Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💂🛳️ Ladies of London Takes Over + Below Deck Down Under’s Apple Pie “Calzone” Chaos

Transcript

💂🛳️ Ladies of London Takes Over + Below Deck Down Under’s Apple Pie “Calzone” Chaos · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama Darling, Drama, Darling Drama Darling.
• 0:19
  Speaker 2: Hello everybody, welcome back into drama Darling. You know what
• 0:23
  Speaker 2: it is Wednesday, which means it's Ladies of London and
• 0:27
  Speaker 2: below deck down under day. Ladies of London is quickly actually,
• 0:32
  Speaker 2: Ladies of London is quickly taking over the bravosphere. So
• 0:37
  Speaker 2: we are going to talk about it. EMILYE. Dereesis is
• 0:39
  Speaker 2: joining from Chili, Maryland, and I am in ninety degree
• 0:43
  Speaker 2: weather here in Santa Clarita. Is that crazy? Like it's
• 0:49
  Speaker 2: snowing in Michigan. It was snowing in Michigan. My parents
• 0:52
  Speaker 2: sent me a picture and I was like, is that
• 0:53
  Speaker 2: snow on the ground.
• 0:54
  Speaker 3: Yeah, And it's very cold here in Maryland. I'm saying
• 0:58
  Speaker 3: everywhere else but California is freezing.
• 1:01
  Speaker 2: Yes, it sure is. So I mean thoughts and warm
• 1:04
  Speaker 2: vibes to you all, and I'm so sorry, and quite honestly,
• 1:08
  Speaker 2: I'm not much I'm not much better off. It was
• 1:11
  Speaker 2: like almost one hundred degrees and it's been through this
• 1:15
  Speaker 2: heat wave and it's just so uncomfortable. It's just too soon,
• 1:19
  Speaker 2: too soon for us, too late for you guys. What
• 1:22
  Speaker 2: a nutty, nutty time in our lives. You know what
• 1:25
  Speaker 2: I'm saying, I do deer, don't chat, don't chat. Well,
• 1:30
  Speaker 2: why don't we welcome ourselves in to a recap of
• 1:35
  Speaker 2: the ladies of London. Okay, yes, hello, welcome in. H
• 1:42
  Speaker 2: Why doesn't Kimmy have a stronger British accent? I noticed
• 1:46
  Speaker 2: in this episode. I was like, oh, wow, her accent
• 1:49
  Speaker 2: is not that strong. And I don't know if it's
• 1:51
  Speaker 2: because she spent time. Yeah, maybe because she lived.
• 1:55
  Speaker 3: With her dad in Haiti?
• 1:56
  Speaker 2: Was it right?
• 1:58
  Speaker 3: And so maybe that was Maybe that's it, But I I.
• 2:03
  Speaker 2: Did you notice that?
• 2:03
  Speaker 4: That's it?
• 2:04
  Speaker 2: No, you'll notice it now that I pointed it out.
• 2:07
  Speaker 2: But me, what.
• 2:09
  Speaker 3: I do love an impression you famously will invox.
• 2:15
  Speaker 2: Oh my, oh my goodness, gracious, how dare you? Yes,
• 2:23
  Speaker 2: so I did. That's one thing I noticed. And but
• 2:26
  Speaker 2: now jumping into this episode, which I believe is episode three, okay,
• 2:31
  Speaker 2: and I love that we got into like the areas
• 2:35
  Speaker 2: where they live, because I know nothing about London town,
• 2:39
  Speaker 2: you know, and the surrounding areas, and I know you
• 2:41
  Speaker 2: are familiar.
• 2:43
  Speaker 3: So we found out that No, no, I am not
• 2:45
  Speaker 3: familiar with London at all.
• 2:47
  Speaker 2: Oh dear Scott, I'm sorry, I'm sorry, guys, We've got
• 2:52
  Speaker 2: to go. I booked the wrong Emily, really I thought
• 2:58
  Speaker 2: that you did.
• 3:00
  Speaker 3: Though, I mean, I'm vaguely okay, that's not near this maybe,
• 3:05
  Speaker 3: but no, please not rely. And also, don't rely on
• 3:08
  Speaker 3: my sense of direction for pretty much anything. I have
• 3:10
  Speaker 3: a terrible sense of direction.
• 3:12
  Speaker 2: You got it, Okay, So Kimmy lives in Belgravia, Well
• 3:18
  Speaker 2: but she did, and now she lives in Chelsea. Sorry,
• 3:22
  Speaker 2: I did that backwards. And that's a fluent. I like that.
• 3:25
  Speaker 2: They put it up there, a fluent. And then Mark
• 3:28
  Speaker 2: in Knightsbridge luxury, and Lottie in Islington and Hackney artsy
• 3:36
  Speaker 2: Noddy and then they little just a side note that
• 3:38
  Speaker 2: Nodding Hill is Boho chic, which I did not know.
• 3:42
  Speaker 3: I didn't either love it. I love it, Yeah, I didn't.
• 3:46
  Speaker 3: I would have thought notting Hill was above boho.
• 3:50
  Speaker 2: She me too, because of Hugh Grant and Julia Roberts. Yes, okay,
• 3:55
  Speaker 2: but we went to that gorgeous, gorgeous London Mark the
• 4:00
  Speaker 2: Portobella market where all they sell is mushrooms and no,
• 4:05
  Speaker 2: and Micah, Kimmy and Lottie are hitting up the vintage
• 4:10
  Speaker 2: market and they just go nuts for it. And it
• 4:12
  Speaker 2: did look amazing. I wanted to be there so bad.
• 4:16
  Speaker 3: Yeah, it looks cool. And then I thought, man, how
• 4:18
  Speaker 3: do they do it? It's raining all the time. We
• 4:21
  Speaker 3: just hit it on a nice sunny day.
• 4:23
  Speaker 2: Yeah, great point. How is this an open air market?
• 4:27
  Speaker 2: I mean, I know that they had little awnings and stuff,
• 4:29
  Speaker 2: but my god, some of.
• 4:31
  Speaker 3: That stuff I was worried about getting tarnished rain damage.
• 4:34
  Speaker 2: Yeah, tarnished, tarnished, Honey, I'm tarnished, mother, I'm soiled. You know.
• 4:44
  Speaker 2: What was surprising is that Micah was like, well, I've
• 4:47
  Speaker 2: heard over the years that Dara has talked about me.
• 4:50
  Speaker 2: I'm like, bitch, what what?
• 4:52
  Speaker 1: Okay?
• 4:53
  Speaker 2: Okay, now you're saying you've actually heard this? All right, yes,
• 4:57
  Speaker 2: all right, you're taking a step back.
• 4:59
  Speaker 3: Well, yes, he defended her in the sense that she
• 5:03
  Speaker 3: would have never said anything like that, But now she's like,
• 5:06
  Speaker 3: all right.
• 5:08
  Speaker 2: She's not on the show, right, So that was interesting.
• 5:12
  Speaker 2: It was an interesting discovery because it doesn't hit as
• 5:16
  Speaker 2: hard as it did that this came out of nowhere.
• 5:20
  Speaker 2: Bunny was talking badly about Bunny, whereas now we know
• 5:26
  Speaker 2: that Micah has heard that she may have said something
• 5:29
  Speaker 2: in the past.
• 5:30
  Speaker 3: So I'm still on team Micah and this.
• 5:33
  Speaker 2: No, I'm not not anymore. I'm joking, totally kidding. Dara, Dara, Dara.
• 5:41
  Speaker 2: I hate that they're like Dara's this, Dara and I
• 5:44
  Speaker 2: and then Dara and I'm like, get it together. We're
• 5:49
  Speaker 2: having our time as it is. I don't even know
• 5:54
  Speaker 2: my name am I Ammy and Amy and my Amma
• 5:58
  Speaker 2: my Ami. Yeah. And then Kimmy was like, well, you know,
• 6:04
  Speaker 2: you've you've come across as too genuine and people like
• 6:07
  Speaker 2: to take advantage of that. Did you notice that, like
• 6:11
  Speaker 2: she kind of laughs like a puppet, like if you
• 6:15
  Speaker 2: were to you know, oh.
