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Tecuento T3 P13 - Entrelazados · Tecuento

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I paint a program to share. Drive Daniel Bilinsonic Friday vitrice to fourteen hours
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by radio train topic s waves, take from the homers, the galleras Sanson
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so many will come I come. I write my way, without thinking,
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without thinking where I know my omo or are post- sual or supersible.
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It' s going to be little x takes. I know that the two
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of us are hello Dear friends, how are you very good afternoon, very
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good night, according to where you are listening to us. We welcome him
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I' ll tell you. Today we' re going to do a whole
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strip, we' re not going to be doing as segmented as we usually
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do. Excuse my voice, but I have my throat a little bit affected.
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Today' s title of the program is called interwoven. Why, because
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there are several situations that confluence our life, but they will intertwine from different
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points of view. Let' s start talking about the paradoxes of our time.
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We are going to be passing through the column of Sol Rodríguez Maistegui,
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of the Club de la Porota, that every fortnight give us their comments,
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their opinions on aging explained according to them, no. This is not dedicated
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to older adults, it is dedicated to everyone. We also have the voice
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of grace, the veronica, I play it with a very nice tale to
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mass the bread. I' m going to be telling you a taxi ride
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and, as we promised you, we' re going to start with the
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paradox of our time. A text, a reflection by George Carline. Who
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' s George Carline? The lovers of the North American community will sound the
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very familiar name. A man originally from New York and is the innovator of
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the so- called stand up comedy. He' s a controversial character.
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Sometimes his phrases were not suitable for television and he won in the two thousand
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eight an Oscar as the best comic actor has happened or not. The actor
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who gave life to one of the characters in the Cars film and who participated
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in Scary Movi three, died in California that same year as a heart attack
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at seventy- one years of age. The comic George Carline hated humanity,
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but he wrote a reflection shortly after his wife' s death, a reflection
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we share with you today. Those who investigate or those who are memorious will
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realize that this text will be referred to or assigned to a Christian pastor alda
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la Ilama and others. And actually, the important thing is what it says,
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but who it came from. And so it is The paradox of our
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time in history is that we have higher buildings, but shorter temperaments, wider
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highways, but narrower viewpoint. We spend more, but we have less.
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We buy more, but we enjoy less. We have bigger houses and smaller
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families, more comforts, but less time. We have more academic degrees,
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but less sense, more knowledge, but less judgment, more experts, but
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more problems, more medicines, but less well- being We drink too much,
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we smoke too much, we spend recklessly, we laugh very little.
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We drive too fast, too angry. We get very good at it and
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get very tired. We read very little, watch a lot of television and
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pray very rarely. We have multiplied our possessions, but reduced our values.
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We talk too much, love very little and hate very often. We have
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learned to earn a living, but not to live a life. We have
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added years, to life, to life, not to life to years.
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We have advanced in the cosmos, but we have trouble crossing the street,
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to meet our new neighbor. We have conquered outer space, but not inner
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space. We' ve done bigger things, but not better things. We
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have conquered the atom, but not our prejudices. We write more, but
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we learn less We plan more, but we achieve less. We' ve
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learned to run, but not to wait. We build more computers to keep
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more information, but we don' t communicate fluently, we communicate less.
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These are the times of fast meals and slow digestion, large and small men,
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with steep gains and superficial relationships. These are the two- income days,
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but more divorces, more elegant homes, but broken homes. These are
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days of fast travel, diapers, disposable morality, disposable morality, a night
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of conquest, overweight bodies and pills that do everything, from joy, be
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quiet and even kill. That' s the way our days are. Remember
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to give a warm hug to the one next to you, because it'
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s the only treasure you can find with your heart and it doesn' t
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cost a penny. Remember to say I love your partner and your loved ones.
