Latest / Gabi’s Speech and Drama Podcast / Episode 1: Speech and Drama Festivals
Transcript
- 0:01SPEAKER_00: Hello everybody and welcome to the very first Speech and Drama podcast.
- 0:07SPEAKER_00: My name is Gabby Maddox and I will introduce myself in a moment,
- 0:12SPEAKER_00: but I just wanted to explain what I'm doing here.
- 0:16SPEAKER_00: I love podcasts.
- 0:17SPEAKER_00: I've always got one on the go.
- 0:18SPEAKER_00: I'm always looking for the next big thing to get absorbed by.
- 0:22SPEAKER_00: And I realised that there isn't a single podcast out there aimed at speech and drama teachers.
- 0:30SPEAKER_00: So I think this is a first and I think it will be really helpful.
- 0:34SPEAKER_00: It's just another way of us to connect with each other and find ways of helping each other out.
- 0:44SPEAKER_00: So I'm planning,
- 0:46SPEAKER_00: depending on how it goes,
- 0:47SPEAKER_00: to release a new episode each month,
- 0:49SPEAKER_00: primarily for paid subscribers to the Substack,
- 0:53SPEAKER_00: Gabby's Speech and Drama Substack.
- 0:56SPEAKER_00: And each episode will focus on a single issue.
- 0:59SPEAKER_00: Some will be just me sharing my ideas like this one,
- 1:01SPEAKER_00: and others will be conversations between me and other speech and drama teachers or
- 1:06SPEAKER_00: people who are connected in some way to our world.
- 1:09SPEAKER_00: More news on that soon.
- 1:13SPEAKER_00: But let me just tell you who I am in case you don't know.
- 1:17SPEAKER_00: So I am the founder and principal of a speech and drama education company called The Playing Space.
- 1:24SPEAKER_00: I started...
- 1:25SPEAKER_00: teaching speech and drama in 2001.
- 1:29SPEAKER_00: I had trained as an actor and then gone travelling for a couple of years,
- 1:35SPEAKER_00: came back ready to get my headshots done again and see if I could find myself an agent.
- 1:40SPEAKER_00: And for various reasons, the world of acting just seemed to have lost its shine.
- 1:46SPEAKER_00: So I started studying at the Tavistock Clinic, doing an MA in...
- 1:52SPEAKER_00: observational studies with a view to becoming a child psychotherapist and as part
- 1:57SPEAKER_00: of that MA I needed to be working with children and given my acting training and my
- 2:03SPEAKER_00: love of drama and the drama lessons that I had enjoyed so much as a child I decided
- 2:11SPEAKER_00: that that was a really good way for me to be working with children I work for lots
- 2:16SPEAKER_00: of big companies I'm sure you will have heard of a lot of them
- 2:20SPEAKER_00: But I also started my own little Lambda classes.
- 2:23SPEAKER_00: I approached a local primary school and a local stage school offering my services
- 2:28SPEAKER_00: as a Lambda teacher and I started in 2001 with 10 students and I took them through
- 2:35SPEAKER_00: their first exams at the end of that year.
- 2:39SPEAKER_00: We now put hundreds of students through Lambda exams every year.
- 2:44SPEAKER_00: We usually have about 200 students at our private centre each December and then
- 2:49SPEAKER_00: Every month at the public centre in Barron's Court,
- 2:52SPEAKER_00: we're putting students in through their Lambda exams.
- 2:57SPEAKER_00: We teach all ages from introductory stage one,
- 3:01SPEAKER_00: which is usually five years old,
- 3:03SPEAKER_00: all the way up to grade eight,
- 3:06SPEAKER_00: and occasionally beyond with the PCERT-LAM.
- 3:09SPEAKER_00: We teach primarily acting, devising, first and pros, and programming.
- 3:16SPEAKER_00: speaking in public, although we do occasionally delve into reading for performance and miming.
- 3:23SPEAKER_00: Some of my other teachers will also do musical theatre as well.
- 3:28SPEAKER_00: We've done a few Shakespeare exams.
- 3:30SPEAKER_00: We've done a few group exams.
