Latest / Verbal Diorama / Wes Craven's New Nightmare

Transcript

Wes Craven's New Nightmare · Verbal Diorama

2:42
Hi,
2:42
everyone.
2:42
I'm
2:43
Em,
2:43
and
2:43
welcome
2:43
to
2:43
Verbal
2:44
Diorama,
2:44
episode
2:45
316,
2:47
Wes
2:47
Craven's
2:48
New
2:48
Nightmare.
2:49
This
2:49
is
2:49
the
2:49
podcast
2:49
that's
2:50
all
2:50
about
2:50
the
2:50
history
2:50
and
2:50
legacy
2:51
of
2:51
movies
2:51
you
2:51
know,
2:52
and
2:52
movies
2:53
you
2:53
don't.
2:54
That
2:54
thought
2:54
she'd
2:54
killed
2:55
Freddie
2:55
off,
2:56
but
2:56
the
2:56
fans
2:57
are
2:57
clamorclamouringingformore.Soevilneverdies,right?Welcometo
3:02
Verbal
3:02
Diorama.
3:03
Whether
3:03
you're
3:03
a
3:03
brandnebrand-newwlistenertothispodcast,whetheryou're
3:05
aregularreturning
3:06
listener,
3:07
thank
3:07
you
3:07
for
3:08
finding
3:08
this
3:08
podcast,
3:08
thank
3:09
you
3:09
for
3:09
listening
3:09
to
3:09
this
3:09
podcast,
3:10
and
3:10
thank
3:10
you
3:10
for
3:11
choosing
3:11
to
3:11
be
3:11
here
3:12
with
3:12
this
3:12
podcast.
3:13
As
3:13
always,
3:14
I'm
3:14
so
3:14
happy
3:14
to
3:14
have
3:14
you
3:14
here
3:15
for
3:15
the
3:15
history
3:15
and
3:16
legacy
3:16
of
3:17
Wes
3:17
Craven's
3:18
new
3:18
nightmare.
3:19
And
3:19
just
3:19
a
3:20
big
3:20
thank
3:20
you,
3:20
if
3:20
you
3:20
are
3:20
a
3:21
regular
3:21
returning
3:22
listener,
3:22
for
3:22
coming
3:23
back
3:23
to
3:23
this
3:23
podcast
3:24
and
3:24
choosing
3:25
to
3:25
continue
3:25
to
3:26
listen
3:26
to
3:26
and
3:26
support
3:26
this
3:27
podcast.
3:27
Because
3:28
by
3:29
listening,
3:29
you
3:29
are
3:30
actively
3:30
supporting
3:31
this
3:31
podcast.
3:31
I'm
3:32
so
3:32
very
3:32
grateful.
3:33
Thank
3:33
you
3:33
for
3:34
your
3:34
support.
3:34
It
3:35
genuinely
3:35
means
3:36
so
3:36
Much
3:37
to
3:37
an
3:37
indie
3:37
podcaster
3:38
who
3:38
does
3:38
literally
3:39
everything
3:39
by
3:40
herself
3:40
and
3:40
therefore
3:41
316
3:42
episodes
3:43
of
3:43
doing
3:44
everything
3:44
by
3:44
herself
3:45
as
3:45
the
3:46
traditional
3:46
spooky
3:46
season
3:47
on
3:47
verbal
3:47
diorama
3:48
sucks.
3:49
Launched
3:49
with
3:49
the
3:49
Devil's
3:50
Advocate,
3:50
it
3:51
launched
3:51
for
3:52
real
3:52
last
3:52
week
3:53
with
3:53
Candyman
3:54
and
3:54
this
3:55
movie,
3:55
Wes
3:56
Craven's
3:56
New
3:56
Nightmare,
3:57
or
3:57
just
3:57
New
3:58
Nightmare.
3:58
I
3:59
decided
3:59
that
3:59
I
4:00
wanted
4:00
to
4:00
do
4:00
this
4:00
movie
4:01
last
4:01
October
4:02
for
4:02
many
4:02
reasons,
4:03
but
4:03
mostly
4:04
to
4:05
give
4:05
this
4:05
movie
4:05
its
4:06
dues.
4:07
Freddy
4:07
Krueger,
4:08
of
4:08
course,
4:09
started
4:09
life
4:09
in
4:10
1984
4:11
as
4:11
a
4:12
terrifying
4:12
child
4:13
murderer,
4:13
but
4:14
ended
4:14
his
4:14
Route
4:14
6
4:15
appearances
4:16
as
4:16
a
4:16
comedic
4:17
character,
4:17
quipping
4:18
to
4:18
his
4:18
victims
4:19
and
4:19
getting
4:19
his
4:20
own
4:20
plushy
4:20
toys
4:21
and
4:21
appearing
4:21
on
4:21
lunchboxes.
4:22
There
4:23
was
4:23
always
4:23
something
4:23
deeply
4:24
unnerving
4:24
about
4:25
putting
4:25
Kruger
4:26
on
4:26
a
4:26
pedestal,
4:27
and
4:27
no
4:27
one
4:28
thought
4:28
it
4:28
more
4:28
than
4:29
his
4:29
creator,
4:29
Wes
4:30
Craven.
4:31
Here's
4:32
the
4:32
trailer
4:32
for
4:33
Wes
4:33
Craven's
4:34
New
4:34
Nightmare.
7:06
Actress
7:06
Heather
7:06
Langenkamp,
7:07
the
7:07
final
7:08
girl
7:08
in
7:08
the
7:08
first
7:08
Nightmare
7:09
on
7:09
Elm
7:09
street,
7:10
has
7:10
been
7:10
living
7:11
her
7:11
life
7:11
away
7:11
from
7:12
the
7:12
horror
7:12
series
7:13
and
7:13
now
7:13
has
7:13
a
7:14
husband
7:14
in
7:14
the
7:14
special
7:14
effects
7:15
industry
7:15
and
7:16
a
7:16
young
7:16
son,
7:17
Dylan.
7:18
Ten
7:18
years
7:18
after
7:18
the
7:19
release
7:19
of
7:19
the
7:19
first
7:19
movie,
7:20
Heather
7:20
starts
7:21
getting
7:21
nightmares
7:22
featuring
7:22
Freddy
7:23
Krueger
7:23
and
7:24
mysterious
7:24
phone
7:25
calls
7:25
are
7:25
reciting
7:26
Freddy's
7:26
iconic
7:27
lines.
7:28
Earthquakes
7:28
are
7:29
ravaging
7:29
the
7:29
neighborhood.
7:30
And
7:30
as
7:30
to
7:31
the
7:31
nightmare
7:31
in
7:31
which
7:32
her
7:32
husband's
7:32
fingers
7:33
are
7:33
cut,
7:33
she
7:34
notices
7:34
they're
7:35
cut
7:35
for
7:35
real.
7:36
Robert
7:36
Shaye,
7:37
the
7:37
producer
7:37
and
7:37
founder
7:38
of
7:38
New
7:38
Line
7:38
Cinema,
7:39
invites
7:40
Heather
7:40
to
7:40
the
7:40
New
7:40
Line
7:41
offices
7:41
to
7:42
tell
7:42
her
7:42
that
7:42
Wes
7:43
Craven
7:43
has
7:43
been
7:43
writing
7:44
a
7:44
new
7:44
script
7:45
and
7:45
that
7:45
Freddy
7:46
is
7:46
going
7:46
to
7:46
return.
7:47
And
7:47
he
7:48
wants
7:48
Heather
7:48
to
7:49
return
7:49
too.
7:50
But
7:50
life
7:51
is
7:51
starting
7:51
to
7:52
imitate
7:52
art.
7:54
Let's
7:54
run
7:54
through
7:55
the
7:55
cast
7:55
of
7:55
this
7:55
movie.
7:56
We
7:56
have
7:56
Heather
7:57
Langenkamp
7:58
as
7:58
Heather
7:58
Langenkamp
7:59
and
7:59
Nancy
8:00
Thompson.
8:01
Robert
8:01
Englund
8:02
as
8:02
Robert
8:03
Englund,
8:04
Miko
8:04
Hughes
8:05
as
8:05
Dylan
8:05
Porter,
8:07
John
8:07
Saxon
8:08
as
8:08
John
8:08
Saxon
8:09
and
8:09
Donald
8:10
Thompson
8:11
Tracy
8:11
Middendorf
8:12
as
8:12
Julie,
8:13
David
8:14
Newsome
8:14
as
8:15
Chase
8:15
Porter,
8:16
Fran
8:17
Bennett
8:17
as
8:17
Dr.
8:18
Christine
8:18
Hefner
8:19
Wes
8:20
Craven
8:20
as
8:21
Wes
8:21
Craven,
8:22
Robert
8:22
Shaye
8:23
as
8:23
Robert
8:24
Shaye
8:24
and
8:25
Freddy
8:25
Krueger
8:26
as
8:26
himself.
8:27
Wes
8:28
Craven's
8:29
New
8:29
Nightmare
8:29
was
8:29
written
8:30
and
8:30
directed
8:31
by
8:31
Wes
8:31
Craven.
8:33
A
8:33
Nightmare
8:33
on
8:33
Elm
8:34
street
8:34
was
8:34
a
8:34
huge
8:34
success
8:35
for
8:35
New
8:35
Line
8:36
Cinema,
8:36
the
8:36
brainchild
8:37
of
8:37
Wes
8:37
Craven,
8:38
a
8:38
slasher
8:39
that
8:39
brought
8:39
scares
8:40
as
8:40
well
8:40
as
8:40
gory
8:41
special
8:41
effects
8:43
based
8:43
on
8:43
the
8:43
real
8:43
stories
8:44
of
8:44
immigrants
8:45
who
8:45
had
8:45
experienced
8:45
the
8:46
killing
8:46
fields
8:46
in
8:46
Cambodia
8:47
and
8:48
had
8:48
literally
8:48
nightmared
8:49
themselves
8:50
to
8:50
death.
8:51
If
8:51
you
8:51
want
8:51
a
8:51
more
8:52
in
8:52
depth
8:52
history
8:52
on
8:53
A
8:53
Nightmare
8:53
on
8:53
Elm
8:53
Street,
8:54
I
8:54
did
8:54
episode
8:55
275
8:56
on
8:56
it
8:56
last
8:56
October.
8:57
And
8:58
in
8:58
many
8:58
ways
8:58
this
8:58
is
8:59
why
8:59
I'm
8:59
back
8:59
again
8:59
doing
9:00
this.
9:00
But
9:00
unlike
9:01
my
9:01
usual
9:02
rules
9:02
to
9:02
do
9:02
all
9:03
of
9:03
the
9:03
sequels,
9:04
I'm
9:04
choosing
9:05
to
9:05
bypass
9:05
them
9:06
and
9:06
go
9:06
straight
9:06
from
9:07
one
9:07
to
9:07
seven.
9:08
Because
9:08
while
9:09
the
9:09
first
9:09
movie
9:10
is
9:10
the
9:10
best,
9:11
this
9:11
one
9:11
is
9:12
the
9:12
smartest
9:13
and
9:13
most
9:14
interesting.
9:15
But
9:15
it
9:15
isn't
9:16
the
9:16
movie
9:16
that
9:16
most
9:16
millennials
9:17
think
9:17
of.
9:17
When
9:18
they
9:18
think
9:18
of
9:18
meta
9:19
horror,
9:19
they
9:20
think
9:20
of
9:20
the
9:20
movie
9:21
Wes
9:21
Craven
9:21
did
9:22
next.
9:23
Scream
9:23
and
9:24
Scream
9:24
defined
9:25
a
9:25
generation
9:25
of
9:26
horror
9:26
lovers
9:26
wanting
9:27
slasher
9:27
gore
9:28
with
9:28
the
9:28
intelligence
9:29
to
9:29
wink
9:30
to
9:30
the
9:30
genre's
9:30
cliches.
9:31
Scream
9:32
was
9:32
a
9:32
blockbuster
9:33
unlike
9:33
any
9:34
other
9:34
horror
9:34
movie
9:35
had
9:35
been.
9:35
And
9:35
even
9:36
today,
9:36
its
9:36
multitude
9:37
of
9:37
sequels
9:38
still
9:38
will
9:39
never
9:39
match
9:39
the
9:39
original.
9:40
Screams,
9:41
scares,
9:42
humor
9:42
and
9:42
meta
9:43
commentary
9:43
lovingly
9:44
mocking
9:45
a
9:45
toy,
9:45
a
9:45
genre.
9:46
Most
9:46
directors
9:47
are
9:47
lucky
9:47
to
9:48
get
9:48
one
9:48
franchise
9:49
to
9:49
their
9:49
names,
9:50
let
9:50
alone
9:51
one
9:51
genre
9:51
defining
9:52
horror
9:52
franchise.
9:53
Craven
9:54
has
9:54
two.
9:55
Greedy
9:56
bugger
9:57
back
9:57
to
9:57
A
9:57
Nightmare
9:57
on
9:58
Elm
9:58
street,
9:58
though.
9:58
The
9:58
original
9:59
came
9:59
out
9:59
in
10:00
1984
10:00
and
10:01
was
10:01
blessed
10:01
slash
10:02
cursed
10:03
with
10:03
five
10:03
sequels
10:04
before
10:04
we
10:04
got
10:05
to
10:05
New
10:05
Nightmare.
