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Lux Radio Theatre - "A Tale of Two Cities" (Old Time Radio, 1945) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: On March twenty sixth, nineteen forty five, CBS presented episode
• 0:04
  Speaker 1: four hundred seventy six of Lux Radio Theater. Charles Dickens
• 0:08
  Speaker 1: is a tale of two cities set in London and
• 0:12
  Speaker 1: Paris before and during the French Revolution. The drama follows
• 0:16
  Speaker 1: Lucy Manette, her father Charles Darnay, and the English barrister
• 0:20
  Speaker 1: Sidney Carton as their lives become entwined amid political upheaval
• 0:25
  Speaker 1: and old family connections. Orson Wells stars as Carton, with
• 0:30
  Speaker 1: Rosemary de Camp as Lucy Manette, Dennis Green as Charles Darnay,
• 0:35
  Speaker 1: and Verna Felton as Madame Defarge. Frank Craven serves as
• 0:39
  Speaker 1: guest host and producer and now the original broadcast.
• 0:45
  Speaker 2: Luck Presents Hollywood. The Luck Radio Theater brings you Autumn
• 1:03
  Speaker 2: Weald and Rosemary DeCamp in a tale of toothities, Ladies
• 1:09
  Speaker 2: and gentlemen. Your guest producer was your Bright Craven.
• 1:20
  Speaker 3: Good evening, Ladies and gentlemen. Between the peoples of the
• 1:23
  Speaker 3: English speaking world are fortunately many strong and common bonds,
• 1:28
  Speaker 3: respect for freedom and democracy, a sense of fair play,
• 1:31
  Speaker 3: and the love of tolerance. And to those bonds you
• 1:34
  Speaker 3: may Well add a commonwealth of Dickens. There are many
• 1:38
  Speaker 3: writers we pay homage to, but none us come as
• 1:41
  Speaker 3: close to our hearts and moved us so thoroughly to
• 1:44
  Speaker 3: tears and laughter as the author of Tonight's great story,
• 1:47
  Speaker 3: a Tale of two Cities. And I say great not
• 1:50
  Speaker 3: from my judgment only, but because time in the world.
• 1:53
  Speaker 2: Have called it so.
• 1:54
  Speaker 3: And Dickens himself expressed the humble hope that posterity would
• 1:58
  Speaker 3: consider it the best thing that the written for.
• 2:01
  Speaker 4: To him, it was an attempt.
• 2:02
  Speaker 3: To explain in terms of one man's life and actions,
• 2:05
  Speaker 3: one of the most inexplicable and violent periods of human history,
• 2:09
  Speaker 3: the French Reign of Terror, when twenty five million people
• 2:13
  Speaker 3: armed with torch and saber bathed Europe in the blood
• 2:16
  Speaker 3: of vengeance. Here, indeed, is the material of drama recorded
• 2:20
  Speaker 3: by a vivid and imaginative brighter, and portrayed for us
• 2:24
  Speaker 3: tonight by two stars worthy of this staunch assignment, Arson
• 2:28
  Speaker 3: Wells and Rosemary de Camp, both veterans of this stage
• 2:32
  Speaker 3: and of the screen and theater. Originally, most of Charles
• 2:36
  Speaker 3: Dickens's works were published in installments and came to America
• 2:40
  Speaker 3: by sailing vessels.
• 2:41
  Speaker 5: Records tell us.
• 2:42
  Speaker 3: Of how crowds thronged the wards of New York City
• 2:45
  Speaker 3: to receive the latest news of their favorite heroin a
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  Speaker 3: hero for already the names of Dickens's characters were household words,
• 2:52
  Speaker 3: as much, I imagine as Rock's toilet self as a household
• 2:55
  Speaker 3: world throughout America to day, and for very much the
• 2:58
  Speaker 3: same reason, the ability to find approval among people of
• 3:02
  Speaker 3: all kinds, of ages, and every walk of life, not
• 3:05
  Speaker 3: only among women who are anxious to preserve their loveliness,
• 3:08
  Speaker 3: but with.
• 3:09
  Speaker 6: Every member of the family, young and old.
• 3:11
  Speaker 3: Lux toilets Soap is quick to make friends and to
• 3:15
  Speaker 3: keep them. And now our curtain rises on Europe one
• 3:18
  Speaker 3: hundred and fifty years ago, as we bring you the
• 3:21
  Speaker 3: first act of A Tale of Two Cities, starring Arson
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  Speaker 3: Wells as Sydney Carton and Rosemary de Camp as Lucy Manette,
• 3:29
  Speaker 3: with Dennis Green as Charles Darnay. Paris, seventeen ninety three.
• 3:40
  Speaker 3: The French Revolution is over, the cause is won, but
• 3:43
  Speaker 3: the bloodshed has only started. The Reign of terror sweeps
• 3:46
  Speaker 3: through the land and all its fury, and each day
• 3:49
  Speaker 3: Madame mcguillotin.
• 3:50
  Speaker 4: Has had her share of human life.
• 3:52
  Speaker 3: The dripping blade rises and falls, and the crowd counts,
• 3:56
  Speaker 3: and monotonous rhythm is each noble head rolls to the ground.
• 4:03
  Speaker 3: The knife rises again and sweeps downward. Me Ulty two lives.
• 4:09
  Speaker 4: On a single day, and more to come, and.
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  Speaker 6: More and more, until night falls.
• 4:14
  Speaker 3: Draws a curtain on the scene. Behind the bleak walls
• 4:22
  Speaker 3: of the forest prison, the doomed of the following day
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  Speaker 3: await their fate.
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  Speaker 5: In a bare dungeon cell.
• 4:28
  Speaker 3: A single lantern throws a ghostly glow on their faces
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  Speaker 3: with a rattle of chains.
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  Speaker 4: With great iron door has flown open him.
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  Speaker 7: Everyone rises, rise, Aristocrats.
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  Speaker 8: The name of the people of francis right.
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  Speaker 7: Funeral here by declares that you shall be put to
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  Speaker 7: death by the guillotine on the morning of February second,
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  Speaker 7: seventeen ninety three. Citizen Jaylor, which one of these is
• 4:50
  Speaker 7: Charles Evremon, everyman, Devord Evreman, Charles Evreman, called Charles Dannay,
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  Speaker 7: Which one of you would he.
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  Speaker 8: Him?
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  Speaker 9: Everyman, step forward, Charles Evreman, known as Charles Darny. In
• 5:05
  Speaker 9: view of the excitement occasioned by your trial, it was
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  Speaker 9: felt that some small favor would be an order we
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  Speaker 9: have decided therefore that you shall live long enough to
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  Speaker 9: witness the execution of your friends. Here fifty one heads
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  Speaker 9: will fall tomorrow, Yours will be the fifty second.
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  Speaker 10: Citi everymore.
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  Speaker 11: Yeah, I didn't know you were here with us so dark?
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  Speaker 8: Yes, what is it you wanted?
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  Speaker 10: Don't you know me?
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  Speaker 6: I'm deserted with a blottle.
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  Speaker 8: Of course, together, course I forget for the moment of
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  Speaker 8: what you were accused.
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  Speaker 12: They accuse me.
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  Speaker 13: Of plak I'm innocent. How could I part against the Republican.
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  Speaker 10: I'm nothing, no one, no crida.
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  Speaker 8: Too late for tears.
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  Speaker 12: I'd try to be brave. Soon in the morning will come.
• 6:03
  Speaker 12: It's going right, even though.
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  Speaker 8: You haven't eye yet. That's more than's God for courage.
• 6:10
  Speaker 12: Look, sun's riding. I'm afraid, but I'm glad. Weish you
• 6:18
  Speaker 12: can see it is you.
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  Speaker 10: You are not a bransh You are not jos the room?
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  Speaker 3: Are you?
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  Speaker 6: Jaw?
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  Speaker 8: The room?
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  Speaker 12: His eyes?
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  Speaker 6: Would you the grow? His hair was light? And yours?
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  Speaker 8: Who are like you? I am nobody nothing?
