Latest / Pop Culture Junkie® / The Descent Into Horror

Transcript

The Descent Into Horror · Pop Culture Junkie®

• 0:00
  ♪ Entertain me, entertain me right now ♪
• 0:04
  It's spooky season and you know we here
• 0:07
  at the Pop Culture Junkie podcast are celebrating.
• 0:10
  My name is Shauna and I'm here with Olivia.
• 0:14
  What have you been doing to get in the mood
• 0:16
  for Halloween, Olivia?
• 0:17
  Well, actually, I just went to the spookiest place
• 0:21
  of 'em all, New York City.
• 0:23
  Transylvania.
• 0:24
  (laughing)
• 0:25
  Scottsdale
• 0:27
  Scottsdale, Arizona.
• 0:29
  No, actually, so I just went to New York City
• 0:32
  for the first time.
• 0:33
  Wait, that was your first time?
• 0:35
  I've never been to New York City ever before.
• 0:37
  How did I not know that I thought you would go on already?
• 0:39
  No.
• 0:40
  Did you love it?
• 0:40
  I loved it.
• 0:41
  Yeah, it was fun.
• 0:42
  Another scary thing is I was going to a family wedding.
• 0:46
  (laughing)
• 0:47
  Oh, that's a real spooker.
• 0:49
  Ooh, you're cute.
• 0:50
  (laughing)
• 0:51
  No, but it was gorgeous.
• 0:52
  It was a beautiful wedding.
• 0:53
  My cousin was a gorgeous bride, but it was pretty cool
• 0:58
  because we were actually able to get a mix of wedding time
• 1:01
  and then sightseeing.
• 1:02
  So, got to go to Central Park.
• 1:06
  We went to the World Trade Center
• 1:08
  and did the restaurant there.
• 1:10
  I didn't get to go inside when I went.
• 1:12
  I showed up at night to the World Trade Center
• 1:14
  and I got to see the memorial.
• 1:16
  But I wanna go inside the museum.
• 1:17
  I didn't realize there was a restaurant at that time.
• 1:19
  So, it's like a 360 view of the city.
• 1:21
  So, I got to see all of New York City
• 1:24
  from up there.
• 1:24
  It's the tallest building now.
• 1:26
  What's pretty crazy about it, though,
• 1:28
  is the way that they built it,
• 1:30
  is it kinda like, sways a little bit.
• 1:33
  It makes it more structurally sound.
• 1:35
  But I'm coming off of being very sick and very nauseous.
• 1:39
  And I was like, "Oh God, am I getting vertigo?"
• 1:41
  Oh, I like vertigo.
• 1:42
  Oh, no.
• 1:44
  So, it was really cool to be able to see the city
• 1:48
  and that high up and really look at all of the history.
• 1:52
  I got to walk through Central Park
• 1:54
  and go see all of those.
• 1:54
  I didn't get to do Central Park.
• 1:56
  Did you go to Times Square?
• 1:57
  No, 'cause I have a claustrophobia problem
• 2:01
  and I don't like really large crowds.
• 2:04
  And so, it's true.
• 2:05
  And that'll kind of lead into what we're gonna discuss to it as well.
• 2:09
  But it depends on what day of the week you go.
• 2:11
  When I went, it's definitely busy,
• 2:13
  but it's not like you see on the New Year's ball
• 2:16
  to offer some shit all the time.
• 2:18
  Yeah.
• 2:19
  But there are a lot of people in Radi Elmo costumes
• 2:22
  that were like coming onto it's very strange.
• 2:24
  Yeah, it just kind of seems like a tourist trap
• 2:27
  and everyone says it's insane, like expensive.
• 2:30
  The crowds are a lot.
• 2:32
  And so, we went to Rock Valley Center
• 2:35
  and I actually got to go to the Jimmy Fallon
• 2:40
  to Nightmares haunted house.
• 2:41
  That's the scariest thing you did.
• 2:43
  Yeah.
• 2:44
  You spent time with Jimmy Fallon.
• 2:46
  Well, I didn't actually get to see him.
• 2:47
  I just heard his voice coming through it.
• 2:50
  Oh, yeah.
• 2:50
  But last year I went to 13 floors in Arizona
• 2:54
  and I'm just extremely disappointed
• 2:56
  with haunted houses nowadays.
• 2:57
  Dude, I love a good haunted house,
• 2:59
  but like, there aren't any good ones.
• 3:00
  They're scared lately.
• 3:01
  Yeah, there aren't any good ones anymore
• 3:03
  and I don't know if it's like growing up
• 3:05
  and I'm desensitized.
• 3:06
  I still scream at every single image I'm out of it.
• 3:09
  I went to, have you got any fear of farm in Arizona?
• 3:12
  Yeah, terrible.
• 3:13
  You got chased by the dude with the chain saw
• 3:15
  through a corn maze.
• 3:16
  I think it's 'cause I just shit your pan.
• 3:18
  But I just giggle and then they're like,
• 3:20
  oh, this isn't my audience.
• 3:22
  I'm gonna go find a six year old.
• 3:23
  Oh, like, so they're shot at, let's chase her instead.
• 3:26
  Yeah, but I liked, so if you're in New York City,
• 3:29
  I would definitely pop it.
• 3:31
  It was good.
• 3:32
  It was great and it was a good haunted house,
• 3:35
  but it also had characterization of Jimmy Fallon.
• 3:39
  And so--
• 3:40
  It's horrifying.
• 3:41
  So it's like Jimmy Fallon's reoccurring nightmares.
• 3:44
  So it's like 10 different rooms or haunted hauntings
• 3:49
  and he starts it off and you go through with the tour guide.
• 3:52
  I think if you didn't have the tour guide there,
• 3:55
  it'd be really scary.
• 3:56
  Oh, yeah.
• 3:57
  Because you're like, where the hell am I going?
• 3:58
  You kind of have that safety net, but I really like it.
• 4:01
  I like it if you're going with one friend or your alone.
• 4:04
  Yeah.
• 4:04
  And I like being in the front of the group.
• 4:06
  Yeah.
• 4:06
  So you don't have the scarce spoil for you
• 4:08
  from the people in front of you, scary.
• 4:10
  Yeah, I think one thing they did really well
• 4:12
  that haunted houses don't do very well anymore
• 4:16
  is they had enough space between parties.
• 4:20
  That's the thing.
• 4:21
  You don't have the spookiness, like someone getting scared.
• 4:25
  Like when we went to the 13th floor.
• 4:27
  Yeah.
• 4:27
  There is this, like, dad and daughter right in front of us
• 4:32
  and they just like ruined everything.
• 4:33
  Oh, we have scared.
• 4:35
  I mean, not that we have fucking time to do anything
• 4:37
  with our lives, but I love a good haunted house.
• 4:39
  Yeah, I love it.
• 4:40
  So if you have a good Arizona haunted house
• 4:42
  recommendation, we would definitely take it.
• 4:44
  But it was really fun.
• 4:45
  It was great where the reception of the wedding
• 4:49
  was was actually--
• 4:50
  it's called Balthazar, it was featured in a Sex
• 4:52
  in the City episode.
• 4:54
  So it was very, very fun.
• 4:56
  And so we just had a grand old time and very expensive time.
• 5:00
  And you were sober the whole time.
• 5:02
  Yeah, that's the scariest part.
• 5:04
  And that is horrifying.
• 5:06
  A sober wedding with family.
• 5:08
  Was there an open bar where you just--
• 5:09
  Oh, yeah, I can't do it.
• 5:11
  Yeah.
• 5:11
  It was probably the nice sweating I've ever been to.
• 5:14
  Yes, because eating--
• 5:14
  And with my wedding?
• 5:15
  Yeah.
• 5:15
  No, I don't even want to try to put a figure on it.
• 5:18
  But--
• 5:20
  It was definitely a preview into how other people live.
• 5:24
  That's incredible.
• 5:25
  That's amazing.
• 5:25
  But yeah, lots of walking around--
• 5:28
  I'm going to have time to go back to New York City.
• 5:30
  I did get to do one cool thing last weekend.
• 5:34
  Jennifer Garner was here for a Moms for Kamala event.
• 5:37
  No, I love that.
• 5:38
  And I said, moms, of course I need to go all of my children.
• 5:44
  Yes, if Buffy counts.
• 5:45
  Buffy and Tess both counts.
• 5:46
  And sometimes my husband counts.
• 5:48
  Yeah.
• 5:48
  Well, I wouldn't call your husband your child.
• 5:52
  And that's incestuous.
• 5:54
  That's--
• 5:55
  It's like that joke.
• 5:56
  I always get a cleaner battery.
• 5:58
  And I was like my child.
• 5:59
  No, he's older than me.
• 6:01
  I was in the trash.
• 6:03
  No, that would be marrying my brother, not my own son.
• 6:08
  Anyway, let's not talk about incest anymore.
• 6:10
  I got to meet Jennifer Garner.
• 6:11
  And yeah, that's her.
• 6:12
  Was she as sweet as she seems?
• 6:14
  Dude, she's amazingly sweet.
• 6:17
  Like follow her on social media.
• 6:19
  She just seemed so down to her own chill
• 6:22
  and just like a normal person.
• 6:23
  And that was absolutely her.
• 6:25
  So there was a couple other speakers.
• 6:27
  And it was all about maternal welfare and access
• 6:32
  to childcare and reproductive rights.
• 6:34
  And they were encouraging people to vote for Kamala for that.
• 6:37
  And I went representing the yes on Prop 139 campaign
• 6:41
  for Arizona for abortion access vote.
• 6:44
  And we all--
• 6:45
  she gathered in the middle.
• 6:46
  It was at this cute little bar called Drink Me Tea Room.
• 6:51
  OK.
• 6:51
  We definitely need to check out.
• 6:52
  You can do--
• 6:53
  They have tea, so I can drink.
• 6:55
  They have Sunday afternoon at Sunday, but every day tea.
• 7:01
  And crumpets.
• 7:02
  OK.
• 7:02
  And then also some good cocktails.
• 7:04
  OK.
• 7:04
  I love that.
• 7:05
  And got to walk up to Jennifer at the end.
• 7:07
  And when I told Andrew, I was meeting her,
• 7:10
  I was like, I'm going to go up to her and say, hi, Jennifer.