• 6:17
  Speaker 3: Yeah, there's a lot about Kimmy.
• 6:20
  Speaker 2: Yeah, that's a puppet. Yeah, there's a lot about Kimmy
• 6:22
  Speaker 2: her new book. There's a lot about Kimmy. But the
• 6:24
  Speaker 2: way that the head is bobbing up and down with
• 6:27
  Speaker 2: the laughter, I've never quite seen that before. Very interesting characteristic.
• 6:32
  Speaker 3: It's a yeah, she's just yeah, everything about her is
• 6:38
  Speaker 3: very like big unless you want to be sad.
• 6:41
  Speaker 2: Oh, Mike reacting to that thing so different way. What
• 6:48
  Speaker 2: a Downer. When she was like referring to Debbie Downer,
• 6:52
  Speaker 2: I was like, this is amazing. But anyway, I did
• 6:58
  Speaker 2: like that. Kimmy was like, you know, people can take
• 7:01
  Speaker 2: advantage of how genuine you are. And then she suggested
• 7:05
  Speaker 2: that they should have a chat, but only by walkie talkie.
• 7:10
  Speaker 3: That's pretty great.
• 7:11
  Speaker 4: Yeah.
• 7:11
  Speaker 2: Good see. I told join lolled on with her last
• 7:15
  Speaker 2: the first couple episodes, I didn't this episode, you know,
• 7:19
  Speaker 2: but I did think a lot was funny.
• 7:21
  Speaker 3: Uh yeah, I think this show needs Kimmy the most
• 7:26
  Speaker 3: right now.
• 7:26
  Speaker 2: I think what a great casting.
• 7:30
  Speaker 3: Yeah, I mean, I don't know. Maybe eventually it'll get
• 7:35
  Speaker 3: I mean it'll you know, these people Ebb and Flow.
• 7:38
  Speaker 3: I'm saying right now, Kimmy, she's my favorite. When she's
• 7:41
  Speaker 3: on screen, I'm like, here we go.
• 7:42
  Speaker 2: This is yeah. Well, I thought that this episode was
• 7:46
  Speaker 2: quite incredible, and everyone seems to be bringing their best.
• 7:52
  Speaker 2: I mean, we just came off of an episode where
• 7:55
  Speaker 2: somebody quit and we're having to kind of deconstruct that,
• 7:58
  Speaker 2: and you know, my because checking in like I'm okay,
• 8:02
  Speaker 2: I guess I'm okay. I'm just gonna not be okay
• 8:05
  Speaker 2: until I'm okay again, and I'm gonna have my etiquette
• 8:09
  Speaker 2: about me while I do it.
• 8:12
  Speaker 3: But even in that meeting with Dara. It was that
• 8:16
  Speaker 3: was crazy, okay. And they both met in strapless white.
• 8:20
  Speaker 2: Tops in the world, tripping by the way, tripping over
• 8:25
  Speaker 2: their long pants and dresses on the way in and out.
• 8:30
  Speaker 2: You know, let's I'm sure you know a Taylor. You know, Oh, Taylor, Taylor.
• 8:41
  Speaker 2: I just have to know, Dakota. Did you enjoy it? Taylor?
• 8:43
  Speaker 4: No?
• 8:44
  Speaker 2: I didn't, Taylor, Taylor. Oh.
• 8:50
  Speaker 3: They both went into that meeting thinking they were going
• 8:53
  Speaker 3: to be virginal and innocence.
• 8:56
  Speaker 2: Yeah, they both came in like lambs and they left
• 9:00
  Speaker 2: like confused lambs, tripping over their little wool. But yes,
• 9:06
  Speaker 2: get a tailor. I think that would be helpful, just
• 9:09
  Speaker 2: because if you're gonna do a long shot and we
• 9:12
  Speaker 2: have to see like the pants over the shoes, it's
• 9:15
  Speaker 2: just it makes me nervous, you know. And then it's
• 9:16
  Speaker 2: white and you're dragging that around the London streets and
• 9:19
  Speaker 2: that's just upsetting to us.
• 9:20
  Speaker 3: All. Yeah, And to me though, it does show the
• 9:25
  Speaker 3: ultimate in wealth because you're that you've now fully ruined
• 9:29
  Speaker 3: one thousand dollars worth of pants and it doesn't matter
• 9:33
  Speaker 3: to you. You're just gonna.
• 9:35
  Speaker 2: Throw in a room and move on. With your life. Yes,
• 9:38
  Speaker 2: oh my god, look at over my shoulder. She jumped
• 9:41
  Speaker 2: up on the Hi. Hi, Hello, guess is here? You
• 9:52
  Speaker 2: know what? I'm sorry, there's not a lot of there's
• 9:54
  Speaker 2: there's there's not enough cats here. Okay, it's all dogs.
• 9:56
  Speaker 2: It's all dogs, not enough cats.
• 9:58
  Speaker 3: I'm sorry.
• 10:01
  Speaker 2: What's with all these British people? I mean, it's called
• 10:04
  Speaker 2: Ladies of London, but it doesn't need to be all
• 10:06
  Speaker 2: British people. Okay, there's only like three Americans. We need
• 10:09
  Speaker 2: more more Okay, So let me ask you this about
• 10:16
  Speaker 2: Micah's hair. Is that like a style where it's really
• 10:20
  Speaker 2: blonde at the root in front, and then it's like
• 10:22
  Speaker 2: kind of a stripe of dark and then it goes
• 10:24
  Speaker 2: light again.
• 10:25
  Speaker 3: I don't know. I have seen some of that lately.
• 10:30
  Speaker 3: I saw it especially at the I saw somebody like
• 10:33
  Speaker 3: that at the the Academy Wars.
• 10:38
  Speaker 2: Wow, and how was your experience? There's a seat filler
• 10:41
  Speaker 2: at the Warns?
• 10:43
  Speaker 3: How dare you? How dare you? I was a toilet filler.
• 10:52
  Speaker 2: Toilet that's hilarious. You have to keep the toilet seat
• 10:56
  Speaker 2: warm for.
• 10:59
  Speaker 3: Yes, old buns get cold.
• 11:02
  Speaker 2: Hi, guys, it's minkwentny. I love going to be Academy
• 11:06
  Speaker 2: Awards and like going into the bathroom and do a
• 11:09
  Speaker 2: private stall and having a seat warmer waiting for me.
• 11:13
  Speaker 2: Oh it makes my buns feel so happy. Wow, it's
• 11:18
  Speaker 2: great to be famous.
• 11:24
  Speaker 3: Yeah. I have to get like one knock knock one
• 11:29
  Speaker 3: knock pants up. It's all yours, gwinn.
• 11:33
  Speaker 2: And they have to like measure you see it heavy
• 11:35
  Speaker 2: exact same size as like the stars, but so that
• 11:39
  Speaker 2: it's the correct shape.
• 11:41
  Speaker 3: Or just you know, larger, And that's not been a
• 11:45
  Speaker 3: problem you have to have. You can't have a smaller ass.
• 11:48
  Speaker 3: You just have to have at least their size are.
• 11:50
  Speaker 2: Larger, right, that is true. Anyway you've seen that style, Yeah,
• 11:54
  Speaker 2: obviously it is a style. I just had never seen
• 11:56
  Speaker 2: it before. Very interesting.
• 11:59
  Speaker 3: Yeah, I mean I'm I don't It doesn't do anything
• 12:01
  Speaker 3: for me one way or the other. But then you know,
• 12:04
  Speaker 3: because now that you're saying it, I'm remembering, like, oh, yeah,
• 12:08
  Speaker 3: that was something, but not.
• 12:10
  Speaker 2: Alisa lu the Olympian skater, hmmm, the gold medalist, you know,
• 12:17
  Speaker 2: with her hair style like the different stripes. I think
• 12:21
  Speaker 2: that that must be a thing now, not just with
• 12:23
  Speaker 2: Olympians but.
• 12:27
  Speaker 3: Also ladies in London. Yeah, and scattered attendance at the
• 12:31
  Speaker 3: Academy Awards.
• 12:32
  Speaker 2: I agree, it's okay, great square, as long as we're
• 12:36
  Speaker 2: on par with that.
