Latest / Blerd’s Eyeview / CARIBBEAN FOLKLORE MEETS CYBERPUNK WITH NIGEL LYNCH

Transcript

CARIBBEAN FOLKLORE MEETS CYBERPUNK WITH NIGEL LYNCH · Blerd’s Eyeview

• 0:13
  Speaker 1: Something something tap tap tap tap tap cap Yo yet
• 2:09
  Speaker 1: y'all yeah.
• 2:13
  Speaker 2: Back got look crazy at the great Nerd Core Radscar
• 2:19
  Speaker 2: got into a duel faded and I just pulled a
• 2:21
  Speaker 2: trap car third rate rappers with a fourth rate catalog.
• 2:24
  Speaker 2: Testing for the Shadow round Love with so in City,
• 2:28
  Speaker 2: he said, I mean an apprentice tride and that's the
• 2:31
  Speaker 2: with the forest Piet the contact of my sittings right
• 2:33
  Speaker 2: and phaantom like the cit This just don't that's me?
• 2:35
  Speaker 2: What my pinness that they know that I'm the meaness?
• 2:37
  Speaker 3: Who you kid and bitch im ding thiss not switch
• 2:39
  Speaker 3: your job?
• 2:40
  Speaker 2: Hot headed Roses Shirley co tested, you can never twist
• 2:43
  Speaker 2: my medal.
• 2:44
  Speaker 4: Like the jewelry gold.
• 2:45
  Speaker 5: Why ain't never mad?
• 2:46
  Speaker 2: When I pushed it to the match, I got Chris
• 2:48
  Speaker 2: riding with me about to turn this bitch the fury
• 2:50
  Speaker 2: ro since Ani made it, I'm the one that crew
• 2:53
  Speaker 2: congratulated Winner's whipper Rapper take the cover like is Lama
• 2:56
  Speaker 2: made it him. I made the sixteen like a guillotine.
• 2:59
  Speaker 4: It's that's something.
• 3:00
  Speaker 2: Even if you think that you're red head, you get
• 3:01
  Speaker 2: the capitator a lot of side. I ain't really hear
• 3:04
  Speaker 2: the rab Nords I'm here to tell you who representing
• 3:07
  Speaker 2: for the Black Yard and to remind you neither one
• 3:10
  Speaker 2: and he's a bad World's biggest living mirrors.
• 3:12
  Speaker 4: They just choose to see you bad world Who meet.
• 3:15
  Speaker 2: The Leader's discussion winner topic trans give sections, got the
• 3:18
  Speaker 2: coach and run the microscopic name.
• 3:20
  Speaker 4: Who got the take that.
• 3:21
  Speaker 2: You can miss it from the start and make it
• 3:23
  Speaker 2: feel like an explant on this subject by the time
• 3:25
  Speaker 2: of unions, said the stand Louis viewership is man nice.
• 3:29
  Speaker 2: All these other shows don't seem the courtage. That's a
• 3:31
  Speaker 2: bad hash of off the books, Winn scripted jewels. You
• 3:34
  Speaker 2: can right no vampires with these dudes on a ru Yeah,
• 3:39
  Speaker 2: this is the best part runs on Mandlauri and the
• 3:42
  Speaker 2: Pennis made the best goal start in the war With
• 3:45
  Speaker 2: these stars, you won't give fun.
• 3:46
  Speaker 4: This is the way you play a game of life.
• 3:48
  Speaker 3: For test style so far.
• 3:50
  Speaker 2: Removed from the drama. We don't notice how, but won't hesitate.
• 3:53
  Speaker 2: The shed a light like a patrol show when mischief
• 3:56
  Speaker 2: managed troubles at it. Disadvantage must be something.
• 3:58
  Speaker 6: In the water, diputy because you know it's warm, yea.
• 4:01
  Speaker 2: Why can you find another show with such a fine
• 4:04
  Speaker 2: cast and if you try to box them in, they're
• 4:06
  Speaker 2: playing Minecraft and basically the sum made up like you
• 4:09
  Speaker 2: define now this true is the best and it figures
• 4:12
  Speaker 2: like a line graph from every band like the words
• 4:15
  Speaker 2: I doing your old headed. You don't have to have
• 4:17
  Speaker 2: them saying like you. They know you can't relate because
• 4:20
  Speaker 2: they're nerds like you.
• 4:21
  Speaker 5: Like you'll help.
• 4:22
  Speaker 2: You'll see the.
• 4:22
  Speaker 4: World from a Blurn's eye view with you.
• 4:25
  Speaker 2: Yeah, you are now tuned in. It's a blurs out
• 4:30
  Speaker 2: view and without further of a dude we out.
• 4:37
  Speaker 5: Yeah, Hey, everybody back again Thursday episode of Blurn's Eye View.
• 4:55
  Speaker 5: I'm your man of the Man of the Hour, Man
• 4:58
  Speaker 5: of the two Hours. I'm the Captain of the Man
• 5:00
  Speaker 5: of the Man of the Good Lord. Let's start that over.
• 5:03
  Speaker 5: You know whether or not I am Chris Figure, I'm
• 5:06
  Speaker 5: the Man of the Wall, Captain of the Ship of
• 5:08
  Speaker 5: Blurd's eye View. Thank you for tuning in. I hope
• 5:13
  Speaker 5: everybody is doing well, probably doing better than me because
• 5:16
  Speaker 5: that was a young time when at the beginning of
• 5:18
  Speaker 5: this episode, but this is your first time here. Thank
• 5:22
  Speaker 5: you for tuning in. You'll get to see more high jinks.
• 5:25
  Speaker 5: So just that throughout the show. What can I say?
• 5:27
  Speaker 5: You can catch us Mondays and with Mondays, Wednesdays and
• 5:30
  Speaker 5: Fridays for clips. You can catch us live Tuesdays and
• 5:33
  Speaker 5: Thursdays a pm Eastern on YouTube and Twitch, and you
• 5:36
  Speaker 5: can listen to us where if you listen to your podcast.
• 5:39
  Speaker 4: So without further ado, let's get this thing going here.
• 5:42
  Speaker 5: Like as I said, it's a bottom feel freetune chat
• 5:45
  Speaker 5: with fellow nerds and blurs below. I can subscribe, stay
• 5:48
  Speaker 5: notified super chats will most appreciate it. Guess what Captain's
• 5:51
  Speaker 5: quarters is coming?
• 5:52
  Speaker 4: That's right.
• 5:53
  Speaker 5: That will be a special part of the on the
• 5:55
  Speaker 5: YouTube channel where membership only you will be able to
• 5:58
  Speaker 5: get to see into seeing things that that I would normally.
• 6:03
  Speaker 4: Do or even not do.
• 6:06
  Speaker 5: If there's some things you want to see, you feel
• 6:09
  Speaker 5: free to drop something in the checks and see you
• 6:11
  Speaker 5: tell that everybody what you want to talk about, what
• 6:13
  Speaker 5: you want to see. So until then we will be
• 6:16
  Speaker 5: keeping going.
• 6:17
  Speaker 4: That was in the building. What's going on?
• 6:18
  Speaker 5: Bama, Bamo, male is in the building. What's happening now?
• 6:21
  Speaker 5: Always the perst in line, what's going on? Let's get
• 6:26
  Speaker 5: this party started? Whooped freaking deal?
• 6:29
  Speaker 4: What's going on? Whooped?
• 6:31
  Speaker 7: Nothing much, just hanging out for the most part, the.
• 6:35
  Speaker 4: Life of a retail artiste.
• 6:41
  Speaker 7: From them all in the trash forget.
• 6:46
  Speaker 5: Every day. I don't work retail, but with those who do,
• 6:50
  Speaker 5: I applaud you for the level of patience that you
• 6:55
  Speaker 5: have to take. I'll always think about the one clip
• 6:58
  Speaker 5: with the little kid and he's talking to the adult
• 7:01
  Speaker 5: and he says, oh, and she says what it says people,
• 7:04
  Speaker 5: and I was.
• 7:04
  Speaker 4: Just like, I kind of gotta get that. I gotta
• 7:07
  Speaker 4: get that. So, but, uh, what has it been going now?
• 7:11
  Speaker 8: I've just been working my butt off trying to, you know,
• 7:14
  Speaker 8: find joy where I can comic books, books, movies, where I.
• 7:17
  Speaker 7: Can, you know, get.
• 7:20
  Speaker 4: Speaking to comic books.
• 7:21
  Speaker 5: It is free comic book weekend, Free Comic Book Day
• 7:25
  Speaker 5: weekend this weekend. Uh, me and the Scoobies that I
• 7:30
  Speaker 5: normally see once a year, we're meeting early. I said,
• 7:34
  Speaker 5: when I said, what are y'all old? And I'm like,
• 7:38
  Speaker 5: we normally meet like after five for dinner and hang out.
• 7:41
  Speaker 5: It's like, yeah, we're meeting like a eleven and I'm
• 7:43
  Speaker 5: like in the morning. I like what I was like,
• 7:50
  Speaker 5: I was like, what part of the Denny's Grand slam meeting.
• 7:53
  Speaker 5: Is this I don't I don't get it. I'm like,
• 7:57
  Speaker 5: I'm it's the weekend. I'm just getting up at eleven
• 8:00
  Speaker 5: lot or moving anyway.
• 8:03
  Speaker 4: I don't know.
• 8:04
  Speaker 5: I celebrated a birthday. Guess what else celebrated a birthday?
• 8:09
  Speaker 5: Words of View was officially six years old as of
• 8:11
  Speaker 5: April fifteenth. Let's get that. Let's get that.
• 8:17
  Speaker 4: There we go, Yeah, we six years old.
• 8:22
  Speaker 5: This ship is let's yeah, so many shows, like, don't
• 8:31
  Speaker 5: ask me what show number we're are. I stopped counting
• 8:35
  Speaker 5: after one fifty. I stopped counting after one fifty. Oh yeah, okay,
• 8:47
  Speaker 5: probably year three ish, maybe four.
• 8:53
  Speaker 4: I don't know. I'm feeling you know, that's that's six
• 8:59
  Speaker 4: years maybe twenty seasons.
• 9:03
  Speaker 5: Do the math? Like we started out when I started
• 9:09
  Speaker 5: the show, it was like eight episodes, and then it
• 9:12
  Speaker 5: went to ten, and then it jumped to twelve, and
• 9:14
  Speaker 5: then I said, screw it. I don't like short seasons
• 9:20
  Speaker 5: because it's like by the time you get to it,
• 9:22
  Speaker 5: then something helps happened, like as things happens in entertainment,
• 9:25
  Speaker 5: it's always something going on, and it's like I got
• 9:28
  Speaker 5: tired of not being able to talk about it, reported
• 9:31
  Speaker 5: and whatever the case may be. So I said, let's
• 9:34
  Speaker 5: expand this thing to like twenty episodes, maybe twenty four,
• 9:37
  Speaker 5: twenty five on a good day, and go from there. Now,
• 9:41
  Speaker 5: how many episodes are you in this season? I'll count later.
• 9:46
  Speaker 5: I know it's not.
• 9:47
  Speaker 4: We're past ten. I can tell you that we're past ten.
• 9:51
  Speaker 4: So I don't know if she's ready yet.
• 9:53
  Speaker 5: She's got a camera off, but my second in commands
• 9:57
  Speaker 5: in the back, she's probably doing her hair in yup.
• 10:02
  Speaker 5: I mean, you gotta you gotta be. Look, you gotta
• 10:04
  Speaker 5: look presentable and look good when you gotta cut some
• 10:06
  Speaker 5: folks out.
• 10:07
  Speaker 7: So, I mean, she is, hi, how is everybody doing?
• 10:17
  Speaker 5: I was like, she's probably, you know, got a cusple
• 10:19
  Speaker 5: of people out. I said, you gotta you gotta be
• 10:21
  Speaker 5: You have to be glowing. You have to be glowing
• 10:23
  Speaker 5: to cut folks out. You know, you can't cust folks
• 10:26
  Speaker 5: out and look rough, can.
• 10:30
  Speaker 9: Rage?
• 10:31
  Speaker 4: Yes? I glow like.
• 10:36
  Speaker 5: Yeah, oh my goodness, Lady Mandalora. I missed you last week,
• 10:44
  Speaker 5: but you had to rest. You had to rest.
• 10:48
  Speaker 10: Yes, I needed to rest because my job says that
• 10:52
  Speaker 10: I should take or have self care days, even though
• 10:56
  Speaker 10: they don't give me enough hours with which to use them.
• 10:59
  Speaker 9: Yes, I would love you take personal.
• 11:02
  Speaker 5: Days as with tomorrow. They say it's a national blackout
• 11:11
  Speaker 5: m hm, which I inadvertently took off. Anyway. I was like,
• 11:14
  Speaker 5: I'm going I got a doctor's appointment and I'm like,
• 11:18
  Speaker 5: mm hmm, I'll enjoy the festivities. I'll take it.
• 11:26
  Speaker 9: You're you're unionized, right, No?
• 11:30
  Speaker 5: Oh, I don't know what we're at. No union, no
• 11:35
  Speaker 5: union new we're at.
• 11:38
  Speaker 4: Certain uh, certain hospitals have union, certain ones don't. Oh.
• 11:47
  Speaker 4: I was just inform My wife just received her union
• 11:50
  Speaker 4: back and she works at she works for the b A.
• 11:53
  Speaker 3: Oh.
• 11:54
  Speaker 5: Yeah. I was like, I didn't even know you guys
• 11:56
  Speaker 5: didn't have it thanks to a certain twatt If you
• 12:04
  Speaker 5: want to be.
• 12:04
  Speaker 9: Technical, it's a bats. You're right.
• 12:08
  Speaker 5: Yeah.
• 12:13
  Speaker 4: Other than that, everything's been fine.
• 12:15
  Speaker 5: No. We were not griping people. If they's that's going
• 12:18
  Speaker 5: to be listening the next day. We're not griping. We're
• 12:20
  Speaker 5: just speaking what everybody else is thinking.
• 12:22
  Speaker 9: I'm so happy, so happy. Yeah, there's no reason to
• 12:30
  Speaker 9: be down trodden at all.
• 12:32
  Speaker 5: I don't know.
• 12:33
  Speaker 4: I mean, what's voting rights?
• 12:35
  Speaker 10: What is that we never had them in the first place,
• 12:38
  Speaker 10: because remember, black people don't vote, So why I don't
• 12:42
  Speaker 10: even know why they they have the Supreme Court.
• 12:45
  Speaker 9: Dismantle of Voting Act because we don't vote. What's the
• 12:48
  Speaker 9: point that both things have to be true?
• 12:52
  Speaker 5: Right?
• 12:52
  Speaker 4: Yeah? For those who are listening, that's called sarcasm.
• 12:59
  Speaker 7: That is a quality, the courage.
• 13:03
  Speaker 5: And in our reality people, Uh, midterms are coming up.
• 13:07
  Speaker 5: Do not let what's going on out there deter you, because,
• 13:11
  Speaker 5: let's honestly be honest, if they all these times when
• 13:14
  Speaker 5: people say that our votes don't matter, if they didn't,
• 13:17
  Speaker 5: they wouldn't work so hard to try to do what
• 13:19
  Speaker 5: they're doing now.
• 13:20
  Speaker 7: So incredible, Yes, war war.
• 13:29
  Speaker 4: There is not.
• 13:32
  Speaker 9: Sure.
• 13:33
  Speaker 4: I got a bridge, I can tell you.
• 13:37
  Speaker 2: So. So.
• 13:38
  Speaker 4: Uh, we have our guests, yes please. Our guest is
• 13:42
  Speaker 4: here tonight.
• 13:44
  Speaker 5: Uh. He is a well accomplished writer for Specialized Task
• 13:49
  Speaker 5: of Course and diary Matt Dog and the Ghost. Nigel
• 13:55
  Speaker 5: Lynch is in the building. Nigel, what's going on a
• 14:00
  Speaker 5: little switch around here? Let's do this, Let's do this.
• 14:02
  Speaker 5: Let's put you up there and there we go. Yeah,
• 14:05
  Speaker 5: you go put Most most guests be like wow, friend,
• 14:08
  Speaker 5: I'm like, oh no, we're having fun. Don't don't don't
• 14:10
  Speaker 5: let the camera scare you, Uh, Nigel. I had an
• 14:15
  Speaker 5: opportunity need to check out some of your books, and
• 14:19
  Speaker 5: I got to say, especially with the Special Ops one,
• 14:23
  Speaker 5: and I'm gonna pull that one up to the Special
• 14:25
  Speaker 5: Ops one is very interesting. This one here Critical Critical
• 14:30
  Speaker 5: Opps Task Force. This is this is a this is
• 14:34
  Speaker 5: a this is a meat and potatoes type of book.
• 14:39
  Speaker 5: Let's talk about this point.
• 14:40
  Speaker 4: What is what is? What is what is Critical Apps about? Okay,
• 14:45
  Speaker 4: So it's kind of text than process came about. The
• 14:52
  Speaker 4: first book was mm hmm.
• 14:56
  Speaker 11: The main character that you see in Critical he was
• 15:00
  Speaker 11: supposed to be the focused character of that story was written,
• 15:05
  Speaker 11: it was in production, but I never finished it, so
• 15:10
  Speaker 11: I didn't. I ended up doing the version of the
• 15:13
  Speaker 11: garage shirt outs that you see now, which was a
• 15:15
  Speaker 11: side story which kind of blew into a main story.
• 15:19
  Speaker 11: But I wanted to do the history of the character
• 15:23
  Speaker 11: that I wanted to do with the main character, which
• 15:24
  Speaker 11: was Douglas, and I wrote Critical Ops Class Force because
• 15:30
  Speaker 11: it's about his life as a mercenary back when he
• 15:34
  Speaker 11: was in this cut through very corporated mercenary Mission Group
• 15:42
  Speaker 11: thing where they do a lot of like killing and
• 15:45
  Speaker 11: that kind of stuff. So it's like he's technically almost
• 15:48
  Speaker 11: like a bad guy at this point. So I just said,
• 15:52
  Speaker 11: the adventures are very mean and potatoes kind of the
• 15:56
  Speaker 11: great area kind of thing, and the kind of how
• 16:00
  Speaker 11: mean you diving into it was not to take it
• 16:02
  Speaker 11: too seriously, to have fun with it, and to have
• 16:06
  Speaker 11: a little bit of satire.
• 16:07
  Speaker 4: So if you kind of read it, you can kind
• 16:08
  Speaker 4: of see the satire inside of it where.
• 16:12
  Speaker 11: They kind of go do things destroying countries, missions, that
• 16:16
  Speaker 11: kind of thing, and they talk about what it would
• 16:21
  Speaker 11: do to appease the people that kind of thing. So
• 16:25
  Speaker 11: you know, it's a little bit of polk for not
• 16:27
  Speaker 11: certain things, but there's a message underneath.
• 16:32
  Speaker 4: About the seriousness of bloodshedding and that kind of stuff.
• 16:36
  Speaker 2: I like.
• 16:39
  Speaker 4: Going through some of the pages on there, and I
• 16:41
  Speaker 4: want to bring him up.
• 16:42
  Speaker 5: If you don't mind, I'm gonna bring some of them
• 16:44
  Speaker 5: up just to show some of the people what we're
• 16:45
  Speaker 5: talking about.
• 16:47
  Speaker 4: And I gotta say it was giving. I'm like, I
• 16:51
  Speaker 4: need to see this one.
• 16:55
  Speaker 5: I would like to see this either as an animation,
• 16:59
  Speaker 5: because we've seen like animations get to especially animes. We've
• 17:03
  Speaker 5: gotten animations and animes that are now more and more
• 17:06
  Speaker 5: advanced and the violence.
• 17:09
  Speaker 4: Level is like push to ten. It's like so you're
• 17:12
  Speaker 4: just like you're not expecting it.
• 17:14
  Speaker 5: And even as even as a live action where you
• 17:16
  Speaker 5: know you've seen like late nineties action films or eighties
• 17:21
  Speaker 5: action films, like it's just the gore factor is.
• 17:26
  Speaker 4: Even now you look back, you're like, there's no way that,
• 17:30
  Speaker 4: there's no way this can happen right now.
• 17:32
  Speaker 5: But it does give me that feel of like I
• 17:36
  Speaker 5: can go either or is that stuff you've if you've
• 17:38
  Speaker 5: often thought about.
• 17:41
  Speaker 11: First eight some of those eighties films, Just what kind
• 17:44
  Speaker 11: of inspired me to actually write this? Things like g
• 17:49
  Speaker 11: I Joe, things like there's a picture von Universal Soldier.
• 17:55
  Speaker 5: Oh oh yeah, yeah, yeah, yeah, definitely. Yeah.
• 17:59
  Speaker 11: So in terms of me going towards kind of mission
• 18:03
  Speaker 11: that kind of stuff, every opportunity presents itself. When someone
• 18:07
  Speaker 11: came to me, I wouldn't turn it then, but my
• 18:10
  Speaker 11: focus and my love is wreaking comments.
• 18:14
  Speaker 5: I'm glad he said that. I'm glad you said so
• 18:19
  Speaker 5: for those who are wondering what meniacal plan is in
• 18:22
  Speaker 5: my head as you as those out there to know,
• 18:26
  Speaker 5: I'm also the news director for a blood station, which
• 18:29
  Speaker 5: is an up and coming extremest service, which dedicates itself
• 18:33
  Speaker 5: to black speculative fiction and anime and live action stuff
• 18:37
  Speaker 5: in comics, and that's created by people that look like us.
• 18:42
  Speaker 5: And we see these types of properties all the time
• 18:46
  Speaker 5: that either get buried under the muck and meyer get
• 18:49
  Speaker 5: buried under the big two or three if you count image,
• 18:53
  Speaker 5: which is insane because given what those characters have given us,
• 19:03
  Speaker 5: we see we're started. We start to see the same
• 19:05
  Speaker 5: stuff all the time, and or or recycling the stories.
• 19:10
  Speaker 5: Like my second in command will tell you she was like,
• 19:14
  Speaker 5: DC ain't the hit right now, you know, unless it's
• 19:18
  Speaker 5: certain writers, i e. Stephanie Williams, you know, James Tennian.
• 19:22
  Speaker 5: You know there's a there's there's a few writers from
• 19:26
  Speaker 5: the houses, from both houses or three houses that will
• 19:30
  Speaker 5: stand out and you're like, I'll get it because that
• 19:33
  Speaker 5: writer is on it, because I know I'm going to
• 19:35
  Speaker 5: get a good story, you know, and we don't get
• 19:40
  Speaker 5: too much of that from You have to hunt those
• 19:43
  Speaker 5: writers down, you have to really keep an eye off
• 19:46
  Speaker 5: of On the other end of the spectrum, we have
• 19:51
  Speaker 5: collectively seen so many black and brown artists and writers
• 19:57
  Speaker 5: doing indie projects and indie books who are, in our opinion,
• 20:04
  Speaker 5: miles ahead, miles ahead in storytelling because it's it's new,
• 20:11
  Speaker 5: it's it's fresh, it's original, it doesn't repeat itself, and
• 20:16
  Speaker 5: we need we do we please, Lady manor.
• 20:22
  Speaker 10: Yeah no, yeah no, There's there's an exponential amount of
• 20:28
  Speaker 10: comics that are out here that don't. So I always
• 20:31
  Speaker 10: say they do not get the shine that they deserve.
• 20:33
  Speaker 7: They don't have the.
