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Taylor Swift · Deprogrammed Music Podcast

• 0:31
  It's deprogrammed the podcast where we try to get you into an
• 0:36
  artist a band whomever and we've done all the work for you.
• 0:41
  All you have to do is listen, my name is Justin.
• 0:44
  And today's artist is Taylor Swift and I'm going to go ahead
• 0:48
  and introduce the panel and said doing the patreon, so because I
• 0:50
  don't feel like being clever. Brian.
• 0:53
  This is your fault today. I will say that if you don't get
• 0:57
  through patreon, you can, you know, shake it off, somewhere
• 1:00
  else. Hey another podcast.
• 1:02
  Yeah yeah get out of here. Yeah shake it off for right?
• 1:07
  That's that's you need you need me here with my terrible song.
• 1:09
  Puns for you at Boise heard Brian Lewis.
• 1:13
  Of course the other voice he heard Joe Jonas again.
• 1:17
  Well we definitely don't have bad blood.
• 1:18
  We go way back. There you go.
• 1:25
  And the voice you have yet to hear is my very sick but very
• 1:29
  dear wife Krista. Um, hello.
• 1:32
  I don't have anything clever. I don't have anything clever and
• 1:37
  Taylor Swift words to say, so. Okay.
• 1:39
  Well my mind is saying we're going to be trouble having you
• 1:44
  on the show. Now we're really killing it.
• 1:48
  You guys. What's the traffic like you guys
• 1:53
  are really making me pee laughs 1005 in the morning, all right.
• 2:01
  So, I alluded to this, though. This actually is your fault.
• 2:05
  Brian? We are doing Taylor Swift today
• 2:06
  because of you then you're welcome?
• 2:08
  Yes. Yes, I'm welcome.
• 2:10
  I feel welcome. Yeah.
• 2:11
  Like, wait a sec. Wait, a sec.
• 2:12
  I'll get to I, okay, I'll get to it.
• 2:16
  Well, I'm Brian put Taylor Swift on the board like two years ago.
• 2:19
  Yeah, and nobody would hopped on fucking idiots.
• 2:24
  Fight the reason it's actually happening is because you put out
• 2:27
  that post. Good couple weeks ago, actually,
• 2:30
  was it Late, October for my birthday, actually.
• 2:33
  And then we did the. We did Pink and Taylor Swift was
• 2:37
  on the other one, was one of the other artists right?
• 2:39
  Huh? Indeed.
• 2:41
  And so, then strangely enough Joe jumps on?
• 2:45
  Yeah, it's true. Well, if so, when Brian put that
• 2:50
  out, like, if I would Envision that, this was the panel, I was
• 2:53
  going to have for Taylor Swift. I do your wife is doing it that
• 2:55
  there's like I love this all-male panel version of it.
• 2:59
  The real female perspective. Let's do not expect me to be on.
• 3:04
  No, not at all. Not at all.
• 3:06
  I wouldn't have expected myself to be on the panel.
• 3:08
  I, I saw nothing, like, I imagined this is a very studly
• 3:14
  panel though. I'm just saying that we got
• 3:17
  pretty dapper, although, you know, I'm not today but with
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  your invaluable Circle. You talking about man.
• 3:24
  Look at me. The most fuckable was in this
• 3:26
  room. Hey, I'll agree to that.
• 3:28
  Good about kids. So so talk to me.
• 3:30
  Brian. What is it about?
• 3:31
  Taylor Swift that you had, you had to do this episode?
• 3:35
  Well, I'm glad we're doing this now my life because I'm like,
• 3:38
  Taylor Swift going through another breakup.
• 3:40
  No, so she's usually one of my breakup artist, I don't go
• 3:49
  figure. Right?
• 3:49
  Right. I think I discovered this about
• 3:52
  myself yesterday, while I was like, kind of strutting my stuff
• 3:56
  down the street listening, to Taylor Swift walking, the lunch
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  that I think, deep down, I'm also like a 15 year old princess
• 4:04
  who's helpless romantic and always, heartbroken, I think the
• 4:07
  time. So I think that's why I like,
• 4:09
  because I get her because we're the same person, so I'm
• 4:14
  interested because you don't listen to a lot of Taylor Swift
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  hon. Why was it?
• 4:19
  Why was it urgent for you? Why was she one of those artists
• 4:22
  gent? Well, you know this is a very
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  pressing matters. This is very, you know, now that
• 4:29
  I've had to put the post out Say, pink, Taylor Swift.
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  And I mean, I understand Dixie Chicks.
• 4:34
  You listen to Dixie Chicks all the time.
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  Pink has been one of those in and out artists, Taylor Swift.
• 4:38
  Not so much. That is a very good question.
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  I think, because she just recently had a new album come
• 4:46
  out and I really enjoyed listening to that one at that
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  particular album lover. So I was kind of like, you know,
• 4:54
  she's been around for a while and I knew you hadn't done an
• 4:57
  episode on her. So I thought it was just a good.
• 5:01
  Time. Yeah.
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  So the odd man out here. Yes, that's me.
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  That's me right here. How did you get in here?
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  Well, I, I guess. How'd you get in here?
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  So, obviously, I don't really know.
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  I guess, because I saw the post, whatever of pink and Taylor
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  Swift in the ones that you said, and I knew like, we talked about
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  in the pickup. So, like I Knew Pink before, but
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  I never, really, really new t-swift before.
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  And I was probably, I was definitely that guy in the past,
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  like, Tariffs were sucks, whatever.
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  Just saying the same thing all the time, and if you have
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  listened to the past episodes that I've been on, you know,
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  this is not here, take a drink here, not my genre technically,
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  but really, I don't know, I guess it was kind of like, you
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  know, what? Since I think doing the show so
• 5:48
  much that in listening to is like, let me just give it a
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  chance. Yeah, let me give it a chance
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  and let her know you say ego thing.
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  With the ego thing go and just see check it out.
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  So that's I saw it. I was like, let's do it.
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  So we have to address the elephant in the room because I
• 6:06
  always ask, I always ask, you know what, I've lost weight.
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  How dare you sir? I have to, I've asked, I always
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  ask, you know, what, what listeners think, what is the
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  essential, and, of course, we got the snarky response, and I
• 6:22
  don't know if she did this because she actually told me
• 6:25
  about this last night. Yeah, we went to see sick, man.
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  I don't know if she did this because she wanted us to Discuss
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  it. And if she did then cool because
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  nobody else actually gave me this this response or if she was
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  just doing it because she really thinks this, but the breakup
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  songs like the X, the X, right? Oh, I think she was being
• 6:47
  classic cunt. Possibly Taylor Swift reached
• 6:51
  out and said that she likes to break the egg cell.
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  Okay, so let's, let's throw back it up.
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  Well, you know, the thing is, the thing is That's not
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  incorrect. There's a lot of stuff looks
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  good, but I argue she came from country music.
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  Yeah. What else is this heard, her
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  foundation. If you will, the foundation of
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  what Taylor Swift is, is the country music.
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  Yeah. I mean, what else, what else is
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  more country than like having your underage daughter?
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  Dating a lot of people before she's 15 years old pickup
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  trucks. Yeah there's even drive yet.
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  Yeah, that's what I imagine that's America but that's It's
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  an is Kurt. Cobain once said, every song is
• 7:35
  about a girl, right? So like everybody writes about
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  love X, has a girl, a boy like heartbreak?
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  Yeah, I'm not man, on the moon. That's about a man.
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  His name is Hayley Kaufman out. Well, and it's a love letter to
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  Andy Kaufman, in some ways, isn't it?
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  I mean, there we go. What is love a woman?
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  Is luck? Be a lady tonight.
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  Is that we're doing here. What?
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  You know, I I say the word girl because that's the exact quote,
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  but yeah, like it is like it, so I don't know if you're if you're
• 8:11
  saying that just to be snarky to get us to talk about, it is
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  true. Yeah, there's a lot of songs
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  about that but I don't think anybody doesn't do that.
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  Like everybody if I did if I didn't write about breakups, I
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  wouldn't my solo wouldn't exist. Half of the poems.
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  I write wouldn't exist, right? You know, like It's inspiration,
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  right? So that's that's where we're
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  going to start. And then I want to put this out
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  here and I don't say this lightly lover in 1989, are her
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  crowning achievements so far. Absolutely 100%.
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  They are Practically Perfect. Pop records.
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  I think it's 1999 is honestly one of the best pop records of
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  all time. It is.
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  I mean, it again, I do not say that lightly, right?
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  That they are terrific. Not expect to enjoy those two
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  records that much. I didn't expect really to, again
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  going into his, like I'll give it a chance.
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  I was not expecting to honestly, and I don't say this lightly,
• 9:14
  like, I like Taylor Swift now, I was literally when I was in my
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  workout list yesterday, Taylor Swift.
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  That's what I listen to during my workout.
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  Big Burly, Joe doing my work. And listen, you know, you think
• 9:29
  that I'm listening to some metal on Janet?
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  And my head's begging whatever. No, I'm listening to Taylor
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  Swift. I think on the treadmill all the
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  time like you thinking right now is how gay I am right now.
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  You know what? I'm fucking rocking it.
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  You don't know me. But yeah I didn't expect to like
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  Taylor Swift and I had I like Taylor Swift and lover in 1989
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  like too damn good records. Just absolutely terrible and and
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  reputation was a like, so is in between them.
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  Yeah. Well, Not as great, that was a
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  misstep. I mean, all of her hard core
• 10:06
  fans, which I am one of them don't like that record, okay?
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  This small Consortium of justing Burly, dudes, who love Taylor
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  Swift. I don't know what it is but we
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  all be all hate. That record will trust me.
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  So in just in a dark place when she wrote that.
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  Yeah. Or just like a different kind of
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  head space. I don't know enough about it
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  seems very uninspired but like that's the thing.
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  Yeah, like that. That's a record that I should
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  write because it's about people. Hating on you for no reason.
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  Yeah, that's my life. Like come on you just did a lot
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  of people. Not a big deai was my problem.
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  Yeah, I was gonna say to that. I feel like that record was
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  literally just kind of the like that transition to where she is
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  now as well. Because you have those first
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  first to really is still one kind of that whatever you want
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  to call Country these days and then read it kind of turns that
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  a little bit away from country reputation is I feel like the
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  true transition like okay what What's going on here?
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  And then you finally get 1989 and lover.
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  And it's like, okay, this is this is where she's at.
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  This is Taylor Swift. Yeah.
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  So, and for me with reputation when look what you made me do
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  hit hit the radio and you're right.
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  It is it is more of a vindictive is strong but like it is in that
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  coming back at haters, it's more it's the most clap back record
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  she's ever done but like She's got the clap backyard but it's
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  not. Dude, I wholeheartedly disagree.
