Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Molly K Matter Part Five and Call for a Columnist Part One (EP0924)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:34is your host, Adam Graham. If you have a comment, email it
- 0:37to me Box thirteen at Great Detectives dot net, follow us on Twitter at
- 0:42Radio Detectives, and become one of our friends on Facebook, Facebook dot com
- 0:48slash Radio Detectives. Well, I do want to let you know before we
- 0:53get started that you can help support the show as you make your summer vacation
- 0:58plans. Just go to Johnny dot our air dot com when making your plans.
- 1:02Donnydallar air dot com is up Priceline affiliate, so you have the option
- 1:07to choose from great everyday deals on airline travel, hotels, and rental car
- 1:12or to name your own price. And if you book your travel off of
- 1:17Johnny dollar Air dot com, part of your purchase goes to support the show.
- 1:21So it's a great way to save money and help support the Great Detectors
- 1:23of All Time Radio. So just remember go to Johnny dallarair dot com and
- 1:30check that first when making travel plans. All right, well, now we're
- 1:34going to begin a new series, the Carter Brown Mysteries. Carter Brown Mysteries
- 1:40were based on the on the books by the novelist Alan Jeffrey Yates, who,
- 1:48when writing mysteries, went by the name Carter Brown. He went he
- 1:53wrote under some other names, Todd Conway when he wrote westerns, Caroline far
- 1:57when writing romance, and Paul vowed Ass, but Carter Brown Mysteries some of
- 2:04the most prolifically written. And this Australian series from the late fifties actually serialized
- 2:15Carter Brown stories in a series of fifteen minute episodes plus, with each serial
- 2:22featuring a different detective. This will work well because there are some fridays where
- 2:27we're not going to have four straight weeks in a row because because of missing
- 2:34episodes or some quirk in the Johnny Dowler serial that we're playing that week.
- 2:39So we can so each serial can be listened to as a detective in and
- 2:46of itself. Series started airing in nineteen fifty eight, and we've got the
- 2:50first series. So we're going to present for you tonight Call for Calmness,
- 2:55Part one and then when we return, we're ready to find out the end
- 3:00of the Molly came Out. Carter Brown Mystery Adventures in Excitement and Suspense,
- 3:19based on the best selling novels by the slick storytelling sensation Carter Brown. We
- 3:39take pride in bringing you the first of a new series, the program drawn
- 3:44from the celebrated books by Carter Brown, which have sold more than ten million
- 3:46copies and continued to sell at the rate of over a million copies a year.
- 3:51Each week you'll hear a complete story dramatized in the smooth modern style which
- 3:54has been responsible for Carter Brown's enormous popularity both in Australia and abroad. And
- 4:00here who introduced the Carter Brown Mystery Theater is Carter Brown himself. How do
- 4:05you do, ladies and gentlemen. I'm very pleased indeed, and I must
- 4:09have met flattered too to have been asked to present my stories to you.
- 4:12And mister Brown, I know you've led a pretty adventurous life yourself. You've
- 4:15traveled around the world as a salesman, publicity writer, film technician and now
- 4:19finally as a best selling author. And quite a number of people seem to
- 4:24think that the heroes in your stories are really yourself. Now is that true?
- 4:28No, it's not. And if I sound very definite about that,
- 4:30it's because my wife's listening to me, And I don't think she liked the
- 4:33idea of my running into so many gorgeous blonde brunettes and redheads as a gentleman
- 4:36in my books, Nor are I suppose there as much trouble as they do
- 4:41now. I don't think she liked that either. I hope yes, your
- 4:45hero certainly do wind up in stife, don't They like Johnny Lane? For
- 4:48instance, Johnny is a newspaper columnist, and they've got a premium on problems.
- 4:54Not that they all run into the same kind of bother as Johnny.
- 4:57They wouldn't want to. Well, he's a cocky with an eye for a
- 5:00beautiful babe and prints inc instead of blood. But suppose you find out for
- 5:04yourselves. Here's Johnny Lane to tell the story, which we've titled call for
- 5:10a Columnist. I was feeling pretty pleased with myself and hence with the world.
- 5:27I had the best table in Jule's night spot, courtesy of Messieurs Juel
- 5:30himself, and on the table was my favorite drink and my favorite reading matter,
- 5:35a copy of the news open at the best part of the paper.
