? I was
• 0:28
  Speaker 2: like what happened? And then it was just like we
• 0:30
  Speaker 2: woke up in the morning and I.
• 0:31
  Speaker 1: Was like, no, you didn't.
• 0:33
  Speaker 3: Welcome to Relatables Baddies book Club, where we will embark
• 0:37
  Speaker 3: on a journey reading some of the finest pieces of
• 0:39
  Speaker 3: literature you have ever laid eyes.
• 0:41
  Speaker 1: Or he is if that's your preferred way to consume
• 0:43
  Speaker 1: a book.
• 0:43
  Speaker 2: On The Housemaid, Chapters thirty one to the end, Jake,
• 0:50
  Speaker 2: we have finished finished, sure, Venito, as Enzo would say, yes,
• 0:57
  Speaker 2: So here's what I'm thinking.
• 1:00
  Speaker 1: I've got notes on every chapter. I think what I
• 1:03
  Speaker 1: wanted to try and do is bang out a quick
• 1:06
  Speaker 1: synopsis or more recap of what's been read. Get everyone
• 1:12
  Speaker 1: up to speed and then we'll go into it.
• 1:14
  Speaker 2: Okay, good because I have a lot of thoughts, okay,
• 1:18
  Speaker 2: a lot. I like what I'm hearing, very m feelings too.
• 1:22
  Speaker 1: Okay, okay, okay. Well, before we even say whether or
• 1:26
  Speaker 1: not we were happy with the ending, we're happy with
• 1:27
  Speaker 1: the book or anything, let's get quickly into a recap.
• 1:30
  Speaker 1: All right, Everyone's welcome if you haven't read the book.
• 1:32
  Speaker 1: This is why we're doing the recap. And I would
• 1:37
  Speaker 1: like to remind everyone that where we left off was
• 1:41
  Speaker 1: millly in bed finding the Broadway show like play Brochure
• 1:49
  Speaker 1: whatever on her bedside table, which then meant she knows.
• 1:54
  Speaker 1: Nina knows that she went and fucked out so long ago, yo,
• 2:00
  Speaker 1: always seems forever ago, because to be fair, we did
• 2:02
  Speaker 1: just read the second half of the book this one week.
• 2:05
  Speaker 2: And the second half was fucking way more.
• 2:08
  Speaker 1: Engaging than the first White Juicy. So I think what
• 2:13
  Speaker 1: I might do is I'm going to like read that
• 2:15
  Speaker 1: many and then like quickly bang it out, okay, and
• 2:19
  Speaker 1: then I'll do like flip her okay, doki. So from
• 2:22
  Speaker 1: where we left off, what's been going on is Nina's
• 2:26
  Speaker 1: kind of doing whatever she can to make Millie's life
• 2:28
  Speaker 1: help just like kind of scaremongering, bit of scare tactics. Right,
• 2:33
  Speaker 1: She's at the shops and she just makes life hard.
• 2:36
  Speaker 1: And then Millie gets, you know, taken by the grocery
• 2:39
  Speaker 1: shop security says, we had someone call in and said
• 2:44
  Speaker 1: that you might be stealing, and obviously it was Nina.
• 2:46
  Speaker 1: You know, she's just stressing her out by the sceanes. Yeah,
• 2:49
  Speaker 1: so we go. There's a night where Millie can't sleep,
• 2:52
  Speaker 1: and she goes down to get some water and she
• 2:55
  Speaker 1: I think she's like thinking about going to watch some
• 2:56
  Speaker 1: TV or something. She's she doesn't, she's just fucked up.
• 2:59
  Speaker 1: And she sees Andrew out on the porch just having
• 3:02
  Speaker 1: a beer. She goes out and they're shitty chatting and
• 3:06
  Speaker 1: I think she might be just talking about how I
• 3:09
  Speaker 1: didn't tell you about prison whatever, and so he looks
• 3:12
  Speaker 1: around kisses her straight up, just like straight up kisses her.
• 3:16
  Speaker 1: Doesn't even cares. Fucked up dude, it's like insane. So
• 3:20
  Speaker 1: she goes back upstairs. She goes and then Nina's stuck
• 3:23
  Speaker 1: in the darkness being scary as hell up and near
• 3:26
  Speaker 1: the attic, and she's like, Nina, what are you doing?
• 3:27
  Speaker 1: She goes, it's my house, you don't have to tell
• 3:28
  Speaker 1: you about my whereabouts. She goes, fair enough, I guess
• 3:31
  Speaker 1: where's Andrew. I don't know. He's on the porch. I
• 3:33
  Speaker 1: didn't talk to him. I don't know. Merely's trying to
• 3:35
  Speaker 1: be like.
• 3:36
  Speaker 2: What she said was sus like I don't know, but
• 3:38
  Speaker 2: it like, yeah, I think he's on the porch. I
• 3:40
  Speaker 2: didn't see him, but I didn't talk to him. Nina
• 3:41
  Speaker 2: sees her right three. Yeah, all right, Nina's a change.
• 3:44
  Speaker 1: Okay, it's hard not to say anything.
• 3:47
  Speaker 2: I know, it's hard.
• 3:48
  Speaker 1: It trigging rig I didn't I didn't see any of
• 3:50
  Speaker 1: it coming.
• 3:51
  Speaker 2: I'm not gonna lie.
• 3:52
  Speaker 1: I kind of did, kind of didn't.
• 3:53
  Speaker 2: That many comments were like all the baddies like I
• 3:55
  Speaker 2: can't believe you guys haven't.
• 3:56
  Speaker 1: Guessed this right now.
• 3:57
  Speaker 2: There was no way in the world I was guessing
• 4:00
  Speaker 2: what happened.
• 4:00
  Speaker 1: I we semi whatever. So next day, Nina is accusing
• 4:07
  Speaker 1: Milli of stealing her clothes. She's like, why did I
• 4:08
  Speaker 1: find all my clothes in your room? And Milli's like,
• 4:10
  Speaker 1: you gave him to me, and she goes, why the
• 4:12
  Speaker 1: fuck would I give my clothes my mate? And Millie
• 4:14
  Speaker 1: goes ah, Andrew comes down and she's like, Andrew, Milly'
• 4:18
  Speaker 1: still my clothes and this is like the last straw
• 4:21
  Speaker 1: for him. He's like, Nina, I fucking saw you put
• 4:24
  Speaker 1: them in the bags and say you were going to
• 4:25
  Speaker 1: donate them, like you gave them to Millie. And she's like, what,
• 4:30
  Speaker 1: You're gonna choose the mate over me? Like what are
• 4:32
  Speaker 1: you gonna believe her over me? He goes, Millly, do
• 4:35
  Speaker 1: you mind if we have some privacy? She goes upstairs.
• 4:37
  Speaker 1: She doesn't go all the way up, she's eavesdropping. Andrew's
• 4:40
  Speaker 1: just straight up fucking divorces Nina get out. He's like,
• 4:45
  Speaker 1: I want to separate you. I don't love you anymore
• 4:46
  Speaker 1: and know what's going on with you? And Nina's like
• 4:48
  Speaker 1: what what what? And he's like, yeah, look, I just
• 4:51
  Speaker 1: I don't love you. She goes, this is about Milli
• 4:53
  Speaker 1: and he goes, it's not about Millie, but I do
• 4:55
  Speaker 1: have feelings for her. I was like, what I.
• 4:58
  Speaker 2: Thought, this was very abrupt and there was quite a
• 5:00
  Speaker 2: lot of things to be like, whoa, okay, shit that
• 5:03
  Speaker 2: just happened.
• 5:04
  Speaker 1: So basically Nina leaves all right, and yeah, Millie she
• 5:13
  Speaker 1: fucks Andrew in the spare room that night. It's a
• 5:15
  Speaker 1: wonderful night, you know, they get to make some sweet
• 5:19
  Speaker 1: sweet love. And she's like, oh, well, I guess we're
• 5:20
  Speaker 1: boyfriend girlfriend now. It's a hop skipping a jumpe. It
• 5:25
  Speaker 1: is a hop skipping a jump and he's like, you know,
• 5:27
  Speaker 1: you're not my maid anymore. He goes to work, Ceci's
• 5:30
  Speaker 1: not there. She's like, all right, well, you know I
• 5:33
  Speaker 1: usually would do this this this on a Monday. And
• 5:35
  Speaker 1: he goes, don't you dare you know, just relax, you
• 5:38
  Speaker 1: don't have to do that shit anymore. We'll get someone
• 5:39
  Speaker 1: else to clean the house. All right. Cool. So she
• 5:45
  Speaker 1: that day is just chilling at the house and then
• 5:49
  Speaker 1: she's done some stuff, she's read some books, you know whatever,
• 5:53
  Speaker 1: and oh sorry quickly. Actually that day Andrew also fires Enzo,
• 6:00
  Speaker 1: and then Enzo tries to warn Milli like you're in danger,
• 6:03
  Speaker 1: you're in danger, and then she's like, what the fuck you?
• 6:07
  Speaker 1: What about? Dude off? So then that day she's chilling
• 6:10
  Speaker 1: at home, she reads a few books. She leaves him
• 6:12
  Speaker 1: on the counter, and then Andrew comes home and he's like, oh,
• 6:16
  Speaker 1: so you did some reading, you know, and She's like yeah, yeah, yeah,
• 6:19
  Speaker 1: and then he takes her upstairs, fucks her brains out,
• 6:22
  Speaker 1: they go to sleep. She wakes up at three am
• 6:23
  Speaker 1: busting for a piss. She goes to go for a week,
• 6:27
  Speaker 1: Andrew's not there anymore. So she's like, oh, fair enough.
• 6:29
  Speaker 1: I feel like if you fell asleep in this cot
• 6:31
  Speaker 1: up in the attic, like they fucked in the attic
• 6:33
  Speaker 1: by the way up in the attic, you know, I'd
• 6:35
  Speaker 1: also want to leave and go back down to my
• 6:36
  Speaker 1: fucking memory front bed. She goes to open the door,
• 6:40
  Speaker 1: doesn't budge. She's used to it by now, it always opens.
• 6:43
  Speaker 1: Goes to the fuckul do you have sex in there?
• 6:45
  Speaker 1: Goes to open it again. It's fully locked, all right?
• 6:50
  Speaker 1: And then next chapter, all right, it goes part two.
• 6:56
  Speaker 1: This shit, this next bit, Nina pov. Damn boy, I.
• 7:03
  Speaker 2: Got to say, I'm not built for a psychological thriller,
• 7:05
  Speaker 2: no me, Nina. I was struggling and like, I was scared.
