Latest / Inside Quotes / 149. Mary Poppins (1964)

Transcript

149. Mary Poppins (1964) · Inside Quotes

• 0:07
  Hello and welcome back to Inside Quotes,
• 0:09
  the show where my brother and I rewatch,
• 0:10
  review, and relive the staples of our childhood.
• 0:13
  This is episode one hundred and forty nine,
• 0:16
  and I am your host Jeremy, and with me today is my older brother Jonathan.
• 0:21
  Jonathan, welcome back to the show.
• 0:23
  Quack, quack, everybody. It's great to be back here on Inside Quotes.
• 0:27
  Jeremy, thanks for welcoming me back to the show.
• 0:30
  Jonathan, what is this? Do you feel that?
• 0:35
  What is it?
• 0:35
  What is it the
• 0:36
  winds in the east. There's a mist coming in.
• 0:40
  I don't have the mist, but I do have a portable fan.
• 0:44
  Is the wind changing?
• 0:45
  Yeah. Wait and now it's changed.
• 0:52
  Literally so easy. Okay, that was a stupid bit.
• 0:55
  But here we are.
• 0:56
  Mm-hmm.
• 0:57
  Chim Chimini, Jonathan. That's not a greeting.
• 1:00
  That's like that's like your British
• 1:00
  That i it could be. Quack quack.
• 1:02
  Chim Chiminy.
• 1:03
  alternate universe, Jonathan.
• 1:09
  If I'm gonna go with a a British alternate universe,
• 1:11
  I'd rather go with like a good a good Paddington accent.
• 1:14
  Ver I would
• 1:15
  You would. Yeah, I th I feel like you would do that.
• 1:17
  like to be a very polite bear.
• 1:19
  Yeah.
• 1:21
  Not a a cockney Dick Van Dyke.
• 1:23
  I just don't think I can do that accent.
• 1:23
  A hush stare
• 1:26
  I've done that accent before in
• 1:26
  Mm-hmm.
• 1:28
  a musical and it was not very fun because I couldn't shake it for a long time.
• 1:33
  Mm-hmm.
• 1:34
  I was Matilda's dad in Matilda the musical and that was very fun.
• 1:41
  It was.
• 1:42
  And I wonder, Jonathan.
• 1:45
  I don't know.
• 1:49
  gonna turn that into a segue, but I forgot that you had questions for me.
• 1:52
  Whoops.
• 1:57
  Well, Jeremy, that does remind me.
• 1:59
  You were recently in a musical.
• 2:02
  I was.
• 2:02
  You you followed
• 2:03
  up your role in Fiddler on the Roof and Matilda and you're back
• 2:06
  Yeah.
• 2:06
  for your third ~ leading I don't know,
• 2:10
  actors debut in a in a new musical.
• 2:12
  My third debut ever. It was kind of like a coming out of retirement type thing.
• 2:13
  What what is the the wording for something like that?
• 2:18
  Yeah,
• 2:20
  yeah, yeah.
• 2:20
  Because yeah, yeah, yeah. I started doing it like four years ago.
• 2:26
  Then I did it the next year and then I got married and then I had
• 2:32
  a job in Nashville. And it just life just got in the way.
• 2:35
  And ~ this year I was like,
• 2:39
  I should do it again.
• 2:42
  And turns out they were doing Mary Poppins the musical.
• 2:45
  And I auditioned for it.
• 2:47
  And I have the proof right here.
• 2:48
  I've got the musical program. Mary Poppins.
• 2:49
  Whoa I have a poster that I stole.
• 2:53
  Jeremy's is in color. We we'll use his as the prop.
• 2:55
  Yeah. I also
• 3:00
  have a lot of props that I took.
• 3:02
  So
• 3:03
  Yeah.
• 3:03
  basically, I did I bombed my audition.
• 3:08
  I just wanna say l I guess we're just gonna talk about this.
• 3:10
  I pretty much bombed my audition because I didn't know the words and
• 3:16
  my whole family was trying to convince me to to try out for Bert and I was like,
• 3:21
  Okay, I guess. I don't really feel like I want that role as much.
• 3:25
  ~ I did not know the words.
• 3:29
  And then I got a reading for George Banks,
• 3:32
  which is the dad.
• 3:35
  Mm-hmm.
• 3:37
  and I did well enough in that to the where they asked
• 3:43
  me for a callback. However, I bombed the callback because one,
• 3:49
  I lost my voice completely. I guess I was sick.
• 3:51
  yeah.
• 3:52
  And then I also
• 3:55
  ~ my Google Drive link did not work.
• 3:58
  I didn't give the right permissions until late in the night.
• 4:01
  So I did not get that role. ~ so I got the role of the chairman.
• 4:06
  But you might see me in this schnazzy suit here,
• 4:10
  and you did see the show, and you might be confused,
• 4:13
  Jonathan. ~ I thought you got the role of George.
• 4:15
  Well, I got the understudy of George,
• 4:18
  and it turns out
• 4:20
  I ended up needing to be George because the guy that was playing him had
• 4:25
  to back out due to ~ family obligations and stuff like that.
• 4:31
  So ~ but which I was k I was I was sad for,
• 4:36
  but I was slightly excited 'cause I really liked that character a lot.
• 4:39
  ~ however, I was very stressed out because I
• 4:45
  had half the time everyone else did to memorize their lines.
• 4:51
  and so yeah. I played George Banks,
• 4:54
  which is why you've got some unconsistent inconsistent ~ uploads from
• 5:01
  us here at Inside Quotes.
• 5:03
  Had to take a little time off.
• 5:04
  Especially when you lost your voice too,
• 5:06
  you know, from all that rehearsing.
• 5:07
  Yeah. Yeah. But that is f I feel like this was our most
• 5:08
  But yeah, the program here, it says Jeremy Jones,
• 5:13
  George Banks.
• 5:14
  It was a great time. I've so basically I'm an expert on the story
• 5:18
  of this show 'cause I've been breathing it for three months now.
• 5:27
  All that time during Toy Story,
• 5:28
  I've
• 5:29
  Mm-hmm.
• 5:29
  been thinking Mary Pop.
• 5:31
  Yeah. So we knew we had to cover this movie eventually on the show,
• 5:35
  Yeah.
• 5:36
  once we got through all the Toy Story and spin offs and all that.
• 5:39
  wait, hold up.
• 5:41
  I have a bowler hat but it doesn't fit over my
• 5:44
  Your headphones.
• 5:45
  Yeah Shoot, I did not think that through.
• 5:49
  All right. Well
• 5:51
  Just hats off to you, you know.
• 5:52
  This is the genuine bowler hat from the show that I was allowed to take away.
• 5:57
  ~ okay.
• 5:58
  So Jonathan, enough talk about the musical of Mary Poppins.
• 6:02
  I'm sure we'll keep talking about it later on,
• 6:04
  Mm-hmm.
• 6:04
  but
• 6:04
  ~ you just got back from Disney Disney World.
• 6:10
  So
• 6:10
  Yeah, that is true. Mm-hmm.
• 6:14
  ~ You got the screen canister
• 6:17
  Yeah,
• 6:17
  from Monsters Inc., a little water bottle for from while
• 6:19
  That is so cool.
• 6:20
  I'm ~ podcasting and I'm a bit parched.
• 6:24
  Bro, that is awesome.
• 6:26
  It's got a little button here that if I lock unlock it,
• 6:30
  it's gonna release some screams here.
• 6:32
  You ready?
• 6:33
  Yeah.
• 6:36
  Pretty cool, huh?
• 6:37
  That is really cool.
• 6:40
  I kept seeing it at the gift shop and I was like,
• 6:42
  I wanna get it, but I don't wanna pay that.
• 6:44
  It's insanely w how much was it,
• 6:45
  But it
• 6:47
  to be honest?
• 6:48
  was like thirty six dollars.
• 6:50
  I'd pay that much for that.
• 6:51
  But it was I felt like it was worth it.
• 6:53
  Being the Pixar fans that we are.
• 6:54
  I once
• 6:56
  Yeah. Monsters Inc., that's such a classic.
• 6:59
  You scream for drinks.
• 7:03
  Also, I've got something French for Jeremy here in this bag,
• 7:07
  but I will not reveal it on this podcast.
• 7:08
  Y something French
• 7:09
  Yeah.
• 7:10
  Okay.
• 7:13
  So he'll he can reveal that later on his own time,
• 7:15
  but we'll see.
• 7:19
  No, I'm very curious now. Hmm.
• 7:22
  I've just got a lot of props this episode because I've also got some hot tea here.
• 7:25
  Okay.
• 7:27
  And this is a a Guardians of the Galaxy mug from the ride at Epcot.
• 7:29
  ~ okay.
• 7:31
  I didn't get it this trip. Kelsey already had this,
• 7:33
  but I will
• 7:33
  Right, right, right.
• 7:34
  say I rode this over this past week and it was probably my favorite ride from
• 7:40
  the from the trip. I thought
• 7:41
  Really? Okay.
• 7:42
  it was pretty cool. The Guardians of the Galaxy Cosmic Rewind.
• 7:45
  Okay. I I have not been on that yet.
• 7:51
  I unfortunately have not been to Disney in a good while.
• 7:54
  It had been let me tell you what.
• 7:56
  What? No.
• 7:59
  ~ the last
• 7:59
  Yeah.
• 8:00
  time I was at like Magic Kingdom was like nineteen ninety eight.
• 8:04
  Like you were one years old and don't remember.
• 8:06
  But
• 8:06
  Yeah. Okay, well I've been there before since then.
• 8:11
  but ~ I we did all the parks with Kelsey's family,
• 8:14
  so ~ at just over like a few days we did the park hoppers thing,
• 8:19
  so that was it was a pretty cool trip.
• 8:21
  But I will say I got a lot of GoPro footage for some upcoming
• 8:25
  yeah?
• 8:26
  episodes of Inside Quotes. So just a little tease of some movies that
• 8:30
  are coming down the pipeline. ~ I did a lot of got a lot of B roll.
• 8:34
  So it's gonna be
• 8:35
  Okay.
• 8:36
  it's gonna be good.
• 8:37
  B roll, aka home movies.
• 8:39
  Yeah, mm-hmm.
• 8:40
  We love some home movies. One
• 8:42
  Mm-hmm.
• 8:42
  of my favorite ~ home movies is us at Disney.
• 8:45
  I don't remember it, so I lived vicariously with
• 8:49
  Yeah.
• 8:49
  my older brothers through the ~ home movies.
• 8:53
  That's just why I love
• 8:54
  Mm-hmm.
• 8:54
  them so much. But I have a memory of dad wearing the Safari hat,
• 8:59
  like for his mail hat, because he was a mailman.
• 8:59
  Yeah. Mm-hmm.
• 9:01
  A mailman?
• 9:03
  Milman?
• 9:05
  And yeah. I just fit.
• 9:09
  Yeah, I rewatched some of those videos,
• 9:11
  you know, leading up to the trip just to kinda remember that those times.
• 9:16
  But we also have a lot of stuff from ~ Fort Wilderness 'cause we went there with
• 9:20
  scouts a lot. So that that was
• 9:21
  Dude, Fort Wilderness is underrated.
• 9:24
  that's probably most of our Disney experience was at Fort Wilderness growing up.
• 9:27
  Well, being both theme park fanatics and ex theme park workers,
• 9:34
  employees, at the one and only most underrated theme park of all time,
• 9:39
  Hon honorably discharged, I will say.
• 9:40
  honorably discharged. Okay.
• 9:41
  Yeah.
• 9:43
  Yeah, yeah, yeah.
• 9:46
  From Busch Gardens, Tampa Bay.
• 9:48
  Mm-hmm.
• 9:52
  I don't know where I was going with that.
• 9:55
  I don't know.
• 9:55
  ~
• 9:56
  used to get into Disney for free because I would swap out under
• 10:00
  the table my tickets. I would get people into Busch Gardens and they would get me
• 10:03
  Mm. Yeah.
• 10:04
  into Disney. And it's n some people say that's not a fair trade,
• 10:08
  but hey. Giving people a little bit of charity anyways,
• 10:13
  you know, 'cause Busch Gardens is so much better.
• 10:16
  Mm-hmm.
• 10:18
  Mm.
• 10:19
  So
• 10:19
  Yeah, pretty nostalgic for that place.
• 10:22
  Pretty great. But we're not talking about that.
• 10:25
  Talking Mary Poppins. Jeremy, do you have any
• 10:26
  We are talking about Mary Bobbins.
• 10:28
  fun facts and history behind the scenes for this movie?
• 10:31
  shoot.
• 10:32
  Jonathan, I have a lot of fun facts and history about this movie.
• 10:35
  This
• 10:35
  Okay.
• 10:35
  movie came out in nineteen sixty four,
• 10:37
  which was exactly sixty two years ago.
• 10:40
  Which Jonathan, this might is this our oldest movie we've covered so far?
• 10:44
  It is, yeah.
• 10:45
  It is a what was what's the next Defender?
• 10:47
  ~ Fiddler, okay.
• 10:48
  Probably Fiddler on the roof, I think.
• 10:51
  And then like Muppet movie, right?
• 10:53
  Muppet
• 10:53
  movie, those were seventies, but I don't think we've covered anything from
• 10:56
  Nothing from the sixties, okay.
• 10:57
  the sixties. So unlocked a new decade.
• 10:58
  Well
• 11:02
  who thought the sixties would be such a staply category?
• 11:06
  I didn't. Well, that's cool.
• 11:09
  We got a new record, new milestone here in Inside Quotes.
• 11:12
  Maybe next week we'll ~ unlock the eighteen nineties and watch that train coming
• 11:18
  towards this camera or the horse moving.
• 11:23
  Yeah, stay tuned for our three hour deep dive analysis on that.
• 11:28
  Frame by frame ~
• 11:32
  anyway, so this movie was written or not written.
• 11:35
  ~ this was directed by ~ Robert Stevenson
• 11:40
  ~ it is rated G.
• 11:44
  For gall audiences.
• 11:49
  That was stupid. And the tagline is it's super califragilistic expialidocious.
• 11:54
  Which fun fact, that's in the Webster dictionary now because of this movie.
• 11:59
  Isn't that crazy?
• 12:00
  That is cool.
• 12:02
  And it says it refers to the movie,
• 12:05
  but ~ yeah. Anyways.
• 12:06
  You know what
• 12:07
  was a a formative book of my childhood?
• 12:10
  Willy Wonka, Charlie and Chaga Factory.
• 12:13
  ~ I guess it was, but another one was
• 12:16
  Was it Genesis
• 12:17
  or Exodus? The Bible?
• 12:19
  y I mean
• 12:20
  yeah, that was very formative to my yeah,
• 12:22
  Yeah. Okay. The Boy Scout Handbook.
• 12:23
  I would say so. Old Old and New Testament,
• 12:26
  I would say.
• 12:29
  And the boys okay, you you you're really hitting them all out of the park right now.
• 12:32
  Ha ha ha.
• 12:34
  You're you're not yes anding me right now,
• 12:35
  but that's okay. the book is is
• 12:36
  ~ I'm no butting you. Hey Jonathan,
• 12:40
  what book is it you're talking about?
• 12:42
  the Webster Dictionary, of course.
• 12:44
  No.
• 12:45
  Yeah.
• 12:45
  that was a a formative book of our dad's adulthood.
• 12:49
  He would just pull out the dictionary sometime and look up a word.
• 12:51
  Yeah, he would. Work on
• 12:53
  his semantics.
• 12:56
  Okay. The book was Friendle. Did you ever read that book?
• 12:59
  It was I know.
• 12:59
  Jonathan, that's a d U core book.
• 13:02
  I never
• 13:02
  I
• 13:03
  got to read that one because I respected your your own bubble.
• 13:07
  It it was about the the kid in school who like made up a new word for
• 13:11
  a pen and called it a friendle and then he faced
• 13:14
  Ha ha
• 13:14
  all this opposition from his like teacher about how that's dumb and that's
• 13:19
  not a real word. And at the end of the story,
• 13:23
  like th they actually get the word in the dictionary and he he
• 13:27
  Really? That's so funny.
• 13:27
  has a conversation with his teacher 'cause he challenged
• 13:31
  the status quo.
• 13:33
  Wow, what a brave soul. I kinda wanna read that though.
• 13:37
  Yeah.
• 13:37
  Hold
• 13:37
  up. Had to find my pen. I the only thing I know about that,
• 13:43
  well now that I know the storyline,
• 13:44
  but I just remember like the cut book cover looking just like this.