10:06
So
10:06
let's
10:07
just
10:07
go
10:07
into
10:07
those
10:07
sequels
10:08
briefly.
10:09
Wes
10:10
Craven
10:10
didn't
10:11
want
10:11
to
10:11
direct
10:11
a
10:11
sequel
10:12
and
10:12
he
10:12
didn't
10:13
have
10:13
any
10:13
ongoing
10:14
financial
10:14
or
10:14
contractual
10:15
participation
10:16
in
10:17
sequels.
10:17
And
10:18
so
10:18
Bob
10:18
Shaye
10:19
in
10:19
New
10:19
Line
10:19
Cinema
10:20
went
10:20
ahead
10:20
with
10:20
the
10:21
Nightmare
10:21
on
10:21
Elm
10:21
Street
10:22
2
10:22
Freddy's
10:23
Revenge,
10:23
without
10:24
Craven's
10:24
participation.
10:26
Freddy's
10:26
Revenge
10:26
is
10:27
often
10:27
cited
10:27
as
10:28
an
10:28
unintentionally
10:29
gay
10:29
horror
10:29
movie,
10:30
with
10:30
the
10:30
movie's
10:31
homoerotic
10:32
subtext
10:32
being
10:33
denied
10:33
by
10:33
the
10:34
writer
10:34
David
10:34
Chaskin
10:35
for
10:35
years.
10:36
And
10:36
it
10:36
seriously
10:37
affected
10:37
the
10:37
main
10:38
actor,
10:38
Mark
10:38
Patton,
10:39
who
10:39
was
10:40
himself
10:40
a
10:40
young
10:41
closeted
10:41
gay
10:42
man
10:42
at
10:42
the
10:42
time.
10:43
In
10:43
the
10:43
2010
10:44
documentary
10:44
film
10:45
Never
10:45
Sleep
10:45
the
10:46
Elm
10:46
Street
10:46
Legacy,
10:47
Chasking
10:48
finally
10:48
admitted
10:49
that
10:49
the
10:49
gay
10:49
themes
10:49
were
10:50
intentional,
10:51
something
10:51
he
10:51
had
10:52
denied
10:52
up
10:52
until
10:53
that
10:53
point.
10:54
Craven
10:55
would
10:55
return
10:55
to
10:55
the
10:56
franchise
10:56
along
10:57
with
10:57
Heather
10:57
Langenkamp
10:58
in
10:58
1987
10:59
for
10:59
A
10:59
Nightmare
11:00
on
11:00
Elm
11:00
Street
11:01
3
11:01
Dream
11:01
warriors,
11:02
with
11:02
a
11:02
co
11:03
screenwriting
11:03
and
11:04
co
11:04
story
11:04
credit.
11:05
But
11:05
the
11:05
movie
11:06
would
11:06
be
11:06
directed
11:07
by
11:07
Chuck
11:07
Russell,
11:08
but
11:08
because
11:09
Craven
11:09
had
11:09
signed
11:10
away
11:10
his
11:10
rights
11:10
and
11:11
therefore
11:11
signed
11:12
away
11:12
his
11:12
rights
11:12
to
11:13
any
11:13
further
11:13
compensation
11:14
for
11:15
sequels
11:15
or
11:15
merchandising.
11:17
Three
11:17
further
11:18
sequels,
11:18
A
11:18
Nightmare
11:19
on
11:19
Elm
11:19
Street
11:19
4
11:20
The
11:20
Dream
11:20
Master,
11:21
A
11:21
Nightmare
11:21
on
11:21
Elm
11:22
Street
11:22
5
11:22
The
11:23
Dream
11:23
Child
11:24
and
11:24
Freddy's
11:25
The
11:25
Final
11:25
Nightmare
11:26
followed
11:26
in
11:27
1988,
11:28
1989
11:29
and
11:29
1991
11:30
respectively.
11:31
Fred
11:32
Instead,
11:32
the
11:32
Final
11:33
Nightmare
11:33
was
11:33
always
11:34
intended
11:34
to
11:34
be
11:35
the
11:35
big
11:35
finale.
11:36
The
11:36
day
11:36
of
11:37
release
11:37
was
11:37
declared
11:38
Freddy
11:38
Krueger
11:38
Day
11:39
in
11:39
Los
11:39
Angeles
11:40
and
11:40
there
11:40
was
11:40
even
11:40
a
11:41
mock
11:41
public
11:41
funeral
11:42
held
11:42
at
11:43
the
11:43
Hollywood
11:43
Forever
11:44
Cemetery
11:44
for
11:44
the
11:45
final
11:45
death
11:45
of
11:45
the
11:46
character.
11:47
But
11:47
Freddy's
11:48
Dead
11:48
also
11:48
had
11:49
Freddy
11:49
at
11:49
his
11:49
least
11:50
serious
11:50
and
11:50
menacing,
11:51
turning
11:52
his
11:52
victims
11:52
into
11:53
pizza
11:53
toppings
11:53
and
11:54
video
11:54
game
11:54
characters
11:55
with
11:55
cameos
11:56
from
11:56
previous
11:57
Elm
11:57
street
11:57
victim.
11:58
Now
11:58
movie
11:59
star
11:59
Johnny
11:59
Depp,
12:00
credited
12:00
as
12:01
Oprah
12:01
Noodlemantra
12:02
with
12:02
the
12:02
infamous
12:03
this
12:03
is
12:03
your
12:04
brain
12:04
on
12:04
drugs
12:05
also
12:05
featured
12:06
cameos
12:06
from
12:06
Roseanne
12:07
Barr
12:07
and
12:07
Tom
12:07
Arnold.
12:08
Of
12:08
all
12:08
people.
12:09
The
12:09
end
12:10
of
12:10
Freddie
12:10
really
12:10
was
12:11
supposed
12:11
to
12:11
be
12:11
the
12:12
end,
12:12
and
12:12
it
12:13
was
12:13
certainly
12:13
the
12:13
end
12:14
of
12:14
the
12:14
character's
12:14
serious
12:15
horror
12:15
credibility.
12:16
As
12:17
with
12:17
many
12:17
horror
12:18
stories,
12:18
maintaining
12:19
genuine
12:19
scares
12:20
had
12:20
become
12:20
difficult
12:21
across
12:21
multiple
12:22
sequels.
12:22
And
12:23
humor
12:23
seemed
12:24
to
12:24
be
12:24
the
12:24
way
12:24
to
12:24
keep
12:25
audiences
12:25
engaged
12:26
when
12:27
pure
12:27
terror
12:27
was
12:28
hard
12:28
to
12:28
achieve.
12:29
But
12:30
everyone
12:30
knows
12:30
that
12:31
no
12:31
character
12:31
ever
12:32
stays
12:32
truly
12:32
dead.
12:33
And
12:33
plans
12:33
for
12:34
another
12:34
movie
12:34
in
12:34
the
12:34
franchise
12:35
after
12:35
Freddy's
12:36
the
12:37
Not
12:37
so
12:37
Final
12:37
Nightmare
12:38
started
12:38
pretty
12:39
quickly
12:39
after
12:39
that
12:40
movie
12:40
became
12:41
a
12:41
critical
12:41
failure.
12:42
New
12:43
Line
12:43
was
12:43
the
12:44
house
12:44
that
12:44
Freddy
12:45
built,
12:45
and
12:45
it
12:45
was
12:45
also
12:46
the
12:46
house
12:46
that
12:46
used
12:47
a
12:47
massive
12:47
defibrillator
12:48
on
12:48
Freddie
12:49
and
12:49
didn't
12:49
stop
12:50
saying
12:50
clear
12:50
till
12:51
Freddie
12:51
came
12:51
back
12:51
to
12:52
life.
12:52
Sort
12:53
of
12:53
different
12:53
to
12:53
how
12:54
he
12:54
was
12:54
before.
12:55
It's
12:56
no
12:56
secret
12:56
that
12:56
Wes
12:57
Craven
12:57
wasn't
12:58
happy
12:58
with
12:58
the
12:58
growing
12:58
fatigue
12:59
surrounding
12:59
the
13:00
franchise
13:00
and
13:01
the
13:01
comedic
13:01
angle
13:02
the
13:02
character
13:02
had
13:02
taken
13:03
over.
13:03
The
13:03
sequels.
13:04
The
13:04
Nightmare
13:05
films
13:05
were
13:06
never
13:06
meant
13:06
to
13:06
be
13:06
seen
13:07
by
13:07
children.
13:07
And
13:08
yet
13:08
they
13:09
started
13:09
merchandising
13:10
Freddie
13:11
quite
13:11
quickly.
13:12
With
13:12
children's
13:13
toys
13:13
and
13:13
costumes
13:14
available,
13:15
it's
13:15
something
13:15
new
13:16
Nightmare
13:16
comments
13:16
on
13:17
openly
13:17
with
13:18
the
13:18
character
13:18
of
13:18
Heather's
13:19
son
13:19
Dylan
13:20
having
13:20
his
13:20
episodes
13:21
blamed
13:21
on
13:22
his
13:22
mother's
13:22
horror
13:22
career
13:23
and
13:23
his
13:24
father's
13:24
visual
13:24
effects
13:25
career.
13:25
This
13:26
is
13:26
a
13:26
kid
13:26
who
13:27
openly
13:27
visits
13:28
film
13:28
sets
13:29
we
13:29
see
13:29
in
13:29
Nightmares
13:30
at
13:30
least,
13:30
but
13:31
with
13:31
two
13:31
parents
13:32
working
13:32
in
13:32
the
13:32
industry,
13:33
it's
13:34
not
13:34
outside
13:34
of
13:34
the
13:34
realm
13:35
of
13:35
possibility
13:35
that
13:36
Dylan
13:36
has
13:36
grown
13:36
up
13:37
on
13:37
the
13:37
movie's
13:38
versions
13:38
of
13:39
the
13:39
Nightmare
13:39
on
13:39
Elm
13:40
street
13:40
series
13:40
sets.
13:42
It's
13:42
also
13:42
no
13:42
secret
13:43
that
13:43
Craven
13:44
felt
13:44
like
13:44
the
13:44
series
13:44
had
13:45
peaked
13:45
with
13:45
his
13:45
own
13:46
involvements
13:46
the
13:47
original
13:48
and
13:48
then
13:48
co
13:48
writing
13:49
A
13:49
Nightmare
13:49
on
13:49
Elm
13:49
Street
13:50
3
13:50
Dream
13:50
warriors,
13:51
which
13:51
was
13:51
originally
13:52
going
13:52
to
13:52
be
13:52
fairly
13:53
similar
13:53
to
13:53
New
13:54
Nightmare
13:54
until
13:55
the
13:55
studio
13:56
rejected
13:56
the
13:56
idea.
13:57
They
13:57
had
13:57
a
13:57
cash
13:58
cow
13:58
to
13:58
milk
13:59
after
13:59
all.
14:01
Though
14:02
Freddy's
14:02
Dead
14:02
wa
14:02
panned
14:02
critically,
14:03
it
14:03
was
14:04
modestly
14:04
successful
14:05
at
14:05
the
14:05
box
14:05
office,
14:06
more
14:06
so
14:07
than
14:07
A
14:07
Nightmare
14:07
on
14:07
El
14:08
Street
14:08
5
14:08
the
14:09
Dream
14:09
Child
14:09
had
14:09
been.
14:10
While
14:11
New
14:11
Line
14:11
genuinely
14:12
intended
14:12
to
14:12
end
14:13
the
14:13
series,
14:14
recognizing
14:14
that
14:15
the
14:15
franchise
14:15
had
14:15
become
14:16
creatively
14:17
exhausted,
14:18
the
14:18
financial
14:18
side
14:19
meant
14:19
there
14:19
was
14:19
still
14:20
commercial
14:20
value
14:20
in
14:21
the
14:21
character.
14:22
Despite
14:22
the
14:22
declining
14:23
quality,
14:24
they
14:24
realized
14:25
they'd
14:25
killed
14:26
Freddie
14:26
too
14:27
soon.
14:27
New
14:28
Line
14:28
apparently
14:28
came
14:29
to
14:29
realize
14:29
that
14:29
ending
14:30
the
14:30
franchise
14:30
with
14:30
such
14:31
a
14:31
poorly
14:31
received,
14:32
campy
14:32
film
14:33
was
14:33
a
14:33
mistake
14:34
that
14:34
didn't
14:35
actually
14:35
honor
14:35
the
14:36
character
14:36
that
14:36
had
14:36
built
14:37
their
14:37
studio.
14:38
They
14:38
wanted
14:39
to
14:39
resurrect
14:39
Freddy
14:40
Krueger
14:40
without
14:41
actually
14:41
resurrecting
14:42
him,
14:43
and
14:43
to
14:43
give
14:43
Freddy
14:44
his
14:44
dues
14:45
and
14:45
the
14:45
fans
14:46
theirs.
14:46
They
14:47
could
14:47
only
14:47
call
14:48
One
14:48
Man.
14:50
Ten
14:50
years
14:50
after
14:51
A
14:51
Nightmare
14:51
on
14:51
Elm
14:52
Street,
14:52
Bob
14:53
Shaye
14:53
called
14:53
Wes
14:54
Craven,
14:55
offering
14:55
to
14:55
make
14:56
one
14:56
more
14:56
Freddy
14:57
film,
14:58
even
14:58
though
14:58
the
14:58
previous
14:59
sequel
14:59
was
14:59
literally
15:00
supposed
15:00
to
15:00
be
15:01
the
15:01
final
15:01
Nightmare.
