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Transcript

Big Sean Interview · The Breakfast Club

• 0:00
  Speaker 1: Good boys showing you love this room anywhere else so
• 0:04
  Speaker 1: your friend Friday that day the world's most stagers want
• 0:09
  Speaker 1: to shut the cameras agree. What Joe is this listen city?
• 0:15
  Speaker 1: So Rift Harry, the capital of this the only one
• 0:20
  Speaker 1: who can keep these guys in chat Cholomagne, the Guard
• 0:24
  Speaker 1: is the Friths Club. Good morning Usa, joyo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo, Good morning
• 0:48
  Speaker 1: angela yea good money's Cholomagne. The guy beast to the
• 0:51
  Speaker 1: planet is Thursday. Yes, it's Thursday. What a sexy Thursday
• 0:58
  Speaker 1: it is here in New York City. I know that
• 1:00
  Speaker 1: when nationally syndicated, we're all over the world, right, but
• 1:03
  Speaker 1: here in New York it is a beautiful day outside.
• 1:06
  Speaker 1: Well it is snowing that right now, blizzard, blizzard like
• 1:09
  Speaker 1: temperatures conditions, that's what they said. Well, I wouldn't say
• 1:13
  Speaker 1: that yet. Later, yeah, later, yeah, give guard a minute.
• 1:16
  Speaker 1: But they already canceled lots of flights over a lots
• 1:19
  Speaker 1: of flights canceled New York and New Jersey schools. Most
• 1:22
  Speaker 1: of them are canceled and Boston and Philly. You know,
• 1:26
  Speaker 1: it's so crazy as a father, right, Like my daughter's eight,
• 1:28
  Speaker 1: so like when you know, she finds out it's a
• 1:31
  Speaker 1: snow day, she gets mad excited and then and then
• 1:33
  Speaker 1: I get excited too, but I'm like, gotta go to work.
• 1:36
  Speaker 1: I can't sleep in the worrow. I gotta get my
• 1:37
  Speaker 1: ass up and getting get on that road. For my
• 1:40
  Speaker 1: younger ones, my three year old and two year old,
• 1:42
  Speaker 1: they tell them at school that they have to wear
• 1:44
  Speaker 1: they put jammers backwards and put a spoon under their
• 1:48
  Speaker 1: pillow and if they do that, it'll be a snow day.
• 1:51
  Speaker 1: So my kids was super dup excited heard anything like that.
• 1:53
  Speaker 1: I ain't got a friend. That's sound very kind of Perverden.
• 1:56
  Speaker 1: Let me talking to my kids about putting it but
• 1:57
  Speaker 1: jamas going backwards and spooning and let me tell you so,
• 2:00
  Speaker 1: you know, my my three year old two year were onesies,
• 2:04
  Speaker 1: so they couldn't wear backwards, so they were mad. So
• 2:06
  Speaker 1: I had to cut the onesies so they could sleep
• 2:09
  Speaker 1: with the pajamas backwards because they couldn't, you know, because
• 2:11
  Speaker 1: the feet or backwards. To school already they go to
• 2:14
  Speaker 1: school already, two year old to school y aall you
• 2:17
  Speaker 1: got his onesies, most of them onesies regular pajamas. They
• 2:20
  Speaker 1: like onesies. Jesus Christ, let's put their pampers on back Andy,
• 2:23
  Speaker 1: where's onesies as well? I do sometimes that's hot. And
• 2:27
  Speaker 1: they got a little thing in the back. So if
• 2:28
  Speaker 1: you got to go to the bathroom, a little cut
• 2:29
  Speaker 1: out in the back. Also like Prince used to do
• 2:31
  Speaker 1: back and they have his ass out. Sometimes you do
• 2:33
  Speaker 1: that around the house. Just let the flap fly. No,
• 2:35
  Speaker 1: let the little bagge ass hang for the people to see. No.
• 2:38
  Speaker 1: But if I got to go to the bathroom and
• 2:39
  Speaker 1: just like steps that got you got you? Okay, dropping
• 2:42
  Speaker 1: my clues bombs for Envy's bow movement habits. We needed
• 2:44
  Speaker 1: to know that this morning day drop information for the listeners.
• 2:47
  Speaker 1: Let's share shout out to Rick Ross. Yesterday I actually
• 2:50
  Speaker 1: hosted at dinner Lips. It was hosted at dinner Rick
• 2:52
  Speaker 1: Ross did a lady's appreciation dinner okay before Valentine's Day.
• 2:56
  Speaker 1: So shout out to all the women who came out
• 2:58
  Speaker 1: last night. It was there for a beautiful dinner. It
• 3:02
  Speaker 1: was me and it was lip service hosting. So it
• 3:04
  Speaker 1: was me and Gigi, my girl Valerie Lauras Sonia was there.
• 3:08
  Speaker 1: It was about forty women in the room. A lot
• 3:11
  Speaker 1: of women in media, writers, radio personality, a lot of
• 3:15
  Speaker 1: single women there. No, it's before Valentine. People are married.
• 3:19
  Speaker 1: I mean, it's just women that are working the business
• 3:21
  Speaker 1: to appreciate everything that women do. Oh, you know, they
• 3:24
  Speaker 1: got something called Galantine's Day for all the single women,
• 3:26
  Speaker 1: for single women to appreciate themselves on Valentine's Day. I'm
• 3:29
  Speaker 1: dead serious. You know so much about because it was
• 3:31
  Speaker 1: on TV. It was on it was actually on the news.
• 3:34
  Speaker 1: I think it's called Gallantine's Gallantine. Yeah, so on Tuesdays
• 3:37
  Speaker 1: for all the single women to love and appreciate. Tuesday,
• 3:40
  Speaker 1: it's Valentine's Day, right, I know that, But it's also
• 3:42
  Speaker 1: Galantine's Day for the single ladies. Google it, damn it.
• 3:46
  Speaker 1: Don't make this kind of stuff up. Don't worry. We're
• 3:48
  Speaker 1: gonna have a full tutorial lauded on Tuesday. We shipped
• 3:50
  Speaker 1: all the single ladies out there my Valentine's Day sweater.
• 3:55
  Speaker 1: Today I did a little capsule line angela Ye's Valentine's
• 3:58
  Speaker 1: Day capsule collection the Hustle. There's a few different things,
• 4:03
  Speaker 1: but this one is one of them, and Big Sean
• 4:06
  Speaker 1: will be joining us. I've heard of them. I'm gonna
• 4:08
  Speaker 1: tell yall something, man, And I know this may sound
• 4:10
  Speaker 1: a little crazy, boy, if you haven't heard Big Sean's
• 4:13
  Speaker 1: new I decided album, Big Sean might be the best
• 4:17
  Speaker 1: rapper out right now, Okay, like he might be the
• 4:20
  Speaker 1: best rapper. And I'm basics the new generation. When I
• 4:25
  Speaker 1: think of the new generation, like the leaders of the
• 4:26
  Speaker 1: new generation, I think of like Kendrick, I think of Drake,
• 4:29
  Speaker 1: I think of J Cole, I think of La I
• 4:31
  Speaker 1: think a big crid and then I think of Sean.
• 4:33
  Speaker 1: I think Sean might be at the top of that
• 4:35
  Speaker 1: above J Cole and Kendrick. Yes, and I'm talking about
• 4:38
  Speaker 1: I'm just this is basing this great off lyrics and
• 4:41
  Speaker 1: flow and delivery, not nothing else, not no sales, not
• 4:43
  Speaker 1: no popularity, just great. The craft of rapping. Sean is
• 4:48
  Speaker 1: a monster, bro. I'm five songs and I gotta listen
• 4:50
  Speaker 1: to the whole album. Let's get the show. Crack your
• 4:53
  Speaker 1: front page news. What we're talking about. We're all going
• 4:54
  Speaker 1: to give you an update on the snowstorm and how
• 4:57
  Speaker 1: it's going to affect you, depending on where you are
• 5:00
  Speaker 1: also Donald Trump, you know, we got to talk more
• 5:03
  Speaker 1: about him. And I was watching the news this morning
• 5:05
  Speaker 1: and he made a statement that I just thought was
• 5:06
  Speaker 1: hilarious and shout out to Charles Oakley. Oh my New
• 5:09
  Speaker 1: York Knicks. Yeah, absolutely swung on six white people and
• 5:15
  Speaker 1: didn't get killed. Yeah, he might need to look. The
• 5:18
  Speaker 1: Knicks need to sign him because he's the toughest one
• 5:20
  Speaker 1: out there. He got passion. The only person in that
• 5:22
  Speaker 1: that whole garden last night with passion was Charles Oakley.
• 5:25
  Speaker 1: And we'll tell y'a all about it. Keeping locked this
• 5:26
  Speaker 1: to Breakfast Club. Good morning, all right, morning, everybody is
• 5:30
  Speaker 1: DJ Envy Angela ye Charlemagne that God, we are the
• 5:33
  Speaker 1: Breakfast Club. Let's getting some front page news. Start off
• 5:36
  Speaker 1: with sports now. Last day that was as as as
• 5:39
  Speaker 1: I was watching the New York Knicks play. They actually
• 5:41
  Speaker 1: did pretty good at first, but they wound up losing it.
• 5:43
  Speaker 1: It was, I guess a little argument controversy that happened
• 5:46
  Speaker 1: in the first quarter. I've seen Charles Oakley getting escorted
• 5:49
  Speaker 1: out and then I kept seeing the replay. Well, allegedly
• 5:52
  Speaker 1: what happened was Charles Oukley. Charles Oakley doesn't really mess
• 5:55
  Speaker 1: with the New York Knicks, so he purchased his own tickets.
• 5:57
  Speaker 1: He said some bad things about the organization, and I
• 5:59
  Speaker 1: guess they really don't get along, but he believes. Once
• 6:01
  Speaker 1: and Nick, always a Nicky played for the New York
• 6:05
  Speaker 1: eight to ninety eight, one of the best Nick teams ever.
• 6:09
  Speaker 1: And he paid for his tickets. And I guess when
• 6:11
  Speaker 1: the owner allegedly seen him, they asked him to leave,
• 6:14
  Speaker 1: and he wouldn't leave, so they tried to put their
• 6:16
  Speaker 1: hands on him. It was about five six individuals, maybe
• 6:18
  Speaker 1: five security guards and one police officer, and Oakley wasn't
• 6:21
  Speaker 1: having it. Was the white man he poked in the forehead.
• 6:23
  Speaker 1: I don't know who that was for that beautiful poke
• 6:26
  Speaker 1: to the forehead. First of all, I don't like to
• 6:28
  Speaker 1: see any veterans of any kind disrespected. That goes for
• 6:31
  Speaker 1: military veterans here in America. I hate seeing them homeless
• 6:34
  Speaker 1: on the street after they served his country. And I
• 6:36
  Speaker 1: think it's super disrespectful to have a veteran like Charles
• 6:38
  Speaker 1: Oakley make him pay for a ticket. After giving the
• 6:41
  Speaker 1: Knicks ten years of blood sweating tears, the last time
• 6:45
  Speaker 1: the Knicks had a good squad was probably during that
• 6:47
  Speaker 1: Oakley era. Well, the next PR tweeted out, Charles Oakley
• 6:50
  Speaker 1: came to the game tonight in beasation, highly inappropriate and
• 6:53
  Speaker 1: completely abusive manner. He has been ejected and is currently
• 6:56
  Speaker 1: being arrested by the New York City Police Department. He
• 6:59
  Speaker 1: was a great nick and me hope he gets some
• 7:00
  Speaker 1: help soon. Trash that is trash. If if I was
• 7:03
  Speaker 1: a player, I would never want to play for an
• 7:04
  Speaker 1: organization like that that All the free agents that could
• 7:07
  Speaker 1: be out there are people that could possibly trade it
• 7:09
  Speaker 1: to the Knicks. I would not want to come to
• 7:10
  Speaker 1: play for an organization that treats it's veterans in that manner.
• 7:13
  Speaker 1: I'll tell you one thing though, Charles Oakley at I
• 7:15
  Speaker 1: don't even know how old he is, maybe maybe fifty.
• 7:18
  Speaker 1: He has more heart than most of those Knicks that
• 7:20
  Speaker 1: were out there playing. I mean, you know you need
• 7:23
  Speaker 1: you might need to sign him because he could box
• 7:24
  Speaker 1: you out, he could throw people around. He was he
• 7:26
  Speaker 1: didn't care. When you get to that age, you got
• 7:28
  Speaker 1: that old man scrap down. They said he's going to
• 7:30
  Speaker 1: be trash. With three counts of assault, they don't want
• 7:32
  Speaker 1: him drop it out on one of these old men.
• 7:34
  Speaker 1: If you want to. They may be slow, but boy,
• 7:36
  Speaker 1: when that's sixty year old right hand connect with you, boy,
• 7:38
  Speaker 1: you're gonna feel it in your soul. I've seen it,
• 7:40
  Speaker 1: and I seen Oakley about a week ago when I
• 7:42
  Speaker 1: was heading to Houston. He was also heading out there. Man,
• 7:45
  Speaker 1: I'm just watching a video right now on Revote heat.
• 7:48
  Speaker 1: He like, no, I'll pay for this season Kicks. The
• 7:49
  Speaker 1: Knicks treat its veterans worse than America treats it's veterans.
• 7:53
  Speaker 1: That was disgusting that Chagan should never be treated in
• 7:57
  Speaker 1: that man. Random Sorry about Charles Ukley. I did me
• 8:00
  Speaker 1: him a couple of times. I actually was at one
• 8:02
  Speaker 1: point supped to a cooking show with Charles Oakley. Yeah,
• 8:05
  Speaker 1: he does a great cook He owns a couple of
• 8:07
  Speaker 1: car washes in the city. That was a long time ago,
• 8:10
  Speaker 1: but shout out to Charles Oakley. He was super cool.
• 8:13
  Speaker 1: Disrespected by the organization he used to play for for
• 8:16
  Speaker 1: ten years. Everybody deserved fingers in the face. Phil Jackson,
• 8:20
  Speaker 1: h James Dolan, everybody, anybody involved that Knicks organization deserves
• 8:24
  Speaker 1: a finger in the face. I'll tell you one more
• 8:26
  Speaker 1: story about Charles Oakle. I know we gotta go ed
• 8:28
  Speaker 1: Lover was doing comedy one time and made a joke
• 8:32
  Speaker 1: about Charles Oakley, and then he said, before the joke
• 8:34
  Speaker 1: was finished, a chicken wing hit him in the forehead
• 8:36
  Speaker 1: and he said he looked up and Oakley was standing in. OK.
• 8:40
  Speaker 1: You'll mess with Yalls Oakley Jaralls. Ok is one of
• 8:42
  Speaker 1: those guys that was And then, by the way, I
• 8:44
  Speaker 1: was kind of upset that none of the players came
• 8:45
  Speaker 1: to his defense, like some of the players should have been, like, yo, really,
• 8:47
  Speaker 1: you don't treat the veteran NBA players like this, especially
• 8:50
  Speaker 1: somebody that played for the organization for ten years. And
• 8:52
  Speaker 1: Lebron James posted a picture of Charles Oakley after this
• 8:55
  Speaker 1: all happened, and he put mood hashtag legends he defends
• 8:58
  Speaker 1: Lebron James all the time that talk about this snowstorm.