• 13:53
  Yeah, he's like he's just holding a pen.
• 13:57
  This is a pen. This is a this is a pen.
• 14:01
  What's that what's that one from?
• 14:05
  ~ it's it's definitely D three Mighty Ducks.
• 14:08
  That is not D3 Mighty Ducks.
• 14:10
  what is that?
• 14:11
  Was that a real guess? ~
• 14:12
  No, I don't know what that's from.
• 14:15
  It's from Percy Jackson and the Lightning Thief.
• 14:18
  Such
• 14:18
  man. Yeah, I don't
• 14:20
  a funny quote.
• 14:22
  Mm-hmm.
• 14:24
  Anyways, this is also a pen that I used on stage.
• 14:26
  Look how vintage it looks.
• 14:28
  That looks pretty cool.
• 14:29
  Friend of the show Jamie Norton actually ordered this on Amazon and I did not.
• 14:34
  I I just stuck it in my suit and I forgot about it,
• 14:36
  so whoops. If you want
• 14:38
  That's yours.
• 14:39
  this back and you're listening,
• 14:40
  let me know.
• 14:42
  Mm-hmm.
• 14:45
  That'll be a true test for our friends to see if they're listening,
• 14:47
  you know. You just like take something from their house and then you tell
• 14:49
  She could
• 14:50
  them you tell them on on the podcast,
• 14:52
  like you can have this back if you're listening.
• 14:55
  That's so funny.
• 14:57
  Ransom note, but just for views.
• 15:00
  It's like I told you about it.
• 15:01
  You didn't listen to the podcast?
• 15:02
  man.
• 15:05
  Yeah, why d I've been waiting for it.
• 15:07
  Yeah. So but she was in the show as well.
• 15:10
  ~ and her daughter
• 15:11
  Mm-hmm. Yeah, did great. Mm-hmm.
• 15:14
  played well, Jamie played Winifred,
• 15:18
  who was my wife. Which is weird 'cause she's my cousin through marriage now,
• 15:22
  so anyways. and
• 15:26
  Ha ha ha.
• 15:27
  her daughter played Michael because no
• 15:31
  Guess there's no guys in in community theater these days.
• 15:34
  Or ever. So But she is like seven
• 15:37
  Yeah, it's a rare breed.
• 15:39
  I think she's eight years old and she knocked it out of the park.
• 15:41
  First big role.
• 15:41
  She did. Mm-hmm.
• 15:43
  She was so good. ~ so yeah.
• 15:48
  And I convinced my mother in law to be the bird lady,
• 15:53
  and she did it.
• 15:54
  She did. It was fun. I I will say that's some people
• 16:00
  it like takes them out of it if they go see like a show or play
• 16:04
  or something that they know the people in in it.
• 16:06
  Another friend of the show, Philip Russell.
• 16:07
  But like yeah,
• 16:09
  I love it. I I just think it's
• 16:10
  Yeah.
• 16:11
  like it's it's makes it that much more exciting to like see these people
• 16:14
  you know in a different light.
• 16:15
  Yeah. Yeah.
• 16:15
  Yeah, if you're bored you can be like,
• 16:17
  I know them. This is what they've been up to for three months.
• 16:22
  Mm hmm. Yeah.
• 16:23
  ~ some other like history,
• 16:26
  fun facts is this movie was like pretty breakthrough and like ~ like iconic
• 16:32
  for like its visual effects. The way that it blended live
• 16:34
  Yes, I
• 16:35
  action and the 2D animation and like the like the map paintings and stuff like that
• 16:41
  Mm-hmm.
• 16:42
  all
• 16:42
  together. You look at it now and it's like,
• 16:45
  okay, I can kind of see what they're doing.
• 16:47
  But at the time,
• 16:48
  Yeah.
• 16:48
  like I'm pretty sure it won some awards for like some of the visual effects.
• 16:53
  And I actually watched a really cool video about this in within the last year
• 16:57
  or so by
• 16:58
  Wait, wait, wait,
• 16:58
  wait. Save this for cinematography and animation.
• 17:00
  Okay, okay, all right. Save it.
• 17:01
  Save it. Yeah, it's juicy. It's good.
• 17:02
  Okay. You want
• 17:05
  me to just start all that over again?
• 17:07
  Like later?
• 17:09
  No, this gets people to keep listening.
• 17:11
  If not, skip to
• 17:11
  Okay. Okay.
• 17:14
  blank. And I'm not gonna tell you.
• 17:16
  Just listen for the rest of the episode.
• 17:18
  Sorry.
• 17:18
  Yeah, just listen.
• 17:21
  Listen to the rest of the episode so you can find out what we took from your houses.
• 17:27
  New bit.
• 17:30
  Then we'll give it back.
• 17:31
  Mm-hmm.
• 17:32
  Okay. Well, I mean that's all the history and stuff that I had then.
• 17:38
  dude, I've got way more fun facts,
• 17:38
  Okay. Then keep going.
• 17:40
  honestly. I
• 17:42
  yeah, so Disney Walt you know,
• 17:45
  you're familiar, Walt Disney, the guy
• 17:47
  Yeah. Mm-hmm.
• 17:47
  that was in charge of Disney for a long time and started it.
• 17:50
  he liked Julie Andrews in Camelot on Broadway.
• 17:56
  And
• 17:57
  Okay. Mm-hmm.
• 17:58
  he in his mind was like,
• 18:01
  That's my Mary Poppins. That's it.
• 18:03
  Mm-hmm.
• 18:04
  so there wasn't much of a casting
• 18:07
  However, ~ he loved her performance so much in Camelot.
• 18:13
  He had the animators of one hundred and one Dalmatians draw the character
• 18:18
  of Anita to resemble Julie Andrews.
• 18:21
  Which is kinda cool.
• 18:24
  Yeah. Hmm.
• 18:26
  'cause it's also like the same
• 18:27
  I've been wanting to re watch that one too.
• 18:28
  it's also kinda like the same setting in the same city.
• 18:31
  ~
• 18:32
  Yeah.
• 18:33
  of animation. So but
• 18:36
  and then Walt Disney regarded this movie to be one of the crowning achievements
• 18:40
  of his career. and Jonathan,
• 18:44
  while you were at Disney, did you happen to go to The Lost
• 18:49
  and Found in Frontierland?
• 18:53
  I did not. I don't think I lost anything
• 18:54
  Well
• 18:55
  there.
• 18:56
  did you find anything while you were there?
• 18:57
  I found stuff and haven't lost anything.
• 18:58
  Hmm. Stay tuned, listen to the rest of the episode.
• 19:00
  So click baby.
• 19:01
  I'll tell you what I found. It's just that audience for attention we've been
• 19:04
  Well anyways.
• 19:06
  seeking, you know?
• 19:07
  Yeah, yeah, yeah, yeah. No click off rate.
• 19:09
  Mm-hmm.
• 19:12
  Please don't leave. Okay. ~ anyways
• 19:17
  in Walt Disney World, in the Lost and Found section in Frontierland,
• 19:22
  there is a wooden leg with the word Smith on it.
• 19:25
  Which is a reference to the joke,
• 19:28
  a man with a wooden leg named Smith.
• 19:29
  What was the other leg called?
• 19:30
  yeah, that's cool.
• 19:35
  So classic. I would like to go see that.
• 19:39
  Man, yeah. I should've looked I should've looked up for for Mary Poppins,
• 19:41
  You should go back next weekend so that
• 19:43
  yeah. Easter eggs in the park.
• 19:45
  you wouldn't think there would be much,
• 19:46
  but yeah. the step in time sequence,
• 19:50
  the dance the film got damaged and they had to reshoot that whole thing
• 19:57
  twice. ~ so that
• 20:01
  Hmm.
• 20:01
  took about a week to film. So that was an interesting thing.
• 20:06
  Just a single scratch can ruin everything.
• 20:11
  David Tomlinson, who played George Banks,
• 20:14
  pretty much like me, you know,
• 20:17
  the guy with the bowler hat. Yeah.
• 20:19
  he was nervous about not being a good enough singer for George Banks because
• 20:26
  he had never sang in a movie or anything before,
• 20:28
  so
• 20:29
  wow.
• 20:29
  which is why he sing speaks the whole time.
• 20:34
  I ~ whenever I was playing him,
• 20:37
  there is music, but you it's basically says you're allowed to sing speak halfway.
• 20:42
  Pretty much most of it. So I did a little bit of both.
• 20:45
  although Dick Van Dyke considers this the best movie
• 20:51
  he has appeared in, nevertheless maintains to this day that he
• 20:56
  was somewhat miscast as Bert. He has suggested that Jim Dale of all people
• 21:03
  would have played the part better than he.
• 21:05
  From Harry P.
• 21:07
  Harry P
• 21:08
  classic booba tuba pus Jim Dale would have been a better bert according
• 21:14
  to the Bert.
• 21:18
  I didn't realise he ever left the voiceover booth.
• 21:21
  he's like a classically trained actor,
• 21:23
  apparently.
• 21:23
  I don't think I've ever
• 21:24
  seen Wow.
• 21:26
  Look informed we are.
• 21:28
  Yeah.
• 21:29
  ~ lyricist Robert B. Sherman had searched for nearly two weeks for
• 21:34
  a catchy phrase that could be Mary Poppin's anthem.
• 21:37
  He came across the perfect title when his young son Jeff came home from school
• 21:42
  one day and announced that he had just received his polio vaccine.
• 21:45
  Thinking that the vaccine had administered a shot,
• 21:49
  Sherman was like, Did it hurt?
• 21:52
  And he replied, No, they just gave it to me on a cube of sugar and
• 21:55
  I swallowed it down.
• 22:00
  i Sherman tried the idea on his brother the following morning,
• 22:04
  Richard Sherman, put the phrase into music and a spoonful of sugar was born.
• 22:09
  Yeah, that that was a fun I wa that is the kind of story that made me think,
• 22:14
  is that in the saving Mr. Banks movie?
• 22:18
  I'm not sure. I haven't seen that one in a very long time.
• 22:20
  It's been a while since
• 22:21
  I watched that one. ~ they do they do show the Sherman Brothers in that movie,
• 22:27
  like writing the songs and stuff.
• 22:28
  Yeah. I do remember that.
• 22:29
  Yeah. Like
• 22:30
  I remember ~ yeah, B J Novak and Jason Schwartzmann like played
• 22:36
  the Sherman Brothers in that.
• 22:36
  Yeah.
• 22:40
  Yeah, that's okay, so I do know that.
• 22:42
  I know that this was actually based on a book by PL Travers.
• 22:47
  PT Barnum. I mean yeah, PL Travers.
• 22:52
  and so there is the movie Saving Mr Banks,
• 22:54
  which is all about like Disney trying to get the author to like yeah,
• 22:59
  Woo her over basically.
• 23:00
  woo her
• 23:01
  into like signing the rights over to them to make the film and stuff
• 23:04
  and like promising he will treat it respectfully and that sort of thing.
• 23:08
  Turns out she was very mad at him at the after this came out.
• 23:12
  Which is crazy 'cause this is one of the most beloved ~
• 23:15
  Yeah.
• 23:15
  films of all time. So but she loved
• 23:18
  I know, it's been
• 23:19
  it's been so long since I watched it,
• 23:21
  but I do remember like it getting to the end and like she really didn't like it.
• 23:26
  Yeah.
• 23:28
  But I don't know.
• 23:30
  there was another thing about I was looking into like when the musical came
• 23:36
  up and like when they wrote that.
• 23:38
  ~ and it was a lot sooner,
• 23:41
  like closer to this time than back then than I
• 23:45
  Mm-hmm.
• 23:46
  thought. It's not a classic. It was like written in the nineties and
• 23:49
  it wasn't a Broadway show until like four.
• 23:52
  okay. Mm-hmm.
• 23:53
  But
• 23:53
  the guy, Cameron McIntosh, that wrote it,
• 23:56
  he tried to also pretty much woo ~ P.
• 24:01
  T. Barnum, P. L. Travers,
• 24:04
  Mm-hmm.
• 24:04
  over, and she was very hesitant at first,
• 24:08
  but ~ after she died, Disney was like
• 24:14
  Here's some money. Anyways. So
• 24:17
  Okay, yeah.
• 24:20
  But I I what I I haven't read the books,
• 24:22
  but what I've heard
• 24:22
  Mm-hmm.
• 24:23
  might be wrong that the musical is a little bit closer to the Mary Poppins books
• 24:29
  source material than
• 24:30
  Well,
• 24:31
  yeah, I actually wasn't gonna bring it up but now that you did,
• 24:34
  I I started to read the book, like listen to it.
• 24:37
  It was like
• 24:37
  really?
• 24:37
  it was on ~ my Libby library card account and so I listened to like
• 24:42
  the first few chapters, but I like I didn't really have time to to finish it.
• 24:46
  But I I
• 24:47
  You've collected the sacred texts.
• 24:49
  I I did feel like it actually ~ it mirrored more of the musical that I saw
• 24:54
  you in at first
• 24:55
  Yeah.
• 24:56
  than it did the movies. I was kind of seeing a little bit of differences.
• 24:59
  I only got up as far as them like the chalk painting scene in the park with like
• 25:05
  Mary Poppins and Bert. That's really as far as I got,
• 25:05
  Mm-hmm. Okay.
• 25:07
  but
• 25:07
  ~ yeah.
• 25:10
  So you're saying that basically
• 25:12
  And there's a bunch of books
• 25:13
  actually. It's not just one. Like it's a whole series.
• 25:15
  Yeah, it's like a series.
• 25:16
  Yeah.
• 25:19
  so basically what you're saying is that P.
• 25:20
  L. Travers would have liked me more than the guy who played George.
• 25:26
  Yeah. Mm-hmm. I'll say it. She sh she
• 25:29
  Not if I keep calling her PT Barnum.
• 25:33
  Okay, never mind. I was gonna say she would have liked you more than Walt Disney
• 25:35
  himself, but you know.
• 25:37
  Wow, that's high praise.
• 25:41
  No no no no no no autographs. Okay.
• 25:45
  Well, then we've got some more.
• 25:48
  Matthew Garber, who played Michael,
• 25:52
  the boy, he was paid ten cents for every time they filmed the
• 25:56
  tea party scene because he was afraid of heights.
• 26:00
  So somebody
• 26:00
  Call
• 26:01
  offered to pay him a bonus ten cents for every single take.
• 26:04
  ~ yeah.
• 26:07
  Also, fun fact, sad fact,
• 26:11
  that kid died like a decade later.
• 26:14
  Read about that. Mm-hmm.
• 26:16
  So that's really sad. But he was like one of the funniest people.
• 26:21
  Like his facial expressions were the greatest.
• 26:23
  Robert Wise and Ernest Lehman visited
• 26:29
  the set to view Rush's of Dame Julie Andrews performance.
• 26:35
  ~ she was cast immediately in the lead for the sound of music
• 26:42
  on the strength of that visit.
• 26:43
  So
• 26:45
  Very
• 26:46
  nice.
• 26:46
  This role got her sound of music.
• 26:48
  What which one do you think she's more famous for?
• 26:51
  Mary Poppins or Maria Von Trapp?
• 26:54
  I think based on the na the
• 26:55
  That's a tough one.
• 26:56
  well I don't I to be honest, I don't always remember her name in Sound of Music.
• 27:01
  I think of the movie Sound of Music first,
• 27:03
  but Mary Poppins comes to mind.
• 27:05
  So I think I think because of that,
• 27:05
  I agree. Her character, her performer yeah.
• 27:06
  yeah,
• 27:08
  Mary Poppins probably is the most famous.
• 27:11
  You think she's just here's the theory.
• 27:14
  Do you think it's the same person?
• 27:18
  That's just Maria von Trapp in the Witness Protection?
• 27:21
  Cause she ran away from the Nazis?
• 27:23
  wait, never mind, this is in nineteen ten.
• 27:29
  Maybe she doesn't age.
• 27:29
  King Edward.
• 27:32
  She's magical, I mean she probably just goes throughout time and takes care
• 27:33
  That's fair. She doesn't age. Well,
• 27:36
  of children, you know.
• 27:37
  she looks a lot different in the twenty nineteen twenty eighteen version
• 27:40
  of Mary Poppin's Returns. That's all I gotta say.
• 27:43
  Yeah.
• 27:45
  And so does Bert.
• 27:46
  Yeah.
• 27:48
  ~ okay. Well
• 27:54
  Blah blah blah blah. I got three more facts and then we can get
• 27:57
  hit the ground running.
• 27:58
  Okay.