- 3:32SPEAKER_00: So a little bit of everything.
- 3:34SPEAKER_00: But the big four are acting, devising, speaking in public and verse and prose.
- 3:40SPEAKER_00: But I'm not going to talk today about Lambda exams.
- 3:44SPEAKER_00: I'm actually going to talk about speech and drama festivals because that is
- 3:47SPEAKER_00: something that is very much connected to what we do in the world of speech and drama.
- 3:54SPEAKER_00: And I am skeptical about speech and drama festivals.
- 3:58SPEAKER_00: It seems to me a strange way to celebrate the hard work and high standards of our
- 4:05SPEAKER_00: students pitting young performers against each other in the hope of getting prizes
- 4:09SPEAKER_00: and medals.
- 4:10SPEAKER_00: And I haven't entered students for any speech and drama festivals for many years,
- 4:16SPEAKER_00: but I did last weekend.
- 4:19SPEAKER_00: I won't say which one because I've got mixed feelings about it.
- 4:21SPEAKER_00: And it's a very small festival.
- 4:23SPEAKER_00: They're only in their second year.
- 4:24SPEAKER_00: So obviously, I don't want to say anything negative about it.
- 4:28SPEAKER_00: And our experience was largely positive overall.
- 4:34SPEAKER_00: But I'm still I'm in two minds about whether I want to do it again next year.
- 4:39SPEAKER_00: So I thought that by sharing my thoughts on here about speech and drama festivals
- 4:44SPEAKER_00: and you can find out where your local festival is by looking.
- 4:49SPEAKER_00: I think there's a website called the Federation of Speech and Drama Festivals.
- 4:53SPEAKER_00: which I will put in the show notes so you can find a local festival for you.
- 4:58SPEAKER_00: So this one was very small, but only in their second year.
- 5:01SPEAKER_00: And I was quite surprised,
- 5:03SPEAKER_00: actually,
- 5:03SPEAKER_00: that more than half of the participants came from the playing space,
- 5:08SPEAKER_00: particularly the older students.
- 5:11SPEAKER_00: From 10 years and up, I think all but one student was from the playing space.
- 5:19SPEAKER_00: So it ended up being a little bit of a...
- 5:21SPEAKER_00: playing space festival with all of my own students competing with each other for
- 5:27SPEAKER_00: prizes the standard was as you would expect from my students incredibly high but
- 5:35SPEAKER_00: that's partly because I only offered the opportunity to students who I really
- 5:40SPEAKER_00: thought would be able to prepare work of a high standard that they were motivated
- 5:49SPEAKER_00: enough that they could work largely on their own
- 5:51SPEAKER_00: They chose Lambda pieces, most of them, chose Lambda pieces that they had performed back in December.
- 5:58SPEAKER_00: So I gave them the challenge of relearning their lines and polishing them up over
- 6:04SPEAKER_00: the Easter holidays so that we could then have a few rehearsals in small groups
- 6:12SPEAKER_00: with me sort of putting the final touches to their work rather than starting from scratch.
- 6:18SPEAKER_00: I know that most students who enter speech and drama festivals will have private
- 6:21SPEAKER_00: classes or work in very small groups and they will probably have lessons every week
- 6:27SPEAKER_00: on their pieces.
- 6:29SPEAKER_00: So I knew that my students might be at a slight disadvantage because we aren't
- 6:34SPEAKER_00: doing festival work generally in our lessons.
- 6:38SPEAKER_00: And so I wanted to make sure that the students that did participate had a history
- 6:43SPEAKER_00: of being very motivated to work at home on their own.
- 6:48SPEAKER_00: and get support as well from parents and siblings and so on.
- 6:52SPEAKER_00: So for that reason,
- 6:54SPEAKER_00: and because of the time that we spent together over the last month or so,
- 6:58SPEAKER_00: the standard of work was very high.
- 7:01SPEAKER_00: And so what happened is you had a situation where it absolutely was not clear who
- 7:09SPEAKER_00: the first place should go to and the second place and the third place.
