Latest / The Bald Brothers Podcast / 73: Top 10 Buddy Cop Movies Of All Time | #thebaldbrotherspodcast

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73: Top 10 Buddy Cop Movies Of All Time | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Funny man, I've neber watching that like, oh my god. Man. No,
• 0:06
  Speaker 1: all right, y'all, what up.
• 0:07
  Speaker 2: Welcome to a very special Bob Brothers podcast.
• 0:12
  Speaker 1: My name is keV on stage. Good friend. We're friends
• 0:16
  Speaker 1: in real life, real life. We'll be sharing secrets we do.
• 0:19
  Speaker 1: I'll be telling you my business and I'll be telling
• 0:21
  Speaker 1: your mind. Man. That's oh yeah, I'll be staying you
• 0:24
  Speaker 1: with my business.
• 0:25
  Speaker 2: Big friends. All right, today we're talking Top ten Buddy
• 0:30
  Speaker 2: Comedies of all time, No Buddy Cop Movie, Top ten
• 0:35
  Speaker 2: Buddy Cops Buddy Cop.
• 0:38
  Speaker 1: Of all time. You're up first tone.
• 0:40
  Speaker 3: Okay, okay, i gotta go with the og. Leave the weapon, man,
• 0:45
  Speaker 3: leave the weapon. It could be It could be one,
• 0:47
  Speaker 3: it could be two, it could be four. Whichever I'm
• 0:50
  Speaker 3: just putting. Leave the man, throw it in there. Give
• 0:54
  Speaker 3: the number specifically, specifically, I'm gonna go with man, because
• 0:57
  Speaker 3: leave the weapon.
• 0:57
  Speaker 2: Four was four was good? Four is the one of
• 0:59
  Speaker 2: the rare time? Is that a that a sequel? Especially
• 1:02
  Speaker 2: that deep? Is that good?
• 1:03
  Speaker 1: Right? Four was great? It was fire.
• 1:07
  Speaker 3: It was was in that thing. I'm gonna give it
• 1:12
  Speaker 3: to barely. I'm gonna just give it the leather. A
• 1:15
  Speaker 3: weapon took Leath the Weapon two is the one where
• 1:18
  Speaker 3: I was just like, because I saw I saw him
• 1:20
  Speaker 3: all in theaters and leather the Weapon one was it
• 1:24
  Speaker 3: was a little bit more serious than the other ones,
• 1:26
  Speaker 3: too serious business. But leave the Weapon two. They found
• 1:29
  Speaker 3: their groove. We're more in sync with their friendship. We
• 1:33
  Speaker 3: got some colorful side characters coming in.
• 1:36
  Speaker 1: The villains were dope.
• 1:37
  Speaker 3: The action was dope, So I'm gonna go with because
• 1:40
  Speaker 3: because the look they got a little too silly.
• 1:42
  Speaker 2: On Leath the Weapon four, they was Zainey as hell,
• 1:45
  Speaker 2: you hate Zaney. It was just too much zaying.
• 1:48
  Speaker 1: You don't like Zane, you don't like silly. It was
• 1:51
  Speaker 1: too much zaininess. I love silly you.
• 1:54
  Speaker 3: They was in the dentist's office with the dude and
• 1:56
  Speaker 3: then they was all getting hund and I was just like,
• 1:58
  Speaker 3: all right, we're getting and then Chris Rocken.
• 2:01
  Speaker 2: Joke just about to say you feel like the jokes
• 2:03
  Speaker 2: and forced you are so that.
• 2:05
  Speaker 3: But I still loved it. But y'all getting too silly now.
• 2:09
  Speaker 3: Believe the Weapon too had the perfect.
• 2:11
  Speaker 2: Balance just like for me, Bad Boys too, Bad Boys
• 2:17
  Speaker 2: two over one, Bad Boys two over one, Because I
• 2:21
  Speaker 2: think for me, I just quote more Bad Boys Too.
• 2:24
  Speaker 2: First of all, I love the opening sequence of Bad
• 2:28
  Speaker 2: Boys Too, the clan rally, the clan rally, actually, the
• 2:32
  Speaker 2: first act of that movie is just great. You got
• 2:36
  Speaker 2: the clan rally, you got the car chase in the
• 2:40
  Speaker 2: parking lot.
• 2:41
  Speaker 1: Okay, when they tried to car jack.
• 2:42
  Speaker 2: Yeah, gabriel Union whipping the suburban. I was talking about
• 2:50
  Speaker 2: Booty Cheeks Clint.
• 2:51
  Speaker 1: Man, and that's early in Yeah. I was like, hold on,
• 2:55
  Speaker 1: I barely said, I ain't even got my race, and
• 2:56
  Speaker 1: that's open.
• 2:57
  Speaker 2: They started with the action immediately right out the Then
• 3:00
  Speaker 2: you go to the zoo Pound.
• 3:02
  Speaker 1: Yes, you're gonna call the Devil the man the devil.
• 3:05
  Speaker 3: After they after they do the Gabrielle Union thing, they're
• 3:07
  Speaker 3: in the parking line structure. They get out, they chase,
• 3:11
  Speaker 3: they stop, they do, they have a shootout.
• 3:14
  Speaker 1: In the middle of the middle of the freeway.
• 3:16
  Speaker 3: Then they get back in the car. Then we have
• 3:19
  Speaker 3: another full chase with boats.
• 3:22
  Speaker 1: Flying cars flipping.
• 3:24
  Speaker 3: Was like the boat and then he I don't know why,
• 3:27
  Speaker 3: he stuck his head out the car from the car
• 3:29
  Speaker 3: to flip over.
• 3:29
  Speaker 1: And then he got back in. I was just like.
• 3:31
  Speaker 2: Michael Michael Bay was in his full for sure. I'm
• 3:36
  Speaker 2: going this is what I'm known for.
• 3:38
  Speaker 3: I got the budget now car fast, yes expensive.
• 3:42
  Speaker 1: Shutting down.
• 3:46
  Speaker 3: That movie cost one hundred and thirty million.
• 3:48
  Speaker 1: Dollars and it was worth every penny.
• 3:50
  Speaker 3: The first of one who caused twenty something million.
• 3:52
  Speaker 2: They said, we'll give you one hundred more million, but
• 3:55
  Speaker 2: tell me what you're gonna do.
• 3:56
  Speaker 1: He's Michaels say, I'm gonna have a boat.
• 4:00
  Speaker 2: I'm going here with the boat, I'm going fire, I'm
• 4:03
  Speaker 2: going chasing down the parking boats.
• 4:06
  Speaker 1: And then we get to the Haitian high thout.
• 4:09
  Speaker 2: I'm giving you camera angles, circling around Will Smith through
• 4:14
  Speaker 2: the bullet hole. Then we're circling again to the Haitians
• 4:17
  Speaker 2: on the other side, talking shit back to it's not welcome.
• 4:21
  Speaker 2: In with the with the comedy, in there with the comedy,
• 4:25
  Speaker 2: his house, that's it.
• 4:27
  Speaker 1: And two is Martin with the eyes dilated.
• 4:30
  Speaker 3: Yeah when you look at your oh yeah, bro, he
• 4:33
  Speaker 3: was high on the ecstasy. Two is also Reggie Reggie
• 4:37
  Speaker 3: the door, the door scene with Reggie you look thirty.
• 4:39
  Speaker 1: Yes, I mean it has everything.
• 4:41
  Speaker 2: Yeah, Bad Boys for It's also out in theaters this Friday,
• 4:45
  Speaker 2: June seventh.
• 4:46
  Speaker 3: Bad Boys ride or die, ride or die go.
• 4:49
  Speaker 1: Check that out.
• 4:50
  Speaker 3: What it is called bad Boys for Life should have been.
• 4:53
  Speaker 2: The fourth missed opportunity. Bad Boys four Lives.
• 4:57
  Speaker 1: Does have been the perfect you know what I'm saying.
• 5:00
  Speaker 1: You throw that four and then what you did that?
