Latest / The Hauraki Big Show / OUTRO: Ghost Hosts

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OUTRO: Ghost Hosts · The Hauraki Big Show

• 0:06
  Speaker 1: Even closer on Instagram. Raw Dogs four to seven every weekday.
• 0:13
  Speaker 1: On radio, I could go a raw dog man.
• 0:16
  Speaker 2: Fucking hell, I had a barn me over the road there,
• 0:19
  Speaker 2: barn over the head right, it was good.
• 0:24
  Speaker 1: You'd your fierce year as well, CAZy.
• 0:25
  Speaker 2: I've had two from there and they've been okay, today's
• 0:29
  Speaker 2: one fucking rule.
• 0:30
  Speaker 1: Yeah. Did you go and give them a elder?
• 0:33
  Speaker 3: Nah?
• 0:34
  Speaker 2: When I gave them the old ktp here cappie, that's
• 0:39
  Speaker 2: what they said.
• 0:39
  Speaker 1: Hey, what kind of barn me was it?
• 0:42
  Speaker 2: Pork lemo?
• 0:44
  Speaker 1: Yeah? Not very no, you see, I go chicken, but
• 0:47
  Speaker 1: each to their own key a very Vietnamese dishes, yes,
• 0:51
  Speaker 1: little chicken. Yeah. Why do the Vietnamese made on a peg?
• 0:56
  Speaker 2: Yeah?
• 0:56
  Speaker 1: I made on a peg. And they do a bit
• 0:58
  Speaker 1: more work around the farm. It's part of the ecosystem.
• 1:01
  Speaker 1: More a pig, you know what I'm saying. Chicken.
• 1:08
  Speaker 2: Chickens do all but they lay eggs but not enough enough,
• 1:13
  Speaker 2: not enough eggs. So if you could have a chicken
• 1:15
  Speaker 2: that laid like a six pack.
• 1:17
  Speaker 1: A sex peck, a chicken that's got a six pack,
• 1:21
  Speaker 1: and people come from far to see that. Check just.
• 1:27
  Speaker 3: A ribbons exciting news keys that's great stuff, mate.
• 1:32
  Speaker 1: I might go and give them a try out again
• 1:34
  Speaker 1: one day and then.
• 1:35
  Speaker 2: You'll come back. And I went and tried it cause
• 1:37
  Speaker 2: it was terrible. Well, look I know what's going to happen.
• 1:41
  Speaker 3: I have had a barn me from there before and
• 1:43
  Speaker 3: it was genuinely quite dry.
• 1:45
  Speaker 2: Yes, same, so I went over. I used to go
• 1:46
  Speaker 2: over there like three ish. I went there and won.
• 1:50
  Speaker 2: So they was.
• 1:51
  Speaker 1: Like the chance to dry out.
• 1:54
  Speaker 2: Yeah, and it was like it was beautiful, so good.
• 1:59
  Speaker 1: It was pump and I may I haven't been there
• 2:02
  Speaker 1: a couple of times and the person has been asleep
• 2:04
  Speaker 1: in one of the booths. Yes, and they.
• 2:07
  Speaker 3: It does my head in a little bit because they
• 2:10
  Speaker 3: should be pumping.
• 2:12
  Speaker 1: But the whole front facad is just terrible, not inviting,
• 2:17
  Speaker 1: is it.
• 2:17
  Speaker 3: You just walk past it. You don't even kind of
• 2:20
  Speaker 3: know it's there. Yeah, a little bit of a hidden
• 2:22
  Speaker 3: hidden gym.
• 2:23
  Speaker 1: They do a cheap coffee.
• 2:24
  Speaker 3: It's like, come on, guys, just bright, come on making
• 2:28
  Speaker 3: a fortune.
• 2:29
  Speaker 1: Go over there with a bit of advice.
• 2:30
  Speaker 2: You should the white man walk in the White Savior,
• 2:34
  Speaker 2: White Savior.
• 2:34
  Speaker 1: We're talking dangerous minds starrying, Michelle Pfeiffer. We're talking Moran.
• 2:40
  Speaker 1: Now he's African American.
• 2:42
  Speaker 2: The blind Side.
• 2:43
  Speaker 1: The blind Side was cyber Bullock. I might invest in it.
• 2:48
  Speaker 2: What you do is you walk in and say and
• 2:50
  Speaker 2: you say, you should start doing your sticks out of
• 2:52
  Speaker 2: the Yeah, sandwiches is what you need to do. Ditch
• 2:55
  Speaker 2: all this Vietnamese stuff.
• 2:56
  Speaker 1: They just keep doing what they're doing. But what he
• 2:58
  Speaker 1: jes up the beck in the booth instead of being
• 2:59
  Speaker 1: a sleep's jacket, you're jacking off.