- 7:13SPEAKER_00: And I really do think that different adjudicators would have come up with
- 7:17SPEAKER_00: completely different results because everyone did so well.
- 7:21SPEAKER_00: And the adjudicator we had yesterday was the head of acting from a top drama school,
- 7:27SPEAKER_00: which I thought was really exciting because I thought they will really be looking
- 7:34SPEAKER_00: out for the same things that I teach.
- 7:37SPEAKER_00: So the illusion of spontaneity,
- 7:40SPEAKER_00: the idea that a character doesn't have a script,
- 7:43SPEAKER_00: that the words are being spoken for the first time,
- 7:48SPEAKER_00: truthfulness in other words.
- 7:52SPEAKER_00: But I didn't quite have this experience.
- 7:56SPEAKER_00: So the first sort of red flag I had was when I had a six-year-old who did a poem
- 8:07SPEAKER_00: in the six and under category.
- 8:08SPEAKER_00: And also he performed a monologue in the six and under category.
- 8:13SPEAKER_00: And in the poem, he was competing against one other child.
- 8:21SPEAKER_00: These two little boys,
- 8:23SPEAKER_00: both six or even,
- 8:24SPEAKER_00: I don't know how old the other one was,
- 8:26SPEAKER_00: maybe five years old,
- 8:28SPEAKER_00: did a great job.
- 8:29SPEAKER_00: My student did get first place and the other little boy got second place,
- 8:33SPEAKER_00: which I think was right partly because
- 8:37SPEAKER_00: the poem that my student chose was a bit more challenging.
- 8:41SPEAKER_00: The other little boy did a stage one poem from the Lander Anthology.
- 8:45SPEAKER_00: He did it brilliantly and it could have gone either way,
- 8:50SPEAKER_00: but my student was delighted to get his gold medal.
- 8:54SPEAKER_00: Now he then had to do his acting piece and he was the only participant in the six and under category
- 9:04SPEAKER_00: And they put him together with the seven to nine-year-old so that he wouldn't be
- 9:08SPEAKER_00: all on his own and he'd have a bit of an audience.
- 9:13SPEAKER_00: But it was clear that they were adjudicating separately.
- 9:17SPEAKER_00: And he had said beforehand, oh, well, I'm definitely going to get first place then, aren't I?
- 9:23SPEAKER_00: And I said to him,
- 9:24SPEAKER_00: well,
- 9:24SPEAKER_00: actually,
- 9:25SPEAKER_00: no,
- 9:26SPEAKER_00: I spotted in the rules they have to be awarded at least a merit,
- 9:31SPEAKER_00: whatever that means,
- 9:32SPEAKER_00: in the world of festivals in order to be eligible for awards.
- 9:36SPEAKER_00: So I wanted him to know that he still would have to do a really good job in order to get the first place.
- 9:43SPEAKER_00: Partly because I didn't want him to think that it was just in the bag and so he didn't have to try.
- 9:47SPEAKER_00: And also because if he did get his first place,
- 9:51SPEAKER_00: as I assumed he would,
- 9:52SPEAKER_00: that he would feel that there was still a sense of achievement.
- 9:57SPEAKER_00: Anyway, he did a brilliant job.
- 9:59SPEAKER_00: He did a piece from James and the Giant Peach, the little old man telling James about the green worms.
- 10:08SPEAKER_00: He learned quite a lengthy monologue off by heart.
- 10:13SPEAKER_00: He performed it brilliantly for a six-year-old.
- 10:16SPEAKER_00: He had lost his two front teeth a few days before the festival,
- 10:22SPEAKER_00: so his diction wasn't as clear as it might have been.
- 10:26SPEAKER_00: but he created the unseen character.
- 10:28SPEAKER_00: He did everything that you would expect someone to do for an entry level Lambda exam,
- 10:33SPEAKER_00: even though he's not going to be doing his entry level for another couple of years.
- 10:38SPEAKER_00: So I was really pleased with him.
- 10:40SPEAKER_00: The adjudicator came out and announced that he was being given a certificate of participation.
- 10:48SPEAKER_00: The little boy didn't really know what this meant.
