Latest / The Bootleg Kev Podcast / #552 - Chicken P

Transcript

#552 - Chicken P · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Man, it's chicking Pete Man. Check me out on the
• 0:02
  Speaker 1: Bootleg CAV podcast.
• 0:04
  Speaker 2: Ay before we start the episode, we're gonna remind everybody, man,
• 0:07
  Speaker 2: we got one of the biggest radio shows in the country,
• 0:09
  Speaker 2: syndicated in almost one hundred cities all over. Shout out
• 0:13
  Speaker 2: to iHeartRadio. All right, some of the latest cities that
• 0:16
  Speaker 2: we've been able to add. Man, we want to give a
• 0:18
  Speaker 2: shout out to ninety three point nine the Beat in Honolulu.
• 0:21
  Speaker 2: That's right, Hawaii, We over there going crazy. I also
• 0:24
  Speaker 2: want to give a shout out Hot ninety eight three
• 0:26
  Speaker 2: and Tucson. Shout out to Tucson going crazy. Also want
• 0:29
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• 0:30
  Speaker 2: in Tampa going crazy. We just got Richmond. We also
• 0:35
  Speaker 2: just got the good folks in Bakersfield at Hot one
• 0:37
  Speaker 2: O four to seven. So we're going crazy on the
• 0:40
  Speaker 2: radio with my partner James Andre Jefferson Junior for the
• 0:43
  Speaker 2: Bootleg keV Show. So make sure you tune in and
• 0:46
  Speaker 2: you can listen anywhere on that iHeart Radio app. That's right,
• 0:49
  Speaker 2: let's get into the interview, yo, Boutleg CAB podcast. Man,
• 0:55
  Speaker 2: we got a special guest in here, one of the
• 0:58
  Speaker 2: hottest dudes in the streets right now going crazy. Man,
• 1:00
  Speaker 2: Chicken Pee in the building. Welcome. How you doing bro?
• 1:02
  Speaker 1: What's going on? Man?
• 1:04
  Speaker 2: How you feeling? I'm good. How's LA treating you so far?
• 1:09
  Speaker 1: Yeah?
• 1:09
  Speaker 2: Every time I come on, when you come to l A,
• 1:13
  Speaker 2: you know, I noticed a lot of artists they'll come
• 1:15
  Speaker 2: to LA and then there's a lot of rap hustle
• 1:17
  Speaker 2: ship you could get done out here, Like you know,
• 1:19
  Speaker 2: the distros are tapping to try to get you to
• 1:21
  Speaker 2: do a drop. You know what I'm saying. There's the
• 1:22
  Speaker 2: meat and greet ship. Like when you come out here,
• 1:24
  Speaker 2: you like doing the features and you're doing the what
• 1:28
  Speaker 2: what what what? We would call the rap hustle ship
• 1:31
  Speaker 2: out here.
• 1:33
  Speaker 1: Avery time. Sometimes it would be being this for me,
• 1:37
  Speaker 1: like I'll be.
• 1:38
  Speaker 2: Having right you've been out here working like in the studio.
• 1:43
  Speaker 1: Yeah, every time I'm here, I'm always in the studio.
• 1:47
  Speaker 2: I saw you connected with Cyprus, who's an incredible producer
• 1:51
  Speaker 2: out of LA. Anybody else from LA you're working with.
• 1:56
  Speaker 1: With a lot of people from South Squad, you know. Yeah,
• 2:04
  Speaker 1: there'd be plenty of different artists that be out here
• 2:06
  Speaker 1: typing and they hit me going and like come on's
• 2:10
  Speaker 1: do this, Let's do that.
• 2:11
  Speaker 2: Any artists in particular funk without here. There's a lot
• 2:14
  Speaker 2: of dope dudes on the come up right now. Uh
• 2:22
  Speaker 2: the boy Fallejo that's up north. But yeah, yeah, yeah,
• 2:26
  Speaker 2: he shout out to the Bay He I fuck with
• 2:30
  Speaker 2: his ship.
• 2:32
  Speaker 1: It's just different though, like the lingo for sure, Lingo
• 2:36
  Speaker 1: it's different.
• 2:38
  Speaker 2: Yeah, I mean you're from Milwaukee. I can only imagine
• 2:40
  Speaker 2: because like the last dude from Milwaukee I remember popping
• 2:43
  Speaker 2: was cool. Cool cow Yeah that in my project ship
• 2:47
  Speaker 2: was crazy when I was a kid. You know what
• 2:48
  Speaker 2: I'm saying. Yeah, shout out to that dude that was too.
• 2:53
  Speaker 2: But I heard my homie used he was my homie
• 2:55
  Speaker 2: works with with Tory Craig and Jay Crowder. So when
• 2:58
  Speaker 2: they were on the Bucks, he was starting to tell
• 2:59
  Speaker 2: me about like some of the like the music scene
• 3:03
  Speaker 2: out in Milwaukee, Like y'all really got some shit going
• 3:05
  Speaker 2: right out, Like.
• 3:06
  Speaker 1: Yeah, hell yeah, we got some shit going for show.
• 3:10
  Speaker 1: We been had some shit going on. They just know
• 3:12
  Speaker 1: I'm stunting tune in.
• 3:13
  Speaker 2: For real, right Yeah. I feel like the last like
• 3:17
  Speaker 2: two years, like it's it's really starting to take off
• 3:19
  Speaker 2: in terms of like a few of y'all really getting
• 3:21
  Speaker 2: some like love national you know. Yeah, is it like
• 3:25
  Speaker 2: because I'm from Phoenix, right, so in Arizona, like because
• 3:29
  Speaker 2: we're not on as a city, it's a lot of crabs,
• 3:32
  Speaker 2: and I'm about in hip hop, it's a lot of
• 3:34
  Speaker 2: like crabs in a barrel type shit where like it's
• 3:37
  Speaker 2: like a lot of like the local artists can't get
• 3:38
  Speaker 2: out of their own way, they're hating on each other's. Like,
• 3:40
  Speaker 2: is it like that in Milwaukee where it's like a
• 3:42
  Speaker 2: lot of like small city minded shit going on in
• 3:46
  Speaker 2: terms of the hip hop scene.
• 3:49
  Speaker 1: Yeah, No, it's like that everywhere, bro, everywhere you go
• 3:53
  Speaker 1: for real, right, Like that's how it's gonna be, bro
• 3:57
  Speaker 1: everywhere you go. Like if you're from somewhere and you've
• 4:01
  Speaker 1: been here your whole life, so you've been around everything
• 4:04
  Speaker 1: that's been going on, you've been seeing shit, that's how
• 4:07
  Speaker 1: it be for everybody. But no, like it's people that's
• 4:14
  Speaker 1: that that come together and be like, man, we could
• 4:17
  Speaker 1: do way more together shit, and if we just hanging
• 4:21
  Speaker 1: on each other and keep building up, but it won't
• 4:23
  Speaker 1: be a lot of politics going on. And that's everywhere
• 4:26
  Speaker 1: you go to.
• 4:27
  Speaker 2: I feel like that's uh one, Like everyone started to
• 4:31
  Speaker 2: have that mentality in Detroit where they stopped beefing and
• 4:34
  Speaker 2: they started just moving like like together, shit started to
• 4:38
  Speaker 2: really see you know what I'm saying, Like everybody's like
• 4:42
  Speaker 2: fucking with each other, like dudes who you know. It
• 4:44
  Speaker 2: was so dope to see, like, you know, Skill a
• 4:47
  Speaker 2: Baby and Tee Grizzly do a whole album together after
• 4:49
  Speaker 2: you know, Sada and Teas issues and shit. So I
• 4:52
  Speaker 2: feel like they kind of showed that city like, hey,
• 4:55
  Speaker 2: if we moved together, it's a lot better than moving
• 4:58
  Speaker 2: and dividing, you know what I'm saying.
• 5:00
  Speaker 1: Yeah, it is you accomplished, man.