- 5:40My own column Damite with Johnny Lane, Syndicated in sixty eight newspapers throughout the
- 5:46United States with an estimated four million readers. Yes, as far as I
- 5:53was concerned, life was a great big rosy bubble with Johnny Lane writing on
- 5:58top of it. Then the bubble burst. Excuse me, Missie Lane.
- 6:08Yes, you and my friend Wetters. You got two gentlemen to see him
- 6:11this year in my private office, Julee, I never see anyone in your
- 6:14private office. You know that these gentlemen afrom the police. Oh well,
- 6:18that thanks the difference. Let's Eline. I would not like any trowelery.
- 6:21I'll handle them. You stick with your customers. Thank you, Missie.
- 6:32Well, well, I feel I'm a gentleman. Chief of Police. Are
- 6:39Burn and Captain Stanger in person and together? Whose piggy bank has been right?
- 6:44Doctor Clone Lane? Necessarious? Will you intrigue me? Captain tell me
- 6:46more? We wanted to talk about your column, Johnny, a subject I
- 6:50am always happy to discuss. Chief. It's about the item concerning Albert Ferraro.
- 6:55I got a copy here, huh, you said, mobster happy Albert
- 7:00Ferrara won't get around much anymore, not since he had unexpected visitors. At
- 7:03two am this morning, rumor headed that Albert was going to sing to Senator
- 7:08Rowland's committee investigating Vice and Allied records in our fair city. This morbid columnist
- 7:15is betting that Albert sang his swan song in the small hours to an unsympathetic
- 7:18audience with a hay in a hall and no flowers by the quests, Who
- 7:23is the mister big who's worried by Senator Rowland's questions? Keep reading these column
- 7:29folks, and I'll let you know just as soon as I find out that
- 7:31bead chief, you really haven't got the style for it or the voice.
- 7:35This paper was out on the streets at three am, just one hour after
- 7:40fer our head. He's unexpected visitors. It takes more than an hour to
- 7:43print your paper, Johnny. And that means you put that item in before
- 7:46it happened, just a Hern's chief, but to proved wrong, to ring
- 7:50all out of it in the Borrow's column. But you haven't been proved wrong,
- 7:54Johnny. As soon as we read your rightem we called on Albert.
- 7:58Guess what he was at home with a nil on stocking wound round his throat
- 8:03tight. Oh that's what you get for sticking your neck up. Maybe you
- 8:07should see things the way we do, Johnny, we have to take Senator
- 8:11Olan's investigations seriously. The more he uncovers on the vice activities in this city,
- 8:16the worse it looks for the police. Sure, we've bust up a
- 8:20lot of small stuff, but the big stuff still goes on and we can't
- 8:22get a lead. So when we read our paper, we find that the
- 8:26one lead which might really have opened things up for us wasn't ever given to
- 8:31us until it was too late. Oh come, gentlemen, let's be fair.
- 8:35You get the same opportunities as I have forgetting information better if I happen
- 8:39or have outsmarted you on this one. It's Smara is feeling sore about it
- 8:43as it. You just have to do better next time. Chief, Let
- 8:46me bust him on the jaw, just once ed wouldn't look good to his
- 8:50four million readers, Johnny, All I want to know is where you got
- 8:54your information from? Sorry, Chief, that's confidential. Well, look up
- 9:00more than a hundred people in the city, or hemmy information. Two things
- 9:03that are always sure of they are money in my discretion. What happens if
- 9:07I tell you where the whisper about Albert came from? Where it goes around
- 9:09a laying cap. He trusted my column gets shot the heck. Okay,
- 9:13Johnny, I guess we'll just have to plug on with our own plotting methods.
- 9:20I see you're going to let us know pretty soon who the mister Big
- 9:22is. Will be really interested in that. You've got a life insurance,
- 9:28Johnny, life insurance? Well, I was just hoping you've got plenty,
- 9:31because I don't think you'll find anybody willing to give you more. You're a
- 9:35bad risk. Now, oh Friday, don't quite follow. If we're interested
- 9:39in your story about Ferraro, how much more interested do you think mister big
- 9:45is going to be? And when he gets around or asking you about it,
- 9:48I don't think he'll take that confidential routine as an answer. Let's go,
- 9:54Captain, it's a long time, or should it be goodbye? I'm
- 10:01not a nervous character, but as a burn and stranger walked out, I
- 10:03sudden me found myself dabbing my forehead with a handkerchief. There ought to be
- 10:07a law against policeman gun around frightening people. Well, I decided I could
- 10:13use a drink back at my table. Didn't waste time apologizing to the people
- 10:16I knocked over to get there, Miss your Lane, everything was all right.
