Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Pearling Matter, Part Five and The Lady Was Lethal (PT 4) (EP1147)

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Yours Truly Johnny Dollar: The Pearling Matter, Part Five and The Lady Was Lethal (PT 4) (EP1147) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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is your host, Adam Graham. If you have a comment, email it
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to me Box thirteen at Great Detectives dot net, Follow us on Twitter at
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Radio Detectives, and become one of our friends on Facebook, Facebook dot com
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Slash Radio Detectives. Today's episode is brought to you by the financial support of
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our listeners. Thank you so much for your support. Uh well, we
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have the end of two talk us with detective's name Johnny. First, we'll
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have the conclusion of the Peerling matter, and then we wrap up our Carter
1:07
Brown mystery. The lady was lethal. But here now is the Pierling Matter,
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Part five from Hollywood. It's time now for Johnny Dollar. This is
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Janie Floyd, mister Dollar. Hello. I understand you don't quite believe that
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Genie Peerling is dead. That's about right. I'm really not concerned one way
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or the other what you believe or disbelieve. I do know that I've been
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through quite an ordeal lately, and if you have any plans for interfering or
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bothering me in any way, I'll call the police. All right, I
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hope you understand that I do well. Then goodbye, goodbye tonight and every
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weekday Night Bob Bailey and the Transcribed Adventures of the Man with the Action Packed
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Expense Account America's Fabulous Freelance. Since you're investigator, yours truly Johnny Dollar.
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Expense Accounts of It by Special Investigator Johnny Dollar to Eastern Liability and Trust Company,
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Hartford, Connecticut. The following is an accounting of expended yours. During
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my investigation of the Pearling matter, I wrote to Morton Scottman at Eastern Liability,
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and I explained the circumstances under which I had arrived in New Orleans and
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located Genie Perling. I m closed a death certificate and the medical statement.
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I also reported on the conduct of our ex room mate, Janis Floyd.
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Then I sat down and called Jennis on the phone. Hello, this is
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Johnny Dollar, Miss Floyd. I think it's time we had a talk.
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Nothing to discuss, I think we have what how you are being taken by
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a couple of people. Look, don't hang up on me, miss Floyd.
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I came down here to find Jean Perling. I'm with an insurance company.
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It was my job to check on a story her father told. Finding
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out was part of it. Let me come over and talk to you.
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I'll be home tonight. The apartment was six blocks from the hotel. I
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walked it for a reason. All kinds of people have followed me one time
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or another, and I've followed all kinds of people. But the man who
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followed me off and on in New Orleans, the big blonde man with a
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thirty eight, knew what he was doing. He was a professional. I
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made up my mind about that the first time I saw him, and I
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thought I was ready for him, but I wasn't. He waited until the
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street lights got dim and no one was in sight. Oh, I vaguely
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remember that he caught me under the arms and laid me gently down on the
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street. That was all easy, buddy, Ease it. You've been making
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too much. Whoop it, Oh, folks, visit down. You ought
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to be more careful. Eat your suit all daddy. I wouldn't have found
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you, but my cab conked out right here. Oh my head. At
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the sight of my head, you must fall in hard. You had enough
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for the night that you want to keep going. I've had plenty, yes,
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sir, I'll call it doctor. Oh, no, help me,
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I'll be all right. Up. Is it? Thanks? What time is
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it? Eh? Almost midnight? Two hours? Where you want to go?
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Erescelling Street, gid in Gideon expense account out of sixteen ten dollars to
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one good Samaritan cab driver who picked me up and dropped me at Jenie Floyd's
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apartment. I was still weaving on my feet when I tapped on the door.
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Mister Dollar, you've been hurt. Come in. I'm all right packing.
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Yes, I've decided to leave town tonight. As a matter of fact,
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I thought it'd be something like that. Did a big fellow blonde man
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have anything to do with your decision to leave? That's none of your business.