• 5:03
  Speaker 2: What would you say? Obviously Milwaukee is it's a Midwest town. Sonically,
• 5:08
  Speaker 2: you guys kind of have your own thing going on.
• 5:10
  Speaker 2: It's you know, I think I think what would you say, like,
• 5:12
  Speaker 2: sonically you guys are are you know, because when we
• 5:16
  Speaker 2: think of the Midwest, we think of Detroit Chicago, and
• 5:19
  Speaker 2: that's really the two major hip hop cities. What would
• 5:23
  Speaker 2: you guys say, Like would you say, growing up, were
• 5:25
  Speaker 2: you listening to Chicago shit? Chicago's right there, Detroit shit, you.
• 5:30
  Speaker 1: Was listening to all type of shit? Chicago shit, Detroit shit,
• 5:35
  Speaker 1: and then that.
• 5:36
  Speaker 2: Ship tried to Cleveland too. I heard about Cleveland both.
• 5:40
  Speaker 1: We was listening to all that shit for real, but
• 5:47
  Speaker 1: we was listening to the more like after like Chief
• 5:50
  Speaker 1: keith Man, we started listening to the more like Detroit.
• 5:55
  Speaker 2: Right, Yeah, I feel like that Detroit sounds been so
• 5:58
  Speaker 2: influential even on the West Coast. Like you hear like
• 6:00
  Speaker 2: West Coast guy's wrapping over like Detroit Beach. You'd be like, damn,
• 6:04
  Speaker 2: it's the same tempo, but there's like those little those
• 6:06
  Speaker 2: little nuggets where it's like this sounds like some Detroit shit.
• 6:08
  Speaker 1: Yeah for sure.
• 6:09
  Speaker 2: Yeah, how long have you been like super I would
• 6:14
  Speaker 2: say this, how long have you been making like money
• 6:16
  Speaker 2: and rap where you could just focus on hip hop
• 6:19
  Speaker 2: and that was like your main gig or like things
• 6:21
  Speaker 2: started to click.
• 6:22
  Speaker 1: For you for a minute.
• 6:28
  Speaker 2: For a minute, bro.
• 6:29
  Speaker 1: But I had went to jail, and then when I
• 6:33
  Speaker 1: got out of jail, that's what I just was like.
• 6:37
  Speaker 2: Full gotta lock in. Yeah, where your did you get out.
• 6:43
  Speaker 1: Twenty twenty three? I had went in twenty twenty two.
• 6:47
  Speaker 1: I did like ten months and then I ended up
• 6:50
  Speaker 1: getting up and I'm like, shit, I can't keep getting
• 6:53
  Speaker 1: in trouble.
• 6:54
  Speaker 2: Yeah, that wasn't that was That wasn't your first time going.
• 6:58
  Speaker 1: To Joe, But shit, I haven't been in trouble since then.
• 7:05
  Speaker 2: I feel like when you're sitting there, maybe you probably
• 7:08
  Speaker 2: had some motion before you went in, and you're like, damn,
• 7:10
  Speaker 2: like a little much, but everything starts kind of clicking
• 7:13
  Speaker 2: in your head. You're like, what if I just focused
• 7:15
  Speaker 2: on that, like I might not be Yeah, that's that's
• 7:19
  Speaker 2: exactly what. You start having conversations with yourself.
• 7:21
  Speaker 1: And Tom and that be like, damn, dog, I wish
• 7:25
  Speaker 1: if I want to did this, if I would have
• 7:27
  Speaker 1: just been damn you get out and really stick to it,
• 7:31
  Speaker 1: you see, like damn to get fired a bench, stick
• 7:33
  Speaker 1: to this ship, I probably would have been you know
• 7:38
  Speaker 1: what I'm saying.
• 7:39
  Speaker 2: For sure? Hell yeah yeah. I feel like that's I
• 7:44
  Speaker 2: feel like there's been a few artists who had that.
• 7:45
  Speaker 2: I remember I talked to Manzie Manji said the same thing.
• 7:47
  Speaker 2: It's like, Man, I went to jail. When I was
• 7:50
  Speaker 2: sitting there, I was like, what the fuck is going on?
• 7:52
  Speaker 2: Like people in here know who I am, Like.
• 7:54
  Speaker 1: The staff, right, motherfuckers who coming in and the.
• 7:58
  Speaker 2: Other they're probably like what do you doing here?
• 8:00
  Speaker 1: You know what I'm saying, You gotta get a part
• 8:02
  Speaker 1: of here right, all your face and ship.
• 8:05
  Speaker 2: But you're thinking like bro right is a bitch. I
• 8:07
  Speaker 2: need to get the fuck about it for sure. Yeah,
• 8:13
  Speaker 2: talk about who would you say, like influence your sound
• 8:17
  Speaker 2: because you have a very unique flow. You don't sound
• 8:20
  Speaker 2: like a lot of people in music, Like I feel
• 8:23
  Speaker 2: like you're you're very unique in your delivery and ship.
• 8:25
  Speaker 2: Like what would be you say be your biggest influences
• 8:28
  Speaker 2: on the music? Tip?
• 8:30
  Speaker 1: I don't know, bro, Cuz.
• 8:33
  Speaker 2: This ship don't listen to.
• 8:38
  Speaker 1: Like I don't just be in that wave.
• 8:42
  Speaker 2: Like what you listen to doesn't necessarily sound like the
• 8:44
  Speaker 2: music you're making. Is that what you're saying?
• 8:46
  Speaker 1: Future?
• 8:48
  Speaker 2: Yeah, Like.
• 8:53
  Speaker 1: I listened to a lot of ship bro, nice little
• 8:56
  Speaker 1: blending music, but like future is my first rapper, but
• 9:00
  Speaker 1: I don't think I sound like it'll.
• 9:04
  Speaker 2: Future now no sh what's your favorite future mixtape or album?
• 9:12
  Speaker 2: This is a great debate.
• 9:16
  Speaker 1: You're talking like the older future like the newer future.
• 9:21
  Speaker 2: I mean I would say that was that twenty fifteen,
• 9:25
  Speaker 2: twenty sixteen and older? Maybe there's so much just fifty
• 9:30
  Speaker 2: six nights momm obviously dirty speak.
• 9:34
  Speaker 1: SMO for show, dirty sprite too for show. But that's
• 9:37
  Speaker 1: what everybody you know?
• 9:38
  Speaker 3: Yeah, yes, two was like the yeah, the obvious answer
• 9:42
  Speaker 3: be smoll fifty six nights.
• 9:45
  Speaker 1: Uh really, I don't know be smo though, that's my
• 9:50
  Speaker 1: favorite one for show.
• 9:52
  Speaker 2: For Shure's a classic for sure. How did you come
• 9:57
  Speaker 2: up with your name? Chicken pe Man? What give me
• 10:00
  Speaker 2: the origins of of of your rap name?
• 10:03
  Speaker 1: No? I got there. This is lady. She used to
• 10:06
  Speaker 1: call me though, so I just she.
• 10:08
  Speaker 2: Had she would call your chicken peed just because.
• 10:13
  Speaker 1: No, that's she said. I just running around and she
• 10:17
  Speaker 1: was like the auntie Tommy though.
• 10:18
  Speaker 2: Okay, she was running around like like.
• 10:20
  Speaker 1: You know, chickens be crazy running Yeah, chick chick chee ship.
• 10:25
  Speaker 2: And then when.
• 10:27
  Speaker 1: I started rapping, I'm like, I ain't had no name, Like,
• 10:30
  Speaker 1: i'mta just go with that.
• 10:32
  Speaker 2: Mm hmm, that's gonna.
• 10:33
  Speaker 1: Be my name.
• 10:35
  Speaker 2: Yo. I saw you on What Happened with the Playboy
• 10:39
  Speaker 2: Max stream because you went viral for that because he
• 10:44
  Speaker 2: was like, essentially it looked like he was trying to
• 10:46
  Speaker 2: get you up out of there. It's actually Red was
• 10:47
  Speaker 2: hanging out like it was like what what breakdown what
• 10:49
  Speaker 2: happened that night?