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Give yourself time to love, give yourself time to talk, and give
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yourself time to share your thoughts. So much or n o n t N
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t O b n n n n Hello, Hello, Hello, Daniel and
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Hello, all the people who follow you from your great program. I'
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ll tell you good. It seems to me that it is important that we
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re- present ourselves, that is, that we are going to be sharing
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this space throughout the year to think of ourselves as what we are people who
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live, that we age. My name is Sol Rodríguez Maitegui. I'
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m a social communicator and gerontologist. Yes, gerontologist. I am also part
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of the Club de la Porota, a space of communication to talk about old
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age and old age, even if we don' t like it, we
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like to put in attention themes that sometimes we cancel invisible, we start blocking.
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This is going to be one of the many meetings we' re going
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to share together. The idea is to propose a space to think about ourselves,
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because we all age. Aging is a process. We don' t
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become old people from one day to the next. As I already told them.
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There is one phrase that I like to repeat and knead and repeat again
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that is aging. It' s living and living, it' s aging.
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That' s why I want to invite you today. I want to
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invite you to connect with your aging process, with the vitality that passes through
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you. I want to invite you to challenge your own thoughts, those who
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shape stereotypes and prejudices, to ask each other together, why gray hairs have
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a bad reputation, why we are so afraid to grow old. Life ends
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when we retire. All people retire. Why talking about sex in old age
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is a taboo subject. Why do we attribute to youth all the positives of
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life and old age all the negatives. Why old or old words have such
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a bad reputation. Why older people are only associated with roles such as that
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of Grandfather, Grandmother, Retired or Retired. All older people are grandparents or
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grandmothers and all people who are grandparents or grandmothers are older people. What happens
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when older people do not have real social networks that contain or accompany them.
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You can keep dreaming, projecting, yearning for old age. It is the
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same thing to age in the countryside as in the city, in Buenos Aires,
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as in Cordoba, in Latin America and in Europe. It is the
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same thing to age being a trans person member of Aboriginal communities as being an
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ar people who have aged within the framework of the rules of play of the
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heteronorm. What an older person I want to be, when I' m
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old or old, What an older person I am in what world I want
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to grow old in. In about twenty, twenty- five, thirty years
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they once imagined themselves to be sixty, seventy, eighty, ninety hundred years.
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See what image the mirror returns to them. We will continue to work
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around each of these questions. Thank you, thank you, I tell you,
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thank you Daniel, thank you for being on the other side and allowing
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you to reflect and put on the table a theme that came to stay in
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the century of longevity. Follow us on instagram, Facebook and YouTube, how
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the club of La Porota shoots or at the club of the porta com rated
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and or n o UAs also in my instagram Arrobaul Rodríguez. Thank you very
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much. We continue to meet or storiantly n o. We must knead the
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bread, We must knead the bread with brightness, with indifference, with food,
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with ambition, thinking of something else. Bread must be kneaded on cold
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days and on summer days, with sun, with moisture, with freezing rain.
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Should we knead the bread without the desire to knead the bread? The
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bread must be kneaded with the hands, with the tip of the fingers,
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with the forearms, with the shoulders, with strength, with weakness and with
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coldness. Bread must be kneaded with resentment with sadness, with memories, with
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heart, with pieces, with the dead. You have to knead the bread
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thinking about what will be done next. You have to knead the bread like
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it' s not going to be done anymore. The bread must be kneaded
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with flour, with water, with salt with yeast, with butter, with
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casserole, with poppy. We must knead bread with courage, with recipe,
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with improvisation, with doubts, with the certainty that it will fail, with
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the certainty that it will go well. You have to knead the bread with
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panic, never be able to do it again, burn it, make it
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raw, don' t anybody like it? Must we knead bread every week,
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every month, every year? Without thinking that bread will have to be
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kneaded every week, every month, every year? You have to knead the
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bread like it' s the first time. We' ll have to knead
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the bread when she dies. The bread had to be kneaded when she died.
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Bread must be kneaded before leaving on a trip and on return and during
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the trip. You have to think about kneading bread, kneading bread when you
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come home. We must knead the bread with tiredness, with tiredness against tiredness,
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We must knead the bread without humility, with effort, with hatred,
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with contempt, with ferocity, with rage, as if everything was at the
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end to end, as if everything was finally to begin. You have to
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knead the bread to live, because you live, to keep living to write
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kneading the bread. No difference. The text I have just shared with you
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is called writing and it is from Leyla guerriero de Junín. Don' t
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have the love of my laughter and you can' t stand my crying.
