Latest / Frightmares / Ep. 393 - The Bay (2012)

Transcript

Ep. 393 - The Bay (2012) · Frightmares

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions podcast network.
• 0:07
  Speaker 2: Hey, this is Jason Kleeberg from the Force five podcast,
• 0:10
  Speaker 2: a show that forces a guest to come up with
• 0:12
  Speaker 2: a movie themed top five list topic and then we
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  Speaker 2: reveal our picks on air. Top five heist Films, top
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  Speaker 2: five tier Jerkers, Top five movie dogs. Every show you'll
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  Speaker 2: be asking yourself what would be on my list. Guests
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  Speaker 2: The Force five podcast available wherever you are listening now.
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  Speaker 3: The following podcast will contain spoilers, tangents, hot takes, and
• 0:44
  Speaker 3: excessive foul language. Viewer discretion is advised. Enjoy the show.
• 1:30
  Speaker 4: Welcome back to Friday Mare's podcast. I'm your host Austin
• 1:32
  Speaker 4: Proctor and joining me today four episode three ninety three
• 1:36
  Speaker 4: is my good friend Corey Johnson.
• 1:39
  Speaker 5: Hey everybody, it was chicken shit all along. Who would
• 1:45
  Speaker 5: have thought?
• 1:46
  Speaker 4: Today? On another installment of Animalogous Attack, we're discussing our
• 1:50
  Speaker 4: deep cut pick the Bay from twenty twelve, which is
• 1:52
  Speaker 4: essentially the bastard child of Quarantine and Jaws. Let's see
• 1:57
  Speaker 4: who this lands the Nightmare Index. All right, Corey, what
• 2:05
  Speaker 4: have you been watching? Did you watch Twin Peaks with
• 2:08
  Speaker 4: Jessica or did she do that solo?
• 2:12
  Speaker 5: So I had seen it previously before Jessica okay, and
• 2:19
  Speaker 5: then probably in our our first year together she had
• 2:24
  Speaker 5: watched it because I was I was talking so oh.
• 2:28
  Speaker 5: It was when Kyle and I were talking about him
• 2:30
  Speaker 5: having never seen Maholland Drive, and I was like, bro,
• 2:33
  Speaker 5: what do you mean you've never seen Mahallan Drive? And
• 2:35
  Speaker 5: He's like, yeah, you know, I haven't really seen much
• 2:37
  Speaker 5: of David Lynch's stuff. And I'm like, really, you've never
• 2:40
  Speaker 5: seen Twin Peaks. And then it spun from there and
• 2:43
  Speaker 5: just like, you know, I haven't watched that in a while.
• 2:46
  Speaker 5: And then I think either beginning of this year or
• 2:50
  Speaker 5: end of last year, she started watching it again. And
• 2:53
  Speaker 5: since she works from home, like I'm just there for
• 2:57
  Speaker 5: the first couple hours of her work day, so like
• 3:00
  Speaker 5: she'll come upstairs and on the good TV. We'll just
• 3:04
  Speaker 5: put put on something until I go to work, and
• 3:06
  Speaker 5: she'll go back down and work in her office. So
• 3:09
  Speaker 5: I I got I got a good chunk of watching it,
• 3:13
  Speaker 5: and for a lot of it, you can just kind
• 3:16
  Speaker 5: of clue in and out and it's all relatively the same.
• 3:19
  Speaker 5: But I've seen I've seen Twin Peaks a few times.
• 3:22
  Speaker 4: Okay, so then what have you been watching recently? Anything good? Anything?
• 3:29
  Speaker 5: So just continuing cranking out on Silo because season three
• 3:35
  Speaker 5: is still airing. They're in production of season four. Ted Lasso,
• 3:42
  Speaker 5: didn't they just first episode just came out. Yeah, it
• 3:45
  Speaker 5: was real interesting. Let me go through my diary real quick,
• 3:52
  Speaker 5: because I know for sure I've seen some things. I
• 3:55
  Speaker 5: watched Iron Lung, so that was that was fun. It
• 4:00
  Speaker 5: was It was a little too long, definitely a little
• 4:04
  Speaker 5: too long, but I liked what they did with it.
• 4:07
  Speaker 5: I thought it was a crazy idea for a bottle movie, right,
• 4:14
  Speaker 5: very crazy that some fucking guy on YouTube was able
• 4:21
  Speaker 5: to not only gather the people to write a cohesive
• 4:26
  Speaker 5: enough script to make a two hour movie out of
• 4:31
  Speaker 5: a indie video game, but also that he was able
• 4:36
  Speaker 5: to act better than most of the people coming out
• 4:39
  Speaker 5: of Hollywood right now, it's it's kind of an insult
• 4:45
  Speaker 5: to the industry because now we're like, all right, don't
• 4:50
  Speaker 5: get wrong I love Robert Pattinson, but he's in what
• 4:52
  Speaker 5: like six movies this year. How do we have five
• 4:55
  Speaker 5: people that are acting in Hollywood and you've got all
• 4:59
  Speaker 5: these people on yout Tube that could just be crushing
• 5:02
  Speaker 5: shit with brand new ideas.
• 5:04
  Speaker 4: I mean, even Obsession Cooper Tomlinson. I know they've done
• 5:08
  Speaker 4: a lot of content before and stuff like that, but
• 5:11
  Speaker 4: so is market Plier. Cooper Tomlinson is a fantastic actor,
• 5:15
  Speaker 4: and even so was Curry Barker. Like Curry Barker is
• 5:17
  Speaker 4: also excellent as well, and you're of dead on right.
• 5:21
  Speaker 4: I mean, Mark Player was legitimately fantastic in Iron Lung.
• 5:26
  Speaker 5: I'm pretty I'm pretty sure I texted you at some
• 5:28
  Speaker 5: point like, why can we not get market Plier acting
• 5:31
  Speaker 5: in other movies? He was really good. He was very
• 5:36
  Speaker 5: and to be essentially the only person acting on screen
• 5:41
  Speaker 5: outside of maybe two minutes of when he resurfaces for
• 5:46
  Speaker 5: the first time. And I watched, so I gave Iron
• 5:51
  Speaker 5: Long a three out of five. The other reason it
• 5:53
  Speaker 5: didn't score any higher was because again it for absolutely
• 5:57
  Speaker 5: no reason did it need to be two hours two hours?
• 6:00
  Speaker 1: Was?
• 6:01
  Speaker 5: It was like two hours and five minutes.
• 6:02
  Speaker 4: I agree, But like I was never bored. I was surprised.
• 6:06
  Speaker 5: No, I was never bored at all. Like I totally
• 6:10
  Speaker 5: get all right, you built the NACMO, so you're gonna
• 6:13
  Speaker 5: get all your time out of the NACMO to make
• 6:16
  Speaker 5: this movie happen. But at the same time, like cut
• 6:20
  Speaker 5: out like two of the sub shots, like just these long, lingering,
• 6:25
  Speaker 5: like quote unquote hallway shots, but it's just like the
• 6:30
  Speaker 5: back of Mark's head or he's just wandering around in
• 6:35
  Speaker 5: this ten foot little hallway. But other than that, I mean,
• 6:40
  Speaker 5: good movie. Go see it. It's it's real good. It's
• 6:43
  Speaker 5: four ninety nine on YouTube, and I'm pretty sure that
• 6:47
  Speaker 5: that rental just goes straight to Mark, so I'll watch it.
• 6:51
  Speaker 5: I know he he gave all his cast in crew
• 6:57
  Speaker 5: people fucking bonuses when it did so well, so yeah,
• 7:00
  Speaker 5: go go fucking support this guy. And then I have
• 7:04
  Speaker 5: also seen The Long Walk, which I know I'm the
• 7:07
  Speaker 5: latest fuck getting too. But oh man, that was a
• 7:11
  Speaker 5: good fucking movie. Like I went into it thinking, all right,
• 7:15
  Speaker 5: it's it's gonna be a Stephen King adaptation like it
• 7:19
  Speaker 5: at Max caps out at like a three point five, right,
• 7:24
  Speaker 5: like it can't it can't be that great. And in
• 7:27
  Speaker 5: the first, you know, twenty twenty five minutes, I'm like,
• 7:31
  Speaker 5: all right, my my theory is being proven. It's it's
• 7:34
  Speaker 5: just a it's just a really alright Stephen King King adaptation. Yeah,
• 7:39
  Speaker 5: and then fucking Cooper Hoffman and Michael Johnson just steal
• 7:46
  Speaker 5: my fucking heart and become my best friends. Like I
• 7:53
  Speaker 5: it is, it is almost never where I go. I
• 7:57
  Speaker 5: love every sing character of this movie. I love the villains,
• 8:03
  Speaker 5: I love the antagonists. I love the main characters. I
• 8:08
  Speaker 5: love the side characters. Every single person is equally as
• 8:14
  Speaker 5: important as everyone else in this movie. And I was
• 8:18
  Speaker 5: blown away. Now. It didn't get a five out of
• 8:22
  Speaker 5: five because there were some things where I was like,
• 8:24
  Speaker 5: all right, you could have done this slightly different, or
• 8:27
  Speaker 5: you could have been a little less heavy handed on this, right,
• 8:31
  Speaker 5: But I still gave it. I still gave it a
• 8:33
  Speaker 5: four out of five because it was It was a
• 8:36
  Speaker 5: wonderfully told story. I was also wildly distracted at how
• 8:43
  Speaker 5: much uh Cooper Hoffman looks and sounds and has the
• 8:49
  Speaker 5: mannerisms of his deceased father. And I'm like, all right, yeah,
• 8:54
  Speaker 5: you you are not even trying to be a different person.
• 8:56
  Speaker 5: You are just riding that Philip Seymour train and it's
• 9:03
  Speaker 5: gonna work out for him amazingly.
• 9:06
  Speaker 4: Yeah. Mark Hamill as the I didn't recognize that. I
• 9:10
  Speaker 4: didn't even recognize him at first. As the guy on
• 9:13
  Speaker 4: the back of the jeep yelling or yelling at everybody.
• 9:16
  Speaker 4: I was like, is that yes? Yeah?
• 9:18
  Speaker 5: Him as the major blew me away? Yeah, because you
• 9:22
  Speaker 5: reveal his face and your leg and he only ever
• 9:24
  Speaker 5: has those Aviator sunglasses on. Yeah, And I'm like, Wow,
• 9:28
  Speaker 5: I don't know who this guy is, but he's fucking menacing.
• 9:32
  Speaker 5: This is so weird. And then as it keeps going,
• 9:34
  Speaker 5: I'm like, you know, I kind of recognize this actor's
• 9:37
  Speaker 5: voice and he kind of looks like Michael Ironside, but
• 9:42
  Speaker 5: I know it's not. I'm just I'm just gonna let
• 9:45
  Speaker 5: like I was. I was so locked in on this
• 9:48
  Speaker 5: movie that I was like, I'm not even gonna bother
• 9:52
  Speaker 5: looking it up because it who he is as an
• 9:55
  Speaker 5: actor doesn't really matter as much to his uh performance
• 10:00
  Speaker 5: of what's going on. And then at one point he's
• 10:03
  Speaker 5: yelling as the truck's going by, and he's he hits
• 10:07
  Speaker 5: a certain note and I'm like, that's the Batman's joker.
• 10:10
  Speaker 5: For the animated series. What is going on? Is that
• 10:13
  Speaker 5: fucking Mark Hamill? And then I paused the movie and
• 10:17
  Speaker 5: I pulled it up and I was like, that's about
• 10:18
  Speaker 5: the fucking Mark Hamill. Oh my god, yep, yeap.
• 10:22
  Speaker 4: It took me a while to realize that as well.
• 10:24
  Speaker 4: But well, so what did you end up giving that one?
• 10:27
  Speaker 5: I gave it a four out of five.
• 10:28
  Speaker 4: I think that's what I gave it to is silid
• 10:31
  Speaker 4: fucking movie for literally walking down a road for ninety
• 10:35
  Speaker 4: percent of I mean all of the movie. I mean
• 10:38
  Speaker 4: the ending they're in a town, but you know whatever.
• 10:41
  Speaker 5: But yeah, my thing about it, And after doing some research,
• 10:47
  Speaker 5: I realized they stayed really close to the book in
• 10:52
  Speaker 5: this aspect. You know me, if you're gonna tell me
• 10:56
  Speaker 5: that we're doing something because of something else, you have
• 10:59
  Speaker 5: to explain the something else. You can't just be like, oh,
• 11:03
  Speaker 5: the war and then move the fuck on, like dog,
• 11:07
  Speaker 5: what what? And then doing research it's like, oh, it
• 11:10
  Speaker 5: was analogous for the Vietnam War and blah blah blah,
• 11:14
  Speaker 5: and you know that because that's when Stephen King was
• 11:16
  Speaker 5: writing it. And I was like, all right, cool, but like,
• 11:19
  Speaker 5: tell us, like even if it's not in the book.
• 11:22
  Speaker 4: Embellish something yet.
• 11:25
  Speaker 5: Like otherwise it's just like, oh, yeah, every boy in
• 11:28
  Speaker 5: the country signs up when they turn eighteen, so it's like, oh,
• 11:31
  Speaker 5: it's analogous to the Draft, but it's not because you
• 11:35
  Speaker 5: do actually have the choice. I don't know it was.