• 12:37
  Speaker 3: Finally agreed.
• 12:38
  Speaker 2: So anyway, Dara was the most bizarre I think I've
• 12:43
  Speaker 2: ever seen that scene. That was so weird. She just
• 12:47
  Speaker 2: wanted to come in there and she thought it would
• 12:49
  Speaker 2: just be swept away.
• 12:51
  Speaker 3: Yeah. I mean also again trying to pivot and put
• 12:54
  Speaker 3: it back on everybody else. I'm sad that she left
• 12:57
  Speaker 3: because I want to see how long she get away
• 13:00
  Speaker 3: with this behavior.
• 13:02
  Speaker 2: She wasn't sweating one bullet, you know. She just thought
• 13:07
  Speaker 2: I'm just gonna make this right and just say babe,
• 13:10
  Speaker 2: you know no I didn't say it, and then they
• 13:15
  Speaker 2: just like walk away and then they probably never speak again.
• 13:20
  Speaker 3: Good. I mean, that's great for Micah. That's great for Micah.
• 13:25
  Speaker 3: I wish that again, like Dara was on the show
• 13:30
  Speaker 3: and forced to deal with this head on. I mean,
• 13:32
  Speaker 3: the fact that she left the show in such a
• 13:34
  Speaker 3: bad way. She's got to be hearing about this from
• 13:37
  Speaker 3: people left and right in the real world right now,
• 13:41
  Speaker 3: just being like, what the hell was that, And she's
• 13:43
  Speaker 3: probably saying, oh, it is a bad edit.
• 13:46
  Speaker 2: Oh yeah, Oh my gosh, that show. They make things up,
• 13:50
  Speaker 2: you know how fake those shows are, and they tried
• 13:52
  Speaker 2: to do this to me. I mean, and people will
• 13:54
  Speaker 2: believe that if they don't watch these shows. But I mean,
• 13:56
  Speaker 2: she clearly was busted.
• 13:59
  Speaker 3: Yeah, totally.
• 14:00
  Speaker 2: I just couldn't believe. There was nothing on her face
• 14:04
  Speaker 2: revealing any sort of remorse connection with her friend of
• 14:10
  Speaker 2: all these years, just absolutely nothing. And to know that
• 14:14
  Speaker 2: nothing also happened off camera is also weird because I
• 14:18
  Speaker 2: could understand her trying to perform on camera just to
• 14:20
  Speaker 2: like save face, but then off camera, I mean, zero zilch. Terrible.
• 14:26
  Speaker 3: Yeah.
• 14:27
  Speaker 2: Wow, that's a sad ending to a friendship, especially when
• 14:30
  Speaker 2: you've invested so much over a long period of time.
• 14:33
  Speaker 2: It is such a bummer.
• 14:36
  Speaker 3: Well, I feel bad for Micah that she thought that
• 14:38
  Speaker 3: that was her friend, but like, I think this is
• 14:41
  Speaker 3: probably good. Can you imagine Micah doing a full season
• 14:45
  Speaker 3: of this with her thinking that they are best friends
• 14:48
  Speaker 3: and just watching it back and being fully humiliated.
• 14:52
  Speaker 2: Yeah, oh terrible.
• 14:54
  Speaker 3: At least she got the lesson right at the top.
• 14:58
  Speaker 2: Right, But yeah, you're right, it could have been worse.
• 15:00
  Speaker 2: I mean, the band aid was ripped off and when
• 15:02
  Speaker 2: Micah was like, I mean I thought that we were friends.
• 15:04
  Speaker 2: I mean friends are supposed to defend each other no
• 15:08
  Speaker 2: matter what. And Dara's like, yeah, yeah, babe, and Micah's like,
• 15:14
  Speaker 2: that's what I did. And she's like I know, I know.
• 15:19
  Speaker 3: Yeah.
• 15:21
  Speaker 2: Wow, this is operating on a whole separate level of denial.
• 15:27
  Speaker 2: And talk about Candy Burrows flying above, you know, just
• 15:31
  Speaker 2: flying right above her in the white dress, old son.
• 15:39
  Speaker 3: Maybe she was operating at a one so there was
• 15:42
  Speaker 3: nothing like that they could edit and trick in a
• 15:45
  Speaker 3: different way. I feel like that's how she was filming
• 15:47
  Speaker 3: the whole thing. She was just like, I'm going to
• 15:49
  Speaker 3: be so monotone that they're not going to be able
• 15:52
  Speaker 3: to show me losing my cool. They're not going to
• 15:55
  Speaker 3: be able to show anything that I can't take back
• 15:58
  Speaker 3: or say was otherwise. But meanwhile, it still looks wild.
• 16:03
  Speaker 2: It looks psychotic, you know, it's yeah, well it does
• 16:08
  Speaker 2: because it shows no feeling and that's a scary thing
• 16:13
  Speaker 2: to see. Yeah, when you know on some level they've
• 16:16
  Speaker 2: had a friendship, whether it was like as deep as
• 16:19
  Speaker 2: Micah is telling us or as shallow as Dara is acting,
• 16:23
  Speaker 2: there's still something there. So yeah, wild bye bye to her.
• 16:29
  Speaker 1: She is gone.
• 16:30
  Speaker 2: She is gone. Okay, now, let's talk about the wildest
• 16:36
  Speaker 2: scene that we've seen in a while, and I'm talking
• 16:40
  Speaker 2: about Martha's storage and her hats, her hats. I think
• 16:45
  Speaker 2: that on the first two episodes, when we first discussed this,
• 16:48
  Speaker 2: I said, I love Martha. We all agreed, we love Martha.
• 16:51
  Speaker 2: Martha is like one of our favorites. And my knee
• 16:55
  Speaker 2: jerk reaction is I'm scared because she is so fragile.
• 16:59
  Speaker 2: She's like this thin little needle wavering back and forth,
• 17:01
  Speaker 2: and I don't know which way it's gonna flip, and
• 17:03
  Speaker 2: I'm scared, and I don't know if it's a good
• 17:06
  Speaker 2: thing that she's on the show or a really bad thing.
• 17:08
  Speaker 2: And I know originally we landed with Okay, well, this
• 17:11
  Speaker 2: will help her because she'll make money, and that's the
• 17:14
  Speaker 2: most important thing right now. However, you know, with reality
• 17:18
  Speaker 2: TV and how things go, that could it can push
• 17:21
  Speaker 2: people if they're on the edge of something. And this
• 17:24
  Speaker 2: scene supports my fear, and that is that she is
• 17:29
  Speaker 2: so vulnerable. She's such a fragile soul, and I'm extremely
• 17:34
  Speaker 2: concerned about her well being and how she's going to
• 17:38
  Speaker 2: move forward through this world as well as this show
• 17:42
  Speaker 2: and us watching it. But what a scene, what sorrow
• 17:46
  Speaker 2: you could see in these hats as she's telling the
• 17:49
  Speaker 2: story about her sister and then her father and how
• 17:54
  Speaker 2: she's going to like build this back up again and
• 17:56
  Speaker 2: you know, get her life back. But Margo coming in
• 17:59
  Speaker 2: with I can't be friends with you if you were
• 18:03
  Speaker 2: going to destroy your life like this, like that was
• 18:06
  Speaker 2: like a tough love turn that I did not expect
• 18:09
  Speaker 2: to happen and I and now it makes sense to
• 18:12
  Speaker 2: me why they haven't kept in touch, because you know,
• 18:14
  Speaker 2: when Martha went and met Margo in the park and
• 18:18
  Speaker 2: brought her daughter a gift and was like, it's so
• 18:20
  Speaker 2: nice to meet you. I've heard so much about you. Yeah, yeah, Oh, well,
• 18:24
  Speaker 2: that's weird that she hasn't met her. But then I
• 18:26
  Speaker 2: was like, oh, because she's been living in Beverly Hills,
• 18:29
  Speaker 2: so she's been away, So that makes sense. But I
• 18:31
  Speaker 2: also think that their friendship has not been strong over
• 18:37
  Speaker 2: the last few years. I think I mean several years,
• 18:40
  Speaker 2: And I think that Margo knows what's going on with Martha,
• 18:45
  Speaker 2: and I think she kind of seems to be scared
• 18:48
  Speaker 2: for her.