• 7:09
  Speaker 2: I was like, I can't, I can't deal with this shit.
• 7:11
  Speaker 1: Yeah yeah, yeah, so I was actually also terrified. Yeah,
• 7:16
  Speaker 1: I was pretty glued to it.
• 7:18
  Speaker 2: I was good, but I don't like being in that
• 7:19
  Speaker 2: type of glued it's kind of like, I've got to
• 7:21
  Speaker 2: find out what happens.
• 7:22
  Speaker 1: But I'm scared. Yeah, he's so fair. I thought about
• 7:25
  Speaker 1: flipping to the end. By the way, I thought about
• 7:27
  Speaker 1: flipping to the end. See, I want to see the
• 7:29
  Speaker 1: happy ending, to make sure there was a happy ending.
• 7:31
  Speaker 1: And then I would have been fine to read through
• 7:32
  Speaker 1: all the shit, because I knew that it's going to
• 7:34
  Speaker 1: get coming.
• 7:35
  Speaker 2: Keep going, getting worse and worse and worse.
• 7:37
  Speaker 1: And I'm like, I'm getting more squirmish and swirmish. All right.
• 7:40
  Speaker 1: So Nina again, Nina Pov. She's in the hotel, so
• 7:49
  Speaker 1: that's where she's gone to stay. She goes into her
• 7:53
  Speaker 1: onto her phone, and she realizes that Millie has turned
• 7:56
  Speaker 1: off the tracker that she put in a phone because
• 7:58
  Speaker 1: merely found out there was a tracker. And she's like,
• 8:01
  Speaker 1: oh fuck, clever girl, but not clever enough. So she
• 8:05
  Speaker 1: goes into her purse, gets a photo of Andrew and
• 8:07
  Speaker 1: another thing. She doesn't say what the other thing is.
• 8:10
  Speaker 1: She gets a photo of Andrew though, and she goes
• 8:13
  Speaker 1: into the bathroom and she's like talking about her hands
• 8:15
  Speaker 1: in years, and then she burns the photo and then
• 8:18
  Speaker 1: there's a title and it's like, it's almost like as
• 8:21
  Speaker 1: if Nina is telling you a story, and the story
• 8:24
  Speaker 1: is how to get rid of your evil, sadistic husband,
• 8:27
  Speaker 1: A Guide by Nina Winchester. Now, the next fair few
• 8:31
  Speaker 1: chapters are a backstory of how Nina and Andrew met
• 8:34
  Speaker 1: and the years leading up until Millie got hired. I
• 8:36
  Speaker 1: felt terrible, all right, So I felt bad too because
• 8:42
  Speaker 1: we were judging her so much. Oh but yeah, you
• 8:44
  Speaker 1: have to judge. Yeah, yeah, yeah, So that's the way
• 8:47
  Speaker 1: it's written. So she started off quite a like back
• 8:51
  Speaker 1: when she met Andrew. She was working as a secretary
• 8:53
  Speaker 1: for someone that worked at Andrew's company. She was a
• 8:56
  Speaker 1: single mum and she had Ceci. She was a few
• 8:59
  Speaker 1: months old and she was fresh out of school. She
• 9:02
  Speaker 1: got pregnant on the one night stand. So she talks
• 9:05
  Speaker 1: about how Andrew was like her boss's boss's boss, and
• 9:08
  Speaker 1: he's just so handsome. He's like a famous person in
• 9:10
  Speaker 1: the company. So one day they she's like gets reprimanded
• 9:17
  Speaker 1: by her boss. She's having a meeting with Andrew because
• 9:19
  Speaker 1: she lactates and her bott and she's got full breasts
• 9:22
  Speaker 1: of milk because she's like a mum, her new mum
• 9:24
  Speaker 1: and her boss like makes fun of her and is
• 9:27
  Speaker 1: like really rude to her. So Andrew comes out and
• 9:29
  Speaker 1: he apologizes for it, takes her for lunch, and then
• 9:33
  Speaker 1: he goes, let me take you for dinner. And he's
• 9:35
  Speaker 1: just the greenest flag from the fucking get go. He's rich,
• 9:38
  Speaker 1: he's amazing future. We take, you know, go a few steps.
• 9:43
  Speaker 1: They just got married. They've been married for three or
• 9:46
  Speaker 1: four months, all right, and they moved into his house
• 9:50
  Speaker 1: airtight prenup. His mum is a psycho bitch right, very
• 9:55
  Speaker 1: very just like condescending, and you can tell that Andrew
• 9:59
  Speaker 1: just really is a wants to please his mum all
• 10:00
  Speaker 1: the time. And so one day.
• 10:04
  Speaker 2: I was thinking he was trying to turn Nina into
• 10:07
  Speaker 2: his mouth something.
• 10:08
  Speaker 1: It was crazy bro like yeah. So Nina, one day,
• 10:14
  Speaker 1: she's like just loving life, best husband ever, you know.
• 10:19
  Speaker 1: She comes home and he's there and she missed a
• 10:24
  Speaker 1: hair appointment and he's like notices that she had a
• 10:26
  Speaker 1: few roots grown through, and he's just like made a
• 10:28
  Speaker 1: little comment like, oh, your roots are grown through, but
• 10:30
  Speaker 1: he didn't say he said it just kind of under
• 10:32
  Speaker 1: his breath, like not a big deal. And so she's
• 10:35
  Speaker 1: like yeah, yeah, yeah. And then they're about to go
• 10:37
  Speaker 1: to bed, and he says, oh, do you mind helping
• 10:39
  Speaker 1: me up with some papers in the attic? I need
• 10:42
  Speaker 1: to get this contract done by tonight for tomorrow. So
• 10:45
  Speaker 1: she goes up there and goes to help him. They
• 10:47
  Speaker 1: walk into the attic and there's not much up there.
• 10:49
  Speaker 1: There's like there's a cot, there's a cupboard, there's a
• 10:53
  Speaker 1: fridge with the three water bottles, and there's a bucket,
• 10:56
  Speaker 1: and so she's like, this is weird. She goes in
• 10:59
  Speaker 1: and then she hears the door slam. She's like, there's
• 11:01
  Speaker 1: no papers up here, and she's like, why is the
• 11:02
  Speaker 1: door closed? She's like, where did Andrew go? And so
• 11:05
  Speaker 1: she's over trying to open the door. It's locked. She's screaming, screaming, screaming.
• 11:09
  Speaker 1: There's a window it's painted over, like painted shut, and
• 11:13
  Speaker 1: she's like, Nina is just like screaming, scream and screaming.
• 11:15
  Speaker 1: She's like, what the fuck's going on? And Andrew's just gone.
• 11:19
  Speaker 1: She's starting to think like he he, you know, left
• 11:23
  Speaker 1: the door accidentally closed. He was on his way back up,
• 11:25
  Speaker 1: but he fell down the stairs shit like that. And
• 11:28
  Speaker 1: so after ages he comes back and he's like she goes, Andrew,
• 11:33
  Speaker 1: what the hell are you doing? And he's like, where
• 11:36
  Speaker 1: are He's like, do you have a key or whatever?
• 11:37
  Speaker 1: He goes, yeah, I have a kid. And she's like, well,
• 11:38
  Speaker 1: let me out, and he goes, I'm not going to
• 11:39
  Speaker 1: do that. She's like what and he's like, he's going,
• 11:44
  Speaker 1: you need to you need to understand what you've done.
• 11:47
  Speaker 1: She's going, what are you what? Let me out of
• 11:50
  Speaker 1: you right fucking now, Andrew, let me out of here?
• 11:53
  Speaker 1: What is wrong with you? So he fucking is locked
• 11:58
  Speaker 1: her in there because her roots have grown through. He goes,
• 12:03
  Speaker 1: you let your roots grow through, all right, I'm not
• 12:06
  Speaker 1: gonna have my wife walking around like some slobby, homeless person.
• 12:10
  Speaker 1: You have to understand the privilege of having access to
• 12:14
  Speaker 1: a hairdresser and the privilege of having hair man. I
• 12:19
  Speaker 1: hate everything about this, all right. So she's losing the
• 12:24
  Speaker 1: plot because I'm gonna let you calm down. I'll be
• 12:26
  Speaker 1: back soon. She's like losing plot scratching and doing everything right.
• 12:30
  Speaker 2: What would you do in this scenario, your Nina.
• 12:35
  Speaker 1: I don't actually know. I would like I would resort
• 12:46
  Speaker 1: to like just trying to use something to break like something,
• 12:54
  Speaker 1: if that makes any sense At all, I think I'd
• 12:56
  Speaker 1: break myself. Yeah, like I would. This is what my
• 13:01
  Speaker 1: nightmare is. Because there is a small window, right, So
• 13:06
  Speaker 1: I would be using something to break that small window,
• 13:08
  Speaker 1: even though it's painted over, and so then I would
• 13:12
  Speaker 1: be yelling out of that window. That's what I would do.
• 13:15
  Speaker 1: What would you do?
• 13:17
  Speaker 2: Honestly, I would just kick up.
• 13:19
  Speaker 1: Yeah, it's fucking insane. So he comes back before bed
• 13:24
  Speaker 1: and she's like, seriously, let me the fuck out of here.
• 13:27
  Speaker 1: And so then he's like, nuh um, you're gonna spend
• 13:31
  Speaker 1: the night in here. I gave you three water bottles. Like,
• 13:35
  Speaker 1: this guy's fucking insane. So she's somehow spends the night
• 13:39
  Speaker 1: in there. Next day he comes in. He's like, Nina,
• 13:41
  Speaker 1: you awake. She's been in there for like fifteen hours.
• 13:45
  Speaker 1: Nina you up. He's like yeah. She's like yes, yes, yes.
• 13:47
  Speaker 1: He goes, okay, I've thought of for my punishment, because
• 13:50
  Speaker 1: he said, he says, I need to think of a punishment.
• 13:51
  Speaker 1: He goes, I thought of what my punishment is. He
• 13:53
  Speaker 1: slides an envelope under the door and he says, I
• 13:55
  Speaker 1: need you to give me one hundred strands of your hair.
• 13:59
  Speaker 1: She goes, I'll that's fine. I'll go get my hair
• 14:02
  Speaker 1: brush right now. And he goes, no, no, no. From the scalp,
• 14:05
  Speaker 1: I need you to pull out one hundred strands of
• 14:07
  Speaker 1: your hair and put them in this envelope and give
• 14:09
  Speaker 1: them back to me. She goes all right, fine, like
• 14:11
  Speaker 1: give me two seconds. I'll do it right now. And
• 14:13
  Speaker 1: he goes, no, no, no, I got to get to work.
