Latest / Crime and Horror / This box will KILL you Halloween Scare-A-Thon (part 10)
Transcript
- 0:00Speaker 1: Far and away. The scariest part of the story is
- 0:02Speaker 1: Jason's when he brings the divic box home and he
- 0:06Speaker 1: goes to bed that first night, and in the following
- 0:08Speaker 1: night what he sees in his living room. But before
- 0:10Speaker 1: we get into today's story, if you're a fan of
- 0:12Speaker 1: the strange, dark and mysterious delivered in story format, then
- 0:16Speaker 1: you come to the right place, because that's all we do,
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- 0:23Speaker 1: solar eclipse, offer the like button a pair of children's
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- 0:35Speaker 1: so you don't miss any of our weekly uploads. All right,
- 0:37Speaker 1: let's get into today's story. In two thousand and three,
- 0:52Speaker 1: Kevin Manis owned an antique shop right in downtown Portland
- 0:56Speaker 1: at the base of the Burnside Bridge, which is considered
- 0:58Speaker 1: the gateway to the city. Because Kevin owned this antique shop,
- 1:01Speaker 1: he was always at yard sales and estate sales looking
- 1:05Speaker 1: to find the next thing he could sell at a shop.
- 1:07Speaker 1: And so one day there was this estate sale over
- 1:09Speaker 1: at this woman's house. She had just passed away. She
- 1:12Speaker 1: was about one hundred and three years old. She was
- 1:14Speaker 1: a Holocaust survivor and her estate was being sold, and
- 1:17Speaker 1: so he goes over to the house and he sees
- 1:19Speaker 1: the way they're selling all of her items is by
- 1:21Speaker 1: bundling them in different lots. So depending on what item
- 1:24Speaker 1: it was, they'd be bundled with similar items and then
- 1:27Speaker 1: sold as a package. So the people there would be
- 1:29Speaker 1: bidding on the whole lot. They couldn't buy individual items.
- 1:33Speaker 1: And Kevin had his eye on one particular lot called
- 1:36Speaker 1: lot twenty nine, and Lot twenty nine included a couple
- 1:39Speaker 1: of small tools that he wanted to sell in a shop,
- 1:41Speaker 1: and it had this mystery box and that's exactly as
- 1:44Speaker 1: it was labeled. It just says mystery box on it.
- 1:47Speaker 1: And he was intrigued by it, and so he placed
- 1:49Speaker 1: a bid on Lot twenty nine, and ultimately he won
- 1:52Speaker 1: the bid, and he was really happy about it. So
- 1:54Speaker 1: he takes the contents of Lot twenty nine and he
- 1:56Speaker 1: wheels them over to his car, and as he's loading
- 1:58Speaker 1: stuff into the back of his car, someone behind him says, oh,
- 2:02Speaker 1: so he went with a dipock box. Huh. And Kevin
- 2:04Speaker 1: in his head went right back to his childhood because
- 2:06Speaker 1: growing up he had always been scared of dippicks, because
- 2:10Speaker 1: a dipock is a malevolent spirit and Jewish folklore, and
- 2:13Speaker 1: Kevin was Jewish, and so his parents used to say, Oh,
- 2:16Speaker 1: you better not do that, Kevin, or the Dipic's gonna
- 2:18Speaker 1: get you. And so he grew up terrified of dipicks,
- 2:21Speaker 1: and so his interest is pequd And Kevin turns around
- 2:23Speaker 1: and he says, did you just call this box a
- 2:25Speaker 1: dipic box? And the woman's like, yeah, And my grandmother
- 2:29Speaker 1: was terrified of it, and she said no one could
- 2:31Speaker 1: ever open it. And Kevin turns to look at the
- 2:33Speaker 1: box and it's about two foot high by one foot wide,
- 2:36Speaker 1: and there are these little doors that swing open on
- 2:38Speaker 1: the front, and then on the bottom there's a drawer
- 2:40Speaker 1: that comes out, and there's one lock that sits across
- 2:42Speaker 1: the two doors, and it's currently locked with a little padlock.
- 2:45Speaker 1: And he looks up at her and he goes, why
- 2:47Speaker 1: can't you open it? And the woman just says, we
- 2:49Speaker 1: never knew, but our grandmother would always go every time
- 2:52Speaker 1: we said the word dipock, and so it was weird
- 2:54Speaker 1: enough that we just never asked any questions and we
- 2:57Speaker 1: stayed away from her dipic box. Kevin agreed that was
- 2:59Speaker 1: pretty weak, and he finished loading his car, shut the trunk,
- 3:02Speaker 1: said by to the woman, hopped in his car, and
- 3:04Speaker 1: he drove away. And he never really gave it a
- 3:06Speaker 1: second thought. At this point, he's not thinking the depic
- 3:09Speaker 1: box is anything malevolent. He thinks it's just some random
- 3:13Speaker 1: chest that he won at an auction. Kevin drives back
- 3:15Speaker 1: to his antique shop and he begins unloading all the
- 3:18Speaker 1: things he won at the auction. He brings them inside,
- 3:21Speaker 1: and he brings them downstairs because the top floor, the
- 3:23Speaker 1: main floor, was really where he sold things. When he
- 3:26Speaker 1: got new items, he would bring them downstairs to his
- 3:28Speaker 1: warehouse of sorts, which was much bigger than the first floor,
- 3:31Speaker 1: had lots of rows of shelving, and it had a
- 3:33Speaker 1: workstation down there. He would bring his new things down
- 3:36Speaker 1: there and he would price them and get them ready
- 3:38Speaker 1: before bringing them back up. And at some point he
- 3:41Speaker 1: brought the dipic box in and he brought it down
- 3:43Speaker 1: and he put it on the back table. He was
- 3:45Speaker 1: about to just leave it there and go back upstairs,
- 3:47Speaker 1: when suddenly he became really curious and he really wanted
- 3:50Speaker 1: to open the dipic box, and so he goes over
- 3:53Speaker 1: and he kind of yanks in the front two doors.
- 3:54Speaker 1: He doesn't want to damage it, but he can tell
- 3:56Speaker 1: this lock is relatively new and it's not just going
- 3:59Speaker 1: to come off, and so he doesn't have the key
- 4:01Speaker 1: to it, and he doesn't have a way to clip
- 4:02Speaker 1: the lock, and so he takes a screwdriver and he
- 4:05Speaker 1: basically wedges it underneath the actual metal clasps that are
- 4:08Speaker 1: attached to the wood, and he slowly kind of bends
- 4:11Speaker 1: it up and bends it off and pops it out
- 4:13Speaker 1: of the wood. And as soon as he does that,
- 4:15Speaker 1: the doors swing open. And there's like a mechanical device
- 4:18Speaker 1: inside of the dipic box that activates the drawer. Basically,
- 4:22Speaker 1: anytime the door's open, the drawer also opens at the
- 4:25Speaker 1: same time. And Kevin remembered thinking how silly it was
- 4:28Speaker 1: that this kind of old, crummy looking wine closet had
- 4:32Speaker 1: this fairly complicated mechanism inside of it that still worked.
- 4:35Speaker 1: Inside the dipic box were two pennies from the nineteen twenties.
