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Motherhood Series | How to Raise a Creative: Arthur Haywood + Julie Haywood · philly has heART

0:15
Can we go back? Back to the beginning? Back to
0:20
the beginning of what? That was a Laguna Beach
0:24
reference. So Robert just informed me that I
0:28
could probably download the Roku app onto my
0:32
iPad and maybe then I could watch the Laguna
0:36
Beach reunion. Guys. It's high -low here. Yeah.
0:40
We are high culture. We are low culture. This
0:44
reunion television is everything for us. It's
0:48
dominated this past week. Yes. Forget Westmorelanda.
0:52
Yeah. Now we're pivoting to Laguna Beach. We
0:56
had a week. I had a week. You had a little less
1:00
of a week. Oh, that's true. Tell us what we did
1:03
on Wednesday. Wednesday, we had the privilege
1:05
of seeing the preview of Freedom Dreams at the
1:10
Barnes Foundation. Incredible. Powerful. Highly
1:13
recommend. The Roberts Exhibition Hall has four
1:19
pieces. Has five installations. Excellent. And
1:24
they're of varying lengths. Most film. Yep. Film
1:29
projections. Yep. They have it on a timer so
1:35
that there are no two contiguous rooms running
1:41
at the same time in order to preserve, I'm assuming,
1:43
to preserve the integrity of the pieces. Yes.
1:47
It forces you to move through the rooms at certain
1:51
times so that you can see the full work and not
1:55
have the distraction. What else are you getting
1:56
into? I went to the preview for the PTC Wilderness
2:02
Generation. Oh, how was that? World premiere
2:05
of one of James Iams' plays. And it's one of
2:08
the Philadelphia Trinity featured this year.
2:11
Sidebar, Tom Weaver did the lighting. What did
2:14
he do? I see you, Tom Weaver. Oh, yeah. Incredible.
2:18
He had to have expanded the story through light.
2:21
Yeah. Through light, through video projection.
2:25
I'm assuming he had a hand in that. We, as in
2:28
my husband and I, both laughed. I, me, comma,
2:33
solo, cried. I had to leave the theater in a
2:36
pair of sunglasses at 10 o 'clock at night because
2:41
I was so embarrassed that I couldn't keep it
2:44
together. It moved me. It was moving. Art is
2:47
moving. That's beautiful. We had... Another privilege
2:50
of seeing the preview of The Contrast. Just today.
2:56
Just today. It was so funny. For those who have
3:00
not listened to our episode with Ann Garner,
3:03
which was one of the last weeks in March, Ann
3:08
Garner of the Philadelphia Artist Collective
3:12
directed... Yes, this dates back to the 1700s,
3:18
people. Yeah, written in 1787. It runs from April
3:23
9th through the 26th. It's at the Drake, the
3:27
Bloover Theater, which is the black box. It's
3:29
presented in the round. Which was so fun. It
3:34
gave the opportunity for the cast. They really
3:37
interacted with the audience. Yeah, yeah, yeah,
3:40
yeah. The facial expressions, the... Laughter
3:44
of the audience. The asides to the audience.
3:47
Yes. So good. Who's your favorite character?
3:51
I love Jessamie. You would. Yes. Cute. Sassy.
3:56
And sassy. Yes. The servant to the kind of like
4:02
pompous a -hole. Slightly effeminate. Yeah. Definitely.
4:07
He was dressed the best. Yes, obviously. Oh,
4:10
my gosh. And, I mean, I just love the costumes,
4:13
too. They were fun. The prints of the dresses.
4:17
So many fan flaps. Flap. Flap. Yes. Drop your
4:23
fan. Yes. Someone's going to pick it up. Yes,
4:26
it was so good. See who picks up your fan. We
4:29
have an amazing conversation for you. This one
4:32
really got loosened up. but Julie and Arthur
4:37
are an amazing duo. In case you have not been
4:40
listening lately, this continues our Raising
4:44
a Creative series. Arthur has been a past guest
4:48
on the podcast solo, and today he brought along
4:52
his mother, Julie Haywood. Let's get to it. On
4:56
to the conversation. Greetings. This is Robert
5:10
Marsh, and you're listening to Philly Has Heart
5:12
Podcast. In this podcast, we sit down with the
5:15
artists, gallerists, educators, curators, and
5:18
other creatives who comprise the Philadelphia
5:20
art world to discuss upcoming performances, exhibits,
5:24
and other events and initiatives that are not
5:27
to be missed. The art scene in Philadelphia is
5:30
so rich that it can seem daunting. Consider this
5:33
your weekend cultural recommendation. With me
5:36
always is my producer, Lucinda Daggerland. Bonjour.