• 5:02
  Speaker 1: But I don't know. Maybe they didn't know they was
• 5:03
  Speaker 1: gonna do it. They didn't know. They didn't know because the.
• 5:06
  Speaker 2: Time from one to two was not that long, but
• 5:08
  Speaker 2: the time from two to three is very.
• 5:10
  Speaker 3: They be taking a sweet time because the first one
• 5:12
  Speaker 3: was ninety five, the second one was two thousand and three. Yes,
• 5:16
  Speaker 3: that was eight years eight, and then we went from
• 5:18
  Speaker 3: two thousand and three to twenty twenty.
• 5:20
  Speaker 1: Yeah, that was a minute.
• 5:21
  Speaker 3: Maybe they'll be making us wait, but now we're getting
• 5:24
  Speaker 3: the quick fast on.
• 5:25
  Speaker 1: Four is good.
• 5:26
  Speaker 2: Yeah, And Reggie's in four. Reggie's in four, reggis and four.
• 5:30
  Speaker 2: Reggie gotta bring Reggie back. His wife is different though.
• 5:32
  Speaker 1: Now he's in the military. Now he's the military. Wait,
• 5:34
  Speaker 1: whose wife is different? Reggie?
• 5:36
  Speaker 2: No, no, no, Martin Martin's Tasha Smith is watching now?
• 5:41
  Speaker 1: Really? Yeah? What Terresa? Random? It's a rounded up to random,
• 5:47
  Speaker 1: Tosa rand Away.
• 5:48
  Speaker 2: Your men, Well, yeah, man, this girl six girl. Hey, Yeah,
• 5:54
  Speaker 2: that's the best part of the movie, Girl.
• 5:56
  Speaker 1: Six at the beginning. We're not supposed to be watching
• 6:00
  Speaker 1: Girl sick, Girl Sick.
• 6:01
  Speaker 2: I don't know what my fam they left me alone
• 6:03
  Speaker 2: far too long with access to tapes.
• 6:07
  Speaker 1: That Girl sixteen.
• 6:08
  Speaker 3: Man, I was like, who, I don't remember nothing else
• 6:11
  Speaker 3: about that movie but that that the beginning scene. Shout
• 6:17
  Speaker 3: out to Teresa Man.
• 6:20
  Speaker 2: I had my whole, my whole life in that movie,
• 6:23
  Speaker 2: I said. And the way she was talking and the
• 6:25
  Speaker 2: camera you couldn't see her eyes, I said, I'm tingling
• 6:28
  Speaker 2: all over, Girl six tingly. We thank you, Spike Lee
• 6:33
  Speaker 2: for your contribution to society. On all right, what's your next?
• 6:36
  Speaker 1: One?
• 6:36
  Speaker 2: Told?
• 6:36
  Speaker 1: All right, So I'm throwing up in there.
• 6:38
  Speaker 3: I'm gonna go with shoot and so many, so many options.
• 6:43
  Speaker 3: I'm gonna go with We got bad boys too in there,
• 6:47
  Speaker 3: we got leather the weapon too. I'm gonna go with.
• 6:50
  Speaker 3: I'm gonna throw rush Hour in this little Jackie Chan,
• 6:54
  Speaker 3: little quick, I'm gonna throw the first one in there. Okay,
• 6:57
  Speaker 3: don't never touch a black man stereo.
• 6:59
  Speaker 1: Man.
• 7:00
  Speaker 3: Yeah, So I'm gonna go with Rush Hour in one.
• 7:02
  Speaker 3: It was the perfect blend of just like you know,
• 7:05
  Speaker 3: two mismatched partners coming together finding the common ground.
• 7:10
  Speaker 2: Rush out, love it rush Out One is June Toile
• 7:15
  Speaker 2: or Ricky Tan.
• 7:17
  Speaker 3: June June tole Yeah with the blonde hair. He had
• 7:22
  Speaker 3: the short blonde hair star right here?
• 7:25
  Speaker 1: Wait, who's too? Then? Who's Ricky Tann? Who is Ricky Tann?
• 7:28
  Speaker 1: I believe? Okay, okay, all right. The comedy on Rush
• 7:33
  Speaker 1: Hour was great.
• 7:34
  Speaker 2: We watched that a lot of the jokes couldn't fly.
• 7:38
  Speaker 1: Oh yeah today, No, I was like, they come Kenny
• 7:41
  Speaker 1: part was funny. Oh it's great.
• 7:43
  Speaker 3: I'm gonna whoop your ass and I'm gonna woop his ass.
• 7:47
  Speaker 1: Hey, man, I shoot you right now. Say you slipped
• 7:49
  Speaker 1: in the kitchen. Don Chito, man, he had some.
• 7:55
  Speaker 3: Dope moves when he when he went in hand in
• 7:57
  Speaker 3: hand with Jackie Champer.
• 7:58
  Speaker 1: Sure he was a crib for sure.
• 8:01
  Speaker 2: I was gonna say, like, don cheto gonna bring it
• 8:03
  Speaker 2: every time, fully believable as kung Fu.
• 8:06
  Speaker 1: I believed him.
• 8:07
  Speaker 2: And that was a funny scene as well. This was
• 8:09
  Speaker 2: the Rush Hour does such a good job of comedy
• 8:11
  Speaker 2: and action. And Chris Tucker, man, you talk about being
• 8:14
  Speaker 2: built for a movie. He's done a lot of good movies.
• 8:16
  Speaker 2: But Rush Hour was like the perfect time in his career.
• 8:20
  Speaker 2: He was like perfect. I remember being mad that he
• 8:23
  Speaker 2: wasn't in the Next Friday, but then like seeing what
• 8:25
  Speaker 2: he did, I was like, well, I mean, you got
• 8:27
  Speaker 2: to take the twenty million.
• 8:28
  Speaker 1: I wish he would have dead Next Friday.
• 8:29
  Speaker 2: Me too, me too, But I feel like what his
• 8:32
  Speaker 2: career became. I was like, Okay, you know what I'm saying.
• 8:34
  Speaker 2: He could have did both.
• 8:36
  Speaker 1: I think he didn't want to smoke. He did like
• 8:38
  Speaker 1: a church thing or something. Whatever his reason was. I
• 8:40
  Speaker 1: an't trying to hear. I don't mind, Like, yeah, so
• 8:44
  Speaker 1: smoking back. You could have came to day.
• 8:47
  Speaker 3: They could have came to listen because because because Next
• 8:50
  Speaker 3: Friday came out in two thousand, Rush Hour was ninety eight,
• 8:54
  Speaker 3: he had the time.
• 8:55
  Speaker 2: No, I think it was it wasn't money. He said
• 8:57
  Speaker 2: he didn't as a church. I think he got churchy.
• 9:02
  Speaker 1: Forget all that.
• 9:03
  Speaker 3: May just bet you could be smoking, not because.
• 9:06
  Speaker 1: It was woke. It was a smoke. He didn't want
• 9:08
  Speaker 1: to be associated with the weed.
• 9:10
  Speaker 3: Well, he could have turned his life around in the sequel.
• 9:14
  Speaker 3: He could have been like, I'm.
• 9:15
  Speaker 1: Off the weed.
• 9:15
  Speaker 3: Smoky Nade smoky, but that that him smoking the weed
• 9:19
  Speaker 3: wasn't his only comedic So he could have been like,
• 9:23
  Speaker 3: I'm turning my life around, Craig and I'm off that
• 9:26
  Speaker 3: that could have been a nice little comedic theme in
• 9:28
  Speaker 3: the movie. Him trying to fight and not give into
• 9:32
  Speaker 3: the smoke.
• 9:33
  Speaker 1: He cranky.
• 9:34
  Speaker 3: Now he don't know what to do when he's not high.
• 9:36
  Speaker 3: There's some comedic berriers. Man, let him love the Lord.
• 9:39
  Speaker 3: You don't want people to love the Lord. All right,
• 9:41
  Speaker 3: I'm going and tell me if you think this counts.
• 9:44
  Speaker 3: Men in Black, Yeah, that counts. They're not technically cops,
• 9:48
  Speaker 3: but they were buddy agents.
