Latest / The Bootleg Kev Podcast / #539 - Lil Tony

Transcript

#539 - Lil Tony · The Bootleg Kev Podcast

• 0:00
  Speaker 1: With Chasey our boy Little Tony, check me out on
• 0:03
  Speaker 1: the Bootleg CAV podcast.
• 0:05
  Speaker 2: Hey, before we start the episode, we're gonna remind everybody, man,
• 0:07
  Speaker 2: we got one of the biggest radio shows in the country,
• 0:10
  Speaker 2: syndicated in almost one hundred cities all over. Shout out
• 0:14
  Speaker 2: to iHeartRadio. All right, some of the latest cities that
• 0:17
  Speaker 2: we've been able to add. Man, We want to give
• 0:19
  Speaker 2: a shout out to ninety three point nine the Beat
• 0:21
  Speaker 2: in Honolulu. That's right, Hawaii, We over there going crazy.
• 0:24
  Speaker 2: I also want to give a shout out Hot ninety
• 0:26
  Speaker 2: eight three and Tucson. Shout out to Tucson going crazy.
• 0:29
  Speaker 2: Also want to give a shout out to Wild ninety
• 0:31
  Speaker 2: four one in Tampa going crazy. We just got Richmond.
• 0:35
  Speaker 2: We also just got the good folks in Bakersfield at
• 0:38
  Speaker 2: Hot one O four to seven. So we're going crazy
• 0:40
  Speaker 2: on the radio with my partner James Andre Jefferson Junior
• 0:43
  Speaker 2: for the Bootleg keV Show. So make sure you tune
• 0:46
  Speaker 2: in and you can listen anywhere on that iHeart Radio app.
• 0:49
  Speaker 2: That's right, let's get into the interview Bootleg CAV podcast.
• 0:56
  Speaker 2: We got a special guest in here, little Tony what's up?
• 1:00
  Speaker 1: Man?
• 1:01
  Speaker 2: I noticed on your Spotify you had to put the
• 1:04
  Speaker 2: official after your name. Is there a plethora of other
• 1:08
  Speaker 2: little Tony's on Spotify? So you had to designate like, Yo, no, there's.
• 1:12
  Speaker 1: This is no hell no? If it is, I ain't,
• 1:17
  Speaker 1: I ain't. No.
• 1:18
  Speaker 2: Let me help you with the mic. There you go,
• 1:19
  Speaker 2: You're good.
• 1:20
  Speaker 1: Yeah. If now it ain't, it ain't too many littn as.
• 1:24
  Speaker 1: It just I want a nigga to know I'm official.
• 1:26
  Speaker 2: You hear the official one that's technically an artist name.
• 1:29
  Speaker 2: So this is a little Tony Official, Ladies and gentlemen.
• 1:31
  Speaker 1: Really, Keto, I'm trying to get. I'm trying to say,
• 1:33
  Speaker 1: and ain't key to what key I'm getting? I'm changing
• 1:36
  Speaker 1: all my ship on all platforms. The key?
• 1:38
  Speaker 2: Is that serious?
• 1:40
  Speaker 1: Yeah?
• 1:40
  Speaker 2: Breaking news?
• 1:41
  Speaker 1: Yeah? Real soon?
• 1:43
  Speaker 2: Wasn't there a key from Atlanta already?
• 1:45
  Speaker 1: If it is, he ain't.
• 1:47
  Speaker 2: Down cloud o G you don't remember key?
• 1:50
  Speaker 1: She ain't key?
• 1:52
  Speaker 2: You need to change your rap name?
• 1:54
  Speaker 1: What?
• 1:55
  Speaker 2: Okay? Why? Okay? First of all, your name is actually Tony, right, so.
• 1:59
  Speaker 1: Now she look right, I'm a little Tony because that's
• 2:02
  Speaker 1: my parts. You feel what I'm saying? Your dad is
• 2:05
  Speaker 1: big to my dad bit Tony. You know what I'm saying. So,
• 2:07
  Speaker 1: when I was a kid, as I'm going around, people
• 2:09
  Speaker 1: calling me little Tony.
• 2:10
  Speaker 2: Just because you're the kid, you're with them all the time.
• 2:12
  Speaker 1: Exactly, and then I start rapping. When I'm young, I'm
• 2:14
  Speaker 1: still the kid. So my identity at the time is
• 2:17
  Speaker 1: I'm a little Tony. You feel what I'm saying.
• 2:19
  Speaker 2: But your actual name isn't Tony.
• 2:21
  Speaker 1: My real names kai you know what I'm saying. But
• 2:24
  Speaker 1: I'm a little Tony, you see what I'm saying. So,
• 2:26
  Speaker 1: but I'm grown now. You feel what I'm saying. CEO
• 2:29
  Speaker 1: and boss now growing up. So I don't want to
• 2:31
  Speaker 1: be known as key just me. You know what I'm saying.
• 2:34
  Speaker 2: I respect that. Yeah, you can't be a little Tony forever.
• 2:37
  Speaker 2: It's almost like, you know, at what point in time
• 2:40
  Speaker 2: is juvenile not juvenile anymore? And he's grown man.
• 2:44
  Speaker 1: You know it's perfonal preference.
• 2:48
  Speaker 2: Of course, there's a lot of littles. It's not really original,
• 2:50
  Speaker 2: you know.
• 2:51
  Speaker 1: Yeah I thought the same thing, but.
• 2:54
  Speaker 2: I mean it worked for you. You're here, so that
• 2:58
  Speaker 2: name popped for you, man, But.
• 2:59
  Speaker 1: It's more so about ye who are with you feel
• 3:02
  Speaker 1: what I'm saying I feel you about.
• 3:03
  Speaker 2: Who you would your dad? Is your dad still around?
• 3:07
  Speaker 1: Yeah? Most?
• 3:08
  Speaker 2: I don't know, if you know, you gotta ask. He
• 3:10
  Speaker 2: may be passed away. I don't know, But would he
• 3:12
  Speaker 2: feel some type of way if you like changing the.
• 3:14
  Speaker 1: Name mm hmm anything. He won't be saying.
