Latest / Xenomania / 28 Days Later: Horror, Rage, and the Fragility of Humanity - Xenomania 24

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28 Days Later: Horror, Rage, and the Fragility of Humanity - Xenomania 24 · Xenomania

• 0:16
  Kearns: So in Night Living Dead, there's a scene at the top of the stairs where
• 0:21
  he runs into his, like the third zombie in the movie, where it's very clearly
• 0:24
  the inflatable like clown thing that they, that was around when we were kids.
• 0:30
  And he beats it to death with a, with a poker, a fire poker from the fireplace.
• 0:36
  And that's by far my favorite part of the movie, like the hands down,
• 0:40
  my favorite part of the movie by far.
• 0:43
  It says by
• 0:44
  Jon: It's up there.
• 0:45
  Kearns: it's, well, that's my favorite campy part of the
• 0:48
  movie, so I'll put it that way.
• 0:52
  Jon: all right.
• 0:53
  Ryan : talking about, you talk about Night of Living Dead, like the
• 0:55
  opening is still my favorite part.
• 0:57
  Like they're coming to get you, Barbara.
• 0:59
  Jon: Mm-hmm.
• 1:00
  Ryan : I still get chills on it.
• 1:02
  Kearns: Yeah.
• 1:02
  Ryan : imprint Plus just the main character, just kicking ass,
• 1:07
  Jon: Yep.
• 1:08
  Ryan : I just like in the original film, because it was so, it was very iconic
• 1:14
  Kearns: Yeah.
• 1:15
  Ryan : a black actor in a lead role at that time.
• 1:18
  And George A. Romero did it.
• 1:20
  So gracefully did it with like a lot of, like a lot of force and it worked out.
• 1:25
  Jon: Mm-hmm.
• 1:26
  Kearns: off the Whitey.
• 1:26
  Ryan : just great
• 1:27
  Kearns: There was a lot of that.
• 1:28
  There was a rift with a white guy.
• 1:29
  The whole movie too.
• 1:30
  If we're gonna talk about the race relations part,
• 1:33
  Ryan : that guy was an asshole.
• 1:34
  Kearns: he was, but it didn't matter.
• 1:35
  Ryan : deserved it.
• 1:36
  He deserved it.
• 1:37
  Kearns: I think maybe that's why they leaned on him being such an asshole
• 1:40
  too, so that it was like taken better.
• 1:42
  Ryan : Yeah.
• 1:43
  Yeah, a hundred percent.
• 1:44
  Jon: But like it was also sort of coincidental.
• 1:47
  He cast the best guy he found, and then it worked out to be
• 1:51
  this big commentary on race.
• 1:54
  I.
• 1:55
  Kearns: Isn't that something though?
• 1:56
  Isn't that something?
• 1:57
  I kind like that.
• 1:58
  Oh, he just cast the best dude for the role.
• 2:01
  Who did the best job with the acting?
• 2:03
  What a novel idea.
• 2:04
  Maybe we should do that all the time.
• 2:06
  It'd be great.
• 2:06
  We'll get like Asian Superman next.
• 2:08
  It'll be awesome.
• 2:10
  Awesome.
• 2:12
  Ryan : Well, you know,
• 2:12
  Kearns: from Walking Dead.
• 2:17
  Ryan : That wouldn't, now I'm thinking about it.
• 2:20
  I mean, anything can happen.
• 2:22
  Kearns: He's gotta eat a couple cows and lift a few weights,
• 2:24
  but he can make it work out.
• 2:26
  Sure.
• 2:27
  Ryan : You know what I'm waiting for?
• 2:28
  I'm waiting for the new Spawn movie
• 2:30
  Kearns: Ooh,
• 2:33
  ooh.
• 2:34
  They, you know what?
• 2:34
  I haven't seen them except for the, the HBO show.
• 2:38
  Spawn has let me down consistently.
• 2:41
  all right, so back to, well, we, you know what, we, this would be a good time to
• 2:44
  divert from uh, night of the Living Dead, because that's not what this episode's
• 2:49
  on, but it is on a movie with zombies.
• 2:53
  Ryan : Oh no.
• 2:54
  Kearns: Infected is a good, yeah, we'll go with infected.
• 2:57
  And that's the term they chose in 28 days later, which was the correct term.
• 3:00
  'cause they're not zombies, although they don't really get into like how they live.
• 3:05
  And they talk about that later on in the movie, how long they've
• 3:07
  been alive without food and water, which is super interesting.
• 3:11
  But we'll get to that later on.
• 3:13
  But yeah, we're talking about 28 days later.
• 3:15
  One of the better, well, not better, but one of the larger and really well
• 3:20
  received, uh, fast zombie style movies that came out in the early two thousands.
• 3:25
  Right.
• 3:25
  Was it early two thousands?
• 3:27
  Ryan : 2002.
• 3:28
  Kearns: A year I graduated from high school.
• 3:33
  Ooh.
• 3:35
  Ryan : Since sixth grade buddy.
• 3:36
  Kearns: Yeah.
• 3:37
  Ryan : grade.
• 3:38
  Kearns: Eh, you're close enough to legal.
• 3:40
  Let's see those yearbook pics.
• 3:42
  You sexy bastard.
• 3:45
  Ryan : I was a chunky, I was a chunky, slick haired bastard, man.
• 3:49
  Kearns: oh, we know you were slapped my around those stars.
• 3:53
  Right?
• 3:56
  If you guys don't know who I was imitating there, you need to educate yourselves.
• 4:02
  Ryan : If you guess correctly on the clip, again, we'll name
• 4:07
  Kearns: There you go.
• 4:08
  That'll work.
• 4:09
  But yeah, we're doing 28 days later, which was um, actually, I know none of
• 4:13
  the incidentals written by, directed by.
• 4:15
  I don't remember any of it.
• 4:17
  Ryan : Directed by Danny Boyle and written by Alex Garland.
• 4:20
  Kearns: Yeah.
• 4:21
  Alex Garland.
• 4:21
  I did.
• 4:22
  I would've gotten that one
• 4:23
  Ryan : we were talking about it right before show.
• 4:25
  Alex Garland has done a lot, our favorite ex McKinna, as well as
• 4:31
  Civil War as we talked about.
• 4:33
  And, one of my favorites, dread, not the 1995 Judge Dread, the Carl
• 4:38
  Urban 2012 Judge, judge Dread.
• 4:42
  I messed that
• 4:42
  Kearns: Kinna
• 4:43
  Ryan : Dread
• 4:44
  Kearns: Kinna reminds me of Lafe Nikita and all I could think of was like a covert
• 4:49
  spy coming in, pretending to be like a Russian au pair to hide from Putin.
• 4:56
  But she's actually carrying his love child
• 4:59
  Ryan : played
• 4:59
  Kearns: Makina
• 5:00
  Ryan : Johansen.
• 5:01
  Kearns: the 13 episode first season and shockingly well
• 5:04
  received on a Ted Turner network.
• 5:07
  Kinna,
• 5:08
  Ryan : TNT.
• 5:09
  Yeah.
• 5:10
  TNT,
• 5:10
  Kearns: T-N-T-U-S-A-T-N-T.
• 5:13
  And um, there was at least one more there.
• 5:20
  Ryan : yep,
• 5:21
  Kearns: Turner Broadcasting.
• 5:23
  Yeah, that's the other one he owned.
• 5:26
  CNN
• 5:28
  Ryan : Oh yeah.
• 5:30
  Kearns: Za.
• 5:31
  Ryan : news.
• 5:31
  Kearns: Just popping out networks and beating up Tina.
• 5:37
  Yeah.
• 5:37
  Ryan : Yeah.
• 5:38
  Yeah, he did.
• 5:42
  Kearns: That's wild.
• 5:43
  Couldn't have done worse if it was 96.
• 5:45
  Maybe he did.
• 5:46
  Well
• 5:47
  Ryan : and he owned WCW.
• 5:50
  Kearns: W Yep.
• 5:51
  Which was on his channel too all the time.
• 5:54
  But yeah.
• 5:55
  so writing XM not is an achievement.
• 5:59
  That is pretty high in my opinion.
• 6:01
  It's, that was a fantastic movie and the writing's got a lot to do with it.
• 6:05
  I don't know if it's an adapted screenplay or if he wrote it from the ground up.
• 6:09
  That does matter.
• 6:10
  Ryan : up.
• 6:12
  Kearns: He.
• 6:14
  Ryan : Yes.
• 6:15
  Kearns: Do you think he wrote that?
• 6:16
  Like he came up with the whole concept?
• 6:18
  Damn.
• 6:19
  Ryan : yeah.
• 6:20
  He's amazing.
• 6:21
  Alex Garland is amazing.
• 6:22
  I mean, he
• 6:23
  Kearns: I mean, not
• 6:24
  Ryan : days later,
• 6:25
  Kearns: if you zoom out far enough, like Yeah, 28 days later was great too.
• 6:29
  And it had a lot to do with the small parts.
• 6:31
  The small moving parts are what make that movie great.
• 6:34
  Um, and which, yeah, we'll do x mocking on another time, I guess,
• 6:39
  because I, I got a lot to say about what he did right with that.
• 6:42
  28 days later, it's the character work in the beginning that's
• 6:46
  really what draws you in.
• 6:47
  And we were talking about briefly before the show started, there was
• 6:50
  something about, the similarity with how it starts and how a
• 6:53
  beloved a MC series starts as well.
• 6:58
  Really, the action of the movie starts with, the main
• 7:00
  characters waking up from a coma.
• 7:12
  God, that'd be so nice.
• 7:16
  Ryan : Oh no.
• 7:16
  Kearns: No.
• 7:17
  Oh, okay.
• 7:20
  Inadvertent.
• 7:21
  Do-gooder.
• 7:22
  Released Somebody let him, somebody woke him up.
• 7:26
  Oh.
• 7:28
  Oh.
• 7:28
  Right.
• 7:28
  Because he was an idiot.
• 7:30
  He was an idiot.
• 7:45
  Ryan : That's a sign, you know?
• 7:47
  Kearns: known.
• 7:47
  Ryan : learned.