• 18:49
  Speaker 3: Yeah, but she wasn't scared enough to get that chunk
• 18:52
  Speaker 3: of cardboard out of her hair. For the entire scene,
• 18:55
  Speaker 3: I was like, you can at least do this, Margo,
• 18:57
  Speaker 3: you can at least get the cardboard out of her.
• 19:02
  Speaker 2: Yeah.
• 19:02
  Speaker 3: Yeah, she she has h Sonya vibes a little bit
• 19:07
  Speaker 3: for me. Martha does in terms of like the like
• 19:12
  Speaker 3: the housewife or the person in the friend group that's
• 19:14
  Speaker 3: like sometimes hanging by a thread and but very vulnerable
• 19:19
  Speaker 3: and is willing to be taken care of. She's not
• 19:23
  Speaker 3: like the friend that's like, you.
• 19:25
  Speaker 2: Know, pushing away any help. Yeah, not isolating. Yeah, I agree,
• 19:32
  Speaker 2: But I also.
• 19:33
  Speaker 3: Didn't know why can't she change her locks?
• 19:36
  Speaker 2: I know, I mean that was obviously like a you know.
• 19:39
  Speaker 2: The point being is what she did was the problem.
• 19:44
  Speaker 2: And I think that Margot must have been trying to
• 19:47
  Speaker 2: put the fear of God into her, like, you can't
• 19:49
  Speaker 2: make mistakes like this, you are going to be taken
• 19:53
  Speaker 2: advantage of. So so this is the builder that was
• 19:56
  Speaker 2: gonna come and like help her with the cracks and
• 19:58
  Speaker 2: the peeling in her house and her apartment. And then,
• 20:02
  Speaker 2: as we know, she paid him ahead of time, she
• 20:04
  Speaker 2: didn't get references. And then we find out that she
• 20:08
  Speaker 2: gave him the keys and then he was like, I
• 20:11
  Speaker 2: can't do the job, and then she was like I
• 20:13
  Speaker 2: need my keys back. I mean, is that what we're
• 20:15
  Speaker 2: looking at here?
• 20:16
  Speaker 3: Yes, yes, yes, ma'am.
• 20:24
  Speaker 2: So yeah, yeah, people, you know, and that's the thing,
• 20:27
  Speaker 2: like people like her, they just don't have that like
• 20:31
  Speaker 2: sense of danger and they trust and they're just not aware.
• 20:37
  Speaker 2: And that's like a that's a personality trait that's that
• 20:41
  Speaker 2: she has.
• 20:42
  Speaker 3: I think I get the vibe. It might be also
• 20:45
  Speaker 3: a lot of alcohol involved in decision making and just
• 20:50
  Speaker 3: in terms of like how the day goes who she's
• 20:54
  Speaker 3: trusting as the day goes on, because like she does
• 20:58
  Speaker 3: seem to like have moments of clarity. But I have
• 21:02
  Speaker 3: a feeling that alcohol might be playing a part. Just
• 21:07
  Speaker 3: a hunch based on the day drinking we've seen, But
• 21:12
  Speaker 3: just a hunch.
• 21:13
  Speaker 2: Yeah, that's a good hunch. You know. I've heard the
• 21:18
  Speaker 2: connection and the similarities that people say that she's a
• 21:20
  Speaker 2: lot like Sonya, and I guess, like, I don't really
• 21:24
  Speaker 2: see it.
• 21:25
  Speaker 3: It was my original it was my original thought.
• 21:27
  Speaker 2: Oh sorry, that's right. You're the only one I've heard
• 21:29
  Speaker 2: it from you. I mean, and I can see why
• 21:32
  Speaker 2: that would be a point, But Sonya is I never
• 21:36
  Speaker 2: felt worried watching her on screen like I do immediately
• 21:42
  Speaker 2: with Martha from the jump. I have had moments where
• 21:45
  Speaker 2: I'm like, so concerned with Sonya. I'm just saying, like, okay,
• 21:50
  Speaker 2: so the second that Sonya's on our screen, I did
• 21:53
  Speaker 2: not feel a knee jerk reaction of like, I don't
• 21:55
  Speaker 2: think this is good. I'm worried about this person, you know,
• 21:59
  Speaker 2: where As like with Martha, that's how I feel Sonya.
• 22:04
  Speaker 2: She ebbs and flows, She's able to keep above water.
• 22:07
  Speaker 2: She's like living in a you know, her own world
• 22:10
  Speaker 2: and in the past and can't quite get a handle
• 22:13
  Speaker 2: on things. Yes, yes, yes, all those things. However, it's
• 22:16
  Speaker 2: not as serious as I see this, and I'm like,
• 22:20
  Speaker 2: I can't help but say I'm concerned. I'm concerned.
• 22:23
  Speaker 3: Do you think that she shouldn't be on the show?
• 22:25
  Speaker 2: I don't. Actually, I don't.
• 22:27
  Speaker 3: I think that I don't think she should be.
• 22:29
  Speaker 2: I don't, I don't. I decided now as we're talking,
• 22:32
  Speaker 2: I don't think she should be.
• 22:34
  Speaker 3: I think she should be.
• 22:35
  Speaker 2: But you know why, and they did a good job
• 22:38
  Speaker 2: because you find people who are not stable for reality television,
• 22:43
  Speaker 2: and I don't think that she is. And now I'm
• 22:45
  Speaker 2: in many ways she Isn't she charming? No charming? Is
• 22:50
  Speaker 2: she beautiful? Is she interesting? Is she do? We want
• 22:54
  Speaker 2: to follow her journey? All of those things. But what
• 22:58
  Speaker 2: it's worth, Robert does it's humanity's sake? It doesn't, okay, right,
• 23:04
  Speaker 2: for what it's worth, it's not not if it's worth
• 23:06
  Speaker 2: not worth much.
• 23:07
  Speaker 3: Three to three hundred pounds to get your apartment fixed,
• 23:10
  Speaker 3: is it worth that?
• 23:11
  Speaker 2: It's She probably gave the keys to the people who
• 23:15
  Speaker 2: did the Nychoville. You know, I know, I know all
• 23:19
  Speaker 2: the p's and q's. I mean, I get it. I'm
• 23:22
  Speaker 2: just saying like, despite all of that, there are ways
• 23:25
  Speaker 2: around those types of things, and I think that they
• 23:30
  Speaker 2: got a good one on their hands that they can exploit.
• 23:34
  Speaker 3: Sorry, or you know, maybe she'll see yourself on camera
• 23:38
  Speaker 3: and say, my gosh, I could make a few changes
• 23:41
  Speaker 3: in my life. And that always happens. It never gets
• 23:46
  Speaker 3: worse never.
• 23:47
  Speaker 2: I just really hope that, like I hope for the best,
• 23:52
  Speaker 2: and I do appreciate on some level that like Margo
• 23:56
  Speaker 2: is saying, like you're on a suicide mission, like that's
• 23:59
  Speaker 2: a pretty big jump up to make from giving a
• 24:03
  Speaker 2: painter some keys.
• 24:05
  Speaker 4: Oh.
• 24:05
  Speaker 3: I have a feeling Margot has seen so much shit
• 24:08
  Speaker 3: and has probably bailed Martha out one thousand times. Probably
• 24:14
  Speaker 3: a big motivation for moving to the United States was
• 24:17
  Speaker 3: to get away from that friend group. And so I
• 24:22
  Speaker 3: have a hunch that she is has had this conversation
• 24:27
  Speaker 3: multiple times with her also on the heels of the
• 24:30
  Speaker 3: sister Polly compo, because that is how Polly died, Martha's sister.
• 24:37
  Speaker 3: I was like, oh, this is hitting Okay.
• 24:41
  Speaker 2: That's how Polly died. Yeah, by suicide.
• 24:44
  Speaker 3: Yes, yeah, So Margo leaning in and just like really
• 24:48
  Speaker 3: not holding back. I was like, she's very comfortable doing
• 24:52
  Speaker 3: this and.
• 24:53
  Speaker 2: That very quickly, feeling that she's done it before. Yeah,
• 24:57
  Speaker 2: and she also wants to make very clear on camera.