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We' re so many things taken all by ourselves. Not in sweet love.
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I' m also so bitter about samos so many things. They'
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ve taken all the banada. I love your silence and I fall in love.
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You had my joy in both of them. Don' t be afraid.
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I have my softness that scares you with my strength. We' re
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so many things taking everything. They won' t have any maras of my
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strength. So I' m free holy things nothing. You happened just before
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the pandemic taxing stop Avenue to Cordoba and Florida. Now it' s afternoon
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rush. The businessman was waiting for a taxi. He was nervous and in
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a hurry he had to get to the mechanic shop to find his rural force
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before they closed and there he returned to his house in a garden neighborhood.
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That night I had people for dinner. Besides, if I didn' t
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remove the rural, I wouldn' t be able to travel to the country
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that weekend. All you have to do is regulate the clutch and the mechanic
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had told him to look for it. We close early at eight. Finally
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got the cab where you' re going, boy. He was boldly asked
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by the taxi driver, while increasing the volume of the radio and quickly set
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the clock in motion.“ Good afternoon,” the businessman replied, trying
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to stop the taxi driver’ s confidence. I' m on my way
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to the bridge on the board. He settled in, opened the diary to
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finish reading it, but it was impossible for him. The poor condition of
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the streets and the abrupt handling of the driver. They stopped him. For
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the first few blocks. He watched the taxi driver with suspicion the attitude of
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this was aggressive, almost wild, sunk and pulled back into the seat.
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Every time he stopped the march in front of a traffic light, he moved
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his head in semicircles to relax his neck and immediately stretched his knuckles, making
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them creak in front of the wheel. He drove with the window open,
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letting his left arm hang outside the car. A strong smell of perspiration swirled
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inside the vehicle, making the environment unbreathable. But what irritated him the most
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was his way of honking and or other tins. What better not to name
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them. Actually, I had no intention of speaking to him. However,
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he sensed that something strange linked him to the taxi driver as if they were
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both part of the same routine dimension. Then, without being able to contain
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it was commented what traffic, friend, not with a day, yes,
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anyone goes crazy, do not believe, Brother, there are worse days.
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The thing is, I' m destroyed. I come from the courts to
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arrange a quilombo with my lord' s lawyer. We' re finishing the
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divorce papers. We have two children. You know this is the problem.
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A girl of two and a baron of eight. The kid' s no
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drama, but the baby' s next to Mother Mira. Brother, these
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bogas are so miserable that, if it weren' t for my lady,
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it would be better to say my ex- ma' am right there in
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court, he was bursting. All they care about is the money. You
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think he was able to try and get along with the skinny one. I
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didn' t want to end up fast at the trial to vouch for some
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fly and the family that fucks up what you think in the end like they
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didn' t want to arm more quilombo. I asked her to let me
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talk to the skinny one alone. Then I told her slowly so that no
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one would listen to marita, stop fucking around. You don' t think
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we' re gonna fix ourselves for what we' re gonna give the ravens
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the money for. But the skinny girl didn' t want to know anyone
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and started raising her voice to me, to say how I asked her to
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fix it. If I' ve been hanging out with that garden smurf for
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a year now, the truth is the skinny girl was right, perison made
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me warm up. I wasn' t going to ask him to basify me
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in front of the people, so the dry mate told him any barbarity and
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there was no more arrangement. What do you want me to do, brother
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on the highway. The taxi driver began to hixaguiar between microcar trucks and kept
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talking and put the trunk of the car in. As for the scraping of
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traffic, he finally found, as if he knew all his life, the
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businessman confessed the truth in hand is that the marta is right. The thing
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is, the mine I' m eating is a truck. You can'
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t imagine the female, who' s the best in the neighborhood. The
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husband is a well- known businessman. If I tell you the last name,
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you' ll be afraid. Last week, when the guy was on
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a trip, he invited me to his house. You saw what a house,
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brother. After sucking some whisky on me, I heard them talking on
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the phone about the machito I had before I swear I didn' t even
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ask him who he was. He slapped her so hard I left her tromping.