• 3:18
  Speaker 2: He's like, you know, it's my fucking name. I want
• 3:20
  Speaker 2: to back.
• 3:21
  Speaker 1: I didn't name you that ship he proud. He proud
• 3:24
  Speaker 1: of me, you know, wanted to be like him, but
• 3:26
  Speaker 1: he must a liked. And now it's time to grow up?
• 3:29
  Speaker 2: Right? How do you twenty twenty? Oh you can't even
• 3:33
  Speaker 2: buy alcohol in it most places.
• 3:36
  Speaker 1: You're a child, yeah, but not child mentally.
• 3:40
  Speaker 2: My son is nineteen. You are a child. I'm an
• 3:43
  Speaker 2: old man as old as me. It doesn't matter how
• 3:47
  Speaker 2: mentally ahead you are. You're a kid. So it's nice
• 3:50
  Speaker 2: to be say. Yeah, no, you're young for sure. What
• 3:54
  Speaker 2: so you said you've been rapping since you were like like,
• 3:56
  Speaker 2: how like how old were you when you started?
• 4:01
  Speaker 1: I'd say fifteen? But I always been liking music.
• 4:05
  Speaker 2: Though, right, So what was like? Uh the inspiration?
• 4:10
  Speaker 1: Was it?
• 4:10
  Speaker 2: Like you were just listening to music writing? Like what
• 4:14
  Speaker 2: made you want to get into making music.
• 4:17
  Speaker 1: My father made music and he used to always play
• 4:21
  Speaker 1: his music when he'll drop me off at school. Oh
• 4:23
  Speaker 1: so he was a rapper and he wanted no rapper
• 4:26
  Speaker 1: cause he couldn't drop the music cause he would fighting
• 4:29
  Speaker 1: cases and he you know what I'm saying.
• 4:30
  Speaker 2: So, but he was just he had music that he made.
• 4:34
  Speaker 1: Yeah, he had music that he made and it was
• 4:35
  Speaker 1: actually hard. So it inspired me. Right, So I'm saying,
• 4:42
  Speaker 1: you know him with diamonds, you know, fast cards and
• 4:46
  Speaker 1: a lot of money, you know, big houses, all type
• 4:49
  Speaker 1: of stuff. So I'm like, I'm looking up to him,
• 4:51
  Speaker 1: and I seen he not lying in his rock. So
• 4:54
  Speaker 1: I wanted to rap like him. And then I finally
• 4:57
  Speaker 1: got the chance to sit down learn how to do
• 5:01
  Speaker 1: it when there and then when I did it, I
• 5:03
  Speaker 1: liked it, So I do. I wanted to keep pipping
• 5:06
  Speaker 1: the keyshit like I wanted to represent the key. You
• 5:09
  Speaker 1: know what I'm saying, my last name. You feel what
• 5:10
  Speaker 1: I'm saying. So that's why I say key.
• 5:12
  Speaker 2: Like, So, your dad was getting money, but not necessarily
• 5:16
  Speaker 2: from hip hop. He was doing rappers more of like
• 5:18
  Speaker 2: a hobby.
• 5:20
  Speaker 1: No, he ain't even he never dropped.
• 5:22
  Speaker 2: I'm saying as a hobby. Then yeah, it was a
• 5:24
  Speaker 2: hobby for.
• 5:24
  Speaker 1: H Yeah, he did do any for fun, like yeah.
• 5:27
  Speaker 2: Yeah, and this is in Atlanta, So like, was your
• 5:31
  Speaker 2: pops around any other artists in Atlanta at the time,
• 5:34
  Speaker 2: Like usually guys like that like have some homies that
• 5:36
  Speaker 2: are kind of on.
• 5:38
  Speaker 1: It's something like that. Yeah, something like that.
• 5:41
  Speaker 2: Something like that. So are you you know coming up
• 5:48
  Speaker 2: in Atlanta? I feel like it used to be where
• 5:50
  Speaker 2: you had to kind of pop off through the strip
• 5:53
  Speaker 2: club circuit. But I feel like with the internet now
• 5:57
  Speaker 2: that's kind of gone away. Like it's helpful, right if
• 5:59
  Speaker 2: you catch one it, but it's not necessarily required.
• 6:01
  Speaker 1: Yeah.
• 6:03
  Speaker 2: Do you like care about getting your music played to
• 6:05
  Speaker 2: like Magic City these days? Is that like a thing
• 6:07
  Speaker 2: you give a fuck about?
• 6:09
  Speaker 1: Because me partially that's not the music I make, right,
• 6:12
  Speaker 1: But I still be seeing them play it though, Right,
• 6:16
  Speaker 1: But it kind of like I don't I just be
• 6:19
  Speaker 1: popping it.
• 6:19
  Speaker 2: Are you old enough to get into Magic City?
• 6:22
  Speaker 1: Yeah? I mean I've always been able to.
• 6:25
  Speaker 2: He's like, I'm Tony, I get wherever the fuck I
• 6:27
  Speaker 2: want to go.
• 6:28
  Speaker 1: Yeah, it's like, yeah, it's just not no conceded ship.
• 6:32
  Speaker 1: But they gonna they're gonna mess with me if I go.
• 6:34
  Speaker 1: But I just I'm not a club type nigga.
• 6:36
  Speaker 2: You know, smart guy, like you said, going to the
• 6:38
  Speaker 2: club is not very productive.
• 6:40
  Speaker 1: It doesn't get me. It's not it's not it doesn't
• 6:42
  Speaker 1: line where I'm trying to be a nick.
• 6:43
  Speaker 2: Well, you know, if you're if you're getting paid, that's
• 6:46
  Speaker 2: one thing. But if you're just going to go, you're
• 6:48
  Speaker 2: putting yourself in like harm's way for nothing exact and
• 6:51
  Speaker 2: then you're gonna spend money.
• 6:53
  Speaker 1: Exactly exactly, So it's pointless to me. And then you know,
• 6:56
  Speaker 1: I don't really one of the.
• 6:57
  Speaker 2: Most ridiculous things people can do is go to the
• 6:59
  Speaker 2: strip club because then you get as an artist, you
• 7:01
  Speaker 2: become like kind of peer pressured and throwing your money.