- 10:49SPEAKER_00: So he went up and he took his certificate and he stood there patiently waiting for his gold medal.
- 10:54SPEAKER_00: The gold medal did not come.
- 10:56SPEAKER_00: And the adjudicator actually said to him, OK, you can go and sit back down now.
- 11:00SPEAKER_00: And he came and sat back down with a slightly puzzled expression on his face.
- 11:04SPEAKER_00: I went and spoke to the adjudicator afterwards.
- 11:06SPEAKER_00: I said, you know that he was meant to be adjudicated separately from the 79 year olds.
- 11:11SPEAKER_00: And he explained to me, yes, we felt he did his poem brilliantly and he got his first prize for the poem.
- 11:16SPEAKER_00: But we just didn't think that his acting was quite at the same standard.
- 11:22SPEAKER_00: And so I nodded and smiled and accepted this.
- 11:25SPEAKER_00: But in the back of my mind, I was thinking, he's six.
- 11:31SPEAKER_00: Give the kid a medal.
- 11:32SPEAKER_00: He's worked really hard.
- 11:35SPEAKER_00: He's paid his entry fee.
- 11:37SPEAKER_00: And I really do think that he was penalised for being the only participant.
- 11:41SPEAKER_00: If they had had five or six other children his age performing scenes,
- 11:46SPEAKER_00: then it would have been immediately obvious what the standard of performance at that age is.
- 11:53SPEAKER_00: But because he was the only one and he was competing alongside older children,
- 11:59SPEAKER_00: I just don't think they recognised that for a six-year-old,
- 12:05SPEAKER_00: he did a great job,
- 12:06SPEAKER_00: especially for a six-year-old without his two front teeth.
- 12:08SPEAKER_00: So I spoke to mum afterwards.
- 12:11SPEAKER_00: You know, he was fine.
- 12:12SPEAKER_00: He wasn't upset or anything.
- 12:13SPEAKER_00: I actually told a little white lie and said that they were really only supposed to
- 12:17SPEAKER_00: give one first place to each student.
- 12:22SPEAKER_00: And that's why they gave it to him for his poem rather than for his acting.
- 12:28SPEAKER_00: But it seemed to me a very strange decision.
- 12:32SPEAKER_00: And the feedback I got from his mum is that the effort they put in to get him ready
- 12:39SPEAKER_00: for the festival and the effort they've
- 12:43SPEAKER_00: put in on the day meant that really it wasn't worth them doing it again.
- 12:48SPEAKER_00: So the festival have lost a potential annual participant who is only six and could
- 12:54SPEAKER_00: have been doing the festival for many years to come.
- 12:57SPEAKER_00: Now my second red flag,
- 12:58SPEAKER_00: I'm slightly hesitant about sharing with you because I know that this is to do with
- 13:01SPEAKER_00: personal taste.
- 13:02SPEAKER_00: Now this was a poetry class that I watched that I did not have any students participating in.
- 13:09SPEAKER_00: but I just thought I would watch it out of interest while I was waiting for mine to arrive.
- 13:15SPEAKER_00: It was an age 79 year old group and there were about five or six,
- 13:21SPEAKER_00: I think they were all girls performing a variety of poems,
- 13:25SPEAKER_00: some funny,
- 13:26SPEAKER_00: some more poignant,
- 13:27SPEAKER_00: some from the lambda syllabus,
- 13:29SPEAKER_00: but they all did a really good job.
- 13:32SPEAKER_00: The last girl came out and
- 13:35SPEAKER_00: She did everything that I hate about speech and drama festivals.
- 13:42SPEAKER_00: It's not on her.
- 13:43SPEAKER_00: She did exactly what was directed, I'm assuming, by her drama teacher.
- 13:50SPEAKER_00: But it was contrived.
- 13:51SPEAKER_00: It was ungrounded.
- 13:54SPEAKER_00: There was lots of movement, sort of dance-like movement that was unconnected to the actual words.
- 14:02SPEAKER_00: It was...
- 14:03SPEAKER_00: one of those performances that would have been exactly the same every single time she did it.