• 7:48
  Kearns: Well, I mean, yeah, they learn bubbles beat to death.
• 7:57
  Oh, Chimp work Orange.
• 8:04
  Yeah, Chimp work.
• 8:05
  Orange is great.
• 8:07
  I mean it's, it's pretty much the archetype.
• 8:09
  Fox News was in its infancy at best back then.
• 8:11
  But I mean, you're pretty much getting the archetype right there.
• 8:14
  And you can go on the other side for MSN if you want, but that's
• 8:17
  pretty much what they do to people.
• 8:18
  The 24 hour news networks, they just turn them into angry rage monsters.
• 8:22
  Ryan : Oh hundred percent.
• 8:30
  Kearns: Yeah.
• 8:31
  Be like, should lab monkeys be experimented on news at 11?
• 8:37
  That's actually the old style news.
• 8:39
  Ryan : that's classic news
• 8:40
  Kearns: Yeah.
• 8:40
  It's local news at 11 is when they would break into your, your eight
• 8:43
  o'clock movie to tell you that crap.
• 8:45
  But
• 8:46
  Ryan : Listen, it's, it's almost 10:00 PM Do you know where your children are at?
• 8:50
  Kearns: no, but I know where yours are.
• 8:56
  Those are good too.
• 8:57
  Ryan : is driving to work right in the morning.
• 9:00
  They're just like, oh my God.
• 9:02
  Kearns: Yeah, no.
• 9:03
  what goes on with the beginning of this movie is great.
• 9:06
  And I did mention that this movie does start, in my opinion, the start
• 9:09
  is in the middle of the apocalypse, but they do a good job of opening
• 9:12
  with the scene of how it begins.
• 9:14
  So there's no ambiguity.
• 9:15
  They don't expo dump that later they show us it's pretty cool.
• 9:19
  And we get an idea of how they develop this rabies adjacent virus that
• 9:23
  will spread throughout the island of the United Kingdom and Moda or
• 9:29
  cause everybody to moda each other.
• 9:31
  And it's important to remind people that it doesn't get off of the island.
• 9:35
  Water is good.
• 9:38
  Ryan : Yes,
• 9:39
  Kearns: So,
• 9:40
  Ryan : and
• 9:40
  Kearns: you could see like one leaping onto a ship or something like that.
• 9:43
  Ryan : maybe, maybe we'll see it,
• 9:45
  Kearns: I mean, there's a new one coming out, so maybe it does eventually.
• 9:50
  Ryan : but don't forget about 28 weeks later, I mean, that's gonna be a first
• 9:54
  watch for me, but something can happen in that where it does, I mean like
• 9:58
  Kearns: Well, Brian,
• 10:00
  Ryan : days later, it seems secluded.
• 10:03
  Kearns: I can explain some things to you, but I think we're just gonna let you
• 10:06
  believe that as a possibility and watch the movie that the beginning of that one
• 10:13
  will, will curl your toes, my friend.
• 10:15
  That movie's opening is harrowing.
• 10:18
  I loved it.
• 10:20
  Loved it.
• 10:21
  I aspire to be as much of a scumbag husband as that man,
• 10:26
  but I just love my family too much.
• 10:30
  Ryan : so it's gonna be one of those hateful openings.
• 10:32
  Okay.
• 10:33
  Kearns: It's so good.
• 10:34
  It's, it's very good.
• 10:35
  I'm not gonna say anything more so I don't ruin it.
• 10:37
  We'll do another one on that.
• 10:38
  Anyway, so, Sian Murphy, the Pinky Blind is, is the leading
• 10:42
  man in this film and lead.
• 10:44
  He does, although it's, is this, this first movie, like real big movie
• 10:52
  and then he did Red Eyes soon thereafter, and I was like, oh
• 10:55
  no, what are they doing to my boy?
• 10:57
  Um,
• 10:58
  Ryan : You
• 10:58
  Kearns: but then he got luckily Peaky Blinders compared, no, not at all.
• 11:02
  but then he did Peaky Blinders and stuff and we were okay.
• 11:05
  I was like,
• 11:06
  Ryan : He was a
• 11:06
  Kearns: yeah, he, he was great.
• 11:08
  He didn't overact.
• 11:10
  It just nailed the role.
• 11:12
  It was good.
• 11:13
  Ryan : also in
• 11:13
  Kearns: Oh
• 11:13
  Ryan : inception.
• 11:15
  Kearns: yeah.
• 11:16
  True.
• 11:16
  Ryan : Yeah.
• 11:17
  Kearns: Uh, there's a few big name guys in this movie that are kind of in, I.
• 11:22
  Bit parts.
• 11:23
  Big name being again, quotes.
• 11:25
  Ryan : Are you talking about Mad Eye Moody,
• 11:27
  Kearns: Yeah, man, I Moody's my guy.
• 11:30
  Ryan : Brendan Gleason.
• 11:31
  Kearns: I almost corrected Sian Murphy being the leading man
• 11:33
  because he, he kind of gets that stolen for about half the film.
• 11:39
  Ryan : Oh,
• 11:39
  Kearns: Yeah.
• 11:39
  He can't stand next to that big old bear
• 11:41
  Ryan : good.
• 11:43
  Kearns: and not stand in his shadow.
• 11:44
  He did a great job too, and he really crushes it in this movie.
• 11:47
  He really does.
• 11:48
  Um, so the start of the film is he wakes up from the coma.
• 11:52
  He, he walks around and everybody's gone and he doesn't
• 11:54
  know what the hell happened.
• 11:56
  And eventually he stumbles upon a gaggle of the infected that are like napping
• 12:00
  in a church or something like that.
• 12:02
  And they, they, uh, shamble actually, they don't do much shaming.
• 12:07
  They sprint all out sprint after him and he gets found by a couple of cool,
• 12:15
  cool, uh, little freedom fight and Fuji.
• 12:20
  Right.
• 12:22
  Ryan : Selena
• 12:22
  Kearns: saying, Ryan?
• 12:24
  Yeah.
• 12:25
  Ryan : I, I said Selena and Mark, but I was gonna say, you mentioned them
• 12:27
  being quick and then you mentioned earlier about them being rab.
• 12:32
  They have that rabies look in effect and it works out very well, which,
• 12:37
  um, I was thinking about it reading something earlier, about 28 days later,
• 12:42
  though it's not considered a zombie film, reinvigorated the zombie genre.
• 12:47
  Kearns: Oh yeah, a hundred percent.
• 12:48
  Ryan : for the two, for the early two thousands.
• 12:50
  like even Resident Evil being popular.
• 12:52
  'cause I think Resident Evil came out a few months later, which they,
• 12:56
  that's, that's a whole other thing.
• 12:58
  They don't consider the movie like a zombie film that's a
• 13:01
  creature film quote unquote.
• 13:02
  But that's a discussion for another day.
• 13:05
  But, a lot of other movies, I think like Dawn The Dead, right, the remake came
• 13:08
  out in 2003, that had the Fast Zombie, which is very 28 days later inspired.
• 13:14
  So even though it invigorated it, I mean, and for good
• 13:17
  stuff and even some bad stuff,
• 13:19
  Kearns: It was like they were putting it all together at the, at
• 13:21
  the same resident evil's got slow zombies, fast creatures, right?
• 13:25
  But the dawn of the dead was being developed alongside probably
• 13:29
  post-production sort of You gotta imagine they're only a year apart and release.
• 13:35
  Oh, two years.
• 13:36
  So it's, I don't know, is, is.
• 13:38
  Do you think it was possible that they caught a glimpse of
• 13:40
  28 days later and started making dawn of the dead like right away?
• 13:45
  Could have.
• 13:45
  It could have happened then.
• 13:47
  Then it would've definitely been the fast zombies from that.
• 13:50
  And then you get the shambling shots from the roof, which was kind of cool too.
• 13:55
  That was cool.
• 13:55
  'cause when, when they're inert, they're just kind of normal zombie looking,
• 13:59
  which is a good, that was a good idea.
• 14:01
  so any thoughts, John?
• 14:09
  We won't.
• 14:10
  Ryan : with the baby zombie.
• 14:12
  Kearns: I like the first, I like the first 35 minutes of that movie a lot.
• 14:22
  Ryan : Yep.
• 14:26
  Kearns: Yeah.
• 14:26
  There's some cool stuff.
• 14:35
  Fair.
• 14:36
  Ryan : Yeah, I agree with that.
• 14:37
  Kearns: Fair?
• 14:38
  Ryan : It's like, you know what, it's like the fright night.
• 14:40
  it wasn't called the remake,
• 14:43
  Kearns: Mm.
• 14:43
  Ryan : it wasn't the called Fright Night, it'd be a great movie.
• 14:46
  But that's what, in our opinion, has hindered it and watch that episode.
• 14:50
  Kearns: Yeah.
• 14:51
  Watch it.
• 14:52
  Damnit.
• 14:52
  Watch it.
• 14:53
  back to the movie that's on the title of the episode, uh, 28 days later, we get
• 14:58
  him to, um, one of the things about this movie too, just to go on another aside.
• 15:02
  You're not dealing with hoards of zombies.
• 15:05
  They don't do that to you.
• 15:06
  That's not part of the big, there's no grandeur, involved.
• 15:09
  In fact, they do a lot of that with the landscapes and with the travel, and they
• 15:13
  capture the beauty of the area very well.
• 15:15
  Um, they do not inundate us with numbers of people.
• 15:18
  And then we just recently watched a movie that had a much
• 15:22
  smaller zombie count as well.
• 15:25
  Right.
• 15:25
  Ryan : The battery.
• 15:26
  Kearns: The battery and the battery did a great job with that, as did 28 days later.
• 15:31
  Uh, you don't need a bajillion of them.
• 15:33
  You can make the illusion that there's many coming without
• 15:36
  showing many on screen.
• 15:49
  Yeah.
• 15:49
  Which is neat.
• 15:50
  Ryan : um, in the scene when they go to.
• 15:59
  Kearns: Yeah.
• 16:01
  Which is good.
• 16:02
  very post.
• 16:03
  I am legendary, by the way.
• 16:05
  Speaking of fast zombies, another one, another movie with the quickies.