• 11:39
  Speaker 5: There were there were a few things in it that
• 11:41
  Speaker 5: really really bothered me, but they got outweighed by the
• 11:46
  Speaker 5: casting crew just fucking ripping. Like even even the uh
• 11:53
  Speaker 5: what's his face? Uh, the little Asian guy Hank's name Hank. Yeah,
• 11:59
  Speaker 5: even him like human and his fucking naked ladies thing.
• 12:02
  Speaker 5: I was like, this is fucking hilarious. This is the
• 12:05
  Speaker 5: best side character.
• 12:08
  Speaker 4: Let me see Yeah, Hank Hank Olsen. Yeah. And then
• 12:11
  Speaker 4: David Johnson. I'm so excited because.
• 12:14
  Speaker 5: David Johnson, not Michael Johnson.
• 12:16
  Speaker 4: I thought you said David. Did you say I thought
• 12:18
  Speaker 4: you said David.
• 12:19
  Speaker 5: I said Michael. I said Michael.
• 12:20
  Speaker 4: Well, he's gonna be in Black Panther three as to Challa,
• 12:25
  Speaker 4: which is fucking awesome. So I love that for him
• 12:28
  Speaker 4: because he was in Romulus and then The Long Walk.
• 12:31
  Speaker 5: And they should have with when when when it's when
• 12:35
  Speaker 5: it's u when it's a person like Chadwick Boseman, And
• 12:38
  Speaker 5: how amazing of like a person an actor that he was.
• 12:44
  Speaker 5: Challa is now dead, bringing a new character, retcon some
• 12:47
  Speaker 5: ship you don't get to have, you don't get to play.
• 12:50
  Speaker 5: To Challa, Well, that that character is now dead.
• 12:55
  Speaker 4: Well he's just black panther. I don't think he's taken.
• 12:57
  Speaker 4: I don't think he's I don't think he's taking over
• 12:59
  Speaker 4: as fuck up.
• 13:01
  Speaker 5: Yeah, because yeah, because I was about to say, if
• 13:03
  Speaker 5: they if they retcon him into a different actor. No,
• 13:06
  Speaker 5: I'm already I'm already pretty much boycotting Marvel movies. But
• 13:09
  Speaker 5: I will see I will seriously boycott if that's the case.
• 13:13
  Speaker 4: It says to it says to Challa's son, To'challa comes
• 13:16
  Speaker 4: of age with eyes on the crown of Wakanda. So
• 13:18
  Speaker 4: I'm assuming it's the kind of spoiler.
• 13:22
  Speaker 5: So we're getting a junior without the junior.
• 13:24
  Speaker 4: Okay, okay, yeah, it's not to Chella Junior anyways. Anything
• 13:28
  Speaker 4: else worth mentioning?
• 13:30
  Speaker 5: No, not really.
• 13:31
  Speaker 4: Yeah, long walks standing strong at a three point five
• 13:34
  Speaker 4: out of five one letterbox. I also gave it a four.
• 13:37
  Speaker 4: Some things I watched recently, let's see here. I know
• 13:41
  Speaker 4: I talked about Stocker Jane. I watched a movie called
• 13:45
  Speaker 4: Summoning Sylvia, which was hilarious. It was a gay bachelor
• 13:49
  Speaker 4: party gone spooky where they summon Sylvia and that's all
• 13:53
  Speaker 4: I'm gonna leave it. It's fucking hilarious. Uh let's see.
• 13:56
  Speaker 4: I watched never Be's Incorporated from two thousand and seven,
• 13:58
  Speaker 4: cent over by Avy Entertainment. Summoning Sylvia was also sent
• 14:02
  Speaker 4: over by them. Neither Me's Incorporated is a vampire movie
• 14:05
  Speaker 4: set in office, and it's very much like bloodsucking bastards,
• 14:09
  Speaker 4: but not at the same time. The only thing they
• 14:11
  Speaker 4: have in common together is vampire's in a corporate office,
• 14:16
  Speaker 4: and fucking Steve Burns is in this. If you don't
• 14:19
  Speaker 4: know who Steve Burns is, he played Steve on Blues
• 14:23
  Speaker 4: Clues and that's hilarious because this came out in two
• 14:25
  Speaker 4: thousand and seven and Blues Clues. He left Blues Clues
• 14:29
  Speaker 4: in two thousand and seven, so that's absolutely hilarious to me.
• 14:34
  Speaker 4: My culte movie challenge was, let's see, Oh, American International
• 14:39
  Speaker 4: Pictures Week. Holy shit. They literally had so many movies
• 14:42
  Speaker 4: to choose from, and I chose to mention thirteen because
• 14:46
  Speaker 4: it was Francis Ford Coppola's first movie he'd ever done,
• 14:51
  Speaker 4: and I'm not the biggest Coppola guy. I don't think
• 14:53
  Speaker 4: Bromsager's Dracula is great. The original Godfather is great on
• 14:57
  Speaker 4: a technical level, but it does not interest me in
• 15:00
  Speaker 4: the slightest. I still gave that a four, though, and
• 15:02
  Speaker 4: this one was just another disappointment from Coppola. It's literally
• 15:06
  Speaker 4: a Psycho ripoff, and Roger Korman is involved, and he
• 15:10
  Speaker 4: is known to do things like that where he takes
• 15:13
  Speaker 4: a movie, rips it off and does like a B
• 15:16
  Speaker 4: moot like version of it, which is fine, but there's
• 15:19
  Speaker 4: no Corman quality to this movie. It just feels derivative
• 15:22
  Speaker 4: of Psycho. And if you're gonna take Psycho and make
• 15:25
  Speaker 4: a B version of it, do better. So two and
• 15:28
  Speaker 4: a half you don't like, you don't like Apocalypse now, see,
• 15:31
  Speaker 4: I haven't seen that, But everything I've everything, Really, I
• 15:34
  Speaker 4: haven't seen that one, which I guess I wanted to
• 15:38
  Speaker 4: start at the beginning and work through his career because
• 15:41
  Speaker 4: mostly Godfather too, I did actually enjoy, But like the
• 15:45
  Speaker 4: first Gonfrather, I'm like, it is great on a technical level,
• 15:48
  Speaker 4: Everything about this movie looks great. The acting is great.
• 15:51
  Speaker 4: I am just I don't give a shit about what's happening,
• 15:54
  Speaker 4: Like I don't.
• 15:57
  Speaker 5: A loud ass fucking Trump's saxophone.
• 16:01
  Speaker 4: Yeah, so I'm gonna go through his somography and just
• 16:04
  Speaker 4: but like I just, I don't get the hype around him.
• 16:07
  Speaker 4: I feel like he made The Godfather. It was one
• 16:10
  Speaker 4: of the you know, everyone, it's revered as one of
• 16:12
  Speaker 4: the greatest movies ever, and then after that, everything he
• 16:16
  Speaker 4: did was just gas the fuck up because of who
• 16:18
  Speaker 4: he was. You can read my whole review if you want.
• 16:21
  Speaker 4: I watched a new movie for this year, a screener
• 16:23
  Speaker 4: Sonumber by Pixel Media for Big Baby, and it is
• 16:26
  Speaker 4: a movie where a filmmaker is writing a new screenplay
• 16:33
  Speaker 4: and basically he can't tell what's real and what's not
• 16:36
  Speaker 4: real anymore, and the the reality and fiction start blending
• 16:41
  Speaker 4: together and it's it's really good. And I told my
• 16:44
  Speaker 4: wife halfway through. I was like, Okay, it's either gonna
• 16:47
  Speaker 4: get too convoluted and we don't know what's real and
• 16:50
  Speaker 4: what's not, or it's going to explain everything perfectly and
• 16:55
  Speaker 4: ramp up toward a ending that makes sense. And it
• 16:59
  Speaker 4: was the first thing. It just it got a little
• 17:01
  Speaker 4: too convoluted and I wasn't sure what was going on.
• 17:03
  Speaker 4: Gabby felt the same way. We both gave it a
• 17:05
  Speaker 4: three out of five. Good movie, good idea, just didn't
• 17:09
  Speaker 4: really nail the stick the landing.
• 17:11
  Speaker 2: There.
• 17:12
  Speaker 4: Watch Late Phases finally, because Late Phases was supposed to
• 17:15
  Speaker 4: be on last month for uh Werewolf month. Late Late
• 17:19
  Speaker 4: Faces was fucking awesome. Go check it out. Four out
• 17:23
  Speaker 4: of five. And then I watched all the Super Troopers
• 17:26
  Speaker 4: movies because I saw Super Troopers three yesterday. Every single
• 17:29
  Speaker 4: one of those movies has a four star from me.
• 17:31
  Speaker 4: They are just hilarious. And then I watched Project cail
• 17:34
  Speaker 4: Mary finally, and my review for that one is here.
• 17:38
  Speaker 4: I am crying over a fucking space rock. That movie
• 17:41
  Speaker 4: was beautiful.
• 17:43
  Speaker 5: It is literally did you ever watch Spaceman? Did I
• 17:47
  Speaker 5: make you watch that? The Woman Sailor and Paul Danel.
• 17:49
  Speaker 4: No, And I'm gonna watch it. I'm gonna put it
• 17:51
  Speaker 4: on my list, write the fuck down because I because
• 17:54
  Speaker 4: every time you mentioned it, I want to go watch it,
• 17:56
  Speaker 4: and then and then I then I fucking forget to
• 17:58
  Speaker 4: watch it.
• 17:59
  Speaker 5: I got like halfway through Project hail Mary, and I'm like,
• 18:03
  Speaker 5: this is just a higher budget Spaceman ripoff. Like I like,
• 18:08
  Speaker 5: they both come from books. The Spaceman book came out
• 18:11
  Speaker 5: like a year or two before the project Hail Mary book,
• 18:15
  Speaker 5: so I'm like, this is it's the same movie, except
• 18:20
  Speaker 5: because it had Ryan Gosling in it, it got way
• 18:23
  Speaker 5: more attention. And let me tell you, spooky cosmic spider
• 18:28
  Speaker 5: Paul Dano is better than Rocky the Puppet because he's
• 18:32
  Speaker 5: got human teeth and it's upsetting.
• 18:35
  Speaker 4: Well, and I this was straight to Netflix too, This
• 18:37
  Speaker 4: didn't even go to theaters.
• 18:39
  Speaker 5: So yeah, uh, that's that's the other reason.
• 18:42
  Speaker 4: But people also like ninety percent of Hail Mary. All
• 18:46
  Speaker 4: all the interior shots of the spaceship were all practical.
• 18:49
  Speaker 4: The alien like the rock was practical. So I don't know,
• 18:52
  Speaker 4: but it was a beautiful movie. But now I put
• 18:54
  Speaker 4: that on my last and I'm gonna literally go watch
• 18:56
  Speaker 4: that today because I keep meaning to and then I've forgotten.
• 19:00
  Speaker 4: That's all I've got, So let's move on to the
• 19:02
  Speaker 4: body count. All right. This is the Bay from twenty twelve,
• 19:10
  Speaker 4: released on November second of that year in the US
• 19:14
  Speaker 4: rated R for disturbing violent content. Bloody images in language,
• 19:18
  Speaker 4: no sex and nudity, but there is severe violence and gore,
• 19:21
  Speaker 4: severe profanity, no alcohol, drugs and smoking, and severe frightening
• 19:25
  Speaker 4: and intense scenes coming in at an hour and twenty
• 19:27
  Speaker 4: five minutes unless you watch it on two B, where
• 19:29
  Speaker 4: apparently you get twenty two ads and it's about two hours.
• 19:32
  Speaker 4: So that's really weird. Sorry about that, Corey.
• 19:36
  Speaker 5: Well it's only two It's only a two hour experience
• 19:40
  Speaker 5: because the twenty two ads ad like thirty minutes worth.
• 19:45
  Speaker 4: Yeah, that's fucking ad. That's crazy too. B is very strange,
• 19:50
  Speaker 4: but anyway, we'll talk about that later. Listen as a
• 19:53
  Speaker 4: horror sci fi thriller directed by Barry Levinson, who also
• 19:57
  Speaker 4: directed Good Morning Vietnam, Rain and Envy with Jack Black
• 20:02
  Speaker 4: and somebody Else. Written by Barry Levinson who also wrote
• 20:06
  Speaker 4: Toys and Man of the Year to Robin Williams movies,
• 20:09
  Speaker 4: and also written by Michael Wallack. This is his only
• 20:12
  Speaker 4: writing credit. Composed by Marcelo Zarvos, who also composed Rock
• 20:16
  Speaker 4: the Kasba, The Equalizer three and K Pop Demon Hunters.
• 20:20
  Speaker 4: Cinematography by Josh Nussbaum. He only has seven credits, and
• 20:23
  Speaker 4: this is the only movie he did, edited by Aaron Yanes.