15:02
That
15:02
meeting
15:03
was
15:03
to
15:03
talk
15:03
about
15:03
Wes
15:04
Craven's
15:05
new
15:05
Nightmare,
15:05
which
15:06
was
15:06
originally
15:07
titled
15:07
A
15:07
Nightmare
15:08
on
15:08
Elm
15:08
Street
15:08
7
15:09
the
15:09
Ascension
15:10
and
15:10
finally
15:11
Craven
15:11
was
15:11
offered
15:12
a
15:12
cut
15:12
of
15:12
the
15:12
merchandising
15:13
and
15:13
sequels
15:14
retroactively.
15:15
Craven
15:16
would
15:16
say
15:16
about
15:17
the
15:17
idea
15:17
of
15:17
bringing
15:18
Freddy
15:18
back
15:18
again,
15:19
quote,
15:19
I
15:20
always
15:20
felt
15:20
that
15:21
under
15:21
wonderful
15:21
circumstances
15:22
I'd
15:23
love
15:23
to
15:23
get
15:23
my
15:23
hands
15:23
on
15:24
the
15:24
franchise
15:24
one
15:25
more
15:25
time.
15:26
When
15:26
I
15:26
realized
15:26
it
15:27
would
15:27
be
15:27
the
15:27
10th
15:27
anniversary
15:28
and
15:28
the
15:28
seventh
15:29
film,
15:29
it
15:29
was
15:30
attractive
15:30
to
15:30
come
15:31
back
15:31
from
15:31
a
15:31
position
15:31
of
15:32
strength
15:32
and
15:32
do
15:33
it.
15:33
So
15:34
we
15:34
agreed
15:35
that's
15:35
Bob
15:35
Shaye,
15:36
Sarah
15:36
Risher,
15:37
Mike
15:37
DeLuca,
15:38
the
15:38
creative
15:38
heads
15:39
at
15:39
New
15:39
Line
15:40
and
15:40
myself
15:40
and
15:41
my
15:41
producer
15:41
Marianne
15:42
Maddelena,
15:43
that
15:43
unless
15:43
we
15:44
could
15:44
bring
15:44
Freddie
15:44
back
15:45
in
15:45
a
15:45
way
15:45
that
15:45
wasn't
15:46
farcical,
15:47
like
15:47
saying
15:47
it
15:47
was
15:48
all
15:48
a
15:48
dream
15:48
and
15:49
Freddie
15:49
isn't
15:49
really
15:49
dead.
15:50
We
15:50
wouldn't
15:50
do
15:51
it.
15:51
If
15:51
we
15:51
couldn't
15:52
do
15:52
it
15:52
in
15:52
some
15:53
way
15:53
that
15:53
was
15:53
justified,
15:54
then
15:54
we
15:54
wouldn't
15:55
do
15:55
it
15:55
at
15:55
all.
15:56
Unquote.
15:57
With
15:57
the
15:58
financial
15:58
issues
15:58
sorted,
15:59
Craven
16:00
got
16:00
down
16:00
to
16:00
developing
16:01
his
16:01
new
16:01
script,
16:02
which
16:02
included
16:02
references
16:03
to
16:03
the
16:03
previous
16:04
movies,
16:04
to
16:05
the
16:05
diminishing
16:05
returns
16:06
of
16:06
not
16:06
only
16:06
the
16:07
Nightmare
16:07
on
16:07
Elm
16:07
street
16:08
series,
16:08
but
16:09
horror
16:09
in
16:09
general,
16:10
and
16:10
to
16:10
the
16:10
fairy
16:11
tales
16:11
of
16:11
old
16:11
like
16:12
Hansel
16:12
and
16:12
Gretel
16:13
that
16:13
became
16:13
sanitized
16:14
over
16:14
time.
16:15
But
16:15
mostly
16:16
he
16:16
was
16:16
writing
16:17
a
16:17
script
16:17
about
16:18
writing
16:18
a
16:18
script,
16:19
and
16:19
he
16:19
would
16:19
have
16:19
lunch
16:20
with
16:20
both
16:20
Heather
16:20
Langenkamp
16:21
and
16:21
Robert
16:22
Englund
16:23
to
16:23
find
16:23
out
16:23
how
16:24
the
16:24
movies
16:24
had
16:24
changed
16:25
their
16:25
lives
16:25
and
16:26
most
16:26
importantly,
16:27
would
16:27
they
16:28
be
16:28
interested
16:28
in
16:29
coming
16:29
back
16:29
to
16:29
do
16:30
something
16:30
like
16:30
this?
16:31
Turns
16:32
out
16:32
they
16:32
both
16:33
did.
16:33
He
16:34
presented
16:34
his
16:34
idea
16:35
to
16:35
New
16:35
Line
16:35
Cinema's
16:36
CEO
16:36
Robert
16:37
Shea
16:37
and
16:38
included
16:38
him
16:38
in
16:38
the
16:38
script,
16:39
which
16:39
he
16:39
liked.
16:40
This
16:40
was
16:41
a
16:41
brand
16:41
new,
16:41
unique
16:42
take
16:42
on
16:42
the
16:42
horror
16:43
genre,
16:43
but
16:44
not
16:44
the
16:44
first
16:45
attempt
16:45
at
16:45
metafictional
16:46
horror,
16:47
which
16:47
is
16:47
usually
16:48
cited
16:48
as
16:48
1960s
16:49
Peeping
16:50
Tom
16:50
by
16:51
Michael
16:51
Powell
16:52
about
16:52
Mark
16:52
Lewis,
16:53
a
16:53
photographer
16:54
and
16:54
filmmaker
16:55
who
16:55
murders
16:55
women
16:56
while
16:56
recording
16:57
their
16:57
deaths
16:57
with
16:58
his
16:58
camera.
16:59
It
16:59
was
16:59
an
16:59
uncomfortable
17:00
watch.
17:01
Powell's
17:01
camera
17:02
positions
17:02
us
17:02
directly
17:03
behind
17:03
Mark
17:04
and
17:04
his
17:04
spectators
17:05
so
17:05
that
17:06
we
17:06
become
17:06
his
17:06
unwilling
17:07
accomplices.
17:08
The
17:08
audience
17:09
watches
17:09
Mark
17:10
watching
17:10
his
17:10
films.
17:11
The
17:12
film
17:12
destroyed
17:12
Powell's
17:13
career
17:13
upon
17:13
release
17:14
because
17:14
of
17:14
the
17:14
harsh
17:15
critical
17:15
reception,
17:16
only
17:16
to
17:16
be
17:17
later
17:17
recognized
17:18
as
17:18
a
17:18
masterpiece
17:19
that
17:19
anticipated
17:20
many
17:20
themes
17:20
horror
17:21
cinema
17:21
would
17:21
explore
17:22
decades
17:22
later.
17:24
Peeping
17:24
Tom
17:24
imagines
17:25
the
17:25
relationship
17:26
between
17:26
filmmaker,
17:27
film
17:27
and
17:28
audience
17:29
in
17:29
ways
17:29
that
17:29
wouldn't
17:30
be
17:30
fully
17:30
explored
17:31
again
17:31
until
17:32
films
17:32
like
17:32
New
17:33
Nightmare
17:33
and
17:34
later
17:34
Scream
17:35
brought
17:35
meta
17:36
horror
17:36
into
17:36
the
17:36
mainstream.
17:37
While
17:38
New
17:38
Nightmare
17:38
was
17:39
more
17:39
explicitly
17:39
about
17:40
the
17:40
horror
17:40
film
17:40
industry
17:41
and
17:41
featured
17:42
real
17:42
people
17:42
playing
17:43
themselves,
17:44
Peeping
17:44
Tom
17:44
was
17:45
the
17:45
first
17:45
to
17:45
make
17:46
the
17:46
act
17:46
of
17:46
watching
17:47
horror
17:47
films
17:47
itself
17:48
part
17:49
of
17:49
the
17:49
horror.
17:51
New
17:51
Nightmare
17:52
doesn't
17:52
explicitly
17:53
belittle
17:53
the
17:53
Nightmare
17:54
on
17:54
Elm
17:54
street
17:54
series.
17:55
Craven
17:55
is
17:56
smart
17:56
enough
17:56
to
17:56
subtly
17:57
mention
17:57
Heather
17:58
Langenkamp
17:59
hasn't
17:59
been
17:59
too
17:59
affected
18:00
by
18:00
the
18:00
series,
18:00
as
18:01
she's
18:01
moved
18:01
on
18:01
to
18:01
other
18:01
things
18:02
as
18:02
she
18:03
was
18:03
only
18:03
in
18:03
parts
18:04
one
18:04
and
18:04
three,
18:04
coincidentally
18:05
the
18:05
same
18:05
ones
18:06
he
18:06
himself
18:06
was
18:06
involved
18:07
in.
18:07
But
18:07
while
18:08
the
18:08
movie
18:08
version
18:08
of
18:08
Heather
18:09
is
18:09
written
18:09
by
18:10
Craven
18:10
to
18:10
be
18:10
highly
18:11
strong
18:11
and
18:11
damaged
18:12
by
18:12
her
18:12
association
18:13
with
18:13
Freddy
18:14
as
18:14
soon
18:14
as
18:14
his
18:15
nightmares
18:15
start,
18:16
the
18:16
real
18:16
life
18:17
Heather
18:17
is
18:17
much
18:17
more
18:18
laid
18:18
back,
18:18
but
18:19
her
18:19
real
18:19
life
18:19
issues
18:20
would
18:20
actually
18:21
make
18:21
it
18:21
into
18:21
the
18:21
movie
18:22
because
18:23
we
18:23
don't
18:23
actually
18:24
think
18:24
about
18:24
the
18:24
real
18:25
life
18:25
issues
18:25
that
18:26
might
18:26
come
18:26
from
18:27
starring
18:27
in
18:27
a
18:27
horror
18:28
movie.
18:28
Especially
18:29
for
18:29
children
18:29
and
18:30
young
18:30
people
18:30
who
18:31
might
18:31
be
18:31
more
18:31
impressionable,
18:33
horror
18:33
movies
18:33
are
18:34
the
18:34
movies
18:34
kids
18:35
really
18:35
want
18:35
to
18:35
watch
18:36
because
18:36
they're
18:36
not
18:37
allowed
18:37
to.
18:38
Heather
18:38
Langenkamp
18:39
was
18:39
19
18:40
when
18:40
she
18:40
first
18:40
starred
18:41
as
18:41
Nancy
18:41
Thompson,
18:42
and
18:42
many
18:43
people
18:43
in
18:43
her
18:43
life
18:44
warned
18:44
her
18:44
about
18:45
starring
18:45
in
18:45
a
18:45
horror
18:46
movie,
18:46
that
18:46
she
18:47
might
18:47
become
18:47
typecast
18:48
or
18:48
it
18:48
might
18:49
affect
18:49
future
18:49
acting
18:50
jobs.
18:50
And
18:51
while
18:51
she
18:51
didn't
18:51
do
18:52
much
18:52
in
18:52
the
18:52
way
18:52
of
18:53
movies
18:53
during
18:53
the
18:53
80s,
18:54
she
18:54
did
18:55
become
18:55
a
18:55
household
18:56
name
18:56
on
18:56
TV,
18:57
starring
18:57
in
18:58
Just
18:58
the
18:58
10
18:58
of
18:58
Us,
18:59
a
18:59
spin
18:59
off
18:59
of
19:00
the
19:00
popular
19:00
sitcom
19:01
Growing
19:01
Pains,
19:01
which
19:02
aired
19:02
from
19:02
1988
19:03
to
19:03
1990.
19:05
It
19:05
was
19:05
from
19:05
the
19:05
cancellation
19:06
of
19:07
Just
19:07
the
19:07
Ten
19:07
of
19:07
Us
19:08
that
19:08
Langenkamp
19:09
did
19:09
have
19:09
her
19:09
own
19:10
stalker,
19:11
who,
19:11
just
19:11
like
19:12
in
19:12
the
19:12
movie,
19:12
harassed
19:13
her
19:13
with
19:13
phone
19:14
calls
19:14
and
19:14
letters.
19:15
Upset
19:16
that
19:16
the
19:16
sitcom
19:17
had
19:17
been
19:17
taken
19:17
off
19:17
air,
19:18
as
19:19
if
19:19
that's
19:19
the
19:19
lead
19:19
actor's
19:20
fault.
19:21
Langenkamp
19:22
gave
19:22
Craven
19:23
permission
19:23
to
19:23
use
19:24
her
19:24
real
19:24
experience
19:25
to
19:25
add
19:25
a
19:26
layer
19:26
of
19:26
real
19:26
life
19:27
horror
19:27
to
19:27
the
19:28
movie
19:28
version
19:28
of
19:28
Heather's
19:29
life.
19:29
But
19:30
this
19:30
wouldn't
19:30
be
19:30
the
19:31
real
19:31
Heather.
19:31
It
19:32
would
19:32
be
19:32
a
19:32
heightened
19:33
version,
19:34
slightly
19:34
damaged
19:34
and
19:35
eager
19:35
to
19:35
escape
19:35
the
19:36
Nightmare
19:36
on
19:36
Elm
19:36
street
19:37
specter
19:37
that
19:37
had
19:37
followed
19:38
her
19:38
fictional
19:38
career.