• 10:51
  Speaker 1: Bill ain't ship good that night. Look, bro, get in there. Bro.
• 10:57
  Speaker 1: You know me, I'll be chilling, but I'll be vibing too.
• 11:01
  Speaker 1: So I come in here and shit, you know they
• 11:03
  Speaker 1: are serious and shit, I'm cracking jokes right, niggas are
• 11:08
  Speaker 1: serious as a bitch. And there I'm like, Yo, what
• 11:10
  Speaker 1: the fuck fuck doing so serious fuff? But this was
• 11:14
  Speaker 1: before I even cause it was two airbnbs, bro, So
• 11:19
  Speaker 1: we in one of 'em he and the oh other one.
• 11:22
  Speaker 1: But it's niggaive door, Okay, So I'm in that bitch,
• 11:26
  Speaker 1: me and baby Chief do it. We in there, we
• 11:29
  Speaker 1: chopping it up. You know what I'm saying. I'm chopping
• 11:32
  Speaker 1: it up with her, bro, cause he funny is a bitch, right.
• 11:35
  Speaker 1: We in there, we chopping it up. But everybody that
• 11:38
  Speaker 1: was there or already, they serious as a bitch.
• 11:40
  Speaker 2: So I'm like, what the fuck going on?
• 11:42
  Speaker 1: Then? You know I don't smoke, So we in that bitch,
• 11:49
  Speaker 1: but I I was. I was smoking black of Miles,
• 11:52
  Speaker 1: and shit, I was respecting him. We can't smoke and everything,
• 11:56
  Speaker 1: and shit, bro, he playing he get to plan plenty beats, bro,
• 12:01
  Speaker 1: And I'm in that bench, Like shit, what the fuck?
• 12:04
  Speaker 2: Not feeling the beats obviously.
• 12:05
  Speaker 1: Yeah yeah, but it ain't shit going on either, bro,
• 12:09
  Speaker 1: Like it ain't no vibe been here.
• 12:11
  Speaker 2: Everybody just vibes already on zero and then the beat suck.
• 12:15
  Speaker 1: So me, I'm like, got some dye, you know what
• 12:18
  Speaker 1: I'm saying. I get to have me a couple of
• 12:22
  Speaker 1: shots in that bitch nigga. But then I got filled
• 12:24
  Speaker 1: up listening to them bitches. I'm like, bro, I ain't
• 12:26
  Speaker 1: gonna lot these bitches weak for you know what I'm saying.
• 12:29
  Speaker 1: And I guess it was other producers trying to send
• 12:32
  Speaker 1: this they beats in but he like, man, this invite
• 12:36
  Speaker 1: only the distros, invite only with you, with you. So
• 12:41
  Speaker 1: I'm like, shit, buddy, these motherfucker's week brothers just stuff out.
• 12:44
  Speaker 2: It just smoking me in black b Yeah, you.
• 12:47
  Speaker 1: Know what I'm saying.
• 12:48
  Speaker 2: It was like the goal for you guys to work
• 12:49
  Speaker 2: on the record that because I know he does that
• 12:51
  Speaker 2: sometimes where he'll have like, you know, you guys making
• 12:55
  Speaker 2: music on the stroke. I thought.
• 13:00
  Speaker 1: It was finna be like some sex like sexy. It
• 13:06
  Speaker 1: was gonna have a song some shit. So we and
• 13:11
  Speaker 1: that bitch they playing beats. Ain't none of us feeling
• 13:16
  Speaker 1: them bitches? Bro Right, I'll go outside. I guess Sexy
• 13:22
  Speaker 1: sent the song there?
• 13:23
  Speaker 2: Did she invite you or did he invite you? Bro? Okay,
• 13:27
  Speaker 2: just like.
• 13:32
  Speaker 1: Because I could be truthful and then like like to
• 13:37
  Speaker 1: be honest, bro, I'm finna dropping ship, right, Yah, I
• 13:45
  Speaker 1: had a.
• 13:46
  Speaker 4: Show and no listen, I had a show now because
• 13:54
  Speaker 4: I'm finna just be truthful about the Hubble situation, bro,
• 13:57
  Speaker 4: because like.
• 14:00
  Speaker 1: I had a show lined up label in my eyes, like, bro,
• 14:06
  Speaker 1: we want you to go on on plack boy Max.
• 14:10
  Speaker 1: Shit you know what I'm saying.
• 14:12
  Speaker 2: Yeah, Like it's a good look going there. It's a
• 14:14
  Speaker 2: promo shit.
• 14:15
  Speaker 1: Yeah you know, bro, I only only had new of
• 14:17
  Speaker 1: them because of the ship with him in five yar
• 14:20
  Speaker 1: Old and all them right right right right right right.
• 14:22
  Speaker 2: So but I ain't you know, I ain't.
• 14:24
  Speaker 1: I'm like shit, Bro, I finking go get this paper.
• 14:28
  Speaker 1: I got a show, Like I don't give a fuck
• 14:30
  Speaker 1: to be on a stream bro.
• 14:32
  Speaker 2: Yeah, like like they say it, sus he was a
• 14:34
  Speaker 2: promo stop some.
• 14:36
  Speaker 1: Ship like that That's how I felt once I was there, bro,
• 14:39
  Speaker 1: And I'm like shit, bro, Bro, ain't he ain't It's.
• 14:44
  Speaker 2: Almost like he didn't even want you to fucking be
• 14:46
  Speaker 2: there first with a fat brother.
• 14:47
  Speaker 1: So I'm like, why the fuck y'all stop me from
• 14:49
  Speaker 1: doing what the fuck I was already doing to keep
• 14:53
  Speaker 1: me up here, bro, And then y'all got these weak
• 14:55
  Speaker 1: guys beats playing, bro, Like, don't nobody want to hear
• 14:58
  Speaker 1: these bitches? My nigga?
• 14:59
  Speaker 2: Like? Right, that was it? Did you and Sexy exchange
• 15:04
  Speaker 2: the info? Maybe to work in the future? She's amazing? Yeah,
• 15:08
  Speaker 2: like that ain't that shit? And that's what everybody else.
• 15:12
  Speaker 1: Was saying too, like, oh, bro, he was there trying
• 15:15
  Speaker 1: to play tough for Sexy, Like Bro, I wasn't trying
• 15:18
  Speaker 1: to play tough for her. That's my friend, right right, right,
• 15:21
  Speaker 1: right right, Bro, I talked, that's my friend. Bro. So
• 15:24
  Speaker 1: it's like I'm just telling you, like you playing all
• 15:27
  Speaker 1: these beats and that's why ain't nobody vib into these
• 15:29
  Speaker 1: bitches because they wee cans here.
• 15:32
  Speaker 2: It wasn't personal, though, Yo. Do you feel like there's
• 15:37
  Speaker 2: like this cool between like guys like yourself, bosstonand Lo
• 15:43
  Speaker 2: the shouts to the homie belly game, Cushington, It feels
• 15:46
  Speaker 2: like there's like a real renaissance of like music that's
• 15:50
  Speaker 2: about like trapping as opposed to like crashing out and
• 15:54
  Speaker 2: murdering people and like getting high in overdosing. Do you
• 15:58
  Speaker 2: feel that turning hip hop where it's like it's it's
• 16:01
  Speaker 2: like it wasn't like five you know what I'm saying,
• 16:03
  Speaker 2: Oh six o seven yeah, hell yeah, bro, Like I
• 16:06
  Speaker 2: think we're all tired of the crash out like fucking
• 16:09
  Speaker 2: murderer ops music. You know what I'm saying, Get.
• 16:11
  Speaker 1: Money music, yeah, motivation and music. It's for sure. Make
• 16:17
  Speaker 1: this ship that been coming up, make the mother want
• 16:19
  Speaker 1: to get them some exactly. You know what I'm saying.