• 14:14
  Speaker 1: She's said, no, just five minutes, give me five minutes.
• 14:16
  Speaker 1: I'll do it right now. He's like, no, no, I got
• 14:17
  Speaker 1: to get to work. All right, you've got the day.
• 14:19
  Speaker 1: I'll be back by seven pm. Ceec's taken care of
• 14:23
  Speaker 1: blah blah blah blah blah. Okay, oh my fucking gord.
• 14:27
  Speaker 1: So she's been in there for the night, no food,
• 14:30
  Speaker 1: just some water to piss in the bucket, and she
• 14:33
  Speaker 1: takes one hundred stands of hair gives them to him. Boom.
• 14:37
  Speaker 1: He comes back at seven pm. No, no, are you there? Yep,
• 14:39
  Speaker 1: she's fucked up, dehydrated. Whatever gives them the hair he
• 14:42
  Speaker 1: counts me. He goes, all right, I've got the hairs,
• 14:45
  Speaker 1: but there's just one problem. All of them but one
• 14:48
  Speaker 1: are from the root. So you're gonna have to do
• 14:50
  Speaker 1: it again, and so she's like, you're fucked up, dude.
• 14:54
  Speaker 1: She's losing her mind all right. Now she has to
• 14:58
  Speaker 1: spend another night in there. He comes back the next morning.
• 15:02
  Speaker 1: She is she thinks she's gonna die from dehydration. She's
• 15:05
  Speaker 1: got the new hairs. He counts, and he says, yeah, okay,
• 15:07
  Speaker 1: ol Good opens the door. He's got a bottle of
• 15:09
  Speaker 1: a glass of water and a bagel there for her.
• 15:12
  Speaker 1: So she's thinking, as soon as she gets out of
• 15:13
  Speaker 1: this room, she's gonna fuck him up. But she's just
• 15:15
  Speaker 1: so tired. She hasn't eaten for two days, like she's
• 15:17
  Speaker 1: barely drink any water because those water bottles were small,
• 15:21
  Speaker 1: and so she just can't even get up. And he
• 15:22
  Speaker 1: gives her the water, feeds her the bagel, and then
• 15:25
  Speaker 1: he picks her up, and he just keeps saying to her, like,
• 15:28
  Speaker 1: you know you're gonna be okay? Are you okay? Like
• 15:31
  Speaker 1: you're acting really strange, and then he keeps on and
• 15:33
  Speaker 1: then he puts her down into bed and he says,
• 15:35
  Speaker 1: you just you rest for the day. I'm gonna go
• 15:37
  Speaker 1: to work, but let me know if you're okay, because
• 15:40
  Speaker 1: you're not well okay, and then at about midday, she
• 15:44
  Speaker 1: wakes up and she feels fucked like she hasn't even slept,
• 15:47
  Speaker 1: but she's been sleeping and she's been woken up, and
• 15:50
  Speaker 1: she's like, there's someone in the bathroom running water and
• 15:54
  Speaker 1: the lights on. She's like, who's in my bathroom? And
• 15:56
  Speaker 1: she's like, what is going on? What is going on?
• 15:58
  Speaker 1: And she's fucked up. Her phone buzzers. She can bear it.
• 16:02
  Speaker 1: She checks her phone as she sees it's midday, and
• 16:04
  Speaker 1: there's messages from Andrew are you okay? I'm about to
• 16:06
  Speaker 1: go on a meeting, text me if you're okay? Are
• 16:08
  Speaker 1: you okay? And Nina what are you doing? Nina? Are
• 16:10
  Speaker 1: you okay? She's like, what the hell? And then there's
• 16:15
  Speaker 1: still this water running and she's not knowing what it
• 16:17
  Speaker 1: is and she gets up out of bed to go
• 16:19
  Speaker 1: see what it is and she's she can't walk. She's like,
• 16:22
  Speaker 1: what the fuck and then she realizes she hasn't even
• 16:24
  Speaker 1: thought of Cecilia, so she walk goes over. She has
• 16:27
  Speaker 1: to crawl, crawl, crawl, crawl. She barely gets there, and
• 16:31
  Speaker 1: once she gets into the bathroom she still can barely crawl.
• 16:34
  Speaker 1: She sees Cecilia in the bathtub and the water is
• 16:38
  Speaker 1: about to be full, She's about to be fully submerged
• 16:40
  Speaker 1: in the water, and so she's like, what the fuck
• 16:42
  Speaker 1: has this psychopath done? So she's inching over, she's talking
• 16:45
  Speaker 1: about how she'll do anything to say her baby. She's
• 16:47
  Speaker 1: nearly there. She gets up to the bath she nearly
• 16:49
  Speaker 1: gets to the FORRCET, and then there's a police officer
• 16:51
  Speaker 1: there that drags her away. Okay, so it.
• 16:55
  Speaker 3: Was Andrew that drugged Nina and was gonna kill Cecilia.
• 17:01
  Speaker 2: So I was gaslight here as a reader, but a
• 17:04
  Speaker 2: really yeah, so what next?
• 17:08
  Speaker 1: Now that what naps? The next I'll go into a
• 17:10
  Speaker 1: little bit of detail, even though I just did. Nina
• 17:15
  Speaker 1: goes to a mental hospital and what they tell her
• 17:20
  Speaker 1: is that the whole addic thing never happened. She's severely
• 17:26
  Speaker 1: depressed and she's having hallucinations. She's been she has to
• 17:31
  Speaker 1: go to a hospital for eight months. She's on psycho
• 17:34
  Speaker 1: anti psychotics, she's on depressure medication, she got having heavy therapy,
• 17:38
  Speaker 1: and they're drilling into her that this was a hallucination
• 17:41
  Speaker 1: and you are sick, and she ends up believing it
• 17:45
  Speaker 1: and she owns up to what she did. So did I.
• 17:47
  Speaker 1: So she's so. What they're saying is the addict thing
• 17:50
  Speaker 1: never happened. You had you had a hallucination, and your
• 17:52
  Speaker 1: husband never lost you up there. You were so depressed
• 17:55
  Speaker 1: and hallucinating so bad that you drugged yourself, drugged your baby,
• 17:58
  Speaker 1: and you were going to drown her. And she admitted
• 18:00
  Speaker 1: to doing it because they gasted her into say she
• 18:02
  Speaker 1: did it, and I was like, bullshit, Yeah, all right. Now,
• 18:07
  Speaker 1: eight months down the track, she's finally let out and
• 18:13
  Speaker 1: she's going They've been home for a little while. Andrew's
• 18:16
  Speaker 1: been the perfect husband, all right, the perfect father to Cecilia,
• 18:21
  Speaker 1: and Cecilia has missed her so much. She's still not
• 18:24
  Speaker 1: allowed alone with her. Has to have either his Andrew's
• 18:26
  Speaker 1: mom there or Andrew there while Cecilia is there. And
• 18:29
  Speaker 1: then there's one day she was she just had one
• 18:32
  Speaker 1: of her like weekly therapist sessions, and the therapist says,
• 18:34
  Speaker 1: I really think you should go check the attic because
• 18:36
  Speaker 1: that's the only thing you haven't done. I think that
• 18:38
  Speaker 1: you would really be letting yourself out of the prison
• 18:40
  Speaker 1: that you are scared of if you go check out
• 18:43
  Speaker 1: the attic.
• 18:43
  Speaker 2: And all these people are Andrew's family, friends or.
• 18:47
  Speaker 1: Yeah, we don't know that till after the fact, know
• 18:49
  Speaker 1: the Winchesters. Yeah. So we get back and Andrew says
• 18:54
  Speaker 1: I agree with him, like you should check it out,
• 18:56
  Speaker 1: all right. They go home. Andrew's mom is there and
• 19:01
  Speaker 1: she's looking up to see Cee and she's about to
• 19:03
  Speaker 1: go home, and she goes, Andrew, I notice she lost
• 19:05
  Speaker 1: a light on in your bedroom upstairs. And he's all embarrassed.
• 19:09
  Speaker 1: And Nina's like, yeah, he really does like to please
• 19:12
  Speaker 1: his mum, so I'll take the blame for this one.
• 19:13
  Speaker 1: She goes, oh, no, no, that was me. I'm sorry.
• 19:16
  Speaker 1: And so she's like, you know, you really should think
• 19:21
  Speaker 1: about the electricity yourself. You're wasting. Nina like that's insane,
• 19:25
  Speaker 1: and so then they go up and they have dinner,
• 19:28
  Speaker 1: and then he goes, how do you feel about checking
• 19:30
  Speaker 1: out the attic and she's like yeap, okay. They go
• 19:33
  Speaker 1: up together, he's holding her hand, and then they go up.
• 19:38
  Speaker 1: She goes into the attic and she's really scared, and
• 19:41
  Speaker 1: then she's like, do you mind turning the light on?
• 19:43
  Speaker 1: He turns the light on and it's like wicked bright.
• 19:46
  Speaker 1: All right, you can't even look. You have to close
• 19:47
  Speaker 1: your eyes. It's so bright, and it's so bright she
• 19:50
  Speaker 1: can barely see door slam shute. No way, bro, bro,
• 19:56
  Speaker 1: So Andrew is the fucked up one, all right? Now,
• 20:01
  Speaker 1: Oh my.
• 20:02
  Speaker 3: Fucking god, bro now now now, no, no, no, Now,
• 20:05
  Speaker 3: she's freaking the fuck out, all right.
• 20:10
  Speaker 1: So what he's done is giving himself an insurance policy.
• 20:15
  Speaker 1: All right. He has made it look like she's the
• 20:17
  Speaker 1: crazy one. She has admitted to doing this to think
• 20:21
  Speaker 1: like she is diagnosed crazy. So what he's done now
• 20:25
  Speaker 1: has made it so he can make her his little pet,
• 20:29
  Speaker 1: all right. He can do whatever he wants to her.
• 20:32
  Speaker 1: And what he says to her is this is how
• 20:34
  Speaker 1: it's gonna work, Nina. All Right, you're gonna be the
• 20:37
  Speaker 1: perfect wife. Okay, my insurance policy is x y Z.
• 20:42
  Speaker 1: He's made it impossible for her to get out of this,
• 20:44
  Speaker 1: all right. And then every time you do something bad,
• 20:47
  Speaker 1: there will be a punishment, and it will be in
• 20:48
  Speaker 1: the attic, all right, and every time there will be
• 20:52
  Speaker 1: a new punishment. So she spends another few days in there,
• 20:56
  Speaker 1: and she's fucked up, all right. Now. She spends the
• 20:59
  Speaker 1: next like seven years just going through hell and right,
• 21:04
  Speaker 1: so she goes through the stage where she tries to
• 21:07
  Speaker 1: hate him. All right, she puts her in the attic.