• 9:50
  Speaker 1: There was buddy agents, buddy agents. I love men in Black.
• 9:55
  Speaker 2: Now if you ask me one or two, I want
• 9:57
  Speaker 2: to take a quick break from the show to tell
• 9:59
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• 11:44
  Speaker 1: One, it's not even it's not even clone. I'm thinking, man,
• 11:47
  Speaker 1: let me have for let me have my moment. Two
• 11:50
  Speaker 1: was just a retread.
• 11:52
  Speaker 2: I was gonna go with one, but the fact that
• 11:54
  Speaker 2: you even thought, but I was just trying to remember
• 11:56
  Speaker 2: what happeneding too.
• 11:57
  Speaker 1: Man, three is better than two? Yeah, it is. Well.
• 12:00
  Speaker 2: I think my favorite scene in Many Black one is
• 12:05
  Speaker 2: when Will Smith is trying to sit in the egg
• 12:07
  Speaker 2: chair and fill out the paperwork. He's the only one
• 12:11
  Speaker 2: he's like when he scoots that chair and it was
• 12:14
  Speaker 2: so loud, bro I was, I don't know why that
• 12:20
  Speaker 2: was so funny.
• 12:21
  Speaker 3: To Yeah, because all the other ages was, all the
• 12:23
  Speaker 3: other applicants was Germany, there was, but.
• 12:26
  Speaker 2: It was, and I hated them and he just was
• 12:29
  Speaker 2: like and then it was so and then he sat
• 12:32
  Speaker 2: on the bench when he was contemplating when Tommy Lee
• 12:34
  Speaker 2: Jones was like, you know what I'm saying, You ain't
• 12:36
  Speaker 2: everybody ever knew and the way they they sat in
• 12:39
  Speaker 2: that scene for him to contemplate, like he.
• 12:42
  Speaker 1: Sat, he sat out there. It was a time laps.
• 12:46
  Speaker 2: And then I liked the villain. I like Edgar Hey
• 12:49
  Speaker 2: ever your skin fall off your boss? Oh yeah, and
• 12:51
  Speaker 2: he pulled his head. Was that Vincent Dinfrio?
• 12:53
  Speaker 1: That was Vincent? Yeah, he was firing he broh love it.
• 12:58
  Speaker 3: Thisson had the play an alien and a human skin
• 13:02
  Speaker 3: disguise and the alien that he was was an insect.
• 13:05
  Speaker 1: It was great and.
• 13:08
  Speaker 2: Had a lot of different for sure, like him and
• 13:10
  Speaker 2: uh the break.
• 13:14
  Speaker 1: Up Vince Vince Vince Vaughn was he in that? I
• 13:17
  Speaker 1: think he was his brother.
• 13:20
  Speaker 2: They had ran the boat h that ran the boat business.
• 13:24
  Speaker 1: And he was really.
• 13:24
  Speaker 2: Frustrated with Vince Vaughan, like I just hedn't And then
• 13:27
  Speaker 2: him as the kingpin, I just was he is. But
• 13:30
  Speaker 2: he's done so many different things. He was always super believable.
• 13:34
  Speaker 3: He was in full metal jacket, he was in was
• 13:38
  Speaker 3: oh snap, that's him. That is him, shouted, Oh my god,
• 13:44
  Speaker 3: he's good. You right to allright, what's your next one?
• 13:47
  Speaker 1: All right?
• 13:47
  Speaker 3: So I'm gonna go with Running Scared with Gregory Hines
• 13:50
  Speaker 3: and Billy Crystal.
• 13:51
  Speaker 1: I love that movie, man, Gregory.
• 13:54
  Speaker 3: Hines and Billy Crystal, two cops in Chicago, narcotics cops
• 13:58
  Speaker 3: only case trying to Jimmy Smith's character Luio.
• 14:04
  Speaker 1: I love that.
• 14:05
  Speaker 3: I loved the chemistry that Billy Crystal and Gregory Hines had.
• 14:08
  Speaker 3: The soundtrack, the vibe they shot in in Chicago in
• 14:11
  Speaker 3: the winter time. Yeah, so it was it was it
• 14:14
  Speaker 3: was gritty, and then they went down the floor to
• 14:15
  Speaker 3: be like it was over the bar down here, and
• 14:17
  Speaker 3: you got the Michael McDonald's song playing. It was just
• 14:20
  Speaker 3: it was just a great time. I wanted to see
• 14:22
  Speaker 3: more of those two together.
• 14:24
  Speaker 2: Yeah, that Tony put me onto this was working on
• 14:27
  Speaker 2: the project together. He gave me like a list of
• 14:28
  Speaker 2: all these I was surprised with how old that movie was,
• 14:33
  Speaker 2: but how well it held up. Yeah, I was like,
• 14:36
  Speaker 2: they could recreate that movie for sure today and it's so.
• 14:40
  Speaker 1: Far from when it came out.
• 14:42
  Speaker 2: Gregory Hines, man, he picked great projects, it did movie wise.
• 14:46
  Speaker 2: He was always to me perfectly cash and went into
• 14:51
  Speaker 2: exhal and they said, boy, y'all got him.
• 14:53
  Speaker 1: This is perfect.
• 14:55
  Speaker 3: Delivered the Cotton Club tap. Gregory Hines just like Rage
• 15:00
  Speaker 3: in Harlem. He was funny greg Behind. I missed greg Behind. Yeah.
• 15:06
  Speaker 3: But Running Scared I've seen that so many times.
• 15:07
  Speaker 1: It was so good. Yeah, I'm gonna go Beverly Hills
• 15:11
  Speaker 1: Cop one. Oh okay.
• 15:18
  Speaker 2: I liked all of them, but I loved I loved
• 15:22
  Speaker 2: the first.
• 15:23
  Speaker 1: First of all, quick aside, is it a buddy cop movie?
• 15:27
  Speaker 1: I consider buddy cop even if you are.
• 15:30
  Speaker 2: They love to put the opposites of track that they
• 15:32
  Speaker 2: gotta work together, which is gonna give you the comedy element.
• 15:36
  Speaker 1: That's a big element in Beverly Hill. Yeah, because that's
• 15:38
  Speaker 1: really the same thing as Rush Hour.
• 15:40
  Speaker 3: Yeah, because he had to work with these Beverly Hills cops. Yeah,
• 15:43
  Speaker 3: even though he was.
• 15:44
  Speaker 1: A Detroit cop.
• 15:46
  Speaker 2: And Jackie Channing Chris Tucker didn't like each other. And
• 15:48
  Speaker 2: in the first one, the second one, they you know
• 15:50
  Speaker 2: what I'm saying, they became from the first one.
• 15:52
  Speaker 1: They didn't like each other.
• 15:53
  Speaker 3: And that's usually that's usually the theme, Like bad boys,
• 15:56
  Speaker 3: they liked each other, and Running Scared they liked each other,
• 15:58
  Speaker 3: but rush hour or leave the weapons, and in this
• 16:01
  Speaker 3: they had to get acclimated to one another.
• 16:03
  Speaker 2: And the one cop by the book, Yeah, don't want
• 16:06
  Speaker 2: to work together like that's how you usually get your
• 16:08
  Speaker 2: first comedy in the one right, and then by two
• 16:10
  Speaker 2: they working together, they get it, they get it gone. Yeah,
• 16:13
  Speaker 2: But Eddie Murphy found so many funny things and that
• 16:17
  Speaker 2: it had more action than I thought for to be
• 16:19
  Speaker 2: in the eighties. We started off with the truck and stuff,
• 16:21
  Speaker 2: and he was all when he was still.
• 16:24
  Speaker 1: Hanging on to the truck.
• 16:26
  Speaker 2: Great, a lot of funny scenes that they I love
• 16:30
  Speaker 2: the two cops.
• 16:32
  Speaker 1: Rosewood and Taggert Man.