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  Speaker 12: You're going to die for him?
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  Speaker 14: Why, monsieur?
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  Speaker 8: I could never make you understand.
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  Speaker 12: But I could set you free. One would for me
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  Speaker 12: that you must not please tell me about yourself? How
• 6:52
  Speaker 12: can I it would help?
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  Speaker 8: So?
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  Speaker 12: Do you talk to me? Perhaps it would help you too.
• 6:58
  Speaker 8: Monsieurs, so much to tell. So it began so long ago,
• 7:07
  Speaker 8: twenty five years ago, seventeen sixty eight. Ever been in England? No,
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  Speaker 8: there's a long hill on the Dover Road that sweeps
• 7:19
  Speaker 8: down to the seas, the Pleasant Road on a summer
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  Speaker 8: day with the sun shining, the devil's Own Highway at
• 7:27
  Speaker 8: night in the winter rains On just that sort of night.
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  Speaker 8: In seventeen sixty eight, a coach topped the rise of
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  Speaker 8: the hill the male boundary the Dover. Get up there,
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  Speaker 8: get up, get up, Tell the nail tom and rest
• 7:48
  Speaker 8: them for an Oh, we'll be lucky if we make
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  Speaker 8: the boat recaliation. You should see that, I say, a horse.
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  Speaker 8: If you can't coming up, you are, I say all
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  Speaker 8: the gab? Oh there tender on fire?
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  Speaker 5: Oh are you?
• 8:08
  Speaker 8: What do you want?
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  Speaker 15: Is that a overnails?
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  Speaker 8: I'm a passenger? What passenger? Mister Jarvis Lorry? Keep where
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  Speaker 8: you are?
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  Speaker 2: A gentleman name of John, Miss Lourie, and the coach
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  Speaker 2: I'm Larry.
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  Speaker 16: Who wants me?
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  Speaker 8: If me, mister Lorry Jerry, I know.
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  Speaker 16: This messenger guard. There's nothing wrong.
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  Speaker 8: I hope I ain't hell, are you? I'm on at
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  Speaker 8: a footpace. Well, Jerry, what is it?
• 8:32
  Speaker 16: I just batched their set after you're from London.
• 8:34
  Speaker 8: Quit quick about reading it her. I don't like this.
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  Speaker 17: It's not very long. You've see wait at Dover for Mademoiselle.
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  Speaker 17: Very good, Jerry. Yes, Mitter Lorry, right back to London
• 8:46
  Speaker 17: as passed as you can tell them. My answer was recalled.
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  Speaker 8: To life, recall life. There is mister Lorry's business that night,
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  Speaker 8: to recall to life a man who had been buried
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  Speaker 8: alive for eighteen years, a prisoner of the French nobility,
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  Speaker 8: the man who escaped and is now hidden by friends
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  Speaker 8: in the village of San Antoine. To that village went
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  Speaker 8: mister Lorry to the wine shop of a certain Madame Defarge.
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  Speaker 8: You are Madame Defarge.
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  Speaker 14: I am.
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  Speaker 17: My name is Jervis Lorry. I've just arrived from London.
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  Speaker 17: This young lady with me is missus Lucy Manette.
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  Speaker 14: Good morning, mamseau.
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  Speaker 13: Please tell us is my father here?
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  Speaker 14: Did he say your father? There is no one here, ma'amselle.
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  Speaker 17: But mister Lorry was taking one moment my child Madame Defarge.
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  Speaker 16: Perhaps I should have.
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  Speaker 17: Presented my credentials sooner recalled to life.
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  Speaker 18: There is a man here, a man all beyond these years,
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  Speaker 18: a mender of shoes.
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  Speaker 14: Will you come this way? My husb and and I
• 10:00
  Speaker 14: have kept him locked in a room up the stairs.
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  Speaker 16: Did you say, lot.
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  Speaker 15: Yes, of his own desire, of his own necessities.
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  Speaker 18: He has lived too long alone. He would be afraid
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  Speaker 18: if his door was left un left.
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  Speaker 6: Mister Laurian's right.
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  Speaker 14: The doctor Manette, you are hard at work.
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  Speaker 15: Yes, I am working.
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  Speaker 18: You have a visitor, doctor, showing the shoe you are making.
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  Speaker 18: Now tell us here the maker's name. You asked my name, yes,
• 10:42
  Speaker 18: one hundred and five. Nor a power that is all
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  Speaker 18: one hundred and five, Nor a power.
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  Speaker 17: You see us here hearing members nothing? Doctor Manette, Do
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  Speaker 17: you remember nothing of me?
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  Speaker 8: Look at me?
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  Speaker 16: Is there the old banker?
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  Speaker 4: No old business rising in your mind?
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  Speaker 17: Think of England, a man who was your friend, Jarvis Lorry.
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  Speaker 17: It's no use. This is what they have done to him. Lucy,
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  Speaker 17: come here, my child, Yes, now speak call him, Speak
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  Speaker 17: to him as you did long ago.
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  Speaker 6: Father.
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  Speaker 16: Who is this? Do you remember? Doctor Minnette?
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  Speaker 15: I remember a little girl with long golden hair, ages
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  Speaker 15: ages ago?
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  Speaker 16: What was her name?
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  Speaker 5: Her name?
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  Speaker 16: She laid her head upon my.
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  Speaker 6: Shoulder when they came for me that night.
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  Speaker 8: Don't let him take you further.
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  Speaker 15: Hush, my Churney and that big Lucy.
• 12:09
  Speaker 8: They crossed the channel that night to a safe refuge
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  Speaker 8: in England. There for five years the good doctor rested,
• 12:16
  Speaker 8: until at last his memory returned and he was well again.
• 12:20
  Speaker 8: But now in the English courts a trial was in progress,
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  Speaker 8: a trial of a certain trial's done. He accused of
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  Speaker 8: plotting treason against his Majesty's government. Doctor Mannette, called as
• 12:33
  Speaker 8: a witness, sat with his daughter in the judge's bench.
• 12:36
  Speaker 8: The court was hot, humid. Only one man seemed quite
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  Speaker 8: at ease, the assistant counsel for the prisoner. His court
• 12:45
  Speaker 8: whig dipped in a slovenly fashion. Over one eye is caught,
• 12:49
  Speaker 8: gown stained with wine. His name if anyone was interested
• 12:55
  Speaker 8: for Sydney Carton.
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  Speaker 5: Cotton stack.
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  Speaker 19: Quickly with the evidence they presented, Donnie will hang by morning?
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  Speaker 8: Cardon?
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  Speaker 2: Do you hear me?
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  Speaker 8: I hear you, missus? Driver? What shall I do? Why
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  Speaker 8: will you? I should sit down? Darnay is my client.
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  Speaker 5: I'm trying to protect him. I pay you well for
• 13:16
  Speaker 5: your assistance, expector, and you will have it.
• 13:18
  Speaker 8: Missus driver, when the time comes.
• 13:21
  Speaker 5: So you've already had your bottle today too.
• 13:24
  Speaker 8: I believe drunk, always drunk, Cotton, listen to me at
• 13:29
  Speaker 8: present time. I'm more interested in Doctor Manette, Doctor Manette,
• 13:34
  Speaker 8: to the stand.
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  Speaker 17: You are doctor Manette, I am Doctor Manette. The prisoner
• 13:41
  Speaker 17: tells Darnay, it's been accused of carrying secret messages from
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  Speaker 17: Louis of France to spies here in England. Look upon
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  Speaker 17: the prisoner. Have you ever seen him before? I don't know, really,
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  Speaker 17: Is it not true, doctor Manette, that the prisoner was
• 13:55
  Speaker 17: a fellow passenger with you five years ago on a
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  Speaker 17: boat from Calid to Dover. I cannot say when I
• 14:00
  Speaker 17: came from France that night, I had been newly released
• 14:03
  Speaker 17: from a long imprisonment. I have little remembrance of the occasion.
• 14:07
  Speaker 17: My mind was a blank for some time. I see
• 14:11
  Speaker 17: your daughter made the trip with you, did you not?