- 10:22Oh yeah, as sure as you don't give it another thought. I
- 10:26am great, Miss your Lane. Yeah, it's someone who would like to
- 10:30say hey. Look, I never say hello to anyone. That's one of
- 10:33my principles. Hello. I turned to look at her, A stutlingly beautiful
- 10:41face, frame by close cropt black hair and a set of curves that it's
- 10:45in a racing car driver dizzey. My principle shut through the ceiling. Well,
- 10:50hello, This is the feminine half of the new actim President, the
- 10:54Adagio dancers Simon and Simon. You saw them last night, mister Lane.
- 11:00Oh yeah, did you like it? Mister Lynne, You bet, especially
- 11:03the end of it where he throws across the floor and you spin out aside
- 11:05on your where you spit out a side effective, isn't it. Yeah,
- 11:11it's a good way to test the floor for splinters. Will you join me?
- 11:15I'd love to you will excuse me? I hope your husband isn't going
- 11:20to take exception that you're having a drink with me. My husband, oh
- 11:24Czimon me is not my husband. Oh that makes it worse. It is
- 11:26just my partner. That makes it better. I want to say how much
- 11:31I admire you, mister Lynne, for what you're doing now. I mean
- 11:35holding your hand, of course, not I mean in exposing the criminal elements
- 11:39in the John helping Senator Holder. That's nothing. I'll pull your drink.
- 11:46I think you are a very brave man. I imagine you carry your life
- 11:50in your hands, this very newful. What makes you say that it's obvious?
- 11:56I'm sure that most of the underworld must get mad at the mere mention
- 12:00of your name. Their only allogical solution to stop you printing these revelations is
- 12:05to remove you, isn't it. No, I can't see any other alternative.
- 12:11Oh, I guess you can. You must know all this journey.
- 12:16I shouldn't be worrying you with it, but I just wanted you to know
- 12:20how much I admire your car eaton doing it. Oh, I'll have to
- 12:24go. We had only in fifteen minutes. May think we could continue this
- 12:31conversation after my eighties over. Well, I've got to get home and get
- 12:35out my column. Can I take a rang jack for some other night,
- 12:37any night, journey see tomorrow. My customary cab was waiting outside the night
- 12:48spot part of the service. First celebrity I got. M gave the driver
- 12:52of the address my panhouse. Made about two blocks when I noticed he was
- 12:56studying my face in the rear vision. Or what's the matter, driver?
- 13:01If I got smallpox? You're Johnny Lane, aren't you? Newspaper guy?
- 13:05Yeah, that's right? Or my autographed No, no, I never get
- 13:09packed the funny. But my wife reads your call. She like good.
- 13:13Well, I don't know whether she likes it. She don't ever say,
- 13:15but i'mever They published your photo a couple of months ago. Oh, I
- 13:18believe they did. I asked him not to, but they told me they
- 13:20were sick and tired of the letters demanding to know was as handsome as they
- 13:26imagine me to be. Yeah, well, the old lady sees it,
- 13:28and she don't believe it happened to be a good likeness. That's all.
- 13:33That's what I'm gonna tell her when I get home. She said she didn't
- 13:35believe any guy could look at thee at that. Here we are. How
- 13:39much do I owe you? I got ninety eight cents on d'clock, Miss
- 13:41de Line. Here's a dollar. You can keep the change, Hey,
- 13:46what do I doing her two cents and dow an orphanage. I rode the
- 13:54elevator to the top floor and reached my keys. I moved down the fastest
- 13:58way to the house door. I can hear the phone ringing inside, and
- 14:05I opened the door in a hurry. Hello. Is that Johnny name?
- 14:16Another? Who's that? I'm so glad you'll published that item I gave you
- 14:20about Albert. Yeah. Well, it's got me into a lot of trouble
- 14:24with the police. I want to know how I knew what was going to
- 14:26happen before it happened. Did you tell us? Well? How could I?
- 14:28I don't know myself. All I know is you keep calling me up.
- 14:33You won't tell me who you are. All you do is give me
- 14:35tips to the column. I think how it impresses your pharming and readers.
- 14:39I have no ambition to spend a few years behind bars for the sake of
- 14:43oppressing my readers. Don't give me Johnny name. You would dive off a
- 14:46statue of liberty and about and wearing a baccini if you've thought it to get
- 14:50you another ten thousand circulations. I let that pass. I've got another.