5:39
And today, we have both Arthur and Julie Haywood.
5:43
Thank you so much for joining us today. Thank
5:46
you for hosting us. Yes. Glad to be here. Excellent.
5:49
Glad to talk again. Yes. Today in our Raising
5:53
a Creative series, we have Arthur and his mom.
5:57
And Julie, we want to start with you. What was
6:00
your first memory of Arthur expressing some sort
6:03
of creative moment? And do you remember your
6:06
reaction? So I think it was in elementary school.
6:09
I mean, he always was drawing animals and figures.
6:13
And, you know, he had a sketch pad with him.
6:16
And we used to have to tell him, you can't draw
6:18
at the table when we're eating. You can't draw
6:21
when you're walking down the street. Put it away.
6:24
So that was probably my first memory of him really
6:27
being immersed in art. And then I think when
6:29
he... It wasn't elementary school. We enrolled
6:32
all of our kids in the Philadelphia Museum of
6:34
Art classes. So the funny thing was is that I
6:37
worked downtown at the time, and you had to get
6:40
there super early to register for classes because
6:43
there was a huge line. Wow. And so I remember
6:46
going up there and registering them all for classes.
6:49
Arthur really loved those classes, and so I knew
6:53
then that art was something that he really loved
6:56
to do. He was really smart in other areas as
6:59
well. But art was kind of like a passion for
7:02
him. Oh, that's beautiful. Yeah, and then in
7:04
fifth grade, it was in fifth or sixth grade,
7:06
his art teacher, Julie Baines, she also noticed
7:10
that he had a rare gift and gave him a scholarship
7:13
to Moore College of Art for a summer art program.
7:17
Ooh. Yeah, at the time. Yes. So that was, like,
7:20
pretty cool. Yeah. I want to talk to you about
7:24
that offline, okay? All right. And then at our
7:28
high school, we had AP art. And there was a gentleman
7:31
who taught it for years who had retired. And
7:34
there was a new art teacher, Ms. Winarski. She
7:36
was incredible. She introduced us to Portfolio
7:40
Day. Did you even know about Portfolio Day? Not
7:43
before then. Yeah, my mother accompanied me to
7:46
Portfolio Day. I think it was at the convention
7:47
center or somewhere near there. And learned a
7:50
lot more about the schools that I ended up applying
7:52
to. We had the Portfolio Day. Wow. Yeah. And
7:56
she just said, you know, this is what you need
7:57
to do. This is where you need to be. This is
7:59
the time you need to be there. Here's your guidance.
8:01
Yeah. Yeah. And she has been following Arthur
8:04
in his art career. ever since high school, and
8:09
she's been retired for a while. Oh, my gosh.
8:11
We still stay in touch. Oh, that's amazing. Can
8:15
I interject real quick? Yeah. Arthur, you went
8:17
to MICA, and you just mentioned other art schools
8:20
that were on your radar. What else was on your
8:22
radar? I got into RISD, the School of Art Institute
8:25
in Design in Chicago, and also Ringling College
8:29
of Art and Design for Illustration, UArts as
8:32
well. There may have been another school I applied
8:34
to. School of Visual Arts? Yeah, School of Visual
8:36
Arts in New York as well, too. And PrEP? And
8:38
PrEP. So, you know, fortunately, our teacher
8:41
helped prepare me with those applications. And,
8:44
you know, fortunately, I got into every school
8:45
I applied to. And, you know, fortunately, I had
8:48
the scholarship at MICA, which was a big incentive
8:50
to be able to study there and the aid to be able
8:52
to study there. And I'm very fortunate that I
8:55
had that level of support, you know, in terms
8:57
of preparing my application, but also how it
8:59
was received, you know, once I submitted my applications
9:01
as well, too. And I did participate in the pre
9:04
-college program that Micah had the summer before
9:06
applying to these programs. So that also introduced
9:09
me to the school and what was required to study
9:13
at some of these places. You know, also, fortunately,
9:14
my parents, my mother and my father were able
9:16
to fund that opportunity. But I think it was
9:19
a month. that was spent on the college campus
9:21
taking classes in illustration and painting and
9:24
introducing me to what the college experience
9:25
is like. And that also got me more familiar with
9:29
MICA as a school too. So a lot of factors led
9:32
up to me being able to choose that school. I
9:33
was very fortunate for it. Arthur, did you select
9:36
MICA knowing that you were going to specialize
9:38
in illustration? Or was that something you selected
9:41
after arriving on campus and taking general or
9:45
introductory classes? Yeah, I knew I wanted to
9:47
be in illustration even in high school. Norman
9:50
Rockwell was one of my favorite artists in high
9:52
school. Just having that expression and also
9:54
being how many people that can be communicated
9:56
with through illustration as a public medium.