- 14:08SPEAKER_00: I'm not criticizing the student.
- 14:10SPEAKER_00: She had a big, strong voice.
- 14:12SPEAKER_00: She had really clear diction.
- 14:13SPEAKER_00: It was a very polished performance.
- 14:17SPEAKER_00: But as I said,
- 14:18SPEAKER_00: it's the opposite of what I'm aiming for with my students,
- 14:21SPEAKER_00: which is that they go on the journey themselves.
- 14:25SPEAKER_00: They find the meaning in the words, much more natural style of performance.
- 14:33SPEAKER_00: So I was really surprised when she got first place.
- 14:38SPEAKER_00: She was also a student of the organisation that were running the festival,
- 14:46SPEAKER_00: as was obvious from her T-shirt that she was wearing.
- 14:50SPEAKER_00: There was also someone from that organisation sitting next to the adjudicator.
- 14:55SPEAKER_00: Now, I really don't think that that had anything to do with it, but...
- 15:00SPEAKER_00: from the point of view of parents who are in the room,
- 15:05SPEAKER_00: seeing some children wearing the merchandise,
- 15:09SPEAKER_00: the T-shirts from the company organising the festival,
- 15:12SPEAKER_00: seeing someone from that company sitting next to the adjudicator and conferring
- 15:16SPEAKER_00: with the adjudicator,
- 15:17SPEAKER_00: and then seeing those children getting first place,
- 15:20SPEAKER_00: it just doesn't sit right.
- 15:23SPEAKER_00: And that would be a bit of feedback that I would give to this particular festival and to all
- 15:28SPEAKER_00: speech and drama festivals.
- 15:30SPEAKER_00: I know it's really hard getting volunteers.
- 15:32SPEAKER_00: And so it tends to be that if a particular organisation is involved in running the festival,
- 15:44SPEAKER_00: that they will also be sitting next to the adjudicator.
- 15:46SPEAKER_00: But I do think it's important for how things are perceived.
- 15:50SPEAKER_00: Anyway, I...
- 15:56SPEAKER_00: Then the next group were my 10 to 12-year-old actors.
- 15:59SPEAKER_00: All six of them were from the playing space.
- 16:01SPEAKER_00: All six of them did a brilliant job.
- 16:04SPEAKER_00: Three of them got first, second and third place.
- 16:07SPEAKER_00: Three of them didn't.
- 16:09SPEAKER_00: I definitely think that a different adjudicator would have given different results.
- 16:15SPEAKER_00: Not because I disagreed with the adjudicator, but...
- 16:19SPEAKER_00: I think there was possibly a bit of a leaning towards one or all three prizes went
- 16:25SPEAKER_00: to quite funny,
- 16:28SPEAKER_00: upbeat,
- 16:28SPEAKER_00: lively pieces of work.
- 16:31SPEAKER_00: And the three that didn't get placed were all quite poignant and sad that we had
- 16:36SPEAKER_00: the little matchmaker from Melanda Anthology.
- 16:39SPEAKER_00: We had the Aberfan Prophecy by Heather Stevens, which some of you might know, and Oliver Twist.
- 16:46SPEAKER_00: I think it's by Ken Pickering.
- 16:48SPEAKER_00: but a scene where Oliver Twist is in the mortician's room and is terrified by the coffins.
- 16:57SPEAKER_00: And it's interesting that those three that were all quite fearful or sad or
- 17:02SPEAKER_00: poignant pieces,
- 17:03SPEAKER_00: none of them got placed,
- 17:05SPEAKER_00: even though they were performed very well.
- 17:06SPEAKER_00: So it was fine.
- 17:09SPEAKER_00: Everyone was happy.
- 17:10SPEAKER_00: But I have to say, I woke up at two o'clock the morning after and I suddenly thought,
- 17:17SPEAKER_00: oh gosh, I hope those children don't think that they did a bad job.
- 17:22SPEAKER_00: And even though I had explained to them very clearly in advance that they're all winners,
- 17:32SPEAKER_00: they're all winners just for being there,
- 17:34SPEAKER_00: I called all the parents of those children who didn't get placed the next day just
- 17:39SPEAKER_00: to make sure they were okay.