• 3:01
  Speaker 3: But the thing is, that's what what I had I
• 3:04
  Speaker 3: have noticed is the amount of barn me, because there's
• 3:07
  Speaker 3: one just underneath as well that does barn me.
• 3:10
  Speaker 1: There's barn me everywhere at the moment.
• 3:12
  Speaker 2: But that's part of a chain.
• 3:13
  Speaker 1: Yes, a chain.
• 3:15
  Speaker 2: There's a few of them, and that I feel like
• 3:16
  Speaker 2: those barmes are not made of as much love as
• 3:18
  Speaker 2: that one.
• 3:19
  Speaker 1: I couldn't tell you the last time. You know what
• 3:21
  Speaker 1: I like about that place across the road.
• 3:23
  Speaker 3: Actually it's quite coold, but I have to kill you.
• 3:25
  Speaker 3: It's quite filthy. No, that cross there where you went today,
• 3:30
  Speaker 3: it's kind of dirty.
• 3:31
  Speaker 2: Yeah, and we went to Vietnam.
• 3:32
  Speaker 1: It's kind of dirty.
• 3:34
  Speaker 2: Vietnam is kind of dirty. Yep, So you go to
• 3:36
  Speaker 2: a street food stall in Vietnam. It's dirty, totally, man,
• 3:40
  Speaker 2: it's delicious.
• 3:41
  Speaker 3: The first meal we had in Vietna Nam, I am amazed.
• 3:44
  Speaker 3: We didn't die, Yeah, but it was carendous and I
• 3:50
  Speaker 3: was taking the advice of Keasy and it was like,
• 3:53
  Speaker 3: just go to the shittiest, bloody, the local, the local
• 3:57
  Speaker 3: sort of stall there. And we went in there and
• 4:00
  Speaker 3: there were bloody mongrel dogs everywhere.
• 4:02
  Speaker 1: There were literally piles of rubbis. Take your life into
• 4:06
  Speaker 1: your hands.
• 4:08
  Speaker 2: Go to a place that all the locals are at.
• 4:10
  Speaker 2: It's packed with locals, were packed with local.
• 4:13
  Speaker 1: Great because it was empty.
• 4:15
  Speaker 2: Well, yeah, it was dogs.
• 4:16
  Speaker 3: And I actually ended up getting in testine and I
• 4:20
  Speaker 3: was like, okay, you ordered that, well I did.
• 4:23
  Speaker 1: I didn't quite know what I was ordering. My fault.
• 4:25
  Speaker 2: You were sitting with dogs eating and.
• 4:27
  Speaker 1: Tested story of shifting it not that I noticed.
• 4:31
  Speaker 2: Otherwise, if I didn't tell you that, you would have
• 4:33
  Speaker 2: just gone to the hard Rock Cafe every night for dinner.
• 4:36
  Speaker 3: But then the next day we did notice where all
• 4:38
  Speaker 3: the locals were going, and that's where we went.
• 4:40
  Speaker 2: It was good, it was great, So that's what I mean.
• 4:42
  Speaker 1: It was felthy, the.
• 4:44
  Speaker 2: Wcky, big show week days from four on Radio Hurarchym
• 4:50
  Speaker 2: the WCKY Big Show Podcast. Can I discuss something with
• 4:53
  Speaker 2: you involving comedy that I was just having an interesting
• 4:59
  Speaker 2: conversation with someone earlier and they were saying that in
• 5:03
  Speaker 2: your generation, Jason, I don't think it happened. And then
• 5:06
  Speaker 2: sort of the the you know, the Diehindward generation doesn't happen.
• 5:10
  Speaker 2: But apparently a lot of the younger comedians don't write
• 5:15
  Speaker 2: their own sets reason and they are written by other comedians.
• 5:19
  Speaker 1: What do you mean in New Zealand?
• 5:21
  Speaker 3: Yeah, well, and you will find a lot of the
• 5:25
  Speaker 3: shows on TV are the same thing, but.
• 5:28
  Speaker 1: One hundred percent yes, yeah, did you know that Allen
• 5:31
  Speaker 1: wasn't written by Allen?
• 5:32
  Speaker 2: I'm talking about New Zealand though, you know, like so
• 5:35
  Speaker 2: Game of Two Halves, we'd go in there and film
• 5:36
  Speaker 2: it in like forty minutes. I have to redo a
• 5:39
  Speaker 2: couple of like bits where we've mucked up the way
• 5:41
  Speaker 2: we said words, whatever, and then it's done, whereas like
• 5:43
  Speaker 2: some other comedy shows in New Zealand, itsakes like three
• 5:45
  Speaker 2: hours talking about comedy shows shows, but stand up as well.
• 5:49
  Speaker 2: That's how this conversation started.
• 5:50
  Speaker 3: I I have and actually not in my time.
• 5:56
  Speaker 1: No, I've heard that there are.