- 14:54There was item for you as you're interested, I'm interested. There's a home
- 15:00he come down on Flow Street called the Blue Diamond, run by Luke Criger
- 15:03in the Good Center. The rolling would like to know Epistry a goof balls.
- 15:09Oh hey, wait a minute, it's time you tell me who you
- 15:13are. How can I tell the police my information comes from an anonymous phone
- 15:16call. They just as soon believe people go to see Marl and Munro because
- 15:20they like to hear her sing. What the hang under your said? Kid?
- 15:33It's under the door. Okay, okay, I'm calling. Just move
- 15:39reck quietly, mister Lane, and will close the door. Hey that's a
- 15:43gun nor eyesight's twenty twenty, mister Lane. So get inside where we'll be
- 15:48nice and pright. Welcome back. It's worth noting here that well, a
- 16:11lot of these, and I think most of these Carter Brown mystery radio programs
- 16:18we have out there are seven the United States. Carter Brown actually wrote about
- 16:26the United States and used it as a setting, long before he ever came
- 16:32to visit the country. It was very popular with Australians at the time to
- 16:38have stories set in the US. The accents and stuff, given that the
- 16:42actors are actually Australian. I think they do a better job in some ways,
- 16:48better than some of the BBC stuff I've seen from television in the nineteen
- 16:55you know, in the nineteen seventies and eighties. So pretty sold performance by
- 17:00the players here. But now we turn to Port five of The Molly K
- 17:10Matter from Hollywood. It's time now for Bob Bailey as Johnny Deller. Johnny,
- 17:19I've got it for you, lou Tang good. What did you find
- 17:22out that price is on the Tokyo grain market? Did break suddenly about three
- 17:26weeks ago? Three weeks? Uh huh? Reason over supply. The price
- 17:30has been holding since at about sixty percent of the peak. A forty percent
- 17:33drop big enough to cause the damage. What damage? The sinking of the
- 17:37Molley K A double cross, a frame up murder. It's as clear as
- 17:41crystal Loo. Come see me later tonight. Tell me all about it,
- 17:45all right? At any rate? Come on, tell me about something about
- 17:48a certain nine in Paris. Maybe I think I'd like that very much,
- 17:53Johnny, Wait for me, Low, I'll be there later. You can
- 17:56count on it. Tonight and every weekday night. Bob Bailey in the Transcribed
- 18:08Adventures of the Man with the action packed expense account America's fabulous freelance insurance investigator
- 18:14Yours Trulli Johnny Dollar from Special Investigator Johnny Dollar, location, San Francisco to
- 18:29the home office Marine and Maritime Casually Limited, Hartford, Connecticut. Assignment the
- 18:33Molly k Matter expense Account, final page Item nine seven seventy long distance calls
- 18:41to Hartford and New York. I was pretty sure before I called, but
- 18:45I had to check on it. It checked Item ten eighty cents taxi from
- 18:48my hotel to the waterfront office of Inspector Dan McKay Harbor Police. It's a
- 18:53funny deal, Johnny. I can't figure. Captain Brawley is clammed up tight.
- 18:57We'll answer anymore questions. Doesn't want a lawyer. I won't even talk.
- 19:00It's funny, not when you consider the fact that he's innocent. What
- 19:06I know, I argued the opposite. I was wrong. What is it,
- 19:08Johnny, just playing stubbornness? No, but that's what it is with
- 19:11Captain Brawley. Maybe that's the tip off his stubborn, bullheadedness. The human
- 19:15elements you mentioned, how you figuring it. If Brawley were in a money
- 19:19jam, he'd never scheme and connive at planning a thing like that of sinking
- 19:22his own ship. He's too stubborn. And besides, he wasn't in a
- 19:26jam. I'm sure of it. Well, wait a minute, he had
- 19:29one hundred thousand dollars mortgage to meet Ivanagle. Some information out of the bank.
- 19:33The Brawley Shipping Company has a free balance of nearly one hundred and fifty
- 19:36thousand dollars in cash as Look here, Johnny, you look, I started
- 19:41out with a motive, and I built a pretty strong case on it.
- 19:42Even you agreed everything pointed toward Captain Brawley. Sure, because somebody was helping
- 19:48things point toward him. What do you mean it wasn't just the ship itself
- 19:52that was insured. I'm still lost, Johnny, Keep talking all right.