- 4:38Speaker 1: There was a used candle, there were two locks of hair,
- 4:42Speaker 1: there was this small tombstone that said Shalom on it,
- 4:46Speaker 1: and there was also a small wine goblet that was inside,
- 4:49Speaker 1: and that was it. And Kevin immediately thought, well, this
- 4:51Speaker 1: is just some older woman's keepsake, and these things maybe
- 4:54Speaker 1: have sentimental value to her, but they don't to me,
- 4:57Speaker 1: and so he shut the dipic box, pushed it to
- 4:59Speaker 1: the side of the and walked upstairs and didn't give
- 5:02Speaker 1: it another thought. Kevin had one employee at the antique shop.
- 5:05Speaker 1: Her name was Jane. She was a younger woman. She
- 5:07Speaker 1: was an incredible saleswoman, and Kevin thought very highly of her.
- 5:11Speaker 1: And so the day after he had brought the Diviot
- 5:13Speaker 1: box into the antique shop and put it downstairs on
- 5:15Speaker 1: the desk, he needed to run out and do some errands,
- 5:18Speaker 1: and so he put Jane in charge of the store,
- 5:20Speaker 1: and so Kevin leaves and Jane locks the front door
- 5:22Speaker 1: to the shop behind Kevin because she needed to go
- 5:25Speaker 1: downstairs and get a few items that she wanted to
- 5:27Speaker 1: bring upstairs to sell that day, and it was before
- 5:30Speaker 1: opening time, so front doors locked. No one else is
- 5:33Speaker 1: inside the shop, and Jane goes down into the basement.
- 5:37Speaker 1: Once you went down the wooden steps into the basement,
- 5:39Speaker 1: you'd be looking out at this huge room of all
- 5:42Speaker 1: these industrial shelves that run the length of the room
- 5:45Speaker 1: where they would keep their antiques and other valuables on
- 5:48Speaker 1: and the lighting down there was never that great because
- 5:50Speaker 1: they used these long fluorescent tube lights that at best
- 5:54Speaker 1: cast a kind of subtle yellow glow on everything. They
- 5:57Speaker 1: were not particularly bright, and there was a real pain
- 6:00Speaker 1: to actually go up and change them because you needed
- 6:03Speaker 1: to place a ladder, but the ladders were not perfectly
- 6:06Speaker 1: aligned with the lights. You basically had to reach over
- 6:09Speaker 1: the shelving where all the antiques were, and you ran
- 6:11Speaker 1: the risk of knocking things over. And so a lot
- 6:13Speaker 1: of times Jane and Kevin would wait until you were
- 6:16Speaker 1: down to like one or two crappy working lights before
- 6:20Speaker 1: they'd say, okay, we really got to go up there
- 6:22Speaker 1: and replace some of these bulbs. And so, as it
- 6:24Speaker 1: happens this day, they're down to like two or three
- 6:27Speaker 1: working lights. So, in classic horror movie fashion, she's going
- 6:31Speaker 1: into this dingy basement with very poor lighting, and so
- 6:34Speaker 1: once she gets to the bottom of the steps, she
- 6:35Speaker 1: walks to the far end of the room a little
- 6:37Speaker 1: bit away from where the depiic box was placed on
- 6:40Speaker 1: that back table. She's in the other corner, in the
- 6:42Speaker 1: back of this basement and she's getting some things off
- 6:45Speaker 1: the shelf when all of a sudden, she stops and
- 6:48Speaker 1: she can't help but shake the feeling that she feels
- 6:50Speaker 1: like someone is watching her. Now. She is down in
- 6:53Speaker 1: this basement all the time, whether it's well lit or dark,
- 6:57Speaker 1: whether Kevin is there, whether or she's alone. This is
- 7:00Speaker 1: place she goes all the time, and she's never had
- 7:03Speaker 1: this feeling before. There's no way to get into the
- 7:06Speaker 1: basement unless you come down the stairs, and she locked
- 7:09Speaker 1: the front door and she was the only one who
- 7:11Speaker 1: came downstairs. She hasn't heard anything. There's no other way
- 7:13Speaker 1: to leave this space. So she doesn't know where she's
- 7:16Speaker 1: getting this feeling from, but she really can't shake it.
- 7:19Speaker 1: And as she's kind of looking around and she's starting
- 7:21Speaker 1: to get a little bit paranoid, the phone rings. They
- 7:24Speaker 1: had a landline that was on a table right at
- 7:26Speaker 1: the base of the stairs. The phone rings down there
- 7:28Speaker 1: and it startles her and then it kind of jumps
- 7:30Speaker 1: her back into reality and she's like, Okay, I'm getting paranoid,
- 7:33Speaker 1: and she walks over and she picks up the phone
- 7:35Speaker 1: and it's actually her friend who was planning on coming
- 7:37Speaker 1: by the antique shop that day. So as they're chatting,
- 7:40Speaker 1: Jane hears what sounds like a broom. Imagine if a
- 7:44Speaker 1: push broom is lined up against the wall and then
- 7:46Speaker 1: it falls over. The sound that the wooden stick would
- 7:48Speaker 1: make as it hits concrete. That's the sound she hears
- 7:51Speaker 1: as she's on the phone, and it startles her again
- 7:54Speaker 1: and she goes, hey, let me call you back. She
- 7:55Speaker 1: hangs up on her friend and she's looking out and
- 7:58Speaker 1: because the lighting is terrible from where she is, she's
- 8:00Speaker 1: now at the foot of the stairs looking down all
- 8:02Speaker 1: these rows, and she's heard that stick land on the
- 8:05Speaker 1: ground on the far side, back where she had been originally.
- 8:07Speaker 1: She's kind of looking around and she can't see anything,
- 8:10Speaker 1: and so she takes a deep breath and she begins
- 8:12Speaker 1: walking down the rose to see what fell over. And
- 8:14Speaker 1: as she's walking down the row, something smashes behind her
- 8:18Speaker 1: and she turns around and one of the fluorescent tube
- 8:21Speaker 1: lights has fallen from the ceiling and smashed onto the ground,
- 8:24Speaker 1: and so all of a sudden, she doesn't want to
- 8:25Speaker 1: explore this falling broom that's behind her in the dark
- 8:28Speaker 1: corner of the basement. Instead, she's ready to leave, and
- 8:32Speaker 1: so she starts walking back towards the stairs to get
- 8:34Speaker 1: out of here. And as she's walking down one of
- 8:36Speaker 1: these rows, a wooden chair that is on one of
- 8:39Speaker 1: the shelves comes flying off of it and lands squarely
- 8:42Speaker 1: in the middle, blocking her path. And there's no way
- 8:45Speaker 1: this could have happened unless someone pushed this chair. And
- 8:48Speaker 1: suddenly she thinks someone's down here with me, and she screams,
- 8:52Speaker 1: and she hurtles the chair and she runs to the steps.
- 8:55Speaker 1: She starts running up, and to her horror, there is
- 8:58Speaker 1: a metal door that the basement at night, so if
- 9:01Speaker 1: someone were to break in, it's another layer to protect
- 9:03Speaker 1: the store from bebes. And it was shut and locked.
- 9:07Speaker 1: It can only be locked from the outside and with
- 9:10Speaker 1: a key, so there's no way she would have done
- 9:11Speaker 1: this by accident. And now she's freaking out because she's
- 9:14Speaker 1: trapped in the basement with some person running around, pushing
- 9:18Speaker 1: chairs over and breaking lights. And so she grabs the
- 9:20Speaker 1: gate and she starts shaking it, and she's yelling for Kevin,
- 9:23Speaker 1: thinking maybe he came in and for god, I was
- 9:26Speaker 1: down here and shut and locked the gate. And she's
- 9:27Speaker 1: checking over her shoulder, looking down into the basement and
- 9:30Speaker 1: she starts hearing more lights falling off the ceiling and
- 9:34Speaker 1: shattering on the ground. She is in absolute panic mode.