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  We'll get into this bucket list. She was she was writing them
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  songs on her first. I could do like but when they're
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  directed towards like a lover it's different like that record
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  there wasn't like, I don't know who inspired some of the songs
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  but I don't like you because you made her make a bad record.
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  So like might be worse to her next time or something?
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  I don't know. But my whole thing was like
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  she's Taylor Swift she can write whatever she wants and That is
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  what came out and it feels like when the stuff hits the radio,
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  it feels like she's trying to remain relevant.
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  I'm like, but your Taylor Swift, you're, you're relevant for the
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  rest of your life being relevant.
• 12:10
  Yes Point. Yeah.
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  Almost like is in. I don't, I don't think I don't
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  hate that record, but I think it was not to put it more so than
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  like, I feel like I was really trying to be in your face where
• 12:23
  it could have. Yeah.
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  You know what I mean, it could have probably been a little more
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  subtle and authentic. Yeah, there you go.
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  That's weird. And I feel like it just comes
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  off that way like, hey, I'm here.
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  Look at me but like you said just like you don't have to your
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  Taylor Swift. But if you take reputation out
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  of context of its Taylor Swift and you just like take it out of
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  your mind that that's Taylor Swift.
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  I like that album. Like if you're not saying what
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  this isn't Taylor Swift? What is this about?
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  This isn't her. You, if you don't think of it
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  that way and you just take don't have any expectations going into
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  it, then it's not. About Direct.
• 12:59
  That's absolutely Fair. Following 99 was a huge.
• 13:02
  Yeah. That's the thing.
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  Against the record. Yeah.
• 13:08
  And I liked it more. Now, like revisiting it for this
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  list because I honestly the first was like I'm not gonna
• 13:14
  pull anything that record, but I ended up with more than I
• 13:17
  thought, but I like it more now. I still don't think it's like a
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  great. Taylor Swift record.
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  I just think it's an okay, subpar female artist record.
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  Yeah, yeah. It's like the, it's like Eyes
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  Wide Shut. If it wasn't directed by
• 13:33
  Stanley, Kubrick would be their Masterpiece but this is Stanley
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  Kubrick because sucks. I was going to say that your
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  what Your coming was Kristen was was perfect because me, not
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  knowing like, oh, this is Taylor Swift.
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  Like me going in with the blind. I like to me, even though I said
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  it was kind of like I did. I was very in your face but I
• 13:55
  didn't hate that either. I was like, okay, I could
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  definitely, this is something new I could probably get into
• 14:01
  this. So it was having that that Blind
• 14:03
  Eye Blind here was was cool for me, for reputation.
• 14:07
  I mean, like, opening the opening song.
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  What is it? Are you ready for it?
• 14:12
  Like, I dig that song, but that being said, is it a Taylor Swift
• 14:18
  song? No, it's not.
• 14:19
  Like I love it. Very hip.
• 14:20
  Hop Beyond this records. Yeah, yeah, yeah, yeah.
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  It hits hard and it's like she has a really catchy lines in it.
• 14:27
  It's it is pop and it's whatever.
• 14:29
  I like that song. But it's like not Taylor Swift.
• 14:34
  It's just it's too different to be representative.
• 14:37
  Like she's having a bit of like a dead.
• 14:41
  Yeah. Which brings us to lover.
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  And what a return to form that record is, first of all, who,
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  yes. That's that, that's the
• 14:48
  follow-up that I needed. Absolutely.
• 14:50
  And here's, you know, it Want to say tainted because that makes
• 14:55
  it seem like a bad thing. But like I was like, just watch
• 14:58
  it reading some interviews with her and stuff.
• 15:00
  Lover is the first album that she's ever written that.
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  She owns 100% completely. Yeah, I was, I wasn't sad.
• 15:06
  Did even just looking into who wrote the songs, whatever.
• 15:10
  And it is pretty cool that she from what I saw.
• 15:13
  She might need to share that. So a couple other people on
• 15:15
  other songs too. But she writes Oliver, yes song
• 15:18
  that he's so that that's what. Thank you mountains.
• 15:20
  Me that gained a lot of respect from from me as Like, okay.
• 15:24
  Like I can definitely dig you as an artist and I was a songwriter
• 15:28
  to because I know that you at least have your hand directly on
• 15:32
  what's coming out. And you can't really say that
• 15:34
  especially about take a drink, the genre of pop music, right?
• 15:39
  There's right, usually, a lot of who's ever seen it is not
• 15:42
  necessarily the one who wrote it.
• 15:43
  Yeah, these days. And even in the past, I imagine
• 15:46
  she's taking some big swings at Big Machine.
• 15:49
  Who owns a lot of her older stuff and she's in like a Big
• 15:54
  war with them. Good for her.
• 15:56
  Yeah. Well so she was trying to
• 15:59
  perform some of her older Country jams and I guess she was
• 16:04
  getting pushback from the count the company because they still
• 16:06
  own it and she's like, okay, so guys I wanted to play these old
• 16:11
  old songs but they're being dicks and that's what men do.
• 16:17
  Yep. Tako ya-ya-ya.
• 16:25
  Their response their responses. Oh no, you know, you can perform
• 16:29
  them all you want and I I guess like the holdup is she's playing
• 16:33
  on recording it for a so she's trying to go back and record all
• 16:37
  the old stuff so she can own her entire catalog.
• 16:41
  That's like I'd be down for that like what the artist she is?
• 16:43
  Now at that time for that, I'm all for all artists doing that,
• 16:48
  all artists should own. There are child is even even her
• 16:52
  now. So her first record This is what
• 16:54
  she was. What 14 something?
• 16:55
  Yeah, so just think of now, having that growth in your voice
• 16:59
  to like, how, you know, to re-record those, you couldn't
• 17:02
  have a different sound, just overall to it as well.
• 17:05
  I think that's pretty cool. And last thing before we get
• 17:08
  into game play here, you know, talking about, you know, the I
• 17:14
  think she was always slated to make that cross over.
• 17:18
  Like it started in that first record now.
• 17:20
  I mean those country quotes Record their their country
• 17:25
  based, but they're absolutely country pop, that's pop.
• 17:29
  Yeah, it's that's all country is now.
• 17:31
  Anyways, if you help with the same accent, right?
• 17:34
  And that and with those first ones she even had like, pop
• 17:38
  remixes that they were doing and which were garbage did not like
• 17:41
  it's like, you know, stick to what you do and then obviously,
• 17:45
  when she grows the banjo crosses over, like makes the full
• 17:50
  crossover into pop. It's like okay, let's do this.
• 17:53
  Remember it? Well, because red was
• 17:56
  technically that crop. I didn't like red.
• 17:58
  I love red, I think red is like the beginning of like, where I
• 18:01
  really became a fan of her. It was the real process.
• 18:04
  That was the real cross over there though.
• 18:06
  And it's so like, as I'm listening to it, I'm like, who
• 18:08
  like it's closed. Like I can tell what's coming
• 18:11
  and then the Perfection of 1989 comes from that.
• 18:15
  So, alright, let's get into gameplay, then the name of the
• 18:19
  game is deprogrammed. The four of us have combed
• 18:22
  through 100 Or so songs. It's going to be difficult
• 18:28
  because there's four of us in. There were so many songs, we
• 18:32
  plucked out 20 and we're now going to mash them up against
• 18:35
  each other and an attempt to create a top 10 starter kit for
• 18:38
  you to listen to and also those with right?
• 18:42
  So I am not sure, you know what? No, I know where I'm going to
• 18:46
  start. I don't know that this is my
• 18:48
  favorite song of hers, but I think it's the most pointed its
• 18:51
  off of lover. And I think Right?
• 18:54
  Where she's at especially with this war with her old label the
• 18:58
  man. Yep.
• 18:59
  Yep. Got it blam.
• 19:01
  Just Like That Came Out Swinging.
• 19:03
  Yep. I think it's one of her most
• 19:05
  important songs. I really do.
• 19:08
  Yeah. Well, especially if with what
• 19:09
  you. I didn't know that news about
• 19:11
  the the battle with the cup the record company would ever.
• 19:14
  So, I mean that's totally 100%, you know, perfect perfect song
• 19:19
  for that. Like yeah, if she was a man
• 19:21
  like, you know, it'd be easy. Be like, yeah, I want to
• 19:24
  re-record all my stuff and own it.
• 19:26
  Okay, that's cool. Yeah.
• 19:27
  But becoming fucking Twisted Sister could do it because she's
• 19:32
  a female like you got enough money off of a 14 year old
• 19:44
  girls. Okay, all right.
• 19:47
  Well hey, there we go. That's a hell of a start.
• 19:51
  Yeah, we'll go with Brian. I'm next.
• 19:55
  All right. I'm going to go with.
• 20:02
  Something from 1989. It's one of my favorite song I
• 20:07
  think. I think it's a single.
• 20:07
  I don't really care though, but style.
• 20:09
  Yeah, yep. I'm the odd man out.
• 20:12
  I don't have that. Boo-boos it over.
• 20:15
  Not that. I don't like it.
• 20:16
  I just yeah. I just think that songs really
• 20:19
  romantic it is and feel like that's the first one that you
• 20:25
  liked. Yeah, he's telling me that I
• 20:28
  was, I had 94 9 because I was listening to Mike and whoo.
• 20:31
  In the morning, shut up. Wow, Powers.
• 20:34
  He went to radio. Yeah, I was listening to that
• 20:36
  gym all the time and I had it. I had it down low and all I
• 20:39
  could hear, was that dude in the den with the, like, the
• 20:41
  Baseline. Yes.
• 20:42
  Like what is this, right? I turn it up a little bit.
• 20:44
  Like What the hell is this? And yeah, when Kristen came
• 20:49
  home, like I think I like a Taylor Swift song and she goes,
• 20:56
  was it this one? And I was like, yeah, that's the
• 21:00
  one. He didn't know what it was
• 21:02
  called or that for sure, that it was even Taylor Swift, right?
• 21:05
  It's like, is this the song you heard?
• 21:07
  But it's that same moment I had with Paramore's and it fun, like
• 21:10
  the first time I heard it, I was like, that's paramour.
• 21:13
  I think that one of the records, I don't, the third record.
• 21:17
  I guess what? Everyone had like, the only
• 21:19
  exception on it. Yeah, I really love that record.
• 21:23
  It's a like beautifully produced record.
• 21:25
  I actually really like self-titled.
• 21:28
  Well, they're after laughter is really good, ten minutes.
• 21:30
  She's really, really good live. I saw them.
• 21:33
  Burp. No doubt.
• 21:34
  And like she sounds just like that on like live because a lot
• 21:36
  of those bins like production and shit.
• 21:39
  But yeah, she can hit those notes, man.
