Latest / What's Your (Least) Favorite Scary Movie? / #339: Final Destination Bloodlines

Transcript

#339: Final Destination Bloodlines · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? I read Gammy's death book
• 0:12
  Welcome to what your least favorite scary movie?
• 0:14
  The podcast where we talk about the good, the bad, the ugly and
• 0:16
  the absurd and all of our favorite scary movies because.
• 0:20
  We believe every horror movie rightfully has its fan base.
• 0:22
  Even if we don't always get it. My name's Travis.
• 0:24
  Hi, Jesse, and welcome back to the final.
• 0:29
  Final, final. Until. 20. 828I.
• 0:34
  Think it was a Damn that's a long ways away.
• 0:37
  It's a it's a ways away. It's a ways away.
• 0:39
  You'll be right. It's OK because we're going to
• 0:41
  talk about bloodlines today and then we'll do our final rankings
• 0:46
  at some point soon and we're going to do our announcement for
• 0:50
  a new franchise. Yeah, Yeah, we will at the end.
• 0:52
  Of this episode, no. No.
• 0:54
  OK, yeah, because we got to do the video first.
• 0:56
  Yeah, but people will know if you just watch yourself social
• 0:58
  media, you'll see it. We'll have the schedule posted
• 1:01
  up around the beginning of the month.
• 1:02
  Or if you're a budget tier bubby and you listen to our commentary
• 1:06
  track that we recorded as the April bonus episode.
• 1:09
  See how I, like, seamlessly did all of that together.
• 1:13
  We did a commentary track on Jurassic Park.
• 1:15
  And at the beginning of that, we also revealed what the new
• 1:17
  franchise is, 'cause if you're a budget bubby, you get a little,
• 1:20
  a little extra something, something, Yeah.
• 1:23
  Good job. All right, I think that's it.
• 1:25
  I think that's all I had to plug.
• 1:27
  If you want to be a bubby, the link is at the very bottom of
• 1:31
  the show notes to our Patreon. Or you can just buy that episode
• 1:34
  for $5. You can so I but $1.00 more.
• 1:38
  Have it all. Yeah, even a sticker.
• 1:40
  Even a sticker. I don't have poles.
• 1:43
  We did not do a poll. Oh man, Yep, we've been busy.
• 1:46
  I I feel like we say that every single week.
• 1:48
  I swear to God it is something slipped the mind, but we're
• 1:54
  prepared for the rest of this episode.
• 1:56
  We are. So I'm ready to get into it if
• 1:57
  you are. I'm going to go ahead and start,
• 1:59
  all right. Final Destination Bloodlines
• 2:01
  released May 16th, 2025. We watched it on HBO Max, which
• 2:06
  right now is the place where you can stream it or you can rent it
• 2:09
  from Google TV, Apple TV or Fandango at home.
• 2:12
  Written by Guy Busick, Laurie Evans, Taylor, John Watts with
• 2:17
  characters based off of Jeffrey Reddick's original script
• 2:22
  directed by Zach Lipovsky and Adam B Stein.
• 2:26
  Music by Tim Wen. Special effects make up head was
• 2:29
  Todd Masters. Obviously there were a lot of
• 2:31
  people involved in the special effects.
• 2:34
  Starring Caitlin Santa Wanna as Stephanie Reyes, Tio Briones as
• 2:39
  Charlie Reyes, Rhea Kelstet as Darlene Campbell, Richard Harmon
• 2:44
  as Eric Owen, Patrick Joyner as Bobby and Allure as Julia Brie
• 2:48
  Basinger as Iris in the 1960s and in his final performance and
• 2:55
  appearance we have Tony Todd as John William Bloodworth.
• 2:58
  Nastrovia. Nastrovia, yeah.
• 3:01
  I'm glad you got to go out on this series so.
• 3:04
  I'm going to have a little bit to say about that too.
• 3:07
  I'm sure you will. So.
• 3:09
  But first, it's time for our favorite game on the show.
• 3:11
  Budget or budgeted? This is definitely budget.
• 3:15
  It is bougie budget. Bougie budget.
• 3:17
  It is 50 million. Whoa, did not expect that kind
• 3:20
  of coin to be. Dropped on US opening box office
• 3:23
  was 51.6 million in the US and Canada.
• 3:26
  Worldwide gross was 317 million. Holy should.
• 3:29
  That's really good. That's way better than yeah, one
• 3:32
  of the other ones were like right around 180, really.
• 3:37
  I remember because we we kept commenting about how close it
• 3:39
  was to 180. Yes, it has a 67.
• 3:43
  So. On IODV.
• 3:46
  OK, that's good. I'm glad.
• 3:48
  That's a really good rating for something like this right here.
• 3:50
  I pulled 3 movies from 2025. Pretty.
• 3:53
  Tagline. No, we do the three movies 1st
• 3:57
  and then we do tagline. You're right, you're right.
• 3:58
  God, I never remember the word of our own show.
• 4:01
  What is wrong with you? Something very bad I I'm not
• 4:07
  well. OK, my theme is family
• 4:11
  traditions. So these are all people that got
• 4:13
  into their predicament because it has something to do with
• 4:16
  their family. They were influenced, they were
• 4:18
  born into it, you know, whatever.
• 4:21
  Cool. So the first one's The Long
• 4:22
  Walk. Yeah, OK, that's don't work too
• 4:27
  hard into that one. That might be a spoiler.
• 4:29
  Yeah, he was. He was radicalized.
• 4:31
  He had his reasons. That released September 12th,
• 4:35
  2025. Budget of 20 million, worldwide
• 4:38
  gross of 62 million. IMDb 67.
• 4:41
  Oh my God, really? Man, I forgot about that movie.
• 4:45
  It was pretty good. Yeah, it was pretty quite
• 4:46
  enjoyed it. Second movie, Black Phone too.
• 4:50
  Yeah, yeah. Family business right there for
• 4:52
  sure. That released November 17th,
• 4:55
  2025. A budget of 20 million.
• 4:57
  A worldwide gross of 132 million.
• 5:01
  IMDb score 6.1 out of 10. Almost 67.
• 5:07
  Almost 6-7 I For a minute I thought we were going to have
• 5:09
  all six sevens. That's a that one's also
• 5:12
  familiar in the fact that it's like the mom that had this
• 5:15
  ability or what it was like. The mom that kind of like drove
• 5:19
  a rift between the family because she bought into the
• 5:23
  supernatural stuff. I mean, I think that it was
• 5:27
  real. Wait, yeah, I'm saying
• 5:29
  supernatural. Supernatural, you said?
• 5:30
  You bought into. Yeah, I know.
• 5:33
  But, you know, just because, like, it's happening, we've seen
• 5:35
  in so many movies that people don't buy into it because it's
• 5:38
  hard to believe. Let's make them exclusive, you
• 5:42
  see. Anyway, third, maybe 28 years
• 5:46
  later. OK.
• 5:48
  Because that's their, their whole, like that's their lineage
• 5:50
  at this point. Spike.
• 5:53
  No, nothing else. How's that?
• 5:54
  Well, he's also going to take his mom, his family.
• 5:57
  So I go see a doctor. Yeah, that's a great movie.
• 6:00
  Not really. We watched Bone Temple.
• 6:02
  So good. Yeah, yeah, yeah, yeah. 28 Years
• 6:05
  Later released June 20th, 2025. We were having a very bad time
• 6:10
  that time of year, which is why we only just now saw it.
• 6:13
  Yeah, yeah. Budget of 60 million.
• 6:17
  Worldwide Gross 151 million IMDb 6.6 out of 10.
• 6:21
  Damn, it did. Well, it did.
• 6:23
  That's surprising, because I checked Bone Temple's return.
• 6:27
  Not even close to that. It was like in the 20,000,000.
• 6:30
  That's. Weird.
• 6:32
  I think it was a little bit of like people in our situation,
• 6:35
  like we haven't had a chance to see the first one yet.
• 6:37
  I can't go see that one right now.
• 6:39
  Yeah, well, because the problem was too that we couldn't even
• 6:42
  stream it at home because it was on the higher tiers for Netflix.
• 6:46
  Like you couldn't just watch it if you had a streaming service,
• 6:49
  you had to pay extra. We weren't going to rent.
• 6:51
  That, yeah, I'm not. I'm not.
• 6:53
  I'm sorry. We're getting to a point where
• 6:54
  cable is starting to look more affordable and it's kind of
• 6:58
  dumb. I I like having the options from
• 7:02
  the streaming services, but it's starting to become untenable.
• 7:05
  We are fine with ads. We are going to do these lower
• 7:07
  tiers. Eventually we're going to have
• 7:09
  to start chopping services. Yeah, so streamers better figure
• 7:14
  out what's working for you. Now it's time for Taglings.
• 7:18
  OK. Do you have any?
• 7:19
  I do, I have 4:00. Oh, cool.
• 7:21
  All right. Death runs in the family.
• 7:24
  Oh, that is a. Good one is a good one.
• 7:26
  Death runs in every family. I'm just saying like it's not
• 7:34
  mutually exclusive to this family.
• 7:37
  I, I think I finally understand how Cordelia feels, you know, as
• 7:42
  a like, we say something to her and make a sound at her and
• 7:45
  she's just like. Yeah, what was that reaction?
• 7:48
  You just looked at me. You just stared at me like I'm a
• 7:50
  fucking idiot. I The way you shouted death runs
• 7:55
  in every family, I I had no response to that.
• 7:58
  I thought more was coming. I did not know what what was
• 8:02
  going to be said next. You leave them hanging one more.
• 8:06
  If you screw with desk plans, things can get very messy.
• 8:11
  That is what Tony Todd said in this movie.
• 8:16
  Pretty sure that's a direct. Quote pretty sure Stephanie said
• 8:19
  that because they were like why did Eric die?
• 8:21
  Spoiler dude life is a death trap.
• 8:30
  Witness the birth of death. No.
• 8:34
  Yeah, I don't. That one doesn't really apply.
• 8:37
  Yeah. OK.
• 8:38
  So initially, Patrick Melton and Marcus Dunstan wrote the script
• 8:43
  as a reimagining of the franchise.
• 8:45
  It was still going to have the same spirit.
• 8:47
  They didn't really want to call it a reboot.
• 8:51
  Things were kind of ambiguous. But then in March of 2020, Craig
• 8:54
  Perry, one of the producers, announced that the movie would
• 8:59
  be set in the world of first responders.
• 9:01
  I couldn't find a definitive on why that changed, beyond the
• 9:04
  facts that obviously the writing team changed.
• 9:07
  We had. Yeah, you're right.
• 9:08
  I remember when that was a thing, when everybody was
• 9:10
  talking about that and it, yeah, I completely forgot about.
• 9:13
  That yeah. October 2021, Laurie Evans
• 9:16
  Taylor was announced as the new writer.
• 9:18
  OK. And eventually, Gary Busek was
• 9:20
  confirmed in January 2022 to also be a writer.
• 9:24
  Also in January 2022, HBO Max announced that they would be
• 9:27
  distributing it, and John Watts was added as an additional
• 9:30
  producer. He also helped develop the story
• 9:32
  for the new movie. So I really think it was just a
• 9:35
  bringing on of new people. They just completely redid the
• 9:38
  movie. Yeah, pretty much September
• 9:40
  2022, Lipovsky and Stein were selected from over 200
• 9:44
  candidates. Now the initial information I
• 9:48
  have said that they in their pitch with new Line they staged
• 9:53
  A mock accident with prerecorded footage and visual effects.
• 9:57
  I found an interview with them in Variety where they talk about
• 10:00
  it in a little bit more detail and wow, I understand why they
• 10:04
  got the job it. Sounds crazy.
• 10:07
  Staged A mock accident. So Liposky said one of the
• 10:11
  tricky things when you're pitching to get these bigger
• 10:13
  jobs is to communicate tone, and Final Destination has a really
• 10:15
  unique tone. Initially I had the idea of
• 10:18
  killing one of us on camera live on Zoom.
• 10:20
  Adam was pretty skeptical at 1st that it could be pulled off in a
• 10:22
  way that wouldn't be cheesy or wouldn't go wrong.
• 10:24
  If at any point the wheels fell off and it didn't work, that
• 10:27
  would be the end of our chances on on making this movie.
• 10:30
  So it was a risky thing to try, but we just decided to at least
• 10:33
  do all the steps of seeing how that might be possible and enjoy
• 10:36
  that and make it its own little fun short film project.
• 10:39
  As we got kind of into the all the nitty gritty of how to pull
• 10:42
  that off, it became so much fun that we had to try it.
• 10:44
  It was incredibly complex to do. We wanted a completely seamless
• 10:47
  live experience to have one of the directors get their head
• 10:50
  chopped off by a ceiling fan in the middle of pitching the movie
• 10:53
  over Zoom. It was a crazy sequence of
• 10:55
  technological things that we had to do, but it ended up going
• 10:57
  well. Now the interviewer asked, did
• 11:00
  you end up taping it? Might we see it on like a
• 11:03
  Bloodline special feature someday?
• 11:04
  And Stein said what's crazy is that it was live on Zoom.
• 11:07
  It was a one time only experience.
• 11:09
  If they had recorded the Zoom, it would have been preserved.
• 11:11
  But they didn't record the Zoom. And it wasn't something where we
• 11:13
  could say, excuse me, it was their meeting.