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  Speaker 8: Yes?
• 14:14
  Speaker 16: That will be all. Are there any questions from.
• 14:18
  Speaker 5: The defense, any questions, Carson, No questions, No questions. You're
• 14:23
  Speaker 5: worship Miss Lucy Mannette to.
• 14:26
  Speaker 17: The stairs, and now, miss Mannette, look upon the prisoner.
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  Speaker 8: Please?
• 14:31
  Speaker 16: Have you ever seen him before?
• 14:34
  Speaker 6: Where on board the packet?
• 14:36
  Speaker 16: Thought you mentioned you spoke to him, you were friendly
• 14:39
  Speaker 16: with him?
• 14:40
  Speaker 4: Yes?
• 14:40
  Speaker 8: Good?
• 14:41
  Speaker 16: And now tell me did he come aboard alone?
• 14:44
  Speaker 18: No?
• 14:45
  Speaker 13: When the gentleman came on you mean.
• 14:46
  Speaker 16: The prisoner, yes, then say the prisoner.
• 14:51
  Speaker 13: When the prisoner came on board, there were two gentlemen with.
• 14:54
  Speaker 17: Him, but these two did not make the crossing.
• 14:58
  Speaker 6: No.
• 14:59
  Speaker 16: Now tell me did you see them give certain papers
• 15:02
  Speaker 16: to the prisoner that night?
• 15:04
  Speaker 6: No?
• 15:04
  Speaker 16: You're sure of that.
• 15:05
  Speaker 10: I er, I don't know.
• 15:07
  Speaker 16: It was dark, then they might have given him certain papers.
• 15:10
  Speaker 16: Is that right?
• 15:11
  Speaker 17: Yes?
• 15:11
  Speaker 16: But I'm that would be honest?
• 15:12
  Speaker 8: Man?
• 15:13
  Speaker 6: Please, I know he isn't guilty.
• 15:14
  Speaker 8: That will be.
• 15:15
  Speaker 5: Are there any questions from the defense, Will Cotton? No,
• 15:21
  Speaker 5: you're mad, no question, No questions, your worship.
• 15:26
  Speaker 8: Your worship.
• 15:27
  Speaker 16: The prosecution would like to recall his chief witness, the
• 15:30
  Speaker 16: prisoner's accuser.
• 15:31
  Speaker 17: Mister John barsaid, Now, stra they might have some questions,
• 15:39
  Speaker 17: mister John Marson, right here, sir, mister b said, look
• 15:43
  Speaker 17: upon the prisoner.
• 15:44
  Speaker 16: Do you recognize him? I do, sir.
• 15:46
  Speaker 17: He's a spy against his Majesty's government.
• 15:48
  Speaker 2: That's what he is.
• 15:51
  Speaker 19: I was on that Mayle packet myself that night, and
• 15:54
  Speaker 19: I saw the kind of papers that passed into the
• 15:56
  Speaker 19: ends of the prisoner.
• 15:57
  Speaker 2: They were lists of our troops.
• 15:59
  Speaker 16: Thank you, mister, No more question.
• 16:01
  Speaker 8: We can't hold what it bead Will Carton asking these
• 16:06
  Speaker 8: questions I've written down here.
• 16:09
  Speaker 19: Mister Barr said, how do you know the papers you
• 16:12
  Speaker 19: saw were lists of British soldiers? I saw them, You
• 16:16
  Speaker 19: saw them, then you took them out of the pockets
• 16:18
  Speaker 19: of the prisoner. Charles Darnay, Yes.
• 16:20
  Speaker 8: Sir, and no, sir, they sell out they did.
• 16:23
  Speaker 5: Oh, then you didn't take them.
• 16:25
  Speaker 19: You're not a spy yourself, a man who makes his
• 16:28
  Speaker 19: living by making accusations just or otherwise against his fellow comfortable.
• 16:32
  Speaker 19: That's a lie, I done right, insinuated lie.
• 16:35
  Speaker 8: One moment, Will Carton, missus driver, no imagination. There's the birth.
• 16:44
  Speaker 8: Where did you get money to live on my property?
• 16:47
  Speaker 8: Your property? Where is it?
• 16:49
  Speaker 2: I don't exactly remember.
• 16:53
  Speaker 8: And perhaps you can remember how you got that property.
• 16:56
  Speaker 2: You neherited it from whom from relative?
• 16:59
  Speaker 8: This sense realities? How many times have you been in prison?
• 17:03
  Speaker 8: Six times? Isn't it?
• 17:04
  Speaker 2: What's they gotta do with it?
• 17:05
  Speaker 8: Heaven kicked the cheating guys.
• 17:07
  Speaker 2: Well, now, mister Basad, who are positive with the prisoner
• 17:09
  Speaker 2: who saw.
• 17:09
  Speaker 8: That night with those lists?
• 17:10
  Speaker 2: I am it couldn't possibly have been someone else?
• 17:12
  Speaker 8: Now it cut You will please face this witness now,
• 17:16
  Speaker 8: mister Basad, look at mister Darnay, look at him carefully. Well, now,
• 17:21
  Speaker 8: mister Bassad look at me, at me, the assistant counsel
• 17:25
  Speaker 8: for the defense. You notice the resemblance between us. We
• 17:31
  Speaker 8: are very much alike, are we not? Well, now that
• 17:34
  Speaker 8: you mention it, you are as a matter of fact,
• 17:37
  Speaker 8: it could have been me who saw with those supposed
• 17:39
  Speaker 8: lists that night, could it not?
• 17:40
  Speaker 6: Well? Now could it not?
• 17:42
  Speaker 8: Mister Bassard? All right, yes, it's all thank yo. Are
• 17:52
  Speaker 8: there any more questions?
• 17:54
  Speaker 5: The jury were required to consider him.
• 17:55
  Speaker 8: Learning July agreed. We have your own worship, and now
• 18:04
  Speaker 8: you find the prisoner, Charles Donney. We find the prisoner,
• 18:08
  Speaker 8: not Jilney.
• 18:17
  Speaker 2: Mister Donney, may we congratulate you, saying, thank you, doctor.
• 18:20
  Speaker 6: I'm happy our testimony.
• 18:21
  Speaker 13: Did you know harm?
• 18:22
  Speaker 8: Thank you, Miss Lucy. I'm sure I did nothing but good.
• 18:25
  Speaker 8: It was mister Carton who really won your case. Mister
• 18:27
  Speaker 8: Carton with the Carton, sir, don't call me may I
• 18:31
  Speaker 8: thank yourself for saving my life. It's only a part
• 18:34
  Speaker 8: of my business. Mister Carton. This is doctor Manette and
• 18:37
  Speaker 8: miss Lucy Mannette. Mister car how do you do?
• 18:39
  Speaker 6: Oh? We thought you were splendid. Mister Carton.
• 18:42
  Speaker 8: Here professional clap trap ah. May I ask how did
• 18:47
  Speaker 8: you happen to notice the resemblance between you and me?
• 18:49
  Speaker 8: Or it was very simple. I looked at you and
• 18:52
  Speaker 8: admired Joe Burying and your character. You see, I have
• 18:54
  Speaker 8: nothing but admiration for myself.
• 18:59
  Speaker 16: Lucy, my dear, we miss school.
• 19:01
  Speaker 13: Goodbye, mister Donny.
• 19:03
  Speaker 6: Will you call it our house soon?
• 19:05
  Speaker 8: Thank you? Miss Lucy, Hi, thank you. Good day, said gentlemen.
• 19:13
  Speaker 8: Good day doctor mister Cotton. Would you care to dine
• 19:17
  Speaker 8: with me? Or you feel you must repay me? I
• 19:20
  Speaker 8: could never repay you for my lifeester he don't be
• 19:22
  Speaker 8: too certain. Bottle of wine or two? My fees are
• 19:26
  Speaker 8: very low. Another glass, mister Johnny, thank you. I've had enough. Donnay.