• 7:13
  Drink.
• 7:14
  I'm also 13 going on 35.
• 7:17
  I loved you in Deadpool.
• 7:19
  And he's like, please do not-- for the love of God,
• 7:21
  you're on a stop.
• 7:22
  Do not do not please.
• 7:23
  Oh my God.
• 7:24
  It was bento.
• 7:25
  What's he there?
• 7:26
  No.
• 7:26
  I wouldn't have done it.
• 7:28
  It was in--
• 7:29
  you had to be vetted before you got in.
• 7:31
  OK.
• 7:32
  OK.
• 7:32
  So I didn't invite him.
• 7:33
  He's got his dark past stuff.
• 7:36
  [LAUGHTER]
• 7:39
  The man who has never had a sip of alcohol
• 7:42
  or not anything fun in his life.
• 7:43
  He's not a mom for Kamala.
• 7:45
  He is a--
• 7:46
  He's not a momela.
• 7:47
  He's not a momela.
• 7:49
  He's a dad for Kamala.
• 7:51
  That's a reason to invite him.
• 7:53
  Yes.
• 7:53
  But she was very sweet.
• 7:54
  And all I said was, hi.
• 7:56
  My name's Shauna.
• 7:57
  I'm with yes on prop 139.
• 7:59
  Arizona for abortion access.
• 8:00
  I just wanted to thank you for coming to Arizona
• 8:03
  and using your platform to promote such important causes.
• 8:07
  I love her.
• 8:07
  I love her so much.
• 8:08
  That's very articulate.
• 8:09
  She said, oh my gosh, of course.
• 8:10
  Thank you.
• 8:11
  Thank you for coming.
• 8:12
  Thank you for being here.
• 8:12
  And we took a kill.
• 8:13
  It was cute.
• 8:14
  Yeah.
• 8:15
  And I got in the car.
• 8:15
  And I was like, she was so nice.
• 8:18
  She was so nice.
• 8:19
  Literally, I can't even imagine meeting her.
• 8:22
  She posted this video the other day on her TikTok.
• 8:26
  And she picks up the Elektra wands.
• 8:30
  Like the safe, do-able sites.
• 8:32
  Wands.
• 8:33
  Yeah.
• 8:34
  Elektra's a witch that I love.
• 8:35
  Yes.
• 8:35
  Yes.
• 8:36
  She is a wand.
• 8:37
  So she goes, wow, I haven't put--
• 8:39
  I haven't done anything with these in so long.
• 8:41
  It's been like 20 years.
• 8:42
  And she just starts picking them up and moving them around
• 8:45
  so gracefully and elegantly.
• 8:47
  And I just think, thank God that woman got away from Ben Affleck.
• 8:52
  She was up there speaking about just women's rights.
• 8:56
  And she had a piece of paper for her speech that
• 8:59
  shouldn't even look at once.
• 9:00
  And just her glasses in her hand.
• 9:02
  And she-- all the speakers went for her before her.
• 9:05
  She's just intently listening to them and clapping.
• 9:08
  And I thought, this woman was married to Ben Affleck.
• 9:11
  What the fuck?
• 9:12
  She deserves love and light for the rest of her years
• 9:15
  for being married about men.
• 9:16
  Like, I can't even imagine.
• 9:19
  And she was delightful.
• 9:20
  So I do have a few more celebrities on my list
• 9:24
  that I'm coming up to meet.
• 9:25
  Oh, it's a couple weeks, but I'm not.
• 9:27
  I'm not going to say it until it happens.
• 9:28
  I post a picture.
• 9:29
  Yes, well, I'll save it for the instas.
• 9:32
  But yeah, you're on a tear.
• 9:34
  Lona's ex, the daily--
• 9:36
  Jennifer Garner.
• 9:37
  The daily stuff's not as a drop, but that's fine.
• 9:39
  Yeah, pretty soon.
• 9:40
  Sean is just going to leave me and ditch this car.
• 9:43
  I'm going to leave you.
• 9:44
  I'm going to leave you.
• 9:45
  So cool.
• 9:46
  I mean, I'm already pretty cool.
• 9:48
  But I mean, maybe.
• 9:49
  Well, debatable.
• 9:50
  But I'm not going anywhere.
• 9:52
  I'm too anxious to be famous.
• 9:54
  I like eating carbs too much to be famous.
• 9:57
  Yeah.
• 9:58
  I'd be walking down the street and somebody
• 9:59
  would stick a camera in my face.
• 10:01
  And I just got to stop.
• 10:02
  I'm just so hungry.
• 10:03
  Yeah.
• 10:04
  I didn't wear a makeup outfit.
• 10:06
  Well, if you ever do see Sean on the street,
• 10:09
  know that she would love a hello.
• 10:12
  Love a hello.
• 10:13
  Yeah.
• 10:13
  And a compliment on my bangs.
• 10:15
  Yeah, they do look good.
• 10:17
  Thank you.
• 10:17
  You're welcome.
• 10:17
  I boxed out my hair.
• 10:19
  I know your hair style is going to be so upset with you.
• 10:21
  I know, but it looks really good.
• 10:22
  It does look good.
• 10:23
  It doesn't feel like--
• 10:23
  It doesn't feel like--
• 10:24
  I'm really good.
• 10:24
  --on YouTube.
• 10:25
  You can see how good it looks.
• 10:26
  If you're my hair stylist listening to this,
• 10:28
  I'm really sorry.
• 10:30
  I had to.
• 10:31
  I had to.
• 10:31
  I'm busy fighting for your rights.
• 10:33
  I had to boxed out.
• 10:34
  I'm saying--
• 10:35
  The sacrifice of the shoe makes for us, guys.
• 10:37
  Yeah, listen.
• 10:38
  You're going to have abortion rights in Arizona
• 10:40
  because I boxed out my hair.
• 10:42
  This is-- this is order.
• 10:44
  I believe it.
• 10:45
  I believe it.
• 10:45
  But, you know, there's no other things there
• 10:48
  that we need to discuss.
• 10:49
  Women's rights are on your own.
• 10:50
  Sean, yeah.
• 10:51
  Boxed out of order.
• 10:52
  [LAUGHTER]
• 10:54
  Pop culture and Halloween go together so well.
• 11:02
  The haunted houses, the monster movies,
• 11:05
  imaginative costumes, TV specials.
• 11:08
  It's the most magical time of the year.
• 11:13
  The honestly-- yeah, it is.
• 11:14
  Yeah, that's much better than the newsboy voice.
• 11:19
  I think you said newsboy.
• 11:21
  In my Christian youth group kid, there's
• 11:23
  a Christian man called the newsboy.
• 11:25
  Oh.
• 11:26
  And I was like, you know the newsboy?
• 11:27
  That's a deep guy.
• 11:29
  That's a deep guy.
• 11:30
  You know the newsboy?
• 11:31
  No, for me.
• 11:32
  I have a annual tradition that Spooky Season starts for me
• 11:37
  in July.
• 11:38
  This year, I did not stick to that.
• 11:40
  I think it's because I live alone.
• 11:42
  And--
• 11:42
  Do you come to my Halloween pool party in July?
• 11:44
  I did.
• 11:45
  I did where you--
• 11:46
  And you came across him as guests.
• 11:48
  Yes, yes.
• 11:49
  But normally, I start watching a horror movie every single day.
• 11:52
  I didn't start that in September like I normally do.
• 11:55
  So I've just been powering through.
• 11:58
  I watched all the screams--
• 12:00
  From the franchise.
• 12:00
  Yeah, I'm from the franchise.
• 12:01
  And it really got me thinking about just the horror genre
• 12:05
  in general.
• 12:06
  And how there's so many different genres inside of the--
• 12:09
  Yeah, a big genre.
• 12:10
  And it's honestly like crazy.
• 12:12
  Like if you just go through and look at it,
• 12:15
  there's so many different types.
• 12:16
  Like we have your traditional 1980 slasher, which really
• 12:20
  give you like Freddie, Jason, all of those Michael Myers.
• 12:25
  And then you go into scream, which
• 12:27
  is a very meta commentary on all of the slasher genres.
• 12:34
  And I think scream is just such a good example of why horror
• 12:39
  can be so good, because it is a commentary on culture
• 12:42
  and the art that we're making and how it can become exploitative.
• 12:46
  Exploited?
• 12:47
  Yeah, exploitative.
• 12:49
  Or just cookie cutter, like copy paste.
• 12:52
  Yeah.
• 12:53
  I think scream was a really interesting commentary on that.
• 12:58
  And then it's continued.
• 12:59
  But then you go into like a scream for, which
• 13:02
  is making a comment about all of the other screams.
• 13:06
  It's like a meta meta.
• 13:07
  Yeah, it's like it becomes like this crazy thing.
• 13:11
  Then we go into the 2000s where we have a lot of found footage.
• 13:15
  Oh my gosh.
• 13:15
  Do you like found footage horror films?
• 13:18
  So how do you feel about those?
• 13:19
  I like the Blair Witch project.
• 13:21
  I've never seen the Blair Witch project.
• 13:23
  I know.
• 13:24
  Isn't that insane?
• 13:25
  Oh my gosh.
• 13:26
  We need to add that.
• 13:27
  Okay.
• 13:28
  My list to the list.
• 13:29
  My list, like I do the same that you do.
• 13:30
  Like I try to watch as many horror movies as I can throughout October.
• 13:34
  And I have a few favorites that I'll rewatch.
• 13:36
  But my husband and I always try to watch horror movies that we've never seen before.
• 13:40
  So we rewatched the entire scream franchise last year, because there was a couple in there
• 13:45
  that I had missed.
• 13:46
  Like four or five.
• 13:47
  Yeah.
• 13:48
  Yeah, just randos.
• 13:49
  And I enjoyed all of them.
• 13:50
  And then I were going to talk in a little bit about a horror movie that we both watched
• 13:53
  recently that I'd never seen.
• 13:56
  But found footage, I need to add Blair Witch to my list, honestly.
• 13:59
  But I really did like Cloverfield.
• 14:02
  Okay.
• 14:03
  Which I liked that one too.
• 14:04
  Yeah.
• 14:05
  Which is a good mix of found footage and kind of like supernatural alien horror.
• 14:09
  Yeah.
• 14:10
  Yeah.
• 14:11
  I think the Blair Witch is really good.
