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Andy Cohen, Regina Hall and Classic Interviews · The Breakfast Club

• 0:00
  Speaker 1: This is your wake up call, Breakfast Club to show
• 0:05
  Speaker 1: you love to hate from the A to the West Coast.
• 0:08
  Speaker 1: DJ mvy Angela Ye, Charlomagne the God, the rule is
• 0:11
  Speaker 1: show on the planet. This is where I respect this
• 0:13
  Speaker 1: show because this is a voice of society, says in
• 0:16
  Speaker 1: the day, guys are the coveted morning show that y'all earn,
• 0:20
  Speaker 1: impacting the culture in the morning. And want to hear
• 0:23
  Speaker 1: that Breakfast the world's most dangerous morning show. That was
• 0:30
  Speaker 1: Draper Control the morning. Everybody's DJ mvy Angela Yee, Charlomagne
• 0:34
  Speaker 1: the God. We are the Breakfast Club. We got a
• 0:36
  Speaker 1: special guest in the building, Andy Cohen. Good morning, fel.
• 0:40
  Speaker 1: How's it going talk about the Real Housewives? Okay, so
• 0:43
  Speaker 1: now you created my favorite show, executive producers favorite show. Yeah,
• 0:47
  Speaker 1: how did you get the idea of the show? How
• 0:48
  Speaker 1: did it come about? I worked with a great team
• 0:50
  Speaker 1: of people and this guy brought us video of these
• 0:54
  Speaker 1: women in Orange County. This was years ago, you know,
• 0:57
  Speaker 1: whatever his idea for the show was, whatever ours was.
• 1:00
  Speaker 1: I'm a big fan of soap operas, and in my mind,
• 1:03
  Speaker 1: I was like, these women, their hair is blonder than
• 1:05
  Speaker 1: I've ever seen their boobs are bigger, they talk to
• 1:07
  Speaker 1: each other differently than I've ever seen, and they all
• 1:10
  Speaker 1: live on the same block and the same cool exact.
• 1:12
  Speaker 1: I was like, this could be a soap opera, a
• 1:15
  Speaker 1: reality soap opera in some weird way, and that's what
• 1:19
  Speaker 1: it became, you know. And and with the success of
• 1:23
  Speaker 1: Orange County, we had casting for other shows in other cities.
• 1:27
  Speaker 1: I think Atlanta was originally called The Girls of Hotlanta
• 1:31
  Speaker 1: or something Hotlanta, and we were like, wait a minute,
• 1:34
  Speaker 1: these are doing so well. What if this is the
• 1:37
  Speaker 1: Real Housewives of Atlanta? And that's how we turned casting
• 1:41
  Speaker 1: tape into something totally different. At one point, Aby, wasn't
• 1:44
  Speaker 1: your wife supposed to be on Real Housewives of New Jersey?
• 1:47
  Speaker 1: They reached out a couple of times, that is trying
• 1:49
  Speaker 1: remember this from the casting Yeah, remind me what you're watching. Yes, yes,
• 1:55
  Speaker 1: well we didn't decide to do it. I've never even
• 1:57
  Speaker 1: asked you because I remember you guys. Yeah, she I
• 1:59
  Speaker 1: remember this from the casting. Absolutely came by neighbors with
• 2:03
  Speaker 1: Teresa yep before Yeah, I'll do it. Yeah she does.
• 2:09
  Speaker 1: But has any cast member had to ask for money?
• 2:11
  Speaker 1: Because it seems like when you when they go on
• 2:13
  Speaker 1: she had to ask for money. They all get paid.
• 2:16
  Speaker 1: Oh so there's no advances or anything like that, because no,
• 2:18
  Speaker 1: no, no no, no, they get paid at a very specific
• 2:21
  Speaker 1: time and there are no advances. It's not can you
• 2:25
  Speaker 1: cut me a check for the reunion? Now? Percent is wise?
• 2:28
  Speaker 1: How many people really be stunting? Like if you could say,
• 2:31
  Speaker 1: rented a house just for this take of Oh, that's
• 2:35
  Speaker 1: a good question. Well, you know, it's interesting because it's
• 2:37
  Speaker 1: hard to lie in New York and Beverly Hills, okay,
• 2:41
  Speaker 1: because if you see the home just the real estate
• 2:46
  Speaker 1: prices are higher. But I mean I feel like in
• 2:49
  Speaker 1: Atlanta you could get more a lot more for less,
• 2:53
  Speaker 1: and you could rent more for less. So but in
• 2:56
  Speaker 1: the case of kind of Chateau Cheray on Atlanta, if
• 2:59
  Speaker 1: you now see that house, she owns it, she built it.
• 3:02
  Speaker 1: It's by the way, it's like six years in the making,
• 3:05
  Speaker 1: so maybe it hasn't gone as quickly as she would
• 3:08
  Speaker 1: have liked. But that's a huge that I think she
• 3:11
  Speaker 1: said it was like fifteen thousand square it's a crazy
• 3:14
  Speaker 1: huge house. And that house is hers. Now, what's your
• 3:16
  Speaker 1: favorite one? You know what? It's usually the one that
• 3:19
  Speaker 1: I'm watching as a producer. So right now I'm watching
• 3:22
  Speaker 1: Atlanta and Beverly Hills. Atlanta is the highest rated. Atlanta
• 3:28
  Speaker 1: makes me laugh. Atlanta in New York make me laugh
• 3:31
  Speaker 1: the most. There's something about them that I just can't
• 3:35
  Speaker 1: get over. I think Nani and Bethany and Lisa vander Pump, Uh,
• 3:42
  Speaker 1: Teresa Vicky Ramona. I think if you look at some
• 3:47
  Speaker 1: of the ogs who have been on, you know, for
• 3:50
  Speaker 1: the longest, those are the ones that are most identifiable.
• 3:54
  Speaker 1: But you know, you've You've got you. It's a strong bench.
• 3:57
  Speaker 1: You got Kyle, you got Gigi adds mommyl on the foster.
• 4:01
  Speaker 1: I mean there are people who are really, you know,
• 4:03
  Speaker 1: have become very famous from the show. Candy by the way,
• 4:07
  Speaker 1: you know Candy is like, uh, Candy's got like four
• 4:11
  Speaker 1: million Instagram followers. I was like, well, like Candy was
• 4:15
  Speaker 1: popular before with Escape, and she's someone who is really
• 4:21
  Speaker 1: you cannot her popularity on the show, She's huge. I
• 4:25
  Speaker 1: wish your contracts, like do you do you get a
• 4:27
  Speaker 1: piece of everything? Like when Bethany god to do daytime
• 4:29
  Speaker 1: TV and meeting no. I think they are different with everybody,
• 4:34
  Speaker 1: but the cool thing for the women about the shows
• 4:37
  Speaker 1: is that they wind up being able to capitalize on
• 4:40
  Speaker 1: the platform in many, many ways. I think that Bravo
• 4:45
  Speaker 1: celebrates that husbands get paid. No, no husbands, it's about
• 4:50
  Speaker 1: the women. Why don't you get flack? Fla Jasse Mona
• 4:53
  Speaker 1: Scott Young would get flack. O Shani O'Neil would get flack.
• 4:56
  Speaker 1: They don't have to give you fleck when people are
• 4:58
  Speaker 1: on your show. Wild such a stigma with reality shows,
• 5:02
  Speaker 1: and I feel I think it's it's not as bad
• 5:05
  Speaker 1: because I think and by the way, I haven't really
• 5:08
  Speaker 1: to be totally honest with you. Ever seen Love in
• 5:11
  Speaker 1: Himp Hop? Yeah, no, of course, Yeah, of course. I
• 5:17
  Speaker 1: get the sense that that show is a little more
• 5:21
  Speaker 1: intense ratchet than than the outside of Atlanta. So I
• 5:25
  Speaker 1: don't know. It's not a racial all right, Yeah, no,
• 5:28
  Speaker 1: I don't. I'm just not going to be quoted. Yeah,
• 5:35
  Speaker 1: you know, Palo was a little No, I'm not listen,
• 5:39
  Speaker 1: I have not seen the show. I am not saying that. So,
• 5:42
  Speaker 1: but you're asking me why I don't care more flak.
• 5:46
  Speaker 1: I don't know. Listen, I've gotten my share of flack.
• 5:49
  Speaker 1: I think the other thing is there is a moment
• 5:52
  Speaker 1: of ratchet in every city. So this is so. In
• 5:55
  Speaker 1: other words, if it was like, oh no, the only
• 5:58
  Speaker 1: ratchet is happening, you listen, we all have ratchet in
• 6:01
  Speaker 1: our lives at one moment or another. It's not only
• 6:05
  Speaker 1: women of color that have you know. So we have
• 6:08
  Speaker 1: more with Andy Cohen when we come back. Keep it locked.
• 6:10
  Speaker 1: This to Breakfast Club. Good morning, the Breakfast Club, Tony.
• 6:17
  Speaker 1: Everybody is DJ mvy angela Ye, Charlomagne, the guy. We
• 6:20
  Speaker 1: are the Breakfast Club. We have Andy Cohen in the building. Now, Charlomagne,
• 6:25
  Speaker 1: let's talk about watch what happen a lot for Yeah,
• 6:27
  Speaker 1: but you told Entertainment to Night that you feel like
• 6:29
  Speaker 1: you went too far with Oprah when you asked her
• 6:31
  Speaker 1: if she's ever been with a woman. Don't ever feel
• 6:34
  Speaker 1: bad about asking questions? Everybody think, yeah, no, listen, that's
• 6:36
  Speaker 1: what I do, That's what I like to do. And
• 6:39
  Speaker 1: yeah no, there was just a moment where I asked
• 6:41
  Speaker 1: the question. It was my interview with her was going
• 6:43
  Speaker 1: so well, and then I was like, you know what,
• 6:45
  Speaker 1: I ask all these women this, I'm just gonna go
• 6:48
  Speaker 1: for it. This is going so great. I'm like, Oprah,
• 6:50
  Speaker 1: have you ever swamming the Lady Ponds. Well, I mean,
• 6:52
  Speaker 1: my words hung in the air there for a second.
• 6:55
  Speaker 1: And then Gail emailed me the next day and said,
• 6:58
  Speaker 1: I don't think she knew what that meant. She goes
• 7:03
  Speaker 1: because Oprah, there is this quizzical look on Oprah's face.
• 7:07
  Speaker 1: You see it and then and I was like, oh no,
• 7:10
  Speaker 1: oh no, did I just ruin it? And She's like no,
• 7:13
  Speaker 1: she goes, uh no, And I said, Okay, that's cool.
• 7:17
  Speaker 1: I ask everybody, and then I moved on. But yeah,
• 7:20
  Speaker 1: you have a guy. Oprah irritated before it too, because
• 7:23
  Speaker 1: you told her she told you one interview. Oh that
• 7:26
  Speaker 1: was yeah, that was many that was in my first book.
• 7:28
  Speaker 1: That was That's kind of a long story, but I did. Yeah,
• 7:31
  Speaker 1: but she uh, she's in the new book, which is
• 7:35
  Speaker 1: called Superficial. More Adventures from the andyko and Diaries. I'm
• 7:38
  Speaker 1: on tour with Anderson Cooper. He and I go around
• 7:41
  Speaker 1: the country in this Q and A. Yeah, we're good
• 7:43
  Speaker 1: buddies and we kind of interview each other on stage,
• 7:46
  Speaker 1: just like a night out drinking with us basically, And
• 7:48
  Speaker 1: we were in Santa Barbara and I've gotten tickets through
• 7:51
  Speaker 1: Gail for Oprah's flight attendant to see my show. Yes,
• 7:55
  Speaker 1: Oprah has a flight attendant, okay, because she's got a plane.
• 7:59
  Speaker 1: And so we were in Santa Barbara and I was
• 8:01
  Speaker 1: saying to Anderson, I was looking at Oprah's Instagram and
• 8:03
  Speaker 1: I was like, dude, she's here. I saw a picture
• 8:06
  Speaker 1: from her porch in Santa Barbara. I was like, I
• 8:09
  Speaker 1: recognized that from the Legends ball like, I want to
• 8:12
  Speaker 1: go there. Well, I want her to invite me for
• 8:14
  Speaker 1: a shot of tequila. And then next morning we wake
• 8:17
  Speaker 1: up separately. But I woke up and I know and uh,
• 8:21
  Speaker 1: that sounded weird. I woke up and there was an
• 8:24
  Speaker 1: email and a text from Gail saying Oprah wants you
• 8:26
  Speaker 1: to come over for brunch today to the house. I
• 8:29
  Speaker 1: was like, this is like my complete and total fantasy
• 8:33
  Speaker 1: going to Oprah's for brunch. I get to like see
• 8:36
  Speaker 1: she and Steadman interacting at close range. And uh, and no, dude,
• 8:43
  Speaker 1: I had to fly back to New York because I
• 8:44
  Speaker 1: had my show is live. My show is live. No, no, no, dude,
• 8:49
  Speaker 1: I cannot miss my show to go to drop another name.