• 7:04
  Speaker 2: Like imagine if you just wanted to go and eat
• 7:07
  Speaker 2: at Blue Flame or Magic City and you just went
• 7:10
  Speaker 2: to get food, they would talk shit about you. They'd
• 7:13
  Speaker 2: be like, man, little Tony came in. He didn't even
• 7:15
  Speaker 2: throw no money, he just got wings back. Bitch, what
• 7:17
  Speaker 2: if I'm hungry dog? You know what I'm saying, Like I.
• 7:18
  Speaker 1: Mean, I don't give a forward gain, you know what
• 7:20
  Speaker 1: I'm saying.
• 7:20
  Speaker 2: But you know how it is, Like yeah, and then
• 7:23
  Speaker 2: you end up throwing three thousand dollars just on like
• 7:26
  Speaker 2: fuck out of here. You know what I'm saying, Like
• 7:27
  Speaker 2: you could.
• 7:28
  Speaker 1: It's just it just don't align with what I got
• 7:31
  Speaker 1: going on. Like I said, I'm pushing generational success. I'm
• 7:34
  Speaker 1: trying to learn paperwork and certain stuff that nigga don't
• 7:39
  Speaker 1: be knowing about. You feel what I'm saying, right, So
• 7:41
  Speaker 1: I'm trying to I'm trying to expand basically.
• 7:43
  Speaker 2: What sounds like. You kind of came from a background
• 7:45
  Speaker 2: where your dad was pretty successful, right, so you were
• 7:47
  Speaker 2: able to kind of pribably see a lot of you
• 7:50
  Speaker 2: know what it was, us.
• 7:51
  Speaker 1: And downs and everything. Yeah. So and then on top
• 7:54
  Speaker 1: of that, I will bless the ugh to also get
• 7:57
  Speaker 1: signed before all at eighteen, So I was rich before
• 8:00
  Speaker 1: I was eighteen. Well, as soon as I turned eighteen,
• 8:02
  Speaker 1: I signed, you, feel what I'm saying. Right before I
• 8:04
  Speaker 1: even became twenty one, twenty one on R you already
• 8:07
  Speaker 1: got money in your pocket exactly. So I've always just
• 8:11
  Speaker 1: been trying to outdo myself.
• 8:13
  Speaker 2: What were the things you did with your first bag
• 8:17
  Speaker 2: when you signed? Because a lot of a lot of
• 8:19
  Speaker 2: eighteen year olds would probably you know.
• 8:22
  Speaker 1: The same shit everybody do. Fuck it up. I ain't
• 8:24
  Speaker 1: gonna lie. I got. I gave my dad on home
• 8:28
  Speaker 1: the thousand, gave my grandma thirty thousand. Then I went
• 8:32
  Speaker 1: and bought me a car. I cashed out my fault.
• 8:36
  Speaker 2: You're gonna push your ket a little six to your
• 8:38
  Speaker 2: face no more.
• 8:38
  Speaker 1: I cashed out on a on a beat up ass.
• 8:43
  Speaker 1: I think twenty eighteen nineteen diede charger, Like, shoot, it's
• 8:49
  Speaker 1: not the charger, so stupid shit. Then I had I
• 8:54
  Speaker 1: went about head of clothes. I think I went shopping,
• 8:57
  Speaker 1: probably spent like fifteen thousand on clothes. I think I
• 9:00
  Speaker 1: gave like five thousand to my little girl, like just
• 9:04
  Speaker 1: like in a little trust and a little fun, you
• 9:07
  Speaker 1: know what I'm saying. Then I gave like twenty five
• 9:10
  Speaker 1: hundreds for like child sport or something like that. You
• 9:13
  Speaker 1: know what I'm saying, Yeah, stuff like that. And then
• 9:17
  Speaker 1: after that I just kept buying guns and stupid shit
• 9:20
  Speaker 1: like that, you know what I'm saying.
• 9:21
  Speaker 2: So yeah it So did you blow through all all
• 9:24
  Speaker 2: of your advance like pretty quickly? Yeah?
• 9:27
  Speaker 1: Yeah, nigga, Like I I got signed in celtemble. I
• 9:33
  Speaker 1: probably blew through that ship like January, God damn broke.
• 9:38
  Speaker 1: But I would blessed though, Like I say, to have
• 9:43
  Speaker 1: a good situation. I was in so I got the
• 9:44
  Speaker 1: money bag and then my grandma put me on games.
• 9:46
  Speaker 1: She ain't let me do that no more.
• 9:48
  Speaker 2: Yeah, well, I mean I guess you every I feel
• 9:50
  Speaker 2: like everybody gotta go through that ship, you know.
• 9:52
  Speaker 1: Yeah, yeah, at least.
• 9:53
  Speaker 2: You got some clothes that you probably will never wear again.
• 9:56
  Speaker 2: Is there like three years old?
• 9:57
  Speaker 1: I mean I threw them bitches away. It ain't gonna
• 9:59
  Speaker 1: lie nine times out ten after after I give it
• 10:03
  Speaker 1: on the bros or I give it to a crackhead.
• 10:05
  Speaker 2: As long I feel like, uh, I see you got
• 10:07
  Speaker 2: the white tea on. I feel like that's you know,
• 10:09
  Speaker 2: you just buy a pack of those.
• 10:12
  Speaker 1: I stand on it. I could be over billion dollars
• 10:14
  Speaker 1: them still, t.
• 10:16
  Speaker 2: Do you wear air forces more than once?
• 10:19
  Speaker 1: No? No, you can't. Really, you can't get three wears
• 10:25
  Speaker 1: I give them away. You can't get three wears. I can.
• 10:29
  Speaker 1: I can, except not low tos. I don't wear me
• 10:32
  Speaker 1: only wear low tops more than once. I wear mid toss,
• 10:35
  Speaker 1: though I doubt my mid toss.
• 10:37
  Speaker 2: So low top air forces. They're getting thrown out or
• 10:41
  Speaker 2: given away.
• 10:42
  Speaker 1: Yeah, or given away. But I doubt the mid toss.