• 14:12
  The Blair Witch is crazy because when it came out, I think it came out on like 98 or 99.
• 14:17
  So I like that.
• 14:18
  I passed it off as actually found footage and people believe it.
• 14:24
  And it was done really, really well.
• 14:26
  And I think we've talked in other episodes about how crazy it would be to go with B on the
• 14:31
  Blair Witch because a lot of it is them just like ad hoc, like ad-dem, they didn't really
• 14:37
  have a script.
• 14:38
  They actually lost the map.
• 14:40
  Like there's so many things within a movie.
• 14:44
  And it really started it off.
• 14:45
  I do like the paranormal activity movies as well.
• 14:48
  My favorite.
• 14:49
  Funny enough, is the fourth one with Catherine Newton in it.
• 14:53
  I need to rewatch those two.
• 14:55
  The one that stands out my mind the most is the first one.
• 14:57
  Yeah.
• 14:58
  Scared this shit out of Andrew.
• 14:59
  Yeah.
• 15:00
  Like we went to the theater to see, I don't know, the third or fourth one.
• 15:05
  And he was in the seat next to me and like shaking his foot so hard.
• 15:08
  Well, yeah, I mean, if he puts himself in the--
• 15:10
  I don't know man.
• 15:12
  I think the second and the first one.
• 15:13
  I don't know man.
• 15:14
  I think the second and the first one.
• 15:17
  And the fourth one are my favorites.
• 15:20
  After the fourth one, it's just like, what are we still doing here?
• 15:22
  Yeah, the first one was so good and so iconic because it's so low budget and so unique.
• 15:28
  And it feels authentic.
• 15:30
  Yeah.
• 15:31
  It feels like this could be a couple that you know that's just going through this shit and
• 15:35
  they're on and out.
• 15:36
  Yeah, where you could--
• 15:37
  I feel like Andrew probably got so scared because he could put himself in that where
• 15:41
  it's like, oh, we're childless couple.
• 15:44
  Yeah.
• 15:45
  Like, oh no.
• 15:46
  I'm just going to be honest with you.
• 15:48
  I'm just going to be honest with you.
• 15:49
  I'm just going to be honest with you.
• 15:50
  I'm just going to be honest with you.
• 15:51
  I'm just going to be honest with you.
• 15:52
  I'm just going to be honest with you.
• 15:53
  I'm just going to be honest with you.
• 15:54
  I'm just going to be honest with you.
• 15:55
  I'm just going to be honest with you.
• 15:56
  I'm just going to be honest with you.
• 15:57
  I'm just going to be honest with you.
• 15:58
  I'm just going to be honest with you.
• 15:59
  I'm just going to be honest with you.
• 16:00
  I'm just going to be honest with you.
• 16:01
  I'm just going to be honest with you.
• 16:02
  I'm just going to be honest with you.
• 16:03
  I'm just going to be honest with you.
• 16:04
  I'm just going to be honest with you.
• 16:05
  If I woke up in a sleepy stupor and someone was doing that, I would just backhand.
• 16:17
  I would just backhand.
• 16:18
  The only time I would ever do that to you is if we were just trashed.
• 16:20
  Yeah.
• 16:21
  Well, at that point, you know, it might just be you broke your foot and you need help.
• 16:27
  I just said, "Please, I need to go to a hospital.
• 16:30
  Right back down."
• 16:31
  I just tell you to shut up.
• 16:32
  You did.
• 16:35
  I can't help it.
• 16:36
  But, you know, there's so many different types of horror.
• 16:38
  There's psychological, which I think is probably my favorite because it really gets in your head.
• 16:44
  Super natural.
• 16:45
  Probably my second favorite there.
• 16:47
  I've talked a little bit about monsters.
• 16:49
  And then I think a genre that I really want to see come back is Comedy Horror, which I love.
• 16:55
  I love what you love.
• 16:56
  Scary movie 1-3.
• 16:57
  It is so good.
• 16:58
  The first three are so good.
• 16:59
  And then it got, because they started branching off and they did epic movie or Kim Kardashian
• 17:06
  and she ruined it.
• 17:07
  Yeah.
• 17:08
  In romance movie, or I don't know, they had this whole spin-off genre and they were all terrible.
• 17:12
  But the first three scary movies are fucking hilarious.
• 17:15
  I like kind of rom-com horror.
• 17:19
  And I don't even know if it's considered horror, I guess.
• 17:23
  But we just watched Let The Right One In.
• 17:26
  And it's the Swedish movie about a little boy who's bullied at school.
• 17:31
  It's based on a novel and a vampire moves in next door.
• 17:37
  And they're about the same age.
• 17:39
  Well, kind of it's a vampire.
• 17:41
  And they end up, I mean, that's his only friend and it's really sweet.
• 17:46
  And it got a really good score in Rotten Tomatoes.
• 17:49
  And I don't know, I popped up on some article, which is why I chose it.
• 17:52
  But there is an American we make called Let Me In with Chloe Grace Marantza's I don't know.
• 17:58
  And apparently it's a good two.
• 18:00
  I have seen that one.
• 18:01
  I have seen that one.
• 18:02
  Yeah.
• 18:03
  Yeah.
• 18:04
  Watch the Swedish one.
• 18:05
  It was really good.
• 18:06
  Do they have a dubbed version or is it all subtitles?
• 18:08
  We watched it in subtitles because I'm a subtitle person.
• 18:10
  But I know you're a dubbed version.
• 18:11
  I can't, it's like that meme of the office where he's just staring at her chest.
• 18:16
  And he was like, that is all I see.
• 18:18
  Like I can't observe the act of the act.
• 18:21
  I can't observe like the jumps or like really get into it.
• 18:24
  I know you have to sound each word.
• 18:25
  Yes.
• 18:26
  For a long time when you read it's fine.
• 18:27
  Maybe I know.
• 18:28
  It's just the illiterate one.
• 18:30
  That's the vampire.
• 18:32
  Vampire.
• 18:33
  Vampire.
• 18:34
  Yeah.
• 18:35
  It's really good.
• 18:37
  It's really good.
• 18:38
  But it wasn't scary as much as I mean, there's some gore in it.
• 18:42
  So it was it was horror chasing.
• 18:44
  Okay.
• 18:45
  And kind of like warm bodies.
• 18:47
  Yes.
• 18:48
  I love warm bodies.
• 18:49
  Yes.
• 18:50
  I think that there's so many different types like you have like full core or you have paranormal.
• 18:55
  You have vampires like you talked about.
• 18:58
  One that I really love as well and we'll never get sick of is zombies.
• 19:02
  I think I love zombie movies.
• 19:04
  You know, walking dead.
• 19:05
  We did a whole episode about it.
• 19:07
  Shout out to Haley.
• 19:08
  They are just so good and I think trained to boost on.
• 19:12
  I've never seen that.
• 19:13
  I love that.
• 19:14
  Yeah.
• 19:15
  I like that.
• 19:16
  Did you watch it dub?
• 19:17
  No, subtitles.
• 19:18
  I did it.
• 19:19
  I did it.
• 19:20
  I can do it.
• 19:21
  But I'm so proud of you.
• 19:22
  There's just so much action in that and not a lot of speaking.
• 19:24
  That's true.
• 19:25
  So your dialogue is a lot of like, "Ahhh."
• 19:26
  My leg.
• 19:27
  My leg.
• 19:28
  My leg.
• 19:29
  Ahhh.
• 19:30
  Which translates in every language.
• 19:37
  Ah.
• 19:38
  Yeah.
• 19:39
  That's an easy one.
• 19:43
  But then there's also dark fantasy, apocalyptic.
• 19:46
  We have lovecraftian and just so many different types of stuff.
• 19:50
  I'm talking about Haley and Todd.
• 19:51
  It has this apocalyptic and like post-apocalyptic horror or some of my favorite genres.
• 19:57
  And I know I've talked about this a million times in the podcast, but I love end of the world
• 20:00
  stuff.
• 20:01
  Yeah.
• 20:02
  And I love confined to a compromising situation so that Ryan Reynolds movie where he's
• 20:08
  buried underground in a coffin.
• 20:10
  No.
• 20:11
  No.
• 20:12
  I love it.
• 20:13
  Well, that's actually a really great point because I'm going to talk about one of the horror
• 20:19
  genres that gets me the most in its phobia horror.
• 20:27
  I went on to Reddit and I as one does when they made a night.
• 20:32
  As a millennial does.
• 20:35
  And I searched scariest movie ever made.
• 20:39
  A lot of different options came up.
• 20:42
  Some of them you and I had mentioned about watching, but I have no interest in watching
• 20:46
  like a Serbian film.
• 20:48
  Yep.
• 20:49
  No, which is supposed to be disgusting and disturbing more than scary.
• 20:52
  I am not about that.
• 20:54
  But like graphic porn adjacent like yes, that one of the columns, a scorcher porn.
• 21:01
  Yeah, a scorcher porn like a snuff.
• 21:03
  Yeah, there we go.
• 21:04
  Snuff films.
• 21:05
  Yeah, I can do it.
• 21:06
  I am about that.
• 21:07
  The first saw amazing.
• 21:08
  Subsequence a la.
• 21:09
  Yeah.
• 21:10
  So we went away from that and then I suggested movie called Antichrist, which I think is also
• 21:15
  kind of close to that.
• 21:16
  Okay.
• 21:17
  With Willem DeFoe apparently it's supposed to be horrifying.
• 21:20
  The scariest movie I've ever seen personally is hereditary.
• 21:24
  Okay.
• 21:25
  Maybe scared the shit out of me.
• 21:27
  That movie stuck with me for months.
• 21:31
  A lot of people said a movie called The Descent was the scariest movie they had ever seen.
• 21:36
  And I had never seen it.
• 21:37
  Which is crazy to me.
• 21:39
  Yes, one night being my cousin, I'm her and I both love horror movies.
• 21:43
  Shout out Kate.
• 21:44
  And we decided to do a phobia horror movie binge.
• 21:47
  And so we went because it's one of the ones that messes me up the most.
• 21:52
  And so I have to go into movies that like I know are going to make me uncomfortable.
• 21:56
  And so we decided to watch The Descent because you had never seen it.
• 22:00
  But while we were talking about it, I had asked if you had ever seen as above so below.