• 11:16
  It was just for 15 executives and producers who were on that
• 11:19
  call to see it. But I think that's what made it
• 11:20
  even more magical, But because they just felt like it was live.
• 11:23
  So there was realism to it. That was surprising.
• 11:26
  What the fuck that's that's really cool but I want to see.
• 11:29
  That I know that's I love that they.
• 11:32
  They didn't even explain how it happened.
• 11:34
  How did they make somebody's head get cut off by a ceiling
• 11:38
  fan? You need to know.
• 11:41
  Well staged mock accident with prerecorded footage in VFX.
• 11:48
  So yeah, I understand why they got they got picked.
• 11:51
  I think that's a really interesting way to pitch
• 11:52
  yourself for this franchise. I think that's really
• 11:54
  interesting considering like why do you have to pitch a Final
• 11:57
  Destination movie? Watch the.
• 11:58
  Previous You're not 5 pitching the film, you're pitching
• 12:01
  yourself to be able to. To do it, yeah, OK, I guess
• 12:04
  that's fair. That's really cool, though.
• 12:08
  I had no idea about that. So they did confirm that Tony
• 12:12
  Todd did complete everything he was supposed to film before he
• 12:15
  sadly passed away from stomach cancer.
• 12:18
  And they had stuff written for him.
• 12:19
  They really wanted to make sure that his character got a proper
• 12:22
  send off. We figure out why he's been
• 12:24
  involved in all of these this whole time.
• 12:25
  And they wanted to give him a chance to like, really like give
• 12:29
  the character and Tony Todd an appropriate send off.
• 12:31
  And I know a lot of people have heard that he was told to just
• 12:35
  kind of speak from the heart. I've got a quote from the from
• 12:39
  Adam Stein, one of the directors.
• 12:41
  When he was speaking a Polygon. We asked if he would be
• 12:44
  comfortable putting us out the script and just really speaking
• 12:46
  from the heart directly to the vans about what life's all
• 12:49
  about. We asked him, hey, Tony, what is
• 12:52
  all this final destination death stuff?
• 12:53
  What do you want to leave the fans with if you had to say it
• 12:56
  in your own words? And the take that's in the movie
• 12:58
  is really him speaking from the heart directly to the fans about
• 13:01
  what he thinks life and death are all about.
• 13:03
  I think that's why it's so emotionally powerful, because
• 13:05
  it's really him. I'm wondering, is that the
• 13:07
  entire scene or is it just that like last moment where he's
• 13:10
  saying his farewell? I think it's mostly when he's
• 13:13
  saying his first. That's what I thought too.
• 13:14
  That one felt more genuine, everything else felt more
• 13:17
  scripted. Everything else felt more like
• 13:20
  vintage JB. Yeah, where he was like she's
• 13:25
  friends with Iris. Also, fun fact, a 71 year old
• 13:30
  stunt woman by the name of Yvette Ferguson came out of
• 13:34
  retirement to do a fire stunt in the opening premonitions.
• 13:39
  What? Yes.
• 13:40
  A 70 something year old woman in a fire stunt?
• 13:44
  Say what? Yep.
• 13:46
  Why? You know she.
• 13:48
  Wanted to yeah, I. Guess I guess.
• 13:50
  Yeah, that's crazy. Like did she wear like the
• 13:53
  fucking fire suit? I guess I I have the information
• 13:57
  that I just said out loud. OK, OK, that's insane.
• 14:01
  You know, and we talked about the changing of hands for this
• 14:05
  movie, contributing to some of the changes, but it's also worth
• 14:07
  mentioning that production started before the SAG AFTRA
• 14:11
  strikes, so it was delayed significantly by all of that,
• 14:15
  and that impacted a lot of things.
• 14:18
  There are a couple of other things that we had learned just,
• 14:22
  you know, from being out and about and online and what not.
• 14:26
  One of those, when it was first announced that Patrick Melton
• 14:29
  and Marcus Dunstan were doing some riding on it, I tweeted at
• 14:32
  them and I said, hey, people think it's silly that I'm afraid
• 14:36
  of revolving. Doris, can you please add this
• 14:38
  into the script so that way I have a valid reason?
• 14:42
  Yeah, Because, you know, people see the log trucks and they're
• 14:44
  like, those freak me out. Nobody questions it.
• 14:45
  And he's like, that's stupid. But I say I don't like a
• 14:48
  revolving door. And everybody's like, just walk
• 14:50
  with it, you'll be fine. I get it, you have to like time
• 14:53
  it out perfectly. Yeah, yeah.
• 14:55
  And one of them tweeted back at the time saying, interesting
• 14:58
  that you said that. Yeah.
• 15:00
  And it was filmed, so I've got a Reddit thread and I got some
• 15:04
  information where somebody listened to the director's
• 15:06
  commentary. Darlene gets trapped in the
• 15:08
  revolving door, but ultimately a falling letter from the
• 15:10
  hospital's name, Fallon Crusher. However, in Test Skirtings, it
• 15:13
  didn't do well killing off that many characters that quickly and
• 15:17
  not giving Darlene the chance to redeem herself.
• 15:19
  So we got the ending that we did.
• 15:21
  Darlene's the mom, right? Yes.
• 15:23
  Wow. OK, interesting because like
• 15:25
  they they draw attention to the revolving door in the scene.
• 15:28
  They really do. Yeah, I was like, this seems
• 15:30
  like a misdirect, but interesting that they actually
• 15:33
  did something with it and. I think that's really
• 15:35
  interesting about this franchise, too, is that you can
• 15:37
  like, emphasize things and so many things can be a misdirect
• 15:41
  because how many of these, like Rube Goldberg device death
• 15:45
  machines involve like, false leads?
• 15:48
  Yeah, for sure. And then another one and this is
• 15:51
  just really sweet. We met Devin a couple years ago
• 15:54
  at Scare Fest and we were just, you know, chatting with him for
• 15:57
  a little bit and we mentioned something about Chucky and how,
• 16:02
  you know, and he was just gushing about all of the child
• 16:05
  actors on there. And he was like, you know, and I
• 16:08
  cuz Devin saw I was a child actor as well.
• 16:10
  He's an adult actor too, but he was a child actor and he was
• 16:15
  like, yeah, I know all those kids.
• 16:16
  Like I stay really close to them and I'm really trying to mentor
• 16:18
  them and one of them got got a role on Final destination.
• 16:22
  That's Tio Brione so plays Charlie in this Junior Wheeler
• 16:26
  in the Chucky TV series I. Can't remember which kid that
• 16:31
  is. The cousin.
• 16:33
  Yeah, OK. Yeah, yeah.
• 16:35
  But yeah, he was like, I was like one of the first people
• 16:38
  that he called when he got the role.
• 16:39
  He was so excited to tell him and I.
• 16:41
  Yeah, that was cool. And just a fun little Devin saw
• 16:45
  effect for you, yeah. He's a nice guy.
• 16:47
  If you ever have a chance to meet him, he's cool.
• 16:50
  And I like to say this every time I tell that story, but my
• 16:52
  sister had texted me in the morning.
• 16:54
  Out she goes. I saw Devin saw was at
• 16:56
  Scarefest. I'm gonna be so jealous if you
• 16:57
  meet him and when we took our picture with him, I was like my
• 17:01
  sister said she was going to be super jealous.
• 17:03
  So I got to send this to her right away and he goes good.
• 17:08
  All right, that's what I have for fun facts, which I think is
• 17:11
  pretty good considering we don't have this one on disk yet.
• 17:15
  So we didn't have special features to work with.
• 17:18
  This is all Internet. There was one thing I remember,
• 17:20
  a little nod of information. This was originally supposed to
• 17:23
  go straight to the HBO, but it did so well.
• 17:26
  I think with the test screenings, everybody's like we
• 17:28
  need to just put this out in theaters.
• 17:29
  I'm glad they did that. I am too, but because.
• 17:33
  I think. I think it's cool to like give
• 17:35
  it out to the masses at a cheaper cost also.
• 17:39
  Yeah, but also at the same time, like because they were able to
• 17:43
  get an ROI, now we get another one.
• 17:45
  That's true. Yeah, that's true.
• 17:47
  Yeah. I I this feels like a franchise
• 17:50
  that will be hard to kill off, I think.
• 17:53
  OK, yeah, I I get that pun there, But I I'm just saying
• 17:57
  this is an easy one to keep going.
• 17:59
  Yeah, all right. And with that, I guess we go
• 18:02
  into our goodbye ugly and absurd.
• 18:04
  Travis, what did you like all? Right, Well, we're on movie #5
• 18:09
  The Six, and they're still doing a pretty good job of keeping
• 18:15
  them fresh. This is another one that has
• 18:18
  something interesting with it. I like the bloodline part of it,
• 18:22
  where these people, it's interesting to think about.
• 18:25
  This is a group of people that don't have their own opening
• 18:28
  premonition. They're only victims due to
• 18:32
  their grandma who was one of those people that got
• 18:36
  premonitions, which that's really interesting the.
• 18:38
  Thing is though is that premonition is the one that's
• 18:41
  affecting them. Yeah, and she's having, she's
• 18:45
  kind of having visions of it too.
• 18:46
  So it's like it's trying to pick somebody new, but it can't
• 18:49
  because that person is still alive.
• 18:50
  So it's trying to figure out a way to like, fucking get her
• 18:53
  finally. Well, and the dream started when
• 18:55
  Iris. Was diagnosed with.
• 18:58
  Cancer. Yeah.
• 18:59
  So it's like it was basically like a passing of the torch
• 19:01
  there, I guess. Yeah.
• 19:03
  But yeah, like I, I thought that that was really interesting.
• 19:06
  One of the things that kind of made me think about is all of
• 19:10
  these movies are everybody descendants of people that were
• 19:15
  supposed to die in that opening of this movie?
• 19:19
  And that's really interesting to think about too.
• 19:21
  This whole movie is kind of an exercise in the butterfly
• 19:25
  effect, or as Dr. Ian Malcolm would say, chaos theory, because
• 19:30
  it it does bring up a good point.
• 19:32
  We've touched on it a little bit.
• 19:33
  I think especially in the second one where everybody was talking
• 19:36
  about how Flight 180, those changes impacted them.
• 19:41
  They didn't end up being killed in the Flight 180 accident.
• 19:46
  And we kind of touch on that, about how many people can be
• 19:49
  impacted by such a little change.
• 19:51
  And then this movie really goes deep down into it.
• 19:54
  Yeah. And it also kind of, I
• 19:57
  appreciate that it was taking death, you know, 60 years to do
• 20:01
  all of this 'cause I feel like in the movies it seems like
• 20:04
  death works so quickly. Yeah, look, I think really this
• 20:09
  movie, like I think all of these movies, I don't think death.
• 20:14
  I think death is, I've said it before, it's just playing with
• 20:16
  itself here. Like it's just like having fun.
• 20:18
  Because even in the intro of this movie, the license plate of
• 20:24
  the vehicle they're driving is FL81AE, which is it telling the
• 20:29
  future it knows Flight 180 is going to happen.
• 20:31
  So like if that is a result of like somebody surviving this
• 20:37
  day, like it's all part of the design.
• 20:39
  So like it's all pointless no matter what you do, like you're
• 20:43
  going to either live or die. Death's already got a
• 20:47
  predetermined. You can try how many times I'm
• 20:49
  going. To die eventually, it's just
• 20:51
  kind of a matter of when and how.
• 20:53
  Yeah, but whenever it's like this, it's always very violent,
• 20:57
  not fun. It's not anything like boring.
• 20:59
  It's always like you're going to get a fucking lawn mower to your
• 21:02
  face. Yeah.
• 21:05
  But that's another good thing about this movie.
• 21:06
  It has a lot of good tense misdirection moments is the
• 21:09
  kills are pretty brutal like that.
• 21:11
  Well, Hunt mower one right there, the one in the hospital
• 21:14
  where Eric, who probably shouldn't have died, but I think
• 21:19
  that's like he's family. Let's just throw him in and.
• 21:21
  Here's the thing, too. They're the official
• 21:23
  justification for that is 'cause he was fucking with that.
• 21:25
  Like he was trying to help. Really.
• 21:28
  Yeah, he was trying to help Bobby escape death.
• 21:30
  So. But.
• 21:34
  It's just that's just like, grandfathered.
• 21:36
  And then Howard hadn't been born, Brenda and him wouldn't
• 21:40
  have gotten married, they wouldn't have been having
• 21:42
  marital problems, and she wouldn't have cheated on him
• 21:45
  with what's his fucking name. Oh.
• 21:49
  Jerry Fenberry. Jerry Fenberry, Jerry.
• 21:52
  Fucking Fenberry. Is that why he went to play
• 21:54
  catch? Philly that wouldn't have
• 21:57
  happened without it. So in a way you could say that
• 21:59
  he is also like he's not a direct descendant, but he.
• 22:03
  Maybe she. Was born because of.
• 22:05
  This Maybe she was meant to be with Jerry and Barry all along.
• 22:09
  I imagine that like a year after this movie, Brenda and Jerry are
• 22:14
  together. Oh yeah, like she's lost her
• 22:17
  whole family. She doesn't have anybody else to
• 22:18
  go to at this point. She's like, fuck it, I'll go to
• 22:20
  Jerry. I don't know, like this movie,
• 22:25
  like it's good. Like I I like that it's still
• 22:27
  fresh and it just, it works well.
• 22:30
  I like the cast of people we have here.