• 9:01
  Speaker 1: All right, so be careful if you plan to travel
• 9:03
  Speaker 1: anywhere today because in the Northeast, airlines have already canceled
• 9:06
  Speaker 1: more than twenty seven hundred flights even before the storm started.
• 9:10
  Speaker 1: New York, Buston, Philadelphia have all closed their public schools
• 9:13
  Speaker 1: for the day. So far, they said more than sixty
• 9:15
  Speaker 1: million people are going to have to deal with this weather.
• 9:18
  Speaker 1: So according to the Connecticut governor also they said state
• 9:21
  Speaker 1: colleges and courts would be closed today. We're expecting anywhere
• 9:26
  Speaker 1: between seven to about sixteen inches of snow. Jesus crazy.
• 9:30
  Speaker 1: Supposed to stop it one o'clock door, yest, Yeah, stop
• 9:32
  Speaker 1: at one of the clock. Supposed to be very heavy
• 9:34
  Speaker 1: between six and eight pm, six and eight am Eastern time.
• 9:37
  Speaker 1: And tell us about I'll be here. Tell us about
• 9:39
  Speaker 1: Donald Trump. Well, Donald Trump, he's still battling the fact
• 9:42
  Speaker 1: that they have decided to put a hold to temporarily
• 9:46
  Speaker 1: suspend the travel band that he really wants. He feels
• 9:48
  Speaker 1: like he should be able to go ahead and do
• 9:51
  Speaker 1: that right. He says, he has that authority, and he
• 9:53
  Speaker 1: has a problem with the courts. Heres what he had
• 9:56
  Speaker 1: to say. And I don't ever want to call a
• 9:58
  Speaker 1: court bias, so I won't call it last. But courts
• 10:02
  Speaker 1: seem to be so political, and it would be so
• 10:06
  Speaker 1: great for a justice system if they would be able
• 10:10
  Speaker 1: to read a statement and do what's right. And that
• 10:13
  Speaker 1: has to do with the security of our country, which
• 10:15
  Speaker 1: is so important. That this is Charlomagne and God talking.
• 10:18
  Speaker 1: I'm not the highest grade of weave in the dispensary.
• 10:20
  Speaker 1: I'm kind of dumb on all levels. But isn't isn't
• 10:23
  Speaker 1: a court supposed to be political? Point of it? Like,
• 10:26
  Speaker 1: how can the court not be political? These courts are
• 10:29
  Speaker 1: so courts are supposed to be political. We' they're supposed
• 10:31
  Speaker 1: to be biased. What are you saying, white man, Steve
• 10:33
  Speaker 1: Huh shut up? Okay, all right, well that's what I'm saying.
• 10:40
  Speaker 1: White people got to do better in twenty seventeen. Jesus Christ.
• 10:43
  Speaker 1: Well that's front page. Tell them why you mad? If
• 10:49
  Speaker 1: you're upset, you need to vinc callus right now. Phone
• 10:51
  Speaker 1: lines are wide open. We're gonna let you speak. If
• 10:54
  Speaker 1: you're mad that maybe the schools are closed and you're
• 10:56
  Speaker 1: a parent, now you have to stay home with your child.
• 10:58
  Speaker 1: These schools are so educational whatever it is, if you're upset,
• 11:02
  Speaker 1: like educational schools. I don't think school should be educational
• 11:05
  Speaker 1: five eight five, one oh five. I think churches should
• 11:08
  Speaker 1: be religious either. It's the breakfast cloak of morning, the
• 11:12
  Speaker 1: breakfast club. They literally when the ju yox. You know
• 11:20
  Speaker 1: what makes you mad but for the truth, but can't
• 11:23
  Speaker 1: handle the truth. I tell them why you mad? When
• 11:25
  Speaker 1: the breakfast club. Hello, who's this Detroit truck driver? What's up? Up?
• 11:31
  Speaker 1: Drive or whatever? Tell them you mad? What's going on? Man?
• 11:34
  Speaker 1: I'm mad? This my second time? Man, you know, I
• 11:37
  Speaker 1: wake up this morning to get again. I put my
• 11:40
  Speaker 1: my girl back and she pushed me off. So you
• 11:42
  Speaker 1: know what I do? I get my ass up and
• 11:44
  Speaker 1: get back in the truck and hit the road again.
• 11:45
  Speaker 1: And Charlotte, Man, profit in the bathroom did not work.
• 11:48
  Speaker 1: It didn't work. You should have put it right. But
• 11:50
  Speaker 1: do you ever, yes, listen to you go ahead and
• 11:55
  Speaker 1: put it in your penis. Time. Someone's back is not
• 11:57
  Speaker 1: good enough. But I'm just shoving them off. Next down
• 12:00
  Speaker 1: im that's called might be still got to get consent
• 12:03
  Speaker 1: from your wife for a girl or whatever she is.
• 12:05
  Speaker 1: I mean she's sleep. Hey, it's my oh my consent.
• 12:08
  Speaker 1: You know what I'm saying. Hello, drink, don't be that anymore.
• 12:13
  Speaker 1: Don't be that guy. A big sean gonna be on
• 12:15
  Speaker 1: the next hour too, by the way, Detroit, that's right. Hello,
• 12:17
  Speaker 1: who's this yo? Let's Rick from the day Rick. Tell
• 12:20
  Speaker 1: him you man? Yeah, man, So I'm tired of this
• 12:22
  Speaker 1: whole mum or rapper lorical rap debate it's getting played out.
• 12:26
  Speaker 1: In my opinions, who cares? Bro Like, I'm from the South,
• 12:28
  Speaker 1: so they always fronted on the South, So who cares?
• 12:31
  Speaker 1: Don't like dam Like I saw a documentary on Noisy
• 12:36
  Speaker 1: saying that I loved he doesn't drink or he doesn't
• 12:39
  Speaker 1: smoke for the kids. Whereas where I grew up in
• 12:42
  Speaker 1: the nineties, I was just on the lyrical rapper like
• 12:44
  Speaker 1: I wanted to be a gangster because I thought I
• 12:45
  Speaker 1: was listening to these kids just want to have fun.
• 12:47
  Speaker 1: In my opinion, I mean that's better for the community.
• 12:50
  Speaker 1: I mean, listen, I think you got a lot of variety.
• 12:52
  Speaker 1: I understand what you're saying, but you got a lot
• 12:53
  Speaker 1: of variety now for every little Yaddi it's a big sean.
• 12:57
  Speaker 1: You know what I'm saying here? Like it's it's it's
• 12:58
  Speaker 1: a variety for everybody. I agree. Hello, who's this? This
• 13:02
  Speaker 1: is Mark. I'm in Robins County, NY Mare tell him
• 13:04
  Speaker 1: where you're mad. I'm mad because I'm stuck out here
• 13:06
  Speaker 1: in the snow delivering newspaper. Man. Is it that bad
• 13:09
  Speaker 1: out there in the rose? It's bad. It takes me
• 13:12
  Speaker 1: ten minutes to get up a little field and I
• 13:15
  Speaker 1: gotta do it. Hey, Hey, can I tell you something?
• 13:17
  Speaker 1: Can I tell you something? You should have paid attention
• 13:20
  Speaker 1: in school, sir? He should maybe he did. Did you
• 13:23
  Speaker 1: play attention to school? No, that's why I'm pay attention
• 13:25
  Speaker 1: to school. This is a second job. It's a part
• 13:27
  Speaker 1: time job. Oh, there you go. What's your main career, sir? Well,
• 13:30
  Speaker 1: I'm a man a drift stopping there you go, my brother. No,
• 13:33
  Speaker 1: it ain't nothing wrong that flew to that man and
• 13:36
  Speaker 1: man we're at stopping shop. Nothing wrong with that at all. Hello.
• 13:39
  Speaker 1: Who's this yo? Breakfast club? Yeah, y'all? I love these guys.
• 13:46
  Speaker 1: And I just want to say that. And it's five
• 13:48
  Speaker 1: or six clocks in worry about anyway. I'm not mad.
• 13:51
  Speaker 1: I just want to tell you all that I just
• 13:52
  Speaker 1: had my first night. I said dancer, and I just
• 13:55
  Speaker 1: want to tell you all about my name. Tell us
• 13:57
  Speaker 1: what happened? Boy, Hold, hold hold on. We'll do this
• 14:00
  Speaker 1: because up next is why you're blessed. And right now
• 14:02
  Speaker 1: you say I'm blessed. All right, So you hold one baby,
• 14:06
  Speaker 1: See my dance. Her name is Holiday. All right, hold on, Holiday,
• 14:11
  Speaker 1: don't go anywhere. Up NeXT's tell them why you blessed.
• 14:13
  Speaker 1: Eight hundred five eight five one oh five one. We
• 14:16
  Speaker 1: have a young lady on the phone that feels blessed.
• 14:18
  Speaker 1: Yesterday was her first day, first day as a scrap.
• 14:21
  Speaker 1: We don't find out all about it when we come back.
• 14:23
  Speaker 1: Keep it locked. Eight hundred five eighty five one on
• 14:25
  Speaker 1: five one. Blessings on, Blessings on, blessings the breakfast clubs?
• 14:35
  Speaker 1: Are you blessing? Highly favorite? I feel blessed. Tell the
• 14:38
  Speaker 1: congregation at eight hundred five five five one, it's the
• 14:43
  Speaker 1: breakfast club. Now we have Holiday on the line. That
• 14:46
  Speaker 1: is her strip of name. Last night was her first
• 14:49
  Speaker 1: night in the strip club. She feels blessed. Talk to me,
• 14:52
  Speaker 1: it's about it Holiday, all right, So I think I
• 14:55
  Speaker 1: may thank for my first night. I didn't really know
• 14:57
  Speaker 1: what's expect but I'm in Miami, by the way, all right,
• 15:00
  Speaker 1: we'll club you. At first of all, I was that
• 15:02
  Speaker 1: one I don't want to give my location out because okay,
• 15:05
  Speaker 1: you don't have to do that. She just got she
• 15:08
  Speaker 1: just started, all right, what's your dancer name? Holiday? She said, Okay,
• 15:12
  Speaker 1: how much did you make last night? I need six hundred?
• 15:17
  Speaker 1: You blast now tell us about it Holiday. Well, it
• 15:21
  Speaker 1: was really fun. I mean like I was in a
• 15:23
  Speaker 1: black club because I'm black of forest anyway. Um, I
• 15:26
  Speaker 1: was in Miami. You know, I was popping in shaking it,
• 15:28
  Speaker 1: and I really liked the lifestyle because you know, I
• 15:32
  Speaker 1: got what I wanted for the rest of the night
• 15:34
  Speaker 1: and I just left. How old are you? How old
• 15:36
  Speaker 1: are you? Well, my birthday's at the end of the month. Um,
• 15:39
  Speaker 1: I was twenty four. Okay, I just want you to
• 15:42
  Speaker 1: know last night was beginning. It's luck and it's all
• 15:43
  Speaker 1: downhill from here. But let me ask this. It's not
• 15:46
  Speaker 1: going to be a lot of six hundred dollars knights,
• 15:47
  Speaker 1: more like one hundred and fifty two hundred dollars nights.
• 15:49
  Speaker 1: But you're looking that's good. And that's good for a
• 15:53
  Speaker 1: Wednesday night too. Yeah, that's good for Wednesday night. Oh yeah,
• 15:56
  Speaker 1: it is Wednesday, y'all. I'm popping. Let me ask you
• 15:59
  Speaker 1: a question. Are you good at doing like tricks and
• 16:01
  Speaker 1: stuff like that or do you just walk around like
• 16:03
  Speaker 1: cant No, I don't do pol tricks. I walked around,
• 16:06
  Speaker 1: but I met this guy in the club and ready
• 16:08
  Speaker 1: to hook me up like dancing class. So how do
• 16:13
  Speaker 1: you practice me? How do you practice how do I practice?
• 16:17
  Speaker 1: What do you mean all girls work in the mirror?
• 16:19
  Speaker 1: Like it was kind of like that, and then like
• 16:21
  Speaker 1: you just take your clothes off. Yeah, I think you
• 16:23
  Speaker 1: need to land some politics too though. That way you
• 16:24
  Speaker 1: can always up to Annie. Whatever you do, you gotta
• 16:26
  Speaker 1: do be great at it. Would you like to share
• 16:28
  Speaker 1: your Instagram with a married man? You know? All right?
• 16:32
  Speaker 1: Okay you said it, I didn't. Would you like to
• 16:35
  Speaker 1: share your yo? I can't believe that. I'm on the
• 16:37
  Speaker 1: breakfast cover listening to you guys all the time. And
• 16:41
  Speaker 1: what a great night last night, great jointing, no question.
• 16:44
  Speaker 1: Now what got you in the shipping? Would your dad
• 16:46
  Speaker 1: in your life? Was it financial hardship? Like? What got
• 16:49
  Speaker 1: you in the shipping? Yeah, my dad's definitely in my life.
• 16:51
  Speaker 1: And who's alive all time? And what are you going wrong?
• 16:55
  Speaker 1: I like dancing and its financial hardships. Like I'm just
• 16:58
  Speaker 1: going through a lot and I need five money because
• 17:00
  Speaker 1: like I have goals on my list and I'm trying
• 17:02
  Speaker 1: to knock off right now and it costs money. Okay,
• 17:05
  Speaker 1: I bless you. It's a legal job for it. What
• 17:09
  Speaker 1: can I have five kids and I'm making sure my
• 17:12
  Speaker 1: daughters ain't gonna be on it, and you're married, she
• 17:15
  Speaker 1: wants me to pay for it, like have kids. I'm
• 17:17
  Speaker 1: married and I got my own kids. And let me
• 17:19
  Speaker 1: ask you a question. Now, if somebody came up to
• 17:21
  Speaker 1: you and offered you a thousand dollars maybe for some felacio,
• 17:24
  Speaker 1: would you have done it last night? No, because I
• 17:26
  Speaker 1: like I hook up with people that I actually care about,
• 17:28
  Speaker 1: because that's like like sentimental for money. It was yeah,
• 17:32
  Speaker 1: I was just dancing, you know, like I just had
• 17:34
  Speaker 1: at their time, like and I was drinking like if judgment.
• 17:38
  Speaker 1: So you're always in the ship. I'm gonna be honest
• 17:40
  Speaker 1: with you. I'm board. I'm bored at this phone call already.
• 17:42
  Speaker 1: So that means just having a good time. She's dancing,
• 17:45
  Speaker 1: She's not trying to have a relationship with one of
• 17:47
  Speaker 1: these guys in the club. I'm sure that's how you
• 17:49
  Speaker 1: are in the script club too. I see you at
• 17:50
  Speaker 1: first throw a couple of dollars like I'm bored. What's
• 17:52
  Speaker 1: the next woman that can go huh, Yeah, that's hard.
