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Pushing Things To The Extreme With PAULA And NICK From KUNTSQUAD · HEAVY Music Interviews

• 0:00
  Speaker 1: So I'm Paula from count Squad and Nick, Yeah, Nick.
• 0:08
  Speaker 2: From Come Squored from Come Squored.
• 0:11
  Speaker 1: Lead guitarist, new lead guitarist.
• 0:16
  Speaker 2: Yeah, because and you know me, I've been around forever.
• 0:20
  Speaker 3: Yeah, I could could anyone not know you guys, Thanks
• 0:22
  Speaker 3: for joining us, pleasure to speak with you.
• 0:25
  Speaker 2: Yeah, cheers, yeer cheers.
• 0:27
  Speaker 3: So God, I recently released your second album, Statan's Pox.
• 0:32
  Speaker 3: So how's the early reception been for it?
• 0:35
  Speaker 1: Quite positive? Got to say, it's been really well received.
• 0:38
  Speaker 1: I think people a bit uh surprised. I suppose that
• 0:43
  Speaker 1: it's how heavy it is, but yeah, like it's it's
• 0:48
  Speaker 1: been so fast, so good. Like we've not had any
• 0:50
  Speaker 1: sort of negative reviews actually, but one was a bit
• 0:55
  Speaker 1: interesting in the sense that I can't even remember that one.
• 0:58
  Speaker 1: But it again, yeah, overwhelmingly positive. So, you know, like
• 1:04
  Speaker 1: all the radio stations, particularly you know, PBS, Triple Are
• 1:07
  Speaker 1: and you know interstate overseas podcasts, like we've had a
• 1:11
  Speaker 1: fair bit of attention based on on the release or
• 1:15
  Speaker 1: since it's come out, a lot of streams and hits
• 1:17
  Speaker 1: on on Spotify and basically I think, you know, this
• 1:22
  Speaker 1: time round, the Americans have jumped on board, which is
• 1:26
  Speaker 1: really interesting because we didn't we didn't get much of
• 1:28
  Speaker 1: like American interest last time with the first release, but
• 1:32
  Speaker 1: this time it seems to be quite Yeah, it's like whatever,
• 1:36
  Speaker 1: it's it's touched something over there.
• 1:41
  Speaker 3: It was funny because I'm not dyslexic at all, but
• 1:43
  Speaker 3: while I was typing these questions up the amount of
• 1:45
  Speaker 3: times I put Sander's cock.
• 1:50
  Speaker 2: Sassin.
• 1:53
  Speaker 3: So tell us a bit more about the album. You've
• 1:54
  Speaker 3: sort of touched on the heaviness of it before, but
• 1:56
  Speaker 3: go to a bit more depth musically with the album.
• 1:58
  Speaker 2: What you're going for, Well, I think it was a
• 2:03
  Speaker 2: concerted effort.
• 2:04
  Speaker 1: We took a lot more time this time to actually
• 2:06
  Speaker 1: finish it, and to you know, when we started the recording,
• 2:09
  Speaker 1: which is probably two years more than two years now,
• 2:14
  Speaker 1: the intention was to like have do four songs. We
• 2:17
  Speaker 1: put four songs down and it sounded a lot crap
• 2:19
  Speaker 1: and we thought, no, I'm got to start again. And
• 2:21
  Speaker 1: then we had some dramas you know, our engineers had
• 2:24
  Speaker 1: some issues, Jason, So long story short, basically we started again.
• 2:28
  Speaker 2: We wrote some more songs down, tuned again.
• 2:32
  Speaker 1: And just to get it right because the last release
• 2:34
  Speaker 1: was a bit we weren't expecting a record deal, to
• 2:38
  Speaker 1: be honest, so it was done in a very rushed way.
• 2:40
  Speaker 1: So this time around we took a lot more time really,
• 2:43
  Speaker 1: you know, did a bit of a critical review and
• 2:46
  Speaker 1: you know where we were kind of going with it,
• 2:49
  Speaker 1: and just kind of solidified what we'd already been doing.
• 2:53
  Speaker 1: But it just needed to be more direct because not
• 2:57
  Speaker 1: everyone sort of got it. This time it was a
• 3:01
  Speaker 1: lot more sort of measured and how we did it.