• 21:41
  I was very impressed to that note.
• 21:42
  I've I've actually wanted to see Paramore and concert.
• 21:45
  I haven't had the chance to yet, I mean, I saw do it.
• 21:48
  I'm annoyed by like, bro band was like flip around and their
• 21:51
  guitars on stage and stuff and you like if you're not Dillinger
• 21:54
  Escape Plan, just stop. But so the rest of her bed does
• 21:58
  dumb shit like that, but like she's great.
• 22:00
  Hmm. All right, well, three of us had
• 22:03
  it. So it goes to the conversation.
• 22:05
  All right, Joe, I'm just gonna go with my number one, on the
• 22:08
  list and work my way down, like it did with pink the last time
• 22:11
  because I think that's easiest for me to do.
• 22:13
  And I'm just going to go with you need to calm down.
• 22:18
  Yeah, yes. Yeah.
• 22:19
  That one I wanted to ignore it because it's a, it's a radio
• 22:24
  song and I think you would I want to do.
• 22:26
  Ignore it. But I got it.
• 22:28
  I really just like the, you know, whatever you want to call.
• 22:31
  I just really like the message of the song and I think the
• 22:34
  world that we live in, I think it's a good, you know.
• 22:37
  Like dude, I keep coming back to the, to the line.
• 22:41
  You sent it in a tweet. That's a cop-out.
• 22:43
  Yeah, exactly. Well keyboard Warriors.
• 22:45
  Yes. That's what 2019 is.
• 22:47
  Yeah. And then it's you can't, I can't
• 22:51
  ignore. Oh yeah, you need to calm down.
• 22:57
  Just I just really, really literally would catches me right
• 23:01
  off the bat is to doom doom, doom.
• 23:03
  I just like, I just feel like I want a Groove.
• 23:05
  Yes, it's a good vibe like it. So I don't have it.
• 23:10
  I mean, I don't, I don't want to cut anything from either of
• 23:13
  those two. Good so no.
• 23:14
  Yeah, I think if I looked at my initial initial list before I
• 23:19
  gave you guys, the 31, I had all of 89 in all of lover.
• 23:23
  That's that's how my list started.
• 23:25
  So it's like, all right. What's my workarounds here by
• 23:28
  the top 10 of these directors? All right, hon.
• 23:32
  All right. Um so I guess I'll stick with
• 23:36
  the first album that I went through was love her so I'm just
• 23:39
  going to go with paper rings. I got it.
• 23:41
  I don't, I don't Don't, if I was to add another song from that
• 23:45
  record because I have four from it that was gonna be the first
• 23:49
  one. I love that song.
• 23:50
  Yeah that was tremendous a good love.
• 23:52
  So I mean I just think it's it has really good love song.
• 23:54
  Like I like shiny things but I'd marry you with paper rings and
• 23:58
  it's got a cunt. It has a country Vaught, like,
• 24:01
  for sure. I feel like it's very t-swift.
• 24:04
  Like it's very, it's a Love Song without being in your face, like
• 24:10
  love song, but well I guess it is kind of neat.
• 24:13
  A slow song, but I think that means ultimately be been why I
• 24:19
  cut it. I know that's a stupid reason,
• 24:20
  but like I was looking for any reason to cut things and so it's
• 24:23
  like, maybe it's a little too country and there's another one,
• 24:25
  that's definitely country that I was like, I need this one.
• 24:28
  So, it's just the way she presents it a shiny thing.
• 24:32
  You know, it's like very country.
• 24:33
  Sounding noise, she sings it. So, but it absolutely was one of
• 24:37
  my last Cuts, if that's what I like her country stuff.
• 24:40
  I've got probably just as much of old.
• 24:43
  Order country stuff online. And all right, well let's try
• 24:47
  that out then. Let's let me scroll back to the
• 24:49
  beginning. I don't have much from the first
• 24:54
  two records, but this one kept coming back to Picture To Burn.
• 25:00
  That's, that's a song I referenced earlier is like
• 25:02
  that's her first clap back. So, yeah, you're right.
• 25:04
  Yeah, like, she's been writing these from from day one, man.
• 25:07
  So yeah, I had that on my list. It's it's number 22 from.
• 25:11
  It's honorable mention for me, I don't know. 12 of us.
• 25:14
  Got it. So it still makes the
• 25:15
  conversation like you said it is quite back and look at the
• 25:20
  second you I just I thought of it I think of clap back
• 25:24
  differently. Yeah.
• 25:25
  For sure. Well like you said that she'd
• 25:26
  been writing since that first record it's just that different
• 25:29
  sound of a clap back and not not so however you want to it's not
• 25:33
  like hollaback girl but it's very it's like fuck your stupid
• 25:36
  pick-up truck. Yeah I'm gonna burn your
• 25:38
  pictures. Yeah like it was very Waiting to
• 25:41
  Exhale for a 15 year old girl. Good breakup song.
• 25:45
  Fuck You. I'm going to poison your baked
• 25:46
  beans. All right, Brian.
• 25:50
  All right. I'm gonna go with we bet your
• 25:56
  paramour and I think this song is very pair, more like better
• 26:01
  than revenge. I got it, I do not have that.
• 26:06
  Nope, I don't have that one either.
• 26:07
  And there are a few things I do better than revenge to Taylor
• 26:09
  Swift. That's why we're fucking soul
• 26:11
  mates. That's why it's like a Rockin
• 26:17
  Tunes. Yeah, it sounds like a pair of
• 26:19
  more song. Obviously.
• 26:20
  I wouldn't be surprised if she was like trying to write a pair
• 26:22
  of Morse. I think maybe that's why I
• 26:24
  didn't. I didn't keep that one because I
• 26:26
  guess going through having that having that blind blind here.
• 26:30
  I was like, okay, maybe that's not really Taylor Swift to me,
• 26:33
  besides 89 and lover. I like hat.
• 26:36
  I'd like picked two songs from each album, so that's like
• 26:39
  trying to keep it keep it that way and like yeah that just
• 26:43
  didn't make it. All right, joke, I'm going to go
• 26:47
  back to the first record. I think again it's it's Very
• 26:53
  country but I think it does also give you that that pop Taylor
• 26:57
  Swift sound. It's am only me when I'm with
• 26:59
  you. Nope, that was on my initial
• 27:02
  list but it was one of the ones I cut.
• 27:05
  It's a great song though. That's okay.
• 27:09
  I'm not heartbroken by. It's fine.
• 27:11
  Sorry John. Not like Angels and Airwaves
• 27:18
  never going to live that one down.
• 27:20
  All right, let me know that make the copy here.
• 27:22
  And all right, hon. I was at my turn to get on.
• 27:25
  All right, let's look at one of the trash fast.
• 27:28
  Let's go with Wildest Dreams. Nope, do not have it.
• 27:34
  Oh man. I mean, there's a lot of songs
• 27:37
  together I got to get some of the trash.
• 27:40
  So many songs, I couldn't even tell you what it is about
• 27:44
  wildest dreams that I don't, I think ultimately, I, I played
• 27:48
  the game too hard. Like, thinking am I is that
• 27:51
  something? I'm going to present to
• 27:52
  somebody, right? I know I definitely played the
• 27:56
  game that way because I get, I did the because there are so
• 28:00
  many songs. I did the, I did give t-swift
• 28:04
  two minutes this time through because I Enjoy listening to
• 28:08
  her. But again, if it didn't catch me
• 28:09
  in that two minutes or I didn't think, oh what I what I want to
• 28:13
  present this to somebody then I just didn't I cut it right away.
• 28:17
  So yeah. Just the way it is.
• 28:20
  I guess so. I think I'm going to go with a
• 28:24
  hit here, a country hit that the listeners actually brought up as
• 28:29
  well, and I think we can't have this conversation without this
• 28:34
  song. Now whether or not it's It's
• 28:36
  representative of her. That's up to y'all.
• 28:39
  You Belong With Me. I-it's 21.
• 28:44
  So yeah, don't mention it. I don't actually have it.
• 28:46
  Those that was what my last Cuts as I say.
• 28:49
  I have that one on my list. I so makes it to the combo.
• 28:52
  Whoo saving me there, huh? So yeah, it's definitely those.
• 28:58
  I don't even remember what it was.
• 29:00
  That actually like one of the first singles on the radio, I
• 29:04
  think so. I think so it was it was like
• 29:06
  her second. I think it was her second.
• 29:08
  I think Teardrops On My Guitar. Okay.
• 29:11
  Yeah. Since then, because this one's
• 29:13
  from Fearless, which was the second, I think Teardrops On My
• 29:16
  Guitar was the only single first Burgers, right?
• 29:19
  Yeah. Alright, Bryant.
• 29:23
  All right? Opening track and the you like
• 29:28
  opening drugs. Well, I mean, you used to these
• 29:33
  changes up the game's his own game.
• 29:35
  This was the, the the, the turnaround record for her.
• 29:39
  And when I became like a fan like instead of just a casual
• 29:43
  for, she took person but State of Grace from Red.
• 29:48
  I have it. Go ahead, sorry.
• 29:52
  I don't know. I don't.
• 29:54
  Wow it's got to though. Yeah I got I really love.
• 29:58
  I really like to but you said that opening track it came and I
• 30:00
  was like, whoa. Okay.
• 30:02
  Like I knew it was cool listening just straight through
• 30:05
  on the playlist that Justin set up.
• 30:07
  It was that cool like okay this is definitely a different
• 30:10
  record. Yeah it's the first time she'd
• 30:13
  started to become mature, you know, like because speak now
• 30:16
  still like a very childlike singer-songwriter like Dusty
• 30:19
  record, you know? And like this is the, this is
• 30:21
  her going. Oh no.
• 30:23
  I mean I'm kind of an adult now. I do adult stuff too.
• 30:26
  Yeah. You know I may have all these
• 30:28
  X's might as well. I think you're right.
• 30:31
  I think I need to listen to read out of the constructs of this
• 30:35
  show. Oh I definitely want to need to
• 30:38
  go back and listen to each record individually.
• 30:41
  Like give it listen to the record, give it some time and
• 30:43
  then come back to another one out of the context of the show.
• 30:46
  Because I know I definitely like again just to get through it and
• 30:50
  play the game, I didn't give Everything.
• 30:53
  You know what? I think.
• 30:54
  It's great. Well I think I think I enjoyed
• 30:57
  red but then like I'm just thinking because it's that
• 30:59
  transition into I think maybe it was knowing 1989 and already
• 31:05
  knew there were song, I hadn't listened to all of 1989 but I
• 31:08
  knew there were songs there that I knew that I liked.
• 31:11
  Yeah, so it's like kind of knowing that that's coming and
• 31:15
  knowing where she just was like it felt like this weird mishmash
• 31:20
  of stuff on that record. It just didn't hit me the right
• 31:23
  way. Because of the show.