9:58
And I knew I liked public art. I took graffiti
10:00
classes when I was in high school and middle
10:02
school and seeing the public audience. to connect
10:04
with it really inspired me to see art as a communication
10:07
tool and illustration works in that way too in
10:10
a printed format it can communicate with people
10:12
all over the world yeah and I was interested
10:14
to know what type of illustration i wanted to
10:16
focus on whether it would be editorial or books
10:19
but i didn't know that the reason why i picked
10:21
up you know harry potter in the first place you
10:22
know in middle school was because of the cover
10:24
yeah and being able to provide that same level
10:26
of inspiration like a trailer for the book was
10:28
what i wanted to provide through my own illustrations
10:30
but going into my first i wanted to know whether
10:33
it would be well it was required an editorial
10:35
book covers or a film concept art so I learned
10:39
more about these different aspects and fields
10:42
of illustration at that school and that really
10:44
you know brought in my awareness of what's available
10:47
in the field of illustration and I think one
10:50
of the major goals they were talking about in
10:51
the illustration department is illustration is
10:54
communication and there's so many the ways it
10:56
can be applied to it's just how it's used you
10:59
know so many fine artists now do illustration
11:01
And it's just not really whether it's quote -unquote
11:03
fine art. It's just how it's used is what determines
11:05
whether or not it's illustration. Wow. So that
11:08
really broadened my experience and awareness
11:10
at the school. Did you ever feel hesitation or
11:14
reservations from your parents in taking that
11:17
creative route? I'm very fortunate that my parents
11:20
are very supportive, you know, both emotionally,
11:22
spiritually, and financially to help fund my
11:25
college experience and even afterwards. And so
11:28
I've been very fortunate for that level of support,
11:31
you know, while I was in school and even afterwards.
11:33
And from, you know, me and my sisters have been
11:35
supportive whatever path we want to take, they're
11:37
on our side. So I'm just very lucky, you know,
11:39
many artists I know don't have that same level
11:42
of support. So I'm very fortunate. Yeah. What
11:45
did that support mean to you while going through
11:47
MICA, traveling abroad, and developing your career?
11:50
Yeah, for me, that support was so important,
11:53
and I'm deeply fortunate and grateful for that
11:55
level of support, both emotionally, spiritually,
11:58
and financially, to be able to have that level
12:01
of support in school and afterwards. And it gave
12:04
me my freedom, my freedom to learn, discover,
12:07
and create on this artistic journey. And it set
12:10
me up where I didn't have as many limits. constraints
12:13
that many other artists do have, that are limited
12:15
by or face, you know, they may overcome it, but
12:18
they face at a certain time. Both my parents,
12:21
my mother, my father really showed me what is
12:23
unconditional love and kindness, and that has
12:26
influenced my interactions, both professionally
12:29
and personally, and has influenced the community
12:32
of kindness I find myself in now. And furthermore,
12:37
you know, just besides that, My parents have
12:39
also, you know, put a lot of things in perspective
12:41
in terms of, like, stress. And so a lot of times
12:44
I'll be facing a certain deadline. I remember,
12:46
like, my mother coming into my room one time
12:48
and pointing to, you know, all the material things
12:51
in my room to remind me that that's only one
12:54
sphere of what is real in this world. And what
12:58
is actually even more real is the interactions
13:00
and connections that occur thanks to the art
13:04
that I'm able to put projects. that I participate
13:06
in. So really for me, I put things in perspective,
13:09
you know, to realize, to prioritize the interactions
13:13
and connections that my art allows for. And that's
13:16
what's actually real. And all that occurs in
13:19
this material realm is only one aspect, one limited
13:22
aspect of what's real. So very fortunate for
13:25
all that awareness, guidance, you know, counsel
13:28
that both of my parents have offered. And I'm
13:30
even doing a mural right now. That's my father,
13:33
Senator Haywood's Senate office. I got to take
13:36
the grant for him and Senator Hughes about a
13:39
new decoration signing. I remember they used
13:41
to do t -shirts when I was taking graffiti classes
13:43
in high school. They had my own t -shirt branding
13:46
that my parents sponsored. And all across this
13:49
journey, my parents have been supportive along
13:51
the way. In the community event, I remember we
13:53
won the flag day contest. That might have been
13:56
second grade. My babysitter, Mrs. Merling, was
14:01
the one who helped me design the flag. design
14:04
contest that I won for at the post office. So
14:08
very fortunate for the community that I'm in.