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Let me tell you my business, miss Floyd. I came down here
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to see Jane Peerling. You saw she is dead? Yes, I saw
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dead. Yesterday. I mailed a copy of her death certificate to New York.
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Well, then, what else? What other business? The man who
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came here yesterday and reported to you, The man who told you I'd left
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town and you could breathe easier again, The same man who called you later
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and told you I was still around, still asking questions. He's my business.
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He followed me on my way here tonight. He slugged me. I
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don't believe you're telling me the truth. What's his name? Any idea why
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he carries a gun? Carries a gun? You're making all this up?
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Why would I I've got what I came for, or practically what I came
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for, legal proof of the whereabouts of one Jeen Parling. If I'll hit
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you, he was trying to protect me. I listen to me. I
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think I have pretty much of an unhan. Now you tell me if I'm
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wrong. First off, you're not any Janis Floyd. I'd guess that Janis
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Floyd was the girl who died of leukemia. I've got her picture in my
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wallet. It was given to me by David, who said it was his
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daughter. This is all crazy. You go in that. Listen, I
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can have that body exhumed. I don't want to do it, but I
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will if I have to do. You want me to do that? All
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right? I'm Jean Pearling, and that was the Floyd girl who died.
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Yes, she was sick and well. I knew my father had detectives looking
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for me. I just never wanted to see him again or go home again.
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It seemed if poor Janice were dying and she had no one, if
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she somehow had my name, well I'd never be bothered with my family again.
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That was a pretty idea, Was it yours? Alan? I thought
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of it now, albrid a blonde guy. Okay, how do you work
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it? He saw to it that Janie had my name. I know it
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was against the law, but she had no one, and if she was
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buried with my name, then I'd be free of my family. Oh.
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I took some managing. They hate me, they always have. I want
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my own life. I don't blame me title to it. Are you sure
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that's what you're getting. I'm going to marry Elle no matter what. If
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you go back and tell them, well, that'll be that if you let
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me stay dead. I can't let that happen. Why not? Why not?
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Mister Dollar? What harm would it do? Let your father make a
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fool out of you? I don't understand you're worth one hundred thousand dollars.
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What cold, hard cash and irrevocable trust was set up on you when you
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were born comes to you when you're twenty five. That'll be next month.
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I don't care about the money. I wait a minute, and the event
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you should die before your twenty fifth birthday, the money would revert to your
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nearest of kin, my father, your father, but I'm dead on paper.
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Then l else somebody paid him, probably your father, to make love
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to you. Oh get dollar. Wait. I told you this man man
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nothing but probably he knows all about it. He can't prove it. I
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get out of here. You now here's honey. I know about you.
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Honey. Yeah, I don't know what to say. Go just go,
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please, he went. He looked at both of us as he went out
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the door. It was sort of a whip look away. A puppy stares
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at you when you've caught him chewing on a slipper. I said a while
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a Jean perling. She didn't say much. It wasn't what she could say.
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I told her I didn't think there was any reason for her to go
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back to New York unless she wanted to. She said she didn't want to
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go, didn't know what to do at the moment, and well we left
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it at that. I went back to my hotel and tried to get some
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sleep. About six o'clock in the morning, I got up, bay shaved
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and packed by seven point thirty. I had breakfast and was just about to
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check out. Hello, hello, Brett, leave me, that's right,
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I like to talk first. Sure, okay, you messed it up fine
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for her and me. I tried to call her this morning and she hung
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up on me. Went over there, she wouldn't let me in. I
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don't blame her to you, I guess I don't. I decided to leave
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town. Yeah, maybe that's better. I don't know whether it is or
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not. You make it hard for a guy to talk. All right,
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now, look at it my way. This whole thing's been rotten. I
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met her father, and I know what kind he is. I know what
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he's done to her, what he'll do to her if she goes back.
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And then there's you, Brett, the hired man. You went in and
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made love to her for a salary. I didn't like it having to tell
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her that, and I must hurt. It must hurt pretty bad. So
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you see, I'm not too interested in what you might have to say or
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what you're going to do. Wait, you're right reading me out this way.