• 17:57
  Speaker 1: It's okay, Charlotteyne. You'll see me later on because I'm
• 18:00
  Speaker 1: doing big things Breakfast club holiday. You continue to be blessed. Okay,
• 18:04
  Speaker 1: thank you, y'all be blessed on this Thursday breakfast club.
• 18:07
  Speaker 1: I love y'all. Alright, be careful please, I don't take
• 18:10
  Speaker 1: drinks with men unless you see the drink actually come
• 18:12
  Speaker 1: from the bartend to be extra careful out there because
• 18:14
  Speaker 1: men creeps and perverts, so please trying to screen right,
• 18:21
  Speaker 1: thank you. M's right, there are women. There are a
• 18:24
  Speaker 1: lot of creep Oh my god, there are a lot
• 18:26
  Speaker 1: of creeps out there, like seriously. That's right, she's twenty four.
• 18:34
  Speaker 1: You're right, tell her, tell her all the basics. Just
• 18:36
  Speaker 1: be careful out there, all right. Look both ways before
• 18:38
  Speaker 1: you cross the street as well. Okay you all right,
• 18:45
  Speaker 1: shout the holiday. She's blessed. Last date was up first
• 18:48
  Speaker 1: night at the strip club. Now we got rumors on
• 18:51
  Speaker 1: the way. Yes, find out what R and B singer
• 18:53
  Speaker 1: is screaming out racism and tell you what happened and
• 18:55
  Speaker 1: why he's saying things are racist. And Robin Thick in
• 18:58
  Speaker 1: court what happened when he went for his child custody case.
• 19:02
  Speaker 1: You know, that's one of my goals to make sure
• 19:04
  Speaker 1: none of my daughters on the ship pole. In reality TV,
• 19:07
  Speaker 1: Mona Scott Young shows. Absolutely, you want to keep him
• 19:09
  Speaker 1: up the scribble pole and off all mona. Scott Young shows,
• 19:12
  Speaker 1: Now all right, rumors on the way. It's the breakfast Club.
• 19:14
  Speaker 1: Good morning, the breakfast Club. It looks crazy outside, coming down.
• 19:22
  Speaker 1: It's coming down in New York. I'm sure in New Jersey, Connecticut.
• 19:24
  Speaker 1: I'm sure Boston. It ain't look crazy outside. I don't
• 19:27
  Speaker 1: know how we're gonna get home. I needed it stops
• 19:30
  Speaker 1: at one o'clock. Well, I'm not staying one happen. We've
• 19:33
  Speaker 1: got a little choice. It look crazy outside. Somebody gets
• 19:36
  Speaker 1: some snacks, Get some snacks. Uber're gonna work. Definitely not real. Well,
• 19:41
  Speaker 1: I'm sure uber will work, but you know you might
• 19:43
  Speaker 1: get an inexperienced driving that in that weather. Try lift.
• 19:46
  Speaker 1: You know what's gonna happen. Our calls gonna get stuck
• 19:48
  Speaker 1: in the parking lot. Yep, that's what's gonna happen. That's
• 19:51
  Speaker 1: definitely gonna happen. It looks crazy. All right, Let's get
• 19:53
  Speaker 1: to the room. Let's talk, am goals. It's about side
• 20:00
  Speaker 1: ward round Angela breakfast club. Well, the Migos did an
• 20:09
  Speaker 1: interview in Rolling Stone magazine, a big feature, and what
• 20:12
  Speaker 1: came out of it was they ended up having to
• 20:14
  Speaker 1: apologize for something that was set now. Part of the
• 20:17
  Speaker 1: article says the track has put Megos at the forefront
• 20:20
  Speaker 1: of a new wave of Atlanta hip hop talent that
• 20:22
  Speaker 1: includes friends Little Yatti and a young thug, all our
• 20:25
  Speaker 1: wildly different mcs, illustrating the diversity, the Quavo says, is
• 20:29
  Speaker 1: one of the things he most loves about Atlanta. And
• 20:32
  Speaker 1: so I'm surprised by a mego's reaction when I mentioned
• 20:34
  Speaker 1: I love mcconin the local MC who just came out
• 20:37
  Speaker 1: as gay on Twitter. Damn mcconin, Quavo bellows. After an
• 20:41
  Speaker 1: awkward interlude, I mentioned support I saw online from mcconan's decision.
• 20:46
  Speaker 1: They supported him, Quavo asked, raising an eyebrow. That's because
• 20:49
  Speaker 1: the world is effed up, says Offset. This world is
• 20:52
  Speaker 1: not right. Take Off says. We ain't saying there's nothing
• 20:54
  Speaker 1: wrong with the gay, says Quavo, but he suggests that
• 20:57
  Speaker 1: mcconan's sexuality undermines his credibility given the fact that he
• 21:00
  Speaker 1: first came out talking about trapping and selling Molly doing
• 21:04
  Speaker 1: all that. Well, since then, Twitter went crazy with just that.
• 21:07
  Speaker 1: Part of the article and they have issued an apology
• 21:10
  Speaker 1: on Twitter. They said, we always been about being original
• 21:12
  Speaker 1: and staying true. Staying true to yourself goes a long way.
• 21:15
  Speaker 1: We are all fans of mcconan's music, and we wish
• 21:17
  Speaker 1: you didn't feel you ever had to hide. We feel
• 21:19
  Speaker 1: the world is effed up that people feel like they
• 21:21
  Speaker 1: have to hide, and we're asked to comment on someone's sexuality.
• 21:24
  Speaker 1: We have no problem with any one sexual preference. We
• 21:26
  Speaker 1: love all people, gay, our straight, and we apologize if
• 21:29
  Speaker 1: we offended anyone by the way. It gave people in
• 21:31
  Speaker 1: the trap okay, like it gave people out there selling drugs.
• 21:34
  Speaker 1: It gave people out there packing guns like it's gayhood.
• 21:36
  Speaker 1: Dudes out there, don't get it twisted. Me goals right,
• 21:39
  Speaker 1: you probably never ran in any probably haven't. You didn't know,
• 21:43
  Speaker 1: didn't know. But they can't mess with that bad and
• 21:45
  Speaker 1: boogie money. Things are going good for them right now.
• 21:46
  Speaker 1: I'm saying they don't need no problems. They probably got
• 21:49
  Speaker 1: endorsed me deals on the table, all kinds of stuff. Now,
• 21:51
  Speaker 1: what if the megoes feel that way, they can feel
• 21:53
  Speaker 1: that way. They don't have to apologize. Our president don't
• 21:57
  Speaker 1: apologize for nothing. Don't okay, going right? He neither this
• 22:02
  Speaker 1: administration all right. Jason Derullo is talking about racial profiling.
• 22:07
  Speaker 1: He says that he was stopped on a flight on
• 22:09
  Speaker 1: American Airlines. He said he's an elite customer and therefore
• 22:13
  Speaker 1: there shouldn't have been an issue. He was trying to
• 22:15
  Speaker 1: actually check his bags. He says he was disrespected. He
• 22:19
  Speaker 1: said he was cursed out and all of that. He
• 22:21
  Speaker 1: was going to go to LA. He was in Miami
• 22:23
  Speaker 1: going to LA and they tried to check their bags.
• 22:26
  Speaker 1: And here's what Jason Derulo says happened. They end up
• 22:29
  Speaker 1: turning the plane around. When I get on the ground,
• 22:31
  Speaker 1: here there's fifteen police officers waiting on us. As we're
• 22:34
  Speaker 1: getting off the plane. The pilot comes in, tried to
• 22:37
  Speaker 1: make a scene, and he says, I want these guys
• 22:40
  Speaker 1: off the plane right now. I get off the plane.
• 22:42
  Speaker 1: Fifteen police officers waiting on me like I'm a criminal.
• 22:45
  Speaker 1: So instantly I get on live stream. You know what
• 22:47
  Speaker 1: I'm saying, nothing's about to happen, that it's not supposed
• 22:50
  Speaker 1: to happen because I am who I am. But if
• 22:53
  Speaker 1: I wasn't, I know what the outcome would have been.
• 22:57
  Speaker 1: Still trying to figure out that. He said if he
• 22:59
  Speaker 1: was a random black guy, he would be in jail
• 23:01
  Speaker 1: right now. What happened now? Update on TMZ says that
• 23:05
  Speaker 1: a source of American Airline says that each customer, if
• 23:08
  Speaker 1: you're an elite customer, you get three free check bags.
• 23:11
  Speaker 1: But Jason Derula had one friend that tried to check
• 23:14
  Speaker 1: nineteen bags even though there was eight of them. One
• 23:16
  Speaker 1: person nineteen yeah, nineteen bags. So what they're saying they
• 23:20
  Speaker 1: think happened is that they got on the flight and
• 23:22
  Speaker 1: they left one person behind with all the luggage for
• 23:24
  Speaker 1: a later flight, and American Airlines would not credit the
• 23:27
  Speaker 1: nineteen bags for just one person. Everybody had to check
• 23:30
  Speaker 1: them in at split the bags up. I guess that
• 23:33
  Speaker 1: one person was standing behind to try to handle all that,
• 23:35
  Speaker 1: But I'm still trying to figure out why. When you
• 23:37
  Speaker 1: get all the planing, you see fifteen police office is
• 23:39
  Speaker 1: the first thing you think to do is go to
• 23:40
  Speaker 1: Facebook lives to make sure nothing happens, so you can
• 23:44
  Speaker 1: show something does happen here would be like recording it
• 23:46
  Speaker 1: and at the airport, think you should have went Instagram,
• 23:49
  Speaker 1: like I'm sure airport is video short video cameras everywhere.
• 23:58
  Speaker 1: He wanted to have his own procy to see. I
• 24:02
  Speaker 1: just don't live my life like that. When something bad happens,
• 24:05
  Speaker 1: the first thing you think is ome, let me go
• 24:06
  Speaker 1: to Instagram, Liba, let me go to Snapchat. People do
• 24:10
  Speaker 1: that to recorded because think about it, that's happened in
• 24:12
  Speaker 1: other situations with police brutality with people. I can understand.
• 24:15
  Speaker 1: If you're in a car, you know, it's just you
• 24:18
  Speaker 1: in the officer, but you're at an airport, it's mad
• 24:20
  Speaker 1: people there. Account Look at what's happening to me right now?
• 24:26
  Speaker 1: Right all right? Well, I'm Angela Yane. That's your room
• 24:28
  Speaker 1: of report. That was re rewouldeeded me morning. Everybody is
• 24:33
  Speaker 1: DJ Envy, Angela Yee, Charlemagne the guy. We are the
• 24:36
  Speaker 1: breakfast club. We got a special guest in the building.
• 24:39
  Speaker 1: It looks very Detroit this morning too, by the way,
• 24:42
  Speaker 1: very Detroit, Very Detroit. That is. That's a Detroit thing.
• 24:46
  Speaker 1: The corduroy Detroit. I think everybody wore corduroys. No, that's
• 24:51
  Speaker 1: a detail. That's everybody. Yeah, I don't know what I feel. Historically,
• 24:56
  Speaker 1: growing up, I used to see dudes in Detroit with
• 24:58
  Speaker 1: the whole cortu roy office as a whole outfit. It
• 25:01
  Speaker 1: is parts jacket match. We congratulations on the new album.
• 25:04
  Speaker 1: I decided, thank you. It's gonna do like over one
• 25:07
  Speaker 1: hundred thousand and be number one for the week. So
• 25:09
  Speaker 1: that's a big deal. Perfect, What do you mean? It's
• 25:11
  Speaker 1: really incredible right for artists now? Yeah, and this an album.
• 25:14
  Speaker 1: It's the first album I put out where I didn't
• 25:16
  Speaker 1: release physical copies with it, you know what I mean.
• 25:19
  Speaker 1: So physical has always been a big part of my
• 25:20
  Speaker 1: first week. So I didn't do that because I didn't
• 25:23
  Speaker 1: want to leak in, you know what I mean. And
• 25:25
  Speaker 1: I wanted to work on it to like as soon
• 25:27
  Speaker 1: as possible. When you got to do physical albums, you
• 25:29
  Speaker 1: got to turn it in way before it go to
• 25:31
  Speaker 1: the plants. And I didn't want to like risk. So
• 25:34
  Speaker 1: how long do you have to put it out before
• 25:36
  Speaker 1: when you're just streaming it? You have until right before
• 25:39
  Speaker 1: you put it out, not like right before, but like no, see,
• 25:45
  Speaker 1: if you do physicals, it's like a month, like a
• 25:47
  Speaker 1: week or like a week or two that's pretty good,
• 25:50
  Speaker 1: a couple of weeks. But we gotta decided, So why
• 25:51
  Speaker 1: did you try? I decided for a lot of reasons,
• 25:54
  Speaker 1: but Hall of But just on that point though, like
• 25:56
  Speaker 1: that's all sacrifices that it was my favorite song on
• 26:01
  Speaker 1: the album. Now I was like top three. Yeah, that
• 26:03
  Speaker 1: was like that came in at like the last minute,
• 26:06
  Speaker 1: like last week. So that's good a little bit. Hall
• 26:09
  Speaker 1: copies when the mede it, Yeah, like a bonus online
• 26:11
  Speaker 1: on streaming on these Yeah about that record, what made
• 26:14
  Speaker 1: you want to put the Megales on tacific Because most
• 26:16
  Speaker 1: artists will put Megals on a club record. You actually
• 26:18
  Speaker 1: put them on the record. That God Chair missing the
• 26:20
  Speaker 1: whole arm, little chair Kevin was supposed to buy y'all
• 26:24
  Speaker 1: getting money in here? Yeah, I got a broadcast chairs. No,
• 26:27
  Speaker 1: you gotta keep it, keeps the essence fuel Nah, But
• 26:30
  Speaker 1: me Goes. I got love from the me Goes. You
• 26:32
  Speaker 1: know anybody who keeping it raw, not really giving them
• 26:36
  Speaker 1: about any what people saying, just doing anything. I got
• 26:38
  Speaker 1: respect for And I remember when I met them, they
• 26:41
  Speaker 1: came to me and was just saying, you know, I
• 26:43
  Speaker 1: remember Quavo talking about Yo, You're like, you know, you
• 26:46
  Speaker 1: one of the ones we look up to you like,
• 26:47
  Speaker 1: you know, one our ogs. And I'm sitting here thinking
• 26:49
  Speaker 1: like I'm probably like two years old, you know what
• 26:52
  Speaker 1: I mean. But I gotta remember that when I came
• 26:54
  Speaker 1: in a game that was like, man, I was nineteen.
• 26:57
  Speaker 1: I was with you know, I was injured and with
• 27:00
  Speaker 1: Nigo for real all obviously, Yah, you know what I mean.