• 21:10
  Speaker 1: She tries to love him. She can't barely. Like it's insane, bro.
• 21:14
  Speaker 1: She tries to be the perfect wife. At one point
• 21:16
  Speaker 1: she cop it be the perfect wife, but he'll just
• 21:19
  Speaker 1: nitty gritty pick the tiniest little thing she does that
• 21:22
  Speaker 1: isn't perfect, and she goes in the attic for it. Now. Also,
• 21:26
  Speaker 1: if Cecilia is naughty, Nina goes in the attic. So
• 21:30
  Speaker 1: then Cecilia starts to notice that whenever she does something
• 21:33
  Speaker 1: bad that her dad doesn't like, Mum goes away. Cecilia
• 21:37
  Speaker 1: doesn't know where she goes, but she goes away, and
• 21:38
  Speaker 1: she doesn't like it when she's gone. So this shit's
• 21:42
  Speaker 1: fucking crazy. One day she tells like he again, Andrew
• 21:48
  Speaker 1: has these insurance policies, like she can't tell a soul.
• 21:50
  Speaker 1: One day she gets drunk and she tells her best
• 21:52
  Speaker 1: friend Suzanne. She comes home and Suzanne says, you're gonna
• 21:56
  Speaker 1: get through this. She walks in the door, Andrew's there,
• 22:00
  Speaker 1: fucked up attic Now, Suzanne told Andrew because every single
• 22:05
  Speaker 1: time Nina gets a new friend, Andrew has to go
• 22:07
  Speaker 1: and have a one on one conversation and let them
• 22:09
  Speaker 1: know what happened with Cecilia. And the reason why she
• 22:12
  Speaker 1: thinks Cecilia was actually drowning was because he put her
• 22:15
  Speaker 1: in the attic. But it's a delusion. So if she
• 22:16
  Speaker 1: tries to tell you any stories to do with an addict,
• 22:18
  Speaker 1: you have to let me know because that means that
• 22:19
  Speaker 1: she needs to go back to the hospital. So after
• 22:22
  Speaker 1: that thing with Susannah hospital, two more months, Well, bro,
• 22:26
  Speaker 1: this is fucked that, I know. I don't know how
• 22:28
  Speaker 1: fuck anyone thinks of the shit, So back out. And
• 22:35
  Speaker 1: it gets to the point where she's like every other
• 22:37
  Speaker 1: month she gets put in the attic. All right, she's
• 22:39
  Speaker 1: living in constant fear. Sometimes it can go six months.
• 22:42
  Speaker 1: Sometimes it's more frequent, like, but she's in the attic
• 22:45
  Speaker 1: like at least, you know, six times a year. So
• 22:52
  Speaker 1: one day she comes home and she comes home with Suzanne.
• 22:59
  Speaker 1: She's still goes and see Suzanne for lunch on Mondays,
• 23:02
  Speaker 1: and Enzo's working in the yard and Suzanne's gulking at
• 23:08
  Speaker 1: him and saying like he's so sexy, and Nina's like, yeah,
• 23:11
  Speaker 1: he's good at what he does. He's obviously he's attractive, yes,
• 23:13
  Speaker 1: but like he doesn't speak any English's like all the better.
• 23:18
  Speaker 1: And so she goes in and she says, ah, she's
• 23:19
  Speaker 1: like chow and zo and he's like and so because
• 23:23
  Speaker 1: he didn't speak English, she just thinks like, fuck it,
• 23:26
  Speaker 1: I can just get something off my chest. And she
• 23:28
  Speaker 1: goes and he's like, how are you whatever? And she goes, oh,
• 23:31
  Speaker 1: my husband locks me in the attic all the time.
• 23:33
  Speaker 1: And he's like what. She goes, she thought he didn't understand.
• 23:38
  Speaker 1: She's like, I need to tell someone what Oh, never mind,
• 23:42
  Speaker 1: all right. Now, that night she gets locked in the attic,
• 23:46
  Speaker 1: she does something bad. She's freaking the fuck out at
• 23:51
  Speaker 1: the moment. The window, the one little window that looks
• 23:55
  Speaker 1: out in the backyard. She's just looking at it to
• 23:57
  Speaker 1: get some daylight. Who's out there, Enzo? He sees her
• 24:02
  Speaker 1: and he's like what the fuck? Drops, everything goes up,
• 24:05
  Speaker 1: starts banging on the attic door. Nina, what are you
• 24:07
  Speaker 1: doing in there? What are you doing?
• 24:08
  Speaker 3: He's English perfect, by the way, perfect, Okay, Nina, what
• 24:13
  Speaker 3: are you doing?
• 24:13
  Speaker 1: She goes, please please, no, no, no, no, it's fine, it's fine.
• 24:15
  Speaker 1: I'm just uppy. He's like, I'm breaking the door down.
• 24:17
  Speaker 1: She goes, please, I'm begging you know. I'm begging you know.
• 24:20
  Speaker 1: And so she says, you're gonna make it worse. You're
• 24:21
  Speaker 1: gonna make it worse. So he says, okay, you want
• 24:24
  Speaker 1: me to leave? He said, yes, please leave. I've got
• 24:26
  Speaker 1: this under control. Please leave. He says, okay, but if
• 24:29
  Speaker 1: you're not back by the morning, I'm coming back and
• 24:31
  Speaker 1: I'm breaking this door down. So next day he lets
• 24:36
  Speaker 1: her Andrew lets her out, and that night was a
• 24:39
  Speaker 1: particularly bad punishment. She had to pepper spray herself because
• 24:42
  Speaker 1: what she did the night prior was there was one
• 24:45
  Speaker 1: time where she got put in the attic because she
• 24:47
  Speaker 1: didn't spray enough air freshener in their room, and so
• 24:49
  Speaker 1: she makes sure she sprays enough every night, but this
• 24:51
  Speaker 1: night she just spread a little bit too much, and
• 24:53
  Speaker 1: he said that it hurt his eyes. So he put
• 24:54
  Speaker 1: her in the attic and he says, I need you
• 24:56
  Speaker 1: to pepper spray yourself so you know what it feels like,
• 25:00
  Speaker 1: I could see you and insane. So now she comes
• 25:06
  Speaker 1: back and she's all her face is all fucked u
• 25:07
  Speaker 1: from the pep spray, and Enso is there and he
• 25:11
  Speaker 1: sees her right so she finally she confides in in Enzo. Right,
• 25:20
  Speaker 1: I think he kind of is like you, what is
• 25:22
  Speaker 1: going on? So she tells Enso everything right, Andrew hasn't
• 25:27
  Speaker 1: vetted Enzo, by the way, and also Enso's seen her
• 25:29
  Speaker 1: in the attic. She tells Enso everything, and he's like,
• 25:32
  Speaker 1: I'm gonna kill him, like I'm find he's dead. She goes, no, no, no, no, no,
• 25:36
  Speaker 1: no no. Right. He tells a small backstory about how
• 25:40
  Speaker 1: his sister was with a man who was like Andrew,
• 25:43
  Speaker 1: and one day his sister was dead. So the reason
• 25:49
  Speaker 1: he has fled his country is because he didn't kill
• 25:52
  Speaker 1: the man, but he heard him very bad. But that
• 25:54
  Speaker 1: man was very powerful and he can't go back into
• 25:56
  Speaker 1: the country because he'll be dead before he even leaves
• 25:57
  Speaker 1: the airport. So he's stuck in America. I'm gonna kill Andrew.
• 26:01
  Speaker 1: And then she goes, well, like, let's not do that,
• 26:05
  Speaker 1: let's do something different. Can you help me? And he's
• 26:10
  Speaker 1: like yeah, same, and so he goes, You're gonna need
• 26:14
  Speaker 1: He's like, I can't help you, but I know people
• 26:16
  Speaker 1: who can. He's you gonna need money, and you're gonna
• 26:19
  Speaker 1: need passports, new names, everything, and so he's been helping
• 26:25
  Speaker 1: her with this for a little bit. Right, one day
• 26:27
  Speaker 1: they go to his apartment and they plan it out
• 26:30
  Speaker 1: or see he's at school. And then so she has
• 26:37
  Speaker 1: this whole plan with Enzo. There's one day where they're
• 26:41
  Speaker 1: about to execute the plan. What they have is the money.
• 26:45
  Speaker 1: They have the passports and everything, and they have them
• 26:49
  Speaker 1: in two different safe boxes. She comes home one day
• 26:53
  Speaker 1: Andrew sitting there with the passports. He's like really, So
• 26:57
  Speaker 1: he's like, Nina, you didn't think i'd find this shit.
• 27:00
  Speaker 1: Everything I know everything you do, Nina, all right, you
• 27:04
  Speaker 1: didn't think I find this shit? And so once again
• 27:09
  Speaker 1: attic dude, she's getting fucking fucked up in this attic.
• 27:14
  Speaker 1: So this time, but this time he goes to grab
• 27:19
  Speaker 1: her and she runs out to her car. She's running
• 27:24
  Speaker 1: and she drives to Enzo's place. She goes in there
• 27:26
  Speaker 1: and he's like, what's going on, and she goes, he
• 27:28
  Speaker 1: found the drop of the lock box, but he didn't
• 27:30
  Speaker 1: find the mom with the money, and so he's I think.
• 27:33
  Speaker 1: Now he's like okay, and now I'm gonna kill him.
• 27:35
  Speaker 1: She goes, no, no, no, no, no, Actually I have a
• 27:38
  Speaker 1: better idea. So she has a better idea, and her
• 27:43
  Speaker 1: idea is to find a replacement for Nina. The plan
• 27:47
  Speaker 1: is in Genie. Yes, so she has to very meticulously
• 27:51
  Speaker 1: plan this. Okay, So what she does is she hires
• 27:56
  Speaker 1: a maid, She does her research and the people that apply,
• 28:00
  Speaker 1: she does lots of deep research on They need to
• 28:02
  Speaker 1: be desperate, they need to be xyz, they need to
• 28:05
  Speaker 1: and they need all these things because what Nina's she
• 28:08
  Speaker 1: knows what she has to do. Nina has to be crazy,
• 28:11
  Speaker 1: so merely applies. She does a background check on Millie.