• 16:23
  Speaker 2: Are you like conscious of that and like trying to
• 16:26
  Speaker 2: make sure like hey, yo, I know this shit is
• 16:27
  Speaker 2: kind of missing from like mainstream hip hop in terms
• 16:30
  Speaker 2: of like, you know, the artists that are hot. You know,
• 16:33
  Speaker 2: It's like it feels like there's all these weird YouTube
• 16:36
  Speaker 2: documentaries and you know, motherfuckers become these like main characters
• 16:40
  Speaker 2: to fans and these stories to play out online. It's
• 16:42
  Speaker 2: like whatever happened to the getting money music dog or
• 16:45
  Speaker 2: just the fun shit? Like you know what I'm saying, Like.
• 16:47
  Speaker 1: Yeah, get money first, though, kids like right, fuck some
• 16:51
  Speaker 1: fun shit.
• 16:52
  Speaker 2: Bro, you ain't get money. You ain't never had no
• 16:55
  Speaker 2: fun one hundred percent. So you got have fun if
• 16:59
  Speaker 2: you don't have money.
• 17:00
  Speaker 1: But no, you you got a little fun, but it
• 17:03
  Speaker 1: ain't gonna be the type of fun you have when
• 17:05
  Speaker 1: you get money.
• 17:06
  Speaker 2: You you know what I'm saying right.
• 17:08
  Speaker 1: That's a whole different type of fun.
• 17:09
  Speaker 2: Yeah, for sure.
• 17:10
  Speaker 1: So why you want to be just want to make it?
• 17:12
  Speaker 1: You just a fun music making ass nigga? Like, eh no,
• 17:16
  Speaker 1: what's some music making motherfucker? Want to get some money?
• 17:19
  Speaker 2: What? Uh do you remember the first like crazy purchase
• 17:24
  Speaker 2: you made when you got a pretty wild wrap check, Like,
• 17:26
  Speaker 2: was there like anything besides besides jewelry? I think jeury
• 17:29
  Speaker 2: everybody gets the jewelry ship? Was there anything like cool
• 17:31
  Speaker 2: you bought where you were like, man, I need this,
• 17:34
  Speaker 2: Oh no.
• 17:35
  Speaker 1: I was just boss. Then you think about it like
• 17:41
  Speaker 1: that was stupid. It's a bit touch even bought that.
• 17:44
  Speaker 2: What's the biggest dumb thing where you were like why
• 17:47
  Speaker 2: did I buy this? Like I bought a cyber truck
• 17:51
  Speaker 2: and I love it, but every time I drive in
• 17:53
  Speaker 2: it and people stare at me and they flip me
• 17:55
  Speaker 2: off because they hated line musk. I'm like, why did
• 17:57
  Speaker 2: I buy this fucking thing? It's one hundred thousand dollars
• 17:59
  Speaker 2: fucking giant piece of metal. What the fuck a my
• 18:02
  Speaker 2: I could have got a fucking range Rover and I
• 18:03
  Speaker 2: gotten flipped off. It's the dumbest thing you've bought. It.
• 18:06
  Speaker 1: Regretted clothes because like, Bro, all my other shit I'll
• 18:12
  Speaker 1: be warming. So when I be buying that shit, I
• 18:14
  Speaker 1: don't regret it, but like the clothes, but because it'd
• 18:18
  Speaker 1: be like food, like you be buying that shit, bro,
• 18:24
  Speaker 1: and then like you just get to thinking. But like
• 18:27
  Speaker 1: I'm the type of to get to thinking, like, Bro,
• 18:30
  Speaker 1: it probably costs six dollars to make this shirt.
• 18:32
  Speaker 2: Bro, they just made me spend it. For sure.
• 18:34
  Speaker 1: They just made me spend nine hundred and sixty dollars
• 18:37
  Speaker 1: on this motherfucker.
• 18:38
  Speaker 2: You're right by the way, you.
• 18:40
  Speaker 1: Know what I'm saying. And then I just get to
• 18:42
  Speaker 1: thinking about all that shit, Like Bro, I said, it's
• 18:46
  Speaker 1: just real fucking jogging soon.
• 18:50
  Speaker 2: The other thing, too, is if you're like famous, you
• 18:52
  Speaker 2: can only wear certain shit on camera, Like I'll be
• 18:57
  Speaker 2: wearing my shit blah blah. You know it was a
• 19:01
  Speaker 2: good job. You remember who who really was wearing the
• 19:04
  Speaker 2: ship NonStop. Remember when Soldier Boy had his Gucci headband
• 19:07
  Speaker 2: interview running Yeah houck wear that ship for a year strike.
• 19:11
  Speaker 1: I was calling home hearing about that ship. But but
• 19:17
  Speaker 1: like me, but that should be cool because I know
• 19:20
  Speaker 1: some some like some entertainer, they only buyt ship. They
• 19:24
  Speaker 1: wear that ship, take that ship like they be leaving
• 19:26
  Speaker 1: tags and ship and ship like that.
• 19:28
  Speaker 2: Although I think they're they'll return it like to the store.
• 19:31
  Speaker 1: You know what I'm saying, get the paperback. But like me, Bro,
• 19:34
  Speaker 1: I wouldn't be buying my ship where it would be like.
• 19:38
  Speaker 2: I do feel like.
• 19:39
  Speaker 1: Wearing my shirt again, wear mush it again?
• 19:43
  Speaker 2: I do you feel like? The more efficient thing is
• 19:44
  Speaker 2: like the white tea? Oh yeah, where do you get
• 19:48
  Speaker 2: your white teas from? I know everybody loves the Target
• 19:50
  Speaker 2: White teas.
• 19:51
  Speaker 1: Bro, then Target White Teas cool.
• 19:54
  Speaker 2: The good Fellows, G Star G start raw in the express,
• 19:59
  Speaker 2: the express, I like expresses in an emergency. Emergency targets
• 20:08
  Speaker 2: the emergency one. Hey, where are we at? I need
• 20:10
  Speaker 2: some tease? Someone go to Target and grab me some
• 20:12
  Speaker 2: good Fellows? Yeah for sure? Yeah, yeah them.
• 20:16
  Speaker 1: You know it's called a pair of thieves. Them it's
• 20:19
  Speaker 1: slim fitted ones, but it's a target too.
• 20:22
  Speaker 2: Seconds.
• 20:22
  Speaker 1: Yeah, yeah.
• 20:25
  Speaker 2: Do you even like when if you're in Milwaukee, do
• 20:27
  Speaker 2: you do you go to the grocery store like as
• 20:29
  Speaker 2: chicken pea? Are you like shopping or you send like
• 20:32
  Speaker 2: you send your folks to because I mean, you gotta
• 20:34
  Speaker 2: be fucking you probably can't go nowhere out there.
• 20:36
  Speaker 1: No, Like, look, bro, this is crazy. I just start
• 20:41
  Speaker 1: like trying to like get myself in a feeling like that.
• 20:45
  Speaker 1: But I'll be in the store, but I don't. Don't
• 20:47
  Speaker 1: nobody anybody who anybody knows nothing to go to, no
• 20:52
  Speaker 1: fucking store in Milwaukee County. But I go to the
• 20:56
  Speaker 1: store around like like suburbs here or like one of
• 21:01
  Speaker 1: them nice areas. People still you know who I am.
• 21:04
  Speaker 1: But it ain't nigga, no nothing to do, no stupid
• 21:08
  Speaker 1: shit out here go they dumb master jail playing right right,
• 21:11
  Speaker 1: we are here. You gotta know what area is to
• 21:16
  Speaker 1: go out, bro, was like fuck all that fake tough shit.