• 16:10
  so Sian Murphy meets with, with the, the two, uh, actor or
• 16:14
  the character names you said.
• 16:16
  Ryan : Uh, Selena and Mark.
• 16:17
  Kearns: Yeah.
• 16:17
  Selena.
• 16:18
  Mark.
• 16:18
  Selena.
• 16:19
  Well, sorry about that.
• 16:20
  Mark.
• 16:21
  Selena's great, and she develops well.
• 16:23
  Ryan : she's awesome.
• 16:25
  Kearns: Um, and she carries, yeah, she's I actress that I've seen.
• 16:29
  Maybe in one other movie, I think maybe two.
• 16:31
  Ryan : Harris.
• 16:32
  Kearns: Yeah.
• 16:33
  Ryan : Miss
• 16:34
  Kearns: have, yeah.
• 16:39
  Yeah.
• 16:40
  And she's great.
• 16:41
  but she's, you know, you, that was the first time we saw her too, and
• 16:44
  she carried the role really well.
• 16:47
  they get into it, they, they basically, they save him, Selena,
• 16:51
  mark save him, and then they bring him, uh, they give him some Snickers
• 16:55
  and say, all right, let's go.
• 16:56
  And they start moving through and eventually they get, they see a, uh,
• 17:01
  apartment building with some nightlights or some like Christmas lights strung
• 17:05
  up and they decide to go investigate.
• 17:09
  Ryan : they go to his house, his parents' house.
• 17:11
  Kearns: Oh, yeah.
• 17:12
  Ryan : you mentioned with the whole light thing, that's when you
• 17:15
  learn about them being attracted, I guess to like the movement.
• 17:19
  But they are attracted to light.
• 17:20
  They have their senses and Jim Clia Murphy lights the candle.
• 17:24
  And when I, again, watching it for the first time, I saw it coming,
• 17:30
  but the creature still jumping through the window is still freaky.
• 17:34
  It gave
• 17:34
  Kearns: Yeah.
• 17:34
  Ryan : and evil, like Doberman vibes.
• 17:37
  Kearns: Well, they do first person perspective from the creature
• 17:39
  first or from the infected for the run up to the window.
• 17:42
  That, that catches you off guard too.
• 17:44
  Yeah.
• 17:45
  Ryan : And it's all shaky and stuff and it's like, oh, this is pretty cool.
• 17:48
  Evil dead like
• 17:49
  Kearns: Yeah.
• 17:50
  Ryan : right there.
• 17:51
  Kearns: Panting like a dog.
• 17:52
  and then of course we kill one of our dudes and Selena's a g about it.
• 17:57
  She's just like, you know what,
• 17:58
  Ryan : yeah,
• 17:58
  Kearns: it happens, don't, don't do something stupid and kill somebody else.
• 18:02
  Ryan : he's like crying.
• 18:03
  He is like, no.
• 18:04
  He's like, no.
• 18:06
  Boom.
• 18:07
  Kearns: beats him.
• 18:07
  Did she, uh, machetes him to death in front of him?
• 18:11
  Yeah, it's a brutal,
• 18:19
  Ryan : That's cool.
• 18:32
  So when I initially watching it and I saw that, I thought she
• 18:36
  was just cutting the arm off.
• 18:37
  I was like, okay, maybe she's helping him out.
• 18:39
  But then when she goes for the second swing and goes for like
• 18:42
  in the neck area, I was like, oh shit, she's not taking anyone.
• 18:47
  And I feel like you, you know, you mentioned the Walking Dead.
• 18:50
  they only listened to Shane, none of that shit would've happened.
• 18:54
  All right.
• 18:55
  Kearns: I mean.
• 18:56
  Ryan : that.
• 18:56
  And mean, Selena's doing the right thing.
• 18:59
  She's just going, she's just going haywire.
• 19:02
  And in this situation, I mean, have to, as you see how like the infected
• 19:08
  earth rabid, um, and even when they turn, as we'll talk about later,
• 19:14
  the, the turning process is quick.
• 19:16
  And they even say it, it takes 20 seconds for them to turn, and it's
• 19:20
  through blood, it's through saliva.
• 19:22
  It's like, different.
• 19:26
  I, I love it.
• 19:27
  I, I, I love it.
• 19:36
  Yeah.
• 19:41
  Kearns: Unreal.
• 19:42
  Yeah, you can't, you can't fight that.
• 19:44
  They, the only other film where they may get that quick is World War Z, isn't it?
• 19:48
  No, they, it's Dawn of the Dead as well is fast.
• 19:51
  There's no long drawn out turning process.
• 19:54
  Dawn of the Dead is fast too.
• 19:55
  Um.
• 20:08
  Hmm.
• 20:11
  Yeah.
• 20:13
  Yeah.
• 20:19
  Getting weak and then they die.
• 20:21
  And then they turn, then they wake up again.
• 20:24
  Yeah.
• 20:26
  It's necessary, I think.
• 20:28
  Ryan : this transition is like, can be like when they're awake
• 20:31
  and you see it, see that turn.
• 20:33
  It's very like vampiric in its way, you
• 20:36
  Kearns: Hmm.
• 20:36
  Ryan : like the quickness and just like The rage.
• 20:47
  Kearns: Oh yeah.
• 20:48
  So.
• 20:50
  Backed flash forward to the apartment building because relevant.
• 20:55
  So they see lights and they run, they run up a stairwell
• 20:58
  'cause the elevators are out.
• 20:59
  You idiots.
• 21:00
  And they run up the stairs?
• 21:01
  Yeah.
• 21:02
  And um, they get up to the top and basically judged, dread,
• 21:06
  standing there, waiting for them.
• 21:08
  And
• 21:08
  Ryan : Good old,
• 21:09
  Kearns: they're being chased by, of course they have to get chased up these stairs
• 21:13
  and, um, what's his name in the movie?
• 21:16
  Ryan : Frank.
• 21:17
  Kearns: Frank, right?
• 21:18
  Frank just clubs them to death and throws them, well not even to death.
• 21:22
  Tosses 'em over the side and they plummet seven, eight stories to
• 21:26
  the bottom, which is pretty neat.
• 21:28
  And then they get invited into this lovely apartment with a
• 21:30
  father and daughter, very homey.
• 21:51
  He was linebacker out.
• 21:52
  Yeah, he had like everything.
• 21:55
  He was smart.
• 21:56
  Yeah.
• 21:56
  The riot show was solid.
• 22:00
  Yeah.
• 22:01
  Interesting.
• 22:03
  Would you leave your suit, your mobile suit?
• 22:07
  No.
• 22:10
  Yeah.
• 22:13
  You mean drastically reduce your chance of becoming infected?
• 22:15
  Nah, I'll leave it at home.
• 22:17
  So
• 22:18
  Ryan : I'll take my chances.
• 22:20
  Kearns: Frank and daughter, daughter's name.
• 22:22
  Ryan : Hannah.
• 22:24
  Kearns: Hannah Montana.
• 22:25
  So Frank and Hannah, Montana,
• 22:27
  Ryan : from it.
• 22:28
  Kearns: um, get Yeah, through, they get brought into, um, the fold into
• 22:33
  the major group and they leave the apartment and they decide they're
• 22:36
  going to travel to find this group that they've been hearing on the radio.
• 22:42
  Frank, one of 'em, cranky radios, cranky crank, crank, crank, crank.
• 22:50
  Ryan : Mm-hmm.
• 22:51
  Kearns: So they wanna head over there
• 22:53
  Ryan : Yeah.
• 23:06
  Well, we also know they didn't watch one is because when they're traveling, first
• 23:09
  Kearns: in the
• 23:10
  Ryan : under a, hold on.
• 23:11
  They, they, okay.
• 23:12
  True, true.
• 23:14
  On that.
• 23:15
  True.
• 23:16
  Kearns: just a little.
• 23:17
  Ryan : they were, were 50.
• 23:19
  It was like 75% helpful, 25%, like no, 25% helpful, 75% disaster.
• 23:26
  But I digress on that.
• 23:27
  they, they make the mistake by going under the tunnel.
• 23:31
  All right.
• 23:31
  I
• 23:32
  Kearns: Yeah.
• 23:32
  That's wild.
• 23:34
  Ryan : Jim's like, oh, this is a great idea.
• 23:36
  they run over and they go in there, he runs over the cars.
• 23:40
  This, this cab is like a tank.
• 23:42
  It's like a Buick He runs over the cars, he pops the tire, like Jim warns him.
• 23:48
  And then as you're watching it, right, you hear like they're changing
• 23:52
  the tire, they're going as fast.
• 23:53
  The thrill, you know, the intensity like seeing like the,
• 23:58
  the rabbit, the creature's coming.
• 24:00
  You're on the edge and it's just, it's so good.
• 24:03
  And you know, I was thinking about, I was thinking about prom night I was
• 24:07
  thinking like, this is what, like, they didn't need like creatures or
• 24:11
  zombies in it, but they need more of a thrill to make it even better.
• 24:15
  And the conversation came up, last night.
• 24:17
  I went to see the M eighties, which is like a eighties homage band,
• 24:22
  at the Pub Valley Golf course, which was, it was an amazing show.
• 24:25
  They kicked ass and we talked about prom night.
• 24:28
  And I mentioned that it was overrated and they were shocked that I said that.
• 24:31
  I said, well, if you really look at it like, alright, you have Leslie
• 24:35
  Nielsen, you have Jamie Lee Curtis.
• 24:37
  But there's like to it except the same slasher.
• 24:41
  The stuff for Slick, slick was great.
• 24:44
  Now, with 28 days later, there's like every opportunity for a thrill.
• 24:49
  You're on the edge of your seat.
• 24:50
  Even for the smallest thing.
• 24:52
  Even if you know something wrong is gonna go haywire,
• 24:56
  you're still like, entertained.
• 24:57
  You're into it, you're awake.
• 25:00
  You're like, what's gonna happen?
• 25:02
  And that's because of the acting and the writing by Alex Garland.
• 25:06
  Kearns: Yeah, I mean, each scene is heavy for the right reasons,
• 25:09
  um, or light for the right reasons.
• 25:11
  When they, when they're on their trip, they go into a
• 25:14
  grocery store and they loot the.