• 8:55
  Speaker 1: I was emailing Sarah Jessica Parker, who was a good
• 8:58
  Speaker 1: friend of mine. I go, I got invited Oprah's and
• 9:02
  Speaker 1: I go and I couldn't go. She goes, don't worry,
• 9:05
  Speaker 1: you'll be invited again. I go. You don't understand, I won't.
• 9:08
  Speaker 1: This is not I'm never gonna be in Santa Barbara
• 9:10
  Speaker 1: with Anderson where she is like, this is never happening again. No,
• 9:18
  Speaker 1: we have never we were. The way that he and
• 9:20
  Speaker 1: I met is that we were set up on a
• 9:22
  Speaker 1: blind date, like twenty something years ago, and we spoke
• 9:25
  Speaker 1: on the phone and he said that I was too um.
• 9:29
  Speaker 1: He could tell that I was gesticulating wildly on the
• 9:33
  Speaker 1: phone and that was too much for him, which is
• 9:36
  Speaker 1: my reading that I was like being too queenie or
• 9:38
  Speaker 1: something for him on the phone. And uh, And I
• 9:41
  Speaker 1: was like, all right, well I thought it went well,
• 9:43
  Speaker 1: you know, but whatever, we you know what, we were
• 9:45
  Speaker 1: not meant. We're good buddies. We're good No, no, no,
• 9:50
  Speaker 1: and you know what, we could probably have gotten into
• 9:53
  Speaker 1: some really fun things, but no, no, no, no, no no
• 9:58
  Speaker 1: no no. Yeah, it would be a train I guess
• 10:02
  Speaker 1: we wouldn't. We wouldn't be our cars wouldn't be connected.
• 10:06
  Speaker 1: Did you ever have to do anything sexual for career? Advancement.
• 10:08
  Speaker 1: Unfortunately not No. I mean I've always been open for business.
• 10:13
  Speaker 1: You know what I mean to be like I wish
• 10:15
  Speaker 1: someone view like Oh man, thanks you guys, get back
• 10:19
  Speaker 1: on the show man. I want to see NBA ge
• 10:21
  Speaker 1: on Real Housewives. I know, I don't know about that.
• 10:23
  Speaker 1: They don't do a lot of problems over there, boy
• 10:25
  Speaker 1: now putting it on block. I don't know if I'm
• 10:29
  Speaker 1: built yeah, yeah, and then I'll be texting you all
• 10:32
  Speaker 1: the time, Yes you will. I don't know if I
• 10:34
  Speaker 1: need that, all right, guys, niko in it is the
• 10:38
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Yeah, it's the
• 10:45
  Speaker 1: world most dangerous. Wanting to show the Breakfast Club. Charlomagne
• 10:47
  Speaker 1: and God Angelie. We have a special guest here. We've
• 10:49
  Speaker 1: been waiting for this young lady. That's right. We conquested
• 10:51
  Speaker 1: because we are fans of the show Instcure on HBO.
• 10:54
  Speaker 1: And I'm not gonna mess up your name. Yes, good
• 10:57
  Speaker 1: for you. Boom Now who is easy rap for people
• 11:01
  Speaker 1: who don't know? Uh? The self proclaim Aukwera black Girl
• 11:05
  Speaker 1: who as a show on HBO. Now that's a big writer,
• 11:10
  Speaker 1: producer aquer black girls. They don't usually give black people
• 11:14
  Speaker 1: in general, but black women on HBO show that you're
• 11:18
  Speaker 1: starting in you created. I mean, it's been a long
• 11:24
  Speaker 1: ass journey. Well with them three years, but like you know,
• 11:30
  Speaker 1: I've been doing this for about nine years YouTube series,
• 11:33
  Speaker 1: but well my youth. The first YouTube series I ever
• 11:35
  Speaker 1: created was in two thousand and seven when I was
• 11:37
  Speaker 1: a senior in college. And then Aquare Black Girl is
• 11:41
  Speaker 1: the series that kind of defined me and launched my career,
• 11:44
  Speaker 1: and that was in two thousand and eleven. But I
• 11:46
  Speaker 1: had two other ones before that one that you know,
• 11:49
  Speaker 1: we're moderately successful, but this one, by far is what
• 11:53
  Speaker 1: launched my career. So like an you kind of like
• 11:55
  Speaker 1: an Internet star, we don't give it in a net
• 11:57
  Speaker 1: stars enough credit because it's always like the Eight Hounds
• 12:00
  Speaker 1: and it is. I'm just saying, like he's just certified,
• 12:06
  Speaker 1: Like you got an HBO show out of this, Yeah,
• 12:08
  Speaker 1: but I still don't. I'm never an Internet start because
• 12:11
  Speaker 1: they have like out like millions of viewers every day,
• 12:14
  Speaker 1: Like people don't really check for series in the same
• 12:17
  Speaker 1: way that they do like one offs or blogs or
• 12:20
  Speaker 1: so we very much had to build from the ground up,
• 12:23
  Speaker 1: and I credit you know, for sure, the viewers of
• 12:25
  Speaker 1: this show of Awkward Black Girl for the reason that
• 12:28
  Speaker 1: I have shown HBO now for sure. So, when you're
• 12:30
  Speaker 1: gonna start acting regular but you still on social media,
• 12:34
  Speaker 1: you still be talking to you. I mean, when you're
• 12:35
  Speaker 1: gonna stop acting is pretty regular. Um, I don't know
• 12:39
  Speaker 1: it's gonna come a point season two and three. You
• 12:41
  Speaker 1: can be like, all right, I can't just tweet with you.
• 12:42
  Speaker 1: When did you stop acting regular? You still do this?
• 12:45
  Speaker 1: He's still be going back and forth. Listen, Schanleman gets
• 12:48
  Speaker 1: too upset about things. You can. I see you like
• 12:51
  Speaker 1: in your book you analyze people's tweets. I saw you
• 12:54
  Speaker 1: wrote about how you got upset because stripper got mad
• 12:58
  Speaker 1: at you. Yeah, and I didn't even read the book.
• 13:02
  Speaker 1: I got to read the book. Man, that's mom about
• 13:04
  Speaker 1: to do this this weekend. I was, I was. I
• 13:07
  Speaker 1: was watching the Grammys, and I tweeted something where I
• 13:11
  Speaker 1: was saying, oh, someone, if you would be a stripper,
• 13:14
  Speaker 1: you would come out to you and I t y
• 13:15
  Speaker 1: and you would be a UM and I would come
• 13:18
  Speaker 1: out in a pants suit. Yeah, because I can't remember.
• 13:24
  Speaker 1: I think I said I respect but she didn't like
• 13:27
  Speaker 1: a respectable stripper, which in hindsight, Okay, maybe I shouldn't
• 13:31
  Speaker 1: have said that, but she was like, oh, how brave
• 13:33
  Speaker 1: of you to come out, not like all of us whores.
• 13:38
  Speaker 1: And she just went in and I didn't understand it
• 13:40
  Speaker 1: at the time. I was like, I wasn't coming for you.
• 13:42
  Speaker 1: And then she went there and pae and saw who
• 13:44
  Speaker 1: she was and then said, listen when you guess, because
• 13:46
  Speaker 1: I guess. She had said she was sleep deprived and
• 13:48
  Speaker 1: couldn't sleep. Yeah, so I was trying to be empathetic.
• 13:51
  Speaker 1: I was like, I wanted to her page about her tweets,
• 13:52
  Speaker 1: and she was like, you know, talking about how she
• 13:54
  Speaker 1: hadn't gotten sleep, and so I was like, hey, we
• 13:57
  Speaker 1: should talk about this when you get some sleep and
• 13:59
  Speaker 1: trump I said, and she was like, we should talk
• 14:02
  Speaker 1: about this when you get some empathy, you horrf phobic ass,
• 14:05
  Speaker 1: And then she blocked me. There's a thing called horror
• 14:07
  Speaker 1: phobia to this. Not only not only did she get blocked,
• 14:12
  Speaker 1: then she went to another page to go look at
• 14:14
  Speaker 1: her tweets because she was blocked. You really would up.
• 14:18
  Speaker 1: I was just like, why did she do that? I
• 14:20
  Speaker 1: didn't understand why, but she I made her upset, And like,
• 14:25
  Speaker 1: now three years later I'm like, okay, like I get
• 14:28
  Speaker 1: why you were upset, and you had a right to
• 14:31
  Speaker 1: be upset. It's because this I'm coming at your world,
• 14:34
  Speaker 1: and I'm coming in a way from like speaking like
• 14:37
  Speaker 1: I'm above it. But of course, like I don't. I
• 14:39
  Speaker 1: don't like to upset people. Now I'm realizing, like a lease,
• 14:44
  Speaker 1: everybody ever in life, there's always going to be people
• 14:46
  Speaker 1: to say real stuff to you. If I go to
• 14:48
  Speaker 1: everybody's page, sometimes I do just to be like somebody like, oh,
• 14:51
  Speaker 1: you're so ugly, and then you go look at their
• 14:52
  Speaker 1: page and you're like your life all right now I
• 14:55
  Speaker 1: feel better. Yeah. I don't think y'all two accepting as
• 14:59
  Speaker 1: women though sometimes because it's okay for like, growing up,
• 15:04
  Speaker 1: moms and grandmas would be like yo, they wouldn't want
• 15:06
  Speaker 1: you to be no scriphood. They would tell you respect yourself?
• 15:08
  Speaker 1: So what's wrong with you? Telling that? Does somebody because
• 15:11
  Speaker 1: that's one of the one that's not my place, and
• 15:13
  Speaker 1: there's an assumption there that she doesn't have respect for herself.
• 15:16
  Speaker 1: I think plenty of strippers and ex strippers who are
• 15:19
  Speaker 1: cool people popping yeah, who just want to do that,
• 15:22
  Speaker 1: and like there is a talent associated with stripping. Like, yeah,
• 15:26
  Speaker 1: I don't like strippers that don't have talent though, because
• 15:30
  Speaker 1: that's stippers is just like walking around. I like when
• 15:33
  Speaker 1: they can do stuff like have trads. I don't like
• 15:35
  Speaker 1: strips that don't have goals. Seriously, like you have to
• 15:39
  Speaker 1: have a goal. I have to be forever saying. Way
• 15:42
  Speaker 1: you tell drug dealers you can't sell, don't fell where
• 15:44
  Speaker 1: you can't be a script. There's like at least like
• 15:47
  Speaker 1: promotions in drug dealing, right you can get you can
• 15:50
  Speaker 1: aspire to. You don't want to be like the one
• 15:51
  Speaker 1: on the corner. You rather be the one if that
• 15:54
  Speaker 1: supplies the one on the right, right right, But like
• 15:56
  Speaker 1: what is the I guess what's the Kingpins strip? There's
• 15:59
  Speaker 1: no Queen Pin script whatever, because you could be the
• 16:02
  Speaker 1: featured act and you can also travel to other places
• 16:06
  Speaker 1: and Dubai or like for some and you don't want
• 16:09
  Speaker 1: to be like the morning stripper you Friday night featured
• 16:16
  Speaker 1: when everyone comes to her they're big if they have
• 16:18
  Speaker 1: a big night that night. You want to be the
• 16:20
  Speaker 1: one that you still do the same way when rappers
• 16:22
  Speaker 1: come here and they over forty and they're still acting
• 16:24
  Speaker 1: like thugs and street dudes. I'm like, bra yeah, you
• 16:26
  Speaker 1: got you gotta elevate. Come on, right, So you just
• 16:29
  Speaker 1: answered your own question. There is a level of respect,
• 16:31
  Speaker 1: all right. We got more with Easta Ray when we
• 16:33
  Speaker 1: come back. Please watch Insecu on HBO every Sunday at
• 16:36
  Speaker 1: ten thirty. It's the world most dangerous Morning to show
• 16:38
  Speaker 1: to breakfast club. The breakfast Club. Yeah, it's the world
• 16:44
  Speaker 1: most dangerous. Want to show the breakfast Club. We're here
• 16:46
  Speaker 1: with Easta Ray. You can watch her every Sunday at
• 16:48
  Speaker 1: ten thirty on HBO with her show Insecure. I have
• 16:52
  Speaker 1: a level of respect for you because you're so dope
• 16:54
  Speaker 1: and you're smart, but I have my level. Just what
• 16:56
  Speaker 1: becauld You still have to tag on your coat and
• 16:58
  Speaker 1: the type person I am that you gave me this
• 17:02
  Speaker 1: to wear for the parents came in New York, but
• 17:05
  Speaker 1: I do love this clothing company. They Now I wanted
• 17:09
  Speaker 1: your opinion on this. You gotta get these Spanish and
• 17:12
  Speaker 1: he's white holes. They just start getting fine than the mother, y'all.