• 10:45
  Speaker 1: I wear them bitches toll they beat.
• 10:46
  Speaker 2: So what if they're the Black forces? Do you even
• 10:50
  Speaker 2: do you even mess with it? If I got Black forces,
• 10:53
  Speaker 2: can you get you can get to two out of those.
• 10:55
  Speaker 1: The old Hell yeah, the old forces that I got
• 10:58
  Speaker 1: the old Black Force out wanting them bitches and today.
• 11:01
  Speaker 2: Talk okay, but just the white ones. When you say
• 11:04
  Speaker 2: until they talking till they're.
• 11:05
  Speaker 1: To them bitches, open up, yeah yeah, yeah to the
• 11:07
  Speaker 1: world and the glue come all of them, mof for right.
• 11:10
  Speaker 2: So the white ones though, just wanted done.
• 11:13
  Speaker 1: Yeah, white ones wanted done just because she like bitch
• 11:16
  Speaker 1: ownly like a home dollars anyway.
• 11:17
  Speaker 2: It that's fair. They went up. I think they're a
• 11:21
  Speaker 2: buck twenty now yeah. Fuck, hey man, that used to
• 11:23
  Speaker 2: be the price of Jordan's fucking Nike. Can suck my
• 11:25
  Speaker 2: dick for real? What the fuck are we doing?
• 11:27
  Speaker 1: There?
• 11:27
  Speaker 2: Used to be ninety dollars. Now there a one hundred
• 11:29
  Speaker 2: and twenty dollars flation. It's crazy.
• 11:33
  Speaker 1: Everybody doing the same shit.
• 11:34
  Speaker 2: It's a thirty percent increase, right, yeah, yeah, at least
• 11:38
  Speaker 2: so you're from the West side.
• 11:39
  Speaker 1: Of Atlanta, Yes, sir, Yes, sir. Uh.
• 11:42
  Speaker 2: What was it like growing up there? Man?
• 11:44
  Speaker 1: Man, same place? I say, it's the same way as
• 11:50
  Speaker 1: any other ghetto. If you know what I'm saying. Niggas dying,
• 11:53
  Speaker 1: nigga and raw stoking. You know what I'm saying, that
• 11:58
  Speaker 1: stoking raw like that be the same old ship. It's really
• 12:03
  Speaker 1: about just how you move you did you know what
• 12:04
  Speaker 1: I'm saying? Right, It's like you sold what you read,
• 12:07
  Speaker 1: You read what you sol, you feel what I'm saying.
• 12:08
  Speaker 1: So as long as you stay out the way, and
• 12:10
  Speaker 1: you know, you stay genuine, you'll be out. You'll be smooth,
• 12:14
  Speaker 1: you'll be out the way, you'll be good. But if
• 12:15
  Speaker 1: you're out here trying to be a gangster, you know
• 12:17
  Speaker 1: you're gonna get We'll come to you.
• 12:19
  Speaker 2: What were some of the other Atlanta artists you grew
• 12:22
  Speaker 2: up listening to besides your pops.
• 12:24
  Speaker 1: Obviously, Mmm, Gzy bank Roll, Fresh, Rest and Peace, Oh yeah,
• 12:32
  Speaker 1: Restress and piece man outcast?
• 12:36
  Speaker 2: Oh yeah, you was in your dad's car for sure.
• 12:38
  Speaker 1: Yeah you go outcast. Let me see who else? Mm
• 12:44
  Speaker 1: hmm t I T I. Let's say it's a whole
• 12:51
  Speaker 1: bunch of legends from the city man walk a flocker two.
• 12:54
  Speaker 2: Chain, you're yeah, you're mentioning all but oh geez.
• 13:00
  Speaker 1: Yeah, that's all I can think off the top.
• 13:03
  Speaker 2: Have you been able to link with Killer Mike yet?
• 13:05
  Speaker 1: Out there?
• 13:06
  Speaker 2: Killer Mike's the guy man. I feel like he's gonna
• 13:08
  Speaker 2: be president one day, or at least the governor.
• 13:10
  Speaker 1: Of it should say president.
• 13:11
  Speaker 2: Hey, I think he could be the governor of Georgia
• 13:13
  Speaker 2: one day for real. He has political aspirations, so oh,
• 13:18
  Speaker 2: I know, so hell yeah that feels led like hell
• 13:20
  Speaker 2: of strikes at Amazon. But Bernie Sanders and she's like
• 13:23
  Speaker 2: Killer Mike is tapped in on the politics for sure.
• 13:25
  Speaker 1: Shout with Bernie Sanders and I gotta do some research.
• 13:28
  Speaker 1: I ain't heard about show.
• 13:29
  Speaker 2: Yeah, Killer Mike run the Jewels.
• 13:33
  Speaker 1: I heard of his name, but one of her.
• 13:35
  Speaker 2: Greatest rappers who've ever lived? Ever? Like one of the goats.
• 13:40
  Speaker 1: Well, okay, if I was to listen to a song,
• 13:42
  Speaker 1: would I go.
• 13:43
  Speaker 2: Listen to Ronald Reagan by Killer Mike?
• 13:47
  Speaker 1: Yeah?
• 13:48
  Speaker 2: Break down some ship? Yeah, you know, Killer Mike he's
• 13:52
  Speaker 2: got some he's I know I probably heard she got
• 13:54
  Speaker 2: it on. You've heard her have you heard her run
• 13:56
  Speaker 2: the Jewels. So that's his group with LP Atlanta Legend.
• 14:02
  Speaker 2: We got barbershop. He got a barber shop in the
• 14:04
  Speaker 2: Atlanta Falcons uh Arena and in the Hawks Arena. Yeah.
• 14:10
  Speaker 1: You so you can get your haircut in the You get.
• 14:12
  Speaker 2: The swag shop is the name of his barbershop.
• 14:14
  Speaker 1: Get haircut when you go watch the Falcons, I mean
• 14:17
  Speaker 1: the Hawks. I ain't know that. Yeah, I ain't know that.
• 14:20
  Speaker 1: I'm from to see that. I ain't know that.
• 14:21
  Speaker 2: You gotta go, man, swag shop is what it's called.