• 28:14
  Speaker 1: She goes, oh my god, prison for ten years. Just
• 28:17
  Speaker 1: lost her job because they were going to call the
• 28:19
  Speaker 1: police on her. And she didn't go to prison for anything.
• 28:22
  Speaker 1: She went to prison for murder. She did it when
• 28:26
  Speaker 1: she was sixteen, and she was tried a mine as
• 28:28
  Speaker 1: a minor, so she only got ten years. What she
• 28:30
  Speaker 1: did was she was in college. She was at a
• 28:34
  Speaker 1: party and a football player was coming onto one of
• 28:36
  Speaker 1: her friends and was about to sexually assault her. So
• 28:39
  Speaker 1: she goes in. She picks up a paperweight and beats
• 28:41
  Speaker 1: the man to death. Goes to jail. Now she doesn't
• 28:47
  Speaker 1: want to go back to jail, so she hires Millie
• 28:51
  Speaker 1: and everything's going to plan. She said, what I need
• 28:54
  Speaker 1: is her and Andrew need to be in the same
• 28:58
  Speaker 1: room bonding over something. Right. So for the last couple
• 29:03
  Speaker 1: of weeks, Nina's just been crazy to Andrew. And then
• 29:06
  Speaker 1: Andrew comes home and finds out she's hired Milly and
• 29:08
  Speaker 1: Millie's living in the attic and he's like, what the
• 29:10
  Speaker 1: fuck are you doing? They're in the garage and he
• 29:12
  Speaker 1: grabs her by the arm. She's like, what the fuck
• 29:13
  Speaker 1: are you doing by her right now? What do you
• 29:15
  Speaker 1: think you're doing? You put her in the attic. You
• 29:16
  Speaker 1: could at least put her in the fucking guest room.
• 29:19
  Speaker 1: And she's like, no, no, no, no, what if your mum
• 29:20
  Speaker 1: wants to stay, Like she's not gonna sleep on the
• 29:22
  Speaker 1: lounge right, And he's like, she's not staying here, and
• 29:26
  Speaker 1: she goes, you can buy her then, and he's like, okay,
• 29:28
  Speaker 1: I will tomorrow now next day, all right. This is
• 29:34
  Speaker 1: when Nina is It's Millie's first morning, and this is
• 29:37
  Speaker 1: when Nina he's like throwing everything from the fucking fridge
• 29:41
  Speaker 1: onto the ground and making a huge mess. Right. So
• 29:48
  Speaker 1: that's when she got Andrew and Milli to bond, and
• 29:51
  Speaker 1: she knew from then on because she's like saying, you know,
• 29:55
  Speaker 1: what'd you do with my notes? And she feels really
• 29:56
  Speaker 1: bad for blaming Milli for this, but she has to
• 29:58
  Speaker 1: do what she has to do just keep her daughter safe. Whatever.
• 30:02
  Speaker 1: Now everything worked out perfectly.
• 30:06
  Speaker 2: It was opening seeing like two different povs. Yeah, and
• 30:11
  Speaker 2: then everything Nina did for this, and also how the
• 30:15
  Speaker 2: psych medication and everything made Nina put on weight, and
• 30:18
  Speaker 2: like everything is like fuck, there's always two sides of
• 30:20
  Speaker 2: the story.
• 30:22
  Speaker 1: So everything worked out perfect. Lee Ceci goes to summer camp,
• 30:27
  Speaker 1: so she's far away from Andrew because that was another
• 30:29
  Speaker 1: one of his insurance policies was he'll hurt Cec if
• 30:31
  Speaker 1: Nina tries to get away. Now she knows that they're
• 30:36
  Speaker 1: in Manhattan, she knows they slept together. Perfect, she makes
• 30:40
  Speaker 1: Andrew leave her. She's like, finally I'm free. So she
• 30:44
  Speaker 1: goes and picks Cecy up from the summer camp. She's like,
• 30:48
  Speaker 1: what do you want to do? Where do you want
• 30:49
  Speaker 1: to go? You know Dad's not coming with us. Cecy's
• 30:53
  Speaker 1: like fuck yes. She goes to Enzo's place to thank him,
• 30:56
  Speaker 1: and then she's like, Nina, we have to help Millie
• 30:59
  Speaker 1: she's like, no, I refuse, I'm done. I'm not holding
• 31:01
  Speaker 1: Millie now. From here, each chapter is a different POV.
• 31:05
  Speaker 1: We go back to Millie's POV. She's stuck in the
• 31:09
  Speaker 1: attic all right, Andrew comes in the morning. She's like,
• 31:13
  Speaker 1: what the fuck are you doing? And he's like, do
• 31:16
  Speaker 1: you see those books I left in the room. Yeah.
• 31:22
  Speaker 1: She's like yeah, yeah, she's like yeah. He's like, well, Millie,
• 31:27
  Speaker 1: you left those books out and that's very rude. Those
• 31:32
  Speaker 1: are my books. She's like yes, so we'll put them
• 31:34
  Speaker 1: back whatever, and he goes, nah, you need to be
• 31:37
  Speaker 1: punished for this, all right, Oh my Dave, you need
• 31:41
  Speaker 1: to be punished for this. And when you put those
• 31:43
  Speaker 1: books on your stomach for three hours, of course, she's like,
• 31:47
  Speaker 1: the fuck is wrong with you? No, and so then
• 31:50
  Speaker 1: he fucks off. He does the exact same thing to
• 31:53
  Speaker 1: Millie that he did to Nina. So she's like, I'm
• 31:57
  Speaker 1: fucking busting for a piss dude, Like there's a bucket
• 32:00
  Speaker 1: in there for her, So she's like what the hell.
• 32:04
  Speaker 1: So finally she's in there for two days, she does
• 32:08
  Speaker 1: the three books, and he goes, yeah, you did it,
• 32:10
  Speaker 1: but you're five minutes short. You have to do it again.
• 32:14
  Speaker 1: So she goes, fuck fuck you. She does it again
• 32:19
  Speaker 1: for three hours and ten minutes. She finds out there's
• 32:21
  Speaker 1: a camera in there, and that's how he knows. So
• 32:23
  Speaker 1: she's like, okay, cool. So he comes in in the
• 32:27
  Speaker 1: morning and she's fucked up, dehydrated. The books. She's bruising
• 32:30
  Speaker 1: on the stoma because the books are heavy books. Heavy books,
• 32:32
  Speaker 1: three hours, heavy books six hours altogether. And so he
• 32:37
  Speaker 1: comes in and he's like, all right, you know, brings
• 32:42
  Speaker 1: a glass of water. She necks that thing. I thought
• 32:44
  Speaker 1: she was going to be drugged, and she's like, he goes,
• 32:48
  Speaker 1: all right, this how it's gonna work, Millie. You're going
• 32:50
  Speaker 1: to do everything I say. If you need to be punished,
• 32:53
  Speaker 1: you're gonna come up here, all right. But if you
• 32:57
  Speaker 1: do what I say, you don't if you go back
• 32:58
  Speaker 1: to prison. He thinks, he thinks he's got it. He
• 33:01
  Speaker 1: does all right, he thinks he's got her, and really
• 33:03
  Speaker 1: goes fuck that. She's like, this is an inner monologue moment.
• 33:11
  Speaker 1: She goes, I get the pepper spread but that I
• 33:12
  Speaker 1: found in the bucket out of my pocket, and I
• 33:14
  Speaker 1: spray and point blank in the eyes, and so Andrew's
• 33:20
  Speaker 1: fucked up from the pepper spray, and then he drops
• 33:23
  Speaker 1: his phone. She picks it up, dips out of the room,
• 33:26
  Speaker 1: closes the door, locks it with the key that Nina
• 33:29
  Speaker 1: gave her. All right, oh my days. And he's like, merely,
• 33:33
  Speaker 1: what the fuck? She goes, hey, games the game? Yeah,
• 33:37
  Speaker 1: how's your own medicine taste? Yeah, and he's like Milli.
• 33:40
  Speaker 1: He's like, really, get me out of here right now.
• 33:41
  Speaker 1: He's furious. She's like, give me out of your road shit.
• 33:44
  Speaker 1: She's like, yeah, yeah, I love her demeanor. Yeah, she's
• 33:50
  Speaker 1: just she's like, I'm good. Yeah, I don't think I will.
• 33:55
  Speaker 1: She goes, look, I will let you out, obviously, I'm
• 33:58
  Speaker 1: going to let you out, but just not right now.
• 34:00
  Speaker 1: All right, So here's what's going to happen. I want
• 34:03
  Speaker 1: you to lay down, and you see those books. I
• 34:09
  Speaker 1: want you to put them on your stomach for three hours.
• 34:13
  Speaker 1: And she's got his phone. She's looking at his camera.
• 34:15
  Speaker 1: She's looking at him. He's furious, and he's like, don't
• 34:18
  Speaker 1: be stupid. She goes, what are you talking about? I'm
• 34:20
  Speaker 1: being dead serious. So he lays down, he puts the
• 34:22
  Speaker 1: books on his stuff. He goes, fine, I'll play your games,
• 34:25
  Speaker 1: and the books don't really do anything to him because
• 34:27
  Speaker 1: he's so much bigger. She goes, no, put him lower,
• 34:30
  Speaker 1: and he's like, are you serious. She goes a bit lower,
• 34:33
  Speaker 1: a bit lower, until they're resting on his dick and balls,
• 34:36
  Speaker 1: and he's like, this is fucked Meally, I can't do this.
• 34:38
  Speaker 1: She goes, well, just three hours, time will be you know,
• 34:40
  Speaker 1: I'll be back. She goes down, makes herself something to eat.
• 34:43
  Speaker 1: She's just chilling watching TV looking at the camera. He
• 34:46
  Speaker 1: does it, He fully does it, and then she goes up.
• 34:50
  Speaker 1: He's fucked up, and he's like, all right, let me out.
• 34:54
  Speaker 1: She goes, here's the thing. I think you misheard me.
• 35:00
  Speaker 1: Three hours I said five. He's like, Milli, I can't, Millie, seriously,
• 35:05
  Speaker 1: I can't. I can't. Can I at least have some water?
• 35:08
  Speaker 1: I gave you water. She goes, yeah, you'll be fine.
• 35:12
  Speaker 1: I should have thought of that when you want me
• 35:14
  Speaker 1: in here.
• 35:14
  Speaker 3: I should have bought some water for yourself. Got a
• 35:17
  Speaker 3: plan for these things, Andrew and I was like, fuck, yeah,
• 35:20
  Speaker 3: that's bro so and then she leaves again. She goes
• 35:25
  Speaker 3: and she spends the night in the in the guest room,
• 35:27
  Speaker 3: she wakes up. She checks camera, he's not there. She's
• 35:29
  Speaker 3: freaking out. Then he rolls over.