- 9:37Speaker 1: She's just waiting for someone to come bounding up the
- 9:39Speaker 1: stairs towards her. She has no idea what to do.
- 9:41Speaker 1: She pulls out her phone and she calls Kevin. Meanwhile,
- 9:44Speaker 1: Kevin is making his way back to the antique shop.
- 9:47Speaker 1: He's only a couple minutes away, and he sees his
- 9:49Speaker 1: phone ringing that was sitting on the passenger seat, and
- 9:51Speaker 1: he picks it up and it's Jane and he answers
- 9:53Speaker 1: and immediately Jane is hysterical and she's screaming that someone's
- 9:57Speaker 1: in the antique shop that's breaking things. And Kevin's like,
- 10:00Speaker 1: slow down, slow down, what's going on? And all he
- 10:02Speaker 1: can hear in the background is the sound of what
- 10:04Speaker 1: sounds like glass shattering and things falling and breaking, and
- 10:07Speaker 1: he's like, wait, what's going on? Are you okay? Jane?
- 10:10Speaker 1: Like where are you? And he hears her say someone's
- 10:13Speaker 1: in the basement, and he goes, where are you and
- 10:16Speaker 1: she's like, I'm in the basement, and he was like,
- 10:18Speaker 1: get out of the basement, call the police, But as
- 10:21Speaker 1: he's trying to get her to do that, the phone
- 10:22Speaker 1: cuts out. Kevin was only about a block away from
- 10:25Speaker 1: his shop, so he floors it to his shop. He
- 10:27Speaker 1: parks outside, and he's thinking to himself, what am I
- 10:29Speaker 1: walking into? Is there going to be like an active
- 10:31Speaker 1: burglary going on? Is she gonna be held hostage? Like
- 10:34Speaker 1: are the police going to be there? But he just
- 10:36Speaker 1: knows he needs to get in there to Jane. And
- 10:38Speaker 1: he gets to the front door and it's locked, So
- 10:40Speaker 1: he unlocks the front door and he goes inside and
- 10:42Speaker 1: it's silent, and he's looking around. There's no damage to
- 10:45Speaker 1: the first floor, there's no damage anywhere, and he yells
- 10:47Speaker 1: for Jane. There's no answer from Jane, and he starts
- 10:50Speaker 1: walking kind of tentatively through the store towards the back
- 10:53Speaker 1: and he gets to that door leading down into the basement,
- 10:55Speaker 1: the same one that Jane couldn't open when she ran
- 10:58Speaker 1: up the stairs to get out of the basement, and
- 11:00Speaker 1: he looks at it and Jane's not at the top
- 11:02Speaker 1: of the stairs anymore, and he's thinking I didn't lock
- 11:05Speaker 1: that door, and I'm the only one with the key
- 11:07Speaker 1: to lock that door. How is it locked right now?
- 11:09Speaker 1: Does Jane have a key that I don't know about?
- 11:10Speaker 1: And why would she lock it? Does that mean Jane's
- 11:12Speaker 1: up here somewhere? Is that what happened? And he's like, Jane,
- 11:15Speaker 1: come out, did you lock this door? But Jane's not
- 11:18Speaker 1: on the first floor, and their first floor is very small,
- 11:21Speaker 1: and so he thinks, okay, she has to be downstairs,
- 11:23Speaker 1: and so he opens up the gate. He swings it open,
- 11:25Speaker 1: and he starts walking down the steps, and he's really
- 11:27Speaker 1: cautious as he's going down because again he has no
- 11:30Speaker 1: idea what he's walking into. He hits the lights, but
- 11:33Speaker 1: the lights don't work down there, and as he starts
- 11:35Speaker 1: to bend around the corner where he can actually see
- 11:37Speaker 1: into the basement, he sees Jane sitting at the chair
- 11:40Speaker 1: right next to that table where that phone is, and
- 11:42Speaker 1: she's just sitting there kind of stunned. And he goes
- 11:45Speaker 1: to Jane and he's like, what happened down here? And
- 11:47Speaker 1: he glances out quickly at all the rows and he
- 11:49Speaker 1: sees all this furniture that's come off the shelves and
- 11:52Speaker 1: there's glass all over the ground, and he's looking at
- 11:54Speaker 1: Jane and Jane's just showing no reaction. She's sitting there
- 11:57Speaker 1: like she's in shock. And he turns to Jane again
- 11:59Speaker 1: and he says, come on, you got to tell me
- 12:00Speaker 1: what happened down here, and Jane just goes, I don't know.
- 12:04Speaker 1: I don't know how to explain what happened down here.
- 12:06Speaker 1: I was walking down the row and then I felt
- 12:09Speaker 1: like someone was watching me, and then things are falling
- 12:11Speaker 1: off the ceiling and the shelves. I've never seen anything
- 12:14Speaker 1: like this before. Now at this point, Kevin's adrenaline is
- 12:17Speaker 1: through the roof. He came charging in here thinking he
- 12:20Speaker 1: was gonna have to save Jane from some person breaking
- 12:22Speaker 1: in and breaking stuff, But as far as he can tell,
- 12:25Speaker 1: there's no one here but Jane. And so he decides
- 12:28Speaker 1: he's gonna take a flashlight and he's gonna explore the
- 12:30Speaker 1: basement because either there's someone here or Jane did this.
- 12:33Speaker 1: So he grabs his flashlight and he starts walking around,
- 12:35Speaker 1: and all he sees is a bunch of broken glass
- 12:38Speaker 1: and some furniture that's come off the shelves and a
- 12:40Speaker 1: couple of other things that are on the ground, but
- 12:42Speaker 1: other than that, there's no one down here, and there's
- 12:44Speaker 1: no other way to come in or out of here
- 12:47Speaker 1: besides the stairs. So after Kevin is certain that no
- 12:50Speaker 1: one else is here, he turns to Jane and he
- 12:52Speaker 1: regrets this now. He says in an interview that he
- 12:54Speaker 1: feels horrible about this now, But at the time he's
- 12:58Speaker 1: thinking to himself, you know, this had to have been Jane.
- 13:00Speaker 1: Who else would have done this. I don't know why
- 13:03Speaker 1: she did this, but there's no one else here, and
- 13:06Speaker 1: he goes, Jane, did you do this? And this is
- 13:08Speaker 1: when Jane's emotions came through, because before she was in shock,
- 13:11Speaker 1: now she's mad, and she goes, f you, Kevin, and
- 13:14Speaker 1: she leaves and she doesn't say another word to him,
- 13:16Speaker 1: and she doesn't come back. She quits on the spot.
- 13:19Speaker 1: But at the time Kevin believes she had done it,
- 13:21Speaker 1: so he was kind of like, oh well, he was
- 13:23Speaker 1: not even a little bit thinking the dipoic box had
- 13:26Speaker 1: anything to do with this. Just a couple of days
- 13:29Speaker 1: after the basement incident, Kevin's mother was supposed to come
- 13:31Speaker 1: by the antique shop and the two of them were
- 13:34Speaker 1: going to leave and get lunch together to celebrate her birthday.