• 17:18
  Speaker 1: Black hood's better. Tighten up, y'all doing all that extra
• 17:21
  Speaker 1: for nothing. You get your ass done, get done, and
• 17:24
  Speaker 1: you're paying one fifty to get your makeup done just
• 17:26
  Speaker 1: to go to your mother a local club. These Spanish
• 17:30
  Speaker 1: and the white holes just getting very spiffy on y'all,
• 17:33
  Speaker 1: brown fed chicken. You old. It is useless. Let's just
• 17:37
  Speaker 1: media training and working. How you feel about that? I mean,
• 17:41
  Speaker 1: I just want to know what black woman listen to
• 17:44
  Speaker 1: that and was like, oh, got to tighten up, like
• 17:49
  Speaker 1: you know. Yeah. So I'm just like, who's this message?
• 17:52
  Speaker 1: Listen to that and who did it get through too?
• 17:55
  Speaker 1: Because I didn't listen to it and go up. Well,
• 17:58
  Speaker 1: he's spoken. He doesn't want me. He doesn't want me.
• 18:00
  Speaker 1: God dang it, I'm gonna lose. Trick daddy. I gave
• 18:04
  Speaker 1: don't get the daya trick. But I was actually I
• 18:06
  Speaker 1: was talking to women to him, like why do y'all?
• 18:07
  Speaker 1: It's trick daddy. He's gonna say what he says, and
• 18:10
  Speaker 1: I don't agree. Kid, also don't care. He lets the kid, y'all.
• 18:15
  Speaker 1: So lets the holes and people constantly come for us,
• 18:19
  Speaker 1: people constantly come from black woman. Yes, I can. I
• 18:21
  Speaker 1: can understand the anger because it's like all the time
• 18:24
  Speaker 1: people are coming from us, but he does not matter. Listen,
• 18:28
  Speaker 1: we can sound like this. You got this clip. I
• 18:30
  Speaker 1: love playing problematic stuff for you. I just got into
• 18:32
  Speaker 1: a big debate with this female because I'm on speaker
• 18:35
  Speaker 1: phone with my nick and he say where the holes that?
• 18:38
  Speaker 1: And I'm like, it's a couple over here right now.
• 18:41
  Speaker 1: She get mad, talk ain't no holes over here. But
• 18:44
  Speaker 1: I'm like, look, I wasn't calling y'all holes individually. The
• 18:48
  Speaker 1: holes is any group of females. I don't give its
• 18:51
  Speaker 1: oprahing Gail as WB if it's If it's a group
• 18:54
  Speaker 1: of holes, it could be cc one and her sisters
• 18:57
  Speaker 1: if they together, day the hole. Stop getting mad because
• 19:00
  Speaker 1: we use the right term. Like when a goose by itself,
• 19:03
  Speaker 1: it's a goose, but when it's a bunch of gooses
• 19:06
  Speaker 1: them as geese. So you think it's a goose out
• 19:08
  Speaker 1: here mad as hell when I tell you look at
• 19:09
  Speaker 1: them geese And she's like, no, I ain't, No geese
• 19:11
  Speaker 1: is over here. Bit it's a little it's really really stupid.
• 19:19
  Speaker 1: It's a really really stupid but but that's his logic,
• 19:23
  Speaker 1: that's his stud I don't understand that at all. I
• 19:28
  Speaker 1: didn't get that at I mean, I like it because
• 19:30
  Speaker 1: there's nothing more entertaining than me than that type of
• 19:32
  Speaker 1: that is but no, oh, but yeah he's functioning in life.
• 19:37
  Speaker 1: Good for him. I just pray HBO is giving you
• 19:39
  Speaker 1: the support you need. They're giving me one hundred percent
• 19:42
  Speaker 1: of com like all my LA friends have hit me like, oh,
• 19:44
  Speaker 1: I just see a billboard. Yeah, definitely, um and even
• 19:48
  Speaker 1: out here play on a bus. I just saw me
• 19:50
  Speaker 1: on a bus this morning. This was my first time
• 19:52
  Speaker 1: seeing me on and I had a lot of people
• 19:53
  Speaker 1: hit me up about it too, even before. Yeah, it's good.
• 19:56
  Speaker 1: The work like, it's a great show like me and
• 20:00
  Speaker 1: my wife. I don't I don't do too much appointment
• 20:01
  Speaker 1: TV and to kill every Sunday at ten thirty. Thank
• 20:05
  Speaker 1: you guys, all of the love come anytime. Promote whatever
• 20:09
  Speaker 1: you mean. Promote absolutely. We appreciate it. We know buy
• 20:12
  Speaker 1: season two. You might be over us, but you know
• 20:14
  Speaker 1: are you. I am a black fan, y'all. I watched
• 20:17
  Speaker 1: all the interviews, well most of them said, Mamma cry.
• 20:21
  Speaker 1: I did not do that. That was not one of
• 20:25
  Speaker 1: my proudest moments Black Black, Forget that, but it produced
• 20:30
  Speaker 1: one of the greatest memes ever. That mean where she
• 20:33
  Speaker 1: has the tears in her eyes is the best. See
• 20:37
  Speaker 1: this is why I think this is why it's confusing. Well,
• 20:39
  Speaker 1: I don't know. I still don't think you should have
• 20:40
  Speaker 1: gone that you were very It was like if lemonade
• 20:45
  Speaker 1: was made just vie that this is so appropriate for
• 20:47
  Speaker 1: so many things. I think I truly feel sorry now.
• 20:50
  Speaker 1: At the time she came back, I still wasn't like,
• 20:53
  Speaker 1: I don't feel like I did anything wrong, But now
• 20:55
  Speaker 1: I feel like I actually I was like, you know,
• 20:57
  Speaker 1: that was I was a little bit harsh. Yeah, we're growing. Yeah,
• 21:01
  Speaker 1: I think that's part, and you're allowed to grow. Ye.
• 21:03
  Speaker 1: I don't know if I got two daughters or married,
• 21:06
  Speaker 1: but I just think I really did not know black
• 21:08
  Speaker 1: women felt the way they felt. And I even think
• 21:10
  Speaker 1: about like my mom, right, my mom used to be
• 21:12
  Speaker 1: in her room listening to Lauren Hill X Factor over
• 21:14
  Speaker 1: and over, and I think she just used to like
• 21:17
  Speaker 1: the song. But it's like get older, I realized, like damn,
• 21:19
  Speaker 1: my dad was really putting her through it. But she
• 21:20
  Speaker 1: would never show us that. So I think that's one
• 21:23
  Speaker 1: thing black women do. They don't show when they when
• 21:25
  Speaker 1: they are down like that, they don't show it. So
• 21:27
  Speaker 1: they're forced to always be a strong when Yeah, even
• 21:32
  Speaker 1: if you're not going through nothing, it makes me want
• 21:35
  Speaker 1: to go through something. Sometimes somebody hurt me other man.
• 21:37
  Speaker 1: We've been believing the illusion all these years that women
• 21:40
  Speaker 1: are just Black women are just indistruptible, unbeatable, but they
• 21:43
  Speaker 1: go through it just like the rest of them. Yeah,
• 21:45
  Speaker 1: because y'all put a man sometimes and you know you
• 21:47
  Speaker 1: do so all human. I don't know a black women
• 21:50
  Speaker 1: are amazing trick daddy clip again. Okay, I don't know,
• 21:59
  Speaker 1: but I do think that, you know, we just want
• 22:01
  Speaker 1: to show them being vulnerable and regular women. Thank you,
• 22:06
  Speaker 1: say thank you for coming. It's the breakfast club that
• 22:10
  Speaker 1: was for free. DJ Callett Drake Morning. Everybody is DJ
• 22:14
  Speaker 1: m Vy Angela Yee, Charlemagne the God. We are the
• 22:16
  Speaker 1: Breakfast Club. We got a special guest in the building. Yea,
• 22:20
  Speaker 1: this Regina Hall. You're really finding person's damn it. Oh
• 22:23
  Speaker 1: thanks See waited to tell me that on air from now. Yeah,
• 22:26
  Speaker 1: I mean, I knew you would find on TV and
• 22:27
  Speaker 1: we always look at your pictures like damn you find No,
• 22:29
  Speaker 1: you really find in person. We actually both saw her.
• 22:31
  Speaker 1: I am moving, but not only I'm not going to
• 22:35
  Speaker 1: attractive and talented, but also funny with a good personality.
• 22:39
  Speaker 1: As we've seen you display time and time again. Yeah,
• 22:42
  Speaker 1: you gave a great speech. What was that the Wien Awards.
• 22:46
  Speaker 1: I had got into a really bad car accident on
• 22:49
  Speaker 1: the way there. I had to get my rock hers.
• 22:51
  Speaker 1: But I say, but I still showed up. But I
• 22:54
  Speaker 1: was real disheveled. Yeah, yes, did you, sue? No, no, no,
• 23:00
  Speaker 1: we took care of their insurance, took care of it.
• 23:02
  Speaker 1: It wasn't it wasn't that bad. It just had me,
• 23:05
  Speaker 1: I would have still been right, she said, I would
• 23:08
  Speaker 1: have been named get that money? Why not? Now the
• 23:11
  Speaker 1: movie when the bow breaks, tell us are you gonna
• 23:14
  Speaker 1: go see? I feel like they keep making the same
• 23:16
  Speaker 1: movie every two years. I asked you. I didn't ask him.
• 23:22
  Speaker 1: None of that I just said was a yes or no.
• 23:24
  Speaker 1: You could have even said made Now you gotta go?
• 23:29
  Speaker 1: You did of you crying? You know what, You've been
• 23:32
  Speaker 1: going to see the same superhero movie. I bet you
• 23:34
  Speaker 1: saw Captain a Man and Superman and Superman two and
• 23:41
  Speaker 1: Superman Versus Batman and Batman Hit Captain America. Like these movies,
• 23:46
  Speaker 1: I got the same plot. No, that's not what happens,
• 23:51
  Speaker 1: and this is ex actually not what happens. That which
• 23:54
  Speaker 1: explain to the people. How what the movie is about?
• 23:56
  Speaker 1: Are you gonna go see it? Not really that I'm
• 24:01
  Speaker 1: gonna can't get more black movies made. This again. I
• 24:07
  Speaker 1: don't have no date. You got a ring? I hope
• 24:11
  Speaker 1: your wife takes you to you just see it. Just
• 24:13
  Speaker 1: because he claims that he looks like Marris Chestnut, you
• 24:19
  Speaker 1: will claim that. Okay, claim that said it? Do he
• 24:22
  Speaker 1: look like Marris? Let's claim it up right now. Just
• 24:25
  Speaker 1: let me let me look, hold on, do it again,
• 24:31
  Speaker 1: do it again. Let me see if it changes something.
• 24:38
  Speaker 1: Tell us about the movie. Okay, okay, So when the
• 24:41
  Speaker 1: bout breaks, which everyone here is gonna see, it's actually
• 24:45
  Speaker 1: not what you think, and it's not the tenth time
• 24:47
  Speaker 1: it's been made. But it's actually a thriller. It's about
• 24:49
  Speaker 1: a couple who's been struggling with fertility, which is a
• 24:52
  Speaker 1: really big well you don't he don't want to see
• 24:54
  Speaker 1: because he got five kids. You can't even understand the plotline.
• 24:58
  Speaker 1: But this is about the woman in this case is
• 25:01
  Speaker 1: struggling with infertility. But uh so they decided to hire
• 25:05
  Speaker 1: a saragate. I guess not after this you know she?
• 25:11
  Speaker 1: I know she this Laura who I play. She's had
• 25:14
  Speaker 1: three mischaracters, so she's tried to carry her own child,
• 25:18
  Speaker 1: and that would be something I'm concerned about, though. You
• 25:21
  Speaker 1: get it said. I thought you were gonna say that
• 25:22
  Speaker 1: something I would do, Sarah getting attached to the child.