• 21:19
  Speaker 2: Right were you were you when when the Bucks beat
• 21:23
  Speaker 2: my Phoenix Suns in the NBA Finals. Were you a
• 21:25
  Speaker 2: free man at that time or were you incarcerated? What
• 21:29
  Speaker 2: year was that one? Oh? Yeah, I was up, are
• 21:34
  Speaker 2: you are you? I assume you're a big Bucks fan.
• 21:37
  Speaker 1: That had to be a big deal, right, I'm anything
• 21:41
  Speaker 1: that come out of Milwaukee, like or Wisconsin.
• 21:44
  Speaker 2: So you're a Packers fan? Bucks Brewers a bros. What's
• 21:50
  Speaker 2: the is Marquette over there?
• 21:53
  Speaker 1: Yeah that's Murkutt too. Yeah. You gotta make sure, bro,
• 21:57
  Speaker 1: you gotta root for where. I don't give a fuck
• 21:59
  Speaker 1: if you ever win.
• 22:00
  Speaker 2: Bro, you still I mean, y'all got to ring with Yannis?
• 22:03
  Speaker 2: It seems like, yeah, it seems like Yannis might be
• 22:06
  Speaker 2: trying to get up out there.
• 22:07
  Speaker 1: Yeah, Bro, that's what That's what they me and my
• 22:09
  Speaker 1: brother been talking about that. I'm like, shit, he did
• 22:12
  Speaker 1: what he was supposed to do for us.
• 22:14
  Speaker 2: He brought us to one hundred. It's like, at this point,
• 22:16
  Speaker 2: you brought you want to go?
• 22:18
  Speaker 1: Bro?
• 22:19
  Speaker 2: Much love to you for sure, Bro. Yeah. Once once
• 22:23
  Speaker 2: Dame Dame went down with that injury, it was like, like,
• 22:26
  Speaker 2: I don't know, I don't know how much. I don't
• 22:28
  Speaker 2: know if is going to hang out for that rebuild.
• 22:30
  Speaker 1: You know, he might though they might find some extra
• 22:34
  Speaker 1: millions for his ass.
• 22:35
  Speaker 2: Like listen, like on the side, I was one of
• 22:39
  Speaker 2: that like if I own the NBA team, and I
• 22:42
  Speaker 2: could only pay like a certain player of Max like
• 22:44
  Speaker 2: on the side, be like, hey, yeah, I gotta I'm
• 22:47
  Speaker 2: gonna drop off a brown paper bag like an extra
• 22:50
  Speaker 2: ten for you never know, bro, You're never get sticky, bro,
• 22:55
  Speaker 2: be happy to do what they gotta do. You never know, bro.
• 23:01
  Speaker 1: You Uh.
• 23:02
  Speaker 2: What I like about the way you're releasing your projects
• 23:05
  Speaker 2: is you have like series of ship so you have
• 23:08
  Speaker 2: like is there a volume two of Chick James on
• 23:11
  Speaker 2: the way? Because you have multiple volumes of series.
• 23:16
  Speaker 1: I was thinking, hell, yeah, I'm gonna come back to
• 23:22
  Speaker 1: it for.
• 23:23
  Speaker 2: Are you approaching like a Chick James project? It's an album?
• 23:26
  Speaker 2: Come on, Okay, everything so far has been mixtapes? Is
• 23:30
  Speaker 2: that fair to say?
• 23:31
  Speaker 1: Yeah? For real? Hell yeah, this one it's gonna be albums.
• 23:38
  Speaker 2: Yeah. How do you approach when you think, okay, everything
• 23:43
  Speaker 2: we've done so far, because you have so many bodies
• 23:45
  Speaker 2: of work if they're all mixtapes, do you have a
• 23:47
  Speaker 2: different approach to like this is supposed to be the
• 23:50
  Speaker 2: first album? You know what I'm saying. It's almost like
• 23:53
  Speaker 2: note when Jeezy had Doug Motivation one on one, but
• 23:56
  Speaker 2: you had Trapp or Die and all that ship, you
• 23:58
  Speaker 2: know what I mean? Like like me, yea just approach
• 24:01
  Speaker 2: every every every project the same. But they like this
• 24:07
  Speaker 2: album the label. Yeah like this the album, bro, Like
• 24:13
  Speaker 2: we gotta get a bigger feature, We gotta put the
• 24:16
  Speaker 2: big calls in.
• 24:17
  Speaker 1: Yeah, like it ain't even that age. Just no, just
• 24:20
  Speaker 1: like but it be I gotta I've been networking and
• 24:26
  Speaker 1: moving and grooving and this ship. I got a couple
• 24:30
  Speaker 1: guys I can call. They get on some ship fast.
• 24:33
  Speaker 1: But it just be like the way they trying to
• 24:36
  Speaker 1: line everything good.
• 24:39
  Speaker 2: It's supposed to be big, yo. Uh talk about your
• 24:44
  Speaker 2: is really richer? That's your label? But like or are
• 24:49
  Speaker 2: you signing that label? Is that your label?
• 24:52
  Speaker 1: That's yeah, that's some shit me and my boys started.
• 24:57
  Speaker 2: Do you guys have other artists?
• 25:01
  Speaker 1: No, it's just me right now. We did, But like
• 25:05
  Speaker 1: it ain't that ship ain't right.
• 25:07
  Speaker 2: Go Do you feel like you you were you would
• 25:12
  Speaker 2: be in a position to want to try to sign
• 25:13
  Speaker 2: new like new talent or you like focused on just
• 25:16
  Speaker 2: like you still got obviously a lot of ship to
• 25:18
  Speaker 2: get done yourself, you know what I mean?
• 25:20
  Speaker 1: Yeah, no, right now I'm just blinded.
• 25:25
  Speaker 2: I ain't gonna I had to do a double take
• 25:26
  Speaker 2: when I saw your music video because I was like,
• 25:28
  Speaker 2: is that a pr E chain?
• 25:30
  Speaker 1: Do you get that?
• 25:32
  Speaker 2: God? Because I did a double take. I looked it up.
• 25:35
  Speaker 2: I was like, is this guy sign a paper route? Yeah?
• 25:38
  Speaker 1: Plenty bother asking me that.
• 25:43
  Speaker 2: Are the banner covers the bottom of the r though,
• 25:47
  Speaker 2: So people don't know better than you know they on
• 25:49
  Speaker 2: a on a quick glance.
• 25:51
  Speaker 1: Yeah. They They asked me that a couple of times.
• 25:55
  Speaker 2: And I'm like, you know, do you just what?
• 26:02
  Speaker 1: Huh?
• 26:02
  Speaker 2: Do you? Are? You like the type of when you're
• 26:06
  Speaker 2: in the booth, are you punching in or you writing
• 26:08
  Speaker 2: shit down? Did you ever write shit down? Or you
• 26:11
  Speaker 2: kind of always been punching in? Like my first my first.
• 26:20
  Speaker 1: Take, I wrote some of that shit.
• 26:25
  Speaker 2: Like when you were in jail, were you writing shit down?
• 26:28
  Speaker 1: Yeah? But then when I got out, bro that shit
• 26:30
  Speaker 1: was weak as hell to me.
• 26:32
  Speaker 2: So you didn't use any of that shit?
• 26:34
  Speaker 1: Like, no, broh, And I think I d I'd be
• 26:36
  Speaker 1: telling myself I need to go find a thet thing,
• 26:40
  Speaker 1: find like the notebook.
• 26:41
  Speaker 2: Yeah, tell the.
• 26:42
  Speaker 1: Fuss and beats and see how that shit it's huh.
• 26:45
  Speaker 1: But don't be liking the music that you.
• 26:47
  Speaker 2: Write right, Well, you also like you can't like really
• 26:51
  Speaker 2: write to a beat. You know what I'm saying, Like,
• 26:53
  Speaker 2: if you're locked up, like you're like, maybe there's a
• 26:55
  Speaker 2: beat in your head. I I they record little clips.
• 27:00
  Speaker 1: The beat, it's center to me.