• 22:32
  It's it's a good movie. I like the casting too, because
• 22:35
  we were talking about it. You said that the casting for
• 22:38
  Howard and Eric was so good that it really kind of blindsides you
• 22:42
  with the whole. He looks exactly like him.
• 22:44
  But when you look at all of them, you can kind of see how
• 22:47
  they're all cousins, like how they picked up, like they look
• 22:51
  like a plausible extended family.
• 22:54
  And I think that's really impressive casting.
• 22:56
  And I think everybody holds their own in the movie really
• 22:58
  well as well. Yeah, I also feel like this
• 23:01
  movie is probably one of the more comedic in the it's almost
• 23:05
  like half horror comedy. Yeah.
• 23:08
  And I think it it does a good job again of taking those really
• 23:11
  common fears, like, Oh my God, I had an MRI in September.
• 23:15
  The amount of times that like, I patted myself head to toe before
• 23:19
  going in because I was like, what if I forgot about a piece
• 23:22
  of jewelry? Yeah, it's scary.
• 23:24
  Did I take out my belly button ring?
• 23:26
  I haven't had a belly button ring in four years.
• 23:29
  Like, I was like, is that there? And I was like the, the, the
• 23:33
  screw in my knee is plastic. Screw in my knee is plastic.
• 23:36
  I had to say like 3 times to multiple people because I was
• 23:39
  like, well there's a screw in my knee but it's plastic.
• 23:41
  And they're like, yeah, no, that's cool, that's fine.
• 23:43
  We're happy for you. So like, because it really did,
• 23:45
  it just made me paranoid because Mris are, you know, they have
• 23:49
  the potential to be death machines.
• 23:50
  Same with elevators. That elevator ride up there, it
• 23:54
  did. The building didn't need to
• 23:55
  collapse that elevator ride. That's enough tension for me.
• 23:58
  Yeah, scary, especially when it's like jam packed.
• 24:01
  Yep. Yeah, jam packed.
• 24:02
  It's all glass, you see straight out.
• 24:05
  Terrible decision. Who would do that?
• 24:07
  They're just like fucking with the people.
• 24:09
  They decide to go to that restaurant.
• 24:10
  You're going to go to this restaurant, but you're going to
• 24:12
  have a terrible time. You want to dance?
• 24:14
  We're going to ride down ride boy.
• 24:16
  You see everything? That's such a fucking stupid
• 24:19
  thing. But yeah, I I had a lot of fun
• 24:22
  with this movie. I think it was.
• 24:24
  It really understands what these movies is about.
• 24:29
  Yeah, I agree. Oh bad.
• 24:32
  Oh boy, bad. I thought that they kind of
• 24:37
  dropped the ball with the mom. I thought for sure that was
• 24:41
  going to be an existing character in the franchise
• 24:44
  because it felt like such a build up.
• 24:46
  And when we see the character come out of like the RV or
• 24:49
  whatever, it's meant to be a shot.
• 24:50
  Like it's a reveal. Like, am I supposed to know this
• 24:52
  person? I thought it was going to be
• 24:56
  fuck. What's her name from Part 2?
• 24:59
  Kimberly. Kimberly.
• 25:00
  Yeah. I thought for sure it was going
• 25:01
  to be Kimberly, you know, like a survivor.
• 25:02
  She's seen this shit. She like, of course she's going
• 25:05
  to drive her family crazy being paranoid about that stuff.
• 25:07
  She lived it and saw so many people die.
• 25:10
  Yeah, You know, like, I thought that that would have been really
• 25:13
  cool. But, you know, it's like, oh,
• 25:15
  it's this person, like, OK, you know, my guy, I just.
• 25:21
  I don't know, I felt like they dropped the ball there.
• 25:23
  But I mean, like, other than that, there's not much else I
• 25:26
  can really complain too much about with this movie.
• 25:29
  I had a couple of little nitpicks, OK?
• 25:32
  One being I don't understand how Iris's cabin being fortified to
• 25:37
  look like such a death trap is keeping her safe, so generally
• 25:40
  don't understand it. I think, yeah, like the fact
• 25:42
  that Death isn't able to get her in so many various ways.
• 25:45
  Like I mean, if the house has so many things.
• 25:48
  Maybe she could have stepped outside the cabin if she didn't
• 25:51
  have like, spikes and rusty nails and shit everywhere.
• 25:54
  But also, we have all of these newspaper articles about all of
• 26:00
  these deaths, right? We have the newspaper article
• 26:03
  about the Sky View. There's no way.
• 26:08
  There is no way on earth that Stephanie looked up the sky view
• 26:11
  and did not see like Heroic woman saves dozens at Sky view.
• 26:19
  There's no way that she wouldn't have found that.
• 26:21
  And I think they just really needed a reason to get her to
• 26:24
  the cabin and meet Iris, But I think they could have worked
• 26:27
  that out a little bit more. Yeah, yeah, you're right.
• 26:29
  Yeah. Like she's aware of it and she
• 26:31
  just needs like, some guidance. She's like, that's my fucking
• 26:33
  grandma. I need to go talk to her and
• 26:35
  figure out what this is. Yeah, it's just it's a little
• 26:40
  weak for me. Yeah, I can see that.
• 26:42
  Also I they try to wave away by saying that JB helped her get
• 26:48
  medical care, but how do you get diagnosed with cancer without
• 26:51
  ever leaving your house? And she was still living
• 26:55
  independently enough, so it's not like I.
• 26:57
  Was going to spoil something but.
• 26:59
  I just, I, I don't, I don't know.
• 27:02
  Yeah, no, you're right. I mean they had that can wave
• 27:05
  some stuff here to make some of it work.
• 27:07
  You know, like it's like in the first movie when Devin Sawest
• 27:13
  character is living in that cabin and Death is constantly
• 27:16
  trying to fucking get him, but he's able to protect himself and
• 27:19
  you're gonna give me tetanus? Yeah, and that cabin looks like
• 27:22
  a death trap, but Devin Sawest character is 17 and on the brink
• 27:27
  of losing his mind, so. Yeah, exactly.
• 27:30
  That makes sense. Yeah, yeah, Like, why wouldn't
• 27:33
  death just like, take a fucking tornado to her house and just
• 27:36
  kill her that way? That seems like a fun way to go,
• 27:38
  you know, like for Death, like that's like, no, just like
• 27:42
  Conjure's fucking funnel for this, like.
• 27:45
  You said he likes to have fun, so that's fun.
• 27:47
  Boom, give give Iris some cancer.
• 27:52
  That's not that's so boring. And then give Stephanie these
• 27:57
  dreams. And then she, because she knows
• 28:01
  about this, she immediately starts putting this stuff into
• 28:04
  action for her family. Who knows if these freak
• 28:07
  accidents would have happened exactly the way they did if
• 28:09
  Stephanie hadn't been going around being like, you're going
• 28:11
  to die. That's true, Yeah.
• 28:14
  All right. Ugly.
• 28:17
  Well, the secret family with Eric, not Howard, not his dad.
• 28:24
  And he was so attached to his dad.
• 28:25
  That is his dad. That's still his dad.
• 28:28
  She's not his biological father, which is fucking devastating.
• 28:32
  Especially the one after he just died.
• 28:34
  You know, like, you feel really bad for that character there.
• 28:39
  What else? That fucking kid.
• 28:44
  Oh the asshole kid from the sky view.
• 28:47
  I mean you give me so much shit for being like cheering on this
• 28:50
  kid getting electrocuted on a fence in Jurassic Park.
• 28:54
  I'm. Mad at him for not climbing down
• 28:56
  faster. This.
• 28:57
  That is not all being a little shit.
• 28:59
  I'm mad at that kid for not shutting the fuck up the entire
• 29:02
  movie too. He was 8 and met one of his
• 29:04
  heroes. This kid was 8 and he had it
• 29:07
  coming. Just like that kid.
• 29:09
  If you fucking ask for it, you're gonna get what you
• 29:13
  fucking asked. For my God, he was not asking
• 29:15
  for. It it was nice that this kid got
• 29:17
  crushed by a piano. Though I like that they weren't
• 29:20
  afraid to go there with this one.
• 29:21
  It'd be interesting. I like how they were like, we
• 29:23
  will go this young and then at one point they're in the
• 29:26
  hospital and they look at the babies and they're like, no.
• 29:29
  That was a fun this. Is our hard line, yeah.
• 29:32
  And then they, like, have to think about going.
• 29:33
  It was like, don't, don't touch that baby.
• 29:37
  Yeah, OK. What about you?
• 29:40
  I don't care how many pictures Darlene keeps around, she still
• 29:44
  abandoned her family. You're not like a a good mom
• 29:48
  with flawed motives just because you keep pictures of your family
• 29:52
  around. Fuck off with all of that.
• 29:54
  I feel very strongly about this. I get that she thought she was
• 29:57
  doing what's best, but you know what she could have done and
• 29:59
  said fucking therapy. Yeah, I know she could have done
• 30:02
  a lot more. That was like, I understand why
• 30:05
  Stephanie was so, yeah, upset with her.
• 30:08
  Yeah. They really only trauma bonded.
• 30:11
  I think if they had survived all of this, I don't think that the
• 30:14
  happy family relationship would have continued on.
• 30:17
  No, no, for sure. Not all right.
• 30:20
  Absurd. Absurd.
• 30:22
  Well, in the opening we have the fucking like bellhop like little
• 30:28
  fucking kid working the elevator bragging like they finished the
• 30:32
  construction five months early. Isn't that awesome?
• 30:35
  Don't you feel so good about this right now?
• 30:38
  I'm telling you, I feel like they designed this place to
• 30:40
  like, freak you out. It doesn't look like it has
• 30:43
  enough support for the top piece, which clearly it didn't.
• 30:47
  Immediately like opening day the fucking bolts from the support
• 30:52
  beams are just shooting out from the side like they did a
• 30:55
  terrible job with this. My other absurd is just the fact
• 31:00
  that the dad just fucks off halfway through this movie.
• 31:05
  He does. He shows up at the very end once
• 31:07
  thing, once the dust is settled. But he was like, I'm fucking
• 31:10
  out, Yeah. You guys OK.
• 31:12
  He's like, I'm going to go take a walk and he walks.
• 31:16
  He, I have to assume, obviously we're passed further points,
• 31:21
  whatever. I have to assume.
• 31:23
  He also gets hit by the train at the end, like everybody goes
• 31:26
  there. Yeah.
• 31:29
  What happens to Paco? Paco will find a new family you
• 31:34
  know. What, like, because I get it.
• 31:36
  Like, it was, it was Charlie taking Paco, right?
• 31:40
  Yeah, it wasn't the dad. But also, like, Brenda's still
• 31:44
  there. Brenda and Jerry can take care
• 31:46
  of Paco. Yeah, yeah, You know, like, man,
• 31:52
  that fucking Jerry getting Paco. I I won't stand for that.
• 31:58
  That is he he made sure like he had a note on his chest when he
• 32:03
  died from the peanut stuff and it was like, don't let Jerry
• 32:05
  Hipaco. Yeah.
• 32:08
  What's your story? I had Doctor Asshole there at
• 32:10
  the end, which we've met Jeffrey Reddick.
• 32:13
  We are friendly with him. I share a scene with him, and if
• 32:16
  there's Eve, he is a very nice and wonderful guy.
• 32:20
  He is the one who brought this franchise to us.
• 32:22
  I get it that they wanted to honor him by naming a character
• 32:24
  after him, but not Doctor Asshole.
• 32:26
  He deserved better than this guy.
• 32:28
  This doctor's like, oh, I hear your brothers of your life.
• 32:31
  And she's like, yeah, brought me back from the dead.
• 32:34
  Well, actually I. Don't know about that and.
• 32:37
  I get that they wanted to draw the distinction between what
• 32:39
  happened to Kimberly because she actually literally did flatline
• 32:43
  and there was a hospital to prove it and everything.
• 32:45
  And most people can't just bring somebody back from the flatline
• 32:48
  situation with CPR they learned in junior lifeguards.
• 32:52
  But still, this is not the time or place.
• 32:57
  I get it. Yeah.
• 32:58
  Like, you could just like, fucking nod your head and like,
• 33:01
  Yep, you did a great job, son, you know?
• 33:03
  Or you could just be like, well, actually, you weren't quite that
• 33:06
  impressive. Their entire family.
• 33:08
  You're lucky Charlie's not ghosting your daughter for prom.
• 33:11
  It's like I'm taking Paco. Paco's mine.
• 33:16
  Yeah. OK.
• 33:18
  Overall, what would you read this?
• 33:20
  I'd give it a nine. Actually, that's exactly what I
• 33:22
  was going to say. All right, cool 9 go around. 999
• 33:27
  All right, let's do this. So we start off with a fantastic
• 33:32
  closed caption, which is uneasy music playing.
• 33:36
  Yeah, I think all Final Destination scores should be
• 33:39
  referred to as Uneasy Music. Isn't it the same score in all
• 33:42
  of them right here too? Yeah.
• 33:43
  That's what I thought, yeah. There is a surprise day
• 33:46
  happening. If you ever put me in a car with
• 33:48
  a blindfold on my face after I'd done my makeup and hair, I'd be
• 33:51
  a little bit annoyed. Just going to throw that out
• 33:53
  there right now. This is the 50s Jesse.
• 33:55
  This is a. Different area.
• 33:57
  This is the 60s, yes it was an even more different era.