- 13:36Speaker 1: As soon as she walked into the shop, Kevin goes, hey, Mom,
- 13:39Speaker 1: I got a gift for you, and he brings over
- 13:41Speaker 1: this wrapped box and he sets it down on a
- 13:43Speaker 1: table right in front of his mother, who's sitting on
- 13:45Speaker 1: a chair, and he unwraps it and it's the depic box.
- 13:47Speaker 1: Before Kevin can explain what it is, the phone rings
- 13:50Speaker 1: at the other end of the store and he was
- 13:51Speaker 1: expecting a call, and he goes, hold on, mom, I
- 13:53Speaker 1: gotta get this, and he goes to the back of
- 13:55Speaker 1: the store to answer the call while his mom is
- 13:58Speaker 1: just sitting there looking at the box. And so, while
- 14:00Speaker 1: Kevin is at the other end of the store, his
- 14:02Speaker 1: mother opens the dipic box and she says she had
- 14:04Speaker 1: to sit down as soon as she opened it because
- 14:07Speaker 1: she had this unbelievable overwhelming sense of dread as soon
- 14:11Speaker 1: as the doors were open, and she's staring at it
- 14:13Speaker 1: like she can't take her eyes away, and then all
- 14:15Speaker 1: of a sudden, she has a massive stroke and so
- 14:18Speaker 1: she keels over and she can't move and she can't talk,
- 14:21Speaker 1: and Kevin sees this happening, he runs over and he's like, Mom,
- 14:24Speaker 1: what's going on? Calls nine to one one, and as
- 14:26Speaker 1: the paramedics are working on her, she would say that
- 14:29Speaker 1: while she was in this kind of paralyzed state, when
- 14:31Speaker 1: she couldn't talk and she couldn't move, all she wanted
- 14:34Speaker 1: to communicate was to somehow get her son to get
- 14:37Speaker 1: rid of that box. She didn't know why, but she
- 14:40Speaker 1: felt like the box had something to do with her
- 14:42Speaker 1: having this stroke, and so all she could do was
- 14:44Speaker 1: move her eyes. And so she found herself because her
- 14:46Speaker 1: son's right here looking at the dipic box and looking away,
- 14:49Speaker 1: looking at the dippic box, looking away, hoping her son
- 14:51Speaker 1: would see her eyes as a signal to look at
- 14:55Speaker 1: the divot box and put it together that that thing's bad.
- 14:58Speaker 1: And Kevin does realize that his mom is flicking her
- 15:00Speaker 1: eyes at the dipic box, but in the moment, he's
- 15:03Speaker 1: much more concerned about the health of his mother. And
- 15:05Speaker 1: it wasn't until she got put in a hospital and
- 15:07Speaker 1: she was being taken care of and he knew she'd
- 15:09Speaker 1: be okay that he remembers he kind of went over
- 15:12Speaker 1: it in his head later that day that his mom
- 15:14Speaker 1: was really scared looking and she was looking at the
- 15:17Speaker 1: Dipic box like that was the thing that was causing
- 15:20Speaker 1: her to be scared, not the stroke, the Dipic box,
- 15:23Speaker 1: and Kevin starts thinking to himself, I don't know, there's
- 15:26Speaker 1: something off about the Dipic box. Either it's really bad
- 15:29Speaker 1: luck or there's some truth too. You don't open up
- 15:32Speaker 1: this dipic box. Either way, I don't want to take
- 15:34Speaker 1: any more chances, because so long as I've owned this thing,
- 15:38Speaker 1: I've had a horrible thing happened in the basement, and
- 15:40Speaker 1: now my mom's had a stroke. So I want to
- 15:42Speaker 1: get rid of it. So Kevin puts the Dipic box
- 15:45Speaker 1: at the front of his antique store and he puts
- 15:47Speaker 1: it up for sale, and very quickly a young couple
- 15:49Speaker 1: came into the store and they bought the Dippic box,
- 15:52Speaker 1: and Kevin's relieved. He's like, thank goodness, that bad luck charm,
- 15:55Speaker 1: that whatever's going on with that thing is gone and
- 15:58Speaker 1: out of my life. But just a couple of days later,
- 16:01Speaker 1: he was in the back of the shop when he
- 16:02Speaker 1: heard the door open and then the door shut, and
- 16:04Speaker 1: he walked out, expecting to see some customers, but instead
- 16:07Speaker 1: he sees the dippic box that's sitting right inside a store.
- 16:11Speaker 1: Someone must have just dropped it off, and so he
- 16:13Speaker 1: walks up to it and he sees there's a piece
- 16:15Speaker 1: of paper that's been taped to the top of the
- 16:17Speaker 1: dipic box and there's writing on it, and all it
- 16:19Speaker 1: says is this has an odd darkness about it. This
- 16:23Speaker 1: really freaked Kevin out because in a way, it was
- 16:26Speaker 1: like other people were confirming that something was wrong with
- 16:29Speaker 1: this box. Kevin did not want the depic box to
- 16:32Speaker 1: be in his store, so he put it in his
- 16:33Speaker 1: car and he drove back to his house and he
- 16:35Speaker 1: put it in his storage locker and he locked it
- 16:38Speaker 1: up and then went back to work for the day.
- 16:39Speaker 1: That night, when he went home, he went to bed
- 16:41Speaker 1: and he had this dream where in the dream, he's
- 16:44Speaker 1: walking in this courtyard and he's holding the hand of
- 16:47Speaker 1: this woman who he believes is his friend, and he
- 16:49Speaker 1: trusts this person, and the area he's in feels very friendly,
- 16:53Speaker 1: and it's a very positive dream. And as he's walking,
- 16:56Speaker 1: all of a sudden, this person starts to pull away
- 16:58Speaker 1: from him and he can't move anymore, and he's losing
- 17:01Speaker 1: the grip on this person's hand. And they keep moving
- 17:04Speaker 1: and moving until their hand is out of his and
- 17:06Speaker 1: they disappear into the corner of the courtyard where it's
- 17:08Speaker 1: totally dark, and so he's looking into the darkness waiting
- 17:11Speaker 1: for his friend to come out again, and he can't move.
- 17:13Speaker 1: He's anchored to the spot. And as he's looking, he
- 17:16Speaker 1: sees what looks like an old woman walking out of
- 17:18Speaker 1: the mist, and her head is down and he can't
- 17:21Speaker 1: tell what she's doing, and she's pretty far away, and
- 17:23Speaker 1: she's walking closer and closer to him, and when she's
- 17:26Speaker 1: about five six feet away, she raises her head up
- 17:28Speaker 1: and her whole face is falling off. While the skin
- 17:31Speaker 1: is falling off of her face, it's rotting. She's like
- 17:33Speaker 1: a corpse and she raises her hands up in front
- 17:36Speaker 1: of her. Then she grabs his face and begins pulling
- 17:39Speaker 1: off pieces of his face until he suddenly wakes up.
- 17:42Speaker 1: Kevin had to compose himself in bed because he was
- 17:44Speaker 1: so scared from the dream he just had. He sits
- 17:47Speaker 1: up and he goes into the bathroom to get a
- 17:49Speaker 1: sip of water, and as he walks past the mirror,
- 17:51Speaker 1: he notices there are marks on his shoulders and his
- 17:54Speaker 1: arms that he did not have before. It looks like
- 17:56Speaker 1: bruising almost, and he's looking at them and he's thinking, no,
- 18:00Speaker 1: that has nothing to do with the dream. This is
- 18:02Speaker 1: just coincidence that, you know, she was grabbing me in
- 18:05Speaker 1: this area and the dream and now I have marks there.