• 14:24
  Speaker 1: Swag shop.
• 14:25
  Speaker 2: Yeah, I mean it's a really cool spot. Yeah. I
• 14:29
  Speaker 2: feel like Boozy has become like a honorary Atlanta mentioned. Yeah,
• 14:35
  Speaker 2: because he's front front row at all the Hawks.
• 14:38
  Speaker 1: Games, Like Boozy from Bad Ruge.
• 14:42
  Speaker 2: I know what I'm saying, But he's always that one
• 14:44
  Speaker 2: from Yeah he's from Baton Rouge. Yeah yeah, so yeah, No,
• 14:47
  Speaker 2: I know what I'm saying, but he's like the hawks
• 14:50
  Speaker 2: number one fan. It seems like front row every game.
• 14:53
  Speaker 1: Was shout you know, I don't know, I don't really
• 14:55
  Speaker 1: pay attention to you know, what other folks be having
• 14:58
  Speaker 1: going on with?
• 15:00
  Speaker 2: So when is the fit? When's the name change happening.
• 15:04
  Speaker 2: Do we have a date on it?
• 15:06
  Speaker 1: No, man, but I do got a date for the
• 15:09
  Speaker 1: deluxe on the deluxe album for eleven April eleven. If
• 15:13
  Speaker 1: you didn't what I'm saying, it's Kyle Born Again with
• 15:17
  Speaker 1: the twenty two tracks. Twenty two tracks everything everybody going.
• 15:22
  Speaker 1: I'm pretty sure it's like four four three three to
• 15:25
  Speaker 1: fourth features on them.
• 15:27
  Speaker 2: Yeah, because you don't have features on the original, right,
• 15:29
  Speaker 2: I got?
• 15:30
  Speaker 1: Yeah, I do, I got, Actually no, I don't. So
• 15:34
  Speaker 1: who's on the deluxe Nino paid h and the nickname
• 15:41
  Speaker 1: Rocket and my artist, PC of Man.
• 15:46
  Speaker 2: Man, So you have a label sign an artist? Yeah,
• 15:52
  Speaker 2: let's see you are you? Because at the end of
• 15:56
  Speaker 2: the day, it's a big responsibility to sign somebody, right,
• 16:00
  Speaker 2: kind of like semi responsible for their success. Yeah, it's
• 16:04
  Speaker 2: a big responsibility.
• 16:06
  Speaker 1: Man.
• 16:07
  Speaker 2: Have you ran into any like headaches when it comes
• 16:09
  Speaker 2: to doing the label thing yet?
• 16:10
  Speaker 1: I mean only twenty so yeah, yeah, most definitely. I
• 16:14
  Speaker 1: mean just like what you say, man, you want when
• 16:17
  Speaker 1: you want good for a nigga, they don't want good
• 16:19
  Speaker 1: for theirself. That be a be a discrepancy, you know,
• 16:23
  Speaker 1: But when they have a good potential to kind of
• 16:26
  Speaker 1: be frustrating. You feel what I'm saying because you'll see
• 16:29
  Speaker 1: something in the nigga that they don't see themselves. Yeah,
• 16:32
  Speaker 1: you feel what I'm saying, or you'll want it for
• 16:35
  Speaker 1: them want it. Where my problem has or issues I've
• 16:39
  Speaker 1: run into, is seeing the potential in the nigga, helping
• 16:43
  Speaker 1: them out, but helping them out before they realize their potentially.
• 16:50
  Speaker 1: You doe know what I'm saying, right, So I'm giving
• 16:52
  Speaker 1: them a platform before they understand how for they really
• 17:00
  Speaker 1: they really understand how how big this this opportunity is.
• 17:03
  Speaker 1: You know what I'm saying. They don't really understand how
• 17:05
  Speaker 1: big opportunity be, so they get on and play with it.
• 17:09
  Speaker 1: But that well, you know niggas that have to live
• 17:12
  Speaker 1: and learn from shit like that.
• 17:13
  Speaker 2: And then you can't you can't want it more than
• 17:15
  Speaker 2: they want it, you know what i mean.
• 17:17
  Speaker 1: Yeah, But that's where that'll be. That'd be why sometimes
• 17:22
  Speaker 1: you'll see artists will come up and not really go
• 17:27
  Speaker 1: for real because they don't be hungry. They don't want
• 17:30
  Speaker 1: it for real, you know what I'm saying. And that's
• 17:32
  Speaker 1: how you'll see some somebody try to bring up artists
• 17:35
  Speaker 1: and they artists don't do what they do. Because the
• 17:38
  Speaker 1: artists might have talent, but they might don't want it
• 17:41
  Speaker 1: for real, or they might have an attitude, or it
• 17:42
  Speaker 1: might be some shit going on in the background.
• 17:44
  Speaker 2: It's like a very small part of Obviously, you gotta
• 17:47
  Speaker 2: have some talent, right, you gotta make music the marketplace
• 17:49
  Speaker 2: once they hear. But you also have to have like
• 17:51
  Speaker 2: all of the other ship almost more because there's some shitty,
• 17:56
  Speaker 2: shitty music that's cracking because the artists be grinding. Yeah,
• 18:00
  Speaker 2: and like everything is subjective, you know, but no, for.
• 18:03
  Speaker 1: Sure, talent is a quiet taste though. You know what
• 18:05
  Speaker 1: I'm saying. Every everything subjective. So what I think is
• 18:08
  Speaker 1: good or whatever? You know what I mean exactly that's fair.
• 18:12
  Speaker 2: Damn. Yeah. So you said that your your your mission
• 18:15
  Speaker 2: is like kind of more trying to like be on
• 18:17
  Speaker 2: the entrepreneurial side. You figure out, you know, paperwork ship,
• 18:21
  Speaker 2: are you investing in anything? What are you doing with
• 18:23
  Speaker 2: what your uh, what's your extra income? Man?