• 22:05
  Which is really similar to The Descent.
• 22:07
  But The Descent is a phobia horror because they are dissenting into these caves.
• 22:15
  It's a very claustrophobic.
• 22:16
  Yeah, there are like five women in it who are chasing the adventure junkies.
• 22:25
  So it has to be off so bad.
• 22:28
  I watched it just yesterday.
• 22:30
  So tell us your rating.
• 22:32
  I won the five scariest house, how scary.
• 22:35
  You know what, I'm going to give it about a four scary, maybe a three or four.
• 22:40
  I wasn't just like, oh, I caught shaking.
• 22:44
  But I guess a lot of things don't do that to me unless it's like a psychological horror
• 22:47
  like red-editary.
• 22:48
  Okay.
• 22:49
  Which when they focus on his face and he knows his sister is headless in the back seat, that
• 22:53
  shook me to my core.
• 22:55
  Yeah, I saw that in theaters and everyone was like, and it's just silence over the entire
• 23:00
  audience.
• 23:01
  Yeah.
• 23:02
  That shook me.
• 23:03
  That was like a tear.
• 23:04
  Yeah, it was really well.
• 23:05
  And I think he really put a 24 on the map.
• 23:07
  Yes.
• 23:08
  A 24 amazing horror.
• 23:10
  The dissent I really did enjoy.
• 23:12
  I liked the main actress.
• 23:13
  His name was Shana McDonnell.
• 23:15
  And it spelled the same way as I do.
• 23:17
  Wow.
• 23:18
  The proper way with a U.
• 23:19
  Yes.
• 23:20
  And my sister in law's last name is McDonnell.
• 23:23
  It was true.
• 23:24
  It was like, if you married Blake, your name would be Shana McDonnell.
• 23:28
  And I'd be like, good one, babe.
• 23:30
  And then I went through my entire, like a moment, my brain, where I just ran through
• 23:33
  my entire life with my sister in law's husband, like, God, we would be disgusting.
• 23:37
  You guys would be the worst couple ever.
• 23:40
  Oh my God.
• 23:41
  We would just be feral.
• 23:42
  We would be just, we would do all of the substances you could possibly make.
• 23:47
  I would be just, you know, we need the counterbalance.
• 23:50
  We need the counterbalance of the Trinidad family.
• 23:54
  Blake and I are both equally disgusting.
• 23:56
  Yeah.
• 23:57
  Anyway, it would be bad.
• 23:59
  It would never work out.
• 24:00
  But Shana McDonnell, this baby, he plays stand.
• 24:03
  She does a great job in it.
• 24:05
  Yes.
• 24:06
  I mean, we're going to spoil it.
• 24:07
  It came out in what like 2000 seven minutes.
• 24:09
  No, maybe.
• 24:10
  Maybe.
• 24:11
  I don't know.
• 24:12
  I think it was when we were like 2008, 2007, maybe very mid 2000 haircuts.
• 24:16
  Yep.
• 24:17
  And she is an adrenaline junkie with her gal pals and they go white water rafting and
• 24:22
  forgetting they're adrenaline junkies.
• 24:24
  They're driving home from this trip and her daughter and her husband, who is from the
• 24:29
  first minute that he helps her friend out of the water and they make eye contact.
• 24:33
  I go, they're having sex.
• 24:35
  And Andrew said, what do you say?
• 24:36
  I'm like, her husband's cheating on her with her best friend.
• 24:39
  I was a sexual.
• 24:40
  I'm not see that.
• 24:41
  That was the most sexual eye contact I've ever seen in a movie.
• 24:44
  Yeah.
• 24:45
  Spoiler they are.
• 24:47
  But her husband and her daughter are horrifically killed in this car crash with a pole to the
• 24:51
  head.
• 24:52
  And a year later, her gal pals all gather back up and they want to dissent into the
• 24:57
  cabins, which is called spillunking.
• 25:01
  Spillunkers.
• 25:02
  Spillunkers.
• 25:03
  Spooky spillunkers.
• 25:04
  All new genres.
• 25:05
  Spooky spillunking.
• 25:06
  You will never catch me spillunking.
• 25:08
  Yeah.
• 25:09
  No.
• 25:10
  In Austin, there's a bunch of cave systems and they would take you there on school field trips
• 25:16
  and I absolutely hated it.
• 25:18
  Spillunking children.
• 25:19
  Yeah.
• 25:20
  I mean, it was a discovered cavern system and it was a tourist.
• 25:23
  That's right.
• 25:24
  I wanted to say that going for you because her friend of this movie pissed me off.
• 25:27
  So bad.
• 25:28
  First of all, it's the friend who's having sex with her husband or who he used to.
• 25:32
  Who wants to discover a new cave system but tells not a single one of them that no one
• 25:37
  has ever adventureed here before.
• 25:39
  There is like a known pathway or system that they all think they're going to.
• 25:46
  And she hides the, keeps the map in the car to surprise them and is like, I wanted us
• 25:51
  to be the first ones to discover it.
• 25:53
  So I could name it after you.
• 25:55
  Well, because I slept with your husband and he died.
• 25:58
  How bold it is.
• 26:00
  She has this necklace on the best friend of the entire time that was from the girl's
• 26:04
  dead husband.
• 26:05
  Yep.
• 26:06
  How bold.
• 26:07
  Yeah.
• 26:08
  I'm sorry.
• 26:09
  If you slept with my husband and he bought you a necklace, don't wear the necklace around
• 26:10
  me.
• 26:11
  Yeah.
• 26:12
  I'm going to find out.
• 26:13
  Yeah.
• 26:14
  It's really, really good.
• 26:15
  I mean, I love the movie.
• 26:16
  I loved the movie.
• 26:17
  It was claustrophobic as hell.
• 26:19
  Yeah.
• 26:20
  It was watching it while I was working today.
• 26:22
  And I just like my shoulders increasingly like rise like the part where they're all starting
• 26:28
  to like crawl through.
• 26:30
  Oh, that was the scary part.
• 26:31
  I hate that so much.
• 26:33
  Like, there are monsters in this movie, but the real scary than the monsters.
• 26:38
  I mean, they are then these tiny little and then she very realistically has a panic attack,
• 26:44
  which would be me in that situation.
• 26:45
  Oh, no, I would have been like, put me back up somehow.
• 26:48
  You're all pulling a little bit.
• 26:50
  You're all staying up here, you guys.
• 26:51
  And I'll get brunch ready for Lennie Limerah.
• 26:53
  I'll cut up a little cucumber and cream cheese sandwiches for us.
• 26:57
  You guys have fun.
• 26:58
  But yeah, she has a panic attack while she's in this tunnel thing.
• 27:02
  And that was the scary part to me too.
• 27:03
  I mean, the monsters are horrifying and very well done.
• 27:06
  And it's very bloody and scary.
• 27:08
  I will say there was a lot of jump cuts, which I don't like in movies.
• 27:12
  I like more of a prolonged scene where the camera just kind of focuses on one thing.
• 27:17
  Okay.
• 27:18
  And this one cut a lot.
• 27:19
  I like going through different moments in time where there's more just like, now he's on
• 27:24
  top. Now she's on top.
• 27:25
  Now it's the single.
• 27:26
  Now it's the single.
• 27:27
  I don't know.
• 27:28
  Like John Wick is so good with those action scenes because it just holds on to them, you
• 27:31
  know?
• 27:32
  Yep.
• 27:33
  But this one, I don't know.
• 27:34
  There was lots of cuts.
• 27:35
  But overall, I really liked it.
• 27:37
  Did you see the sequel?
• 27:38
  I actually have never seen descent too.
• 27:41
  I was thinking about watching it just like right after it.
• 27:44
  Yeah.
• 27:45
  Didn't look great.
• 27:46
  It doesn't have the greatest rot in tomato score.
• 27:49
  It's better than Joker too.
• 27:50
  Oh yeah.
• 27:51
  We didn't even talk about that.
• 27:53
  Yeah.
• 27:54
  Descent is one of those rare horror movies that actually has an 80 percent or 79.
• 28:00
  Let me be statistically accurate.
• 28:03
  That's right.
• 28:04
  For the horror genre to have an 80 percent is very difficult.
• 28:08
  I mean, it's almost unheard of.
• 28:12
  It's a touch shitty.
• 28:13
  It's like horror movies never get the accolades that I think they really deserve.
• 28:16
  You're never going to see a true horror movie in the Academy Awards.
• 28:20
  Maybe it's a little bit gross.
• 28:23
  That's true.
• 28:24
  Oh, parasite was so good.
• 28:25
  Parasite is an outlier because that's true.
• 28:26
  I think it's one of the highest rated horror movies on around tomato's world.
• 28:31
  And definitely a psychological and it speaks a lot to like class structure.
• 28:35
  Also has subtitles.
• 28:36
  I watched it.
• 28:37
  Did you watch it?
• 28:38
  Did you watch it this time?
• 28:39
  Yeah.
• 28:40
  And well, I wouldn't have understood the movie if I didn't.
• 28:41
  I mean, I'm sure it's dubbed somewhere.
• 28:44
  Olivia's watching it.
• 28:45
  Like, is there a person in the face?
• 28:49
  What is this?
• 28:50
  No clue.
• 28:51
  No thoughts.
• 28:52
  Just vibes.
• 28:53
  Just vibes.
• 28:54
  His movie's horrifying.
• 28:55
  That reminds me when we watched that Lensilla Pan movie.
• 29:01
  So one time, Sean and I, we were trying to support our girl in the Lohana.
• 29:07
  Lens.
• 29:08
  Yeah.
• 29:09
  The Lohana's on missed it for this movie.
• 29:11
  Let's say that.
• 29:12
  I don't even know what it was.
• 29:13
  We were drinking and we just looked at each other and we said, should we just mute this and
• 29:17
  make up our own dialogue?
• 29:18
  So we absolutely did.
• 29:19
  Absolutely hammered.
• 29:20
  It did make the movie better.
• 29:22
  It was great though.
• 29:23
  It was great once we muted it, but.
• 29:25
  Yeah.
• 29:26
  Yeah.
• 29:27
  Bob, I can't remember who I am, but maybe we should make sweet sweet love.
• 29:34
  I think I could save the down crispness competition, which I think was kind of just the movie
• 29:38
  anyway, but anyway.