• 3:05
  Speaker 3: So, yeah, nice, And today you've released a single, Satan's
• 3:09
  Speaker 3: Cold Gained Pschotropic Life. So if that's all someone's heard
• 3:12
  Speaker 3: of the album, is that a good sonic representation or
• 3:14
  Speaker 3: is it just such a service?
• 3:17
  Speaker 2: I think? What do you think?
• 3:19
  Speaker 4: Yeah? Pretty good songs. All the songs on the album
• 3:23
  Speaker 4: are good. Yeah, and they're they're all in the in
• 3:28
  Speaker 4: the same sort of attitude and style. So yeah, if
• 3:34
  Speaker 4: you like one, you're gonna like the rest.
• 3:36
  Speaker 2: Definitely.
• 3:37
  Speaker 1: Yeah, it's like I think, you know, it does those songs,
• 3:41
  Speaker 1: Satan's Cock's quite simple. Was there only one message in
• 3:44
  Speaker 1: that it's about consumerism?
• 3:45
  Speaker 2: Is that people didn't get it?
• 3:47
  Speaker 1: But which is really important to watch the video which
• 3:50
  Speaker 1: accompanies those songs when they're they're out, because it gives
• 3:53
  Speaker 1: you more clues as to what it's about. But in
• 3:55
  Speaker 1: terms of like the structure of that song, like Satan's
• 3:57
  Speaker 1: Cock itself, I mean the idea was derived through actually
• 4:02
  Speaker 1: Nick and I were hanging. Maybe you can tell the story, Nick,
• 4:04
  Speaker 1: but essentially it's it's also a comedy skip skip by
• 4:09
  Speaker 1: Bill Hicks, who's quite a darkment.
• 4:12
  Speaker 2: He was around, but he's passed away.
• 4:14
  Speaker 1: But a lot of the samples that we use in
• 4:17
  Speaker 1: the in the records basically you know from him, and yeah,
• 4:22
  Speaker 1: so we thought it was quite fitting because he kind
• 4:25
  Speaker 1: of represents what we actually feel in terms of.
• 4:29
  Speaker 2: That area anyway.
• 4:31
  Speaker 1: But apart from that, like you can see, I don't know,
• 4:34
  Speaker 1: if you've listened to it, you'll realize that there are
• 4:37
  Speaker 1: some things that have held true, and that is that
• 4:40
  Speaker 1: it's still quite crusty in the sense that the message
• 4:43
  Speaker 1: we deliver and that the construct of the songs are
• 4:46
  Speaker 1: very much that.
• 4:47
  Speaker 2: But sonically it's it's just death metal.
• 4:50
  Speaker 1: So it's it's you know, everything that it was before,
• 4:56
  Speaker 1: but taken to the next level and a little bit
• 4:58
  Speaker 1: more streamlines. Soy, yeah, those songs pretty much represent you know,
• 5:03
  Speaker 1: where we're heading in our evolution.
• 5:06
  Speaker 4: And even if you don't get it, like the message
• 5:09
  Speaker 4: is sort of like secondary. If you dig the music,
• 5:14
  Speaker 4: then keep the music. But yeah, it's not really you know,
• 5:19
  Speaker 4: huge on messages, but the messages that are there, you know,
• 5:23
  Speaker 4: sort of the stuff we stand boys.
• 5:27
  Speaker 3: Well you sort of touched on this a little bit,
• 5:29
  Speaker 3: but the press release says that one of the band's
• 5:32
  Speaker 3: poor ideologies used to ensure every release is different progression
• 5:36
  Speaker 3: from the previous.
• 5:37
  Speaker 2: So ye, you.
• 5:37
  Speaker 3: Elaborate on that and how you actually going about doing that?
• 5:40
  Speaker 1: Yeah, well, I think in terms of production, in terms
• 5:44
  Speaker 1: of the songwriting.
• 5:45
  Speaker 2: I like a challenge.
• 5:46
  Speaker 1: So I'm not one of the person that like sits
• 5:49
  Speaker 1: on their hands and go, oh, you know, we did that.
• 5:51
  Speaker 1: Last one was good and we should do more of
• 5:53
  Speaker 1: the same. I like to challenge myself. I like to
• 5:56
  Speaker 1: challenge the guys in the band. So I always try
• 5:58
  Speaker 1: and think of, you know, more new and interesting ways
• 6:01
  Speaker 1: to you know, go about writing, and you know construct.