• 28:01
  She initially hesitated to take the part of Mary Poppins because she hoped that Jack
• 28:07
  Warner would ask her to star as Eliza Doolittle in
• 28:14
  My
• 28:14
  fair lady.
• 28:15
  My Fair Lady Interesting.
• 28:18
  Think about that. Like, what if,
• 28:22
  like, Audrey Hepburn swapped and was Mary Poppins and
• 28:29
  Julie Andrews was ~ my fair lady.
• 28:34
  So Audrey Hepburn would have been in the Princess Diaries movies?
• 28:37
  That's what you're saying?
• 28:38
  Whoa.
• 28:40
  And she would have gotten Sound of Music too.
• 28:44
  There's not a second Sound of Music.
• 28:45
  Actually don't think she lived that long.
• 28:47
  I don't know if she would have made it that to the two thousands.
• 28:47
  Did she die in the 70s? 80s?
• 28:49
  I I don't think it was that early,
• 28:52
  80s? 90s.
• 28:52
  but I do think
• 28:54
  let's fact check it.
• 28:56
  Ninety three. Yeah.
• 28:58
  Ninety three. Wow.
• 29:00
  So she's alive when you were alive.
• 29:01
  Wow. Did you guys know each other?
• 29:05
  My fair lady, classic.
• 29:08
  It doesn't say when she died on here.
• 29:10
  okay. They I don't think they knew just yet.
• 29:13
  So stupid.
• 29:15
  Okay. Here's something juicy about the show or about the not
• 29:22
  Okay.
• 29:22
  the show something about Julie Andrews.
• 29:24
  Karen Dottress, who
• 29:25
  ~ okay. Mm-hmm.
• 29:28
  played Jane Banks, recalled that Dame Julie Andrews smoked cigarettes
• 29:33
  and swore frequently during filming.
• 29:38
  Not by Mary Poppins. That's crazy.
• 29:39
  Mm.
• 29:42
  We knew she liked rum punch, but we didn't know she was chain smoking cigs.
• 29:44
  Yeah. Mm-hmm.
• 29:47
  Cussin' up a storm. Come on.
• 29:49
  Hmm.
• 29:52
  Okay, not only was Feed the Birds Walt Disney's favorite song in this movie,
• 29:56
  but it is said that any time he visited the Sherman brothers during the rest
• 30:00
  of his life, all he would have to do is say,
• 30:03
  Play it. And they knew he wanted to hear Feed the Birds in their office.
• 30:08
  That's so funny. And then this one is hearsay from my
• 30:14
  own personal not not my research,
• 30:16
  but just from my own head.
• 30:18
  trying to think of what I could remember.
• 30:19
  But I heard that Dick Van Dyke had no dance experience prior to this.
• 30:23
  But he was just so comical and charismatic that he didn't need need it.
• 30:29
  He just caught on eventually. So
• 30:30
  Yeah. Well there you go.
• 30:32
  Yeah. Jonathan, do you have a s
• 30:34
  Did it again and Mary
• 30:35
  Poppins returns.
• 30:38
  Yeah, he did. He did. Yeah.
• 30:43
  Jonathan, do you have a storyline for this movie?
• 30:47
  I do.
• 30:49
  for those who haven't seen this yet,
• 30:50
  in turn of the century London a magical nanny employs music and adventure
• 30:55
  to help two neglected children become closer to their father.
• 30:59
  Hilarity ensues.
• 31:02
  This is getting too close because you just did a Paddington voice,
• 31:06
  but you also did a Ben Wishall voice,
• 31:09
  who plays ~ Michael Banks in Mary Bobbin's Returns.
• 31:14
  Wow.
• 31:15
  That was excellent.
• 31:17
  Thank you.
• 31:18
  Well, now we can talk about the movie as if no one has ever seen it.
• 31:22
  As as if everyone's seen it. Ugh.
• 31:27
  Jonathan, did you watch this movie with your wife?
• 31:30
  What'd the wife say about this?
• 31:30
  Did. It did. ~
• 31:35
  let's see.
• 31:37
  two points. One, she did mention that she has seen the Mary Poppins musical
• 31:42
  on Broadway. Like she did see it.
• 31:44
  Did she really?
• 31:45
  And I'm she didn't say this next part,
• 31:48
  but I'm just gonna assume that she liked your version better.
• 31:50
  Yeah, I I'm pretty sure. Yeah.
• 31:51
  No no. She could say
• 31:53
  Shut up. Call her in right now.
• 31:56
  Tell her to humble me right now.
• 31:57
  Maybe another time.
• 31:58
  there's
• 31:58
  for sure not as good as the Broadway version.
• 32:01
  I
• 32:02
  don't know what you're talking about.
• 32:02
  No
• 32:04
  Although I have not seen the Broadway version.
• 32:06
  Mm.
• 32:07
  No, she liked she liked the Broadway version.
• 32:08
  Dude,
• 32:09
  the Broadway version they literally and during step in time they have Bert
• 32:12
  get on a harness and walk up the walls.
• 32:13
  That's that's the
• 32:15
  main thing she remembers is like he was like walking on the roof.
• 32:18
  Like Okay.
• 32:18
  Yeah. Upside down. And then
• 32:21
  Mary Poppins flies around the audience.
• 32:23
  There's no way. We didn't have a harness at all.
• 32:26
  You guys you guys
• 32:27
  did that in Franklin. Right?
• 32:33
  I offered to go to Home Depot and get a little pulley system,
• 32:36
  but they were like, That doesn't work.
• 32:41
  Yeah. Well, the only other thing I remember her talking about
• 32:47
  was she preferred the ending of the movie over the ending of the musical.
• 32:53
  At least in terms of like
• 32:54
  Really?
• 32:55
  it just was one point of like you actually see George Banks go out with
• 32:59
  the children and like fly kite together.
• 33:01
  It's kind of more
• 33:01
  That's fair.
• 33:02
  implied, I guess, in the musical,
• 33:05
  but she likes that he's
• 33:06
  Yeah.
• 33:07
  like
• 33:08
  returning to his childhood and and wants to spend time with them and
• 33:12
  to be playful and stuff. She liked that.
• 33:14
  I
• 33:14
  mean I literally had a kite in my hands at the end,
• 33:16
  so like what else could you ask for for real?
• 33:20
  You
• 33:20
  could have flown it. That's what that's what we're asking for.
• 33:22
  I could've I could've Well, fun fact,
• 33:25
  w I did use one of the kites with the sticks that they had in the actual flag kite
• 33:30
  song
• 33:31
  Mm-hmm.
• 33:31
  but it broke, so I had a whole new one that they made.
• 33:36
  Mm. Okay. Yeah.
• 33:36
  So and I just held it 'cause I had to hold it behind my back and it was awkward.
• 33:39
  Mm-hmm.
• 33:42
  But
• 33:44
  Hmm. Jeremy, did you watch this with your wife?
• 33:48
  I was going to and then we couldn't get our soundbar to work last night.
• 33:52
  And then We didn't watch it. But she has seen this so many times.
• 33:55
  Yeah.
• 33:57
  This
• 33:58
  is a staple of Abby's childhood.
• 34:00
  ~
• 34:00
  Okay.
• 34:01
  and I already know her thoughts on the movie.
• 34:04
  Her
• 34:05
  Mm-hmm.
• 34:05
  favorite character is Uncle Albert,
• 34:07
  the laughing guy that floats up to the ceiling.
• 34:10
  Yeah.
• 34:12
  and
• 34:14
  She also loves the sister suffragess song and when I told her that ~ neither sorry,
• 34:20
  British, neither of those items are
• 34:24
  in the musical version,
• 34:28
  she was kind of sad. I
• 34:30
  man.
• 34:30
  was like, Man, your two favorite parts are not in this.
• 34:33
  Wow.
• 34:33
  So ~
• 34:37
  but yeah. She's a big fan of Mary Poppins,
• 34:40
  so she came
• 34:40
  Mm.
• 34:41
  to all three shows.
• 34:43
  So and she said she didn't get bored once.
• 34:45
  Which props to her. That's a long show.
• 34:49
  Yeah. Nice of her to lie like that.
• 34:52
  Yeah.
• 34:53
  No, she was speaking the truth.
• 34:54
  She was like, It's kinda interesting to see how stuff goes wrong or
• 34:55
  She is a truth speaker. Yeah.
• 34:59
  how things go different and just you could watch other people in it,
• 35:02
  so
• 35:02
  No,
• 35:03
  that that's true.
• 35:06
  There's little bit of spice. Not every performance is the diff it's the same.
• 35:10
  Yeah.
• 35:11
  During one of our performances a lamppost knocked over and made a huge crash noise
• 35:17
  and it was really funny. During a very serious part.
• 35:19
  Yeah, I so I went we went to
• 35:22
  the opening Friday night performance.
• 35:24
  And
• 35:25
  Yeah.
• 35:25
  that was a lot of fun.
• 35:27
  I liked I feel like I liked Friday night's performance the most.
• 35:31
  ~ but Sunday's was apparently our best.
• 35:36
  So I don't know. We'll see.
• 35:39
  We'll have to get the tapes.
• 35:40
  Okay.
• 35:44
  Alright. Well, that's what the wives said.
• 35:46
  You wanna get right into this IQ test,
• 35:49
  Jonathan?
• 35:50
  We should. Yeah, we have had a little meeting behind the scenes,
• 35:56
  ~ here at Inside Quotes and
• 35:57
  Meeting. Business meeting, if you will.
• 35:59
  we have made some changes to the IQ test.
• 36:02
  Just some slight some some slight modifications.
• 36:07
  Yes, that's just.
• 36:08
  and so there might be a few categories.
• 36:10
  We can just talk about when we get to them.
• 36:13
  We've kind of reordered some things,
• 36:15
  but essentially trying to make it a little bit more complete and objective.
• 36:20
  But also having some bonus categories as well.
• 36:22
  So I'll give that caveat.
• 36:22
  Yes. Just consider this
• 36:26
  consider this IQ test two point zero.
• 36:31
  I'm so glad I have a bowler hat now,
• 36:33
  now that we can cover ~ Meet the Robinsons.
• 36:37
  yeah. That's a good one.
• 36:39
  I can
• 36:39
  no longer reach this. So it's gone for the rest of the episode.
• 36:42
  Jeremy dropped his bowler hat and it's gone.
• 36:44
  Thank you for so much for ~ talking to our non video listeners because
• 36:50
  I forget that they're not watching all the time.
• 36:53
  Yeah.
• 36:54
  And it's funny
• 36:54
  'cause I don't watch I listen to podcasts more than I watch them,
• 36:58
  so but I'm not
• 36:58
  Mm-hmm. Me too.
• 37:00
  I'm just like, ~ if you're here,
• 37:02
  you're here.
• 37:03
  Mm-hmm.
• 37:05
  All right. Well
• 37:07
  Well, Jeremy, it's time to talk the quotes of Mary Poppins.
• 37:10
  Sorry, did you have a wind up for the the intro there?
• 37:14
  Okay.
• 37:14
  no r I was just gonna go over the ~
• 37:18
  the criteria so far. So basically
• 37:19
  Okay? Yeah.
• 37:22
  it's about the same. it's still each test is worth one point instead
• 37:27
  of some are worth two. Each test we have ten tests worth one point each.
• 37:32
  if it is seven points or higher,
• 37:36
  it is a staple. If it is a perfect score,
• 37:40
  ten out of ten, it is the stapliest.
• 37:43
  And then if it is under seven,
• 37:47
  so
• 37:47
  Yeah, under seven, it is a quack.
• 37:50
  Non passing, but we'll still watch it,
• 37:54
  you know. but never fear,
• 37:58
  because if this is not objectively a great movie,
• 38:01
  we have five bonus tests
• 38:04
  Ha ha ha.
• 38:05
  that it can make it up. So basically,
• 38:09
  there's a possibility for a quack to still be a stapleist.
• 38:14
  Given our
• 38:15
  Yeah.
• 38:16
  criteria. We're very
• 38:17
  We got the objective and the subjective.
• 38:19
  So, without further ado,
• 38:23
  let's dive into this. Test number one,
• 38:24
  All right.
• 38:25
  the quotable quotes test.
• 38:29
  Jonathan, is this a quotable movie?
• 38:31
  I mean this is our this is like our thing because we are inside quotes.
• 38:36
  All of
• 38:36
  Mm-hmm.
• 38:36
  our inside jokes are movie quotes.
• 38:38
  So quotes are important to us.
• 38:44
  Well, I will say this. I have only seen this movie one other time before when
• 38:49
  Really?
• 38:49
  I was a kid. So
• 38:52
  it was kinda like watching this fresh for the first time,
• 38:55
  almost.
• 38:55
  Okay.
• 38:56
  Like there was moments I remembered.
• 38:58
  So having said that, me and you don't quote this movie.
• 39:02
  It hasn't been one that we have quoted back and forth to each other.
• 39:05
  Okay.
• 39:06
  I did write down a few quotes,
• 39:09
  but I'll be honest, I don't have a lot for this one.
• 39:11
  My thoughts are
• 39:14
  The songs are more memorable than the quotes in this.
• 39:17
  I
• 39:17
  d yeah. I agree with that. And I feel like,
• 39:20
  ~
• 39:24
  That brings a whole new thing.
• 39:25
  Like, is the music technically a quote?
• 39:28
  Mm-hmm.
• 39:29
  They're saying it. I don't know.
• 39:32
  However, I do feel like some of these are very much objective good quotes that
• 39:38
  people could use and people that people do use these.
• 39:38
  Mm-hmm. Yeah. Yeah.
• 39:41
  Mm-hmm.
• 39:43
  and now that I have been in the show,
• 39:46
  a lot of the quotes have been reused,
• 39:49
  and I made note of that.
• 39:50
  Yeah.
• 39:53
  So yeah, I mean I wrote a couple down.
• 39:55
  It wasn't like crazy list.
• 39:56
  I mean you can quote this whole movie,
• 39:58
  so I mean she get the point there.
• 39:58
  Yeah, I think I still I think I could
• 40:01
  I could it's been a week or two since our show and I probably could still
• 40:08
  do it. It's so weird.
• 40:11
  Like you memorize all your lines.
• 40:13
  I had ten scenes
• 40:14
  Mm.
• 40:15
  and then you just forget it. Like two years ago,
• 40:17
  And then it's just gone.
• 40:20
  I I could not remember a single line.
• 40:23
  Matilda or Fiddler.
• 40:24
  Mm-hmm.
• 40:25
  Yeah.
• 40:27
  It's so weird. It's like I'm cramming for a test and as soon as I graduate,
• 40:28
  Yeah. Mm-hmm. Yeah.
• 40:31
  I'm done.
• 40:34
  So, I don't know.
• 40:35
  That
• 40:35
  was a nice ~ Charlie from Cheaper by the Dozen ~ quote there.
• 40:39
  As soon as I graduate, I'm gone.
• 40:43
  As soon as I graduate.
• 40:49
  My whole life's there.
• 40:51
  He's still like emo but kinda justified.
• 40:54
  Yeah.
• 40:59
  I'm going back to Smallville, okay?
• 40:59
  Well
• 41:00
  I'm gonna go live with on a farm.
• 41:04
  When I graduate sorry, okay.
• 41:09
  Well, okay, I will start us out with a quote from George Banks himself,
• 41:14
  Jeremy. Winifred,
• 41:15
  yes.
• 41:16
  don't be emotional.
• 41:18
  Whatever, don't be emotional.
• 41:20
  Mm.
• 41:22
  Now
• 41:22
  That was not in my script. That was not in the musical,
• 41:26
  that line. However, there was an adjacent line whenever they are reading
• 41:32
  the the kids are singing their advertisement advertisement,
• 41:36
  if you will.
• 41:36
  Mm-hmm.
• 41:37
  ~ and I say, Now Winifred,
• 41:40
  none of your theatrics Because
• 41:42
  Mm-hmm.
• 41:44
  in the show she's not a suffragette,
• 41:46
  she's an ex actress.
• 41:49
  that
• 41:49
  wants to be on the stage again.
• 41:50
  yeah.
• 41:50
  They
• 41:51
  changed her character a lot. I like that more.
• 41:53
  And we'll get into that during the characters.
• 41:55
  She's yeah, she's
• 41:55
  But
• 41:56
  like trying to be more of a socialite,
• 41:58
  like get into an an up more of an upper class.
• 42:01
  Even though they seem upper class in the show,
• 42:04
  Yes.
• 42:05
  but yeah.
• 42:06
  Yes. Well w we'll dive into that later.