• 20:35
  Speaker 10: Money or notoriety in order to get themselves launched appropriately
• 20:41
  Speaker 10: or spread amongst the people appropriately. So you know, I'll
• 20:47
  Speaker 10: say it like I'm kind of I'm off of DC
• 20:50
  Speaker 10: and Marvel right now. I have been very much in
• 20:53
  Speaker 10: tune with indie comics and not and honestly that's because
• 20:57
  Speaker 10: that's what I've been searching for now ever since, trying
• 21:00
  Speaker 10: to promote indies because the stories that I like that
• 21:04
  Speaker 10: I'm not exposed to exist in Gentlemen like mister Lynch here,
• 21:10
  Speaker 10: who Hi, higne it like to see you and your
• 21:16
  Speaker 10: new comic as well. I'm a big fan of your work,
• 21:20
  Speaker 10: as you well know. And honestly, I'm not gonna hold you.
• 21:24
  Speaker 2: I was.
• 21:25
  Speaker 10: I was waiting for this to read, and I mean,
• 21:28
  Speaker 10: you want to eat it up and it's it's it
• 21:31
  Speaker 10: is another standout for me.
• 21:34
  Speaker 9: I need more of this universe. And you also you
• 21:37
  Speaker 9: told me that you when you write a comic, you
• 21:38
  Speaker 9: write it and then you're done. But now here you
• 21:40
  Speaker 9: are back in this universe.
• 21:43
  Speaker 4: Well, I don't all of my books are for this
• 21:47
  Speaker 4: series or in the same universe.
• 21:48
  Speaker 11: But if you had to read this book, so it's
• 21:52
  Speaker 11: one story, it complete tells itself, and all of the books,
• 21:57
  Speaker 11: you've got a complete story. So there's another like could
• 22:00
  Speaker 11: be continued winning for issue three for a year, that
• 22:03
  Speaker 11: kind of thing. It's like, you read this book, you
• 22:07
  Speaker 11: kind of get the full story here. The next one
• 22:09
  Speaker 11: will continue, it'll be a different story, so the characters
• 22:12
  Speaker 11: do come back. I've actually two more parts of this series,
• 22:17
  Speaker 11: Part two, and then there's a double site, double size
• 22:22
  Speaker 11: Part three that's coming out in September, and that's going
• 22:26
  Speaker 11: to be a book that's one hundred and thirty pages.
• 22:30
  Speaker 5: See like like this panamel right here, I was just like,
• 22:37
  Speaker 5: oh yeah, this is all eighties right here. This is
• 22:40
  Speaker 5: like this is violence and I love it. I'm just like,
• 22:47
  Speaker 5: look at my man is slit one two and three
• 22:52
  Speaker 5: people only one hit?
• 22:54
  Speaker 7: I'm sorry what.
• 23:00
  Speaker 4: It's it's projects like.
• 23:01
  Speaker 5: That that really stand out, and the like yeah, like
• 23:08
  Speaker 5: Bama said that Vining, Oh yeah that final Yeah Wasacah's
• 23:13
  Speaker 5: in the building. Let's go to o Isacre Govix. So
• 23:16
  Speaker 5: it's those types of things, Yes to far, going all
• 23:20
  Speaker 5: out of Viney exactly, going all out Viomy and I
• 23:25
  Speaker 5: love I love it. And it's not just this, it's
• 23:28
  Speaker 5: like it's Ray Comics, It's Midnight Comics, which is which,
• 23:31
  Speaker 5: in our opinion, seems to be like running the marathon
• 23:36
  Speaker 5: at this point, with so many titles that they come up,
• 23:38
  Speaker 5: they come on the show so many times that when
• 23:41
  Speaker 5: they're talking to us they come up with ideas. You know,
• 23:44
  Speaker 5: it's Stranger Comics, it's another one. You know, Sebastian's out
• 23:46
  Speaker 5: there doing his thing, because too many times.
• 23:50
  Speaker 4: Have we heard.
• 23:52
  Speaker 5: We've heard the editors in office of the Big Two
• 23:56
  Speaker 5: say Black Stories don't sell, Black Lead comic stole sale.
• 24:02
  Speaker 5: And we know that's not true. We know it's not true.
• 24:06
  Speaker 5: We've seen it with We've seen it with Storm, We've
• 24:08
  Speaker 5: seen it with Black Panther and the Crew before it
• 24:10
  Speaker 5: was posthumous and canceled.
• 24:12
  Speaker 4: We've seen it with the Milestone Universe.
• 24:18
  Speaker 10: To that point, he's half the They're half right and
• 24:23
  Speaker 10: half wrong. First issues of a brand new series with
• 24:28
  Speaker 10: a Black League cells like fire. Problem is the ongoing story,
• 24:34
  Speaker 10: I think for some of them. And I want to
• 24:37
  Speaker 10: say that's because there might be some things going on
• 24:40
  Speaker 10: behind the scenes that we don't know about that the
• 24:42
  Speaker 10: author is hamstring being told, Oh, that doesn't really fit
• 24:48
  Speaker 10: with our aesthetic type of situation, and they get the
• 24:52
  Speaker 10: story gets newter.
• 24:53
  Speaker 9: So now, so, Marvel DC, who who are you letting
• 24:57
  Speaker 9: the writers write.
• 24:58
  Speaker 4: For for you?
• 25:00
  Speaker 5: For us that I have a bottom with, You are
• 25:05
  Speaker 5: absolutely correct. There are things that do take place behind
• 25:10
  Speaker 5: the scenes of these offices where they say, oh, I
• 25:16
  Speaker 5: have this great story that I want to talk about
• 25:18
  Speaker 5: with cyber Work, or I have this great story for
• 25:22
  Speaker 5: Nubia or for wonder Woman or for Storm pick one,
• 25:29
  Speaker 5: you know, and they like, it doesn't have to In
• 25:34
  Speaker 5: our honest opinion as readers, as people that want to
• 25:37
  Speaker 5: read these stories, it doesn't have to be it doesn't
• 25:41
  Speaker 5: have to be a thing where they tell this story
• 25:43
  Speaker 5: in six issues, ten issues, twelve issues, and then they say, Okay,
• 25:49
  Speaker 5: now this character is going to go back to their
• 25:51
  Speaker 5: team book or whatever it is They're going to be in.
• 25:54
  Speaker 5: It doesn't mean that that solo adventure should affect whatever
• 25:58
  Speaker 5: it is that's going on. And to make continulate, it
• 26:00
  Speaker 5: doesn't have to. If you give me a war Machine
• 26:03
  Speaker 5: story and war Machine does his thing, whatever it is
• 26:08
  Speaker 5: is going on, and then it's time to join up
• 26:11
  Speaker 5: with the Avengers, it can or can't affect whatever is
• 26:16
  Speaker 5: going on with the Effect Adventures.
• 26:17
  Speaker 4: It doesn't have to. It just be like it's a
• 26:20
  Speaker 4: solo issue. Let it be.
• 26:24
  Speaker 10: And and honestly that I appreciate Nigel's style because he
• 26:30
  Speaker 10: can tell a complete story, leave that in its own section,
• 26:33
  Speaker 10: and then go off and tell the stories of these
• 26:36
  Speaker 10: whatever the side characters that might have been myoos.
• 26:42
  Speaker 4: Love love love Okay, it wasn't just me.
• 26:46
  Speaker 5: It wasn't just me, no, because I was I was like, oh,
• 26:49
  Speaker 5: this looks phenomenal, and I'm like, this looks really good.
• 26:55
  Speaker 5: So for those who's like, who's trying to figure this out,
• 26:58
  Speaker 5: like yeah, it's like paytation, here we go.
• 27:05
  Speaker 9: This is me.
• 27:05
  Speaker 5: I goes, yeah, this looks really good.
• 27:12
  Speaker 4: Yeah.
• 27:13
  Speaker 10: The colors alone, there was something about that when I
• 27:18
  Speaker 10: saw the Kickstar, there were something about that that aqua
• 27:22
  Speaker 10: black and purple blue kind of vibe. I was like,
• 27:25
  Speaker 10: oh this, I might this feels like this feels like
• 27:30
  Speaker 10: a me book without even reading the whole thing. It
• 27:32
  Speaker 10: looks like my style. But yeah, two, not put Nigel
• 27:39
  Speaker 10: can't put himself in a box. Like nobody can put
• 27:42
  Speaker 10: any of the work that he's doing in a particular box.
• 27:46
  Speaker 9: Actually, I have a question for you.
• 27:52
  Speaker 7: Do you have any.
• 27:55
  Speaker 9: Your style is very heavy on on the action, which
• 27:58
  Speaker 9: I love, No, no notes at all. Are there any
• 28:04
  Speaker 9: themes that you would like to dive into like a.
• 28:11
  Speaker 4: This I'm just pulling.
• 28:11
  Speaker 10: Stuff out of my head. I do not expect you
• 28:13
  Speaker 10: to do because it just does not feel right. But
• 28:15
  Speaker 10: like a romanticy some kind of like uh, maybe like
• 28:19
  Speaker 10: a science fiction comedy type, like like lean more into
• 28:22
  Speaker 10: the comedy aspect of things.
• 28:24
  Speaker 4: Okay, so.
• 28:26
  Speaker 11: I try to do a little bit of everything, but
• 28:34
  Speaker 11: clearly it turned out right. So for instance, to write, uh,
• 28:40
  Speaker 11: you will find in a book, ah, I will be
• 28:44
  Speaker 11: people tell me this person that's pretty funny that they
• 28:47
  Speaker 11: will off and that kind of stuff. But to try
• 28:49
  Speaker 11: to do an entire book of comedy, it's a it's
• 28:54
  Speaker 11: a bit tough, right, and you could end up getting
• 28:57
  Speaker 11: a book where you're like throwing it at the wall
• 29:00
  Speaker 11: and throw twenty jokes and only five land versus like
• 29:05
  Speaker 11: writing a story, has something extremely funny comes to you
• 29:10
  Speaker 11: and you decide to put it in.
• 29:13
  Speaker 4: In terms of.
• 29:16
  Speaker 11: Romance, what I would say in terms of the themes
• 29:20
  Speaker 11: I'd try to put into the book, it's usually to
• 29:24
  Speaker 11: do with a lot of these personal loss, pain suffering.
• 29:33
  Speaker 11: It's all about equality and equality, but it's it's very leered.
• 29:38
  Speaker 11: So let's say Derek straight out so the original, So
• 29:42
  Speaker 11: that would be the closest thing I would say I
• 29:44
  Speaker 11: have done to romance where I created a couple in
• 29:49
  Speaker 11: the beginning, showed you their relationship, and I have to
• 29:53
  Speaker 11: convince the audience that these two people carrying them for
• 29:57
  Speaker 11: each other, so that when I rip it away, you
• 30:00
  Speaker 11: actually field Summer and people did say, well, yeah, what
• 30:06
  Speaker 11: did you have to do? I get a lot of
• 30:09
  Speaker 11: kick back and people saying why did you have to
• 30:11
  Speaker 11: kill my favorite character? Or you didn't have to do
• 30:13
  Speaker 11: this character that end, So you know, it's about building relationships,
• 30:21
  Speaker 11: trying to make characters are likable in terms of so
• 30:27
  Speaker 11: I can't say that I wouldn't do a photo or
• 30:29
  Speaker 11: MATS book and I wouldn't say that that's my next book,
• 30:33
  Speaker 11: you know, if I have an idea or if it
• 30:36
  Speaker 11: comes into the story naturally, because.
• 30:40
  Speaker 4: I don't know.
• 30:40
  Speaker 11: When I was growing up, right, and you watched a
• 30:42
  Speaker 11: movie that was done in the eighties nineties, they had
• 30:46
  Speaker 11: a certain formula. They had the star guy had an adiversary,
• 30:51
  Speaker 11: he fought the bad guys met a woman, fell in love,
• 30:55
  Speaker 11: forced the sex scene in the movie. Yeah bad, and
• 31:01
  Speaker 11: it drove off and that was everyvie. So you know,
• 31:06
  Speaker 11: you try not to get into the form alone. But
• 31:10
  Speaker 11: it's still kind of borrow from some of those tropes
• 31:13
  Speaker 11: and that kind of thing. So, but all of my
• 31:17
  Speaker 11: books there is some underlying story. So it's one story
• 31:21
  Speaker 11: and the talk, but there's another woman that brought him.
• 31:24
  Speaker 4: I try to have as much fun with.
• 31:27
  Speaker 11: So, like The Young Ghost was a book that happened,
• 31:30
  Speaker 11: I wouldn't have by accident, but everyone loved that character
• 31:33
  Speaker 11: from the Diaris red Ox, so I did it made
• 31:36
  Speaker 11: it's a lot.
• 31:37
  Speaker 4: Let me dive into work. How why did she become
• 31:40
  Speaker 4: this character? How did she? Why is she so cold?
• 31:43
  Speaker 4: And the diary red so until I wrote.
• 31:48
  Speaker 11: Neng Ghosts, her backstory wasn't like a It wasn't it
• 31:53
  Speaker 11: wasn't something that was still still a little funny at
• 31:55
  Speaker 11: the time, but the more kind of And if I'm
• 31:57
  Speaker 11: with all the characters that I work with for any time,
• 31:59
  Speaker 11: I put the micro's go upon them and start to
• 32:01
  Speaker 11: really get into them tocome a life and I actually
• 32:04
  Speaker 11: start to its started to almost become my favorite character.
• 32:12
  Speaker 8: I have a quick question, where does your creative process
• 32:15
  Speaker 8: start for you when you're writing a book. Is it
• 32:17
  Speaker 8: like you just jock down ideas and you keep them
• 32:19
  Speaker 8: together and when you're able to address that idea or
• 32:22
  Speaker 8: that concept, you do or do you have another process
• 32:26
  Speaker 8: for how you approach your creative.
• 32:30
  Speaker 4: So I used to do that method right, which is
• 32:34
  Speaker 4: a good method.
• 32:35
  Speaker 11: I would I would encourage anybody that's getting into writing
• 32:39
  Speaker 11: or any kind of creative process keep a phone handy,
• 32:43
  Speaker 11: keeping it on the boat handy. So for me, I
• 32:45
  Speaker 11: would go somewhere and see a picture and I'll take
• 32:48
  Speaker 11: a picture of it because it makes an interesting character.
• 32:51
  Speaker 11: Or I will take a picture of the Google because
• 32:54
  Speaker 11: I want to make a stick over with him. In
• 32:56
  Speaker 11: terms of ideas popping into my head, I take reference
• 32:59
  Speaker 11: from every single thing I watch. I watch movies or
• 33:04
  Speaker 11: shows to learn from them from their own mistakes, or
• 33:08
  Speaker 11: if they have great ideas right. And I used to
• 33:12
  Speaker 11: jomp down a lot of news, but as I went
• 33:16
  Speaker 11: forward and I realized I had a note book full
• 33:19
  Speaker 11: of ideas I hadn't gotten around too, I kind of
• 33:23
  Speaker 11: just eased off for a bit.
• 33:25
  Speaker 4: But it's not a bad thing if it is really real.
• 33:30
  Speaker 5: For me.
• 33:30
  Speaker 11: I know that if a story is really with me,
• 33:34
  Speaker 11: it will stay in my head and it will kind
• 33:35
  Speaker 11: of run around in my head and I kind of
• 33:38
  Speaker 11: tell the story to myself constantly until you know, I
• 33:43
  Speaker 11: kind of flush it out of my head. So that's
• 33:45
  Speaker 11: how I know that I have got something when I
• 33:47
  Speaker 11: can tell the story to myself over and over, improving
• 33:50
  Speaker 11: it all the time. So I know, well, yeah, you've
• 33:54
  Speaker 11: got everything kind of worked out. And then I put
• 33:57
  Speaker 11: it down on paper. Usually, if you have a good
• 34:00
  Speaker 11: I did, it won't leave you. Mm hmm.
• 34:05
  Speaker 5: I gotta say, uh. Seeing the the covers, the Diary Man,
• 34:13
  Speaker 5: the Diary straight Dogs, those covers, I'm like, wait a minute,
• 34:18
  Speaker 5: these are eye catching covers. I've often said that if
• 34:23
  Speaker 5: you have a great writer and a great artist, the
• 34:28
  Speaker 5: book will be just fine. You can't miss. You can't miss.
• 34:34
  Speaker 5: It's you know, coming up, I think during like the
• 34:37
  Speaker 5: late nineties, early two thousands, the Big the Big Two,
• 34:42
  Speaker 5: that's what they banked on. You know, you had great covers,
• 34:45
  Speaker 5: you had great artists. You always had a good team,
• 34:48
  Speaker 5: and you got a lot of stories out of those
• 34:50
  Speaker 5: good tings. That's why this stuff like Frank Miller's run
• 34:52
  Speaker 5: on Their Devil, who ran as well as it did,
• 34:55
  Speaker 5: you know, Chris Claremont's run on X Men, That's why
• 34:57
  Speaker 5: it was as well as it did. Even Jonathan did
• 35:00
  Speaker 5: It's run on Fantastic Foward It's Men. You know, Stephanie Williams,
• 35:05
  Speaker 5: Jesus Christ, anything that woman touches. And I'm just like,
• 35:10
  Speaker 5: you know, she's just finishing Roots of Madness, you know,
• 35:14
  Speaker 5: and she just finished Temporal. Those are great stories and
• 35:18
  Speaker 5: she has some great artists behind her, and it's like
• 35:20
  Speaker 5: it's always like if you are a fan of the
• 35:22
  Speaker 5: writer already, the artist is just the alley you mm hmmm.
• 35:28
  Speaker 5: So one congratulations to have a great team.
• 35:32
  Speaker 4: Yeah, uh too. Your work is awesome.
• 35:37
  Speaker 5: Man. I'm like, I'm loving the stories and I'm like
• 35:39
  Speaker 5: I'd love to see more, and I'm glad Kira asked
• 35:42
  Speaker 5: you about like having you thought about other genres, other
• 35:45
  Speaker 5: fields to kind of stretch out into you know, what
• 35:49
  Speaker 5: can be told. I want to know. I want to
• 35:53
  Speaker 5: want to know.
• 35:54
  Speaker 11: Universe is designed or it is designed that you can
• 35:57
  Speaker 11: do that. You can introduce you characters. Other people can
• 36:02
  Speaker 11: come in and write characters. It's designed for that kind
• 36:05
  Speaker 11: of thing.
• 36:06
  Speaker 4: See the formula. The formula is that simple. It is
• 36:13
  Speaker 4: that simple. People, I want to know what were you're
• 36:18
  Speaker 4: coming up? Then?
• 36:20
  Speaker 5: Number one obviously an accent. So you see a lot
• 36:30
  Speaker 5: of like like stories about telling me about the Caribbean
• 36:34
  Speaker 5: War and diving into those worlds, deeper into those worlds.
• 36:40
  Speaker 4: Okay.
• 36:41
  Speaker 11: So I try to layer a little bit of my
• 36:44
  Speaker 11: Caribbean influence in all of my stories, and it's kind
• 36:49
  Speaker 11: of done in a way where if you get it,
• 36:52
  Speaker 11: you get it, or if something intrigues you, you will
• 36:55
  Speaker 11: research it. So and do yours read dogs. The main character,
• 37:01
  Speaker 11: Shani is from the island. I'm from Barbados. So she
• 37:06
  Speaker 11: has a bit of a Caribbean smack dialet Barbadian dialet,
• 37:12
  Speaker 11: and she in the end she I try to mention
• 37:16
  Speaker 11: the name of the island. They talk about the national dish.
• 37:20
  Speaker 4: In part two.
• 37:22
  Speaker 11: Her she's a pilot and her chopper is called the
• 37:25
  Speaker 11: Baku and Baku is a foot walk creature in the Caribbean.
• 37:30
  Speaker 4: Uh it's a Guyanese GeSe.
• 37:35
  Speaker 11: I think it's something like almost like a mixtween a
• 37:37
  Speaker 11: genie and a troll, where they kind of say from.
• 37:40
  Speaker 4: People, uh so she So I try to do stuff
• 37:45
  Speaker 4: like that.
• 37:45
  Speaker 11: I try to incorporate different little things from the culture
• 37:49
  Speaker 11: by naming them into the into the items or into
• 37:54
  Speaker 11: the attack and sometimes just hidden and if you get it,
• 37:58
  Speaker 11: you kind of get it if you do. For instance,
• 38:00
  Speaker 11: there's a character called Spider and I wasn't able to
• 38:05
  Speaker 11: give him like he was supposed to have arms like
• 38:08
  Speaker 11: duc Octopus in the story and when I'm and mainly
• 38:13
  Speaker 11: artists had a discussion, so we did the design for
• 38:16
  Speaker 11: the character, and he was kind of saying, this is
• 38:19
  Speaker 11: going to be a bit difficult to draw him with
• 38:21
  Speaker 11: these arms in every scene, and I said, well, and
• 38:27
  Speaker 11: I thought about it, and I said, well, technically doesn't
• 38:30
  Speaker 11: really use them for anything. They're not there's no part
• 38:33
  Speaker 11: of the plot that's integral for him to have them.
• 38:36
  Speaker 11: They would just look cool in the fight scene. So
• 38:38
  Speaker 11: I kind of just said, well, so we just showed him,
• 38:42
  Speaker 11: but we never use them right. And sometimes you kind
• 38:44
  Speaker 11: of have to have that kind of given go with
• 38:46
  Speaker 11: your artists because you have to kind of make the
• 38:49
  Speaker 11: job as easy as possible for them, and you also
• 38:52
  Speaker 11: have to kind of look at it and say, well,
• 38:55
  Speaker 11: am I enhancing the book with this change?
• 38:57
  Speaker 4: Or am I making it? You know what I mean?
• 38:59
  Speaker 4: So things like that.
• 39:00
  Speaker 11: But the arms were named and fifty one or something
• 39:05
  Speaker 11: like that, but when you look at it, it spells
• 39:07
  Speaker 11: a Nancy. So as little things like that that you know,
• 39:11
  Speaker 11: you kind of hide things in playing sight, uh, different
• 39:15
  Speaker 11: codes and that kind of stuff. And me and a
• 39:19
  Speaker 11: good friend of mine, Matthew Clark, we actually did a
• 39:22
  Speaker 11: whole book about carbying foot law. It was published by
• 39:26
  Speaker 11: Aprams called Hard Ears. Yeah, so that is a and
• 39:31
  Speaker 11: that's like a massive graphic novel about footloor carbing characters
• 39:38
  Speaker 11: that kind of stuff.
• 39:41
  Speaker 5: Feed it to me, just put it in my bangs.
• 39:44
  Speaker 9: Length length.
• 39:46
  Speaker 4: You can check it out Amazon and look for Amazon bros.
• 39:51
  Speaker 4: We got it. You're all familiar with John Jennings.
• 39:54
  Speaker 11: He was he was a person who kind of discovers
• 39:58
  Speaker 11: and he saw the book, he loved it, and he
• 40:01
  Speaker 11: took it over to Mega school import and.
• 40:07
  Speaker 4: It's just coming.
• 40:08
  Speaker 11: We just get these gyms on this show man leg
• 40:12
  Speaker 11: that's dope, Yes, Clark, And it was a really it
• 40:20
  Speaker 11: was a really fun experience. So he's already on the job.
• 40:23
  Speaker 11: I could tell.
• 40:28
  Speaker 8: As a person of Caribbean descent as well, I will
• 40:32
  Speaker 8: always always gravitate to our stories. I love hearing and
• 40:36
  Speaker 8: seeing us on film, on TV, in books, in novel
• 40:41
  Speaker 8: it doesn't matter. I'm always going to seek out the
• 40:43
  Speaker 8: Caribbean option.
• 40:45
  Speaker 4: I see, I knew it was there. I knew see.