• 6:06
  Speaker 1: The end result of the construct, you know, is different
• 6:10
  Speaker 1: in some way, Like for me it is organic. I
• 6:12
  Speaker 1: don't like to sit there and none of us sit
• 6:14
  Speaker 1: there and go, oh, what should we do to sound
• 6:16
  Speaker 1: like this?
• 6:17
  Speaker 2: It doesn't work like that for me.
• 6:18
  Speaker 1: It's mainly like what it's always been in terms of
• 6:22
  Speaker 1: how I'll write the song. So I'll come in with
• 6:23
  Speaker 1: a basic outline of you know, the song and what
• 6:27
  Speaker 1: I think, you know, how it should be, and then
• 6:29
  Speaker 1: it's worked on so that the rest of the band
• 6:32
  Speaker 1: has input on how you know, parts of it. For example,
• 6:37
  Speaker 1: in this last well this recording here, we'd gone in
• 6:41
  Speaker 1: and put those down, those tracks down, and then decided
• 6:44
  Speaker 1: in the studio we needed more there, like bits and pieces.
• 6:47
  Speaker 2: So it's kind of like.
• 6:49
  Speaker 1: That in the sense that listen to it and go, oh,
• 6:53
  Speaker 1: could have been done better like this, and you then
• 6:56
  Speaker 1: do it. And unfortunately this time it was kind of
• 6:58
  Speaker 1: part of it was in the studio, which is what
• 7:00
  Speaker 1: you don't really want when you're time. So but that's
• 7:05
  Speaker 1: what you know, that's how it kind of evolves. So
• 7:07
  Speaker 1: that's what I mean by that.
• 7:09
  Speaker 2: I don't like to reproduce the same song over and
• 7:12
  Speaker 2: over again.
• 7:13
  Speaker 1: Like some bands, you know, they hit that formula and
• 7:16
  Speaker 1: they just do that, and for me, it's like, no,
• 7:18
  Speaker 1: I want to keep people guessing as to where where
• 7:22
  Speaker 1: it's going.
• 7:23
  Speaker 3: Yeah, So a lot of those lines like how does
• 7:25
  Speaker 3: Satans coock different musically to your debut self titled debut album.
• 7:30
  Speaker 4: This one's This one's a far more consistent album overall,
• 7:35
  Speaker 4: but the first one. I wasn't in the band for
• 7:37
  Speaker 4: the first one, but I was a fan and I
• 7:39
  Speaker 4: listened to it a fair bit, and they were all
• 7:41
  Speaker 4: great songs, and it was a great album. But from
• 7:46
  Speaker 4: like a booking and promoting sort of perspective, it was
• 7:49
  Speaker 4: hard to sort of, I guess, label it or categorize
• 7:55
  Speaker 4: it like that. The songs differed vastly because they was
• 7:59
  Speaker 4: sort of from vastly different backgrounds when they were written.
• 8:03
  Speaker 4: Whereas this album it's pretty much consistent from start to finish.
• 8:07
  Speaker 2: Yeah, that it sort of ends the same way it starts.
• 8:11
  Speaker 1: Yeah, And I think, yeah, Nick's right, like we needed
• 8:14
  Speaker 1: to when we're doing a bit of an evaluation of
• 8:19
  Speaker 1: which where we were and where we wanted to kind
• 8:21
  Speaker 1: of go and head in terms of musical direction, Like always,
• 8:25
  Speaker 1: all of us have been into heavy music forever, Like
• 8:29
  Speaker 1: it's not something new, but what is new is that
• 8:32
  Speaker 1: the progression part of it, That is that that's the
• 8:35
  Speaker 1: challenge part of it, you know, forcing yourself to play
• 8:39
  Speaker 1: things that you know you haven't played before, or the
• 8:42
  Speaker 1: construct being different to what it was before. So for
• 8:45
  Speaker 1: this time, if you compare the first record and had
• 8:47
  Speaker 1: more of a more of a krusty punk feel in
• 8:50
  Speaker 1: some songs and others were heavy as fuck. So it's
• 8:53
  Speaker 1: kind of like, where do we want to go with this?
• 8:55
  Speaker 1: We kind of need to sort of be on board
• 8:57
  Speaker 1: with it, and we did have some issues in terms
• 9:01
  Speaker 1: of direction within the band and.
• 9:04
  Speaker 2: Therefore some personnel changes. Also.