• 19:43
  Speaker 8: How's it feeling to be alive again instead of hanging
• 19:46
  Speaker 8: by your neck? Well, I'm a little confused regarding time
• 19:49
  Speaker 8: and place, but it's good to feel at home in
• 19:51
  Speaker 8: the world again. Or it must be an immense satisfaction
• 19:55
  Speaker 8: to me. The world has a little author of wine
• 19:58
  Speaker 8: like this, So you not very much like in that
• 20:01
  Speaker 8: particular howe you speak very faintly, Donnie, I didn't speak
• 20:09
  Speaker 8: at all. It comes, Donnie Cola Hill oppose you to
• 20:12
  Speaker 8: what I done, A typically a tongue man that's in
• 20:15
  Speaker 8: there all evening out of this very well, then, Miss
• 20:18
  Speaker 8: Lucy Manette, Miss Mannette, as a very young lady to
• 20:27
  Speaker 8: hand into a coach in the dark. Gay, mister Donne,
• 20:31
  Speaker 8: there's a say young lady to be pitied by and
• 20:34
  Speaker 8: wept for by. How the feelings to Donny, it's worth
• 20:38
  Speaker 8: big tribe for one's life to be the object of
• 20:40
  Speaker 8: that sympathis and compassion. I don't take your meaning, mister.
• 20:46
  Speaker 8: Let me ask you a questions.
• 20:48
  Speaker 2: Do you think I particularly like you?
• 20:50
  Speaker 8: You've acted as if you do, but I don't think
• 20:55
  Speaker 8: you do. I don't think I do either. Nevertheless, I
• 20:59
  Speaker 8: hope that last and that dislike to prevent my calling
• 21:02
  Speaker 8: to the reckoning and parting without your blood nothing at
• 21:05
  Speaker 8: all you call the whole reckoning in my maser. In
• 21:09
  Speaker 8: that case, innkeeper, more wine, yes, sir, good night, mister Cotton.
• 21:14
  Speaker 8: There you go.
• 21:15
  Speaker 2: One last word, mister Darney, you think I am drunk?
• 21:19
  Speaker 8: I think you have been drinking. Mister Cotton, you know
• 21:23
  Speaker 8: I have been drinking. Well since I must say so,
• 21:26
  Speaker 8: I know it. You should likewise know why, because I
• 21:30
  Speaker 8: care for no man on earth, No man on earth
• 21:34
  Speaker 8: kiss me much to be aggressive. You might have you
• 21:36
  Speaker 8: with your talents better, Maybe so, missus Jarney. Maybe not.
• 21:40
  Speaker 8: Good night, sir night, and don't let your sober face elate.
• 21:44
  Speaker 8: You never know what it may come to, innkeeper the whine, Well, well, Gordon,
• 21:57
  Speaker 8: have mister Dnney shown you that you've fallen away from?
• 22:02
  Speaker 8: But she might have been changed places with him? And
• 22:06
  Speaker 8: would you've been looked at by those blue eyes to
• 22:09
  Speaker 8: see worse? Come on, have it out in plain woods.
• 22:18
  Speaker 8: You hate the fellow. Sydney Carton knew it was too
• 22:27
  Speaker 8: late to change his way of life, but he took
• 22:31
  Speaker 8: to brushing his shabby coat and combing his untidy hair.
• 22:36
  Speaker 8: And there were times even when he remembered that a
• 22:39
  Speaker 8: gentleman does not drink himself nightly into a stupid On
• 22:43
  Speaker 8: Sunday afternoons, he would appear in miss mannet garden, sitting
• 22:48
  Speaker 8: quietly speaking, but seldom for Charles Daney was there too.
• 22:54
  Speaker 8: One evening, just at dust, an approaching storm sent him into.
• 22:59
  Speaker 20: Him Listen, it's coming soon, mister Darnay.
• 23:03
  Speaker 8: It's comes slowly but surely.
• 23:05
  Speaker 6: Isn't it impressive?
• 23:07
  Speaker 13: Sometimes, when I've sat here of an evening like this,
• 23:09
  Speaker 13: listening to the thunder in the distance, I've had.
• 23:12
  Speaker 6: Such a strange fancy. I've imagined that the thunderclaps were echoes, the.
• 23:17
  Speaker 10: Echoes of footsteps that were one day.
• 23:19
  Speaker 6: Enter our lives.
• 23:21
  Speaker 8: If that is so, there is a great crowd coming
• 23:24
  Speaker 8: into our lives, I take them into mind.
• 23:26
  Speaker 6: Gladly, was my foolish fancy, mister Carton.
• 23:29
  Speaker 8: Well, there is a great crowd bearing down upon us,
• 23:33
  Speaker 8: now thousands above. Thus here they come, fast, fierce, curious.
• 23:42
  Speaker 13: You'll make my fancy seem too real.
• 23:44
  Speaker 6: Mister Carton.
• 23:54
  Speaker 8: There was a great crowd coming into their lives, a numberless,
• 23:59
  Speaker 8: over powering crowd, which one day would decide the fate
• 24:03
  Speaker 8: of these three. At first, it was but a whisper
• 24:06
  Speaker 8: in the city of Paris, a whisper that was to
• 24:09
  Speaker 8: grow with the years into a crashing roar of hatred.
• 24:15
  Speaker 8: Slowly but surely, as the storm.
• 24:18
  Speaker 6: Came, the crowd was coming too, up from.
• 24:22
  Speaker 4: The cellars of Paris, up.
• 24:24
  Speaker 8: From the bare fields of a starving peasantry. The crowd
• 24:28
  Speaker 8: was coming, panting it hate, screaming of.
• 24:32
  Speaker 4: Blood, and me run and all their might rising.
• 24:37
  Speaker 3: You have a.
• 24:49
  Speaker 8: In vesterbod Freg.
• 24:51
  Speaker 4: Craven and our sars Orson Wells.
• 24:53
  Speaker 2: And Rosemary de Kent will return in act two of
• 24:56
  Speaker 2: a Tale of Two Cities. And now here's a dense music.
• 25:02
  Speaker 2: A soldier and this girl.
• 25:04
  Speaker 10: Did I have a dream this afternoon I'd be dancing
• 25:07
  Speaker 10: with you to night, Deale.
• 25:08
  Speaker 6: I just couldn't believe it when you called me from
• 25:10
  Speaker 6: the station.
• 25:11
  Speaker 4: Gosh, what a thrill saying you know you're pretty? Doesn't
• 25:14
  Speaker 4: ever marry You're sweet to say that.
• 25:16
  Speaker 10: Bill and me wearing my old rainy day dress.
• 25:19
  Speaker 6: I plan to wear a real glam gum for our
• 25:21
  Speaker 6: first date.
• 25:22
  Speaker 4: Oh you look like a glamor girl to me. Mary,
• 25:24
  Speaker 4: with those eyes and that peaches and cream skin, say,
• 25:28
  Speaker 4: I wouldn't care if you were.
• 25:29
  Speaker 8: Wearing blue jeans, darling man.
• 25:36
  Speaker 2: It takes a lovely lux complexion to win a compliment
• 25:39
  Speaker 2: like that. There's something irresistible about soft, smooth skin. That's
• 25:43
  Speaker 2: why screen stars lovely women everywhere never take chances with
• 25:47
  Speaker 2: complexion beauty. They've discovered a care so simple, so effective that.
• 25:52
  Speaker 8: They use it regularly.
• 25:53
  Speaker 2: Here's what pretty Anne Vexter says, I wouldn't.
• 25:55
  Speaker 20: Dream of neglecting my daily let's tarlet so facial active
• 25:59
  Speaker 20: lot of these. My skin so soft and fresh.
• 26:01
  Speaker 2: Lux toilet soap is a real beauty soap. You see.
• 26:04
  Speaker 2: The gentle, extra creamy lather is ripe for delicate skin.
• 26:08
  Speaker 20: It feels like smoothing beauty. And when you cover your
• 26:11
  Speaker 20: face with a rich luf soap lavish. I work it
• 26:14
  Speaker 20: in gently but thoroughly. I rink with warm water and
• 26:17
  Speaker 20: splash with cold tap my face dry with a soft towel.