• 27:04
  Speaker 2: I'll be in that bitch like man, this mother fucking week. Well,
• 27:08
  Speaker 2: then be something beatspot, I'll be feeling them, but they
• 27:14
  Speaker 2: just be I don't know, like right.
• 27:19
  Speaker 1: And then when that got out, I'm trying to put
• 27:22
  Speaker 1: the beats because they timbed in my head to different beats, right,
• 27:27
  Speaker 1: trying to ship the weak.
• 27:29
  Speaker 2: Hell, I don't know what kind of technology Tory Lanez
• 27:33
  Speaker 2: was able to get into his cell, But that motherfucker's
• 27:35
  Speaker 2: album sounds amazing. I heard that lanes out myself. What
• 27:41
  Speaker 2: the fuck? That motherfucker got an interface in hisself. That
• 27:48
  Speaker 2: shit sounded amazing.
• 27:49
  Speaker 1: That's what I'm saying. That's the it's the paper, bro.
• 27:52
  Speaker 2: Yeah for sure. Yeah, make sure the guard's cool. He
• 27:55
  Speaker 2: let me the funk alone. Bringing that bitch in here, brother,
• 27:59
  Speaker 2: it's good. Yeah, you have a project called Ain't Lost Ship.
• 28:04
  Speaker 2: What is the biggest l you've taken either in life
• 28:07
  Speaker 2: or in the streets rap game? Et cetera. If you
• 28:10
  Speaker 2: ever had to take.
• 28:10
  Speaker 1: An l.
• 28:14
  Speaker 2: Bailling the fuck out of yeah, just making bail making bill,
• 28:19
  Speaker 2: but you get that back if you could accord. Right, yeah,
• 28:22
  Speaker 2: but just see that. But where firm, bro, they'd be
• 28:26
  Speaker 2: trying hard to keep your money. Hell yeah, or just
• 28:30
  Speaker 2: get like trouble some mode trouble. So just keep catching
• 28:35
  Speaker 2: you up. Oh yeah, what's the most amount you had
• 28:38
  Speaker 2: to put in put down on bail? Seventy five thousands?
• 28:42
  Speaker 2: Seventy five? Serious? You know, seventy five is.
• 28:45
  Speaker 1: Like because well, you know, like they'd be having ten percent.
• 28:53
  Speaker 1: So we're like in certain states, rights in Arizona, they say, yo,
• 29:00
  Speaker 1: your eyes gotta pay seventy five thousand cash.
• 29:04
  Speaker 2: You need seventy five, not seventy five hundred. Yeah, like
• 29:07
  Speaker 2: seventy five and it's cash. People think you could go
• 29:10
  Speaker 2: and like put your debit card down. No, no, you
• 29:14
  Speaker 2: have to take check, a cashier's check or hard money
• 29:17
  Speaker 2: to the motherfucking mom. Yeah, one hundred percent. Now, been
• 29:21
  Speaker 2: in a situation where haight to make bailing It was
• 29:23
  Speaker 2: it was a lot, and it was I was like,
• 29:26
  Speaker 2: wait a minute, what you can't just fucking take my card?
• 29:28
  Speaker 2: Like they're like hell fuck yeah. And it's hard to
• 29:34
  Speaker 2: like just get your hands on that kind of cash
• 29:37
  Speaker 2: at once, you know what I'm saying, Like in theory,
• 29:39
  Speaker 2: if you're behind bars, hell yeah, like pull together seventy
• 29:43
  Speaker 2: five bands, it's not the easiest thing to do hard. Yeah,
• 29:49
  Speaker 2: what do you do? Like, do you have any hobbies
• 29:51
  Speaker 2: like that?
• 29:51
  Speaker 1: You do?
• 29:51
  Speaker 2: Like outside of the music shit outside? Obviously? I see
• 29:53
  Speaker 2: you running around getting bags everywhere? Where are you when
• 29:56
  Speaker 2: you're at home? What are you doing? I'll be chilling
• 29:59
  Speaker 2: with my kids being a dad. Oh yeah, dress, play
• 30:03
  Speaker 2: video games.
• 30:04
  Speaker 1: Video games, go shopping. What type of fucks see my kids? Though?
• 30:10
  Speaker 1: Maybe that's really I'd be trying to find enjoyment fucking
• 30:14
  Speaker 1: with them.
• 30:14
  Speaker 2: Bro, How do your kids? A daughter.
• 30:19
  Speaker 1: She's finn be thirteen, My son just turn seven, and
• 30:23
  Speaker 1: damn my girl, her daughter she five.
• 30:26
  Speaker 2: You just got a lot of grown ass kids. I
• 30:28
  Speaker 2: got a nineteen year old and an eleven year old,
• 30:31
  Speaker 2: so yeah, but seven years old is like a might
• 30:34
  Speaker 2: as well be a twelve year old nowadays, you know, bro,
• 30:37
  Speaker 2: that's what and your thirteen year old might as well
• 30:41
  Speaker 2: be like seventeen. Bro, these motherfuckers be exposed to so
• 30:44
  Speaker 2: much shit on the internet and like, god, bro, yeah,
• 30:49
  Speaker 2: my kids, like my eleven year old has so much
• 30:52
  Speaker 2: slang that I don't understand. Like the kids have all
• 30:56
  Speaker 2: these words like I guess when you see a chick
• 30:59
  Speaker 2: with a fat ass, you say she's got a yacht.
• 31:03
  Speaker 3: Like yeah, he knows right, Yeah, dude, it's crazy. These
• 31:11
  Speaker 3: kids got their own like yeah, yeah, yeah, that's all
• 31:22
  Speaker 3: that's her. They got all kinds, I mean, a fucking
• 31:25
  Speaker 3: riz and all kinds. You know, they say suss a lot.
• 31:29
  Speaker 1: Bro, Bro, that shit funny.
• 31:33
  Speaker 2: Ship hits different, ship hits different when you're eleven year old,
• 31:36
  Speaker 2: be like, Dad, you're looking real sus right now? She
• 31:40
  Speaker 2: got a yeah like that it makes it, but it
• 31:44
  Speaker 2: makes it when you hear it, You're like, oh yeah
• 31:47
  Speaker 2: that fits. How is the is the strip club scene
• 31:52
  Speaker 2: in Milwaukee? Solid? I can't imagine it's great? Man, this
• 31:57
  Speaker 2: some strippers though, I'm sure there, but they have to
• 32:00
  Speaker 2: probably go to like other cities like to. I mean,
• 32:03
  Speaker 2: how's how is it in Milwaukee?
• 32:05
  Speaker 1: Is it?
• 32:06
  Speaker 2: Is it like more conservative?
• 32:07
  Speaker 1: Is it?
• 32:07
  Speaker 2: Because I don't know, it's fucking Wisconsin.
• 32:09
  Speaker 1: Bro. No, it ain't conservative, bro, it's ratchet bro order
• 32:13
  Speaker 1: ghetto ship. Bro.
• 32:15
  Speaker 2: When I think about Wisconsin as a state. I just
• 32:18
  Speaker 2: think of cheese Yiannis and Aaron Rodgers. Oh no, you
• 32:24
  Speaker 2: would be fucked up.
• 32:25
  Speaker 1: Think getting up the freeway, riding through that bitch for
• 32:29
  Speaker 1: a good twenty thirty minutes.
• 32:30
  Speaker 2: You're like, what the fuck?
• 32:32
  Speaker 1: Yeah, you would't know then if you just see some ship.
• 32:37
  Speaker 2: So the strip clubs are okay, strippers are okay. Do
• 32:41
  Speaker 2: they do the butt plug thing there? You know when
• 32:45
  Speaker 2: you go to Texas, the strippers that have butt plugs
• 32:47
  Speaker 2: in at like on stage, It's it's pretty crazy and
• 32:49
  Speaker 2: it's disgusting. Let me be clear. Yeah, it's illegal in
• 32:55
  Speaker 2: Arizona and out here. I don't think you can have
• 32:57
  Speaker 2: a butt plug in on stage.