14:09
Beautiful. It takes a village. Yes, it does.
14:12
Julie, I've been crying at every one of them.
14:17
You guys are number three. It's so beautiful.
14:24
It's inspirational as a mom myself. Because you
14:27
go to a lot of shows with your son, it sounds
14:30
like. Oh, he goes with me, yeah. We had another
14:33
artist and mother -in -law earlier, and it was
14:36
all about exposure and what the exposure that
14:39
the artists had as young children into the culture
14:44
of Philadelphia and the art scene in many different
14:47
ways and how that has really... created a nice
14:51
foundation, but also given you many directions
14:55
to go in with your art as well. But something
14:59
that we recall from our first conversation with
15:01
Arthur is that he mentioned truly your dedication
15:04
to reading, literacy, and education. Let's dig
15:09
into that, because we get the sense that characters
15:12
from literature inspire his art. Did you ever
15:16
anticipate that your work in literacy would eventually
15:19
inspire his artistic studies and illustration?
15:22
No. You know, you just kind of live your life,
15:28
right? And so I was on our school board for like
15:31
12 years. And so I'm sure I probably came home
15:34
and talked about... some challenges we were having
15:37
on the school board and in the schools. But we
15:40
always also talked about literacy by fourth grade
15:44
was critically important. Not just literacy,
15:47
but really understanding what you're reading,
15:50
the comprehension of what you're reading. That
15:52
really opens the whole world to you. I remember
15:56
being a child, and the first book I read was
15:58
The Secret Garden. When I first realized I actually
16:01
could read, I was in... first grade because they
16:04
didn't have kindergarten the year that I was
16:06
in kindergarten. And I remember sitting at our
16:08
kitchen table and, you know, you're phonetically
16:12
trying to translate everything. And I realized
16:15
I put a couple of sounds together and realized
16:19
that it was a word. And then I realized that
16:21
I could read. And for me, that was opened up
16:25
the entire world to me. Wow. And The Secret Garden
16:28
was the first book that I remember, chapter book
16:31
that I remember reading. And it took you to places
16:33
that, you know, you've never been before. So
16:37
I always, I was telling Arthur when we were coming,
16:38
you look at 26 letters in the English alphabet
16:42
and you think about the worlds that they create.
16:46
But you think about three primary colors that
16:49
artists work with. And they create a totally
16:52
different world. So to me, that always translated
16:57
into the importance of literacy. The importance
17:01
of really being able to read and understand.
17:04
You can do anything. Yes. Absolutely anything.
17:07
So I'm humbled and grateful that Arthur has embraced
17:12
that theme and really kind of pushed that into
17:15
all of the work that he's, not even pushed, but
17:17
embraced it. Yes, definitely. In all the work
17:19
that he's doing. Oh, that's beautiful. Last time
17:22
we spoke to Arthur as well, he walked us through
17:24
his process in developing murals at schools based
17:27
upon literary figures, specifically your work
17:31
in Tulsa. Beginning with your work in education,
17:35
Julie, it seems like Arthur is running with the
17:38
theme of literacy and taking it full circle through
17:41
his medium. How does it feel knowing that his
17:45
inspiration in art stems from your work in education?
17:49
Like I said, it's really humbling because I had
17:52
no idea that that would kind of funnel what he's
17:57
doing now in his art. And so for me, it was humbling,
18:03
but it was also, I was grateful that he was sharing
18:05
that with the world. So like he talked about
18:09
illustration, kind of a picture of having a thousand
18:11
meanings to different people. But for a student
18:15
who's reading a book and being able to see themselves
18:17
in... the characters in the book, in the illustration
18:21
that, you know, comes from those books, that's
18:24
really powerful. Yes. And working with the students
18:26
he works with on the murals to do the borders
18:29
of the paintings and also using some of the students
18:33
in those paintings, you've got to be, like, incredibly
18:37
awestruck. Oh, yes. You know, when you go in
18:40
and see that mural and you see yourself in it.