19:39
It
19:39
was
19:40
more
19:40
fun
19:40
for
19:40
Langenkamp
19:41
to
19:41
play
19:41
Heather
19:42
that
19:42
way
19:42
than
19:43
just
19:43
to
19:43
play
19:43
herself.
19:44
And
19:44
she
19:44
focused
19:45
on
19:45
the
19:45
central
19:45
conflict.
19:46
Was
19:47
Heather
19:47
really
19:48
going
19:48
crazy
19:49
or
19:49
was
19:49
Freddy
19:50
Krueger
19:50
really
19:51
tormenting
19:51
her
19:51
in
19:52
the
19:52
real
19:52
world?
19:53
Langenkamp's
19:54
husband,
19:55
real
19:55
life
19:55
husband,
19:56
makeup
19:57
effects
19:57
artist
19:57
David
19:58
Leroy
19:58
Anderson,
19:59
declined
20:00
to
20:00
play
20:00
himself
20:01
in
20:01
the
20:01
movie.
20:02
He
20:02
actually
20:02
proposed
20:03
to
20:03
her
20:03
on
20:03
the
20:03
set
20:03
of
20:04
Pet
20:04
Symmetry,
20:05
which
20:05
coincidentally
20:06
starred
20:07
the
20:07
young
20:07
Miko
20:08
Hughes.
20:09
One
20:09
of
20:09
the
20:10
reasons
20:10
Wes
20:10
Craven
20:11
specifically
20:11
gave
20:11
the
20:12
movie
20:12
version
20:12
of
20:12
Heather
20:13
a
20:13
child
20:14
was
20:14
to
20:14
ask
20:14
the
20:14
question,
20:15
what
20:16
are
20:16
horror
20:16
films
20:17
doing
20:17
to
20:17
our
20:17
children?
20:18
Are
20:18
we
20:19
damaging
20:19
their
20:19
innocent
20:20
minds?
20:20
And
20:21
what
20:21
does
20:21
it
20:21
mean
20:21
when
20:22
your
20:22
young
20:22
child
20:23
sees
20:23
your
20:23
horror
20:24
movie
20:24
work?
20:26
Miko
20:26
Hughes
20:27
career
20:27
had
20:27
started
20:28
with
20:28
Pet
20:28
Sematary
20:29
when
20:29
he
20:30
was
20:30
just
20:30
three
20:30
years
20:31
old.
20:31
He'd
20:32
also
20:32
been
20:32
in
20:33
Kindergarten
20:33
Cop
20:34
when
20:34
he
20:34
was
20:34
four.
20:35
So
20:35
starring
20:35
in
20:35
New
20:36
Nightmare
20:36
when
20:36
he
20:36
was
20:37
seven
20:37
was
20:37
nothing
20:38
new
20:38
for
20:38
him.
20:39
And
20:39
he
20:39
knew
20:39
who
20:40
Freddy
20:40
Krueger
20:41
was
20:41
at
20:41
7
20:41
years
20:42
old,
20:42
further
20:43
highlighting
20:43
that
20:44
New
20:44
Line's
20:44
merchandising
20:45
department
20:45
had
20:46
worked
20:46
their
20:46
magic
20:47
at
20:47
promoting
20:47
the
20:48
character
20:48
to
20:48
children.
20:49
The
20:49
production
20:50
had
20:50
heard
20:50
of
20:50
Hughes,
20:51
but
20:51
because
20:51
of
20:51
the
20:51
child's
20:52
age,
20:52
they
20:53
also
20:53
had
20:53
to
20:53
consider
20:54
twins.
20:54
They
20:55
put
20:55
out
20:55
an
20:55
open
20:56
casting
20:56
call
20:56
for
20:56
children
20:57
in
20:57
Nevada
20:58
and
20:58
California,
20:59
all
20:59
the
20:59
while
20:59
hoping
21:00
to
21:00
not
21:00
lose
21:01
Miko
21:01
Hughes
21:02
to
21:02
another
21:02
film.
21:03
But
21:03
Hughes
21:04
wowed
21:04
them
21:04
in
21:04
his
21:04
audition
21:05
and
21:05
he
21:05
got
21:06
the
21:06
part.
21:07
Craven
21:08
began
21:08
the
21:08
complicated
21:09
task
21:09
of
21:09
reuniting
21:10
franchise
21:10
cast
21:11
members,
21:11
including
21:12
Langenkamp,
21:13
Robert
21:13
Englund
21:14
as
21:14
well
21:14
as
21:14
smaller
21:15
roles
21:15
for
21:15
John
21:16
Saxon,
21:17
Jisoo
21:17
Garcia,
21:17
also
21:18
known
21:18
as
21:18
Nick
21:19
Corey,
21:19
and
21:20
Tuesday
21:20
Night
21:20
as
21:21
themselves.
21:22
He
21:22
wanted
21:22
to
21:22
ask
21:23
Johnny
21:23
Depp
21:23
to
21:24
return,
21:24
but
21:24
he
21:24
didn't.
21:25
When
21:25
they
21:26
met
21:26
afterwards,
21:27
Depp
21:27
said
21:27
that
21:27
he
21:28
would
21:28
have
21:28
done
21:28
it
21:28
in
21:28
a
21:29
heartbeat.
21:30
And
21:30
this
21:30
would
21:30
be
21:31
a
21:31
new
21:31
version
21:32
of
21:32
Freddie,
21:32
once
21:33
again
21:33
played
21:33
by
21:33
Robert
21:34
Englund,
21:34
but
21:35
also
21:35
less
21:35
comical
21:36
than
21:36
the
21:36
previous
21:36
iterations.
21:38
The
21:38
entity
21:39
manifests
21:40
itself
21:40
as
21:40
Kruger,
21:41
now
21:41
free
21:42
from
21:42
the
21:42
shackles
21:42
of
21:43
the
21:43
previous
21:43
movies.
21:44
Craven
21:45
would
21:45
change
21:45
the
21:45
character's
21:46
look,
21:46
giving
21:47
him
21:47
a
21:47
long
21:47
trench
21:48
coat
21:48
and
21:48
a
21:48
green
21:49
hat.
21:49
The
21:49
signature
21:50
glove
21:50
was
21:50
redesigned
21:51
to
21:51
look
21:51
more
21:52
like
21:52
the
21:52
glove
21:52
on
21:52
the
21:53
first
21:53
Nightmare
21:53
on
21:53
Elm
21:54
street
21:54
poster.
21:55
An
21:55
actual
21:55
hand
21:56
rather
21:56
than
21:56
a
21:56
glove
21:57
with
21:57
muscles
21:58
and
21:58
bony
21:58
fingers.
21:59
Freddie's
22:00
makeup
22:00
looked
22:00
more
22:01
like
22:01
ripped
22:01
skin
22:02
compared
22:02
to
22:02
the
22:02
burned
22:03
look
22:03
fans
22:03
had
22:04
been
22:04
used
22:04
to.
22:05
There
22:05
was
22:05
a
22:05
lot
22:06
in
22:06
the
22:06
original
22:06
script
22:07
for
22:07
Englund
22:07
that
22:08
never
22:08
actually
22:08
got
22:09
filmed,
22:10
including
22:10
a
22:10
scene
22:10
of
22:11
where
22:11
Englund
22:11
himself
22:12
has
22:12
a
22:12
nightmare
22:13
of
22:13
himself
22:14
trapped
22:15
in
22:15
the
22:15
role
22:15
of
22:15
Freddy,
22:16
with
22:16
Englund
22:17
trapped
22:17
in
22:17
a
22:18
spider's
22:18
web
22:19
being
22:19
cocooned
22:19
by
22:20
a
22:20
giant
22:20
black
22:20
widow.
22:21
And
22:21
on
22:21
the
22:22
underbelly
22:22
of
22:22
the
22:22
black
22:23
widow
22:23
are
22:23
red
22:23
and
22:24
green
22:24
stripes,
22:25
the
22:25
same
22:26
as
22:26
Freddy's
22:26
sweater.
22:27
It
22:27
was
22:28
never
22:28
shot
22:28
due
22:28
to
22:28
the
22:29
production
22:29
running
22:29
out
22:30
of
22:30
money.
22:30
It
22:31
also
22:31
helps
22:31
to
22:31
explain
22:32
where
22:32
the
22:33
character
22:33
of
22:33
Robert
22:34
Englund
22:34
disappears
22:35
to.
22:36
Englund
22:36
would
22:36
always
22:36
say
22:37
that
22:37
this
22:37
movie
22:37
was
22:38
his
22:38
favorite
22:38
sequel
22:39
of
22:39
the
22:39
entire
22:40
franchise
22:41
because
22:41
of
22:41
how
22:42
smart
22:42
and
22:42
self
22:43
aware
22:43
it
22:43
is.
22:44
Craven's
22:45
appearance
22:45
too
22:46
was
22:46
remarkably
22:46
different
22:47
to
22:47
the
22:47
original
22:47
script.
22:48
In
22:48
one
22:48
of
22:49
the
22:49
early
22:49
drafts
22:49
of
22:50
A
22:50
Nightmare
22:50
on
22:50
Elm
22:51
street,
22:51
the
22:51
Ascension,
22:52
Wes
22:53
Craven
22:53
was
22:53
supposed
22:54
to
22:54
arrive
22:54
in
22:54
a
22:55
van
22:55
driven
22:55
by
22:55
the
22:56
character
22:56
Pluto
22:56
from
22:57
the
22:57
Hills
22:57
have
22:57
Eyes.
22:58
Craven
22:59
would
22:59
have
22:59
been
22:59
on
22:59
the
22:59
run
23:00
from
23:00
Freddy
23:00
Krueger
23:01
with
23:01
his
23:01
only
23:01
chance
23:02
of
23:02
escape
23:03
to
23:03
write
23:03
the
23:03
script
23:04
for
23:04
the
23:04
new
23:04
Nightmare
23:05
movie,
23:06
even
23:06
going
23:06
as
23:06
far
23:07
as
23:07
cutting
23:07
off
23:07
his
23:08
own
23:08
eyelids
23:08
to
23:09
stay
23:09
awake.
23:10
In
23:10
the
23:10
final
23:11
cut
23:11
of
23:11
the
23:11
film,
23:12
Craven
23:12
still
23:12
plays
23:13
himself,
23:13
but
23:14
instead
23:14
of
23:14
living
23:14
out
23:14
of
23:15
a
23:15
van
23:15
and
23:15
going
23:15
insane
23:16
and
23:16
cutting
23:16
off
23:16
his
23:16
own
23:17
eyelids,
23:17
he
23:17
lives
23:18
relatively
23:18
comfortably
23:19
in
23:19
his
23:19
mansion
23:20
in
23:20
the
23:20
Hollywood
23:20
Hills,
23:21
which
23:21
is
23:21
apparently
23:22
not
23:22
his
23:22
real
23:22
mansion.
23:23
But
23:23
whoever's
23:23
mansion
23:24
it
23:24
is,
23:24
it's
23:24
a
23:25
very
23:25
nice
23:25
mansion.
23:27
One
23:27
way
23:28
that
23:28
Freddy
23:28
manifests
23:29
himself
23:29
into
23:29
the
23:30
real
23:30
world
23:30
is
23:30
the
23:31
earthquakes,
23:32
which
23:32
usually
23:32
happen
23:33
after
23:33
the
23:33
nightmares.
23:34
Here
23:35
in
23:35
the
23:35
uk,
23:35
we
23:36
don't
23:36
know
23:36
really
23:36
what
23:37
earthquakes
23:37
feel
23:38
like.
23:38
We
23:38
do
23:38
have
23:39
them,
23:39
but
23:40
they're
23:40
usually
23:40
undetectable.
23:42
I
23:42
remember
23:43
we
23:43
had
23:43
one
23:43
locally
23:44
in
23:44
2008.
23:45
It
23:45
was
23:45
the
23:46
middle
23:46
of
23:46
the
23:46
night.
23:47
It
23:47
was
23:47
apparently
23:47
a
23:48
5.2
23:48
on
23:48
the
23:49
Richter
23:49
scale,
23:50
and
23:50
I
23:50
remember
23:51
it
23:51
and
23:51
I
23:51
remember
23:51
how
23:52
scary
23:52
it
23:52
was,
23:53
but
23:53
I
23:53
honestly
23:54
can't
23:54
imagine
23:55
living
23:55
in
23:55
a
23:56
quake
23:56
zone.
23:57
But
23:57
as
23:57
this
23:57
is
23:57
a
23:58
movie
23:58
where
23:58
fiction
23:58
and
23:59
reality
23:59
blend,
24:00
maybe
24:00
there
24:01
was
24:01
some
24:01
sort
24:01
of
24:01
evil
24:02
entity
24:02
that
24:02
decided
24:03
to
24:03
also
24:03
ensure
24:04
earthquakes
24:04
happened
24:05
in
24:05
the
24:05
real
24:05
world.
24:06
And
24:06
on
24:06
17
24:07
January
24:08
1994,
24:09
the
24:10
Northridge
24:10
earthquake
24:11
hit
24:11
the
24:11
greater
24:12
Los
24:12
Angeles
24:13
area.
24:14
57
24:14
people
24:15
died
24:15
and
24:15
more
24:15
than
24:16
9,000
24:16
were
24:16
injured.