• 40:50
  Speaker 5: And just by hearing you talk about your very in
• 40:53
  Speaker 5: depth with your descriptions and and how and how you
• 40:57
  Speaker 5: come across like how you created a character, why the
• 41:00
  Speaker 5: character has this and everything else, And all I could
• 41:03
  Speaker 5: think of was Tie D. C. Coats and his run
• 41:07
  Speaker 5: on the Black Panther, And there was things in African
• 41:11
  Speaker 5: folklore and African culture that only people of our descent
• 41:16
  Speaker 5: would pick up on. And no it was like oh,
• 41:19
  Speaker 5: oh oh.
• 41:22
  Speaker 4: Yeah, and they're just like, yo, you don't understand.
• 41:27
  Speaker 5: So when you when you're describing your character and then
• 41:29
  Speaker 5: you say, and this spelled talking about the lads their
• 41:32
  Speaker 5: arms and everything, the spells out of my face little
• 41:34
  Speaker 5: because I'm like, I've been reading about a Nazi since
• 41:37
  Speaker 5: I was like twelve.
• 41:39
  Speaker 2: So.
• 41:41
  Speaker 4: Thank you, thank you for all this is some dope information.
• 41:48
  Speaker 4: I love it. Man, What do you like to do?
• 41:51
  Speaker 5: Okay?
• 41:52
  Speaker 8: You mentioned working in tandem with your in tandem with
• 41:55
  Speaker 8: your artists to make sure that the vision that you
• 41:58
  Speaker 8: have goes forward.
• 42:00
  Speaker 7: Have you ever been in a situation where.
• 42:04
  Speaker 8: What the artist was envisioning and what you were putting
• 42:07
  Speaker 8: together weren't of a chord and how did you get that.
• 42:10
  Speaker 7: To go in the direction that you wanted it to.
• 42:15
  Speaker 11: It has never really happened that we weren't a lot
• 42:21
  Speaker 11: of things where we made Okay, let me start from
• 42:24
  Speaker 11: the beginning on. So usually when you pick an artist,
• 42:27
  Speaker 11: you shouldn't pick an artist that you do not feel
• 42:30
  Speaker 11: one hundred percent comfortable with. So if you want to
• 42:35
  Speaker 11: do a book and you're not confident in the artists
• 42:39
  Speaker 11: or you don't think he's going to do your vision,
• 42:42
  Speaker 11: I would advise you not to do it. So every
• 42:46
  Speaker 11: artist that I have on the five Stories or six stories, whatever,
• 42:53
  Speaker 11: I will write a story or I will change your
• 42:56
  Speaker 11: story to suit their art work. Looking at I would
• 43:00
  Speaker 11: study their work, look at their strengths. So if I see,
• 43:03
  Speaker 11: like a guy is good at drawing bikers and stuff,
• 43:08
  Speaker 11: I would know what kind of story. But I wouldn't
• 43:10
  Speaker 11: put him on a story that is dealing with I
• 43:14
  Speaker 11: don't know, space if he's not good at spaceships or whatever.
• 43:17
  Speaker 11: So I try to tailor the story to suit the artist,
• 43:20
  Speaker 11: or I will pick an artist that I feel is
• 43:22
  Speaker 11: confident with the story.
• 43:24
  Speaker 4: Now, in terms of.
• 43:27
  Speaker 11: Not being on the same way of length, again, it
• 43:31
  Speaker 11: doesn't tend to happen. It can, but it doesn't tend
• 43:34
  Speaker 11: to happen because before we kind of start, we tend
• 43:39
  Speaker 11: to talk a lot.
• 43:40
  Speaker 4: So we will usually talk about movies we like.
• 43:42
  Speaker 5: We start to.
• 43:43
  Speaker 4: Share video clips.
• 43:44
  Speaker 11: We create a cred a bigger library, and I try
• 43:47
  Speaker 11: to encourage all my artists to put reference work.
• 43:52
  Speaker 4: So if you see something cool, put it in the folder.
• 43:54
  Speaker 4: I'll look at it. Okay, I will put stuff in
• 43:57
  Speaker 4: the folder. So we start to build this library.
• 44:00
  Speaker 11: You could start the design characters, you can start the
• 44:02
  Speaker 11: design places, worlds, and you know we are all on
• 44:06
  Speaker 11: the same waveland. What would usually happen would be I
• 44:11
  Speaker 11: would write a script and I would have it in
• 44:14
  Speaker 11: my head a certain way, and most of the time
• 44:17
  Speaker 11: the artists will kind of do something and just totally
• 44:20
  Speaker 11: blow me away where it was better than what I thought,
• 44:24
  Speaker 11: you know what I mean.
• 44:26
  Speaker 4: And as I kind of.
• 44:26
  Speaker 11: Work with the guys, sometimes if I had in the
• 44:31
  Speaker 11: script and something that people don't understand. When you start
• 44:34
  Speaker 11: to write the script, be further down in the script,
• 44:38
  Speaker 11: the lazier you kind of get.
• 44:40
  Speaker 4: So you will go from saying like.
• 44:43
  Speaker 11: The characters are in the city, it's nighttime, they step
• 44:46
  Speaker 11: out of a car, blah blah blah blah blah blah.
• 44:49
  Speaker 11: So by the end of the book you're writing things
• 44:51
  Speaker 11: like he gets out of the car, he's in the room.
• 44:55
  Speaker 11: So sometimes you will start to the artist starts, but
• 44:59
  Speaker 11: you you're betting on the artists. After building the world,
• 45:03
  Speaker 11: he kind of knows what's going on. But at the
• 45:06
  Speaker 11: same thing too, the artists will kind of pull your
• 45:08
  Speaker 11: bootstrap since there, yeah, I think this page was kind
• 45:11
  Speaker 11: of weak.
• 45:12
  Speaker 4: I think you could do better, and that's happened.
• 45:14
  Speaker 11: Before, and they will be like, you feel kind of
• 45:17
  Speaker 11: you feel kind of you're kind of happy that the
• 45:19
  Speaker 11: artist wants to see the best come out of the
• 45:21
  Speaker 11: work too, so he's thinking, I think this page could
• 45:24
  Speaker 11: be better, and I've gone back and every written pages
• 45:26
  Speaker 11: or re imagine pages, and I've done stuff with that.
• 45:30
  Speaker 11: So I've been fortunately enough to have great synergy with
• 45:34
  Speaker 11: all the people I've worked with. I've never had the
• 45:37
  Speaker 11: kids where I've done stuff and I had to tell
• 45:41
  Speaker 11: the artists who redraw entire page because I didn't like
• 45:45
  Speaker 11: it or he didn't understand what I have.
• 45:47
  Speaker 4: You know, it was I've always been down fortunate. I
• 45:52
  Speaker 4: want to say that is the sign of a good partnership.
• 45:58
  Speaker 5: When you have, like you said, you have an idea,
• 46:01
  Speaker 5: You've written it out on page, and then the artist
• 46:03
  Speaker 5: is able to convey that in a visual in a
• 46:07
  Speaker 5: visual state, and then to also have an artist turn
• 46:10
  Speaker 5: around and say, this can be strong This written part
• 46:14
  Speaker 5: can be stronger. It's not horrible, but it can be
• 46:17
  Speaker 5: stronger because you're getting another set of eyes that's seeing
• 46:20
  Speaker 5: it from a certain perspective.
• 46:22
  Speaker 4: That can in the end, when they're going to draw
• 46:25
  Speaker 4: this thing.
• 46:25
  Speaker 5: Out and ink it, it pops and you're just like, yeah,
• 46:32
  Speaker 5: that's that's the mark of a really great relationship that
• 46:36
  Speaker 5: they compliment each other.
• 46:37
  Speaker 4: Because I've seen it in so many other, so many
• 46:41
  Speaker 4: other stories.
• 46:42
  Speaker 5: Whereas like the art might be good story can be weak,
• 46:47
  Speaker 5: or the story is really good, but the artist is horrible,
• 46:52
  Speaker 5: you know, and it just it's it's a relationship and
• 46:57
  Speaker 5: now we have a couple. It doesn't matter if it's
• 47:00
  Speaker 5: Big two, big three, doesn't matter if it's other indie.
• 47:03
  Speaker 5: There's a lot of them that have a good cohesive
• 47:06
  Speaker 5: relationship that can tell those that can have that good balance. Yeah,
• 47:10
  Speaker 5: we've seen the actual animation. Animation might be great, story
• 47:15
  Speaker 5: might be hard to follow, or vice versa, vice versa
• 47:21
  Speaker 5: with you another question, yeah, yeah, absolutely.
• 47:24
  Speaker 8: Is there anyone, whether artists or a writer that you
• 47:29
  Speaker 8: wish that you could work with in the future.
• 47:35
  Speaker 7: In terms.
• 47:38
  Speaker 4: I would like to work with some of the propertter
• 47:42
  Speaker 4: indire writers.
• 47:44
  Speaker 11: Probably collaborative if some of them, uh again, either do
• 47:50
  Speaker 11: something like I just said, do we have that kind
• 47:51
  Speaker 11: of design made in the verse was if you had
• 47:54
  Speaker 11: an idea and you had a story, you could pitch
• 47:57
  Speaker 11: it to me.
• 47:58
  Speaker 4: We could work it. I can tell you the rules
• 48:00
  Speaker 4: I have.
• 48:00
  Speaker 11: I have actually reached out to some creators, but you know,
• 48:05
  Speaker 11: people are busy, uh, stuff like that, so I don't
• 48:10
  Speaker 11: want to me memes or anything like that.
• 48:11
  Speaker 4: But yeah, there's a lot of the Lady Man the
• 48:14
  Speaker 4: Lord said, name the names so we can put them
• 48:16
  Speaker 4: on front streets so they may out screening myself anyway. Yeah.
• 48:22
  Speaker 11: But in terms of artists, there are a few artists,
• 48:25
  Speaker 11: mainstream artists that I really kind of like their work.
• 48:28
  Speaker 4: I like the artists staff, kind of unique styles.
• 48:30
  Speaker 2: Uh.
• 48:30
  Speaker 11: There's a guy called Trod Moore. Uh, he did a
• 48:34
  Speaker 11: book called lufas Thrilled. I just kind of like, I like,
• 48:39
  Speaker 11: I like my unusual art styles, you know. I like
• 48:44
  Speaker 11: the art staff for these six issues and the Walking
• 48:46
  Speaker 11: Dead that kind of stuff, you know. Uh, but I
• 48:51
  Speaker 11: wouldn't went into work working on hard ears showed me
• 48:56
  Speaker 11: that I could just work with anyone. Once the person
• 48:58
  Speaker 11: has a vision and there they're driven, I would work
• 49:01
  Speaker 11: with you.
• 49:02
  Speaker 5: Okay, I like that.
• 49:04
  Speaker 6: I like that.
• 49:05
  Speaker 4: What outside of comics, in graphic novels, What do you do?
• 49:11
  Speaker 4: What do you like gaming?
• 49:12
  Speaker 5: Are you? I think with somebody that with your mindset,
• 49:15
  Speaker 5: you just like got like a good story from something
• 49:18
  Speaker 5: I usually.
• 49:19
  Speaker 4: Watch, I would watch. I think get older, I find
• 49:23
  Speaker 4: out my attention is finest and screwed up a better.
• 49:28
  Speaker 11: Fifteen minutes of the movie, Start watch, fifteen minutes of documentary,
• 49:32
  Speaker 11: Start go and playing video games about fifty minutes or
• 49:36
  Speaker 11: right now I'm playing Battlefield six, and that would I
• 49:39
  Speaker 11: find out? That is what will relax me on evenings.
• 49:43
  Speaker 11: Any game that I can't deal with. The games with
• 49:48
  Speaker 11: long stories up and you step away from them for
• 49:50
  Speaker 11: a weekend, you can't remember where you were requested wrong.
• 49:53
  Speaker 4: And I can't do that.
• 49:56
  Speaker 11: So if I play a story game, now to be
• 49:58
  Speaker 11: seven hours. If I play, uh, a video game, that
• 50:01
  Speaker 11: has to be something like the multiplayer or I love
• 50:03
  Speaker 11: indie games. I love those short indie games like how
• 50:07
  Speaker 11: Haities and did the Gungeon?
• 50:10
  Speaker 4: I like that kind of stuff.
• 50:12
  Speaker 11: So I do a lot of gaming on evenings. And
• 50:15
  Speaker 11: that's because I wasn't writing comics for let's say about
• 50:18
  Speaker 11: the last year. I was doing more gaming. But when
• 50:22
  Speaker 11: I get into a groove of writing, it tends to
• 50:25
  Speaker 11: eat up a lot of.
• 50:26
  Speaker 5: My free time.
• 50:27
  Speaker 4: M hm right yeah.
• 50:30
  Speaker 5: And in terms of in terms of partiers, uh, we
• 50:33
  Speaker 5: just seen on Amazon it was one left and Wookie
• 50:37
  Speaker 5: snatched in.
• 50:37
  Speaker 4: The last one. It's good.
• 50:40
  Speaker 5: Apparently it's good. It's good enough they'll get restocks about.
• 50:44
  Speaker 5: It's just so little off to the races.
• 50:54
  Speaker 4: You got.
• 50:55
  Speaker 5: You forget she's our bibio file, like like I'm adding
• 50:58
  Speaker 5: this to the collection. Who's gonna show it to us
• 51:02
  Speaker 5: about the next week or something?
• 51:10
  Speaker 4: So that so the free time that you do have,
• 51:14
  Speaker 4: I would have to say, I would have to ask.
• 51:16
  Speaker 5: I should say that, are there are there any shows
• 51:21
  Speaker 5: that you said, you know what, either the show was
• 51:27
  Speaker 5: weak because of the writing mhm, or this really made
• 51:32
  Speaker 5: it strong. Why is it canceled?
• 51:35
  Speaker 4: Okay, so let me see.
• 51:40
  Speaker 11: I would say I haven't seen anything that I was
• 51:47
  Speaker 11: super fond of being canceled. Again, that short attention is fine.
• 51:55
  Speaker 11: Thing means that I like when I like when a
• 51:58
  Speaker 11: series begin to end.
• 52:00
  Speaker 4: Hands. I can't deal with something ten years long dragging
• 52:04
  Speaker 4: it out. Oh yeah, yeah, I can't.
• 52:06
  Speaker 5: Deal with that.
• 52:06
  Speaker 11: No, but I would say it because I like to
• 52:11
  Speaker 11: take a lot of influence from stuff, so so I
• 52:14
  Speaker 11: didn't use it as a learning tool. So one of
• 52:16
  Speaker 11: the one of the last things and when the last
• 52:18
  Speaker 11: shows I really enjoyed was The Mandalorian mm hmm.
• 52:24
  Speaker 4: Yeah. I took a lot from the Mandalorian. The man
• 52:27
  Speaker 4: has taste, The man has tasted because Mandalorian was it
• 52:33
  Speaker 4: reminded me of when I was growing up.
• 52:35
  Speaker 11: When I was growing up and you went by someone's
• 52:37
  Speaker 11: house and I was watching eighteen like right, whatever, Street Hall, Airwolf, whatever,
• 52:46
  Speaker 11: you could sit down, wash that show, enjoy it and
• 52:50
  Speaker 11: you didn't care. You didn't have to say so what
• 52:53
  Speaker 11: happened last week? Or you didn't have to this true,
• 52:58
  Speaker 11: this is true, see this next week. Well you know,
• 53:01
  Speaker 11: even Magnet Pia, it didn't matter. Yes, they had this
• 53:05
  Speaker 11: reoccurring true line, so you know that certain people would reoccur,
• 53:10
  Speaker 11: and it was a story that would but you could
• 53:12
  Speaker 11: watch everything, and I Madialaureate did that the first season.
• 53:17
  Speaker 11: Every you could have watched, the order, you could have
• 53:19
  Speaker 11: come in. It was connected with It was his own story,
• 53:23
  Speaker 11: and that's what encouraged me to do all my stories
• 53:26
  Speaker 11: has capsulated one shots, you know. So it told me
• 53:31
  Speaker 11: how to do a tight story, how to do a beginning,
• 53:34
  Speaker 11: middle end. And one of the things that indie creators
• 53:37
  Speaker 11: kind of have because they have freedom, sometimes they let
• 53:41
  Speaker 11: it go to their heads.
• 53:43
  Speaker 4: So then you get these bloated twelve issue arcs.
• 53:49
  Speaker 11: And they're taking up a year to do one book,
• 53:51
  Speaker 11: so which means that's going to take them a decade too,
• 53:54
  Speaker 11: you know. So like I was thinking, Nah, I can't
• 53:56
  Speaker 11: I can't do that, so I a lot from Michael
• 54:00
  Speaker 11: Lourien and that kind of stuff. So I like that
• 54:03
  Speaker 11: I turned to take a lot of taking out my
• 54:06
  Speaker 11: influence from the good TV shows in terms of bad shows.
• 54:15
  Speaker 11: I can't remember the last bot you already watched, but
• 54:18
  Speaker 11: because I watching something because my time.
• 54:21
  Speaker 4: Is so precious, I just.
• 54:25
  Speaker 5: I like the fact that you picked the vandal Lurian
• 54:28
  Speaker 5: and he's right. I shout out to day for onely
• 54:31
  Speaker 5: because good lord, he's running that entire ship over there
• 54:35
  Speaker 5: and doing a great job. But you're right, that is
• 54:39
  Speaker 5: a show that in this first season you could just
• 54:42
  Speaker 5: kind of jump in and you're like, oh, this is interesting,
• 54:46
  Speaker 5: and you can really say, okay, I can probably go
• 54:49
  Speaker 5: back and watch episode one and see what's going on
• 54:52
  Speaker 5: and you know it didn't go from there, or I
• 54:54
  Speaker 5: could just wait till.
• 54:55
  Speaker 4: The whole and drop it.
• 54:56
  Speaker 5: Just check it. It had that feel that it was
• 55:00
  Speaker 5: a boring show. It didn't it didn't d And I
• 55:04
  Speaker 5: know exactly what you mean by a show dragging out there.
• 55:09
  Speaker 5: Sorry Walking Dead. It dragged it and you had stories,
• 55:14
  Speaker 5: but it dragged, and it's like the writing was horrible,
• 55:19
  Speaker 5: but it dragged into.
• 55:22
  Speaker 4: Yeah.
• 55:22
  Speaker 11: So yeah, so I kind of checked on the walk
• 55:24
  Speaker 11: and then I was a big walking dead fin of
• 55:26
  Speaker 11: the Coming look went into it.
• 55:29
  Speaker 4: And then when I'm watching two people sit by a
• 55:32
  Speaker 4: burn and talk for what's the purpose it is? Is
• 55:40
  Speaker 4: this happening anything later on?
• 55:42
  Speaker 5: So No, that's true. That is that is very true,
• 55:46
  Speaker 5: because we've seen shows, we've seen movies where we're just like,
• 55:51
  Speaker 5: and I'm glad you mentioned like the eighties action flicks,
• 55:55
  Speaker 5: Like that's what you described was exactly what it these
• 56:00
  Speaker 5: action movies you got to start the start, the lead
• 56:03
  Speaker 5: star wars mail. He has the adversary to go up against.
• 56:07
  Speaker 5: There's some girl that he has to save or that's
• 56:09
  Speaker 5: somehow involved with the plot. They fall in love, they
• 56:12
  Speaker 5: had the there's a forced sex scene. There's always if
• 56:14
  Speaker 5: you go back and watch any a add eighties action
• 56:17
  Speaker 5: film and there's a sex scene. Really ask yourself, now
• 56:21
  Speaker 5: at this stage in life, did that have anything to do.
• 56:30
  Speaker 9: The plot? It don't make it. The risks any higher
• 56:33
  Speaker 9: is just there.
• 56:34
  Speaker 5: Yeah, it's like, what is there a reason why this happened?
• 56:38
  Speaker 5: Because like is just to see some TNA that that
• 56:42
  Speaker 5: was That was it and that's what made it funny.
• 56:46
  Speaker 5: Now like now when you're at when you're older, You're like,
• 56:49
  Speaker 5: this didn't make any sense. I was just why would
• 56:53
  Speaker 5: why would Arnold Schwarzenegger grab a whole saw blade? And
• 56:57
  Speaker 5: you said, I don't know, but it made for cool,
• 57:01
  Speaker 5: be made for cool. So what you said, he has
• 57:08
  Speaker 5: the fall in love so the she kidnapped the girl
• 57:10
  Speaker 5: forwards the plot. Yeah, she's always kidnapped. She's always kidnapped.
• 57:15
  Speaker 5: And then sometimes she's either the waitress, the scientist, or
• 57:21
  Speaker 5: or somehow like the assistants. It's always one of those three.
• 57:27
  Speaker 5: And I literally just said terminator lethal weapon too. And
• 57:34
  Speaker 5: name a Bond film, Name a Bond film. That's how
• 57:38
  Speaker 5: it always is. So because every every Bond film, every
• 57:42
  Speaker 5: Bomb film, has a girl that he falls in love with,
• 57:45
  Speaker 5: she's involved with the plot, and then she dies.
• 57:50
  Speaker 4: And you never hear from her. Gay, you never hear
• 57:52
  Speaker 4: from her again. Oh my god. So, Nigel, what is
• 57:58
  Speaker 4: next for you?
• 57:59
  Speaker 11: As I said, I'm doing basically a volume one of
• 58:05
  Speaker 11: the Critical Ops starts for us mm hmm. That is
• 58:12
  Speaker 11: that's coming out in summer and that's gonna be on Kickstarter.
• 58:15
  Speaker 11: If you do a search for Critical Ops Volume one
• 58:19
  Speaker 11: on Kickstarter, you can send them to the page trying
• 58:22
  Speaker 11: to get to to like list one hundred followers.
• 58:25
  Speaker 4: So right now I'm just trying to.
• 58:27
  Speaker 11: Do get my name out there, go on some podcasts, uh,
• 58:32
  Speaker 11: you know, try to build up a fine base around
• 58:35
  Speaker 11: the titles.
• 58:37
  Speaker 4: It is more like critical Ops.
• 58:41
  Speaker 11: It's a little bit because they're all the books are
• 58:43
  Speaker 11: in the same world, right, So you're going to see
• 58:45
  Speaker 11: as as the stories kind of go forward, you're going
• 58:48
  Speaker 11: to see a little bit of.
• 58:49
  Speaker 4: Some of the stuff from Young Girls bleed into Critical Ops.
• 58:52
  Speaker 11: You can see a little bit of directis Red Ops
• 58:54
  Speaker 11: bleed into Critical Ops, that kind of thing. So, and
• 59:00
  Speaker 11: they also believe that every book I do, the lost
• 59:03
  Speaker 11: book I do, is always my best work. So it
• 59:07
  Speaker 11: feels it's going to be like you.
• 59:10
  Speaker 5: You are a critic of your own desire. I think
• 59:13
  Speaker 5: every creator, whether it's in comics, whether it's in film,
• 59:19
  Speaker 5: whether it's doing this, we are our own worst critics.
• 59:25
  Speaker 5: And we all look. People say it all the time,
• 59:28
  Speaker 5: like Lady Mandlord puts on a great show every Sunday,
• 59:35
  Speaker 5: every Sunday, and then she's like, I feel like I said, no,
• 59:38
  Speaker 5: you did great, Like you did fine, Like there's nothing wrong.
• 59:44
  Speaker 5: She hears it from Navy all the time, You're like,
• 59:46
  Speaker 5: you did completely fine. You know, I'm not. I don't
• 59:50
  Speaker 5: toot my own war, and I'd be like, that was
• 59:52
  Speaker 5: a great show. I might have stumbled across the words,
• 59:55
  Speaker 5: but hey, I'm human, I don't mind. Hell so it
• 1:00:00
  Speaker 5: it's completely bought. So even when it comes to people
• 1:00:03
  Speaker 5: that work in the field of comics, it's the same thing.