• 20:27
  Speaker 4: He also edited Europa Report and Rock the Kasba, starring
• 20:31
  Speaker 4: Nanci Aluca as Jacqueline literally the only movie she's ever done,
• 20:35
  Speaker 4: very strange. Christopher Denham as Sam. He was also an
• 20:39
  Speaker 4: Argo as Mark Lezek, Stephen Conkin as Doctor Abrams. He
• 20:43
  Speaker 4: was in nineteen episodes of The Handmaiden's Tale as Commander
• 20:46
  Speaker 4: Warren Putnam. We have Frank Dial as Mayor Stockton. He
• 20:50
  Speaker 4: was in eleven episodes of Something called Manifest as Captain
• 20:53
  Speaker 4: Bill Dally. We have Heather Donna Hugh not Heather Donahue
• 20:58
  Speaker 4: as Donna. She was in Sick two episodes of Something
• 21:01
  Speaker 4: called You're the Worst as Lindsey Gillian christ and Connelly
• 21:05
  Speaker 4: a Stephanie. She was in The Cabin in the Woods
• 21:07
  Speaker 4: as Dana, and Will Rogers as Alex. Who was in
• 21:09
  Speaker 4: two episodes of Dexter Resurrection as Merk. Estimated budget of
• 21:14
  Speaker 4: NA only grossing one point six million. Filmed in Georgetown,
• 21:18
  Speaker 4: South Carolina. You can watch us on Pluto and tub
• 21:21
  Speaker 4: Maybe Pluto's a better way to do it this time
• 21:23
  Speaker 4: instead of two by who the fuck knows movies that
• 21:26
  Speaker 4: came out are on the same time. The Hobbit, An
• 21:28
  Speaker 4: Unexpected Journey, Skyfall, Wreck at Ralph, Flight Lincoln, The Twilight Saga,
• 21:35
  Speaker 4: Breaking Don Part two, Paranormal Activity four, The Man with
• 21:39
  Speaker 4: the Iron Fists? Would You Rather? And Silent Night? IMDb summary.
• 21:44
  Speaker 4: Chaos breaks out in a small Maryland town after an
• 21:47
  Speaker 4: ecological disaster occurs. Let's go into the autopsy, all right, Corey,
• 21:54
  Speaker 4: so much like Dead Stream, you forgot that you watch this.
• 21:59
  Speaker 5: Not only did I forget that I watched this. I
• 22:02
  Speaker 5: was only reminded that I watched this when I went
• 22:06
  Speaker 5: to log it and I saw it already had a rating.
• 22:09
  Speaker 4: Yeah, And I was like, wow.
• 22:11
  Speaker 5: Did I accidentally like hit a rating as I was
• 22:14
  Speaker 5: pulling this up, Like, there's no way that I already
• 22:17
  Speaker 5: rated this? And then I scrolled all the way to
• 22:20
  Speaker 5: the bottom of my letterbox and went up year by
• 22:24
  Speaker 5: year to figure out when the fuck I watched it.
• 22:27
  Speaker 5: Apparently in twenty twenty two, So four years ago. I
• 22:31
  Speaker 5: watched this movie. Absolutely zero recognition or remembrance of this.
• 22:37
  Speaker 5: For all intents and purposes, this is the first time
• 22:40
  Speaker 5: I've watched this movie.
• 22:41
  Speaker 4: Yeah, i'mlike Dead's Stream, where you started remembering that you
• 22:44
  Speaker 4: would watched it. I don't know, and we had this conversation.
• 22:47
  Speaker 4: I don't know what happened to you in twenty twenty two, but.
• 22:51
  Speaker 5: Anyways, just straight up men in black neuralize for real,
• 22:55
  Speaker 5: like that's the That's the only thing that I can
• 22:57
  Speaker 5: because now that I'm thinking about it, I through that
• 23:01
  Speaker 5: twenty twenty two sectional letterbox. I remember any of these movies.
• 23:05
  Speaker 5: So let me let me give you. Let me give
• 23:07
  Speaker 5: you a couple of things that I watched in.
• 23:12
  Speaker 4: No memory place.
• 23:15
  Speaker 5: How did I get here?
• 23:17
  Speaker 4: Right?
• 23:18
  Speaker 5: So I remember exactly two movies from the September to
• 23:27
  Speaker 5: October watching Okay, so from September to October, I watched
• 23:32
  Speaker 5: Rubber War Games the Northmen, which I remember watching the
• 23:38
  Speaker 5: Northmen and I remember watching Rubber.
• 23:39
  Speaker 4: Yeah, we definitely covered that on the podcast.
• 23:43
  Speaker 5: Yeah, the Bay, Dark Skies, Mockingbird, and Spell. Okay, I
• 23:51
  Speaker 5: don't I don't know what Mockingbird or Spell are either.
• 23:55
  Speaker 4: I think I think what happened is you've definitely got
• 23:58
  Speaker 4: abducted by aliens after watching Dark Skies and your memory
• 24:02
  Speaker 4: was just wiped. That's the only explanation I can come
• 24:05
  Speaker 4: up with.
• 24:05
  Speaker 5: It's it's that or I got taken over by the zombies.
• 24:09
  Speaker 5: From one cut of The Dead that I watched in November.
• 24:13
  Speaker 4: So overall thoughts for the bay, what do we got?
• 24:17
  Speaker 4: What do we got?
• 24:19
  Speaker 5: This movie is wonderfully confused by itself. It never knows
• 24:24
  Speaker 5: what direction it wants to go in, and sometimes it
• 24:29
  Speaker 5: accidentally itself into a good point, and then the rest
• 24:34
  Speaker 5: of the time it's just kind of wandering around lost.
• 24:38
  Speaker 4: Okay, interesting, uh okay, So there's no idea what I'm
• 24:47
  Speaker 4: about to say about this movie. Nope, I love it.
• 24:49
  Speaker 4: That's a great yeah, because like I I do really
• 24:53
  Speaker 4: enjoy this movie. There are you know, it's not perfect,
• 24:57
  Speaker 4: of course, you know, very few movies I to be,
• 25:01
  Speaker 4: you know, devoid of flaw. But I just enjoy how
• 25:05
  Speaker 4: the story is told and the fact that you have
• 25:08
  Speaker 4: no like, like people that watch this for the podcast
• 25:11
  Speaker 4: are gonna be like, where's the animal attack? What? Like?
• 25:14
  Speaker 4: What do you how is this animal related? And then
• 25:16
  Speaker 4: the reveal is that it's some sort of an animal.
• 25:20
  Speaker 5: By the way, I do want to say that I
• 25:22
  Speaker 5: technically called it because they they used one of the
• 25:26
  Speaker 5: words from what I said. Okay, they just added an
• 25:30
  Speaker 5: additional piece that made it a different creature. But I
• 25:34
  Speaker 5: was fifty percent correct on what I said the monster
• 25:39
  Speaker 5: was going to be. Now, I don't know if I
• 25:42
  Speaker 5: lose credit since I had technically seen it already. Maybe
• 25:45
  Speaker 5: my subconscious was trying to tell me something. But it
• 25:49
  Speaker 5: was just back to I did I know the answer?
• 25:53
  Speaker 5: Lend me out?
• 25:57
  Speaker 4: What is So? What did you call it?
• 25:58
  Speaker 5: I said, what is it to be? Like some type
• 26:00
  Speaker 5: of killer crab or something?
• 26:03
  Speaker 4: Killer crabs from underwater? So crab battle crab? So yeah,
• 26:09
  Speaker 4: they are isopods and in this movie, and yeah, no.
• 26:13
  Speaker 5: One prestatious isopods.
• 26:15
  Speaker 4: Yeah, and no one sees that coming technically. I mean, yeah,
• 26:17
  Speaker 4: I guess you could call it a bug. But it's
• 26:19
  Speaker 4: a fucking animal whatever. Uh, it's it's a genetically mutated
• 26:25
  Speaker 4: animal from hormones and the chicken shit that are being
• 26:28
  Speaker 4: dumped into Chestapeake Bay. So it it counts, but it's
• 26:32
  Speaker 4: gonna throw a lot of people off who hadn't seen
• 26:34
  Speaker 4: the bay. So we have to start. Let's just start
• 26:37
  Speaker 4: with where it opens, because it starts in a way
• 26:42
  Speaker 4: that makes sense.
• 26:44
  Speaker 3: It was.
• 26:44
  Speaker 4: It did immediately give me anxiety, though, because you have
• 26:47
  Speaker 4: all of these overlapping news stories and it got so loud.
• 26:50
  Speaker 4: I was like, I was like oh god stop, but
• 26:53
  Speaker 4: it may.
• 26:54
  Speaker 5: See and I so I love that ship. One of
• 26:57
  Speaker 5: the one of the reasons that I enjoyed this movie
• 27:00
  Speaker 5: for what it was is I love like and it's
• 27:05
  Speaker 5: not even mockumentary. It's like fake news coverage, Like it
• 27:11
  Speaker 5: transcends one level above mockumentary because documentary you get a
• 27:16
  Speaker 5: lot of like the interview style and this and that
• 27:19
  Speaker 5: and the other. Where instead this is much more like
• 27:23
  Speaker 5: a compilation of clips to prove a point. Anytime it
• 27:30
  Speaker 5: was like the news coverage or the nine one one
• 27:33
  Speaker 5: calls or the police video, I was like, this is
• 27:38
  Speaker 5: what makes the movie work for me. It was every
• 27:42
  Speaker 5: fucking time Donna was on camera and I was like,
• 27:45
  Speaker 5: it's weak.
• 27:46
  Speaker 4: It's well years holes when she was commented like like
• 27:52
  Speaker 4: her and in the presence commenting on it or her
• 27:55
  Speaker 4: reporting on it. Yes, oh you didn't like something. I'm
• 28:00
  Speaker 4: a fan of her, whatsoever.
• 28:01
  Speaker 5: No, Donna Thompson. Donna Thompson is the weakest part of
• 28:06
  Speaker 5: this movie.
• 28:06
  Speaker 4: Interesting, okay, see because I'm my issue with Gady kind
• 28:12
  Speaker 4: of pointed it out last night because until she said something,
• 28:15
  Speaker 4: I didn't even realize it. But there there are moments
• 28:17
  Speaker 4: where we see something on screen and then she'll kind
• 28:20
  Speaker 4: of reiterate what just happened or be like and then
• 28:23
  Speaker 4: you know they had no idea what terrors were awaiting them,
• 28:26
  Speaker 4: and I'm like, this is redundant, like we know terrible
• 28:29
  Speaker 4: things are happening.
• 28:31
  Speaker 5: So it felt to me, it felt like I'm gonna
• 28:37
  Speaker 5: try and be Jennifer Carpenter from Quarantine, except I'm nowhere
• 28:44
  Speaker 5: near as talented or good looking, and it's it's gonna
• 28:47
  Speaker 5: it's gonna fall about ten feet short of where I'm
• 28:51
  Speaker 5: trying to get it too.
• 28:52
  Speaker 4: And that's exactly why I said it's the bastard child
• 28:55
  Speaker 4: of Quarantine and Jaws, because it's essentially a combination of quarantine.
• 28:59
  Speaker 4: You have of this pretty I don't. I don't know
• 29:02
  Speaker 4: how established Jennifer Carpenter was as a reporter in Quarantine,
• 29:07
  Speaker 4: but I know that they were going out to report
• 29:10
  Speaker 4: on something and then oh shit, chaos ensus and then
• 29:13
  Speaker 4: it's basically Jaws because you have the fucking mayor like
• 29:15
  Speaker 4: go everything's fine, you know, the water's good, everybody go
• 29:18
  Speaker 4: fourth of July. Uh so yes, and I will. God,
• 29:22
  Speaker 4: I don't know why she didn't like. I think the
• 29:25
  Speaker 4: issue was that fucking haircut on her while she's reporting
• 29:29
  Speaker 4: is a crime against humanity if she would have had
• 29:31
  Speaker 4: the hair she had when she was, you know, talking.
• 29:35
  Speaker 5: About she she she's trying trying to pull off a
• 29:38
  Speaker 5: young an or a mid thirties and hathaway and it
• 29:43
  Speaker 5: just wasn't work. It see, and I and I got
• 29:45
  Speaker 5: it looked like she was wearing a fucking wig, Like
• 29:49
  Speaker 5: she put on a bald cap and then put on
• 29:50
  Speaker 5: a wig.
• 29:51
  Speaker 4: Yeah, and I totally got. I know they've transitioned to
• 29:55
  Speaker 4: Elliott Page, but I saw her. I was like, all
• 29:58
  Speaker 4: I'm seeing is Ellen Page with uh or not? Is
• 30:01
  Speaker 4: that the haircut she had in Juno? Am I thinking
• 30:03
  Speaker 4: of someone else? I'm thinking of someone.
• 30:05
  Speaker 5: You're no, you're thinking of the hair You're thinking of
• 30:07
  Speaker 5: the haircut they had in the final season of Umbrella Academy.
• 30:12
  Speaker 4: Maybe that's what it was, or maybe I'm thinking the
• 30:14
  Speaker 4: haircut that Elliott Page has. Now I'm like, I'm like,
• 30:16
  Speaker 4: I don't know what that haircut is, but it is
• 30:18
  Speaker 4: not working on you, fucking Donna. The other hair you
• 30:22
  Speaker 4: had is work.
• 30:23
  Speaker 5: Is so I affectionately refer to it as the lego
• 30:28
  Speaker 5: minifig hair. Yeah, that's what it looks like it's exactly
• 30:32
  Speaker 5: what it looks like. It just it just sticks on.
• 30:35
  Speaker 5: You can spin it around backwards if you want them
• 30:38
  Speaker 5: to have bangs.
• 30:39
  Speaker 4: Okay. So not a fan of Donna at all throughout
• 30:42
  Speaker 4: the movie, and that is a major thing to have
• 30:45
  Speaker 4: an issue with because she is literally the driving force
• 30:48
  Speaker 4: of both there. Like you've got two narratives, her retrospective
• 30:52
  Speaker 4: on it and her reporting on it.