- 18:07Speaker 1: It's just coincidence. And so he kind of writes it
- 18:09Speaker 1: off and he goes back to bed and he has
- 18:12Speaker 1: the same dream. He gets up again and he's breathing heavily,
- 18:16Speaker 1: he's sweating because he just had the same dream. It
- 18:18Speaker 1: was this terrifying dream. And he goes back into the
- 18:20Speaker 1: bathroom and now his entire back is covered in bruises.
- 18:24Speaker 1: He has bruises all over his back, all over his arms,
- 18:27Speaker 1: he's got red marks on his neck. And now in
- 18:29Speaker 1: his mind he feels like it has to do with
- 18:31Speaker 1: the dipic box. The divot box is now in my backyard.
- 18:34Speaker 1: It's not a coincidence that all of a sudden, I'm
- 18:37Speaker 1: having these horrific dreams that are apparently manifesting themselves in
- 18:40Speaker 1: bruises and marks on my actual body. And so Kevin
- 18:43Speaker 1: is done with a dipict box, and instead of going
- 18:45Speaker 1: back to bed, he goes to his computer, and he
- 18:47Speaker 1: puts the dipict box on eBay up for sale, and
- 18:49Speaker 1: that night, two college kids named Sam and Brian who
- 18:52Speaker 1: lived in Missouri, they buy the dipic box, and Kevin
- 18:55Speaker 1: could not be happier to package that thing up and
- 18:58Speaker 1: ship it off. Sam and Brian had seen the ad
- 19:01Speaker 1: on eBay for the dipoc box, and at first it
- 19:03Speaker 1: did not seem remarkable, but they saw that Kevin had
- 19:06Speaker 1: given this really detailed description of all the strange things
- 19:09Speaker 1: that had happened for him since he owned the dipoc box.
- 19:12Speaker 1: And I think clearly Kevin's angle was he was almost
- 19:14Speaker 1: trying to advertise it to groups of people that might
- 19:16Speaker 1: be interested in that, and Sam and Brian were exactly
- 19:19Speaker 1: that demographic because they were looking for things online that
- 19:22Speaker 1: were considered haunted. They wanted to see if ghosts and
- 19:26Speaker 1: the paranormal were real, and so they were eager to
- 19:29Speaker 1: buy the dipic box and test it out. And so
- 19:31Speaker 1: three weeks later, when this package finally arrives in Missouri
- 19:34Speaker 1: at their house, Brian was still out at class, but
- 19:37Speaker 1: Sam was home, so he receives the package. He eagerly
- 19:40Speaker 1: brings it into the kitchen. He unpackages it and he
- 19:42Speaker 1: sets it on the kitchen table, and just a few
- 19:44Speaker 1: minutes later, Brian comes home and Brian would say in
- 19:47Speaker 1: interviews that when he walked in it smelled like someone
- 19:50Speaker 1: had peed all over the apartment, like there was urine everywhere,
- 19:54Speaker 1: and he's walking around thinking, what happened? This smells so
- 19:56Speaker 1: bad in here, And he walks into the kitchen where
- 19:59Speaker 1: it was the strongest, and there's Sam proudly standing next
- 20:02Speaker 1: to this awful looking chest, which was, of course the
- 20:05Speaker 1: Divot box, and he realizes, Brian does that the Divic
- 20:08Speaker 1: box is what smells like urine, and he goes, Sam,
- 20:10Speaker 1: do you smell that? And Sam's like, yeah, that's the
- 20:12Speaker 1: smell of ghosts. Sam would pick it up and go
- 20:16Speaker 1: to Brian as soon as you walked into the kitchen,
- 20:18Speaker 1: and Sam joked about how he couldn't wait to sleep
- 20:21Speaker 1: in the same bed as the Dipic box. They were
- 20:23Speaker 1: just making a big joke out of it. Sam had
- 20:25Speaker 1: also set up a blog where he was going to
- 20:26Speaker 1: document everything that happened from day one of receiving this
- 20:30Speaker 1: Dipic box to whenever they got rid of it, or
- 20:33Speaker 1: till whenever something happened and For the first two weeks
- 20:35Speaker 1: they had the dipoc box in their possession, nothing did happen.
- 20:38Speaker 1: But when Sam started bringing the dipic box out and
- 20:41Speaker 1: leaving it right in the middle of these huge parties,
- 20:43Speaker 1: they would throw or people were spilling beer on it,
- 20:45Speaker 1: and they were opening it up and putting things inside
- 20:47Speaker 1: of it and making jokes with it. When they were
- 20:50Speaker 1: doing that to the dipic box, suddenly they started seeing
- 20:53Speaker 1: a pretty significant uptick in strangeness inside of their house.
- 20:56Speaker 1: It started with their technology. Sam's laptop crashed and the
- 21:00Speaker 1: hard drive was unrecoverable, so we had to replace his laptop.
- 21:03Speaker 1: All of their watches just didn't work while they were
- 21:05Speaker 1: in the house, no matter what they did, no matter
- 21:07Speaker 1: when they fixed it, the watch just simply did not work.
- 21:10Speaker 1: Their Xbox would not turn on, but when they brought
- 21:12Speaker 1: it to another person's house it worked just fine. It
- 21:15Speaker 1: just couldn't work inside of their house. And the toaster
- 21:18Speaker 1: anytime you turned it on it basically immediately incinerated whatever
- 21:22Speaker 1: you put inside of it. But none of these technological
- 21:24Speaker 1: difficulties were frightening to Sam or Brian. They were just frustrating,
- 21:28Speaker 1: and I don't even think they were connecting them with
- 21:30Speaker 1: the divoct box. It was just this thing that was
- 21:33Speaker 1: happening to them. It wasn't until the light bulbs in
- 21:36Speaker 1: their house started bursting in the middle of the night
- 21:38Speaker 1: that they started to get pretty creeped out about some
- 21:40Speaker 1: of the things that were happening in their apartment. That now,
- 21:43Speaker 1: all of a sudden, it did seem like, you know,
- 21:45Speaker 1: maybe if the divct box really is cursed, this might
- 21:48Speaker 1: be how it would manifest. And so they'd replaced the
- 21:50Speaker 1: light bulb and then sure enough, it would burst again,
- 21:53Speaker 1: and they couldn't keep light bulbs in because they kept popping,
- 21:55Speaker 1: and so their house was dark a lot of the time.
- 21:58Speaker 1: But the worst part was when they had this massive
- 22:00Speaker 1: insect infestation inside of their apartment, and they were really
- 22:04Speaker 1: localized around the dipct box. All these insects would come
- 22:07Speaker 1: out of the walls, out of the toilets, out of
- 22:10Speaker 1: the sink, they'd come from behind the fridge, and they
- 22:12Speaker 1: would all kind of like converge on the dipoc box
- 22:15Speaker 1: and go inside of it. The dipoc box at one
- 22:17Speaker 1: point was swarming with insects all over and they had
- 22:20Speaker 1: to shut the door. They couldn't even go in the
- 22:22Speaker 1: room with the dipict box because it was just covered
- 22:24Speaker 1: in insects. But despite how scary this was for the boys,
- 22:27Speaker 1: they had become kind of like a cool talking point
- 22:30Speaker 1: on campus because of Sam's blog that a lot of
- 22:33Speaker 1: other students were following, and so the boys kind of
- 22:36Speaker 1: liked the clout they got with that, and they decided
- 22:38Speaker 1: they didn't want to get rid of the box after all.