• 16:35
  Speaker 2: I was surprised at how funny I saw because I
• 16:38
  Speaker 2: think I was watching that in twenty twenty one. Yeah,
• 16:40
  Speaker 2: because I hadn't. I didn't watch any of those. You
• 16:43
  Speaker 2: gave me like what it was like seven weeks to watch.
• 16:45
  Speaker 1: Yeah, I gave you a bunch. Yeah.
• 16:47
  Speaker 2: I watched all the leathing weapons, which I had seen,
• 16:49
  Speaker 2: but I hadn't seen it in a minute. But anyway,
• 16:51
  Speaker 2: Beverly Hills Cop was a good time for one from me.
• 16:53
  Speaker 3: I would say, I would argue that two is better.
• 16:56
  Speaker 1: I give you that because the action, the action just
• 16:58
  Speaker 1: looked better in the second. It was a huge it
• 17:00
  Speaker 1: was a big job. Oh you did good. Tony Scott
• 17:05
  Speaker 1: directed that second.
• 17:06
  Speaker 2: One turn on the Fosston for them. So are you
• 17:08
  Speaker 2: saying two next? Are you're just saying that.
• 17:10
  Speaker 1: I'm gonna go with? Uh? I'm gonna go with.
• 17:14
  Speaker 3: I really enjoyed The Last Boy Scout was Bruce Willis
• 17:17
  Speaker 3: and Damon Ways. Now Damon's not a cop, but it
• 17:21
  Speaker 3: was like.
• 17:22
  Speaker 1: A buddy cop.
• 17:24
  Speaker 2: Yeah, as long as somebody got an illegal to carry
• 17:29
  Speaker 2: a firearm.
• 17:29
  Speaker 1: And then Last Boy Scout. I love. I love the.
• 17:34
  Speaker 3: Chemistry with Bruce Willis and Damon Waymams, even though allegedly
• 17:37
  Speaker 3: they didn't get along during this really yeah I didn't
• 17:40
  Speaker 3: know that. Yeah, they didn't get along during shooting, but
• 17:42
  Speaker 3: it didn't show on camera. The story, the action was dope,
• 17:47
  Speaker 3: the insults, the one liners. It was a good action
• 17:51
  Speaker 3: comedy central all good.
• 17:54
  Speaker 2: Yeah, no problems. I feel like again you know how
• 17:58
  Speaker 2: we look we feel about the Wayans. Yeah enough, people
• 18:01
  Speaker 2: don't talk about their stuff, and now people don't talk
• 18:04
  Speaker 2: about that movie.
• 18:05
  Speaker 3: The Last Boys Scout is criminally criminally overlooked, underrated, criminally
• 18:11
  Speaker 3: it's funny to say, all right, my next one, and
• 18:14
  Speaker 3: I will say the reason this puts me up.
• 18:16
  Speaker 1: I put this up so hard. I didn't expect to
• 18:18
  Speaker 1: like this pretty as much as I did. The other Guys.
• 18:21
  Speaker 3: Oh, the one with Mark Wahlberg and Will Ferrell. Well
• 18:25
  Speaker 3: you're talking about the Nice Guys. The Nice Guys with
• 18:28
  Speaker 3: Russell Croll, and.
• 18:30
  Speaker 1: I like both of them.
• 18:31
  Speaker 2: The Nice Guys was a way funnier movie than I
• 18:37
  Speaker 2: ever thought.
• 18:39
  Speaker 1: When they was looking for.
• 18:40
  Speaker 2: Your boy, they come out of the elevator. Oh yeah,
• 18:46
  Speaker 2: somebody get packed. Somebody's getting shot in the hallway. They
• 18:51
  Speaker 2: just looked.
• 18:53
  Speaker 3: Then they got back in the elevation. Then the dude
• 18:55
  Speaker 3: fell out the window. You see the dude fall out
• 18:57
  Speaker 3: the window from the elevator. Man funny crying from the
• 19:03
  Speaker 3: writer of Leith Weapons.
• 19:04
  Speaker 1: Yeah yeah, yeah, yeah, who is it?
• 19:06
  Speaker 3: Shane Black and he also the Last Boys guy. Yeah,
• 19:10
  Speaker 3: the Nice Guys was that was the porn was the
• 19:13
  Speaker 3: porn thing. There was a porn connection and then porn
• 19:15
  Speaker 3: producer and like Murder Mystery, it was trying to get
• 19:22
  Speaker 3: get it out. It tied into like the car the
• 19:25
  Speaker 3: car companies and stuff like that.
• 19:26
  Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah, which I did like
• 19:28
  Speaker 2: the other guys too.
• 19:30
  Speaker 1: That's when Will Farrell had had the beautiful wife and
• 19:33
  Speaker 1: he was was his wife.
• 19:37
  Speaker 2: I just thought that was funny. But the nice guys
• 19:39
  Speaker 2: I was not anticipating. Yeah, I think I watched that.
• 19:42
  Speaker 2: I don't even know why I watched that, but I
• 19:43
  Speaker 2: was like, man, this is fantastic. Yeah, but the other
• 19:46
  Speaker 2: guys was really funny too, because Will Farrell that was
• 19:49
  Speaker 2: more of a comedy.
• 19:50
  Speaker 3: Less on the action. But the nice guys I feel
• 19:52
  Speaker 3: like it was more of an organic one too.
• 19:55
  Speaker 2: Yeah, other guys was was a good time. So that's
• 19:57
  Speaker 2: kind of two for me. Okay, so you got what
• 20:00
  Speaker 2: number were on right now, we just just do it.
• 20:02
  Speaker 2: I wanted to throw in forty eight Hours Eddie Murphy,
• 20:05
  Speaker 2: Nick Notty.
• 20:06
  Speaker 1: That's what I was about to say.
• 20:07
  Speaker 2: Yeah, this period of time, I don't think anybody will
• 20:12
  Speaker 2: ever hit like that.
• 20:13
  Speaker 1: Eddie Murphy. Yeah, it was crazy.
• 20:14
  Speaker 2: That was his first movie, what he was doing in
• 20:18
  Speaker 2: that time. Yeah, it's wild. Yeah, that was another one
• 20:23
  Speaker 2: I watched. That was his first movie, forty eight Hours.
• 20:28
  Speaker 2: He was the criminal, yes, right, and he was.
• 20:30
  Speaker 1: Working with the cop. He was pairing with the cop.
• 20:32
  Speaker 3: Eddie Murphy don't even show up for a long time
• 20:35
  Speaker 3: in that movie.
• 20:36
  Speaker 1: We're like thirty minutes in.
• 20:41
  Speaker 3: Right, and then going there and he meets Reggie Hammond
• 20:43
  Speaker 3: and Jail Sales singing rock saying, and it was just
• 20:46
  Speaker 3: like the perfect dynamic of just like two casters didn't
• 20:49
  Speaker 3: get along.
• 20:50
  Speaker 1: Nick Noty's character was saying, some racist man he was.
• 20:54
  Speaker 2: They had that fight in the alley that was mad long.
• 20:57
  Speaker 2: They had to duke it out. Literally, they fought.
• 21:00
  Speaker 3: It was like the comic books when they have like
• 21:02
  Speaker 3: a team up. I always gotta fight first. Then they'll
• 21:05
  Speaker 3: be like, let's team up. They wipe their mouth and
• 21:08
  Speaker 3: be like, all right, I'm gonna work with you right now.
• 21:11
  Speaker 3: But fucking you know what I'm saying. Just that whole
• 21:15
  Speaker 3: dynamic was just soundtrack was fire.
• 21:18
  Speaker 1: It was gritty. The eighties was grittier, and I like her.
• 21:22
  Speaker 1: I missed the grittiness of the eighties. For sure.
• 21:25
  Speaker 3: You're up again, tone, I'm up again. So I'm gonna
• 21:30
  Speaker 3: throw in. It's so many good buddy cop movies, but I'm.
• 21:35
  Speaker 1: Gonna throw in.
• 21:38
  Speaker 3: I'm gonna throw in Bad Boys one.
• 21:41
  Speaker 1: Oh dang, I forgot why mentioned that. Yeah, I'm gonna
• 21:43
  Speaker 1: do Bad Boys one because bless you.