• 30:55
  Speaker 5: Damn, that's a sh like this. This will tell you
• 30:58
  Speaker 5: I liked the more than I liked Donna.
• 31:05
  Speaker 4: Well, and you know, I do wonder how much the
• 31:08
  Speaker 4: mayor actually knew, Like he was definitely culpable in some
• 31:12
  Speaker 4: of the events because I'm but like, how much did
• 31:15
  Speaker 4: he genuinely know? Because by the end of the movie
• 31:18
  Speaker 4: you find out.
• 31:19
  Speaker 5: Well, he knows, he knows a fair bit because it's
• 31:22
  Speaker 5: his chickens. He he was the owner of the of
• 31:27
  Speaker 5: the of the chicken thing before he became mayor.
• 31:31
  Speaker 4: Okay, so then he knows at least that much. Okay,
• 31:35
  Speaker 4: because yeah, by the end of the movie, so he.
• 31:37
  Speaker 5: He knows that even before this has happened, he has
• 31:41
  Speaker 5: poisoned the water supply with chicken shit and steroids.
• 31:45
  Speaker 4: Okay, So he knows at least that much, so he
• 31:47
  Speaker 4: is definitely culpable in it. Uh. And we'll get to
• 31:51
  Speaker 4: how it all devolves. But going back to that beginning,
• 31:54
  Speaker 4: I do love the newscaster kind of intro. Everyone's reporting
• 31:57
  Speaker 4: on all these dead fish, these dead birds, blah blah
• 31:59
  Speaker 4: blah blah, and then we get text on screen. Fuck yah,
• 32:02
  Speaker 4: let's go. It says those events were covered by the media.
• 32:04
  Speaker 4: The following story was never made public. Fucking I'm in.
• 32:09
  Speaker 4: I'm ready. I'm ready for all of this. Great intro
• 32:12
  Speaker 4: for me, because it also changes the context of what
• 32:15
  Speaker 4: we're about to watch. We're not watching like the official version.
• 32:18
  Speaker 4: We're watching the footage that was buried because we as
• 32:22
  Speaker 4: we find out throughout the movie, this whole thing was
• 32:25
  Speaker 4: like basically a kind of a government not conspiracy, but
• 32:29
  Speaker 4: a government cover up. I would because it had nothing
• 32:32
  Speaker 4: to do with the government itself. It was the mayor
• 32:34
  Speaker 4: and his chickens. But there was so many things that
• 32:37
  Speaker 4: happened on a governmental level that failed. Like they got
• 32:41
  Speaker 4: the information to what was it that the divers popped up,
• 32:46
  Speaker 4: and they're like, oh, it's just bull sharks. So they
• 32:48
  Speaker 4: sent that to Homeland Security, who was like, that's not
• 32:50
  Speaker 4: bull sharks, and then they send it to the Coast Guard.
• 32:52
  Speaker 4: He was like, well, this doesn't make sense. So it
• 32:54
  Speaker 4: goes back to Homeland Security, who send it to FEMA.
• 32:57
  Speaker 4: FEMA never responds, and then so.
• 32:59
  Speaker 5: Then they said it to the EPA, and the EPA
• 33:02
  Speaker 5: doesn't do anything. So then it finally trickles back down
• 33:05
  Speaker 5: to the CDC, who surprisingly have already been working on
• 33:08
  Speaker 5: it because the main doctor from the hospital has been
• 33:12
  Speaker 5: in contact with the CDC since this all started.
• 33:15
  Speaker 4: Yeah, it took it.
• 33:17
  Speaker 5: It's a it's a weird like chain link or a boris,
• 33:21
  Speaker 5: like the snake is eating its own tail, but it
• 33:24
  Speaker 5: also doesn't know it's eating its own tail until it's
• 33:28
  Speaker 5: already eaten part of its own tail.
• 33:29
  Speaker 4: Yeah, because the information of all of this, because the
• 33:33
  Speaker 4: medical examiner said it it seemed, you know, it was
• 33:35
  Speaker 4: like it was not bull sharks. It seemed to be
• 33:37
  Speaker 4: some sort of parasitic organism. And the CDC is like,
• 33:41
  Speaker 4: why did it take sixteen fucking days to get to us.
• 33:45
  Speaker 4: So they find out pretty much by the time, the
• 33:48
  Speaker 4: town is all dead, which is crazy. So I love
• 33:51
  Speaker 4: that part of the story, and that's what I think works.
• 33:53
  Speaker 4: So well is how it kind of builds that mystery
• 33:56
  Speaker 4: of what's going on. It gives you little pieces over
• 33:59
  Speaker 4: time you realize that, oh, it was a fuck up
• 34:02
  Speaker 4: on a whole other level of miscommunication. So it's just
• 34:07
  Speaker 4: crazy that the government failed at so many levels. And
• 34:10
  Speaker 4: I think that's what's so scary about this movie is
• 34:12
  Speaker 4: because like, man, this just feels like it could really happen.
• 34:16
  Speaker 4: I mean, look at COVID. Look how quickly that got
• 34:18
  Speaker 4: out of our hands. Yeah, so something accept it.
• 34:22
  Speaker 5: I will say the good thing, like I have enough
• 34:28
  Speaker 5: faith in the human race as a whole that as
• 34:33
  Speaker 5: soon as like one or two people started showing symptoms
• 34:37
  Speaker 5: of these giant fuck ass water cockroach is essentially popping
• 34:45
  Speaker 5: out of people's bodies, like humanity would put the kibosh
• 34:48
  Speaker 5: on itself to be like, all right, this is very
• 34:51
  Speaker 5: clearly happening because water, let's just all get the fuck
• 34:55
  Speaker 5: out of here. Like the amount of individuals with absolutely
• 35:00
  Speaker 5: no survival skills just walking through town wailing, and like
• 35:05
  Speaker 5: the one woman in the beginning, she's got this terrible ration,
• 35:07
  Speaker 5: She's like, where's my husband, Where's my husband? It's like
• 35:10
  Speaker 5: I don't know a single person and I've met a
• 35:12
  Speaker 5: lot of people in my life. You've met a lot
• 35:14
  Speaker 5: of people in your life. If you all of the
• 35:18
  Speaker 5: sudden develop like what I can only describe as acid
• 35:23
  Speaker 5: level rash birds out of nowhere? What person do you
• 35:29
  Speaker 5: know that's going to wander into a crowd of people
• 35:32
  Speaker 5: and ask them where where your husband is?
• 35:36
  Speaker 3: Right?
• 35:36
  Speaker 5: Not a single person? Yeah, Like most people, if anything,
• 35:39
  Speaker 5: are just gonna drop down on the ground and wail
• 35:42
  Speaker 5: in one spot. Like everybody knows. If you're in trouble,
• 35:47
  Speaker 5: you fucking stay where you're at so people can come
• 35:50
  Speaker 5: find you. You don't leave and get lost.
• 35:54
  Speaker 4: Yeah, Because she leaves and wanders through town, and of
• 35:56
  Speaker 4: course everyone seeing that starts running away from her because
• 36:00
  Speaker 4: that's fucking scary. I would also be running away from
• 36:03
  Speaker 4: a woman who who's covered in rashes yelling for her husband. Uh,
• 36:08
  Speaker 4: why did you lose your husband? Why were why weren't
• 36:10
  Speaker 4: you right next to him? Lady? What are you doing?
• 36:13
  Speaker 4: But yeah, that's it's fucking horrifying. And the thing about
• 36:17
  Speaker 4: this movie too, is you know there are sometimes in
• 36:19
  Speaker 4: found like you know, it's hard, it's hard to classify
• 36:22
  Speaker 4: this one. I guess this would be considered like faux
• 36:26
  Speaker 4: news movie out whatever you want to call it.
• 36:28
  Speaker 5: But it actually I would I would classify this like
• 36:31
  Speaker 5: very strongly in the mockumentary category.
• 36:34
  Speaker 4: Yeah, just because.
• 36:35
  Speaker 5: Of the interview style that they're doing.
• 36:39
  Speaker 4: Yeah, because the you know, the camera has a reason
• 36:42
  Speaker 4: to be there, the report. You know, the reporter is
• 36:44
  Speaker 4: reporting on things live. Uh, They're gonna keep that camera
• 36:48
  Speaker 4: rolling to get as much footage as you can, just
• 36:50
  Speaker 4: like Quarantine where she's like, don't ever stop rolling. She
• 36:54
  Speaker 4: just keep rolling. Shoot everything. That's essentially what we have here.
• 36:57
  Speaker 4: And then there are I do feel like the cameras
• 37:02
  Speaker 4: bounce around a lot, and I get it, they're using
• 37:03
  Speaker 4: cop car footage, they're using security cameras, people's iPhones, people's camcorders,
• 37:09
  Speaker 4: but like the jump around of all the different qualities
• 37:12
  Speaker 4: and aspect ratios, I was like, this is a little much.
• 37:16
  Speaker 4: It's totally makes sense with the narrative, and I'm not
• 37:19
  Speaker 4: disputing that, but I was like, like the dipping quality
• 37:22
  Speaker 4: between all of this stuff wasn't really fully working for me.
• 37:26
  Speaker 4: Though it did make sense, you know, like I get
• 37:28
  Speaker 4: why we're doing this.
• 37:30
  Speaker 5: And see for me, like I spend a lot of
• 37:33
  Speaker 5: years in that Golden Age of YouTube watching like absolute
• 37:39
  Speaker 5: crack pot conspiracy theory videos. So this reminded me a
• 37:44
  Speaker 5: whole lot of like, hey, let's make nine to eleven
• 37:49
  Speaker 5: about the Jews type of conspiracy theory videos, Like you're
• 37:53
  Speaker 5: gonna have one section that's like ultra good like processed quality,
• 37:59
  Speaker 5: and they're gonna show you like toaster footage from a
• 38:03
  Speaker 5: bank in two thousand and two, Like that's that's very
• 38:06
  Speaker 5: much what it felt like. So for me, I was like,
• 38:08
  Speaker 5: all right for this, I am along for the ride,
• 38:10
  Speaker 5: okay like that, Like, I really liked how they did
• 38:14
  Speaker 5: the super choppy security cam video at the end in
• 38:21
  Speaker 5: the antique store with uh, mister and missus what's their
• 38:26
  Speaker 5: face and the baby, But because of the audio recording
• 38:31
  Speaker 5: from the main guys camera, you get good audio with
• 38:37
  Speaker 5: bad video, and it's it is really cool. But on
• 38:41
  Speaker 5: the subject of bad quality video, my biggest pet peeve
• 38:46
  Speaker 5: and the and the reason I gave this a full
• 38:50
  Speaker 5: half point less Oh shit, the mother fucking editing in this. Yeah,
• 38:57
  Speaker 5: I I I stopped counting at about twenty five camera
• 39:04
  Speaker 5: glitches where it's like something's happening and you get like
• 39:09
  Speaker 5: a literal one frame cut of like the previous scenes
• 39:14
  Speaker 5: camera stuff, or there's one part where uh Donna's talking
• 39:20
  Speaker 5: and you'll get this like little rectangle cut in of
• 39:24
  Speaker 5: the previous text on screen, and it's like like it
• 39:29
  Speaker 5: like camera glitching shit, and I'm like this is bad,
• 39:34
  Speaker 5: Like this is this is this is poor quality? Like
• 39:38
  Speaker 5: for no reason should this skype call have information card
• 39:46
  Speaker 5: cutting into it? Like that doesn't make any sense. The
• 39:50
  Speaker 5: reason the the reason these camera cuts work is because
• 39:55
  Speaker 5: somebody is walking into something supernatural like ghosts, demons, electromagnetic fields.
• 40:03
  Speaker 5: Those things fuck with cameras. You know what doesn't fuck
• 40:06
  Speaker 5: with cameras. Bugs. Bugs don't fuck with cameras. They don't
• 40:11
  Speaker 5: have thumbs, they don't have pads of fingers. They can't
• 40:15
  Speaker 5: fuck with a camera. Why is why are these camera
• 40:19
  Speaker 5: shots being gunked together in glitch edits when there is
• 40:25
  Speaker 5: absolutely zero reason for them to be, especially if these
• 40:30
  Speaker 5: were all recordings that had been previously confiscated by the government.
• 40:36
  Speaker 5: The one thing the government will do they may not
• 40:39
  Speaker 5: file it away correctly, but they will file it away
• 40:42
  Speaker 5: as its original thing. It's not gonna be like decompiled
• 40:48
  Speaker 5: and fucking a malformed file. I can't think of the
• 40:51
  Speaker 5: right word corrupted, it wouldn't be a corrupted file.
• 40:55
  Speaker 4: Well, even if it was corrupted. Uh, the CD that's
• 41:00
  Speaker 4: so weird. I did not notice that. And I'm also
• 41:04
  Speaker 4: taking notes the whole time, so sometimes I might look
• 41:06
  Speaker 4: down at the exact moment that this is happening. But
• 41:10
  Speaker 4: I never noticed the editing doing that. That's so strange.
• 41:14
  Speaker 4: Now I have to, like, I'll just have to like
• 41:16
  Speaker 4: skip to a scene or something and see if I can.