• 35:31
  Speaker 1: He's in the bed. He's there. He did the thing.
• 35:33
  Speaker 1: He fucking left him on his junk for five hours.
• 35:36
  Speaker 1: So she goes She's like, fuck, what do I even do?
• 35:39
  Speaker 1: He obviously I can't let him out because he's gonna
• 35:41
  Speaker 1: kill me. So she's like, what do I do? He shit?
• 35:44
  Speaker 1: She goes down. She gets some tools from the garage.
• 35:46
  Speaker 1: She goes back up. She's like, Andrew, you're awake, and
• 35:50
  Speaker 1: he's like, Millie, let me the fuck out of here.
• 35:54
  Speaker 1: I'll give you a million dollars. She's like, man, he goes,
• 35:57
  Speaker 1: I'll give you two million dollars. She's like, in her head,
• 36:01
  Speaker 1: he's not gonna give me that money because that's a lot.
• 36:04
  Speaker 1: She has some pliers. She slides the pliers underneath the door.
• 36:08
  Speaker 1: You can see these. I want you to use these,
• 36:11
  Speaker 1: all right, to pull out one of your teeth, and
• 36:14
  Speaker 1: he says, fuck off. He gets angry. He starts body
• 36:18
  Speaker 1: slamming the door, trying to break the door down. Doesn't budge.
• 36:22
  Speaker 1: She's going, hey, once you pull out one of your teeth,
• 36:25
  Speaker 1: I will let you out. And by the way you're
• 36:27
  Speaker 1: gonna keep in mind he's going crazy because he's been
• 36:29
  Speaker 1: in there for two days, dehydrated, fucking, barely sleeping, bruised nuts.
• 36:34
  Speaker 2: I was thinking she was gonna let him out.
• 36:37
  Speaker 1: I was all thinking. So she's like, yeah, pull out
• 36:42
  Speaker 1: one of your teeth. So he goes and he does it.
• 36:44
  Speaker 1: All right. Back to Nina Pov and she's at her
• 36:48
  Speaker 1: hotel and she's sorry, she hasn't picked up CC yet.
• 36:51
  Speaker 1: By the way, I've did that in wrong order. But still,
• 36:53
  Speaker 1: so she's at a hotel, She's gonna go pick up CC.
• 36:56
  Speaker 1: The next day, Enzo knocks comes in. This was us
• 37:00
  Speaker 1: was weird as he fucks her brains out. Yeah, fucks
• 37:03
  Speaker 1: her brains out, if.
• 37:05
  Speaker 2: You gotta do it, put de Kelly, Yeah, yeah.
• 37:07
  Speaker 1: Yeah exactly. Then the next day she picks up Ceci.
• 37:11
  Speaker 1: Then she goes to see Enzo. That's when he says, no, no, no,
• 37:13
  Speaker 1: we need to help her now. He is like one,
• 37:19
  Speaker 1: like we need to need to need to. Then she
• 37:23
  Speaker 1: says no, leaves. A couple of days later, gets called Fmenzo.
• 37:26
  Speaker 1: She goes. He's like, please, please, Needa, we need to
• 37:28
  Speaker 1: help me. She hasn't left the house in three days.
• 37:30
  Speaker 1: She's like, you don't understand. He's gonna be a good
• 37:33
  Speaker 1: boyfriend and a good husband. He's not doing anything to
• 37:35
  Speaker 1: her yet. She's like, no, I put a mark on
• 37:37
  Speaker 1: her car and she hasn't left in three days. The
• 37:39
  Speaker 1: mark on her car on her wheel hasn't moved, and
• 37:42
  Speaker 1: like she's going, okay, what the fuck? So she says, fine,
• 37:46
  Speaker 1: but on one condition, you need to look after Ceci.
• 37:50
  Speaker 1: So Nina goes to the house, tries ring the doorbell,
• 37:53
  Speaker 1: no one answers, uses her key, goes in. She's scared
• 37:56
  Speaker 1: as fuck, goes up to the attic, goes up. No
• 37:58
  Speaker 1: one's home. She's like, knocking on the door, Milli, I'm here.
• 38:01
  Speaker 1: I'm gonna get you out. Millie, it's okay, I'm here
• 38:03
  Speaker 1: to save you. Opens the door. Andrew's in there, unconscious, bruised, nuts,
• 38:09
  Speaker 1: five teeth missing, all right. She looks at him. He's
• 38:13
  Speaker 1: not moving, he's not breathing. All right.
• 38:16
  Speaker 2: I thought she was going to open it. Andrew's still alive. Yeah,
• 38:20
  Speaker 2: and takes it and then she gets trapped again, and
• 38:22
  Speaker 2: Millie's gone, yeah, that's what I was thinking.
• 38:23
  Speaker 1: So she's like fuck, now, hmm, little did So we
• 38:31
  Speaker 1: find out that she actually did hire Millie to kill Andrewah.
• 38:35
  Speaker 1: She didn't think she'd actually do it. She's like, fuck.
• 38:39
  Speaker 1: And then she says she hears someone say, hey, Nina,
• 38:41
  Speaker 1: pepper spray in her face and it's Millie. She's like,
• 38:44
  Speaker 1: whoa fuck, no, no, no, I'm here to save you,
• 38:46
  Speaker 1: like I swear I'm going to save you. Blah blah blah.
• 38:47
  Speaker 1: Because Millie still doesn't know if Nina's crazy or not,
• 38:49
  Speaker 1: and so she's like, he's dead and Milly's like, I
• 38:53
  Speaker 1: don't know, hasn't now, Like how long can someone last
• 38:55
  Speaker 1: without water? She goes, I don't know, let me check
• 38:57
  Speaker 1: checks his pulse. He's dead. Millie's freaking out. She goes, fuck,
• 39:01
  Speaker 1: I don't want to go back to our prison. Fuck.
• 39:03
  Speaker 1: And so Nina is a feeling all bad for me
• 39:05
  Speaker 1: because she put her in this situation. So she's like, merely, leaf,
• 39:08
  Speaker 1: you have to leave. Leave, I'll call the cops and
• 39:13
  Speaker 1: I'll tell them that I sent you on vacation for
• 39:15
  Speaker 1: a week, all right. So the cops come Nina's downstairs,
• 39:20
  Speaker 1: and so from the very pro that prologue at the
• 39:22
  Speaker 1: start of the book, where the CoP's talking to someone,
• 39:23
  Speaker 1: they're talking to Nina. She's chilling, and so she's really scared.
• 39:27
  Speaker 1: She's like, I'm obviously going to prison. Cecilia's with Enzo,
• 39:30
  Speaker 1: she'll be safe, but everyone thinks I'm psycho. Now. The
• 39:33
  Speaker 1: constable that was upstairs comes downstairs, or the detective or whatever,
• 39:37
  Speaker 1: and he's like, so you're telling me that he accidentally
• 39:42
  Speaker 1: got locked up there died from dehydration. But he's missing
• 39:47
  Speaker 1: five teeth and has a bruises all over his genitals,
• 39:50
  Speaker 1: and she's like, yep, you know it's about what yeah,
• 39:56
  Speaker 1: And he goes, okay, okay, well all right, and then
• 40:01
  Speaker 1: he leans down into area and he goes, I came
• 40:06
  Speaker 1: here about a year ago, and it's interesting, my daughter
• 40:14
  Speaker 1: actually used to be your husband's fiance. And Nina's like, whoa.
• 40:19
  Speaker 1: He goes, yeah, her name's Kathleen. The breakup was very
• 40:23
  Speaker 1: hard on her. She actually moved away and changed her identity.
• 40:31
  Speaker 1: So I tried to do some digging about who X was,
• 40:36
  Speaker 1: but all sorts of files were covered up because the
• 40:39
  Speaker 1: Winchesters have lots of friends in high places. He goes,
• 40:42
  Speaker 1: I got transferred here, and to me, I gotta say,
• 40:48
  Speaker 1: it looks like he did just get locked up there
• 40:50
  Speaker 1: and died from dehydration. He says, I'm not friends with
• 40:54
  Speaker 1: the Winchesters, and I got a friend down at the
• 40:57
  Speaker 1: morgue and I was like, fuck, yes, bro.
• 41:02
  Speaker 3: So now we're at the funeral. Yes, Mellly's gone, Like
• 41:05
  Speaker 3: Mellie's chilling. We're at the funeral.
• 41:07
  Speaker 1: Nina's there, pretending to be a sad housewife, and she's there.
• 41:11
  Speaker 1: She's like fucking oath, like, I'm so happy to be
• 41:13
  Speaker 1: away from this. And Andrew's parents rock up and it's
• 41:17
  Speaker 1: just her and Andrew's mum at the casket looking at
• 41:20
  Speaker 1: Andrew and you can see the missing teeth and stuff.
• 41:22
  Speaker 1: And then Andrew's mum starts to talk and she's like, hmm, sad.
• 41:27
  Speaker 1: But I always tried to teach him about good dental hygiene,
• 41:33
  Speaker 1: you know, and well, I tried to teach him what
• 41:38
  Speaker 1: a privilege it was to have teeth, and I thought
• 41:41
  Speaker 1: it really would have been cemented in that one time
• 41:43
  Speaker 1: he didn't brush his teeth. When I pulled out one
• 41:45
  Speaker 1: of his teeth, and Nina's like, what the fuck. So
• 41:49
  Speaker 1: it turns out he's like that because his mum was
• 41:53
  Speaker 1: like that. And that's the end of the book, and
• 41:55
  Speaker 1: then there's an epilogue. All right, and I assume that
• 41:57
  Speaker 1: this is booked too. The epilogue is merely at an
• 42:00
  Speaker 1: interview to be another house made for a rich family,
• 42:03
  Speaker 1: and she's like, so this lady called Millie, and Milly
• 42:10
  Speaker 1: was like yeah, yeah, yeah, and she goes, yeah, look,
• 42:12
  Speaker 1: Nina Winchester, she couldn't recommend you more highly. She goes, oh, oh,
• 42:18
  Speaker 1: that's very nice of her. And this lady's like, yeah,
• 42:21
  Speaker 1: so it would be a living house position. There'll be
• 42:23
  Speaker 1: some cooking, some cleaning, some general you know, maid stuff,
• 42:26
  Speaker 1: being a nanny. And then she walks over to the knives.