• 21:49
  Speaker 3: Bad Boys. One to me, that holds the record for
• 21:51
  Speaker 3: the most time I've seen.
• 21:52
  Speaker 1: The movie in movie theaters. I've seen it four times.
• 21:56
  Speaker 3: It was like I wanted that movie to do well
• 21:57
  Speaker 3: because I was a fan of Will Smith and Martin
• 22:00
  Speaker 3: from their shows, and I was just like those two together,
• 22:03
  Speaker 3: two black leads, and the action movie that could have
• 22:06
  Speaker 3: been that could have been cast. It wasn't about the blackness.
• 22:09
  Speaker 3: It was two black leads and it hit.
• 22:12
  Speaker 1: And I was just like, yo, it was funny. The
• 22:14
  Speaker 1: action was dope.
• 22:15
  Speaker 3: This is my introduction to Michael Bay and it was
• 22:18
  Speaker 3: just like, yo, Like the chase scene where Will was
• 22:22
  Speaker 3: they were chasing the cars and Will was running with
• 22:24
  Speaker 3: his shirt over and then Martin cup around and he
• 22:26
  Speaker 3: hopped on the cab and then they fall and there
• 22:28
  Speaker 3: Will scoops him up just in time.
• 22:30
  Speaker 2: And like that scene right there was like if you
• 22:33
  Speaker 2: didn't think Will was gonna be a movie star, that
• 22:37
  Speaker 2: that scene was like, Oh, he got it. This dude's
• 22:41
  Speaker 2: whenever you got it. That's solo poster. Yeah, material right,
• 22:46
  Speaker 2: and he went on to do it.
• 22:48
  Speaker 3: Independence Day was after that, and then after that, this
• 22:51
  Speaker 3: guy's a limit ten straight one hundred me man, the reason,
• 22:54
  Speaker 3: the reason now, the reason I put Bad Boys one
• 22:57
  Speaker 3: over two. The action in Bad Boys Too was a
• 22:59
  Speaker 3: hun better, but Martin, to me, was funnier. In the
• 23:06
  Speaker 3: first one. He was in his bag. He was just
• 23:10
  Speaker 3: he was Martin. Like they didn't make him. He wasn't
• 23:13
  Speaker 3: trying to do no woo size or none of.
• 23:15
  Speaker 1: That really bothered you. Will was just like they.
• 23:17
  Speaker 3: Were making the character more scary like he was.
• 23:21
  Speaker 1: He was scared. He was too worried about stuff. It
• 23:24
  Speaker 1: wasn't like, you know, Danny Glover's character and leave the weapon.
• 23:28
  Speaker 1: He didn't want to do this stuff. But he was
• 23:29
  Speaker 1: just like, Oh, here we go. But it wasn't like,
• 23:32
  Speaker 1: do we gotta do this here? It was just like,
• 23:34
  Speaker 1: that's why you're gonna like the next one.
• 23:36
  Speaker 3: I like Martin it is, I'm gonna get this ship done.
• 23:41
  Speaker 3: Bag Like you know, I'm about that action.
• 23:43
  Speaker 1: This is what it is.
• 23:44
  Speaker 3: Yeah, I'm faking that. I'm Mike Lowry for the Witness,
• 23:47
  Speaker 3: but I'm about that action.
• 23:49
  Speaker 1: Yes, no whining. You gotta see Bad Boys.
• 23:52
  Speaker 2: Okay, I don't want to hype you, but I feel like,
• 23:56
  Speaker 2: for what you just said, you don't like.
• 23:58
  Speaker 1: This because I was supposed to be there when I
• 23:59
  Speaker 1: was out of the man.
• 24:00
  Speaker 2: But you chose the family, which is a good choice,
• 24:02
  Speaker 2: and allowed me to be use them by myself.
• 24:05
  Speaker 1: I took the moment.
• 24:06
  Speaker 2: No, but it was that's what you But that's what
• 24:08
  Speaker 2: I be saying, like if I was going to visit,
• 24:12
  Speaker 2: my family's already on the calendar.
• 24:13
  Speaker 1: Yeah I can't. I'm sad. Yeah.
• 24:17
  Speaker 3: I saw you in there with Will and Martin and
• 24:19
  Speaker 3: Poles and everybody was there. You saw the movie early.
• 24:22
  Speaker 3: Now I can't even.
• 24:23
  Speaker 1: Do my Martin was in there. Martin watched it with us.
• 24:27
  Speaker 2: He watched the whole movie with the whole because they
• 24:29
  Speaker 2: hadn't seen it either. Will was saying that we were
• 24:32
  Speaker 2: backstage and he was like, we have we've seen pieces,
• 24:35
  Speaker 2: we've seen sequences, but we have not seen was like
• 24:38
  Speaker 2: they just finished it like like final final a couple
• 24:42
  Speaker 2: of days ago.
• 24:42
  Speaker 1: Wow.
• 24:43
  Speaker 2: So Martin sat two roles in front of me, Melissa
• 24:48
  Speaker 2: same like basically where that camera.
• 24:51
  Speaker 3: Is, wow?
• 24:52
  Speaker 1: Right there there?
• 24:55
  Speaker 2: No, Okay, it was just Martin and Will that as
• 24:57
  Speaker 2: far as I know. They didn't well I mean openly
• 25:01
  Speaker 2: I know, but it was just mart and Will. But
• 25:04
  Speaker 2: when we was laughing at his I was remember thinking,
• 25:07
  Speaker 2: I can't imagine what it's like to have a theater
• 25:09
  Speaker 2: laughing at something I'm saying, like film like stage Wise,
• 25:12
  Speaker 2: we had it. You've even had it with the with
• 25:17
  Speaker 2: John Black, and they feel good.
• 25:19
  Speaker 3: Weird, I'll be embarrassed, really, yeah, because you know, I'm
• 25:23
  Speaker 3: more critical of my acting than I am with my
• 25:25
  Speaker 3: standard really, even though I'm critical of my stand up,
• 25:29
  Speaker 3: but it's like, it's different. Why are critical acting because
• 25:32
  Speaker 3: the acting is not my words, it's not my so
• 25:34
  Speaker 3: I'm giving the performance.
• 25:36
  Speaker 1: So just more, That's what I'm saying. You be more
• 25:38
  Speaker 1: critical of the stand.
• 25:38
  Speaker 3: Up now, I'm more critical of the of the acting performance.
• 25:42
  Speaker 1: Do they believe me? And I?
• 25:44
  Speaker 3: Am I convincing? Am I pulling it off? And my
• 25:46
  Speaker 3: saying the lines right?
• 25:47
  Speaker 1: Do I look right?
• 25:48
  Speaker 3: When I'm on stage just doing stand up? This is
• 25:50
  Speaker 3: just what it is. Hopefully y'all connect with the material.
• 25:53
  Speaker 3: But I could just be like.
• 25:55
  Speaker 2: It seems like you be more vulnerable with that because
• 25:57
  Speaker 2: that is your words and your life and your.
• 25:59
  Speaker 1: Point of view, and then it's not as permanent stand up.
• 26:02
  Speaker 3: Yeah, Like if I have a set that I didn't like,
• 26:04
  Speaker 3: I can have another set that same night or that
• 26:06
  Speaker 3: next night and just get my revenge.
• 26:08
  Speaker 1: So if you had your stand up special, if.
• 26:11
  Speaker 2: I had my stand up special and I hated it,
• 26:13
  Speaker 2: then I'd be like, yeah, soul on it.
• 26:17
  Speaker 1: I don't like this now.
• 26:19
  Speaker 3: It's stuck now, it's stuck here forever. But a lot
• 26:23
  Speaker 3: of actors don't like seeing themselves work like that. Yeah,
• 26:27
  Speaker 3: Like I can watch my stand up all day, but
• 26:30
  Speaker 3: me acting, I'll be like.
• 26:31
  Speaker 1: You know what, Actually, you're right.