- 19:56Look that cargo of grain was also in short the owner with another company,
- 20:00not mine, and for top market value, full price. Keep talking,
- 20:06all right. The Tokyo grain market broke just four days before the molly k
- 20:10was due to sail. The first time. The shipper stood to lose nearly
- 20:14half his investment if the grain reached Yokohama at that time. Well it didn't
- 20:17reach there. It's lying out there on the bottom of the Pacific net result.
- 20:21Instead of taking a loss because of price, the shipher gets full price
- 20:25from the insurance company it ends up to in Yeah, it sure it does.
- 20:30The shipper. I think Captain Brawley suspected him too. That's what kept
- 20:34the old captain on the prod the ship gone under suspicion of the sinking,
- 20:38yet not wanting to hurt his daughter. He was caught right in the middle.
- 20:42But keep on holding him to make it look like we still think he's
- 20:45the guilly party. Well it's that girl of his. I feel sorry for
- 20:48Ellen. She's the one caught in the middle. Yeah, I know,
- 20:51and it's going to be rough on her when she finds out engaged to a
- 20:55killer who's been using her to smash her own father. Great setup, Well
- 21:02I get a pull up. Now we'll pick up this dean Sutton and bring
- 21:04him in. But you know, something to be awful. Hard to pin
- 21:08it on him, need evidence, something definite. Look, why don't you
- 21:11let me have a go on him first. Let's out of the question.
- 21:15Of course, if you should happen to find him before we do, well,
- 21:19yeah, I might just do that, Dan. In fact, I've
- 21:23kind of got a hunch, I will it was a hunch, but it
- 21:29might be a good one. I left Dan's office and walked east along the
- 21:33waterfront, following the long curve of the Embarcadero with its miles of ducks and
- 21:38wharves. The night had settled down over the bay in the city, and
- 21:42with it a dark, damn blanket of fog, even heavier than the night
- 21:45before. And because of that and other reasons, I felt cold and lonesome
- 21:52and a long. I turned off the Embarcadero and walked out Pier twenty nine.
- 22:03I was about thirty yards from the Brawley Warehouse when I was suddenly brought
- 22:06up short. On the water below me, Tied to a wharf piling was
- 22:10a light cabin cruiser, rocking gently with a swell. It had no business
- 22:14being there. Pier twenty nine was a commercial birth. My hunch was righte
- 22:19I moved quietly to the edge of the wharf and stood watching the little cruiser
- 22:22for several minutes. There was no sign of life, no sound. Finally,
- 22:27I climbed over the dock rail, down the wharf ladder and stepped onto
- 22:30the deck. Still no sound, no movements. I moved over to the
- 22:37companionway door leading down below decks and reached out my hand for the latch.
- 22:41Then I stopped short, caught suddenly by a sharp feeling of danger. It
- 22:45wasn't a sense of being watched. It was deeper, more subtle, more
- 22:48vague. I tried to shake it off, reach again for the latch.
- 22:52Then the boat shifted slightly in the dim glow from the wharf light overhead,
- 22:56and moved across the hatchway door inches and out of my face. I saw
- 23:00the glint of bare copper wires, all set to make contact if the door
- 23:04was open. One more move and I'd have been blown sky high. That
- 23:10boat was booby trapped. There was a light burning in the office of the
- 23:15Brawley Shipping Company. I knocked on the door, drew my gun. Then
- 23:18I stepped back and waited. I leveled the gun on the door. Johnny,
- 23:27are you alone, eleanor yes, of course, come on, let's
- 23:30get it sick. What is it, Johnny? Have you seen Dean Sutton
- 23:33tonight? I tried to find him, but I couldn't. My father's been
- 23:37arrested, charged with murder. Yeah, I know, honey. I came
- 23:38here to go over the company records to see if I could find something that
- 23:41might help him anything, Johnny, Look, look at this, miss,
- 23:45somebody's been here. Files dumped in the middle of the floor, papers all
- 23:48over the place. Yeah, it looks like they're planning to start a bonfire.
- 23:53Say tell me something, Ellen does Dean Sutton on a boat. Yes,
- 23:57my cabin cruising named the Pie. Why it's tied up at the wharf.