• 9:06
  Speaker 1: Having said that, people know that Steve passed away, which
• 9:10
  Speaker 1: you know is not none of us who expecting that,
• 9:13
  Speaker 1: but there was a bit of conflict in terms of
• 9:16
  Speaker 1: where we were kind of going. Where Steve wanted to
• 9:18
  Speaker 1: do more of the same, whereas I'm like pushing him
• 9:20
  Speaker 1: to sort of, you know, move on.
• 9:22
  Speaker 2: And you know, challenge himself.
• 9:24
  Speaker 1: But he was not in a physical, norm i think,
• 9:28
  Speaker 1: mental state to be able to actually do that, to
• 9:31
  Speaker 1: be honest and sadly, when he did leave the band,
• 9:34
  Speaker 1: we you know, we got the news not several months
• 9:38
  Speaker 1: later that he'd passed, but not to be unexpected but
• 9:41
  Speaker 1: also unexpected. So in terms of the band and that
• 9:44
  Speaker 1: songwriting and the direction, it is more solidified in terms
• 9:49
  Speaker 1: of where we're going, and that is because of the
• 9:52
  Speaker 1: challenge you know, we kind of like drop down again.
• 9:56
  Speaker 1: We'd already been in drop tuning for since the first day,
• 9:59
  Speaker 1: but this one it warranted even more. So, you know,
• 10:05
  Speaker 1: that heaviness we wanted to really because live, if you've
• 10:08
  Speaker 1: ever seen us live, you would know that what's live
• 10:13
  Speaker 1: And most bands would say this, I'd say, you know,
• 10:16
  Speaker 1: the live performance is far more brutal than you're ever
• 10:19
  Speaker 1: going to really capture on record, and sometimes it's the
• 10:22
  Speaker 1: other way around, but for us, it's always.
• 10:23
  Speaker 2: Been like that, and so it's forever trying to chase that, like,
• 10:27
  Speaker 2: which is.
• 10:28
  Speaker 1: You know, how can we best represent you know, the
• 10:31
  Speaker 1: heaviness of the band capture that you know in a
• 10:36
  Speaker 1: moment in time, because essentially what every band does when
• 10:38
  Speaker 1: they record a moment in time, that's what it is.
• 10:42
  Speaker 1: So moving through there were some changes to our tuning
• 10:47
  Speaker 1: or some changes to ye just the way you know,
• 10:51
  Speaker 1: I constructed the songs, et cetera, et cetera.
• 10:53
  Speaker 2: So that's how you.
• 10:55
  Speaker 1: Know, it kind of progressed and how it's kind of
• 10:57
  Speaker 1: evolved from that point.
• 10:59
  Speaker 3: A a bit further to that, like your music blends
• 11:03
  Speaker 3: many forms of metal. Your draws from death metal, black extreme,
• 11:07
  Speaker 3: there's black and metal. There's black beats.
• 11:08
  Speaker 4: In there, right.
• 11:09
  Speaker 3: Is it difficult to get the balance right in the
• 11:12
  Speaker 3: creative process because it's a lot you bring it together there?
• 11:16
  Speaker 1: Yeah, it is, But I think it's a culmination of
• 11:21
  Speaker 1: you know, like everybody, you listen to a whole bunch
• 11:23
  Speaker 1: of things, and I do all the time. And when
• 11:27
  Speaker 1: you write, it's hard because you don't want to go, oh, well,
• 11:30
  Speaker 1: that sounds like this band or that sounds like that band.
• 11:33
  Speaker 1: But when you do write subconsciously, I think you do
• 11:38
  Speaker 1: draw on your influences. So I mean, I listen to
• 11:41
  Speaker 1: all all forms of metal, including death call, which people
• 11:46
  Speaker 1: really you know, it seems to have a bad reputation.
• 11:49
  Speaker 1: I like, you know, different bands in the different genres.
• 11:52
  Speaker 1: So for me, I'm not a gatekeeper. I don't like
• 11:55
  Speaker 1: that attitude of people say, oh, that's not purely black,
• 11:57
  Speaker 1: and that's not purely death metal, and that's not purely whatever.
• 12:01
  Speaker 2: I don't care like For me.
• 12:03
  Speaker 1: Music shouldn't have boundaries, and with respect to that, so
• 12:05
  Speaker 1: I try to you know, when I write, it's it's
• 12:10
  Speaker 1: concerned effort to try and you try and be original
• 12:15
  Speaker 1: in the way it's put together. And if you look
• 12:17
  Speaker 1: at a lot of the bands that have you know, overseas, Japan, everywhere.