• 25:02
  Speaker 2: So yeah, that's true. She's very smart, you know, Margo
• 25:06
  Speaker 2: seems very intelligent and seems to be pretty in tune
• 25:11
  Speaker 2: to what's going on.
• 25:13
  Speaker 3: Also sober, right, Margo sober at the time right now.
• 25:18
  Speaker 3: So it's like she's probably seeing a lot of the
• 25:21
  Speaker 3: behavior that they probably used to do together and it's
• 25:26
  Speaker 3: probably really annoying her right now.
• 25:29
  Speaker 2: I mean this Martha is giving Tennessee, Williams. You know,
• 25:36
  Speaker 2: streetcar named desire Blanche du Bois vibes more so than
• 25:42
  Speaker 2: I've seen in a really long time. And this is
• 25:45
  Speaker 2: the type of personality that I love in my plays,
• 25:50
  Speaker 2: in my books, in my shows. Give me Betty Davis
• 25:55
  Speaker 2: is it. She's just a show, but it's real and
• 25:58
  Speaker 2: it's scaring me and I love it. And it's like,
• 26:02
  Speaker 2: you know, give me, give me Betty Davis, and give
• 26:04
  Speaker 2: me all the characters. And I am like eating it up.
• 26:08
  Speaker 2: And but she is so empathetic and I love that.
• 26:12
  Speaker 2: Like in the car on the way back from the vineyard,
• 26:14
  Speaker 2: she was like, it is sad. It's very sad. The
• 26:17
  Speaker 2: story is sad. You know when Kimmy was like talking
• 26:19
  Speaker 2: about everybody was going around and.
• 26:22
  Speaker 3: She dismissed Missy Missy's story because he was maybe involved with.
• 26:27
  Speaker 2: Like organized crime or a drug dealer or something like that,
• 26:31
  Speaker 2: so it would be less sad, like right, And she's like,
• 26:35
  Speaker 2: I'm from Haiti. I lived in Haiti, seen it once,
• 26:37
  Speaker 2: seen it twice. And they're like She's like, it's not
• 26:41
  Speaker 2: so it wasn't it's not a SOB story. She's like,
• 26:44
  Speaker 2: it's not a sob story that she's saying it is,
• 26:47
  Speaker 2: and Marco's like, it is a SOB story. She's like, no,
• 26:53
  Speaker 2: it's not. Organized crime. Isn't a SOB story? You know.
• 26:58
  Speaker 2: It reminded me of the movie Airplane. I always quote
• 27:00
  Speaker 2: this when the plane we know it's going to like
• 27:03
  Speaker 2: crash because there's no pilot, right, And then the reporter
• 27:06
  Speaker 2: on like a sixty minute style show is like, they
• 27:09
  Speaker 2: bought the tickets, they knew what they were getting into.
• 27:13
  Speaker 2: I say, let him crash, you know, that's Kimmy. She's like,
• 27:17
  Speaker 2: they knew he signed up, he knew he was going
• 27:20
  Speaker 2: to die in front of his family, Like you know,
• 27:24
  Speaker 2: it's just so intense.
• 27:27
  Speaker 1: Yeah.
• 27:27
  Speaker 3: That lunch was like when Missy said, like, let's go
• 27:31
  Speaker 3: around and like really get to know each other. And
• 27:34
  Speaker 3: I was like, okay, I now miss the card game
• 27:37
  Speaker 3: that I always shit on when the housewives pull out
• 27:40
  Speaker 3: that deca cards to ask each other questions at the table.
• 27:44
  Speaker 3: When Missy just went there without a card game, I
• 27:48
  Speaker 3: was like, this is I don't like this. I want cards.
• 27:51
  Speaker 2: Kimmy has a point that when you just share something
• 27:56
  Speaker 2: that's so intense at a table with a ton of people,
• 27:59
  Speaker 2: it does them across as disingenuous. However, Kimmy, this is
• 28:03
  Speaker 2: a TV show and it's not just you getting to
• 28:05
  Speaker 2: know these people, it's us, okay, so you have to
• 28:08
  Speaker 2: do it. You gotta play the game, So shut up
• 28:10
  Speaker 2: and just share something.
• 28:12
  Speaker 3: Yeah, especially because whatever that story was that I didn't
• 28:16
  Speaker 3: know about Missy's brother was had a lot of press,
• 28:20
  Speaker 3: it was going to be talked about. I get why
• 28:22
  Speaker 3: she wanted to get out in front of it.
• 28:24
  Speaker 2: Get out in front of it, right, I mean, yeah,
• 28:30
  Speaker 2: I get to right, Yeah, you were in a cult,
• 28:37
  Speaker 2: you know exactly, And everybody like okay, And then Martha's like,
• 28:43
  Speaker 2: well I have a white tattoo and my sister killed herself.
• 28:46
  Speaker 2: And then Kimmy talks about God, I can't say this
• 28:51
  Speaker 2: name Sueln. It's like so many letters that shouldn't belong together.
• 28:57
  Speaker 2: I think it's her husband now, isn't it. And then
• 28:59
  Speaker 2: the worried that Kimmy talks about, you know in another room,
• 29:03
  Speaker 2: She's like, oh, you know, Sulin is not teawait A,
• 29:08
  Speaker 2: not too friendship. It's like, what are you talking about?
• 29:11
  Speaker 2: And then whoever she was like, are you saying that
• 29:13
  Speaker 2: something happened? And she's like no, Okay, well then yes
• 29:17
  Speaker 2: saying something and then to have this say this name,
• 29:21
  Speaker 2: it always gets me a million times. I'm like, what
• 29:23
  Speaker 2: did you did? You just sneeze like Celin is a
• 29:27
  Speaker 2: bless her is he is just so wonderful? And then
• 29:31
  Speaker 2: they show that picture, that random picture of Sulin walking
• 29:34
  Speaker 2: down the street with a bunch of ladies and bikinis
• 29:38
  Speaker 2: and furs, and I was like, well, which one is
• 29:41
  Speaker 2: Kimmy is one of them?
• 29:42
  Speaker 3: Kimmy?
• 29:43
  Speaker 2: Are they just a bunch of gals that they're trying
• 29:45
  Speaker 2: to paint the picture that Sulin is a little bit
• 29:48
  Speaker 2: not tea.
• 29:49
  Speaker 3: Yeah, he's I wonder too if it's just like I
• 29:54
  Speaker 3: need to know more about Kimmy. I need to know
• 29:56
  Speaker 3: more about the life she had.
• 29:58
  Speaker 2: Prior going to Downer. I mean, I do see like
• 30:02
  Speaker 2: her whole vibe about I don't see the purpose of
• 30:07
  Speaker 2: going back thirty years ago and talking about all this
• 30:10
  Speaker 2: stuff and dredging it up, because it's not going to
• 30:13
  Speaker 2: do me any good. Yeah, it's not going to do
• 30:16
  Speaker 2: you any good because you clearly have shut the door
• 30:18
  Speaker 2: and you've moved on and you're not going to dig
• 30:20
  Speaker 2: that up, and you probably shouldn't, especially at a show
• 30:23
  Speaker 2: like this right now, maybe get into therapy if you
• 30:25
  Speaker 2: want to talk about it. But her stuff is buried
• 30:27
  Speaker 2: so deep that you can't, like, you can't even get
• 30:31
  Speaker 2: to it, you know, the crust of the earth is like,
• 30:33
  Speaker 2: you're gonna hit that before you get to whatever she
• 30:36
  Speaker 2: wants to talk about.
• 30:38
  Speaker 3: Yeah, yeah, yeah, yeah. But I do think that she
• 30:41
  Speaker 3: is so open about things that she thinks are of
• 30:46
  Speaker 3: no consequence that it's gonna it makes other people want
• 30:51
  Speaker 3: to spread her, you know, her stuff that she doesn't
• 30:56
  Speaker 3: want out. So I do think we're gonna get a
• 30:58
  Speaker 3: wys of the past good.
• 31:01
  Speaker 2: Yeah, for sure.