• 31:26
  I had the opposite effect. Where was like, that's what I
• 31:29
  was like. Oh no.
• 31:30
  Now you have my attention? Yeah, you know.
• 31:33
  All right. Well it's it's still in the
• 31:36
  conversation though. And at this point, I don't think
• 31:39
  we're going to need it 1 2 3, 7 8.
• 31:42
  We're not going to need it. We haven't even gotten to the
• 31:44
  any of the hits yet. Yeah, I don't think that but
• 31:49
  just in case it's out there. All right, Joe.
• 31:52
  So I'm going to go. I see it's on the listener.
• 31:55
  List. I agree with the listeners and
• 31:56
  this one again kind of like when I said you need to calm down
• 32:00
  like the the opening kind of Riff.
• 32:02
  You want to call it caught me the beat, so I'm going to go
• 32:05
  with gorgeous. I got it.
• 32:09
  I got it. That's one of the only songs
• 32:10
  from that record I have on. Yep, same, yeah, I really think
• 32:13
  the songs up here. I don't have that one.
• 32:15
  My list again, is like a gorgeous dude, and like that
• 32:20
  right off the bat was like, okay, that's okay t-swift,
• 32:22
  what's up? I see what you do.
• 32:23
  I seem to do it. I'm in.
• 32:27
  Now there was very few, I use the term bright spots here, for
• 32:32
  that record and that was absolutely one of them that I
• 32:34
  just felt Again like not trashing the record but like
• 32:39
  that felt like this is her authentic authentic.
• 32:44
  This is like legit. So all right, it's got three.
• 32:50
  All right huh? Okay back to you all righty.
• 32:54
  There's like nothing in the trash either.
• 32:56
  I'm digging this. I feel like this is going to be
• 32:58
  a throwaway because I already know at least you're not going
• 33:01
  to have this big but I gotta throw it out there me.
• 33:06
  Got it? Hmm.
• 33:08
  All right. Well we had to do it.
• 33:14
  I don't understand. Why is with all of the little
• 33:17
  you can't spell awesome without me.
• 33:19
  I just want you to come. I love that.
• 33:22
  I love that and I actually love the song, I hate the hook.
• 33:27
  I hate that. It's me drawn out over.
• 33:32
  Like you can't come up with anything else.
• 33:34
  It's just going to be me. Hey, Look at like Collective
• 33:39
  Soul or even Alice in Chains. They both had songs with yeah,
• 33:42
  as their course. That's it.
• 33:43
  Yeah. Yeah.
• 33:46
  Dan. And a nanana nanana nanana.
• 33:48
  Yeah, that's it. So why can't you swim?
• 33:52
  Why can't you do it? Because back to the man again,
• 33:55
  she's a woman. Yeah, it's because it's well and
• 33:58
  it also doesn't help that I don't like that guy from panic
• 34:01
  panic. Yeah, I don't either so that did
• 34:05
  not help. Yeah, I I really don't like
• 34:07
  that. Get this go, but all right.
• 34:09
  He's like literally just a verse.
• 34:12
  Yeah. But I get it in a in a pop song
• 34:15
  that took two and a half minutes that wasn't going to be one that
• 34:17
  was gonna get him again. It just, I like it.
• 34:20
  So I actually enjoy the song like but it doesn't help that
• 34:27
  when it came out. I was hearing it every two
• 34:30
  seconds. Yeah, because there was a yeah
• 34:33
  there was a radio station on at work.
• 34:35
  That was In the back. And instead of getting up and
• 34:38
  turning it off, I just would let it play because I could barely
• 34:41
  hear it. But you could hear it.
• 34:43
  I could hear that one. That was all I could hear was
• 34:47
  and I'm like, what is this? I was scared that loader was
• 34:53
  going to be terrible because I did like that song and that was
• 34:56
  like the first thing I heard before the it was released.
• 34:59
  I was like really fucking scared that you just made another
• 35:01
  reputation, but 22 year-old got it.
• 35:06
  Over to the conversation and that officially takes us out of
• 35:10
  ntp. So we better better match on
• 35:13
  something else. Okay, I'm going to go here.
• 35:19
  Now, this is a song that you hon, I don't know if you have it
• 35:22
  but you've played it a lot over the years and I've always kind
• 35:27
  of it's always kind of been like on the / if for me.
• 35:31
  And when I finally gave it a listen in context of her and the
• 35:36
  Word mean got it. Yeah, I was I love that one.
• 35:42
  It's great. I mean this, this can kind of
• 35:45
  like a clap back. Also, yeah, you know.
• 35:47
  Hmm. Continuing to prove Brian's
• 35:51
  point that I'm an idiot. It's okay.
• 35:53
  I mean, I know I'm right. So three of us, got it?
• 35:58
  Yes, I just someday I'm going to be like this big star in the
• 36:03
  city and you're just going to be mean.
• 36:06
  Yeah. How's that make you feel?
• 36:07
  I saw her play that song like live.
• 36:09
  I think I told you this that I think it was on like the
• 36:13
  American Music Awards or something like that it was just
• 36:16
  so good and I don't know that that's another one of those
• 36:21
  songs that made me become a fan like back however many years ago
• 36:26
  anyway. Plus it it fits comfortably in
• 36:29
  that that country Vibe. Yeah, it's still definitely
• 36:33
  banjo prominent for tree and then what's the Someday I'll be
• 36:39
  living in a bigger city. That's just it's fun.
• 36:42
  It's sing song. It's, yeah, top-notch.
• 36:44
  It's fun to sing along, that's what makes it so good.
• 36:46
  Yeah. And then like I said, just the
• 36:48
  content wise is great too. So, alrighty.
• 36:51
  Well, three of us. Got it Bryant's.
• 36:53
  Very PG. I'm gonna go Just firing on all
• 36:57
  cylinders right now. One of my favorite pop songs of
• 37:01
  the last decade. A song is very personal to me
• 37:05
  because it's basically about me to blank space.
• 37:10
  Yeah, I got that one. I don't have that one.
• 37:14
  I don't either. Wow.
• 37:15
  Well, how can you not? I don't I don't mean to hurt
• 37:18
  your feelings. I mean they're hurt.
• 37:22
  I loved her little clicking, you know like pin clicking.
• 37:26
  I don't know, just little touches like that and her songs
• 37:29
  get me. Could I could just see her.
• 37:33
  Like it's I think the song all the time, I love this song, I it
• 37:40
  Bears repeating at one point or another.
• 37:43
  The entire album had the entire world and I really did.
• 37:46
  So like it's not like it's not like it was way far off for me.
• 37:52
  All right Joe. Okay I'm going to just go with
• 37:56
  the title track from lover and it's lover.
• 38:01
  I got it, got it. Yep animus I think the only ones
• 38:04
  we have, you know, sir from lover.
• 38:06
  Yeah. Unreal we just can't agree on
• 38:08
  1989 Bradley continue. Yeah I just I mean it's it's a
• 38:13
  great lover but I mean it's a great love song.
• 38:17
  It's really just my favorite songs.
• 38:21
  Yeah, I just that's all. I think it's a great.
• 38:29
  All right, hon. Oh, I was I'll keep with lover
• 38:33
  then London boy, no, no, I cut that because I really just
• 38:39
  couldn't get over the beginning of it.
• 39:03
  Stop it please literally anything else.
• 39:21
  What is going to ride on my fucking scooter?
• 39:23
  Have to do with London? Boy, I don't understand.
• 39:26
  I don't because they ride the scooter.
• 39:28
  Is there? Okay.
• 39:29
  That's more like an Italian or French that.
• 39:31
  Yeah. So you know, Jose has been all
• 39:33
  are more around around the world.
• 39:35
  So maybe you just want to read you mean, I guess what?
• 39:37
  You can go ride your scooter to the trash, okay?
• 39:44
  No offense picked a day. You end up fucking planet boy.
• 39:50
  All right. This was a real turning point
• 39:53
  for her and we've playfully ignored this song for too long.
• 39:59
  I feel like this is a perfect time to bring it up because even
• 40:01
  if it does end up in the trash I think you're wrong but I think
• 40:04
  it's it's important to her catalog.
• 40:07
  Shake It Off. Yeah.
• 40:08
  I knew you're talking about one. Yep.
• 40:10
  I wasn't going to cut blank space but I like I knew I didn't
• 40:13
  want to just fill with all singles.
• 40:15
  So that's the one didn't make the cut for me.
• 40:17
  Well you know sometimes you play the game but I I'm listening to
• 40:23
  the to, and I'm just like, how do you ignore that?
• 40:26
  I mean, so, again, as a blank or not a blank, a blind ear, right?
• 40:31
  And knowing are some artists right create music.
• 40:35
  And maybe they have a one-hit wonder or the never get on the
• 40:37
  radio and some artists are radio artists as well, and they also
• 40:40
  put out good Tunes, besides, the ones that the radio she is a
• 40:45
  radio artists. Yeah, like so like Bruno Mars,
• 40:48
  there you go. Yeah, exactly.
• 40:49
  You do. And the rest of their out.
• 40:50
  Album is probably full of As We Know full of other good things
• 40:54
  as well. But like they make radio hits
• 40:57
  because the mainstream artists they're huge names and their
• 41:00
  mainstream. That's what they put out.
• 41:02
  So like re pink, we did you think last time she's a radio
• 41:08
  artists but like, where Taylor Swift has her beat is Taylor?
• 41:12
  Swift has complete albums correct.
• 41:14
  Yeah. I agree Because deep albums but
• 41:17
  not but they're kind of employee over, you know, there's rice
• 41:19
  early. Theme or like we talked about on
• 41:23
  the on that. Yeah, but she has complete
• 41:25
  albums and and to your point her radio tunes are often.
• 41:29
  I just think this was also just a great message like re what
• 41:33
  Jenny's L said like songs about my about her ex-boyfriend's.
• 41:39
  Well like she even references that they said go out on too
• 41:42
  much. Too many dates.
• 41:43
  Yeah. That's what people say.
• 41:45
  Yeah I love that line. I love Megan's new girlfriend.
• 41:49
  She's like oh my God. God.
• 41:50
  Yeah, I'm just going to shake and I think, I think Shake It
• 41:54
  Off. Is what she's trying to do in
• 41:58
  reputation. Like, it's a clap back at the
• 42:00
  people, hey there. But it's funny, it's telling her
• 42:02
  her hollaback girl, and it's perfect.
• 42:05
  It is one of the most perfect pop songs ever.
• 42:09
  I love it. I just had to bad to cut some
• 42:12
  sometimes bright, sometimes. I think that's one of those
• 42:15
  songs. Everybody knows of Taylor Swift
• 42:18
  to, I mean, like the, Music video was a huge hit, you know
• 42:23
  that one, that was a huge radio hit.