• 41:18
  Speaker 5: Yeah. No, and once once you notice it and you
• 41:22
  Speaker 5: watch for like fifteen more minutes, you're gonna be like,
• 41:25
  Speaker 5: oh no.
• 41:26
  Speaker 4: You can't like it.
• 41:27
  Speaker 5: I didn't, like until my brain had registered it. I
• 41:31
  Speaker 5: was like, all right, and then I started counting, So like,
• 41:34
  Speaker 5: it happened a few times before I realized it was happening,
• 41:38
  Speaker 5: and then it happened enough times you are like, oh,
• 41:40
  Speaker 5: let me start counting this, right, So the twenty five
• 41:43
  Speaker 5: that I counted, there's probably way more.
• 41:46
  Speaker 4: Oh my god, Okay, oh man, yikes. Yeah, I didn't realize.
• 41:51
  Speaker 4: I didn't notice that at all. Wow. All right, So
• 41:54
  Speaker 4: that's something I'll have to pay attention to on my
• 41:56
  Speaker 4: next watch. And this is one of the re This
• 41:58
  Speaker 4: is one of the things that you always bring to
• 42:00
  Speaker 4: the table ship that I always I always mess uh so,
• 42:06
  Speaker 4: and and there is a lot going on speaking of
• 42:07
  Speaker 4: like all the different camera angles and stuff like that.
• 42:09
  Speaker 4: You have essentially, oh man, I mean, I'd say you
• 42:13
  Speaker 4: have four main storylines because you have the scientists that
• 42:19
  Speaker 4: were all that stuff was recorded six weeks prior doing
• 42:22
  Speaker 4: all of their investigation. You have Donna in the present
• 42:27
  Speaker 4: recounting everything. Then you have Donna in the past interviewing everybody.
• 42:32
  Speaker 4: And then you have the CDC's title. So you have
• 42:35
  Speaker 4: like four timelines kind of going.
• 42:37
  Speaker 5: Then you have a Stephanie and her husband and oh, yeah,
• 42:42
  Speaker 5: you've got five. Another thing. Yeah, you're you're a parent
• 42:47
  Speaker 5: of a of a small human. Yes, when when your
• 42:52
  Speaker 5: human was at its smallest, would you have taken that
• 42:56
  Speaker 5: human on a seven hour personal boat ride?
• 43:01
  Speaker 4: Was it seven? I thought it was two?
• 43:03
  Speaker 5: No, they said estimated travel times seven hours in the
• 43:07
  Speaker 5: in the in the text card.
• 43:10
  Speaker 4: Oh my, uh, I mean at that age, they don't
• 43:14
  Speaker 4: they're just kind of a potato. They just they're just there. Uh,
• 43:17
  Speaker 4: they'll probably sleep most of the time. But that is
• 43:19
  Speaker 4: a lot of sun exposure. So as long as there
• 43:21
  Speaker 4: was placed, as long as there was shade and it
• 43:24
  Speaker 4: wasn't balls hot. Uh and baby probably.
• 43:29
  Speaker 5: My thing is like I don't know when the last
• 43:32
  Speaker 5: time you were on a boat was so long ago.
• 43:36
  Speaker 5: Boats are loud, like that is that is severe hearing
• 43:39
  Speaker 5: damage for a for an infant?
• 43:41
  Speaker 4: Yeah that is. Uh yeah, boats are pretty fucking loud.
• 43:46
  Speaker 4: So I mean, no, I probably wouldn't take Mike. And
• 43:49
  Speaker 4: that kid too, is just sitting there in his life
• 43:51
  Speaker 4: vest just like fuck, I'm here, like this sucks kid
• 43:54
  Speaker 4: to not.
• 43:54
  Speaker 5: Yeah, the life vest is bigger than the baby. Yeah,
• 43:59
  Speaker 5: they don't baby life fests because babies aren't supposed to
• 44:03
  Speaker 5: be on the water.
• 44:04
  Speaker 4: Yeah, not out in that water, that's for fucking sure.
• 44:07
  Speaker 4: Uh yeah, so I no, probably wouldn't do that. I
• 44:10
  Speaker 4: mean we the farthest we've taken her in the car
• 44:14
  Speaker 4: is like two two three, two or three hours and
• 44:17
  Speaker 4: she does fine there.
• 44:18
  Speaker 5: Well, and see that's a that but that's what I'm saying.
• 44:21
  Speaker 4: That's a car card.
• 44:22
  Speaker 5: That's like, that's like enclosed. There's climate controls. Yeah, there's
• 44:27
  Speaker 5: like seat belts and air bags, and if you for
• 44:33
  Speaker 5: some reason fall out of a car, there's the ground
• 44:37
  Speaker 5: you don't sink into concrete.
• 44:39
  Speaker 4: It's true, yeah, I probably wouldn't be uh taking my
• 44:43
  Speaker 4: kid on a boat ride that fucking long. Uh, that's
• 44:46
  Speaker 4: that's for goddamn sure. So, yeah, you have a lot
• 44:50
  Speaker 4: of timelines going on. I don't feel like it's ever
• 44:53
  Speaker 4: necessarily confusing. I feel like they do a good job
• 44:57
  Speaker 4: keeping everything separate at the same time. Oh shit, you're right,
• 45:03
  Speaker 4: I'm just having a playing down here. This is so weird.
• 45:07
  Speaker 4: There's a weird cut here ready, yeah, boat?
• 45:10
  Speaker 5: Yeah, what the fuck? And it does that through the
• 45:14
  Speaker 5: entire fucking movie.
• 45:17
  Speaker 4: That's so weird. That's so weird. It's it was too science,
• 45:22
  Speaker 4: the two scientists on their boat and all of a sudden,
• 45:24
  Speaker 4: random boat what Okay, that's weird.
• 45:27
  Speaker 5: Yes, and it's it's all that cuts from either the
• 45:32
  Speaker 5: previous scene or a scene from the future. And and
• 45:37
  Speaker 5: for no reason should it do this, because it's it's
• 45:41
  Speaker 5: built into the screen like it's like it's a camera glitch,
• 45:46
  Speaker 5: like it's an editing glitch due to something when in fact,
• 45:51
  Speaker 5: like this is just super poor editing. This is some
• 45:56
  Speaker 5: of the worst editing I've ever seen.
• 45:58
  Speaker 4: Oh wow, Yeah, And I guess I first, you know,
• 46:02
  Speaker 4: I'm not really paying attention to it because there's so
• 46:04
  Speaker 4: many different camera angles, so many different storylines. I'm already
• 46:08
  Speaker 4: just trying to focus on that, so noticing the editing
• 46:12
  Speaker 4: wasn't it wasn't even on my radar. I'm just trying
• 46:15
  Speaker 4: to keep up with the sixteen storylines that are happening here.
• 46:17
  Speaker 4: But like I said, it doesn't really feel like it's
• 46:20
  Speaker 4: it's hard to follow, but there's a lot of moving
• 46:23
  Speaker 4: pieces with this story, and there is a lot to
• 46:25
  Speaker 4: keep up with, especially because it's only an hour and
• 46:27
  Speaker 4: twenty six minutes. It's a very short movie that they
• 46:29
  Speaker 4: cram a lot of stuff into it is it is very.
• 46:33
  Speaker 5: Uh, pulp fiction y in the sense that, like all
• 46:37
  Speaker 5: these storylines eventually converge onto the final evening of July fourth.
• 46:43
  Speaker 4: That's true.
• 46:45
  Speaker 5: I do like that at least we get the everybody
• 46:51
  Speaker 5: ends up in essentially the same general area of things
• 46:55
  Speaker 5: going on.
• 46:56
  Speaker 4: Yeah, they for the most part, they all end up
• 46:59
  Speaker 4: in kind of like I would say, the central square
• 47:02
  Speaker 4: of town, whatever you want to call it. That's where
• 47:05
  Speaker 4: Donna ends up. That's where their names are with the kids,
• 47:10
  Speaker 4: Sam and Sorry Alex and Stephanie. Of course Sam and Jacqueline.
• 47:17
  Speaker 4: They those are the two scientists that died who Everyone
• 47:20
  Speaker 4: was like, oh, it's bull sharks, but like, no, no
• 47:22
  Speaker 4: bull shark attacks like that. The thing I didn't like
• 47:26
  Speaker 4: about their whole thing is that bro was constantly putting
• 47:30
  Speaker 4: her down for having an accent.
• 47:33
  Speaker 5: I was like, can we she's French, like she's free. Yeah,
• 47:36
  Speaker 5: well no, to be fair, she's French. Yeah, we're allowed
• 47:39
  Speaker 5: because fuck the French, they lost their own civil war.
• 47:43
  Speaker 3: I know.
• 47:43
  Speaker 4: But he just was like, like, what are you saying?
• 47:45
  Speaker 4: You can't understand You're like, okay, I get the bit, like,
• 47:48
  Speaker 4: you don't need to degrade this woman just because she
• 47:51
  Speaker 4: has a French accent, Like, oh my goodness.
• 47:53
  Speaker 5: No, I honestly believe that he was saying that it
• 48:00
  Speaker 5: reference to her. They're they're doing these they're doing these
• 48:08
  Speaker 5: videos to send to the Environmental Council of Maryland. Right,
• 48:13
  Speaker 5: so if the Environmental Council, I don't know, if you've
• 48:16
  Speaker 5: ever heard of Maryland accent. It's wacky, like there's and
• 48:21
  Speaker 5: not you got the Maryland accent, and then you have
• 48:24
  Speaker 5: the Baltimore accent, which is even more asininely crazy. Yeah,
• 48:30
  Speaker 5: and I guarantee you most of them don't undersplit understand
• 48:35
  Speaker 5: a French person speaking English, that's fair, and especially because
• 48:40
  Speaker 5: later on she's like blah blah blah something and then
• 48:43
  Speaker 5: she just moves on from it, and he's like, you
• 48:46
  Speaker 5: you skipped pat, Like you need to explain this part more.
• 48:49
  Speaker 5: Oh yeah, the the forty percent dead zone. Oh how
• 48:53
  Speaker 5: the Chesapeake Bays is forty percent lifeless? Now? Uh? And
• 48:57
  Speaker 5: then she had she kind of yeah, y'all had passed that,
• 49:00
  Speaker 5: and he's like, no, go back, like, explain that a
• 49:02
  Speaker 5: little bit more.
• 49:03
  Speaker 4: So, Yeah, let's give him all some context here, because I.
• 49:07
  Speaker 5: Like, I don't I don't mind that he was bullying
• 49:09
  Speaker 5: the French person. I don't like French Canadians. So you know,
• 49:15
  Speaker 5: it's it's all all is fair in love and war.
• 49:21
  Speaker 4: Oh goodness, let's see here. So well, I mean, let's
• 49:25
  Speaker 4: I guess we'll talk about some of the stuff that.
• 49:27
  Speaker 4: So you didn't like Donna, you didn't like the editing
• 49:29
  Speaker 4: all fair to all valid points. Did you at least
• 49:33
  Speaker 4: appreciate and I know you said you did, like all
• 49:36
  Speaker 4: the different cameras like this is something all allowed? I mean,
• 49:39
  Speaker 4: did did the pacing work it all for?
• 49:41
  Speaker 3: You?
• 49:41
  Speaker 4: Did the kind of.
• 49:43
  Speaker 5: So by the end of the movie, I was thinking
• 49:48
  Speaker 5: very very hard about giving this movie a two point
• 49:52
  Speaker 5: five okay, and then I realized I was upset not
• 49:57
  Speaker 5: at the movie, but at the amount and the length
• 50:01
  Speaker 5: of the ads. And I felt disingenuous to ding the
• 50:08
  Speaker 5: pacing based on the company that is providing me the movie,
• 50:13
  Speaker 5: not the movie itself. So the pacing was a little fucked,
• 50:18
  Speaker 5: but that's because each ad break was between four and
• 50:25
  Speaker 5: six ads. The first ad break was sixth, the second
• 50:29
  Speaker 5: one was four, the third one was five, the fifth
• 50:33
  Speaker 5: one was six. So yeah, there was there was an
• 50:39
  Speaker 5: insane amount of ads, and it did ruin the pacing,
• 50:44
  Speaker 5: but that's not the movie's fault.
• 50:47
  Speaker 4: So we had a conversation about this at some point
• 50:50
  Speaker 4: recently with a movie where I was like, do you
• 50:52
  Speaker 4: think the ads affected your rating? And you said no
• 50:55
  Speaker 4: in that instance. So I find it interesting that in
• 50:57
  Speaker 4: this instance, I.
• 50:58
  Speaker 5: Think it almost think it was Godzilla Ver's Space Godzilla.
• 51:02
  Speaker 4: It might have been okay, yeah, yeah, yeah, So that's
• 51:04
  Speaker 4: interesting that it's that it's the opposite here, because you're like,
• 51:07
  Speaker 4: I probably would have like enjoyed the movie more had
• 51:10
  Speaker 4: we not had twenty two, but that that is a
• 51:12
  Speaker 4: lot of ads from Toby especially for a movie from
• 51:15
  Speaker 4: twenty twelve that no one I've ever talked to you.
• 51:19
  Speaker 5: At an hour and twenty three minutes there were there
• 51:24
  Speaker 5: was twenty three to thirty minutes of ads. That one third, Yeah,
• 51:31
  Speaker 5: of this fucking movie was ads.
• 51:33
  Speaker 4: That's too much, that's way Yeah.