• 42:29
  Speaker 1: She picks a knife up, and Millie is like really uncomfortable.
• 42:31
  Speaker 1: She's like, what the hell She's like twiddling this knife.
• 42:34
  Speaker 1: She's like yeah, you know, and as she's doing it,
• 42:37
  Speaker 1: she's like tussling. This lady's like tussling her blouse down
• 42:40
  Speaker 1: and you can see on her arms are bruises from
• 42:44
  Speaker 1: fingers from her husband. And so she's like so, and
• 42:48
  Speaker 1: Millie's like catching onto what's happening here. She's like, so, yeah,
• 42:52
  Speaker 1: Nina obviously really highly recommended you. I'd love to know
• 42:54
  Speaker 1: when you can start like do you think you could
• 42:55
  Speaker 1: help me with this problem? And Millie goes, yeah, I
• 43:00
  Speaker 1: think I can book sense crazy dude.
• 43:04
  Speaker 3: Sorry, I told you i'd make it quick, but it
• 43:06
  Speaker 3: was a lot of like I left a lot out.
• 43:07
  Speaker 1: It was thirty chapters. To be fair, you did great.
• 43:10
  Speaker 2: Oh oh okay, okay, okay, okay.
• 43:13
  Speaker 1: So take a break, my friend.
• 43:16
  Speaker 2: You want to do thoughts and Feelings and I'll start.
• 43:18
  Speaker 1: Yeah.
• 43:20
  Speaker 2: Ah, as I say at the start, thoughts and feelings
• 43:23
  Speaker 2: were edgier seat type stuff. But for me, wrong edgier
• 43:30
  Speaker 2: seat and I just it made me squirmish. I had
• 43:34
  Speaker 2: everything about it, but I was entertained.
• 43:36
  Speaker 1: Yeah, I hated everything about it as well.
• 43:38
  Speaker 2: Also, I couldn't see a single thing coming normally, I
• 43:40
  Speaker 2: think my predictions are somewhat decent.
• 43:42
  Speaker 1: Couldn't see a single thing. The only thing I think
• 43:44
  Speaker 1: that we got correct was that Andrew has a dark side.
• 43:51
  Speaker 2: Yeah, who thinks of this stuff?
• 43:53
  Speaker 1: Man? Oh? Psychological thrillers, I don't do you think you
• 43:55
  Speaker 1: could read another one? Or you didn't mind it? Ah?
• 44:00
  Speaker 1: I think I could only read them if they're this size, true,
• 44:03
  Speaker 1: like if there was one that was a size like
• 44:04
  Speaker 1: an akatar.
• 44:04
  Speaker 2: But I like sex law like, I know there's some
• 44:08
  Speaker 2: gruesome shit in that, but I feel safe.
• 44:10
  Speaker 1: Yeah, I want this is what I want. I want.
• 44:13
  Speaker 1: I want. I want the main character to be like
• 44:20
  Speaker 1: unknowingly beautiful, all right, She's like I see, yeah, okay,
• 44:25
  Speaker 1: and then she gets trapped in a magical world and
• 44:28
  Speaker 1: the fucking princes of this world sweeps her up and
• 44:32
  Speaker 1: it's gonna make her his slave, but then falls in
• 44:34
  Speaker 1: love with her. And I want there to be world
• 44:37
  Speaker 1: building and characters on characters and love triangles, and I
• 44:41
  Speaker 1: want there to be enemies to lovers, and I want
• 44:45
  Speaker 1: there to be the world to be in threats, like
• 44:47
  Speaker 1: I don't want any of this shit.
• 44:49
  Speaker 2: No, you know what in a movie how it's like
• 44:51
  Speaker 2: this is based on a true story. Obviously this wasn't,
• 44:54
  Speaker 2: but it felt like when you're reading it, and it
• 44:56
  Speaker 2: makes it so much scarier, more gruesome, Like I was
• 44:59
  Speaker 2: traveling I think a bed, thinking I'm scared.
• 45:01
  Speaker 1: It's fucked. This is fucked. So I don't know if
• 45:04
  Speaker 1: we've read enough books to be able to give ratings
• 45:06
  Speaker 1: on books or say like whether a book is good
• 45:09
  Speaker 1: or not. I assume this book is widely considered to
• 45:12
  Speaker 1: be good, but I think it's now coming to me
• 45:15
  Speaker 1: that I didn't dislike it. But I didn't like it.
• 45:23
  Speaker 1: I think it comes back to like that.
• 45:26
  Speaker 2: I don't know if it's a stereotype, but how women
• 45:29
  Speaker 2: like crime podcasts and like crime TV.
• 45:32
  Speaker 1: I think it comes back to that. That's where it
• 45:34
  Speaker 1: stems from. Yeah, I that's.
• 45:36
  Speaker 2: Why the rating is so high, and we don't.
• 45:39
  Speaker 1: Like that stuff. I was a little I think one
• 45:41
  Speaker 1: thing I did think it kind of highlighted pretty well,
• 45:45
  Speaker 1: oh problems for sure, was like some pretty major issues,
• 45:48
  Speaker 1: like how it wasn't even just the fact that Nina
• 45:52
  Speaker 1: was portrayed to be crazy by Andrew, but and like
• 45:55
  Speaker 1: he manufactured that, but it was just the fact that
• 45:57
  Speaker 1: like she was a woman was another reason everyone like
• 46:01
  Speaker 1: she highlighted a lot that the fact that she was
• 46:03
  Speaker 1: a woman, and like the only people she could speak
• 46:05
  Speaker 1: to in the situation that Andrew manufactured was men, so
• 46:09
  Speaker 1: no one really listened. And then also just the fact
• 46:11
  Speaker 1: that like Andrew being a super attractive rich man could
• 46:15
  Speaker 1: get in the heads of people very easily, and so
• 46:19
  Speaker 1: you could just like very much tell it was just
• 46:22
  Speaker 1: like a massive power struggle.
• 46:25
  Speaker 2: Okay, I didn't take it in my consideration. What I
• 46:27
  Speaker 2: was about to say, was like.
• 46:29
  Speaker 1: Yeah, how powerless.
• 46:32
  Speaker 2: How well highlighted the powerless of being a woman can be.
• 46:35
  Speaker 1: Yeah, Like it was highlighted in that very well kind
• 46:39
  Speaker 1: of from the beginning of like and like how she
• 46:42
  Speaker 1: had zero options. Yeah, even though you feel like she Yeah,
• 46:48
  Speaker 1: I know it's a book and stuff, but to me,
• 46:50
  Speaker 1: like just the fact that like even the guy, like
• 46:54
  Speaker 1: the only one that could save her was Enzo and
• 46:57
  Speaker 1: then that lieutenant detective that you know, I had friends
• 47:00
  Speaker 1: at the Morgan shit, Like, it's just yeah, it was crazy,
• 47:05
  Speaker 1: and I was just like, yes, fucking fucked up. It
• 47:08
  Speaker 1: just highlights it. Yeah, yeah, yeah, and it just also
• 47:10
  Speaker 1: highlights the fact that often men are the psycho ones,
• 47:16
  Speaker 1: you know, and she had to play the part of
• 47:19
  Speaker 1: being a psychopath to get out of it. Yeah.
• 47:22
  Speaker 2: I think maybe not the best use of vocovery, but
• 47:25
  Speaker 2: the whole thing's just fucked up.
• 47:27
  Speaker 1: Yeah, for lack of a better word, Yeah, it's fucking collapsed.
• 47:31
  Speaker 2: You said, we probably haven't read enough books, especially we
• 47:34
  Speaker 2: haven't read enough psychological thrillers to give a ratiting, but
• 47:36
  Speaker 2: I think we just still give one.
• 47:38
  Speaker 1: Yeah, Like I just I was thinking to myself, like
• 47:40
  Speaker 1: have I read enough books to be able to say
• 47:42
  Speaker 1: tell someone whether or not a book is good or bad.
• 47:44
  Speaker 1: Everything's opinions, though everything's everything's Yeah.
• 47:47
  Speaker 2: We got a lot of comments saying this is a
• 47:49
  Speaker 2: really good book, But to me, what makes up a
• 47:52
  Speaker 2: really good book isn't this?
• 47:54
  Speaker 1: Yeah, I think it's also the genre, huge fans of
• 47:58
  Speaker 1: the genre, so I again, yeah. Another thing that another
• 48:05
  Speaker 1: way I think they highlighted this, like kind of patriarchy world,
• 48:10
  Speaker 1: is the fact that merely she was defending a friend
• 48:15
  Speaker 1: from being raped, she went too far. She killed someone,
• 48:20
  Speaker 1: right was he can't kill people, but so she was
• 48:22
  Speaker 1: defending someone because she says it in there, she's like, Okay,
• 48:27
  Speaker 1: I'm not advocating for murder, but she's like, who knows
• 48:30
  Speaker 1: how many girls I just saved by accidentally killing him.
• 48:33
  Speaker 1: And then there was another thing where a she got
• 48:38
  Speaker 1: the reason she got sent to like a boarding school
• 48:41
  Speaker 1: for troubled youths is because she slashed a male teacher's
• 48:45
  Speaker 1: tires because the male teacher said he'd give her a
• 48:48
  Speaker 1: bad grade unless she let him feel her up when
• 48:51
  Speaker 1: she was young, and that's why she slashed his tires.
• 48:53
  Speaker 1: But then no one believed her story. They only believed
• 48:55
  Speaker 1: his story, and then when she got out of jail,
• 48:58
  Speaker 1: the reason she got fired from the bar she was
• 49:00
  Speaker 1: working out is because there was one bartender that also
• 49:03
  Speaker 1: worked there that was always touching her bum and one
• 49:05
  Speaker 1: day she just turned around and punched him in the face,
• 49:08
  Speaker 1: and everyone believed his story and not her story. And
• 49:10
  Speaker 1: I was like, yeah, it's just like kind of highlighting
• 49:12
  Speaker 1: a bit. How Yeah, it's like as much as everyone
• 49:15
  Speaker 1: thinks women have a voice these days, they still don't
• 49:18
  Speaker 1: have a huge voice. Yeah, And it was like I
• 49:21
  Speaker 1: was just it was like realizing it as I was
• 49:22
  Speaker 1: reading it, and I was like, yeah, that's kind of
• 49:24
  Speaker 1: fucking fucked.
• 49:25
  Speaker 2: Yeah, she's done brilliantly in that aspect. Yeah, And I
• 49:28
  Speaker 2: think taking into my consideration, okay, readability for me six however.