• 25:15
  Grocery store like a bunch of little kids, and they get all the wine and candy
• 25:19
  and cereal and junk food they could ever want, and he leaves his credit card on
• 25:24
  the on the counter when they walk out.
• 25:25
  That was great too.
• 25:26
  Yeah.
• 25:52
  Yeah.
• 25:53
  Ryan : And Yeah,
• 26:05
  and he's got his daughter changing it.
• 26:07
  And like the two men who would be able to defend her, lifting the car
• 26:11
  up, she's going as fast as she can.
• 26:14
  Like Celine kicks ass, but against the whole pack that that's not gonna work out.
• 26:20
  Kearns: Now.
• 26:21
  Ryan : it's, it's a risk.
• 26:23
  And agreed.
• 26:24
  Frank doesn't know.
• 26:25
  He doesn't realize, and it happens when they go to the base and he travels
• 26:30
  through and it's like empty, desolate.
• 26:33
  It's like a scene from days gone, like when you first drive to the army
• 26:36
  base and like you see the carnage.
• 26:38
  That's what it was.
• 26:39
  And him freaking out.
• 26:41
  he realizes and he kind of like succumbs to the reality that the
• 26:46
  world isn't what it seems anymore.
• 26:48
  Like fully realizes I
• 26:50
  Kearns: Yeah, the previous chapter is closed.
• 26:52
  We're in this now.
• 26:53
  There's no going back to that.
• 26:55
  Like,
• 26:56
  Ryan : Yeah.
• 26:57
  Kearns: which is un ironically what they end up doing later and still,
• 27:06
  yeah, he does figure it out fast.
• 27:08
  Uh, and, but Celine's like in it, like, you gotta get real, you
• 27:12
  gotta understand like Celine knows.
• 27:19
  Oh, fair.
• 27:20
  Yeah,
• 27:28
  that's true.
• 27:29
  Ryan : also realizes it when he kills that boy.
• 27:32
  Kearns: Yeah, it's tough Scene.
• 27:34
  Ryan : like, yeah,
• 27:45
  yeah.
• 27:54
  Kearns: That's when Zombie Anakin comes in and he executes order 66.
• 28:00
  Ryan : I have the high ground.
• 28:01
  What
• 28:02
  Kearns: There's too many Annie, what are we gonna do?
• 28:06
  Ryan : Made that joke to my dogs.
• 28:08
  Kearns: yeah.
• 28:08
  Ryan : One dog jumped, ONT, uh, Ali jumped on the higher, they
• 28:12
  were like fighting, play fighting.
• 28:13
  And uh, Ali jumped on the armrest and Kirti's looking at him.
• 28:16
  And I just looked at her and I was like, he's got the higher ground.
• 28:20
  Kearns: Uh, so this is the part of the movie where, the romance is
• 28:23
  starting to kick up a bit too, just in time for them to get taken into the
• 28:26
  army base by a bunch of horny dudes.
• 28:29
  Hey.
• 28:30
  And it,
• 28:30
  Ryan : about Frank turning.
• 28:32
  Kearns: well, yeah, we're gonna get there.
• 28:39
  Ryan : Yep.
• 28:39
  Kearns: Mm-hmm.
• 28:40
  A lot of freedom.
• 28:49
  It's very, IFC by the way, they do the same shit in monsters and stuff.
• 28:53
  Like when they did that, like a lot of low budget movies really nailed down
• 28:56
  that whole freedom shot thing before.
• 28:59
  Uh, clamping down on the opposite.
• 29:02
  And, and, but it really highlights the fact that they're driving into the jaws
• 29:08
  of the real beast, which is interesting.
• 29:12
  Oh,
• 29:20
  aw.
• 29:20
  It's 'cause it's,
• 29:24
  it's based on real life.
• 29:26
  So when the shit goes down, it's usually that's the number one issue.
• 29:30
  And then the issue that's driving them crazy is the number two issue.
• 29:34
  which is like this, that and the other thing.
• 29:37
  So Frank, at the Yeah.
• 29:39
  We get to the military thing.
• 29:40
  Do, did you wanna pause for a sec?
• 29:49
  Yeah.
• 29:54
  Yeah.
• 29:55
  That
• 29:55
  Ryan : Yeah.
• 29:55
  Kearns: when Celine's sling in drugs to everybody.
• 29:59
  Ryan : She's like, I got some sleeping pills right here.
• 30:01
  Kearns: You won't notice.
• 30:07
  Yeah.
• 30:08
  Ryan : Only half a pill
• 30:10
  Kearns: Yeah.
• 30:10
  Ryan : you get addicted.
• 30:17
  Can I have, it's the, it's post-apocalyptic.
• 30:20
  thrown out the window.
• 30:22
  Kearns: Mm-hmm.
• 30:33
  Ryan : Yeah.
• 30:35
  Kearns: Ah, I think that's kind of celine's edge, but for me it that that's
• 30:40
  a you're, that's when you're ready to give up and they're fighting awfully hard
• 30:44
  to be ready to give up in their sleep.
• 30:45
  Although that would be a nice way to go.
• 30:48
  'cause you wouldn't really notice it.
• 30:50
  Ryan : imagine what she's seen for 28 days.
• 30:53
  She's seen like the evolution of this whole
• 30:56
  Kearns: it's gonna take a psychological
• 30:57
  Ryan : chaos.
• 30:59
  Oh yeah.
• 30:59
  And like that romance kind of brings her back to reality.
• 31:04
  But also those soldiers,
• 31:07
  Kearns: Yeah.
• 31:07
  So we,
• 31:08
  Ryan : into reality.
• 31:09
  Kearns: we get to the military station, things are looking
• 31:12
  a little weird, so Frank and everybody are out looking around.
• 31:15
  A lot of dead, a lot of dead infected, like very clear that the, like, people
• 31:20
  didn't look like people were massacred.
• 31:22
  It looked like they had been shooting infected and they were all over the place.
• 31:38
  Ryan : Yes.
• 31:44
  Yep.
• 31:45
  That,
• 31:55
  Kearns: Yeah.
• 31:59
  So I mean, I wouldn't, I wouldn't doubt that they would rob any sort of, any,
• 32:05
  especially for a TV show, which doesn't have the budget anyway, so to grab
• 32:10
  whatever they could figure out how to save money, it's 28 days later wasn't,
• 32:14
  uh, didn't cost a trillion dollars.
• 32:17
  Right.
• 32:18
  Ryan : uh,
• 32:18
  Kearns: And what was the production cost?
• 32:20
  Ryan : 8 million I think.
• 32:22
  Kearns: 8 million 2001
• 32:25
  Ryan : Uh, $8 million budget and it made $84.6 million
• 32:30
  Kearns: Total, or like in the first year.
• 32:33
  Wow.
• 32:33
  I thought did
• 32:34
  Ryan : overall
• 32:34
  Kearns: better than that because I saw it in theaters too,
• 32:37
  and that theater was packed.
• 32:39
  Ryan : For 2002.
• 32:40
  I mean, if you do inflation, it's probably over a trillion,
• 32:44
  Kearns: No, it's not over a trillion.
• 32:49
  You clown
• 32:51
  Ryan : A good outlook on now.
• 32:55
  Kearns: it.
• 32:55
  At least double.
• 32:57
  Yeah.
• 32:58
  Maybe less than double, but still not a trillion.
• 33:01
  Ryan : Too hot.
• 33:02
  Kearns: Oh, you're funny.
• 33:03
  The way you said it was such conviction.
• 33:05
  Um, what made me laugh?
• 33:07
  You're a freaking riot dude.
• 33:09
  Uh, so they arrive.
• 33:12
  What happens to Frank?
• 33:13
  I've tried to roll into this twice.
• 33:15
  I'm not doing it again.
• 33:16
  Ryan, what happens to Frank?
• 33:18
  Ryan : He, he gets so angry he kicks the door a blood droplet.
• 33:23
  It's a really cool seeing, the blood droplet just goes right into
• 33:27
  his eye and he knows immediately.
• 33:29
  Kearns: Oh, and then we follow it with a camera too.
• 33:32
  That's that was a.
• 33:33
  Ryan : a, that's a heart wrenching scene.
• 33:35
  'cause you, you as a audience member, you like Frank, you love Brendan Gleason,
• 33:40
  but you like the character Frank.
• 33:42
  He plays him so well.
• 33:43
  You make like a good connection then he gets it in the eye and
• 33:48
  it's like, it's not pink eye like, you know, and knocked up, but,
• 33:53
  Kearns: It's just the first thing he does is he gets Hannah aware of
• 33:57
  it, tells her to get away, and then tells her he loves her real quick.
• 34:00
  And I was like, oh God.
• 34:02
  Ryan : you see the rage?
• 34:03
  The rage is like opening up.
• 34:04
  He's like, I love you.
• 34:05
  And he is
• 34:06
  Kearns: Yeah.
• 34:07
  Ryan : I like, he played it like he was in like a heavy metal concert.
• 34:10
  I, I appreciated it.
• 34:12
  Kearns: And then he gets the shit shot out of him like instantly by a bunch of
• 34:16
  Ryan : That
• 34:17
  Kearns: ball shaven military dudes.
• 34:19
  And they sucked.
• 34:21
  They're the worst.
• 34:23
  Ryan : they look like the kids from Mother's Day.
• 34:25
  Some of them.
• 34:26
  Kearns: Isn't Dr. Who in this or is that a different actor?
• 34:29
  Ryan : No.
• 34:30
  Uh,
• 34:30
  Kearns: Who's the colonel?
• 34:31
  Ryan : is Major Henry West.
• 34:34
  Kearns: Yeah.
• 34:35
  Isn't that Dr. Who?
• 34:36
  One of them.
• 34:37
  Ryan : Yep.
• 34:37
  That's Dr. Who?
• 34:38
  And that's Malus
• 34:40
  Kearns: He's probably the biggest actor in this movie.
• 34:42
  Ryan : huh?
• 34:44
  Wouldn't you think Brendan Glee?
• 34:46
  Kearns: Um, Ren and Gleason.