• 31:03
  Speaker 3: Yeah, she's going to keep coming in with these madam
• 31:06
  Speaker 3: things and I had naughty times with your husband. We're
• 31:08
  Speaker 3: going to get to know her.
• 31:09
  Speaker 2: We're going to get to know her, whether she likes
• 31:11
  Speaker 2: it or not. Yeah yeah yeah. Her face though, when
• 31:16
  Speaker 2: they were going here on the table was like, eh,
• 31:20
  Speaker 2: her mouth is like an entire universe, you know, like
• 31:24
  Speaker 2: her lips and her teeth and her mouth is an
• 31:26
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• 40:52
  Speaker 2: We never talked about that.
• 40:54
  Speaker 3: Because you know what, I've got the idea that that
• 40:56
  Speaker 3: was the first time she had ever been to the
• 40:59
  Speaker 3: zoo on the proper When she was walking around really yeah,
• 41:04
  Speaker 3: because they're like, okay, this is how you're going to
• 41:06
  Speaker 3: feed this animal that's lived here for thirty years. She's like, whoa,
• 41:10
  Speaker 3: what is this? It's an elephant. It's an elephant.
• 41:14
  Speaker 2: That's hilarious. Oh my god, that's funny. She lives on
• 41:18
  Speaker 2: that property though, like, yeah, that's so crazy.
• 41:22
  Speaker 3: But it like why would she be going. They were
• 41:26
  Speaker 3: talking to her like she was a stranger, and she
• 41:29
  Speaker 3: was acting very familiar with that.
• 41:31
  Speaker 2: Yeah right right, Oh, yes, that's right. The drafts are
• 41:36
  Speaker 2: over here. No, they're to the left, right over here,
• 41:38
  Speaker 2: right over that. Oh that yes, indeed that they eat food,
• 41:43
  Speaker 2: you say, Okay, she's talking to the camera. They had
• 41:47
  Speaker 2: to cut all the footage of her trying to talk
• 41:49
  Speaker 2: to the camera. She's like, and now we shall go
• 41:51
  Speaker 2: see the pigs. There are no pigs here, No pig. Yeah,
• 41:54
  Speaker 2: so we shall mosey ova to the bond y'aw Nope? Wrong?
• 42:01
  Speaker 2: Oh again, Oh so funny. Okay, what else does oh? Yeah,
• 42:09
  Speaker 2: the vineyard? This like insane drive to this vineyard okay
• 42:15
  Speaker 2: with in a van for three hours and you know
• 42:19
  Speaker 2: where they ended up? Emily and Angels campsite from Potomac.
• 42:29
  Speaker 2: So he finally made it, and then Mark being like, oh, hell,
• 42:34
  Speaker 2: I've got to go to my charity event. He walks
• 42:36
  Speaker 2: in the door and then he leaves. So you're telling
• 42:39
  Speaker 2: me he drove all that way and then got back
• 42:42
  Speaker 2: in the car and drove three hours back to a
• 42:45
  Speaker 2: charity event. Is that right?
• 42:47
  Speaker 3: That's the vibe I got. I was like, Oh, they
• 42:50
  Speaker 3: booked him for three hours this day, and he did
• 42:55
  Speaker 3: his three hours and now he's gone.
• 42:58
  Speaker 2: I just thought it mustn't Oh, he must have been pissed.
• 43:01
  Speaker 2: But I mean, I think it. It obviously took way
• 43:04
  Speaker 2: longer than it should have, right because the traffic exactly,
• 43:07
  Speaker 2: So yeah, maybe it was supposed to take an hour
• 43:09
  Speaker 2: and a half. And then yeah, okay, that's kind of
• 43:12
  Speaker 2: like what I'm thinking too. All right, yeah, wow that
• 43:14
  Speaker 2: was crazy crazy janey mm hmmm. All right, Well I
• 43:18
  Speaker 2: think we've kind of wrapped up Ladies of London. Kimmy
• 43:21
  Speaker 2: had did pottery with their kids, and Lottie went shopping
• 43:24
  Speaker 2: with her mom for baby stuff. Is yes, okay, great, great, great? Great? Okay, Well,
• 43:31
  Speaker 2: why don't we move it along to below deck down
• 43:35
  Speaker 2: under no, Surrey, I will not be having it.
• 43:38
  Speaker 3: Amy. Do you think that that was your best recap
• 43:41
  Speaker 3: of Ladies of London? Did you was that your best?
• 43:45
  Speaker 2: I tried, I mean tried, baby, What do you mean
• 43:54
  Speaker 2: was it your best?
• 43:55
  Speaker 3: I'll just keep saying it in different ways.
• 43:57
  Speaker 2: I love that so much. Those lay Mecca. They understood
• 44:02
  Speaker 2: the assignment and they brought it, you know, from beginning,
• 44:04
  Speaker 2: and they understood the assignment. And I honestly they got me.
• 44:08
  Speaker 2: They really did get me because I totally thought that
• 44:10
  Speaker 2: they were going to roast him and I loved that.
• 44:13
  Speaker 2: They were like, it was amazing, but you know, gave
• 44:16
  Speaker 2: it away, stupid captain. He was smiling during it. I
• 44:20
  Speaker 2: was like, you gave it away, You gave away the prank.
• 44:23
  Speaker 3: They none of them made that apple pie unless they
• 44:26
  Speaker 3: were working on a second piece of it or whatever
• 44:29
  Speaker 3: that was. None of them made it, including the.
• 44:31
  Speaker 2: Captain apple Kel's apple pie kell Zone. No, no, no, no,
• 44:39
  Speaker 2: In fact, that's a hard no no no. That is
• 44:45
  Speaker 2: a weird dessert. And it wasn't his best.
• 44:49
  Speaker 4: No.
• 44:50
  Speaker 2: Actually, that dinner looked amazing, the six courses, everything looked incredible.
• 44:54
  Speaker 2: It was actually the most I've been impressed with his
• 44:57
  Speaker 2: food so far this season.
• 44:59
  Speaker 3: Especially an oven, So that was even Yeah, that's more impressive.
• 45:03
  Speaker 3: I didn't mind the apple pie take it just I
• 45:07
  Speaker 3: was like, after all that, no one ate it?
• 45:09
  Speaker 2: Okay, if he could have just called it something other
• 45:12
  Speaker 2: than a calzone, like maybe even an apple pie pocket
• 45:16
  Speaker 2: would have even been better than a calzone, because you
• 45:18
  Speaker 2: think of a calzone stuffed with pizza and sausage and
• 45:22
  Speaker 2: like sauce, and it's heavy and it's thick.
• 45:24
  Speaker 3: An apple pie pocket and now I'm just thinking, oh,
• 45:27
  Speaker 3: like a hot pocket. Okay, Ben, that's not your best.
• 45:32
  Speaker 2: Well, what are we gonna call it? If we can't
• 45:33
  Speaker 2: call it a pie? Jesus sorry, so upset about the pocket?
• 45:39
  Speaker 2: All right? So if we can't call it a calzone
• 45:41
  Speaker 2: and we can't call it a pocket, then we call
• 45:44
  Speaker 2: it an envelope. Oh that's gorgeous, an apple pie envelope,
• 45:54
  Speaker 2: apple pie possele ew Oh, yes, well, which is it?
• 46:02
  Speaker 4: You were?
• 46:03
  Speaker 3: Yah huscle possel Like it just sounds like it just
• 46:08
  Speaker 3: sounds like an infection. But I know what you're saying,
• 46:12
  Speaker 3: like a parcel like, yes, Ben, back to you, been
• 46:17
  Speaker 3: another hour in the in the kitchen naming it?
• 46:21
  Speaker 2: What did you say weird. What did you say what
• 46:24
  Speaker 2: is a what is a parcel infection?
• 46:30
  Speaker 3: The way you said it with your accent postel. I
• 46:35
  Speaker 3: don't know, because they say it. I mean, I've certainly
• 46:38
  Speaker 3: heard it that way. Apple pause. I don't know. Maybe
• 46:41
  Speaker 3: it just hit me and and I went with it
• 46:45
  Speaker 3: and my brain maybe my brain is an allergic reaction,
• 46:50
  Speaker 3: an allergic reaction to it.