• 51:36
  Speaker 5: So I'm sure if they would have cut out one
• 51:41
  Speaker 5: ad break, Yeah, like, if they would have cut out
• 51:43
  Speaker 5: one section of six ads, Okay, it probably would have
• 51:47
  Speaker 5: been fine, but it did. It did hinder the watchability
• 51:53
  Speaker 5: of this ever so slightly. Yeah.
• 51:55
  Speaker 4: See, I bought that there is a I think there
• 51:58
  Speaker 4: is a Blu ray, but I about the DVD because
• 52:00
  Speaker 4: it was the only thing that was readily available. So
• 52:02
  Speaker 4: I think that's why for me, I enjoyed the pacing
• 52:04
  Speaker 4: because there's a lot of mystery. You get great build up,
• 52:07
  Speaker 4: you slowly start getting explanations over time, and then by
• 52:10
  Speaker 4: the end of it you realize that, like you said,
• 52:13
  Speaker 4: the CDC's kind of been like chasing its own tail,
• 52:16
  Speaker 4: and like, well, we didn't get this fucking information until
• 52:18
  Speaker 4: sixteen days later. That's not even our fault. So by
• 52:20
  Speaker 4: the time you get there and you're like, well, the
• 52:22
  Speaker 4: town's fucking dead. The mom and the baby survive, thank god,
• 52:25
  Speaker 4: because my wife was like, am I about to see
• 52:28
  Speaker 4: a baby die? And I was like, I cannot say
• 52:30
  Speaker 4: yes or no because I don't remember it's been a
• 52:32
  Speaker 4: while since it's been a while since I watched those.
• 52:35
  Speaker 4: But the mom and the baby survive, thank god.
• 52:38
  Speaker 5: And I really also enjoy how they ever so slightly
• 52:45
  Speaker 5: changed the formula of a slow burn because they set
• 52:49
  Speaker 5: you up like this is going to be an ultra
• 52:53
  Speaker 5: slow burn movie, Like you can tell by the way
• 52:57
  Speaker 5: they are delivering you information. We're not gonna give you
• 53:00
  Speaker 5: an answer until like the last twenty minutes, and then
• 53:03
  Speaker 5: like halfway through, they give you one bug. Yeah, one bug,
• 53:09
  Speaker 5: and it's like, so you've got this long fuse going,
• 53:13
  Speaker 5: and in the middle of this long fuse, you've got
• 53:16
  Speaker 5: one firecracker, and the firecracker goes off, and then the
• 53:20
  Speaker 5: long burn continues and you're like, wait, okay, no, it's past.
• 53:24
  Speaker 5: But you think, you think that you're about to be wrong,
• 53:28
  Speaker 5: and it's just gonna ramp up crazy and you get
• 53:31
  Speaker 5: the one pop and the bug skitters into the ocean
• 53:35
  Speaker 5: and then it's back to business as normal. I really
• 53:37
  Speaker 5: enjoyed that because it gave me it gave me a
• 53:40
  Speaker 5: little taste of what was to come, right, but it didn't.
• 53:43
  Speaker 5: It didn't leave me going, well, that was fucking dumb,
• 53:47
  Speaker 5: because it's it's so quick and so snappy with it,
• 53:50
  Speaker 5: like it comes out of the fish, it bites the
• 53:52
  Speaker 5: guy on the hand, hits the boat into the water
• 53:54
  Speaker 5: like it's just so quick. They don't linger on it.
• 53:58
  Speaker 5: They don't even replay that bit of footage again until
• 54:04
  Speaker 5: the very end, and it's the same like three second clip.
• 54:09
  Speaker 5: It's just super quick in and out. I the storytelling
• 54:15
  Speaker 5: pacing was really good. I can't speak for the pacing
• 54:18
  Speaker 5: of the actual movie, but the way they paste out
• 54:20
  Speaker 5: the story was good. I I enjoyed that much.
• 54:24
  Speaker 4: Okay, here's another one. I just saw another one. Hold on,
• 54:28
  Speaker 4: I just I'm telling you man, so yeah, I was.
• 54:32
  Speaker 4: I don't know if you so. This is this is
• 54:33
  Speaker 4: cop car footage, right, cop car footage? And then all
• 54:37
  Speaker 4: of a sudden, wait for it, what is that?
• 54:42
  Speaker 5: Back to back? Yeah, back to back to the sky call. Yeah.
• 54:45
  Speaker 5: I don't think it was so bad.
• 54:47
  Speaker 4: I don't think that was in my Blu ray. I
• 54:49
  Speaker 4: feel like I would have noticed that. I don't think
• 54:51
  Speaker 4: that was in the the DVD that I bought.
• 54:54
  Speaker 5: That is, so do we have does to be have
• 54:57
  Speaker 5: some kind of like corrupted cut of the movie? Like,
• 55:01
  Speaker 5: to me, is such garbage that the formatting of the
• 55:06
  Speaker 5: movie gets changed.
• 55:07
  Speaker 4: All right, I am, I am gonna clip this. I'm
• 55:11
  Speaker 4: so what is it? Forty eight forty eight minutes? I
• 55:13
  Speaker 4: Am going to check after this episode and see because
• 55:18
  Speaker 4: if that's not in my version, then they have some fucky,
• 55:21
  Speaker 4: weird version and then I'm just gonna suck. I'm gonna
• 55:23
  Speaker 4: have to send you a DVD so we can like,
• 55:26
  Speaker 4: what the fuck I I really would have noticed that.
• 55:29
  Speaker 4: There's no way I would have fucking missed that. Because
• 55:32
  Speaker 4: it is cop.
• 55:32
  Speaker 5: Car fo it happens through the entire movie. Yeah, the
• 55:37
  Speaker 5: entire movie. It happened, Yes, up until like up until
• 55:40
  Speaker 5: like the crest, like that last twenty minutes where the
• 55:43
  Speaker 5: footage all goes to like single action and they're just
• 55:47
  Speaker 5: switching between cameras. But when you get like those long
• 55:51
  Speaker 5: shots of Stephanie the baby, it doesn't happen nothing in
• 55:53
  Speaker 5: the antique store, but literally up until they get off
• 55:57
  Speaker 5: of the boat. Shit like that has happened the entire movie.
• 56:01
  Speaker 4: Yeah, the entire movie We're literally watching dash cam footage
• 56:05
  Speaker 4: from a cop car and then all of a sudden,
• 56:07
  Speaker 4: the skype session with Donna from the present quote unquote
• 56:11
  Speaker 4: pops up. That doesn't make any sense, so I'm I'm
• 56:13
  Speaker 4: leaving that on two and.
• 56:14
  Speaker 5: It's always for like a single frame.
• 56:17
  Speaker 4: Yeah, it's one frame, So that doesn't even make sense.
• 56:19
  Speaker 4: So that's that's.
• 56:20
  Speaker 5: Why I feel so vindicated now that you're seeing it
• 56:24
  Speaker 5: an understanding because I said this and you looked at me,
• 56:27
  Speaker 5: and I'm like, well, am I Am I just overreacting?
• 56:30
  Speaker 5: Am I being too nitpicky?
• 56:32
  Speaker 3: No?
• 56:32
  Speaker 4: And let me let me let me just say this
• 56:34
  Speaker 4: for everyone listening. It's not that I did not believe him.
• 56:36
  Speaker 4: I'm making sure I'm not fucking losing my mind because
• 56:40
  Speaker 4: I'm like, I feel like, I like, Corey is not
• 56:42
  Speaker 4: just gonna make something up. Did I just miss this?
• 56:45
  Speaker 4: But it is. It is absolutely happening on two B.
• 56:48
  Speaker 4: I saw two times of it because I've just been
• 56:50
  Speaker 4: letting it play here and and I have it in
• 56:52
  Speaker 4: my peripheral and when I see a flash and I
• 56:54
  Speaker 4: look down, so yeah, I've caught two of them. That's
• 56:57
  Speaker 4: fucking insane. So back to the pacing back to this
• 57:02
  Speaker 4: fucking weird pacing. Yeah, so the pacing for me works
• 57:06
  Speaker 4: great because you you do get that little firecracker, and
• 57:09
  Speaker 4: that's a great way to explain. You get this firecracker moment.
• 57:12
  Speaker 4: Now you know what's going on, and now you're just
• 57:15
  Speaker 4: waiting for everyone else in town to like find out
• 57:19
  Speaker 4: what's happening as well. And like I said, going back
• 57:21
  Speaker 4: to what I said in the beginning, it feels so
• 57:23
  Speaker 4: real because the chicken run off with all of the
• 57:27
  Speaker 4: chemicals and the hormones is running off into the water.
• 57:30
  Speaker 4: So these isopods are growing at like forty to fifty
• 57:33
  Speaker 4: percent faster than they would and they're they're they're reproducing
• 57:37
  Speaker 4: much faster, and they're just attacking everyone. So it's just
• 57:41
  Speaker 4: this thing that, yes, it's very theatrical in a way,
• 57:43
  Speaker 4: but it's something that does feel so genuinely real, like
• 57:47
  Speaker 4: it could actually happen. That I love. I love when
• 57:50
  Speaker 4: movies kind of uh you know, they sit on that
• 57:53
  Speaker 4: line of reality and fiction, Like I could see this happening, and.
• 57:56
  Speaker 5: It's speaking of the reality in fiction. So it takes
• 58:00
  Speaker 5: place in a made up place in Maryland. Well, yeah, no,
• 58:07
  Speaker 5: the Chesapeake Bay is. But I'm pretty sure that Cowridge,
• 58:10
  Speaker 5: Maryland does not get claradge Yeah, clarage, Yeah. I think.
• 58:15
  Speaker 5: I think that the town it takes place in is
• 58:18
  Speaker 5: made up. But I drive to Maryland between once a
• 58:24
  Speaker 5: week in every two weeks, and the bridge that I
• 58:28
  Speaker 5: cross to get into Maryland, as you're coming over the
• 58:32
  Speaker 5: crest of the bridge, off to your kind of forward
• 58:37
  Speaker 5: right hand side, there is a giant desalination plant with
• 58:42
  Speaker 5: the big giant ball just like in that and there
• 58:46
  Speaker 5: is a little kind of like car park area right
• 58:51
  Speaker 5: next to it that when they're shooting that establishing shot
• 58:55
  Speaker 5: to show you the desalination plant, like the filters and
• 58:59
  Speaker 5: all that kind of stuff. I'm like, I've seen that one,
• 59:03
  Speaker 5: Like I know where that is. Granted you said it
• 59:05
  Speaker 5: was shot in South Carolina, so I definitely have not
• 59:08
  Speaker 5: seen it. But it looks so close to a thing
• 59:12
  Speaker 5: that I pass every day going over the Potomac River,
• 59:16
  Speaker 5: which is like one of the mouths of the Chesapeake Bay.
• 59:20
  Speaker 5: It's like, ooh, I could I could literally be watching
• 59:23
  Speaker 5: this happen right now.
• 59:25
  Speaker 4: Yeah, Like I mean, and that's what happens in this movie.
• 59:28
  Speaker 4: They established the local water has been heavily polluted the
• 59:32
  Speaker 4: result is a horrifying acceleration of the life cycle and
• 59:36
  Speaker 4: aggression of the parasitic tongue eating lice, which is fucking horrifying.
• 59:41
  Speaker 4: So it's like, and that's what I think, and that's
• 59:43
  Speaker 4: what gets under my skin pun intended. It's like, we
• 59:45
  Speaker 4: know that industrial pollution can alter ecosystems, we know that
• 59:51
  Speaker 4: agricultural runoff can massively damage the environment. We know parasites exist,
• 59:57
  Speaker 4: and so the Bay is literally taking like real war
• 1:00:00
  Speaker 4: old environmental concerns and pushing them into nightmarre territory. And
• 1:00:03
  Speaker 4: that's why I think. For me, I'm just like, this
• 1:00:06
  Speaker 4: feels so real.
• 1:00:08
  Speaker 5: So I will agree with you to a point. Sure,
• 1:00:11
  Speaker 5: But on that same note I kind of had a
• 1:00:14
  Speaker 5: problem with So if you're gonna make a statement in
• 1:00:21
  Speaker 5: a movie, sure you need to pick one statement so
• 1:00:25
  Speaker 5: you can make that one statement really strong. Okay, but
• 1:00:29
  Speaker 5: first but it goes like, oh, agricultural and industrial runoff
• 1:00:34
  Speaker 5: bad bad. Yeah, nuclear stuff bad bad, government corruption bad bad.
• 1:00:41
  Speaker 5: And then when you squish them all together, you just
• 1:00:44
  Speaker 5: kind of get a sloppy, bad sandwich instead of them
• 1:00:47
  Speaker 5: hammering in one point of like, if you don't agree
• 1:00:51
  Speaker 5: with nuclear power, make your stamps on nuclear power. Don't
• 1:00:55
  Speaker 5: just like go oh it's bad. Move on. Don't just
• 1:00:58
  Speaker 5: go oh, industrial and agriculture runoff is bad and move on.