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You won' t believe it. Every day that passes gives me more
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ball look. Last Sunday my tacho had broken and I wanted to take the
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boys to the mountains. You know what he did. He lent me a
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rural ford that the husband used to go to the country, even though he
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skated his clutch a little. We left until not on the way to the
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high summits. What happens is that the mines are crazy and the businessman tried
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to open the window to get some air, but it was useless to her.
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The handle didn' t exist. He was coming to the board bridge
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and the driver asked him where. You told me you were a boy without
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getting out of his dream. The businessman managed to say back to the end
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of the bridge and let me in the middle of the block didn' t
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want to get to the door of the workshop and that the taxi driver saw
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wrinkle. There were too many coincidences on his face that he was uncomfortable.
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Finally, the taxi driver stopped the march and said what marked the clock.
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The businessman paid and without saying a word, he got out of the car.
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I had walked a few steps when the taxi driver snuck out the window
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to ask him I was a boy. You fucked yourself for something. You
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won' t be bogus, no. This story is called or named a
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taxi ride and is by Tomás Juárez Beltrán. S n. Okay. We
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' re averaging the program. I hope you' re having a good time.
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At the beginning of this month we began to discuss the subject of the
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league, our enemy, how to recognize what its category is, how to
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be able to dominate it, because it can be mastered. Yes, of
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the ten categories we were talking about at the time that ego is perceived.
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We have seen some of them and today we will try three more of them
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and also how we can dominate the ego. There are people who speak only
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of themselves. That may be the easiest and quickest way to identify the ego
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in a person, but there are other signs that make us see that someone
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loves himself very much and shows little respect for others. For psychology, ego
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is a psychic instance through which a person recognizes himself as myself and begins to
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be aware of his own identity. This means that the ego is itself the
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central part of the consciousness charged with giving the sense of self. When the
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ego manifests itself in a concissant and persistent way, it is considered that it
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is exacerbated and crosses the border of the logical and acceptable to live in coexistence
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with others. The premise of which the ego starts is not bad property,
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nature and its utility is to protect us from the world, that is to
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say, to try to also set our limits as society, the educational environment
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and the cultural setting standards. It is important to note that the good deeds
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that a person does on numerous occasions are costumes of leju It can be altruistic
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and kind yes, but if we perform a charitable action and tell it right
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away, what is actually being sought. It' s a recognition, that
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is, feeding the ego. Today we' re going to see three kinds
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of ego. For example, he knows everything, this egodo resides in the
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people who believe, who are always right, give advice all day long and,
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worst of all, answer everything, even if they are ignorant. What
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are recommended in these cases, to see if we have an imperative need to
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always answer any questions or to think in a conversation, so that one always
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remains above the others. If so, we must learn to listen, to
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be aware that it is impossible for us to know all the answers. The
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other guy' s the sound. He is the one who wants to be
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the center of attention, always wants to be the one who is dominating the
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table in a meeting and lets others participate. When you bring up a topic,
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you usually jump with phrases of the kind is that I always have something
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self- referential to me. This is obviously when it is very constant and
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very exacerbated. In this case, we will learn to be quieter, stop
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sending and let others expose their life or reality. That is also important,
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so you have to listen and observe. Everything around us provides us with everything
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we really need, that is, to consider the environment of those around us,
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the envious. The envious is the one who does not stand the triumphs
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or the success and, therefore, tries to cut off the wings. Obviously
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of the others and our interiors, when we see that we have achieved something
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and one person tells us. I did that, too. We should get
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away, since they' re people who are always going to cut off their
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wings. I' m going to cut off the dreams and the efforts that
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have cost us so much. We must be discreet and know to whom we
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can or cannot tell our achievements or projects. The fewer people know it much
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better now how to master the ego and that it comes to our true essence
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and then develop in the form of protection. Normally you let yourself be dominated
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by him, because that makes you feel safer. Faced with the attacks from
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the outside, his voice confuses us and distances us from the true being prevents
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one from feeling from the heart, from the simplicity of emotions, what we
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can do good to stop focusing the look on the outside. It is important
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that one be able to see all the external acceptance needs and that they are
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nothing but fantasy illusions that the ego has created. You don' t need
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any of that to be happy. All right, you can accept us,
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but always constantly and keep an eye on that. All one needs is to
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immerse oneself in simplicity and humility. We should not pretend to be more or
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believe that we are less, because in the end we are all the same.