• 29:39
  There are a lot of bad horror movies out there, right?
• 29:46
  Like we have like the slothening and there's some like ridiculous movies.
• 29:49
  Like the bad horror comedy horror probably.
• 29:52
  But you know, there are a lot of a list celebrities that we know and love today that came out of
• 29:58
  the horror genre.
• 29:59
  And we have Tom Hanks, who's very first acting credit was in the Sasha movie.
• 30:05
  He knows you're alone.
• 30:07
  I actually did not know that he got his start from horror movies, but I feel like we should
• 30:13
  watch it.
• 30:14
  Now, I did know about Texas Chance on Massacre with Matthew McConaughey.
• 30:19
  And fun fact about me is I actually grew up in Travis County, which is where the movie
• 30:26
  is set.
• 30:27
  I've never seen the original and that was the other movie that we were talking about watching.
• 30:30
  So I think that's going to have to be a list.
• 30:32
  It's worth watching.
• 30:33
  Yeah.
• 30:34
  Definitely.
• 30:35
  I grew up on the Jessica Biel Texas Chance on Massacre.
• 30:39
  Yeah.
• 30:40
  So it was my favorite one.
• 30:41
  Yeah.
• 30:42
  I mean, you have to just sexual awakening.
• 30:43
  It's good.
• 30:44
  You know.
• 30:45
  Okay, now.
• 30:46
  Yeah.
• 30:47
  Just why does she look so good?
• 30:48
  She's so good.
• 30:49
  Look at Jennifer Aniston.
• 30:51
  I also got her star in horror in the Leopardcon in 1993.
• 30:55
  Have you ever seen that before?
• 30:56
  No.
• 30:57
  Oh my gosh.
• 30:58
  Tristan singing.
• 30:59
  I think that is a silly little scary movie.
• 31:02
  But my favorite Leopardcon one though is back to the hood.
• 31:06
  I feel like that would be so good.
• 31:08
  It is.
• 31:09
  It is.
• 31:10
  But the Leopardcon murders this guy with a bong and that scene is stuck with me forever.
• 31:15
  That's how you're going to die someday by the way.
• 31:16
  That's why I'm going to murder you with your Rick and Morty.
• 31:19
  Yeah.
• 31:20
  That's why I have the belief that that's going to be my weapon if someone ever comes into
• 31:26
  my apartment trying to kill me.
• 31:28
  I throw the water in their face on a brick debon.
• 31:30
  That's why it's given another horror movie that I love called Cabin in the Woods where
• 31:35
  he uses his collapsible ball as a weapon.
• 31:39
  I mean no notes.
• 31:40
  No notes.
• 31:41
  No, no, amazing.
• 31:42
  I love that movie.
• 31:43
  And that's kind of like a comedy horror movie.
• 31:46
  It breaks a lot of tropes.
• 31:48
  It's the scream of 2010.
• 31:51
  Yeah.
• 31:52
  Where it is.
• 31:53
  It is a commentary on all the monsters and it's a real way.
• 31:56
  And I always show that movie to people who say they hate horror.
• 32:00
  Like Eric said he hated horror movies but I made him watch.
• 32:02
  It's all out there.
• 32:03
  Yeah.
• 32:04
  I made him watch.
• 32:05
  He hates horror movies.
• 32:06
  Yeah, he like refuses to watch them.
• 32:09
  And so I was like, okay, you have to watch Cabin in the woods and he actually really liked
• 32:12
  it.
• 32:13
  So I show that to a lot of people who say like, oh, I hate horror movies.
• 32:16
  I think it's, you know, if you don't like horror movies, you just probably think of it
• 32:20
  as like everything is saw.
• 32:22
  And there's so many different types of it.
• 32:23
  So I think growing up I did not like horror movies.
• 32:26
  I was just a very like, I've said this before but very sensitive like yucky like, that makes
• 32:32
  things would make me sick.
• 32:33
  Like I watched House of Wax with my boyfriend.
• 32:37
  Oh, that's a good one though.
• 32:40
  Now I would probably love it.
• 32:41
  But watching it at 16 and we were like cuddling on his parents' couch.
• 32:44
  I remember thinking, I'm going to break up with him after this.
• 32:49
  I am scared.
• 32:50
  I'm never going to say it.
• 32:51
  House of Wax is so scary.
• 32:52
  It's the uncanny valley.
• 32:53
  Go back to the last set.
• 32:54
  Oh, and when they peel his face off and he's like, oh, yeah.
• 32:57
  Yeah, House of Wax, that's a horrifying.
• 32:59
  That was a great movie in a moment in time because people just wanted to see Paris Hilton
• 33:07
  get murdered.
• 33:08
  And they put that in the commercials, watch Paris die.
• 33:10
  Yeah, like she knew.
• 33:11
  It's crazy.
• 33:12
  Yeah.
• 33:13
  And I watched, I need to watch it now as an adult.
• 33:16
  I watched it with Andrew and I just go, I think I'm going to break up with my husband.
• 33:21
  I got one of two fours.
• 33:25
  But I was convinced that I hated horror.
• 33:27
  Yep.
• 33:28
  It was too gross.
• 33:29
  It was too goring.
• 33:30
  I don't like watching people's heads and faces get cut off.
• 33:32
  That's what I would always say.
• 33:34
  And then Andrew, when we were dating, convinced me to watch the first evil dead movie.
• 33:38
  Okay.
• 33:39
  And he had it on DVD and was like, and I saw the cover.
• 33:42
  Oh, the cover.
• 33:43
  I still have that.
• 33:44
  I've heard.
• 33:45
  Right.
• 33:46
  And I was like, no, this looks horrifying.
• 33:48
  And he's like, I swear to God, please.
• 33:51
  Trust me.
• 33:52
  Trust me.
• 33:53
  Yeah.
• 33:54
  And from the Nonna, I was like, you're not as incredible.
• 33:56
  You're hooked.
• 33:57
  That was incredible.
• 33:58
  Yeah.
• 33:59
  That's amazing.
• 34:00
  I love that.
• 34:01
  That was your foray back into it.
• 34:01
  Yeah.
• 34:02
  I mean, I would watch like, you know, when you're a little kid and you have, did you have cable
• 34:05
  in your bedroom as a kid?
• 34:07
  And you're flipping through the channels and like, pet cemetery comes on or both are
• 34:11
  guys.
• 34:12
  And then you're watching it.
• 34:13
  Then you change the channel quite because you're like, I'm going to get caught.
• 34:15
  And this is too scary.
• 34:16
  But then you change it back.
• 34:17
  And then you change it again.
• 34:18
  Yeah.
• 34:19
  And then you change it back to the channel.
• 34:27
  And then you change it back to the channel.
• 34:29
  And then you change it back to the channel.
• 34:31
  And then you change it back to the channel.
• 34:32
  And then you change it back to the channel.
• 34:33
  And then you change it back to the channel.
• 34:34
  And then you change it back to the channel.
• 34:35
  And then you change it back to the channel.
• 34:36
  And then you change it back to the channel.
• 34:37
  And then you change it back to the channel.
• 34:38
  And then you change it back to the channel.
• 34:39
  And then you change it back to the channel.
• 34:40
  And then you change it back to the channel.
• 34:41
  And then you change it back to the channel.
• 34:42
  And then you change it back to the channel.
• 34:43
  And then you change it back to the channel.
• 34:44
  And then you change it back to the channel.
• 34:45
  And then you change it back to the channel.
• 34:46
  And then you change it back to the channel.
• 34:56
  And then you change it back to the channel.
• 34:57
  And then you change it back to the channel.
• 34:58
  And then you change it back to the channel.
• 34:59
  And then you change it back to the channel.
• 35:00
  And then you change it back to the channel.
• 35:01
  And then you change it back to the channel.
• 35:02
  And then you change it back to the channel.
• 35:03
  And then you change it back to the channel.
• 35:04
  And then you change it back to the channel.
• 35:05
  And then you change it back to the channel.
• 35:06
  And then you change it back to the channel.
• 35:07
  And then you change it back to the channel.
• 35:08
  And then you change it back to the channel.
• 35:09
  And then you change it back to the channel.
• 35:10
  And then you change it back to the channel.
• 35:11
  And then you change it back to the channel.
• 35:12
  And then you change it back to the channel.
• 35:13
  And then you change it back to the channel.
• 35:16
  And then you change it back to the channel.
• 35:17
  And then you change it back to the channel.
• 35:18
  And then you change it back to the channel.
• 35:19
  And then you change it back to the channel.
• 35:20
  And then you change it back to the channel.
• 35:21
  And then you change it back to the channel.
• 35:22
  And then you change it back to the channel.
• 35:23
  And then you change it back to the channel.
• 35:24
  And then you change it back to the channel.
• 35:25
  And then you change it back to the channel.
• 35:26
  And then you change it back to the channel.
• 35:27
  And then you change it back to the channel.
• 35:28
  And then you change it back to the channel.
• 35:29
  And then you change it back to the channel.
• 35:30
  And then you change it back to the channel.
• 35:31
  And then you change it back to the channel.
• 35:32
  And then you change it back to the channel.
• 35:33
  And then you change it back to the channel.
• 35:43
  And then you change it back to the channel.
• 35:44
  And then you change it back to the channel.
• 35:45
  And then you change it back to the channel.
• 35:46
  And then you change it back to the channel.
• 35:47
  And then you change it back to the channel.
• 35:48
  And then you change it back to the channel.
• 35:49
  And then you change it back to the channel.
• 35:50
  And then you change it back to the channel.
• 35:51
  And then you change it back to the channel.
• 35:52
  And then you change it back to the channel.
• 35:53
  And then you change it back to the channel.
• 35:54
  And then you change it back to the channel.
• 35:55
  And then you change it back to the channel.
• 35:56
  And then you change it back to the channel.
• 35:57
  And then you change it back to the channel.
• 35:58
  And then you change it back to the channel.
• 35:59
  And then you change it back to the channel.
• 36:00
  And then you change it back to the channel.
• 36:10
  And then you change it back to the channel.
• 36:11
  And then you change it back to the channel.
• 36:12
  And then you change it back to the channel.
• 36:13
  And then you change it back to the channel.
• 36:14
  And then you change it back to the channel.
• 36:15
  And then you change it back to the channel.