• 34:50
  Ryan : Putting him in
• 34:51
  Kearns: I think this movie would pick him up into the, into
• 34:53
  the Stratosphere too, though.
• 34:55
  I, I know he was more prolific than I almost everybody else, but I think
• 35:00
  this movie really gave him a nudge.
• 35:02
  Ryan : Yeah, I can see that.
• 35:06
  Kearns: yeah.
• 35:07
  Was he like in the theater?
• 35:08
  Ryan : Oh God, yes.
• 35:10
  Kearns: theater?
• 35:11
  Ryan : Let's see.
• 35:17
  He
• 35:17
  Kearns: were teeing us up for that one.
• 35:19
  Jane Austen movies.
• 35:21
  That's a choice.
• 35:22
  I mean.
• 35:23
  Ryan : Braveheart, mission Impossible two, uh, Kings of New York.
• 35:28
  Right after 28 days later, he was in gigs of New
• 35:31
  Kearns: Yeah, they, they, he got cast in it, right?
• 35:35
  Afterward they're like, we need Irish guys.
• 35:37
  Like, yeah, we got it, dude.
• 35:39
  Big ones that fight.
• 35:40
  Yeah, we got it, dude.
• 35:41
  Sorry about it.
• 35:42
  We got that one.
• 35:44
  Ryan : You know, I was watching a clip real quick.
• 35:46
  I want to, I'll quick second.
• 35:48
  I was watching a clip with Daniel Day Lewis, and they were talking about
• 35:51
  how he actually a piece of glass on his eye and it took him like a couple
• 35:57
  weeks to do the knife tapping scene.
• 36:00
  Like that's method acting right there.
• 36:02
  Just
• 36:02
  Kearns: Well, he's psychotic.
• 36:04
  He's borderline psychotic with it.
• 36:09
  Yeah.
• 36:09
  And he's fantastic actor.
• 36:11
  Everything he's in.
• 36:12
  I see.
• 36:13
  Period.
• 36:14
  Uh, well did, he's probably truly retired this time, but yeah.
• 36:21
  He's phenomenal.
• 36:24
  Uh, can you imagine if he was in this movie?
• 36:25
  Whoa.
• 36:26
  Ryan : Oh
• 36:27
  Kearns: Who do you play?
• 36:28
  Daniel Day Lewis, and 28 days later, who does he play?
• 36:32
  Ryan : He
• 36:32
  Kearns: Selena?
• 36:33
  Yeah.
• 36:37
  Yep.
• 36:37
  He would do the major.
• 36:38
  Well, all right.
• 36:40
  I was kind of hoping we get to see a sex scene with Sian Murphy, but all right.
• 36:43
  See how good his method acting is then?
• 36:47
  Yeah, exactly.
• 36:50
  Ryan : Come out,
• 36:51
  Kearns: Uh, like Robert Downey Jr. Up from Tropic Thunder, go the whole nine.
• 36:55
  Don't change anything about the character, but is Daniel Day Lewis?
• 37:01
  Yeah, we would've not been ready in 2001 for such.
• 37:05
  Goodness.
• 37:06
  all right.
• 37:07
  I. So the major, the major, um, as we go in, I don't know if they name,
• 37:12
  they probably do name a few of 'em 'cause they all yell at each other
• 37:15
  throughout the rest of the movie.
• 37:17
  but I don't remember any of their names 'cause they're all useless father.
• 37:23
  Ryan : Mm-hmm.
• 37:27
  Kearns: That's a good one.
• 37:28
  So they bring him in, they bring, uh, Sian and the ladies.
• 37:31
  That's for to here, two, four to be referred to as Cian and
• 37:36
  ladies into the military base.
• 37:38
  They seem very enthusiastic about their company.
• 37:40
  It's immediately off-putting, uh, but not in your face.
• 37:44
  You don't really know until the trap door shuts.
• 37:56
  Mm-hmm.
• 38:00
  Yeah.
• 38:04
  Ryan : There is a tell though with Sergeant Farrell, like he's very off
• 38:09
  putting about them, looking at the women.
• 38:12
  So it's like a foreshadow of something
• 38:14
  Kearns: yeah.
• 38:15
  'cause he is trying to keep them in line about it, right?
• 38:17
  'cause he promised the men.
• 38:19
  So basically what we're saying, everybody is they've lured them in
• 38:22
  so they could procreate with the lady folk that are in the group.
• 38:28
  Ryan : Yeah.
• 38:33
  Yes.
• 38:42
  Kearns: You know what's annoying though, if you think about it.
• 38:45
  If they hadn't been so abrupt or even forthright about that plan and just
• 38:51
  been normal, treated them normal.
• 38:53
  Eventually there's two women and a bunch of dudes.
• 38:57
  Eventually they're gonna pair up with somebody and you're
• 38:59
  gonna get the result anyway.
• 39:01
  So why do you have to turn it into a whole weird, creepy,
• 39:05
  you know, priman Okta thing.
• 39:08
  Damn British.
• 39:10
  No Riz none.
• 39:12
  Riz.
• 39:13
  Ryan : all, Celia Murphy's Irish.
• 39:15
  So that's a whole different.
• 39:16
  Kearns: Yeah.
• 39:16
  So is Henry Cabell.
• 39:18
  Ryan : Yeah.
• 39:19
  Kearns: So is Henry Cabell.
• 39:21
  The end, end of argument.
• 39:22
  I lose.
• 39:25
  Ryan : No, Henry, I love Henry Ka
• 39:28
  Kearns: Of course.
• 39:29
  That's why I lose mostly heterosexual men that lust after that, man.
• 39:34
  So I digress.
• 39:37
  Uh, so yeah, we're at that scene.
• 39:39
  Uh, it's a pivotal scene, like we said earlier about how it's the
• 39:43
  people you have to worry about, not the zombies or the infected.
• 39:47
  For this movie.
• 39:48
  Uh, but then we get the, we get a ending sequence that is just fricking good, dude.
• 39:53
  It, it really does prop the movie up to another level.
• 39:56
  It's already a good movie, but then it jumps, and it's the musical score
• 40:00
  that really brings it there too.
• 40:02
  Ryan : Yes.
• 40:11
  Kearns: Oh really?
• 40:13
  Ryan : Okay.
• 40:14
  That's cool.
• 40:20
  Okay.
• 40:20
  Kearns: paint my house to that music for sure.
• 40:25
  For sure.
• 40:27
  Ryan : turning every second.
• 40:29
  Is there something
• 40:29
  Kearns: Yeah.
• 40:31
  So, uh, they, they, uh, bring Ian's character.
• 40:35
  I can't remember his name.
• 40:36
  I've been fishing for you guys to say his damn name.
• 40:38
  Oh, Jim.
• 40:39
  Ryan : been saying
• 40:39
  Kearns: They bring in Jim.
• 40:41
  Have you been saying it?
• 40:42
  I haven't been picking up on it.
• 40:42
  So they've been bringing Jim to, uh, the, to goddamn to the trash pile to shoot him.
• 40:49
  And uh, the other guy who tries to stick up for the girls, they bring him too.
• 40:53
  'cause he's gotta go stupid
• 40:55
  Ryan : Sergeant
• 40:55
  Kearns: narc.
• 40:56
  Stupid prude.
• 40:57
  Sergeant Farrell.
• 40:59
  So they bring stupid Sergeant Ferrell over and they get ready to execute.
• 41:03
  And, um, what happens Does he spit in his face?
• 41:07
  There's some distraction that occurs
• 41:09
  Ryan : Yeah.
• 41:10
  Kearns: and silly and Jim rolls off to the side and hides amongst the bodies and they
• 41:13
  can't figure out which, and they don't, they shoot like randomly into the pile.
• 41:18
  Ryan : No, they run by it.
• 41:19
  Kearns: Oh, they ran by him where he was, does he do anything revolutionary?
• 41:24
  I think it just lays down next to them.
• 41:25
  Right.
• 41:27
  Ryan : Yeah,
• 41:33
  Kearns: Yeah, it's wild.
• 41:34
  That's a great point too, that he doesn't just sit there.
• 41:37
  'cause if he waited long enough they might have noticed him.
• 41:41
  He gets up and he launches.
• 41:42
  So, and that's pretty much the moral of the story for the end too.
• 41:47
  He doesn't sit still until way later, so.
• 41:52
  Ryan : crazy.
• 41:54
  Like in a good way though,
• 41:55
  Kearns: Yeah.
• 41:55
  He berserkers.
• 41:57
  Ryan : Once you hear the siren, you know it's just game over.
• 42:00
  Or they're like, he ran away.
• 42:01
  They're like, what do you mean?
• 42:02
  He ran away?
• 42:02
  And they're like, oh, he's done.
• 42:03
  They hear the siren.
• 42:04
  They're like, oh fuck, we messed up.
• 42:07
  Kearns: Mm-hmm.
• 42:08
  Ryan : And.
• 42:09
  It's just so good.
• 42:11
  Kearns: Does he draw infected back with him on purpose or no?
• 42:17
  Yeah, he does that.
• 42:18
  But does he draw any of them back in?
• 42:20
  No.
• 42:20
  Right.
• 42:20
  He just get, makes his way back.
• 42:29
  Well, 'cause he's turning them as he goes, right?
• 42:32
  So it goes 1, 2, 3, 5, 7.
• 42:35
  So yeah.
• 42:37
  And they get after it.
• 42:39
  It's, it does, um, the power of surprise over the power of firearms does get
• 42:43
  highlighted in that scene too, because the infected are coming through the
• 42:47
  halls and catching people off guard.
• 42:50
  David, the, these soldiers who have done such a great job of setting up a
• 42:53
  perimeter and holding that perimeter are infiltrated and that changes things
• 42:58
  drastically and they become complacent.
• 43:12
  Ryan : Yeah.
• 43:20
  Kearns: Yeah, it's true.
• 43:21
  they were claiming that they were doing it for research purposes, but you could tell
• 43:24
  there's kind of a frat boy vibe to it,
• 43:28
  Ryan : Oh yeah.
• 43:34
  Kearns: seeing how long it takes it to die.
• 43:38
  And they mentioned, they mentioned the time of the amount of time he'd
• 43:42
  been there and it was substantial.