• 27:04
  Speaker 1: So it was a whole different air, like like a
• 27:07
  Speaker 1: generation before them the Sacrifice got. It's a lot of
• 27:09
  Speaker 1: substance in that record, Like you're talking about some real
• 27:12
  Speaker 1: socially conscious stuff. To me, like just on a personal level,
• 27:14
  Speaker 1: come like the me Goos. I think it's good to
• 27:17
  Speaker 1: bring the megoes to do something that they don't know,
• 27:20
  Speaker 1: which is like bring them into what Big Sean would
• 27:22
  Speaker 1: do instead of catering to what they do. And I
• 27:24
  Speaker 1: feel like they brought something to the record too. I
• 27:26
  Speaker 1: know they added to that was the whole thing. I
• 27:28
  Speaker 1: didn't have a lot of features on this album. Only
• 27:30
  Speaker 1: features I had was you know, the ones that really
• 27:32
  Speaker 1: added something to dream. Jeremiah on the Sunday Morning jeffs
• 27:39
  Speaker 1: oh Man, I see that record became one of my
• 27:42
  Speaker 1: favorite records this morning. Yeah that and stick to the Plan.
• 27:46
  Speaker 1: I like the way the album starts with the intro
• 27:47
  Speaker 1: with Jeremiah. I thought that would be nice um and
• 27:49
  Speaker 1: it had a lot of steps and also but I
• 27:51
  Speaker 1: thought it was a great intro for the whole album,
• 27:53
  Speaker 1: just to start off with that. Yeah he killed it too,
• 27:56
  Speaker 1: you know what I'm saying, And that the whole album,
• 27:59
  Speaker 1: like I broke the I'm in my head at least
• 28:01
  Speaker 1: to like four different acts. So it's like the first
• 28:04
  Speaker 1: act is like the light bounce back, no favors. It's like,
• 28:07
  Speaker 1: once you realize your inner you find that inner strength.
• 28:10
  Speaker 1: Like the first lines on the album is I spent
• 28:12
  Speaker 1: my whole life trying to find a light that's at
• 28:14
  Speaker 1: the end of the tunnel. I should have realized it
• 28:15
  Speaker 1: was inside outside inside outside. Yeah, you know what I'm saying.
• 28:18
  Speaker 1: So it's just like once you figure that out and
• 28:20
  Speaker 1: then you bounce back, you know what I'm saying, from
• 28:22
  Speaker 1: your losses, and then after that you charged up. It's
• 28:25
  Speaker 1: like you don't need no favorites. The part Part two
• 28:28
  Speaker 1: is like the love part going after you know what
• 28:30
  Speaker 1: I mean, you're one true love not working out all
• 28:34
  Speaker 1: sorts of just you know, so to speak. Part No.
• 28:38
  Speaker 1: Part three is like halfway off the balcony voices in
• 28:41
  Speaker 1: my head. Stick to the plan. That's like when everything
• 28:44
  Speaker 1: going wrong and spiral out of control. You like in it,
• 28:46
  Speaker 1: you know you and a pit you in the depths,
• 28:49
  Speaker 1: you know what I'm saying. And then part four is
• 28:51
  Speaker 1: like Sunday Morning, jack Pad, when God pull you out
• 28:53
  Speaker 1: of that, your family there for you, everybody. Yeah. Part
• 28:58
  Speaker 1: three that's like sticks to the plan where in my
• 29:00
  Speaker 1: head it's like you're going through that that moment, no
• 29:02
  Speaker 1: voices into the voices in my head. You say that
• 29:05
  Speaker 1: maybe a gunshot to the head or set all these
• 29:07
  Speaker 1: thoughts free. You have suicidal thoughts at one point. Yeah, yeah,
• 29:12
  Speaker 1: what you like one of the happiest people I know, Sean,
• 29:15
  Speaker 1: one of the nicest people. Yeah, but I mean you
• 29:17
  Speaker 1: ain't got you know, I go through real all the time. Man,
• 29:22
  Speaker 1: I'm not saying. I'm not saying I was gonna do
• 29:24
  Speaker 1: what I'm saying. Yeah, I thought I thought about it,
• 29:26
  Speaker 1: But we got you to that point. Just the things
• 29:28
  Speaker 1: that exactly what I talked about on the album, Like
• 29:31
  Speaker 1: God I got me through that point. My family got
• 29:33
  Speaker 1: me through that point. That unconditional love is something that
• 29:37
  Speaker 1: you know that's more important than anything, that's something money
• 29:41
  Speaker 1: can't buy. So I get that unconditional love from my
• 29:44
  Speaker 1: family from the real ones around me that came up
• 29:46
  Speaker 1: with me. And that's just that's what that is. You know,
• 29:51
  Speaker 1: the last album you paid hommage to your father. This
• 29:53
  Speaker 1: album you paid homage to your mom with a phone call.
• 29:56
  Speaker 1: How did she react to Inspire Me? I remember, well,
• 29:59
  Speaker 1: she came to the so I record basically all my
• 30:02
  Speaker 1: music at this house. I just sold the house stuff like,
• 30:05
  Speaker 1: I just moved out because I feel like I got
• 30:07
  Speaker 1: all the inspiration out of it. But she was there
• 30:09
  Speaker 1: listening to the album, and I didn't tell her about
• 30:11
  Speaker 1: the song. The house was in Detroit, No, this house
• 30:14
  Speaker 1: is in la I make the music. The house in
• 30:17
  Speaker 1: Michigan's where she lived. Where I live. I got my
• 30:19
  Speaker 1: room in the basement. You know what I'm saying. She
• 30:21
  Speaker 1: got the big sweet or whatever. But anyway, I did
• 30:24
  Speaker 1: with his mom. Yeah, everybody's like he lives with his mom. Yeah,
• 30:28
  Speaker 1: but that's the that's that's the way though, you know,
• 30:30
  Speaker 1: That's how I have it. Um. Anyway, I just was
• 30:34
  Speaker 1: playing her songs after song after song, and then Inspire
• 30:36
  Speaker 1: Me came on. She was listening to it, you know
• 30:39
  Speaker 1: what I mean, And then all of a sudden she
• 30:41
  Speaker 1: was like, oh, oh, you know and then she and
• 30:43
  Speaker 1: then like that was halfway through the verse, and then
• 30:45
  Speaker 1: by the end of the verse she was crying. You know.
• 30:48
  Speaker 1: So it was emotional for us. But it's real though.
• 30:51
  Speaker 1: You know, I don't always answer my MoMA phone calls
• 30:53
  Speaker 1: all the time. Why not, no, because that's just real life, man.
• 30:58
  Speaker 1: It's not out of life, like I don't love her.
• 31:01
  Speaker 1: That's my mom. That's the first person I wrapped for it.
• 31:03
  Speaker 1: That's the person who supported me like none other. It's
• 31:06
  Speaker 1: just that we get self absorbed in our you know,
• 31:09
  Speaker 1: we get caught up in our own business. Sometimes you
• 31:11
  Speaker 1: really was doing nothing when you ignored our call oshean
• 31:14
  Speaker 1: no no, no, no, no no no. When you see
• 31:17
  Speaker 1: a miscall, sometimes you forget to call your family back.
• 31:19
  Speaker 1: That's just real life, man. You know what that coming
• 31:21
  Speaker 1: to me? Like, I'm good, I take care of my family,
• 31:23
  Speaker 1: you know what I mean. But the thing is, I
• 31:25
  Speaker 1: just wanted to keep it honest with her, and she
• 31:27
  Speaker 1: just she appreciated that. And I remember I even talk
• 31:31
  Speaker 1: about it on the song. But we grew up, you know,
• 31:33
  Speaker 1: I'm a Motown like I was in a Motown household,
• 31:36
  Speaker 1: like Stevie Wonder Isasley Brothers. You know what I mean,
• 31:40
  Speaker 1: Marvin Gay, you know what I mean all that Jackson five.
• 31:44
  Speaker 1: So I was asking her when she heard it, like
• 31:46
  Speaker 1: who you want to sing on it? Like you want
• 31:48
  Speaker 1: because I was thinking like Smokey Robinson, you know, or
• 31:51
  Speaker 1: I was gonna shoot for the stars, try and get
• 31:53
  Speaker 1: Stevie Wonder on it. But you know she just remember
• 31:56
  Speaker 1: her looking at me with tears in my tears in
• 31:58
  Speaker 1: her eyes, like you gotta sing it perfect if you
• 32:01
  Speaker 1: sing it. So that's why I'm on there and singing
• 32:03
  Speaker 1: like that. All that was Big Sean. We got more
• 32:05
  Speaker 1: with him in minutes, keeping locked. It's the Breakfast Club.
• 32:07
  Speaker 1: Good Morning, the breakfast club that was party next door,
• 32:15
  Speaker 1: good Morning. Everybody is DJ Envy Angela yea, Charlomagne the guy.
• 32:19
  Speaker 1: We are the Breakfast Club. We got Big Sean in
• 32:21
  Speaker 1: the building. Charlomagne. He said, every time you get a
• 32:23
  Speaker 1: new love, your mama invites them in. Is that true? Yeah? Yeah,
• 32:28
  Speaker 1: you got she never doesn't like your mine, and it's like,
• 32:30
  Speaker 1: don't bring her around, y'all. Mama's like that. No, I
• 32:34
  Speaker 1: only know one woman for theever. I can't bring no
• 32:36
  Speaker 1: Longe in my mama's house straight up. Oh yeah, me
• 32:38
  Speaker 1: and mom woman been together since ninety eight. The women
• 32:40
  Speaker 1: invitage you to their houses and meet their mama's before yes,
• 32:44
  Speaker 1: come back auss's that's that's disrespectful. I don't do things
• 32:48
  Speaker 1: like that. I did. Re did read a kid a
• 32:50
  Speaker 1: book one day. You to read a kid a book
• 32:52
  Speaker 1: and the kid called him dad. Did call him dad.
• 32:54
  Speaker 1: But listen, Mama, don't never think that that's respect that
• 32:57
  Speaker 1: she did. He didn't call me that. That was dispect
• 32:59
  Speaker 1: that I start mess with it. Mamma, will ever take
• 33:01
  Speaker 1: you to flow down? Because you do always got a
• 33:02
  Speaker 1: new love now, Sean, you can't be bringing a different
• 33:04
  Speaker 1: one always about it. Come on, I didn't ain't like that.
• 33:08
  Speaker 1: It's people I here changing it up every week. At
• 33:11
  Speaker 1: least I'm committed. At least I'll be you know, I
• 33:13
  Speaker 1: ain't out here. I ain't got time. You got about
• 33:16
  Speaker 1: a two year at least on your two years whatever.
• 33:24
  Speaker 1: And listening to Act two, I guess in this album
• 33:26
  Speaker 1: where you do talk about um, you know, saving somebody
• 33:30
  Speaker 1: kind of from a relationship and just being friends at
• 33:32
  Speaker 1: first and then kind of wanting to be with them,
• 33:34
  Speaker 1: but she was involved with somebody else, Is that a
• 33:36
  Speaker 1: true story? I mean, it's all based off true story.
• 33:40
  Speaker 1: You know, there's nothing not true about it, not necessarily
• 33:44
  Speaker 1: every line. Sometimes I fabricate things in my head just
• 33:47
  Speaker 1: to but I get I pulled the inspiration from real situations,
• 33:51
  Speaker 1: and a lot of times they are one hundred percent real.
• 33:53
  Speaker 1: But I'm also an artist too, I got an imagination.
• 33:56
  Speaker 1: Sometimes I like ask stuff in my head. And it's
• 33:58
  Speaker 1: interesting because when you did do that No More Interview song,
• 34:01
  Speaker 1: I was like, well, we can't interview Big Sean because
• 34:03
  Speaker 1: the stuff that he talks about is stuff that happens
• 34:05
  Speaker 1: to him in real life. So when you say you
• 34:06
  Speaker 1: don't want to talk about personal things, the music is personal,
• 34:09
  Speaker 1: so it's hard not to. Well, no, that's the sacrifice
• 34:12
  Speaker 1: I made. I put my personal life, you know, on
• 34:16
  Speaker 1: a record, And that's just the commitment I made to
• 34:18
  Speaker 1: my artistry because that's what I always wanted. I always
• 34:22
  Speaker 1: wanted to be a rapper. I always wanted to be
• 34:24
  Speaker 1: an artist, and I always knew my potential, you know
• 34:26
  Speaker 1: what I mean, And I always felt like I wasn't
• 34:29
  Speaker 1: executing my full potential. And it's just like that kept
• 34:32
  Speaker 1: me hungry, that kept me always wanting to strive to
• 34:34
  Speaker 1: be better. And part of that is just laying it
• 34:36
  Speaker 1: all out there. You know, you can't go halfway with anything.
• 34:39
  Speaker 1: You know, the album you say, girls that look like
• 34:41
  Speaker 1: Lesa Bolna jealous of you and Junee. Yeah, you know
• 34:45
  Speaker 1: that's gonna piss off the black women. What you mean here?
• 34:48
  Speaker 1: Girls that look like Lisa Bolney jealous of you and
• 34:51
  Speaker 1: Junee or black isn't lick? Yeah, that's my point. Black
• 34:57
  Speaker 1: women are gonna judge you because is black. That's what
• 35:02
  Speaker 1: I keep telling him. She's black. I keep telling him that,
• 35:05
  Speaker 1: like you have you seen her dad? She got a
• 35:09
  Speaker 1: little bit. What did that line mean? Girls that look
• 35:11
  Speaker 1: like Lisa born Age jealous? That means I was dating
• 35:14
  Speaker 1: pretty girls? And even when I got what's coming up,
• 35:18
  Speaker 1: they would always say something like because Jen Nathan on
• 35:20
  Speaker 1: my project since two thousand and or something like that.
• 35:26
  Speaker 1: That's Asian girl all the time. No. Not, You're gonna
• 35:32
  Speaker 1: stop disrespecting her. Man, So did you step for the
• 35:36
  Speaker 1: caller Asian? No? I'm just saying you got a name man, yea.
• 35:42
  Speaker 1: So my thing is, look, yes, people used to always
• 35:47
  Speaker 1: be like, what's up with you and Jee? You know
• 35:49
  Speaker 1: you don't say all of that to get then what's
• 35:51
  Speaker 1: up with you that Asian girl? But that's but that
• 35:55
  Speaker 1: is when you knew back then that you kind of
• 35:57
  Speaker 1: had feelings for her, but she was involved with somebody else.
• 36:01
  Speaker 1: I'm here to talk about the album album. I answered
• 36:07
  Speaker 1: the question. Y'all keep digging in on it. But nah, yeah,
• 36:09
  Speaker 1: it's always been feelings for her. Just to keep her honest.
• 36:12
  Speaker 1: She's a great person. Are you nervous, This is just
• 36:15
  Speaker 1: a side question. Are you nervous if you see her
• 36:16
  Speaker 1: husband that he might want five minutes with you she's
• 36:18
  Speaker 1: not married anymore, her ex husband, that he might want
• 36:20
  Speaker 1: five minutes with you. No, no, no, no way. I'm
• 36:24
  Speaker 1: super afraid of no confrontations. I'm assuming the Same Time
• 36:28
  Speaker 1: Part two is gonna be one's upcoming album or the
• 36:31
  Speaker 1: twenty eight album, maybe twenty eighty eight album. I don't know.