• 46:52
  Speaker 2: Okay. Yeah, So by the way, Ben, it's I think,
• 46:57
  Speaker 2: what's gonna help me with the accent? And last week
• 46:59
  Speaker 2: you really did bring it Emily because you kind of
• 47:01
  Speaker 2: cracked the coat about him, And this week I was like, oh,
• 47:04
  Speaker 2: because he kept saying doll in and honey so much,
• 47:08
  Speaker 2: which is obviously ramping up to something, which is why
• 47:10
  Speaker 2: the editors kept leaving it in. Yeah, I thought, oh,
• 47:14
  Speaker 2: he's very Austin powers, you know, he's like yeah, baby yea.
• 47:22
  Speaker 2: And it dawned on me when they were out at
• 47:24
  Speaker 2: Crewe night and he was got the camera and he
• 47:26
  Speaker 2: was shooting at Jenna and he's like, you look great
• 47:29
  Speaker 2: on camera, baby. Yeah.
• 47:35
  Speaker 3: He is such a cheese. Yeah.
• 47:39
  Speaker 2: Waiting him taking a bath and like getting in a
• 47:42
  Speaker 2: robe and pouring wine. I mean, yeah, it's a darky
• 47:47
  Speaker 2: wine heavily produced because they got him like checking the
• 47:51
  Speaker 2: temperature of the bath and being like perfect temperature.
• 47:54
  Speaker 3: Baby, Oh yeah, He's like, let's you know, He's like,
• 48:00
  Speaker 3: I'm just going to take a nap. And then he
• 48:01
  Speaker 3: called them back in, say hey, why don't I run
• 48:04
  Speaker 3: the bath. I'll get the soap. That soap had been
• 48:07
  Speaker 3: going for a minute because it was real sudsy.
• 48:10
  Speaker 2: It was Meredith Mark's level. You know, he took a
• 48:14
  Speaker 2: Meredith Mark's bath.
• 48:18
  Speaker 3: Bay Like moms, I thought, like, you made a decent
• 48:23
  Speaker 3: deal with Ellie to get let her sleep in the
• 48:25
  Speaker 3: night after Crewe night. Like I thought that was a
• 48:28
  Speaker 3: good deal.
• 48:28
  Speaker 2: I would have didn that she.
• 48:31
  Speaker 3: Did take it.
• 48:31
  Speaker 2: I mean, looking at that kitchen though, and knowing what
• 48:35
  Speaker 2: kind of day they had had at night, it would
• 48:37
  Speaker 2: have been a really tough bargain to make.
• 48:41
  Speaker 3: I feel like they were all still hung over from
• 48:43
  Speaker 3: the last crew night. Also, and so nobody I feel
• 48:47
  Speaker 3: like Blake, Blake, nobody's operating at even eighty percent.
• 48:56
  Speaker 2: On that boat right now. Yeah, yeah, all right, we
• 49:01
  Speaker 2: all all see yell at yeh see you guys later
• 49:09
  Speaker 2: zoned out a little bit.
• 49:11
  Speaker 3: Well, I think that's the thing they are all zoning out.
• 49:14
  Speaker 3: There's no communication. Daisy and Joel. I don't know what
• 49:18
  Speaker 3: they are doing. They are destroying the coral reef. No oh,
• 49:24
  Speaker 3: and the coral reef. But they're like they're just yelling
• 49:28
  Speaker 3: at those two or like dragging those two around. Like
• 49:31
  Speaker 3: Alicia's getting shited from everybody, and Daisy's not managing her. Well,
• 49:35
  Speaker 3: she's not yelling at her, but she's also like not
• 49:37
  Speaker 3: helping any situation with everybody else having to do Alicia's job.
• 49:41
  Speaker 3: And then Mike, poor Mike is going to die because
• 49:44
  Speaker 3: he keeps being hauled back and forth and nobody believes
• 49:48
  Speaker 3: him that he's doing too many jobs.
• 49:51
  Speaker 2: I mean, you are on the other side of my opinion.
• 49:54
  Speaker 2: My friend Alicia is doing shit work. She is so sensitive.
• 49:59
  Speaker 2: I can't that's Lea.
• 50:01
  Speaker 3: I agree with you. I agree with you.
• 50:03
  Speaker 2: You shouldn't have to tiptoe around someone like that. Daisy's
• 50:05
  Speaker 2: like you left the wax all over the table, you
• 50:10
  Speaker 2: left a dirty boat. You left a dirty boat, mother,
• 50:13
  Speaker 2: you know. And then meanwhile she's conducting And this has
• 50:16
  Speaker 2: nothing to do with the Daisy situation, but the way
• 50:19
  Speaker 2: that she's communicated with her boyfriend is hilarious. She's like
• 50:22
  Speaker 2: ignoring all of this text. Then she's like, I gotta
• 50:25
  Speaker 2: just like nip this in the butt. I'm just gonna
• 50:26
  Speaker 2: call him while I'm getting ready for crew night out
• 50:28
  Speaker 2: and be like. She didn't even wait for the answer
• 50:31
  Speaker 2: of like, hello, love, how are you? She was like, hello,
• 50:35
  Speaker 2: I miss you so much, So I just wanted to
• 50:36
  Speaker 2: get this out of the way and just let you
• 50:38
  Speaker 2: know I'm total flop. But you know that I'm not
• 50:39
  Speaker 2: going to do anything. It's just like, right, wait a minute,
• 50:43
  Speaker 2: well hello hello. It's just so weird. And then she
• 50:49
  Speaker 2: just yeah, I mean she's getting on my nerves. I'm
• 50:52
  Speaker 2: not really I'm not really team Alicia right now. And
• 50:56
  Speaker 2: Mikey is going to kill that coral reef with his
• 50:59
  Speaker 2: hairspr and also I do love him shit talking, He's like,
• 51:03
  Speaker 2: oh I wish I wouldn't have stirred the pot. And
• 51:05
  Speaker 2: he just the way, like going back to how he
• 51:08
  Speaker 2: delivered the news to Jenna, he was like.
• 51:11
  Speaker 3: Yeah, hey, she texted him.
• 51:14
  Speaker 2: Look they want to get together. She's like, are you serious.
• 51:16
  Speaker 2: He's like, oh, yep, yeah, he loves it. It made
• 51:22
  Speaker 2: me laugh, but I don't know, I can't get a
• 51:25
  Speaker 2: vibe is he really doing the work really hard, and
• 51:27
  Speaker 2: like is just going back and forth.
• 51:29
  Speaker 3: They keep moving him back and forth before he has
• 51:31
  Speaker 3: a chance to finish something. But then on top of that,
• 51:34
  Speaker 3: I think he really stuck out because of the Alicia thing.
• 51:38
  Speaker 3: Had he not gotten in the middle of that, I mean,
• 51:40
  Speaker 3: that's awesome for producers, but had he but for Daisy
• 51:44
  Speaker 3: and Joao, I think had he's not been involved, they
• 51:48
  Speaker 3: we would have never thought Mike was a problem.
• 51:51
  Speaker 2: Yeah, that's true. But right now, Mike and Alicia this
• 51:55
  Speaker 2: morning after like trying to get this boat together is
• 51:59
  Speaker 2: a does that and the fact that like Daisy wakes
• 52:02
  Speaker 2: up and she sees this boat a mess. Jenna's pissed
• 52:05
  Speaker 2: because she's left with a dirty boat, and Mike was
• 52:08
  Speaker 2: a part of that as well. And here Daisy, like
• 52:12
  Speaker 2: she's getting Mike is talking back to Daisy and then
• 52:15
  Speaker 2: she goes she's like, good morning, Alicia, and then she
• 52:20
  Speaker 2: gives her a hug and she's like, you know what,
• 52:23
  Speaker 2: the fucking boat is a little bit dodgy, but you know,
• 52:26
  Speaker 2: go gets a cup of coffee and she's like, I'm like,
• 52:29
  Speaker 2: oh my god, Like she's got to tell you. She's
• 52:32
  Speaker 2: gotta tell you what you didn't didn't do and then
• 52:35
  Speaker 2: Mike is sassing her.
• 52:37
  Speaker 3: No, Surrey, I will not be having it.