• 25:25
  Speaker 1: That's true, but actually, you know what happens is the
• 25:30
  Speaker 1: legalities of it, because the truth is why did she
• 25:32
  Speaker 1: take her jacket? Now like a pervert. I would't like
• 25:44
  Speaker 1: that shirt. When he stand up, she can see my
• 25:46
  Speaker 1: chest hold on. I just like that. That's a nice shirt.
• 25:51
  Speaker 1: Thank you. Love for free cost nothing to love. That's
• 25:55
  Speaker 1: why you won't take them to the movies. It costs
• 25:57
  Speaker 1: at least the movie to get some love at least
• 25:59
  Speaker 1: got You're not taking them on a date. No, I'm married.
• 26:02
  Speaker 1: I just know you're not gonna take your wife to
• 26:04
  Speaker 1: the movie. I would go see because you're in it.
• 26:07
  Speaker 1: I would see. I would go see it because it's
• 26:09
  Speaker 1: you and Mark Chester. But did you see how supportive
• 26:12
  Speaker 1: she is? She was like, I'm going with She had
• 26:20
  Speaker 1: the courtesy to at least say she was. Yeah, I
• 26:25
  Speaker 1: appreciate it. I do want to see it. The only
• 26:27
  Speaker 1: because you and mar Chester was the woman living in
• 26:30
  Speaker 1: the house with you. Guys, so this is a weird thing,
• 26:33
  Speaker 1: all right. The surrogate is actually engaged herself to be married,
• 26:38
  Speaker 1: and she has some she and her boyfriend have some issues.
• 26:41
  Speaker 1: So she comes to live in our guest house. So
• 26:45
  Speaker 1: let's let's but at that point, my last embryo is
• 26:48
  Speaker 1: in her body. So so y'all are rich. You guys
• 26:50
  Speaker 1: have a guest house and everything we do. Well, now
• 26:52
  Speaker 1: you asking for your man if you move her on
• 26:55
  Speaker 1: the property, Like, can you think so? That's a lot
• 26:58
  Speaker 1: of temptation? She's I don't think so. Now when I'm
• 27:00
  Speaker 1: in the room. Yeah, I mean, you're not really threatened
• 27:03
  Speaker 1: by looking at the preview? Or do you know where
• 27:07
  Speaker 1: you gotta go? Ask your friends who go see the movie?
• 27:09
  Speaker 1: Because I know, so when your friends go and they
• 27:12
  Speaker 1: come back, y'all can ask, you can ask her what happens.
• 27:17
  Speaker 1: Let's say, let's say you did you know with your man,
• 27:20
  Speaker 1: would you have an issue with somebody like another woman
• 27:22
  Speaker 1: being in the house with him if you're not home
• 27:24
  Speaker 1: in real life? Well, you know what the thing is? This?
• 27:29
  Speaker 1: The truth is, the intention was never that. The intention
• 27:32
  Speaker 1: is she's the woman, a young girl who's engaged and
• 27:35
  Speaker 1: she lives with her fiance and they have their own life.
• 27:38
  Speaker 1: But things that happen the movie which I cannot reveal
• 27:42
  Speaker 1: right now, she breaks up with her boyfriend or something. No,
• 27:44
  Speaker 1: it's it's actually not that, but she is forced and
• 27:47
  Speaker 1: we don't really have a choice because at that point
• 27:49
  Speaker 1: it's the safety of the baby. And like I said,
• 27:51
  Speaker 1: it is the last embryo. I think what it's more
• 27:54
  Speaker 1: a testament to is what a woman will do when
• 27:56
  Speaker 1: it comes to protecting or saving her child, whether it's
• 27:59
  Speaker 1: unborn or not. Okay, Right, when we come back, we
• 28:02
  Speaker 1: have more with Regina Hall. We're gonna talk about roles
• 28:05
  Speaker 1: in Hollywood. Is it bad for black women? We'll talk
• 28:07
  Speaker 1: about it when we come back. Keep a lot to
• 28:08
  Speaker 1: the Breakfast Local Morning Morning. Everybody is DJ M, v Angela, Ye,
• 28:14
  Speaker 1: Charlemagne and God we are the breakfast club. We have
• 28:16
  Speaker 1: Regina Hall in the building now, Charlemagne, is it a
• 28:19
  Speaker 1: lot of limited roles for black females like they say?
• 28:22
  Speaker 1: I mean, I'm sure if people say it, then it exists.
• 28:25
  Speaker 1: You know, I would never sit here even if my
• 28:28
  Speaker 1: experience wasn't that to say no. I mean, you know,
• 28:30
  Speaker 1: it's tough. It's competitive for any race, even when they're
• 28:34
  Speaker 1: more roles. It's a limited number of people that work white, black, male, female.
• 28:38
  Speaker 1: It's tough in general, but you wish there were more.
• 28:41
  Speaker 1: But it's hard to be more when the people who
• 28:44
  Speaker 1: look like you don't go see your movie. The problem
• 28:50
  Speaker 1: is right here. But you know what, I'm gonna say this,
• 28:54
  Speaker 1: that's not true. Like our movies actually do really well
• 28:57
  Speaker 1: and so our people really do support I mean, there
• 29:00
  Speaker 1: receptions every movie you see my hand. I don't mean
• 29:03
  Speaker 1: on cable. I can watch it on you thought about
• 29:07
  Speaker 1: last night and feeding, Okay, didn't go see the scary
• 29:10
  Speaker 1: movie like a Man. Definitely something like a Man, all right,
• 29:15
  Speaker 1: but just not this one. Okay. I'm not saying I'm
• 29:18
  Speaker 1: not going to see this one. You did. You did no.
• 29:20
  Speaker 1: I said, are you gonna see it? And you said no,
• 29:22
  Speaker 1: I've seen this one like seem like but I don't
• 29:25
  Speaker 1: understand what movie. It's nothing like. It's nothing like perfect guy.
• 29:28
  Speaker 1: You're just saying that you saw Morris. Did it have
• 29:30
  Speaker 1: to be these? Because I don't know why they're here now.
• 29:33
  Speaker 1: I'm not gonna lie. After I saw you at the
• 29:35
  Speaker 1: Wien Aboards and so you give your speech and everything,
• 29:37
  Speaker 1: I thought you were very engaging and very funny in
• 29:39
  Speaker 1: real life. So I was like, let me go back
• 29:41
  Speaker 1: and look at she didn't even know you. Last year.
• 29:45
  Speaker 1: I was knew Regina hard, but I never heard her
• 29:50
  Speaker 1: personally outside of her roles speak. I thought she was
• 29:54
  Speaker 1: very comedic, very funny, and very powerful. So I was like, Okay,
• 29:58
  Speaker 1: that's somebody I'm gonna follow up on. I agree with her,
• 30:01
  Speaker 1: and she's gonna continue. You actually even came back to
• 30:05
  Speaker 1: work and said that I thought she did a great
• 30:06
  Speaker 1: job and it and she really stood out. You did well,
• 30:09
  Speaker 1: you know what, you inspired some not all because these two.
• 30:14
  Speaker 1: That's true. But no, it's not like that. It's it's all.
• 30:16
  Speaker 1: I mean, it's the same. You know what, listen us
• 30:18
  Speaker 1: thriller as a thriller, But you know that doesn't mean
• 30:21
  Speaker 1: that they're that the plot lines are all the same.
• 30:23
  Speaker 1: You kind of have to see it to see what
• 30:25
  Speaker 1: the differences are. Do you like dramatic roles or comedic ross?
• 30:28
  Speaker 1: I mean I love both. I mean, you know, I
• 30:30
  Speaker 1: didn't act to just play one. Well the ever a
• 30:33
  Speaker 1: point when you was playing Brenda on Scary Movie that
• 30:35
  Speaker 1: she was like, I'm just gonna do this for the check.
• 30:36
  Speaker 1: This ain't really challenging. I'm just doing it. No, I
• 30:38
  Speaker 1: love playing Brenda. Some roles you do for fun, like
• 30:41
  Speaker 1: I love Anna Faris. You know at the first two,
• 30:44
  Speaker 1: I love to weigh in so you know, it doesn't
• 30:46
  Speaker 1: have to be grueling to be good. And I think
• 30:48
  Speaker 1: you know, me and Anna did the first four. When
• 30:50
  Speaker 1: they did the last one, you know I did not
• 30:52
  Speaker 1: do that one. That would have felt like it was
• 30:54
  Speaker 1: for the check because I didn't have you know, Cindy.
• 30:58
  Speaker 1: Brenda needs Cindy and I. That kind of inspiration that
• 31:01
  Speaker 1: we kind of get off of each other to be
• 31:03
  Speaker 1: able to work together and collaborate wasn't there. But no,
• 31:07
  Speaker 1: I have fun. I mean some things are just you know,
• 31:09
  Speaker 1: you're like, oh, I'm gonna go and get to have
• 31:11
  Speaker 1: a good time. Don't you think you outgrow some roles though,
• 31:14
  Speaker 1: But in people's mind you haven't, so like they still
• 31:16
  Speaker 1: run upon you, like you, Brenda. Somebody ran up on
• 31:19
  Speaker 1: me and they were like, oh my goodness, you Ace
• 31:21
  Speaker 1: Bookie's baby mom. And I was like, I said, oh no,
• 31:25
  Speaker 1: I'm sorry. You must have me confused someone else. I
• 31:28
  Speaker 1: had forgotten all about you. That role. You're cool, right, y'all?
• 31:31
  Speaker 1: Close what do you want to ask you who? No,
• 31:37
  Speaker 1: we are, No, we're not. You know what we have.
• 31:41
  Speaker 1: I'm sure we've been up for the same roles. But
• 31:43
  Speaker 1: we're really supportive, like you know for my friends in
• 31:46
  Speaker 1: the business, like I'm always happy when she gets something,
• 31:48
  Speaker 1: and because we kind of get I'll rock with you.
• 31:51
  Speaker 1: So I ain't gonna do this. We all put together
• 31:54
  Speaker 1: questions before the inter that's what he wanted to ask.
• 31:57
  Speaker 1: So we have never been in a lesbian relationship. I
• 32:02
  Speaker 1: have never ever heard. I have never We are like sisters.
• 32:07
  Speaker 1: The lesbian rumor started just because my house was being renovated,
• 32:14
  Speaker 1: Sona was away working. I ended up I think on
• 32:16
  Speaker 1: an interview I said I'm living with snaw, which I
• 32:19
  Speaker 1: was because my my house, which was supposed to take
• 32:23
  Speaker 1: a month, ended up taking three months. It's funny because
• 32:26
  Speaker 1: we actually laughed about the rumor. I think we made
• 32:29
  Speaker 1: jokes about it all the time. I never heard that
• 32:31
  Speaker 1: until I saw it on that paper when they bought
• 32:33
  Speaker 1: You never heard it, Well, let me see that paper.
• 32:38
  Speaker 1: You want to see two two daughters yours, I would hope.
• 32:48
  Speaker 1: So if not, that's no, that should what do you have? No?
• 32:56
  Speaker 1: Im gender? Gender? I have three girls, two boys. Okay,
• 33:00
  Speaker 1: I was no kids. I just was curious because you know,
• 33:04
  Speaker 1: I'd like to know what you are. I was a
• 33:05
  Speaker 1: hole in the past life. So holes get blessed with daughters.
• 33:09
  Speaker 1: Daughters are pretty amazing, yes, until we start having sex
• 33:12
  Speaker 1: and growing breasts and it's a guy an interview who
• 33:14
  Speaker 1: can't stop there? You know what? All right, Well, make
• 33:19
  Speaker 1: sure you guys go see them. Yes, please don't. No,
• 33:25
  Speaker 1: it's nationwide. I'm going to see it. We're gonna Are
• 33:31
  Speaker 1: you gonna go see it? Yes? All right, it's the
• 33:33
  Speaker 1: Breakfast Club is Miss Regina. Thank you, guys. That was
• 33:37
  Speaker 1: Brys until it with Dope Morning. Everybody is DJ m
• 33:41
  Speaker 1: vy Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 33:44
  Speaker 1: We got a special guest in the building goes by
• 33:46
  Speaker 1: the name of Common. Yeah. Black America again, Black American?