• 1:00:06
  Speaker 5: You know, it takes just just what I showed on
• 1:00:11
  Speaker 5: here tonight. And I read those, I'm like, yo, wait
• 1:00:18
  Speaker 5: a minute, me, I had to go. I was going
• 1:00:21
  Speaker 5: to read critical ops first, but as I scrolled and
• 1:00:25
  Speaker 5: see me I ghost. That caught my attention first immediately,
• 1:00:28
  Speaker 5: and I'm like, let me read this one first, let
• 1:00:33
  Speaker 5: me go back reading.
• 1:00:34
  Speaker 4: And then I'm like, wait, this diary straight dogs looks huh.
• 1:00:42
  Speaker 9: You don't tell he don't miss, he don't he he
• 1:00:46
  Speaker 9: don't miss, he don't miss. Okay, Like like, I'm.
• 1:00:52
  Speaker 10: I'm going to compare your work to anybody else's, but
• 1:00:55
  Speaker 10: just to compare the feeling that I get.
• 1:00:58
  Speaker 9: I just started reading Exquisite on par on par all
• 1:01:04
  Speaker 9: of his books on par with that. I sat you
• 1:01:08
  Speaker 9: sitting down and you read you are not getting up
• 1:01:12
  Speaker 9: from the table.
• 1:01:16
  Speaker 5: That's what makes that's what makes the mark of a
• 1:01:19
  Speaker 5: good storyteller, Like when you have someone that has a
• 1:01:23
  Speaker 5: really good story and it will take you, whether it's
• 1:01:28
  Speaker 5: a kid, whether it's known characters or unknown characters, if
• 1:01:32
  Speaker 5: that person is telling you a good story, Like Lady
• 1:01:36
  Speaker 5: Manos say you sit down.
• 1:01:39
  Speaker 4: I did not.
• 1:01:42
  Speaker 5: I collect Fantastic four now because of Hickman and I
• 1:01:48
  Speaker 5: follow Hickman's work. Yeah, no, Hickman's not black. But Hickman's
• 1:01:51
  Speaker 5: a great writer, you know, and like he I'm like,
• 1:01:56
  Speaker 5: if you've read his run you see why, you know?
• 1:02:00
  Speaker 5: Saying with Claremount if you read his run on next
• 1:02:02
  Speaker 5: to me, and do you see why?
• 1:02:04
  Speaker 8: You know?
• 1:02:05
  Speaker 5: Like they make a mark on telling stories about characters,
• 1:02:09
  Speaker 5: whether pre existing or not, that that bring you in,
• 1:02:14
  Speaker 5: these characters you're writing about, And why is it your
• 1:02:17
  Speaker 5: comics bring you in?
• 1:02:20
  Speaker 4: You gave me four samples. I'm in.
• 1:02:24
  Speaker 5: I was in after one and I'm like, yo, this
• 1:02:27
  Speaker 5: is and I stopped asking the question of why isn't
• 1:02:34
  Speaker 5: these in brick and mortar stores. We're We're to the
• 1:02:40
  Speaker 5: point now where we have opportunities to like, hey, go
• 1:02:46
  Speaker 5: to this link. We have the platforms to say go
• 1:02:50
  Speaker 5: go to this link, Go to this link, go check
• 1:02:52
  Speaker 5: it out. You know, you don't have to fight to
• 1:02:55
  Speaker 5: go put it in a in a brick and mortar
• 1:02:57
  Speaker 5: store and then hope for the best. You know, like, no,
• 1:03:02
  Speaker 5: go to the link, get it straight from a source.
• 1:03:05
  Speaker 5: That way they see it, they're like, oh yeah, this,
• 1:03:07
  Speaker 5: so get up, we're out, you know, get another pretty enough,
• 1:03:12
  Speaker 5: you know, And that's what works. We it's fine, it's
• 1:03:16
  Speaker 5: it's all good and all. When it's all good and all,
• 1:03:20
  Speaker 5: when you say, hey, go after this, go after this,
• 1:03:24
  Speaker 5: and everybody gets online and they're talking about it and talking,
• 1:03:27
  Speaker 5: But what happens to the ones, to the indie guys,
• 1:03:31
  Speaker 5: What happened to the indie crew that says, oh no,
• 1:03:34
  Speaker 5: what about me?
• 1:03:35
  Speaker 4: I'm over here, I'm doing the thing and I need to.
• 1:03:40
  Speaker 4: I think it is too. It ain't easy, thank you,
• 1:03:44
  Speaker 4: Red Rogers. That is what makes this neverworks of.
• 1:03:47
  Speaker 5: Value creators, because they're talking about what somebody else may
• 1:03:52
  Speaker 5: not know about, just getting introduced to looking for something new.
• 1:04:01
  Speaker 5: And I gotta say when they when they especially when
• 1:04:03
  Speaker 5: they check us out, they're like, oh no, these guys
• 1:04:05
  Speaker 5: their solid they read a lot of this stuff. They're
• 1:04:08
  Speaker 5: not just blowing people's horns and say, oh, this is great. No,
• 1:04:12
  Speaker 5: we don't care about the likes or none of that stuff.
• 1:04:15
  Speaker 5: It was like, no, we know good stuff when we
• 1:04:17
  Speaker 5: see it, and we.
• 1:04:18
  Speaker 10: Want more of it, and we want we want them
• 1:04:22
  Speaker 10: to stay in business so they can make more of it.
• 1:04:24
  Speaker 10: That part, I don't know if I asked you, I
• 1:04:29
  Speaker 10: feel like I haven't. What are some of your frustrations
• 1:04:34
  Speaker 10: when it comes to publishing in general, because I feel
• 1:04:38
  Speaker 10: like that's the that's the major.
• 1:04:40
  Speaker 7: Hub for y'all.
• 1:04:41
  Speaker 9: Publishing and distribution are our two hurdles.
• 1:04:45
  Speaker 4: Yeah, yeah, yes, So.
• 1:04:48
  Speaker 11: I would say I'm kind of starting from an even
• 1:04:52
  Speaker 11: I'm sorry from being back. I'm starting to risk a
• 1:04:55
  Speaker 11: littly in terms of like, so a lot of my
• 1:05:01
  Speaker 11: hurdle is not only just publishing, it's getting into the
• 1:05:04
  Speaker 11: US market because I am operating from Barbadoes, so it
• 1:05:10
  Speaker 11: means that I don't have boots on the ground in
• 1:05:12
  Speaker 11: the USA. I can't if I ship stuff, I have
• 1:05:17
  Speaker 11: to ship it here to myself. So it doesn't make
• 1:05:20
  Speaker 11: sense shipping from printing stuff in the US shipping it
• 1:05:24
  Speaker 11: to myself, and it's shipping it back to someone in
• 1:05:26
  Speaker 11: the US to sell them. So fortunately for me. That's
• 1:05:31
  Speaker 11: how I kind of got connected with why Zaco Comics.
• 1:05:33
  Speaker 11: So they're being able to do things like set up
• 1:05:36
  Speaker 11: my kickstarters for me, be that hub where I can
• 1:05:40
  Speaker 11: sell books via the website, keep inventory, that kind of stuff.
• 1:05:47
  Speaker 4: Generally, it kind of boils.
• 1:05:49
  Speaker 11: Them to economics because if you have money, you can
• 1:05:55
  Speaker 11: print more books, get some marketing, some advertising. I sell
• 1:06:01
  Speaker 11: from your own site because you've you've promoted yourself well,
• 1:06:05
  Speaker 11: or get hooked up with a distributor you know.
• 1:06:08
  Speaker 5: Uh.
• 1:06:09
  Speaker 11: The mangle is to get into some common bookshops to
• 1:06:13
  Speaker 11: get noticed. I've been on a crucid now to try
• 1:06:18
  Speaker 11: to see if I could get in with some influencers,
• 1:06:20
  Speaker 11: get on as much shows as possible, get because the
• 1:06:25
  Speaker 11: more you are seeing, uh, the better you will you
• 1:06:28
  Speaker 11: know you will do. And that's that's that's the crutch
• 1:06:32
  Speaker 11: of the thing. You need to you need to need
• 1:06:35
  Speaker 11: more funds. We can't we can't just getter to the
• 1:06:39
  Speaker 11: same or look towards the same market.
• 1:06:44
  Speaker 4: We have to kind of bring that that's criticalos to
• 1:06:50
  Speaker 4: That's so, so what the hurdle, The biggest hurdle is
• 1:07:00
  Speaker 4: money to opportise on marketing. See gokay go to this kickstarter.
• 1:07:09
  Speaker 4: People go to this kickstarter.
• 1:07:14
  Speaker 10: There's no reason why you only have sixty people following
• 1:07:19
  Speaker 10: it in general, but especially for the notification for launch.
• 1:07:25
  Speaker 11: Yeah, and all those people who bocked my previous campaigns,
• 1:07:30
  Speaker 11: have you been a member of you if you've supported
• 1:07:33
  Speaker 11: me in the past, On this Kickstarter, you get stuff
• 1:07:37
  Speaker 11: for free. So we're going to try to create that
• 1:07:41
  Speaker 11: like reward people for staying the wrong and healthy. So
• 1:07:46
  Speaker 11: so for the physical you will get free stickers.
• 1:07:48
  Speaker 4: That will be the only you know, for you.
• 1:07:51
  Speaker 11: We're going to do things like digit For the digital rewards,
• 1:07:55
  Speaker 11: you'll probably do a digital poster. But I want to
• 1:07:58
  Speaker 11: try to give back for all those people who have
• 1:08:01
  Speaker 11: helped the boss campaigns.
• 1:08:05
  Speaker 5: So for though the kickstarter is in the chat, I'm
• 1:08:08
  Speaker 5: showing it on the screen. Go get that, Go get
• 1:08:12
  Speaker 5: that notification. I got mined up on the other screen
• 1:08:15
  Speaker 5: because I'm yes, uh, I'm locked in, i am locked in.
• 1:08:21
  Speaker 5: I'm I'm sorry. I love It's nothing. I love your kickstarter.
• 1:08:24
  Speaker 5: I love a good project that's within the kickstarter. Thank you,
• 1:08:29
  Speaker 5: you know.
• 1:08:30
  Speaker 3: And when I.
• 1:08:32
  Speaker 4: If you see something good and you want more of
• 1:08:36
  Speaker 4: the good, go get it.
• 1:08:39
  Speaker 9: Support it foundation.
• 1:08:42
  Speaker 12: Guess what you don't have to leave your house. Gas
• 1:08:44
  Speaker 12: is five dollars a gallon. Get go, get go, put
• 1:08:52
  Speaker 12: your money there. Hey what tomorrow?
• 1:08:55
  Speaker 5: What I can't remember what they're doing a whole blackout
• 1:08:58
  Speaker 5: tomorrow for businesses across the country. You know, no work,
• 1:09:02
  Speaker 5: no school, no nothing, just to prove a point to
• 1:09:04
  Speaker 5: the to the to the quote unquote impressors.
• 1:09:08
  Speaker 4: Go support this kick started. That's what you could do.
• 1:09:12
  Speaker 4: Put your put your efforts there too.
• 1:09:16
  Speaker 5: You get to sit back, not go to work, and
• 1:09:19
  Speaker 5: support somebody that's putting out good work for good people
• 1:09:23
  Speaker 5: to go make good more good work.
• 1:09:25
  Speaker 4: That's crazy that we got to do this to y'all people.
• 1:09:32
  Speaker 5: Lady Mandlord said she's gonna come down from this ship
• 1:09:35
  Speaker 5: and and I mean I'm more than inclined to allow
• 1:09:38
  Speaker 5: her to do so.
• 1:09:39
  Speaker 4: Uh and and allows a portrait of words because.
• 1:09:44
  Speaker 5: We are uh.
• 1:09:47
  Speaker 9: I already I already jumped out.
• 1:09:52
  Speaker 4: It was like they're gonna be script please get her
• 1:09:55
  Speaker 4: off now.
• 1:09:57
  Speaker 9: You wanted every little every all.
• 1:10:01
  Speaker 4: Right, take it.
• 1:10:04
  Speaker 2: So.
• 1:10:05
  Speaker 5: Uh So, Nigel, we're gonna take a quick break and
• 1:10:09
  Speaker 5: we're gonna talk about a couple of trailers and the boys.
• 1:10:13
  Speaker 5: Uh so, can you stick around, stick around. All right,
• 1:10:16
  Speaker 5: all right, well, so we're gonna take a quick break.
• 1:10:18
  Speaker 5: We'll be right back with our guess, Migie Lynch, and
• 1:10:21
  Speaker 5: we're gonna take out. When we come back, we're gonna
• 1:10:23
  Speaker 5: check out two trailers and see how everybody thinks about
• 1:10:27
  Speaker 5: those is that's one of them is actually kind of
• 1:10:30
  Speaker 5: funny and one of them is prett damn dark.
• 1:10:32
  Speaker 4: But we'll be right back.
• 1:10:59
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• 1:13:05
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• 1:13:06
  Speaker 13: to DC that some kids us that song too, Like
• 1:13:12
  Speaker 13: we've been using it for six years now.
• 1:13:14
  Speaker 4: As long as we're not the Red Team, that man's
• 1:13:17
  Speaker 4: sun will not come after you know.
• 1:13:20
  Speaker 5: Yeah, oh man, so so far into the building, my
• 1:13:26
  Speaker 5: co producer, we got a little news. So once again
• 1:13:42
  Speaker 5: we've gotten another resident Evil trailer. This one is actually
• 1:13:48
  Speaker 5: for a film. It looks like I am not a
• 1:13:52
  Speaker 5: fan of the video games for a particular reason. I
• 1:13:55
  Speaker 5: refuse to play them joints at night. I'm not a
• 1:13:58
  Speaker 5: fool in the dark. I don't give damn what to say.
• 1:14:01
  Speaker 5: I don't now putting my jodling through unnecessary heart racing.
• 1:14:06
  Speaker 3: Uh.
• 1:14:07
  Speaker 5: But here's the trouble for a resident evil.
• 1:14:18
  Speaker 4: Hello, I had a little bit of a problem on
• 1:14:23
  Speaker 4: the road. I was wondering if I could use your phone.
• 1:14:28
  Speaker 5: Hello.
• 1:14:37
  Speaker 4: Yes, Sorry, okay, okay, okay, you have my attention.
• 1:14:47
  Speaker 5: I'm sorry.
• 1:14:51
  Speaker 4: You have I don't know that you have it. You
• 1:14:53
  Speaker 4: have it with weapons.
• 1:14:54
  Speaker 3: Sorry that we disconnected earlier, but.
• 1:14:58
  Speaker 4: Some things that then.
• 1:15:06
  Speaker 14: I'm in lega seriously fucked up situation right now, and
• 1:15:16
  Speaker 14: it looks like there's a chance that we might not
• 1:15:18
  Speaker 14: get to talk to each other again.
• 1:15:23
  Speaker 4: Yeah, I'm good, I'm good. I don't I don't need
• 1:15:25
  Speaker 4: that type of action. I don't need that. Nope, nope,
• 1:15:33
  Speaker 4: mm hm.
• 1:15:34
  Speaker 5: I just want to do her.
• 1:15:35
  Speaker 9: No, how was this president?
• 1:15:38
  Speaker 4: And I'm not about what movie?
• 1:15:47
  Speaker 9: I'm kind of one. I'm gonna watch this.
• 1:15:54
  Speaker 7: I'm not gonna do I might.
• 1:15:55
  Speaker 4: Watch it, you know, mm hmm. Now I'm good.
• 1:15:58
  Speaker 5: I guess.
• 1:16:02
  Speaker 9: I'm watch I watch I forgot why I don't like him?
• 1:16:07
  Speaker 7: Did you see weapons. What I think he's in weapons?
• 1:16:11
  Speaker 10: No, No, he was at He was a pure bred
• 1:16:15
  Speaker 10: asshole in something and I do not like him. I
• 1:16:18
  Speaker 10: remember his face, but I do not remember what he did.
• 1:16:21
  Speaker 5: Let me look, let me real quick, hold on, I'm sorry,
• 1:16:23
  Speaker 5: but legs and arms coming out of the darkened doorway.
• 1:16:27
  Speaker 4: That's forgot me. The legs coming up the doorway, Like
• 1:16:30
  Speaker 4: I'm sorry.
• 1:16:31
  Speaker 7: Anybody played.
• 1:16:33
  Speaker 4: No, but I would have said I would have seen
• 1:16:35
  Speaker 4: for a movie of that.
• 1:16:36
  Speaker 7: If you played seven The Baker Family.
• 1:16:40
  Speaker 8: If no, if you're playing at seven the Baker Family,
• 1:16:45
  Speaker 8: this is the vibes that I'm getting from this trailer.
• 1:16:48
  Speaker 9: Wait, is this one where they where they stole the
• 1:16:50
  Speaker 9: kids or something like that? They knocked off the.
• 1:16:52
  Speaker 5: White or something.
• 1:16:53
  Speaker 7: It was a kind of situation that was that was village.
• 1:16:57
  Speaker 7: Okay when you're talking about this.
• 1:16:59
  Speaker 4: Is the word. Yeah, Village is a sequel to seven seven.
• 1:17:05
  Speaker 7: Yeah, they rebooted that. That's the one that they had
• 1:17:07
  Speaker 7: that year that everybody was talking about.
• 1:17:09
  Speaker 8: There was a demo on the floor at E three
• 1:17:11
  Speaker 8: that was making everybody like ship their pants and it
• 1:17:15
  Speaker 8: was called Resident Evil Kitchen, which was a small yeah
• 1:17:20
  Speaker 8: of the Resident Evil at the beginning of seven, and
• 1:17:25
  Speaker 8: they were doing it in VR I think yeah, and
• 1:17:28
  Speaker 8: everybody was like, oh, ship, this game is scary.
• 1:17:31
  Speaker 7: So they rebooted the franchise more or less with seven.
• 1:17:35
  Speaker 4: Exactly. Well, this is this is her fields.
• 1:17:41
  Speaker 7: I love the franchise.
• 1:17:43
  Speaker 8: I It's one of the first things I ever played
• 1:17:45
  Speaker 8: as a kid, and to this day I'm still playing it.
• 1:17:49
  Speaker 5: Nigel, I don't know how you feel about to play
• 1:17:55
  Speaker 5: Resident I had. I played the first Resident Evil right
• 1:17:59
  Speaker 5: up from one. Two of the directors cut all the
• 1:18:03
  Speaker 5: way up to six. And when I used to play
• 1:18:07
  Speaker 5: Resident Evil as a kid, I can remember where every
• 1:18:11
  Speaker 5: single item was so I could. I used tosk how
• 1:18:14
  Speaker 5: much I used to play. I used to play it
• 1:18:16
  Speaker 5: to the point where it's again the highest rank.
• 1:18:18
  Speaker 4: In the game.
• 1:18:20
  Speaker 11: But the older series and movies I kind of fell
• 1:18:22
  Speaker 11: off of them. But this looks interesting, this looks this
• 1:18:25
  Speaker 11: looks good.
• 1:18:26
  Speaker 5: You see, I played I played more. I played one,
• 1:18:30
  Speaker 5: and I think I played three because my brother had
• 1:18:32
  Speaker 5: three on his system. And yeah, when you have a
• 1:18:35
  Speaker 5: flashlight number one and it decides to flicker and you walk.
• 1:18:40
  Speaker 4: Into something and I'm just like, I'm like, no, I'm
• 1:18:42
  Speaker 4: good by I have that too, you know what it is?
• 1:18:48
  Speaker 4: Seven game around. I'm like, oh, this look is great.
• 1:18:50
  Speaker 6: I'm like, I don't know none of the lower because
• 1:18:52
  Speaker 6: I know six made a lot of people like throw
• 1:18:54
  Speaker 6: they controls, and I'm like, this is god off.
• 1:18:56
  Speaker 4: I'm never coming back to this franchise.
• 1:18:58
  Speaker 7: That's why I.
• 1:18:59
  Speaker 9: Don't like the little motherfucker.
• 1:19:01
  Speaker 10: I'm sorry, walking fucking dead and he was dating for
• 1:19:05
  Speaker 10: he was a piece of ship and walking.
• 1:19:07
  Speaker 9: Fucking dead, the little motherfucker. I'm watched this ship. I
• 1:19:10
  Speaker 9: want to see him get his ship rock. I'm in,
• 1:19:13
  Speaker 9: I'm locked in.
• 1:19:13
  Speaker 12: You got me, you got me.
• 1:19:15
  Speaker 6: Well, apparently, apparently this takes place in the actual movies
• 1:19:18
  Speaker 6: that we've had all these years.
• 1:19:20
  Speaker 4: This takes place between I think the first and second
• 1:19:22
  Speaker 4: one with the Redhead Lady.
• 1:19:24
  Speaker 8: What I'm hearing all this discourse about how this movie
• 1:19:29
  Speaker 8: doesn't seem like it fits in the ri Apparently words,
• 1:19:34
  Speaker 8: but now that did the other games with other movies
• 1:19:36
  Speaker 8: with Milajoviovic, they.
• 1:19:37
  Speaker 4: Just was Apparently.
• 1:19:42
  Speaker 6: Apparently though this is happening in the same round as
• 1:19:44
  Speaker 6: those movies, but we're just following some random civilian near
• 1:19:48
  Speaker 6: the outbreak of Raccoon City. Hence why he's just all
• 1:19:51
  Speaker 6: over the place and seeing crazy shit. So I don't
• 1:19:54
  Speaker 6: think we're following anything important. It's just, hey, let's see
• 1:19:57
  Speaker 6: how long you live, Buddy's.
• 1:20:00
  Speaker 8: Anyone felt that the offerings from movies and films this
• 1:20:03
  Speaker 8: year has been exceptionally high or heavy.
• 1:20:07
  Speaker 4: Oh yeah, oh the whole years.
• 1:20:10
  Speaker 5: That's because that's because they seen what Sinners did, and
• 1:20:14
  Speaker 5: they seen what Weapons did, and they said we need that,
• 1:20:19
  Speaker 5: and we said, bitch, you're late.
• 1:20:22
  Speaker 4: We knew that.
• 1:20:23
  Speaker 9: Not only are you late, but you're not original, like
• 1:20:26
  Speaker 9: we know.
• 1:20:26
  Speaker 10: I'm gonna give it to them. So Resident Evil this
• 1:20:30
  Speaker 10: seems like an original idea. Thank fucking Christ about God
• 1:20:33
  Speaker 10: human time. So that's three for three so far this
• 1:20:36
  Speaker 10: Oh no, no, Sinners came out last year. Oh that
• 1:20:39
  Speaker 10: was years since we had Sinners. Oh no, yeah, were
• 1:20:41
  Speaker 10: actually starving us a little bit. I'm not gonna hold you.
• 1:20:44
  Speaker 9: Yeah.
• 1:20:44
  Speaker 6: So so Resident Evil world, but giving us just an
• 1:20:48
  Speaker 6: alternative story of just someone stuck in it in the
• 1:20:51
  Speaker 6: midst of whatever outbreak days. I know there was all
• 1:20:56
  Speaker 6: Raccoon City games that are not a lot of people
• 1:20:58
  Speaker 6: dumped onto. Yes, yeah, exactly, but I mean I'm not
• 1:21:06
  Speaker 6: a residental person. But it seems like they got a
• 1:21:07
  Speaker 6: little bit of like almost like weapon wheel and progression
• 1:21:10
  Speaker 6: in there too.
• 1:21:11
  Speaker 4: I saw the little upbrading table for a second. Also,
• 1:21:14
  Speaker 4: how are you? What is the giant? Why is the
• 1:21:16
  Speaker 4: giant man from Blade one in the sewer?
• 1:21:18
  Speaker 5: What was that about?