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I deserve it. The old man found out where she was four months
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ago. I found out for him. I knew the girl she was living
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with had leukemia. I planned the whole switch. I put it to her
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the way she explained it, about being dead to keep away from her old
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man. Of course you didn't mention that hundred thousand he could get his hands
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on once she was dead. Oh, I didn't. But something funny happened
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to me. Dollar. I mean, I've done my share of dirty jobs.
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I've seen a lot of the human race. Taken a salary to make
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a sucker out of her didn't bother me at all, not at first,
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And then I found out when she touched my face, I lived for that
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touch. And when I held her, she lived for me. I never
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thought that had happened to me, but it did. If you see her
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again, dolla tell her. I was trying to stop it, I mean,
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all this part, but it was too late. Funny how things turn
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out. Yeah, funny. Expense account. I adam seventeen forty two dollars
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and thirteen cents hotel on board building. I'm eighteen one hundred and one dollars
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even airplane take it back to Hartford. I had a nineteen one dollar cabfare.
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I stopped by her apartment on my way to the airport. Oh,
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I thought you'd left, mister dollar. Wow, I came to say goodbye.
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How's it going today? All right? I have some brand? No,
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no thanks, Jean, Yes, you're going to New York. No,
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I'll stay here a while. I don't want to see my father or
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mother. How about al Britt? He wants to see you. Let's not
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talk about him, shall we? Do you think I'm a nice school?
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Do you think my one hundred thousand dollars will attract a lot of nice,
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eligible young men to me? Do you think i'll stop it? You'll burn
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your brakes? Oh? No, I knew what it is. I know
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why he did it, but I love him. He did his job too
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well. Yeah, he could tell you what he started out to do and
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what happened to him with you. He could tell you if you let him.
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He told you. Yeah, what kind of a trick is it?
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No, trick, couldn't be. The guy's too mixed up. Tell you
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what he'll try again when he calls up next time? Talk to him?
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Why should I? Because you may not have a mother and father or anyone
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else, but you do have him, and you will have him as long
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as he lives. If you want him, and that's what you've been looking
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for all your life, someone to have. I'd take him if I were
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you had him. Twenty ten dollars miscellaneous, Total expense accounts seven hundred and
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fourteen dollars thirty five cents. Remarks none report she took him. They were
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married in Tampa. This morning, Yours truly, Johnny Dollar. Now here's
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our star to tell you about next week's intriguing story. Next week, a
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lonely girl, a fine young man, a gentle father, and one of
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them is a killer. Join us, won't you? Yours Truly? Johnny
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Doller. Yours Truly Johnny Dollar is starring Bob Bailey, is transcribed in Hollywood.
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Written by John Dawson. It is produced and directed by Jack Johnstone.
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Heard in this week's cast or Mary Jane Croft, forrest Leewe, Jeanette Nolan,
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Russell Thorson, Michael An, Barrett, Jack Bertruzzie, Barbara Fuller,
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Herbert Ellis, and Marvin Miller. Musical supervision by Amigo Marino and Carl Fortina.
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Be sure to join us on Monday night, same time and station for
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another exciting story of Yours Truly, Johnny Dollar. Roy Rowan speaking welcome back.