• 5:58
  Speaker 3: Comedians out there that from a comedian friend who don't
• 6:02
  Speaker 3: actually write their own stuff.
• 6:05
  Speaker 1: We're talking about well known because young obviously young one
• 6:09
  Speaker 1: is going to pay for it. No, it would have
• 6:11
  Speaker 1: to be well known comedians.
• 6:12
  Speaker 2: Yeah, so I think the agreement is they get a
• 6:14
  Speaker 2: cut of the yeah you're right jokes.
• 6:16
  Speaker 1: Yeah, that's stance. So that's I mean, if they're big enough,
• 6:19
  Speaker 1: and there's a couple that I can think of that
• 6:21
  Speaker 1: would be that.
• 6:23
  Speaker 2: I was just blown away by it because I was like,
• 6:24
  Speaker 2: we're talking about how if I was to go on
• 6:26
  Speaker 2: the big show and say any kind of joke that
• 6:29
  Speaker 2: I stole off of Instagram, off of real or TikTok
• 6:32
  Speaker 2: or heard someone else saying, and then repurposing it, yeah,
• 6:35
  Speaker 2: I would feel terrible. Then I was like, that's why
• 6:36
  Speaker 2: I'd feel terrible doing a comedy panels show where they
• 6:38
  Speaker 2: quite often write you jokes to say they always right,
• 6:41
  Speaker 2: they always write your jokes, And I was like, I wouldn't.
• 6:42
  Speaker 2: I would feel so weird about doing all that. And
• 6:44
  Speaker 2: then that turned into a big conversation about how we
• 6:46
  Speaker 2: actually a lot of comedians, not all of them. I
• 6:49
  Speaker 2: don't know, Like you know, they might have a general idea,
• 6:51
  Speaker 2: but then another comedian will flesh it out for them
• 6:54
  Speaker 2: and write it all for them. But they are better
• 6:55
  Speaker 2: at presenting, you know what I mean.
• 6:59
  Speaker 1: Saying. But yeah, they have to be there have to
• 7:01
  Speaker 1: be a lot of money in it, and there's not
• 7:02
  Speaker 1: a lot of money in New Zealand comedy. I mean,
• 7:03
  Speaker 1: I just I need more specifics around there.
• 7:06
  Speaker 2: Total. I'm trying. I'm trying not to be specific.
• 7:10
  Speaker 1: Okay, No, I know, I'm just saying, yeah, I don't
• 7:13
  Speaker 1: want you to be specifical on here, but it's hard
• 7:14
  Speaker 1: for me to do.
• 7:15
  Speaker 2: I do you believe?
• 7:17
  Speaker 3: Yeah, no, I've genuinely heard that from a colleague who
• 7:22
  Speaker 3: is pretty big in the comedy scene.
• 7:25
  Speaker 1: But he wasn't you know.
• 7:26
  Speaker 3: There's also you hear stories of rampant plagiarism as well.
• 7:31
  Speaker 2: Well. You've got a great story about yes I do,
• 7:33
  Speaker 2: which was a shocker, But there was someone was performing
• 7:37
  Speaker 2: a joke that you had told and you were in
• 7:39
  Speaker 2: the audience watching them, yes, and then you saw them
• 7:41
  Speaker 2: afterwards and they were very surprised to see you.
• 7:42
  Speaker 1: And it was a very elongated joke too that.
• 7:46
  Speaker 2: It was a well known New Zealand.
• 7:47
  Speaker 3: It was a well known and I was like, what
• 7:49
  Speaker 3: the fucky man?
• 7:51
  Speaker 1: And then I saw them after the gig and he
• 7:52
  Speaker 1: went pale.
• 7:53
  Speaker 2: So I wonder if, like, you know, the biggest comedians
• 7:56
  Speaker 2: in the world, like it's hard for me to think
• 7:57
  Speaker 2: a Dave Chappelle or like them would.
• 8:01
  Speaker 1: Absolutely they have writers. They working. Yeah, it's some of them.
• 8:06
  Speaker 1: What a matter of opinion. Absolutely, yeah, absolutely, because you
• 8:09
  Speaker 1: have these guys that come out they do a special.
• 8:11
  Speaker 1: There've been comedians for ten or fifteen years, they finally
• 8:14
  Speaker 1: get a special. It's their most home work, and now
• 8:15
  Speaker 1: they're doing one every single year, all of a sudden,
• 8:18
  Speaker 1: all of a sudden, they've got enough quality. Some of
• 8:20
  Speaker 1: them don't because they come out and they'll be shit.