• 26:34
  Speaker 2: I don't mind my stand up, and I don't mind
• 26:36
  Speaker 2: my unscripted stuff, and even like workplace comedy because it's
• 26:39
  Speaker 2: not it's basically unscripted, right.
• 26:41
  Speaker 3: But Churchy, yeah, you'd be tough on yourself.
• 26:45
  Speaker 1: Why do I see that line that way? Or or
• 26:47
  Speaker 1: I'm not.
• 26:48
  Speaker 2: I can remember seeing a part of Churchy when I
• 26:50
  Speaker 2: knew that day was rough as producer cav because lunch
• 26:55
  Speaker 2: was behind. We was having scuffles behind the scenes, and
• 26:58
  Speaker 2: I can see myself be distract dude. So I'd be like,
• 27:01
  Speaker 2: if I had that to do again, I could be
• 27:03
  Speaker 2: more focused. But unscripted, unscripted, the pressure is off.
• 27:08
  Speaker 1: It's different.
• 27:09
  Speaker 3: And that's how I feel when I do my stand up.
• 27:11
  Speaker 3: It's like unscripted. You know it might be scripted.
• 27:13
  Speaker 1: It's still I feel you. I feel you. I'm gonna
• 27:16
  Speaker 1: go The Heat with Melissa McCarthy.
• 27:21
  Speaker 2: That's another movie that I saw that I was really
• 27:25
  Speaker 2: surprised at how much I liked it.
• 27:27
  Speaker 1: I thought I would have a good time, but I
• 27:28
  Speaker 1: had a great It was way better than I expected me.
• 27:31
  Speaker 1: I was like, hey, and I love both of them.
• 27:35
  Speaker 2: CenTra Bullock has also had a lot of Her choice
• 27:38
  Speaker 2: of movies is so like everything from Speed which is
• 27:42
  Speaker 2: full on actually right, no comedy, the Heat, which is
• 27:46
  Speaker 2: buddy comedy, to like bird Box and Blind Size Gravity, Yeah,
• 27:52
  Speaker 2: and then like Ocean's Eight, which is like, She's cool.
• 27:55
  Speaker 2: I did not like that movie, but it's not their fault.
• 27:57
  Speaker 2: It's the same reason I don't like Oceans twelve. I
• 28:00
  Speaker 2: don't like I don't like a heist movie where the
• 28:02
  Speaker 2: heights happened in secret off camera. You tell us about it.
• 28:06
  Speaker 2: Do the one we were talking about. We agreed on this.
• 28:12
  Speaker 1: You can't y'all had the Faberge egg three weeks ago.
• 28:16
  Speaker 1: Click up, that's done. We didn't see that.
• 28:20
  Speaker 2: You can't give me something up that is still that
• 28:23
  Speaker 2: we didn't see in a heist movie.
• 28:26
  Speaker 1: I want to watch you steal and I love and
• 28:28
  Speaker 1: Oceans thirteen. They was like, we was tripping.
• 28:30
  Speaker 2: We go right back to the heist the way and
• 28:33
  Speaker 2: Ocean's a I was super hype about that and they
• 28:36
  Speaker 2: had the first one.
• 28:37
  Speaker 1: You got the first.
• 28:38
  Speaker 2: One cast, great cast, and they came with the fake
• 28:42
  Speaker 2: heis we really stole the necklaces. I said, man, no,
• 28:48
  Speaker 2: you can't steal the thing off camera in a heist movie.
• 28:51
  Speaker 1: They did that.
• 28:53
  Speaker 2: Indiana Jones can't be going for this, not get it,
• 28:57
  Speaker 2: but secretly he stole the actual thing in Paris.
• 29:00
  Speaker 1: Three weeks ago. They played in our faces and we didn't.
• 29:03
  Speaker 2: Know indeed's still the thing. Let it crumble. I want
• 29:06
  Speaker 2: to know if you're gonna get out. Man pissed me,
• 29:09
  Speaker 2: smoothed off and they didn't get in. They haven't got
• 29:12
  Speaker 2: another chance because I'm like, if they don't do Ecean's
• 29:15
  Speaker 2: eight good, they're not gonna get nine. And they and
• 29:20
  Speaker 2: I really wanted to like it because I love thirteen,
• 29:23
  Speaker 2: ded so good. Yeah, eleven o g that's for me.
• 29:27
  Speaker 2: It's the best. Ocean's eleven is under. It's my favorite
• 29:30
  Speaker 2: house movie of all time. Fire if I came home
• 29:34
  Speaker 2: right now and it was on I might I'm watching it.
• 29:37
  Speaker 2: Forget the NBA, the playoffs. Yeah, I'm watching Ocean Is eleven.
• 29:41
  Speaker 2: But it's perfect.
• 29:43
  Speaker 1: I've seen that movie a lot. I love. One of
• 29:45
  Speaker 1: my favorite characters in that is uh.
• 29:48
  Speaker 2: I cannot think of his name, his actual name, but
• 29:50
  Speaker 2: he played funk Houser in Criby Enthusiasm.
• 29:52
  Speaker 1: Oh yeah, yeah voice. I forget his real name though,
• 29:56
  Speaker 1: him and his thing with Matt Damon in that series.
• 30:00
  Speaker 1: Mm hmmm, I loved it. Man, you got anymore? Let's see.
• 30:07
  Speaker 3: We could talk about Rush Hour two another forty eight hours.
• 30:13
  Speaker 3: Die Hard with a Vengeance felt like a buddy cop joint,
• 30:17
  Speaker 3: even though it technically wasn't, but it felt like it,
• 30:20
  Speaker 3: even though Samuel L. Jackson's character was a regular man,
• 30:23
  Speaker 3: But that very much felt like a buddy cop movie.
• 30:26
  Speaker 3: What they had to do. Those are fire. I feel
• 30:30
  Speaker 3: like I'm forgetting a lot.
• 30:34
  Speaker 2: I feel strong about what we got. Yeah, I feel
• 30:36
  Speaker 2: like we know we're over ten. Actually I don't remember
• 30:37
  Speaker 2: what we said.
• 30:38
  Speaker 3: We went over ten, right, So we got so we
• 30:40
  Speaker 3: got uh that boy, we got leave the Weapon, two
• 30:44
  Speaker 3: bad boys wanting to wet, running scared. We got Rush
• 30:48
  Speaker 3: Hour we got the Last boy Scout, we got the heat,
• 30:51
  Speaker 3: we got forty eight hours, We got the nice guys.
• 30:56
  Speaker 1: And the other guys. Oh you put the other guys on?
• 30:59
  Speaker 1: Oh you up? Yeah, that's eleven. There we go.
• 31:03
  Speaker 3: But I feel like I'm forgetting something and it's gonna
• 31:06
  Speaker 3: haunt me.
• 31:07
  Speaker 1: You're gonna watch this back and be like, that's what.
• 31:09
  Speaker 2: I forgot about this academy. I don't, I don't. That's
• 31:13
  Speaker 2: an ensemble.
• 31:14
  Speaker 3: Yeah, it's a bunch of them. Street is a good choice.
• 31:16
  Speaker 1: Those were good.
• 31:17
  Speaker 2: I wouldn't put that on top ten. I had a
• 31:20
  Speaker 2: good time, but it wasn't like twenty one Jumps. Not
• 31:23
  Speaker 2: a comedy Rico star, that's that's just buddy cop, we said,
• 31:28
  Speaker 2: buddy comedy.
• 31:29
  Speaker 3: Buddy cop comedy, action comedy. The Italian Job is too
• 31:33
  Speaker 3: much of an ensemble. Uh oh, we said men in
• 31:39
  Speaker 3: Black as well.
• 31:41
  Speaker 1: I think we're good. Yeah, Blue Streek got like but
• 31:44
  Speaker 1: he didn't have a partner, did he? Not really? I
• 31:47
  Speaker 1: mean he's working with Luke Wilson a lot, but not really.
• 31:50
  Speaker 3: It was more him. Street is hilarious, but it's not
• 31:53
  Speaker 3: making it, but they not. That was very much a
• 31:55
  Speaker 3: buddy comedy. Buddy cop comedy. Oh snap, forgot about the
• 32:00
  Speaker 3: cop elementary.