• 42:25
  So I feel like in terms of Taylor Swift, people are going
• 42:29
  to think of Shake It Off. Yeah I mean yeah that that's one
• 42:33
  reason why I took it off because the we all know everyone has on
• 42:36
  people like me once we get to that you know will brooch that
• 42:40
  part when we get there. But like yeah like it has to be
• 42:44
  in the conversation somewhere. All right, Brian.
• 42:47
  All right. I guess the person keep going
• 42:52
  singles, man, I'm doing it. We are never ever getting back
• 42:55
  together? Yes, got it.
• 42:57
  I don't, you know, I like, you know, I have that one is Hanson
• 43:01
  covered that really? How did that?
• 43:03
  It's an amazing cover and plus it's about what?
• 43:06
  What? A douchebag John Mayer is.
• 43:07
  Yeah, I never would have guessed that.
• 43:09
  Otherwise, you're right, not a chance.
• 43:12
  I hate that dude is so good at guitar.
• 43:15
  I hit, he's a talented guy, but he just the motorcycle songs.
• 43:20
  White dude music I couldn't say it better myself.
• 43:26
  Yeah that's it for the hat. I got away.
• 43:30
  I don't want to make it dark but I like I feel like there's a lot
• 43:31
  of Date Rape happens to his records.
• 43:33
  Yeah yes seriously yeah well it seems like the record that's
• 43:38
  playing every every girl who has a walk of shame in college.
• 43:42
  Yeah. Like it's not even you don't
• 43:44
  even throw it out there and it's for dudes who aren't smart
• 43:49
  enough to like Jack Johnson. Better.
• 43:51
  And I'm not saying I'm a Jack Johnson fan, but at least at
• 43:54
  least he's less of a douche bag. You know.
• 43:56
  We see just like I like to get a HUD fucking Surf and puts it on
• 44:00
  the less rapey Vibe. Yeah, exactly E5.
• 44:03
  You know what I think about though, when I think about We
• 44:05
  Are Never Ever Getting Back Together.
• 44:07
  Remember when we were on the radio and we premiered the
• 44:13
  Taylor Swift song. Featuring Brock Lesnar.
• 44:15
  Yeah. Yeah, you ever see that one
• 44:18
  words? Like the the goat screaming?
• 44:20
  Yes. Or the or the paper towel
• 44:22
  dispenser. I fucking love that shit.
• 44:25
  Well three, y'all got it. So it's over there in the
• 44:27
  conversation. All right, Joe, okay, well let's
• 44:31
  just stay on the same track then and I'm just going to go with
• 44:34
  ready for it. No, no go.
• 44:37
  Mmm. I didn't put, I know I talked
• 44:40
  about it earlier but I did not put it on.
• 44:41
  That's fine by me. I didn't think it was
• 44:43
  representative enough of I guess.
• 44:46
  I just put it in there to get it in the combo.
• 44:49
  Obviously, I think like You just brought it up.
• 44:52
  If you're not already a Taylor Swift fan, right from hearing
• 44:55
  these things in the radio, then I guess you probably won't be.
• 44:59
  Yeah. And that's a, obviously, a
• 45:01
  mainstream song as well. Yeah, true.
• 45:04
  So good. I'm not heartbroken.
• 45:06
  I also have to point out. I can't believe with as many
• 45:08
  tunes and as many of us as there are, there's only four in the
• 45:11
  trash. That's insane.
• 45:13
  I thought we were going to have so many misses All right hon,
• 45:19
  let's see. Do we already say mine?
• 45:23
  No mine I got I got the same, not even 1989 either.
• 45:39
  That's insane of all the ones. We don't have anything through
• 45:42
  from the yeah. I know that I can't believe
• 45:44
  this. I well, I think it's just Just
• 45:47
  too many varied like we're, yeah, I think that's falling
• 45:50
  victim to what I thought this episode is going to be well, out
• 45:53
  of 18 tracks were just all I haven't even.
• 45:56
  I haven't even we haven't even said half of the ones from 1989
• 46:00
  yet though. So yeah.
• 46:02
  Just saying. All right time.
• 46:04
  Yeah. All right, I'm gonna go back to
• 46:06
  the first record because I think this one's a very important.
• 46:11
  I think this is whether you guys have it or not.
• 46:13
  I think this is important, the conversation.
• 46:15
  I think this is important. And her as an artist.
• 46:17
  And I think it's a very important message as to
• 46:21
  especially where she was and I think her as an artist
• 46:25
  throughout a place in this world don't have it.
• 46:30
  That was I cut that in the driveway like because I had to I
• 46:34
  just think it'd make me do this. I just think it's so important.
• 46:38
  Like she's just a girl trying to find a place in this world and I
• 46:41
  think it's same still. What is he?
• 46:46
  That's why you said deep cut in the in the in the message here
• 46:49
  and play with this heartstrings I just think I just really do
• 46:55
  think it's important. So again you guys don't have it,
• 46:58
  that's okay. It's into the conversation or
• 47:00
  its it was entered as entered in the world.
• 47:03
  Least? What?
• 47:04
  I do Black Sabbath. I'm not cutting songs at like I
• 47:06
  cry too. I'm just cutting songs that I
• 47:10
  love that are about Satan. So it's a little it's a little
• 47:13
  bit easier. Exactly.
• 47:14
  Is your soul? All right, Brian.
• 47:18
  All right, I guess in line with start cutting a little deeper.
• 47:22
  Yeah, that's just. Just tear me to shreds right
• 47:24
  now. From her second record again.
• 47:30
  It's like kind of like a song about who she is 15.
• 47:36
  Nope, when you're good teams and it does you love you?
• 47:39
  You're going to believe it. Yeah, I love that song.
• 47:41
  I did not put it on my list. It is when I like that cuts like
• 47:45
  that, that told everybody who she was as a songwriter, you
• 47:50
  know, like all my songs are good to be a definitely about this.
• 47:53
  Yeah, you're right. Because I'm naïve and I, Leave
• 47:56
  in love and that's not a bad thing.
• 47:59
  No, I mean I do but again, I believe you're 15 years old.
• 48:06
  I hear ya because really okay. So actually we'll just say this
• 48:10
  to again, take a drink because I'm going to say genre, but like
• 48:13
  my microphone called an exact. My thing is an emoji.
• 48:18
  Alright. I'm I'm fucking emo kid.
• 48:20
  Taylor. Swift is a team.
• 48:21
  Okay? Yeah, it was totally email.
• 48:24
  Yeah, she just from Tennessee's. Exactly.
• 48:26
  So like this romantic, which is also Merr.
• 48:29
  Yeah. Which is also why and I'm glad
• 48:31
  that I did this show is that I can connect with t-swift now.
• 48:35
  Yes, we're both emo kids. Yeah.
• 48:37
  All right I want to do like a screamer record awesome that I
• 48:42
  would love that my son's an emo kid.
• 48:45
  Yeah. Like Taylor Swift possibly.
• 48:49
  All right. Joe.
• 48:51
  Okay. Well this is going to be a radio
• 48:53
  hit but I mean we got to throw it out there at least to try
• 48:56
  Rash or whatever. The case actually did, you guys,
• 49:00
  I was reading an article is off the topic, but there was like a,
• 49:03
  something Taylor Swift was up for something like to be a
• 49:06
  leading role in some TV series, or somewhere that Jesus has.
• 49:09
  I did not, and I forget, I forget what it was, like, she
• 49:11
  was put up for it or something, but then suddenly fell through
• 49:14
  because like, her in a producer, something like, I don't know.
• 49:17
  They have bad blood. No, that was that was good one.
• 49:22
  I like that is unexpected. I have that.
• 49:27
  Yeah, I do not. Okay what's the conversation
• 49:29
  yesterday? I'll so that he doesn't have bad
• 49:32
  dad joke. By the way that that was great.
• 49:34
  I believe there's no such thing as a bad that joke.
• 49:36
  By the way, isn't she the leading role in cats or she is
• 49:39
  of God? Looks like don't look so bad.
• 49:41
  I want to see it though. It does it look bad or does it
• 49:45
  just look weird? It get weird.
• 49:46
  Kind of hell out. Yeah.
• 49:48
  But there's a Geico commercial that has better cat effects on
• 49:51
  it. I'm not even trying to be funny.
• 49:54
  Like, I like, I see this virtual every day at the gym like that.
• 49:56
  It's better than anything in the cat's trailer.
• 49:58
  Like, seriously, just creeps me out.
• 50:01
  You see the salt and what? Wow, yeah, I think, yeah, good
• 50:10
  for her. That's taken a swing, isn't it?
• 50:13
  I mean, I will see it because I love her.
• 50:14
  But all right, hon, it's your turn.
• 50:17
  All right, so go on with these 1989 songs.
• 50:19
  Now all you had to do was stay off, that was like a last
• 50:24
  minute. I don't 23 on Mike.
• 50:26
  In the fucking driveway and I didn't want to because Justin
• 50:30
  made him. Yeah, make it myself.
• 50:34
  That's okay trash. It it happens at this point,
• 50:37
  there's going to be a lot going in the trash.
• 50:39
  I don't want to think about this and it's like, all they had to
• 50:46
  do. Just I know hey I just want to
• 50:51
  be loved, is that so wrong, is that?
• 50:53
  So wrong? That's the other thing that's
• 50:56
  different. What if I were a gay, be a gay,
• 50:59
  be you and I are the only. Yeah, that's, that's right.
• 51:09
  So it's also be on me like how close some of these trash trash
• 51:13
  ones are like that's insane. Like we're all like man I had
• 51:17
  ever so close to each other. Like with this expansive
• 51:21
  catalog, the fact that we've all kind of honed in on a lot of the
• 51:24
  same songs. Yeah, it's pretty, it's pretty
• 51:25
  cool. But I also think we should
• 51:27
  totally like Convent. I guess it kind of speaks to the
• 51:30
  artist that t Swift is too, right?
• 51:32
  I almost said, fuck you and came here. 25 today this is what I'm
• 51:35
  doing. T 1 2 3 4, 5 6 7.
• 51:40
  I got 8 left. Mmm I don't even know how many I
• 51:44
  have left. We're all going to be somewhere
• 51:46
  in that because there's not much in the trash.
• 51:48
  Yeah I got seven left. Yeah did we say if you didn't
• 51:51
  play it? Yeah we do.
• 51:53
  Yeah I don't think he's played this next.
• 51:55
  All right I'm gonna Go. This is the only thing from Red
• 52:00
  for me. Stay stay, stay.
• 52:03
  No, nope, don't have it. That was my wild swing.
• 52:08
  Okay and you're the never mind what?