24:17
The
24:17
earthquake
24:18
happened
24:18
just
24:19
before
24:19
the
24:19
end
24:19
of
24:19
filming
24:20
and
24:20
immediately
24:21
New
24:21
Line
24:21
wanted
24:22
to
24:22
utilize
24:22
some
24:23
of
24:23
the
24:23
disaster
24:23
scenes,
24:24
arguably
24:25
not
24:25
in
24:26
good
24:26
taste
24:26
because
24:27
lives
24:27
had
24:27
been
24:27
lost
24:28
and
24:28
the
24:28
financial
24:29
burden
24:29
to
24:29
the
24:29
city
24:30
was
24:30
massive.
24:31
But
24:31
they
24:31
still
24:32
put
24:32
together
24:32
a
24:33
unit
24:33
with
24:33
a
24:34
double
24:34
for
24:34
Heather
24:34
Langenkamp
24:35
to
24:36
drive
24:36
around
24:36
various
24:37
places
24:37
in
24:38
the
24:38
city
24:38
where
24:39
you
24:39
can
24:39
clearly
24:39
see
24:40
building
24:40
and
24:41
road
24:41
damage.
24:42
It
24:42
adds
24:42
to
24:43
the
24:43
realism
24:43
of
24:43
a
24:43
movie
24:44
that's
24:44
supposed
24:45
to
24:45
be
24:45
based
24:45
in
24:46
the
24:46
real
24:46
world.
24:47
We
24:47
even
24:48
visit
24:48
the
24:48
real
24:48
New
24:49
Line
24:49
Cinema
24:49
offices,
24:50
which
24:51
were
24:51
on
24:51
Robertson
24:52
Boulevard
24:52
in
24:52
Los
24:52
Angeles
24:53
and
24:53
featuring
24:54
cameos
24:54
from
24:55
Bob
24:55
Shaye
24:56
and
24:56
Sara
24:56
Risher
24:57
as
24:57
themselves,
24:58
with
24:58
Shaye's
24:59
office
24:59
filled
24:59
with
25:00
Freddie
25:00
memorabilia.
25:01
And
25:01
when
25:01
production
25:02
began
25:02
in
25:02
late
25:03
October
25:03
1993,
25:05
the
25:05
filming
25:05
schedule
25:06
was
25:06
on
25:06
time
25:06
and
25:07
without
25:07
issues.
25:08
And
25:08
then
25:09
the
25:09
earthquakes
25:09
happened.
25:10
Several
25:11
crew
25:11
members
25:11
lost
25:11
their
25:12
homes
25:12
too,
25:12
and
25:13
it
25:13
set
25:13
the
25:13
production
25:14
back
25:14
two
25:15
days.
25:16
The
25:16
freeway
25:17
sequence,
25:17
which
25:18
in
25:18
the
25:18
original
25:18
script
25:19
had
25:19
Freddy
25:19
show
25:19
up
25:20
in
25:20
a
25:20
car
25:20
with
25:20
claws
25:21
called
25:21
the
25:21
Freddie
25:22
Mobile
25:22
to
25:22
kidnap
25:23
Dylan,
25:23
was
25:24
scrapped
25:24
again
25:25
due
25:25
to
25:25
financial
25:25
reasons.
25:26
Instead,
25:27
the
25:27
scene
25:27
would
25:28
show
25:28
Dylan
25:28
sleepwalking
25:29
across
25:29
the
25:30
busy
25:30
road.
25:31
The
25:31
production
25:32
had
25:32
to
25:32
close
25:32
down
25:32
portions
25:33
of
25:33
the
25:33
freeway
25:34
east
25:34
of
25:34
LA.
25:35
Over
25:36
100
25:36
cars
25:36
were
25:37
used
25:37
in
25:37
the
25:37
scene
25:38
and
25:38
the
25:38
scene
25:38
took
25:39
almost
25:39
a
25:39
week
25:39
to
25:40
film.
25:40
A
25:41
crane
25:41
30ft
25:42
off
25:42
the
25:42
ground
25:43
was
25:43
used
25:43
to
25:44
pluck
25:44
Dylan
25:44
off
25:45
the
25:45
road
25:46
to
25:46
accomplish
25:46
the
25:46
look
25:47
of
25:47
real
25:47
jeopardy
25:48
for
25:48
a
25:48
seven
25:49
year
25:49
old
25:49
boy.
25:49
They
25:50
used
25:50
blue
25:50
screen,
25:51
front
25:51
projection,
25:52
matte
25:52
composition
25:53
and
25:53
morphing
25:54
to
25:54
make
25:54
the
25:55
sequence
25:55
look
25:55
as
25:55
real
25:56
as
25:56
possible.
25:57
The
25:57
whole
25:57
sequence
25:58
took
25:58
two
25:58
to
25:58
three
25:59
months
25:59
to
25:59
create
26:00
visual
26:01
effects.
26:01
Director
26:01
William
26:02
Mesa
26:02
would
26:03
say
26:03
that
26:03
Miko
26:04
Hughes
26:04
was
26:04
very
26:05
good
26:05
at
26:05
taking
26:05
direction.
26:07
Langenkamp,
26:08
along
26:08
with
26:09
Hughes
26:09
and
26:09
Englund,
26:10
spent
26:10
the
26:10
last
26:10
several
26:11
weeks
26:11
of
26:11
the
26:11
shooting
26:12
on
26:12
an
26:12
elaborate
26:13
set
26:13
constructed
26:14
to
26:14
represent
26:14
Freddy's
26:15
Netherworld.
26:16
Production
26:17
designer
26:17
Cynthia
26:18
Charette
26:18
and
26:18
her
26:19
team
26:19
of
26:19
craftspeople
26:20
and
26:20
decorators
26:21
worked
26:21
for
26:21
over
26:22
two
26:22
months
26:22
with
26:22
carpenters
26:23
and
26:23
plasterers
26:24
to
26:24
create
26:25
the
26:25
eerie
26:26
100
26:26
foot
26:26
set
26:27
that
26:27
represented
26:28
the
26:28
history
26:28
of
26:29
hell.
26:29
Starting
26:30
with
26:30
Dante's
26:31
Inferno
26:31
and
26:32
the
26:32
writings
26:32
of
26:32
the
26:32
Roman
26:33
poet
26:33
Virgil.
26:34
Charette
26:35
created
26:35
a
26:35
room
26:36
with
26:36
seven
26:36
openings,
26:37
each
26:37
leading
26:38
into
26:38
a
26:38
lower,
26:39
more
26:39
vile
26:39
part
26:40
of
26:40
the
26:40
underworld.
26:41
To
26:41
create
26:41
the
26:42
grim
26:42
surroundings
26:43
of
26:43
The
26:43
Netherworld,
26:44
seven
26:44
different
26:45
wall
26:45
textures
26:45
resembling
26:46
stone,
26:47
earth
26:47
and
26:47
mortar
26:48
were
26:48
made
26:48
from
26:48
mould.
26:49
These
26:49
moulds
26:50
were
26:50
layered
26:50
on
26:51
top
26:51
of
26:51
one
26:51
another
26:51
and
26:52
then
26:52
sections
26:52
were
26:53
stripped
26:53
away
26:53
to
26:53
give
26:54
a
26:54
look
26:54
of
26:54
deterioration
26:55
and
26:55
rotting
26:56
over
26:56
the
26:56
centuries.
26:57
A
26:57
water
26:58
dripping
26:58
system
26:59
was
26:59
also
26:59
installed
27:00
to
27:00
give
27:00
the
27:01
sets
27:01
a
27:01
damp,
27:02
dank
27:02
appearance.
27:04
But
27:05
speaking
27:05
of
27:05
Dante's
27:06
Inferno,
27:07
let's
27:07
segue
27:08
into
27:08
the
27:08
obligatory
27:09
Keanu
27:09
reference
27:09
of
27:10
this
27:10
episode.
27:11
And
27:11
if
27:11
you're
27:12
new
27:12
here
27:12
and
27:12
you
27:13
don't
27:13
know
27:13
what
27:13
that
27:13
is,
27:14
it's
27:14
where
27:14
I
27:14
try
27:14
and
27:14
link
27:15
the
27:15
movie
27:15
that
27:15
I'm
27:15
featuring
27:16
with
27:16
Keanu
27:17
Reeves.
27:18
This
27:18
movie
27:18
has
27:19
visuals
27:19
based
27:19
on
27:20
Dante's
27:20
Inferno,
27:21
also
27:22
partially
27:22
based
27:23
on
27:23
Dante's
27:24
Inferno,
27:25
the
27:25
Devil's
27:25
Advocate
27:26
from
27:26
two
27:27
episodes
27:27
ago,
27:28
which
27:28
also
27:29
starred
27:29
Keanu
27:30
Reeves.
27:31
In
27:31
1991,
27:33
Freddie
27:33
died
27:34
and
27:34
New
27:34
Line
27:35
Cinema
27:35
said
27:36
Freddy
27:36
is
27:36
dead
27:37
for
27:37
real.
27:38
And
27:38
so
27:39
for
27:39
fans,
27:40
another
27:40
movie
27:41
would
27:41
have
27:41
probably
27:42
seemed
27:42
a
27:42
little
27:42
bit
27:43
confusing,
27:43
especially
27:44
a
27:44
movie
27:44
that
27:45
came
27:45
out
27:45
only
27:46
three
27:46
years
27:47
after
27:47
Freddy's
27:48
death.
27:49
And
27:49
so
27:50
New
27:50
Nightmare
27:51
faced
27:51
a
27:51
unique
27:52
marketing
27:52
challenge
27:53
because
27:53
it
27:53
was
27:54
both
27:54
a
27:54
Nightmare
27:54
on
27:55
Elm
27:55
street
27:55
sequel
27:56
and
27:56
also
27:57
something
27:57
completely
27:58
different.
27:59
And
27:59
the
27:59
marketing
28:00
had
28:00
the
28:00
task
28:00
of
28:01
communicating
28:02
the
28:02
metafictional
28:03
concept
28:04
without
28:04
confusing
28:05
audiences
28:05
who
28:06
might
28:06
be
28:06
expecting
28:07
a
28:07
traditional
28:08
Nightmare
28:08
on
28:08
Elm
28:09
street
28:09
movie.
28:10
The
28:10
movie
28:11
was
28:11
marketed
28:11
as
28:12
Wes
28:12
Craven's
28:13
New
28:13
Nightmare,
28:14
putting
28:14
the
28:14
creator's
28:15
name
28:15
front
28:15
and
28:16
center
28:16
to
28:17
signal
28:17
that
28:17
this
28:18
was
28:18
a
28:18
return
28:18
to
28:19
the
28:19
original
28:19
creator's
28:20
vision,
28:21
not
28:21
another
28:21
campy
28:22
sequel.
28:23
But
28:23
by
28:23
not
28:23
having
28:24
the
28:24
Nightmare
28:24
on
28:24
Elm
28:25
street
28:25
name
28:25
in
28:25
the
28:26
title,
28:27
most
28:27
people
28:27
didn't
28:28
actually
28:28
click
28:28
that
28:29
this
28:29
was
28:29
anything
28:29
to
28:30
do
28:30
with
28:30
Freddy
28:31
Krueger.
28:32
And
28:32
this
28:33
might
28:33
go
28:33
some
28:33
way
28:34
to
28:34
explain
28:34
what
28:35
happened
28:35
when
28:35
the
28:35
movie
28:36
was
28:36
released,
28:37
because
28:37
New
28:38
Nightmare
28:38
is
28:39
the
28:39
only
28:39
Nightmare
28:39
on
28:39
Elm
28:40
street
28:40
film
28:40
to
28:40
be
28:41
released
28:41
in
28:42
the
28:42
traditional
28:42
horror
28:43
month
28:43
of
28:43
October,
28:44
and
28:44
it
28:44
was
28:44
released
28:45
on
28:45
14th
28:46
October
28:46
1994,
28:47
the
28:48
same
28:48
week
28:48
as
28:49
Pulp
28:49
Fiction.
28:50
And
28:50
Pulp
28:51
Fiction's
28:51
overwhelming
28:52
success
28:53
was
28:53
blamed
28:53
somewhat
28:54
for
28:54
New
28:54
Nightmare's
28:55
slightly
28:55
lesser
28:56
success.
28:57
Despite
28:57
New
28:58
Nightmare
28:58
opening
28:59
third
28:59
at
28:59
the
28:59
domestic
29:00
box
29:00
office,
29:01
it
29:01
struggled
29:01
to
29:02
find
29:02
an
29:02
audience
29:02
and
29:03
would
29:03
only
29:03
stay
29:04
in
29:04
the
29:04
top
29:04
10
29:04
for
29:05
three
29:05
weeks.
29:06
And
29:06
so
29:06
that
29:07
12
29:07
hit
29:08
of
29:08
pulp
29:08
Fiction
29:09
coming
29:09
out
29:09
the
29:09
same
29:09
week,
29:10
and
29:10
also
29:11
audiences
29:12
not
29:12
really
29:12
being
29:13
sure
29:13
what
29:13
Wes
29:13
Craven's
29:14
New
29:14
Nightmare
29:14
was
29:15
supposed
29:15
to
29:15
be,
29:16
the
29:16
movie
29:16
struggled
29:17
financially
29:17
at
29:17
the
29:18
box
29:18
office.
29:19
Now,
29:19
it's
29:19
worth
29:19
noting
29:20
here
29:20
that
29:20
after
29:20
Scream
29:21
came
29:21
out,
29:22
Wes
29:22
Craven's
29:23
New
29:23
Nightmare
29:23
became
29:24
successful
29:24
on
29:25
dvd.