- 17:40SPEAKER_00: And just to really reiterate what I said earlier about the fact that different
- 17:45SPEAKER_00: adjudicators will give different results.
- 17:47SPEAKER_00: And while I am delighted for the student who got the top prize,
- 17:54SPEAKER_00: I think it's really important that they understand that.
- 17:58SPEAKER_00: So should we do it again next year?
- 18:01SPEAKER_00: I think I need to prepare students even more carefully for this idea that they will
- 18:07SPEAKER_00: be sitting there after their performances,
- 18:10SPEAKER_00: desperately hoping for a medal,
- 18:12SPEAKER_00: but they do have to understand that largely it's arbitrary and meaningless.
- 18:16SPEAKER_00: It's nice to get a prize, but it is not what life is all about.
- 18:20SPEAKER_00: And actually,
- 18:21SPEAKER_00: what's interesting is the feedback from the parents is that it was the work that we
- 18:28SPEAKER_00: did in the run up to the festival that month where we had a weekly festival
- 18:34SPEAKER_00: preparation session that was really the most interesting.
- 18:39SPEAKER_00: rewarding element of the experience.
- 18:43SPEAKER_00: So I think I'll be entering students again, maybe for that reason.
- 18:49SPEAKER_00: I've got some highlights of the feedback I had from parents here.
- 18:53SPEAKER_00: So this is from the student who did get the first place in the 10 to 12 acting category.
- 19:04SPEAKER_00: So you would expect his parents to give good feedback.
- 19:06SPEAKER_00: But it was really lovely.
- 19:08SPEAKER_00: What they said was, we believe it has been one of the most beautiful experiences our son has had so far.
- 19:16SPEAKER_00: In these past few months,
- 19:17SPEAKER_00: he has learned how to build a character thanks to your wonderful and professional work.
- 19:22SPEAKER_00: He attended an event where he could join a group of children who performed at an outstanding standard.
- 19:28SPEAKER_00: And all of them received such a competent and accurate feedback from the adjudicator.
- 19:34SPEAKER_00: So isn't that great?
- 19:35SPEAKER_00: It's really meant something to him.
- 19:37SPEAKER_00: I think his mum, I saw her face when she realised that he was going to get first prize.
- 19:41SPEAKER_00: And I've never seen someone look so full of joy.
- 19:44SPEAKER_00: So, you know, that is really an amazing experience.
- 19:48SPEAKER_00: But of course,
- 19:49SPEAKER_00: you have the other side of the coin,
- 19:51SPEAKER_00: the little girl who actually she was quite upset because she thought she had come
- 19:55SPEAKER_00: last because she got her certificate of participation first.
- 19:58SPEAKER_00: And so she thought they were going in reverse order and she had come bottom first.
- 20:02SPEAKER_00: And so we had to really explain to her that that was not the case.
- 20:07SPEAKER_00: Somebody else said,
- 20:08SPEAKER_00: thank you so much for everything you've done,
- 20:10SPEAKER_00: giving us the opportunity to participate in the festival,
- 20:13SPEAKER_00: running the extra classes,
- 20:14SPEAKER_00: providing feedback,
- 20:15SPEAKER_00: dealing with the admin,
- 20:16SPEAKER_00: getting the props,
- 20:17SPEAKER_00: being there today.
- 20:18SPEAKER_00: So that was really nice.
- 20:19SPEAKER_00: It showed an appreciation of the time I spent being there to support students.
- 20:23SPEAKER_00: I do think as a speech and drama teacher, if you are going to put students in for these things,
- 20:29SPEAKER_00: It's really important to be there on the day to support them rather than letting
- 20:36SPEAKER_00: them just go with their parents and maybe feeling a bit lost.
- 20:39SPEAKER_00: I think knowing that you're there to make sure they've got everything that they need,
- 20:42SPEAKER_00: where they can ask any questions is really important.