- 22:39Speaker 1: But it wasn't long after the insect infestation that Sam
- 22:43Speaker 1: began losing all of his hair, and at the same time,
- 22:46Speaker 1: he started having this constant hallucination that there was an
- 22:50Speaker 1: old woman in his peripheral vision on either side of
- 22:52Speaker 1: his head pretty much at all times. Anywhere he went,
- 22:55Speaker 1: there basically was someone he couldn't quite see following him around.
- 22:59Speaker 1: Whether he is well rested, whether he was totally exhausted,
- 23:02Speaker 1: it didn't matter. He always saw this shrouded, dark figure
- 23:06Speaker 1: that he believed was an old woman, and it scared
- 23:08Speaker 1: him so much he couldn't sleep, and so he began
- 23:11Speaker 1: going into Brian's room and sitting on Brian's bed because
- 23:14Speaker 1: it was the one place he felt a little bit
- 23:16Speaker 1: of comfort. And as he's sitting on the bed, he
- 23:18Speaker 1: would see these dark figures standing on either side of
- 23:21Speaker 1: him all night. And so finally, no matter how cool
- 23:23Speaker 1: their blog was, it became too much and they decide
- 23:26Speaker 1: we have to get rid of the dipict Box, and
- 23:28Speaker 1: so they put it on eBay, and very quickly it
- 23:30Speaker 1: gets sold to a guy named Jason, who is this
- 23:33Speaker 1: museum director over at this other university in Missouri, and
- 23:36Speaker 1: he had actually been following along with Sam's blog. He
- 23:39Speaker 1: was very interested in what was going on with the
- 23:41Speaker 1: Divic Box, and when it was listed for sale, he
- 23:44Speaker 1: was all over it. He wanted to buy it. So
- 23:45Speaker 1: the boys eagerly ship off the Dipic Box and Jason
- 23:48Speaker 1: receives it in the middle of a work day. So
- 23:50Speaker 1: he puts the package in his truck and he goes
- 23:52Speaker 1: upstairs and he works the day, and then afterwards, when
- 23:55Speaker 1: everyone's left the office, he goes downstairs, gets the package,
- 23:58Speaker 1: brings it back up to his office, puts it on
- 24:00Speaker 1: his desk, and he cuts open the packaging. Jason decided
- 24:03Speaker 1: he wanted to evaluate the Dipic Box the way he
- 24:06Speaker 1: would evaluate any other antique or item that was coming
- 24:09Speaker 1: into the museum that he was the director of, and
- 24:12Speaker 1: so Jason starts by taking a whole bunch of pictures
- 24:15Speaker 1: all around the outside of the DIPIC box, and then
- 24:17Speaker 1: he gets his black light out and he begins scanning
- 24:20Speaker 1: around the outside and he finds all these traces of
- 24:23Speaker 1: wax all over the outside, which leads him to believe
- 24:26Speaker 1: this was probably used in some sort of ritual. And
- 24:28Speaker 1: then he takes a deep breath and he sits down
- 24:30Speaker 1: right in front of the DipC box and he pops
- 24:33Speaker 1: off the lock and he gets ready and he opens
- 24:36Speaker 1: the doors and the drawer slides out with that whole
- 24:38Speaker 1: mechanical device. It all kind of comes open, and Jason's
- 24:41Speaker 1: totally let down because nothing happens. And part of him
- 24:44Speaker 1: thought like, if this thing is haunted, as soon as
- 24:47Speaker 1: you open it up, the haunting's going to begin. And
- 24:50Speaker 1: nothing happened, and he's pretty let down about it. And
- 24:52Speaker 1: so ultimately, after staring at it and looking at the
- 24:55Speaker 1: pennies that are in there, and the Shalom statue and
- 24:59Speaker 1: the locks of hair, he's just kind of let down
- 25:01Speaker 1: by it, and he decides, Okay, I kind of got
- 25:03Speaker 1: my hopes up for something. This was clearly a hoax.
- 25:05Speaker 1: There's nothing going on. Here, it's just a random old chest,
- 25:08Speaker 1: and so he closes it up and he puts it
- 25:10Speaker 1: on another desk that wasn't the one that he worked at,
- 25:13Speaker 1: but was just kind of another table inside of this
- 25:15Speaker 1: office that he shared with some other people. And he
- 25:17Speaker 1: figured it would be a good talking point to tell
- 25:19Speaker 1: his colleagues about and it would be kind of like
- 25:21Speaker 1: a show piece. So the next day his colleagues come
- 25:23Speaker 1: in and he explains what a divic box is, then
- 25:26Speaker 1: the history around it, that it's supposed to be haunted,
- 25:28Speaker 1: and you know, it makes people sick and gives people strokes,
- 25:32Speaker 1: and you know, there's been insects that have been known
- 25:34Speaker 1: to come out of it and go into it. It's
- 25:36Speaker 1: this very creepy thing. And his colleagues are like, wow,
- 25:39Speaker 1: that's pretty cool, but they don't think much of it
- 25:41Speaker 1: until all of the electronics inside of their office start
- 25:45Speaker 1: to fail, namely, their computers start crashing, and their IT
- 25:48Speaker 1: department comes up and they're like, we don't know why
- 25:50Speaker 1: this is happening, but sorry, we can't recover it. And
- 25:53Speaker 1: the light bulbs kept going out, to the point where
- 25:55Speaker 1: they went out and got this huge pack of extra
- 25:57Speaker 1: light bulbs to replace the light bulb as they went out,
- 26:01Speaker 1: something they never had to do before. But all of
- 26:03Speaker 1: a sudden, the divoc box is in the room and
- 26:05Speaker 1: the light bulbs are going out left and right. And
- 26:07Speaker 1: then finally Jason's co workers that share that space with
- 26:10Speaker 1: the dipict box, they all got sick and they blamed
- 26:13Speaker 1: the divot box. They said, you know what, we were
- 26:15Speaker 1: fine until that thing came in here. Now all of
- 26:17Speaker 1: a sudden, our computers don't work, the lights don't work,
- 26:19Speaker 1: and we're getting sick. Get rid of it, Jason. So
- 26:21Speaker 1: that day after work, Jason goes and takes the dipict box,
- 26:24Speaker 1: puts it in the back of his truck, and his
- 26:26Speaker 1: truck had a cover on the back, so he secures
- 26:29Speaker 1: it in the back. He drives home, and he doesn't
- 26:31Speaker 1: want to bring it inside because it just seemed weird
- 26:33Speaker 1: to bring a cursed object inside that his coworkers just
- 26:36Speaker 1: made him get out of their space because it was
- 26:38Speaker 1: making them sick and it was ruining their things. So
- 26:40Speaker 1: he thinks, Okay, I'll leave it in my truck overnight
- 26:43Speaker 1: and I'll figure out what I'm going to do with
- 26:44Speaker 1: it tomorrow. He goes inside. He says, side to his family,
- 26:47Speaker 1: and before long it's time for bed and Jason goes
- 26:49Speaker 1: to sleep. In order to understand what happened to Jason,
- 26:52Speaker 1: you need to understand the layout of his house. When
- 26:54Speaker 1: you open the front door, you walk inside, and there's
- 26:57Speaker 1: a wall on your right hand side that's the side
- 26:59Speaker 1: of the house, and you walk forward about five or
- 27:01Speaker 1: six feet, and on your left is the staircase that
- 27:04Speaker 1: goes up to the second floor. If you walk up
- 27:06Speaker 1: that staircase, straight ahead of you is going to be
- 27:09Speaker 1: a bathroom. If you go left and walk down the
- 27:11Speaker 1: hall another five or six feet, you come to the
- 27:13Speaker 1: mast or suite where Jason and his wife would sleep.