• 1:01:03
  Speaker 5: Ooh government corruption like small town government corruption bad. Move
• 1:01:07
  Speaker 5: on like pick one true and stick with it. Because
• 1:01:12
  Speaker 5: it was a combination of the nuclear runoff or the
• 1:01:18
  Speaker 5: nuclear reactor thing and then the agricultural thing, and then
• 1:01:22
  Speaker 5: just kind of happenstance. Because everybody wanted to ignore it,
• 1:01:27
  Speaker 5: it became a soup rather than oh, this is the
• 1:01:31
  Speaker 5: reason why like it. The beginning of this movie felt
• 1:01:34
  Speaker 5: a lot like Host for me, okay, in the sense that, oh,
• 1:01:38
  Speaker 5: all these dead fish, all this random shit happening. But
• 1:01:42
  Speaker 5: the reason why Host works.
• 1:01:44
  Speaker 4: Is the Korean one.
• 1:01:47
  Speaker 5: Yeah, the bang jun Ho one.
• 1:01:48
  Speaker 4: Okay, sorry, I was thinking the twenty twenty Host, and
• 1:01:50
  Speaker 4: I was like, where would the dead fish sorry continue?
• 1:01:53
  Speaker 5: Yeah, no, the bang jun Hoe one. Yeah, And they
• 1:01:56
  Speaker 5: make it very clear like, oh, this happened because of
• 1:02:00
  Speaker 5: nuclear radiation blah blah blah pouring down, and they stick
• 1:02:06
  Speaker 5: to that one thing and that's the reason with this.
• 1:02:13
  Speaker 5: Like chicken steroids, for some reason affect isopods, even though
• 1:02:19
  Speaker 5: they don't have any of the same systems in their bodies,
• 1:02:23
  Speaker 5: Like isopods don't really have a nervous system like that,
• 1:02:27
  Speaker 5: right they they they breathe through their fucking exoskeletons Like
• 1:02:31
  Speaker 5: it's a it's a whole different thing. It's like, you
• 1:02:34
  Speaker 5: can't you can't take horse heart medication for a human.
• 1:02:38
  Speaker 5: It doesn't work like it'll it'll funck shit up.
• 1:02:42
  Speaker 4: Well, I think it's the fact that I think it's
• 1:02:43
  Speaker 4: the fact that it was from the chicken's actual shit
• 1:02:47
  Speaker 4: that is what was causing. I don't think it's necessarily
• 1:02:49
  Speaker 4: related to because I mean, I know the hormones were involved,
• 1:02:52
  Speaker 4: but I think it's because it's also that pollution of
• 1:02:54
  Speaker 4: excrement into the water.
• 1:02:56
  Speaker 5: No, no, no, no, it it because they cut to
• 1:02:59
  Speaker 5: this guy saying this shit at least three times. It's
• 1:03:04
  Speaker 5: the guy that sneaks into the chicken facility and he's
• 1:03:08
  Speaker 5: like handling the grain and he's like, there's so much
• 1:03:14
  Speaker 5: super steroid and all this shit, and it they literally say,
• 1:03:19
  Speaker 5: the steroids, the steroids, the steroids. Because you can take
• 1:03:23
  Speaker 5: these chickens what would take them from six months would
• 1:03:26
  Speaker 5: take them six months to do, they achieve in forty
• 1:03:30
  Speaker 5: two days because of the steroid ridden food, so the
• 1:03:36
  Speaker 5: mutation starts because of nuclear energy, then gets bad because
• 1:03:41
  Speaker 5: of the steroids, and then becomes deadly because of the
• 1:03:45
  Speaker 5: produced pollution runoff. So they can't stick to a single reason.
• 1:03:51
  Speaker 5: And it for me at least, and I know other
• 1:03:54
  Speaker 5: people will be like, well, yeah, it's theming like blah
• 1:03:56
  Speaker 5: blah blah storytelling. For me, it just makes your whole
• 1:04:00
  Speaker 5: point a little flimsier because you either didn't care enough
• 1:04:05
  Speaker 5: to make it one thing or we're not smart enough
• 1:04:09
  Speaker 5: to figure out how to make it one thing, so
• 1:04:11
  Speaker 5: you have to combine three things together to make it
• 1:04:15
  Speaker 5: make sense.
• 1:04:16
  Speaker 4: Well, and I think like you, and I think you.
• 1:04:18
  Speaker 5: Shouldn't have to explain it to me to make it
• 1:04:21
  Speaker 5: make it. If you're explaining, you're losing in this sense.
• 1:04:24
  Speaker 4: Yeah, well yeah, I mean I kind of feel like
• 1:04:27
  Speaker 4: they have to explain. And because it is POV like
• 1:04:30
  Speaker 4: we we can't really pick up on things like we
• 1:04:33
  Speaker 4: normally would from a traditionally shot movie because they like
• 1:04:37
  Speaker 4: the camera like we kind of they kind of have
• 1:04:39
  Speaker 4: to tell the camera at this point. For them. I mean,
• 1:04:42
  Speaker 4: that's how now now I'm second guessing everything. Uh, for
• 1:04:46
  Speaker 4: the most part that I mean This isn't that how
• 1:04:47
  Speaker 4: most kind of POV things work. I mean, you're you
• 1:04:50
  Speaker 4: experience things with them, and you get explanation through like
• 1:04:53
  Speaker 4: seeing what's going on. I mean they are kind of
• 1:04:55
  Speaker 4: ham fisting the explanation at some points, that's for sure.
• 1:04:58
  Speaker 5: Well yeah, so, and I'm guessing I guess what I
• 1:05:01
  Speaker 5: mean is they're doing a whole lot of telling and
• 1:05:06
  Speaker 5: not a whole lot of showing. That's fair, like they're
• 1:05:09
  Speaker 5: they're showing the outcome, but the the whole Oh yeah,
• 1:05:14
  Speaker 5: there was there was a nuclear leak X amount of
• 1:05:17
  Speaker 5: years ago. We thought we had this amount of time.
• 1:05:20
  Speaker 5: It came up through the ground faster it was what
• 1:05:24
  Speaker 5: it was one line of dialogue. We never see what
• 1:05:27
  Speaker 5: nuclear plant they're talking about. They never show us any
• 1:05:30
  Speaker 5: like diagrams of anything, like if you're if you're gonna
• 1:05:34
  Speaker 5: throw science at us, like That's why I like the
• 1:05:37
  Speaker 5: oceanographers because at least they were a visual stand in
• 1:05:42
  Speaker 5: to narrate, Hey, this is the science that we are
• 1:05:46
  Speaker 5: trying to explain. Yeah, I thought, And then they show
• 1:05:51
  Speaker 5: the chicken facility and they're like, oh, all of these
• 1:05:56
  Speaker 5: chickens is what's fucking with this part of the water
• 1:05:59
  Speaker 5: but then the nukes just just kind of throw it
• 1:06:03
  Speaker 5: up in the air and hope that we accept it.
• 1:06:06
  Speaker 4: You must have missed that. Is that the scene where
• 1:06:08
  Speaker 4: the like the mayor or whatever's talking and he's like,
• 1:06:10
  Speaker 4: this is the best water I've had and drinks it.
• 1:06:12
  Speaker 4: Is it that scene?
• 1:06:13
  Speaker 5: No, it's uh, it's when again a throwaway scene. It's
• 1:06:19
  Speaker 5: when Homeland Security calls the CDC and saying, yeah, we
• 1:06:25
  Speaker 5: sent this over to FEMA. They never responded, so we're
• 1:06:27
  Speaker 5: sending it back.
• 1:06:28
  Speaker 4: To you guys. Oh yeah, okay, gotch.
• 1:06:30
  Speaker 5: Do you want the associated report with this?
• 1:06:34
  Speaker 4: Yeah?
• 1:06:34
  Speaker 5: The guy guy from the CDC says, funny enough, I
• 1:06:36
  Speaker 5: would love.
• 1:06:37
  Speaker 4: To see, like, yeah, I would actually really love to
• 1:06:39
  Speaker 4: see that. Uh okay, yeah, so and then yeah, I
• 1:06:44
  Speaker 4: mean I'm on, I'm all, I do love a movie
• 1:06:47
  Speaker 4: that includes that government cover up, because I mean how
• 1:06:50
  Speaker 4: many times oh yeah.
• 1:06:51
  Speaker 5: A government conspiracy always always gets at least a half
• 1:06:56
  Speaker 5: point extra from.
• 1:06:57
  Speaker 4: Me because it's like, not only is this does this
• 1:06:59
  Speaker 4: have and but it's just like including in the movie,
• 1:07:02
  Speaker 4: and because the Homeland Security guy is like, you know,
• 1:07:04
  Speaker 4: I think we need to put this in perspective this scope,
• 1:07:06
  Speaker 4: like you know, it's a small town. You know, we
• 1:07:08
  Speaker 4: don't need to like let this out and you're like,
• 1:07:09
  Speaker 4: oh god, that is something that would absolutely happen. Uh,
• 1:07:13
  Speaker 4: you know, dude.
• 1:07:13
  Speaker 5: I'm seven hundred of anything is a lot of something.
• 1:07:16
  Speaker 4: Don't even get me started on conspiracy theories. We don't
• 1:07:19
  Speaker 4: even need to go down that trail. It's exactly why
• 1:07:20
  Speaker 4: we didn't cover the conspiracy that's all.
• 1:07:24
  Speaker 5: That's a whole other that's a whole other podcast series
• 1:07:28
  Speaker 5: that we haven't even gotten into it.
• 1:07:29
  Speaker 4: Yeah. So, but uh, I think final thoughts here. I
• 1:07:33
  Speaker 4: do love that this movie combines found footage, body horror,
• 1:07:38
  Speaker 4: animal attack, isopods like it. It includes a lot of stuff.
• 1:07:43
  Speaker 4: You've got scientific, the scientific element, the CDC element. It
• 1:07:49
  Speaker 4: is a lot. But I don't ever think it's necessarily
• 1:07:51
  Speaker 4: too much. But it's you know, not a perfect movie.
• 1:07:54
  Speaker 4: I just I just enjoy the ride it takes me
• 1:07:57
  Speaker 4: on and I'm going to verify after I'm done with this,
• 1:07:59
  Speaker 4: And did you immediately to see if my copy has
• 1:08:02
  Speaker 4: all those weird cuts, because then that shows I need
• 1:08:05
  Speaker 4: to be paying much more attention to my films. Kind
• 1:08:11
  Speaker 4: of breaking my brain here, Final thoughts on the bay.
• 1:08:15
  Speaker 5: It, like I said, up tops it's wonderfully confused at
• 1:08:20
  Speaker 5: what it wants to do. Some of its routines it
• 1:08:25
  Speaker 5: really sticks the landing. Other times it missed the mark altogether.
• 1:08:31
  Speaker 5: A lot of the characters I really liked, a lot
• 1:08:34
  Speaker 5: of one or two of the characters really didn't care for.
• 1:08:37
  Speaker 5: It is a bizarrely toned movie because at the end
• 1:08:43
  Speaker 5: of the day, I have no idea what it's trying
• 1:08:45
  Speaker 5: to say. But also I don't think what it has
• 1:08:48
  Speaker 5: to say is all that important. It's more about the
• 1:08:51
  Speaker 5: ride that it takes you on at the end of
• 1:08:53
  Speaker 5: the day, Like, there is definitely a message to be had,
• 1:08:59
  Speaker 5: whether or not you care about that message is something
• 1:09:02
  Speaker 5: else entirely.
• 1:09:03
  Speaker 4: Very well said. And so that is a bay from
• 1:09:07
  Speaker 4: twenty twelve. Let's move on to the final cut. Here
• 1:09:11
  Speaker 4: got one tagline for you, panic feeds on fear Sure Trivia.
• 1:09:16
  Speaker 4: Director Barry Levinson was approached to do a documentary about
• 1:09:19
  Speaker 4: the Chesapeake Bay. He watched another documentary about the Chesapeake
• 1:09:23
  Speaker 4: Bay that talked about the pollution and lack of fish,
• 1:09:25
  Speaker 4: so there is some realism in there. He said. It
• 1:09:27
  Speaker 4: was a great documentary, but no, what do you will
• 1:09:29
  Speaker 4: care about it? And so he said he would take
• 1:09:31
  Speaker 4: all of the facts about the Chesapeake Bay and turn
• 1:09:33
  Speaker 4: it into a theatrical base piece. At one point near
• 1:09:38
  Speaker 4: the beginning, the CDC Doctor mentioned the last year two
• 1:09:42
  Speaker 4: thousand and eight, the year prior to the film's release,
• 1:09:44
  Speaker 4: there was a deadly fungal outbreak in Vancouver, BC, Canada.
• 1:09:47
  Speaker 4: New reports from February two thousand and eight indicate that
• 1:09:50
  Speaker 4: there indeed was an outbreak of deadly tropical fungus called
• 1:09:54
  Speaker 4: Cryptococcus gaddy, which normally infects Koala bears. Over the preceding
• 1:09:58
  Speaker 4: seven years, one hundred and seventy six people had fallen
• 1:10:01
  Speaker 4: ill and eight people had died from the reported outbreak.
• 1:10:04
  Speaker 4: And the Chesapeake Bay situated around the states of Maryland
• 1:10:07
  Speaker 4: and Virginia, with a primary outflow to the Atlantic Ocean.
• 1:10:11
  Speaker 4: It is some two hundred miles in length and at
• 1:10:13
  Speaker 4: its widest point is thirty miles wide, with an average
• 1:10:16
  Speaker 4: depth of twenty one feet and a catchment area of
• 1:10:19
  Speaker 4: sixty two or sixty four thousand, three hundred square miles.