• 32:01
  Speaker 1: There they were cops. I would put that in there.
• 32:04
  Speaker 3: You're doing that, you're taking what you're taking out the
• 32:06
  Speaker 3: other guys.
• 32:10
  Speaker 1: Yeah, okay, yeah. I enjoyed White Chicks. White Chicks was good, really,
• 32:17
  Speaker 1: but the action was not. I like good action, yeah,
• 32:21
  Speaker 1: but it was fun.
• 32:22
  Speaker 2: I tend to go funny and I like silly and there,
• 32:24
  Speaker 2: you know, you be like, man, the comedy need to
• 32:26
  Speaker 2: be buying the books.
• 32:28
  Speaker 1: Good action though, Oh you know what.
• 32:31
  Speaker 3: Another one that I would like to put in the
• 32:33
  Speaker 3: kind of steak Out with Emilio Estevez and Richard Dreyfus.
• 32:37
  Speaker 1: I really like steak Out a lot.
• 32:39
  Speaker 3: Uh.
• 32:41
  Speaker 1: I don't know that one. Don't think I've seen that one.
• 32:43
  Speaker 3: It's a good one.
• 32:43
  Speaker 1: I like where you're that.
• 32:45
  Speaker 3: This is eighty seven definitely eighty seal. Steak Out was
• 32:49
  Speaker 3: really good though. I saw that movie theaters twice. But
• 32:52
  Speaker 3: go see Bad Boys for Bad Boys Riding.
• 32:57
  Speaker 1: You will like it.
• 32:59
  Speaker 2: June seventh, June's Friday. I don't want to That's Friday.
• 33:04
  Speaker 2: I think y'all would like it. It was I had
• 33:07
  Speaker 2: a good time y'all, and I listen.
• 33:10
  Speaker 1: I would be honest I love Will I love Martin.
• 33:13
  Speaker 2: I had trepidation because the further you get into sequels,
• 33:17
  Speaker 2: the less chances.
• 33:19
  Speaker 1: Even where I was worried the most about bad boys three, yeah,
• 33:22
  Speaker 1: A big worry about that, they are totally different people.
• 33:25
  Speaker 3: Now was big worried about bad boys.
• 33:28
  Speaker 1: And I didn't know what kind of story.
• 33:30
  Speaker 3: What they was gonna do. They had different directors. I
• 33:33
  Speaker 3: was just like, what's about to happen?
• 33:35
  Speaker 1: Yeah?
• 33:36
  Speaker 2: And then I was like, okay, the witch with the
• 33:39
  Speaker 2: with the sun, Yeah, that's a handsome nigga.
• 33:42
  Speaker 1: Boy.
• 33:42
  Speaker 2: When I tell you, I said, this is why the
• 33:45
  Speaker 2: gay romer came up and the other I don't mind
• 33:48
  Speaker 2: telling you a handsome man is handsome. That I don't
• 33:50
  Speaker 2: have nothing to do with my sexuality, just like a woman.
• 33:53
  Speaker 2: And you could acknowledge beauty and another woman. You don't
• 33:56
  Speaker 2: be gay. Beautiful niggas a beautiful nigga. I tell you
• 33:59
  Speaker 2: Normantown beautiful nigga.
• 34:00
  Speaker 1: Mgee.
• 34:02
  Speaker 2: But whoever played Will Spin's son? And now I said, boy,
• 34:05
  Speaker 2: you look alright.
• 34:08
  Speaker 1: That was a handle man.
• 34:10
  Speaker 2: Hilarious And I still want cheeks, sweet women, cheeks, women.
• 34:15
  Speaker 3: Clarify After you said, I don't know if you wanted
• 34:17
  Speaker 3: his cheeks will like, wait a minute, now now now
• 34:20
  Speaker 3: we gay?
• 34:21
  Speaker 1: Now we gay? You just know if you just talking
• 34:25
  Speaker 1: about his cheeks or the women's cheeks, w coochie for that?
• 34:29
  Speaker 3: Yeah, yeah, the transition transitions.
• 34:33
  Speaker 1: Now whoao? Come on, man, It's okay, but I didn't
• 34:38
  Speaker 1: know you know what.
• 34:38
  Speaker 3: I not wrong with it, but you just confused me.
• 34:42
  Speaker 3: It was just like, I'm not gay, but I will
• 34:44
  Speaker 3: take his cheeks like wa.
• 34:46
  Speaker 1: Usually usually can just go cheeks. You know what I mean? Understood, y'all?
• 34:51
  Speaker 1: I feel you.
• 34:52
  Speaker 2: I'm gonna go coochie on that. Fixed that in post
• 34:54
  Speaker 2: Greg won't do it.
• 34:56
  Speaker 1: Yeah. Actually, it's a funny joke. I'm lowing to the
• 34:58
  Speaker 1: joke more than anything, right did jokes.
• 35:00
  Speaker 2: Joke is the joke, man, The joke is the joke.
• 35:04
  Speaker 1: Everybody got cheeks. Everybody got cheeks. This is facts Both
• 35:11
  Speaker 1: Brothers Podcast out here.
• 35:13
  Speaker 2: Man, you talk about a good time tend up the
• 35:17
  Speaker 2: Kevin Tony on stage.
• 35:21
  Speaker 1: I just wish more people could have been there. Oh man,
• 35:24
  Speaker 1: you gotta be there.
• 35:24
  Speaker 3: If you want to see us live on stage together
• 35:27
  Speaker 3: simultaneously in a buddy cop atmosphere, you gotta come.
• 35:31
  Speaker 1: See us live.
• 35:31
  Speaker 2: I want y'all know what me and Tony is secretly
• 35:33
  Speaker 2: building towards is the Buddy Comedies not and could be
• 35:42
  Speaker 2: Chris Farley and David Spain. God, I mean, just throw
• 35:47
  Speaker 2: us into different It could be a cop, it could
• 35:50
  Speaker 2: be just y'all let us let us build the from
• 35:54
  Speaker 2: the ground up. Yes, we got the we got the podcast,
• 35:58
  Speaker 2: we got the tour. By the time you see the
• 36:00
  Speaker 2: Boll Brothers in something, they got to be the Ball
• 36:03
  Speaker 2: Brothers movie. But by the time you see us in there,
• 36:07
  Speaker 2: y'all gonna be like, man, yeah, because the chemistry is right.
• 36:12
  Speaker 2: It's there, man, the chemistry is what you needed. The
• 36:14
  Speaker 2: Buddy Cot We Danny Roy and John blush Man.
• 36:18
  Speaker 1: You know what I'm saying. We're the Blues Brothers. That's
• 36:22
  Speaker 1: play exactly.
• 36:24
  Speaker 2: That's why the first promo people didn't get it. They
• 36:26
  Speaker 2: got way more right, the Black Folks, the Blue Brothers Brothers.
• 36:31
  Speaker 1: I know, I'm old, y'all in Ohio.
• 36:35
  Speaker 2: No it's not, but it's my favorite musical. So y'all,
• 36:39
  Speaker 2: y'all was gonna get this. You missed out on the
• 36:42
  Speaker 2: Blues Brothers. And that's your fault that you was born
• 36:44
  Speaker 2: when you was born and your.
• 36:46
  Speaker 1: Your parents ain't educate you to what the Blues Brothers was.
• 36:49
  Speaker 1: And I don't know black people.
• 36:52
  Speaker 2: I can't tell you that I have another black person
• 36:54
  Speaker 2: that's not you ever mentioned Blues.
• 36:56
  Speaker 1: Brother just because they're young, man.
• 36:58
  Speaker 2: They'd be young you forty seven movies, just two things
• 37:01
  Speaker 2: come on because you'll go back a lot of people
• 37:04
  Speaker 2: don't go back.
• 37:04
  Speaker 1: To movies the crate.
• 37:06
  Speaker 3: Yeah, I go back to like the late seventies on
• 37:09
  Speaker 3: up Lazing saddles blazon saddles Man. Blues Brothers was in rotation.