• 26:21
  Speaker 6: That's my beauty facial. It really does things to my skin.
• 26:25
  Speaker 8: Why not try these Hollywood beauty facials.
• 26:28
  Speaker 2: Famous screen stars use. They really make skin lovelier. Recent
• 26:32
  Speaker 2: tests showed actually three out of four complexions improved in
• 26:35
  Speaker 2: a short time with this daily lux soap care. Remember,
• 26:39
  Speaker 2: gentle Lux toilet soap is Hollywood's own complexion soap. We
• 26:44
  Speaker 2: pause now for station identification. This is CBS, the Columbia
• 26:48
  Speaker 2: Broadcasting System.
• 27:12
  Speaker 3: Back too of a Tale of Two Cities, starring Auson
• 27:16
  Speaker 3: Wells as Sydney Carton and rose married to camp as
• 27:19
  Speaker 3: Lucy Manette. In La Course prison, awaiting death by the guillotine,
• 27:31
  Speaker 3: the man called Darnay continues his story. The little seamstress,
• 27:35
  Speaker 3: condemned to die with him within the hour, listens quietly,
• 27:39
  Speaker 3: her eyes fixed on his face.
• 27:45
  Speaker 8: As time went on, Sydney Carton appeared less and less
• 27:50
  Speaker 8: frequently in the man at Home, for he knew that
• 27:54
  Speaker 8: Lucy loved Charles Darnay. As an evening in April, almost
• 28:00
  Speaker 8: ten years ago, the childs Darnay spoke to Lucy's father.
• 28:06
  Speaker 8: I've only hinted that marriage to Lucy, Sir. I didn't
• 28:09
  Speaker 8: want to speak until. Well, there are certain things about
• 28:13
  Speaker 8: myself that you should know. Yes, doctor Manette, my name
• 28:17
  Speaker 8: is not Darnay. I chose that name when I first
• 28:20
  Speaker 8: left France, and my heritage herita. I'm a noble birth, sir,
• 28:24
  Speaker 8: but I do not boast of it. Through generations, my
• 28:27
  Speaker 8: family gained its wealth of the expense of the poor.
• 28:30
  Speaker 8: When my uncle died, I was the sole remaining heir.
• 28:32
  Speaker 8: I returned to France to sign away my title to
• 28:35
  Speaker 8: the estate. Why do you tell me this because sir,
• 28:38
  Speaker 8: I know what you have suffered at the hands of
• 28:40
  Speaker 8: the French aristocracy. Your uncle's name and yours? What what
• 28:44
  Speaker 8: was it? Son? Everyman? The marquis sent everyone he was
• 28:49
  Speaker 8: doctor your gilsa No Chiles, Lucy is not to know
• 28:54
  Speaker 8: what you have just told me?
• 28:56
  Speaker 14: Not now?
• 28:57
  Speaker 8: Do you mean not? Now? What cover she not to know?
• 29:01
  Speaker 8: The work? Very well? Doctor, you you have my word?
• 29:05
  Speaker 8: Now go please go.
• 29:09
  Speaker 16: Vermont say no.
• 29:12
  Speaker 21: Raymond followed me in, looking at me in Oh, I
• 29:29
  Speaker 21: got your message?
• 29:30
  Speaker 8: Any wrong?
• 29:32
  Speaker 6: Room? All day?
• 29:35
  Speaker 8: Doctor Manette? Opened the doors, Doctor Manette, the key in
• 29:40
  Speaker 8: the Room'll give it to me and take me to down.
• 29:43
  Speaker 6: Come, my dear.
• 29:50
  Speaker 8: Doctor Manette, Doctor Manette, what are you doing? Do you
• 29:55
  Speaker 8: hear me? Doctor? What work is this? You're doing?
• 30:00
  Speaker 16: The lady's shoes, the young lady's walking shoe, which should
• 30:06
  Speaker 16: be finished?
• 30:07
  Speaker 8: Let me be.
• 30:15
  Speaker 6: Did he all right?
• 30:17
  Speaker 8: He's all right, doctor Jamison.
• 30:20
  Speaker 13: You'd been very kind to stay so long. I tried
• 30:23
  Speaker 13: to reach travel. He wasn't at home.
• 30:25
  Speaker 6: Don't worry.
• 30:25
  Speaker 8: There's nothing to worry about now a few days and
• 30:29
  Speaker 8: he'll be well again.
• 30:30
  Speaker 13: What could have caught it after all these years to
• 30:33
  Speaker 13: go back to that, what happened to him.
• 30:35
  Speaker 8: How can we know a shock had some sudden shoulder
• 30:39
  Speaker 8: of memory. Man's mind can play queer tricktion.
• 30:44
  Speaker 18: I brought you a cup of chocolate, that's all, thank you, mister,
• 30:47
  Speaker 18: And the doctor says everything will be all right.
• 30:50
  Speaker 6: You are not to worry.
• 30:51
  Speaker 4: Oh, thank you.
• 30:55
  Speaker 6: Well, Stydney.
• 30:56
  Speaker 13: You're not leaving.
• 30:58
  Speaker 8: It's growing late. Not for me course. I doubt if
• 31:02
  Speaker 8: you see the dawn very often?
• 31:04
  Speaker 13: No, I don't, but I can welcome it today the article.
• 31:08
  Speaker 6: Everything is so black and fearsome.
• 31:10
  Speaker 13: Now all my troubles are past, all my hopes, Preepole.
• 31:15
  Speaker 10: It's always that way, isn't it.
• 31:18
  Speaker 8: There are some hopes a man may have which remain
• 31:20
  Speaker 8: in the shadows forever.
• 31:23
  Speaker 6: Do you have such hopes?
• 31:24
  Speaker 12: Sidney?
• 31:26
  Speaker 8: No more? I'm like one who died young.
• 31:32
  Speaker 12: Sydney.
• 31:33
  Speaker 13: You've come often to the house in the past few months,
• 31:36
  Speaker 13: and yet we know very little about you except that
• 31:39
  Speaker 13: you're our friends. Is there nothing I can do to
• 31:42
  Speaker 13: help you?
• 31:43
  Speaker 6: Sidneys?
• 31:44
  Speaker 8: I can never hope to repay what you've already done.
• 31:48
  Speaker 8: May I tell you something? Will you hear me without
• 31:50
  Speaker 8: shrinking from me? What is it You've been? The last
• 31:54
  Speaker 8: dream of my soul seeing you here in your home,
• 31:58
  Speaker 8: and stood old shadows that I thought had died out
• 32:01
  Speaker 8: of me. I've heard whispers from old voices impelling me
• 32:05
  Speaker 8: upward that I thought was silent forever. I've had unformed
• 32:10
  Speaker 8: ideas of striving afresh, fighting out the abandoned fight dream
• 32:18
  Speaker 8: or a dream. But I wish you to know that
• 32:21
  Speaker 8: you inspired it.
• 32:25
  Speaker 6: Will nothing of it remained.
• 32:27
  Speaker 8: Perhaps as a dream might linger on after the dreamer awakes.
• 32:33
  Speaker 8: But try to hold me in your mind is sincere,
• 32:36
  Speaker 8: and this one thing I would embrace any sacrifice for you,
• 32:43
  Speaker 8: for those dear to you. I think now, man, that
• 32:47
  Speaker 8: there's a man who would give his life to keep
• 32:51
  Speaker 8: a life you love. Besides you, the poor fool cut drunk,
• 33:05
  Speaker 8: drunk this time with self pity, and from that day
• 33:10
  Speaker 8: on he was seen rarely in the men at home.
• 33:14
  Speaker 8: He was there when Lucy and Danay were married, and
• 33:17
  Speaker 8: again some years later when their child was born a girl,
• 33:24
  Speaker 8: but his visits were short, as he slip away at
• 33:26
  Speaker 8: the first opportunity. In France. During these years, the echoing
• 33:34
  Speaker 8: footsteps of the crowd had been growing louder. Grim patriots
• 33:38
  Speaker 8: who had obeyed the soil of France in the blood
• 33:40
  Speaker 8: of the hated nobility. Then the storm broke and all
• 33:44
  Speaker 8: its furia. In July seventeen eighty nine, they swarm from
• 33:49
  Speaker 8: the rattholes of Paris to cover the country with a
• 33:52
  Speaker 8: blanket of red, an army of vengeance bent upon destruction.