• 33:50
  Speaker 1: What exactly is Black America Again? I know that's the
• 33:52
  Speaker 1: title of your album, but it seemed like it's some
• 33:54
  Speaker 1: type of movement. It is. It's really a movement. It's
• 33:56
  Speaker 1: like a call to action. I called it Black America
• 33:59
  Speaker 1: a game because you know, all the injustices, the inequality
• 34:03
  Speaker 1: and the marginalizing of black people. We've been seeing that
• 34:06
  Speaker 1: over and over since we've been in this country. That's
• 34:09
  Speaker 1: how America treated us. But I'm also saying again because
• 34:11
  Speaker 1: we're writing a new story, and it's up for us
• 34:14
  Speaker 1: as black people and all people to support that new story,
• 34:17
  Speaker 1: which is like just showing who we are as black
• 34:19
  Speaker 1: people and showing the joy to love, the creativity, which
• 34:23
  Speaker 1: we always do. But I mean, it's just time for
• 34:25
  Speaker 1: us to highlight that and just put that out there.
• 34:27
  Speaker 1: And you've been very active in getting people to sign
• 34:29
  Speaker 1: up and register to vote and encouraging people to vote
• 34:32
  Speaker 1: in the election is next week. Does anything make you
• 34:34
  Speaker 1: nervous about this election? I mean not nervous, But the
• 34:38
  Speaker 1: things I'm just being aware of is like, look, it's
• 34:41
  Speaker 1: obvious that Hillary Clinton is the best candidate to be
• 34:45
  Speaker 1: president right now. It's just about for me and us
• 34:49
  Speaker 1: just holding her accountable for the things that she says
• 34:52
  Speaker 1: that she's going to do, Like we should hold all
• 34:54
  Speaker 1: politicians accountable, like local, state level, you know, like we
• 34:58
  Speaker 1: got to hold them all accountable. And that means like
• 35:01
  Speaker 1: showing up if she ain't doing something, we gotta we
• 35:03
  Speaker 1: gotta stand on that and let her know. Like but
• 35:06
  Speaker 1: I'm gonna try to have faith in the fact that
• 35:09
  Speaker 1: she's going to try to do some things because obviously
• 35:12
  Speaker 1: the masks and concerration was one thing that a lot
• 35:14
  Speaker 1: of people were concerned with, and you know, she acknowledged
• 35:17
  Speaker 1: that that was a misstep and it wasn't her particularly,
• 35:21
  Speaker 1: but she supported and was talking that super predator stuff.
• 35:24
  Speaker 1: But hopefully she trying to clear that up. We all
• 35:26
  Speaker 1: we all grow, right, you consciously say, let me put
• 35:29
  Speaker 1: out Black America again right before the election. Yeah, I
• 35:32
  Speaker 1: was because I wrote it like back in in March
• 35:35
  Speaker 1: and was and I was rapping in different places and
• 35:37
  Speaker 1: churches and different things. And actually I was talking with
• 35:40
  Speaker 1: Ava Douvan they who who directed them, Yeah, the thirteen
• 35:44
  Speaker 1: to thirteen for strong Um and and she was like, man,
• 35:47
  Speaker 1: this is man, it's powerful. You got this this music
• 35:50
  Speaker 1: coming election year, you should put it out around that time.
• 35:53
  Speaker 1: And it just honestly kind of worked out. You know.
• 35:56
  Speaker 1: I had to get everything together and get everything organized,
• 35:58
  Speaker 1: and it did. It was to Jack at that point
• 36:00
  Speaker 1: to be like, look, this needs to come out around
• 36:02
  Speaker 1: the election time. What's love Start? Your hashtag love start?
• 36:05
  Speaker 1: I seen? Yeah, I use that. I mean the Love
• 36:07
  Speaker 1: Star is a song I did on the album is
• 36:09
  Speaker 1: Me and Marsha and Brochs and this girl PJ very dope,
• 36:13
  Speaker 1: and uh, you know, it's just another way of calling
• 36:15
  Speaker 1: it's another term of affection to your girl or something like.
• 36:18
  Speaker 1: That's my love start right there. So I just it's
• 36:20
  Speaker 1: just the nah man, Regina, that's just my people, that's
• 36:26
  Speaker 1: just my my buddy. Yeah, you guys broke up already. No, No,
• 36:30
  Speaker 1: we never was like, we never was in that in
• 36:33
  Speaker 1: that space. You know, that's just like somebody I care
• 36:35
  Speaker 1: about as a friend. We worked together, and you know,
• 36:38
  Speaker 1: I'm right now, I'm just single. So you saw it
• 36:41
  Speaker 1: on the blogs, though I know I saw it and
• 36:45
  Speaker 1: broke up on the blogs the next time I've seen.
• 36:47
  Speaker 1: They didn't break up on the blog yet, but he
• 36:48
  Speaker 1: did say he's single, so they never. Yeah, it was
• 36:52
  Speaker 1: just like, you know, point blank, just friends. She's funny,
• 36:55
  Speaker 1: she's super cool, beautiful. My parents say she had a man. No,
• 36:59
  Speaker 1: yeah she was. Yeah. I mean, well I don't know
• 37:01
  Speaker 1: that she probably does. She probably does, but uh, you know,
• 37:05
  Speaker 1: that's my buddy. I'm single. So dude, know Jesus Christ,
• 37:10
  Speaker 1: that everybody boy. I said to Lord durn at one point,
• 37:19
  Speaker 1: and then you were like, look, we just worked on
• 37:21
  Speaker 1: something together. We went to dinner. You can't even go
• 37:22
  Speaker 1: to dinner. I mean yeah, I mean, let me tell you, like,
• 37:26
  Speaker 1: Laura dern Is is actually an actress that I worked
• 37:28
  Speaker 1: within the movie and she and I was in the
• 37:31
  Speaker 1: same acting class too, so um, and I've known her
• 37:34
  Speaker 1: for a while. So friends, you know you're gonna you
• 37:37
  Speaker 1: look at certain points when you're working with people, you're
• 37:39
  Speaker 1: gonna go out, you hang out with them. You know,
• 37:41
  Speaker 1: I don't necessarily mean you with him, Charlomage, French Montana Common?
• 37:44
  Speaker 1: Which one you'd rather be because you know, we talk
• 37:46
  Speaker 1: about French Monteana Common being linked to all these beautiful women,
• 37:49
  Speaker 1: which which Nah, Charlomagne, I got a good I got
• 37:52
  Speaker 1: a nice, nice group of women that I that I Oh, yeah,
• 37:57
  Speaker 1: you got a great thing. I got credit and credit.
• 38:00
  Speaker 1: Yeah yeah, yeah, I think I'd rather be comic because
• 38:03
  Speaker 1: Common more discreet with it. Yeah, you don't have the
• 38:06
  Speaker 1: reputation as a whole man. That's a good lot freehole,
• 38:14
  Speaker 1: he said, you know what I'm saying. Yeah, yeah, Look, look,
• 38:20
  Speaker 1: this is the thing you would have to It's the
• 38:21
  Speaker 1: thing you can ask any ext any of my exits
• 38:25
  Speaker 1: we're still cool with. It's still love. You know what
• 38:27
  Speaker 1: I'm saying. I talked to them and they it's always love,
• 38:30
  Speaker 1: whether it's Serena, Eric covered um to see. That's the thing.
• 38:34
  Speaker 1: You got more classics than French first only got one
• 38:36
  Speaker 1: classic on the belt. That's the note. You just named
• 38:39
  Speaker 1: three classics, like three classics that men that sat around
• 38:42
  Speaker 1: him be like, whoa, yeah, those are the ones. Do
• 38:45
  Speaker 1: you text after you see Serena dance with Beyonce? Do
• 38:47
  Speaker 1: you just text it? Be like, hey, big head, No,
• 38:51
  Speaker 1: I'll tell her she looked good, like yo, you snapped
• 38:55
  Speaker 1: in that Rihanna quote for common though that she said,
• 38:59
  Speaker 1: Rihanna said something coming to now. She said, none of
• 39:03
  Speaker 1: my exes are married her in happy relationships. So it's
• 39:05
  Speaker 1: safe to say I wasn't the problem. You gotta honor
• 39:09
  Speaker 1: that we got more with common when we come back,
• 39:12
  Speaker 1: don't go anywhere as the breakfast club. The morning that
• 39:16
  Speaker 1: was needed me, Rihanna morning. Everybody is DJ M v Angela, Yee, Charlomagne,
• 39:20
  Speaker 1: the guy. We all the breakfast club comments in the building.
• 39:24
  Speaker 1: You're producing a show about nineties rappers going through a
• 39:26
  Speaker 1: midlife crisis. Have you ever went through that? Man? Yeah,
• 39:30
  Speaker 1: for sure, I've been through some times when I'm like, man,
• 39:33
  Speaker 1: where you know, like where do I fit in? Because
• 39:36
  Speaker 1: it was one time when Brown it was a koufy
• 39:39
  Speaker 1: time when I was confused at that time. Man, But
• 39:44
  Speaker 1: you know, for me, I like your circus. Yeah yeah,
• 39:47
  Speaker 1: you always referenced always. But hey, but you know what
• 39:55
  Speaker 1: I can say about that if that's the one that
• 39:57
  Speaker 1: Charlemagnet bring up, that I'm good because because I gotta
• 40:02
  Speaker 1: I got you know, so so and you know every
• 40:04
  Speaker 1: piece is not gonna always get to people. But but
• 40:06
  Speaker 1: my thing is like, as a person, you gotta evolve
• 40:09
  Speaker 1: the way you evolved, Like you gotta grow into the things.
• 40:11
  Speaker 1: And sometimes you're gonna look back. I can look back
• 40:13
  Speaker 1: and laugh at some of the pictures that you know,
• 40:15
  Speaker 1: the way I was dressing this stuff. But it's still,
• 40:20
  Speaker 1: you know, it's still like, man, this is who I was.
• 40:22
  Speaker 1: I still embrace it. I still stand behind Electric Circus
• 40:24
  Speaker 1: like I do be or like I will with Black
• 40:27
  Speaker 1: America again, because that's who that's who I was at
• 40:29
  Speaker 1: that time. I always say it's easier for guys like
• 40:32
  Speaker 1: you to evolve in hip hop though, because you never
• 40:34
  Speaker 1: claim to be the street rappers. The street rappers are
• 40:36
  Speaker 1: the ones you see going through the middle life crisis
• 40:38
  Speaker 1: because they still got the hoodies on at forty five,
• 40:41
  Speaker 1: still like it's grilling, still mean, mugging, like you you're
• 40:44
  Speaker 1: an adult. You've been carrying yourself like an adult. Yeah,
• 40:46
  Speaker 1: I think that, man. I think that's like sometimes you
• 40:50
  Speaker 1: can get stuck in the thing, like when you like
• 40:53
  Speaker 1: first come out and you say, oh, this is who
• 40:54
  Speaker 1: I am, and if you don't show that true evolution
• 40:57
  Speaker 1: you like you started saying all right, I'm gonna make
• 40:59
  Speaker 1: this music because people already liked me doing that instead
• 41:02
  Speaker 1: of just going where you go with it. The artist
• 41:04
  Speaker 1: that I've seen evolved, they evolved like as human beings
• 41:07
  Speaker 1: like and then you see that coming out through their music.
• 41:09
  Speaker 1: So if you stand in here and where you truly are,
• 41:12
  Speaker 1: I think you can evolve and grow and be that
• 41:14
  Speaker 1: artist that has a career a lot of time in
• 41:16
  Speaker 1: the White House doing a lot of positive things. And
• 41:19
  Speaker 1: the black community, a lot of the black community and
• 41:21
  Speaker 1: not too happy with Barack Obama and they feel like
• 41:23
  Speaker 1: he really didn't hold down his community. What are your
• 41:25
  Speaker 1: thoughts from Barack Obama and how he did in eight years.
• 41:27
  Speaker 1: I feel that the President came in with the intention
• 41:31
  Speaker 1: to do a lot of great things for the community,
• 41:33
  Speaker 1: for black people, and I feel like he hit a
• 41:36
  Speaker 1: lot of walls dealing with the politics instead within Congress,
• 41:40
  Speaker 1: and I don't think he was even knew that it
• 41:42
  Speaker 1: was going to be that much resistance because people, you know,
• 41:45
  Speaker 1: it was like it down the Republicans. Yeah, So I
• 41:51
  Speaker 1: think he was there. I think he might at some point,
• 41:53
  Speaker 1: might have got tired some points he had to probably
• 41:56
  Speaker 1: deal with politics the way it goes. But I always
• 41:58
  Speaker 1: felt his intention in his heart to help black people
• 42:01
  Speaker 1: and he's still doing it. He had a meeting, he
• 42:03
  Speaker 1: had a meeting for My Brother's Keeper, which is his
• 42:05
  Speaker 1: initiative that's helping out young black people. It was me
• 42:08
  Speaker 1: Rick Ross asat Rocky Alicia Keys chance to wrap a
• 42:12
  Speaker 1: Nicki Minaj, all sitting in the White House talking about
• 42:15
  Speaker 1: like prison reform, talking real stuff. And then he sat
• 42:18
  Speaker 1: with us for like four hours, he said, with no
• 42:20
  Speaker 1: secret Service, no nothing. And Rick ross Ancle, who kept
• 42:23
  Speaker 1: going on. The President was like He's like, what's that.