- 20:45SPEAKER_00: If you need to,
- 20:46SPEAKER_00: you can build that into the price that you charge for the classes,
- 20:51SPEAKER_00: for the festival preparation work,
- 20:53SPEAKER_00: so that you know if you're going to be at the festival for five hours at the
- 20:57SPEAKER_00: weekend that you add a bit
- 20:59SPEAKER_00: extra to the lesson price.
- 21:02SPEAKER_00: I know I am very keen on not working for free and I think that's really important.
- 21:11SPEAKER_00: But there are ways of making sure that you're compensated.
- 21:15SPEAKER_00: Somebody else said,
- 21:16SPEAKER_00: thank you so much for making all the arrangements for the kids to participate in
- 21:19SPEAKER_00: this lovely event.
- 21:21SPEAKER_00: Our daughter really enjoyed herself and actually the fact that it was quite small
- 21:24SPEAKER_00: scale and so friendly suited her well.
- 21:27SPEAKER_00: as she'd never done anything like this before.
- 21:30SPEAKER_00: And the final bit of feedback that I'll share today,
- 21:33SPEAKER_00: thank you for all your lovely encouragement at the session today,
- 21:36SPEAKER_00: for giving your weekend time up to be there,
- 21:38SPEAKER_00: and also for the prior coaching sessions,
- 21:40SPEAKER_00: which were a big help.
- 21:43SPEAKER_00: So all in all, a positive experience with a few little quibbles.
- 21:51SPEAKER_00: I think you do need to be careful about who you enter into these festivals,
- 21:56SPEAKER_00: especially the big ones,
- 21:58SPEAKER_00: because the last thing you want to do is have a student who's maybe a little bit
- 22:02SPEAKER_00: sensitive or building their confidence suddenly think that they are not good at
- 22:08SPEAKER_00: acting or poetry reading or public speaking because they didn't get placed at a festival.
- 22:14SPEAKER_00: So you have to prepare them well for that side of things.
- 22:19SPEAKER_00: And to help them understand that,
- 22:20SPEAKER_00: you know,
- 22:20SPEAKER_00: when you're running a race,
- 22:22SPEAKER_00: it's really clear who the winner is.
- 22:24SPEAKER_00: First prize, second prize, third prize, it's obvious.
- 22:27SPEAKER_00: But when you're performing at a drama festival, it's really not obvious at all.
- 22:34SPEAKER_00: And different people will have different preferences, as I've spoken about today.
- 22:39SPEAKER_00: So that brings me to the end of this very first podcast.
- 22:45SPEAKER_00: I hope it's been interesting.
- 22:47SPEAKER_00: There are more on the way.
- 22:49SPEAKER_00: I'm going to speak to someone who is a speech and drama teacher,
- 22:53SPEAKER_00: but is also a professional actor about juggling those two careers and how they
- 22:59SPEAKER_00: benefit each other and any problems that she has with that.
- 23:04SPEAKER_00: I'm going to speak to someone who's a specialist in working with very young students,
- 23:08SPEAKER_00: the five,
- 23:09SPEAKER_00: six,
- 23:09SPEAKER_00: seven year olds on the introductory exams and her thoughts on Lambda exams at that
- 23:15SPEAKER_00: age and how to
- 23:16SPEAKER_00: make the classes fun and beneficial.
- 23:19SPEAKER_00: I may also be speaking to someone about setting Lambda up in schools as opposed to
- 23:27SPEAKER_00: working directly in your own studio or your home or traveling to other people's
- 23:32SPEAKER_00: homes as a Lambda teacher.
- 23:34SPEAKER_00: So lots of things in the pipeline.
- 23:37SPEAKER_00: If you've got any ideas about what we can cover in these conversations or things
- 23:42SPEAKER_00: you'd like me to talk about,
- 23:44SPEAKER_00: do let me know.
- 23:46SPEAKER_00: And I hope that you will continue to subscribe to Gabby's Speech and Drama sub stack.
- 23:53SPEAKER_00: And that is where you will find the podcasts as well.
- 23:57SPEAKER_00: Thank you.
- 23:57SPEAKER_00: Bye bye.