• 33:57
  Speaker 8: To death.
• 34:02
  Speaker 6: Column a power colom got down the park.
• 34:09
  Speaker 11: How can you sit a nittle calmly on the thing?
• 34:12
  Speaker 11: Our victory will come only when every noble head has
• 34:16
  Speaker 11: rolled on every noble shoulder. And in this knitting I
• 34:20
  Speaker 11: have inscribed their names, the names of those have starved us,
• 34:26
  Speaker 11: killed us. And for every stitch another head shall roll.
• 34:32
  Speaker 11: For every stitch we shall be evens.
• 34:45
  Speaker 8: Who is Who's that open the door? What do you want?
• 34:52
  Speaker 8: If this? I'm looking for mister Sidney Cotton. He is
• 34:55
  Speaker 8: not open.
• 34:56
  Speaker 2: There's no in London open at this time of night.
• 34:58
  Speaker 8: I want to see mister Sidney Cotton.
• 34:59
  Speaker 2: Let me, ah, where arey?
• 35:03
  Speaker 6: He's in there?
• 35:08
  Speaker 8: Cotton Cotton?
• 35:09
  Speaker 15: Wake up?
• 35:11
  Speaker 8: Who is it? Who? Donny?
• 35:14
  Speaker 14: Who?
• 35:16
  Speaker 8: Oh, mister Donny. Welcome mister Danney. The more I have
• 35:21
  Speaker 8: no time for that. Listen to me. I'm leaving for
• 35:23
  Speaker 8: Paris within the hour. Piss some business there that I
• 35:27
  Speaker 8: must attend to at once. Peris very warm this time
• 35:33
  Speaker 8: of the year. By your lawyer, I should advise against
• 35:36
  Speaker 8: the journey. How much do you know of me? This
• 35:41
  Speaker 8: is an excellent wine, mister Darney, French wine from the
• 35:45
  Speaker 8: cellars of the aristocrats who fled the country. There will
• 35:49
  Speaker 8: be few of these bottles left now being poured into
• 35:54
  Speaker 8: the streets long as the blood of the nobles. Who
• 35:58
  Speaker 8: wants drink it? Must you go to Paris? I see
• 36:03
  Speaker 8: there's little I have to explain to you, But I
• 36:05
  Speaker 8: received a letter this morning from a man who was
• 36:07
  Speaker 8: once my servant. They threatened or send him to the
• 36:09
  Speaker 8: guillotine unless he can explain why he's in possession of
• 36:12
  Speaker 8: certain property. That's why I must go to save his life.
• 36:15
  Speaker 8: Of your own life, I'll be a note, dame, and
• 36:17
  Speaker 8: I pronounce my inheritance that it easily proves. Why do
• 36:21
  Speaker 8: you come to me? There's no one else I can
• 36:23
  Speaker 8: turn to. I don't know how long I shall be gone.
• 36:25
  Speaker 8: I should like to feel there's someone here in London
• 36:29
  Speaker 8: who is watching over my family. Hi, you trust me
• 36:35
  Speaker 8: towards you with your child? Who's your wife? Yes? I
• 36:40
  Speaker 8: know that you loved her? When did you say you,
• 36:43
  Speaker 8: miss Steve tonight. Now I have no fear about your
• 36:47
  Speaker 8: family that he said, thanks your cousin, good night, good night,
• 36:51
  Speaker 8: God's seen pardons more.
• 36:54
  Speaker 15: Why sir, no, no, take it away.
• 37:09
  Speaker 8: Oh you're there and the coach.
• 37:14
  Speaker 6: Where are you going?
• 37:14
  Speaker 8: Citizens, I'm going to Paris. Let me see your paper.
• 37:17
  Speaker 8: If you'll hurry, please, Citizen, I must be in Paris
• 37:19
  Speaker 8: within the hour. What is your name? Citizens? Karl Danna
• 37:23
  Speaker 8: Sarna also known as every Mall Why, why? Yes?
• 37:26
  Speaker 2: But you are confined every monk to the prison of
• 37:29
  Speaker 2: the fort. And just a moment our stars will return
• 37:43
  Speaker 2: in Act three of a Tale of Two Cities. And
• 37:46
  Speaker 2: now here comes our young friend Sally. My said, helly,
• 37:50
  Speaker 2: that's a pretty cissage you're wearing.
• 37:52
  Speaker 10: I got it at the flower shows this afternoon, mister Kennedy,
• 37:55
  Speaker 10: What a lovely.
• 37:56
  Speaker 22: Show it was, to a regular preview of the spring God,
• 38:00
  Speaker 22: Lily to the Valley, lilacs, daffodils, narcissus, oh, in dozens
• 38:05
  Speaker 22: of other kinds of flowers.
• 38:06
  Speaker 8: I can't think of anything more refreshing to see right now, Sally.
• 38:09
  Speaker 10: The whole air was fragrant with them.
• 38:11
  Speaker 6: A fresh, delicate person.
• 38:13
  Speaker 2: You never tire of a fresh, delicate perfume you never
• 38:16
  Speaker 2: tire of.
• 38:17
  Speaker 8: H How when you say that, Sally, you.
• 38:19
  Speaker 22: Make me think of something play of closer to Kennedy,
• 38:22
  Speaker 22: The perfume of Luck's toilet.
• 38:24
  Speaker 2: Soap, sure thing, because that's just what the makers of
• 38:26
  Speaker 2: Luck Soap had in mind when they created its perfume.
• 38:29
  Speaker 2: They knew women would enjoy delicate, subtle fragrance, like the
• 38:32
  Speaker 2: combined scent of many spring flowers.
• 38:34
  Speaker 10: Yes, and they do enjoy it, mister Kennedy.
• 38:37
  Speaker 23: Screen staws say, that's why Luck Soap makes a wonderful
• 38:40
  Speaker 23: bad soap.
• 38:41
  Speaker 10: It leaves such a lovely, clinging fragrance on the skin.
• 38:44
  Speaker 2: Well, it took a lot of experimenting to make that
• 38:46
  Speaker 2: Luck soap perfume. To be statistical, Sally, it took a
• 38:49
  Speaker 2: brand of thirty four different ingredients. It's a fragrance that's
• 38:53
  Speaker 2: distinctive and different, and expensive too. I should think, Yes,
• 38:57
  Speaker 2: many of those ingredients are costly, but the price of
• 39:00
  Speaker 2: lux toilet soap is very low because so many millions
• 39:02
  Speaker 2: of cakes are sold every year. It's a fifty as
• 39:05
  Speaker 2: well as a luxurious bath soap.
• 39:07
  Speaker 23: Here's a little trick I've discovered other women might like
• 39:10
  Speaker 23: to know about. I slip a few cakes of Luck
• 39:13
  Speaker 23: soap in my dresser drawer till I want to use them.
• 39:15
  Speaker 23: They make a perfect sachet for my laxurie and handkerchiefs.
• 39:19
  Speaker 2: Thanks Sally, Why don't you enjoy the luxury of this fine,
• 39:23
  Speaker 2: fragrant white soap. Nine out of ten screen Stars recommend
• 39:26
  Speaker 2: use it for your daily beauty bath. Luck soap is
• 39:29
  Speaker 2: hard milled to Satin's movements. It's economical. Each cake can
• 39:33
  Speaker 2: be used as the last thin sliver. And now Frank
• 39:38
  Speaker 2: Craven returns to the microphone for a verbal.
• 39:41
  Speaker 3: Introduction to our stars. Tonight you're invited to join us
• 39:44
  Speaker 3: after the final.
• 39:45
  Speaker 8: Curtain for a brief chest Now act Free.