• 52:10
  Because you just told us that the only thing you had from Red.
• 52:13
  Yeah. The worst I'm helping you play
• 52:15
  the game and I don't know why. You don't have this.
• 52:17
  The my last one I'm helping you play the game.
• 52:20
  That's all you made read actual red, the color red.
• 52:23
  That's that's what he did. That's right better.
• 52:26
  Oh, I get it. I was wondering what the colors.
• 52:31
  I was like confused. I didn't know what that was
• 52:33
  about. Just makes it easier.
• 52:34
  I want the first time. This new system is implemented
• 52:37
  and he didn't explain this it on.
• 52:38
  I was like what are the colors for?
• 52:41
  Well, it's just like, is this the level of interest you have?
• 52:43
  It's all just find in the big list.
• 52:47
  No thanks. I was like.
• 52:48
  Are they by the, by who suggested it, but like visual
• 52:52
  color. Yeah, yeah, we don't want that
• 52:54
  one. Because so-and-so said it.
• 52:57
  All right, Brian. All right, this, oh my god, when
• 53:02
  I first listened to lover, even though it's just pointed by the
• 53:07
  singles on heard before, like I was going through some shit with
• 53:10
  my now. I just Girlfriend and I knew at
• 53:11
  the time that it wasn't going to work out, and this was like, my
• 53:14
  breakup record while I was still in my relationship.
• 53:18
  And this song, this, the opening track, I've, I couldn't love
• 53:22
  this song anymore. I forgot that you existed.
• 53:25
  Yep. It was a last-minute cut for me.
• 53:29
  Yeah, I don't have nah, I would, I'd cut other be.
• 53:32
  I did kind of a thing with his record to keep that one on
• 53:34
  there. I have like six songs from love
• 53:37
  her but I do I love lover lovers.
• 53:42
  It's a great record. All right.
• 53:46
  That was the conversation because I could not I couldn't
• 53:49
  get away from that, so I kept coming back to it.
• 53:51
  I'm like, now this great. This is Stan, this is stained
• 53:54
  this great. This great.
• 53:56
  All right, Joe, I guess I'm going to I get I know all of our
• 54:03
  feelings on reputation but I just I think this song was, I
• 54:09
  guess a little more authentic to that record and I did something
• 54:14
  bad. Bad.
• 54:15
  Yeah, I got it. That's my only one that record.
• 54:18
  Well, least I got one. The opening line is I can never
• 54:20
  trust a narcissist but they love me.
• 54:22
  It's like same. Yeah.
• 54:25
  I don't have that one. What is it?
• 54:27
  Like they Every Lie. They tell me I tell three.
• 54:30
  Yeah, yeah, no, I don't have it but it makes it to the combo.
• 54:35
  Oh boy. How are we going to have to make
• 54:36
  some Cuts? Oh yeah, cut cut, even deeper
• 54:40
  way. Just keep Blaine generality.
• 54:46
  Because I've been watching a lot of cannibal and thinking about
• 54:50
  the old west, a lot. All right, hon, it is your turn.
• 54:56
  All right, I don't think we've played this one and I see that
• 54:58
  the listeners also like this one twice.
• 55:01
  Apparently, I Knew You Were Trouble.
• 55:04
  Yeah, I got it. We do doesn't, doesn't I don't.
• 55:09
  I thought we played that one now.
• 55:10
  Did we not? We did not okay.
• 55:12
  No, we played. We are Never Getting.
• 55:14
  About together. That's right you right?
• 55:19
  I know you don't have it because you said you only had the one.
• 55:22
  Yeah, red. So also there's a lot, screwing
• 55:25
  things up. There's a lot of punk covers
• 55:28
  with Taylor Swift songs to I thought.
• 55:29
  Oh yeah, so that's, that's also another like, I guess.
• 55:33
  Yeah. Kudos to t-swift for being so I
• 55:36
  mean because Ryan Adams literally covered an entire
• 55:38
  rectangle works. Yeah I mean I don't I don't even
• 55:40
  like his version so I think you should just go ahead and put on
• 55:44
  I Knew You Were Trouble. Like yeah, moving through the
• 55:47
  listeners have it. Why did put it twice?
• 55:49
  They are taking your place in this one.
• 55:52
  They either you either. Can't consolidate things
• 55:54
  properly or they loved it so much.
• 55:57
  They separately got to have nominated two votes I just
• 56:02
  accidentally copied it twice so I think he's just well based on
• 56:06
  your mistake. It's going through.
• 56:07
  There are no rules here just put it through.
• 56:11
  Fuck the conversation is worried that I was like hate your wife.
• 56:14
  Wife because we never did a show together, but I think I like her
• 56:17
  more than, you know, most people did are, so that's many believe
• 56:22
  in the rules and I think you just poured here.
• 56:25
  So that's me, my turn, right? But not meee.
• 56:31
  Let me go here, then I'll go back to 1989.
• 56:34
  Welcome to New York? Yep, got it.
• 56:37
  I do not. I don't have that one.
• 56:39
  I like the range kind of wish, like I was alone on that.
• 56:43
  So we could get some French have that one joke.
• 56:45
  I didn't have it. What I would expect that one to
• 56:48
  be on your list so I didn't I had to cut that one, right?
• 56:52
  But that was more, so something had to be cut.
• 56:54
  So if I was going to make it harder, cut from that record, it
• 56:56
  would have been that song but I think I'm probably the same.
• 57:00
  All right, Brian. Get down to the nitty-gritty
• 57:03
  here. My favorite song of the new
• 57:05
  record and again speaking speaks to me right now my life Cruel
• 57:10
  Summer, nope. Sorry, wow.
• 57:15
  Wow. Wow.
• 57:16
  Wow. We're very sorry.
• 57:18
  I was just talking about. This is like how much I love
• 57:21
  you. Cash it out putting the show to
• 57:36
  bed but by a shake it off a cliff.
• 57:40
  I have actually ten more coming up in the next two weeks.
• 57:44
  So Yay. I think this is off of fearless.
• 57:52
  It's a love story. Yes, nope.
• 57:55
  I had that was on my initial list.
• 57:58
  Why can't we get like quintessential absolutely like
• 58:03
  so many fucking girls were like Heather had these dresses on and
• 58:07
  they're in their rooms with something that's for lying
• 58:09
  around, you know, love at first sight, I'm going to get me
• 58:12
  around. And then we're going to, I'm
• 58:18
  going to take poison and not die, and then you're going to
• 58:19
  take poison and die to be with me.
• 58:21
  But then I'm just going to be alone, okay?
• 58:24
  Maybe that wasn't everybody else's childhood.
• 58:26
  Sorry, yes, not at all. The new you nailed it for me.
• 58:32
  We're like kiss, man. It's a unfortunately, I don't
• 58:35
  die. All right hon.
• 58:41
  Let's see. I don't have very many left that
• 58:42
  we haven't already talked about. I'm gonna go with look what you
• 58:46
  made me. Do I got it?
• 58:48
  Nope, but I couldn't do it same. Same, I really don't like that
• 58:52
  song. I don't either.
• 58:55
  That's the only record that has songs.
• 58:56
  I just don't like on it, right. Yeah I get that.
• 58:59
  Yeah same like every I could make a case for our I could
• 59:04
  understand almost every song. Yeah.
• 59:06
  But then you get to that record. It's like no I just I don't like
• 59:09
  it that song and she didn't have to make that that song like it.
• 59:15
  I don't know. It just like I said taken out of
• 59:16
  context of Taylor Swift, I do I like that album.
• 59:20
  So yeah. It, you're right.
• 59:23
  I agree with you. It's a good record if it's not
• 59:25
  Taylor Swift. Yeah, but we are trying.
• 59:28
  Isn't Taylor Swift people. So look, okay, look what you
• 59:33
  made Steve dudes. That was that that's why you
• 59:36
  always make fun of that. So there's, there was a
• 59:39
  teammate, Steve, one of my old roommates had had a boyfriend
• 59:43
  that he was around all the time and he was always like, look
• 59:45
  what you made me move, look what you made me move, okay?
• 59:51
  Hence why? The song is so great.
• 59:54
  Okay, when you look at it that way, it's easy to Lampoon.
• 59:58
  So Yes, it did. Yeah.
• 59:59
  I mean, come on. I never thought it was a comedy
• 1:00:02
  song before you look at the trash that I didn't realize it.
• 1:00:15
  For me. It is.
• 1:00:17
  It's not like a real Taylor Swift song.
• 1:00:20
  Oh, it's you know y'all can't give me Cruel Summer and you're
• 1:00:22
  gonna bring that shit up. Song from Fearless.
• 1:00:36
  You're not sorry. I don't have any.
• 1:00:39
  It's okay. Sorry.
• 1:00:41
  We need trash at this point and we do well.
• 1:00:45
  Oh yeah. The last thing we need is more
• 1:00:47
  stuff in the combo. I guess.
• 1:00:49
  You're right. That's true.
• 1:00:50
  All right, Brian. All right.
• 1:00:52
  This is my last one from 1989. I wish you would.
• 1:00:57
  Yep. Don't help could not ignore it
• 1:01:02
  and just gets all more. I don't see too many like radio
• 1:01:05
  hits from that one. Yeah.
• 1:01:07
  Well half the wreck. I mean I think mostly what I
• 1:01:10
  chose were radio songs overall. I'm just a head boy.
• 1:01:13
  So like I've had is hits that's how I am unfortunately.
• 1:01:18
  No I'm more of a snob and that's okay.
• 1:01:20
  Just look like I said, I'm definitely going to go back and
• 1:01:24
  like listen to these albums individually not in a row.
• 1:01:28
  Like a day, listen to this album, give it some, give it
• 1:01:31
  some time to set it and then go back.
• 1:01:33
  As I feel like I'm number one, I want to but also I feel like I
• 1:01:36
  owe it, I owe it to t-swift. Yeah, to really take all like
• 1:01:42
  full albums know the this country owes it to Taylor Swift
• 1:01:45
  actually. Hey man, bro, I saw this given
• 1:01:48
  the award of artist of the decade.
• 1:01:50
  Yes. Um, music award I mean, she
• 1:01:52
  should, she is like representative of our nation
• 1:01:57
  which unfortunately is in Julie, wait.
• 1:01:59
  But well, we can look, we can look past that actually.
• 1:02:03
  We all did this through Spotify playlist.
• 1:02:05
  I didn't have Spotify for a while because the Owens you
• 1:02:08
  artists that were against it were Radiohead and Taylor Swift.
• 1:02:11
  And I because Taylor Swift like held out because they weren't
• 1:02:14
  paying all artists equally right here and they were like giving
• 1:02:17
  like Indie artists. The shaft as far as like paying
• 1:02:20
  pertly every time your song played so like her shit.