• 36:35
  Speaker 1: You gotta wait and see, but there is twenty eight
• 36:37
  Speaker 1: album coming Same Time, Same Time Part one. Yeah, just
• 36:43
  Speaker 1: a little that was just a little you know, a
• 36:45
  Speaker 1: little forest shadow. Yeah, who's gonna be on one of those.
• 36:47
  Speaker 1: That's one of my favorite stuffs. I like that. Yeah.
• 36:50
  Speaker 1: My one of my producers and Mirror did that. He
• 36:53
  Speaker 1: did the Light, he did Sunday Morning jet Pack halfway
• 36:55
  Speaker 1: off the balcony produced some bounced back moves. He did, Yeah,
• 36:59
  Speaker 1: he did the outro Bigger than Me. He produced on
• 37:01
  Speaker 1: thirteen out of fourteen tracks, so and he produced a
• 37:04
  Speaker 1: lot of the twenty eighty eight step too. So he's
• 37:07
  Speaker 1: straight out of Philly. Shout out to Philly. You know,
• 37:09
  Speaker 1: East Coast people are starting to see that you can
• 37:11
  Speaker 1: spit now, and I'm liking that. People are starting to
• 37:13
  Speaker 1: talk about your lyricism now they know who was they're
• 37:16
  Speaker 1: talking about. Before they just weren't talking about it at all.
• 37:19
  Speaker 1: People they never named Big Sean. I've never done that
• 37:24
  Speaker 1: to you. How many times have you you heard me?
• 37:28
  Speaker 1: That's not true? Second second album, when everybody's talking like, man,
• 37:34
  Speaker 1: I love I switched up song that this? You know?
• 37:37
  Speaker 1: Can I just think now we need to start having
• 37:40
  Speaker 1: a different conversation. It is Sean the best now, you
• 37:44
  Speaker 1: know what I'm saying. It's a different you mean in
• 37:46
  Speaker 1: that top five I've been in the top five to
• 37:49
  Speaker 1: me of the new guys. But I'm never saying he
• 37:51
  Speaker 1: want to be best at the moment, the best, because
• 37:55
  Speaker 1: you don't claim that. I it seemed like you got
• 38:00
  Speaker 1: a very underdog energy, like it don't It's not like,
• 38:04
  Speaker 1: let's not get it twisted. Let's not get it twisted.
• 38:07
  Speaker 1: Let's not get it twisted. I every time I step
• 38:10
  Speaker 1: into that booth, I feel like I'm the best rapper.
• 38:13
  Speaker 1: I feel like I'm the best at what I do.
• 38:15
  Speaker 1: This is twenty seventeen. It's the time for all of
• 38:17
  Speaker 1: us to feel the best at what we do. And
• 38:19
  Speaker 1: if you go, if you go on a job to
• 38:21
  Speaker 1: your work not feeling that you're the best, you know
• 38:23
  Speaker 1: that you're not the best of what you do. What
• 38:25
  Speaker 1: are you doing? What are you really even doing? What
• 38:27
  Speaker 1: you're doing it for a paycheck? That's that ain't gonna last.
• 38:30
  Speaker 1: It feels like an act three. You even address that
• 38:32
  Speaker 1: on the album too, just people maybe not giving you
• 38:35
  Speaker 1: the props that you know you deserve. I mean, I
• 38:38
  Speaker 1: don't really focus too much on what people saying all
• 38:40
  Speaker 1: I know, because that's gonna take a time, that's gonna
• 38:42
  Speaker 1: take time away from me. Focus on what's that, what's
• 38:45
  Speaker 1: that hand? What's the plan? What I gotta do? You
• 38:47
  Speaker 1: know what I'm saying. I mean, I feel like I'm
• 38:49
  Speaker 1: in a race, but I ain't looking to the left
• 38:50
  Speaker 1: or to the right of me. I'm looking at that
• 38:52
  Speaker 1: finish line because once you start looking to the left,
• 38:54
  Speaker 1: you start slowing down. Once you start looking to the right,
• 38:56
  Speaker 1: you start slowing down. That ain't where I'm at with it.
• 38:59
  Speaker 1: Why don't you claim it? Like like how hold used
• 39:01
  Speaker 1: to be, Like I'm the best Wayne, Like I'm the
• 39:03
  Speaker 1: best rapper alive. I am, I'm the best. No discussion.
• 39:06
  Speaker 1: That's what I said. I have to after balcony. I'm claiming,
• 39:09
  Speaker 1: I'm putting I am. Look, I'm a I'm a person
• 39:11
  Speaker 1: in manifestation. I believe what you put out into the
• 39:14
  Speaker 1: universe it come back to you. I believe mcarma. I
• 39:16
  Speaker 1: believe in all that. That's why I live righteous. You
• 39:19
  Speaker 1: know what I'm saying. That's why it ain't no front
• 39:21
  Speaker 1: for me. I am a real good dude, and I
• 39:23
  Speaker 1: am humble. You know what I'm saying. That's how I
• 39:24
  Speaker 1: was raised, though I can't change that. You know, I
• 39:27
  Speaker 1: grew up with my grandma with my mom, and they
• 39:28
  Speaker 1: was the you know, there was the women and the
• 39:32
  Speaker 1: men in the house. You know what I'm saying. That's
• 39:34
  Speaker 1: even while I'm blessings. It's like my grandmother died. I'm
• 39:36
  Speaker 1: the man of the house. That's because she she was
• 39:38
  Speaker 1: the man of the house too. So it was just
• 39:40
  Speaker 1: like I can't change the way I was raised. But
• 39:42
  Speaker 1: at the same time, like I put that work in,
• 39:45
  Speaker 1: like you're not gonna disrespect me. I hop on any
• 39:47
  Speaker 1: track with anybody, and I will not only stand my
• 39:50
  Speaker 1: own You're gonna know that it's my verse and you're
• 39:53
  Speaker 1: gonna know I'm for control. Kendrick watched you on control? No,
• 39:59
  Speaker 1: come on, but now hold on, let's talk about your
• 40:02
  Speaker 1: song with Eminem because that's been controversial. Of course, a
• 40:05
  Speaker 1: lot of people consider Eminem and how long with how
• 40:07
  Speaker 1: long ago is that one years? That were right? You right?
• 40:13
  Speaker 1: But you do have Eminem on the album, and I
• 40:15
  Speaker 1: still don't feel like I got watched anyway. Now you
• 40:17
  Speaker 1: got whatever, It's okay your opinions. See that's what I'm saying.
• 40:22
  Speaker 1: He can't. You can't focus on people's opinions, you know why,
• 40:25
  Speaker 1: because that's gonna throw you off. You got to focus
• 40:27
  Speaker 1: on what's the hand which you're feeling. It was a
• 40:28
  Speaker 1: different that was like a like like other worldly type
• 40:33
  Speaker 1: of birth. Now I'm not taking I'm not taking nothing
• 40:35
  Speaker 1: away from that. That's why, you know, what I'm saying.
• 40:37
  Speaker 1: It was my song. Also nothing that yeah, it was,
• 40:40
  Speaker 1: so I can't I can't say I've been seeing you
• 40:46
  Speaker 1: showing love to the album though voices in bounce Back.
• 40:49
  Speaker 1: It was one of the people campaigning for bounce Back.
• 40:52
  Speaker 1: Then I need to be played more on the radio,
• 40:54
  Speaker 1: and you run of the reasons that you know, just
• 40:56
  Speaker 1: just one of them people showing love. I appreciate you, dope, bro.
• 41:00
  Speaker 1: I give propers with propses to do. All right, we
• 41:02
  Speaker 1: got more with Big Show when we come back. Matter
• 41:03
  Speaker 1: of fact, let's get to a Big Sewan mini mix.
• 41:06
  Speaker 1: That was a Big Sean mini mix. Morning everybody is
• 41:09
  Speaker 1: DJ n v Angela, Yee, Charlomagne and god we all
• 41:12
  Speaker 1: the breakfast club. We got Big Sean in the building.
• 41:14
  Speaker 1: How intimidating is that to be on a song with
• 41:16
  Speaker 1: Eminem and you guys are both from Detroit and obviously
• 41:19
  Speaker 1: Eminem is you know, the A lot of people consider
• 41:22
  Speaker 1: him to be one of the goats at least, and
• 41:25
  Speaker 1: the song was also pretty controversial. Now after the album
• 41:29
  Speaker 1: came out, So what are your thoughts on people are
• 41:31
  Speaker 1: being upset about what Eminem said on the album. Petition
• 41:34
  Speaker 1: going around He wants you to Eminem arrested straight up yeah,
• 41:38
  Speaker 1: for rape lyrics towards Dan Kulta. Did you think anything
• 41:45
  Speaker 1: though when you heard it, Like, did you think that
• 41:48
  Speaker 1: it would be an issue at all? Or did you
• 41:50
  Speaker 1: not think anybody would? I feel like rap music. You know,
• 41:55
  Speaker 1: we're first of all, we're talking about Eminem, right, you
• 41:58
  Speaker 1: know what he says worse? Yeah, come on now. And
• 42:01
  Speaker 1: on top of that, I didn't. I wasn't thinking about
• 42:03
  Speaker 1: when I got the verse back. I was just thinking,
• 42:05
  Speaker 1: like it was refreshing to hear him, Like I feel
• 42:09
  Speaker 1: like he brought a whole new style to his to
• 42:12
  Speaker 1: his catalog, to the rap game, just like how he
• 42:14
  Speaker 1: was describing all that stuff. And I just feel like
• 42:17
  Speaker 1: I sent him so you can imagine what it's like
• 42:19
  Speaker 1: when you sent the sixteen bar verse, Like originally the
• 42:21
  Speaker 1: song was two twelve bar verses for me, and I
• 42:24
  Speaker 1: left for sixteen at the end for him. So you
• 42:26
  Speaker 1: can imagine, you know, being from the d you know,
• 42:30
  Speaker 1: first of our car and and I didn't know if
• 42:32
  Speaker 1: he was gonna be able to do it. You know,
• 42:34
  Speaker 1: he was like, man, I really loved a song, but
• 42:35
  Speaker 1: you know, I'm you know, my schedule was crazy. I
• 42:38
  Speaker 1: don't know if I can get to it in time,
• 42:40
  Speaker 1: so I thought he was letting me down easy. So
• 42:42
  Speaker 1: you can imagine what it feel like to wake up
• 42:45
  Speaker 1: like a couple of weeks later, Paul Rosenberg texting, you
• 42:47
  Speaker 1: heard the verse. You go down to the studio and
• 42:49
  Speaker 1: you hear like a two minute like bar off. I'm
• 42:53
  Speaker 1: a fan of the lyrics. I'm a fan of eminem,
• 42:55
  Speaker 1: I'm a fan of slim Shady. You know what I'm saying.
• 42:58
  Speaker 1: So that's what I felt like. I was sting too
• 43:00
  Speaker 1: when I heard that verse. So you heard them. The
• 43:03
  Speaker 1: only no, the only thing that I did change though,
• 43:05
  Speaker 1: is that when we were listening to it, it didn't
• 43:07
  Speaker 1: make sense that I had these super too short verses
• 43:11
  Speaker 1: and then it was his two minute verse. So all
• 43:13
  Speaker 1: I did was I put my verses together. But the
• 43:15
  Speaker 1: only thing I had to add like four more bars
• 43:18
  Speaker 1: because it wasn't sounding right when I just pasting them
• 43:21
  Speaker 1: together like that. Do you ever change the verse when
• 43:23
  Speaker 1: you send somebody a record in the man? Oh yeah,
• 43:25
  Speaker 1: hold on, I ain't gonna lie. One thing about that
• 43:27
  Speaker 1: verse I did change is I said the thing about Flint.
• 43:31
  Speaker 1: I do this for the crib to d the Flint
• 43:32
  Speaker 1: kids will get sick with lead, others get hit with
• 43:34
  Speaker 1: the lead. Because once the song was like pretty much
• 43:38
  Speaker 1: done and getting mixed, I realized that what that song
• 43:42
  Speaker 1: may be, and I was like, man, I gotta ref
• 43:44
  Speaker 1: for like the kids and Flint, I gotta ref for
• 43:46
  Speaker 1: the hometown, like show them that inspiration in a different way.
• 43:49
  Speaker 1: And I got the Flint choir on bigger than me.
• 43:51
  Speaker 1: The Flint shows in quiring, but you know, I just
• 43:54
  Speaker 1: gotta let them know we cared for the whole. It's
• 43:56
  Speaker 1: not just the d It's like the whole Michigan. Why
• 43:59
  Speaker 1: did you think of when you were perform another name
• 44:00
  Speaker 1: when the guy was throwing money? Why do you think
• 44:01
  Speaker 1: that was disrespectful? I'm so glad you brought this up.
• 44:05
  Speaker 1: There was so I've seen ghetto ass you know, videos
• 44:09
  Speaker 1: or whoever posting saying oh big Sean man that this
• 44:12
  Speaker 1: dude in the back of the club is throwing money.
• 44:14
  Speaker 1: I don't care about you know, that's cool. I could
• 44:17
  Speaker 1: throw money if you want to do it. There was
• 44:18
  Speaker 1: a person in the video. The video is so set
• 44:21
  Speaker 1: up it looks crazy. There was a whole other person
• 44:24
  Speaker 1: that was not in that video. On the side of
• 44:26
  Speaker 1: the stage. It was just it was this old white dude.
• 44:29
  Speaker 1: And it's not a race thing at all. I don't
• 44:31
  Speaker 1: care what color he was, but it was this old
• 44:33
  Speaker 1: dude and he was on the very side of the
• 44:35
  Speaker 1: stage close to me, and he kept throwing money right,
• 44:38
  Speaker 1: kept throwing money like its fans in the front getting hype,
• 44:41
  Speaker 1: Like damn, this money landing on me, you know what
• 44:44
  Speaker 1: I'm saying. It was distracting to me. And then it
• 44:46
  Speaker 1: started coming on the stage. So I'm performing and damn,
• 44:48
  Speaker 1: they're slipping on the money. So I'm just like, yo,
• 44:50
  Speaker 1: I'm not no damn stripper, bro, Like You're not going
• 44:52
  Speaker 1: to be throwing money on the stage when I'm performing.
• 44:55
  Speaker 1: That's disrespect. You know, no money at Envy when djil No,
• 44:59
  Speaker 1: people may throw people may throw money up, you know
• 45:01
  Speaker 1: what I'm saying. But he was. They was throwing money
• 45:03
  Speaker 1: at me and at people that I wasn't right in
• 45:05
  Speaker 1: front of the stage. So I said, first, I was like, hey, bro,
• 45:08
  Speaker 1: stop throwing money like that's a video y'all didn't see.
• 45:11
  Speaker 1: Hey Bro, stopped throwing money, like you know what I mean,
• 45:13
  Speaker 1: This ain't that type of show right now. Okay, Then
• 45:16
  Speaker 1: he started throwing more money. Wow. So I'm like, damn, Like,
• 45:19
  Speaker 1: I ain't know what he was on. Like I said,
• 45:20
  Speaker 1: I don't know if it was like a race thing.