• 52:42
  Speaker 2: Having the ping pong back and forth with her manager styles.
• 52:46
  Speaker 3: Do you remember when Fraser was like he kept reprimanding
• 52:51
  Speaker 3: Barbie and never the other like Stu, it was somebody
• 52:57
  Speaker 3: else that he was just like, oh, let me man
• 53:00
  Speaker 3: you in this different way because you need a lot
• 53:02
  Speaker 3: of hugs. Yeah, and Barbie was working her ass off
• 53:05
  Speaker 3: and yes, do it better.
• 53:07
  Speaker 2: Yeah, I do remember that. Oh. Interesting with Alicia.
• 53:11
  Speaker 3: Alicia's getting a lot of like.
• 53:13
  Speaker 2: Passes, But do you think she's actually doing the work great?
• 53:16
  Speaker 2: Because I don't she's not working like Barbie worked. She's
• 53:21
  Speaker 2: I don't know, I don't know's we'll think about how
• 53:23
  Speaker 2: she left the boat. She left the boat dirty, she
• 53:27
  Speaker 2: didn't finish the list, and man.
• 53:29
  Speaker 3: Yeah she didn't finish the list. But other than that,
• 53:33
  Speaker 3: she does seem to do a good job. I just
• 53:37
  Speaker 3: don't think she did a good job that night. And
• 53:39
  Speaker 3: then it was also hard to tell if she was
• 53:42
  Speaker 3: given too much to do at the end. I'm so
• 53:45
  Speaker 3: confused right now on what people are doing and what
• 53:49
  Speaker 3: they're not doing well. The list.
• 53:51
  Speaker 2: We've seen lists and that list. You know, it probably
• 53:55
  Speaker 2: was a lot, but it didn't look like the biggest
• 53:58
  Speaker 2: list I've ever seen that a stew, a chief stew
• 54:01
  Speaker 2: leaves her stews. I've seen an entire page full of
• 54:04
  Speaker 2: things like bullet points, and that was not even half
• 54:07
  Speaker 2: the page.
• 54:08
  Speaker 3: So and also Mike was supposed to help, right.
• 54:11
  Speaker 2: Thank you, welcome, welcome to my side, welcome, nice to
• 54:14
  Speaker 2: have you.
• 54:14
  Speaker 3: No, I agree with you on that. I just think
• 54:17
  Speaker 3: like that's where I'm saying. No, there seems to be
• 54:19
  Speaker 3: a breakdown in communication, even between you and.
• 54:22
  Speaker 2: Me, breakdown of people not doing their work. Well, MLA,
• 54:25
  Speaker 2: that's what it is. Okay, thank you. Ben and Daisy
• 54:35
  Speaker 2: are starting to get on each other's nerves, and like
• 54:38
  Speaker 2: you know, the guests are like, okay, cocktail are great.
• 54:41
  Speaker 2: We've been at this bar for about five minutes and
• 54:43
  Speaker 2: they're like, meet us at the table. So, I mean
• 54:46
  Speaker 2: it's a little out of Daisy's hands in terms of
• 54:49
  Speaker 2: like the cocktail hour being too short. I mean, I
• 54:52
  Speaker 2: it's tough, and what's she gonna do. Steve got to
• 54:54
  Speaker 2: stay here for twenty minutes and what's she gonna do?
• 54:57
  Speaker 3: No, not at all. I mean, I think, yeah, be
• 55:00
  Speaker 3: down there, like telling people how to have cocktail hour,
• 55:03
  Speaker 3: and he has no idea what's going on upstairs. He's
• 55:06
  Speaker 3: like down there like telling everybody bullet points of how
• 55:09
  Speaker 3: cocktail hours go generally. I was like, yeah, they're already
• 55:13
  Speaker 3: at the table, dude.
• 55:15
  Speaker 2: You know. He's like, isn't that a Jenne Eleven's baby?
• 55:20
  Speaker 2: The gas brolled themselves dead? Dinna bybye, no, no, I
• 55:28
  Speaker 2: can't do it. Oh my god. What else happened in
• 55:32
  Speaker 2: this episode?
• 55:33
  Speaker 3: Well, they got a great tip that was cool his
• 55:36
  Speaker 3: last charter they did not.
• 55:39
  Speaker 4: And Alicia Alicia, Alicia gets the helmet, and I love
• 55:47
  Speaker 4: Captain Jason showing up because she didn't bring it.
• 55:53
  Speaker 3: She's not you know what it is. I bet that
• 55:55
  Speaker 3: bothers you about her is that she's not a yachtie.
• 55:58
  Speaker 3: I know that bothers you. She's acting as though this
• 56:01
  Speaker 3: is going to like she's passionate about the job of yachting.
• 56:06
  Speaker 2: What are you doing in here if you're not going
• 56:07
  Speaker 2: to be passionate?
• 56:08
  Speaker 3: You know?
• 56:09
  Speaker 2: But I also hate that helmet. I've never really liked it.
• 56:12
  Speaker 2: I think it's like it's a humiliation factor that Captain
• 56:17
  Speaker 2: Jason thinks is really funny and it's just not so Yeah.
• 56:22
  Speaker 3: I get it, And yeah, I think it would be
• 56:25
  Speaker 3: better to have a game ball like something to celebrate.
• 56:28
  Speaker 3: It'd be better if this, like you win the award
• 56:31
  Speaker 3: of wearing the helmet.
• 56:33
  Speaker 2: And when the award it's like the cone of shame,
• 56:37
  Speaker 2: you know, it's like, yeah, so it's awful like here
• 56:40
  Speaker 2: where especially if someone is like feeling shameful about it. Yeah,
• 56:46
  Speaker 2: and she did, and a lot of people do. And
• 56:48
  Speaker 2: the people who don't feel it still feel it, but
• 56:51
  Speaker 2: they don't show that they feel it. No, ha ha,
• 56:55
  Speaker 2: Yeah I don't. I just don't like. I don't like
• 56:57
  Speaker 2: it when people are shamed. And because I'm ashamed by
• 57:03
  Speaker 2: Emily every week.
• 57:05
  Speaker 3: Yeah, well wear the helmet?
• 57:07
  Speaker 2: No, okay. The White Party Crew night out and Jenna
• 57:16
  Speaker 2: is annoyed with Eddie and Alicia and then she moves
• 57:21
  Speaker 2: next to Ben and then they're all like flirty, flirty.
• 57:24
  Speaker 2: You know, it's over with Eddie, Like it's done.
• 57:28
  Speaker 3: Even in her drunken stupor, she said it perfectly in
• 57:32
  Speaker 3: the van. She's like, I know he's wanting to be
• 57:35
  Speaker 3: with her and my roommate and it's not happening. I'm done.
• 57:40
  Speaker 2: Yeah, she was such a slurry language. Yeah she did.
• 57:48
  Speaker 2: It's the greatest drunk explanation. No, really, he's not compatible
• 57:57
  Speaker 2: with me and when life because of the full chy
• 58:03
  Speaker 2: choice he made out of a drunken point in his brain.
• 58:07
  Speaker 2: It reflects how you are, your soul. It's like, wow, okay,
• 58:14
  Speaker 2: so yeah, well, Emila, thanks for being the primary guest today.
• 58:20
  Speaker 2: Thank you, you're welcome.
• 58:23
  Speaker 3: Pretty powerful and provocative. I'm toasting you.
• 58:27
  Speaker 2: Thank you. Pretty powerful, provocative. He was like trying to
• 58:38
  Speaker 2: get it right so hard. He was like, pretty powerful provocative. Yeah,
• 58:46
  Speaker 2: I don't have to wear the helmet, do you why? Okay, Well,
• 58:54
  Speaker 2: thanks so much for listening. Everybody. You're listening on the
• 58:58
  Speaker 2: public and you want more recaps, and you want tom
• 59:01
  Speaker 2: ad free and if you're tier two you can get video.
• 59:03
  Speaker 2: You head on over to patreon dot com slash drama
• 59:05
  Speaker 2: Darling because that's where it's at. Thanks so much for listening.
• 59:11
  Speaker 2: Byeyye Bye
• 59:14
  Speaker 1: Drama, Darling, Drama Darling, Drama Darling