• 36:16
  And then you change it back to the channel.
• 36:17
  And then you change it back to the channel.
• 36:18
  And then you change it back to the channel.
• 36:19
  And then you change it back to the channel.
• 36:20
  And then you change it back to the channel.
• 36:21
  And then you change it back to the channel.
• 36:22
  And then you change it back to the channel.
• 36:23
  And then you change it back to the channel.
• 36:24
  And then you change it back to the channel.
• 36:25
  And then you change it back to the channel.
• 36:26
  And then you change it back to the channel.
• 36:27
  And then you change it back to the channel.
• 36:30
  And then you change it back to the channel.
• 36:31
  And then you change it back to the channel.
• 36:32
  And then you change it back to the channel.
• 36:33
  And then you change it back to the channel.
• 36:34
  And then you change it back to the channel.
• 36:35
  And then you change it back to the channel.
• 36:36
  And then you change it back to the channel.
• 36:37
  And then you change it back to the channel.
• 36:38
  And then you change it back to the channel.
• 36:39
  And then you change it back to the channel.
• 36:40
  And then you change it back to the channel.
• 36:41
  And then you change it back to the channel.
• 36:42
  And then you change it back to the channel.
• 36:43
  And then you change it back to the channel.
• 36:44
  And then you change it back to the channel.
• 36:45
  And then you change it back to the channel.
• 36:46
  And then you change it back to the channel.
• 36:47
  And then you change it back to the channel.
• 36:57
  And then you change it back to the channel.
• 36:59
  And then you change it back to the channel.
• 37:00
  And then you change it back to the channel.
• 37:01
  And then you change it back to the channel.
• 37:02
  And then you change it back to the channel.
• 37:03
  And then you change it back to the channel.
• 37:04
  And then you change it back to the channel.
• 37:05
  And then you change it back to the channel.
• 37:06
  And then you change it back to the channel.
• 37:07
  And then you change it back to the channel.
• 37:08
  And then you change it back to the channel.
• 37:09
  And then you change it back to the channel.
• 37:10
  And then you change it back to the channel.
• 37:11
  And then you change it back to the channel.
• 37:12
  And then you change it back to the channel.
• 37:13
  And then you change it back to the channel.
• 37:14
  And then you change it back to the channel.
• 37:15
  And then you change it back to the channel.
• 37:17
  And then you change it back to the channel.
• 37:18
  And then you change it back to the channel.
• 37:19
  And then you change it back to the channel.
• 37:20
  And then you change it back to the channel.
• 37:21
  And then you change it back to the channel.
• 37:22
  And then you change it back to the channel.
• 37:23
  And then you change it back to the channel.
• 37:24
  And then you change it back to the channel.
• 37:25
  And then you change it back to the channel.
• 37:26
  And then you change it back to the channel.
• 37:27
  And then you change it back to the channel.
• 37:28
  And then you change it back to the channel.
• 37:29
  And then you change it back to the channel.
• 37:30
  And then you change it back to the channel.
• 37:31
  And then you change it back to the channel.
• 37:32
  And then you change it back to the channel.
• 37:33
  And then you change it back to the channel.
• 37:34
  And then you change it back to the channel.
• 37:44
  And then you change it back to the channel.
• 37:45
  And then you change it back to the channel.
• 37:46
  And then you change it back to the channel.
• 37:47
  And then you change it back to the channel.
• 37:48
  And then you change it back to the channel.
• 37:49
  And then you change it back to the channel.
• 37:50
  And then you change it back to the channel.
• 37:51
  And then you change it back to the channel.
• 37:52
  And then you change it back to the channel.
• 37:53
  And then you change it back to the channel.
• 37:54
  And then you change it back to the channel.
• 37:55
  And then you change it back to the channel.
• 37:56
  And then you change it back to the channel.
• 37:57
  And then you change it back to the channel.
• 37:58
  And then you change it back to the channel.
• 37:59
  And then you change it back to the channel.
• 38:00
  And then you change it back to the channel.
• 38:01
  And then you change it back to the channel.
• 38:04
  And then you change it back to the channel.
• 38:05
  And then you change it back to the channel.
• 38:06
  And then you change it back to the channel.
• 38:07
  And then you change it back to the channel.
• 38:08
  And then you change it back to the channel.
• 38:09
  And then you change it back to the channel.
• 38:10
  And then you change it back to the channel.
• 38:11
  And then you change it back to the channel.
• 38:12
  And then you change it back to the channel.
• 38:13
  And then you change it back to the channel.
• 38:14
  And then you change it back to the channel.
• 38:15
  And then you change it back to the channel.
• 38:16
  And then you change it back to the channel.
• 38:17
  And then you change it back to the channel.
• 38:18
  And then you change it back to the channel.
• 38:19
  And then you change it back to the channel.
• 38:20
  And then you change it back to the channel.
• 38:21
  And then you change it back to the channel.
• 38:31
  And then you change it back to the channel.
• 38:33
  And then you change it back to the channel.
• 38:34
  And then you change it back to the channel.
• 38:35
  And then you change it back to the channel.
• 38:36
  And then you change it back to the channel.
• 38:37
  And then you change it back to the channel.
• 38:38
  And then you change it back to the channel.
• 38:39
  And then you change it back to the channel.
• 38:40
  And then you change it back to the channel.
• 38:41
  And then you change it back to the channel.
• 38:42
  And then you change it back to the channel.
• 38:43
  And then you change it back to the channel.
• 38:44
  And then you change it back to the channel.
• 38:45
  And then you change it back to the channel.
• 38:46
  And then you change it back to the channel.
• 38:47
  And then you change it back to the channel.
• 38:48
  And then you change it back to the channel.
• 38:49
  And then you change it back to the channel.
• 38:51
  And then you change it back to the channel.
• 38:52
  And then you change it back to the channel.
• 38:53
  And then you change it back to the channel.
• 38:54
  And then you change it back to the channel.
• 38:55
  And then you change it back to the channel.
• 38:56
  And then you change it back to the channel.
• 38:57
  And then you change it back to the channel.
• 38:58
  And then you change it back to the channel.
• 38:59
  And then you change it back to the channel.
• 39:00
  And then you change it back to the channel.
• 39:01
  And then you change it back to the channel.
• 39:02
  And then you change it back to the channel.
• 39:03
  And then you change it back to the channel.
• 39:04
  And then you change it back to the channel.
• 39:05
  And then you change it back to the channel.
• 39:06
  And then you change it back to the channel.
• 39:07
  And then you change it back to the channel.
• 39:08
  And then you change it back to the channel.
• 39:18
  And then you change it back to the channel.
• 39:19
  And then you change it back to the channel.
• 39:20
  And then you change it back to the channel.
• 39:21
  And then you change it back to the channel.
• 39:22
  And then you change it back to the channel.
• 39:23
  And then you change it back to the channel.
• 39:24
  And then you change it back to the channel.
• 39:25
  And then you change it back to the channel.
• 39:26
  And then you change it back to the channel.
• 39:27
  And then you change it back to the channel.
• 39:28
  And then you change it back to the channel.
• 39:29
  And then you change it back to the channel.
• 39:30
  And then you change it back to the channel.
• 39:31
  And then you change it back to the channel.
• 39:32
  And then you change it back to the channel.
• 39:33
  And then you change it back to the channel.
• 39:34
  And then you change it back to the channel.
• 39:35
  And then you change it back to the channel.
• 39:38
  And then you change it back to the channel.
• 39:39
  And then you change it back to the channel.
• 39:40
  And then you change it back to the channel.
• 39:41
  And then you change it back to the channel.
• 39:42
  And then you change it back to the channel.
• 39:43
  And then you change it back to the channel.
• 39:44
  And then you change it back to the channel.
• 39:45
  And then you change it back to the channel.
• 39:46
  And then you change it back to the channel.
• 39:47
  And then you change it back to the channel.
• 39:48
  And then you change it back to the channel.
• 39:49
  And then you change it back to the channel.
• 39:50
  And then you change it back to the channel.
• 39:51
  And then you change it back to the channel.
• 39:52
  And then you change it back to the channel.
• 39:53
  And then you change it back to the channel.
• 39:54
  And then you change it back to the channel.
• 39:55
  And then you change it back to the channel.
• 40:05
  And then you change it back to the channel.
• 40:07
  And then you change it back to the channel.
• 40:08
  And then you change it back to the channel.
• 40:09
  And then you change it back to the channel.
• 40:10
  And then you change it back to the channel.
• 40:11
  And then you change it back to the channel.
• 40:12
  And then you change it back to the channel.
• 40:13
  And then you change it back to the channel.
• 40:14
  And then you change it back to the channel.
• 40:15
  And then you change it back to the channel.
• 40:16
  And then you change it back to the channel.
• 40:17
  And then you change it back to the channel.
• 40:18
  And then you change it back to the channel.
• 40:19
  And then you change it back to the channel.
• 40:20
  And then you change it back to the channel.
• 40:21
  And then you change it back to the channel.
• 40:22
  And then you change it back to the channel.
• 40:23
  And then you change it back to the channel.
• 40:25
  And then you change it back to the channel.
• 40:26
  And then you change it back to the channel.
• 40:27
  And then you change it back to the channel.
• 40:28
  And then you change it back to the channel.
• 40:29
  And then you change it back to the channel.
• 40:30
  And then you change it back to the channel.
• 40:31
  And then you change it back to the channel.
• 40:32
  And then you change it back to the channel.
• 40:33
  And then you change it back to the channel.
• 40:34
  And then you change it back to the channel.
• 40:35
  And then you change it back to the channel.
• 40:36
  And then you change it back to the channel.
• 40:37
  And then you change it back to the channel.
• 40:38
  And then you change it back to the channel.
• 40:39
  And then you change it back to the channel.
• 40:40
  And then you change it back to the channel.
• 40:41
  And then you change it back to the channel.
• 40:42
  And then you change it back to the channel.
• 40:52
  And then you change it back to the channel.
• 40:53
  And then you change it back to the channel.
• 40:54
  And then you change it back to the channel.
• 40:55
  And then you change it back to the channel.
• 40:56
  And then you change it back to the channel.
• 40:57
  And then you change it back to the channel.
• 40:58
  And then you change it back to the channel.
• 40:59
  And then you change it back to the channel.