• 37:15
  Speaker 3: They used to always show it on TV. It was syndicated. Man,
• 37:19
  Speaker 3: them car Chases was legendary and it was in Chicago.
• 37:21
  Speaker 3: But that's neither him. I love dan Akar too, was
• 37:24
  Speaker 3: great Ghostbusters. He's just cone heads. When he said, I
• 37:28
  Speaker 3: got to do a video about this when he was
• 37:30
  Speaker 3: cone heads. When she was making his dinner, he was like,
• 37:33
  Speaker 3: I will enjoy it.
• 37:35
  Speaker 1: I was like, yes.
• 37:37
  Speaker 2: When I was young, d I thought that was the
• 37:40
  Speaker 2: funniest thing ever.
• 37:44
  Speaker 1: I was enjoyed. They were talking.
• 37:45
  Speaker 2: Man, the way they described everything, Like when she described
• 37:49
  Speaker 2: just like a basic breakfast in alien language, I was just.
• 37:54
  Speaker 1: Like, yo, I never even thought about food this way.
• 37:57
  Speaker 1: And he'd been around. He was in Uh. Wasn't he
• 38:01
  Speaker 1: a Marvel movie? Recently? Wasn't he in? Uh? And?
• 38:07
  Speaker 2: Man?
• 38:07
  Speaker 1: Was he? Was it him? I can't remember Danny royd
• 38:12
  Speaker 1: in it? Am I tripping? Bill Murray was in that.
• 38:17
  Speaker 1: It was Bill Mura, Bill Murray. I'm thinking of another Ghostbuster. Yeah,
• 38:20
  Speaker 1: dan ackroy was in something y'all more recent. I said
• 38:23
  Speaker 1: he showed he showed back up for the new Ghostbusters movie.
• 38:26
  Speaker 1: I know that. I ain't see that though. Yeah, Ghostbusters
• 38:31
  Speaker 1: they could do. They could do Coneheads again. They could.
• 38:35
  Speaker 1: Coneheads didn't do well the first time.
• 38:37
  Speaker 3: So Trading Places Danny roy and Eddie Murphy, Eddie Murphy's second.
• 38:43
  Speaker 1: Movie Love Trading Places. That is such a good movie.
• 38:49
  Speaker 2: I remember trying to understand the orange Crop, the futures
• 38:52
  Speaker 2: of it.
• 38:53
  Speaker 1: Oh yeah, because the first time I saw it, I
• 38:54
  Speaker 1: was like, what what happened? Because I don't want I
• 38:58
  Speaker 1: was like, no, what you predicted the orange crop?
• 39:02
  Speaker 2: But Billy Ray Valentine when they first found him and
• 39:06
  Speaker 2: he was with the no legs.
• 39:07
  Speaker 3: Ye had to fake no legs and lifted him up.
• 39:10
  Speaker 1: He was.
• 39:13
  Speaker 3: Threw him right in jail with g and carlois Posito
• 39:16
  Speaker 3: and the jail cell with what he was in there talking.
• 39:21
  Speaker 3: He was in there talking ship in the jail cell.
• 39:25
  Speaker 3: Did not just tell this dude I did karate on.
• 39:27
  Speaker 1: Him, man, Eddie Murphy was just he could do no wrong.
• 39:33
  Speaker 2: Eddie Murphy man forty eight hours, trading places, Billy Hills Cop.
• 39:38
  Speaker 1: Damn. That trajectory is crazy. Couldn't miss that trajectory is crazy.
• 39:43
  Speaker 1: I just what did I just see him?
• 39:44
  Speaker 2: Man?
• 39:45
  Speaker 1: He was good?
• 39:48
  Speaker 2: Wasn't Kenny Kane Lamb? Well, she wasn't bad in I
• 39:51
  Speaker 2: just didn't love that my name. He was good in
• 39:54
  Speaker 2: that when he was mad at the dude for eating them.
• 39:56
  Speaker 2: He was on two months Strawberrys met you.
• 40:00
  Speaker 1: You know man, that movie was funny. Man, I was
• 40:04
  Speaker 1: something more recent than that.
• 40:06
  Speaker 2: Uh Man, he might his career might be untouched.
• 40:13
  Speaker 3: The only person that comes close to that type of
• 40:15
  Speaker 3: trajectory is Jim Carrey.
• 40:18
  Speaker 1: But I don't.
• 40:19
  Speaker 3: But Jim Carrey did so much before he blew up.
• 40:22
  Speaker 3: It's not the same. Eddie Murphy exploded immediately. Yeah, first
• 40:27
  Speaker 3: movie was forty eight dollars, made ninety million dollars in
• 40:29
  Speaker 3: eighty two. That's wild, That's that's big money.
• 40:34
  Speaker 1: Back then. His debut. He's the co league bro you
• 40:40
  Speaker 1: just like he was on Saturday Night Live.
• 40:43
  Speaker 2: I believe he's the only or the first cast member
• 40:45
  Speaker 2: to host while they were a cast member. He had
• 40:48
  Speaker 2: to stand up and he had the movies. Yeah, you
• 40:51
  Speaker 2: nobody can do that today. No, because you can't. Even
• 40:54
  Speaker 2: Saturday Night Live is not what it was at that.
• 40:56
  Speaker 1: It's gonna be forced today.
• 40:57
  Speaker 2: Oh yeah, I can't even think of anybody who can
• 41:00
  Speaker 2: comes close. Will Smith probably has the most Blockbusters closest, No,
• 41:07
  Speaker 2: that's black by the way. Oh as far as black, Yeah,
• 41:10
  Speaker 2: Will Smith is in that company, probably the next one
• 41:13
  Speaker 2: after Eddie yea but Will But Will didn't do as
• 41:15
  Speaker 2: many comedies. No, he did me and and you know
• 41:20
  Speaker 2: what it was. It was life, Me and Melissa, life
• 41:23
  Speaker 2: with the boys.
• 41:24
  Speaker 3: And I was like, yeah, Will Smith might have more
• 41:29
  Speaker 3: live action blockbusters. But again, like you said, since he's
• 41:33
  Speaker 3: doing action, it's easy to be a block sci fi.
• 41:36
  Speaker 2: Yeah, he's but he said he cracked the cold. He
• 41:38
  Speaker 2: was like action in sci fi they do.
• 41:40
  Speaker 1: The best globally. Comedy is tougher comedies.
• 41:42
  Speaker 2: Way, it's it's cultural. Remember we found that out when
• 41:45
  Speaker 2: we was doing the real comedians. When you did that
• 41:47
  Speaker 2: d M V joke that killed all through the United States.
• 41:49
  Speaker 2: We got and they're like, what do you guys have
• 41:52
  Speaker 2: a hard time and we don't.
• 41:53
  Speaker 1: What do you mean? We go in and get our
• 41:55
  Speaker 1: licenses and we're down. We're like, y'all don't have a
• 41:57
  Speaker 1: long time. They're like, no, they don't be rudy. No,
• 42:00
  Speaker 1: everybody's nice in Canada.
• 42:01
  Speaker 2: But explosions in gunfire that translates to every language. Yeah,
• 42:04
  Speaker 2: comedy is very cultural. You won't need no nuance. But this, Yeah,
• 42:10
  Speaker 2: the White House exploded.
• 42:12
  Speaker 1: Yeah, everybody, everybody, man, everybody.
• 42:15
  Speaker 3: A lot of people in other countries want to see
• 42:16
  Speaker 3: the White House exploding. I've been waiting for this. I've
• 42:20
  Speaker 3: been waiting for this moment.
• 42:22
  Speaker 2: Man in their accent, y'all man support me and Tony Man.
• 42:26
  Speaker 2: We're gonna we're gonna build our career our way. Yeah, man,
• 42:29
  Speaker 2: we love y'all. Will see y'all next time, go see
• 42:31
  Speaker 2: bad boys. All right, I'm doing with this boom forty
• 42:34
  Speaker 2: minutes song we
• 42:35
  Speaker 1: Were that wasn't even playing, wasn't no