• 34:00
  Like people are just doing blindfolds all Willy nilly.
• 34:04
  So this is the sky view that had an early opening and Paul pulled
• 34:08
  a two favors to be on the list for opening night.
• 34:11
  We do have this asshole kid that's stealing coins out of the
• 34:14
  fountain and the security guard is not going to get a break from
• 34:17
  this kid this whole night. It's like different security
• 34:19
  guards. This kid is just like.
• 34:21
  None of these security guards is going to get a break from this
• 34:23
  kid this whole night. Thank you.
• 34:25
  Iris is fine with waiting for the elevator to come back down.
• 34:28
  But this kid is insisting he's like, no, no, get in here, we're
• 34:30
  at capacity. Come on.
• 34:32
  It's yeah, like this is his first job and he wants to prove
• 34:35
  he's so good at it. These are setting facts.
• 34:37
  It's like we finished five months early.
• 34:39
  It's 494 feet high. We use 700 tons of cement.
• 34:43
  I don't know if that one's true. I didn't write that part down.
• 34:45
  That sounds accurate. And they finished this five
• 34:50
  months in advance, so they spared no expense.
• 34:53
  Spared no expense. Just time.
• 34:55
  They get up there and Paul gives his name to the Maid Rd.
• 34:58
  He's like, we are over capacity, we cannot accommodate you.
• 35:03
  And Paul's like, it's okay. I worked out with Jake, Is he
• 35:05
  here? Can I talk to him?
• 35:06
  The mayor, he goes. We let Jake go this morning.
• 35:10
  Yeah, I don't like this Mayor D. Yeah, and it's also extra shitty
• 35:13
  because the guy behind was like, Mr. Richard, we've got a table
• 35:16
  right this way for you. Like, fuck you, dude.
• 35:18
  That was my table. Let me one couple that is
• 35:21
  clearly stretching their budget to be here.
• 35:23
  Enjoy their night. But you know what?
• 35:26
  Iris has the right idea because this is something that we do.
• 35:28
  Just go to the bar. Just go to the bar.
• 35:29
  Bar is sometimes the best place to be.
• 35:31
  You know what? You make friends with the
• 35:32
  bartender. You get all kinds of like, nice
• 35:35
  treatment when you go in. That's true, Bartenders,
• 35:37
  remember that I'm lactose intolerant.
• 35:39
  After like almost a year of not even eating there.
• 35:41
  Yeah, yeah. Yeah, yeah.
• 35:43
  So she had the right call there trying to get some free
• 35:47
  champagne, but that's. Their favorite kind?
• 35:49
  Yeah. The height is scary.
• 35:51
  They're looking out the window. Height is scary.
• 35:52
  She attaches a little boutonniere to a suit jacket,
• 35:56
  pricks her finger. We gotta have the.
• 35:57
  Oh yeah, the little. Premonition and finger prick.
• 36:01
  Then she starts to feel sick. She heads to the restroom.
• 36:03
  As she's walking across the dance floor, a piece from the
• 36:05
  chandelier falls. Blink pierces the glass floor.
• 36:10
  Is this not even tempered glass? Like dude, they do like.
• 36:14
  They this shit is so cheap they use the cheapest material they.
• 36:18
  Finished it five months earlier because they're like well we can
• 36:21
  do regular glass or tempered glass with the tempered glass is
• 36:24
  going to take about 5 months longer and they're like Nope,
• 36:28
  regular glass, it'll be fine. Nobody will ever wear stiletto
• 36:32
  heels on these dance floors. Yeah, like nobody's going to
• 36:35
  definitely jump. So she goes and she classic
• 36:39
  movie moment where she's sick and another woman, a mother,
• 36:43
  sees her and it's like, how far along are you?
• 36:47
  How does she know she. Gives her a little pep talk
• 36:50
  she's like if he loves you he's going to be excited.
• 36:53
  So that's when they go outside and I start to talk at the same
• 36:56
  time and she lets him go 1st and behind them a woman loses her
• 37:02
  hat and the asshole kid has made his way up here and he is
• 37:04
  throwing pennies over the side and the security guard says
• 37:08
  don't do that, they can kill somebody.
• 37:09
  He goes OK. Badass, yeah.
• 37:11
  And then Paul proposes and he's like, I just want to spend the
• 37:15
  rest of my life with you. And she goes.
• 37:17
  You mean us? And he goes, and at first she
• 37:21
  thinks it's a bad huh? He's like, who is he?
• 37:25
  Where is that fucking? Is that fucking Jerry?
• 37:29
  Yeah. So the kid throws a coin and
• 37:31
  death with a gust of wind like it always does, blows it inside
• 37:35
  the vent which it goes in there, jams up a fan blade the.
• 37:39
  Fan will eventually get itself unstuck but the blade goes into
• 37:42
  a gas pipe yes so that's what's happening there they go inside
• 37:46
  they start dancing because that's what you do you just got
• 37:48
  engaged you're pregnant it's the 60s so you're drinking champagne
• 37:51
  also while. You're I, I was thinking about
• 37:53
  that too. Is like she's like, this is not
• 37:55
  common knowledge at this point, right?
• 37:57
  Like, everybody's just like drinking and having babies.
• 38:02
  Drinking and having. Babies, that's.
• 38:03
  A lot of times, like how babies come about, you know?
• 38:06
  That's true. That's true.
• 38:09
  That's true. So yeah, so they're, they're
• 38:12
  doing, you know, as you do with shout, you need to get a little
• 38:14
  bit softer and a little bit softer now and then you start
• 38:16
  getting a little bit louder now, a little bit louder now and.
• 38:20
  Everybody stopped the floor, man.
• 38:22
  That'd be a floor shatters. Everybody's falling through.
• 38:25
  Paula's holding on to like a huge glass Shard that's like
• 38:29
  over a bar, but he can't hold on for very long.
• 38:33
  His hands are very bloody and he falls and Iris is dealing with
• 38:39
  this death as she's dealing with everything else happening.
• 38:43
  As that happens, there's a little bit of like a amber from
• 38:47
  like the fire from the kitchen, the.
• 38:48
  Bay Station. Yeah, and it like makes its way
• 38:51
  to where the gas leak is AT and then suddenly fire everywhere.
• 38:54
  And I think that woman that gets hit with the fire, I mean,
• 38:57
  that's. That's.
• 38:58
  That, Fergus said. Yeah.
• 38:59
  Good for her, she had her moment there.
• 39:01
  That's cool. Yeah.
• 39:03
  So there's a Stampede to the stairs.
• 39:05
  The little kid is the first one in there.
• 39:09
  The stairs crumble. He's the only one that wasn't on
• 39:11
  the crumbled part of the stairs. And he's like, and then so
• 39:14
  that's the way down. And then the elevator guy is
• 39:19
  like, all right, quick, let's get on the elevator.
• 39:21
  The elevator is too full. I like this.
• 39:23
  It's the maitre DS, like let me in.
• 39:24
  And they're like, sorry, Sir, we're at capacity just like you
• 39:26
  told them. But he tries to squish his way
• 39:29
  on anyway. Door closes on him and he gets.
• 39:32
  Sliced in half. Yeah, sliced in half.
• 39:35
  Now the floor. Splits and it starts to tip and
• 39:41
  it's like dangling and this woman falls onto the window.
• 39:46
  But it seems like maybe, maybe she can find a way to climb up.
• 39:49
  She'll be fine. But then the penny falls.
• 39:51
  Through to the. Lands on the piano.
• 39:54
  This was Death having fun. It's like I'm going to just give
• 39:56
  it just enough weight. Like the fact that like a penny
• 39:59
  is enough weight to get this thing to tip.
• 40:02
  Butterfly wings flapping, man no.
• 40:03
  Fucking kid didn't. Yep, it causes the piano to
• 40:06
  fall. Knocks the woman through the
• 40:08
  window. That asshole kid has just made
• 40:10
  it to the bottom of the stairs. He gets squish by piano.
• 40:13
  He gets the cartoonist death in a franchise full of cartoony
• 40:17
  deaths. What if it was an anvil?
• 40:19
  I would love that Make it happen for part 7.
• 40:23
  Yeah, that's your next assignment.
• 40:25
  Iris is the only one left up there and she looks around.
• 40:29
  She sees the box that young JB had been told to hide in as his
• 40:34
  mother finished up her set. She goes to save him just as the
• 40:38
  rest of the floor crumbles. She tries to grab onto the edge.
• 40:42
  Her engagement ring, which is a little bit tight, gets caught on
• 40:45
  some rebar, but it doesn't save him for long because she starts
• 40:48
  to get the gloves. She falls.
• 40:49
  She's impaled, with JB shortly behind her.
• 40:52
  And then snap back to reality back at the top.
• 40:57
  Stephanie wakes up screaming in class and the professor says
• 41:01
  vector equations really aren't that scary.
• 41:04
  So I don't think she's a freshman if she's talking about
• 41:06
  vector equations. Or she's just an API, don't
• 41:10
  fucking. Know you don't do APS in
• 41:11
  college. Dude, I I wasn't smart enough,
• 41:14
  OK? You do APS to get college
• 41:17
  credits. That way you can take fewer
• 41:18
  classes in. College.
• 41:21
  So she was in the smart kid class for freshmen?
• 41:24
  I don't know if she was a freshman.
• 41:25
  Whatever. Who?
• 41:26
  Who cares? Whatever, OK.
• 41:29
  She then has the same dream again that night and her
• 41:32
  roommate is so fucking over it. I would be too, like just
• 41:37
  screaming, waking up screaming in the middle of the night.
• 41:39
  I wonder what that's like. Harsh.
• 41:47
  I'm kidding, she needs to get the little night.
• 41:50
  Like what the fuck is that night?
• 41:52
  Suite mask. Oh yeah, my eye mask that helps
• 41:55
  me with sleepwalking. Her issue isn't sleepwalking,
• 41:58
  her issue is her dreams. OK, fair.
• 42:00
  Fair enough. Yeah.
• 42:01
  So she's like, yeah, I think it's about.
• 42:03
  My grandma, my mom needs to go visit her.
• 42:05
  The woman's name is Iris, and that's my grandmother's name.
• 42:07
  And nobody else has ever been named Iris in the history of
• 42:10
  forever. Clearly the goo.
• 42:12
  Goo Dolls wrote about my grandmother.
• 42:14
  Strange thing is she's never even met her so how does she
• 42:17
  know anything about her like them?
• 42:19
  So she's going to go figure that shit out.
• 42:21
  Dad is really happy to see her, but he says, you know, Charlie
• 42:25
  took your room. I put my files in his old room.
• 42:27
  You're just gonna have to hang out on the couch.
• 42:30
  She asked about Mom's stuff with like, all the files and all of
• 42:33
  her personal belongings. And he's like, I got rid of that
• 42:35
  a while ago. And then tries like I'm going to
• 42:38
  the cousins and stuff and he's like, I'll drive.
• 42:40
  He's not exactly thrilled. Like he's not excited this year.
• 42:43
  He's like, oh, hey, what are you doing here?
• 42:44
  All right, I'm going to go. You know what's really weird?
• 42:47
  He is like that with her when she shows up and he's like, oh,
• 42:50
  you only show up on holidays. But then whenever his mom shows
• 42:53
  up, it's like, oh cool, let's go hang out.
• 42:55
  You know, like he's not mad at her for not doing that.
• 42:57
  Sometimes it's easier to be mad at the people that you have a
• 43:01
  stronger relationship with. I guess that's true.
• 43:04
  Yeah. She's like, whatever, I'm going
• 43:06
  to tag along with you. You don't have to skateboard
• 43:07
  while driving. And their dad is like, don't
• 43:09
  talk to Howard about Iris, please don't.
• 43:13
  As we're driving over, she tells Charlie that she's on academic
• 43:16
  probation, and he laughs. She's always been a good
• 43:19
  student. They get there and Paco is
• 43:22
  missing. Oh, Paco.
• 43:23
  Stephanie does not know who Paco is, but they're like, you got to
• 43:26
  help. I love this Paco because he's
• 43:28
  over there trying to find Paco and Eric is playing a ranked
• 43:31
  match of Mortal Kombat and he's like, dude, get up, I need to
• 43:33
  look for Paco. He's like trying to check under
• 43:35
  the coaches. Like dude, this is a ranked
• 43:36
  match. I, I've, I heard you do that
• 43:40
  before, but with Super Smash Brothers.
• 43:42
  And this was in our old apartment where Talia had the
• 43:48
  ability to kind of brush up against some of the gaming
• 43:51
  consoles and she like knocked, knocked it off or whatever.
• 43:55
  And you were like, I can only have that happen so many times
• 43:58
  before. I'm not allowed to do these
• 43:59
  matches anymore. It's true you get banned if you
• 44:02
  just like quit a game like the IT was the PlayStation
• 44:06
  especially like it was like very touch sensitive and Talia would
• 44:09
  go over there and turn it on and off all the time and she would
• 44:12
  go over there and turn off my fucking PlayStation while I was
• 44:15
  playing it. I think she just learned how to
• 44:18
  do it. She's like, all right, you're
• 44:20
  done. This is Talia time.
• 44:22
  It's. Like how she has your butt now.
• 44:23
  Like it's how she's like I need attention, knows the button it.
• 44:27
  Also had the audio response too. It's like BD.
• 44:30
  So she's like oh, there we go. Like I'm getting like she's
• 44:33
  getting a rush from doing that. So Julia comes down.