29:26
Fans
29:26
returned
29:27
to
29:27
it.
29:27
People's
29:28
love
29:28
for
29:28
Scream
29:29
opened
29:29
the
29:30
door
29:30
for
29:30
how
29:30
to
29:31
watch
29:31
Wes
29:31
Craven's
29:32
New
29:32
Nightmare,
29:33
how
29:33
to
29:33
get
29:34
the
29:34
most
29:34
out
29:34
of
29:34
it,
29:35
and
29:35
how
29:35
to
29:35
appreciate
29:36
it
29:37
and
29:37
a
29:37
lot
29:37
of
29:38
the
29:38
love
29:38
for
29:38
Wes
29:39
Craven's
29:39
New
29:39
Nightmare
29:40
has
29:40
come
29:41
in
29:41
the
29:41
decades
29:42
after
29:42
Scream.
29:43
But
29:43
despite
29:44
being
29:44
resurrected
29:45
by
29:45
the
29:45
original
29:46
creator,
29:47
starring
29:47
its
29:47
original
29:48
stars
29:48
and
29:49
literally
29:49
reinventing
29:50
the
29:50
horror
29:50
genre,
29:51
New
29:52
Nightmare
29:52
is
29:52
the
29:52
lowest
29:53
grossing
29:53
movie
29:54
in
29:54
the
29:54
entire
29:54
Nightmare
29:55
on
29:55
Elm
29:55
street
29:56
franchise,
29:56
grossing
29:57
$18
29:57
million
29:58
domestically
29:59
and
29:59
$1.7
30:00
million
30:01
internationally,
30:02
giving
30:02
it
30:02
a
30:03
total
30:03
of
30:03
$19.7
30:04
million
30:05
worldwide
30:06
on
30:06
its
30:07
$8
30:07
million
30:08
budget.
30:09
New
30:09
nightmare
30:10
truly
30:10
was
30:11
a
30:11
movie
30:11
that
30:11
came
30:12
out
30:12
way
30:12
before
30:13
its
30:13
time
30:14
because,
30:14
as
30:14
I
30:15
said,
30:15
it
30:15
is
30:15
now
30:16
considered
30:17
one
30:17
of
30:17
the
30:17
fan
30:17
favorites
30:18
of
30:18
the
30:18
franchise.
30:19
But
30:19
critically
30:20
is
30:20
where
30:21
New
30:21
Nightmare
30:21
did
30:22
resurrect
30:22
the
30:22
series
30:23
because
30:23
it
30:23
got
30:24
some
30:24
of
30:24
the
30:24
best
30:24
reviews
30:25
since
30:25
the
30:26
original
30:26
movie
30:26
in
30:27
1984
30:28
with
30:28
a
30:28
77%
30:29
of
30:29
Rotten
30:30
Tomatoes,
30:30
where
30:31
the
30:31
consensus
30:32
of
30:32
Wes
30:33
Craven's
30:33
new
30:33
nightmare
30:34
adds
30:34
an
30:35
unexpectedly
30:35
satisfying,
30:36
not
30:37
to
30:37
mention
30:37
intelligent,
30:38
meta
30:39
layer
30:39
to
30:39
a
30:39
horror
30:39
franchise
30:40
that
30:41
had
30:41
long
30:41
since
30:41
lost
30:42
its
30:42
way.
30:43
Retrospectively,
30:44
it's
30:45
also
30:45
seen
30:45
as
30:46
a
30:46
highlight
30:46
in
30:46
the
30:47
series
30:47
and
30:48
as
30:48
a
30:48
prelude
30:49
to
30:49
Scream.
30:50
New
30:51
Nightmare
30:51
received
30:51
four
30:52
nominations
30:52
at
30:53
the
30:53
1995
30:54
Fangoria
30:54
Chainsaw
30:55
Awards
30:56
for
30:56
Best
30:56
Studio
30:57
Big
30:57
Budget
30:58
Film,
30:58
best
30:58
Actress
30:59
for
30:59
Heather
30:59
Langenkamp,
31:00
Best
31:01
Supporting
31:01
Actor
31:01
for
31:01
Miko
31:02
Hughes
31:02
and
31:03
Best
31:03
Screenplay.
31:04
It
31:04
won
31:05
two
31:05
awards,
31:05
Best
31:06
Actress
31:06
and
31:06
Best
31:07
Screenplay.
31:08
Langenkamp
31:08
was
31:09
also
31:09
inducted
31:09
into
31:09
the
31:10
Fangoria
31:10
hall
31:11
of
31:11
Fame
31:11
that
31:11
year.
31:12
It
31:12
was
31:12
also
31:13
nominated
31:13
for
31:13
Best
31:14
film
31:14
at
31:14
the
31:14
10
31:14
Independent
31:15
Spirit
31:16
Awards.
31:17
Now,
31:17
of
31:18
course,
31:18
sequels
31:18
wise.
31:19
Freddy
31:19
Krueger
31:20
would
31:20
return
31:20
in
31:21
Freddy
31:21
vs.
31:21
Jason
31:22
in
31:22
2003
31:23
and
31:24
again
31:24
in
31:24
the
31:24
reboot
31:25
in
31:25
2010.
31:26
The
31:26
rights
31:27
to
31:27
the
31:27
A
31:27
Nightmare
31:28
on
31:28
Elm
31:28
street
31:28
franchise
31:29
and
31:29
Freddy
31:30
Krueger
31:30
reverted
31:31
to
31:31
Wes
31:31
Craven's
31:32
estate
31:32
in
31:32
2019.
31:34
New
31:34
Line
31:34
Cinema
31:35
is
31:35
still
31:35
keen
31:35
to
31:36
bring
31:36
Freddie
31:36
back
31:37
in
31:37
some
31:37
way,
31:37
but
31:38
rights
31:38
are
31:38
complicated.
31:39
Craven's
31:40
estate
31:40
would
31:41
still
31:41
need
31:41
to
31:41
find
31:42
a
31:42
US
31:42
Distributor
31:43
and
31:43
make
31:43
a
31:44
deal
31:44
with
31:44
New
31:44
Line
31:44
for
31:45
the
31:45
international
31:45
release,
31:46
as
31:47
they
31:47
retain
31:47
the
31:47
international
31:48
rights.
31:49
Craven's
31:50
estate
31:50
has
31:50
taken
31:50
pitches
31:51
for
31:51
a
31:51
New
31:51
Nightmare
31:52
movie,
31:52
but
31:53
Robert
31:53
Englund,
31:54
who's
31:54
been
31:54
playing
31:54
the
31:54
character
31:55
in
31:55
live
31:55
action
31:55
for
31:56
40
31:56
years
31:56
now,
31:57
apart
31:57
from
31:57
that
31:58
one
31:58
Jackie
31:58
Earle
31:58
Haley
31:59
performance,
32:00
has
32:00
said
32:00
he's
32:00
too
32:01
old
32:01
to
32:01
return
32:01
to
32:01
the
32:02
iconic
32:02
character,
32:03
but
32:03
that
32:03
he'd
32:04
love
32:04
to
32:04
return
32:04
in
32:05
a
32:05
cameo.
32:06
Wes
32:07
Craven
32:07
took
32:08
what
32:08
New
32:08
Nightmare
32:08
did,
32:09
or
32:09
attempted
32:09
to
32:10
do
32:10
at
32:10
the
32:10
very
32:10
least,
32:10
and
32:11
two
32:11
years
32:11
later
32:12
collaborated
32:12
with
32:13
Kevin
32:13
Williamson
32:14
on
32:14
Scream,
32:15
which
32:15
took
32:16
the
32:16
metafictional
32:16
idea
32:17
and
32:17
enhanced
32:18
it.
32:18
Craven
32:19
would
32:19
always
32:19
say
32:20
that
32:20
Scream
32:21
improved
32:21
upon
32:21
the
32:22
ideas
32:22
established
32:23
by
32:23
New
32:24
Nightmare.
32:26
Dylan's
32:26
New
32:27
Nightmare,
32:27
a
32:27
fan
32:28
film
32:28
starring
32:28
Miko
32:29
Hughes
32:29
reprising
32:30
his
32:30
role
32:30
as
32:30
Dylan
32:31
porter,
32:31
is
32:32
on
32:32
YouTube
32:33
and
32:33
is
32:33
actually
32:33
well
32:34
worth
32:34
the
32:34
watch.
32:35
I
32:35
actually
32:35
really
32:36
enjoyed
32:36
it.
32:36
It's
32:37
only
32:37
about
32:37
half
32:37
an
32:38
hour
32:38
long
32:38
and
32:39
when
32:39
it
32:39
finished
32:39
I
32:40
actually
32:40
wanted
32:40
it
32:40
to
32:41
go
32:41
on
32:41
for
32:41
longer
32:42
than
32:42
it
32:42
did.
32:42
Miko
32:43
Hughes
32:43
is
32:44
great.
32:44
There's
32:45
no
32:45
Robert
32:45
Englund
32:46
as
32:46
Freddie,
32:46
but
32:47
Freddie
32:47
does
32:47
make
32:48
an
32:48
appearance
32:48
and
32:49
is
32:49
as
32:50
disturbing
32:50
as
32:51
you
32:51
would
32:51
expect
32:51
him
32:52
to
32:52
be.
32:53
As
32:53
I
32:53
mentioned,
32:53
there's
32:54
also
32:54
a
32:54
four
32:54
hour
32:55
documentary
32:56
on
32:56
the
32:56
entire
32:56
A
32:57
Nightmare
32:57
on
32:57
Elm
32:57
street
32:58
film
32:58
series
32:58
called
32:59
Never
32:59
Sleep
32:59
Again
32:59
which
33:00
came
33:00
out
33:00
in
33:00
2010.
33:01
Unfortunately,
33:02
I
33:02
did
33:02
not
33:03
have
33:03
four
33:03
hours
33:03
spare
33:04
to
33:04
watch
33:04
that
33:05
documentary.
33:06
However,
33:06
I
33:06
have
33:06
heard
33:07
it's
33:07
a
33:07
very
33:07
good
33:07
documentary
33:08
so
33:08
if
33:09
you
33:09
come
33:09
across
33:09
it,
33:09
it
33:10
is
33:10
well
33:10
worth
33:10
your
33:11
time.
33:12
The
33:12
early
33:13
80s
33:13
slasher
33:14
boom
33:14
would
33:14
quickly
33:15
fade
33:15
as
33:15
diminishing
33:16
returns
33:17
affected
33:17
the
33:18
Halloween
33:19
Friday
33:19
the
33:19
13th
33:20
and
33:20
Nightmare
33:20
on
33:20
Elm
33:21
street
33:21
series.
33:22
With
33:22
the
33:22
decade
33:23
finishing
33:23
on
33:24
a
33:24
slasher
33:24
slump,
33:25
the
33:26
90s
33:26
still
33:27
gave
33:27
us
33:27
classics
33:28
like
33:28
Child's
33:28
Play
33:29
and
33:29
Candyman,
33:30
both
33:30
previous
33:30
episodes
33:31
of
33:31
this
33:31
podcast.
33:32
But
33:32
the
33:32
franchises
33:33
struggled
33:34
and
33:34
critics
33:35
and
33:35
fans
33:35
were
33:36
bemoaning
33:36
the
33:36
death
33:37
of
33:37
the
33:37
franchise
33:38
slasher.
33:39
This
33:39
is
33:39
where
33:39
Wes
33:40
Craven
33:40
said
33:41
hold
33:41
my
33:41
beer.
33:43
Just
33:43
like
33:43
the
33:43
fans
33:43
in
33:44
New
33:44
Nightmare
33:44
who
33:45
gather
33:45
in
33:45
a
33:45
chat
33:45
show
33:46
audience
33:46
for
33:46
England's
33:47
appearance,
33:47
this
33:47
Kruger
33:48
to
33:48
chant
33:49
his
33:49
name
33:49
and
33:49
scream
33:50
how
33:50
much
33:50
they
33:51
love
33:51
him.
33:52
We
33:52
too
33:52
secretly
33:53
wanted
33:53
to
33:54
see
33:54
more
33:54
of
33:55
this
33:55
horrifying
33:56
and
33:56
fascinating
33:56
character.
33:58
Freddy
33:58
Krueger,
33:59
despite
33:59
his
33:59
child
33:59
murdering
34:00
past,
34:01
is
34:01
adored
34:01
and
34:02
revered
34:02
by
34:02
horror
34:03
fans.
34:04
Freddy
34:04
is
34:04
synonymous
34:05
with
34:05
this
34:05
franchise,
34:06
as
34:06
is
34:07
Robert
34:07
Englund
34:08
playing
34:08
him.
34:08
But
34:09
Freddy
34:09
was
34:09
the
34:09
monster
34:10
of
34:10
the
34:10
80s,
34:11
the
34:11
evil
34:11
child
34:12
killer.
34:12
It
34:12
makes
34:13
sense
34:13
that
34:13
the
34:13
entity
34:14
would
34:14
take
34:14
his
34:15
form
34:15
and
34:16
the
34:16
most
34:16
frightening
34:17
version
34:17
of
34:17
that
34:18
form.
34:19
In
34:19
New
34:20
Nightmare,
34:20
Craven
34:21
isn't
34:21
simply
34:21
aware
34:21
of
34:22
the
34:22
tropes
34:22
and
34:22
trappings
34:23
of
34:23
the
34:23
franchise.