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The inner essence is not so complicated. We must also try to eliminate
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from our lives, blame, demands, perfectionism, the need to win or
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to be right greed. It is highly recommended to practice concentration exercises to focus
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attention on the present and observe our thoughts emotions without judging them. By doing
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so regularly, we will be able to recognize when that ego is acting and
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you will be able to identify yourself from it, that is, separate yourself
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from other situations. Living in simplicity and practicing gratitude makes one come out to
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recognize the goods and fators that others have made us actively listen, as we
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said at another time, in another program assertively, that is, to listen
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to the other what they say they are not aware of what I am going
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to answer already because I because in that way I already lost a little what
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he wants to say to me. In the end, one realizes that the
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human being is not so simple or so complicated or they make you believe the
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others. If one leaves aside the thoughts, fears and external conditionings that paralyze
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us, we will discover our essence, an essence in which one is simply
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as complex, where one only wishes to enjoy existence in good company, let
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love flow. One must accept oneself as one is, and one must try
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to shape a less truculent and entangled life. The important thing is to listen
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to that inner essence that one carries, that makes us a person who tells
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me a lot of grief should not leave us or we should not allow ourselves
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to cloud the mind and the way we are and get the worst out of
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us in this way, in this way we are going to control. I
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say a more colloquial phrase administering our son. The culture section of the Diario
41:05
Clarín brings us a very interesting note about the writer Alberto Laiseca. The title
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is seven tales to tour the delirious world of Alberto Leiseca mentioned here that he
41:22
was a cult writer, a standard bearer of political incorrection and always against the
41:28
currents of fashion. The recent edition of his full stories opens the doors to
41:36
his narratives. As a good cult writer, Alberto Leiseca is part of a
41:44
literary countercanon that was forged in the 1960s, a standard bearer of political incorrection
41:52
and always against the hands of fashion currents. Count Lai, as they continue
41:59
to call him when the writers who formed with him, had the same dose
42:06
of delirium and tenderness in the eye of the hurricane of his literary project,
42:14
The Resounding novel Los Sorias, seems to attract with his strength the rest of
42:20
the novels, the poetry and the stories he wrote nonstop was of those authors
42:24
who write, even when they are not writing, he liked to say what
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for others is good, for me is evil. And beyond the pose that
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embodies the phrase, the truth that in that attitude led him to build an
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irreverent work, capable of crossing the greatest themes of history or science, with
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the hidden assets of esotericism and magic, and that in French, that seem
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to feed on all the existing language from sophisticated maxims to the chabacan phrases of
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bar one. Now yes, it was not easy to understand at the time
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and still today it is a secret that is passed from mouth to mouth.
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Still, the recent edition of his entire Random House stories opens the doors of
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his wide- open narratives to discover the universe they arm, including the unpublished
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ones that appeared since his death in two thousand and sixteen. At first glance,
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it' s hard to decide which one to start. All stories have
43:39
connections to each other, characters that repeat spaces and situations that come back in
43:47
different ways. However, you can risk a whimsical and practical itinerary for seven
43:53
of the stories. The mystical number would like the one who, chronologically,
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finds on the way to the essence of a master' s monumental literary project
44:08
in the art of delirious realism a good start is the garden of magditophonic monsters.