• 42:28
  Speaker 1: And Rick Ross came out like that's my bracelet, you know,
• 42:30
  Speaker 1: Like and then President was like, man, you're really keeping
• 42:33
  Speaker 1: it real. And he was like, man, I need to
• 42:38
  Speaker 1: know because you know, you never know what's going on
• 42:41
  Speaker 1: when you hit these things. He's like, you could tell
• 42:44
  Speaker 1: he's in tune and really does care. So I think
• 42:47
  Speaker 1: his presidency, if you look at him, if what he's
• 42:51
  Speaker 1: done just symbolically too. Man, he's changed the world. Man,
• 42:55
  Speaker 1: not any kid feel like they could at least be president.
• 42:57
  Speaker 1: They at least they know that it could be president. Like, so,
• 43:01
  Speaker 1: I think you know that in itself is already a
• 43:04
  Speaker 1: change in the world. After. I feel like Hillary's president
• 43:06
  Speaker 1: will do too. I think about my daughter. My daughter
• 43:08
  Speaker 1: is eight, Yeah, so all she's seen is Barrock. Now
• 43:10
  Speaker 1: she sees Hillary. She don't even know that standard of
• 43:13
  Speaker 1: an old white man authority. That's what I love. I mean,
• 43:16
  Speaker 1: you know, I feel like, man, it'd be great to
• 43:18
  Speaker 1: see a woman rule, you know, and be the head
• 43:22
  Speaker 1: of the state. Like, I think things will be better
• 43:24
  Speaker 1: and we need that energy and we do want our
• 43:27
  Speaker 1: daughters to see that. Like, you've always been socially conscious,
• 43:30
  Speaker 1: but not that you're older and more mature. What do
• 43:32
  Speaker 1: you feel like your responsibility is My responsibility is to
• 43:38
  Speaker 1: speak the words of God to activate and inspire people
• 43:43
  Speaker 1: through the art and through being an activist. As long
• 43:46
  Speaker 1: as it's people that's hurting out there, or it's inequalities
• 43:49
  Speaker 1: out there, my responsibility is to speak up and be
• 43:53
  Speaker 1: active towards changing that situation. That's my responsibility. It's time
• 44:01
  Speaker 1: for Donkey of the Day being Dunky of the day,
• 44:07
  Speaker 1: a little bit of a mixed so like a dope
• 44:11
  Speaker 1: other day. Now, I've been called a lot of my
• 44:17
  Speaker 1: twenty three years that Donkey of the day is a
• 44:19
  Speaker 1: new wife. All right. Donkey of the Day goes to
• 44:24
  Speaker 1: a young lady named Malika, and all you desert thirsty
• 44:27
  Speaker 1: ass new girls who are trying to get dates with
• 44:28
  Speaker 1: Doodoo Girl. Oh you don't know who doodoo girl is, Well,
• 44:31
  Speaker 1: her name is Malika, ladies and gettlement Okay. She goes
• 44:33
  Speaker 1: by the name of at underscored Bloody on Twitter. Now.
• 44:36
  Speaker 1: I can't even do this story without feeling a little sick,
• 44:38
  Speaker 1: because if it's one thing I hate is seeing fieces
• 44:40
  Speaker 1: in the toilet ball I can't stand it. I hate
• 44:42
  Speaker 1: when I walk in a public restroom and somebody forgot
• 44:44
  Speaker 1: to flush. Just makes my skin crawl just thinking about it. Okay,
• 44:48
  Speaker 1: I don't even look at my own poop when I
• 44:49
  Speaker 1: handle my business. You know how, doctor I said you
• 44:52
  Speaker 1: poop should be s shaped in a normal color. I
• 44:54
  Speaker 1: wouldn't know if mine is, Okay, I don't care. To me,
• 44:57
  Speaker 1: it's called ways for a reason. I don't care what
• 44:59
  Speaker 1: it looks like. I don't want to see it, and
• 45:01
  Speaker 1: I damn sure don't want to see anyone else's. So
• 45:03
  Speaker 1: that said, you shouldn't know how much this story of
• 45:05
  Speaker 1: this young lady Malika discussed me. Now, if you haven't
• 45:08
  Speaker 1: heard the story, I'll give you a quick recap. Her
• 45:10
  Speaker 1: name it is mckella. Well whatever, okay, maybe I'm a
• 45:13
  Speaker 1: little dyslexic. Mckella met a man in the grocery store,
• 45:17
  Speaker 1: went back to his house, and decided she needed to
• 45:20
  Speaker 1: use that man's bathroom. She tweeted. I am a confident, calm,
• 45:23
  Speaker 1: self assured woman, so I felt comfortable pooping in his bathroom. Now,
• 45:27
  Speaker 1: how you just met a man in a grocery store,
• 45:29
  Speaker 1: don't know him from a candle lightsow and just go
• 45:31
  Speaker 1: back to his house. That's first and foremost. You can
• 45:34
  Speaker 1: be confident, calm, self reshow at all of that, But
• 45:36
  Speaker 1: don't be a donkey. You don't know this dude. He
• 45:38
  Speaker 1: could be a serial killer, a rapist. You just don't
• 45:40
  Speaker 1: go home with some man you met in the produce
• 45:41
  Speaker 1: section at Whole Foods. Okay, but the story doesn't stop there. No,
• 45:45
  Speaker 1: this trusting yass woman actually used this man's bathroom, not
• 45:48
  Speaker 1: just used this man bathroom, pooped in this man's toilet,
• 45:52
  Speaker 1: blew it up. And this is why you don't invite
• 45:53
  Speaker 1: random screens to your crib. I don't even prove my
• 45:55
  Speaker 1: friend's bathroom. So imagine how I'd feel if a total
• 45:57
  Speaker 1: scranger came in my crib, use my bathroo did it
• 46:00
  Speaker 1: number two in my toilet? That's just disrespectful. Okay, we
• 46:03
  Speaker 1: don't know each other like that. That would happen next
• 46:06
  Speaker 1: to me. It's just kind of calma. See old boys
• 46:10
  Speaker 1: toilet wasn't working, so Malika, in a panic, went and
• 46:14
  Speaker 1: got her purse, wrapped the poo up, put it in
• 46:16
  Speaker 1: her purse, and then she heard a toilet flush in
• 46:18
  Speaker 1: another part of the house, where she went to the
• 46:20
  Speaker 1: other bathroom in the house, dumped it in the toilet
• 46:22
  Speaker 1: and flushed it. It's just all too much, Okay. This
• 46:26
  Speaker 1: is the prime example of oversharing on social media. But whatever,
• 46:29
  Speaker 1: Thank you Malika for the content. Now let's get to
• 46:32
  Speaker 1: all you doesert thirsty negroes on social media After hearing
• 46:34
  Speaker 1: that story, I'm disgusted. Okay. All I keep thinking about
• 46:38
  Speaker 1: is what her purse mail is like? Did she wipe
• 46:40
  Speaker 1: her ass? I would bet know. Okay, any person who
• 46:43
  Speaker 1: randomly leaves a grocery store with a complete scranger and
• 46:45
  Speaker 1: then poops in that complete scranger's house probably didn't wipe
• 46:48
  Speaker 1: her ass. But that is not stopping you negroes from
• 46:50
  Speaker 1: shooting your shot. Okay. In the due New York Daily
• 46:53
  Speaker 1: News yesterday, it was an article with the headline woman
• 46:55
  Speaker 1: who hid poop in purse says, men keep asking her out?
• 47:00
  Speaker 1: Who are you guys? I'm reading these tweets. This One
• 47:03
  Speaker 1: guy from the UK named John Claude says, heard about
• 47:06
  Speaker 1: your date gone wrong? Can't stop laughing when you come
• 47:09
  Speaker 1: to the UK. I would love to buy you a cheeseburger. Now,
• 47:11
  Speaker 1: why would you offer anyone with loose bows dairy? Another
• 47:16
  Speaker 1: dude name at Hey Valo said, hey, you are my hero?
• 47:20
  Speaker 1: How I can name three women who are heroes before?
• 47:24
  Speaker 1: Doodoo girl? You got a lecture on Daredevil. You got
• 47:27
  Speaker 1: wonder Woman, you got Claire Hustable. How is Doodoo girl
• 47:30
  Speaker 1: your hero? Another dude on Twitter said, marry me best
• 47:34
  Speaker 1: story ever? In what world does a woman pooping in
• 47:37
  Speaker 1: the scrangest bath from wrapping up in a wrapping it up,
• 47:40
  Speaker 1: wrapping it up in a tissue, and then taking it
• 47:42
  Speaker 1: to another toilet? And what world does that make you
• 47:44
  Speaker 1: want to marry her? What's the girl name? Michaela? Michaela
• 47:49
  Speaker 1: Michaela tweeted, Wow, all of the hard work I put
• 47:52
  Speaker 1: into being a hot girl is tarnished by one teeny
• 47:55
  Speaker 1: tiny poop story. Now I'm just poop girl. Yes, yes
• 47:58
  Speaker 1: you are. That's exactly what you are. And all these
• 48:00
  Speaker 1: guys trying to date you a bunch of poop but
• 48:02
  Speaker 1: ass suckers with no standards, Like damn bro. I'm not
• 48:05
  Speaker 1: saying she's not cute. I see her picture, but this
• 48:07
  Speaker 1: story is not appealing. Nothing about this story would attract
• 48:10
  Speaker 1: me to her. Okay, at least let her purse air
• 48:12
  Speaker 1: out first, let her purse freshing up first. Okay I can't.
• 48:15
  Speaker 1: I can't say the S word, so I'll just say
• 48:17
  Speaker 1: the same way. Real recognizes real Doodoo recognizes Duodo. Okay,
• 48:21
  Speaker 1: please give what's the girl name, Michella? Please give Michaelay
• 48:24
  Speaker 1: and all the dudes who want to date her the
• 48:26
  Speaker 1: biggest heath Hall. Please. He's saying, there's plenty of other
• 48:31
  Speaker 1: chicks for y'all to fake proposed to on social media. Okay,
• 48:34
  Speaker 1: you got Beyonce's fake cousin, Christian Douglas out there. Yeah, shot, Val,
• 48:39
  Speaker 1: he got Burton, these burges go fake love them. You're
• 48:42
  Speaker 1: a purl, not dood girl, all right, not a perl.
• 48:45
  Speaker 1: I'm just the admirer of nice things. Okay, all right,
• 48:48
  Speaker 1: we don't kill Yeah, but everyone don't poop in random
• 48:51
  Speaker 1: scrangers houses that they met at the grocery store then
• 48:53
  Speaker 1: wrap it up in the tissue and take it to
• 48:55
  Speaker 1: another bathroom and flushing in the toilet and didn't tweet
• 48:58
  Speaker 1: about it. The breakfas Club I'm wanting everybody is DJ
• 49:03
  Speaker 1: m vy Angela yee Cholamine the guy we are the
• 49:05
  Speaker 1: breakfast club. We got a special guest in the building.
• 49:08
  Speaker 1: You got a really special guest. We always say special guests.
• 49:10
  Speaker 1: This is a really special It's a little late, but
• 49:12
  Speaker 1: there was a reason why he was a little late.
• 49:13
  Speaker 1: You couldn't find the Parkers about for the Lamborghini. I'm
• 49:15
  Speaker 1: not mad at him. I'm not mad he had right
• 49:18
  Speaker 1: in front of the building. But we made it work.
• 49:20
  Speaker 1: Thank you, Thank you guys. You drove your most humble
• 49:24
  Speaker 1: car here this. I ain't want to bring the bugatta y'all.
• 49:29
  Speaker 1: You know got potholes in New York, the sides of
• 49:31
  Speaker 1: vent tables. Man Tracy came in here with the four
• 49:35
  Speaker 1: finger ring. I ain't gonna front you. That's beautiful, brother,
• 49:38
  Speaker 1: that's that makes me want one at all. Well, ever
• 49:40
  Speaker 1: since I saw l L you know what I'm saying
• 49:42
  Speaker 1: that I always wanted one. I got one. Yeah, it's
• 49:48
  Speaker 1: glad to finally see you. Haven't seen you in such
• 49:50
  Speaker 1: a long time. Get you on the phone, but we
• 49:52
  Speaker 1: haven't had a chance to see down there. I'm so
• 49:55
  Speaker 1: glad to be in studio with you guys, because I
• 49:57
  Speaker 1: have a lot of phone when I'm here, and it's
• 49:58
  Speaker 1: interesting you all always speak my interests in all of
• 50:02
  Speaker 1: those questions and all of that. And I've just been
• 50:05
  Speaker 1: when I was on a couch for like a year
• 50:07
  Speaker 1: and a half, I was listening and watching. We appreciate that.