• 18:27
  Speaker 1: I can't put you on with that right now. I
• 18:29
  Speaker 1: can't put niggas on. But get what do what I
• 18:31
  Speaker 1: will say, I gotta I got a mentor you know
• 18:36
  Speaker 1: what I'm saying, I gotta financial advis and a mentor,
• 18:40
  Speaker 1: and I just been learning. I got my credit together
• 18:44
  Speaker 1: if you haven't, all of your niggas out there and
• 18:46
  Speaker 1: make sure y'all boy get you all credit together.
• 18:48
  Speaker 2: You know what I'm saying, Yeah, you gotta have good credit, man.
• 18:49
  Speaker 1: And really, what I do is I just be living
• 18:52
  Speaker 1: on credit. I live. I live for free Cone spens paper.
• 18:55
  Speaker 1: You feel what I'm saying.
• 18:56
  Speaker 2: So, so do you? You like have like an AMX,
• 19:00
  Speaker 2: just run it up, pay off.
• 19:01
  Speaker 1: The zero exactly so you know, I get rap chests,
• 19:04
  Speaker 1: so I get I get rap chests, you know what
• 19:05
  Speaker 1: I'm saying. So I might get paid X, Y and Z.
• 19:11
  Speaker 1: I might have a credit card that has a balance
• 19:14
  Speaker 1: of ten thousands. You feel what I'm saying. Okay, Well,
• 19:17
  Speaker 1: I don't spend ten thousand in a month, right, I
• 19:20
  Speaker 1: don't do nothing for real. I might buy a fit
• 19:22
  Speaker 1: for a video, right, and I might shoot four videos
• 19:25
  Speaker 1: in a month. You feel what I'm saying. One of
• 19:27
  Speaker 1: my fits might be filteen on it. You know what
• 19:30
  Speaker 1: I'm saying, That's not too much. Besides that I go
• 19:34
  Speaker 1: out and eat and I pay for gas and I
• 19:37
  Speaker 1: pay my bills. You feel what I'm saying. So Okay,
• 19:40
  Speaker 1: I know how much I'm gonna spend this month. I
• 19:42
  Speaker 1: get that times four on a rap check, So I save,
• 19:50
  Speaker 1: I save, I pay the bills off, and then I
• 19:52
  Speaker 1: just put the rest up so it should be profit
• 19:55
  Speaker 1: every month. So I'm making fifty seventy thousand dollars profit
• 19:59
  Speaker 1: every month, you feel, I'm saying, because all I'm doing
• 20:01
  Speaker 1: it to live and off the credit that they give me.
• 20:03
  Speaker 1: You feel, I'm saying, So your credit.
• 20:04
  Speaker 2: Cause, yeah, and then you pay the zero every month.
• 20:06
  Speaker 2: That's the thing. You gotta be disciplined because you don't
• 20:08
  Speaker 2: pay the zero.
• 20:09
  Speaker 1: Make sure y'all need to be disciplined. I get money,
• 20:10
  Speaker 1: and what I'm saying is I get the money to
• 20:12
  Speaker 1: pay my credit cause off, you use.
• 20:14
  Speaker 2: Your credit card to live on, but you pay the
• 20:16
  Speaker 2: zero every month, build your credit score, and then you
• 20:18
  Speaker 2: get all the benefits to points. Then you you know, fuck,
• 20:22
  Speaker 2: I just went on like a seven day vacation for free,
• 20:25
  Speaker 2: exactly off of them points. You know what I mean.
• 20:28
  Speaker 2: But the problem is most people get those credit cards
• 20:33
  Speaker 2: and they live beyond their means, and then they end
• 20:37
  Speaker 2: up racking up that debt because it's like twenty eight
• 20:39
  Speaker 2: percent interest rate and then they be all fucked up.
• 20:42
  Speaker 2: It's like, now, get you're getting this because you would
• 20:44
  Speaker 2: rather use this than your debit card, because there's benefits
• 20:47
  Speaker 2: off you use this. Plus, if you ever a debit.
• 20:50
  Speaker 1: Card is a hard debit carse or shit.
• 20:52
  Speaker 2: Well that's what I'm saying. If a debit card, like,
• 20:55
  Speaker 2: if some fraud happens with their debit card, it's a
• 20:56
  Speaker 2: lot harder to get your bread bag. If some fraud
• 20:58
  Speaker 2: happens with your credit card, they'll just give you that
• 21:00
  Speaker 2: your back, like right away, because it's not even your money,
• 21:02
  Speaker 2: so it's not coming out of your account, I mean exactly. So, yeah,
• 21:06
  Speaker 2: that's smart man, you got to figure it out. You're
• 21:08
  Speaker 2: doing anything with Krypto.
• 21:10
  Speaker 1: I don't know nothing bad. It too heavy yet, run away, runaway,
• 21:13
  Speaker 1: I ain't trying to fuck Yeah, smart guys, that.
• 21:16
  Speaker 2: Should be you think you got to figure it out.
• 21:18
  Speaker 1: Then it was you're not doing sports betting. I don't
• 21:25
  Speaker 1: be smart man. Good good, stay out of the sports
• 21:28
  Speaker 1: betting too good. All that price picks, all that ship
• 21:31
  Speaker 1: be fucked up.
• 21:32
  Speaker 2: Dog.
• 21:33
  Speaker 1: I was sticking to what I know you feel. I'm
• 21:36
  Speaker 1: getting into real estate, smart. I want to build my
• 21:38
  Speaker 1: own apartment complets.
• 21:41
  Speaker 2: That's good.
• 21:42
  Speaker 1: That's all I'm really looking forward to. Right, besides that,
• 21:46
  Speaker 1: I want to build my own apartment complets and uh
• 21:51
  Speaker 1: make sorry I build up on my artists. Besides that,
• 21:56
  Speaker 1: I ain't really worry about too much.
• 21:58
  Speaker 2: Right, would you? I don't know if you are you
• 22:00
  Speaker 2: have or now? But would you do a song with
• 22:01
  Speaker 2: your pops?
• 22:03
  Speaker 1: Did that multiple times?
• 22:04
  Speaker 2: Oh so you've already that's already out there. Yeah, yeah,
• 22:06
  Speaker 2: you guys do a whole album that'd be kind of gray.
• 22:08
  Speaker 1: Yeah, we already got that on the way.