• 32:58
  Speaker 1: It's I don't know.
• 33:01
  Speaker 2: It might just be a Texas Yeah, I really.
• 33:06
  Speaker 1: I go in this ship club now that should be.
• 33:09
  Speaker 2: Well, why would you go unless you're getting paid? You're
• 33:12
  Speaker 2: not gonna, I mean because then now everybody just expected
• 33:14
  Speaker 2: you to throw money. You're like, fuck, like, I'd rather
• 33:17
  Speaker 2: be at home, right, Yeah, take me the target fuck
• 33:21
  Speaker 2: fucking strip club? You know what I mean? With some
• 33:23
  Speaker 2: masscle Right, what has been the craziest place the music
• 33:31
  Speaker 2: has taken you so far? Could be a place geographically,
• 33:35
  Speaker 2: it could be just somewhere random. What's been the craziest
• 33:38
  Speaker 2: place your career has taken you so far?
• 33:48
  Speaker 1: This move my music into all over the world for real,
• 33:53
  Speaker 1: except for like over sives and ship like that.
• 33:57
  Speaker 2: Right, not quite the Canada, I imagine either. It's hard
• 34:00
  Speaker 2: to get into Canada if you've been to jail. But
• 34:03
  Speaker 2: all over the country. Oh yeah, what's the most random
• 34:07
  Speaker 2: place that you had a show or done a club
• 34:10
  Speaker 2: date at where you were like, wait, where are we going?
• 34:12
  Speaker 1: What the fuck?
• 34:12
  Speaker 2: They got over here?
• 34:16
  Speaker 1: Fucking Iowa?
• 34:17
  Speaker 2: Iowa like des Moines, des Moin.
• 34:21
  Speaker 1: Yeah, if you exact id is showing des Moin, I'm like,
• 34:24
  Speaker 1: what the fuck? Damn bro, Nebraska? Then we just have
• 34:30
  Speaker 1: a show in Nebraska.
• 34:33
  Speaker 2: I heard Nebraska is very Lincoln, Nebraska, that's the capital. Yeah.
• 34:38
  Speaker 2: I heard that's also like a slept on part of
• 34:41
  Speaker 2: the country that people don't realize. It's pretty active in Nebraska.
• 34:44
  Speaker 1: Yeah, no, it is.
• 34:46
  Speaker 2: They were saying, like, oh my holly. Yeah, like a
• 34:49
  Speaker 2: lot of the dudes in as who are like trappers
• 34:51
  Speaker 2: for whatever reason, they're from Nebraska.
• 34:54
  Speaker 1: So that's what I'm saying. They connective mother Portland man
• 35:02
  Speaker 1: I'm like, what the fuck?
• 35:03
  Speaker 2: Portland is a wild place because it's an open drug market.
• 35:07
  Speaker 2: You could just do fetanol there legally, like you could
• 35:09
  Speaker 2: do heroin. You could do anything. All the drugs are
• 35:11
  Speaker 2: decriminalized in Portland. Did you notice that going Yeah, Like
• 35:16
  Speaker 2: you walk through downtown Portland, you could fucking they give
• 35:20
  Speaker 2: you clean needles. You could do any drug in front
• 35:24
  Speaker 2: of the police, and they're just gonna be like, do
• 35:26
  Speaker 2: you need anything. You can get caught with crack, heroin,
• 35:33
  Speaker 2: mess veetanal and they're just gonna be like, sir, do
• 35:36
  Speaker 2: you need any Do you need some fresh needles? Portland's
• 35:39
  Speaker 2: a wild place. Shit, I ain't know that or notice it.
• 35:44
  Speaker 2: When I was out there, I said it was a
• 35:46
  Speaker 2: lot of fiends. Oh yeah, it's the fiend capital. If
• 35:49
  Speaker 2: you were ever gonna be a fiend, you were going
• 35:52
  Speaker 2: to go there. You didn't want to go there. In California,
• 35:57
  Speaker 2: if you ever wanted to be a fiend, you could
• 35:59
  Speaker 2: go here. Oh dude, Yeah, Like, I ain't gonna get
• 36:02
  Speaker 2: in trouble here. You know, they got an old Montgomery.
• 36:05
  Speaker 2: I'm on the radio in Portland, so I've been there
• 36:06
  Speaker 2: a few times. They have an old Montgomery Ward there. Yeah,
• 36:10
  Speaker 2: that's like hollowed out and it's like a fed and
• 36:13
  Speaker 2: all castle now. So it's like the crackheads took it
• 36:17
  Speaker 2: over during the pandemic and they've never given it back.
• 36:20
  Speaker 2: It's like an old Montgomery Ward downtown Portland that if
• 36:24
  Speaker 2: you try to go inside.
• 36:25
  Speaker 5: You'll be like, what the fuck is going on in here?
• 36:28
  Speaker 5: It's like fucking walking dad. You know, it's pretty crazy.
• 36:35
  Speaker 5: That's crazy as a motherfucker.
• 36:37
  Speaker 2: Man. Are you guys working on any tour stuff coming up?
• 36:39
  Speaker 2: I know you're doing a lot of club ship moving
• 36:41
  Speaker 2: on right now. So you're on, you're doing solo ship.
• 36:47
  Speaker 1: You know.
• 36:47
  Speaker 2: It's me, guys, buck Hume, but I'm on. I'm the
• 36:52
  Speaker 2: headline or though tour. When I leave here, I gotta
• 36:57
  Speaker 2: go to Virginia. It's a rich me. Oh shit, it
• 37:01
  Speaker 2: rich man. You gotta tap in and push your tea
• 37:05
  Speaker 2: out there. And the clips you know what I mean?
• 37:07
  Speaker 2: Og coke rap.
• 37:12
  Speaker 6: Bro, You're crazy, Seriously, they were the push your t
• 37:16
  Speaker 6: is the greatest cocaine rapper of all time, tim or Cheesy, Uh.
• 37:20
  Speaker 2: So, no, push your you are for so for so
• 37:23
  Speaker 2: he's from Virginia. We're ain't shut to do book cook
• 37:26
  Speaker 2: That's what they say that it's a song Virginia. We're
• 37:30
  Speaker 2: anxire to do book cook Bag of the fu. Yeah,
• 37:33
  Speaker 2: it's all it's about something cocaine in Virginia. I just
• 37:36
  Speaker 2: know Virginia for the clips and Allen iverson that's where
• 37:39
  Speaker 2: AI is from. Yeah. Hey, uh, do you already have
• 37:46
  Speaker 2: like the next Like I feel like a lot of
• 37:48
  Speaker 2: artists when you get into the rap game and success comes,
• 37:52
  Speaker 2: you can kind of get lost in it. Are you
• 37:54
  Speaker 2: like already planning out like the next twelve months? Are
• 37:56
  Speaker 2: you just kind of taking this ship like one day
• 37:58
  Speaker 2: at a time, Like, No, I'm playing it out the
• 38:03
  Speaker 2: next twelve months. So you already have the next body
• 38:06
  Speaker 2: you worked on? I know you just dropped some ship.
• 38:08
  Speaker 2: I got plenty of songs and ship.
• 38:10
  Speaker 1: But every time I go to the studio, but I
• 38:13
  Speaker 1: make that type of ship, and no, I had some ship.
• 38:17
  Speaker 1: I'm gonna put this on next, but then I might
• 38:20
  Speaker 1: substitute some of the songs for new ones.
• 38:24
  Speaker 2: When is the album that we obviously the first album
• 38:29
  Speaker 2: last week of May? Huh? Yeah? When's the album come
• 38:31
  Speaker 2: last week in May? Yeah? First week is yea so
• 38:35
  Speaker 2: very soon? What's the name of the album nice Camera
• 38:38
  Speaker 2: Action or some ship like that. I mean, it's coming
• 38:42
  Speaker 2: out in a couple of weeks. You probably have that
• 38:45
  Speaker 2: dialed in by now, you.