• 42:08
  Okay, okay. Mm-hmm.
• 42:08
  But similar quote. Alright.
• 42:12
  my quote would be Close your mouth,
• 42:13
  Michael, you're not a callfish.
• 42:15
  That's a classic.
• 42:15
  Yeah, I wrote that one down too.
• 42:16
  Mm-hmm.
• 42:17
  ~ I like the scene when they have the other cook go to the door.
• 42:24
  It's like it's like tell the position has been filled and he opens it up.
• 42:26
  She opens it up. It's just the dog.
• 42:28
  It's like, The position has been filled.
• 42:28
  The position has been failed.
• 42:33
  Yes, that's a good one. ~ so three we got ~ I told you she was tricky.
• 42:39
  Mm-hmm. I wrote that one down too.
• 42:40
  That's such a that's
• 42:41
  such a generic one, but it's a good one.
• 42:43
  And I think of that. So
• 42:47
  one that there's one that was very clever that I
• 42:53
  n had never heard of. ~ so it's not really an inside quote,
• 42:57
  but it could be. I just liked it a lot.
• 43:00
  It's
• 43:00
  Mm-hmm.
• 43:00
  that's a pie crust promised. Easily made,
• 43:02
  easily broken.
• 43:04
  We're like writing down the same ones here.
• 43:06
  Yeah.
• 43:06
  Well, that's we are the same person.
• 43:10
  So whatever.
• 43:14
  The other one I wrote
• 43:14
  probably
• 43:15
  down was when she like Mary Poppins measures herself and it's like as I expected,
• 43:19
  practically perfect in every way.
• 43:20
  Practically perfect in every way.
• 43:24
  Also interesting because I th could have sworn that Practically Perfect
• 43:28
  was an actual Mary Poppins song,
• 43:29
  but it is a Broadway song.
• 43:34
  Yeah, yeah. ~ yeah, I think Kelsey mentioned that when we were watching,
• 43:38
  like that that was only in the in the musical.
• 43:40
  When we get to the music, let's we can talk about some of the other songs that like
• 43:42
  Yeah. For sure. Yeah.
• 43:45
  yeah, that were added and whatnot.
• 43:47
  Lots to talk about here. Lots to boy.
• 43:49
  Lots to buy.
• 43:52
  ~
• 43:53
  one that made me laugh was No wonder everything is higglety piggledy around here.
• 43:59
  Mm-hmm.
• 44:03
  I didn't realize that George was so funny.
• 44:05
  I w I'm glad I didn't watch it beforehand 'cause I
• 44:08
  Mm-hmm.
• 44:08
  didn't want that to like obscure my headspace,
• 44:12
  I guess, when I'm acting. But I kinda
• 44:14
  Yeah.
• 44:14
  wish I did at the same time because I would have played him more funnier.
• 44:17
  'Cause he's very funny in this.
• 44:18
  Mm-hmm. Yeah.
• 44:20
  Like he's
• 44:21
  just sort of delusional. He was just repeating assuring himself like ~ Quite right,
• 44:26
  good idea. Quite right, good idea.
• 44:27
  Yeah. I
• 44:27
  Quite right, good idea.
• 44:30
  I made note of it like how totally unbothered he is that when he's on
• 44:36
  Yeah.
• 44:36
  the phone and there's like cannons being shot off and everything around him
• 44:39
  Yeah.
• 44:40
  is like swinging and falling off the shelves,
• 44:42
  Yeah.
• 44:43
  off the walls
• 44:43
  and stuff. And he's just like as calm as can be.
• 44:45
  Like Yeah.
• 44:46
  That's like his chaos that he is okay with.
• 44:48
  Yeah.
• 44:49
  ~ I
• 44:50
  don't know, it's so so funny that his life is
• 44:54
  so chaotic outside of his own control.
• 44:58
  Anyways. and then another one is a vocab word for me.
• 45:03
  Tuppence. Tuppence a bag?
• 45:05
  Tuppence.
• 45:06
  okay. How much is tuppence, Jeremy?
• 45:09
  Two pence. You get it?
• 45:11
  Now I know. I I get it now, actually.
• 45:12
  You now you get it? Really? It clicked?
• 45:14
  ~ Yeah.
• 45:15
  That's funny.
• 45:17
  I searched it earlier and it was just like two pennies,
• 45:20
  but now your explanation was like much quicker.
• 45:22
  Well
• 45:23
  Yeah. Top pens a bag.
• 45:26
  I've got tuppence right here. I told you this is a props show.
• 45:29
  I've got in this
• 45:29
  Is that really Pence?
• 45:30
  in this bag here, I've got all my ~ coins from ~ when I went to England in the UK.
• 45:37
  You
• 45:37
  went to the set.
• 45:39
  Yeah, to to the Mary Poppins set.
• 45:41
  And I found this. London Town.
• 45:41
  You went to London? They built that for this movie.
• 45:44
  Cut that.
• 45:48
  I could say that,
• 45:48
  Ha ha.
• 45:49
  but
• 45:51
  London Towerman.
• 45:54
  Cancel.
• 45:56
  Man.
• 45:58
  Yeah. Too many times watching that psych musical episode.
• 46:02
  But yeah.
• 46:03
  Great musical. Cutting it. I I'll cut it if you want.
• 46:06
  ~ it's okay, you can leave it.
• 46:08
  Well now I
• 46:08
  have to cut that part out, so we'll see.
• 46:11
  Okay. Well yeah, I've got two pence tuppence here.
• 46:14
  Yeah.
• 46:14
  Tuppence
• 46:16
  with tuppence for paper and string.
• 46:21
  I wasn't even in that song.
• 46:23
  Mm-hmm.
• 46:24
  And I'm the one who s who sang that in the movie.
• 46:28
  Not me, George.
• 46:30
  Mm-hmm.
• 46:31
  But I wasn't even in that scene.
• 46:33
  I was very confused when George started to sing that.
• 46:36
  Yeah. Yeah, see, it had been so long since I had seen this.
• 46:40
  When you were talking ~ about like the bird lady role,
• 46:45
  like I didn't
• 46:46
  Yeah.
• 46:46
  even remember who that was.
• 46:48
  You're like Home Alone Two,
• 46:49
  the musical?
• 46:50
  ~ yeah. Uhhuh.
• 46:52
  Th the turtle doves? R.
• 46:57
  I. P. the the turtle dove lady died recently.
• 46:59
  Yeah.
• 47:00
  Really?
• 47:01
  ~ man.
• 47:03
  Or you're just gonna have to start an in memorium like segment on
• 47:06
  the show or something. I feel like it happens all the time.
• 47:08
  Every year f for
• 47:09
  for our ~ you know how they do that for the Oscars?
• 47:12
  We'll just do that for
• 47:12
  Yeah.
• 47:13
  our staple awards.
• 47:14
  Hmm.
• 47:16
  We can do that. Write that down.
• 47:18
  Write that down. Man,
• 47:22
  we're firing off with quotes today from other movies.
• 47:22
  Alright. What other quotes you got?
• 47:24
  I'm done from what I wrote down.
• 47:25
  Da I'm done too. I'm done also.
• 47:27
  Did we get to ten? I think so.
• 47:27
  I don't know, but
• 47:29
  Or close to it.
• 47:30
  I'm gonna go ahead and pass it because they're so good.
• 47:33
  They're high quality.
• 47:34
  I I did have one more.
• 47:35
  I ha but it was it was a line in a song,
• 47:37
  I think, that I liked.
• 47:38
  Okay.
• 47:39
  It the kids sang like, Never give us castor oil or gruel Like I just liked that.
• 47:43
  Yuk
• 47:48
  Never smell of barley water. Yeah.
• 47:51
  I put that part in too. Yeah.
• 47:53
  Alright, we'll we'll give that a point for the quotes then.
• 47:54
  Give it a point. Passes the quotes test.
• 47:56
  Okay, good quotes.
• 47:59
  Alright, test number two, Jonathan,
• 48:01
  is the magnificent music test.
• 48:03
  Now this one what?
• 48:04
  Okay. ~ we should say
• 48:07
  one of the changes we've made,
• 48:08
  so like we were doing two points for quotes in music,
• 48:11
  Mm-hmm.
• 48:12
  we're just doing the one now. So that's okay okay.
• 48:13
  I did say that. Yeah.
• 48:16
  So for the magnificent music, we've got songs,
• 48:20
  original songs by the Sherman brothers.
• 48:22
  ~ and then we've got a composer,
• 48:26
  Erwin Costel, who arranged and conducted the score.
• 48:30
  But it's basically
• 48:31
  All right.
• 48:32
  just using the themes.
• 48:33
  of the songs I guess written. but yeah,
• 48:37
  I mean this one's gonna pass. It's got some great songs in it.
• 48:41
  I mean what it yeah,
• 48:42
  Some of the most Yeah.
• 48:43
  some of the most cool like memorable songs.
• 48:46
  ~
• 48:47
  If
• 48:47
  Disney is playing it in their parks,
• 48:49
  Mm-hmm.
• 48:50
  it gets a pass.
• 48:51
  Yeah. we've got a spoonful of sugar,
• 48:55
  super califragilistic expialidoches.
• 48:57
  How many songs is that right there?
• 48:59
  No. Let's
• 49:00
  Yeah, that's just two
• 49:01
  Go Fly a Kite, Chim Chim Cherie,
• 49:04
  The Life
• 49:04
  Yeah.
• 49:05
  I Lead. I mean, I that's what I wrote down.
• 49:08
  So I mean, I feel like it passes based on that.
• 49:10
  Step in time, feed the birds, Fidelity
• 49:11
  Step in time, feed the birds.
• 49:14
  Fiduciary Bank. ~
• 49:16
  Mm-hmm.
• 49:17
  A Man Has Dreams. So basically,
• 49:20
  in my in the musical,
• 49:25
  all of mine are like A Man Has Dreams.
• 49:28
  Mm-hmm.
• 49:29
  Or it's Cherry Tree Lane is like the opening
• 49:31
  Mm-hmm.
• 49:31
  number where I sing. ~ so all like the Fidelity Fidelity Fiduciary Bank.
• 49:38
  That's that's not.
• 49:40
  the title of it. They've changed a lot of the the s different scene
• 49:44
  Mm-hmm.
• 49:45
  and added different music to it as well.
• 49:47
  Gotcha.
• 49:48
  Like they don't have the stay awake song,
• 49:53
  but they had like a creepy Sid's Toys scene,
• 49:56
  ~ yeah. Yeah.
• 49:58
  like where the toys come to life in like a dream sequence.
• 50:01
  Every good musical has a creepy ballet number,
• 50:05
  Yeah. Yeah, we
• 50:05
  you know.
• 50:08
  were glad that wasn't in the movie.
• 50:09
  That was kind of creepy in the show.
• 50:10
  I Yeah, I actually really like that song a lot.
• 50:11
  Yeah. Yeah.
• 50:13
  That's the one song that was stuck in my head the whole time.
• 50:15
  It's called Playing the Game.
• 50:17
  Hm.
• 50:17
  I think it's better than Stay Awake,
• 50:19
  although I
• 50:20
  Yeah.
• 50:20
  feel like I do know that Julie Andrews that was her favorite song,
• 50:24
  surprisingly.
• 50:24
  Mm-hmm.
• 50:26
  So we can talk about some that are like original to the music musical.
• 50:31
  That anything can
• 50:31
  Mm-hmm.
• 50:32
  happen if you let it the ending song.
• 50:34
  That's just from the musical, right?
• 50:36
  Yeah.
• 50:37
  Just from the musical.
• 50:38
  We've got playing the game is just from the musical.
• 50:42
  The
• 50:46
  per practically perfect is only musical.
• 50:48
  Yeah. Mm-hmm.
• 50:51
  Sister Suffragette is not in the musical.
• 50:53
  The Life I Lead. The same motifs and themes and like melody,
• 50:59
  Mm.
• 51:00
  but none of those lyrics. The only lyrics that George Banks sings that's exactly
• 51:05
  the same as mine was A Man Has Dreams,
• 51:08
  like where the
• 51:09
  Yeah.
• 51:12
  Where he gets the call and Bert's in the chimney with him,
• 51:15
  so so yeah. Stay awake is not in the show.
• 51:21
  Jolly Holiday is a classic. And that's one that I thought w wasn't in
• 51:27
  the movie but was only in the show.
• 51:33
  Yeah.
• 51:35
  Yeah, I was just gonna mention the Sherman brothers are just like iconic like Disney
• 51:40
  songwriters. ~
• 51:41
  Mm-hmm.
• 51:43
  I was trying to pull up some of the stuff that they did.
• 51:44
  What else have they done?
• 51:45
  I mean, they pretty much just wrote nonstop throughout like
• 51:49
  the sixties and seventies. So for like a lot of classic ~ Disney films.
• 51:53
  And longer than that, but ~ Okay,
• 51:58
  so they wrote
• 51:59
  songs for three movies that I get mixed up all the time,
• 52:03
  which is Mary Poppins, Chitty Chitty Bang Bang,
• 52:06
  and Bed Knobs and Broomsticks.
• 52:08
  I feel like they
• 52:10
  Okay.
• 52:11
  but they wrote songs for all three of those.
• 52:13
  And I feel like sometimes I get them mixed up.
• 52:15
  Like I don't remember which one was which.
• 52:15
  That's the reason the music is so similar.
• 52:17
  ~
• 52:19
  they did songs for the Jungle Book,
• 52:20
  ~ The Aristocats,
• 52:23
  Winnie the Pooh, ~
• 52:27
  Amongst their most famous works are theme park songs,
• 52:30
  There's a Great Big, Beautiful Tomorrow and It's a Small World After All.
• 52:33
  So if you've ever had that stuck in your head,
• 52:36
  they're to blame. Yeah.
• 52:42
  Thanks, BJ Novak.
• 52:43
  Yeah.
• 52:47
  yeah.
• 52:48
  I liked their style. Basically it's a classic trope in their style
• 52:53
  of music because they wrote all these songs,
• 52:55
  but I love it whenever there's an ensemble,
• 53:00
  like the background character takes over like some lines in the song.
• 53:05
  Mm-hmm.
• 53:05
  And then
• 53:05
  there's a classic like ladies section singing and then like right behind them
• 53:11
  there's like the deepest bass taking over a line,
• 53:13
  Yeah.
• 53:13
  like singing four octaves lower.
• 53:16
  And that's when
• 53:17
  like when the day is gray and ordinary,
• 53:19
  the pig. it's so fun.
• 53:20
  Mm-hmm. Mm-hmm.
• 53:22
  That's such a classic like six fifties and sixties musical trope.
• 53:29
  I love it.
• 53:29
  Yeah.
• 53:31
  Yeah. ~ music definitely gets a point here.
• 53:35
  Tell us about the next test then.
• 53:38
  So the next test I wanted to add is all about the story.
• 53:43
  Because we were doing the characters and kind of realized we were covering
• 53:48
  a lot of a lot of different aspects when we talked about the characters,
• 53:52
  whether it was like the story,
• 53:53
  the acting, the characters themselves.
• 53:55
  So we've kind of broken those up.
• 53:56
  So we'll talk about the story here.
• 54:00
  And the best I I don't know,
• 54:03
  I kind of wrote down some criteria,
• 54:05
  but here's why I will say
• 54:08
  why this one should pass. I think it's an interesting premise as
• 54:13
  far as ~ you know,
• 54:16
  a mysterious magical nanny comes to like help this family.
• 54:19
  ~ I feel like there's character development with the children and with the family.
• 54:24
  ~
• 54:25
  Yes.
• 54:26
  it's got like life lessons and themes.
• 54:28
  I feel like there's humor for like the adults and kids.
• 54:32
  The world building is imaginative and it's got a lot of heart to the movie.
• 54:36
  Yeah.
• 54:37
  So
• 54:38
  I feel like there's other aspects of it that I I would say ~
• 54:46
  I don't know, I guess that's not like super specific there.
• 54:49
  But I I feel like the story ultimately is just it's good here.
• 54:52
  Like it it's like a a classic story and the writing
• 54:58
  is is good and makes sense.
• 55:00
  Basically you could ask a stranger on the street that's never seen Mary Poppins
• 55:08
  and they can tell you, like, what's that about?
• 55:11
  Isn't about like some magical nanny with an umbrella?
• 55:11
  Yeah. Mm-hmm.
• 55:14
  Yeah.
• 55:17
  Or somebody that has seen it will tell you every detail about it.
• 55:20
  Like it's I i I feel like it's memorable and it's very well executed.