• 22:10
  Speaker 2: So there's a big Tony little Tony album. Yeah, that's
• 22:13
  Speaker 2: how you retire the name at the end of the album.
• 22:17
  Speaker 2: So oh yeah, have your dad do just some ill
• 22:20
  Speaker 2: ship at the end, retire it. You're not You're not
• 22:22
  Speaker 2: little Tony anymore. Son.
• 22:25
  Speaker 1: He did. It's crazy to work. It's like he just
• 22:29
  Speaker 1: he just a little boy at me on it. Millions
• 22:33
  Speaker 1: of folks.
• 22:34
  Speaker 2: First of all, as your father, he has the power
• 22:37
  Speaker 2: to do such things.
• 22:37
  Speaker 1: He could he do, But like look though, o G
• 22:40
  Speaker 1: so real. He wouldn't do me like that, you know
• 22:43
  Speaker 1: what I'm saying. He didn't know how he know, you
• 22:44
  Speaker 1: don't do your son like that? In front of everybody.
• 22:46
  Speaker 1: What you mean you want to change your name? You
• 22:48
  Speaker 1: do that? You do that even tell.
• 22:49
  Speaker 2: You're graduating like you're not little Tony anymore. You're You're
• 22:52
  Speaker 2: a big dog son. It's time you take the run
• 22:55
  Speaker 2: with it.
• 22:59
  Speaker 1: Hey look no, hell no, we ain't gonna do that one.
• 23:03
  Speaker 2: Who's your dream collap Like? Like, who's the artist you
• 23:06
  Speaker 2: always wanted to work with that you haven't worked with yet?
• 23:11
  Speaker 1: Lauryn Hill.
• 23:12
  Speaker 2: Lauryn Hill would be sick.
• 23:15
  Speaker 1: I want to work with Lauryn Hill. I want to
• 23:17
  Speaker 1: work with I want to work without cast.
• 23:24
  Speaker 2: I mean you could definitely get Andre to maybe play
• 23:27
  Speaker 2: a flute somewhere.
• 23:29
  Speaker 1: I want Andre thousand chip.
• 23:31
  Speaker 2: Yeah, big boy, I think you get the big boy verse.
• 23:34
  Speaker 1: I want doing with GZ too.
• 23:40
  Speaker 2: Geez, that'd be nice. Shouder Have you met g Z yet?
• 23:45
  Speaker 1: Mm hmm?
• 23:46
  Speaker 2: Good guy? Yeah, good guy?
• 23:48
  Speaker 1: Yeah, shout out shoutow.
• 23:50
  Speaker 2: You gotta uh you know, Lauryn Hill's son is cracking
• 23:55
  Speaker 2: right now. His name is y G. Marley. He's got
• 23:58
  Speaker 2: He's on Who's Who's y G? Marley? Signed to death Jam? Yeah?
• 24:02
  Speaker 2: Death Jam? Yeah, he's on death Jam. But yeah, shout
• 24:06
  Speaker 2: to YG. Yeah, No, Lauryn Hill. I mean, you got
• 24:08
  Speaker 2: you got some og taste, man, you got some old
• 24:10
  Speaker 2: head tastess. I'd like to call it. Yeah, you know,
• 24:13
  Speaker 2: usually I was like I would expect you to say, like,
• 24:15
  Speaker 2: you know some some of the younger Atlanta guys.
• 24:18
  Speaker 1: I grew up listening this ship my grandma playing.
• 24:23
  Speaker 2: Do you did you enjoy the Playboy Cardi album?
• 24:26
  Speaker 1: I ain't listen to it.
• 24:28
  Speaker 2: It's interesting, very I actually fucked with it, and I'm
• 24:32
  Speaker 2: not a big fan of his, but this this album
• 24:34
  Speaker 2: has got some the productions insane. Some crazy motherfuckers produced
• 24:39
  Speaker 2: the funk out of that album. I don't understand a
• 24:42
  Speaker 2: lot was being said. You know what I'm saying, some
• 24:44
  Speaker 2: little more noises than lyrics, but survive. You know, it's
• 24:48
  Speaker 2: great workout music, but I fuck with it. Like I
• 24:50
  Speaker 2: saw him rolland loud, it was like very it was
• 24:53
  Speaker 2: very a lot of fire. You know. There was like
• 24:56
  Speaker 2: a flying skinhead who ate ship. He saw the video
• 25:01
  Speaker 2: He had this guy. He's got this guy on stage
• 25:03
  Speaker 2: and he's like telling him the stage dive, and the
• 25:06
  Speaker 2: dude runs and he jumps and he misses the crowd
• 25:10
  Speaker 2: and just hits the fence. It's a bad look, but Nah,
• 25:14
  Speaker 2: it's a good album. When is the DeLux coming out
• 25:16
  Speaker 2: April eleventh? Right?
• 25:18
  Speaker 1: Yeah?
• 25:19
  Speaker 2: And you said it's twenty five songs, twenty two songs,
• 25:24
  Speaker 2: not twenty two new songs.
• 25:26
  Speaker 1: It's in two new songs.
• 25:27
  Speaker 2: Wow? Yeah, I mean you got a high output man.
• 25:30
  Speaker 1: Yeah, i'd been making and hat shit.
• 25:34
  Speaker 2: How often are you? You must be recording a lot?
• 25:36
  Speaker 2: Are you just recording any spare time you have here
• 25:38
  Speaker 2: in the studio trying to work?
• 25:39
  Speaker 1: Yeah? Well I got my own studio in my house,
• 25:42
  Speaker 1: So whenever I feel like recording or I feel like
• 25:45
  Speaker 1: saying something, I just sit down and say it.
• 25:47
  Speaker 2: You record yourself?
• 25:48
  Speaker 1: Yeah, and I make my own beats.
• 25:50
  Speaker 2: Oh that's dope. What are you making beats in?
• 25:52
  Speaker 1: If you'l studio pretty loops?
• 25:54
  Speaker 2: Yeah? Are you recording and tracking in free loops too?
• 25:57
  Speaker 1: No? I record on Pro two.
• 25:58
  Speaker 2: That's what's up. Yeah, what's your home studio set up? Like? What, Mike?