• 43:44
  He'd been chilling in that little courtyard room.
• 43:46
  Ryan : he looked full.
• 43:47
  He
• 43:48
  Kearns: He looked,
• 43:48
  Ryan : going anywhere.
• 43:50
  Kearns: he looked full.
• 43:51
  Ryan : some people,
• 43:52
  Kearns: Oh, they were carving it.
• 44:05
  Oh, good call.
• 44:09
  Didn't think about that.
• 44:11
  But I did, uh, I mean, think the visceral part about him being chained up and stuff
• 44:16
  too then kind of hit you in the stomach.
• 44:18
  I'm glad that I'm blissfully unaware of that stuff every now and again because
• 44:22
  I didn't need that to be in my, yeah.
• 44:24
  But for this movie, it didn't need to be in my mind space, you know what I mean?
• 44:28
  So it would've muddied the waters.
• 44:37
  I could be stuck in the brain of the zeitgeist.
• 44:40
  We all have it in like our back of our minds, but,
• 44:43
  Ryan : Yeah.
• 44:43
  But
• 44:43
  Kearns: um,
• 44:45
  Ryan : and he goes ape shit on him.
• 44:46
  He gets this revenge spewing sp.
• 44:48
  Kearns: women meanwhile by the way, have been, we've kind of
• 44:51
  forgot about them before we get to the, they unleashed scene.
• 44:56
  They've been, they've been washed and groomed and clothed, and they're
• 45:01
  ready for prom night, last episode.
• 45:06
  Ryan : Well, Celine's got like, she's all drugged.
• 45:09
  Uh, not Selena.
• 45:09
  Um, Hannah's all drugged up because of
• 45:12
  Kearns: So, so Celine?
• 45:13
  Ryan : through that.
• 45:15
  Kearns: Yeah.
• 45:15
  Celine, uh, brings it to her and says, this will make you not care
• 45:21
  about what's about to happen,
• 45:23
  Ryan : yeah.
• 45:23
  Kearns: which was good, but then that's a problem when the shit hits the fan
• 45:26
  and she has to care about things.
• 45:28
  But it actually saves her life a few times because she would've freaked out.
• 45:33
  But instead, she's just chilling there, very calm, making the
• 45:36
  right de decisions, but very calm.
• 45:39
  Ryan : very nonchalant
• 45:40
  Kearns: That can't be Xanax.
• 45:42
  Or what if they give her, I'd love to find something that doesn't make
• 45:45
  me drowsy, that makes me not care.
• 45:48
  Ryan : They say it.
• 45:49
  They say it.
• 45:49
  I think in the film she says
• 45:51
  Kearns: Yeah.
• 45:52
  Ryan : times,
• 45:53
  Kearns: sponsored this movie.
• 45:55
  Ryan : so
• 46:02
  I don't know.
• 46:02
  I mean, reviews were high in COVID, supposedly based on the articles I was
• 46:07
  reading before the episode we were seeing
• 46:14
  it's one of the highest movies
• 46:25
  Kearns: Tremble came out with, um, what is it?
• 46:27
  Somebody's song, which is a basically 28 days later style virus.
• 46:31
  But the rabies spread more slowly, takes a while for it.
• 46:36
  Uh, it's not outbreak, it's somebody's song, like Sarah's song or something.
• 46:40
  It's, I think it's tremble.
• 46:42
  It's over here somewhere.
• 46:43
  Where is it?
• 46:43
  Oh, survivor song right there.
• 46:46
  And it came out at, just as we got locked down and he laughed
• 46:50
  all the way to the bank.
• 46:51
  It, because it was a perfect timing and it's a, it's a good book.
• 46:55
  It's a zombie book, but it's a pregnant lady trying to get her kid
• 47:00
  sorted out, and she's been bitten.
• 47:03
  Ryan : Gotcha.
• 47:05
  Kearns: It's a good concept.
• 47:07
  And she's there at the hospital.
• 47:09
  They make their way to the hospital.
• 47:11
  They go to the hospital, and then there's, from there it's a
• 47:13
  whole, it gets wonky from there.
• 47:15
  But yeah.
• 47:16
  Good stuff.
• 47:17
  Same concept.
• 47:19
  so yeah, during the lockdown, I think I, I think I almost watched
• 47:22
  outbreak, the movie outbreak during lockdown and I decided against it.
• 47:26
  'cause I was like, no, thank you.
• 47:29
  You did.
• 47:30
  No, I didn't need any more of that shit.
• 47:42
  That's how you yourself up for it.
• 47:48
  Yeah.
• 47:50
  Ryan : Well,
• 47:51
  Kearns: Too bad.
• 47:51
  It's not concurrent.
• 47:55
  Out here and there.
• 48:03
  I like when the crazy old bitch with dementia throws the
• 48:05
  10 million diamond overboard.
• 48:07
  That's my favorite part of the movie.
• 48:10
  It's like she fucked up again.
• 48:12
  Stop letting her drop things into the ocean first, Jack.
• 48:16
  Now that's,
• 48:20
  yes.
• 48:20
  It's bad stuff happens.
• 48:22
  She was there when the submersible went down the Titan submersible.
• 48:29
  Did you see they released footage of that, by the way, the, it's the re.
• 48:33
  There's a, they just released reaction footage.
• 48:37
  'cause she was watching the laptop when it imploded.
• 48:40
  And she goes, did you hear that thud?
• 48:42
  And you like they heard the second it happened, but they didn't know that it
• 48:47
  had imploded yet, which is wild too.
• 48:50
  I.
• 48:54
  I was just released in court papers and in court proceedings rather.
• 48:57
  So I don't know if it has to do with documentary or not, but it could be.
• 49:00
  it was cool.
• 49:01
  It was hard to watch too 'cause her husband was the guy in it and she was sort
• 49:06
  of like, did you hear that strange noise?
• 49:08
  And that was his head hopping.
• 49:12
  Yeah.
• 49:13
  Too much cut Ryan.
• 49:14
  Cut that.
• 49:18
  If it's in it, if it's left in and you guys didn't like it, it's 'cause Ryan
• 49:21
  didn't cut it and he was supposed to.
• 49:24
  Ryan : The head popping is better than the other thing.
• 49:27
  Kearns: It's true.
• 49:28
  Ryan : Patreon,
• 49:29
  Kearns: It all popped.
• 49:30
  It all popped.
• 49:32
  Um, so, all right.
• 49:34
  So I did that part now Ryan, you get to run with the part
• 49:36
  you wanted to talk about.
• 49:37
  What do they do with the, the chained up guy?
• 49:41
  Maddox, I.
• 49:42
  Ryan : I mean, Jim shoots him.
• 49:44
  Oh, shoots the chain and he just goes, buck wild.
• 49:47
  And the thing is, is like he's just going into every room left and right.
• 49:51
  And I feel like can go after, I mean, he's going after anyone.
• 49:55
  He's of infected, but it's one of the infected And it seems
• 49:59
  like he's targeting them.
• 50:00
  He's targeting all, targeting all the soldiers.
• 50:03
  is interesting 'cause it shows that maybe, maybe there's a little
• 50:06
  development and he's infected creatures.
• 50:10
  Like they're smarter than what they look.
• 50:12
  And it shows slowly, like in small parts of the movie, they
• 50:16
  are intelligent, The private here.
• 50:19
  Private mailer.
• 50:20
  Mailer.
• 50:21
  He was.
• 50:23
  He was targeting and shows the intelligences has grown on him.
• 50:27
  He's adapted.
• 50:33
  Kearns: Yeah.
• 50:34
  Does that happen?
• 50:36
  Yeah.
• 50:36
  Ryan : the Dead.
• 50:37
  Yep.
• 50:39
  Kearns: A lot of similarities.
• 50:41
  Um, he takes down most of the soldiers.
• 50:44
  Jim gets into a fight with some of the soldiers, gets into a fight
• 50:47
  with, uh, the major, doesn't he?
• 50:50
  They get into the scrum.
• 50:52
  Yeah, they get into a scrum.
• 50:53
  Yeah.
• 50:53
  Jim takes one for the team.
• 50:55
  They get in the car, they have their fantasm moment where
• 50:59
  they do the freeze frame.
• 51:01
  Ryan : Oh, he gets pulled out the window.
• 51:02
  That's
• 51:03
  Kearns: Yeah.
• 51:03
  Ryan : moment.
• 51:04
  Kearns: Yeah.
• 51:05
  It was pretty cool.
• 51:05
  Everything in the car at the end reminded me of Fantasm, especially
• 51:08
  rewatching phantasm just getting yanked outta the car and everything.
• 51:12
  But they escape.
• 51:13
  Uh, Hannah and all of 'em, they all get out and drive off into the sunset.
• 51:18
  And you, you assume Jim's gonna die.
• 51:20
  He's dead.
• 51:21
  Ryan : Well, you guys know there's alternative endings, right?
• 51:26
  Kearns: Yeah.
• 51:27
  Ryan : Okay.
• 51:28
  Say
• 51:29
  Kearns: I wondered.
• 51:31
  Ryan : all of 'em.
• 51:32
  Jim does die in each one.
• 51:34
  And it wasn't popular.
• 51:36
  It wasn't popular by audiences.
• 51:39
  Kearns: Mom.
• 51:39
  'cause we like Jim not dying.
• 51:41
  It's true.
• 51:42
  I enjoyed the one where you lived too.
• 51:44
  The, the movie deserved a happy ending, I think.
• 51:47
  And it got one, uh, the theatrical release got one, right?
• 51:52
  Yeah.
• 51:53
  Ryan : they had no choice.
• 51:54
  I mean,
• 51:54
  Kearns: did you see the alternate?
• 51:56
  Did you see the alternate endings?
• 51:59
  Ryan : No, no, I, I, uh, read about them how like there's one
• 52:02
  where he gets killed instantly.
• 52:04
  There's one where he dies in a coma and it's in a dream
• 52:07
  sequence, and the other one is.
• 52:11
  So Frank lived and Jim does a blood transfusion 'cause they find this
• 52:17
  laboratory and he saves Frank, which
• 52:21
  Kearns: That would've been the worst one.
• 52:24
  Ryan : like, but then how, how do you hate it?