• 50:11
  Speaker 1: Thank you. Now I saw you on the view man
• 50:13
  Speaker 1: saying that you feel funnier than ever before, and you
• 50:15
  Speaker 1: said you feel like you talked to Richard. Yeah, I
• 50:18
  Speaker 1: like to say that. You know. I was up there
• 50:21
  Speaker 1: at the party and guard and Richard was there, and
• 50:24
  Speaker 1: Lucy A. Ball was there, and Gleason was there, George Garlin,
• 50:28
  Speaker 1: and then God said it was time to go, and
• 50:30
  Speaker 1: I looked back at Richard because I didn't want to
• 50:33
  Speaker 1: leave him, and he just winked his eyes to stay funny.
• 50:37
  Speaker 1: So I took that role with it. That was a
• 50:39
  Speaker 1: real vision, like you really yeah, wow, I don't know
• 50:41
  Speaker 1: if I was in a coma anything. I was highly
• 50:44
  Speaker 1: heavily sedated, you know, because I poverized my fema. I
• 50:47
  Speaker 1: broke every bone in my face so that it was
• 50:50
  Speaker 1: a lot of pain. It was a lot of pain.
• 50:52
  Speaker 1: So now you earn the Richard probably biopic, right, Yeah,
• 50:54
  Speaker 1: I'm playing red Fox jaz Ah. It's Hollywood. Yeah, but
• 51:02
  Speaker 1: I'm not trying to do an impression. I'm trying to
• 51:05
  Speaker 1: channel him, just like Jamie did Ray. He didn't do
• 51:09
  Speaker 1: an impression. He did. He did ray or hebron So
• 51:15
  Speaker 1: that's a dark place and you want to go to.
• 51:17
  Speaker 1: You got to know how to get to that dark place.
• 51:19
  Speaker 1: That's all emotion, that's create acting that has nothing to
• 51:23
  Speaker 1: do with makeup. Acting is great. You'll see past that,
• 51:27
  Speaker 1: You'll see the la You'll be like, whoa, you see
• 51:30
  Speaker 1: the spirit of that person all my life? Who didn't
• 51:36
  Speaker 1: watch here for the sun. But you have to study
• 51:39
  Speaker 1: him off the stage to know him. And you know,
• 51:42
  Speaker 1: people that provide me with footage and you know, and
• 51:46
  Speaker 1: introduced me to people and all those things. I'm quite
• 51:48
  Speaker 1: sure I never got to because was probably that was going.
• 51:55
  Speaker 1: But I knew people did his taxes and knew him
• 51:58
  Speaker 1: personally and Eddie and you know, you be around people
• 52:00
  Speaker 1: like that to tell your stories. Is that why you
• 52:02
  Speaker 1: can't in there clutching your heart? No, no, no, no,
• 52:06
  Speaker 1: I was just cuting my heart because it's just a
• 52:08
  Speaker 1: joy to be here. When you got into the to
• 52:10
  Speaker 1: the accident, you were just telling us all the stuff
• 52:12
  Speaker 1: that you broke. I didn't know you broke that much,
• 52:14
  Speaker 1: all your things. A lot of people didn't know. I
• 52:18
  Speaker 1: was well insulated. Nobody needed to know. Nobody needed to know.
• 52:23
  Speaker 1: Let me heal nobody and I know we living in
• 52:26
  Speaker 1: the age was all about information. No nobody needed needed
• 52:31
  Speaker 1: to know that. Nobody needed to see no pictures of
• 52:33
  Speaker 1: me and Nokoma. I don't care about none of that,
• 52:37
  Speaker 1: and my family, my wife. You know I ain't having that.
• 52:41
  Speaker 1: Ain't having that. Ain't nobody taking no pictures of nothing?
• 52:44
  Speaker 1: Let that man heal damn right, absolutely period. But people
• 52:48
  Speaker 1: don't take life serious enough. But if you're going to
• 52:51
  Speaker 1: Comma ten days, you'll see, you'll see. Trust me. You
• 52:55
  Speaker 1: think about it, You think about it, you think about
• 52:57
  Speaker 1: not being no more. It's or your loved ones, or
• 53:01
  Speaker 1: your family or your enemy. You ain't never gonna see
• 53:03
  Speaker 1: them again. So I thank god I'm here. He would
• 53:06
  Speaker 1: say all the time. God is good. I say you wrong.
• 53:09
  Speaker 1: God is everything. He good, bad, and ugly. You don't
• 53:12
  Speaker 1: want to mess with him. If you think Satan is bad,
• 53:15
  Speaker 1: gets who created him. So any man or woman who
• 53:18
  Speaker 1: hasn't made his decision has already made his decision. If
• 53:21
  Speaker 1: I would have pass to that accident, I would have
• 53:23
  Speaker 1: been on right because I know where I'm going after this,
• 53:25
  Speaker 1: because I'm a good person. I'll treat people good, and
• 53:27
  Speaker 1: I believe ain't had to take no accident. I've been
• 53:30
  Speaker 1: believing I've been closer him. I just got closer with
• 53:34
  Speaker 1: that said they always say everything happens for a reason.
• 53:37
  Speaker 1: Did you find a reason? And that my purpose? Like
• 53:40
  Speaker 1: Beyonce said, connect the dots, I spread love. I'm here
• 53:45
  Speaker 1: to make those laugh, to be good to those and
• 53:47
  Speaker 1: spread love and at times be living. And now that's
• 53:51
  Speaker 1: what God said, go back down and spread love. Man.
• 53:53
  Speaker 1: So that's what you enjoy doing that, that's what the person.
• 53:55
  Speaker 1: That's my way of doing that, my vehicle doing that
• 53:57
  Speaker 1: as my sense and humor. Nobody cared about my money.
• 54:00
  Speaker 1: Nobody cared. So people came on the show and said,
• 54:04
  Speaker 1: all they're thinking about now they've got ninety million. No,
• 54:06
  Speaker 1: this wasn't this wasn't a career shift. This was a
• 54:10
  Speaker 1: terrible accident. I listened to the interview with David Wayne's
• 54:13
  Speaker 1: and Dave Wayne is a good man, great guy. He's
• 54:15
  Speaker 1: one of the inspirations that made me want to do comedy.
• 54:19
  Speaker 1: But as far as speaking on finances, nobody knows what's
• 54:22
  Speaker 1: in my pocket, about my wife and me and the
• 54:24
  Speaker 1: lawyer and my business manager. Nobody on his planet. And
• 54:28
  Speaker 1: if that were true, if it was ninety million over
• 54:30
  Speaker 1: five years, because it's spread all over the world, that
• 54:33
  Speaker 1: Tracy Moore got ninety million. No nobody knows how much
• 54:35
  Speaker 1: I got because that was true. Walmart would have sued
• 54:37
  Speaker 1: the outside of me because that was confidential. That was confidential.
• 54:42
  Speaker 1: I don't discuss financial with nobody that don't sleep in
• 54:45
  Speaker 1: my bed. And when you discuss finances on stage and
• 54:49
  Speaker 1: separate you from your audience, that's true. Disconnect you from
• 54:52
  Speaker 1: your audience. So when I'm on stage, people just happy
• 54:56
  Speaker 1: to see me. They don't care about what you gotta
• 54:59
  Speaker 1: or the don't care about that. They're just happy you alive.
• 55:02
  Speaker 1: Nobody wants to see nobody down. No accident like that,
• 55:05
  Speaker 1: that's a lot of steal. Homeboy was doing sixty five
• 55:08
  Speaker 1: miles per hour with eighty five thousand pounds of frozen
• 55:11
  Speaker 1: food in the back. Damn and he woke up at
• 55:14
  Speaker 1: the last minute and try to turn left. Now, you're
• 55:17
  Speaker 1: not stopping that. Only going up hill could stop something
• 55:20
  Speaker 1: that big and that fast. Guess what stopped it that night,
• 55:24
  Speaker 1: My friend's life. That's how powerful life is. One life
• 55:28
  Speaker 1: could put out the sun. Well we take it for granted.
• 55:32
  Speaker 1: We don't try to help one another and do and
• 55:35
  Speaker 1: be good to We just don't just don't. All right, Well,
• 55:39
  Speaker 1: We got more with Tracy Morgan when we come back,
• 55:41
  Speaker 1: keep it locked. It's the Breakfast Club. Good Morning. That
• 55:44
  Speaker 1: was Tory Lanes with Love Morning Everybody as DJ m
• 55:47
  Speaker 1: vy Angela Yee, Charlomagne, the God we all, the Breakfast Club.
• 55:50
  Speaker 1: The botom at you in high school, you'd have been done.
• 55:56
  Speaker 1: You like the mexotic tap. Yeah you you know your exactly.
• 56:01
  Speaker 1: Come on, man, mine yo, come in man you in
• 56:06
  Speaker 1: another eighth school lunch. I'll to send you up to
• 56:08
  Speaker 1: the air. Get nick down with like ten dollars and
• 56:11
  Speaker 1: some cute puns. Go get your girlfriends some big backs.
• 56:13
  Speaker 1: Kind of a little condom, no condom, Okay, if you
• 56:16
  Speaker 1: ain't willing to die for you really don't want to.
• 56:18
  Speaker 1: You don't want it. You don't want you getting You
• 56:20
  Speaker 1: ain't tied to rip open packages as you ain't want it.
• 56:25
  Speaker 1: Rother he wear that woman who doesn't want you to
• 56:32
  Speaker 1: wear right. I'm going word bo, I'm making babies. I'm
• 56:37
  Speaker 1: trying to break bab Mardy wrecking you know my styn.
• 56:40
  Speaker 1: I'm pulling out. I don't pull out what you pulled out. Brothers.
• 56:50
  Speaker 1: You ain't even a decighther no more. I can't he
• 56:53
  Speaker 1: talking about he pulled out in Africa and all of that. Africa, Man,
• 56:58
  Speaker 1: I didn't you know with y'all. Yeah, that's my wife
• 57:04
  Speaker 1: showed me that. But we're planning on going to Africa
• 57:07
  Speaker 1: and de summer, I'll be the first one to go
• 57:10
  Speaker 1: back in my generation and five hundred years I'm gonna
• 57:13
  Speaker 1: curse somebody out. And then I saw my vacation. You're
• 57:16
  Speaker 1: going because we waited. We're waiting for y'all to come
• 57:19
  Speaker 1: get us that we talked about. You know why we
• 57:22
  Speaker 1: do it? You said, I want to make sure my
• 57:23
  Speaker 1: family is good, you know. And now that your family
• 57:25
  Speaker 1: is good, is that still make you give you that hungry?
• 57:28
  Speaker 1: I'm still hungry. Why Because I love making people laugh.
• 57:33
  Speaker 1: I get a joy out of that. I'm still hungry.
• 57:35
  Speaker 1: I still approach it like I ain't got nothing to lose,
• 57:38
  Speaker 1: and I was from day won they won, when I
• 57:40
  Speaker 1: was on death chair. I ain't got nothing to lose.
• 57:43
  Speaker 1: I go out there, I let go and I let
• 57:45
  Speaker 1: God because nobody could touch me in that world. That's
• 57:48
  Speaker 1: my world. And I'm gonna paying a picture for you.
• 57:50
  Speaker 1: If you come and see me, I'm gonna take you
• 57:52
  Speaker 1: through a journey. My show ain't no comedy show minds
• 57:55
  Speaker 1: is an experience. You know what makes us laugh the true.
• 58:00
  Speaker 1: People don't laugh at lies. Lies hurt. People laugh at
• 58:03
  Speaker 1: the truth because they can identify with it and relate
• 58:06
  Speaker 1: with it. When you on stage and you tell Richard
• 58:08
  Speaker 1: never lied to us, Trenched, why do you think we
• 58:11
  Speaker 1: loved them because he never lied to us. He was
• 58:15
  Speaker 1: that uncle that came over that your mother said, I
• 58:17
  Speaker 1: don't want you over there with him. He gave you
• 58:19
  Speaker 1: your first sipp of bell on his button, his button,
• 58:21
  Speaker 1: nip some, carry up and give him some. He was
• 58:26
  Speaker 1: that uncle. I'm not you come see me. It's not
• 58:29
  Speaker 1: about me ripping into you because I got the mic.