• 41:00
  And then you change it back to the channel.
• 41:01
  And then you change it back to the channel.
• 41:02
  And then you change it back to the channel.
• 41:03
  And then you change it back to the channel.
• 41:04
  And then you change it back to the channel.
• 41:05
  And then you change it back to the channel.
• 41:06
  And then you change it back to the channel.
• 41:07
  And then you change it back to the channel.
• 41:08
  And then you change it back to the channel.
• 41:09
  And then you change it back to the channel.
• 41:12
  And then you change it back to the channel.
• 41:13
  And then you change it back to the channel.
• 41:14
  And then you change it back to the channel.
• 41:15
  And then you change it back to the channel.
• 41:16
  And then you change it back to the channel.
• 41:17
  And then you change it back to the channel.
• 41:18
  And then you change it back to the channel.
• 41:19
  And then you change it back to the channel.
• 41:20
  And then you change it back to the channel.
• 41:21
  And then you change it back to the channel.
• 41:22
  And then you change it back to the channel.
• 41:23
  And then you change it back to the channel.
• 41:24
  And then you change it back to the channel.
• 41:25
  And then you change it back to the channel.
• 41:26
  And then you change it back to the channel.
• 41:27
  And then you change it back to the channel.
• 41:28
  And then you change it back to the channel.
• 41:29
  And then you change it back to the channel.
• 41:39
  And then you change it back to the channel.
• 41:40
  And then you change it back to the channel.
• 41:41
  And then you change it back to the channel.
• 41:42
  And then you change it back to the channel.
• 41:43
  And then you change it back to the channel.
• 41:44
  And then you change it back to the channel.
• 41:45
  And then you change it back to the channel.
• 41:46
  And then you change it back to the channel.
• 41:47
  And then you change it back to the channel.
• 41:48
  And then you change it back to the channel.
• 41:49
  And then you change it back to the channel.
• 41:50
  And then you change it back to the channel.
• 41:51
  And then you change it back to the channel.
• 41:52
  And then you change it back to the channel.
• 41:53
  And then you change it back to the channel.
• 41:54
  And then you change it back to the channel.
• 41:55
  And then you change it back to the channel.
• 41:56
  And then you change it back to the channel.
• 42:06
  And then you change it back to the channel.
• 42:07
  And then you change it back to the channel.
• 42:08
  And then you change it back to the channel.
• 42:09
  And then you change it back to the channel.
• 42:10
  And then you change it back to the channel.
• 42:11
  And then you change it back to the channel.
• 42:12
  And then you change it back to the channel.
• 42:13
  And then you change it back to the channel.
• 42:14
  And then you change it back to the channel.
• 42:15
  And then you change it back to the channel.
• 42:16
  And then you change it back to the channel.
• 42:17
  And then you change it back to the channel.
• 42:18
  And then you change it back to the channel.
• 42:19
  And then you change it back to the channel.
• 42:20
  And then you change it back to the channel.
• 42:21
  And then you change it back to the channel.
• 42:22
  And then you change it back to the channel.
• 42:23
  And so it really follows the like trilogy, like all rules are gone.
• 42:28
  Yeah.
• 42:29
  Kind of in the slowly gets stupider as a guy.
• 42:32
  Yeah.
• 42:33
  As I described in like the scream three, like the rules to a trilogy
• 42:37
  and how that works.
• 42:38
  And it pulled a lot of those from there.
• 42:40
  These kind of movies are probably what people think of.
• 42:42
  Like we said earlier when they say horror is a bad genre.
• 42:45
  Yes.
• 42:46
  They think of these stupid like leprechaun four in the movie.
• 42:49
  Yeah.
• 42:50
  The fifth one should run the corn.
• 42:53
  Should run the corn.
• 42:54
  Should run the corn.
• 42:55
  The corn lives again.
• 42:56
  Pop corn.
• 42:57
  Like you know, they think of those kind of tropes.
• 42:59
  They don't know how well done and psychological and deep and like commentary heavy.
• 43:05
  Like all of Jordan Peel's horror movies now are incredible and awful of commentary on race relations
• 43:11
  and class and very well done.
• 43:14
  So we've gotten away from the dream warriors of 1987.
• 43:18
  Yeah.
• 43:19
  Sorry if that's your favorite.
• 43:20
  No, it's definitely not the yeah, it's definitely not the best one.
• 43:25
  But I think that there's just so many iconic celebrities like of course we got Jamie Lee Curtis
• 43:32
  from Halloween and for a genre that notoriously has a bad rap.
• 43:38
  A lot of the people that we know and love are so famous from those roles.
• 43:43
  And I think that if you can do good in a horror movie that might not be the best script or
• 43:50
  it's unbelievable, but you can give a good performance.
• 43:53
  It shows that you could move over into other genres.
• 43:57
  Exactly.
• 43:58
  Especially if you have that good classic scream.
• 44:01
  Yes.
• 44:02
  I wish I was a scream queen.
• 44:03
  Good for gin or tega.
• 44:05
  Just like.
• 44:06
  Oh, yeah.
• 44:07
  She was actually one of the iconic scream queen.
• 44:09
  So she got her star in in Sidious chapter two.
• 44:15
  Those movies are good.
• 44:16
  I forgot she was in it as well, but it's because she's so much more famous now that you're
• 44:21
  like, oh, I forgot she was in that.
• 44:23
  And then of course she was still many more moving.
• 44:24
  She went on to X and now is Tim Burton's favorite.
• 44:29
  She was in scream.
• 44:30
  Yeah.
• 44:31
  Tim Burton's favorite person right now.
• 44:34
  His pedagogy.
• 44:35
  No, it's the word muse.
• 44:36
  I'm good times.
• 44:39
  I'm good times.
• 44:40
  Yeah.
• 44:41
  No, I love horror movies.
• 44:42
  I'm glad that I got over my.
• 44:45
  Does it correlate when you stopped being a Christian?
• 44:48
  Oh, my God.
• 44:49
  Oh, my God.
• 44:50
  That's so interesting.
• 44:51
  I need a ability to want to watch it.
• 44:54
  Maybe.
• 44:55
  You know, that's interesting.
• 44:56
  No, I kind of went back to my my Christian roots.
• 44:59
  Oh, yeah.
• 45:00
  When you were in Andrew, yeah.
• 45:01
  I remember that.
• 45:02
  I think it was just in my head all horror for some reason was gory and like, I don't like
• 45:09
  watching.
• 45:10
  And gratuitous and over the top, like people getting tortured and it's so much more than
• 45:15
  that.
• 45:16
  Yeah.
• 45:17
  So now it's probably my favorite film genre, honestly, is a good horror movie.
• 45:20
  Yeah.
• 45:21
  And I can remove myself from seeing gratuitous bloody and violence to a certain extent now.
• 45:27
  I think to myself, these are really well done effects.
• 45:30
  Like, I love a good practical effect.
• 45:32
  I love a well done CG effect and I can just think, how did they make that scene happen?
• 45:36
  How did they do that?
• 45:38
  Yeah.
• 45:39
  I love this YouTube channel called corridor effects or corridor digital.
• 45:42
  Okay.
• 45:43
  And it's CG guys and they all sit on a couch and they break down scenes from movies and
• 45:49
  like that.
• 45:50
  How they were made.
• 45:51
  And now because I watch them, that's why I hate so many cuts when a fight is going on
• 45:56
  because now I just can't stop noticing it.
• 45:59
  So I can kind of remove myself when I think of movies to disgusting and think, okay, this
• 46:04
  is fake, this is well done, this is well acted.
• 46:07
  I mean, to an extent, I have no interest in watching like the terrifying movies.
• 46:12
  All of these articles are like, people are throwing up in the aisles and passing out,
• 46:17
  watching terrifying or three.
• 46:18
  Yeah.
• 46:19
  I'm out.
• 46:20
  Yeah.
• 46:21
  I don't want to be, have that stuck in my mind forever.
• 46:25
  No, I don't want to be scarred for life.
• 46:27
  And I don't want anything to make me vomit like, same with like the saw movies, with like
• 46:32
  the moral labor kills.
• 46:33
  I like reading the articles about them later.
• 46:36
  Yes.
• 46:37
  I will read all of the Wikipedia and truth.
• 46:39
  Yes.
• 46:40
  I, you said earlier, like I think the scariest movie I ever saw was I was trying to think
• 46:46
  remember the name of this movie because I had to try to erase it and it really messed
• 46:50
  me up for a while.
• 46:52
  I think it's on Netflix still, but it's called the darkness.
• 46:56
  And it is just a very afraid of the dark horror.
• 47:03
  And it hits you back to childhood.
• 47:04
  I hate to be so afraid of the dark, but I was thinking, oh my god.
• 47:07
  And it really like prays on that.
• 47:09
  I don't want to spoil it for everyone.
• 47:11
  But it's so good because it like hits down into some of those childhood fears.
• 47:17
  I think that you have, and when horror can do that and take you back in time and to
• 47:22
  it when I was younger, I was so afraid of the final destination movies.
• 47:27
  Me too.
• 47:28
  And now I think they're great.
• 47:29
  I think about it.
• 47:30
  I think about final destination too.
• 47:32
  Every single time I see a truck with something in it where there's just iconic.
• 47:38
  Oh my god.
• 47:39
  An airplane, a roller coaster, when my friends were like, oh, I just used a tanning bed.
• 47:44
  I'm like, why would you use a tanning bed?
• 47:45
  Did you not want to file this?
• 47:46
  Not just because of cancer, but also.
• 47:48
  I mean, there's been a person to live, like, there's two girls and the third one.
• 47:53
  I go to the gym and like that guy's like doing a chest press or something and dies.
• 47:58
  It's just, oh my god.
• 47:59
  The movies are so well done.
• 48:01
  They get a little goofy, but they're very well done.
• 48:03
  They do.
• 48:04
  If you didn't know, they're also books and they're also comics as well.
• 48:08
  So there's a lot of lore around it.
• 48:11
  If you are like me and you love like a horror movie lore and you want to know what
• 48:18
  I know all the different pieces of the story and how Freddie got more powers.
• 48:25
  I've talked about this YouTube channel before, but Seizies World does an amazing job.
• 48:31
  Text that to me.
• 48:32
  Breaking it down.