• 39:48
  Speaker 3: Of a Tale of Two Cities starring Auson Wells as
• 39:51
  Speaker 3: Sydney Cotton.
• 39:52
  Speaker 5: And Rose Merry to Camp as Lucy Manette.
• 39:55
  Speaker 4: Oh.
• 40:02
  Speaker 5: The sun rises slowly over the roofs of Paris and the.
• 40:05
  Speaker 3: Long shadow the guillotine falls against the walls of the
• 40:08
  Speaker 3: horse prison. In the cell of the condemned, Sydney Carton
• 40:12
  Speaker 3: speaks in a hush voice, his story meant only for
• 40:15
  Speaker 3: the years of the little seamstress.
• 40:23
  Speaker 8: They brought Charles Darnay hid Lutfors prison to be held
• 40:28
  Speaker 8: in secret. Somehow the news filtered back to England. Soon
• 40:34
  Speaker 8: his wife and child were in perrots with doctor Manette
• 40:36
  Speaker 8: and mister Lorree, their old friend. For months they waited
• 40:41
  Speaker 8: for some word from Darnay and his cell, but no
• 40:45
  Speaker 8: word came, and every day through the streets the tumbrils passed,
• 40:50
  Speaker 8: filled with the condemned on their last journey to the guillotine.
• 40:57
  Speaker 8: And yet chat, No, they would not take you to
• 41:00
  Speaker 8: his soul, but I have used. Yes.
• 41:03
  Speaker 16: Charles is summoned tomorrow for trial.
• 41:05
  Speaker 6: Tomorrow, O, father, I.
• 41:07
  Speaker 8: Think it will go well, my child. They're going to
• 41:09
  Speaker 8: allow me to testify for him.
• 41:12
  Speaker 6: You are your brand. You would try to they'll kill
• 41:14
  Speaker 6: your father.
• 41:15
  Speaker 8: O, my child. I bear a charmed life in the city.
• 41:18
  Speaker 8: I have been a prisoner of the Bastille. Silent silence,
• 41:34
  Speaker 8: Doctor Manette, is this tribunal to understand that you endorsed
• 41:38
  Speaker 8: the accused, the prisoner, Charles Evremond. That is so. He
• 41:43
  Speaker 8: is of noble blood, he is a traitor. He is
• 41:45
  Speaker 8: no traitor. I will swear to it, Doctor Manette. We
• 41:49
  Speaker 8: know your life because you fought for you are one
• 41:54
  Speaker 8: of us.
• 41:55
  Speaker 17: Yes, and as one of you, I speak the accused.
• 41:58
  Speaker 17: Charles Evremond was my first friend when I was released
• 42:01
  Speaker 17: from the best to you, the accused, Charles Everyman is
• 42:05
  Speaker 17: my daughter's husband. In all these years he has had
• 42:10
  Speaker 17: no part in the tyranny against which we thought. He
• 42:13
  Speaker 17: has renounced his share of the estate and returned it
• 42:16
  Speaker 17: to the people. Charles Everyman is no enemy of the revolution.
• 42:19
  Speaker 17: I give you my word, he is innocent.
• 42:22
  Speaker 10: Were the prisoner give the doctor Bovey said he is innocent.
• 42:25
  Speaker 6: Free him.
• 42:29
  Speaker 8: Here's the jury ready to declare itself. We are, I'll
• 42:33
  Speaker 8: say you then.
• 42:34
  Speaker 16: Let the prisoner be freed.
• 42:38
  Speaker 8: Wait, I say the prisoner.
• 42:41
  Speaker 6: Cannot be paid.
• 42:43
  Speaker 8: Citizenus defar, I say the prisoner stills hands.
• 42:47
  Speaker 5: Accused by whom citizens by three voices than.
• 42:51
  Speaker 11: My husband Ernest it has than myself and the third
• 42:55
  Speaker 11: I got doctor of the way, doctor Alexander Manette.
• 43:01
  Speaker 8: I protest against continue citizen they heal me. All of you.
• 43:06
  Speaker 11: Talk to Maneth, you have said, Charles Evreman was your
• 43:10
  Speaker 11: first friend.
• 43:12
  Speaker 5: I was off first friend.
• 43:14
  Speaker 6: It is my wine shop.
• 43:15
  Speaker 11: You are block where you made shoes under my care.
• 43:18
  Speaker 11: You knew yourself sale only as a number one hundred
• 43:22
  Speaker 11: and five not tower, the cell in which you had
• 43:25
  Speaker 11: been confined.
• 43:26
  Speaker 6: Is that not true?
• 43:28
  Speaker 8: If you say it is, I must believe it.
• 43:30
  Speaker 16: I can't remember, but I.
• 43:31
  Speaker 11: Remembered that, resolved one day to examine that cell, And
• 43:36
  Speaker 11: on the day the back steel tail, I went to
• 43:38
  Speaker 11: one hundred and five nor power hear me citizens In
• 43:43
  Speaker 11: that cell, hidden of the stone work of a wall,
• 43:47
  Speaker 11: I found a paper, a paper written by doctor on
• 43:50
  Speaker 11: the Nette in a year seventeen sixty seven, before the
• 43:55
  Speaker 11: dark and loneliness drove in mad. It is that paper
• 43:59
  Speaker 11: I hold in my hand now. It describes, in the
• 44:03
  Speaker 11: doctor's words, how he was called one night to attend
• 44:06
  Speaker 11: the peasant girl dying in a miserable bed of rag,
• 44:11
  Speaker 11: A girl in her unborn child in the stable. Her brother,
• 44:14
  Speaker 11: with a wound in his chest, was to breathe his
• 44:17
  Speaker 11: last before the morning.
• 44:20
  Speaker 8: And why.
• 44:22
  Speaker 11: Because these two teachers had protested against a noble family
• 44:26
  Speaker 11: who held them in bondage, had protected against the murder
• 44:30
  Speaker 11: of a girl father and her husband killed by those
• 44:33
  Speaker 11: same noble hands. The doctor buried the girl and her
• 44:40
  Speaker 11: brother the following morning.
• 44:42
  Speaker 6: But he had seen too.
• 44:44
  Speaker 11: Much and heard too much from the lists of that
• 44:47
  Speaker 11: dying girl. That night the doctor was thrown into the
• 44:51
  Speaker 11: back field. The noble family had silenced him forever, and
• 44:57
  Speaker 11: the name of that family, the name of those murderers
• 45:03
  Speaker 11: an never eman. Here, everyone, and now here this listen
• 45:09
  Speaker 11: to the words of that for Alexander Manett him health,
• 45:12
  Speaker 11: the words he wrote, I Alexander Manette, prisoner the back field,
• 45:18
  Speaker 11: having thus set forth the causes for my imprisonment. Do
• 45:21
  Speaker 11: you know some Martis and Nigman and his descendants against
• 45:26
  Speaker 11: the time when these crimes till the answer for I did?
• 45:29
  Speaker 11: Don'tsten to heaven and earth.
• 45:31
  Speaker 8: No me the stuff listen to me.
• 45:37
  Speaker 11: I long have the crimes of the Evreman fambly knitted
• 45:40
  Speaker 11: in my register.
• 45:41
  Speaker 13: What my husband is that soul?
• 45:43
  Speaker 6: It is on the Greek day when the bus heels hill.
• 45:46
  Speaker 13: I brought this paper home and.
• 45:48
  Speaker 11: Was ready together my husband and I ast him.
• 45:51
  Speaker 4: Is that soul?
• 45:52
  Speaker 9: It is?
• 45:52
  Speaker 8: Then?
• 45:53
  Speaker 13: I told him that I have a secret to communicate
• 45:55
  Speaker 13: with him.
• 45:56
  Speaker 6: I stocked this for them with these two hands.
• 45:59
  Speaker 10: I strike it now, and I said, because.
• 46:04
  Speaker 11: I was brought up among the fisherman a show, and
• 46:08
  Speaker 11: that peasant family so injured by the everre month is.
• 46:12
  Speaker 13: My family that sister of a motly wounded.