• 26:02
  Speaker 1: You got Apollo or not Apollow? It's that it's Apollow,
• 26:08
  Speaker 1: right Apollo? I think it's eighty seven or Slight.
• 26:12
  Speaker 2: Oh it's probably their version of the U eighty.
• 26:14
  Speaker 1: Seven Uady Steal. Yeah, you Aady Steal?
• 26:17
  Speaker 2: So you got a U eighty seven and Apollo.
• 26:18
  Speaker 1: Yeah, the long one dude.
• 26:20
  Speaker 2: Yeah, yeah, there's only one U eighty seven.
• 26:23
  Speaker 1: Oh, I don't know.
• 26:24
  Speaker 2: You got a good little Oh the interface.
• 26:27
  Speaker 1: Oh no, I ain't talking about no interface. I'm talking
• 26:30
  Speaker 1: about it. Mike.
• 26:31
  Speaker 2: The mic is the U eighty seven and his his
• 26:33
  Speaker 2: interface probably in apollow. Yeah. More artists need to learn
• 26:37
  Speaker 2: how to do to do that ship because save you
• 26:38
  Speaker 2: a lot of money. So you don't have to buy
• 26:41
  Speaker 2: a studio time, you have to worry about paying an engineer.
• 26:43
  Speaker 2: You just do it yourself.
• 26:44
  Speaker 1: Oh, apollow interface. I'm tripping. I got the apollow interface too.
• 26:48
  Speaker 1: I'm talking about what Mike, that is?
• 26:49
  Speaker 2: Like you have annoyment U eighty seven Newman, I know
• 26:53
  Speaker 2: I got Yeah, I'm talking about the Newman.
• 26:55
  Speaker 1: I got a Newman, and then I got the Apollo Interfa,
• 26:58
  Speaker 1: then I got I got a custom built PC.
• 27:04
  Speaker 2: Oh dough.
• 27:05
  Speaker 1: Yeah.
• 27:06
  Speaker 2: You save a lot of money making your own beats too,
• 27:08
  Speaker 2: and you get to run up that publishing a lot more. Yeah,
• 27:11
  Speaker 2: because you already got published as a writer, but you
• 27:13
  Speaker 2: get the producer side.
• 27:15
  Speaker 1: Which is already overstood. Yeah.
• 27:16
  Speaker 2: Do you make up beats for other artists or just
• 27:18
  Speaker 2: for yourself?
• 27:19
  Speaker 1: Now? Hell no, just me. The only other artist though,
• 27:22
  Speaker 1: my artist Spinny Kenny Kenny Ceo JPC.
• 27:28
  Speaker 2: Do you have two artists name Ken on the on
• 27:30
  Speaker 2: the label.
• 27:30
  Speaker 1: No, no, no, my fault hit new name Kenny Ceo.
• 27:33
  Speaker 1: My fault hit new name Kenny Ceo.
• 27:35
  Speaker 2: So Spinny Kenny and Kenny Ceo are the same person.
• 27:38
  Speaker 1: Yeah, okay, he did? Yeah, got it? Yeah, shout a
• 27:41
  Speaker 1: fresh home. He's ceo, you know he ceo? Shit, you do?
• 27:44
  Speaker 1: You know what I'm saying.
• 27:45
  Speaker 2: So they get your beats anyone on the label, get
• 27:47
  Speaker 2: your beats plus yourself.
• 27:49
  Speaker 1: Yeah.
• 27:50
  Speaker 2: But if somebody wanted to purchase a beat from you,
• 27:53
  Speaker 2: you would.
• 27:53
  Speaker 1: Say twenty twenty it's a lot for a reason, or
• 28:00
  Speaker 1: want a nigga to say, hell, I ain't paying that.
• 28:02
  Speaker 2: Yeah yeah. And then if they say yes, you're not tripping,
• 28:05
  Speaker 2: You're like fucking.
• 28:05
  Speaker 1: Oh yeah, niggas, you got twenty thousand, take this. You
• 28:08
  Speaker 1: know what I'm saying.
• 28:09
  Speaker 2: Take two?
• 28:10
  Speaker 1: I get one? You know, I mean ship you want
• 28:12
  Speaker 1: to pack? I got you? Throw me on home.
• 28:14
  Speaker 2: I love it. I love it man, all right. So
• 28:17
  Speaker 2: April eleventh, the Deluxe is coming out? Yeah, and yeah, work,
• 28:22
  Speaker 2: Where can people find you online?
• 28:25
  Speaker 1: Little Tony Official on our platforms, screaming platforms, lit ton
• 28:30
  Speaker 1: Official on all streaming platforms, and looks on the CEO
• 28:35
  Speaker 1: on Instagram key to ceo in my back up.
• 28:41
  Speaker 2: Name change coming soon.
• 28:43
  Speaker 1: Real, soonly I wasn't gonna see that though.
• 28:45
  Speaker 2: You're the way your labels, that's that's a headache for them.
• 28:48
  Speaker 1: It probably will be.
• 28:49
  Speaker 2: But that's why they get paid, right. Yeah, they're like, yo,
• 28:52
  Speaker 2: I need you to switch all this ship over. Yeah,
• 28:55
  Speaker 2: I mean they I've had to do that for an
• 28:57
  Speaker 2: artist I was working with. We changed his name. Oh
• 29:00
  Speaker 2: my god. I mean it's easy if you're on a major.
• 29:02
  Speaker 2: You're on a major, so it'll be a lot easier.
• 29:04
  Speaker 2: But I like, imagine doing that ship through fucking distro Kid.
• 29:07
  Speaker 2: Jesus fucking Christ pain in the ass. But distro Kid,
• 29:14
  Speaker 2: distro Kid is fucking annoying. Shout out to them. It's
• 29:20
  Speaker 2: like jumping through fire to get anything done with those fucks.
• 29:22
  Speaker 2: They don't have a phone number anyway. I'm just venting.
• 29:25
  Speaker 2: April eleventh, go get the deluxe. Uh litt TONI, I
• 29:29
  Speaker 2: appreciate you pulling up man, appreciate appreciate you. Let's go
• 29:33
  Speaker 2: fire