• 1:02:24
  Wasn't on here for a while. Yeah you're right.
• 1:02:26
  Yeah. Wasn't the same thing like what?
• 1:02:28
  How about? Because she was probably the
• 1:02:29
  most powerful artist at the tongue, obviously, it wasn't the
• 1:02:33
  same thing might even still be like with Michael Jackson and
• 1:02:36
  Prince wasn't that kind of the same thing.
• 1:02:38
  Prince has come over bridges. Come over.
• 1:02:40
  Okay. Posthumously actually made a big
• 1:02:44
  deal about it. Yeah, I have just point out
• 1:02:46
  because Taylor Swift is a Hanson fan by the way, so because their
• 1:02:50
  ND, their ND so I think what Hansen has said is that she's
• 1:02:56
  actually referencing Hanson in Ever getting back together,
• 1:02:59
  where she says, you're probably listening to some indie record,
• 1:03:02
  that's much cooler than mine. So there's a line in the song
• 1:03:09
  that's very interesting. She's like all for like I know,
• 1:03:13
  I'm a huge artists but like I'm supportive of Indie artists.
• 1:03:17
  Yeah, but people coming up that sounds like John Mayer.
• 1:03:20
  So, does that mean John Mayer listens to Hanson?
• 1:03:23
  I don't want to think of that. I just ruined your shit.
• 1:03:28
  I was expecting it. I put myself out there.
• 1:03:34
  Alright risk for that. We forget where we were.
• 1:03:39
  I think I think I have a few, a song or two still that we
• 1:03:43
  haven't been. Yeah, who's laughing?
• 1:03:44
  I have two left. That's why I'm saying, I was
• 1:03:46
  just laughing. Didn't you just play?
• 1:03:50
  Did I just play? I think you just played.
• 1:03:54
  We kind of got. I think I did because I heard.
• 1:03:56
  Yeah. Because I brought it by last 19.
• 1:03:58
  That's right. Yeah, okay.
• 1:03:59
  Sorry, Joe. Okay.
• 1:04:00
  So it's me. Well, I don't know about you,
• 1:04:02
  but I'm feeling 33:22. Don't have it.
• 1:04:07
  No, no. That's okay.
• 1:04:08
  Putting trash into the trash now, he says hit-boy.
• 1:04:11
  So it's just hit on red, and I was like, okay.
• 1:04:14
  All right, hon. Are you guys are going to make
• 1:04:16
  fun of me for this one? It's going right into the trash.
• 1:04:19
  Delicate. No, I oh, I almost actually put
• 1:04:23
  that as my third from that record really?
• 1:04:25
  Yeah, I do like revisiting that record because I did not like it
• 1:04:30
  when it came out and I didn't barely listen to it, but listen
• 1:04:33
  to it again. That that was like, oh man, I
• 1:04:36
  missed that one. The first time, I think there's
• 1:04:38
  like a, like the loop or the quote, the course or whatever
• 1:04:43
  you call it. I don't like you have the rest
• 1:04:45
  of the song I do. And the only line that I'm like
• 1:04:49
  This song is is a cool that I said that doesn't bother me, the
• 1:04:55
  chill that you're in my head. I'm like, why to I like the
• 1:05:00
  song, but going back to me. Like the thing that bugs me is,
• 1:05:06
  there's a lot of week courses on that record.
• 1:05:13
  Like, there's a little yeah. Looks like there's some lyrics
• 1:05:17
  under. They're really nice and like The
• 1:05:19
  concept of the song is cool, but like you could tell she just was
• 1:05:23
  in a creative slump. I think.
• 1:05:24
  Yeah or like creative limbo, maybe better one.
• 1:05:28
  So the first time I heard it was like oh this is pretty and then
• 1:05:30
  get my ears acid in my ears. What causes that to me that just
• 1:05:38
  makes a have sort of a more like has this very what's the word
• 1:05:44
  I'm looking for ethereal vibe to it where you're sort of in this
• 1:05:48
  Twilight. He Headspace.
• 1:05:49
  So, like to me the song takes me, somewhere else while
• 1:05:53
  anything. So, you know, I put little
• 1:05:57
  things like that aside because the feel of the song I like and
• 1:06:00
  then the verses I like, unfortunately the way I hear
• 1:06:04
  radio songs and stuff and things like that, it lent to me, it was
• 1:06:11
  we coming back to her trying to be relevant and it's like, but
• 1:06:14
  your Taylor Swift, you don't have to resort to those Trails.
• 1:06:17
  You can just write a good song. Ang like that's what you do.
• 1:06:21
  Like God. All right, I'm just gonna clear
• 1:06:24
  out the last three here and see if I hit anybody here.
• 1:06:28
  I got this love New Year's Day. No, I thought that was a really
• 1:06:35
  pretty piano song. One of the few bright spots from
• 1:06:38
  that record and then soon you'll get better broke.
• 1:06:42
  My own Rule featuring The Dixie Chicks.
• 1:06:45
  But I had to have it. All right, so I'm out what you
• 1:06:48
  got left? I guess I'll just do my last you
• 1:06:51
  both early stuff Enchanted. Hmm.
• 1:06:54
  Nope. And white horse, Joe.
• 1:07:01
  The only thing I got left is a it's a featuring.
• 1:07:04
  It's a Everything Has Changed. Mmm.
• 1:07:10
  I think I think I said all my I don't think I have any left
• 1:07:13
  over. Right cool.
• 1:07:15
  So let me I'm surprised we don't have more all the way through.
• 1:07:18
  Honestly. Well that's the thing with four
• 1:07:21
  people, it's hard to. It's hard to get for people to
• 1:07:24
  agree on on more than I'm surprised we hit 3 to be.
• 1:07:28
  Do we put? Did we not do?
• 1:07:30
  Welcome to New York? Yeah, we did.
• 1:07:32
  We did. Yep.
• 1:07:33
  It's into the sky, right? Yeah.
• 1:07:36
  Okay. Let's see.
• 1:07:38
  I just, I don't know if it's like, representation of.
• 1:07:42
  Well, we'll get there. Let me, I'm just, I'm kind of
• 1:07:45
  preparing my brain right now for the condo, so paying your brain,
• 1:07:49
  I'm already hearing it out loud. I think style used to go
• 1:07:53
  through, you know, like style gorgeous.
• 1:07:57
  I'm the only one that didn't have.
• 1:07:58
  There's nothing, I'm good for. It's only through style has to
• 1:08:02
  go through a gorgeous. Would be the ones on I would say
• 1:08:05
  from reputation because, yeah, I'm good.
• 1:08:08
  At that. And I think I'm the only one
• 1:08:10
  that didn't have that one. So I think the fans I would make
• 1:08:13
  a case for Picture To Burn because it's like, from her
• 1:08:16
  first record. Yeah.
• 1:08:19
  Yeah. I'm good with all these comments
• 1:08:22
  and go with all that. Yeah, I mean, I know all the,
• 1:08:24
  like, I can. What else do we have?
• 1:08:26
  That's in the conversation from 99.
• 1:08:28
  Let's just get that out of the way.
• 1:08:30
  Shake It Off and bad. Blood.
• 1:08:32
  Each had three, Welcome to New York.
• 1:08:35
  I wish you would Blank Space. These are all in with to, okay,
• 1:08:41
  Blank, Space, Blank Space talk about that one.
• 1:08:44
  Hold on a sec. Let me, we're going to make
• 1:08:46
  Brian, go kill himself, if that's one's not, and you could
• 1:08:49
  come speak for yourself, one of us wants.
• 1:08:54
  I know how? I know how to get it in there.
• 1:08:59
  My bad. I do a lot of that phrasing.
• 1:09:02
  All right, so that's it out picture the burn was can't keep
• 1:09:06
  up with you Big Picture To Burn. I think it's a good one to go.
• 1:09:08
  Go to for early stuff. Alright.
• 1:09:12
  Agreed. I mean, I don't know about y'all
• 1:09:15
  but I think you know, me needs to know not even close.
• 1:09:30
  Man, what else? I mean, paper rings like who's
• 1:09:33
  our? Hold out on paper rings.
• 1:09:34
  Who do I need to see? I didn't have it either because
• 1:09:37
  I had to cut something else from the rug.
• 1:09:39
  Right? And that, that was my fifth.
• 1:09:41
  And I only went with for so, alright, so looking at what we
• 1:09:45
  have, we have one, two, three, four, five.
• 1:09:46
  We've got six, we've got four left.
• 1:09:48
  I want to make a case for a state of grace.
• 1:09:51
  I don't remember that one red. Yeah.
• 1:09:54
  Do we have? What else is on red that we have
• 1:09:56
  in the conversation, right? So we have, we're never get
• 1:09:59
  Never mind. I'm going over that one.
• 1:10:01
  Then if that's the case, I'm the, I was the odd man out on
• 1:10:04
  never ever getting back together.
• 1:10:06
  Let's do that. If we think that that is
• 1:10:08
  indicative that we need that, then I'm willing to push that
• 1:10:11
  through Well, never getting back together.
• 1:10:15
  Yeah, it's a guitar mean. I mean I'm in we you guys all
• 1:10:22
  had it, I'd yeah. Okay.
• 1:10:25
  Alright, let me the put that one.
• 1:10:30
  All right, so now we got three left like ever.
• 1:10:36
  I miss you just never getting back together.
• 1:10:39
  Um, this is this exhausting, I don't think we need anything
• 1:10:43
  else from reputation. I think Gordon.
• 1:10:45
  Agree is all we need. Yeah.
• 1:10:47
  Because I kind of make this conversation a little.
• 1:10:50
  I think, now, it becomes which songs from lover and I Gina are
• 1:10:53
  we putting through it? Because we have everything else
• 1:10:55
  represent? I mean, I mean, so we need like,
• 1:10:59
  we have mine. Yeah, from that album, but yeah,
• 1:11:03
  man, I love me and so much It's though, I do too.
• 1:11:08
  I think at the banjo, I think at this point, I think we can lose.
• 1:11:11
  Shake It Off. Even though, like, if we were
• 1:11:13
  struggling at this point, I would I would make a harder case
• 1:11:16
  for Shake It Off. I love, love love, I shake it
• 1:11:19
  off. I think it should be on the
• 1:11:20
  list, but I also think everyone's heard that song and I
• 1:11:23
  actually think we have some stuff on here that they probably
• 1:11:25
  wouldn't have heard. Yeah, I think he goes back and
• 1:11:28
  he goes back to the if you know you've definitely you even
• 1:11:31
  further living under a rock. You've heard shake it off
• 1:11:34
  because it's played everywhere radio.
• 1:11:36
  Sporting events, all that stuff. So, if we're trying to get
• 1:11:39
  people to listen to Taylor Swift or become fans, they're going to
• 1:11:43
  already be familiar with certain radio tunes, like, shake it off.