• 58:31
  Speaker 1: I don't use the stage as a bully pull pick
• 58:34
  Speaker 1: to tear someone else down and make them feel bad.
• 58:36
  Speaker 1: They didn't pay money to come see you for you
• 58:38
  Speaker 1: to do that to them. I got enough mess up
• 58:40
  Speaker 1: stuff about me. I can talk about me all day long.
• 58:45
  Speaker 1: You got time. So that's how you know. That's how
• 58:49
  Speaker 1: I get down. I want people living, leaving them feeling good,
• 58:52
  Speaker 1: even if it's like the spens of me. I'm meant
• 58:55
  Speaker 1: to people feeling good. That's why I only listen to
• 58:56
  Speaker 1: feel good. Music, the unsung hero at the jam. You're
• 59:00
  Speaker 1: riding around with the jam. Huh yeah, But I keep
• 59:03
  Speaker 1: it good. You know what I'm saying, because I'm riding
• 59:04
  Speaker 1: around looking good. The only way he has listening just
• 59:09
  Speaker 1: like music. Yeah, he said, one song away, Yeah, happiness,
• 59:16
  Speaker 1: one song away. Never mind, just put me back to
• 59:19
  Speaker 1: my man. I started thinking about Kevin Hard. It's my
• 59:22
  Speaker 1: man's my man. Me and him go back. I love him.
• 59:25
  Speaker 1: People don't know about his struggle in the game, but
• 59:27
  Speaker 1: I do. And I just said, I hope he stay
• 59:29
  Speaker 1: with it because he's one joke away from being who
• 59:32
  Speaker 1: he is now. You do your thing HOMEI I see
• 59:36
  Speaker 1: guys out here that be having ten and twenty women.
• 59:39
  Speaker 1: I said, you one woman away from happiness, one woman away, baby, woman,
• 59:45
  Speaker 1: you gotta stick with it. She out there women twenty men. Yeah,
• 59:51
  Speaker 1: you one man away from happiness, one man. Stick with it.
• 59:55
  Speaker 1: You're gonna be out there. The man that's gonna love you,
• 59:58
  Speaker 1: right he out there. You gotta unfold your own and
• 1:00:04
  Speaker 1: let him. And because you're doing this, you're signified. Go
• 1:00:08
  Speaker 1: into my space. What man want to approach you? He
• 1:00:10
  Speaker 1: loved you already, He loved you from the last night
• 1:00:14
  Speaker 1: but you like this and garden, don't don't approach me,
• 1:00:16
  Speaker 1: and come on, man, let let the love member of
• 1:00:19
  Speaker 1: Peppers and let the loves, let the sun shine in. Yeah,
• 1:00:22
  Speaker 1: gotta let us shine in. That still fine, you see
• 1:00:25
  Speaker 1: Pepper Lately, I ain't gonna speak on me. Me and
• 1:00:28
  Speaker 1: Pepple go back bed rock, bed rock here, Pepper Barnie
• 1:00:34
  Speaker 1: Bam bam. Gotta try to start beef for me. But
• 1:00:37
  Speaker 1: got you gotta ask true, how hard is it for you? Though?
• 1:00:41
  Speaker 1: Like you know, obviously you're very happily married and you're saying,
• 1:00:43
  Speaker 1: just let love in. But it has to be hard
• 1:00:45
  Speaker 1: because you're Tracy Morgan. So I'm sure when you've been dating,
• 1:00:49
  Speaker 1: how do you know that's the one? How do you
• 1:00:51
  Speaker 1: know that's the one? Only you know that. I couldn't
• 1:00:56
  Speaker 1: tell you I feel the way she made me feel,
• 1:00:59
  Speaker 1: That's all I can't speaker. You'll know when it's the one.
• 1:01:03
  Speaker 1: You'll know he knew, he knows. We all know. That's
• 1:01:06
  Speaker 1: something you got judge for yourself. You know. Just be patient,
• 1:01:11
  Speaker 1: young lady, because everything in time will reveal itself. Friends,
• 1:01:16
  Speaker 1: loved one, all that will reveal itself. But you have
• 1:01:19
  Speaker 1: to be patient when you get to a certain age,
• 1:01:21
  Speaker 1: you know it's a virtue. When you want to know
• 1:01:24
  Speaker 1: something about somebody else, you learn to shut up because
• 1:01:27
  Speaker 1: they can't wait to tell you what their intent is
• 1:01:30
  Speaker 1: with you, what their plans are with you, how they
• 1:01:32
  Speaker 1: plan on treating you. To be patient, just be quiet
• 1:01:35
  Speaker 1: and listen. I used to go to clubs when I
• 1:01:37
  Speaker 1: was single, and I get with a girl and I
• 1:01:40
  Speaker 1: just listen. She'll let you know how much choice she is,
• 1:01:43
  Speaker 1: and do you go. It was nice meeting, but this way.
• 1:01:46
  Speaker 1: I never went to the clubs with intent. I'm going
• 1:01:48
  Speaker 1: to club just to have a good time, not to
• 1:01:51
  Speaker 1: chase nobody, have to pick nothing up. I'm just gonna
• 1:01:54
  Speaker 1: have a good time by myself. And when women see
• 1:01:57
  Speaker 1: you having a good time, they go, wow, I want
• 1:01:59
  Speaker 1: to be a part of that. Man, Jack, Everything you
• 1:02:02
  Speaker 1: want is when you standing the right lane and keep
• 1:02:04
  Speaker 1: going first, everything your pretty little heart wants will gravitate
• 1:02:07
  Speaker 1: right to you. I never chased nobody. It always came
• 1:02:11
  Speaker 1: to me. I was gonna say I did see you
• 1:02:13
  Speaker 1: one time a long time ago out back, say nothing
• 1:02:15
  Speaker 1: to me. Then about two four kids, Now that I'm
• 1:02:22
  Speaker 1: not gonna lie going babies, I put that Coca bet
• 1:02:26
  Speaker 1: on your summer every night, Tracy, bring me up on
• 1:02:29
  Speaker 1: them be fatties. But just how you describe that. I
• 1:02:32
  Speaker 1: was with my friend one time. We were in Time
• 1:02:34
  Speaker 1: Square and they had this twenty four hour arcade and
• 1:02:36
  Speaker 1: remember Chasy Morgan was in there with his he took
• 1:02:39
  Speaker 1: a shirt off. Oh that's when the party shot. The
• 1:02:44
  Speaker 1: party just started, and that's how it was going down.
• 1:02:47
  Speaker 1: That's just how it was going down. That's just how
• 1:02:50
  Speaker 1: it went down. We were like, look there, go yan,
• 1:02:54
  Speaker 1: I got that from being little and watch them on
• 1:02:56
  Speaker 1: to my uncle's party back in the day and my
• 1:02:58
  Speaker 1: uncle's fatty love. The shirt always came out and the
• 1:03:01
  Speaker 1: party just started. You toned down on that. You're still
• 1:03:03
  Speaker 1: doing that. No, I'll be in bed by nine thirty.
• 1:03:07
  Speaker 1: I don't get the right party. I'm forty seven years old. Brother. No,
• 1:03:12
  Speaker 1: I don't drink. I don't do none of that. I've
• 1:03:14
  Speaker 1: been clean like eleven twelve years now. Nice, Okay, we
• 1:03:17
  Speaker 1: got more with Tracy Morgan when we come back. Keep
• 1:03:19
  Speaker 1: it locked. It's the breakfast club. Good Morning. The breakfast
• 1:03:22
  Speaker 1: club that was Bryson Tiller would exchange morning. Everybody is
• 1:03:29
  Speaker 1: DJ mvy Angela yee. Charlomagne the guy we are the
• 1:03:32
  Speaker 1: breakfast club. Tracy Morgan is in the building. Now. You
• 1:03:35
  Speaker 1: got a baby girl, right yeah? My daughter I'm three now.
• 1:03:39
  Speaker 1: Oh she just started dance class two days ago. But
• 1:03:42
  Speaker 1: that's what my world as my wife, my sons, and
• 1:03:44
  Speaker 1: my daughter. You know, I almost lost them. You know,
• 1:03:47
  Speaker 1: that's my trauma that I suffer. You know what I'm saying,
• 1:03:50
  Speaker 1: that's my Vietnam. Because I was on tour. It was
• 1:03:52
  Speaker 1: called the Making fun Turning Funny Tour because I was
• 1:03:55
  Speaker 1: sitting down one day and I said, all these bad
• 1:03:57
  Speaker 1: things that ever happened in my life, I'm gonna turn funny.
• 1:04:00
  Speaker 1: So I called my agent and we set up a
• 1:04:02
  Speaker 1: toll and we want, I want. I was on tour.
• 1:04:04
  Speaker 1: She's teething, she had a fever, sail with the baby.
• 1:04:07
  Speaker 1: I'll be right back and go drop a bag of
• 1:04:09
  Speaker 1: funny and I'll bring back a bag of money. She said, cool,
• 1:04:12
  Speaker 1: look what happened. You think about your family? So that's
• 1:04:16
  Speaker 1: my trauma. So I was like, this is my wife
• 1:04:18
  Speaker 1: and my kid. You know, I'm still working on it now,
• 1:04:21
  Speaker 1: but I'm just so over protective because of that. You know,
• 1:04:24
  Speaker 1: when I'm not there. I don't want nothing bad to happen.
• 1:04:28
  Speaker 1: But that's where your faith has to come in. Your paranoia.
• 1:04:32
  Speaker 1: That's a demon and it has to be dealt with
• 1:04:35
  Speaker 1: with courage and faith. Yeah, but you can get over it.
• 1:04:39
  Speaker 1: You know. Listen to me, I just said the word faith.
• 1:04:44
  Speaker 1: I can't do that because you destroyed them with that.
• 1:04:47
  Speaker 1: You hurt them with that. I understand. But God didn't
• 1:04:50
  Speaker 1: give you. He didn't give you that to hurt you.
• 1:04:53
  Speaker 1: He gave you that to settle you down and ground
• 1:04:55
  Speaker 1: you and all those things. So you have that faith
• 1:04:57
  Speaker 1: to him that he will protect them. It's way short shot.
• 1:05:01
  Speaker 1: Ain't said it? Going and do your whole word. You
• 1:05:03
  Speaker 1: used to listen to shot, have a good cry. I
• 1:05:07
  Speaker 1: have a good cry because thing's been going so well
• 1:05:09
  Speaker 1: for you in your life and you and you sometimes
• 1:05:12
  Speaker 1: you just gotta have a good cry. Let you know
• 1:05:14
  Speaker 1: you still got something inside of you. I cry all
• 1:05:17
  Speaker 1: the time. Nobody. I don't want to see nobody suffering.
• 1:05:20
  Speaker 1: There's too much beef. I don't know beef. Yeah, because
• 1:05:25
  Speaker 1: we're coming around. Don't go around. We'll come around. It's
• 1:05:27
  Speaker 1: coming back around. You can believe that, and it might
• 1:05:29
  Speaker 1: not come back to you. It might come back to
• 1:05:31
  Speaker 1: somebody close to you. So you live with it, but
• 1:05:33
  Speaker 1: you put out into the world. It's coming back. You
• 1:05:36
  Speaker 1: can believe that. Trust when I tell you so. It's
• 1:05:40
  Speaker 1: all good to be good. Ain't nothing wrong with it.
• 1:05:42
  Speaker 1: You ain't hurting nobody. It feels good. Just say I
• 1:05:45
  Speaker 1: love you. I love you, man, It feels good. It
• 1:05:49
  Speaker 1: just does. Believe me. That accident. It matures you. It
• 1:05:54
  Speaker 1: can mature you. If you don't want to grow up,
• 1:05:56
  Speaker 1: You want to still have arrested development, you still want
• 1:05:58
  Speaker 1: to do the things you did at seventeen. Something wrong.
• 1:06:01
  Speaker 1: Watch this, Tracy Morgan. Now, now let's end this with
• 1:06:05
  Speaker 1: a prayer. Brother, my brother drover, please watch over us,
• 1:06:10
  Speaker 1: please protect us, Please give us the strength, Please give
• 1:06:14
  Speaker 1: us love, Please show us a different way in this world.
• 1:06:17
  Speaker 1: Please guide us and protect us in Jesus name, I
• 1:06:20
  Speaker 1: mean amen, Amen a brother, Tracy. Here you go. It's
• 1:06:24
  Speaker 1: Tracy Morgan's the Breakfast Club. Good morning,