18:42
So being able to see yourself through print,
18:45
through artwork, could be life -changing for
18:47
a child. We've spoken with many artists who parents
18:52
expressed reservations about their children being
18:55
able to support themselves through a creative
18:58
field. Were you ever nervous about Arthur taking
19:01
this creative path? So I'll tell you, when he
19:05
first decided to go to art school, I remember,
19:08
you know, you talk about your children, what
19:10
they're doing, what they're thinking about doing.
19:11
And I remember a parent saying to me, you're
19:14
letting him go to art school? And I was like,
19:17
I didn't even really know how to respond to that
19:19
initially. But then I said to her, I said, I
19:24
got to choose where I went to school and what
19:26
I did. And I hope to be able to provide those
19:29
same opportunities for our children. And so I'm
19:33
not letting him go to art school. He's chosen
19:36
to go to art school. And so for me, I would just
19:39
encourage all of my kids, whatever they were
19:41
doing, art they're definitely not excluded. Yes,
19:45
is the creative avenue more difficult sometimes?
19:48
It can be. And so, you know, I wanted to make
19:52
sure that he balanced life and living life with
19:55
his passion for art. And I used to always just
19:58
remind him, take time for yourself and make sure
20:03
that you're making a life because you can make
20:06
a living doing anything, but love what you're
20:08
doing and, you know, make a life for yourself.
20:11
Yes. And that kind of gets us into, what advice?
20:14
would you give other parents who are raising
20:16
aspiring artists from a practicality perspective?
20:21
I'd say balance between art and living life,
20:25
because I think as artists you can get so immersed
20:28
in your work that you sometimes forget about
20:31
living life. And I always tell Arthur, take breaks,
20:34
make sure that you have balance. You know, taking
20:37
a trip is not a luxury, it's a necessity to really
20:41
kind of clear your head sometimes. And I think
20:44
over the last year, we've had several losses
20:48
in our family. And I think it reminds me, as
20:51
I would remind all of my kids, focus on what's
20:54
really important. And that's, you know, family,
20:57
friends, and faith. Yeah. And you've done that.
21:01
Tried to. Yes. No, it's been, it's very inspiring
21:05
and a beautiful path that you've created. for
21:09
Arthur, and we're all thankful for his art that
21:12
then he shares with us. He gives us somewhere
21:16
to go. Yes, exactly. How many times did you visit
21:20
him when he was in France? Twice. Nice. Yeah,
21:24
yeah. So when he was there for the fellowship,
21:26
we went, and then we went back to visit him a
21:29
second time. So, yeah, twice. And when he was
21:32
in Tulsa, I went separately, and then my husband
21:35
went another time to visit him in Tulsa as well.
21:39
We love it. Yes. Such a coincidence you talk
21:45
about travel and youth. And we did a lot of travel
21:48
around Europe in middle school and high school.
21:51
And it's such a coincidence, maybe not a coincidence,
21:53
that I ended up being able to travel with my
21:54
art, you know, as an adult as well, too, from
21:57
that exposure. Correct. And get to see even more.
22:01
And we'd love to be able to give them those experiences.
22:05
We did travel a lot when they were younger. And
22:08
some of it you probably remember, some of it
22:10
you maybe don't, but we hope that they were immersed
22:12
in it. Because the world is not that big of a
22:16
place, honestly. And people, wherever you go,
22:19
are doing the same thing. Raising families, going
22:22
to and from work, to and from school, making
22:26
art, sharing what they love to do, struggling,
22:29
ups and downs of life. We wanted them to feel
22:33
comfortable in the world and go anywhere and
22:35
be comfortable doing that. And all of my kids
22:38
are really incredible travelers. Are you going
22:44
to cry? Not yet, not yet, not yet. Arthur, is
22:49
there any new projects that you're working on
22:52
currently that you want to share with the audience?