• 45:22
  Speaker 1: I don't know if he was disrespecting. It felt very
• 45:24
  Speaker 1: disrespectful to me. It felt very disrespectful. So that's why
• 45:27
  Speaker 1: I don't. You know, I won't be going off and
• 45:28
  Speaker 1: I don't. I don't be trying to put on the
• 45:30
  Speaker 1: show or nothing like that. But it was just like
• 45:32
  Speaker 1: we told him a few times. My DJ told him,
• 45:35
  Speaker 1: like while I was performing, ay Man, stop throwing money.
• 45:37
  Speaker 1: So it's just like, that's why I went off, because
• 45:40
  Speaker 1: you're not going to disrespect me. You're not gonna disrespect
• 45:42
  Speaker 1: my fans. You're not going to disrespect my show. So
• 45:44
  Speaker 1: after you christ him out, did he stopped? Yeah, he stopped. Okay,
• 45:48
  Speaker 1: I want to quit. How do you think if like
• 45:50
  Speaker 1: people do start seeing Big Sean is the best, right,
• 45:54
  Speaker 1: how do you think that will affect your music? I
• 45:56
  Speaker 1: know it's people plotting on my spot. Man, I ain't
• 45:58
  Speaker 1: gonna let them get that. You know what I'm saying.
• 46:01
  Speaker 1: I'm here, I'm thankful to be here. I know what
• 46:03
  Speaker 1: I got, and I'm gonna keep going I'm gonna keep
• 46:06
  Speaker 1: I'm gonna keep making the family proud, to city proud,
• 46:08
  Speaker 1: and keep spending something that means something. You ever think
• 46:11
  Speaker 1: you have a date a woman with your skin color
• 46:13
  Speaker 1: of a gun? Yeah? Dare you have big shan the
• 46:17
  Speaker 1: physical copies on the seven team? No'm not a lot
• 46:20
  Speaker 1: of big short change on us a little bit. Y'all
• 46:22
  Speaker 1: still got love for me? Do you still have love
• 46:24
  Speaker 1: for black women? Because yes, I have love for black women.
• 46:33
  Speaker 1: Show the outside of here. My mama black, my grandma black,
• 46:37
  Speaker 1: and got dated black girls. I love black black girls,
• 46:42
  Speaker 1: women women leaving showing the little big school. What about
• 46:46
  Speaker 1: fam to a black woman? All right, congratulations, We don't
• 46:50
  Speaker 1: know the pictures. She might be working where she at?
• 46:52
  Speaker 1: Oh shut up, it's your breakfast club boarding the breakfast
• 46:58
  Speaker 1: club on gotcha in college? Make you want to strip morning?
• 47:07
  Speaker 1: Everybody is DJ m VY, Angela Yee, Charlomagne and God
• 47:11
  Speaker 1: we are the breakfast club. Now, let's get to the room.
• 47:13
  Speaker 1: Is now where did you learn how to eat the box? Well,
• 47:16
  Speaker 1: let's find out where Anthony Anderson did listen. Oh gosh,
• 47:21
  Speaker 1: go with Angela Angela. Ye, it's the report with breakfast club. Well,
• 47:28
  Speaker 1: Anthony Anderson was on Conan and he was talking about
• 47:32
  Speaker 1: how he learned to perform oral sex on a woman.
• 47:36
  Speaker 1: It was during a time that he was in college
• 47:38
  Speaker 1: and he and his friends actually came home and here's
• 47:41
  Speaker 1: what his mother did. My mother taught me how to
• 47:44
  Speaker 1: go downtown. I was. I was in my early twenties.
• 47:46
  Speaker 1: I just come home from college. Not only me, but
• 47:49
  Speaker 1: my my buddies and their girlfriends, and she not only
• 47:52
  Speaker 1: taught me and my brothers and my boys, but also
• 47:56
  Speaker 1: the women how to do what they needed to do. No,
• 47:58
  Speaker 1: my mother has a very sensive video collection, and she
• 48:01
  Speaker 1: would put the videos on uh huh and go into
• 48:04
  Speaker 1: graphic detail as to what was happening on the video
• 48:07
  Speaker 1: and what and what what either me and my brothers
• 48:10
  Speaker 1: or the young ladies should be doing. That's awkward, hey, parents,
• 48:13
  Speaker 1: you go to jail for stuff like that. Now. Absolutely
• 48:15
  Speaker 1: can't be sitting on in his twenties. He was in college,
• 48:19
  Speaker 1: all right, So that was about the seventies. Listen, you
• 48:21
  Speaker 1: go to jail for that kind of stuff. Now you
• 48:23
  Speaker 1: sit around telling your kids how to eat the box.
• 48:26
  Speaker 1: Well night, if the kids are in their twenties, you
• 48:28
  Speaker 1: can't go to jail for that. Well, what I'm about
• 48:30
  Speaker 1: to say something that's not true, But I'm about to say,
• 48:32
  Speaker 1: damn Anthony answering to not the eatoom for them in
• 48:34
  Speaker 1: their twenties, but neither did I. I had to read
• 48:35
  Speaker 1: a book called The Ultimate Kiss. Right. A lot of
• 48:38
  Speaker 1: people are even older than that and still don't know
• 48:40
  Speaker 1: what they're Yeah, a lot of people still don't know. Oh, Mama, no,
• 48:42
  Speaker 1: your jaw game trash. Though. I guess she just was
• 48:44
  Speaker 1: just letting her, letting them know, just in case, just
• 48:46
  Speaker 1: in case. Videos were m Yeah, what were these now?
• 48:51
  Speaker 1: I don't know. At the time, Anthony Anderthon was fat
• 48:53
  Speaker 1: as hell too, though, so his mom probably just prepraying him. Look,
• 48:55
  Speaker 1: when you start having sex something because you're fat, now
• 48:58
  Speaker 1: you gotta keep him. You gotta do it. So when
• 49:00
  Speaker 1: you start having sex, do you you fat that you're
• 49:02
  Speaker 1: gonna have to learn how to really? You know what's interesting?
• 49:04
  Speaker 1: Yesterday I told to be Rick Ross had this lady's
• 49:06
  Speaker 1: appreciation dinner and he also did lip service, and he
• 49:08
  Speaker 1: said he really doesn't do that either. He doesn't need
• 49:10
  Speaker 1: the box. Yeah, why people be lying? What's the point
• 49:13
  Speaker 1: of lying nowadays? About that? Now? I think maybe his
• 49:15
  Speaker 1: beard gets in the way. It might be like for
• 49:17
  Speaker 1: practical purposes, I don't know. Do you guys teach your kids. No,
• 49:22
  Speaker 1: my daughter's eight daughter about that in the future. No,
• 49:27
  Speaker 1: I don't think about that in the future. So what
• 49:31
  Speaker 1: age do you start talking to them. I mean, I
• 49:32
  Speaker 1: had a conversation about sex, but not the conversation about
• 49:35
  Speaker 1: what this is, how you eat the box? And we
• 49:36
  Speaker 1: just had a general conversation about sex and st not
• 49:40
  Speaker 1: have any conversations about sex with my daughter ever, that's
• 49:42
  Speaker 1: my mom's job. Well her mom did, Their mom did,
• 49:45
  Speaker 1: so you didn't talk to your daughters about it. But
• 49:47
  Speaker 1: now when I when I had the conversation, I walked
• 49:50
  Speaker 1: in the room, I heard what they would talk about,
• 49:51
  Speaker 1: like I'll be back when I when I have my son.
• 49:54
  Speaker 1: When I have my son, I'm would definitely teach him
• 49:56
  Speaker 1: some of some of the some of the his old dad.
• 49:59
  Speaker 1: What if she Okay, I gotta teach my son about this.
• 50:02
  Speaker 1: Ask you go talk to your mama talk. She asked me, what, like,
• 50:06
  Speaker 1: just about sex, Like, daddy, can go talk to your mama?
• 50:08
  Speaker 1: Ask her what sex? My wife told him everything. They
• 50:11
  Speaker 1: she showed him picture, she showed him about STDs. She
• 50:14
  Speaker 1: took care of that. Like I said, I walked in
• 50:15
  Speaker 1: and I was like, I said, what you're talking about?
• 50:17
  Speaker 1: I said, Okay, I'm gonna go right back. Yeah. When
• 50:19
  Speaker 1: I have my son, I'm gonna definitely teach him about
• 50:21
  Speaker 1: that inception. Move what have you working? Inception? When you
• 50:24
  Speaker 1: hit a girl from the back and you put water
• 50:26
  Speaker 1: in the sink and you just dunk her head in
• 50:28
  Speaker 1: the waters, you're hitting it from the back. You don't
• 50:29
  Speaker 1: teach you that. You call that son about killing a
• 50:31
  Speaker 1: girl you gonna put her head in the sink and
• 50:35
  Speaker 1: pleasure poo. All right, Now, let's trah stuff like that
• 50:40
  Speaker 1: to you. Don't worry you never know. Let's talk about
• 50:45
  Speaker 1: riving thick on Wednesday. It's gracious trust um. And actually
• 50:52
  Speaker 1: he's been six year old. Well, you're talking about it
• 50:57
  Speaker 1: so much. I'm telling you, it's nothing about all you. Okay,
• 51:00
  Speaker 1: all right, okay, you know you'll leave, okay, rust because
• 51:05
  Speaker 1: I've heard about you. But anyway, Julian and apparently he's
• 51:10
  Speaker 1: gets thirty Thursday, Friday and Saturday for a few hours
• 51:12
  Speaker 1: each day, but he has to have a court appointed
• 51:14
  Speaker 1: monitor president. So they're saying that he was upset he
• 51:17
  Speaker 1: and get to visit his son. He was actually trying
• 51:19
  Speaker 1: to not have a court ordered monitor president, but the
• 51:23
  Speaker 1: lawyers are saying that he cannot see his kid without
• 51:25
  Speaker 1: a monitor, and he also cannot get a different monitor
• 51:28
  Speaker 1: who could be more impartial. The judge said no to that.
• 51:31
  Speaker 1: Robin also asked to prohibit the monitor from changing or
• 51:33
  Speaker 1: canceling the schedule of visits, and the judge told him
• 51:35
  Speaker 1: no to that. Also, that's bullcrap. I wouldn't want to
• 51:38
  Speaker 1: have to see I want to see my child, and
• 51:40
  Speaker 1: they gotta be a quarter pointed person there with me
• 51:42
  Speaker 1: every time. It makes It makes you feel bad, but
• 51:45
  Speaker 1: you gotta take it out. You can when you're in
• 51:46
  Speaker 1: that situation, right, you still want to see your child.
• 51:49
  Speaker 1: I don't want to just say I your child altogether.
• 51:51
  Speaker 1: I'm not going to show up and see them. I
• 51:52
  Speaker 1: take him on a roller coaster. This lady's behind me
• 51:54
  Speaker 1: on a roller coaster. You gotta do what you gotta do.
• 51:57
  Speaker 1: Why a roller coaster because he said they went to
• 51:59
  Speaker 1: one to go to the amusement bar. Oh all right,
• 52:02
  Speaker 1: well I'm angela. That's your room report, all right, thank you,
• 52:04
  Speaker 1: miss ye. I was born to Donkey. It's the Donkey
• 52:11
  Speaker 1: of the Death Devil, the Breakfast Club. Yes, don't get
• 52:27
  Speaker 1: to day for Thursday, February ninth, goes to John Michael
• 52:30
  Speaker 1: hask You of Florida. Just when we needed more proof
• 52:33
  Speaker 1: that people from Florida are absolutely insane, John comes through Casey.
• 52:37
  Speaker 1: John has been arrested for allegedly making fraudulent while your transfers. Now,
• 52:41
  Speaker 1: salute to all of scameras out there. You are all
• 52:43
  Speaker 1: about to feel really bad because while you out here
• 52:46
  Speaker 1: in these creeks, taking penitentiary chances for hundreds of dollars thousand,
• 52:49
  Speaker 1: sometimes tens of thousand dollars, maybe six figures, if you're
• 52:53
  Speaker 1: a high level scammera this man, John ask You, according
• 52:56
  Speaker 1: to the Huffington Post, is accused of making seven billion
• 53:00
  Speaker 1: and fraudulent wire transfers seven billion, not million, billion billion.
• 53:06
  Speaker 1: Would a be okay? Drop one of clues bombs for
• 53:09
  Speaker 1: John hask you. Damn it okay if you're gonna scam,
• 53:12
  Speaker 1: scam bigley, because if you get away with it, you win.
• 53:15
  Speaker 1: If you get caught, well at least you go to
• 53:16
  Speaker 1: prison knowing you gave it you all. Now, people have
• 53:18
  Speaker 1: all types of reasons for why they commit crimes. None
• 53:20
  Speaker 1: of them usually makes sense. None of them ever really
• 53:22
  Speaker 1: justify why a person did what they did. But the
• 53:25
  Speaker 1: one John hask You has his downright blastphemy. See John
• 53:28
  Speaker 1: ask You told the court the reason he stole the
• 53:30
  Speaker 1: money was because Jesus wanted him to be wealthy. See
• 53:35
  Speaker 1: this is what happens when you read the book God
• 53:36
  Speaker 1: Wants You to Be Rich by Paul Applies Paul Pilzer,
• 53:39
  Speaker 1: and you have no context to it. An interesting book
• 53:42
  Speaker 1: that explains why God wants each of us to maximize
• 53:44
  Speaker 1: our economic potential. But I'm pretty sure God wants us
• 53:47
  Speaker 1: to get this money the right way, Okay, not through
• 53:49
  Speaker 1: fraudulent wire transfers. Now. Police arrested John after he allegedly
• 53:53
  Speaker 1: set up wire transfers back in decembol from a large,
• 53:56
  Speaker 1: nationally renowned financial institution. That's where he was getting the
• 53:59
  Speaker 1: money from. And he wasn't unemployed, and he said he
• 54:02
  Speaker 1: needed to pay off a debt to the federal government.
• 54:04
  Speaker 1: His scheme was to provide a bank routing number that
• 54:07
  Speaker 1: wasn't his. Okay, hask You used that roting number to
• 54:09
  Speaker 1: make more than seventy transactions worth more than seven billion
• 54:15
  Speaker 1: billion would have be dollars okay. According to the complaint,
• 54:18
  Speaker 1: John told ages he was self taught on the banking industry,
• 54:21
  Speaker 1: including how to make wire transfers. Now back to why
• 54:24
  Speaker 1: John Hasky was getting donkey today. John allegedly told investigators
• 54:28
  Speaker 1: that he believed he deserved the money, stating that Jesus
• 54:31
  Speaker 1: Christ created wealth for everyone. He believed his wire transfer
• 54:35
  Speaker 1: a scheme would allow him to obtain the wealth that
• 54:37
  Speaker 1: Jesus Christ created for him and that belonged to him.