• 44:39
  She asks Charlie about the proposal.
• 44:41
  She doesn't really care to talk to Stephanie that much.
• 44:43
  Nobody gives a shit about stuff like they are a they're being
• 44:47
  kind of passive aggressive to her, right, because like she's
• 44:50
  trying to like get to know she's like, oh, who is this person
• 44:53
  Charlie? Because he's talking about his
• 44:54
  prom day and Jules is like, anyways, So what are you going
• 44:58
  to wear? You know, like she's they're
• 45:00
  blocking her out of the conversation entirely.
• 45:03
  But yes, the the mom, the aunt is there welcoming, happy to see
• 45:07
  her. Howard immediately shuts down
• 45:09
  when she mentions Iris and eventually he's like, listen,
• 45:13
  she was abusive. She kept us locked in the house.
• 45:18
  Eventually, the state had to come take us away.
• 45:20
  Whenever we had our kids, she would send us these letters just
• 45:23
  full of, like, talk about death. And we just, we won't talk about
• 45:27
  this. And Paco is found in the pantry.
• 45:32
  And Steph begs Brenda to let her know where Iris is.
• 45:36
  She's like, I'm having these dreams.
• 45:38
  I just need to go talk to her. And she goes, well, don't look
• 45:41
  in the bottom drawer in the dining room.
• 45:45
  Yeah, so she finds letters, which obviously has a return
• 45:48
  address. She drives out there and Iris
• 45:52
  has her empty her pockets. This is very much Lori in.
• 45:56
  Halloween 28. That's what I was thinking too.
• 45:57
  There's no way that they didn't get some inspiration from.
• 46:00
  That the only thing is she didn't have to pay her Yeah to
• 46:03
  come in. That would.
• 46:04
  Have been funny, much like Lori in Halloween 2018.
• 46:07
  She's really excited to see her granddaughter.
• 46:09
  You know, this brings up another point.
• 46:10
  How did she have any money to fund any of this stuff if she
• 46:15
  just walked herself away? They were not doing work from
• 46:18
  home shit back then. Maybe Paul had a really good
• 46:21
  life insurance policy when he finally died.
• 46:24
  OK, Fairpoint, there we go. Just a thought.
• 46:27
  Yeah yeah. So Iris explains that cuz she
• 46:32
  was like you, you didn't she didn't know that Darlene had
• 46:37
  left, but she was like did you get my letters?
• 46:38
  And she's like no no didn't didn't know anything about you
• 46:42
  until like 2 months ago when ours was like well I got a
• 46:44
  premonition right before Paul proposed.
• 46:48
  She grabbed the penny from the kids, stopped the flame Bay from
• 46:50
  being crazy, goes and interrupts the performance of Shout.
• 46:55
  Yeah. And this is, I think, probably
• 46:56
  the only instance where she saved everybody.
• 46:58
  Yeah, she was like, I saved hundreds of people that night.
• 47:01
  Everybody, like every other movie, The other people would
• 47:03
  die in the accident. But yeah.
• 47:05
  The restaurant closed. Supposedly they're going to do
• 47:09
  additional repairs, but it never reopened.
• 47:12
  She taught herself to start to see how death to see death
• 47:16
  coming, which we've seen with all of our other like, yeah, in
• 47:19
  the franchise before. She was diagnosed with cancer
• 47:23
  two months ago, which is right when Stephanie's vision started.
• 47:26
  And she was like. She she blames it on death.
• 47:29
  But I mean, that's just kind of like natural, you know, like
• 47:32
  that could have just happened. Unfortunately so, yeah.
• 47:35
  And she says she hasn't stepped outside in over 20 years.
• 47:38
  How did you get? Diagnosed exactly.
• 47:40
  You can't get diagnosed or presume like this.
• 47:43
  Not she. Probably doesn't even have a
• 47:44
  computer. Dude, I was going to say I was
• 47:48
  going to say that, but I didn't want to like ruin anything.
• 47:51
  All right, I'm going to, I'm going to bleep that.
• 47:53
  Out. OK, but I was going to say
• 47:55
  probably diagnosed her like, shit's fucked.
• 47:57
  Probably cancer. Like that was his.
• 48:00
  Like, he had no basis of that. He's like, oh, it's totally
• 48:03
  cancer. Definitely.
• 48:05
  Yeah. Well, at least he was like, I
• 48:07
  don't have a good way to diagnose this but you know, best
• 48:10
  guess. Yeah, shit's fucked, yo.
• 48:12
  Yeah, shit's fucked, yo. That's what they wrote on my
• 48:15
  medical. Center drugs got coming over
• 48:19
  here in a bit at the crib if you want to chill.
• 48:22
  Stop. You're giving me.
• 48:23
  Thank you so much. I'm going to have to believe.
• 48:25
  That I'm sorry. I'm sorry, I'm sorry.
• 48:29
  If you all know, you know, so Stephanie is starting to get
• 48:34
  really freaked out because Iris is like, all right, you guys
• 48:36
  stay here with me. We're going to teach you
• 48:37
  everything, you know, everything.
• 48:39
  I know we got to go through this book and she's like, I'm going
• 48:41
  to go. Back to school and she.
• 48:43
  Goes no, no, no, it's not safe out there.
• 48:45
  It's fine. Yeah.
• 48:46
  So she starts getting really freaked out and she walks
• 48:48
  outside and she's going to her car.
• 48:50
  And Iris is like, all right, Seeing is believing.
• 48:53
  You still don't believe me? Check this shit out.
• 48:55
  And just like, hold their arms up.
• 48:57
  And then death just gets her as soon as he has a chance.
• 49:01
  And so it's like a pole going through her head.
• 49:04
  It's it's a fire extinguisher, a.
• 49:12
  Fire extinguisher does not go through her head.
• 49:14
  It's like a pole. It doesn't like a fire
• 49:15
  extinguisher would like explode her head.
• 49:17
  I feel like no. Because it like shot off from
• 49:20
  the porch. But it's like it stabs her like
• 49:26
  all the way through. You don't get stabbed all the
• 49:28
  way if it's going to stab your head.
• 49:31
  A fire extinguisher would just make your whole head explode.
• 49:34
  So would a pole flying through your head.
• 49:36
  No, it would just be like a fucking pole on one part of your
• 49:40
  head matter. Like a projectile, whatever, it
• 49:43
  doesn't matter. They go to the funeral.
• 49:45
  Stephanie back. This is to Howard and Darlene
• 49:48
  appears. In the RV.
• 49:51
  Stephanie shuts down. She wants nothing to do with
• 49:53
  her. She's not going to go to the
• 49:55
  barbecue. And Charlie's like, listen, give
• 49:57
  her a chance. Like you've been disappearing
• 49:59
  since you went to college. You never come home.
• 50:01
  You never call. You and Julia used to be best
• 50:03
  friends. You haven't talked to her in how
• 50:04
  many months? And he's like, and you haven't
• 50:06
  answered. You never answered my calls.
• 50:07
  And she's like, I've been busy. Like, it's easy.
• 50:11
  You could have answered the call.
• 50:12
  Like, you can tell Steph definitely kind of shitty.
• 50:14
  Like, not shitty, but like she's ignored, like actively like that
• 50:19
  stuff right there. And you know, it's not like
• 50:21
  Charlie's probably blowing her up like every fucking day or
• 50:23
  anything like that. He's probably just wanted to
• 50:25
  talk to his sister every now and then.
• 50:26
  Yeah, and it's not like their mom had just left.
• 50:28
  And it's not like she's been having these dreams for, you
• 50:31
  know, the whole year. It's just been two months.
• 50:33
  So I wonder what the circumstances were like, what
• 50:37
  things are like when she went to college.
• 50:38
  Yeah, we don't really get too much contacts, no BBQ time.
• 50:42
  Barbecue time? Yep.
• 50:44
  Now coronas it's the the beer from all of the ice Pell L or
• 50:49
  something like. That yeah, there is a Shard of
• 50:52
  glass because one of the glasses breaks, a Shard goes into the
• 50:55
  ice cooler, which I would never want an industrial size ice
• 51:00
  cooler like that, that I would have to deal with filling up and
• 51:04
  keeping clean. Yeah.
• 51:07
  I just, I have no desire for any of that.
• 51:09
  Whoa, if you BBQ like this family does, this seems like a
• 51:13
  BBQ type of family. This is like the Fast and
• 51:16
  Furious. It's like Dom would like this
• 51:19
  family. That's true, but Dom would also
• 51:22
  make some of his minions be responsible for cleaning the ice
• 51:25
  cooler. Oh hell yeah yeah.
• 51:28
  I I love this whole thing, though, with the sharded glass
• 51:31
  being scooped into the ice and it gets poured in a cup and you
• 51:34
  don't know who has it. Yes, I love that.
• 51:38
  And just keeps fucking with you the entire time in the scene.
• 51:40
  Like you just don't know who's taking a drink and who's, you
• 51:43
  know, like we have jewels who like a bug.
• 51:46
  Yeah. And then like, pours out her
• 51:47
  drink, you know, like. Darlene shows up, She's got
• 51:51
  cookies. Charlie takes the first bite and
• 51:53
  goes, are these peanut butter? And she goes, yeah.
• 51:56
  And everybody actually gets the worst thing in the world.
• 51:58
  And she's like, what is happening?
• 51:59
  Erin's like, so you're trying to kill my brother?
• 52:02
  Yeah. He's allergic to peanuts.
• 52:04
  He is super protective of his brother.
• 52:07
  I think it's kind of nice. It is nice, yeah.
• 52:10
  Hey, no rank match going on right now he can worry about.
• 52:12
  This. Yeah, He can focus.
• 52:13
  Yeah. Paco's been found.
• 52:16
  Everything's OK. They do a toast to family.
• 52:20
  People are trampolining. It's just a good time.
• 52:24
  Howard offers Darlene a spare room, but she declines.
• 52:27
  Yeah, and then Bobby's like, hey, Dad, come over here, show
• 52:31
  us your epic backflips or whatever.
• 52:33
  And Darlene's watching the trampoline very closely, makes
• 52:37
  him stop and then goes over there and there's like a garden
• 52:40
  hoe, I guess. A rake maybe?
• 52:42
  It's definitely a. Rake.
• 52:44
  It's more sharp than your average rake.
• 52:48
  That's a rake that could kill. Most Rakes I see are like the
• 52:50
  plastic ones. They are kind of like curled.
• 52:53
  If somebody has this backyard set up, they're going to spring
• 52:55
  for the like, steel rake. I feel like that rake would just
• 52:59
  fuck your shit up like it would fuck up your grass.
• 53:02
  You're not. You don't get a rake.
• 53:03
  Like man, my grass is looking too good today, I'm going to
• 53:05
  fuck that. No.
• 53:07
  Like I can see it. Like, think about all the trees
• 53:10
  we have. If we were people that, you
• 53:11
  know, felt the need to rake like, we would need an ice rake
• 53:16
  like that. I'd get one of those plastic
• 53:17
  ones. And you would have a hard time
• 53:19
  with it. And then you'd be like, man, I
• 53:21
  think I should probably get a better rake than the one we
• 53:23
  have. Man fuck this.
• 53:25
  I'm gonna, I'm sick. You just get mad at your
• 53:27
  grasping. I'm just gonna fuck it up.
• 53:29
  Like who gives a shit? Meanwhile, Stephanie is at home
• 53:32
  and she starts to get a bad feeling.
• 53:34
  So she's driving over, she's calling, nobody's answering.
• 53:37
  And as soon as she gets there, we see, where are we at?
• 53:41
  Howard does his backflip. The rake has been moved.
• 53:44
  It was put over near a bunch of other tools which falls.
• 53:48
  Yep, knocks over the beer which causes like it falls on a button
• 53:52
  which turns on a hose. It starts going off.
• 53:55
  More tools start falling. Bobby falls on the trampoline
• 53:59
  like it rips, and it startles Julia, who knocks over her drink
• 54:03
  which had the glass in it. Howard walks, he steps on it, he
• 54:06
  goes ow ow ow, sits down on the ground as you do when you have a
• 54:09
  Shard of glass fasten your foot, and then the lawn mower, which
• 54:13
  has been turned on, comes over and gets him on the head.
• 54:15
  It's like he was welcoming it. Yes.
• 54:18
  He's like, oh, here we go. Yes, that would be so horrifying
• 54:23
  to watch. Like your dad's over there
• 54:25
  having a good time, family BBQ. Oh my God.
• 54:27
  Well, I'm over to the face. It's like that sinister scene.
• 54:31
  They have another funeral. Stephanie's looking through the
• 54:34
  book and she finds a line that says JB found someone who
• 54:36
  survived. She starts putting together this
• 54:39
  family tree slash timeline and different family trees all
• 54:43
  coming from the Sky View survivors and they were all
• 54:46
  killed in the order of the premonition.
• 54:49
  But as she explains to her family who she has gathered
• 54:51
  around, it took death a while to get to everybody.
• 54:54
  So they had families that were never supposed to exist.
• 54:57
  So those families had to be killed.
• 54:58
  And it was starting with like the oldest family members side
• 55:02
  of the family and then it would go down younger and younger,
• 55:05
  which means Eric is next and everybody is pissed at her for
• 55:10
  doing this. Yeah, except for Darlene, who's
• 55:12
  like they just that they don't see it, you know, like they'll
• 55:16
  they won't come around. They won't alienate you.