• 55:27
  And it's Walt Disney's favorite,
• 55:29
  so
• 55:29
  Yeah. And I think in this one you've I mean,
• 55:33
  we have a separate category for music,
• 55:34
  Mm.
• 55:35
  but like they wrote in, they adapted the story and they included the songs too.
• 55:40
  And so I feel like there's a lot of clever writing as far as the songs go too,
• 55:43
  so I I just feel like it's a good script,
• 55:47
  maybe that's what I would yeah,
• 55:50
  stick with there. Do you agree with that?
• 55:51
  Alright. I agree. The
• 55:52
  Okay.
• 55:54
  only thing I would say is that it is a little long and the scenes
• 55:59
  Well
• 56:00
  aren't as tied together as I want them to be.
• 56:02
  But Okay,
• 56:02
  Yeah. Save it for rewatchability.
• 56:06
  okay.
• 56:10
  That was one aspect I was like,
• 56:12
  ~ I won't talk about that one here.
• 56:14
  Okay. So do you want to talk characters or acting next?
• 56:21
  Let's go acting. So are
• 56:22
  Okay. Okay.
• 56:24
  we our passing story, correct?
• 56:25
  Alright.
• 56:25
  Story, yes. Mm-hmm.
• 56:27
  You talk acting first.
• 56:29
  Okay, so just some of the criteria here.
• 56:33
  Is it is the acting believable or are you getting taken out of the movie?
• 56:36
  Do the actors have chemistry? Is there any like great physicality to the acting?
• 56:42
  Is it memorable? Is the acting,
• 56:45
  you know do they get lost in the character,
• 56:48
  that sort of thing? So I would say like with Julie Andrews,
• 56:53
  I mean it's an iconic role and I feel like
• 56:56
  Yeah.
• 56:56
  she brings that character to life.
• 56:59
  I feel like the acting's really good there.
• 57:00
  Can you tell the difference between
• 57:05
  her and Sound of Music Sound of Music?
• 57:12
  ~
• 57:16
  'Cause they're s very similar rules.
• 57:16
  I would say I would say it's very s
• 57:17
  They're both kind of a caretaker.
• 57:19
  very similar. ~ yeah,
• 57:22
  I I think it's kind of an a a a Han Solo,
• 57:25
  Indiana Jones kind of situation.
• 57:27
  Okay. Wow. Great. Great take.
• 57:30
  Yeah. Mm-hmm. But I feel like both work
• 57:31
  That makes s that clicks. Alright.
• 57:33
  Yeah.
• 57:35
  and aren't the same character.
• 57:36
  But they kind of are.
• 57:38
  On a scale
• 57:39
  on a scale of Robin Williams to the rock,
• 57:42
  Okay.
• 57:43
  she's lean she she skews more towards Robin Williams.
• 57:47
  Like she's incredible and you know Robin Williams when you see,
• 57:51
  Mm-hmm. Yeah.
• 57:53
  but does sh but does she like blend into that character as her own?
• 57:58
  Versus The
• 57:59
  Yeah, I
• 57:59
  Rock, it's just like he's playing the rock.
• 58:02
  Yeah. Yeah, I would say it leans more towards Robin Williams.
• 58:05
  Like she wasn't going like all method and stuff,
• 58:07
  but like I
• 58:08
  Yeah.
• 58:08
  think that she do does get lost in the role.
• 58:10
  Yeah.
• 58:11
  Okay. Yeah.
• 58:14
  I agree with that.
• 58:14
  What do you think about Dick Van Dyke?
• 58:16
  Dick Van Dyke was very good. Although
• 58:18
  Mm-hmm.
• 58:19
  he gets imposter syndrome, I feel like when you talk about acting,
• 58:24
  people are mostly impressed with him.
• 58:27
  ~
• 58:27
  Mm-hmm.
• 58:30
  I think he's great. I thought there was like some controversy about like
• 58:33
  the accent and stuff like that.
• 58:34
  Like it was a really bad accent,
• 58:35
  The accent is not very good. It ~ there's a point where he sounded like Adam
• 58:36
  you know? Yeah. Yeah.
• 58:39
  Sandler. I forgot
• 58:42
  at what part. ~ man.
• 58:43
  Yeah. I but also it's I I think he's right to say it's like one of his best roles.
• 58:50
  I I mean I what else have I seen him in?
• 58:52
  But like I feel like it's the Dick Van Dyke
• 58:53
  The Dick Van Dyke Show.
• 58:55
  show, Diagnosis Murder. That's an obscure reference.
• 58:59
  No one knows. ~
• 59:00
  Think about this. He's been in so little films.
• 59:04
  That's how good he was at this role.
• 59:05
  Yeah. Mhm. Yeah.
• 59:07
  Is that he's so famous because of this.
• 59:09
  Yeah.
• 59:11
  And I think the chemistry between the two is great.
• 59:13
  Yeah, I agree with that.
• 59:16
  ~ and I think the physicality of just like the all the musical numbers
• 59:20
  and stuff and his dancing and dancing with penguins and stuff like that thing.
• 59:24
  I would say
• 59:24
  like twenty seven minimum percent of the of the movie
• 59:30
  was with his knees above his chin.
• 59:33
  Yeah.
• 59:37
  And that's impressive.
• 59:38
  That is that is pretty good.
• 59:41
  ~ what about the children?
• 59:43
  The children we have to go easier on 'cause they're children.
• 59:46
  Mm-hmm. Yeah.
• 59:46
  However,
• 59:47
  there's some good children's actors and there's some bad children's actors,
• 59:51
  and I believe
• 59:52
  I believe that the kid who played Michael was really good.
• 59:55
  And I believe that Jane was okay.
• 59:59
  ~
• 1:00:00
  Okay. Mm-hmm.
• 1:00:04
  I just feel like it
• 1:00:07
  I don't know.
• 1:00:10
  There wasn't very much ~ depth in her character or her like reaction times
• 1:00:15
  Yeah. Mm-hmm.
• 1:00:16
  and stuff like that. But
• 1:00:18
  then again she's a kid. But I feel like the kid who played Michael,
• 1:00:23
  knocked it out of the park with his like facial
• 1:00:26
  Mm-hmm.
• 1:00:26
  expressions. Like pretty much matching Dick Van Dyke's facial expressions.
• 1:00:31
  Mm-hmm. Yeah.
• 1:00:31
  Only he was
• 1:00:32
  more like Huh the whole time.
• 1:00:37
  ~ he's the funniest, I think. And that's just his physicality.
• 1:00:42
  So I think they did well. ~ George Banks what I liked
• 1:00:49
  is that they you I could believe that George
• 1:00:54
  and Michael were father and son,
• 1:00:57
  based off of mannerisms and just overall looks.
• 1:01:01
  ~
• 1:01:05
  So I don't know who that who's matching who there,
• 1:01:08
  but maybe it's just a coincidence.
• 1:01:10
  But ~ I also thought George was great.
• 1:01:13
  Like he had to manage unbothersomeness versus
• 1:01:20
  stressed out.
• 1:01:21
  Yeah.
• 1:01:23
  And he just like he was in his own little world the whole time.
• 1:01:26
  It was yeah. Mm-hmm.
• 1:01:28
  I feel like he
• 1:01:29
  is like he is the one that got lost in his character the most.
• 1:01:33
  No. He's the one that needs to be saved.
• 1:01:35
  Is that what
• 1:01:36
  Yeah.
• 1:01:37
  Basically.
• 1:01:40
  Yeah. So I don't know, I mean,
• 1:01:42
  was there was there any acting that like took you out of it from like
• 1:01:46
  any of the other characters? Or did you feel like overall like this is a pass?
• 1:01:50
  Like this is good. Good stuff.
• 1:01:52
  I would say maybe
• 1:01:53
  like
• 1:01:56
  The maid and the cook. Kinda took me out a little bit.
• 1:02:00
  But 'cause they were just so cartoonish.
• 1:02:00
  Yeah. Mm-hmm.
• 1:02:03
  I don't know. Winifred was kind of
• 1:02:08
  I was surprised after watching the musical,
• 1:02:10
  Kinda good.
• 1:02:10
  I felt like she had less to do in the movie than she does in the musical,
• 1:02:13
  Right. They really played up Winifred's part in the musical.
• 1:02:14
  actually. Yeah, yeah.
• 1:02:17
  ~ for the better, I believe. Okay.
• 1:02:20
  So I think I liked her better in the musical,
• 1:02:22
  but yeah.
• 1:02:25
  So yeah. Nothing really took me out.
• 1:02:27
  What about you?
• 1:02:28
  As far
• 1:02:28
  I mean, as far as the core cast,
• 1:02:29
  I was gonna give it a point. I thought I thought it was good.
• 1:02:32
  I mean, I feel like within just based on Julie Andrews and Dick Van Dyke,
• 1:02:38
  that pair, like, that's
• 1:02:40
  Yeah.
• 1:02:40
  all you need to like keep you engaged,
• 1:02:42
  I think. And the kids just have to kinda hit their marks and they do they
• 1:02:46
  do good at that.
• 1:02:46
  Yeah.
• 1:02:47
  Yeah. Well done. Well
• 1:02:49
  All right.
• 1:02:50
  done. Point
• 1:02:52
  All right.
• 1:02:54
  The characters test. So we've got five categories.
• 1:02:58
  We've got the lead slash hero.
• 1:02:59
  We've got the villain and antagonist.
• 1:03:01
  Then we've got the supporting characters,
• 1:03:03
  the mining the minor characters,
• 1:03:05
  and
• 1:03:06
  Mm-hmm.
• 1:03:06
  then we've got the scene stealer.
• 1:03:08
  ~ I had a really hard time figuring out who the villain was.
• 1:03:13
  Cause there's really not much of a villain besides
• 1:03:13
  I did too. I I don't
• 1:03:15
  like because it's not George Banks.
• 1:03:18
  Yeah.
• 1:03:19
  It's just his mindset.
• 1:03:21
  Yeah. ~ and that's where I guess I don't know I don't even know if I'd call
• 1:03:28
  him the antagonist. Like it honestly,
• 1:03:31
  like, Mary Poppins is kind of the one that like is antagonizing them
• 1:03:35
  to like change I don't know if
• 1:03:36
  True.
• 1:03:37
  that's the right like I guess I mean she's definitely the protagonist.
• 1:03:40
  She's the the lead. But from her like a certain point
• 1:03:40
  That's how George thinks, that's for sure.
• 1:03:44
  of view, that's how they think.
• 1:03:45
  Like she's come into this house and she's messed things up.
• 1:03:47
  Yeah.
• 1:03:48
  And then like
• 1:03:49
  There's like the chairman of the bank,
• 1:03:51
  but even him, he's not like this overarching villain for the whole movie
• 1:03:54
  or anything like that. And honestly,
• 1:03:57
  like those kids did lose him a lot of money at the bank,
• 1:03:59
  so like I'd fire him too. That was a change from the musical.
• 1:04:00
  That's fair true. Yeah, it's very reasonable.
• 1:04:04
  Yeah.
• 1:04:06
  Yeah, I it was very more very much easier to understand in the musical.
• 1:04:11
  Like I had
• 1:04:12
  Mm-hmm.
• 1:04:12
  a choice for to give somebody a loan.
• 1:04:14
  One was just like a money scheme and one was
• 1:04:15
  Mm-hmm. Yeah.
• 1:04:17
  a person that was trying to open up a factory for jobs in the area.
• 1:04:21
  Yeah. Keep yeah.
• 1:04:22
  And I went with the people,
• 1:04:25
  but it could have lost a lot of money.
• 1:04:27
  And I was
• 1:04:27
  Yeah.
• 1:04:28
  freaking out the whole show because I thought I was gonna get fired and yeah.
• 1:04:32
  Mm-hmm.
• 1:04:33
  I was very much bothered instead of unbothered.
• 1:04:36
  You made like you stood by your convictions,
• 1:04:38
  you made a moral choice that could have lost you your job,
• 1:04:42
  but it pays off in the end and then like it works out.
• 1:04:45
  In this one, the guy dies laughing and then like,
• 1:04:48
  Well, we need a new partner. E even though we fired you.
• 1:04:50
  Yeah, it's just very it's confusing,
• 1:04:52
  That like Yeah.
• 1:04:53
  convoluted, but also
• 1:04:56
  convenient
• 1:04:57
  Yeah.
• 1:04:57
  at the end. yeah. So
• 1:04:59
  I felt
• 1:04:59
  like the ending was a little kinda confusing,
• 1:05:02
  so I didn't include that with like the story
• 1:05:03
  Yeah.
• 1:05:04
  element. But yeah. So I don't know.
• 1:05:07
  I I guess you would have to say George Banks,
• 1:05:12
  but he's like redeemed in the end.
• 1:05:14
  I guess that's where I would lean.
• 1:05:16
  Kinda like the main ha character though,
• 1:05:18
  at the same time. Like a lot of the story revolves around him too.
• 1:05:21
  It's just like all the family,
• 1:05:22
  That's true. It is Yeah.
• 1:05:23
  except for it
• 1:05:26
  the whole story revolves around the entire family in the musical,
• 1:05:29
  but in the movie, Winifred has nothing to do with the movie.
• 1:05:33
  George could be a single father and it would nothing would change besides
• 1:05:38
  the first song.
• 1:05:40
  Well, everyone that's listening to this,
• 1:05:42
  let us know, like comment. Let us know who's the villain of this movie is.
• 1:05:45
  I think we're a little stumped on this one.
• 1:05:45
  Yeah. We don't really have to have a villain,
• 1:05:47
  Yeah. I think
• 1:05:48
  I guess. ~
• 1:05:50
  yeah, I think we've still got other categories for characters and
• 1:05:53
  Of
• 1:05:53
  course for the lead we've got Mary Poppins.
• 1:05:55
  Incredible character. She's a magical nanny.
• 1:05:59
  But is she are we supposed to think that?
• 1:06:01
  Are we supposed to just be like believing what the kids are seeing and saying?
• 1:06:06
  Or are we supposed to be like the adult that doesn't see the magic?
• 1:06:10
  But it's just like a good nanny that with good imagination.
• 1:06:13
  'Cause she's very much an an antagonistic person when she gaslights
• 1:06:17
  the kids into saying, like, we didn't do any of that.
• 1:06:18
  Yeah. Yeah. Yeah.
• 1:06:20
  What are you talking about? Go to sleep,
• 1:06:22
  idiot.
• 1:06:23
  Mm-hmm.
• 1:06:25
  So
• 1:06:27
  Yeah. She sh
• 1:06:29
  Mary Poppins might be the villain.
• 1:06:31
  You're right.
• 1:06:35
  It's it's more than that, it's complicated than that.
• 1:06:38
  Mm.
• 1:06:38
  So
• 1:06:39
  I yeah, I think she's great. She's she's like there's like two ideas at play
• 1:06:45
  of like she's at she's bringing order to to their lives and rules
• 1:06:49
  and things like that, but also like a sense of like absurdism
• 1:06:54
  of just like nonsensical
• 1:06:55
  Mm.
• 1:06:57
  like I'm gonna arrive and I'm gonna slide up the banister,
• 1:07:00
  you know, like
• 1:07:01
  Yeah.
• 1:07:01
  everything you know is upside down and I'm gonna show you
• 1:07:03
  Yes.
• 1:07:04
  like how to break the laws of physics.
• 1:07:06
  But not really, you know, like
• 1:07:08
  Yeah.
• 1:07:09
  I I that's just like an element of this movie that I really like.
• 1:07:12
  It's just kind of embracing just some of that.
• 1:07:16
  Yeah, the sill just the silliness.
• 1:07:17
  Kookiness. The overall kookiness.
• 1:07:18
  Yeah. Yeah. Mhm. Yeah.
• 1:07:19
  I love it. Big fan of that.
• 1:07:24
  Alright, well, the supporting characters.
• 1:07:26
  We've got Bert. Classic. The
• 1:07:27
  Mm-hmm. Yeah.
• 1:07:29
  the goat. ~ he basically also takes care of the kids when they're
• 1:07:36
  outside.
• 1:07:37
  Yeah.
• 1:07:38
  He's basically the city tour guide for them.
• 1:07:40
  Mm-hmm.
• 1:07:42
  Like the man. He's a manny.
• 1:07:43
  He's ki
• 1:07:44
  he's kind of a narrator, not really,
• 1:07:46
  but like Yeah. Okay.
• 1:07:47
  He's omnipresent and he's he's the narrator,
• 1:07:49
  Yeah. Mhm. Yeah.