• 12:22
  Speaker 1: Actually there's a lot more blending of those metal styles,
• 12:26
  Speaker 1: and I think that's actually a good thing because it
• 12:28
  Speaker 1: means the genre moves on and you're not listening to
• 12:32
  Speaker 1: the same old you know, format or style all the time. So,
• 12:38
  Speaker 1: and I'll say this all the time, I mean, who
• 12:40
  Speaker 1: needs another Slayer? We have Slayer for example, I don't,
• 12:44
  Speaker 1: you know, as much as I love all of that,
• 12:47
  Speaker 1: there's so many bands, for example, that sound like Slayer,
• 12:50
  Speaker 1: And that's great for them if that's what they want
• 12:52
  Speaker 1: to do. For me, it's never been about fitting into
• 12:56
  Speaker 1: any particular style or my mindset all process of metal
• 13:03
  Speaker 1: for me, you know, my taste in.
• 13:06
  Speaker 2: Metal are pretty actually broad.
• 13:08
  Speaker 4: So that's a pretty honest sounding record in the sense
• 13:13
  Speaker 4: that everybody who played on it has brought, you know,
• 13:17
  Speaker 4: a bit of who they are as well, and and
• 13:21
  Speaker 4: everybody's playing you know, what they do best really, so yeah,
• 13:26
  Speaker 4: there's a bit of everyone in there, and that's probably
• 13:28
  Speaker 4: why it's you know, there's there's so many sounds because
• 13:30
  Speaker 4: you know, we're all old bastards and we've all listened
• 13:35
  Speaker 4: to a lot of music. But but yeah, you can
• 13:39
  Speaker 4: if people know the individuals and the band, you can
• 13:42
  Speaker 4: sort of recognize the contribution.
• 13:45
  Speaker 1: Yeah, and I think, you know, with Nick coming from
• 13:48
  Speaker 1: very much a black metal sort of background in terms
• 13:50
  Speaker 1: of he's playing and bands, I know you could talk
• 13:53
  Speaker 1: about that, but I mean there's that different, definite flavor.
• 13:56
  Speaker 2: Mind you that the song construct is what it was
• 13:59
  Speaker 2: and always has always been, But there's.
• 14:02
  Speaker 1: No denying that the style of person any person brings
• 14:05
  Speaker 1: into the band is going to influence its overall flavor.
• 14:09
  Speaker 1: So when we recorded Satan's com it was pretty much
• 14:13
  Speaker 1: all the rhythm was kind of done and bits and
• 14:15
  Speaker 1: pieces were done. And so when Nick turned up because
• 14:19
  Speaker 1: he was in Brisbane.
• 14:21
  Speaker 4: I came in and the record had been recorded basically,
• 14:26
  Speaker 4: and yeah, they were just waiting for me to lay
• 14:27
  Speaker 4: down my solos and stuff and slap those down. But yeah,
• 14:33
  Speaker 4: I played vastly differently to the way Steve used to play,
• 14:37
  Speaker 4: and you know, what he did was great on the
• 14:40
  Speaker 4: last record, But yeah, I've got just a more chaotic
• 14:46
  Speaker 4: sense of lead guitar.
• 14:48
  Speaker 1: I think.
• 14:50
  Speaker 4: Yeah, I just wanted to bring to it all those
• 14:52
  Speaker 4: things that just sort of really got me going. And
• 14:56
  Speaker 4: when I was sort of learning music and a young
• 14:58
  Speaker 4: pella getting into it. You hear those crazy fucking leads
• 15:01
  Speaker 4: that you know Slayer and decide we're doing and shit,
• 15:04
  Speaker 4: and you just go, oh fuck, yeah. So you just
• 15:06
  Speaker 4: try and grab all the stuff that you love the
• 15:08
  Speaker 4: most and the stuff that you know sort of impressed
• 15:10
  Speaker 4: you the most, and see if you can just sort
• 15:12
  Speaker 4: of pass it down through through the fucking generations.
• 15:15
  Speaker 2: Yeah.