• 38:46
  Speaker 1: Know it's got in.
• 38:48
  Speaker 2: I think it was a couple of different names that
• 38:51
  Speaker 2: goat me. But listen, we're in the middle of May,
• 38:54
  Speaker 2: so you're telling me your album might be coming out
• 38:56
  Speaker 2: two weeks. We got to get this title together. We
• 38:57
  Speaker 2: could do it now. We can flash it out, are
• 38:59
  Speaker 2: we on with lights? Camera Action?
• 39:01
  Speaker 5: Yeah?
• 39:01
  Speaker 1: That's yeah, that's the one.
• 39:03
  Speaker 2: Okay, I like that. I know that's the one for sure,
• 39:07
  Speaker 2: for sure. But I think it's when you drop the
• 39:13
  Speaker 2: do you have a title for an album or mixtape?
• 39:16
  Speaker 2: Hardest and word living? Do you ever think to yourself,
• 39:18
  Speaker 2: my white fans can't say the name of my album.
• 39:23
  Speaker 1: Man, hell no, I don't never think of it like that,
• 39:25
  Speaker 1: because they're gonna say it anyway, right, not all of us,
• 39:31
  Speaker 1: but the ones who feel like they want to say
• 39:33
  Speaker 1: it say that anyway.
• 39:36
  Speaker 2: I do feel like, like, especially at shows, it's like,
• 39:38
  Speaker 2: I mean, it's just hard.
• 39:39
  Speaker 1: It's like what they do have to worry about is
• 39:43
  Speaker 1: them being in the crowd next to somebody that's hearing
• 39:48
  Speaker 1: them say it.
• 39:50
  Speaker 2: And then that's you lights camera action is very easy
• 39:53
  Speaker 2: to say. Anybody can say. I like the title, it's
• 39:55
  Speaker 2: a good name.
• 39:56
  Speaker 1: It's a good name living see that's mixtape shit to me.
• 40:00
  Speaker 2: Yeah mm hmm.
• 40:01
  Speaker 1: You know what I'm saying. It's like, all right, let
• 40:04
  Speaker 1: me put this out. But they're gonna say anyway. But
• 40:09
  Speaker 1: they ain't gonna say whatever they want to say.
• 40:12
  Speaker 2: Is there? Uh, can you give us any features on
• 40:15
  Speaker 2: the album or two weeks out? Man, give me, give me,
• 40:19
  Speaker 2: give me, give me somepoke. She herbo okay, hont and.
• 40:25
  Speaker 1: Yeah, no, that's all I'm gonna give you. She Herno,
• 40:33
  Speaker 1: So give sexy, No sexy, that's sexy. Me and Sexty
• 40:42
  Speaker 1: got some fire for him to come out though.
• 40:44
  Speaker 2: Okay, so you guys do have some music in the can.
• 40:47
  Speaker 2: Yeah that sounds great. Is Honcho as tall as he
• 40:51
  Speaker 2: looks on the internet in person? I've never met him.
• 40:54
  Speaker 2: He looks like he's tall as ship that tall? Yeah? Yeah,
• 41:00
  Speaker 2: would there be if you could do a collab album,
• 41:03
  Speaker 2: like obviously you have a lot of features with different artists,
• 41:08
  Speaker 2: somebody who you feel like you got good chemistry with.
• 41:09
  Speaker 2: If you could do a full collab project, with anybody
• 41:12
  Speaker 2: who to be baby money, baby Money shout out to Detroit. Yeah,
• 41:20
  Speaker 2: baby Money, that's my dog. Have you been to uh
• 41:28
  Speaker 2: truth in Detroit? The Strip club? Yeah, great place, good food.
• 41:33
  Speaker 2: Yeah yeah. Do you feel like that? I mean you're
• 41:36
  Speaker 2: you're like very embraced in Detroit, Like Detroit shows you
• 41:39
  Speaker 2: a lot of love. Hell yeah, Detroit showing me the Sophie.
• 41:44
  Speaker 2: I feel like Detroit has the most beautiful black women
• 41:46
  Speaker 2: in the world. I feel like everyone thinks it's Atlanta,
• 41:48
  Speaker 2: but it's really Detroit. Detroit got so they got some fire. Yeah, No,
• 41:54
  Speaker 2: Detroit's crazy. We're at the MGM Grand Standing there and
• 41:56
  Speaker 2: I feel like every bitch was just like, I'm my God,
• 41:58
  Speaker 2: Jesus Christ. Like the car dealers, the fucking there's a
• 42:04
  Speaker 2: lot of yachts. You know what I'm saying.
• 42:06
  Speaker 1: I got Yeah, he said.
• 42:11
  Speaker 2: Crazy, Yeah, Detroit.
• 42:12
  Speaker 1: So they got straight in Detroit for sure.
• 42:16
  Speaker 2: Yeah. When I when we were in Detroit for like
• 42:18
  Speaker 2: a week, and I was like, Yo, this is such
• 42:20
  Speaker 2: a I love it here. We went to Buffalo. Buffalo
• 42:23
  Speaker 2: is what people think Detroit is to Buffalo, New York. Buffalo,
• 42:27
  Speaker 2: New York. I gotta show coming up there. You'll see
• 42:31
  Speaker 2: it is what people think Detroit is. Like people have
• 42:33
  Speaker 2: like who have never been to Detroit, they have this
• 42:35
  Speaker 2: thing in their head where they think Detroit it's like
• 42:37
  Speaker 2: just boarded up houses everywhere, and like it's on fire.
• 42:40
  Speaker 2: Buffalo is the real Detroit. Yeah, it's fucking it's bad there. Yeah,
• 42:47
  Speaker 2: it's like a shell of a place like it like
• 42:50
  Speaker 2: got left in like nineteen eighty one. I mean you
• 42:53
  Speaker 2: got to tap in with like Benny the Butcher and
• 42:54
  Speaker 2: those guys out there, though, you don gotta show them
• 42:56
  Speaker 2: Buffalo coming to Conway Westside guy. Yeah, Buffalo be fun
• 43:00
  Speaker 2: for you man. All Right, well, listen, the new album's
• 43:01
  Speaker 2: coming out. Lights Camera Action. Are we hammering that in?
• 43:04
  Speaker 2: Is the official title? Okay, Lights Camera Action coming soon
• 43:11
  Speaker 2: end of May, a couple of weeks, first week of June.
• 43:14
  Speaker 2: We'll see, Gee, Herbo's on there, Hancho's on there. Etcetera's
• 43:20
  Speaker 2: on there, there's some other ETCeteras. Anybody from Detroit on there.
• 43:27
  Speaker 2: I can't tell you that means yet, that means there
• 43:30
  Speaker 2: is someone from Detroit on there. I can't tell you
• 43:33
  Speaker 2: that's fine. There's a Detroit feature on there. We can
• 43:35
  Speaker 2: hammer that in, right, We're not gonna say who baby
• 43:38
  Speaker 2: money baby, hey man, it's just no man that'd be loaded.
• 43:45
  Speaker 2: Chicken Pee. I look forward to you getting so successful
• 43:49
  Speaker 2: that you do the most obvious entrepreneurial venture you could
• 43:53
  Speaker 2: do and open up a Chicken restaurant. A chain of
• 43:56
  Speaker 2: Chicken restaurants owned by Chicken Pea would be poetic to itself.
• 44:01
  Speaker 2: More a food truck. No, this sit coming, bro, This
• 44:06
  Speaker 2: is coming. Bro. So you got chicken. That's what I'd
• 44:09
  Speaker 2: like to hear, man, Chicken peare. I appreciate you pulling
• 44:11
  Speaker 2: up man, y'all go support this guy having new album
• 44:14
  Speaker 2: on the way, the first album on the way technically,
• 44:18
  Speaker 2: and a lot more coming up. Man, Chicken pe appreciate you, broo.
• 44:21
  Speaker 2: So my boy boom