34:24
This
34:24
is
34:24
literally
34:25
a
34:25
movie
34:25
about
34:25
the
34:26
people
34:26
who
34:26
made
34:26
the
34:26
movie.
34:27
There
34:27
are
34:28
layered
34:28
callbacks
34:28
to
34:29
specific
34:29
moments
34:29
in
34:30
the
34:30
original
34:30
film,
34:31
but
34:31
much
34:31
more
34:31
than
34:32
that,
34:32
it's
34:32
so
34:33
centered
34:33
on
34:33
the
34:33
pop
34:34
culture
34:34
status
34:35
that
34:35
Freddie
34:35
has
34:35
amassed
34:36
in
34:36
that
34:37
10
34:37
year
34:37
time
34:37
period.
34:38
He
34:38
set
34:39
the
34:39
standard
34:39
for
34:39
a
34:39
tired
34:40
franchise
34:40
that
34:40
had
34:41
killed
34:41
its
34:41
villain.
34:42
Don't
34:43
bring
34:43
him
34:43
back,
34:44
just
34:44
resurrect
34:45
the
34:45
idea
34:45
in
34:45
a
34:45
smart,
34:46
self
34:46
aware
34:46
way.
34:47
New
34:48
Nightmare
34:48
was
34:48
ahead
34:48
of
34:49
its
34:49
time
34:49
in
34:49
so
34:49
many
34:50
ways
34:50
and
34:50
remains
34:51
one
34:51
of
34:51
the
34:51
more
34:51
memorable
34:52
outings
34:52
in
34:53
the
34:53
series
34:53
for
34:54
everyone.
34:55
If
34:55
anything,
34:55
Craven
34:56
just
34:56
sharpened
34:57
his
34:57
skills
34:57
for
34:57
Scream,
34:58
which
34:58
took
34:58
everything
34:59
New
34:59
Nightmare
35:00
attempted
35:00
and
35:00
improved
35:01
on
35:01
it.
35:02
New
35:02
Nightmare
35:03
can
35:03
be
35:03
a
35:03
little
35:03
convoluted
35:04
sometimes,
35:05
but
35:05
Scream
35:05
was
35:06
a
35:06
simple
35:06
small
35:07
town
35:07
being
35:07
terrorized
35:08
by
35:08
a
35:08
mass
35:09
the
35:09
killer
35:09
who
35:09
done
35:10
it.
35:10
New
35:11
Nightmare
35:11
needed
35:12
some
35:12
knowledge
35:12
of
35:12
the
35:12
series
35:13
to
35:13
completely
35:13
understand
35:14
it,
35:14
but
35:15
Scream
35:15
just
35:15
needed
35:16
a
35:16
basic
35:16
knowledge
35:17
of
35:17
horror
35:17
tropes.
35:18
Scream
35:19
deconstructed
35:19
the
35:20
slasher
35:20
tropes,
35:21
and
35:21
then
35:21
Cabin
35:21
in
35:21
the
35:22
woods
35:22
came
35:22
along
35:22
and
35:23
dissected
35:23
it.
35:24
Craven
35:24
would
35:25
say
35:25
in
35:25
later
35:25
interviews
35:26
that
35:26
New
35:26
Nightmare
35:27
was
35:27
full
35:27
of
35:27
experiments
35:28
that
35:28
some
35:29
worked
35:29
and
35:29
some
35:29
didn't,
35:30
but
35:30
Scream
35:31
ultimately
35:31
improved
35:32
on
35:32
the
35:32
ideas
35:33
that
35:33
New
35:33
Nightmare
35:34
started.
35:35
New
35:35
Nightmare
35:36
makes
35:36
subtle
35:37
and
35:37
not
35:37
so
35:37
subtle
35:37
nods
35:38
to
35:38
previous
35:38
movies,
35:39
including
35:40
a
35:40
fantastic
35:40
opening
35:41
scene
35:41
paying
35:41
homage
35:42
to
35:42
the
35:42
intro
35:42
of
35:43
the
35:43
1984
35:44
original
35:44
showing
35:45
Freddy
35:45
creating
35:46
his
35:46
knifed
35:46
glove,
35:47
which
35:47
turns
35:47
out
35:47
to
35:48
be
35:48
a
35:48
nightmare,
35:48
but
35:49
also
35:49
to
35:49
fairy
35:49
tales
35:50
in
35:50
general,
35:50
namely
35:51
Hansel
35:51
and
35:51
Gretel,
35:52
fairy
35:53
tales
35:53
that
35:53
have
35:53
also
35:53
been
35:54
modernized
35:54
and
35:55
sanitized
35:55
over
35:56
time,
35:56
where
35:56
the
35:57
villains
35:57
have
35:57
become
35:57
less
35:58
menacing
35:58
than
35:58
the
35:59
original
35:59
stories
36:00
and
36:00
the
36:00
children
36:01
now
36:01
always
36:01
seem
36:02
to
36:02
live
36:02
at
36:02
the
36:02
end.
36:03
Dark
36:04
fairy
36:04
tales
36:04
were
36:05
used
36:05
as
36:05
warning
36:05
tools
36:06
for
36:06
children,
36:07
but
36:07
are
36:07
now
36:07
just
36:08
bedtime
36:08
stories.
36:09
Heather
36:09
reads
36:10
Dylan,
36:10
Hansel
36:11
and
36:11
Gretel,
36:11
and
36:12
Dylan
36:12
leaves
36:12
sleeping
36:13
pills
36:13
for
36:13
his
36:13
mother
36:14
to
36:14
follow
36:14
him,
36:15
just
36:15
like
36:15
Hansel
36:15
and
36:16
Gretel,
36:16
leaving
36:16
breadcrumbs.
36:17
Freddy
36:18
also
36:18
meets
36:19
his
36:19
untimely
36:19
end
36:20
in
36:20
a
36:20
furnace,
36:21
just
36:21
like
36:21
the
36:21
witch
36:22
in
36:22
Hansel
36:22
and
36:22
Gretel,
36:23
and
36:23
Craven
36:24
cleverly
36:24
compares
36:25
the
36:25
sanitization
36:26
of
36:26
fairy
36:26
tales
36:26
over
36:27
time
36:27
to
36:28
the
36:28
sanitization
36:29
of
36:29
Freddy
36:29
over
36:30
the
36:30
previous
36:30
decade.
36:32
This
36:32
is
36:32
a
36:32
movie
36:32
that
36:32
speaks
36:33
of
36:33
the
36:33
dangers
36:33
scary
36:34
movies
36:34
pose
36:34
to
36:35
children,
36:35
and
36:35
how
36:36
stopping
36:36
children
36:36
from
36:37
watching
36:37
movies
36:38
like
36:38
this
36:39
actually
36:39
makes
36:39
them
36:40
want
36:40
to
36:40
watch
36:40
them
36:41
more.
36:41
Also
36:42
commenting
36:42
on
36:42
our
36:42
tendency
36:43
to
36:43
criticise
36:44
media
36:44
consumption
36:45
as
36:45
the
36:45
cause
36:46
of
36:46
any
36:46
psychological
36:47
or
36:47
behavioral
36:48
problems
36:48
children
36:49
are
36:49
having.
36:50
The
36:50
first
36:50
Nightmare
36:50
on
36:51
Elm
36:51
street
36:51
was
36:51
a
36:51
group
36:51
of
36:52
parents
36:52
misguided
36:53
attempt
36:53
to
36:53
protect
36:54
their
36:54
children,
36:54
which
36:55
then
36:55
put
36:55
a
36:55
target
36:56
on
36:56
those
36:56
children.
36:57
Heather
36:57
tries
36:58
to
36:58
protect
36:58
Dylan,
36:59
which
36:59
just
36:59
makes
36:59
the
37:00
entity
37:00
in
37:01
the
37:01
guise
37:01
of
37:01
Freddy
37:02
want
37:02
to
37:02
go
37:02
for
37:03
Dylan
37:03
even
37:03
more,
37:04
kidnapping
37:04
him
37:05
into
37:05
his
37:05
realm,
37:05
and
37:06
the
37:06
only
37:06
way
37:06
Heather
37:07
can
37:07
save
37:07
him
37:07
is
37:08
to
37:08
once
37:08
again
37:08
become
37:08
Nancy.
37:09
Heather
37:10
is
37:10
governed
37:11
by
37:11
her
37:11
fear
37:11
and
37:12
anxiety
37:12
throughout
37:13
the
37:13
movie,
37:14
as
37:14
well
37:14
as
37:14
the
37:14
grief
37:15
and
37:15
trauma
37:15
she
37:16
goes
37:16
through
37:17
with
37:17
its
37:17
lack
37:18
of
37:18
kills.
37:19
There's
37:19
only
37:19
four,
37:20
only
37:20
four,
37:21
she
37:21
says.
37:21
More
37:22
of
37:22
a
37:22
focus
37:22
on
37:23
the
37:23
psychological
37:23
and
37:24
lack
37:24
of
37:24
gore.
37:25
New
37:25
Nightmare
37:26
is
37:26
firmly
37:26
rooted
37:27
in
37:27
the
37:27
real
37:27
world,
37:28
and
37:28
maybe
37:28
that
37:28
wasn't
37:29
what
37:29
Nightmare
37:30
on
37:30
Elm
37:30
street
37:30
fans
37:31
wanted
37:31
in
37:31
the
37:31
mid-90s.
37:33
To
37:33
me,
37:33
this
37:34
is
37:34
the
37:34
most
37:34
fascinating
37:35
of
37:35
all
37:35
the
37:35
Nightmare
37:36
on
37:36
Elm
37:36
street
37:36
movies.
37:37
This
37:37
was
37:38
the
37:38
one
37:38
I
37:38
saw
37:39
first
37:39
before
37:39
any
37:40
others,
37:40
and
37:41
it
37:41
was
37:41
instantly
37:42
memorable.
37:43
The
37:43
scene
37:43
where
37:43
Freddy's
37:44
animatronic
37:45
claw
37:45
goes
37:45
around
37:45
killing
37:46
people
37:46
on
37:46
a
37:46
film
37:46
set
37:47
might
37:47
just
37:48
be
37:48
a
37:48
bad
37:48
dream,
37:49
but
37:49
it
37:49
cements
37:50
this
37:50
movie
37:50
as
37:51
something
37:51
different.
37:53
Me
37:53
now.
37:53
I
37:54
would
37:54
have
37:54
loved
37:54
to
37:54
have
37:54
seen
37:55
more
37:55
of
37:55
Robert
37:55
Shea
37:56
and
37:56
New
37:56
Line
37:57
Cinema
37:57
and
37:58
more
37:58
about
37:58
how
37:58
they
37:58
actually
37:59
feel
37:59
about
37:59
bringing
38:00
Freddie
38:00
back
38:00
in
38:01
this
38:01
way.
38:01
And
38:02
maybe
38:02
then
38:02
commenting
38:03
on
38:03
how
38:03
strange
38:03
it
38:04
is
38:04
the
38:04
Wes
38:04
Craven
38:05
script
38:05
is
38:05
exactly
38:06
what
38:06
they're
38:06
saying
38:07
in
38:07
real
38:07
life.
38:08
I'd
38:08
have
38:09
liked
38:09
more
38:09
real
38:09
life
38:10
Heather,
38:10
Robert
38:11
Englund,
38:11
Robert
38:11
Shea
38:12
and
38:12
Wes
38:12
Craven
38:13
than
38:13
Dylan.
38:14
I
38:14
understand
38:14
why
38:14
Dylan
38:15
is
38:15
there
38:15
to
38:16
have
38:16
the
38:16
conflict
38:16
they
38:17
need
38:17
to
38:17
give
38:17
to
38:17
Heather,
38:18
but
38:18
the
38:18
premise
38:19
deserves
38:19
more
38:20
meta
38:20
than
38:20
it
38:21
actually
38:21
gives
38:21
us.
38:22
Just
38:23
like
38:23
the
38:23
last
38:23
episode
38:24
on
38:24
Candyman,
38:25
as
38:25
soon
38:25
as
38:25
you
38:26
stop
38:26
telling
38:26
the
38:26
stories,
38:27
the
38:27
Urban
38:28
Legends
38:28
need
38:29
them
38:29
to
38:29
survive.
38:30
New
38:30
nightmare
38:31
is
38:31
100%
38:32
an
38:32
appreciation
38:33
for
38:33
the
38:33
mind
38:34
and
38:34
storytelling
38:35
ability
38:35
of
38:35
the
38:36
late
38:36
Wes
38:36
Craven.
38:37
A
38:37
master
38:38
of
38:38
horror
38:38
in
38:39
so
38:39
many
38:39
ways,
38:40
he
38:40
knew
38:40
about
38:41
the
38:41
effects
38:41
of
38:41
censorship
38:42
on
38:42
art
38:43
and
38:43
so
38:43
he
38:44
honored
38:44
the
38:44
classic
38:45
and
38:45
it
38:45
led
38:45
to
38:45
a
38:46
movie
38:46
being
38:46
a
38:46
trailblazer
38:47
for
38:47
how
38:48
horror
38:48
would
38:48
evolve.