• 1:07:50
  especially in the musical, but
• 1:07:52
  he also talks to us the camera
• 1:07:55
  Yeah.
• 1:07:56
  during this, and he's like, Come this way.
• 1:07:57
  We've got Cherry Tree Lane.
• 1:07:59
  Mm-hmm.
• 1:08:02
  and I just love how like he has a finger on the pulse of the community,
• 1:08:05
  but he's also like also omnipresent in magical.
• 1:08:09
  There's a there's some type of like wizardry.
• 1:08:16
  He's the same he's not a human like Mary Poppins is not a human,
• 1:08:21
  you know. I don't know what he is.
• 1:08:26
  At the same time, like it's like he is,
• 1:08:28
  but he's not magical because like he's it's not like he's like going
• 1:08:32
  off into the clouds either.
• 1:08:34
  Right. Yeah.
• 1:08:36
  ~
• 1:08:36
  I actually I I like it. It's kind of a funny scene when ~ he he draws like
• 1:08:42
  the the sidewalk art and he like he's like,
• 1:08:44
  Okay, I'll take you know, and we'll jump in.
• 1:08:46
  Like try and jump into the the picture and and basically
• 1:08:49
  Who's gonna do weekend two?
• 1:08:52
  Yeah. but like Mary Poppins is just like,
• 1:08:56
  you just like complicate the the most simplest thing.
• 1:08:58
  Like he can't do magic, you know,
• 1:09:00
  like ev ev even though he's got the imagination.
• 1:09:04
  Yeah, so I don't know. It's interesting.
• 1:09:06
  I feel like he is the type he's a regular human but he hasn't lost
• 1:09:11
  his ability to believe in Santa or something like that,
• 1:09:17
  you know, like in a ~
• 1:09:17
  Yeah. He still embraces his inner child.
• 1:09:20
  Yeah. So he's still kind of a child,
• 1:09:22
  so that the magic still works on him.
• 1:09:26
  Definitely a good character.
• 1:09:26
  Okay.
• 1:09:28
  Minor characters, we have Winifred,
• 1:09:31
  less of a role versus in the musical.
• 1:09:33
  Mm-hmm.
• 1:09:34
  for someone who says that men are stupid,
• 1:09:36
  she seems to be she literally says that in in the song.
• 1:09:41
  ~
• 1:09:42
  that's why yeah. ~ she seems to be somewhat of a empty headed one in it.
• 1:09:50
  Like for someone I feel like if this was made today they would emphasize
• 1:09:56
  her being a suffragette as like a serious thing,
• 1:09:59
  but like they sort of play it off as like,
• 1:10:02
  she's just dumb. She's
• 1:10:04
  Mm-hmm.
• 1:10:05
  gonna go be a suffragette and like figure out if women can vote.
• 1:10:10
  Have fun over there.
• 1:10:11
  Mm. Yeah.
• 1:10:13
  And they kinda make her seem dumb in Ditzy.
• 1:10:17
  Mm.
• 1:10:18
  And in the show she's very much not but she's not a suffragette.
• 1:10:23
  So
• 1:10:24
  Mm-hmm.
• 1:10:24
  she just like somehow is more of a feminist icon in the musical than
• 1:10:31
  the suffragette character in the movie.
• 1:10:34
  So, I don't know.
• 1:10:35
  Yeah,
• 1:10:36
  yeah.
• 1:10:38
  So didn't didn't really like her that much in this one.
• 1:10:40
  ~ then we've got the bird lady.
• 1:10:45
  Mm. Yeah.
• 1:10:47
  not as much of a role in this either,
• 1:10:50
  just six basically in the dream sequence and then the one scene.
• 1:10:54
  But ~ sh she was in the show but not in the movie.
• 1:10:57
  She was in your show, but not in this movie.
• 1:10:59
  Yeah.
• 1:11:01
  Yeah.
• 1:11:03
  She even sang, but I feel like she barely talks at all in this movie.
• 1:11:04
  Mm-hmm.
• 1:11:07
  So Yeah. The Feed the Birds was mostly the bird lady's song.
• 1:11:15
  And then we've got Uncle Albert,
• 1:11:17
  full of jokes and helium. I just
• 1:11:19
  Apparently.
• 1:11:20
  love that that's just like the the thing that happens.
• 1:11:23
  If you laugh too hard, you just float to the top.
• 1:11:25
  Happens to anybody. ~ Then
• 1:11:26
  Yeah. Yeah.
• 1:11:31
  we've got Admiral Boom, famous for being punctual.
• 1:11:34
  We get punctuality from Greenwich.
• 1:11:37
  And legend has it, they got it from Admiral Boom.
• 1:11:40
  Love that.
• 1:11:41
  Hmm.
• 1:11:44
  He was in this a lot more. He was more of a scene chan trans scene changer,
• 1:11:48
  Yeah.
• 1:11:49
  transitioner.
• 1:11:52
  but in the show he's just basically at the beginning of each act and it's
• 1:11:57
  not really as much of a impactful,
• 1:12:00
  r memorable thing.
• 1:12:04
  Who would you say? It's the scene stealer.
• 1:12:07
  I don't know. there's also the chairman who's a minor character.
• 1:12:11
  Also played by Dick Van Dyke. Didn't know if you knew that.
• 1:12:13
  Mhm. I I didn't remember that,
• 1:12:16
  but after watching the scene I was like,
• 1:12:19
  yeah. That's definitely Dick Van Dyke.
• 1:12:20
  What's interesting is
• 1:12:22
  that he looks older than Dick Van Dyke is now,
• 1:12:25
  and Dick Van Dyke is a hundred.
• 1:12:27
  Yeah.
• 1:12:30
  So makeup team did really good for him.
• 1:12:32
  Okay, the scene stealer. is it the comic relief or anyone who just steals
• 1:12:38
  the scene in general? I wanna say I might be biased,
• 1:12:42
  but in this movie, I wanna say it's George.
• 1:12:46
  Okay.
• 1:12:47
  Just because he just takes
• 1:12:49
  Mm.
• 1:12:50
  the story by the reins as he's walking through each scene.
• 1:12:54
  I don't know. But what would you say?
• 1:12:56
  Would you say Bert?
• 1:12:59
  Guess I feel like
• 1:13:03
  I like Bert is I could interchange either of these,
• 1:13:06
  like either George or Bert for the supporting character or for the s
• 1:13:11
  sho ~ scene stealer. Yeah.
• 1:13:13
  Or is it Mary Poppins? Cause every time she's
• 1:13:15
  Maybe.
• 1:13:16
  on camera you're like, what's gonna happen?
• 1:13:18
  What's she gonna pull out of that bag?
• 1:13:18
  That's true. I mean yeah. Yeah.
• 1:13:22
  I think it could be Mary Poppins too.
• 1:13:24
  Could be.
• 1:13:25
  Main character Anne steals the scene.
• 1:13:27
  And the villain.
• 1:13:30
  She just takes the whole the whole show.
• 1:13:32
  She's practically perfect in every way.
• 1:13:34
  Yeah. Yeah, I say the characters get a point.
• 1:13:38
  Okay. Good enough, good enough.
• 1:13:40
  Wow, we're taking a long time on this episode,
• 1:13:42
  aren't we?
• 1:13:43
  Yeah.
• 1:13:44
  Okay, well we've got the sensational set design test.
• 1:13:49
  ~
• 1:13:52
  There are some really cool locations and just design in general.
• 1:13:57
  I a lot of the establishing scenes of nineteen ten London was
• 1:14:01
  Yeah.
• 1:14:01
  made with like glass acrylic paintings and stuff.
• 1:14:05
  which is impressive.
• 1:14:09
  But in general,
• 1:14:12
  like the sets, like the the Cherry Tree Lane,
• 1:14:15
  seventeen Cherry Tree Lane, the house.
• 1:14:17
  Every time Admiral Boom's cannon went off,
• 1:14:19
  everything in the house went and then it
• 1:14:19
  Yeah. Mm-hmm.
• 1:14:22
  suddenly, even without Mary Poppins,
• 1:14:24
  it just like they just hit the wall and everything goes back to normal.
• 1:14:27
  Yeah. I I think
• 1:14:27
  I loved that.
• 1:14:28
  I think just the house in that block of houses is like iconic.
• 1:14:32
  ~ mhm.
• 1:14:32
  Yeah. Just having a park in front of your house is cool too.
• 1:14:37
  Yeah, seventeen Cherry Tree Lane,
• 1:14:39
  the Admiral Boom's house. ~ the scene like where they're on the rooftops is like
• 1:14:44
  Yeah.
• 1:14:45
  the one like there's a few mental images I have of watching this movie as a kid,
• 1:14:49
  and it was like the
• 1:14:50
  Okay.
• 1:14:50
  silhouettes of all the chimney sweeps,
• 1:14:52
  like on the rooftops and stuff.
• 1:14:54
  Okay.
• 1:14:55
  I feel like that was
• 1:14:57
  I don't know. An iconic location.
• 1:15:00
  Yeah, yeah. Solid. I feel like what I remember the most is
• 1:15:06
  the park scenes and like the animation.
• 1:15:09
  But yeah. I would say
• 1:15:12
  Mm-hmm.
• 1:15:12
  it's a good set. Good location.
• 1:15:17
  You could recognize it from
• 1:15:21
  Mm-hmm.
• 1:15:21
  just a screenshot of what movie it's from.
• 1:15:23
  Like they built a steamboat on top of a building.
• 1:15:29
  Like
• 1:15:30
  Yeah.
• 1:15:31
  the roof is literally a s a boat.
• 1:15:34
  I think that just utterly confused me as a kid.
• 1:15:37
  Like I did not know what was going on with any of that.
• 1:15:39
  It's like I don't understand this.
• 1:15:42
  Is he on top of the house?
• 1:15:43
  He just retired from the navy.
• 1:15:45
  Is he j are they just next to a a body of water and he's on his ship?
• 1:15:49
  I I don't know why. I just was confused by all that.
• 1:15:49
  Nope. His apartment, his home was a
• 1:15:53
  regular home, but a little ship playset t on top.
• 1:15:58
  But it looked good. It was cool.
• 1:16:01
  So unique too. How do you think of that?
• 1:16:05
  Rest in peace. Okay, well I'll give that a point.
• 1:16:07
  So point for set design? Yeah.
• 1:16:08
  Give that a point, yeah. We've
• 1:16:11
  got cinematography and animation.
• 1:16:13
  Jonathan,
• 1:16:13
  Okay.
• 1:16:14
  this gets a point. I'm sorry. I know what you were gonna say.
• 1:16:16
  It gets a point. Yeah. Mm-hmm.
• 1:16:18
  It's getting a point. Go ahead and give me your defense.
• 1:16:19
  Yeah. No, I mean ~ iconic
• 1:16:26
  a blending of live action, animation,
• 1:16:29
  and just like the acrylic you know,
• 1:16:32
  like the the map paintings of just the composite
• 1:16:33
  Yes, yeah.
• 1:16:34
  shots, groundbreaking for the time.
• 1:16:37
  Mm-hmm.
• 1:16:38
  I watched a really cool video about this in the past year from
• 1:16:42
  the Corridor crew channel.
• 1:16:44
  Yeah.
• 1:16:45
  They're like the
• 1:16:46
  the like CGI React kind of videos.
• 1:16:49
  VFX people.
• 1:16:49
  They yeah, they
• 1:16:50
  like rs they react to good and bad,
• 1:16:52
  like visual effects and things like that.
• 1:16:53
  Mm-hmm.
• 1:16:54
  But they did a video about basically how this movie was made.
• 1:16:59
  It's like a very old school ~ Disney process called like sodium vapor
• 1:17:05
  process of basically how they used to make these shots without green screen
• 1:17:10
  technology back in the day. Like
• 1:17:12
  So crisp and clean.
• 1:17:13
  yeah, how did they they're like
• 1:17:15
  looking at the shots in there,
• 1:17:16
  like how do they do that? Because like with a standard green screen or blue screen,
• 1:17:20
  it's really hard to get like all the all the light reflections out of the shot.
• 1:17:26
  Like anything that's like translucent material or like water in the scene.
• 1:17:31
  ~ if you're like moving around and like you've got long hair,
• 1:17:35
  you're gonna see like bits of green
• 1:17:36
  Mm-hmm.
• 1:17:37
  in the hair. The motion blur is bad.
• 1:17:40
  Like you can just tell it's like in front of a green screen.
• 1:17:43
  And in this it's so crisp.
• 1:17:45
  They're like, How did
• 1:17:45
  Yeah.
• 1:17:46
  they do this? Well, it's this like sodium vapor process,
• 1:17:50
  which is like
• 1:17:51
  It's
• 1:17:51
  an analog version of green screen.
• 1:17:53
  That's the most impressive part.
• 1:17:53
  Yeah. They had these
• 1:17:56
  sodium vapor lights, which were actually more like a yellowish hue,
• 1:18:01
  I guess, for the backgrounds that they would create.
• 1:18:03
  And Disney developed it was developed by Ub Iworks,
• 1:18:08
  ~ is the guy's name, and he they developed these like prisms that would basically
• 1:18:15
  like have two cameras shoot like two strips of film pointed at this prism.
• 1:18:20
  One stretch strip of film
• 1:18:22
  would filter out everything but this specific like ~ I don't know what
• 1:18:28
  the term is but for
• 1:18:28
  Like a negative.
• 1:18:29
  like yeah, except everything that isn't this light,
• 1:18:32
  specific like ~ hue of light, like scientifically they can isolate this specific
• 1:18:38
  light with this ~ this like sodium vapor bulb,
• 1:18:43
  I guess. Yeah. Mhm.
• 1:18:43
  With most lighting, like an LED,
• 1:18:45
  there's like three types of lights and and ~ frequencies,
• 1:18:46
  The red, green and blue. Yeah.
• 1:18:49
  but this one only had the one frequency.
• 1:18:50
  Mm.
• 1:18:53
  So they learned how to use this prism and only like three were made.
• 1:18:56
  And they used it to like shoot a negative and then so basically everything except
• 1:19:02
  for the light and then a shot with like nothing but that light.
• 1:19:06
  And so then they were able to use
• 1:19:07
  So what you're saying is that they
• 1:19:09
  added the negative to the positive and the positive to the negative.
• 1:19:12
  Yeah, that's exactly what they did.
• 1:19:14
  So they shot these, you know, bas on these with this background and then like
• 1:19:20
  all did it all in camera and then you just combine the shots and it was great.
• 1:19:25
  Like that with the animation strip that they were already used to doing,
• 1:19:29
  this like multi multi pane shots where they could do the two D animation.
• 1:19:35
  Like it was an innovative process that they like stopped doing.
• 1:19:40
  And so this Corridor crew
• 1:19:41
  Yeah.
• 1:19:42
  video, like, they're like, we're gonna try and recreate this.
• 1:19:45
  And so they did like a shot of like one of the the employees like,
• 1:19:50
  I'm gonna I I have this dream to make this film of like a clown getting married
• 1:19:54
  on Mars with like multicolored hair and wearing like a wedding veil,
• 1:19:57
  Drinking water. All
• 1:19:58
  drinking water
• 1:20:00
  like the worst things you can do for a green screen.
• 1:20:02
  Everything that's like
• 1:20:03
  yeah, makes it impossible. You gotta do all these tools to try and like feather
• 1:20:06
  out the lines and clean it up.
• 1:20:08
  Yeah. Have you done some green
• 1:20:08
  And it was just like instant.
• 1:20:11
  screen editing, Jonathan?
• 1:20:13
  Just barely. Like nothing really.
• 1:20:15
  It's so hard. Like I've yeah, I've never gotten it right.
• 1:20:15
  Enough to know it's miserable.
• 1:20:16
  Yeah. Yeah. It's so hard.
• 1:20:19
  Like you have to get the lighting just
• 1:20:21
  right. And there's still like a lot of cleanup involved.
• 1:20:24
  So all that to say, I don't know if we can like link that video in our show notes
• 1:20:29
  or something, but like I would check that out on YouTube.
• 1:20:32
  Yeah, we'll give a little bit of a push in viewership.
• 1:20:32
  Mm-hmm. Yeah. That I mean, they're only at like seven million views right
• 1:20:36
  Yeah. It's so fascinating.
• 1:20:37
  now as of today when I rewatched it,
• 1:20:39
  so yeah.
• 1:20:41
  Yeah.
• 1:20:42
  I
• 1:20:42
  was just like, why aren't more movies being shot this way?