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This is an interesting episode because it was taken actually from one of the
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very first Jeff for Reading episodes, The Prodigal Daughter, which was our one
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hundred and second episode here, and the general plot of finding the rich man's
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daughter and him having a ulterior motive was the same. But the number of
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changes that were made here is fascinating because the results the overall story as well
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as the result of the plot was a lot rougher in keeping with a lot
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of the late nineteen forties hard boiled top stories. Here we get a very
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different take on this tale, and I think it shows by this point in
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Johnny Dollar's series, the show has been going since for about nine months,
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and it's really developed kind of its own, and so I think that whereas
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other adaptations were pretty straightforward, they would take a show that had been done
17:08
before and they would stretch it out, they would add in some elements,
17:12
but you'd have basically the same script. But at this point, the style
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of the Bob Bailey Johnny Dollar has been established, so you're not going to
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just have a straight adaptation. What we get here is a story with a
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lot more tenderness in its conclusion and I think again speaks to the type of
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character that Bob Bailey's Johnny Dollar was. All right, well, it's time
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now for Carter Brown, and here now is the Lady was Lethal? Part
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four Arthur Brown Mystery Adventures in Excitement and Suspense, based on the best selling
18:04
novels by the slick storytelling sensation Carter Brown. The light had broken. The
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motive for the murder of my partner, Hank Williams was clear contained in the
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notebook he'd sent his sister, and which now lay on the desk between us
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in my office. I stared at the notebook, and my thoughts turned to
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the past, to when Hank Williams and Johnny Eaton were a team, a
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first rate private detective team, and now there was only Eton left. Well,
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they were going to pay for it. What are you planned to do,
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Johnny Wilson? And you'll find out who are you calling? The blues
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club? This is where the hook gets baited. A club. I want
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to talk to mister Laban, tell him Johnny Eaton, he'll talk to me.
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Hold On, Lavan, you're a late colin to tell me you've change
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your mind. Seamus the twenty four hours and gave us over. That's not
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what I'm calling for, Lavan. So just to tell you that I've definitely
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got the goods you want, all done up in a neat little book.
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Forty thousand is the firm price you've got to tomorrow morning. Otherwise it goes
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to Washington and they can sort it out on a federal level. So make
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up your mind fast, won't you? Goodbye? Lavin? Oh, Johnny,
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is that smart? They'll be after your blood and I'm after this.
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Where do we go from here to my apartment? I feel safer when we're
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both there. The only way in is through the front door. The windows
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look out on a sheer drop of seven floors, and the fire people are
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always complaining because we've got no fire escapes. So long as we watch the
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door wear sat. Once we got to the apartment, Helen head into the
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kitchen to wrestle up coffee. I said about a little work. I found
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a piece of oil silk, carefully wrapped the notebook and my gun in it,
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and tied a piece of wire around it. I went downstairs to my
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car, took off the petrol filler cap, and carefully slid the package into
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the petrol tank, attaching the wire to the school thread on the cap.
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It was as good a hiding place as I could think of. Johnny that
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it's me, honey, Coffee's ready. Here you are? Hey, thanks,
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honey. See what have you done to yourself? Certainly nothing? Why?
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I don't know? You look at different girl. Somehow I'm the same
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girl. Only now you're beginning to notice me. Johnny, Okay, I'll
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go. Oh is it me Jordansen on the mounto of the Eil Nothing?
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Come on, lieutenant, Hey, Lieutenant Jorgenson, form a cup of coffee.
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Let's go in the living room. Lieutenant Okay, but I haven't got
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time for coffee, you know. Helen Williams, Lieutenant Hello, Lieutenant,
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Hello, this Williams. Sure you want to have coffee? No? Thanks?
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You don't happy slows? What's your trouble? You know a name called
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Chili, real name Elsie Copenheimen. I know Chili. I never met Elsie.
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You never will? Now? Someone shut her about an hour back?
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Three times? That's tough. But why tell me? Because they're gonna take
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you in, Johnny, Captain's artist, take me in for what be held
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as a material witness. You're kidding, Jurgenson. No, this is on
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the level. Captain wants to talk to you. We'll see about that.
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I'm calling my lawyer. No, Johnny, why they artillery, Jorgenson?
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The captain wants to talk to you without any lawyers. You carrying a gun?
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If you are, you better let me have it. I'm not healed.
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Okay, let's go. It won't be long. Remember what I told
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you about the door, All right, Johnny, come on, come on,
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let's move. Things must be getting tough in the police department. Lieutenant.