• 1:11:47
  So it's kind of like asinine for us to put that one on there.
• 1:11:52
  Well, especially like I said, if we were struggling and we didn't
• 1:11:56
  have much to, I I would make a stronger case for it but I
• 1:11:59
  honestly at this point, I'm looking at what we have I think
• 1:12:02
  style is the better song? Anyway, just period but But most
• 1:12:06
  people are going to know that one too.
• 1:12:08
  But I don't know if like I know that song but it's not like one
• 1:12:16
  of those going into it where I was like God this song again
• 1:12:20
  because I you know just heard over played so much.
• 1:12:23
  I think style hasn't been that overplayed right?
• 1:12:27
  Yeah. I agree.
• 1:12:28
  Okay so it's very like Taylor Swift saying this is who I am.
• 1:12:34
  I'm this you look Me, this is what you're going to get or this
• 1:12:37
  is who I am. This one gives me my feelings
• 1:12:41
  all the time. How do we feel about?
• 1:12:47
  I feel stronger about mean than better than revenge even though
• 1:12:50
  better than revenge is terrific and it's definitely like, oh, I
• 1:12:54
  mean, yeah, it's definitely off the I'd say mean, all right, so
• 1:13:01
  what are you gotta be? So mean, all right, so, Gives us
• 1:13:06
  8. What else do we?
• 1:13:08
  What do we not have? What album are we not
• 1:13:10
  represented? We got everything first record
• 1:13:12
  we have. Yeah, we well we don't have any
• 1:13:15
  private firm Peerless and then we got it.
• 1:13:18
  We have love story and you belong with me.
• 1:13:21
  I had you belong with me at didn't have love story out of
• 1:13:25
  this who I feel like you belong with me.
• 1:13:27
  You belong with me. Yeah.
• 1:13:29
  And that's also one of the ones, the listeners suggested to.
• 1:13:32
  Yeah. Well there you go.
• 1:13:33
  All right, decided them. Joe, you have Noah.
• 1:13:38
  Yeah, you belong with me, I think is, I'm just trying to
• 1:13:40
  think of trying to play it in my head.
• 1:13:43
  I think you belong with me is probably better and again like
• 1:13:46
  said the listeners had that one. So so the last give one has to
• 1:13:50
  come from 99 because we can't just have one song.
• 1:13:53
  Know you agree, 100 percent right?
• 1:13:54
  So like space gonna go out there.
• 1:13:57
  Don't out there. I'm okay with what we had
• 1:14:00
  already agreed to that. Yeah.
• 1:14:03
  Because Brian, Represent like, let's make sure bright isn't
• 1:14:07
  comes up and you're like, no, fuck you.
• 1:14:10
  I mean, it is so far ahead of me.
• 1:14:13
  That was, that was in, that's on Melissa.
• 1:14:15
  Keep up old man. The trying to, like, I know
• 1:14:19
  we're doing a young hip artist, but come on.
• 1:14:23
  Is that everything is that all, wow, that was easy.
• 1:14:29
  Easy for you to say, rule? Seven, eight, nine, ten.
• 1:14:32
  Alright, here's the rundown. The man lover, mine mean, style.
• 1:14:39
  Gorgeous, Picture To Burn. We Are Never Ever Getting Back
• 1:14:42
  Together. You begin with me and blank
• 1:14:44
  space. As I sound.
• 1:14:47
  Y'all is pretty solid. I like it.
• 1:14:49
  That's good. I freaking like it.
• 1:14:50
  All right, let's put the feet to the fire.
• 1:14:52
  Brian. I mean which one are you going?
• 1:14:55
  What's the number one? Oh gosh. man just say you know
• 1:15:01
  you want to say it, I want to say blank space but But is it is
• 1:15:06
  that the one you go? Hey, this.
• 1:15:11
  You want some time style? May be okay.
• 1:15:15
  I don't know. Yeah, come back to me.
• 1:15:16
  I can't. This is.
• 1:15:17
  What are you feeling, Brian? I'm Joe.
• 1:15:19
  Sorry, I would actually say blank spaces are then for my
• 1:15:23
  number one with a bullet, really?
• 1:15:25
  Yeah. Interesting.
• 1:15:26
  All right, hon. Oh well, I'm gonna screw it all
• 1:15:28
  up then because I was my first. Instinct was the man.
• 1:15:31
  I was that was that was my second.
• 1:15:34
  If I wasn't knocking from 99 it should be from that record.
• 1:15:37
  And I think that's the one from that recognize do it.
• 1:15:40
  Like statement wise, I'd like that's all.
• 1:15:42
  I kept coming back to State tries what it what she's saying
• 1:15:45
  at this point in time is it's so important in fairness.
• 1:15:50
  We all that was our first one. There
• 1:16:05
  it is and we got that from the listeners Adam Hansen.
• 1:16:09
  Yeah. He was the one who put that one
• 1:16:11
  out there and he's right. Like it's just terrific.
• 1:16:13
  So that gives us number one. With a bullet.
• 1:16:16
  The man lover Blank, Space, mine mean style.
• 1:16:21
  Gorgeous. Picture To Burn.
• 1:16:23
  We are never ever getting back together and you belong with me.
• 1:16:26
  That's a solid 10. Yeah.
• 1:16:30
  And yes, it's a lot of songs about exes, but hey, what's
• 1:16:34
  wrong with that? Nothing wrong with that.
• 1:16:36
  Yeah, we all got it. I don't know about that.
• 1:16:39
  You know what I think. It's a good.
• 1:16:41
  I think some of these aren't even about X's it's about being
• 1:16:45
  in the present of the relationship.
• 1:16:47
  Yeah, well we all know that ends.
• 1:16:53
  Well let's see like mine lover, those are all like love songs,
• 1:16:57
  Style style is a love song. You Belong with Me is a longing.
• 1:17:02
  Yeah. Longing for you said the only
• 1:17:04
  breakup songs in here are what we are never ever getting any
• 1:17:07
  other pictures of burn, ya mean. Technically I guess I guess mean
• 1:17:11
  is like a yeah you suck jerk name is about a guy not sure it
• 1:17:19
  is because it's too sweet. I was imagining it being about
• 1:17:25
  about another girl or somebody could easily be about some, some
• 1:17:30
  chick who was giving her a hard time in high school easily.
• 1:17:33
  All right. So then there's only two songs
• 1:17:35
  that are like breakup songs. So take that Jim.
• 1:17:38
  Yeah. I feel good about it, that's so
• 1:17:43
  good. Yeah I told you all I've got ten
• 1:17:46
  coming up in the next couple weeks.
• 1:17:48
  Bryant Brian you're going to be here for Fredo sessions for
• 1:17:51
  Sabbath which is actually going to be early in the day, I guess
• 1:17:55
  because it's going to be after Alabama 00 that still hasn't
• 1:18:01
  happened. Cleanser, it still has not been
• 1:18:07
  on this program because He's the, he offered up, Alabama.
• 1:18:13
  And then I got a panel for Alabama.
• 1:18:15
  I listened to six, Alabama, records.
• 1:18:17
  I put my 20 together. You are a good friend and then
• 1:18:20
  he kept bailing it's like no you cannot be on the show until we
• 1:18:26
  do Alabama I put in the work. It's time to do.
• 1:18:29
  It's time to do it when. So now we're going to do
• 1:18:31
  Alabama, finally Joe I know you put a bunch out there.
• 1:18:35
  I think you've actually got a couple panels too but I'm not.
• 1:18:38
  Oh alkaline alkaline. Riyo's coming up.
• 1:18:40
  Yeah, I'm going Trio. So and then on, I don't think
• 1:18:44
  there's any other ones that I have a panel.
• 1:18:46
  Unfortunately, you keep putting out all these artists that no
• 1:18:49
  one wants to get on board with I'm so, I'll say it again, Dixie
• 1:18:52
  Chicks. Sara Bareilles, Sara.
• 1:18:55
  Bareilles is the one that still just Dixie Chicks.
• 1:18:58
  I can get because people don't like country.
• 1:19:00
  I'm totally cool with doing a please explain.
• 1:19:02
  I mean, shoot. I mean, I like what I've heard
• 1:19:06
  from Sara Bareilles, but like, I'm not into her in the way that
• 1:19:08
  I'm into, like, Fiona Apple. Or and Regina Spektor.
• 1:19:11
  Like I just I never liked it a deep deep shit she's poppier.
• 1:19:14
  Didn't you say that you thought Brian would like Imogen Heap?
• 1:19:17
  Oh, I love her. Is that a suggestion?
• 1:19:19
  That's one of the ones I put on. Oh yeah, let's do that, then I'm
• 1:19:22
  in. Okay, well, that'll be some time
• 1:19:23
  doing. Frou-frou and also Imaging have,
• 1:19:27
  or what are we doing? Just just her solo, Jessica.
• 1:19:29
  This is all the stuff. There's no that one for free
• 1:19:32
  record. All right, so while we are, here
• 1:19:34
  we go. There you go, hon.
• 1:19:35
  Hey, some time, in the new year, we'll get that on board, Imogen
• 1:19:39
  Heap since College. Yeah, she's great.
• 1:19:41
  So, you know what you want to help?
• 1:19:44
  Put me through college of podcasting patreon.com slash.
• 1:19:48
  Oh, hi Justin, one dollar a month you can dollar don't pay
• 1:19:51
  for no. God damn.
• 1:19:53
  I drop it money. A lot of dollars.
• 1:19:55
  Tho Well, a lot of dollars and like I said, the College of
• 1:19:59
  podcasting is essentially what you're doing.
• 1:20:01
  You're helping me hone my craft for one dollar a month, you get
• 1:20:06
  the oh hi, Justin daily pod, you get the after-school daily after
• 1:20:10
  school podcast, daily, you get D program before, the rest of the
• 1:20:14
  world, you get your music show before the rest of the world.
• 1:20:17
  You get Russell Pals as soon as it releases, whatever nonsense
• 1:20:21
  I'm doing. I actually finally have set up A
• 1:20:25
  plan to actually record these ghouls record, guess where these
• 1:20:29
  ghouls record is actually going to go.
• 1:20:30
  First actually on patreon.com slash oh hi Justin dollar month
• 1:20:35
  and that dollar like all college will pay for ramen for his
• 1:20:39
  entire family. Yes, indeed as it should be so
• 1:20:44
  gone in a day. Yep.
• 1:20:46
  Yes it will. But yeah, we did, we did work
• 1:20:49
  here today and I wasn't feeling it.
• 1:20:51
  So with that Taylor Swift, learn them and love them.
• 1:20:54
  People will We'll see you next week.
• 1:20:56
  Bye.