- 27:16Speaker 1: If you walk through that door, there is a wall
- 27:18Speaker 1: on your left where there's a big bay window that
- 27:20Speaker 1: looks out onto the street, and there's a big street
- 27:22Speaker 1: light that sits right outside that projects very orange yellow
- 27:26Speaker 1: light into their room at night, even though they have
- 27:28Speaker 1: a shade up, it's this orange glow that comes through
- 27:30Speaker 1: this window right here on this side, and then on
- 27:32Speaker 1: the other side of the room is the bed, and
- 27:34Speaker 1: the bed is situated where the feet are pointed towards
- 27:37Speaker 1: this window over here, and the head of the bed
- 27:40Speaker 1: is against this wall, and it's centered on this wall
- 27:43Speaker 1: here and Jason, if you're looking overhead at the top
- 27:46Speaker 1: of this bed, Jason's on the left side, so he's
- 27:48Speaker 1: the farthest into his room and his wife is the
- 27:50Speaker 1: closest into the room. So that night, Jason goes to
- 27:53Speaker 1: bed and he falls asleep, but just a couple hours later,
- 27:56Speaker 1: he wakes up suddenly and he can't move his body.
- 27:58Speaker 1: He can only move his eyes. He's laying on his
- 28:00Speaker 1: back and the light from the street light is very strong.
- 28:03Speaker 1: It's this orange glow in their whole room. And he's
- 28:05Speaker 1: laying there trying to move his hands and his legs,
- 28:08Speaker 1: but he can't do it. And as he's doing that,
- 28:10Speaker 1: he starts hearing footsteps out on the stairs, and they
- 28:13Speaker 1: are distinctive sounds, slow plodding steps all the way up
- 28:17Speaker 1: to the second floor. And Jason's laying here with his
- 28:20Speaker 1: eyes looking towards the door because his door is open
- 28:22Speaker 1: and he can barely see into the second floor landing,
- 28:25Speaker 1: and he's waiting to see who came up the stairs,
- 28:28Speaker 1: and his heart's racing and he's looking and out of
- 28:30Speaker 1: the corner of his eye he sees what looks like
- 28:32Speaker 1: a dark figure begin to walk into the room, and
- 28:35Speaker 1: his heart starts racing him faster when he can tell
- 28:37Speaker 1: it's definitely not someone he knows. It's this woman, this
- 28:40Speaker 1: older woman with a shawl over her head, and her
- 28:42Speaker 1: head is tucked down so he can't see her. And
- 28:44Speaker 1: this is all out of the corner of his eye,
- 28:46Speaker 1: and because of the orange hue coming in from the window,
- 28:49Speaker 1: he can definitely tell that there is a real solid
- 28:52Speaker 1: figure right there. This is not in his imagination. It's
- 28:55Speaker 1: right there. And this woman begins shuffling her way across
- 28:58Speaker 1: the foot of the bed, and right at the at
- 29:00Speaker 1: the bed, as Jason's looking at her, she turns and
- 29:02Speaker 1: looks directly at him, and then she runs around the
- 29:05Speaker 1: corner and she looks down at him and she takes
- 29:07Speaker 1: her fingers and she drives them into his eyes, and
- 29:10Speaker 1: Jason thinks it's real, and he's screaming in pain. And
- 29:12Speaker 1: he wakes up and his wife is grabbing him and
- 29:15Speaker 1: she's like, Jason, Jason, what's wrong. And he says, what's
- 29:17Speaker 1: going on and she says, honey, it's just a bad dream.
- 29:20Speaker 1: You're fine. And he's shaking up. You know, his heart's
- 29:22Speaker 1: still racing from his dream he's just had, and he's
- 29:24Speaker 1: trying to think, like that felt really real, and he's
- 29:27Speaker 1: like feel in his eyes and he can't believe that
- 29:29Speaker 1: that was a dream. That was the most vivid dream
- 29:31Speaker 1: he's ever had in his life. And so eventually he
- 29:33Speaker 1: goes back to sleep, and then the next morning when
- 29:35Speaker 1: he gets up, he goes in the bathroom and he
- 29:37Speaker 1: looks at his eyes and they're all red around the outside,
- 29:40Speaker 1: and the whites of his eyes are covered in blood.
- 29:42Speaker 1: His eyes look horrible, like he's having this terrible allergic
- 29:46Speaker 1: reaction to something, or it looks like someone might have
- 29:48Speaker 1: punched him in the eyes or maybe gouged his eyes.
- 29:51Speaker 1: That's how it looks. And his wife comes in and
- 29:52Speaker 1: she's like, what happened to you? And he's like, oh
- 29:55Speaker 1: my god, I have no idea. It was around this
- 29:57Speaker 1: time that Jason began to think the Divot Box might
- 29:59Speaker 1: just be cursed, because the two previous owners have said
- 30:03Speaker 1: in their disclosures on eBay that horrible, vivid dreams just
- 30:08Speaker 1: like the one he had to include physical manifestations are
- 30:13Speaker 1: part of having this dipic box. Jason considered just dumping
- 30:16Speaker 1: this thing in a dumpster, somewhere, But then he was
- 30:18Speaker 1: concerned that he might be passing on this DIPOC box
- 30:21Speaker 1: to someone who wasn't ready for it, and so he
- 30:24Speaker 1: decided he would give it another day and he would
- 30:26Speaker 1: do some research about how to properly dispose of a
- 30:28Speaker 1: DIPOC box. And so that night, when Jason came back
- 30:31Speaker 1: from work, he left the DIPIC box in his truck,
- 30:33Speaker 1: covered up in his driveway, and so Jason goes inside.
- 30:36Speaker 1: He has dinner with his family, and then he's sitting
- 30:38Speaker 1: down in the TV room and he's watching TV with
- 30:41Speaker 1: his son. And as they're watching TV quietly, Jason hears
- 30:43Speaker 1: his son say, hey, Dad, who is that? And he
- 30:46Speaker 1: looks over his son and his son is pointing behind him,
- 30:48Speaker 1: and Jason turns around and standing right behind him is
- 30:51Speaker 1: the same woman who had come in his room with
- 30:54Speaker 1: a shawl on that gouged his eyes out in his dream.
- 30:57Speaker 1: And then she suddenly disappears, and Jason's looking at his
- 31:00Speaker 1: like you just saw that too, and he's like, yeah,
- 31:02Speaker 1: who was that? And so Jason grabs his son. He
- 31:04Speaker 1: yells for his wife and says, we have to leave
- 31:06Speaker 1: the house right now. His wife comes downstairs and She's like,
- 31:09Speaker 1: what's going on, and he was like, I will explain
- 31:11Speaker 1: in the car, and we have to take your car.