• 15:15
  Speaker 1: And I think from if you listen to Piss and
• 15:18
  Speaker 1: Purges is a good example of Nick's work. When you
• 15:21
  Speaker 1: first like put that down, that chaotic sort of and
• 15:25
  Speaker 1: it's so contras that's first song is very contrasting in
• 15:29
  Speaker 1: it's really chunky, chunky first bit, and then you've got
• 15:32
  Speaker 1: this chaos that kind of ensues in the second part
• 15:36
  Speaker 1: where Nick does his That's an example of his input
• 15:40
  Speaker 1: and also the chaos, which is really like, I love
• 15:44
  Speaker 1: the fact that it's so contrasting. For me, it epitomizes
• 15:49
  Speaker 1: what I stand for in terms of, you know, the
• 15:52
  Speaker 1: way a song should be, should keep people guessing, and
• 15:55
  Speaker 1: also you know the style like Nick mentioned, and all
• 16:00
  Speaker 1: of the positioning of the leading parts more or less
• 16:03
  Speaker 1: were was his decision, next decision in terms of how
• 16:07
  Speaker 1: it should sound and what it should be, and it
• 16:10
  Speaker 1: is a lot more chaotic and or but when I
• 16:16
  Speaker 1: say Codd, not in chaotic, not in a bad way,
• 16:18
  Speaker 1: but in a good way, in the sense that I
• 16:20
  Speaker 1: don't think his lead breaks are not typical of you know,
• 16:26
  Speaker 1: what we were doing, nor I think I don't you know,
• 16:31
  Speaker 1: like a NIX.
• 16:31
  Speaker 4: That's said, though more than one occasion I was asked
• 16:34
  Speaker 4: to dial it back a little bit.
• 16:38
  Speaker 2: Mind you.
• 16:39
  Speaker 1: So we had we had a few the issue because
• 16:42
  Speaker 1: it is quite in your face actually, So yeah.
• 16:48
  Speaker 4: Everybody sort of brings their own sort of flavor, flavor
• 16:52
  Speaker 4: to the album. I guess, yeah.
• 16:55
  Speaker 3: Nice. Nice. Now you've got a space the outrun of
• 16:57
  Speaker 3: shows coming up to with two in Perth incept You've
• 17:00
  Speaker 3: got three in and around Melbourne October, yep, hambur and Sydney.
• 17:04
  Speaker 2: And so like. So they are part of this.
• 17:05
  Speaker 1: So we're going to be officially launching the CD in
• 17:12
  Speaker 1: pers the first date of the tour, and that is
• 17:15
  Speaker 1: in September to two days I think it's seventeen eighteenth,
• 17:19
  Speaker 1: And basically that will be that will Ages show. That's
• 17:22
  Speaker 1: where that's where where it starts, and then from there
• 17:26
  Speaker 1: we did Melbourne shows. We've got one at the Bendi
• 17:29
  Speaker 1: one in Bendigo and they will also be launchers, et cetera.
• 17:34
  Speaker 1: We're going to go to Tazzi Sydney obviously probably Brisbane
• 17:40
  Speaker 1: again and do all of that. So we have I'm
• 17:45
  Speaker 1: going to put up all of it. I freaking lose
• 17:47
  Speaker 1: track of everything. I actually asked Michael who manages us
• 17:52
  Speaker 1: from like Ruse, actually yeah, so to can you put
• 17:57
  Speaker 1: something together because I'm losing track of everything, which I
• 18:00
  Speaker 1: I am actually so yeah. So that's where it starts.
• 18:04
  Speaker 1: It starts from you as of September and goes on
• 18:08
  Speaker 1: through there.
• 18:08
  Speaker 3: Where's the best place for people to find out more
• 18:10
  Speaker 3: information and find out what dates?
• 18:12
  Speaker 2: Yep?
• 18:13
  Speaker 1: So on the socials, we have our Facebook and Instagram profiles,
• 18:20
  Speaker 1: we have band camp page where you know, occasionally things
• 18:23
  Speaker 1: pop up, but the best place is probably the obvious ones,
• 18:26
  Speaker 1: which is Facebook and Instagram to keep an update on,
• 18:31
  Speaker 1: you know, keep track of what's going on. Like me,
• 18:34
  Speaker 1: I have a look at my own post and.
• 18:36
  Speaker 3: That's what a brostaurer I'm supposed to be. Tonight, guys,
• 18:41
  Speaker 3: we'll say very much the time being to place the.
• 18:42
  Speaker 2: Chat with this awesome best of luck with it all.
• 18:49
  Speaker 3: We'll touch you when you come to Brazil,