• 55:19
  Better get an RV. Eric is at work.
• 55:24
  He is doing piercings and his boss tells him to lock up.
• 55:27
  And he's like, you didn't say anything about locking up.
• 55:30
  And he tells the girl as he's piercing, he's like, Can you
• 55:32
  believe that? My old man just died?
• 55:34
  I came in as a favor and now he wants me to lock up.
• 55:38
  You know what? That is inconsiderate.
• 55:42
  Dude, tattoo parlors stay open past 1:00 AM because it's like
• 55:46
  1:00 AM. Steph is blowing up his phone.
• 55:48
  He's like fuck off, I'm trying to fall asleep.
• 55:50
  I don't know. I guess it would probably depend
• 55:52
  on where and what kind of parlour and.
• 55:54
  Well, the woman that he's treating just walks out without
• 55:56
  paying, Yeah. Like and.
• 55:59
  Usually those are services that you tend to pay for after the
• 56:01
  fact. Tip.
• 56:03
  But yeah, he didn't get a tip. No.
• 56:05
  And then she's like my and considering he's like, my dad
• 56:09
  died, I got to come in here and you don't tip like it's fucked
• 56:14
  up. So he's going to treat himself.
• 56:16
  Well, he's locking up and he has on Eric's tattoo mix and as he's
• 56:20
  starting to clean he. Now I guess.
• 56:23
  It's a sad mix. Eric's sad mix.
• 56:25
  Yeah, and he tattoos himself. He freak hands.
• 56:27
  Actually. Some really nice script.
• 56:29
  I was impressed with that. Yeah, he didn't do stencil.
• 56:32
  Yeah, he's tattooed dead on his arm, and then a fan has knocked
• 56:38
  a chain loose because they're chained like on the ceiling,
• 56:40
  which by the way, this tattoo parlor is called marked, which
• 56:44
  they're all marked for death. Good catch.
• 56:48
  So the chain gets knocked loose and it whips around and gets
• 56:51
  caught in Eric's septum ring, and he's trying to get it
• 56:54
  uncocked. Meanwhile, some of the cleaning
• 56:56
  solutions have been knocked over.
• 56:57
  They ignite. So there's a fire starting.
• 56:59
  He's trying to get his face unhooked.
• 57:01
  And then we see the shop just kind of goes up in flames.
• 57:05
  He falls down. There's like some jewelry that
• 57:08
  he falls on top of. And then we just cut to the next
• 57:11
  day. Steph wakes up Charlie.
• 57:13
  She's worried because Eric hasn't answered any of her calls
• 57:17
  or text messages. She asked if he's answered
• 57:21
  Charlie and he hasn't. So they decide to drive over
• 57:24
  there and then as they're driving, they almost hit him.
• 57:28
  Irony of ironies, he is wearing a fire department shirt which I
• 57:33
  think kind of added to. Like when there were stills of
• 57:36
  this, I think it added to some of the confusion people had.
• 57:39
  About the first responder thing, yeah, I wonder if that was like
• 57:41
  a old reference. I think it was just because the
• 57:44
  fire department had, you know. Oh, they just gave him.
• 57:47
  Yeah, you're right. A.
• 57:48
  Shirt to wear. That's kind of crazy.
• 57:50
  Here's a souvenir for almost dying in a fire.
• 57:52
  Well, an even cooler souvenir is he got a little heart-shaped
• 57:56
  brand jewelry right over there. Look.
• 57:58
  At that, got branded. That was funny.
• 58:02
  So they're trying to talk to him and tell him that he needs to be
• 58:05
  safe and he's like, I didn't die last night and I could have.
• 58:07
  And she's like, look, you have to be careful.
• 58:09
  Look, there is a leaf trimmer. And then we've got some kids in
• 58:14
  the soccer ball and they're like, what's going to happen?
• 58:16
  She's like, well, the tree trimmer could fall.
• 58:18
  It would start with a leaf blower who would blow leaves
• 58:21
  into the kids face at the soccer ball.
• 58:23
  And then the soccer ball comes flying at you and he's like, oh,
• 58:26
  I'm going to die of what? A soccer ball to the head.
• 58:28
  Julia has no patience for this conversation.
• 58:30
  She's got to go on a run and as she's doing that, we see the
• 58:34
  exact thing she predicted. She's playing out in the
• 58:36
  background. And she gets knocked into a
• 58:38
  trash can. The trash can gets dumped into
• 58:41
  the dump truck, and they go running after this dump truck.
• 58:44
  And This is why you don't wear headphones while driving.
• 58:48
  It's a safety hazard, but it doesn't kill you.
• 58:52
  It makes you strong. I don't.
• 58:54
  That is ridiculous to me because why would this not have a
• 58:57
  fucking radio set up? You know what I mean?
• 58:59
  Like. Well, because he's also on,
• 59:02
  like, a dating app, is he? Yeah.
• 59:04
  He's like swiping through. Dating crew that doesn't no, no,
• 59:07
  OK, that's a different type of distraction.
• 59:10
  I'm just saying like I think he's doing that and he's like
• 59:12
  blasting like his horny music. Well, he could blast it from the
• 59:16
  fucking speakers of his own vehicle.
• 59:18
  It's not his own vehicle, it's a city vehicle.
• 59:21
  The municipality isn't paying for his radio services.
• 59:24
  You you tell me that thing does not have Bluetooth.
• 59:26
  I am has a giant fucking claw on the side of it, but it does not
• 59:30
  have Bluetooth. It didn't.
• 59:31
  They didn't. You can get cars today that
• 59:34
  don't have automatic windows. I fully believe the dump truck
• 59:36
  does not have Bluetooth. OK, whatever.
• 59:39
  Sure. Well, they try and stop him.
• 59:42
  They do successfully stop him, but it's too late.
• 59:45
  Steph made it up to the top there, got Jules by the hand,
• 59:48
  tried to pull her out, but it's crushed.
• 59:51
  Like, yeah, her head just gets cut in half.
• 59:53
  You see all of it. It's pretty nasty.
• 59:57
  So another family meeting, Brenda's just beside herself and
• 1:00:03
  she tells Stephanie that she didn't believe her and it's kind
• 1:00:06
  of her fault that Jules died because Eric's.
• 1:00:10
  Biological followers, actually. Jen Jerry fucking Fenberry.
• 1:00:17
  It's sad, but it's like the way that this is played out is kind
• 1:00:21
  of funny, like just his response to it and.
• 1:00:23
  Then my sweet little golden retriever Bobby, he's like, I
• 1:00:29
  appreciate that our family is going to need some serious
• 1:00:31
  counseling in the future, but I, I am next and I would like to
• 1:00:36
  figure out what we could do to. Can we, can we all focus on the
• 1:00:39
  fact that we're all about to fucking die?
• 1:00:41
  Like, yeah. It's like we should find JB,
• 1:00:43
  which Darlene did. Read some of the letters from
• 1:00:46
  her mom who mentioned her friend who mentioned Iris's friend JB
• 1:00:50
  who worked at the hospital. It's like, it's like something
• 1:00:53
  river muddy, clear river is like clear.
• 1:00:56
  Now it's what is that Hope River?
• 1:00:58
  Yeah, Hope River. Yeah, that was a funny little
• 1:01:02
  gag right there, because we've seen like, there was a queer
• 1:01:04
  river thing sign in Fond Destination Two.
• 1:01:08
  I thought for sure that that was going to be a good place.
• 1:01:10
  Destination 4 as well. Was there.
• 1:01:12
  Oh, yeah, you're right. There was, yeah.
• 1:01:13
  Yeah. So they find more blood work
• 1:01:17
  bricks. Bobby is very, very nervous to
• 1:01:20
  travel. He's like, I'm not staying here
• 1:01:22
  by myself. Yeah, because they're like, you
• 1:01:24
  need to stay here, it's safer. And he's like, I read that means
• 1:01:26
  death book. Yeah, like so there's so many
• 1:01:28
  house deaths, and that's true. So Stephanie, Charlie, Darlene
• 1:01:33
  and Bobby are about to get on there.
• 1:01:34
  And Eric goes, did any of you do a nut check?
• 1:01:36
  And I'm like, what? He goes, you almost killed my
• 1:01:39
  brother with the peanut butter cookies before Darlene.
• 1:01:42
  And she goes, Oh yeah, over the counter.
• 1:01:44
  So he goes out, he gets it and he looks at Bobby and he goes
• 1:01:46
  nut check. And Bobby goes, thank you.
• 1:01:48
  And then he goes nut check. Right in the nuts.
• 1:01:50
  Which they're still brothers. And he's like, you know what?
• 1:01:52
  That's a good one can respect him.
• 1:01:56
  They arrive at the hospital. We have the revolving door
• 1:01:59
  moment here where they're all very nervous to walk through the
• 1:02:01
  revolving door there, but they make it in.
• 1:02:04
  They find blood work after asking around and he is like not
• 1:02:10
  that surprised to see them. Yeah, yeah.
• 1:02:12
  He figured when Cyrus's death happened that they would be
• 1:02:16
  coming to see him. They know that he he knows that
• 1:02:18
  he's next after they're all dead.
• 1:02:22
  He's like Yep, cancer got me too, just like I had her.
• 1:02:25
  And he said that we kept in touch, we brainstormed different
• 1:02:28
  ideas. We afford a Federic cabin.
• 1:02:30
  I got her the best medical treatment I could.
• 1:02:33
  He's like the only things that have kind of worked.
• 1:02:37
  You can kill somebody else and take their time, but you never
• 1:02:39
  know how much time somebody else has.
• 1:02:41
  Or you can die and you have to actually flatline and then be
• 1:02:44
  brought back. And that's risky in and of
• 1:02:46
  itself. It's only worked with one
• 1:02:48
  person. Can really cornic.
• 1:02:51
  So Eric is team kill Bobby and as the whole family is kind of
• 1:02:56
  like arguing about this because JB says all this he goes I'm
• 1:02:59
  retiring, I'm enjoying my life. Suggests you do the same ta ta.
• 1:03:03
  I like how everybody's response is like, that's it.
• 1:03:05
  Like he just like we just came all this way to tell like be
• 1:03:08
  told we're just going to die pretty much.
• 1:03:11
  Except Eric. Eric's like, yeah, we're we're
• 1:03:13
  going to kill Bobby, but then we're going to bring him back.
• 1:03:15
  How is this going to work? So like I understand, like I
• 1:03:20
  feel like dying through an allergic reaction is not the
• 1:03:24
  type of thing that you could just like resuscitate somebody
• 1:03:26
  that easily from. I don't really know either.
• 1:03:29
  It just it seems like a very bad idea.
• 1:03:32
  But I do like that Eric is going to get him just a pack of
• 1:03:36
  unsalted roasted nuts, even. And it probably goes, fuck that.
• 1:03:39
  If we're going to do this, I want the peanut butter cups.
• 1:03:41
  Yeah. That's a good choice, yeah.
• 1:03:43
  And. So they go and they hide in an
• 1:03:45
  MRI. Yeah, they they ran out with
• 1:03:48
  everybody else not knowing where they went to, and they're all
• 1:03:50
  looking for them now because they know that they're about to
• 1:03:53
  try this. Eric to get the peanut butter
• 1:03:56
  cups because they get stuck. He kind of shakes the machine.
• 1:03:58
  It causes the spring to pop out. It cracks the glass on the
• 1:04:04
  vending machine, but the peanut butter cups come out.
• 1:04:06
  Eric grabs a wheelchair. He was like, listen, you're
• 1:04:09
  going to eat this. When you start to flatline, I'm
• 1:04:11
  going to run you out there to the doctor.
• 1:04:13
  They'll bring you back. Boom, you're good.
• 1:04:15
  We don't have to kill a baby. Oh yeah.
• 1:04:18
  And they had that moment there where they're just looking at
• 1:04:20
  the baby like. Just like that.
• 1:04:21
  No, don't you touch that. Don't touch the baby and he
• 1:04:26
  makes him give up his EpiPen and he's like, but I I need it at
• 1:04:29
  which like somebody who's had a lifelong allergy that has been
• 1:04:32
  told to keep that EpiPen on him probably since he was a small
• 1:04:35
  child. I can't even imagine how
• 1:04:37
  ingrained it is in him to like not.
• 1:04:39
  This is one of the things where you're like, you're on board,
• 1:04:41
  but then the second that that your survival instincts, you're
• 1:04:44
  like, no, fuck this, I'm out. Give me the pin.
• 1:04:46
  Yeah. And so he starts to eat it.
• 1:04:51
  He goes, Oh my God, He's like, what do you feel it?
• 1:04:53
  He goes, this is so good. Yeah.
• 1:04:56
  Meanwhile, while all of this has been happening, they've
• 1:04:58
  accidentally turned on the machine, the MRI machine.
• 1:05:01
  And it's it's showing that like there's a manual override option
• 1:05:07
  and the magnet would be super bulk and powerful if that
• 1:05:09
  happens. It keeps like gradually going up
• 1:05:11
  and then they keep accidentally hitting it and causing it to go
• 1:05:14
  up even further. And then so Bobby starts choking
• 1:05:17
  and starts coughing. His face is swelling up, but at
• 1:05:20
  the same time Eric is noticing that his earrings are being
• 1:05:24
  pulled towards the machine. They get ripped out of his ears,
• 1:05:27
  his septum piercing gets ripped out his nipple rings and we see
• 1:05:31
  that his weebies pierced. He's just this like a game, like
• 1:05:33
  where's this dude pierced like kneecaps and stuff like that.