- 31:13Speaker 1: And so his wife sees how serious Jason is and
- 31:15Speaker 1: she says okay, and they get into her car and
- 31:18Speaker 1: they drive down the road and that's when Jason explains
- 31:20Speaker 1: what's going on with the dipic box and how he
- 31:23Speaker 1: and his son just saw the same woman that he
- 31:25Speaker 1: had seen in his dream the night before that Gouage's
- 31:28Speaker 1: eyes and his eyes were red, and his wife's starting
- 31:31Speaker 1: to get really scared, and his son's really scared of
- 31:33Speaker 1: what's going on. And so the solution they came up
- 31:35Speaker 1: with was they were going to drive back to their house,
- 31:37Speaker 1: drop Jason off, who was going to get in his
- 31:39Speaker 1: truck where the dipic box is still in the back
- 31:41Speaker 1: and still locked in the back of the truck, and
- 31:43Speaker 1: he's going to drive it a few miles outside of
- 31:45Speaker 1: town to a rental property they owned that no one
- 31:47Speaker 1: was staying in, and he was going to put it
- 31:49Speaker 1: in the basement and it was going to stay there
- 31:51Speaker 1: until they figured out how to dispose of it, because
- 31:53Speaker 1: they didn't like the idea of just dumping it somewhere
- 31:55Speaker 1: because they felt like, if this is real and it's
- 31:58Speaker 1: actually this cursed box, then somebody else is going to
- 32:02Speaker 1: be cursed by this dipic box unless we find a
- 32:05Speaker 1: way or at least attempt to find a way to
- 32:08Speaker 1: contain it and destroy it. And so Jason gets dropped off.
- 32:10Speaker 1: He gets in his truck, he drives to the rental property,
- 32:13Speaker 1: He puts it in the basement, he steals it up,
- 32:15Speaker 1: and he goes back to his house. Once Jason got
- 32:17Speaker 1: back to his house, his wife and his son came
- 32:19Speaker 1: back as well, and that night Jason would go on
- 32:21Speaker 1: eBay and he would find the contact information for Kevin,
- 32:24Speaker 1: the original owner of the dipoc box after the estate sale,
- 32:28Speaker 1: and he called him that night and Kevin actually picked
- 32:30Speaker 1: up and the two of them spoke, and Kevin ultimately
- 32:32Speaker 1: agrees to help Jason find a way to properly dispose
- 32:36Speaker 1: of this depict box. And what Kevin offers to do
- 32:39Speaker 1: is drive back to the house where he had originally
- 32:42Speaker 1: purchased this dipic box and see if he can get
- 32:44Speaker 1: some more information about what it is and what they
- 32:47Speaker 1: do with it. The next day, Kevin the antique shop owner,
- 32:50Speaker 1: he goes back to the house where he originally bought
- 32:52Speaker 1: the dipoct box. At the estate sale, he knocks on
- 32:54Speaker 1: the door and an old woman comes to the door,
- 32:56Speaker 1: and Kevin introduces himself and he says, hey, you know,
- 32:59Speaker 1: I was here not too long ago, and I purchased
- 33:01Speaker 1: Lot twenty nine that included that DEBIIC box and I
- 33:05Speaker 1: wanted to know some more information about it. And the
- 33:07Speaker 1: woman reacted and she's like, you know, I told my
- 33:09Speaker 1: family not to sell that. I know what was inside
- 33:12Speaker 1: of it, and I know you're not supposed to open it.
- 33:14Speaker 1: And I tried to tell my family and they didn't listen.
- 33:17Speaker 1: I really hope you didn't open it. And Kevin's like, actually, yeah,
- 33:21Speaker 1: I did open it. And he described all the horrible
- 33:23Speaker 1: things that happened, and he described selling it and all
- 33:25Speaker 1: the subsequent owners, how they've had all these issues, and
- 33:28Speaker 1: how they've arrived at this place now where Jason in
- 33:31Speaker 1: Missouri is having all these issues and they're trying to
- 33:33Speaker 1: find a way to dispose of it. And that's when
- 33:35Speaker 1: Sophie describes what's actually inside of this box. Sophie said
- 33:39Speaker 1: she lived in Poland before World War Two with her
- 33:41Speaker 1: cousin Habla, who was the woman who had passed away
- 33:44Speaker 1: and all her things were being sold at the estate sale.
- 33:47Speaker 1: And she said that at the time it was all
- 33:49Speaker 1: the rage to have seances and try to talk to
- 33:52Speaker 1: dead people and spirits, and they would just do it
- 33:55Speaker 1: for fun. Sophie, Habla and their mother, they would they
- 33:58Speaker 1: would do this for fun. And Habila had made this
- 34:00Speaker 1: ouiji board where she had stitched letters onto this blanket,
- 34:04Speaker 1: and they put it over this table and they would
- 34:06Speaker 1: all hold this pendant that was suspended by a chain,
- 34:09Speaker 1: and they would ask questions and they would hope that
- 34:12Speaker 1: a spirit that they were interacting with would interact with
- 34:15Speaker 1: this chain and it would swivel around the pendant and
- 34:18Speaker 1: it would point to the different letters whenever they asked
- 34:21Speaker 1: a question, and it would spell out, you know, whatever
- 34:23Speaker 1: their answer was. And Sophie said, nothing ever happened. It
- 34:27Speaker 1: was just kind of a fun thing for them to do.
- 34:30Speaker 1: But one time it did work, and they said the
- 34:32Speaker 1: chain would go rigid and it would point over and
- 34:34Speaker 1: over and it would spell the words release me, release me,
- 34:38Speaker 1: release me. Sophie said. The women were incredulous and didn't
- 34:41Speaker 1: believe it at first, but then they started to worry
- 34:44Speaker 1: that if they didn't help this thing that if it
- 34:46Speaker 1: were a dibock and were a malevolent spirit, they would
- 34:49Speaker 1: find a way to attach itself to one of them.
- 34:52Speaker 1: And so Sophie said, they devised this ritual where they
- 34:55Speaker 1: released it but into this wine box that they were
- 34:57Speaker 1: able to shut and luck and that wine box became
- 35:00Speaker 1: the Dipic box, and that Dipic box is the same
- 35:03Speaker 1: one that was sold to Kevin told Sophie that what
- 35:06Speaker 1: do we do? We've already opened it up, and she said,
- 35:08Speaker 1: you need to contact a rabbi, and so they would
- 35:11Speaker 1: call a rabbi, and apparently they were able to reclaim
- 35:13Speaker 1: the Dipic inside of the box and lock it and
- 35:16Speaker 1: put it away in a secret location where it's been
- 35:19Speaker 1: since two thousand and three. And apparently since it's been
- 35:22Speaker 1: sealed off, Jason and Kevin have said they've experienced no
- 35:25Speaker 1: demonic activity and they never planned to tell anybody where
- 35:29Speaker 1: this thing is because they don't want anyone else to
- 35:32Speaker 1: have even the opportunity to reopen the Dipic Box and
- 35:35Speaker 1: have to deal with all the horrible things that they
- 35:37Speaker 1: went through. So that's going to do it. Guys. I
- 35:39Speaker 1: hope you enjoyed today's story. If you found the secret
- 35:42Speaker 1: in today's video, please tell us in the comments section
- 35:44Speaker 1: and tell us where you found it. So what's the
- 35:46Speaker 1: time stamp? And if you're the first to do that,
- 35:48Speaker 1: we will pin you at the top of the comments section.
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- 36:18Speaker 1: John Balin four one six. I also have a ton
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