44:19
It tells a singular journey from which the narrator does not know if he
44:22
will come out alive. It is a story that plays with magical elements,
44:28
with technology and concentration camps with a technocrat and mad dictator. It is part
44:36
of his first book of short stories, originally published in nineteen hundred and eighty
44:40
- two, and already contains the fundamental elements of the poetics of the ISECA.
44:47
The gallantness and humor they embody are advertised as a neon poster in the
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title killing dwarves grabs. Or from the printed stories in that book is the
45:01
Crotus Spa. So much so that the music band Los Piojos composed a song
45:07
that bears the same name in homage to the ISECA. It tells the story
45:15
of an exclusive beach of crotus, because the tycoons did not discover it in
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time when the waiters do not know how to swim. In it, two
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linguares talk one wants to tell the other. Long story. They are unique
45:31
or spiritual senator exorcist magicians. Perhaps all of that at the same time,
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Your second book, Thank you, Chanchúbelo includes one of the stories that unfold
45:46
with singular mastery. The author' s obsessions and occurrences in Demi Baston come
45:53
out Chingles. A teacher and his disciple meet to speak of an essential and
45:58
secret quality of objects that is linked to music. The ability to master it
46:06
involves manipulating the actions of others. It is a narrative that is humorous,
46:14
deals with esoteric questions and also those centuries of power and oppression that only Leiseka
46:20
' s imagination could bring to light in such an ominous way. In fact,
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it is the favorite story of Leonardo Oyola, author of the book'
46:30
s foreword, and disciples of his workshops, The narratives lengthen and become complex
46:37
in his third book in dreams is mourned of two thousand one. The same
46:43
themes that already obsessed him reappear with a more loving and spiritual light in the
46:51
Buddhist nun and Colonel Wilson, who already owes the title poses the encounter of
46:57
religion and politics. The two characters are known at the end of the Second
47:01
World War in China and propose different earthly and mystical things in which poetry and
47:07
sex occupy a central place. Although the Iseka is famous for the tales of
47:15
horror she made on television by great authors like Edgar Alan Poe, the only
47:22
true tale of that genre she wrote is tales of the Tomasa and is part
47:29
of the last stage of her life, grouped under the title" Meeting Tales
47:39
". Tomasa' s black girl had the habit of telling stories to the
47:44
boy in the house. They were clear stories of fear that the psychologist was
47:51
terrified of, but he could not stop listening. They feature witches, ghosts
47:54
and a whole catalogue of chilling monsters from that stage is also central. Darling,
48:05
I' m going to buy cigarettes and I' m going back to
48:08
the story of a man who' s sure he' s gonna lose his
48:12
wife in a bar. He makes a pact to recover it with a strange
48:15
character who seems to have supernatural powers and allows him to return in time with
48:21
the illusion of solving his problems. Based on this narrative, a film with
48:28
the same name was filmed in which the author intervened with his voice over a
48:32
clarification. There are three different versions of this story in the book. Two
48:42
were found among the papers of the Iseka after her death. Reading the variations
48:47
between them is an experience of another order that shows the overflow of the author
48:52
' s imagination. The story that closes the book, the attack of the
49:04
zombies, of the naked zombies, is a worthy chan chan final with new
49:08
size, which includes a general, a teacher, zombies, sex and all
49:14
the rebellion of an artist who did not bend in front of the well-
49:19
thinking rules of language, morality or customs, and seems to continue writing from
49:24
that other side that he liked to narrate. Well, folks, we'
49:34
ve come to the end of this particular interlocking program. I want to tell
49:42
you a good week. Remember that PUM can listen to all our programs.
49:46
You can see them on the radio site w Radio trepic com Ar or on
49:55
any of the platforms you usually use. I also invite you to follow me
50:06
in my instagram, like Daniel Bellinsone. I wish you all a happy Easter
50:15
and that next Friday I will reunite everyone with the same desire to work and
50:23
carry on, as always, remembering those things that we hear, that advise
50:32
us and that we are practicing, because many of the things that are heard
50:38
put them into practice. Happy Easter. Again and until Friday at 13 hours
50:46
here on topique train radio. It' s not a lot of tests,
51:28
it' s a lot of tests.