• 1:20:45
  I mean, I guess it is easier to do it like on the volume now,
• 1:20:49
  but like it was just like a really cool way and like they kinda just stopped using
• 1:20:55
  it. So, I don't know. Pretty cool though.
• 1:20:59
  I
• 1:20:59
  guess when you have to do VFX just to make the background anyways,
• 1:21:02
  people are just like, Let's just do the green screen and get it over with
• 1:21:05
  Yeah. Yeah.
• 1:21:07
  But it's incredible.
• 1:21:09
  Yeah, iconic. Gets a point.
• 1:21:12
  Yeah, gets a point for sure. I would give it two points if that worked,
• 1:21:15
  Mm-hmm.
• 1:21:15
  but
• 1:21:15
  that's not how IQ two point works.
• 1:21:18
  ~ now we've got the sound design.
• 1:21:22
  Jonathan, we've got a whole another brand new category.
• 1:21:24
  Tell us a little bit about
• 1:21:25
  Yeah.
• 1:21:25
  that.
• 1:21:26
  Yeah. ~ this was suggested by Jonathan Pauley,
• 1:21:30
  who we had on the Toy Story episodes with us.
• 1:21:32
  I he just noticed we talked a lot about the sound design in general
• 1:21:36
  on those episodes. We're like,
• 1:21:37
  yeah, we we definitely should have added this as a category.
• 1:21:40
  Having said that, I am not giving this movie a pass.
• 1:21:43
  This has this has that Yeah.
• 1:21:45
  Our debut test. It's funny.
• 1:21:47
  No, I mean
• 1:21:49
  the sound design, it has that old movie sound to it,
• 1:21:53
  Like the crisp
• 1:21:53
  where like
• 1:21:54
  Ugh.
• 1:21:55
  All
• 1:21:55
  like all the characters are like yelling and it has that like tinny sound
• 1:21:59
  to it that it's it's kinda hard to listen to,
• 1:22:01
  Yeah. I guess. It's a little nostalgic though.
• 1:22:02
  ~ to be honest.
• 1:22:06
  What'd you say?
• 1:22:08
  ~
• 1:22:11
  Sound sound wise, no. I don't know.
• 1:22:14
  I mean
• 1:22:15
  Okay, we'll give that a zero. It can't be perfect.
• 1:22:17
  maybe that's the sound mix versus sound design of like but I couldn't really think
• 1:22:22
  of like that's an iconic sound effect that they added for the foley
• 1:22:25
  Yeah.
• 1:22:26
  and things like that. Maybe you thought so.
• 1:22:28
  What did you have?
• 1:22:30
  I didn't nothing of nothing of note really.
• 1:22:32
  Mm-hmm.
• 1:22:33
  ~
• 1:22:34
  it doesn't bother me as much just because it's I it was the acting
• 1:22:40
  and the like the voices were nice.
• 1:22:42
  Like it wasn't like the transatlantic accent or just like
• 1:22:46
  Accent, yeah.
• 1:22:48
  the like in the nineteen forties every dude talked the same with
• 1:22:53
  the same cadence and monotone and it was like
• 1:22:54
  Mm. Yeah.
• 1:22:56
  miserable. But
• 1:22:58
  Yeah, the sound design itself.
• 1:23:02
  Wasn't anything special. I'll I'll
• 1:23:04
  Yeah.
• 1:23:04
  give you that.
• 1:23:05
  Mhm. Good visual effects. I mean the songs were great,
• 1:23:08
  but I felt like a lot of the like it just didn't have a lot of clarity
• 1:23:12
  as far as like the dialogue and and whatnot.
• 1:23:15
  I wasn't a fan of the sound mix in this,
• 1:23:18
  but
• 1:23:19
  Ugh, yeah. I'll go zero on
• 1:23:23
  Okay.
• 1:23:23
  that. there's one more thing I wanted to talk about for cinematography
• 1:23:27
  and animation because we didn't talk about the animation part.
• 1:23:28
  yeah. Okay. yeah, yeah.
• 1:23:31
  There's an animated scene in this,
• 1:23:33
  and I was just so impressed how well they intertwined it.
• 1:23:37
  It could have just
• 1:23:37
  Mm-hmm.
• 1:23:38
  been like they're walking and walking and walking.
• 1:23:40
  But especially the horse, the merry-go round scene.
• 1:23:44
  Yeah.
• 1:23:45
  Every time it touched the ground it would scrape on the cartoon version
• 1:23:48
  Mm-hmm. Mm-hmm.
• 1:23:49
  and it looked
• 1:23:50
  seamless. And like w they were hunting the fox and it went up and around the pole.
• 1:23:55
  Like it was very cool. It looked very hard to do.
• 1:23:59
  So just wanted to say that was very good too.
• 1:24:04
  that was good. Yeah, I mean all that to say with the you know,
• 1:24:08
  the background compositing that we were talking about,
• 1:24:10
  it was all to make way for the two D animation,
• 1:24:13
  which was which was great too.
• 1:24:16
  Yeah. So. Alright, Jonathan test number nine is the cool credits test.
• 1:24:22
  This factors in the opening credits and the end credits.
• 1:24:26
  Does it have a cool animation at the beginning?
• 1:24:29
  Is there anything creative if there's like bloopers or something at the end?
• 1:24:34
  So it's not just boring black text.
• 1:24:36
  You know. ~ did you notice anything?
• 1:24:40
  I didn't either.
• 1:24:41
  I didn't. No. I
• 1:24:43
  mean this is these old movies like this,
• 1:24:45
  the it's like very basic like credits at the start and at the end.
• 1:24:50
  Yeah. It's a little bit like artsy.
• 1:24:50
  Which is which is kinda nice,
• 1:24:53
  They're like
• 1:24:54
  yeah.
• 1:24:55
  like here's a screen and this is who directed it.
• 1:24:58
  This is starring blank blank blank but like it's
• 1:24:58
  Yeah. Mm-hmm.
• 1:25:01
  and it's like a long overture.
• 1:25:03
  Like movies don't have overtures anymore.
• 1:25:05
  True,
• 1:25:05
  yeah. Yeah. ~ but I it didn't really stand out to me.
• 1:25:11
  Yeah.
• 1:25:12
  Me neither.
• 1:25:14
  Unfortunately
• 1:25:16
  Zero for the cool credits.
• 1:25:18
  Yeah. Not very cool of credits of them.
• 1:25:20
  Mm.
• 1:25:23
  Alright. And then we've got test number 10,
• 1:25:26
  the rewatchable review factor.
• 1:25:28
  Whew, Jonathan, is this a rewatchable movie?
• 1:25:32
  Is this like national treasure?
• 1:25:34
  Are you gonna want to watch it as soon as it ends?
• 1:25:38
  ~ I'm gonna say no. This movie is too long.
• 1:25:40
  I'm I'm gonna say no too. Sorry.
• 1:25:42
  It's too long and it's yeah.
• 1:25:43
  That it's
• 1:25:46
  that's the downside of this movie.
• 1:25:47
  This movie is two hours and nineteen minutes long.
• 1:25:49
  I would absolutely love it if this got down to a ninety
• 1:25:56
  to a hundred minute runtime. Which is isn't maybe fair,
• 1:26:00
  I don't know, but I
• 1:26:01
  Even the show is long too.
• 1:26:03
  the show was long, I will say.
• 1:26:07
  it was like a seven o'clock show that we saw a few guys and we didn't
• 1:26:11
  get out till like ten o'clock,
• 1:26:13
  I feel like. And then we stayed around and talked.
• 1:26:16
  I felt like we didn't leave till like ten thirty,
• 1:26:18
  so ~ so I I don't know.
• 1:26:22
  I there's a lot of elements that I really like about this movie and the song.
• 1:26:26
  Songs are iconic. But I do feel like there's like a lot of repr like a reprise
• 1:26:32
  of a lot of the songs. But
• 1:26:34
  Yeah.
• 1:26:34
  like the Spoonful of Sugar Scene.
• 1:26:37
  Like it I remember that as like when they're taking the medicine.
• 1:26:40
  But
• 1:26:41
  Yeah.
• 1:26:41
  it starts sooner than that in the movie.
• 1:26:43
  There's like a it's like when they're cleaning the room.
• 1:26:45
  Yes. And that didn't make sense to me because I was
• 1:26:46
  So Yeah.
• 1:26:49
  used to the musical and she sings practically perfect.
• 1:26:52
  Mm-hmm. True. Yeah.
• 1:26:52
  And that makes more sense
• 1:26:55
  for that scene, obviously, 'cause I wrote it for that scene.
• 1:26:58
  You know, so I I don't know. I feel like some of the songs repeated
• 1:27:01
  and they could have cut out a lot.
• 1:27:03
  Yeah.
• 1:27:04
  And a lot of it is slow too. Like even
• 1:27:07
  the reading of the the advertisement and like some
• 1:27:11
  Mm-hmm.
• 1:27:11
  of the singing was way too slow just 'cause they were getting their points across.
• 1:27:16
  But nah, they it could have been could have been a lot faster.
• 1:27:19
  We could shave
• 1:27:20
  I I
• 1:27:20
  off a little bit. Just hold two X on TikTok.
• 1:27:22
  Yeah.
• 1:27:23
  Yeah, I mean it's it's just too long.
• 1:27:26
  The pacing isn't there for this movie,
• 1:27:27
  I I feel like, and that's that's gonna I definitely think people should watch this
• 1:27:32
  movie. But is it one you're gonna rewatch over and over again?
• 1:27:35
  I I don't think so.
• 1:27:37
  Am I gonna show this to my kid over showing them coconut or minions?
• 1:27:40
  Yes, I will.
• 1:27:41
  Yeah, yeah.
• 1:27:43
  It's very low stem, but
• 1:27:44
  Mm-hmm. Yeah.
• 1:27:46
  also speed it up a little bit.
• 1:27:48
  Yeah.
• 1:27:49
  There's a lot of positive I think we've talked very positively about it,
• 1:27:52
  but
• 1:27:52
  Yeah.
• 1:27:52
  the runtime what has been the biggest factor for me on this one?
• 1:27:56
  I'm not gonna wanna restart it as soon as I start it.
• 1:27:58
  As soon as I finish the movie.
• 1:27:58
  Yeah. Mm-hmm.
• 1:28:02
  Especially that I've been thinking about this story for three months.
• 1:28:06
  Yeah.
• 1:28:06
  For a
• 1:28:07
  minimum of three hours a day.
• 1:28:09
  We
• 1:28:09
  were definitely like, should we cover like Mary Poppins returns and saving Mr.
• 1:28:13
  Banks? And we're like, Let's just do Mary Poppins and then it'd be done there.
• 1:28:17
  Yeah. Well I'll get I'll get nostalgic later.
• 1:28:17
  You're you've been thinking about this for a long time.
• 1:28:19
  Yeah.
• 1:28:21
  Yeah. It
• 1:28:24
  Tech Week was every single day.
• 1:28:26
  ~ minimum of three hours.
• 1:28:29
  But it took longer 'cause there's stops.
• 1:28:33
  Okay. So zero points there.
• 1:28:34
  Yeah.
• 1:28:35
  Zero points. I th it was going strong until the last three.
• 1:28:38
  So we've got seven points objectively.
• 1:28:41
  So it's already a staple.
• 1:28:45
  six, seven, correct. So it's already in a staple tier,
• 1:28:49
  which I'm happy.
• 1:28:49
  Okay.
• 1:28:50
  I'm glad it's not a quack because of it objectively.
• 1:28:52
  Okay. Mm-hmm.
• 1:28:54
  but we now have our lightning fast bonus round where we add a little
• 1:29:00
  bit of bonus points to it. Just h hit it over the edge.
• 1:29:01
  Mm-hmm. Okay, okay.
• 1:29:03
  Because I do believe
• 1:29:04
  I personally kind of believe that this is a stapleist picture.
• 1:29:07
  It's a classic. If Walt Disney thinks it's the best
• 1:29:09
  Mm-hmm.
• 1:29:10
  movie he's done, it's gotta hit that.
• 1:29:12
  So it's our duty
• 1:29:14
  Mm.
• 1:29:14
  To add these bonus points to it.
• 1:29:16
  But he he never lived to see country bears.
• 1:29:18
  I I'll just leave that caveat.
• 1:29:18
  That's so fair.
• 1:29:20
  I wish he would have s seen that.
• 1:29:22
  Yeah.
• 1:29:23
  Dang, Jonathan. Hit him where it hurts.
• 1:29:24
  Yeah. Mm-hmm. Yeah, sorry.
• 1:29:26
  I'm gonna think about that at night.
• 1:29:27
  Man,
• 1:29:29
  he never got to see the best Disney movie of all time.
• 1:29:33
  Okay, well our first bonus category is the DVD menu.
• 1:29:38
  ~ does this have a good DVD menu?
• 1:29:40
  There were no DVDs in nineteen sixty four.
• 1:29:42
  However, in two thousand nine there was the forty fifth anniversary,
• 1:29:47
  some would say the peak D V D Blu ray era.
• 1:29:50
  and it I could show it to us right now,
• 1:29:54
  honestly. Or I could just put it on screen.
• 1:29:56
  What would you like? Would you like to see that?
• 1:29:59
  I watched ~ a video on YouTube of it.
• 1:30:01
  If you've got it ready to pull up,
• 1:30:02
  Okay. It's I think I do.
• 1:30:04
  we can pull it up.
• 1:30:08
  Here is Can you see everything correctly?
• 1:30:11
  Yeah, I can see it.
• 1:30:14
  Look at all this motion graphics right there.
• 1:30:16
  And it looks antique also.
• 1:30:19
  this is different than the one I saw.
• 1:30:20
  Yeah.
• 1:30:21
  really?
• 1:30:24
  Well, here we've got the the kite floating around that George made or mended.
• 1:30:29
  And then this is the actual scene from the beginning where she's on the cloud.
• 1:30:32
  And I like that
• 1:30:32
  Yeah.
• 1:30:33
  because it's a a clip, but it's also like a personality thing.
• 1:30:36
  And then
• 1:30:37
  Yeah.
• 1:30:37
  it's just everything has a good transition animation too.
• 1:30:41
  You'll see once it goes to the scene selection in a little bit.
• 1:30:46
  but I'm already passing it based off of this.
• 1:30:51
  'Cause you didn't need to add motion
• 1:30:52
  Yeah, skip ahead a little bit.
• 1:30:53
  graphics. It's it's almost there.
• 1:30:56
  ~ okay. Yeah, there was another version I saw on YouTube
• 1:30:56
  Yeah. So right here.
• 1:31:01
  that was ~ it started out that was pretty cool.
• 1:31:05
  Isn't that good? ~ that's so good.
• 1:31:06
  Yeah.
• 1:31:08
  Yeah, the other one I saw it was like it was kind of like the two D animation
• 1:31:12
  in the park. It started out with like the penguins
• 1:31:15
  really?
• 1:31:16
  and like the penguin kind of like waddles up and kind of makes a face
• 1:31:19
  at the camera and then it like opens up a storybook and on one side is like
• 1:31:24
  an image like a video of like
• 1:31:26
  Mary Poppins and Bert dancing,
• 1:31:28
  and then on the other side was like the menu.
• 1:31:30
  And it was it was kinda simple,
• 1:31:31
  well, I
• 1:31:32
  but it was like it it kind of incorporated the two D animation to it.
• 1:31:36
  So I mean they've got two. That's okay,
• 1:31:37
  I think that was the fortieth anniversary version.
• 1:31:40
  that's the one I saw.
• 1:31:43
  I thought this one I I only saw the screen.
• 1:31:46
  I thought it was just a simple I didn't know they had the animation,
• 1:31:48
  so I didn't look into that one.
• 1:31:49
  That's just a little intro, yeah.
• 1:31:49
  So But anyways.
• 1:31:50
  Well, I would say yes then.
• 1:31:53
  Alright, so we're at eight points.
• 1:31:54
  We've got two pretty good ones there.
• 1:31:57
  Alright, getting close. Would this work as a theme park attraction?
• 1:32:01
  This is our second bonus point.
• 1:32:03
  Okay. ~ I didn't really think about this.
• 1:32:06
  Or just like a an area in Disney.
• 1:32:07
  Well
• 1:32:09
  Like
• 1:32:10
  Cherry Tree Lane at Disney, would that be cool?
• 1:32:12
  And they like every hour they could have Admiral
• 1:32:12
  I actu Yeah.
• 1:32:14
  Boom going boom and like
• 1:32:16
  They almost
• 1:32:17
  they almost did that actually.
• 1:32:18
  I looked it up.
• 1:32:19
  Really?