38:49
Wes
38:50
Craven
38:50
said
38:50
that
38:50
Scream
38:51
was
38:51
a
38:51
movie
38:52
for
38:52
people
38:52
who
38:52
watch
38:53
horror
38:53
movies
38:54
and
38:54
New
38:54
Nightmare
38:55
was
38:55
a
38:55
movie
38:55
for
38:55
people
38:56
who
38:56
make
38:56
horror
38:57
movies.
38:57
Scream
38:58
may
38:58
be
38:58
credited
38:59
for
38:59
refreshing
38:59
the
39:00
slasher,
39:00
but
39:01
we
39:01
all
39:01
know
39:02
New
39:02
Nightmare
39:03
is
39:03
Wes
39:03
Craven's
39:04
real
39:04
life
39:05
meta
39:05
horror
39:06
masterpiece.
39:08
Thank
39:08
you
39:08
for
39:08
listening.
39:09
As
39:09
always,
39:09
I
39:09
would
39:09
love
39:09
to
39:09
hear
39:09
your
39:10
thoughts
39:10
on
39:10
Wes
39:10
Craven's
39:11
New
39:11
Nightmare
39:12
and
39:12
thank
39:13
you
39:13
for
39:13
your
39:13
continued
39:14
support
39:14
of
39:14
this
39:15
podcast.
39:15
If
39:16
you
39:16
want
39:16
to
39:16
get
39:16
involved
39:17
and
39:17
you
39:17
want
39:17
to
39:17
help
39:17
this
39:18
podcast
39:18
grow
39:18
and
39:19
reach
39:19
more
39:19
people,
39:20
you
39:20
could
39:20
leave
39:21
a
39:21
rating
39:21
or
39:21
review
39:22
wherever
39:22
you
39:22
found
39:22
this
39:23
podcast.
39:23
You
39:24
can
39:24
find
39:24
me
39:25
and
39:25
follow
39:25
me
39:25
across
39:26
social
39:26
media.
39:26
I'm
39:27
at
39:27
verbaldiorama,
39:28
where
39:29
you
39:29
can
39:29
like
39:30
post,
39:30
comment
39:30
on
39:31
posts,
39:31
share
39:31
posts.
39:32
It
39:32
all
39:33
helps
39:33
with
39:33
the
39:33
visibility
39:34
of
39:34
this
39:34
podcast
39:35
and
39:35
you
39:35
can
39:36
also
39:36
tell
39:36
your
39:36
friends
39:36
and
39:37
family,
39:37
especially
39:37
if
39:38
they
39:38
are
39:38
a
39:39
huge
39:39
Freddy
39:39
Krueger
39:40
fan,
39:40
but
39:41
maybe
39:41
not
39:41
so
39:42
much
39:42
the
39:42
children.
39:43
If
39:43
you
39:43
like
39:44
this
39:44
episode
39:44
on
39:44
Wes
39:44
Craven's
39:45
New
39:45
Nightmare,
39:46
you
39:47
may
39:47
also
39:47
enjoy
39:48
the
39:48
episodes
39:48
that
39:49
I
39:49
have
39:49
done.
39:50
Back
39:50
in
39:51
the
39:51
day.
39:51
Episode
39:52
64
39:53
was
39:53
on
39:53
screen.
39:54
That
39:54
was
39:54
a
39:54
very
39:55
early
39:55
episode
39:55
of
39:55
this
39:56
podcast,
39:57
and
39:57
then
39:57
episode
39:58
275
39:59
on
40:00
the
40:00
original
40:00
A
40:01
Nightmare
40:01
on
40:01
Elm
40:02
Street.
40:03
Please
40:03
let
40:03
me
40:04
know
40:04
if
40:04
you
40:04
do
40:04
listen
40:04
to
40:05
those
40:05
episodes
40:05
what
40:05
you
40:06
think
40:06
of
40:06
those
40:06
episodes,
40:07
and
40:07
hopefully
40:08
you
40:08
will
40:08
enjoy
40:08
them
40:08
as
40:09
much
40:09
as
40:09
you
40:09
enjoyed
40:10
this
40:10
one.
40:11
So
40:11
the
40:11
next
40:11
episode
40:12
of
40:12
the
40:12
podcast,
40:13
we're
40:13
kind
40:13
of
40:14
stepping
40:14
back
40:14
from
40:15
the
40:15
real
40:15
genuine
40:16
horror
40:16
scares
40:17
to
40:18
something
40:18
that
40:19
is
40:19
a
40:19
little
40:19
bit
40:19
more
40:20
aimed
40:20
at
40:20
children.
40:21
In
40:21
fact,
40:21
it
40:21
is
40:21
definitely
40:22
aimed
40:22
at
40:22
children
40:23
because
40:23
it's
40:23
on
40:23
Disney
40:24
plus
40:24
and
40:25
it
40:25
is
40:25
a
40:25
Disney
40:25
movie
40:26
and
40:26
it's
40:26
a
40:26
Disney
40:27
movie
40:27
that
40:28
a
40:28
lot
40:28
of
40:28
parents
40:29
put
40:29
on
40:29
at
40:29
Halloween
40:30
because
40:31
kids
40:31
really
40:32
love
40:32
the
40:32
movie.
40:33
I
40:33
remember
40:34
absolutely
40:34
adoring
40:35
this
40:35
movie
40:35
when
40:36
it
40:36
first
40:36
came
40:36
out.
40:37
I
40:37
would
40:37
watch
40:38
it
40:38
all
40:38
the
40:38
time.
40:39
It's
40:39
only
40:39
really
40:40
as
40:40
an
40:40
adult
40:41
that
40:41
I
40:41
can
40:41
actually
40:42
see
40:42
that
40:42
maybe
40:43
this
40:43
movie
40:43
isn't
40:43
the
40:43
greatest
40:44
Halloween
40:44
movie
40:45
ever
40:45
made,
40:45
but
40:46
back
40:46
when
40:46
I
40:46
was
40:46
a
40:46
kid
40:47
I
40:47
absolutely
40:48
loved
40:48
the
40:49
movie
40:49
Hocus
40:49
Pocus
40:50
and
40:50
I
40:51
find
40:51
Hocus
40:51
Pocus
40:52
so
40:52
interesting
40:52
when
40:53
we
40:53
talk
40:53
about
40:53
the
40:54
history
40:54
and
40:54
legacy
40:55
of
40:55
movies
40:56
in
40:56
that
40:56
when
40:56
Hocus
40:56
Pocus
40:57
came
40:57
out
40:58
it
40:58
was
40:58
not
40:59
a
40:59
hit
40:59
at
41:00
all,
41:00
but
41:01
over
41:01
the
41:01
years
41:02
it's
41:02
become
41:03
a
41:03
genuine
41:04
Halloween
41:04
classic
41:05
that
41:05
people
41:05
do
41:06
put
41:06
on
41:06
every
41:06
year.
41:07
It
41:07
recently
41:08
had
41:08
a
41:08
sequel
41:08
which
41:09
is
41:09
not
41:09
as
41:10
good,
41:10
but
41:11
the
41:11
original
41:12
retains
41:12
a
41:13
lot
41:13
of
41:13
that
41:13
really
41:14
campy,
41:15
classic
41:15
Halloween
41:16
fun.
41:16
And
41:17
unlike
41:17
Wes
41:17
Craven's
41:18
new
41:18
nightmare,
41:19
it
41:19
is
41:20
very
41:20
suitable
41:20
for
41:21
children.
41:21
And
41:22
so
41:22
I
41:22
wanted
41:22
to
41:22
give
41:23
you
41:23
all
41:23
this
41:23
spooky
41:24
season
41:24
for
41:24
October
41:25
on
41:25
Verbal
41:26
Diorama
41:27
a
41:27
mix
41:27
of
41:27
stuff
41:28
for
41:28
Halloween.
41:28
So
41:28
you've
41:29
got
41:29
your
41:29
scary
41:29
movies
41:30
and
41:30
you've
41:30
also
41:31
got
41:31
something
41:31
that
41:31
is
41:31
very
41:32
suitable
41:32
for
41:32
children.
41:33
Please
41:33
join
41:34
me
41:34
next
41:34
week
41:35
for
41:35
the
41:35
history
41:35
and
41:36
legacy
41:36
of
41:37
Hocus
41:37
Pocus.
41:38
Now,
41:39
if
41:39
you
41:39
enjoy
41:39
what
41:40
I
41:40
do
41:40
for
41:40
this
41:40
podcast
41:41
or
41:41
you
41:41
simply
41:42
just
41:42
want
41:42
to
41:42
support
41:42
an
41:43
indie
41:43
podcaster
41:44
who
41:44
does
41:44
literally
41:45
everything
41:45
on
41:45
her
41:46
own,
41:46
if
41:46
you
41:47
have
41:47
some
41:47
spare
41:47
change,
41:48
you
41:48
can
41:49
financially
41:49
contribute
41:50
to
41:50
the
41:50
upkeep
41:50
of
41:50
this
41:51
podcast.
41:52
If
41:52
you
41:52
have
41:52
the
41:52
means
41:52
to,
41:53
you're
41:53
under
41:53
no
41:54
obligation
41:54
because
41:55
this
41:55
podcast
41:55
is
41:55
free
41:56
and
41:56
it
41:56
always
41:56
will
41:56
be.
41:57
However,
41:57
if
41:58
you
41:58
do
41:58
want
41:58
to
41:58
help,
41:59
I
41:59
would
41:59
be
42:00
incredibly
42:00
grateful.
42:01
You
42:01
can
42:01
make
42:02
a
42:02
one
42:02
off
42:02
donation@verbaldiorama.com
42:04
tips
42:05
or
42:05
you
42:06
can
42:06
subscribe
42:06
to
42:06
the
42:06
patreon@verbaldiorama.com
42:09
patreon
42:10
and
42:11
all
42:11
money
42:11
made
42:11
goes
42:12
back
42:12
into
42:12
this
42:12
podcast
42:13
by
42:13
paying
42:14
for
42:14
things
42:14
like
42:15
software
42:15
subscriptions,
42:16
website
42:16
hosting
42:17
or
42:17
new
42:17
equipment.
42:18
Because
42:19
unfortunately
42:20
podcasting
42:20
is
42:21
not
42:21
free.
42:21
I
42:22
am
42:22
very
42:22
grateful
42:23
to
42:23
the
42:23
people
42:24
who
42:24
do
42:24
regularly
42:25
support
42:25
this
42:25
podcast.
42:26
Simon,
42:27
Laurel,
42:27
Derek,
42:28
Kat,
42:29
Andy,
42:29
Mike,
42:30
Luke,
42:30
Michael,
42:31
Scott,
42:31
Brendan,
42:32
Ian,
42:32
Lisa,
42:33
Sam,
42:34
Jack,
42:34
Dave,
42:35
Stuart,
42:35
Nicholas
42:36
so
42:36
Kev,
42:37
Heather,
42:37
Danny,
42:38
Stu,
42:38
Brett,
42:39
Philip
42:39
M.
42:40
Xenos,
42:40
Sean,
42:41
Rhino,
42:41
Philip
42:42
K,
42:42
Adam,
42:43
Elaine,
42:43
Kyle,
42:44
Aaron,
42:44
and
42:45
Connor.
42:46
If
42:46
you
42:46
want
42:46
to
42:46
get
42:46
in
42:47
touch,
42:47
you
42:47
can
42:47
email
42:47
verbaldiorama@gmail.com
42:50
you
42:50
can
42:50
also
42:50
go
42:50
to
42:51
the
42:51
website
42:51
verbaldiorama.com
42:52
and
42:52
fill
42:53
out
42:53
the
42:53
little
42:53
contact
42:53
form
42:54
that's
42:54
on
42:54
there.
42:55
You
42:55
can
42:55
say
42:55
hi.
42:56
You
42:56
can
42:56
give
42:56
feedback,
42:56
you
42:57
can
42:57
give
42:57
suggestions,
42:58
and
42:58
every
42:59
single
42:59
episode
42:59
of
42:59
Verbal
43:00
Diorama
43:00
is
43:00
also
43:01
available
43:01
on
43:01
the
43:01
website
43:02
too
43:02
if
43:03
you
43:03
would
43:03
like
43:03
to
43:03
listen
43:04
that
43:04
way.
43:05
Alternatively,
43:06
your
43:06
podcast
43:06
app
43:06
is
43:07
probably
43:07
your
43:07
best
43:07
bet,
43:08
but
43:08
they
43:09
are
43:09
all
43:09
available
43:09
on
43:10
the
43:10
website
43:10
as
43:11
well.
43:12
And
43:12
if
43:12
you've
43:12
listened
43:12
to
43:12
an
43:13
episode
43:13
recently
43:13
and
43:14
you'd
43:14
like
43:14
to
43:14
get
43:14
in
43:14
touch,
43:15
or
43:15
you'd
43:15
like
43:15
to
43:15
ask
43:16
a
43:16
question,
43:16
or
43:16
you'd
43:17
like
43:17
to
43:17
know
43:17
something,
43:18
as
43:18
always,
43:19
please
43:19
feel
43:19
free
43:20
to
43:20
give
43:20
me
43:21
a
43:21
message
43:21
on
43:21
email
43:22
or
43:22
alternatively,
43:23
if
43:23
you
43:23
follow
43:24
me
43:24
on
43:24
social
43:24
media,
43:24
you
43:25
can
43:25
give
43:25
me
43:25
a
43:25
DM
43:26
as
43:26
well.
43:27
And
43:27
finally,
44:29
Bye.