• 1:10:24
  Speaker 4: So there you go, only one goof And I pointed
• 1:10:27
  Speaker 4: this out to Gabby during the movie. Because the events
• 1:10:30
  Speaker 4: take place in two thousand and nine and FaceTime has
• 1:10:33
  Speaker 4: brought up many a time in this movie, and I
• 1:10:35
  Speaker 4: was like, there's no fucking way that the iPhone was
• 1:10:39
  Speaker 4: invented in like two thousand and seven, And yes, FaceTime
• 1:10:42
  Speaker 4: did not debut until twenty ten. So that's the one
• 1:10:45
  Speaker 4: goof that I thought was funny. Rated five point seven
• 1:10:49
  Speaker 4: out of ten on IMDb, which equivalents to a two
• 1:10:52
  Speaker 4: point eighty five out of five for our purposes of
• 1:10:56
  Speaker 4: the Unimara Index, has a three point zero out of
• 1:10:59
  Speaker 4: five on Letterbock, seventy on the Tomato Meter, and a
• 1:11:02
  Speaker 4: forty four percent audience score. What did you wind up given?
• 1:11:05
  Speaker 3: This?
• 1:11:06
  Speaker 5: So after after about some deliberation one d five minutes
• 1:11:12
  Speaker 5: of thinking about this movie, after it ended like I
• 1:11:15
  Speaker 5: I genuinely had to sit and think about this RATINGA
• 1:11:20
  Speaker 5: because the ads fucked it up so bad for me
• 1:11:24
  Speaker 5: and then Donna did not help save it very much.
• 1:11:28
  Speaker 5: But the literal everything else about this movie was pretty good.
• 1:11:35
  Speaker 5: Like it wasn't bad. Was it like, oh my god,
• 1:11:38
  Speaker 5: this is fucking amazing, No, it is. It is a
• 1:11:42
  Speaker 5: wildly just above okay found footage. I ended up going
• 1:11:48
  Speaker 5: from a two point five up to a three because
• 1:11:52
  Speaker 5: I feel like it didn't have the amount of ads
• 1:11:55
  Speaker 5: that it had, it would have gotten a three in
• 1:11:57
  Speaker 5: the first place. Okay, boy, viewer, beware, just know that
• 1:12:04
  Speaker 5: with that level of ads it may feel like a
• 1:12:06
  Speaker 5: two point five.
• 1:12:08
  Speaker 4: Yeah, okay, fair enough. So that's a three from you,
• 1:12:10
  Speaker 4: three point five from me. That is a nightmare index
• 1:12:15
  Speaker 4: of a three point one out of five, which is
• 1:12:18
  Speaker 4: right on par with the Letterbox. I forgot to copy
• 1:12:20
  Speaker 4: and paste the nightmare index, so I'll get with the
• 1:12:22
  Speaker 4: corrections department on where it fell. Similar movies, according to IMDb,
• 1:12:26
  Speaker 4: we have Afflicted, Butterfly, Kisses, The Tunnel, Savage Land, and
• 1:12:31
  Speaker 4: Grave Encounters just five banger fucking found footage movies.
• 1:12:36
  Speaker 5: Also, none of them are like that except for found footage.
• 1:12:41
  Speaker 4: Yeah, that's it.
• 1:12:42
  Speaker 5: That's the only thing they have in common.
• 1:12:44
  Speaker 4: Oh wait, it gets even weirder with Letterbox, Quarantine and
• 1:12:47
  Speaker 4: reck sure Chernobyl Diaries, shockingly enough, is not found footage.
• 1:12:53
  Speaker 4: I everyone, I don't know. I don't know why everyone
• 1:12:56
  Speaker 4: thinks it is, because I did two. I rewatched it
• 1:12:58
  Speaker 4: recently and I was like, this is a found foot Anyways.
• 1:13:01
  Speaker 5: I Barbarian theaters. I saw that bitch in theaters, and
• 1:13:07
  Speaker 5: to this day you cannot tell me that it's not
• 1:13:10
  Speaker 5: found footage. This is the most Mandela effect ass movie ever. Yeah,
• 1:13:15
  Speaker 5: because I remember deeply this being found like they're they're
• 1:13:20
  Speaker 5: going in to record the fucking dogs yep, that are
• 1:13:24
  Speaker 5: are radioactive and just thriving in there. And then at
• 1:13:27
  Speaker 5: the very end you get this whole scene of them
• 1:13:30
  Speaker 5: like in the reactor, and the camera pans up and
• 1:13:32
  Speaker 5: it's like all the fucking Russians coming down and they're
• 1:13:35
  Speaker 5: just like gunning down the people and the camera falls
• 1:13:37
  Speaker 5: and that's the movie. How this is not found footage,
• 1:13:41
  Speaker 5: I don't know.
• 1:13:41
  Speaker 4: It's just truly like one of the like one of
• 1:13:45
  Speaker 4: like the only Mandela effects I believe in, because like
• 1:13:47
  Speaker 4: I see it pop up in the found footage group
• 1:13:50
  Speaker 4: and I'm like, guys, it's not found footage. I don't
• 1:13:52
  Speaker 4: know what to tell you. I'd like, it's not. I
• 1:13:54
  Speaker 4: swear to god it was. I always remember it being
• 1:13:57
  Speaker 4: found footage.
• 1:13:58
  Speaker 5: And then does it does it have POV sections.
• 1:14:02
  Speaker 4: I'm gonna, you know what, I'll do a weird double
• 1:14:04
  Speaker 4: feature of Spaceman and Chernobyl Diaries today and let you
• 1:14:07
  Speaker 4: know the other two movies, according to Letterbox that are
• 1:14:10
  Speaker 4: apparently similar are Barbarian and The Happening. Sure, let's do
• 1:14:15
  Speaker 4: some funny reviews and get the fuck out of.
• 1:14:17
  Speaker 5: Here, all right? I think I have five?
• 1:14:20
  Speaker 4: All right, I have a whole bunch of extra ones
• 1:14:23
  Speaker 4: just in case. I why don't you go first?
• 1:14:25
  Speaker 3: All right?
• 1:14:26
  Speaker 5: A two and a half star review from pro member
• 1:14:31
  Speaker 5: Sandworms cute little water bugs celebrate fourth of July.
• 1:14:36
  Speaker 4: Hey they gotta have some fun too, right, Let's see,
• 1:14:40
  Speaker 4: I have two and a half stars from you Pick.
• 1:14:45
  Speaker 4: After seeing what was inside that fish, I think I'm
• 1:14:48
  Speaker 4: officially becoming a vegetarian.
• 1:14:53
  Speaker 5: A half star no heart from pro member Benjamin would
• 1:14:59
  Speaker 5: have thrown myself into the bay to escape this documentary.
• 1:15:06
  Speaker 4: Four star, no sorry, where the go? Uh? Here we go?
• 1:15:10
  Speaker 4: This is the Twin Peaks reference. Two stars from Brooklyn Fellas.
• 1:15:15
  Speaker 4: Don't drink that coffee. You'd never guess there was a
• 1:15:17
  Speaker 4: flesh eating isopod in that percolator.
• 1:15:25
  Speaker 3: Ship.
• 1:15:25
  Speaker 5: That's such a deep cut twine, deep cut. That's that's
• 1:15:31
  Speaker 5: not even like, oh what happened to Laura Palmer?
• 1:15:33
  Speaker 4: Like that's crazy crazy deep cut? Yeah, I know.
• 1:15:40
  Speaker 5: A half star from Livvy Boring af Ho.
• 1:15:47
  Speaker 4: Is that him?
• 1:15:49
  Speaker 5: Yeah? So I don't know if this person is saying,
• 1:15:55
  Speaker 5: oh yo, this move this more is boring as fuck hoe,
• 1:15:59
  Speaker 5: or if she is calling Donna a boring as fuck
• 1:16:03
  Speaker 5: ho like either way, I kind of agree.
• 1:16:07
  Speaker 4: But yeah, oh man, this is so funny. This is
• 1:16:11
  Speaker 4: a Elrick Kane. He's a podcaster. I follow. I didn't
• 1:16:15
  Speaker 4: realize I clipped one of his because we forgot to
• 1:16:17
  Speaker 4: talk about this this part of the movie. Three stars,
• 1:16:21
  Speaker 4: no Heart, major bummer, fourth of July for miscrustation. What
• 1:16:25
  Speaker 4: a fucking awful title, by the way, for a beauty pageant,
• 1:16:29
  Speaker 4: Miss Crust.
• 1:16:30
  Speaker 5: So it is absolutely hilarious though, because that is a
• 1:16:37
  Speaker 5: super small town style naming convention for sure. Like it
• 1:16:42
  Speaker 5: only if you've ever lived in a tiny like one
• 1:16:46
  Speaker 5: stoplight town, could you appreciate the level of hickeishness or
• 1:16:55
  Speaker 5: like tawny yokels, like that's the kind of shit that
• 1:16:59
  Speaker 5: actually exist.
• 1:17:00
  Speaker 4: It's not right, You're not wrong, all right? Did you
• 1:17:05
  Speaker 4: go through all yours?
• 1:17:07
  Speaker 5: No? I've got two more.
• 1:17:08
  Speaker 4: Okay, I've got too more.
• 1:17:09
  Speaker 5: A five star and a heart from Skyer Egen twenty seven.
• 1:17:15
  Speaker 5: Skyer Eigen twenty seven decriminalized isopods criminalize agricultural waste.
• 1:17:22
  Speaker 4: Dumping, five stars and a heart from Ama. My stomach
• 1:17:29
  Speaker 4: acid is too strong. I would have ate and digested
• 1:17:31
  Speaker 4: the bugs like gushers.
• 1:17:37
  Speaker 5: Would. I would have hit them with the timone and
• 1:17:39
  Speaker 5: pumba just get squish them, and then a five star
• 1:17:46
  Speaker 5: and a heart from the most realistic part is that
• 1:17:49
  Speaker 5: it's set in Maryland.
• 1:17:52
  Speaker 4: All right, I'm gonna do a I'm gonna pull a
• 1:17:54
  Speaker 4: Corey here and read this how I'm reading it in
• 1:17:56
  Speaker 4: my head. Uh, three stars from ethan radioactive isopods jacked
• 1:18:02
  Speaker 4: up on chicken chit and steroids, dot dot dot, and
• 1:18:05
  Speaker 4: all it took to kill them was chlorine.
• 1:18:08
  Speaker 5: You know, I almost picked that one.
• 1:18:12
  Speaker 4: I can just hear it like that's all in talk chlorine.
• 1:18:16
  Speaker 4: Question mark, question mark, question mark. All right, So that
• 1:18:20
  Speaker 4: is again the Bay. Go check it out, but maybe
• 1:18:23
  Speaker 4: not on Tuoby.
• 1:18:25
  Speaker 5: Do not like this is one of the times where
• 1:18:28
  Speaker 5: I will say do not support tob as a platform.
• 1:18:31
  Speaker 5: For the most part, they are a wonderful archives of
• 1:18:35
  Speaker 5: old shit like I've been watching Gilligan's Island on.
• 1:18:39
  Speaker 4: To be hell.
• 1:18:40
  Speaker 5: Yeah, it's it's good ass time. But man, not for
• 1:18:43
  Speaker 5: this one. They will fuck your ass on some ads.
• 1:18:50
  Speaker 6: All right.
• 1:18:51
  Speaker 5: Well.
• 1:18:52
  Speaker 4: If you enjoy the show, please rate review on your
• 1:18:54
  Speaker 4: favorite podcast app of choice, follow us on Facebook, Instagram, TikTok,
• 1:18:58
  Speaker 4: Slasher Even though I don't there anymore threads and YouTube
• 1:19:02
  Speaker 4: at Freimar's podcast or email The Stayspooky at outlook dot com,
• 1:19:05
  Speaker 4: check me out a letterbox at DTR Procter All one
• 1:19:08
  Speaker 4: word you are Corey bo.
• 1:19:11
  Speaker 5: Yeah.
• 1:19:11
  Speaker 4: If you'd like to expand your movie podcast listening, be
• 1:19:13
  Speaker 4: sure to check out The Shameless Picture Show, The Dead
• 1:19:16
  Speaker 4: Eyed Millennial Film Club in one week Rental as well,
• 1:19:20
  Speaker 4: and the Vast Library of Someone's Favorite Productions. We just
• 1:19:23
  Speaker 4: added a couple of new podcasts recently. Next week, Derek
• 1:19:26
  Speaker 4: and I will be doing Cocaine Bear from twenty twenty
• 1:19:29
  Speaker 4: three is our modern pick and it is streaming on Peacock,
• 1:19:32
  Speaker 4: So go check that out if you haven't. I'm also
• 1:19:34
  Speaker 4: going to try and watch meth Gator and Crack Coon
• 1:19:38
  Speaker 4: and try to just go down the rabbit hole of
• 1:19:40
  Speaker 4: all of these movies that are trying to play off
• 1:19:43
  Speaker 4: of Cocaine Bear. So, but until next week, guys, stay tuned,
• 1:19:47
  Speaker 4: and what.
• 1:19:48
  Speaker 6: Are all these state spookies on the body?
• 1:20:26
  Speaker 1: Thank you for listening to hear more shows from the
• 1:20:29
  Speaker 1: Someone's Favorite Productions podcast network. Please select the link in
• 1:20:33
  Speaker 1: the description