• 1:32:20
  They 'cause I was curious if they had any anything Disney related there.
• 1:32:24
  And they were going to not do a ride,
• 1:32:27
  but they were gonna like expand
• 1:32:27
  Anything Disney related at Disney?
• 1:32:29
  Yeah, yeah, yeah, sorry. Anything Mary Poppins related at Disney.
• 1:32:33
  Gotcha. Okay. You're well.
• 1:32:33
  Thanks for that correction. ~
• 1:32:36
  Yeah, they were gonna like expand one of the areas to be like Mary Poppins themed
• 1:32:42
  a little bit. Nothing crazy, but they were gonna do an expansion
• 1:32:46
  And it was like right before COVID and then it just never happened
• 1:32:50
  and then they cancelled it. They just decided not to do it.
• 1:32:52
  'Cause it was gonna be a lot of money and they were losing money,
• 1:32:55
  Yeah. That's fair. That's fair.
• 1:32:55
  so
• 1:32:57
  so they might do it at some point,
• 1:32:58
  but ~ I didn't think of any rides though specifically.
• 1:33:03
  It doesn't I guess it doesn't have to be an attraction,
• 1:33:05
  but like an
• 1:33:05
  Mm-hmm.
• 1:33:06
  area. Like I would walk through Cherry Tree Lane in the park easily.
• 1:33:11
  No problem.
• 1:33:14
  I feel like we've always done it as like a ride though.
• 1:33:17
  Yeah.
• 1:33:19
  Well, here's my ride idea. Get this.
• 1:33:22
  Yeah.
• 1:33:23
  Holding onto an umbrella and going up into the sky.
• 1:33:26
  I don't think it necessarily works for that,
• 1:33:28
  but maybe like a chimney sweep journey,
• 1:33:30
  like roof running or kite flyers.
• 1:33:31
  Mm-hmm. huh.
• 1:33:33
  Even if it's like a quick merrygo round thing.
• 1:33:34
  I yeah.
• 1:33:36
  Now, if anyone could pull off the the loose merry-go-round,
• 1:33:42
  like without the tracks, it would be Disney World.
• 1:33:45
  But
• 1:33:48
  I don't know, maybe I'll say no on that.
• 1:33:52
  Yeah. I they could definitely do one so I mean like I went to Disney
• 1:33:55
  and they have all these dark rides that kind of just like take you through
• 1:33:58
  the story of the movie, like Peter Pan
• 1:33:59
  Yeah.
• 1:34:00
  and ~ Little Mermaid, stuff like that.
• 1:34:03
  So they could definitely do something that went through all
• 1:34:06
  the different sequences and have like the animation stuff and the other
• 1:34:10
  the scenes at the house, but I don't know.
• 1:34:12
  Something iconic that you're like,
• 1:34:14
  I wanna ride that. I've I don't know.
• 1:34:18
  I might say zero. Mm-hmm.
• 1:34:18
  However, it would be a good area to walk through.
• 1:34:21
  Mm-hmm.
• 1:34:22
  So maybe like an old like animation,
• 1:34:26
  like London animation area. That'd be cool.
• 1:34:29
  Mm-hmm. Yeah.
• 1:34:31
  Yeah.
• 1:34:34
  So alright, well we'll no no let's say no.
• 1:34:35
  We'll see how it scores. I don't know.
• 1:34:36
  Maybe we can come back and revisit it.
• 1:34:37
  Okay. Okay.
• 1:34:39
  I think we'll say no on that. That's fine.
• 1:34:41
  All right. What else we got?
• 1:34:41
  We'll we'll we'll
• 1:34:43
  change it if Disney actually does that.
• 1:34:46
  Okay.
• 1:34:47
  Alright, so we have the iconic props.
• 1:34:49
  Is there a standout prop that you can identify that's that's from that movie?
• 1:34:53
  Mm-hmm. Yeah.
• 1:34:55
  Ya yes, absolutely. It's either the chimney brush or Mary Poppins umbrella with
• 1:35:00
  the parrot. It's awesome.
• 1:35:00
  Yeah. Yeah, with the parrot handle.
• 1:35:02
  Yeah. No,
• 1:35:03
  Cool.
• 1:35:04
  that's iconic.
• 1:35:04
  They actually
• 1:35:05
  they actually bought that specific prop for the show from like the Disney store
• 1:35:09
  or something. So yeah. So I hope hopefully sh
• 1:35:10
  really? Huh.
• 1:35:13
  the the girl who played Mary Poppins got to keep that.
• 1:35:16
  That'd be cool.
• 1:35:16
  Yeah. Yeah.
• 1:35:20
  however, there's a cool story about my honorable mention choice
• 1:35:24
  is the cathedral snow globe.
• 1:35:24
  Mm-hmm. Mm-hmm.
• 1:35:27
  I loved that. It was so cool because it had birds instead of the snow flying around
• 1:35:32
  the cathedral. And
• 1:35:34
  So basically, when the founder and chief archivist at Walt Disney Archives,
• 1:35:40
  Dave Smith, went on a search for the snow globe from this movie,
• 1:35:43
  which featured the birds flying around St.
• 1:35:45
  Paul's Cathedral, he finally found it on a shelf in a janitor's office.
• 1:35:49
  The janitor explained that he saw the snow globe sitting in a trash can,
• 1:35:54
  but found it too pretty to throw away and he kept it himself.
• 1:35:58
  So like the movie people didn't care about it that much,
• 1:36:02
  but it was so cool
• 1:36:03
  That a janitor to put it on his own shelf in his office.
• 1:36:07
  That is a pretty good honorable mention there.
• 1:36:08
  Pretty good pop. Pretty good prop.
• 1:36:09
  Yeah. Mm-hmm.
• 1:36:10
  I'm not gonna
• 1:36:11
  recognize it from this movie. I might now,
• 1:36:14
  but not as much as the umbrella.
• 1:36:16
  Mm-hmm. Mm-hmm.
• 1:36:16
  But I'm gonna give it a point just based off of the umbrella.
• 1:36:20
  Umbrella's never made people fly before until this time,
• 1:36:23
  so
• 1:36:25
  I had one other prop I was gonna bring out.
• 1:36:27
  It's not Mary
• 1:36:27
  yeah?
• 1:36:28
  Poppins related, but it's my nameplate from when I worked in a bank like Georgia
• 1:36:32
  Banks.
• 1:36:33
  Okay.
• 1:36:34
  So there it is. I pulled this out.
• 1:36:36
  It was in the same little shoebox I had with all my like my tuppence,
• 1:36:39
  you know, with my British money.
• 1:36:40
  Okay. That's fun. How is the world of finance?
• 1:36:41
  So I just thought I would bring it out for this Mary Poppins episode.
• 1:36:46
  Finance, yes. Well, very indubitably good.
• 1:36:50
  well yes.
• 1:36:51
  Yeah. Alright, well we'll pass the props.
• 1:36:53
  So props get a point, a bonus point.
• 1:36:54
  We're at nine
• 1:36:55
  points. We only need one more to get stapliest.
• 1:36:57
  But we've got fantastic foods and where to find them.
• 1:37:01
  Jonathan, they talk about two things a spoonful of sugar.
• 1:37:07
  And gingerbread. But they don't show gingerbread.
• 1:37:10
  In the in the play, they show gingerbread.
• 1:37:13
  They're gingerbread stars. That this is wood.
• 1:37:16
  However, my mother
• 1:37:17
  Mm.
• 1:37:18
  in law, who played the Bird Lady,
• 1:37:19
  actually baked me some gingerbread stars,
• 1:37:22
  and she has the best gingerbread recipe.
• 1:37:24
  So I love that. However, it's not featured in the movie,
• 1:37:25
  Okay, that's great. Hmm. Hmm.
• 1:37:28
  unfortunately.
• 1:37:29
  Yeah.
• 1:37:30
  Did you want to drink a spoonful of that
• 1:37:36
  Medicine.
• 1:37:39
  Let me tell you, I did.
• 1:37:41
  Really?
• 1:37:42
  I did. I am a Robotusin fan myself.
• 1:37:45
  And to see to
• 1:37:45
  Jonathan, you nasty individual.
• 1:37:47
  see a spoonful of like the different colors,
• 1:37:50
  I thought that was really cool.
• 1:37:51
  And it tasted like lime cordial and strawberries and like I rum punch
• 1:37:57
  I guess was the other one. But like I I thought it looked good.
• 1:37:58
  Yeah. Strawberries
• 1:38:00
  I don't know.
• 1:38:02
  To have something like tastes different to like
• 1:38:05
  To basically like the beauty is in the eye of the beholder,
• 1:38:07
  like whatever tastes good to that person.
• 1:38:08
  Yeah. It's that that is some Willy Wonka stuff.
• 1:38:09
  That's like some Willy Wonka stuff there.
• 1:38:11
  I was gonna
• 1:38:12
  Okay.
• 1:38:13
  give it a point.
• 1:38:14
  I was not gonna give it a point because I have trauma from Robotessin.
• 1:38:17
  But maybe that should give me the p give it the point.
• 1:38:19
  Just
• 1:38:20
  think of that like pink bubblegum like cold medicine,
• 1:38:22
  you know?
• 1:38:23
  ~ amoxicillin. That's some good stuff right there.
• 1:38:27
  I love that.
• 1:38:27
  No. ~
• 1:38:29
  Right out of the tube. Alright,
• 1:38:32
  well if you you feel so strongly about it,
• 1:38:34
  and you you won me over with a Willy Wonka of it all,
• 1:38:36
  I'll give it that.
• 1:38:37
  Mm-hmm.
• 1:38:39
  So we've got ten points. But does it get eleven with the costume test?
• 1:38:45
  Yes it does. Obviously.
• 1:38:48
  yeah. Yeah, I mean
• 1:38:49
  The
• 1:38:49
  Mary Poppins outfit is iconic and and also with Bert,
• 1:38:54
  like yeah.
• 1:38:54
  Yeah. The Jolly Holiday costumes alone should be in the Smithsonian
• 1:38:58
  if they aren't already. the Chimney Sweeps costumes,
• 1:39:02
  ~ it i it's iconic. If you have the brush if you don't have the brush
• 1:39:08
  you kinda look like the newsies,
• 1:39:09
  but and then every outfit Mary Poppins had was iconic as well.
• 1:39:15
  So
• 1:39:15
  Also,
• 1:39:15
  does it count if people cosplay as Yandu from Guardians of the Galaxy when he's
• 1:39:20
  like, I'm Mary Poppins, y'all
• 1:39:21
  Yeah.
• 1:39:24
  I guess it does count. I'm not gonna count that.
• 1:39:28
  However, ~ Phil
• 1:39:28
  They it already got a point. It's just an honorable mention.
• 1:39:32
  It got the point, yeah. However,
• 1:39:34
  one of the guys in our ~ show,
• 1:39:36
  Phil, had a shirt that said I'm Mary Poppins,
• 1:39:38
  y'all. And he wore that to rehearsal a lot.
• 1:39:38
  that's cool.
• 1:39:41
  That's funny.
• 1:39:43
  Shout out to Phil. Alright,
• 1:39:46
  well we've got a grand total of eleven points.
• 1:39:50
  Ta da! Congratulations to Mary Poppins for being a classic,
• 1:39:54
  a staple, but stapliest of the staples.
• 1:39:59
  That scored really high.
• 1:40:01
  very high. Objectively too. Like I was very impressed with this movie.
• 1:40:05
  It it's in objectively
• 1:40:07
  a good movie that I'm not gonna rewatch a ton.
• 1:40:09
  But that's okay. Like it's definitely yeah.
• 1:40:09
  I know. Yeah. That's kind of a rare thing.
• 1:40:13
  Like I feel like if it's gonna get stapleist,
• 1:40:15
  Mhm.
• 1:40:16
  it's gonna also be rewatchable.
• 1:40:18
  Yeah. Yeah. If it was just sh if it was shorter,
• 1:40:20
  And it I'm gonna not
• 1:40:22
  it would be like an all time classic for me.
• 1:40:24
  But yeah.
• 1:40:24
  Yeah.
• 1:40:25
  And I will rewatch this, just not all the time,
• 1:40:28
  not every year.
• 1:40:29
  Yeah.
• 1:40:30
  Part of it for me too is like I'm not the biggest like musicals guy is part of it.
• 1:40:34
  Yeah. That's fair.
• 1:40:35
  So like
• 1:40:36
  when the it goes on, like a a lot of the song and the numbers go
• 1:40:40
  on for extended sequences. It's like,
• 1:40:42
  Okay, well, I'm ready to kinda move on after a bit,
• 1:40:45
  but Okay.
• 1:40:48
  Yeah. Well, wow, we did it.
• 1:40:48
  Well I guess we should move on now.
• 1:40:51
  Our first episode of ~ IQ Test two point ~ is a stapleist movie.
• 1:40:58
  So wow, congrats.
• 1:41:01
  This is great. What are we
• 1:41:04
  Mm-hmm.
• 1:41:04
  doing next week, Jonathan? What do you think?
• 1:41:07
  Well, ~ this is episode one forty nine,
• 1:41:11
  right? So next week
• 1:41:12
  Yeah, we're gonna one fifty.
• 1:41:13
  next week is a special episode one fifty,
• 1:41:16
  I realized today. And
• 1:41:16
  I didn't even think about that till just now.
• 1:41:19
  we're gonna have a special guest on the show
• 1:41:21
  Okay.
• 1:41:22
  to cover a very special movie that we all love.
• 1:41:25
  It's gonna pass,
• 1:41:25
  All right.
• 1:41:26
  it's gonna score really good. I already know.
• 1:41:28
  But we're gonna love talking about it.
• 1:41:28
  Yeah. Perfect. All right.
• 1:41:30
  So that's a little tease for next week,
• 1:41:31
  if you're still listening.
• 1:41:35
  Wonder who it's gonna be.
• 1:41:36
  Mm-hmm.
• 1:41:39
  I'll you a hint. ~ she has seen Mary Poppins on Broadway.
• 1:41:44
  ~ okay. She's
• 1:41:46
  If you listen to
• 1:41:46
  the beginning of this episode,
• 1:41:48
  you would get that reference. That's your that's your
• 1:41:50
  She's right
• 1:41:51
  behind you, isn't she?
• 1:41:54
  Couple room maybe the other room.
• 1:41:55
  What if she was there the
• 1:41:55
  whole time just reading on the floor?
• 1:41:58
  She has joked about that. Like I'll just hang out in there with you.
• 1:42:00
  ~
• 1:42:03
  newlyweds.
• 1:42:04
  Mm-hmm.
• 1:42:04
  So fun. Well alright, well let's ~ s close this out.
• 1:42:09
  Another day,
• 1:42:10
  Yeah.
• 1:42:10
  another staple in the staple pack.
• 1:42:13
  That was stupid. another day,
• 1:42:17
  another staple. Well everyone,
• 1:42:19
  our only question left is Have you seen the Broadway musical?
• 1:42:23
  Who's who's the villain of this movie?
• 1:42:24
  And is it better than the movie?
• 1:42:25
  Sorry.
• 1:42:26
  Yeah No, that's that's better.
• 1:42:29
  Yeah.
• 1:42:30
  another day, another staple. Well everyone,
• 1:42:33
  our only question left is who do you think the villain of this movie is?
• 1:42:36
  'Cause I don't know. We can't decide.
• 1:42:39
  ~ let us know in the comments or on Instagram at insidequotes cast.
• 1:42:46
  And if you haven't followed us,
• 1:42:47
  go ahead and do that and let us know if there are any other movies you want
• 1:42:49
  us to cover on the show.
• 1:42:51
  Our show art was done by Bryce Bridgman and you can find him on Instagram
• 1:42:55
  at Groovy Bridge.
• 1:42:57
  And we would love it if you left us a five star review.
• 1:43:00
  ~ five stars and we will never feed you castor oil or gruel.
• 1:43:05
  Bye. Thanks for listening everybody.
• 1:43:08
  We hoped you enjoyed us talking about our childhood staples just as much as we have.
• 1:43:12
  And if you did, make sure you hit follow on Apple Podcasts or Spotify
• 1:43:16
  or YouTube so that you don't miss out on a future episode.
• 1:43:20
  Also, if you like the show, share it with your friends.
• 1:43:24
  Until next week, we'll see you right here on Inside Quotes.
• 1:43:28
  I bet the name of the other lake was Smith or Jones.
• 1:43:32
  ~ no, no.
• 1:43:40
  I dropped my hat.
• 1:43:43
  See ya.
• 1:43:44
  Bye.