• 1:21:21
  Speaker 7: Why do we have bloaters?
• 1:21:24
  Speaker 4: That's the first thing. That is one of the first
• 1:21:26
  Speaker 4: things I think of when I see a character like that.
• 1:21:28
  Speaker 4: I'm like, not bloaters. I'm like, that's the dude who
• 1:21:30
  Speaker 4: was crying from Blade when he got like he got
• 1:21:32
  Speaker 4: fried with the.
• 1:21:36
  Speaker 6: I'm like, that's one of the first things I remember
• 1:21:39
  Speaker 6: getting kicked out of the room on.
• 1:21:41
  Speaker 3: He's like, fuck you.
• 1:21:43
  Speaker 5: I'm like, you're in a position to say anything right now.
• 1:21:47
  Speaker 5: Give information he wants? That is.
• 1:21:51
  Speaker 6: That was my dad's favorite movie, but I was like five,
• 1:21:53
  Speaker 6: so every time I walked in it was either that
• 1:21:55
  Speaker 6: or motherfucker, have you lost your damn mine. I'd run
• 1:22:01
  Speaker 6: that movie back just for the hell of it. But like, yeah, yeah,
• 1:22:04
  Speaker 6: I'm curious to see how what this dude's getting slung around.
• 1:22:07
  Speaker 6: It seems the whole movie.
• 1:22:08
  Speaker 4: So I'm curious what plot armor gave me.
• 1:22:10
  Speaker 5: For two hours?
• 1:22:11
  Speaker 6: What plot armor does this kid get for two hours.
• 1:22:14
  Speaker 6: They haven't said, mister X, I was gonna say, ain't
• 1:22:17
  Speaker 6: know what this kid is surviving? Misterress mm hmmm, he said,
• 1:22:23
  Speaker 6: is that the little boy they found in that town?
• 1:22:25
  Speaker 6: I think he's talking about from Walk Dead?
• 1:22:28
  Speaker 9: But yeah, yeah, I hope everything he deserves in this bastard,
• 1:22:39
  Speaker 9: we don't.
• 1:22:42
  Speaker 5: Red Rogers said that wasn't a woman. He was probably
• 1:22:45
  Speaker 5: like just looking at the screen.
• 1:22:48
  Speaker 4: Well, whatever whatever this is.
• 1:22:50
  Speaker 6: I mean, it looks I haven't seen any co stars
• 1:22:52
  Speaker 6: or anything in this trailer, so he's gonna be having
• 1:22:54
  Speaker 6: a lot.
• 1:22:55
  Speaker 4: This might be a solo movie with him and everything
• 1:22:57
  Speaker 4: trying to eat him. So look, he made call. We
• 1:23:01
  Speaker 4: made the right call. He's like, yeah, I may not
• 1:23:03
  Speaker 4: see you again.
• 1:23:05
  Speaker 5: What you got?
• 1:23:07
  Speaker 8: Can we talk about the true terror of somebody just
• 1:23:09
  Speaker 8: opening it up your house, walking in and using your phone?
• 1:23:13
  Speaker 4: That too?
• 1:23:14
  Speaker 15: That W privilege fans, that W privilege? Oh real, But
• 1:23:26
  Speaker 15: I'm not a resident evil guy. I just feel like
• 1:23:28
  Speaker 15: I was too late for the games, and honestly, the
• 1:23:30
  Speaker 15: Ult games weren't even scary.
• 1:23:32
  Speaker 4: I just what what the hell with them?
• 1:23:33
  Speaker 6: Camera controls? Like, especially if you played on the N
• 1:23:35
  Speaker 6: sixty four. I'm using this one to aim. I got
• 1:23:38
  Speaker 6: to use the little yellow buttons for the camera and
• 1:23:40
  Speaker 6: then you leave and then the camera angle switches, but
• 1:23:43
  Speaker 6: sh it is still following.
• 1:23:44
  Speaker 4: You think, did thin think? The next room is safety?
• 1:23:47
  Speaker 6: And it's like sight, y'all can open doors and God
• 1:23:49
  Speaker 6: forbid if you had nemphasis on your ass, you were
• 1:23:51
  Speaker 6: just playing tag at that.
• 1:23:52
  Speaker 5: Point, man and somebody.
• 1:23:56
  Speaker 4: I actually seen somebody Residents of Games, right.
• 1:24:01
  Speaker 11: A part of the scary part was you couldn't control
• 1:24:05
  Speaker 11: the character, so you're the panic, right, if you didn't
• 1:24:09
  Speaker 11: have dun't pop, you would panic and used to run
• 1:24:12
  Speaker 11: into a wall and running in circles and.
• 1:24:14
  Speaker 5: That kind of stuff. That's that's that's I don't like
• 1:24:16
  Speaker 5: that feeling.
• 1:24:19
  Speaker 4: The angle would change.
• 1:24:21
  Speaker 11: So when you went into a room, the angle will
• 1:24:23
  Speaker 11: go to angle where you can't see what's coming at
• 1:24:25
  Speaker 11: you and you could just hear footsteps or you or
• 1:24:28
  Speaker 11: whatever and you just turn around and go about you
• 1:24:30
  Speaker 11: the door.
• 1:24:30
  Speaker 4: It's like it used to be really really scary for
• 1:24:34
  Speaker 4: that time.
• 1:24:36
  Speaker 5: I let all my black senses, like I hear a
• 1:24:39
  Speaker 5: weird sound in the darkness, I'm like.
• 1:24:42
  Speaker 4: No, going back to the car. I'll stayed in the
• 1:24:47
  Speaker 4: car for the night. That was.
• 1:24:48
  Speaker 5: I'm good. Uh that's that's yeah. I can't mm hmm
• 1:24:55
  Speaker 5: exactly too. I'll watch it, but I'm not playing the game.
• 1:25:00
  Speaker 5: I'm not doing that.
• 1:25:03
  Speaker 7: I'm low key I want to.
• 1:25:04
  Speaker 9: I kind of want to still play the last game.
• 1:25:06
  Speaker 9: I know it's not that, but I do want to
• 1:25:10
  Speaker 9: play it.
• 1:25:11
  Speaker 5: Look if if if Laney is saying no, you go
• 1:25:15
  Speaker 5: ahead and finish it, that's telling me something.
• 1:25:17
  Speaker 4: And I'm like, look, if it's freaking her out, what
• 1:25:20
  Speaker 4: do I want to deal with it for?
• 1:25:26
  Speaker 9: It's scary to a point, Like watching other people play,
• 1:25:28
  Speaker 9: It's like it's scary to a point and then it
• 1:25:31
  Speaker 9: kind of eases up on.
• 1:25:33
  Speaker 5: Anybody here is watching Doctor Who and they dealt with
• 1:25:35
  Speaker 5: the angels. I'm just like, yeah, no, I'm like, who
• 1:25:39
  Speaker 5: you mean, keep your eyes on them. I gotta see
• 1:25:41
  Speaker 5: what I know. I'm oh my god, what's light this
• 1:25:47
  Speaker 5: up a little bit? I did not expect to see
• 1:25:51
  Speaker 5: this one so soon. I don't know when this drop is.
• 1:25:55
  Speaker 5: But who has ever seen Meet the FOXX?
• 1:26:00
  Speaker 4: You know, I've never seen any of the movies. Yeah, like,
• 1:26:05
  Speaker 4: not for lack of trying. Just never call them.
• 1:26:07
  Speaker 5: It's they're actually good. It's it's typical nineties. It's been
• 1:26:11
  Speaker 5: Spiller in comedy. They now have Foker in law.
• 1:26:17
  Speaker 4: The last one was like little Fockers, wasn't it?
• 1:26:19
  Speaker 5: It was Little Fockers. Don't worry.
• 1:26:25
  Speaker 4: I tested all the potential new family members with this machine.
• 1:26:31
  Speaker 16: Is your name, Olivia Jones?
• 1:26:32
  Speaker 3: Yes?
• 1:26:34
  Speaker 5: You love Henry Foker very much.
• 1:26:37
  Speaker 16: Positive impression of Henry's family so far. Yes, Hey, the
• 1:26:43
  Speaker 16: old machine it's finding to be on the outside, needs
• 1:26:45
  Speaker 16: to be in the hot seat.
• 1:26:46
  Speaker 3: Would you like to ask me some questions?
• 1:26:48
  Speaker 5: Big?
• 1:26:49
  Speaker 3: Okay? Olivia? Do you think I hold Henry emotionally hostage?
• 1:26:52
  Speaker 9: I mean yeah, you call him wee wee?
• 1:26:56
  Speaker 6: Is that like a joke about his we we Oh?
• 1:26:59
  Speaker 16: No, no jokes that Hendry's the little keenness, I mean,
• 1:27:01
  Speaker 16: not little. You probably had more up to date info.
• 1:27:04
  Speaker 16: I haven't seen it for a while, so please stop that.
• 1:27:07
  Speaker 5: All right?
• 1:27:10
  Speaker 3: What do you think of Olivia?
• 1:27:11
  Speaker 6: She's adorable, so smart, good boy.
• 1:27:17
  Speaker 4: He likes you with one sniff.
• 1:27:19
  Speaker 5: Dogs can tell more about a person's character than a
• 1:27:21
  Speaker 5: human cook.
• 1:27:25
  Speaker 16: I don't know if you were aware of right, but
• 1:27:26
  Speaker 16: when we first man, I didn't think you would good
• 1:27:28
  Speaker 16: enough for my pancake.
• 1:27:29
  Speaker 5: Yeah, I didn't notice Olivia's powerhouse.
• 1:27:33
  Speaker 6: People underestimate, But actually I was an FBI hostage negotiator.
• 1:27:38
  Speaker 3: Here comes the airplane.
• 1:27:40
  Speaker 6: I called the strings of the hostage takers, like strategic
• 1:27:43
  Speaker 6: emotional puppetry.
• 1:27:44
  Speaker 3: That's how I'm gonna free Henry from you.
• 1:27:45
  Speaker 4: Greg.
• 1:27:48
  Speaker 3: Oh my god, Oh my god, Olivia to marry me?
• 1:28:00
  Speaker 3: What are you sure she's the one?
• 1:28:03
  Speaker 5: Dad?
• 1:28:05
  Speaker 3: Why I'm a little worried about Henry.
• 1:28:08
  Speaker 16: He's so innocent, and she's trained to manipulate people.
• 1:28:11
  Speaker 3: I love the links that you go to for your
• 1:28:13
  Speaker 3: miss Booker, Miss Bucher. That means family in Yiddish. I
• 1:28:17
  Speaker 3: know I'm not sad.
• 1:28:20
  Speaker 6: I'm considering inviting Olivia into the circle of trust.
• 1:28:22
  Speaker 3: Look at the guns on this guy.
• 1:28:27
  Speaker 6: You can't just waltz in there.
• 1:28:29
  Speaker 3: I work my ass off to get in there.
• 1:28:32
  Speaker 5: Showed me an interesting weekend in the end.
• 1:28:37
  Speaker 9: It Bracey.
• 1:28:52
  Speaker 5: I thought this would be an opportunity to get to.
• 1:28:54
  Speaker 3: Know me, to bond. How do you bond with an
• 1:28:55
  Speaker 3: emotional puppeteer. I won't be your little Pinocchio Geppetto, old Geppetto.
• 1:29:03
  Speaker 5: I'm a real boy.
• 1:29:07
  Speaker 3: He doesn't matter with you, fucker.
• 1:29:12
  Speaker 5: Oh that's the way it's off.
• 1:29:14
  Speaker 4: So they brought that out like that was this summer,
• 1:29:17
  Speaker 4: that's the ways.
• 1:29:17
  Speaker 9: Off seven months or actually tomorrow.
• 1:29:24
  Speaker 4: Yes, tomorrow, tomorrow. I'll remind y'all at this the beginning
• 1:29:28
  Speaker 4: of the month. Don't worry.
• 1:29:31
  Speaker 5: No, So in too far as case, Yes, this is
• 1:29:33
  Speaker 5: what the third in that franchise because it starts out
• 1:29:39
  Speaker 5: with Ben Stiller getting introduced.
• 1:29:41
  Speaker 4: To Robert de Niro, who's the father of his wife.
• 1:29:45
  Speaker 9: This is the fourth.
• 1:29:46
  Speaker 4: I think it might be the fourth, yeah, yeah, because
• 1:29:48
  Speaker 4: I think Little Foker's was the third.
• 1:29:51
  Speaker 6: Yeah, and then I think I remember hearing of these
• 1:29:55
  Speaker 6: movies and I was doing I just never saw all
• 1:29:57
  Speaker 6: of it.
• 1:29:58
  Speaker 5: It's your typical if you you know Ben Stiller and
• 1:30:01
  Speaker 5: watching Stellar films, it's typical big stealer, which it makes
• 1:30:05
  Speaker 5: it funny, and I generally like those types of comedies.
• 1:30:09
  Speaker 5: His father Peace, His father was hilarious. He was his
• 1:30:15
  Speaker 5: father was his father played the father to carry on?
• 1:30:23
  Speaker 5: Oh God, Kevin James show when he was the Queens
• 1:30:29
  Speaker 5: King of Queens. Yeah, so and he was the father
• 1:30:34
  Speaker 5: from George could standalone on side Field. I forget he
• 1:30:37
  Speaker 5: was on there.
• 1:30:40
  Speaker 4: Yeah that's real. Yeah, that's a real problem. So Jerry. Yeah,
• 1:30:45
  Speaker 4: Jerry Steeller, dude was dude was hilarious. That damn Glinda
• 1:30:50
  Speaker 4: hurting a happy home once again. I will get you.
• 1:30:53
  Speaker 4: I will tell you this.
• 1:30:54
  Speaker 5: She looks like she put some weight back on it
• 1:30:58
  Speaker 5: because that wholes with Wicked. The first one was one thing.
• 1:31:03
  Speaker 5: By the time they got to the second one, I'm like,
• 1:31:04
  Speaker 5: what she She was already a small thing to begin with.
• 1:31:09
  Speaker 5: Ariana was already she's already small frame. But it looks
• 1:31:14
  Speaker 5: like folks. Folks was concerned.
• 1:31:17
  Speaker 6: But I mean I think the movies was back to
• 1:31:19
  Speaker 6: back along with the tour, so it's probably taken a
• 1:31:21
  Speaker 6: lot out of her.
• 1:31:23
  Speaker 4: Yeah, she's actually quite right. A couple of those, yeah,
• 1:31:29
  Speaker 4: I know that is. And now that came out. She's
• 1:31:34
  Speaker 4: actually funny.
• 1:31:34
  Speaker 5: If you've seen her on Saturday Night, like, well, she's
• 1:31:37
  Speaker 5: she comes from that kind of sketch comedy type things
• 1:31:42
  Speaker 5: because she was on she's a nickelapeon kid. Uh it's
• 1:31:46
  Speaker 5: but she actually can like hang with them when it
• 1:31:48
  Speaker 5: comes to sketch comedy. So she's actually pretty funny.
• 1:31:53
  Speaker 4: You know.
• 1:31:53
  Speaker 6: I think her era shows just wasn't for me when
• 1:31:56
  Speaker 6: I came in, Like, I feel like a lot of
• 1:31:57
  Speaker 6: this stuff is kind of on its way out.
• 1:32:02
  Speaker 7: I don't know.
• 1:32:02
  Speaker 6: I feel like I got to R Carley and I
• 1:32:04
  Speaker 6: feel like her show showed up just a little too late. Like, uh, again,
• 1:32:10
  Speaker 6: we get our acting chops are there, but it's also
• 1:32:12
  Speaker 6: we don't really get too much where it's the dad
• 1:32:14
  Speaker 6: and the potential daughter in law going at it. So
• 1:32:18
  Speaker 6: interesting being taken here. Yeah, thoughts from the rest of
• 1:32:22
  Speaker 6: the panel.
• 1:32:25
  Speaker 7: I'm gonna watch it. I'm always down for a cute
• 1:32:27
  Speaker 7: little comedy.
• 1:32:29
  Speaker 5: Okay, we need we need, we need some of that,
• 1:32:32
  Speaker 5: you know, especially especially after we just got a good
• 1:32:35
  Speaker 5: showing for you me and Tuscan.
• 1:32:37
  Speaker 4: Thank god it did as well as it did.
• 1:32:40
  Speaker 6: So oh yeah, some of you asked earlierbout his god
• 1:32:43
  Speaker 6: is go to our uploads. We actually reacted to that
• 1:32:45
  Speaker 6: last episode and that's up now. But Nigel, do you
• 1:32:52
  Speaker 6: have any thing with the watch it when it comes
• 1:32:55
  Speaker 6: to streaming. Yeah, look, that's my parents with every movie
• 1:32:59
  Speaker 6: now my dad will see and again it's not the
• 1:33:01
  Speaker 6: dates aren't right there on the trailer, but that's my
• 1:33:03
  Speaker 6: dad now all the time.
• 1:33:04
  Speaker 4: When that's coming up.
• 1:33:05
  Speaker 6: Did you see the dates? I gotta lead a house
• 1:33:07
  Speaker 6: and can I go to the movie swear to God
• 1:33:12
  Speaker 6: when it comes to movies. When it comes to movies,
• 1:33:15
  Speaker 6: that is my parents. It's the pandemic.
• 1:33:17
  Speaker 4: My mom does not leave the house saying wait, I
• 1:33:20
  Speaker 4: gotta leave the house.
• 1:33:23
  Speaker 6: It really and really he's asking for my mother, my dad.
• 1:33:25
  Speaker 6: My dad's guilty pleasure is popcorn for some reason. So
• 1:33:30
  Speaker 6: that's and even even if we don't, even if he
• 1:33:32
  Speaker 6: doesn't go with its hotels, give me a small bag
• 1:33:34
  Speaker 6: on the way home, but he'll ask my mom's mat.
• 1:33:37
  Speaker 6: We gotta leave a house with just the Jamaican teas,
• 1:33:42
  Speaker 6: all right, all right, we just wait for.
• 1:33:47
  Speaker 4: To come to streaming.
• 1:33:49
  Speaker 6: So the only movie they broke that code for was
• 1:33:51
  Speaker 6: Sinters and that's because I took him to an early
• 1:33:53
  Speaker 6: screening and then they went like five.
• 1:33:59
  Speaker 4: It was just like job is done.
• 1:34:00
  Speaker 5: Is try to like now we're good, Like we did
• 1:34:03
  Speaker 5: our limit, we did our we went to we went
• 1:34:05
  Speaker 5: out five times and skill the same movie. We don't
• 1:34:08
  Speaker 5: need to go out anymore. We're good.
• 1:34:09
  Speaker 6: All the money that we were we weren't getting target
• 1:34:11
  Speaker 6: and saved from Costco and went to the movie No
• 1:34:16
  Speaker 6: but but Ben Stiller has forever got it. It also
• 1:34:20
  Speaker 6: looked the same forever minus the hair, So I don't know,
• 1:34:23
  Speaker 6: maybe if if it's accessible, I will finally go through
• 1:34:25
  Speaker 6: the Foccer franchise, which.
• 1:34:29
  Speaker 4: Hilarious.
• 1:34:29
  Speaker 6: As a child, they just played with the F bomb
• 1:34:31
  Speaker 6: and the title like loosely for twenty years and no
• 1:34:35
  Speaker 6: one's ever said.
• 1:34:36
  Speaker 4: Anything very loosely. Very loosely, they played with their last name.
• 1:34:44
  Speaker 4: All right.
• 1:34:45
  Speaker 5: So episode five of The Boys spoiler alert, we're doing
• 1:34:57
  Speaker 5: it tonight, folks.
• 1:35:02
  Speaker 4: M H. Lady man.
• 1:35:05
  Speaker 5: The Lord is currently looking at it.
• 1:35:11
  Speaker 4: It's it's very meta. It is a very meta episode
• 1:35:16
  Speaker 4: for for several reasons.
• 1:35:20
  Speaker 9: That's the word.
• 1:35:20
  Speaker 3: Do you want to use?
• 1:35:21
  Speaker 9: Meta?
• 1:35:25
  Speaker 5: I mean it's.
• 1:35:28
  Speaker 4: They did say.
• 1:35:30
  Speaker 5: They did say, they said somebody major is going to die,
• 1:35:34
  Speaker 5: and where I'm like, well, which one was the major? Uh?
• 1:35:39
  Speaker 4: There was some major people that die. I would just say.
• 1:35:43
  Speaker 6: As far as the agent, to hell with that man
• 1:35:47
  Speaker 6: for all of the casts, because Derwin Davis and the
• 1:35:49
  Speaker 6: friends in the game, he always plays a scummy agent
• 1:35:53
  Speaker 6: and always does it so well, Like.
• 1:35:57
  Speaker 4: Every single time I see him, I'm like, he's up
• 1:36:01
  Speaker 4: to no good. He was like, he just gives scum like.
• 1:36:08
  Speaker 6: Also, last episode was Starlight's Brother, you know, being all
• 1:36:12
  Speaker 6: red Pill bro coded but wearing a Chromocopia hoodie and
• 1:36:15
  Speaker 6: ask you.
• 1:36:16
  Speaker 4: As Tyler the Creator.
• 1:36:17
  Speaker 6: As Tyler the Creator is actively in a Homelander prison
• 1:36:20
  Speaker 6: and honestly in.
• 1:36:21
  Speaker 4: This universe, so so much of that.
• 1:36:26
  Speaker 5: Speaking of the agent who's actually in the Boys, he's
• 1:36:29
  Speaker 5: the director.
• 1:36:30
  Speaker 4: He was the director of this Dawn of the Seven.
• 1:36:33
  Speaker 5: And he they they fired him, of course, but he
• 1:36:38
  Speaker 5: is moonlighting as a director for play and Black Noir.
• 1:36:43
  Speaker 5: Who's an actor who has to play with Black Mair too,
• 1:36:47
  Speaker 5: I should say, has to play Black Noir. And he
• 1:36:52
  Speaker 5: can really only get his his his gift out when
• 1:36:56
  Speaker 5: he's on stage, so he's secretly going in trying you know,
• 1:37:00
  Speaker 5: he's not even trying out. He's in this play. He's
• 1:37:02
  Speaker 5: playing one of the Gift brothers. I think he's playing
• 1:37:05
  Speaker 5: Barry Give if I'm not mistaken.
• 1:37:08
  Speaker 6: Yeah, I wasn't sure who he was trying to be,
• 1:37:10
  Speaker 6: but yeah, yeah, I think they also can a Tran's movie.
• 1:37:14
  Speaker 6: You do you really want to be out here slinging
• 1:37:16
  Speaker 6: dope for game bangers? That movie got got canned?
• 1:37:21
  Speaker 4: It is it is in the vot vaults with Batgirl
• 1:37:29
  Speaker 4: Sister Sage.
• 1:37:30
  Speaker 5: We need to have a word.
• 1:37:32
  Speaker 4: I need answers on that. Yeah, it's just all because
• 1:37:37
  Speaker 4: on Leander.
• 1:37:38
  Speaker 6: Basically, you should have just left her in her house
• 1:37:40
  Speaker 6: eating hilopas and reading books, is what I'm understanding.
• 1:37:44
  Speaker 5: And she seemed to be fine until he casually walks
• 1:37:47
  Speaker 5: his way in there, and that's all she wants to do.
• 1:37:50
  Speaker 5: But she gave a reason why she was like, in
• 1:37:54
  Speaker 5: so many words, you sons of bitches are crazy. I
• 1:37:58
  Speaker 5: could care less about anybody. I would rather be reading
• 1:38:02
  Speaker 5: books in eating tackle bell And I'm like, number one,
• 1:38:05
  Speaker 5: that's not a good mix. I don't give damn who
• 1:38:07
  Speaker 5: you are.