• 8:21
  Speaker 1: But absolutely they use they use writers, and even more interesting,
• 8:25
  Speaker 1: I think that more amazing than that is is rappers
• 8:30
  Speaker 1: that do it. So you had Em and M writing
• 8:35
  Speaker 1: on the on two thousand and one, Oh the Chronic
• 8:38
  Speaker 1: No Doctor j Yeah, like Dre's and Snoop Dog's parts,
• 8:42
  Speaker 1: and jay Z was doing the same thing. They were
• 8:44
  Speaker 1: go writing and writing all of those songs as if
• 8:47
  Speaker 1: they were them and handing them over and the demos
• 8:50
  Speaker 1: would have jay Z or Eminem rapping as those guys,
• 8:54
  Speaker 1: and then those guys just come in there and did it.
• 8:56
  Speaker 1: That to me is a fucking disgrace.
• 8:57
  Speaker 2: But that's obviously in a lot of music though.
• 9:00
  Speaker 1: No, but I was shocked that that was happening, especially
• 9:02
  Speaker 1: when they are in their prime. So saying that shocked me.
• 9:05
  Speaker 2: Eminem was actually the one walking down the street smoking indoos.
• 9:10
  Speaker 1: That's right, it's unbelievable. But you get there to Google
• 9:13
  Speaker 1: there's some huge songs that are like that. Yeah, but
• 9:17
  Speaker 1: that's the thing. It's But also you'll have people that
• 9:20
  Speaker 1: are writers, like monologues on Late Night and all that
• 9:22
  Speaker 1: sort of stuff. But when you when you go in
• 9:24
  Speaker 1: and you'll write for you know, Ricky Gervais is presenting
• 9:29
  Speaker 1: Golden Globes or whatever it might be, and you can
• 9:32
  Speaker 1: just in the same goes for these stand up specials,
• 9:34
  Speaker 1: were you just go in and you write the jokes
• 9:36
  Speaker 1: for that person in their voice, so it's not like
• 9:39
  Speaker 1: you're wasting jokes that you would otherwise use yourself. Yeah,
• 9:42
  Speaker 1: you're doing because the voice is so completely different than
• 9:45
  Speaker 1: it would never but it never work for you.
• 9:46
  Speaker 2: So it would be quite not easy, but it would
• 9:49
  Speaker 2: be easier to write for someone else if you know
• 9:51
  Speaker 2: their tone, you know.
• 9:51
  Speaker 1: What they're like. Yeah, they're like a character, right, It's
• 9:53
  Speaker 1: like writing for fucking well into paranal.
• 9:57
  Speaker 2: But I just thought it was interesting because the scope
• 9:59
  Speaker 2: of the comedians and evolved. I was just like, oh,
• 10:02
  Speaker 2: because I couldn't. I just cannot understand saying something that
• 10:06
  Speaker 2: isn't my work. I don't know. I was very weirded
• 10:09
  Speaker 2: out by it.
• 10:09
  Speaker 1: I think it would be yeah, I mean, yeah, it's
• 10:11
  Speaker 1: hard to know. But if they were big enough, I
• 10:14
  Speaker 1: could see it happening. Yeah, because you got to keep
• 10:16
  Speaker 1: the money, come in it. If you're out of jokes it,
• 10:19
  Speaker 1: I'll just pay something.
• 10:19
  Speaker 2: And also and also if you're another comedian that does
• 10:22
  Speaker 2: another style and you can make some money by helping
• 10:24
  Speaker 2: this person's right, I get it. I was just like,
• 10:27
  Speaker 2: I just was, Yes.
• 10:29
  Speaker 1: Happened in New Zealand. Anybody that's making any money, Yeah.
• 10:32
  Speaker 2: Yeah, totally. I was just like, oh fucking hell, yeah, jeez.
• 10:35
  Speaker 2: And I was, you know, because I was going to
• 10:36
  Speaker 2: be a comedian there for a but feelers, I.
• 10:38
  Speaker 1: Need you that you could add writers and everything. Yeah,
• 10:40
  Speaker 1: we could write your gags.
• 10:41
  Speaker 2: You could write me gags. I'd fucking hate to know.
• 10:45
  Speaker 1: Actually, a good name for your first stand up special, gagging? Oh,
• 10:49
  Speaker 1: kezy gagging?
• 10:51
  Speaker 2: Thanks Fellers, I like it, well you have, I can
• 10:53
  Speaker 2: see the poster for it.
• 10:54
  Speaker 1: Actually, again, what about gaging hard? That? Maybe that's the
• 10:57
  Speaker 1: second one you do still? And then a third but
• 11:00
  Speaker 1: I'm still gagging and then gagging like a motherfucker.
• 11:04
  Speaker 2: And then the last one's finally wrapped my lips around.
• 11:05
  Speaker 2: There's something out there and finally nailed it head.
• 11:09
  Speaker 1: Is that vague enough? Yeah, we'll work on it.
• 11:11
  Speaker 2: Yeah, we'll work shopping. Hey, this is the Big Show,
• 11:14
  Speaker 2: four or seven weekdays radio heard Acumen Stup