• 1:05:40
  And he gets basically, he gets pulled into the machine, the
• 1:05:43
  wheelchair flies in after him. We get a really cool shot
• 1:05:46
  because he's got like a skull tattoo on his stomach.
• 1:05:49
  And the metal. Chair pierces through it, we get
• 1:05:51
  a shot of it and it's. He's he's getting reverse
• 1:05:53
  scorpion in the worst way possible.
• 1:05:56
  No, that is a scorpion. He's getting Scorpion.
• 1:05:59
  Yeah, a reverse scorpion's a shrimp.
• 1:06:03
  You're right. He's getting Scorpion in the
• 1:06:06
  horse. You're so right.
• 1:06:10
  A shrimp? Do people call it shrimp?
• 1:06:12
  Is that real? Yeah, no, I've got 2
• 1:06:16
  subscriptions on Reddit. 1 is to full scorpion and one is to full
• 1:06:19
  shrimp. Wow I never knew about the
• 1:06:21
  shrimp one before, I thought you just came up with that.
• 1:06:24
  No, no, I wish I could take credit for it.
• 1:06:28
  OK, yeah, he's scorpioned here and yeah, gets ripped in half.
• 1:06:31
  That's a fucking gnarly way to go.
• 1:06:32
  Bobby has to watch it all unfold and he sees where he's still
• 1:06:36
  holding on to the EpiPen over there, so he's got to crawl over
• 1:06:39
  there and pry it from his dead hands.
• 1:06:41
  The nurse at the nurses station notices that like pens are being
• 1:06:45
  pulled towards the room and she's like, this isn't good.
• 1:06:49
  And she goes and she opens the door.
• 1:06:51
  She goes are you OK? But at the time she opens the
• 1:06:53
  door, the spring from the vending machine is pulled by the
• 1:06:56
  magnet, goes right through the crack in the vending machine,
• 1:06:59
  and pierces Bobby's skull. You know what happened?
• 1:07:01
  Head exploded. Top of his head fucking
• 1:07:04
  explodes. OK, that's not a fire
• 1:07:08
  extinguisher. It's more akin to this is.
• 1:07:10
  Smaller than a fire extinguisher, this is a fucking.
• 1:07:12
  Spring smaller than a telephone pole that you thought?
• 1:07:15
  I never said a telephone pole, I said a pole, a rod.
• 1:07:19
  You did not say rod, you said pole.
• 1:07:23
  They, you all know what I mean. They everybody knew that they're
• 1:07:26
  right. Not doing this.
• 1:07:29
  OK, so it's bad. Darlene, Stephanie, and Charlie
• 1:07:34
  decide that they're going to go to Iris's cabin because it was
• 1:07:37
  the only place that she was safe for 20 years.
• 1:07:39
  They need to get Darlene into the cabin to save everyone else.
• 1:07:42
  They sense a move coming when they get there, so Stephanie
• 1:07:46
  just Rams the gate to try and get them in.
• 1:07:48
  This causes the stuff up top where it was already kind of
• 1:07:51
  faulty to begin with. She had like her light systems,
• 1:07:53
  but it knocks it loose and there's like sparks flying out
• 1:07:56
  from up top now. And it also causes something to
• 1:07:58
  fall and break the buckle button on the seat belt buckles.
• 1:08:01
  So Stephanie can't get them buckled, but she's like, you
• 1:08:03
  just need to go in, be safe as long as you get in the cabin.
• 1:08:06
  The the problem is there's a there's like sparks that are
• 1:08:10
  flying. They get into the gutters.
• 1:08:12
  The gutters haven't been cleaned.
• 1:08:13
  So they catch fire. When Darlene opens the door to
• 1:08:17
  the cabin, a spark flies into the gas stove.
• 1:08:20
  It ignites boom explosion and knocks both Darlene and Charlie
• 1:08:24
  back. Charlie is under like a wall of
• 1:08:27
  the house. Darlene manages to get up, She
• 1:08:31
  goes over, she saves Charlie. Yeah, like partially burned.
• 1:08:34
  Yeah. And then she's like.
• 1:08:35
  The RV over into the water and she's like go save your.
• 1:08:39
  Sister no R Steph is like drowning at this point and
• 1:08:43
  Darlene's like don't worry, I'll go like I'll be a distraction.
• 1:08:46
  You have to go save her and then whack.
• 1:08:48
  Immediately squished. Now that's a pole that actually
• 1:08:52
  takes her out. Charlie gets in there and he has
• 1:08:55
  tried to cut Stephanie loose where you see Stephanie stops
• 1:09:00
  moving in the water. Yeah, he, he is having the
• 1:09:02
  hardest time with his knife. He does this thing where he
• 1:09:04
  drops it and grabs it and he tries to flip it and it just
• 1:09:07
  basically almost cuts his finger off.
• 1:09:10
  Oh, gross. Yeah.
• 1:09:11
  And he successfully gets her out and then takes her out, gives
• 1:09:15
  CPR to her. And hey, she is alive.
• 1:09:19
  She was dead. And now she is alive again.
• 1:09:20
  She has risen. Sometime later they have Paco.
• 1:09:24
  Paco, this is. Another nice little terrarium
• 1:09:27
  he's going to prom. Dad's back.
• 1:09:29
  Dad's back. He's back from his walk.
• 1:09:31
  Like that was some crazy shit. Glad I missed it.
• 1:09:34
  That sounds really fucked up. Yeah, they they go to pick up
• 1:09:40
  the the rest of the group. They're all going to be in a
• 1:09:43
  limo. Stephanie's putting the
• 1:09:45
  boutonniere on Charlie's suit and she pricks her finger.
• 1:09:48
  OK, this brings me to something here.
• 1:09:51
  Is this the start of a premonition?
• 1:09:54
  Does she have time to change this?
• 1:09:56
  Because we don't see afterwards. But this is always happens right
• 1:09:58
  before premonition. I don't know, but one thing we
• 1:10:01
  didn't talk about is when they were leaving the hospital, they
• 1:10:02
  had IRS's. They have Gammy's death book and
• 1:10:06
  the penny from the sky view falls out.
• 1:10:08
  This old woman that had been in the hospital picks it up, takes
• 1:10:11
  care. That's right.
• 1:10:11
  She as everybody's getting ready for the prom, she goes to
• 1:10:15
  purchase a cookie from a children's lemonade stand.
• 1:10:18
  When she opens up her little coin purse, Penny falls out,
• 1:10:22
  lands on the railroad tracks. The railroad tracks cannot get
• 1:10:25
  their proper connection. This.
• 1:10:26
  Is poetic. Fucking death.
• 1:10:29
  Got to give him a hand. Right here, man.
• 1:10:31
  I mean, he set that up really well, and Doctor Asshole's like,
• 1:10:34
  well, you didn't actually die. And so here comes the train.
• 1:10:38
  Actually, Charlie, you're not that good.
• 1:10:40
  Actually, Charlie, you need to calm the.
• 1:10:42
  Fuck out. If you want to talk to somebody
• 1:10:44
  that's saved a dead person, talk to me.
• 1:10:46
  I'm. A doctor.
• 1:10:47
  Yeah, he's got a doctorate. The train comes loose.
• 1:10:56
  Also we see the car from like the opening drives by too.
• 1:11:00
  So that's a nice little call back.
• 1:11:02
  And I think it's funny that like they're like they throw in the
• 1:11:07
  logs at the end there too, because I guess the the train
• 1:11:10
  was carrying logs. Yeah.
• 1:11:12
  And then it just like it gets Charlie and stuff and.
• 1:11:15
  Oh. Yeah, Steph, than Charlie, she's
• 1:11:18
  got to go first. OK, sure.
• 1:11:21
  That's the rules. I'll make the rules.
• 1:11:23
  OK. There's a report on them.
• 1:11:24
  OK, well report done. That's the end of that movie.
• 1:11:28
  No after credits. Nope.
• 1:11:30
  All right. I think it's still 9.
• 1:11:31
  I think it's really good. Yeah, I agree.
• 1:11:33
  I might change the beginning a little bit to how Stephanie
• 1:11:37
  makes her way to Iris, but that's the only change I would
• 1:11:40
  really strongly want to make. OK.
• 1:11:42
  I still feel like it should have been Kimberly as the mom.
• 1:11:46
  I feel like that would have made sense.
• 1:11:48
  That would have been interesting.
• 1:11:49
  That would have been fun. Tie it all together.
• 1:11:51
  Yeah. Yeah, but that's the only other
• 1:11:54
  thing that I would change myself.
• 1:11:56
  Talia, she was pretty active during this.
• 1:12:00
  Yeah, she was Bargain. She was tantruman.
• 1:12:03
  She was not letting cats lay near her.
• 1:12:06
  Yeah, she was kind of a lively one that night, I think.
• 1:12:09
  She was concerned about Paco. She was she was like, where is
• 1:12:12
  Paco gonna go? Like what do we do about Paco?
• 1:12:15
  And like, she's like, she heard like turtles live to be 100.
• 1:12:19
  Yeah, she's like, those are almost as old as I'm gonna be.
• 1:12:22
  Yeah, yeah, Like gotta find that Paco home.
• 1:12:26
  So she'd probably give it like 8.
• 1:12:29
  Eight, yeah. OK.
• 1:12:32
  What's she deducting points for? I think she's deducting points
• 1:12:36
  because Paco doesn't have like a queer home at the end like that
• 1:12:40
  right there. It could have been it was so
• 1:12:42
  close to landing it, but like she's.
• 1:12:44
  Worried about Paco's going to end up with Jerry Fendberry?
• 1:12:46
  It's like loose threads, like they just like they left us
• 1:12:49
  hanging on a cliffhanger. Who's always ultimate warrior?
• 1:12:53
  I'm going to. I was going to say it.
• 1:12:55
  I guess Paco, because Paco is missing.
• 1:12:58
  Where did they find him? In the pantry.
• 1:13:00
  Oh, and pantry. You're right.
• 1:13:01
  Yeah, yeah, yeah. You know what?
• 1:13:03
  You're so right. Because Zoe is all about getting
• 1:13:05
  in that chair right now. She really is.
• 1:13:07
  We have a childproof lock and two industrial grade magnets.
• 1:13:12
  Yeah, all right. Is this a who would or a hauler
• 1:13:15
  for Cordelia? I think I use a who.
• 1:13:19
  I think she enjoyed it. You think so?
• 1:13:20
  She was. On my lap pretty much the whole
• 1:13:22
  time, and when she got off my lap she went to the cat bed on
• 1:13:25
  the back of the couch. Yeah, that's true experience.
• 1:13:27
  Yeah. She's.
• 1:13:28
  She's getting into these here now, you know, like she's along
• 1:13:32
  for the ride. Can't wait for 2028 when the new
• 1:13:34
  one comes out. It's like.
• 1:13:36
  There's no concept of 2028 that she thinks it'll be a good one.
• 1:13:39
  Just like what's a year she's even been alive?
• 1:13:42
  How long? All right.
• 1:13:45
  All right, we don't 2 Dream sequel on this.
• 1:13:48
  No, but we do need to come up with a new tagline.
• 1:13:51
  Yes, we do. Your mother's hair, your
• 1:13:54
  father's eyes, your grandmother's death.
• 1:13:57
  Premonitions. OK, I I kind of like that.
• 1:14:04
  OK, yeah, I'm not coming up with anything else myself right now,
• 1:14:08
  so I'm I'm willing to roll with you on this one right here.
• 1:14:12
  We already talked about what Don would do, like if they had
• 1:14:14
  coronas, Howard's death would have never happened.
• 1:14:17
  I think that's true. Like, like, first of all, you
• 1:14:20
  wouldn't be scooping ice like you're just drinking from the
• 1:14:22
  bottle. That's not going to get in
• 1:14:24
  there. Come on.
• 1:14:25
  And if it does, it's not going to get in the drink because the
• 1:14:27
  drink is in a bottle. Yeah, I think really the movie
• 1:14:33
  would have ended at the BBQ because like there would have
• 1:14:37
  been like that was a fucked up. Good Fast and Furious movie
• 1:14:39
  should. Yeah, like after somebody dies,
• 1:14:42
  they're like, all right, family barbecue.
• 1:14:44
  And then, like, I think by default, because that's how most
• 1:14:47
  of those movies end. So it's like, we have to wrap it
• 1:14:49
  up here. Like, we can't keep going.
• 1:14:51
  It's a BBQ. It's like the.
• 1:14:52
  Story cannot continue. So that's what would happen.
• 1:14:55
  That's. What would happen?
• 1:14:58
  Where did you relate to? I relate to Eric in that match
• 1:15:03
  with Mortal Kombat. I used to be really fucking good
• 1:15:07
  at Mortal Kombat, OK? I believe you.
• 1:15:11
  That shit was good. Johnny Cage, he was my guy.
• 1:15:15
  I also relate to Eric because my dad was not my biological father
• 1:15:20
  either and he is still the wallpaper on my phone.
• 1:15:22
  Oh yeah. So.
• 1:15:25
  Eric Sad Mixed for everybody. I could I could have gone into
• 1:15:30
  more detail and been sadder. I could have gone into more
• 1:15:33
  detail too and been sad. Talk about Talia ruining my
• 1:15:35
  fucking matches. You told me I didn't mourn that
• 1:15:40
  ranking. OK, Travis has to read the
• 1:15:44
  review because IMDb has decided I'm not allowed to read user
• 1:15:49
  reviews without logging in, but he can.