• 1:38:12
  Speaker 6: I mean, I'm trying to figure out when she came
• 1:38:14
  Speaker 6: up with this plan, because she's been saying phase two
• 1:38:16
  Speaker 6: for a minute.
• 1:38:18
  Speaker 4: They bad, Yes, they.
• 1:38:22
  Speaker 6: Because a trade went rogue and I guess they were
• 1:38:24
  Speaker 6: still doing post off on his movie.
• 1:38:33
  Speaker 5: Oh my god.
• 1:38:34
  Speaker 6: He's constantly disappointed me with her choices of that. And again,
• 1:38:37
  Speaker 6: you were you were planning to do all this with
• 1:38:39
  Speaker 6: the Nazi.
• 1:38:40
  Speaker 4: Boy, Like that was that was the plan here? Like,
• 1:38:46
  Speaker 4: don't I don't know if he wants to be just
• 1:38:49
  Speaker 4: hidden away, locked away with a dark ad all his time,
• 1:38:52
  Speaker 4: Like I don't like you. You see what air this
• 1:38:54
  Speaker 4: man came from? Right, like, I don't.
• 1:39:01
  Speaker 5: Now. I want Nigel's point of view before we go further.
• 1:39:03
  Speaker 5: I want Nigel's point of view for what we discussed
• 1:39:05
  Speaker 5: so far, between the director being getting attacked by an
• 1:39:11
  Speaker 5: eel in the toilet, the I'm like, that is the
• 1:39:18
  Speaker 5: I thought they were. That's the worst way to go, Like,
• 1:39:22
  Speaker 5: I'll go ahead, go ahead.
• 1:39:26
  Speaker 11: The Boys is a show that always kinds of nothing
• 1:39:30
  Speaker 11: doesn't surprising me because of it.
• 1:39:33
  Speaker 4: It's kind of built on that shock value.
• 1:39:35
  Speaker 11: Why what kind of like about this episode was I
• 1:39:39
  Speaker 11: was directed, they kind of switch it up, so they
• 1:39:43
  Speaker 11: did it where they did it in open Yette. Yeah,
• 1:39:46
  Speaker 11: it kind of made it feel a little different at
• 1:39:48
  Speaker 11: it kind of kind of had a little bit tense
• 1:39:51
  Speaker 11: because you wonder what was going to happen.
• 1:39:54
  Speaker 4: Uh, because I.
• 1:39:54
  Speaker 11: Don't have to watch previews or repreviews. That's kind of
• 1:39:58
  Speaker 11: wat Yeah, I didn't know anything that's going to die
• 1:40:02
  Speaker 11: or whatever it was. I didn't know anything, but I
• 1:40:05
  Speaker 11: didn't have that impending dude. As the shows tends to change,
• 1:40:09
  Speaker 11: and it's once you start to hear that kind of
• 1:40:12
  Speaker 11: historical music playing in the background, you know that home
• 1:40:15
  Speaker 11: Man's becoming more and more unhinged.
• 1:40:18
  Speaker 5: Man so that's the word.
• 1:40:22
  Speaker 4: Sure is the show is.
• 1:40:25
  Speaker 11: It is kind of playing into its strengths of what
• 1:40:28
  Speaker 11: it's what's designed to do. So you know, I'm kind
• 1:40:33
  Speaker 11: of looking forward to seeing how they kind of thing.
• 1:40:37
  Speaker 6: Yeah, that's That's really where I'm at after this episode
• 1:40:41
  Speaker 6: is depending on how we stick this landing will really
• 1:40:46
  Speaker 6: determine how well we use the run time of each episode.
• 1:40:51
  Speaker 6: I feel like between this episode and last episode, I
• 1:40:55
  Speaker 6: feel like we're slightly getting set ups for the prequel show,
• 1:40:59
  Speaker 6: which I mean, once the main series is over, why
• 1:41:02
  Speaker 6: do we need to see what's going on with Soldier
• 1:41:06
  Speaker 6: Boy previously? Which I love his character. I think he's hilarious.
• 1:41:09
  Speaker 6: And he's seen Winchester dialed up to flight twenty.
• 1:41:15
  Speaker 4: That's who he is.
• 1:41:16
  Speaker 5: That's when you sit back and you watch Soldier Boy.
• 1:41:20
  Speaker 5: The things he says, even being Winchester wouldn't say, but
• 1:41:25
  Speaker 5: he has the snarkiness and it's just dialed up. Like
• 1:41:30
  Speaker 5: you wouldn't hear Dean talk about a ball of cocaine.
• 1:41:34
  Speaker 4: You wouldn't.
• 1:41:34
  Speaker 5: You wouldn't, But the way he's saying it, I'm like,
• 1:41:39
  Speaker 5: I since Dean Winchester, it's just dialed up.
• 1:41:42
  Speaker 4: It was just like, no holds, the guards are off,
• 1:41:46
  Speaker 4: Like everything's off with this dude. And just.
• 1:41:53
  Speaker 5: What I mean by meta is the scene where you're
• 1:41:58
  Speaker 5: right before we get to that You're right, Nigel. The
• 1:42:01
  Speaker 5: vignette style we did this episode was actually pretty good.
• 1:42:04
  Speaker 4: Yeah, you know, it very much reminded like and I
• 1:42:07
  Speaker 4: saw a lot of people confused.
• 1:42:09
  Speaker 6: I kind of clocked it immediately after we got done
• 1:42:11
  Speaker 6: with Firecrackers. I'm like, okay, I'm not trying to see
• 1:42:16
  Speaker 6: a whole episode of just you. But the second we
• 1:42:17
  Speaker 6: cut back, I was like, oh, so we're doing like
• 1:42:19
  Speaker 6: the movie Vantage Point where we just like we hit reset.
• 1:42:22
  Speaker 5: At the same point and then somebody was struggling with
• 1:42:25
  Speaker 5: the their their faith and their identity. I'm like, I'm
• 1:42:32
  Speaker 5: like girl.
• 1:42:37
  Speaker 6: Lost, and look at this point, the proper plays to
• 1:42:42
  Speaker 6: make soldier boys say, all the ship you want, He's
• 1:42:44
  Speaker 6: the only person who can thank it hits or lasers
• 1:42:46
  Speaker 6: from the sun, because everybody else is clearly scared, like
• 1:42:53
  Speaker 6: and clearly you just don't know what you want at
• 1:42:55
  Speaker 6: this point from anybody.
• 1:42:59
  Speaker 4: She keeps fu.
• 1:43:00
  Speaker 10: She's playing to whoever gets her the most of what
• 1:43:03
  Speaker 10: she wants, and that's playing to the people in Tower
• 1:43:08
  Speaker 10: but now look at you.
• 1:43:09
  Speaker 4: Well, I mean, oh, I mean Homelander.
• 1:43:11
  Speaker 9: But oh, I thought you were talking about Firecracker.
• 1:43:13
  Speaker 4: I'm sorry, I lost the he started off with Firecracker.
• 1:43:16
  Speaker 6: Yeah, yeah, but I'm saying Homelander because Eve, when they're
• 1:43:18
  Speaker 6: trying to discuss this, I can't be the sun and
• 1:43:20
  Speaker 6: the signs like yeah, this all this gets confused and
• 1:43:22
  Speaker 6: it's like a little bit and then the new Homelander Bibles,
• 1:43:27
  Speaker 6: I'm like, why are we holding off? You didn't you
• 1:43:28
  Speaker 6: pitch this idea, Like yes, Coco for cocoa puffs except
• 1:43:36
  Speaker 6: for Sage, who was Coco for only marshmallow colored people.
• 1:43:42
  Speaker 5: Like, it's so weird. But to see like like Firecracker,
• 1:43:45
  Speaker 5: when you see like her go to her old reverend
• 1:43:49
  Speaker 5: and everything else, and you see her struggling, but then
• 1:43:54
  Speaker 5: she instantly she's not struggling hard enough because she instantly
• 1:43:58
  Speaker 5: just goes along with deploy like and like you said,
• 1:44:01
  Speaker 5: it's part of that, that's fear.
• 1:44:03
  Speaker 4: Yeah, that's bear.
• 1:44:05
  Speaker 11: I would say, I would say it right, a really
• 1:44:07
  Speaker 11: good job of making the character if I rop her
• 1:44:11
  Speaker 11: from the beginning, and within this last episode, they kind
• 1:44:16
  Speaker 11: of did.
• 1:44:17
  Speaker 4: A soft redemption. They kind of felt a little for her.
• 1:44:21
  Speaker 11: Even if you know the city scene when she met
• 1:44:24
  Speaker 11: the reverend in the diner, she had any makeup, so
• 1:44:27
  Speaker 11: she was kind of wrong.
• 1:44:29
  Speaker 4: She was she was coming there almost as her.
• 1:44:32
  Speaker 11: Nakedself to him, and she, as you said, there were
• 1:44:35
  Speaker 11: so many times you could see that she was struggling.
• 1:44:37
  Speaker 11: And there was also a hints about you remember and
• 1:44:40
  Speaker 11: I think it was the last episode Sister Saige or
• 1:44:43
  Speaker 11: it was the the girl with.
• 1:44:45
  Speaker 4: The face at the back of the head, Yeah, I
• 1:44:50
  Speaker 4: think one.
• 1:44:50
  Speaker 11: I told them I can't remember which they said when
• 1:44:52
  Speaker 11: they were hyping up Homeland to be this new Jesus figure.
• 1:44:57
  Speaker 4: She was kind of like, don't you really believe in
• 1:44:59
  Speaker 4: the real Us?
• 1:45:01
  Speaker 11: And because she was surprised that she was kind of
• 1:45:03
  Speaker 11: going along by you said, is that kind of she's
• 1:45:06
  Speaker 11: in fair she wants to power kind of thing, right,
• 1:45:09
  Speaker 11: So she was really struggling if it near the end,
• 1:45:12
  Speaker 11: So it was a it was a nice part, especially
• 1:45:16
  Speaker 11: as I said, a character that when she first came about,
• 1:45:19
  Speaker 11: you kind of wanted to see her just get her
• 1:45:22
  Speaker 11: eyes hurned it to her.
• 1:45:24
  Speaker 5: Yeah, yeah, because the way just watching her go through
• 1:45:28
  Speaker 5: the motions, but still stick with the story that she
• 1:45:34
  Speaker 5: just out of the shear and didn't actually turn her
• 1:45:37
  Speaker 5: back because it's like the reverend that was helping her,
• 1:45:40
  Speaker 5: you know, and he's like, yeah, like it first off, startlight,
• 1:45:46
  Speaker 5: he had nothing to do with the church. Yet she's
• 1:45:49
  Speaker 5: reading the proper and she you see her struggle with
• 1:45:53
  Speaker 5: saying that line because she knows what actually happened, and
• 1:45:58
  Speaker 5: she just still just goes ahead with it. And then
• 1:46:00
  Speaker 5: that tear falls and I was like, yeah, girl, you've
• 1:46:03
  Speaker 5: gone way too far. You you've gone way too far.
• 1:46:07
  Speaker 5: You drank the kool aid. It's too late now.
• 1:46:10
  Speaker 11: But the talent part, though, it was in the end,
• 1:46:13
  Speaker 11: she was truly for a homelander because she true that
• 1:46:17
  Speaker 11: Jesus so kind she was. She was ready to she
• 1:46:22
  Speaker 11: was ready to go as far as it was gonna go,
• 1:46:24
  Speaker 11: because she was she was she was abandoned.
• 1:46:26
  Speaker 7: That was like, it's not But.
• 1:46:33
  Speaker 10: I think there's a point in her story where she
• 1:46:36
  Speaker 10: just she doesn't She's on the roller coaster, like she's
• 1:46:39
  Speaker 10: buckled in. She can't get out. So I don't know
• 1:46:42
  Speaker 10: how much choice you have after you buckle yourself in,
• 1:46:47
  Speaker 10: you know what I mean. She she probably would love
• 1:46:51
  Speaker 10: to get the fuck off, but I would like to
• 1:46:54
  Speaker 10: not have an eel shot up my behind while toilet.
• 1:47:00
  Speaker 2: Though.
• 1:47:00
  Speaker 6: Our powers are pathetic. If you get got by the
• 1:47:02
  Speaker 6: deep man, God's will has been done for you. Like, oh,
• 1:47:06
  Speaker 6: so this is why some of us some of us
• 1:47:09
  Speaker 6: look before we sit down, just.
• 1:47:10
  Speaker 4: Don't that's wrong.
• 1:47:13
  Speaker 9: It wasn't an eel. It was a It was a clam.
• 1:47:15
  Speaker 4: I think it's called No that was that was a heel?
• 1:47:18
  Speaker 5: I think, yeah it was.
• 1:47:19
  Speaker 9: I think it's ape. The title was, Yeah, I think
• 1:47:23
  Speaker 9: it's a it's a also type of I don't want
• 1:47:26
  Speaker 9: to do this anymore.
• 1:47:27
  Speaker 5: I mean you said it's it's a type. It's not
• 1:47:30
  Speaker 5: an eel or heel type. But it's not an actual eel.
• 1:47:36
  Speaker 5: It's the eel type like like you're stretched in the
• 1:47:39
  Speaker 5: ocean Pokemon.
• 1:47:41
  Speaker 4: Is this.
• 1:47:44
  Speaker 7: I think?
• 1:47:44
  Speaker 9: Isn't it called a guy duck or something like that.
• 1:47:46
  Speaker 4: I think that's what it is that the gooy duck is.
• 1:47:49
  Speaker 4: That's totally different. This is this is genuine chars are
• 1:47:52
  Speaker 4: not being a dragon type, like what's happening?
• 1:47:58
  Speaker 5: Report that?
• 1:48:00
  Speaker 4: Yeah it was. Oh, it's a good jo it's just
• 1:48:07
  Speaker 4: a different type of hell. I wouldn't it looked like
• 1:48:11
  Speaker 4: it had like a long it looked like a yellow
• 1:48:14
  Speaker 4: floats and gypsum.
• 1:48:15
  Speaker 9: From and they have it's it's it's a delicacy in
• 1:48:20
  Speaker 9: some parts of the world.
• 1:48:22
  Speaker 4: I mean all everything that swims is pretty much eating
• 1:48:24
  Speaker 4: everywhere else.
• 1:48:28
  Speaker 9: Just not either way. That's how I want to go out, Ladies.
• 1:48:33
  Speaker 4: I'm going to say that I'm relieving myself and dying
• 1:48:36
  Speaker 4: at the same time.
• 1:48:37
  Speaker 5: It's not the way.
• 1:48:38
  Speaker 4: There some some wild last words for that.
• 1:48:46
  Speaker 6: Man.
• 1:48:47
  Speaker 5: Uh. When Nigel mentioned the Big Nettes terrorce Bignette was
• 1:48:52
  Speaker 5: actually quite interesting because he's just like just walking around
• 1:48:58
  Speaker 5: being a dog and marting his business and wanting to
• 1:49:03
  Speaker 5: hump his dog and eat Frenchies chocolate soup f a
• 1:49:08
  Speaker 5: when he knows he shouldn't be eating.
• 1:49:10
  Speaker 4: How did y'all get after he started doing these lines
• 1:49:15
  Speaker 4: this whole episode.
• 1:49:16
  Speaker 6: And the cast of people that they everyone was if
• 1:49:19
  Speaker 6: they were all on set for the day of this episode,
• 1:49:21
  Speaker 6: with everyone that shows up in it, this whole shoot,
• 1:49:24
  Speaker 6: they had to be hilarious.
• 1:49:26
  Speaker 5: Speaking of hilarious, what I said meta, we finally get
• 1:49:33
  Speaker 5: mister Marathon.
• 1:49:35
  Speaker 4: We we get the reunion of the boys from Supernatural.
• 1:49:37
  Speaker 5: That's just what we get. We get we get the
• 1:49:40
  Speaker 5: reunion of the boys. That's cash deal, Sam and Dean.
• 1:49:43
  Speaker 5: We get Seth Brogan playing himself, We get his entire crew.
• 1:49:48
  Speaker 4: I some people. When he got like one two lines in,
• 1:49:54
  Speaker 4: I'm a dip.
• 1:49:55
  Speaker 9: For two seconds because I haven't gotten up to this
• 1:49:57
  Speaker 9: part in the show yet.
• 1:50:00
  Speaker 4: How did they get there? Did they leave for l
• 1:50:02
  Speaker 4: A yet?
• 1:50:03
  Speaker 9: No, I'm still with Sage and Ashley.
• 1:50:06
  Speaker 5: I think it's right after that. Yeah, it's it's right
• 1:50:10
  Speaker 5: after that. She's gonna come back big eye.
• 1:50:14
  Speaker 4: God.
• 1:50:14
  Speaker 6: I don't know if she got enough run time left,
• 1:50:16
  Speaker 6: but yeah, for Sage, there was. That was my whole
• 1:50:21
  Speaker 6: thing with her.
• 1:50:21
  Speaker 4: In a week where we have Daredevil, she is she is.
• 1:50:26
  Speaker 6: The opposite of what happened to Buck or not Buck
• 1:50:29
  Speaker 6: of Buck and Daniel this week. Now you didn't see that,
• 1:50:35
  Speaker 6: Well there their whole bro bromance turmoil like deep.
• 1:50:39
  Speaker 4: In uh you know what, deep and Black Noir, you
• 1:50:46
  Speaker 4: see it.
• 1:50:47
  Speaker 5: He's been pissed ever since the Stan Egger incident, ever
• 1:50:51
  Speaker 5: since he got gassed and knocked out.
• 1:50:56
  Speaker 4: And the whole thing.
• 1:50:58
  Speaker 5: And when he goes in there and he said, you know,
• 1:51:00
  Speaker 5: he goes back to the to the director and he's
• 1:51:02
  Speaker 5: talking to the director and he didn't tell him so
• 1:51:05
  Speaker 5: much who the person was, but Black Noir clearly knows
• 1:51:09
  Speaker 5: who he is. He sees them, everybody, everybody just never
• 1:51:11
  Speaker 5: seen his face. He's in the director tells him, just
• 1:51:16
  Speaker 5: one up the person who's trying to one up you.
• 1:51:20
  Speaker 5: So when he goes in there and he and they're
• 1:51:22
  Speaker 5: doing that show and old Father is there and he talks,
• 1:51:28
  Speaker 5: he's like talking in between the set or between their breaks,
• 1:51:33
  Speaker 5: and he's like, oh, he talks, and he's like, no, no,
• 1:51:37
  Speaker 5: he does it. He was like, no, no, he does it.
• 1:51:41
  Speaker 5: And he's going the whole thing. He says, why don't
• 1:51:43
  Speaker 5: we do this and he's like, he's like Homelander, heals me,
• 1:51:49
  Speaker 5: I talk, I fly, And I'm like, wait, do you
• 1:51:53
  Speaker 5: have a power? I'm like, I'm like, because I don't
• 1:51:56
  Speaker 5: remember you outside of being able to sneak up on
• 1:52:00
  Speaker 5: people didn't fight.
• 1:52:01
  Speaker 4: Well, yeah, remember he's original, so he's a new guy
• 1:52:08
  Speaker 4: in the suit. So he.
• 1:52:12
  Speaker 6: Remember remember when remember when a Trane finally went rogue
• 1:52:16
  Speaker 6: and they tried to kill starlight of them at the
• 1:52:19
  Speaker 6: office and they found out he was anarcalyptic, which we
• 1:52:23
  Speaker 6: might have just forgotten about that.
• 1:52:24
  Speaker 4: Apparently he was fighting mother's milk and just fell asleep
• 1:52:29
  Speaker 4: mid combat and they were like, back watching it. I
• 1:52:33
  Speaker 4: want to say it was like the end of Sea.
• 1:52:34
  Speaker 6: It was like mid season four maybe, but goes rogue
• 1:52:40
  Speaker 6: and helps him out, tells him how much he hat
• 1:52:42
  Speaker 6: and there's only ship he could fly. But yeah, some
• 1:52:47
  Speaker 6: people were saying, oh, maybe it's polarity under there. I'm like, nah,
• 1:52:49
  Speaker 6: I think he's still a good dolkin. But the fact
• 1:52:51
  Speaker 6: that it's been him the whole time, he's just going
• 1:52:53
  Speaker 6: method is hilarious.
• 1:52:55
  Speaker 4: And and the fact that.
• 1:52:58
  Speaker 6: The fact that they're also fighting what I didn't like
• 1:53:00
  Speaker 6: the fact that the deepest kind of threatened him and
• 1:53:01
  Speaker 6: he didn't say anything back. I'm like, punch him or something,
• 1:53:04
  Speaker 6: because he's just he's getting too full of himself. And
• 1:53:07
  Speaker 6: I know it's gonna be ye glorious.
• 1:53:10
  Speaker 5: He's he's he's way too he's way too dude, bro.
• 1:53:13
  Speaker 5: And I'm like, good lord, it's sick me. He's too
• 1:53:17
  Speaker 5: red Peel and I'm like, I get it, y'all poking
• 1:53:19
  Speaker 5: fun at some of the shows the podcasts that have
• 1:53:22
  Speaker 5: these red pill Man hates women type discussions and he's like,
• 1:53:28
  Speaker 5: if we should do things right, bro, And I'm like
• 1:53:30
  Speaker 5: I'm tired of you talking around the word bro. It's
• 1:53:32
  Speaker 5: it's it's weird, dude, look like I can't say, but
• 1:53:36
  Speaker 5: he's just pressing the button.
• 1:53:38
  Speaker 4: All mad, like wait, let this man alone?
• 1:53:43
  Speaker 5: Yes, really really right, very Joe roganesque, very brokenness. And
• 1:53:51
  Speaker 5: it's weird to watch that whole thing on fold, but
• 1:53:56
  Speaker 5: this relationship between these two, and I'm like, okay, are
• 1:53:59
  Speaker 5: you You're going to be the one to hang the
• 1:54:02
  Speaker 5: deep out to dry?
• 1:54:04
  Speaker 4: No pun intended, that was not meant to be a pun, But.
• 1:54:08
  Speaker 6: I mean if he gets killed in some kind of barbecue, fiery,
• 1:54:13
  Speaker 6: dried up way, it would be poetically hilarious.
• 1:54:17
  Speaker 5: Yes, yes, And just seeing that happen, because I believe
• 1:54:22
  Speaker 5: it's going to happen. He's going to be the one
• 1:54:25
  Speaker 5: to turn. He probably the next one to turn. Will
• 1:54:29
  Speaker 5: it be disastrous? Probably probably, But I'm not opposed to
• 1:54:37
  Speaker 5: seeing him white black dude do something like what else
• 1:54:42
  Speaker 5: could he do besides talk to fish and screwfish? Well
• 1:54:47
  Speaker 5: apparently we eat fish without hesitation, now, like yeah, now that,
• 1:54:51
  Speaker 5: like I can't believe I haven't done this what like okay.
• 1:54:56
  Speaker 4: But also y'all got y'all got wong and doctor Strange
• 1:54:59
  Speaker 4: locked up.
• 1:55:01
  Speaker 5: Yes, that scene with basically the whole seth Rogan Gang, everybody,
• 1:55:10
  Speaker 5: Craig Robertson got like two lines like wait, so anyway,
• 1:55:17
  Speaker 5: Homelander is Soldier Boy decided they're going to go to
• 1:55:20
  Speaker 5: La because they find out that bomb site or know,
• 1:55:23
  Speaker 5: they find out that mister Marathon may know where bombsite is,
• 1:55:25
  Speaker 5: so they go down there.
• 1:55:27
  Speaker 4: And here's the funny thing.