- 24:00He's around here somewhere. Well, what of it? What do you
- 24:04mean your father didn't sink the Molly Kay Dean sudden did it. He wasn't
- 24:10even on board. He didn't have to be. He hired an explosive expert
- 24:14name Benny Wong to do the job. He got your father to take Benny
- 24:18on a stewart. That's the man they're accusing father of murder. Dean is
- 24:21the one who did it using your father's gun. Why to collect the insurance
- 24:23on that cargo of brain? Oh? Look, I know it's a rough
- 24:26deal, honey, and I know how you feel, but I guess your
- 24:30best bet is to chalk it up to experience. At least your father's in
- 24:33the clear. Now. I think I sensed it, Johnny, that something
- 24:38was wrong with Dean, badly wrong. I guess that's why I felt like
- 24:44turning to you instead of him. I still feel that way. I think
- 24:51I'm going to cry. Then cry, cry it out and get it over
- 24:55with. Kim Here Ellen. I held it close and tried to comfort her.
- 25:02She pressed her face against my chest and equip it like a her kid.
- 25:07I kept stroking her hair, breathing in the scent of her perfume,
- 25:11perfume, the same perfume that it hung in the air of the room where
- 25:17Benny Wong was killed. The pieces shifted fell into place again. The puzzle
- 25:22was finally solved, but too late, because I could feel the muzzle of
- 25:26the gun she was pressing against my side. Easy now, Johnny, turned
- 25:30around, Slow and get your hands up. It's the idea. I stay
- 25:36that way. I'm a dead shot, Johnny, your daughted, asked Benny
- 25:41Wong, right under my nose, right from the start. How wrong can
- 25:47a guy be as wrong as you were? Johnny? It had to be
- 25:51you. There was no chance for Dean to steal your father's gun and then
- 25:53return it, not unless you were in on it with him. It was
- 25:56my idea, Dean's too. To plan a thing like that, he has
- 26:02to be propped up and pushed, and you are just the girl to do
- 26:04it. You want to know? Yeah? I do. Now it's too
- 26:07bad. I like the way you kiss. Any chance of working something out?
- 26:15Johnny? Were you too honest? So that's it. The next step
- 26:19is to get rid of Dean, and you've already got the trap set.
- 26:22Not yet, but I'll think of something. I'm clever, Johnny, don't
- 26:29you think so? I heard footsteps coming along the wharf, Dean Sutton.
- 26:33I had only seconds to think of something, so I took a chance.
- 26:36Edge back against the wall, inched over closer to the door, far enough.
- 26:38Don't push your luck. There's Dean coming now. He went after some
- 26:44gasoline. We're going to build a nice warm fire, and you're going to
- 26:48have a ringside seat. It's Martyn Dean. We've got a visitor dollar.
- 26:55What do you know? You walked right anyway, just like a gout.
- 26:57Chance paid off. He walked between his blocked Ellen's line of fire and I
- 27:00jumped him. I grabbed him around the neck and telling him as a shield,
- 27:03dragged him back out through the door. After the wharf break blue,
- 27:08I was trying to make fair of the light before. Ellen kept blasting with
- 27:11that gun, and I made it, but Dean broke voice giving me sweet
- 27:15He slipped and stagged up against the dock rag. The railing broke split and
- 27:18show, and we went over the side. They struggled back up to the
- 27:23surface. Jean's hands were clenched on my throat and I couldn't break his scrip.
- 27:29Ellen started crying for the wharf above us, not knowing who she'd hit
- 27:30and not caring. I took a deep breath and ragged Dean under the surface.
- 27:36But his hands were still in my throat and I couldn't break loose,
- 27:38and lungs were bursting. My strength was going fast. I brought up my
- 27:42knee. He fell away from me. I was free, free to fight
- 27:47my way back up to the surface. I swam around in circles, getting
- 27:49my breath, watching for Dean, but he didn't come up. He didn't
- 27:55come up for two days. When I climbed up the ladder under the wharf,
- 28:03Hellen was nowhere in sight. I heard somebody running toward me. He
- 28:06saw the flashing red light back at the land end of the pier, and
- 28:08I knew why she'd left Dan McCay and his boys. Hey, Johnny over
- 28:12here, Dan, All right, Johnny, I'm all right. Do you
- 28:15see Ellen Brawley. Well, some girl in up the wharf there told that
- 28:18cruiser that boat's got a booby trap on it. Come on, Dan,
- 28:22what's she doing here? She was in on a tumb Dean's on the water,
- 28:25drowned there. She has climbed out off the wharf. Ellen stopped.