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Why can't afford any squad cars to make a pinch? Just you in
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an ordinary auto? No other cops. The captain once had done the quiet
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way. Hey, this isn't the road to the precinct. The Captain's over
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twenty third. Oh that's the idea. What are you stopping for the book,
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Johnny? I wanted Oh because one of the names in it is yours,
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jugging, because one of the names in it is mine. I've been
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fifteen years on the force, Johnny, I'm not letting anybody take that away
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from me. Well, what do you know a crooked cop worrying about his
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good name? You got, Johnny? You can give me the book.
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I'll burn it and forget we ever talked about it all. You can stay
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clammed up and I'll turn you over to the others. I don't know what
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you're talking about. Okay, I gave you a chance. Now I'm going
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to give you something else. Oh I'm glad. I wouldn't want that suck
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you gave him to kill him talking, so I just tapped it you.
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He's conscious. Yeah, I'm conscious, and I wish I would Looking at
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a prize collection of rats is not my idea of entertainment wealth, the lathing
23:41
babyface and joggans and what a quartet? All right, eten, you said
23:44
your piece. Now there's only one thing for you to add whereabouts of the
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book. He's definitely got it because he knew my name was in it.
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Why that dumb dame ever had to keep a book. She had to keep
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one, or everyone else would have thought she was sure changing us. Where
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Chili was dumb was that you could resist a good looking guy. So when
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Williams came along and made like he knew everything, she started confiding in him.
24:07
After him eating, That's why she got dangerous. I hope he plays
24:11
it tough. I'll enjoy breaking him down. I think all there getting along
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when you get that book? Burn the thing? What do you think we're
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going to do? Frame it? Okay, I'll beat him then, So
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long, Lieutenant, don't forget to polish the bad all right, now,
24:26
eating you can make things easy for yourself. Tell us where the book is.
24:30
Go fry a couple of dozen eggs. Okay, babyface, go get
24:36
the surprise we have for mister Eaton. Sure think you'll like this, seamous
24:41
sun. You got company, see Helen, they came, Johnny, they
24:47
grabbed me. But don't worry. I can't tell him where the book is
24:48
because you never told me where you're hit it. But you're going to tell
24:52
us where Eaten? Otherwise we start on Miss Woodiam. Don't tell him,
24:56
Johnny. It doesn't matter about me, But don't tell them. Don't make
24:59
the mistake you can thinking we're bluffing about working the girl over Eaton. We're
25:03
not. You know how much that book means? Yeah, okay, I'll
25:08
give it to Where is it? You wouldn't find it yourself. I had
25:12
to come with you. Where to my apartment? It's not in your apartment.
25:15
We look, that's right that my car is outside the apartment and that's
25:22
where it is. What are you fiddling with a petrol cap for? Because
25:33
that's where it is in the tank. Wha aren't you be ingenious? Boy?
25:37
What are you doing trying to get it out next to these tanks?
25:42
Narrow? Come on, hurry it up. If you want it, you'll
25:47
have to let me get it out. Okay, there it is, give
25:52
it to me. Well, that's on the right hands of the west.
25:59
Let's go back to my car. You got it right here. You've got
26:07
to burn it, now, burn it. Don't be a dope to any
26:11
but Jugerson said, your organs and that dumb cup where this book is the
26:15
best insurance we've got. If any of them feel like getting difficult, all
26:19
we've got to do is remind them of the pages in here. Yeah,
26:23
I didn't think of that. Now I'm going back to the club. That's
26:27
what you think. That's right? That help? Okay, sweetheard you can
26:38
get up off the car floor. Now, I think Johnny, you shot
26:44
both of them, and not that long. How I had the advantage of
26:45
surprise plus the thirty eight. They didn't think I had it. I didn't
26:49
think you had it either. Where did you get it from? Out of
26:52
my petrol tank. I got it out while I was bending over for the
26:56
book. And that's the finest fuel my tank's ever held. Yeah, okay,
27:08
Dick, Yeah sure, yeah, I got the book. I'll hold
27:12
it till you and your boys get here. See you. Everything's all right,
27:17
John, wouldn't be better. It was a part of mine in the
27:18
FBI. They'll be here in the morning to handle the whole thing. I
27:22
had have thought you take a holiday and not come to the office today.