• 54:40
  Speaker 1: Somebody hand John hask you a Bible and tell him
• 54:43
  Speaker 1: to turn the Proverbs thirteen eleven, where it says design
• 54:46
  Speaker 1: this money dwindles away, but whoever gathers money little by
• 54:49
  Speaker 1: little makes it grow. That's basically saying it's better to
• 54:52
  Speaker 1: make money slowly the right way than to get it
• 54:54
  Speaker 1: fast the wrong way. It's a much longer process. But
• 54:56
  Speaker 1: to come and you create from that slow righteous grind
• 54:59
  Speaker 1: is better than the penditent three chances you take trying
• 55:01
  Speaker 1: to get that fast money in these creets. Okay, all
• 55:03
  Speaker 1: you can turn the Psalm thirty seven sixteen seventeen. Better
• 55:06
  Speaker 1: the little that the righteous have than the wealth of
• 55:08
  Speaker 1: many wicked, For the power of the wicked will be broken,
• 55:11
  Speaker 1: but the Lord upholds the righteous, meaning to me that
• 55:14
  Speaker 1: it is better to make a little bit of money
• 55:15
  Speaker 1: the right way to make a lot of money the
• 55:16
  Speaker 1: wrong way. I'm no expert in scripture. I'm sure someone
• 55:19
  Speaker 1: out there is telling me I'm taking these scriptures out
• 55:21
  Speaker 1: of context. But I do know one scripture you can't
• 55:23
  Speaker 1: take out of context, and that's Matthew six twenty four.
• 55:26
  Speaker 1: No one can serve two masters. Either you will hate
• 55:28
  Speaker 1: the one and love the other, or you will be
• 55:29
  Speaker 1: devoted to the one and despised the other. You cannot
• 55:31
  Speaker 1: serve both God and money. John, ask you, Do you
• 55:34
  Speaker 1: hear me? You can't serve both God and money. If
• 55:36
  Speaker 1: you was truly serving God, you wouldn't think about doing
• 55:38
  Speaker 1: no damn fraudulent why your transfer? Okay? One of the
• 55:41
  Speaker 1: ten commandments is thou shalt not steal, So please tell
• 55:45
  Speaker 1: thou how Jesus told you to steal? Sir? Okay, that's
• 55:48
  Speaker 1: not the hat suits I know, John, hask you listen.
• 55:50
  Speaker 1: I know it's hard to comprehend scriptures sometime, or you
• 55:52
  Speaker 1: hear those voices in your head and you think it's God,
• 55:55
  Speaker 1: but you have to remember God has a kingdom too.
• 55:57
  Speaker 1: I mean Satan has a kingdom too. Okay. And when
• 56:00
  Speaker 1: God allegedly told you to go and obtain the wealth
• 56:02
  Speaker 1: that Jesus Christ created for you and that belonged for you,
• 56:05
  Speaker 1: he didn't mean for you to do a fraudulent wired transfer.
• 56:08
  Speaker 1: He meant for your unemployed ask to get up and
• 56:12
  Speaker 1: go get a job. Okay, please give John ask you
• 56:15
  Speaker 1: the biggest heath hall. I'm just saying I'm right, And
• 56:20
  Speaker 1: voices in your head ain't always got all right, Well,
• 56:23
  Speaker 1: thank you for that. Donk of the day. Now up
• 56:25
  Speaker 1: next is ask yee eight hundred five eight five one
• 56:28
  Speaker 1: oh five one. You got a question for ye? Should
• 56:30
  Speaker 1: help you out with all your relationship problems? All right?
• 56:32
  Speaker 1: Maybe you're stuck with your boo and you need something
• 56:34
  Speaker 1: to do, and Valentine's Day is coming up, so you
• 56:37
  Speaker 1: might have some questions about that. People are asking me
• 56:39
  Speaker 1: on Twitter and on the help me at Gmail about
• 56:42
  Speaker 1: advice for gifts. So we were doing that yesterday. Okay.
• 56:45
  Speaker 1: Eight hundred five eight five one oh five one. Call yee.
• 56:48
  Speaker 1: Now it's a breakfast locum on it by man wheel
• 57:00
  Speaker 1: of stram oopside and fell for you away baby and
• 57:04
  Speaker 1: love girl. He'll know for the first time the first
• 57:08
  Speaker 1: time I see you, look you can't be baby, even
• 57:12
  Speaker 1: no girling Nord, it about far for you. You got
• 57:14
  Speaker 1: to lord it everyone for us boothside and fell so
• 57:18
  Speaker 1: deep baby side, want you for me, baby whos I
• 57:22
  Speaker 1: want you for me, baby whothside and fell so deepcus
• 57:28
  Speaker 1: everyone fars in love Suside. I don't know why you
• 57:34
  Speaker 1: why ain't cry live? Let me love you, love you,
• 57:39
  Speaker 1: love you, love you for a long time. Baby, he
• 57:43
  Speaker 1: didn't have me such and never let me love you
• 57:45
  Speaker 1: to the man he be, He be liver to you,
• 58:00
  Speaker 1: he be let me we are dandy for the damn
• 58:10
  Speaker 1: go my my weather top down on the high weather.
• 58:16
  Speaker 1: Let me surely she ain't even got a beason out
• 58:20
  Speaker 1: of tell one night season need to tell mother Jess.
• 58:25
  Speaker 1: I'm falling but at me one far and for the
• 58:28
  Speaker 1: first time the first time seeing love you got me baby,
• 58:32
  Speaker 1: even though girling knowing it, I be far for you.
• 58:35
  Speaker 1: You got to lord It's been one for both side.
• 58:38
  Speaker 1: It felt too deep to sting. You got me so
• 58:43
  Speaker 1: I want you for me. But I'm falling but everyone
• 58:50
  Speaker 1: falls he love some side. The breakfast club hey landa
• 58:57
  Speaker 1: what's your quest to for you? Haben Danas girl, and
• 59:00
  Speaker 1: she's a little bit younger, she's twenty five. I'm thirty,
• 59:03
  Speaker 1: and we work together. We've been trying to keep our
• 59:06
  Speaker 1: relationship you know, on the download, and it's been kind
• 59:10
  Speaker 1: of it's been tough. And um, you know, she's thinking
• 59:13
  Speaker 1: about leaving. I'm trying to stay. Is there against dating
• 59:17
  Speaker 1: at work? It's just she's kind of strong about it
• 59:22
  Speaker 1: right now because you know, she feels like she doesn't
• 59:24
  Speaker 1: want to be judged by the co workers and you know,
• 59:26
  Speaker 1: stuff like that. So I'm trying to respect that. And
• 59:29
  Speaker 1: I agree. You know, I just started there about like
• 59:32
  Speaker 1: five months ago. She's been there for about a year. Well,
• 59:34
  Speaker 1: I would say this, Um, first of all, when you
• 59:37
  Speaker 1: guys at work, it shouldn't be anything that you guys
• 59:40
  Speaker 1: are doing outside of work that interferes with with with
• 59:43
  Speaker 1: what you do there, right right, Yeah, when we went
• 59:45
  Speaker 1: out of work, it's great, everything's great. So I don't
• 59:47
  Speaker 1: understand why it should be an issue. When you guys
• 59:49
  Speaker 1: are working, should be business as usual, professional, and then
• 59:53
  Speaker 1: when you leave, you're allowed to do whatever you went
• 59:55
  Speaker 1: that's true. So I think what's I think what's hard
• 59:57
  Speaker 1: about it is that like, uh, you know, I've been
• 1:00:01
  Speaker 1: getting a little bit more invested in myself emotionally, and
• 1:00:04
  Speaker 1: she's thinking about like trying to move and stuff, and
• 1:00:07
  Speaker 1: you know, I just don't want it to be like
• 1:00:08
  Speaker 1: a situation where I'm going through this and you know,
• 1:00:12
  Speaker 1: I'm invested in she ups and leaves and then I'm
• 1:00:15
  Speaker 1: kind of left with nothing. I guess so she wants
• 1:00:18
  Speaker 1: to leave the job anyway, It's not really because of you, right, Okay,
• 1:00:22
  Speaker 1: I mean, listen, it sounds like it's just you know,
• 1:00:24
  Speaker 1: our relationship. Are you guys a couple or are you
• 1:00:27
  Speaker 1: just messing around? That's the thing. Like we're we're together,
• 1:00:31
  Speaker 1: like and we've told some of our friends outside of work,
• 1:00:34
  Speaker 1: but when it comes to work, like we got to
• 1:00:36
  Speaker 1: keep it secret and so we can't like, you know,
• 1:00:38
  Speaker 1: be the way that we would normally be. Well, you
• 1:00:40
  Speaker 1: shouldn't be acting like that at work anyway. Well I'm
• 1:00:43
  Speaker 1: not saying, like, you know, alirty and stuff, but like
• 1:00:46
  Speaker 1: you know, even going to the extent of acting a
• 1:00:48
  Speaker 1: little extra like non friendly, just to prove the point
• 1:00:52
  Speaker 1: or just to make sure it's secret, which can be
• 1:00:54
  Speaker 1: kind of hurtful at all times. So Okay. First of all,
• 1:00:57
  Speaker 1: you got to remove your feelings when you're at work,
• 1:00:59
  Speaker 1: at where y'all shouldn't even be thinking about that period.
• 1:01:03
  Speaker 1: So that's what the real issue is. Like, when you
• 1:01:05
  Speaker 1: guys are at work, work as a professional environment, there
• 1:01:08
  Speaker 1: shouldn't be any flirting on the job. There shouldn't be
• 1:01:11
  Speaker 1: any acting differently to somebody because of what goes on
• 1:01:13
  Speaker 1: outside of work. You got to remove your feeling from
• 1:01:15
  Speaker 1: the situation when you're at work, and then when you
• 1:01:17
  Speaker 1: guys leave there, you should be free to do as
• 1:01:19
  Speaker 1: you please. I don't think that. I think it seems
• 1:01:21
  Speaker 1: like the real issue is that you feel like you
• 1:01:22
  Speaker 1: like her more than she likes you. I mean, I
• 1:01:24
  Speaker 1: wouldn't say that. I think it's just harder for me
• 1:01:26
  Speaker 1: to like hide my feeling than it is for her.
• 1:01:30
  Speaker 1: Like I it's hard for me to be superficial and artificial.
• 1:01:33
  Speaker 1: I guess you could say with the way that I feel, like, well,
• 1:01:36
  Speaker 1: what do you want to do at work with her?
• 1:01:38
  Speaker 1: That you can't you want to what do you want
• 1:01:39
  Speaker 1: to do at work? Like if I come over and
• 1:01:42
  Speaker 1: like say hi, you know, like more than just like
• 1:01:45
  Speaker 1: a friend would I don't want to feel like you
• 1:01:48
  Speaker 1: shouldn't be doing that at work. I mean, I don't
• 1:01:52
  Speaker 1: see it as like that big a deal just coming
• 1:01:54
  Speaker 1: over and like, you know, yeah, but if she sees
• 1:01:57
  Speaker 1: that as a big deal in her workplace, and I
• 1:01:59
  Speaker 1: think it so it's different for women and how women
• 1:02:01
  Speaker 1: are viewed. It's definitely true. You're a man, and the
• 1:02:07
  Speaker 1: double standard is y'all do what you want, no big deal.
• 1:02:09
  Speaker 1: They're gonna get you. Oh yeah, you smashing at work.
• 1:02:12
  Speaker 1: They're gonna look at her like you know, she at
• 1:02:14
  Speaker 1: hell because she's messing with sessing such at work. That's
• 1:02:17
  Speaker 1: why it's different. So it's probably something you don't understand.
• 1:02:20
  Speaker 1: But if you want to be with her, you have
• 1:02:21
  Speaker 1: to respect how she wants you to behave in the workplace.
• 1:02:24
  Speaker 1: A sanderhip is about to go to the next level
• 1:02:27
  Speaker 1: that he should be able to watch me get my
• 1:02:29
  Speaker 1: weaves taken out and put in He's right, so he's
• 1:02:32
  Speaker 1: never seen it before. Uh huh Okay, I don't know
• 1:02:35
  Speaker 1: if I want him to see me like, oh boy,
• 1:02:38
  Speaker 1: he's gonna end up seeing that one day boo. Well
• 1:02:41
  Speaker 1: not really not if I take it out at the
• 1:02:43
  Speaker 1: salon and put it back right back in there. What
• 1:02:46
  Speaker 1: is his fascination with wanting to see that though he
• 1:02:48
  Speaker 1: wants to see what you look like without all your weave.
• 1:02:51
  Speaker 1: Well he's he has seen me without it. He just
• 1:02:54
  Speaker 1: hasn't seen the process. Like he wants to see the
• 1:02:56
  Speaker 1: braves and all of that. Why am I want to
• 1:02:59
  Speaker 1: see that raising a slave? Look, I think he's just
• 1:03:06
  Speaker 1: really curious cause I was the first black girl he's
• 1:03:08
  Speaker 1: ever been with, so projects uh huh. Well, listen, if
• 1:03:16
  Speaker 1: you're not comfortable with it, you don't have to do
• 1:03:18
  Speaker 1: anything you're not comfortable with. But if this is a
• 1:03:19
  Speaker 1: man that you plan to marry, yeah, there shouldn't be
• 1:03:22
  Speaker 1: any hiding something like that. All right, Well, I guess
• 1:03:28
  Speaker 1: I'm sure you still look good with your braids in
• 1:03:30
  Speaker 1: and all of that. Thank you, you know, But if
• 1:03:34
  Speaker 1: anything you could tell him, you'll send him some pictures
• 1:03:39
  Speaker 1: darting the proccess. Let's start with that, right, Trust me,
• 1:03:43
  Speaker 1: he'll sit there for a little while. He's gonna get bored. Yeah,
• 1:03:46
  Speaker 1: I definitely think he's not an exciting process. And it's
• 1:03:48
  Speaker 1: a very long process exactly. Yeah. He always wonders like
• 1:03:52
  Speaker 1: how long does that take? Like why are you gone
• 1:03:54
  Speaker 1: three and four hours? Dan? That's all it takes me
• 1:03:58
  Speaker 1: way longer than that. Really do him? Yeah? Is there
• 1:04:03
  Speaker 1: anything that about him that you want to see? No?
• 1:04:06
  Speaker 1: I mean he's you know, I don't just see your
• 1:04:08
  Speaker 1: average average. Is he really good at or a sex
• 1:04:12
  Speaker 1: other room? Is true? Yes? Oh my gosh, yes, better
• 1:04:16
  Speaker 1: than Yes, better than better than any black guy you
• 1:04:21
  Speaker 1: ever had. Oh, yeah, by far. But they're really stingy
• 1:04:25
  Speaker 1: with it. But he just wants to do it. He
• 1:04:27
  Speaker 1: likes to do and that's like the first thing he does.
• 1:04:29
  Speaker 1: He got a little meat. No, why are you being
• 1:04:31
  Speaker 1: a hater? Sound like a hater If we're talking about stereotypes,
• 1:04:36
  Speaker 1: he's a lot the biggest, but he's definitely has a
• 1:04:39
  Speaker 1: good size. I wouldn't even consider mary. Hey, okay, and
• 1:04:44
  Speaker 1: then next time when you're going down on him, maybe
• 1:04:45
  Speaker 1: he could pull your weave out and then see whatever
• 1:04:50
  Speaker 1: I was like a plan? All right, have fun with that?