• 1:15:52
  Either you got a premonition of what's the come with IMDb or
• 1:15:55
  like your phone bugged the fuck out on you.
• 1:15:58
  But yeah, it did not let Jesse look at.
• 1:16:00
  Every time I try I was like, you have to sign it and I was like,
• 1:16:02
  but I don't want to sign it, I just want to read the reviews.
• 1:16:05
  Yeah, I was able to pull one up, so I hope that that's not a new
• 1:16:07
  thing that's common, but I did pull a -1 because I knew we both
• 1:16:11
  liked it. It's a 3 out of 10 titled Love
• 1:16:13
  the franchise but this was mediocre viewed on my birthday.
• 1:16:19
  The Final Destination series has always been one of my
• 1:16:21
  favourites, so I went into Bloodlines anticipating that
• 1:16:24
  same mix of paranoia, tension and clever set pieces.
• 1:16:27
  It's entertaining but it never reaches the ingenuity or novelty
• 1:16:31
  of the early films. What made the first few films
• 1:16:34
  stand out was their precision. The slow burning dread, the
• 1:16:37
  misdirections, the unexpected everyday objects become becoming
• 1:16:41
  instruments of death. Bloodlines tries to emulate the
• 1:16:43
  formula but lacks the craftsmanship and whip.
• 1:16:47
  Most of the setups are too simplistic and the deaths too
• 1:16:49
  rushed, which doesn't allow tension to build.
• 1:16:52
  The characters aren't interesting either.
• 1:16:54
  Earlier entries gave you clear personalities and group dynamics
• 1:16:57
  that made you feel part of their circle.
• 1:16:59
  Bloodlines doesn't invest enough in them for their lives to
• 1:17:03
  matter. Indeed, the mythos behind the
• 1:17:05
  franchise feels recycled and tenuous.
• 1:17:07
  Here it didn't feel or I didn't need to reinvent itself, but it
• 1:17:11
  didn't add anything new. Bloodlines isn't terrible.
• 1:17:14
  It's fun and made with affection for the brand.
• 1:17:16
  Fans might be grateful for Another chapter, but it isn't
• 1:17:19
  memorable, more of a reminder. As a franchise, its entry is
• 1:17:23
  functional, but as a Final Destination film, it's
• 1:17:25
  uninspired. I thought that that was pretty
• 1:17:28
  well put together there. I guess we'll put together, but
• 1:17:31
  I would argue that we do have an idea of like the dynamics and.
• 1:17:36
  It's a family. It's a family like.
• 1:17:38
  I think that's the first time. See how they react?
• 1:17:40
  Yeah. This is the first time it's
• 1:17:42
  actually been a family all tied into this together.
• 1:17:44
  The rest is always strangers coming in together.
• 1:17:47
  Yeah, which that's fresh. We're friends.
• 1:17:51
  We're friends, Yeah, friends, but mostly strangers.
• 1:17:55
  Friends or Co workers? I mean, there's been a mix
• 1:17:58
  throughout it, but we just haven't had this like family.
• 1:18:01
  Yeah, yeah, this is like the most tight knit it's been for a
• 1:18:05
  group of people, for sure. Yeah, it's really hard to like
• 1:18:10
  reinvent this thing. I mean like this person said,
• 1:18:13
  you don't have to reinvent it, but I thought that they injected
• 1:18:15
  enough freshness into it for myself.
• 1:18:17
  That's The thing is that you don't have to reinvent it, but
• 1:18:19
  you also can't regurgitate the same thing that happens over and
• 1:18:22
  over. And that's something that we've
• 1:18:23
  talked about a lot as we've gone through this franchise is that
• 1:18:25
  every movie adds like a little bit of something else to the
• 1:18:29
  mythos of it. And I think that this does does
• 1:18:33
  it as well. It does part of what you do as a
• 1:18:36
  new entry in this franchise and I personally enjoyed it.
• 1:18:39
  I think this one, I mean, I don't know, like is this an like
• 1:18:43
  a like an origin? Like I was saying before, I
• 1:18:45
  think that that would be an interesting word.
• 1:18:47
  It's like providing like potentially the origin to all of
• 1:18:51
  the movies. I'd be annoyed if it was an
• 1:18:52
  origin, sorry. You think so?
• 1:18:53
  I I would absolutely be annoyed. I don't think so.
• 1:18:56
  I know I would be annoyed. You want to think again?
• 1:18:58
  No, because the thing about death is death has always been
• 1:19:02
  death will always be death is there just like we're seeing
• 1:19:07
  like different premonitions. And it would be interesting to
• 1:19:09
  see how the sky view if and how it tied into like the other
• 1:19:14
  movies. But I don't think that this is
• 1:19:17
  the only incident death has ever intervened.
• 1:19:19
  I don't think it's the first time.
• 1:19:20
  I, you know, I don't like that as a concept.
• 1:19:24
  So I think. Are you telling me nobody has
• 1:19:26
  died before the 1960s? No.
• 1:19:29
  Never it. It was a novel at the time.
• 1:19:32
  New. One thing though, I don't think
• 1:19:37
  that this movie, I think this movie has plenty of tense
• 1:19:39
  moments. Like we were talking about the
• 1:19:40
  BBQ with the Shard of glass. Like that was a seed that was
• 1:19:42
  planted. I don't feel like that was
• 1:19:44
  rushed. The only one that I feel was
• 1:19:47
  kind of rushed was the one with jewels, because I felt like they
• 1:19:50
  did. They treated that one more as a
• 1:19:52
  gag than an actual like horror moment.
• 1:19:55
  Yeah, it would have been nice if that had been.
• 1:19:59
  I mean, I know there's a way to do this without it being
• 1:20:01
  somebody that's not in the family, but if it had been
• 1:20:03
  somebody not in the family, it wouldn't have mattered so much
• 1:20:05
  that it was in the background like that.
• 1:20:07
  But Jules literally got pushed in the background.
• 1:20:09
  Yeah, I mean, like, it's funny. Like I, I'll give you credit,
• 1:20:13
  like that was more of a horror comedy moment right there.
• 1:20:15
  But like that, like it that one, they didn't have any of the
• 1:20:19
  tension. They didn't have any of like the
• 1:20:21
  setup or anything like that. She just kind of like spitballed
• 1:20:25
  an idea of what could happen in death was like, sure, I'm like,
• 1:20:28
  here you go, She. Did that work for?
• 1:20:30
  Her. She did, yeah.
• 1:20:32
  And that's like, fine. If you're going to start calling
• 1:20:33
  this shit, I guess I'll start doing it, you know, like, that
• 1:20:37
  was the only one I felt was not. Oh, I guess like, at the end,
• 1:20:41
  it's all kind of sudden too, with all of them.
• 1:20:44
  Like when they get to Iris's house, it kind of like, falls
• 1:20:46
  apart real fast for everybody. Yeah.
• 1:20:48
  That's kind of how all these movies go at the end.
• 1:20:50
  Yeah. OK.
• 1:20:52
  OK, so let's do some listen reviews.
• 1:20:55
  Yay. All right, I got several here,
• 1:20:59
  Cubesafe says. Death continues to be petty
• 1:21:01
  little bitch. That's true.
• 1:21:04
  Yeah. I think like in that moment
• 1:21:06
  right there, like that's like, all right.
• 1:21:07
  Is that what you want to happen? Yeah, I was going to say also, I
• 1:21:10
  think some of those where it's just like, yeah, sure, whatever,
• 1:21:13
  let's do it this way. Maybe death is tired.
• 1:21:16
  It's been chasing down several families.
• 1:21:18
  It's been decades, yeah. It's like, yeah, let's just wrap
• 1:21:21
  this shit. You guys are the last one.
• 1:21:24
  I got to get blood worth after this, but I'll get you guys
• 1:21:27
  first. Let's just get this shit over
• 1:21:29
  with, yeah? Tucker says.
• 1:21:31
  Props. My favorite of the series.
• 1:21:33
  Some fun twist, good characters and great kills. 8 1/2 out of
• 1:21:37
  10. Dang, all right.
• 1:21:39
  Yeah, I think this one has some of the more creative kills for
• 1:21:42
  sure, too. Yeah, like that.
• 1:21:44
  The one in the hospital was really cool.
• 1:21:46
  Michael E Howard says fond Ascension Bloodlines is a blast.
• 1:21:49
  That opening scene is terrifying.
• 1:21:51
  The kills were fun and unique. The last sad lips line from Tony
• 1:21:55
  Todd just brought tears to my eyes.
• 1:21:56
  This is an 8 out of 10 for me. That's such a sweet moment.
• 1:22:00
  Yeah, that's definitely a highlight in the entire series.
• 1:22:04
  All right. And finally, Lord Zombie, who
• 1:22:05
  says say what you want. Best of the series.
• 1:22:08
  The family made a great group for the setup.
• 1:22:10
  Crazy kills, fun fake outs and amazing Tony Todd and his final
• 1:22:14
  scene, If it didn't bring a tear to your eye, you are a robot. 12
• 1:22:18
  out of 10. Damn.
• 1:22:19
  That's our first 12 outs and we've had on this show.
• 1:22:22
  Yeah. Yeah, I mean, it is really sad,
• 1:22:27
  like we always do a little toast to Tony whenever that scene
• 1:22:30
  comes up because you got to you got to toast to Tony.
• 1:22:33
  I agree. This is definitely one of the
• 1:22:34
  stronger ones in the entire series.
• 1:22:37
  It's it's nice that the series isn't losing steam this far into
• 1:22:41
  it, you know? Yeah, a lot of franchises.
• 1:22:43
  The 6th 1 can be where it starts to get a little shaky.
• 1:22:47
  Yeah, but this one, it it just. Actually, you know, I feel like
• 1:22:51
  a lot of franchise, the 6th is kind of good.
• 1:22:53
  Halloween 6. Friday the 13th.
• 1:22:55
  Part 6th. Scream 6.
• 1:22:59
  Halloween 6 is like your personal hot take.
• 1:23:04
  There's so many people who have 6, There's so many.
• 1:23:07
  There's two versions of 6, but really, do you have the
• 1:23:10
  producers cut? Do you have the theatrical cut?
• 1:23:12
  How are both? They're both great.
• 1:23:14
  I it's like double the love right then.
• 1:23:18
  I just don't feel like you can put Halloween 6 and found all
• 1:23:21
  this nation bloodlines and screen 6.
• 1:23:23
  Like you can't put them all in the same Oh.
• 1:23:24
  I'm not saying they're evil. I'm just saying like six, a lot
• 1:23:30
  of franchises still kind of get it right sometimes.
• 1:23:32
  You know, you would think by 6 that it would kind of wear out
• 1:23:35
  its welcome, but no all. Right.
• 1:23:39
  All right, so I guess that does it for this one.
• 1:23:42
  Be on the lookout on our social media to find out what movie
• 1:23:45
  we're doing first for. Prom.
• 1:23:47
  Oh yeah, it's prom month. Next month, yeah, it's going to
• 1:23:51
  be weird with our franchise. It is going.
• 1:23:53
  To be really weird. But you know nothing we haven't.
• 1:23:57
  Yeah, that's true. It's going to be, it's going to
• 1:24:00
  be a good time. I'm just going to go ahead and
• 1:24:01
  tell you guys now and we'll reiterate it next week.
• 1:24:04
  Next week's episode is going to be live.
• 1:24:05
  It's going to be unedited because we're getting on a plane
• 1:24:08
  on Monday, so we're not going to have time to record.
• 1:24:09
  We will not, yeah, we will not be here to do any of that stuff,
• 1:24:13
  yeah. So that's just, that's just
• 1:24:15
  going to be how it's going to be.
• 1:24:16
  That's cool. I'm cool with it.
• 1:24:18
  Yeah, but we're excited about it.
• 1:24:21
  And if you want to stay up to date on our new franchise, where
• 1:24:24
  to watch movies, what our schedule is, you can find us on
• 1:24:27
  Instagram and Threads at least favorite scary movie podcast.
• 1:24:29
  We're on blue sky at leastfavepod.
• 1:24:31
  Our website's What's your least favorite scary movie.com and you
• 1:24:34
  can e-mail us at least favorite scarymovie@gmail.com.
• 1:24:36
  We want to give a shout out to our bubbies on the Patreon.
• 1:24:39
  We have Joe as is his name, Amber, Michael, Tyler, Chad,
• 1:24:42
  Johnny, Jason, and Lord Zombie. Thanks guys for being
• 1:24:46
  supporters. Means a lot to us.
• 1:24:48
  If you're not a supporter, you can go and support us that way
• 1:24:52
  or you can support us in ways that are free, like going to
• 1:24:55
  wherever we have our episodes, whatever podcast player you go
• 1:24:59
  to, rate US, like us, subscribe, follow, whatever it is you do
• 1:25:03
  that benefits us. Sharing episodes and just being
• 1:25:07
  here and chilling with us. We like it.
• 1:25:09
  We like having you guys here and we will see you guys again in
• 1:25:13
  the next month. Yeah, we'll see you at the prom.
• 1:25:16
  All right, see y'all bye. You chugged that.
• 1:25:34
  I'm thirsty. I'm trying not to cough anymore.
• 1:25:37
  OK, OK.