• 52:26
  Because like Frank was a good character too.
• 52:28
  So it's like, who's better?
• 52:30
  Frank or Jim?
• 52:31
  I mean
• 52:32
  Kearns: Frank needed
• 52:33
  Ryan : obviously.
• 52:34
  Kearns: to die.
• 52:40
  Ryan : Yeah.
• 52:41
  That's, imagine him shirtless running around.
• 52:53
  No, no, not Frank.
• 52:57
  Kearns: There you have it, you have the ending where they have
• 53:00
  the word help strewn about and clothes, which was cool too.
• 53:04
  That shows them like stitching those together into the big sign for help
• 53:09
  and then eventually, oh, hello.
• 53:11
  Right?
• 53:12
  And then, then a, uh, an airplane flies over and that's how the movie ends.
• 53:18
  You realize it, it is not a worldwide issue.
• 53:21
  Just the United Kingdom is hit.
• 53:25
  It'd be kind of cool if it never made it to Scotland, but it does, it does.
• 53:29
  Ryan : You just wanna see Mel Gibson with a sword and a and a kilt.
• 53:33
  All right,
• 53:34
  Kearns: He loves killing British zombies too.
• 53:37
  Um, so that's 28 days later, guys.
• 53:39
  It, it's a fantastic watch, um, obviously because you must have seen it and you're
• 53:45
  gonna see it again because the third movie's coming out in the near future.
• 53:51
  I don't know what the release date is.
• 53:52
  End of June.
• 53:53
  Oh, we gotta see that.
• 53:54
  We gotta see that imax That's gonna be insufferable though.
• 54:00
  I hate seeing movies in theaters these days, especially with
• 54:03
  specific types of crowds and this type of crowd's gonna suck.
• 54:07
  Ryan : I missed out on sinners.
• 54:09
  Sinners isn't even in theaters.
• 54:11
  Kearns: Yeah, let's hope.
• 54:14
  Let's hope
• 54:15
  Ryan : this is
• 54:16
  Kearns: we saw Minecraft.
• 54:16
  Ryan : good,
• 54:17
  Kearns: Speaking of great crowds,
• 54:24
  I might.
• 54:26
  Oh, okay.
• 54:27
  Ryan : I
• 54:27
  Kearns: Well, I mean, they're teenagers though, 'cause that's who sucks.
• 54:32
  And that's not our target audience.
• 54:33
  So we can leave that in the clip
• 54:42
  now.
• 54:42
  It's gonna get out on Discord and TikTok.
• 54:46
  What are you looking at over there?
• 54:47
  Somebody there, Ryan, you getting held up at gunpoint?
• 54:50
  Ryan : No, no, I just, it's like I hear like the water dripping
• 54:55
  out by the sunroom, so I'm like, what the hell's going on out here?
• 54:58
  It sounds like someone's like jumping on the deck I'm just like, what
• 55:02
  the hell is going on out there?
• 55:05
  Kearns: Huh?
• 55:06
  All right, well he's dead.
• 55:07
  Uh,
• 55:13
  yeah, there it is.
• 55:15
  Ryan : no, no, Helen,
• 55:17
  Kearns: so that's it.
• 55:18
  That's 28 days later.
• 55:19
  Uh, really don't have too much more to go into on it.
• 55:22
  I think we touched on everything and it's an hour in, so we're
• 55:26
  gonna get into the top fives.
• 55:27
  It is
• 55:28
  Ryan : a great, it is a great movie and if you wanna watch it, um, it's
• 55:32
  hard to come by, uh, physical unless you wanna spend an arm and a lake.
• 55:36
  So the best way to watch it is on Amazon.
• 55:39
  Um, I think renting it is like 3 99 to buy it.
• 55:42
  It's like $12 for standard, $15 for hd.
• 55:46
  So,
• 55:47
  Kearns: marketing.
• 55:48
  They're gonna have it, they're gonna have it free streaming soon.
• 55:50
  They have to.
• 55:51
  Right.
• 55:52
  Ryan : December
• 55:53
  Kearns: be out.
• 55:54
  Ryan : is rumor.
• 56:09
  Kearns: Hmm.
• 56:09
  Weird.
• 56:25
  Yeah.
• 56:25
  Yeah.
• 56:25
  Ryan : Yeah, it does.
• 56:27
  I also think it's because of the camera work.
• 56:29
  They used a smaller camera for the quick movements, and so like, they can be quick
• 56:34
  because I mean, a lot of the locations they filmed at, was either in the morning,
• 56:39
  early in the morning, Dawn, or they had to be quick and did a lot of like,
• 56:43
  independent of course style filmmaking, which again, it's a very independent
• 56:48
  film, even though with a great cast.
• 56:50
  Kearns: Mm-hmm.
• 56:51
  All right guys.
• 56:52
  Ryan : with the, with the top fives, I'm gonna say
• 56:55
  Kearns: Thank you.
• 56:55
  I'm fading fast.
• 56:58
  Ryan : I haven't, I haven't watched two of them, but they are on my list to watch.
• 57:02
  Um, but I have watched the three, so I'm gonna start with the two.
• 57:05
  I haven't watched, they're on my list.
• 57:07
  I'm gonna start off.
• 57:08
  Um, and it's also about viruses.
• 57:10
  I'm sorry.
• 57:11
  These are all films related with viruses and number five,
• 57:15
  George Romero's the Crazies.
• 57:18
  It's been on my
• 57:18
  Kearns: Nice.
• 57:19
  Ryan : seen the, I've seen the remake, but the thing is, is the original
• 57:23
  one I've heard so much great, so many great things about it, and it's really,
• 57:28
  that started with George Romero.
• 57:30
  George Romero's directing, you know, it's a classic and there's more of
• 57:34
  a, there's more of a message in it.
• 57:37
  It's very like, night of the Living Dead don't have the dead day of the dead.
• 57:39
  There's more of a message to it.
• 57:41
  Kearns: Great nuke scene too.
• 57:43
  Great.
• 57:51
  Mm-hmm.
• 57:57
  Ryan : Do you think it's like a prequel?
• 57:59
  I haven't seen it, but like maybe, like considered
• 58:06
  Kearns: Yeah, we would've known the,
• 58:10
  Ryan : Okay.
• 58:11
  Kearns: at the end of the, one of the best,
• 58:17
  Ryan : Okay.
• 58:18
  All right.
• 58:18
  Well that starts off with number five.
• 58:20
  Number four.
• 58:21
  I, I, I, believe you guys have seen, uh, seen this, um, 2006
• 58:26
  Children of Men starring one of my favorite actors, Clive Owen.
• 58:31
  Kearns: can't have kids,
• 58:32
  Ryan : whole, yeah,
• 58:34
  Kearns: she having
• 58:35
  Ryan : the
• 58:35
  Kearns: a, let's kill her.
• 58:39
  Ryan : I, the, the scenes I've seen, um, whether they're like
• 58:42
  traveling and it's very warfare.
• 58:45
  It's always caught my eye, but I've always seen it from the middle.
• 58:48
  And that's another, uh, film that's like car to come by nowadays.
• 58:52
  like a hidden
• 58:52
  Kearns: Wasn't that good.
• 58:54
  Yeah, it wasn't that good.
• 58:55
  Uh, it was good, but it wasn't that good and it wasn't very, they didn't
• 58:59
  make a lot of 'em 'cause of that.
• 59:02
  It was a very niche audience, you know, like the age range of people interested.
• 59:06
  I was in my twenties, I think, when that came out.
• 59:08
  And I remember it was hard for me to soldier through it 'cause
• 59:12
  it really wasn't made for me.
• 59:15
  Ryan : I, I think they were attracting like the whole, like
• 59:18
  Clive Owen, like good actor.
• 59:20
  He was in Sin City.
• 59:21
  He played Dwight.
• 59:22
  So like, he had like,
• 59:24
  Kearns: Was that before
• 59:25
  Ryan : rise.
• 59:25
  Kearns: after though?
• 59:26
  That was before.
• 59:27
  Ryan : was, this was uh, after Sin City.
• 59:29
  Kearns: After.
• 59:30
  Okay.
• 59:30
  Ryan : So like, he got his, like, he had his part in city.
• 59:34
  He was Dwight.
• 59:35
  He got like that big part.
• 59:36
  And then, uh, sadly, uh, drinking led to his downfall.
• 59:41
  But I know he is making a comeback recently.
• 59:44
  Kearns: himself out of acting.
• 59:46
  Ryan : yeah,
• 59:47
  Kearns: Well, that's fine.
• 59:48
  Ryan : drinker.
• 59:49
  Kearns: I had enough of him,
• 59:50
  Ryan : Re
• 59:51
  Kearns: gonna lie.
• 59:51
  He was the, he was the broke ass.
• 59:53
  George Clooney.
• 59:54
  We didn't need, I'll say it.
• 59:56
  Ryan : you
• 59:57
  Kearns: Fuck you, Clive.
• 59:58
  Move on.
• 59:58
  Movie number three.
• 1:00:00
  Shoot him up.
• 1:00:00
  Sucks.
• 1:00:01
  Ryan : them up.
• 1:00:01
  Kearns: Movie number three.
• 1:00:07
  Well, Gerard Butler is, I mean, yeah, pretty much.
• 1:00:13
  I think that Gerard Butler probably took Clive O's future roles.
• 1:00:20
  Number three.
• 1:00:22
  Ryan : number three?
• 1:00:22
  Uh,
• 1:00:23
  Kearns: Yes.
• 1:00:23
  Ryan : I have to, we mentioned it earlier.
• 1:00:25
  Um, I am legend
• 1:00:27
  Kearns: Nice.
• 1:00:27
  Nice.
• 1:00:29
  Ryan : Uh, not my favorite.
• 1:00:30
  My, my favorite version is the Omega Man.
• 1:00:34
  But with the concept of viruses, um, will Smith's version really
• 1:00:38
  does the concept very well, I feel.
• 1:00:41
  But I just, with, yeah, I I love the last man on earth, but I, I
• 1:00:50
  just, Neville, it's just like the.
• 1:00:54
  Like I, I know it's not the story exactly 'cause creatures are
• 1:00:59
  talking and they're basically human.