• 1:04:52
  Speaker 1: Thank you? All right? Asking eight hundred five eighty five
• 1:04:55
  Speaker 1: one on five one. If you got a question for you,
• 1:04:58
  Speaker 1: you can call anytime that you even rumors on the way. Yes,
• 1:05:01
  Speaker 1: we are going to talk about Charles Oakley. What happened
• 1:05:04
  Speaker 1: at that next game? We'll tell you hit side of
• 1:05:06
  Speaker 1: the story. Okay, we'll get into that when we come back.
• 1:05:08
  Speaker 1: Keeping locked us to Breakfast Club come morning, first stage,
• 1:05:11
  Speaker 1: first rest, stay listen. You don't got a thing background
• 1:05:14
  Speaker 1: for every Paige artist we play on the radio. Okay.
• 1:05:17
  Speaker 1: Let Chris Brown and Drake have their moments, all right.
• 1:05:20
  Speaker 1: They don't jump in here when you be DJ and
• 1:05:22
  Speaker 1: try to get on your turntables? Do they drag your question?
• 1:05:26
  Speaker 1: Has any one of them ever come up behind you
• 1:05:28
  Speaker 1: while you a DJ? No, what's wrong? Grabbed your turntables
• 1:05:32
  Speaker 1: while you was playing on the turntables? Wrong with y'all?
• 1:05:35
  Speaker 1: Who's y'all? Him? What's wrong with you? That's you? But
• 1:05:39
  Speaker 1: you all right? Anyway, let's get to the room. She
• 1:05:43
  Speaker 1: just answered me that. Anyway, Let's get to the rum.
• 1:05:45
  Speaker 1: As we're talking Jim Joe. This is the rum of
• 1:05:48
  Speaker 1: report with Angela Yeast Club. Well, we've been talking yesterday
• 1:05:58
  Speaker 1: about Jim Jones doing his deal Rocking Nation, and he
• 1:06:02
  Speaker 1: did an interview with TMZ and he talked about what
• 1:06:04
  Speaker 1: made him decide to do this deal. But whatever happens, happens.
• 1:06:08
  Speaker 1: I'm here to make the best Jim Jones after that
• 1:06:10
  Speaker 1: I can, and they're willing to push me to the moon.
• 1:06:12
  Speaker 1: They give me a platform that I haven't had in
• 1:06:14
  Speaker 1: my whole career. My whole career, I've done it independently,
• 1:06:17
  Speaker 1: if you know anything about my music. So for me
• 1:06:19
  Speaker 1: to take this major stuff as a blessing, I wonder
• 1:06:21
  Speaker 1: what else GYM gonna do? My brother to music, Did
• 1:06:24
  Speaker 1: you have a lot of gifts? Remember direct videos yet?
• 1:06:27
  Speaker 1: And he has a clothing line. We just saw him
• 1:06:28
  Speaker 1: at Agenda. We did right, and everybody switched up to
• 1:06:31
  Speaker 1: the clothing line a little bit. I've seen the vampman
• 1:06:33
  Speaker 1: had to v with the Rock Nation logo and the
• 1:06:35
  Speaker 1: oh with the hats and stuff. Yeah, he's working Jim
• 1:06:38
  Speaker 1: Works five. He's doing a lot of different things. It's
• 1:06:40
  Speaker 1: still music. I think Jim is doing one more album, right,
• 1:06:42
  Speaker 1: so they're managing him and his brand and everything. And
• 1:06:45
  Speaker 1: congratulations to to Nashe. Since we're talking about clothes, she
• 1:06:48
  Speaker 1: is now the face of a juicy Quatre Urban outfitters
• 1:06:51
  Speaker 1: that's going to be launching February thirteen. Yes, I'm actually
• 1:06:55
  Speaker 1: hosting it. To Nashe performance tonight too here at the
• 1:06:58
  Speaker 1: iHeart Theater. So that's probably not gonna album. They said
• 1:07:02
  Speaker 1: it is Nasty Weather, Yeah, right, it's gonna be you, Internasha,
• 1:07:07
  Speaker 1: it's supposed to stops knowing that one. Okay, that's what
• 1:07:09
  Speaker 1: they said. But now he's saying, all day it look crazy.
• 1:07:12
  Speaker 1: I stay home, it looks crazy, got a problem, but
• 1:07:15
  Speaker 1: I look forward to that though young to Nash. All right, now,
• 1:07:19
  Speaker 1: let's discuss Waka Flocca. He has released a new song
• 1:07:23
  Speaker 1: and it's called was My Dog. We played a clip
• 1:07:25
  Speaker 1: for you yesterday about him talking about Gucci Man and
• 1:07:28
  Speaker 1: saying they'll never do music together again. And he doesn't
• 1:07:31
  Speaker 1: say Gucci's name in this song, but people are saying
• 1:07:33
  Speaker 1: that's who he's talking about. Check it out. Yeah, I
• 1:07:37
  Speaker 1: thought you my mother? Do you shouted? Do you want
• 1:07:45
  Speaker 1: woman shouted? Are yours? Why do people think that's about Gucci? Though? Well,
• 1:07:54
  Speaker 1: he said was my Dog? And then he just recently
• 1:07:55
  Speaker 1: didn't interview talking about Gucci and saying that they'll never
• 1:07:58
  Speaker 1: be cool again and work together again. But everybody's speculating
• 1:08:02
  Speaker 1: that's what that song is about. It And he said,
• 1:08:03
  Speaker 1: always yelling brick squad, You always talking fan first, when
• 1:08:06
  Speaker 1: you askcot locked up, you turned on the fan first.
• 1:08:08
  Speaker 1: You don't think that's about Gucci. I'm sure it's a
• 1:08:10
  Speaker 1: lot of other members of Brick Squad, and I'm sure
• 1:08:12
  Speaker 1: it's a lot of other members of members of Brick
• 1:08:13
  Speaker 1: Squad who have been arrested. I just don't think we
• 1:08:15
  Speaker 1: I woudn't understand why Walk would just all of a
• 1:08:17
  Speaker 1: sudden come out with a song this and Gucci man like,
• 1:08:19
  Speaker 1: so you don't think that from everything? And we just
• 1:08:21
  Speaker 1: said and then when he said did he shoot a video?
• 1:08:23
  Speaker 1: And East Atlantis and SCOOCHI been out did he shoot
• 1:08:25
  Speaker 1: a video? I'm exposing. This is yesterdays clip. So fans
• 1:08:29
  Speaker 1: want to know, Like Walker, when you and Gooch banking
• 1:08:31
  Speaker 1: this CD, it ain't never happening like that Brick Squad was.
• 1:08:35
  Speaker 1: It was history like I enjoyed it. I loved it.
• 1:08:38
  Speaker 1: It made me who I was today and made him
• 1:08:41
  Speaker 1: who he was today. But enough is enough, man, Like,
• 1:08:44
  Speaker 1: the Internet's not the streets. If you want to play
• 1:08:47
  Speaker 1: tough and he like you, Mitch, you on you the
• 1:08:49
  Speaker 1: big dog when you just stay in the third cool like,
• 1:08:52
  Speaker 1: but the streets gool wipe your nose every time. Hey,
• 1:08:54
  Speaker 1: Suscooch's been out there, you shoot a video in East Atlanta,
• 1:08:57
  Speaker 1: I'm exposing, man, I ain't know, Hey, don't just exposed
• 1:09:00
  Speaker 1: and plus flock has never won the men's words. So
• 1:09:02
  Speaker 1: I think if that was the disrecord the Gucci to
• 1:09:04
  Speaker 1: say Gucci. So you think that he's said about somebody
• 1:09:06
  Speaker 1: else in brick school that just got locked up, Yes,
• 1:09:08
  Speaker 1: it could be. That's possible, all right, if that's what
• 1:09:11
  Speaker 1: you think, a lot of those guys who don't stay
• 1:09:13
  Speaker 1: around each other no more? Who the kid? What's the
• 1:09:15
  Speaker 1: other holy name with the dreads? Franchie? Okay, I've seen
• 1:09:18
  Speaker 1: him in around him? All right, I'm sure you're right. Um.
• 1:09:20
  Speaker 1: Now let's talk about Charles Oakley. Santastic. Yeah, So Charles Oakley,
• 1:09:26
  Speaker 1: we talked about this earlier. He got kicked out of
• 1:09:28
  Speaker 1: the next game and got arrested, so disrespectful. Right, so
• 1:09:31
  Speaker 1: now we got to hear what his side of the story.
• 1:09:34
  Speaker 1: Oh damn, there's all you saw the video footage. There's
• 1:09:37
  Speaker 1: another video you've seen this video game you talk, you
• 1:09:39
  Speaker 1: to explain it of Charles Oakley getting kicked out. They
• 1:09:42
  Speaker 1: had him on the ground. Yeah, if you have revolt
• 1:09:44
  Speaker 1: to me, you can see all this video footage of
• 1:09:46
  Speaker 1: him arguing here I should have been in that lung.
• 1:09:48
  Speaker 1: He bought his own ticket, right, there's a lot of
• 1:09:50
  Speaker 1: pushing and shoving. Look he's pushing. If you have revolte
• 1:09:53
  Speaker 1: you could really see. They got him about a column.
• 1:09:55
  Speaker 1: They dragged him out, and they took him down to
• 1:09:58
  Speaker 1: the police station. They charged him three counts of assault
• 1:10:01
  Speaker 1: and criminal trespassing. The theory is on the floor New York,
• 1:10:04
  Speaker 1: the Madison Square Garden. The Knicks organization treats the veterans
• 1:10:06
  Speaker 1: worse than America treats day veterans. Bro all right now,
• 1:10:09
  Speaker 1: Charles Oakley told the New York Daily News. I was
• 1:10:11
  Speaker 1: there for four minutes, he said. I didn't say anything
• 1:10:15
  Speaker 1: to him. I swear on my mother. They came over
• 1:10:17
  Speaker 1: and wanted to know why I was sitting there. I
• 1:10:19
  Speaker 1: bought the ticket. I said, why do you guys keep
• 1:10:20
  Speaker 1: staring at me? Then they asked me to leave, and
• 1:10:22
  Speaker 1: I said, I'm not leaving. I want to sit down
• 1:10:24
  Speaker 1: to talk to him. I want me and him in
• 1:10:26
  Speaker 1: the room and lock the door. Lock that door. I mean,
• 1:10:28
  Speaker 1: he can have the police outside the door. You can't
• 1:10:31
  Speaker 1: lock the door after. I don't seeing you wish another
• 1:10:32
  Speaker 1: white man in the face with your finger. You're not
• 1:10:34
  Speaker 1: gonna being here with me alone now. According to the
• 1:10:38
  Speaker 1: Knicks organization their PR released a statement, Charles Oakley came
• 1:10:41
  Speaker 1: to the game tonight and behaved in a highly inappropriate
• 1:10:43
  Speaker 1: and completely abusive manner. He has been ejected and is
• 1:10:46
  Speaker 1: currently being arrested by the New York City Police Department.
• 1:10:49
  Speaker 1: He was a great Nick and we hope he gets
• 1:10:51
  Speaker 1: some help soon. So people were going in on Twitter
• 1:10:55
  Speaker 1: on the now. One person said, when Charles Oakley played
• 1:10:59
  Speaker 1: with a broken cheekbone, how come the Knicks didn't stop
• 1:11:01
  Speaker 1: him and say you need to get help, all right?
• 1:11:04
  Speaker 1: And what happened to the people that were playing because
• 1:11:05
  Speaker 1: the Knicks were playing the Clippers. Blake Griffin said, I
• 1:11:07
  Speaker 1: stopped and then there was an inbounds play on the side.
• 1:11:10
  Speaker 1: I turned around just in time as he was handing
• 1:11:12
  Speaker 1: it to him, and then there was a foul. I
• 1:11:13
  Speaker 1: walked back to cast the third, fourth and fifth rounds
• 1:11:16
  Speaker 1: Now Carmelo said that was sad. That was Carmela said
• 1:11:21
  Speaker 1: that he didn't see anything. He was on the opposite
• 1:11:22
  Speaker 1: side of the court. He didn't see it. And the
• 1:11:24
  Speaker 1: coach for the Clippers, Doc Rivers, said that was sad.
• 1:11:26
  Speaker 1: That was tough for me to watch. Honest to god,
• 1:11:28
  Speaker 1: you could see it. I actually took three steps and
• 1:11:29
  Speaker 1: I swear I was going to run down there, and
• 1:11:31
  Speaker 1: I thought, what the hell am I going to do?
• 1:11:33
  Speaker 1: But I didn't like that. That's my guy. That was
• 1:11:34
  Speaker 1: tough to watch from where I was standing. He's the
• 1:11:36
  Speaker 1: best teammate in the world. Why would you ever want
• 1:11:38
  Speaker 1: to play for the Knicks organization after seeing how they
• 1:11:40
  Speaker 1: treat Dave Veterans, a man played for the Knicks for
• 1:11:42
  Speaker 1: ten years, was responsible for it, was one of the
• 1:11:46
  Speaker 1: key components of a great Knicks team. And you kicked
• 1:11:49
  Speaker 1: him out of the garden like that. I've seen him
• 1:11:50
  Speaker 1: last week that. I mean, it was just it looked
• 1:11:53
  Speaker 1: so disrespect Listen, I ain't see Ron Artests get dragged
• 1:11:55
  Speaker 1: out like that. In Ron Artesta was beating fans up
• 1:11:57
  Speaker 1: and beating players up at all kinds of stuff. They
• 1:12:00
  Speaker 1: didn't drag him out of the palace like that, Like
• 1:12:02
  Speaker 1: that was disrespectful, totally disrespectful. All right, Well, I'm Angela
• 1:12:06
  Speaker 1: Yee and that is your rumor report. I wonder what
• 1:12:09
  Speaker 1: was Charles himself? He just went to the game by himself,
• 1:12:11
  Speaker 1: don't know, nobody was there at home. Why you gotta
• 1:12:14
  Speaker 1: be with somebody. I'm just saying you go to the game,
• 1:12:16
  Speaker 1: used to go with somebody I I never went to.
• 1:12:17
  Speaker 1: I'm just gonna go by the game. Any Mason is dead, sir,
• 1:12:19
  Speaker 1: his partners not around anymore. Okay, that's probably more than
• 1:12:23
  Speaker 1: brig Maates would't have been there it had been some problems.
• 1:12:26
  Speaker 1: Have you ever seen Anthony Mason in real life? Absolute
• 1:12:29
  Speaker 1: Jesus Christ look like he in three D. I'm telling
• 1:12:32
  Speaker 1: you was huge. Okay, Gunn's gracious, well, shout to our
• 1:12:37
  Speaker 1: friends at Revote. Will see you guys tomorrow. Everybody else
• 1:12:40
  Speaker 1: to People's Choice mixes up next