• 1:55:33
  Speaker 5: Uh Anisia Collins, who played who played Cashier and Supernatural
• 1:55:39
  Speaker 5: plays mal Chemical. Jerry Palecki, who played Sam Winchester, plays
• 1:55:48
  Speaker 5: mister Marathon, who was who was the Seventh's first speedster,
• 1:55:55
  Speaker 5: And watching those two along with Jensen Ackle's Soldier Boy,
• 1:56:00
  Speaker 5: and I'm just like, I'm waiting for the Supernatural riff
• 1:56:03
  Speaker 5: right now, I'm waiting for the throwaway lines I'm waiting
• 1:56:08
  Speaker 5: for and they're there. And then I found out earlier
• 1:56:11
  Speaker 5: today that they actually did those scenes. Asked Sam Dean
• 1:56:17
  Speaker 5: and cast you there's a blooper where they actually played
• 1:56:21
  Speaker 5: those characters as Soldier Boy and mister Marathon and mal
• 1:56:25
  Speaker 5: Chemical and they said, yeah, it's a whole blooper real
• 1:56:27
  Speaker 5: where they just they just didn't And I said, I
• 1:56:29
  Speaker 5: need to see that blooperrial.
• 1:56:32
  Speaker 4: I need to see that, you know. But then there's
• 1:56:35
  Speaker 4: this there's a whole scene where.
• 1:56:38
  Speaker 5: Mister Marathon and the Soldier Boy are off to the
• 1:56:40
  Speaker 5: side talking and he's talking about Homelander, which Homelander he
• 1:56:46
  Speaker 5: doesn't realize Homelander to really hear him, and Soldier Boy
• 1:56:50
  Speaker 5: is just kind of taking it in and then he
• 1:56:51
  Speaker 5: was like, yeah, but then they're gonna. He's like, they're
• 1:56:53
  Speaker 5: gonna keep on. They're gonna He's like, they're trying to
• 1:56:55
  Speaker 5: band poor. They're trying to band poured and lock up
• 1:56:58
  Speaker 5: the hookers and lock off the front people and.
• 1:57:02
  Speaker 4: Social boys.
• 1:57:03
  Speaker 6: Just like, yeah, I kind of hate that, you know, abortions,
• 1:57:07
  Speaker 6: Like personally, I need that one to not be banned.
• 1:57:09
  Speaker 4: Yeah, and the whole ordeal goes down.
• 1:57:16
  Speaker 5: Mal Chemical steps up the Homelander and his power is
• 1:57:19
  Speaker 5: giving off toxic toxic gases and he breathes in his
• 1:57:22
  Speaker 5: face and it makes Homelander pass out. So two things
• 1:57:28
  Speaker 5: we know enriched uranium in toxic gas can can slow
• 1:57:36
  Speaker 5: him down or put him down.
• 1:57:38
  Speaker 7: Yeah, perfinite.
• 1:57:40
  Speaker 4: Yeah, I'm gonna say.
• 1:57:42
  Speaker 11: We made a pointed short because in the previously on
• 1:57:48
  Speaker 11: they showed the episode they should be seen when he
• 1:57:50
  Speaker 11: was locked in the uranium, and it didn't come up
• 1:57:54
  Speaker 11: in the show, so it was kind of like a
• 1:57:56
  Speaker 11: little bit of it.
• 1:57:58
  Speaker 4: Yeah, right, so it's like, Okay, what are you going
• 1:58:02
  Speaker 4: to do? Cause you got what three episodes left? Is it?
• 1:58:06
  Speaker 4: Is it eight episodes to shoot?
• 1:58:07
  Speaker 5: Yeah?
• 1:58:08
  Speaker 4: You got three episodes left and don't you're right, Rev,
• 1:58:14
  Speaker 4: I don't know, that's what I'm saying, Like what I think.
• 1:58:20
  Speaker 6: I think Butcher was like mcguy vering some kind of
• 1:58:23
  Speaker 6: thing because they somebody pointed out he's watching soldier boys
• 1:58:26
  Speaker 6: old torture tapes the entire episode that they got from
• 1:58:29
  Speaker 6: Russia and while he's over stealing old mechanics stuff to Also,
• 1:58:34
  Speaker 6: I wish Curious Mike was on because my girl, you
• 1:58:37
  Speaker 6: want well done steak with ketchup as a five like
• 1:58:40
  Speaker 6: not not even steak a one sauce like ketchup.
• 1:58:43
  Speaker 4: Is straight to jail, thank you. Well, they tried that.
• 1:58:48
  Speaker 6: She kept ripping off the guard's faces, so they sent
• 1:58:52
  Speaker 6: her to ice instead. But yeah, I feel like, you know,
• 1:58:56
  Speaker 6: you're trying to be God, we've seen you be real
• 1:58:58
  Speaker 6: vulnerable these last two episod It's like you you've been
• 1:59:01
  Speaker 6: radiated and yeah, like blisters and crap all over your
• 1:59:05
  Speaker 6: face and now just the right amount of young mouth
• 1:59:09
  Speaker 6: was enough to put you to sleep. So like it's
• 1:59:14
  Speaker 6: and so there was two or three people from Supernatural.
• 1:59:16
  Speaker 6: I always just hear the brothers and I'm like, how
• 1:59:18
  Speaker 6: is it? Okay okay. I didn't realize it was a trio.
• 1:59:22
  Speaker 5: I thought it was a duo.
• 1:59:24
  Speaker 4: Later in the later seasons, it's it's a trio.
• 1:59:27
  Speaker 5: And the cash deal is the is the cash deal
• 1:59:30
  Speaker 5: in Supernatural is the fallen Angel? Who's the third one?
• 1:59:34
  Speaker 2: Uh?
• 1:59:34
  Speaker 4: And that was Misha Collin's character that was mal chemical.
• 1:59:37
  Speaker 5: But really this entire show was done by Eric and
• 1:59:41
  Speaker 5: if you have a keen eye, uh, the guy that
• 1:59:45
  Speaker 5: plays their uncle Bobby on Supernatural, he played what was
• 1:59:48
  Speaker 5: the vice president?
• 1:59:49
  Speaker 4: I think he was on on the air, but they
• 1:59:52
  Speaker 4: locked him up. He got locked up. Well apparently the
• 1:59:55
  Speaker 4: guy who directed Supernatural helped on this episode too.
• 1:59:58
  Speaker 8: So it was just the.
• 1:59:58
  Speaker 4: Reunion for everybody.
• 2:00:00
  Speaker 5: Yeah, yeah, I would You're right, Bamma, No, Felicia Day,
• 2:00:04
  Speaker 5: that would have been that would have that would have
• 2:00:06
  Speaker 5: been very very nice to have.
• 2:00:08
  Speaker 6: This was very much a boys meeting in the boys
• 2:00:11
  Speaker 6: and then by the end of it, there was only
• 2:00:14
  Speaker 6: two boys.
• 2:00:15
  Speaker 5: I mean they actually actually they had to I see,
• 2:00:18
  Speaker 5: I think outside the Mother from Supernatural, they had the
• 2:00:21
  Speaker 5: entire cast Sam Dean cast you, Uncle Bobby, and their father. Okay,
• 2:00:28
  Speaker 5: because the father, the guy that played their father, he
• 2:00:32
  Speaker 5: was the he was the person that Butcher was seeing
• 2:00:35
  Speaker 5: when he found out he had cancer.
• 2:00:37
  Speaker 4: It was somebody he knew that was he was their father.
• 2:00:41
  Speaker 4: And I'm like, oh, you put him on like a
• 2:00:43
  Speaker 4: season earlier. Did you decide now you're going to be
• 2:00:47
  Speaker 4: like now you can't get them all in the same room.
• 2:00:49
  Speaker 4: But that's right.
• 2:00:50
  Speaker 5: Yeah.
• 2:00:51
  Speaker 6: And then Seth Rogan ain't company who they're just like
• 2:00:54
  Speaker 6: they lucked a benetit longer comer Badge both. I'm like,
• 2:00:57
  Speaker 6: damn not not. They got the entire MCU and all
• 2:01:00
  Speaker 6: the comedians. I'm also realizing Strange and Wong got the
• 2:01:02
  Speaker 6: same name. Like I never realized until that it wasn't.
• 2:01:08
  Speaker 6: It wasn't until they said it. I'm like, oh they,
• 2:01:12
  Speaker 6: Oh damn, they do have to say the only one
• 2:01:17
  Speaker 6: I was said about. I was like, oh, look it's
• 2:01:19
  Speaker 6: Craig And I was like, oh no, not your panties off.
• 2:01:26
  Speaker 4: This was this was this is the end. But in
• 2:01:29
  Speaker 4: the Boys universe, I was.
• 2:01:33
  Speaker 5: Like, we see two franchises and in what episode. But
• 2:01:39
  Speaker 5: as quick as the Rogan clan turned on each other,
• 2:01:45
  Speaker 5: you see the entire Supernatural plan just fall apart, and
• 2:01:48
  Speaker 5: I'm like, oh my god.
• 2:01:50
  Speaker 4: But and there were people that were mad about it.
• 2:01:53
  Speaker 4: They were like, they talked, they brought it up like
• 2:01:55
  Speaker 4: they were all going to do something.
• 2:01:56
  Speaker 5: I'm like, we are three episodes away from the ending
• 2:01:59
  Speaker 5: of this. We don't no one's sticking around for the
• 2:02:02
  Speaker 5: rest of the season that we meet here. Oh my god.
• 2:02:07
  Speaker 9: It was.
• 2:02:08
  Speaker 5: It was absolutely hilarious because because then I'm like, okay,
• 2:02:14
  Speaker 5: mister Barrathon, did you not know how to slow that? Like?
• 2:02:21
  Speaker 4: But that was that was that was almost like loons, yes,
• 2:02:27
  Speaker 4: I'm not gonna kill you.
• 2:02:29
  Speaker 11: Go go go go, because he did, you know, It's
• 2:02:33
  Speaker 11: like it's a thing where three So he just and
• 2:02:37
  Speaker 11: it's worked all the time.
• 2:02:40
  Speaker 4: He kept.
• 2:02:43
  Speaker 5: It, kept going, and it was like, at what point
• 2:02:47
  Speaker 5: was it was? It was it Malcolm that got that
• 2:02:50
  Speaker 5: got split in half, got.
• 2:02:56
  Speaker 4: His neck broken, and then the other dude got s yeah,
• 2:03:00
  Speaker 4: that's right, he got everyone.
• 2:03:01
  Speaker 6: Else got blown up, And I was like, why are
• 2:03:03
  Speaker 6: you putting people into play like it's not slowing him down.
• 2:03:06
  Speaker 6: He just feels bad and stops. But when he came,
• 2:03:08
  Speaker 6: I was like, oh, man, tacos, it's like Sodier boy.
• 2:03:11
  Speaker 5: And I was like, no, oh.
• 2:03:15
  Speaker 2: It was.
• 2:03:16
  Speaker 4: He was so he was so happy to see him.
• 2:03:21
  Speaker 4: I was like, he was so innocent. I was like,
• 2:03:23
  Speaker 4: he had nothing to do with it. Was like, it's
• 2:03:26
  Speaker 4: not fair, what's that same come out the bathroom?
• 2:03:29
  Speaker 6: I was like no.
• 2:03:30
  Speaker 4: And then I see Sodi the son of a bitch.
• 2:03:34
  Speaker 5: And the fact that he kept using the same exact
• 2:03:38
  Speaker 5: move for all of them, I'm like, really, I was.
• 2:03:44
  Speaker 6: Like, I thought Seth the Rogan was gonna make it
• 2:03:46
  Speaker 6: until he was just he just threw him at the
• 2:03:48
  Speaker 6: very end. And I'm just like what said the first
• 2:03:50
  Speaker 6: of the time to leave was when all of them
• 2:03:52
  Speaker 6: came to and when Soldier Boy and hold it shut up.
• 2:03:55
  Speaker 6: I was like, hey, I don't need to be a
• 2:03:57
  Speaker 6: part of whatever this is. You guys clear that business.
• 2:03:59
  Speaker 6: I'm gonna just mosey on out. Like I don't know
• 2:04:02
  Speaker 6: if it was just no witnesses or soldier boys needed
• 2:04:04
  Speaker 6: meat shields, but he just just got rid of Seth
• 2:04:07
  Speaker 6: like that, and it seth, how bad does it look?
• 2:04:11
  Speaker 6: And then you're making a diddy joke along with baby on.
• 2:04:17
  Speaker 6: He had a social boy had a look like okay
• 2:04:25
  Speaker 6: that even now even thought out, he was like, I
• 2:04:28
  Speaker 6: caught up on everything I need to know. This is insane.
• 2:04:34
  Speaker 5: This is insane, this, this whole thing is unfolding and
• 2:04:37
  Speaker 5: it's way out of pocket.
• 2:04:38
  Speaker 4: So mm hmm, but yeah, it's.
• 2:04:44
  Speaker 5: All all for all forward to end with mister Marathon
• 2:04:47
  Speaker 5: saying I haven't spoken to bomb site in five years.
• 2:04:53
  Speaker 5: He's on his way, I swear. Okay, okay, okay, I
• 2:04:55
  Speaker 5: haven't seen him in like five years. I don't know
• 2:04:57
  Speaker 5: where he is. I'm like, oh, so, speedsters in this
• 2:05:01
  Speaker 5: world apparently don't heal fast. I don't understand. Like you
• 2:05:10
  Speaker 5: broke the you broke the ankle, then you grab the
• 2:05:13
  Speaker 5: other foot and I'm like, wait.
• 2:05:14
  Speaker 4: So.
• 2:05:17
  Speaker 5: We've seen the speedsters. We've seen Barry Allen take a
• 2:05:20
  Speaker 5: take a hit. He's I bulletproof, takes a hit. He
• 2:05:24
  Speaker 5: has to heal like everybody else. However, he heals a
• 2:05:27
  Speaker 5: little faster due to his molecular makeup. Apparently this doesn't happen,
• 2:05:34
  Speaker 5: but excuse me with uh, speedsters in this world.
• 2:05:39
  Speaker 6: No what killed me was there was a tweet from
• 2:05:42
  Speaker 6: the Invincible account and it was like, don't worry fans.
• 2:05:44
  Speaker 6: Seth Rogan's lives for season five were recorded before this
• 2:05:47
  Speaker 6: episode of the Boys. There's what they said, Alan the
• 2:05:53
  Speaker 6: Elliot will return.
• 2:05:58
  Speaker 4: The whole thing is.
• 2:06:00
  Speaker 5: That's why I said this episode was very meta, very meta,
• 2:06:06
  Speaker 5: and that's why I was curious, like, wait, that's what
• 2:06:08
  Speaker 5: you Oh yeah, it was very meta because Seth rogen
• 2:06:11
  Speaker 5: is also uh, the executive producer and director of the Boys.
• 2:06:17
  Speaker 4: This entire series. I forgot. I forgot. Seth is in
• 2:06:22
  Speaker 4: the background a lot more than he is on camera.
• 2:06:25
  Speaker 4: It's it's the it's the joker.
• 2:06:27
  Speaker 5: It's the joking, him saying uh when oh, when Mick
• 2:06:31
  Speaker 5: love And is passing him the blunt, He's like, oh no,
• 2:06:35
  Speaker 5: I just say that.
• 2:06:35
  Speaker 4: I just say I smell. I hate stuff like I
• 2:06:37
  Speaker 4: just say that to sell ashtras. They Okay, what was
• 2:06:43
  Speaker 4: you about to say? Nudgel?
• 2:06:48
  Speaker 11: He made cameo in the season when yeah, when they
• 2:06:52
  Speaker 11: had the suit, that was a point. Oh yeah, yeah,
• 2:06:58
  Speaker 11: he was the voice that was talking camp. I could
• 2:07:02
  Speaker 11: have swear he did so.
• 2:07:03
  Speaker 4: I thought.
• 2:07:03
  Speaker 5: He showed up in an earlier episode two. But I
• 2:07:06
  Speaker 5: knew he was always the scenes of everything is Seth
• 2:07:09
  Speaker 5: Brogan and something Rosenberg because they've been working together since Preacher,
• 2:07:16
  Speaker 5: because they worked on Preacher together. So like he's been
• 2:07:18
  Speaker 5: getting a lot of comic properties brought to UH, to
• 2:07:23
  Speaker 5: streaming services. He's been working a lot like that. Like
• 2:07:27
  Speaker 5: I never even thought this is I'm like the dude
• 2:07:30
  Speaker 5: that did Pineapple Express, like he's been he's been.
• 2:07:34
  Speaker 4: Working a lot. You have the scenes and getting a
• 2:07:36
  Speaker 4: lot of stuff moving to shake.
• 2:07:38
  Speaker 6: So then fire everybody, don't get redemptions. Some of y'all
• 2:07:42
  Speaker 6: are going outside and straight the hell. So that was
• 2:07:46
  Speaker 6: such a quiet moment, and the thing is you had
• 2:07:49
  Speaker 6: the opportunity to leave. You were just upset.
• 2:07:51
  Speaker 5: He was just upset. And how far along are you
• 2:07:57
  Speaker 5: all right? He said, I can't hear you unmuted and
• 2:08:02
  Speaker 5: mute again. Yeah it's mhm, yeah we're still going. We're
• 2:08:14
  Speaker 5: still going. But yeah, it was her.
• 2:08:17
  Speaker 4: Fire crackers are done? Are you still going? Fire cracker?
• 2:08:22
  Speaker 5: She's done?
• 2:08:23
  Speaker 4: Yeah, but there's no redemption for you. You you're also
• 2:08:29
  Speaker 4: I thought I heard the specl there.
• 2:08:31
  Speaker 5: No, it's her going out like she did, And I'm like,
• 2:08:34
  Speaker 5: I was like, oh damn, but not like like when
• 2:08:38
  Speaker 5: everybody else at the at the in LA went out
• 2:08:42
  Speaker 5: like I.
• 2:08:42
  Speaker 4: Was like, damn with the left wing of the Eagle
• 2:08:45
  Speaker 4: at that?
• 2:08:48
  Speaker 5: Okay?
• 2:08:48
  Speaker 6: Was it just me that picked that up? But on
• 2:08:52
  Speaker 6: top of that, you were just fired. You could have
• 2:08:53
  Speaker 6: went home like you you could have just took whatever
• 2:08:57
  Speaker 6: money you made and just called it a day.
• 2:08:59
  Speaker 4: But no, there we go. All right, that might work
• 2:09:03
  Speaker 4: there you go, get there it is okay, Sorry, okay,
• 2:09:09
  Speaker 4: right go ahead, Caroll?
• 2:09:10
  Speaker 5: What you got?
• 2:09:11
  Speaker 10: Yeah?
• 2:09:12
  Speaker 9: No, that was horrible. That was horrible.
• 2:09:16
  Speaker 10: Yes, I picked up on the left wing of the
• 2:09:20
  Speaker 10: Majestic Eagle that is America's Oh my god, this this
• 2:09:27
  Speaker 10: fucking show.
• 2:09:30
  Speaker 4: This.
• 2:09:30
  Speaker 9: But you know what I took away from all this?
• 2:09:34
  Speaker 4: Gim Carlo is fine, Okay, Yes, Here's the thing is,
• 2:09:39
  Speaker 4: I wouldn't even I would.
• 2:09:41
  Speaker 6: I'm surprised he caved on the Zoe third, because I'm like,
• 2:09:43
  Speaker 6: even you don't know where Zoe, none of us know
• 2:09:45
  Speaker 6: Where's always.
• 2:09:46
  Speaker 4: At her and her dad or hobbling across the country somewhere.
• 2:09:50
  Speaker 5: It was then mentioning it, and I don't think he
• 2:09:53
  Speaker 5: wanted take that chance because he said it before he like,
• 2:09:57
  Speaker 5: if if he cares about anybody. It's his grand daughter.
• 2:10:02
  Speaker 5: He didn't want to take that chance, Like, if that's
• 2:10:04
  Speaker 5: where they're at, I'm pretty sure he didn't want to
• 2:10:06
  Speaker 5: take that chance.
• 2:10:07
  Speaker 4: So he's lost a couple of his cars when they
• 2:10:11
  Speaker 4: mentioned her, but he's still I don't believe that.
• 2:10:14
  Speaker 9: I don't believe that.
• 2:10:17
  Speaker 10: I don't think they're in Tempe. I think he let
• 2:10:19
  Speaker 10: them think that they're in Tempe because he did send
• 2:10:22
  Speaker 10: them kind of on a wild goose chase to get
• 2:10:25
  Speaker 10: this supposed maybe sort of kind of v I don't
• 2:10:29
  Speaker 10: think they're in Tempe. He's not gonna fold He's not
• 2:10:33
  Speaker 10: gonna fold that fast.
• 2:10:36
  Speaker 5: He hasn't folded fast before. That's what that's what's that's
• 2:10:40
  Speaker 5: the kind of that's the telling part. So sore, you're
• 2:10:45
  Speaker 5: so that whole La Mansion scene.
• 2:10:50
  Speaker 9: Mm hm, that was a lot of a lot of running.
• 2:10:55
  Speaker 4: That's a lot an a lot of running.
• 2:11:00
  Speaker 9: That was a lot of running and and a lot
• 2:11:04
  Speaker 9: of meta. I understand now, See.
• 2:11:08
  Speaker 4: The only one I felt bad for was Craig. I'm
• 2:11:10
  Speaker 4: just like you weren't even in the cove the room.
• 2:11:15
  Speaker 4: He was. He was the old he was the only
• 2:11:18
  Speaker 4: one happy to see them. Oh, ship soldier ble you.
• 2:11:25
  Speaker 5: I'm like, I'm like you, bitch.
• 2:11:30
  Speaker 10: I did not slow down five cocaine they were doing.
• 2:11:36
  Speaker 17: They were all doing fresh lines, a few baby oil,
• 2:11:39
  Speaker 17: I understand, but everything else, like you took out your
• 2:11:44
  Speaker 17: You took out your entire team.
• 2:11:47
  Speaker 4: Except for one. You just you just killed like twenty
• 2:11:50
  Speaker 4: years of stolen comedies that could have been made.
• 2:11:55
  Speaker 9: It was forced upon him.
• 2:11:56
  Speaker 5: Also, who knows.
• 2:12:00
  Speaker 9: Oh yeah, he's not really into weed. He just sells it.
• 2:12:02
  Speaker 4: Oh yeah, yeah, I mean he's still good at writing
• 2:12:06
  Speaker 4: it for him. So on top of him, there was
• 2:12:10
  Speaker 4: another joke. Oh yeah, Sony pictures where all heroes go.
• 2:12:13
  Speaker 5: To die TV specifically, Yes, I I said, damn, y'all really,
• 2:12:22
  Speaker 5: I said, y'all really pulled out the stops on this, Okay, took.
• 2:12:27
  Speaker 9: Out I mean, what are they What are they gonna do?
• 2:12:29
  Speaker 9: To Amazon?
• 2:12:32
  Speaker 5: They took out, They took out a whole Stoner franchise,
• 2:12:35
  Speaker 5: They took out a whole Supernatural franchise, all in one show.
• 2:12:41
  Speaker 4: They just said here we go, and they gave up
• 2:12:44
  Speaker 4: post alone. Came a post, he came up post below.
• 2:12:49
  Speaker 5: They got both Benedict's, they got talent to created What
• 2:12:53
  Speaker 5: is going on?
• 2:12:54
  Speaker 4: Right now, and chapel room, chapel rooms in there too. Yeah,
• 2:12:59
  Speaker 4: I'm like, also all the good people. Oh but yeah,
• 2:13:04
  Speaker 4: I didn't feel bad for Firecracker at all. One.