• 49:36
  Speaker 1: Or really I think readability in terms of it just
• 49:40
  Speaker 1: was not that many words, true, so easy for that,
• 49:43
  Speaker 1: but then in terms of readability of like.
• 49:45
  Speaker 2: Yeah, that's my sixth but the ability to highlight such
• 49:50
  Speaker 2: issues within a book that is a book, yeah, I'm
• 49:53
  Speaker 2: going to put overall rating eight. Yeah, I would say
• 49:58
  Speaker 2: the same because it makes starts the conversations or brings
• 50:01
  Speaker 2: to light issues obviously that are going around in a book.
• 50:05
  Speaker 1: Yeah, I would agree. I do think that the fact
• 50:07
  Speaker 1: that so I think, yeah, I think the fact that
• 50:09
  Speaker 1: some very real life issues were portrayed in the book.
• 50:14
  Speaker 1: And I guess also the fact that I noticed is like, yeah,
• 50:20
  Speaker 1: it was worth the read. Yeah, I think it was
• 50:22
  Speaker 1: worth the read for sure. Yeah, I would give it
• 50:23
  Speaker 1: like a solid seven eight.
• 50:25
  Speaker 2: I'm struggling to put into words like my reading experience
• 50:29
  Speaker 2: of a sense of like I didn't enjoy it that much,
• 50:31
  Speaker 2: but I can also I also like appreciated.
• 50:33
  Speaker 1: Its way to say it. Yeah, it's kind of hard,
• 50:36
  Speaker 1: Like I found it jarring how much how psycho Nina was,
• 50:44
  Speaker 1: and then it's like, obviously everything's made up for that
• 50:49
  Speaker 1: because of the circumstances. And then I found it jarring
• 50:54
  Speaker 1: how psycho Andrew was and then merely kills in. I'm like, fuck,
• 50:58
  Speaker 1: yeah he's dead. Whatever.
• 51:00
  Speaker 3: But I just like, I just don't know if I
• 51:02
  Speaker 3: enjoy this type of book.
• 51:05
  Speaker 1: I don't think I can't do it to myself. Yeah,
• 51:08
  Speaker 1: the psychological thrillers are maybe maybe a murder mystery could
• 51:12
  Speaker 1: be a good next stume. That's what I was thinking
• 51:15
  Speaker 1: it was.
• 51:15
  Speaker 2: Yeah, I also didn't do my research, like probably.
• 51:19
  Speaker 1: Needed did I? I just thought that there was a
• 51:20
  Speaker 1: movie coming out. I do want to watch the movie still. Oh,
• 51:23
  Speaker 1: definitely watched the movie.
• 51:24
  Speaker 2: Yeah, but oh I'm.
• 51:27
  Speaker 1: Happy we did it. Say so, I have a question
• 51:29
  Speaker 1: for all the baddies. Right if it's gonna depends on
• 51:36
  Speaker 1: how many comments we get on this video, but I
• 51:38
  Speaker 1: did want to put it out there. We spoke about
• 51:39
  Speaker 1: it and it baddie commented it on Patreon. They said
• 51:43
  Speaker 1: like Housemaid watch party question Mark. So I was thinking,
• 51:51
  Speaker 1: how could we watch The Housemaid with the baddies? I
• 51:55
  Speaker 1: texted you, did you? Yeah? Did you say we could?
• 51:58
  Speaker 1: We could hire out a whole theater? You we could? Yeah,
• 52:00
  Speaker 1: it wouldn't be if you fucking I wonder how much
• 52:02
  Speaker 1: that costs. Can they give you a discount of people
• 52:03
  Speaker 1: some on our story? Yeah? True, we could like get
• 52:05
  Speaker 1: in touch with the theaterrem So I think what I
• 52:07
  Speaker 1: want to ask is Sydney based or if you're willing
• 52:10
  Speaker 1: to come to Sydney, comment if you will come and
• 52:15
  Speaker 1: watch the house Made with us? Because instead of going
• 52:17
  Speaker 1: to the premiere, I'd happily wait and watch it with
• 52:19
  Speaker 1: the baddies.
• 52:20
  Speaker 2: Agreed, Agreed, Yeah, it could be a sense of we
• 52:23
  Speaker 2: go do both to get that. Yeah, but we could
• 52:27
  Speaker 2: figure something out. I think I think be fucking sick
• 52:29
  Speaker 2: because worst casing work, because obviously we would love to
• 52:33
  Speaker 2: do it in a sense of like live reactions to it,
• 52:35
  Speaker 2: but there's a lot of licensing issues.
• 52:36
  Speaker 1: Yeah, if you were just way sick of to just
• 52:38
  Speaker 1: watch it with fifty batties, yeah, yeah, and talk about
• 52:42
  Speaker 1: it after and ship Yeah, fu we can somehow people
• 52:44
  Speaker 1: in a movie theater. You can fit hundreds, hundreds, it
• 52:47
  Speaker 1: depends which one you go away. Yeah, I'd like to
• 52:49
  Speaker 1: keep it small because you.
• 52:50
  Speaker 2: Could also do an intimate one in a sense of
• 52:52
  Speaker 2: I'm sure there's theaters like that, but near where we
• 52:54
  Speaker 2: live there's like a little intimate one and they get
• 52:55
  Speaker 2: showing the shit and you can hide that out easily
• 52:57
  Speaker 2: hundred percent.
• 52:57
  Speaker 1: Yeah, yeah, we can find it because I'm.
• 52:59
  Speaker 2: Wonder if you could just get the licensing to it
• 53:00
  Speaker 2: about Oh, we want to go this year. It's got
• 53:02
  Speaker 2: fifty people, can we have it?
• 53:03
  Speaker 1: Ah? Yeah, about it anyway, We'll figure out logistics, we'll
• 53:07
  Speaker 1: talk about management, but just comment if you would love
• 53:10
  Speaker 1: to come watch.
• 53:11
  Speaker 2: It with us. Yeah, yeah, let's get a little bit
• 53:12
  Speaker 2: of a gauge to see anyway. But Jake, the question
• 53:19
  Speaker 2: that everyone is here for, yes, is what series slash
• 53:24
  Speaker 2: book are we reading next?
• 53:29
  Speaker 1: Do you want to do the honors or do you want.
• 53:32
  Speaker 2: I think you should do it?
• 53:34
  Speaker 1: Count me down, three, two, one, Fourth Wing. Let's go.
• 53:43
  Speaker 2: Four Wing, and I know we get that many d
• 53:46
  Speaker 2: ms on the daily saying read fourth Wing, Read Fourth Wing.
• 53:49
  Speaker 1: And I think it's going to be Jake Bredt.
• 53:51
  Speaker 2: Brought up a good point before when we were talking,
• 53:53
  Speaker 2: like some people are very Rebecca Garis or j Mass
• 53:59
  Speaker 2: and because we are such nubes, we want to give
• 54:02
  Speaker 2: both of them a proper chance. We know Fourth Wing
• 54:04
  Speaker 2: isn't finished, but also Akata will have finished, and let's
• 54:07
  Speaker 2: just see what happens.
• 54:08
  Speaker 1: Yeah, I'm excited.
• 54:09
  Speaker 2: Should we give the reasoning? Also, it's because you guys
• 54:11
  Speaker 2: voted obviously, Oh everyone voted. Any reasonings behind we didn't
• 54:14
  Speaker 2: go with Crescent City or Throne of Glass.
• 54:16
  Speaker 1: Well, we would have gone Crescent City if it one. Yeah,
• 54:18
  Speaker 1: but we we want some smut, yeah all right, and
• 54:23
  Speaker 1: nothing against Throne of Glass, but we will read it
• 54:25
  Speaker 1: one day. We're just like, we have a hankering for
• 54:27
  Speaker 1: some smut now after not having schmut for this short book.
• 54:31
  Speaker 2: Yeah, and also fourth thing to how many books in
• 54:34
  Speaker 2: fourthing three free is a lot better than like fucking eight.
• 54:37
  Speaker 1: Apparently there's supposed to be five and there's so there's
• 54:40
  Speaker 1: two more coming out, but she's just like, hasn't even
• 54:42
  Speaker 1: written them.
• 54:42
  Speaker 2: Yeah, I'm really good because we've never had anything to
• 54:45
  Speaker 2: compare it to where we have Akatan.
• 54:47
  Speaker 1: It's going to take a lot to beat that for me. Yeah,
• 54:50
  Speaker 1: for me. In terms of comparing the series, it's gonna
• 54:52
  Speaker 1: I don't read.
• 54:53
  Speaker 2: I like that comparison because there's a different author similar
• 54:56
  Speaker 2: is she vibe Yeap, But we have a comparison, so
• 54:58
  Speaker 2: the sort of synopsis will be a lot better.
• 55:01
  Speaker 1: And the question is who is the main shadow Daddy?
• 55:05
  Speaker 1: What's this guy's name? I don't even know?
• 55:08
  Speaker 2: Zayden Zayden okay okay.
• 55:10
  Speaker 1: Spelt really cool as well spelt x A.
• 55:12
  Speaker 2: But also we like Cassian, not Recan. So yeah, we
• 55:16
  Speaker 2: like and everyone was like shadow Daddy, but also we
• 55:19
  Speaker 2: just like Cassian.
• 55:20
  Speaker 1: Also Asrael's sexy.
• 55:21
  Speaker 2: Asrael's a shadow Daddy. Anyway, Apparently Book of Asrael is
• 55:24
  Speaker 2: meant to be really good. It has nothing to do
• 55:25
  Speaker 2: with Akatar, but has raving reviews. Throwing it out there
• 55:29
  Speaker 2: for the future.
• 55:30
  Speaker 1: All Right, you had it here first. Next week we'll
• 55:32
  Speaker 1: be ten chapters deep into fourth Wing. Ten chapters. Here's
• 55:35
  Speaker 1: another question is how many chapters do you Yeah?
• 55:38
  Speaker 2: Also comments, a lot of comments is do you like
• 55:41
  Speaker 2: Jag doing a big synopsis or we could do more chapters,
• 55:44
  Speaker 2: less detailed because you're reading along, you.
• 55:46
  Speaker 1: Know what fucking happened.
• 55:47
  Speaker 2: Yeah, it's like there's a different way to do it
• 55:49
  Speaker 2: and we want to do the best by you. We
• 55:51
  Speaker 2: could do way more thoughts and feelings and then also
• 55:53
  Speaker 2: little games to do with the shadow daddies with a lot.
• 55:57
  Speaker 1: To compare to. Yeah, we'll get creative. Let us know
• 55:59
  Speaker 1: what you like. Stay bad. We love you.