• 1:01:01
  But that's what, I don't know.
• 1:01:02
  I like that campiness and just Charlton Hasin.
• 1:01:06
  I, I like Charlton Hasin.
• 1:01:12
  Oh, of course.
• 1:01:15
  I, it's, they're all different in each way, in their own way.
• 1:01:18
  Um, I am legend is just more apparent with the creatures.
• 1:01:23
  Kearns: Hmm.
• 1:01:23
  Ryan : when I, um, last man on earth, it's a great film, but
• 1:01:27
  like, it's more Vincent Price, it's
• 1:01:30
  Kearns: Yeah.
• 1:01:30
  Ryan : his acting coming out.
• 1:01:32
  And just like him, I remember him boarding up the windows, him driving
• 1:01:36
  and like he's hunting the buildings.
• 1:01:38
  It is more of his, like, his piece to grow as an actor, I feel or grow
• 1:01:41
  further to show his acting abilities.
• 1:01:43
  Uh, while like with the Charlton Heston one, it's like sci-fi
• 1:01:47
  horror action all rolled in one.
• 1:01:49
  And I think that was like right after playing the Apes.
• 1:01:52
  Kearns: Might have been what movie number two?
• 1:01:57
  Ryan : Number
• 1:02:00
  damn.
• 1:02:02
  Number two.
• 1:02:03
  All right.
• 1:02:04
  You're gonna like this, you'll pop for this
• 1:02:07
  Kearns: Doubtful.
• 1:02:08
  Ryan : two, 2000, damn 2011 contagion.
• 1:02:12
  And I'm gonna tell you why it's number two.
• 1:02:14
  It's number two, because Gwyneth Paltrow dies in the beginning of the film.
• 1:02:19
  Kearns: They cut off her fucking head.
• 1:02:20
  What's number one?
• 1:02:29
  Ryan : No, it elevates it from two.
• 1:02:31
  Um,
• 1:02:32
  Kearns: Two.
• 1:02:32
  Yeah.
• 1:02:33
  They don't actually cut off her head.
• 1:02:34
  I lied by the way.
• 1:02:36
  Ryan : no, they, well, they do in another movie,
• 1:02:38
  Kearns: No, no, no, no, no clarifying questions.
• 1:02:40
  John, what's number one?
• 1:02:44
  Ryan : uh, number one, that's a
• 1:02:46
  Kearns: Yeah,
• 1:02:47
  Ryan : in contagion too, by the way.
• 1:02:49
  Number
• 1:02:49
  Kearns: he is, he is.
• 1:02:51
  I'm sorry.
• 1:02:51
  Did he write like detailed notes?
• 1:02:53
  Jude Law is a, a charlatan that deserves to be shot.
• 1:02:56
  All right.
• 1:02:56
  The end in the movie, not in real life.
• 1:02:59
  He's, he's a great sniper that saved Russia from the Nazis, but
• 1:03:05
  Ryan : Well,
• 1:03:05
  Kearns: tired and I want the top five to be over.
• 1:03:07
  So
• 1:03:09
  Ryan : alright, I'll jump to number one.
• 1:03:11
  It's, um, 1995 starring Bruce Willis, starring Brad Pitt.
• 1:03:17
  It's a, uh, remake of a French film, which
• 1:03:20
  Kearns: really, really good choice, dude.
• 1:03:22
  Ryan : LA Tea, uh, 12 Monkeys.
• 1:03:25
  And
• 1:03:25
  Kearns: Yeah.
• 1:03:26
  Ryan : never seen LA Tea, I recommend it.
• 1:03:29
  It's a little over an hour and the whole movie's still photos and it's
• 1:03:34
  all still images with the narration and music in the background.
• 1:03:37
  But Monkeys, it's just Brad Pitt as a nut and just the story.
• 1:03:42
  They do a good remake of it.
• 1:03:44
  And just Bruce Willis Kills and the, and the ending, watch the movie, but.
• 1:03:50
  Listen as much as we're talking about my top five.
• 1:03:54
  John, we gotta hear yours.
• 1:03:56
  Kearns: Thank you so much.
• 1:03:57
  Ryan : get
• 1:03:57
  Kearns: you so much for that.
• 1:03:58
  I was gonna say a couple things and I kept my mouth shut.
• 1:04:09
  Ryan : Okay, Congo,
• 1:04:15
  Kearns: Oh,
• 1:04:18
  okay.
• 1:04:30
  Ryan : that's
• 1:04:36
  that.
• 1:04:37
  Everyone should see that movie.
• 1:04:45
  Kearns: Oh, you, you nailed it.
• 1:04:47
  Congo was the first guest, man.
• 1:04:49
  The worst costuming of any film ever.
• 1:04:52
  But damn, was it a good book?
• 1:04:59
  Fair
• 1:05:11
  Space Juice stuff.
• 1:05:21
  Mm,
• 1:05:25
  Ryan : I was gonna say, Tim Curry's still alive.
• 1:05:27
  Kearns: he's the chief monkey.
• 1:05:31
  He's just chewing on Gwyneth Paltrow's head throughout the whole film.
• 1:05:34
  Ryan : He's a Disney princess too.
• 1:05:41
  Yeah.
• 1:05:41
  Bruce Campbell's in it.
• 1:05:42
  Kearns: really?
• 1:05:44
  Cool.
• 1:05:46
  All right, great ma, great movie Mansion, Congo.
• 1:05:56
  Ryan : What the hell?
• 1:06:17
  Kearns: It's one bad.
• 1:06:20
  Ah, that sounds like 28 days later.
• 1:06:22
  Good job.
• 1:06:28
  Nice dude.
• 1:06:31
  All right,
• 1:06:31
  Ryan : rowdy McDowell.
• 1:06:44
  Okay.
• 1:06:46
  Okay.
• 1:06:50
  Kearns: cool.
• 1:06:51
  Ryan : Right.
• 1:06:52
  Kearns: How young?
• 1:07:03
  Ryan : Okay.
• 1:07:09
  Ooh.
• 1:07:13
  Kearns: sweet.
• 1:07:15
  Ryan : And a
• 1:07:16
  Kearns: That.
• 1:07:18
  And she's all right.
• 1:07:21
  Ryan : No leather jacket
• 1:07:28
  King.
• 1:07:31
  Kearns: Monkey shines.
• 1:07:32
  Ryan : Monkey shine.
• 1:07:33
  Kearns: This is before the movie.
• 1:07:34
  The Monkey comes out soon, by the way.
• 1:07:37
  But yeah.
• 1:07:39
  What's the monkey shine?
• 1:07:40
  John?
• 1:07:40
  What?
• 1:07:40
  The shine?
• 1:07:45
  Yeah.
• 1:07:55
  Ryan : It already sounds horrible.
• 1:08:08
  Once you say
• 1:08:09
  Kearns: Nice.
• 1:08:10
  Ryan : it's like it's awful.
• 1:08:12
  You know?
• 1:08:12
  You know it's gonna go downhill eventually.
• 1:08:14
  And see, I've seen monkey shines it.
• 1:08:16
  It does the obsession.
• 1:08:19
  obsession is there.
• 1:08:38
  Kearns: Oh, cool.
• 1:08:39
  Ryan : Okay.
• 1:08:39
  Kearns: the monkey scenes, I, I completely forgot about the chimpanzee
• 1:08:43
  killing everybody on the TV show.
• 1:08:45
  That's probably the best part of the movie too.
• 1:08:53
  Oh yeah.
• 1:08:54
  Just do an hour and a half.
• 1:09:01
  He does some damage.
• 1:09:02
  Uh, did you watch the, you watched the Ed GR post show on Netflix.
• 1:09:08
  Um, what was that?
• 1:09:09
  The Fall House followed the house of Usher.
• 1:09:10
  Right?
• 1:09:11
  Ryan : Call the House of Usher.
• 1:09:13
  Kearns: You haven't watched it really?
• 1:09:14
  There's a, if you want see some monkey on human uh, shenanigans.
• 1:09:18
  There's a great episode in that third episode.
• 1:09:22
  Ryan : three, I
• 1:09:23
  Kearns: Yeah.
• 1:09:24
  Ryan : I was gonna say, if they use that mauling scene that's what
• 1:09:28
  I was expecting in that episode.
• 1:09:29
  What they do in 28 days later.
• 1:09:32
  gruesome though, because John, I know you're not a Mike Flanagan fan, but he
• 1:09:37
  did a good job with this Edgar Allen Poe.
• 1:09:40
  I thought you were, and I'm sorry.
• 1:09:42
  Kearns: You really good
• 1:09:46
  lukewarm.
• 1:09:48
  There you go.
• 1:09:50
  You could.
• 1:09:51
  The problem with trying to convey what damage a chimp can do is
• 1:09:56
  that it's unimaginable damage.
• 1:09:59
  The chimp will rip your face off and feed it to you and like it'll,
• 1:10:04
  it'll then make a joke and place your face on your ass while you're
• 1:10:09
  on the ground writhing in pain.
• 1:10:10
  That's what a chimp will do.
• 1:10:12
  They, the things they do to each other when they're angry
• 1:10:15
  with each other is wild.
• 1:10:18
  Yeah.
• 1:10:18
  So you'll, I don't think you're ever gonna see a movie that shows like
• 1:10:22
  the true ability, what a chimp will do to someone that happened to a,
• 1:10:27
  a woman in Stanford, Connecticut.
• 1:10:29
  She was, that was Stanford, Connecticut,
• 1:10:39
  ripped her face off, literally ripped her face off.
• 1:10:41
  Do you ever see what she looks like?
• 1:10:44
  Yeah.
• 1:10:45
  That's tough.
• 1:10:46
  I. That's tough.
• 1:10:48
  I can imagine.
• 1:10:48
  Just this is my life now.
• 1:10:50
  I look like a child's drawing.
• 1:10:56
  Brutal.
• 1:10:56
  All right.
• 1:10:57
  Well guys, that was, um, that was the episode.
• 1:10:59
  28 days later, I have to go to sleep.
• 1:11:03
  It's been real.
• 1:11:04
  Ryan : Have a good one, guys.