22:54
Yeah, besides the mural, I just mentioned that
22:56
my father, Senator Haywood, and Senator Hughes
22:58
sponsored for a new decoration signing amongst
23:01
diverse people. That should be revealed around
23:03
the 4th of July. I'm doing a mural for the Blaine
23:06
Elementary School. So I'll continue my theme
23:08
work of literacy, but not just literacy. Math
23:11
and science are also part of the theme. So we
23:13
did a survey amongst the students about their
23:14
favorite subjects in school are and why. And
23:17
so a few of the most popular were science. with
23:18
them looking up a DNA icon. So it's incorporating
23:22
technology, so new ways of learning in terms
23:25
of aesthetic as well, too. So that is planned
23:27
for the spring. And some more illustrations,
23:29
which I'm not allowed to reveal more about, but
23:31
more illustrations as well, too. That's perfect.
23:34
I don't even know that. Until it becomes public.
23:38
Oh, that's incredible. Thank you. Incredible.
23:40
Very fortunate. Yes. Yeah, besides that, I think
23:44
I may have mentioned before the children's book
23:46
that I'm working on as well, too. It's like a
23:47
young adult graphic novel about two kids that
23:49
are on a mission to save their pets, but they
23:51
use their light to overcome evil. So it's this
23:53
ongoing children's book I've been working on
23:55
and speaking with other art directors and agents
23:57
about it along the way, too. Great. Thank you.
24:01
Excellent. Well, thank you so much for sharing
24:03
your inspiring stories as well as the amazing
24:08
foundation that you've been able to give your
24:10
children. Thank you. Thank you. We'll be right
24:13
back with some rapid fire questions. Welcome
24:17
back with our rapid fire questions. So what is
24:21
your favorite place to score a cheesesteak? I'm
24:24
a vegetarian. That's fine. That's fine. Best
24:28
sandwich then. I've heard of a place in Philly,
24:31
but I don't remember the name of it. It has really
24:33
good vegetarian. Steaks. Ooh, okay, all right.
24:38
I'll have to get that name for you. Yes, love
24:40
that. Did you draw a favorite place? No, I think
24:46
I read in a magazine, the Philadelphia Magazine,
24:48
what that vegetarian place was, but I couldn't
24:49
recall what that place was. Yes, yes, love it,
24:52
love it. Arthur, your favorite literary character
24:55
to draw just for fun? That's probably... Any
24:59
character from Lord of the Rings, you know, Tolkien's.
25:02
I've done a few Cimmerillion and Tolkien -inspired
25:05
paintings. But the whole theme of light overcoming
25:07
darkness is, you know, the overall theme of his
25:10
mythology. So I've done a few Tolkien fan art
25:13
recently. And so anything drawing from that theme
25:15
of heroism, like overcoming darkness, is what
25:17
I return to a lot. All right, last one. Julie,
25:20
on a scale of one to infinimillionty, how proud
25:25
are you of Arthur? The last one. My parents inspired
25:34
me in my own artwork, too. They're so active
25:37
in the communities, and it really inspires me
25:39
on a daily basis to see how they're incorporating
25:42
and inspiring other people as well, too, to become
25:45
active in literacy, better citizens. There's
25:49
so many ways to be inspired by my parents as
25:50
well, too. Yes. Wow, thank you. Thank you. Thank
25:54
you. Thank you so much for being here with us.
25:56
Thank you. Thank you. I'll have to learn how
25:58
to spell that last word. Yes. I made it up. And
26:05
everyone, check out Arthur Haywood and his murals
26:08
and art. And thanks so much. Thank you. Thank
26:11
you both so much. This was so much fun. Just
26:25
the highlights, Lucinda. Kick us off. Philadelphia
26:28
Theatre Company presents Wilderness Generation,
26:32
running into May. This is a world premiere of
26:35
James Imes. We laughed. I cried. You gotta go.
26:42
Guided, a solo exhibition by Inga Kimberly Brown
26:47
and Archive of the New. The Spring Members Invitational
26:53
at Da Vinci Art Alliance is running until April
26:56
19th. Tick tock. Works on Paper, a group show
27:00
at the Plastic Club, is showing until April 23rd.
27:04
Small Works 26 at Frameworks Gallery is showing
27:08
until April 25th. Shout out to Friend of the
27:11
Pod and past guest Callie, whose work is included
27:15
in Small Works 26. Finally, Shifting Impressions.
27:19
Work by the American Color Print Society is showing
27:23
at the Box Spring Gallery until April 25th. And
27:27
with that, Philly has heart. And art! Thank you
27:38
for tuning in to Philly Has Heart. Don't forget
27:41
to follow, share, and spread the love.