- 28:26She's on the cruiser. No, Ellen's gonna t look out, get out.
- 28:30Plan on your face if she overstatnd blowed a bit booby trap. They
- 28:47had it rigged for me and she no, she didn't know about it.
- 28:55That wasn't meant for me. They were both pulling a double cross. Dean
- 29:00set that trap for her end of expense account except hotel and playing fair back
- 29:11home total of five hundred and forty seven dollars and sixty cents. Well,
- 29:15it looks like the company pays off on this one day. The ship owner
- 29:18was innocent. But you'll make it back. I really feel sorry for Captain
- 29:23Brawley. He commanded his own quarterdeck for twenty five years, strong and proud
- 29:29and unafraid. He had a wife once named Molly kay and a ship named
- 29:34Molly Kaye. And he had a daughter two and I'll the sea has taken
- 29:40all of them away from him, left him cast up on the beach,
- 29:42A broken old man better beaten alone. Yours truly, Johnny Dollar. Now
- 30:04here's our star Bob Bailey to tell you about next week's story. Thanks next
- 30:08week, the case of a man who didn't exist except for one thing.
- 30:14He suddenly showed up Johnas. Won't you yours truly, Johnny Doller? Yours
- 30:33Truly Johnny Doller is transcribed in Hollywood, written by Les Crutchfield. The entire
- 30:38productions under the direction of Jack Johnstone. Heard in this week's cast were Virginia,
- 30:44Greg Peter Leeds, Barney Phillips, Victor Perrin, James mcellan, and
- 30:48High Averback. Be sure to join us on Monday night, same time and
- 30:52station for another exciting story of Yours Truly, Johnny Doller, Roy Rowan speaking
- 31:57Welcome back. While it's worth noting because listeners are going to figure it out
- 32:02anyway. I'll get some emails on Andy if I don't mention it, so
- 32:06I'll go ahead and mention it. This particular episode of Johnny dollar represents a
- 32:14very rare writing fail on behalf of the writers. The key the key point
- 32:20here is at the end of part four, Johnny discovers the daughter's perfunit at
- 32:27the scene of the crime, and in this one he's despite that, he's
- 32:35you know, just as clueless and innocent as a lamb about her possible guilt
- 32:40and complicity in the matter. And you know, I can't I can't help
- 32:45but think that that that sort of slip may have been a result of the
- 32:53requirements and the expectations of getting out these five part Johnny Dowler stories. The
- 33:02way it sounds to me, it sounds like that the writer intended for this
- 33:10to come out, you know, as he was holding her in this episode,
- 33:20but that somehow or another, uh it uh may have been you know,
- 33:27we want to have a cliffhanger, something that'll have the audience ready to
- 33:30listen. So the it looks like the author, you know, went in
- 33:35and he wrote the cliffhanger to part four and then forgot that it was a
- 33:42big reveal in part five. So a rare lapse here on Johnny Dowler.
- 33:46A couple of names in the credits worth noting. Barney Phillips really solid as
- 33:53Captain Brawley and of Virginia greg You know, I wish we had more detailed
- 34:00ask credits for these. I wouldn't be surprised if he if she played the
- 34:07the one time girlfriend of Johnny and the daughter of the captain. I think
- 34:13she could have pulled both of them off, and she has done. She
- 34:17has done multiples. There are a few surviving scripts dedick that show Virginia Gregg's
- 34:25versatility. All right, well, now we turn to listener comments and feedback,
- 34:31and we have an itune review from the bird Lady. I just started
- 34:36listening to this podcast after listening to all the Dragnet ones for the second time
- 34:42the first time. The commentary is interesting. After that, I can recite
- 34:45the words myself that being said to sound quality is good and I really enjoy
- 34:47the variety and quality of the podcast. I will probably start on Dragnet again.
- 34:52I'm hooked and listened to it every day. Well, thanks so much
- 34:54for listening. Well that will do it for today. Join us back here
- 34:59on my Monday for our next episode of Johnny Dollar. Next week we'll also
- 35:02on Friday we'll bring you part two of Call for a columnist and join us
- 35:07tomorrow for the lineup. In the meanwhile, send your comments to Box thirteen
- 35:12at Great Detectors dot net, follow us on Twitter, Radio Detectives, and
- 35:15become one of our friends on Facebook, Facebook dot com. Slash Radio Detectives
- 35:21from Boise, Idaho. Though this is your host, Adam Grahamson and Off