27:25
Oh, I'm expecting a client. I called him. He should be here
27:27
now I'm here. He is right on. Que let him in Helen.
27:32
All right, mister Eaton asked me to come here this morning. In here,
27:37
mister Stokes, I hope you have good news for me, mister Eaton.
27:41
While I've had some success, I found what Hank Williams had. That's
27:48
first street work, mister Eaton. Oh what is it? A little book
27:51
full of names people connected with the Blues Club and its activity. Splendid,
27:55
splendid. Well. I don't wish to appear rude, but tie may be
28:00
vital. If you let me have that book, I'll start some action.
28:03
I won't keep you long, mister Stokes. You know I've been thinking a
28:07
lot about Hank. Who he was. We felt especially about crime and criminals.
28:11
He hated them. He was a kind of crusader in his own way,
28:15
an honest crusader. Yes, I'm sure he was. Hank was so
28:18
honest that he'd never forget to note down a client in my absence. But
28:23
what do you know, mister Stokes. I couldn't find a word about you.
28:29
I don't slute Chili now chilled for good. She was subtle and she
28:33
wanted to be. She told me the idea that Hank had a clant,
28:37
then provided the clan. She sent you along, Stokes, all cut and
28:41
dry, so that if I did find a little book, I'd probably turn
28:45
it straight over to you and save everyone a lot of butter. Confound you.
28:52
I'm not going to stop you going, Stokes, because the FBI boys
28:56
are on the job and you won't get for confound you. Well. That
29:02
clan didn't stay long, did he, No, honey, and we're not
29:04
staying any longer either. Shut up the office with through tomorrow morning. I
29:07
handle with a book to the FBI, and then I started concent treading on
29:11
my next assignment. And what is your next assignment. You baby you,
29:30
This is Cardi Brown. I can't help it. I always like it when
29:33
the hero wins, which is why my heroes mostly do. But the hero
29:37
of my next book, Sinner You Slay Me, finds a lot of complications
29:41
to cope with before he does. It's the story of a mouse meeting murder,
29:44
and the mouse is my hero, Marcus Mouse. He's one character whose
29:48
answer to the question are you a man or a mouse? Is both?
29:52
So this is Carter Brown saying, so long for now be seeing it In
30:15
the Lady was Lethal, You had our star James Condon as Johnny Eaton.
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Carter Brown. Mystery theater, based on the best selling novels by Carter Brown,
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is dramatized and directed by Marris Trevis for Grace Gibson Radio Productions. Welcome
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back. When I think about this particular episode, what really comes to mind
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is that this was probably the fundamentally most sound and well done conclusion to one
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of these cases. We look over the past episodes, we usually have cliffhangers
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that vast depart from tradition, with some mixed results. We've had testimony before
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crime commissions. We've had our detective hero pausing the death of a foreign head
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of state and being congratulated by the State Department. We've had a hero trapped
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in a car and forcing it into a wreck. We've had a mad cap
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robbery gone wrong, and then we had a somewhat boring televised solution. This
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one's just a basic, well done detective story conclusion, and after what we've
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heard in the previous six stories, I definitely welcome this somewhat more normal conclusion,
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though some of the others were fun in their own right. All right,
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well, that will do it for today. Join us back here on
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Monday for another episode of Yours Truly, Johnny Dollar, and then on Friday
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we kick off the last of these four part Carter Brown serials. I hope
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you'll be with us for that, and then once we're down done with Carter
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Brown, we'll begin a series called Manhunts on Friday and coming up tomorrow,
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it's the lineup. In the meantime, send your comments to Box thirteen at
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Great Detectors dot net, follow us on Twitter at a Radio Detectors, and
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become one of our friends on Facebook, Facebook dot com. Slash Radio Detectors
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from Boise, Idaho. This is your host Adam Graham sign and off.