• 48:33
  And so he actually broke down the entire final destination timeline with the comics,
• 48:39
  the movies and the books.
• 48:41
  I have no idea they were comics.
• 48:42
  That's interesting.
• 48:43
  I had either until I had seen that and it was really, really interesting.
• 48:47
  But I think final destination can be so scary because what it's death and death comes from
• 48:53
  all of us.
• 48:54
  I mean, eventually spoiler we're all going to die.
• 48:57
  Hopefully, yeah, hopefully graphic death and death stories.
• 49:00
  Yeah, you know, only certain teas, only certain teas in life and share.
• 49:04
  Yeah, she's a vampire though.
• 49:05
  100%.
• 49:06
  She looks like exactly the same.
• 49:08
  So there is this Japanese horror manga series called Uzumaki.
• 49:13
  I hope I said that correctly.
• 49:15
  That's how I've been saying it.
• 49:17
  And it came out in 1998 and it ran through 1999, just in iconic Japanese horror.
• 49:25
  I feel like you've probably seen this image before of this spiral in this woman's head
• 49:31
  with her eyeball bulging out.
• 49:33
  They finally made an anime of it.
• 49:37
  And horror fans and anime fans have been waiting.
• 49:40
  Gosh, 1999 to see an anime version of this.
• 49:44
  It's on two Nami/adults' whim but then also on Netflix.
• 49:49
  And it is so disturbing.
• 49:52
  Really?
• 49:53
  The imagery of it looks like it just hopped right off of the pages of the manga.
• 49:59
  It looks in it's all in black and white.
• 50:01
  It looks exactly like you're watching the manga come to life.
• 50:05
  A manga is like a comic book in Japan for people who are like me.
• 50:09
  Yes.
• 50:10
  For people like Olivia.
• 50:11
  It's a comic book in Japan.
• 50:12
  You know.
• 50:13
  Yeah.
• 50:14
  So I'm gonna pop Uzi Maki but I'm only on episode two.
• 50:19
  I will admit I did not read the manga so I don't know where it's going.
• 50:22
  And at this point, the storytelling is very strange and I can't find myself shouting at
• 50:28
  the television a lot.
• 50:29
  Just leave.
• 50:30
  Everything is awful.
• 50:31
  Just leave the city.
• 50:32
  Leave this town before you all die.
• 50:36
  Please get out.
• 50:37
  Get the fuck out of here.
• 50:41
  Yeah, I'm there, man.
• 50:42
  Why are we all staying?
• 50:43
  I literally something insanely grotesquil happened in the next day through all that school
• 50:48
  like wasn't that weird that happened to Jimmy yesterday?
• 50:51
  And I'm like, yeah, that was weird.
• 50:54
  You should flee the country.
• 50:56
  You should leave.
• 50:59
  But I'll pop it.
• 51:00
  It's very well done so far.
• 51:01
  So Uzi Maki on Netflix.
• 51:03
  Okay.
• 51:04
  I love her pop for now.
• 51:06
  So as I mentioned, I went to New York.
• 51:10
  And so that flight from Arizona is quite long.
• 51:13
  It's about five hours.
• 51:14
  So I was watching some movies.
• 51:17
  And if you fly a American, they have a lot of paramount movies.
• 51:20
  And I actually watched a quiet place day one.
• 51:24
  Oh, I haven't watched it yet.
• 51:26
  Was it good?
• 51:27
  I really, really liked it.
• 51:28
  I love Tom Khrusse and Ski though and he's not in it.
• 51:30
  Yeah, well, yeah.
• 51:31
  Because he died a long time ago.
• 51:34
  There have been many movies since then.
• 51:36
  Oh, you're right.
• 51:37
  They did make a sequel.
• 51:38
  Yeah.
• 51:39
  I never mind.
• 51:40
  I guess I can watch it.
• 51:42
  Why?
• 51:43
  The sequel had Killian Murphy in it though.
• 51:46
  So it's almost an upgrade, you know?
• 51:48
  I don't know.
• 51:49
  John Khrusse and Ski's so fine.
• 51:51
  But he has, Killian Murphy has a beard.
• 51:54
  I just want to say, he's so bearded.
• 51:56
  So he's so sexy in it.
• 51:59
  I'll watch it for the beard.
• 52:00
  I'll just say it's so good.
• 52:02
  So the movie, A Quiet Place One, is set in New York City.
• 52:07
  And I'm flying to New York City.
• 52:10
  And the opening credits of it, if it's a New York, is average to be at 90 decibels of sound
• 52:20
  every second, which is equivalent to a human scream.
• 52:25
  And so that's the first thing you see there, the constant noise that you get loud as hell.
• 52:29
  And I get there.
• 52:30
  And you see, you know what's coming because you've seen a Quiet Place if you're watching
• 52:34
  day one and you're just like, oh God, everyone is gonna die.
• 52:40
  I need to watch it.
• 52:41
  And so it kind of goes into that, but I really, really liked it.
• 52:45
  And you should spoil one thing for me.
• 52:47
  Okay.
• 52:48
  And if listeners don't want to hear this spoiler, then just plug your ears for the next 30
• 52:52
  seconds.
• 52:53
  I just need to one more.
• 52:54
  I just need to skip the button.
• 52:55
  There's the cat live.
• 52:56
  Yes.
• 52:57
  All right.
• 52:58
  Yeah, that's all.
• 52:59
  I know.
• 53:00
  I need to, again, the whole time.
• 53:02
  I was so worried about the cat.
• 53:04
  I'm like, I can't even, in my real life, I cannot even be near a cat.
• 53:08
  But I was just like, I can't better not die.
• 53:11
  And it would be, I have to go like, does the dog die, dot, dot, cause the minute I see a dog
• 53:15
  in it.
• 53:16
  And if it does, we have to turn it off.
• 53:18
  Like, I will close my eyes, like, tell me when it's over.
• 53:23
  So I would, I would definitely pop that one.
• 53:26
  Hi.
• 53:27
  Okay.
• 53:28
  I'm gonna get that world.
• 53:29
  Yeah.
• 53:30
  I think it's worth a watch.
• 53:31
  I'm gonna go to the quiet place, day one, and Uzumaki, and let us know what you think.
• 53:35
  And I also want to hear in the comments and in the Facebook support group what your favorite
• 53:40
  horror movies are and your favorite horror movies, genres.
• 53:44
  I think it's time for us to jump back on our broomsticks and fly on out of here.
• 53:51
  But before we go, Olivia, tell everyone where they can find you on social media.
• 53:54
  You can find me, Olivia, on Instagram @livimariez li-v-i-m-a-r-i-e-z.
• 54:04
  You can find me, Shauna Trinidad, on Instagram @shaunatrinidad s-h-a-u-n-a-t-r-i-n-i-d-a-d.
• 54:12
  Dad, you're daddy.
• 54:14
  Wow, why did we both just, daddy?
• 54:18
  That's my fantasy.
• 54:19
  We spend too much time together.
• 54:20
  We really do.
• 54:21
  We're not enough.
• 54:26
  That's my fantasy football team this year is the Trinidadis.
• 54:29
  No, I like that.
• 54:30
  Thank you.
• 54:31
  No Ewok milk this time.
• 54:32
  No, because Felipe didn't want to be Ewok milk.
• 54:34
  Something else like a...
• 54:37
  Something's red rocket.
• 54:38
  Oh, Guinness's?
• 54:39
  I think it's based on Guinness and his red rocket.
• 54:43
  The dog.
• 54:44
  The dog.
• 54:45
  It's a dog.
• 54:46
  Not a person.
• 54:47
  Yeah.
• 54:48
  It's not the knot.
• 54:49
  Again.
• 54:50
  That's the real one.
• 54:51
  Oh my god.
• 54:52
  From the book right.
• 54:53
  By refinishing this podcast, talk about Dix today.
• 54:56
  Like, because it's time.
• 54:57
  Tell everyone where they can find us.
• 55:01
  Oh my god.
• 55:02
  Don't look sad about Dix.
• 55:03
  You say you can't find us on Dicks?
• 55:05
  No.
• 55:06
  Because you could always find me on a Dick.
• 55:07
  I would say you can't find her Dix.
• 55:10
  Oh.
• 55:11
  Oh my god, we're just disgustin'.
• 55:16
  Disgustin'.
• 55:17
  Don't forget that you can manifest the Pop Culture Junkie podcast.
• 55:22
  Social media links in more of our website, popculturejunkie.com.
• 55:26
  From there you can find our podcast and all platforms where you can follow, subscribe,
• 55:29
  rate, review and you should do it all.
• 55:32
  I mean, please do that.
• 55:33
  Love you.
• 55:34
  Thank you.
• 55:35
  Me.
• 55:36
  Me.
• 55:37
  And join our Patreon for a $1 a month.
• 55:39
  We'll give you a special shout out on an episode of the show.
• 55:43
  What a bargain.
• 55:44
  And for a mere $5 you'll get access to the completely uncensored, unedited, unsanitized
• 55:51
  video version of the podcast.
• 55:53
  We're full nude every week for the full episode.
• 55:57
  And you'll get it a week early.
• 56:00
  Check it out.
• 56:02
  Imagine this furniture would be so uncomfortable.
• 56:05
  We would stick to it so hard.
• 56:07
  It is the red leather couch.
• 56:09
  Red leather.
• 56:10
  Red leather.
• 56:11
  Yellow leather.
• 56:12
  Brad Perry's favorite.
• 56:13
  Yes.
• 56:14
  Of course, every subscription helps us bring you the best of pop culture every week.
• 56:19
  Find us at patreon.com/popculturejunkiepodcast.
• 56:23
  Sign up and get that sneak peek and we can say your name at least once.
• 56:27
  Maybe twice.
• 56:28
  Maybe twice.
• 56:29
  Maybe we'll say it three times.
• 56:30
  Beetlejuice.
• 56:31
  Beetlejuice, Beetlejuice.
• 56:32
  Come back next time for another hit of pop culture.
• 56:40
  The Pop Culture Junkie podcast is produced by Jeff Markin and Cheryl Lightfoot for the
• 56:45
  Pop Culture Entertainment Network.
• 56:46
  So entertain me right now.
• 56:53
  I need it bad.
• 56:56
  I need it bad.
• 56:57
  I need it bad.
• 56:58
  I need it bad.