• 2:13:08
  Speaker 6: You had an out too, You had plenty chances to
• 2:13:12
  Speaker 6: speak up for yourself at least or do something, and
• 2:13:15
  Speaker 6: you folded at every opportunity. And literally your last act
• 2:13:19
  Speaker 6: was throwing away Jesus before before your new God sent
• 2:13:23
  Speaker 6: you to the opposite of where the pearly gates will be. Also,
• 2:13:26
  Speaker 6: you're also still a pedophile, so exactly.
• 2:13:33
  Speaker 7: What did you say straight to double hockey space?
• 2:13:36
  Speaker 4: Oh for sure, if not for the fifteen year old boy,
• 2:13:39
  Speaker 4: for all her actions.
• 2:13:40
  Speaker 6: This episode, Yeah that was gotten literally saying oh okay.
• 2:13:45
  Speaker 6: And the messed up part is we've seen we've seen
• 2:13:47
  Speaker 6: saved surviving injuries, so it'd be hilarious if she's just
• 2:13:51
  Speaker 6: comatoseed and awake all the next episode. I mean, I'm
• 2:13:54
  Speaker 6: sure she's gone, but like, God forbid, she is in
• 2:13:59
  Speaker 6: what the stormfront state?
• 2:14:02
  Speaker 5: Oh god?
• 2:14:03
  Speaker 9: No, is that confirmed that she's in a pod? That's
• 2:14:07
  Speaker 9: not confirmed.
• 2:14:08
  Speaker 6: No. I think people just ran with that. I think
• 2:14:10
  Speaker 6: that I think that last episode was just him coming
• 2:14:14
  Speaker 6: to turns like damn all my friends heard not.
• 2:14:16
  Speaker 4: Old, but they're dead, Like yeah, outside the ones that
• 2:14:20
  Speaker 4: he killed, and clearly Stormfront is the only one which
• 2:14:23
  Speaker 4: she went by. I think Lady Liberty was before.
• 2:14:27
  Speaker 5: It was probably the only person he just just from
• 2:14:30
  Speaker 5: this episode alone, and then the episode prior to that
• 2:14:33
  Speaker 5: just was probably the only one he actually gave a
• 2:14:36
  Speaker 5: damn about.
• 2:14:37
  Speaker 4: Yeah, so he uh, damn, ref.
• 2:14:46
  Speaker 6: Damn exactly exactly that if anything, that sealed her fate.
• 2:14:51
  Speaker 9: God was like she's with Kingpin's wife, Lord.
• 2:15:00
  Speaker 4: And Vanessa are having last drinks with my fisto right now.
• 2:15:03
  Speaker 5: It's it's.
• 2:15:07
  Speaker 4: Not good, but like you literally earned all that, and
• 2:15:10
  Speaker 4: I just I don't feel bad for you.
• 2:15:11
  Speaker 6: Like in an where some people got redemption on TV
• 2:15:14
  Speaker 6: this week or had to change your heart or did
• 2:15:16
  Speaker 6: somewhat of a good deed, she just went all in
• 2:15:19
  Speaker 6: on selling out and got nothing for it.
• 2:15:23
  Speaker 4: Here's the other thing they looked at to look at
• 2:15:26
  Speaker 4: the seven is falling apart. Look at the Boys. We've
• 2:15:30
  Speaker 4: been a little seven in like three seasons.
• 2:15:32
  Speaker 5: Well you know, but if you look at the Boys,
• 2:15:34
  Speaker 5: if you butchered the team, that whole thing with them,
• 2:15:39
  Speaker 5: like they already aired out their grievances.
• 2:15:42
  Speaker 4: Now this episode, they're just kind of like, with the
• 2:15:45
  Speaker 4: exception of Frenchy and.
• 2:15:49
  Speaker 5: Can I can go Yeah, Mother's Milk and Butcher, it
• 2:15:55
  Speaker 5: seemed to have come to some kind of accord.
• 2:16:00
  Speaker 9: I don't know about that. I don't know.
• 2:16:02
  Speaker 5: I think it's at least understanding off.
• 2:16:06
  Speaker 10: Of full what is it mutually assured destruction? I don't
• 2:16:11
  Speaker 10: I don't know anything. I don't know something's ever been
• 2:16:14
  Speaker 10: quelled with them. It's always been just, you know, a
• 2:16:17
  Speaker 10: state of let's do this job, let's get it over.
• 2:16:20
  Speaker 10: I still hate you, but it's just a little more
• 2:16:23
  Speaker 10: easier now, chill with.
• 2:16:26
  Speaker 9: My family after we kill all these.
• 2:16:27
  Speaker 4: People to do it's giving it. If I got I'll
• 2:16:32
  Speaker 4: go ahead.
• 2:16:34
  Speaker 11: I think I think it's both characters have kind of
• 2:16:38
  Speaker 11: come to a realization that they will probably do.
• 2:16:42
  Speaker 5: Yeah.
• 2:16:42
  Speaker 4: Absolutely, that kind of light.
• 2:16:48
  Speaker 5: Yeah, yeah, that's.
• 2:16:50
  Speaker 4: Where the camaraderie is because they're in d C places.
• 2:16:55
  Speaker 5: Uh.
• 2:16:56
  Speaker 11: The person who I think who was on that trend
• 2:16:59
  Speaker 11: for would have been but sure, and he may turn
• 2:17:04
  Speaker 11: a little bit because you're kind of seeing this humanity
• 2:17:07
  Speaker 11: come back. Yeah, it's so slight, whereas the last two
• 2:17:11
  Speaker 11: seasons we were seeing him become more and more like HOMELANDO.
• 2:17:15
  Speaker 11: So I know we see to change your mother's milk
• 2:17:18
  Speaker 11: where he was this germal full. I know he's totally reckless.
• 2:17:24
  Speaker 5: So we're seeing the characters change, right, Yeah, because when
• 2:17:28
  Speaker 5: that when that chocolate bar fell on the ground and
• 2:17:30
  Speaker 5: he just he's drinking.
• 2:17:32
  Speaker 4: Yeah, drinking alcohol, smoking.
• 2:17:35
  Speaker 11: So they've done try sexy with the character and it's
• 2:17:39
  Speaker 11: a talent where they are in our state right now.
• 2:17:43
  Speaker 5: Yeah.
• 2:17:45
  Speaker 10: That on dogs, Yes, do not give your dogs fucking peroxide.
• 2:17:51
  Speaker 9: Just call fucking poison.
• 2:17:52
  Speaker 10: Spend the fifty dollars and call poison control. Please, I'm
• 2:17:55
  Speaker 10: not trying to fix your dog after you gave it
• 2:17:57
  Speaker 10: also too much paroxide.
• 2:17:58
  Speaker 4: Don't do that. I was just like, I didn't know
• 2:18:02
  Speaker 4: that was the thing.
• 2:18:04
  Speaker 9: It don't do it. Please, please save your money and
• 2:18:09
  Speaker 9: just bring him to the hospital.
• 2:18:11
  Speaker 4: I feel like we were it's very much giving. If
• 2:18:14
  Speaker 4: there's anyone I got a ride in the hell with,
• 2:18:15
  Speaker 4: it's you.
• 2:18:17
  Speaker 6: But we're also seeing Butcher is kind of playing the
• 2:18:20
  Speaker 6: facade and doesn't really like the MM is buying it.
• 2:18:23
  Speaker 6: So he's actually got people waiting on him because we
• 2:18:27
  Speaker 6: see his humanity come out with the dog and Hugh.
• 2:18:31
  Speaker 6: He was like, I ain't gonna say nothing, and then
• 2:18:33
  Speaker 6: he suddenly all right, if we get the stuff and
• 2:18:36
  Speaker 6: there's time, I'll give enough for you to heal the
• 2:18:38
  Speaker 6: girls and protect them and keep them. So like Butcher,
• 2:18:42
  Speaker 6: I feel like is it almost feels like Butcher is
• 2:18:45
  Speaker 6: playing mean so that Kessler doesn't come back out and
• 2:18:48
  Speaker 6: try to drive the car like, because that was part
• 2:18:51
  Speaker 6: of the whole thing last season was Hey, if you
• 2:18:53
  Speaker 6: play nice, you can use the.
• 2:18:56
  Speaker 4: Powers, but if not, you're just gonna stay here in
• 2:18:58
  Speaker 4: this bed and die from your two I really.
• 2:19:01
  Speaker 9: Need I really wish.
• 2:19:04
  Speaker 16: You know what.
• 2:19:05
  Speaker 9: No, no, sorry I didn't get you off.
• 2:19:07
  Speaker 4: Did you want Jeffrey de Morgan to come back?
• 2:19:09
  Speaker 9: No? I mean, I don't care.
• 2:19:13
  Speaker 10: I I'm very curious about what they're going if they're
• 2:19:20
  Speaker 10: going to do a full Butcher at the end of this,
• 2:19:27
  Speaker 10: because the full Butcher is going to piss people right
• 2:19:30
  Speaker 10: If they do that, it is going to piss people
• 2:19:33
  Speaker 10: the fuck right off.
• 2:19:37
  Speaker 5: They're already pissed. There's people already pissed before we get
• 2:19:40
  Speaker 5: out of there. There's people that's already pissed about Gen
• 2:19:43
  Speaker 5: being getting canceled. Number one, I get it. Number two,
• 2:19:47
  Speaker 5: their story has pretty much been told, with the exception
• 2:19:49
  Speaker 5: of Marie. I would be I would I would be
• 2:19:54
  Speaker 5: mythed if they did at least bring her in as
• 2:19:58
  Speaker 5: like a like a backup for something, because I know
• 2:20:03
  Speaker 5: they mentioned the rest of the group. I know they said, oh, yeah,
• 2:20:05
  Speaker 5: you know their camp has kind of falling apart. Okay,
• 2:20:08
  Speaker 5: we'll bring Marie in. That's really who we were looking
• 2:20:11
  Speaker 5: forward to anyway, mm hmm. And and the crazy uh,
• 2:20:17
  Speaker 5: the crazy kid, the one who always seeing puppets, you know,
• 2:20:23
  Speaker 5: he might be he's still I think he's on our
• 2:20:27
  Speaker 5: team still right now. Yeah, they were, I mean technically
• 2:20:30
  Speaker 5: gen V was just the junior seven at this point.
• 2:20:33
  Speaker 6: Yeah, but they also said, don't get attached to anyone
• 2:20:36
  Speaker 6: because episode seven they're clearing a lot of people out
• 2:20:39
  Speaker 6: of here.
• 2:20:40
  Speaker 5: So that's for sure.
• 2:20:45
  Speaker 6: I mean a lot of people we had just met,
• 2:20:46
  Speaker 6: but they said, like a lot of a lot of
• 2:20:48
  Speaker 6: people we've seen for a long time or out of
• 2:20:50
  Speaker 6: here before the finale.
• 2:20:51
  Speaker 5: So it was still saying, oh, we're getting rid of
• 2:20:55
  Speaker 5: them from a major character, and I'm like, last man,
• 2:20:58
  Speaker 5: I'm like, who was the major character because it was
• 2:21:00
  Speaker 5: a little bit of everybody.
• 2:21:04
  Speaker 4: Yeah, I think Hughie is bringing Butcher's humanity out and
• 2:21:07
  Speaker 4: the hood. Butcher's in humanity is infecting m M in
• 2:21:09
  Speaker 4: a way he doesn't expect. He's trying to go.
• 2:21:12
  Speaker 6: If anyone goes, it's me and Homeland with mutually assured destruction,
• 2:21:16
  Speaker 6: but not wanting his friends to go out.
• 2:21:19
  Speaker 4: Now, if at any point he goes.
• 2:21:20
  Speaker 6: Super soft and does pull a full Butcher, and you
• 2:21:23
  Speaker 6: just see you just see Meaghan in the back with
• 2:21:26
  Speaker 6: a bat.
• 2:21:26
  Speaker 4: Like I told you I wasn't playing this shit.
• 2:21:30
  Speaker 5: Shit.
• 2:21:31
  Speaker 4: Well, well we got a couple more. We got a
• 2:21:33
  Speaker 4: couple more episodes left on til then.
• 2:21:40
  Speaker 9: Wrapper protocol initiated Captain.
• 2:21:46
  Speaker 4: Margu. Why while you are here talk to people? Tell
• 2:21:54
  Speaker 4: him where they can find you. You can find me
• 2:21:57
  Speaker 4: on Instagram, on nature out there. I am on.
• 2:22:04
  Speaker 11: Facebook. You can look up Alan Wrench on Facebook. My
• 2:22:08
  Speaker 11: books are dot dot U S A AH and you
• 2:22:14
  Speaker 11: can just kind of find me. You can reach out
• 2:22:16
  Speaker 11: to me on Instagram and you will reply to help anything.
• 2:22:20
  Speaker 11: Just you know that's where we are.
• 2:22:23
  Speaker 4: Yeah, uh, what do you freaking do? I do?
• 2:22:31
  Speaker 7: You can find me online?
• 2:22:35
  Speaker 4: Okay.
• 2:22:47
  Speaker 7: Finally, and for your nerding nail needs such as hit.
• 2:22:53
  Speaker 5: On nails.
• 2:22:59
  Speaker 7: You can find a fresh.
• 2:23:03
  Speaker 5: Is that kickstarter coming up? Hold on, there is that kickstarter.
• 2:23:08
  Speaker 5: You can go check it out that kickstarter. I'm gonna
• 2:23:10
  Speaker 5: leave this up so people can see it. My second
• 2:23:16
  Speaker 5: in command.
• 2:23:19
  Speaker 10: You can find me on Sundays at seven pm Eastern
• 2:23:21
  Speaker 10: Standard Time on a or in a room full of blurds.
• 2:23:26
  Speaker 10: That is gonna be on YouTube and Twitch mainly. Occasionally
• 2:23:29
  Speaker 10: I'll do Instagram if they're nice, sometimes they're not. I
• 2:23:33
  Speaker 10: also do voice acting and this coming Monday, which is
• 2:23:40
  Speaker 10: gonna be made up four, it'll be me and a
• 2:23:46
  Speaker 10: few of the roundabout people talking about the last two
• 2:23:52
  Speaker 10: episodes of Darth Maul Shadow Lord Over on the YouTube.
• 2:23:56
  Speaker 10: I think it's gonna be under the.
• 2:24:00
  Speaker 4: New blurred order.
• 2:24:01
  Speaker 9: Yes, with a new blurred order, thank you.
• 2:24:04
  Speaker 10: I'm very sleepy and I'm overwhelmed with the amount of
• 2:24:08
  Speaker 10: fuckery that was on that episode of The Boys, So it's.
• 2:24:11
  Speaker 4: Very hard to say.
• 2:24:14
  Speaker 9: But yeah, Monday at six pm with Whip, we can do.
• 2:24:25
  Speaker 4: You playing mouse? Are you doing your detective work right?
• 2:24:27
  Speaker 3: Yeah?
• 2:24:28
  Speaker 9: I have a whole gaming thing that I do too.
• 2:24:30
  Speaker 10: On Fridays at eight pm Eastern Standard time, I will
• 2:24:33
  Speaker 10: be getting into the second play through mouse p I
• 2:24:38
  Speaker 10: for higher watch me as I blaze through in spectacular fashion,
• 2:24:42
  Speaker 10: my very first first person shooter.
• 2:24:47
  Speaker 9: It is a mess. I can't play first. I'm terrible, but.
• 2:24:51
  Speaker 4: Laugh with me. She also has a membership option coming soon.
• 2:24:54
  Speaker 9: If you need to promote that until I'm ready, appreciate you,
• 2:24:58
  Speaker 9: thank you.
• 2:24:59
  Speaker 6: You need help coming up with names, so if y'all
• 2:25:01
  Speaker 6: can start spitballing in the comments, that'd be great.
• 2:25:03
  Speaker 4: Sure we're helping. I'm between two names, between two names.
• 2:25:15
  Speaker 4: See he's narrowed it down one of them I came
• 2:25:19
  Speaker 4: up with, gave me the other one, and I'm like,
• 2:25:22
  Speaker 4: that's sounds.
• 2:25:25
  Speaker 5: Go ahead.
• 2:25:27
  Speaker 6: This name all platforms or this name dash Gaming. You
• 2:25:30
  Speaker 6: can find me here. I do skits, bits and fun
• 2:25:33
  Speaker 6: of your ships and whatnot. Current one getting a job
• 2:25:36
  Speaker 6: and got them city on the gaming channel, finishing up
• 2:25:39
  Speaker 6: Mario Galaxy and starting assassins, Creed, Black Flag, and so far,
• 2:25:45
  Speaker 6: I'm three hours in and I hate everybody, like like,
• 2:25:50
  Speaker 6: my character is a fraud, the assassin I stole from
• 2:25:52
  Speaker 6: his a fraud, the ten frauds, and I ended on
• 2:25:56
  Speaker 6: a slave ship. So that's gonna be a great starting
• 2:25:58
  Speaker 6: point to pick.
• 2:25:59
  Speaker 4: Back up on everybody getting me. Everybody gets like.
• 2:26:05
  Speaker 6: I'm just like because it's like, oh, you wake up
• 2:26:07
  Speaker 6: and you're just this, this blond haired man who suddenly
• 2:26:10
  Speaker 6: has all the assassin skills and no one taught you this,
• 2:26:12
  Speaker 6: but you can kill an assassin and then it turns
• 2:26:15
  Speaker 6: out your assassin was a rogue. Anyway, Like everybody hears
• 2:26:18
  Speaker 6: just lying everybody. It's like, we're gonna go with the Caribbean.
• 2:26:21
  Speaker 6: I'm like, I think I'm gonna not sail there on purpose.
• 2:26:24
  Speaker 6: I'm how to change the timelines a little bit. But yeah,
• 2:26:27
  Speaker 6: other than that, I have an other video up. I
• 2:26:29
  Speaker 6: played Trees Hate You in a game called Deati's Disco
• 2:26:31
  Speaker 6: where you have to beat people's ass the beat of
• 2:26:33
  Speaker 6: the background tracks.
• 2:26:34
  Speaker 4: It was a lot of fun.
• 2:26:36
  Speaker 5: Yeah, when they're in the windows clubs, that's what it's like. Yeah,
• 2:26:42
  Speaker 5: nobody never sees them fighting in the clubs. They just
• 2:26:44
  Speaker 5: stay out the way.
• 2:26:46
  Speaker 4: Yeah.
• 2:26:46
  Speaker 6: Other than that, that's about it. Clips Monday, Wednesdays and
• 2:26:51
  Speaker 6: Fridays over here. So please be sure to like subscribe
• 2:26:53
  Speaker 6: hype the videos because that's an option now. Yes, then, yeah,
• 2:26:57
  Speaker 6: you can find me in the background of the edits
• 2:26:59
  Speaker 6: for the Harry game.
• 2:27:02
  Speaker 4: All right, and the Captain now speaks. I want to
• 2:27:08
  Speaker 4: thank Nigel Lynch for coming through.
• 2:27:10
  Speaker 9: Man.
• 2:27:10
  Speaker 5: Thanks Nigel. Go go show your support to that. Kickstarted
• 2:27:12
  Speaker 5: is right down there down belu. Go check that out.
• 2:27:16
  Speaker 5: I know I will go hit that notified will be
• 2:27:18
  Speaker 5: coming up shortly. Uh, thank you Nigel for coming in.
• 2:27:22
  Speaker 5: Thank you for the content, dude, those books are amazing.
• 2:27:25
  Speaker 4: Thank you.
• 2:27:27
  Speaker 5: You definitely got a You definitely got a new reader. Uh,
• 2:27:31
  Speaker 5: you definitely got a new and if you want more
• 2:27:33
  Speaker 5: like that, like I said, go over to his pages
• 2:27:37
  Speaker 5: on the instagrams in the Book of Faces and go
• 2:27:41
  Speaker 5: buy some stuff straight from the source.
• 2:27:45
  Speaker 4: Wook, you just got the last Hardier's book off of Amazon.
• 2:27:51
  Speaker 4: We said, what we do?
• 2:27:52
  Speaker 5: You know, I'm just saying, you know, so go show
• 2:27:56
  Speaker 5: your support. Like I said, Kick Started down at the battle.
• 2:27:59
  Speaker 4: Go check it now. It's in the lake. Don't be
• 2:28:02
  Speaker 4: a food until then.
• 2:28:04
  Speaker 5: Remember we are live Tuesdays and Thursdays a pm Eastern
• 2:28:09
  Speaker 5: on YouTube and Twitch. You can also listen to us
• 2:28:11
  Speaker 5: wherever you listen to your podcast, including Apple Podcasts, iHeartRadio,
• 2:28:16
  Speaker 5: and Spotify. Speaking of Spotify, your boy has a couple
• 2:28:20
  Speaker 5: of voice work jobs over on Spotify, So go check
• 2:28:22
  Speaker 5: out Talk Story to Me along with Lady mandalor been
• 2:28:27
  Speaker 5: in a couple projects ursel with with Josh So go
• 2:28:31
  Speaker 5: check out talk Story to Me on Spotify. Which voice
• 2:28:34
  Speaker 5: am I doing a lot of them? You know, we
• 2:28:37
  Speaker 5: see a lot of them. There's a lot of them.
• 2:28:41
  Speaker 5: I got IMDb credits now I can say that there's
• 2:28:43
  Speaker 5: a lot of them. You just have to go through
• 2:28:45
  Speaker 5: the figure it out until then, check us out Tuesday's Thursdays,
• 2:28:52
  Speaker 5: show your sport, hit that light, share, subscribe on YouTube
• 2:28:55
  Speaker 5: channel hype the button up, hit that hype button. That's
• 2:28:58
  Speaker 5: the thing. Now, help us come up with somebody is
• 2:29:00
  Speaker 5: for some membership names and maybe some membership content. You
• 2:29:05
  Speaker 5: never know what we might drop over there. So I'm
• 2:29:09
  Speaker 5: narrowing it down to two and one seems kind of generic.
• 2:29:13
  Speaker 5: Contain to another one and just kind of give me
• 2:29:17
  Speaker 5: a couple of days until then. Remember to educate yourself
• 2:29:21
  Speaker 5: and others, entertain yourself and others. Most of all, encourage
• 2:29:24
  Speaker 5: yourself and others. This is your man, Chris fury Man
• 2:29:26
  Speaker 5: on the Walk Capital of the Ship. Thank you to
• 2:29:27
  Speaker 5: the crew, Thank you to Nigel Lynch. Go show your
• 2:29:30
  Speaker 5: support and hit that Kickstarter Go to the all those
• 2:29:33
  Speaker 5: links and until then we will you know what it's made.
• 2:29:37
  Speaker 5: It's the first weekend of May, Free Comic Book Day.
• 2:29:41
  Speaker 5: Go support your brick and mortar stores and go get
• 2:29:46
  Speaker 5: some free comics. Introduce some new generation to people. I'm
• 2:29:49
  Speaker 5: looking forward to get my annual tick comic. I always
• 2:29:53
  Speaker 5: get the tick, so hopefully they got one this year.
• 2:29:56
  Speaker 5: I haven't looked at the lineups go to, but like
• 2:29:59
  Speaker 5: I said, go to your brick and mortars, show your support,
• 2:30:02
  Speaker 5: get you some free stuff. Until then, shout out to
• 2:30:04
  Speaker 5: Kalyn Johns for staying in business for almost forty years.
• 2:30:10
  Speaker 5: So shout out to Carolyn John's over in the Camp's
• 2:30:13
  Speaker 5: Corner area of Cleveland. I will be there maybe if
• 2:30:17
  Speaker 5: you're in the area, I'll see you. Until then, Remember
• 2:30:20
  Speaker 5: you will see you guys next Tuesday. APM shot. Are
• 2:30:33
  Speaker 5: you okay
• 2:30:35
  Speaker 3: Back