• 46:16
  Speaker 3: Boy was my sister.
• 46:18
  Speaker 2: That husband was my sister's husband.
• 46:22
  Speaker 10: That unborn child was their child.
• 46:25
  Speaker 11: That brother was my brother sostead of lighted, And that
• 46:30
  Speaker 11: summons to answer of those things depends.
• 46:32
  Speaker 3: To me that.
• 46:36
  Speaker 13: A wind and fire to stop.
• 46:39
  Speaker 6: But don't tell me.
• 46:43
  Speaker 4: What were you?
• 46:45
  Speaker 6: That is everyone.
• 46:56
  Speaker 8: Back to the prison of love, force to await death
• 46:59
  Speaker 8: by the guillotine. That was the sentence passed by the tribunal.
• 47:06
  Speaker 8: That same night, a coach smift Calais for Paris, carrying
• 47:10
  Speaker 8: but one passenger, slouched low in his seat, his shabby
• 47:14
  Speaker 8: great coat pulled high about his neck. Reaching Paris, he
• 47:19
  Speaker 8: haunted the inns and taverns, wandered like a lonely ghost
• 47:23
  Speaker 8: through the city, and at last made his way to
• 47:27
  Speaker 8: the lodging house, where Lucy waited news from the host.
• 47:33
  Speaker 12: Sydney.
• 47:34
  Speaker 8: Sydney, he must forgive my coming this hour. I didn't
• 47:38
  Speaker 8: wish to be seen.
• 47:38
  Speaker 13: I knew you'd come. I've been waiting, Sidney.
• 47:41
  Speaker 12: You're going to take child.
• 47:42
  Speaker 6: They're going to kill him.
• 47:43
  Speaker 8: How long has he until the morning?
• 47:45
  Speaker 12: You will let me see.
• 47:47
  Speaker 13: I can't be near him in his last hour.
• 47:49
  Speaker 8: Lucy, remember what you said long ago, the dark hours
• 47:56
  Speaker 8: before the dawn, they have.
• 47:58
  Speaker 12: Been knocked down.
• 47:58
  Speaker 6: Tomorrow be dark now always.
• 48:01
  Speaker 8: Lucy, because there was some way I could comfort you.
• 48:08
  Speaker 8: You must hope. What hope is there? What comfort?
• 48:12
  Speaker 6: My husband is going to die?
• 48:14
  Speaker 8: Lucy, Oh forget me. You were right. I have no
• 48:21
  Speaker 8: strengths to offer you.
• 48:23
  Speaker 13: You came to us tonight. I shall never forget that.
• 48:37
  Speaker 8: I tell you.
• 48:38
  Speaker 16: It is useless to speak to Document.
• 48:40
  Speaker 8: He's in no condition to see you. Now, the Lorry,
• 48:42
  Speaker 8: if you will forgive me, there's nothing you can do here,
• 48:44
  Speaker 8: mister Carton, nothing to lorry. You are a man of business,
• 48:47
  Speaker 8: are you not? I am well, I am here on business.
• 48:50
  Speaker 8: I know your opinion of me, mister Lorry. But a
• 48:52
  Speaker 8: drinking fellow may learn things around the town, so you
• 48:55
  Speaker 8: can listen. At the same time, I've learned the doctor
• 48:59
  Speaker 8: Manette is in great danger. He and Lucy must leave
• 49:01
  Speaker 8: Paris tonight. They must take a child with them. But
• 49:04
  Speaker 8: why the revenge of Madame Dessarge does not start with Charles.
• 49:09
  Speaker 8: The accusation is against the Marquis of Savoymond and all
• 49:14
  Speaker 8: his races. Lucy her child. Now, may I see doctor Bennett.
• 49:17
  Speaker 5: It would do no good, sir, he's gone back to
• 49:20
  Speaker 5: his work.
• 49:21
  Speaker 8: His work.
• 49:22
  Speaker 16: He would not know what you are saying. Mister Carton,
• 49:26
  Speaker 16: it's Laurie.
• 49:27
  Speaker 8: You have a pass. It will let you through the Calais.
• 49:29
  Speaker 8: Would it serve the doctor, Mannett and Luciers for as
• 49:31
  Speaker 8: many as are with me? And you will use it Tonight?
• 49:32
  Speaker 8: You will arrange for a coach to meet you all
• 49:34
  Speaker 8: here at midnight. The coach will take you to the
• 49:35
  Speaker 8: side gate of Lafosse prison. Do you understand prison? There
• 49:38
  Speaker 8: you will be joined by another person who makes a
• 49:39
  Speaker 8: trip with a you England. You will not stop to
• 49:41
  Speaker 8: ask questions. Proceeded once to the gates of Parison onto
• 49:44
  Speaker 8: Calais as fast as the coach can take you.
• 49:46
  Speaker 5: This this other person, who would it be?
• 49:48
  Speaker 8: Who? Mister Sydney Carton, I don't understand. I may be
• 49:53
  Speaker 8: in poor condition for travel. I usually am at that hour,
• 49:56
  Speaker 8: but as soon as I'm in the coach drive on.
• 49:57
  Speaker 16: But you at the gate of Lafoce Will you be
• 50:00
  Speaker 16: within the prison to night?
• 50:02
  Speaker 8: Yes? Yes, I'm going to see Charles as certain mister
• 50:06
  Speaker 8: Barsad English spy a Turkey in the prison. He'll opened
• 50:09
  Speaker 8: the doors for me. I don't understand all this, sir,
• 50:12
  Speaker 8: but you give me hope and you will save them all,
• 50:16
  Speaker 8: mister Lorry, not only I, sir, I shall have a
• 50:19
  Speaker 8: young and ardent man at my side with the help
• 50:22
  Speaker 8: of heaven. You shall tell me, mister Lorry, yours is
• 50:27
  Speaker 8: a long life to look back on.
• 50:29
  Speaker 16: I'm in my seventy eight year Sir.
• 50:31
  Speaker 8: I've in useful a your life, trusted respected. There are
• 50:35
  Speaker 8: many in this world who would miss you, your solitary
• 50:38
  Speaker 8: old bachelor.
• 50:40
  Speaker 16: No, there is nobody to weep for me.
• 50:43
  Speaker 8: Wouldn't she weep for you? Lucy?
• 50:47
  Speaker 17: Yes, thank god, I didn't quite mean what I said.
• 50:51
  Speaker 8: It is a thing to thank God for, isn't it. Surely?
• 50:55
  Speaker 8: Surely if you had to say, with truth to night,
• 51:01
  Speaker 8: I have gained the love of no human creature, I've
• 51:05
  Speaker 8: done nothing good, not serviceable. To be remembered by your
• 51:11
  Speaker 8: seventy eight years would be seventy eight heavy cursis, would
• 51:16
  Speaker 8: they not? I think they would be. But you are
• 51:19
  Speaker 8: not old Carton, No, I'm not old. But the road
• 51:27
  Speaker 8: I took was never the way to age. Good Night,
• 51:32
  Speaker 8: mister Vorian. How long before DNA has taken from himself?
• 51:44
  Speaker 8: But with the others.
• 51:45
  Speaker 16: I can't till it.
• 51:46
  Speaker 2: Perhaps only an leave us alone, stay with him?
• 51:49
  Speaker 4: Call?
• 51:50
  Speaker 6: Did you keep your promise?
• 51:51
  Speaker 2: I told you that I could get you in and
• 51:52
  Speaker 2: out again.
• 51:53
  Speaker 8: But the abot no I know, opened the door. Who's there?
• 52:00
  Speaker 8: Have you come for? Cotton?
• 52:02
  Speaker 3: You?
• 52:03
  Speaker 8: Of all the people on earth, I'm the least expected
• 52:05
  Speaker 8: to say, Why are you here? You shouldn't have taken
• 52:07
  Speaker 8: the risk. It can serve no press can serve one.
• 52:09
  Speaker 8: I bring you a message from Lucy, A request rather
• 52:11
  Speaker 8: that you do exactly as I say it, ask no questions.
• 52:13
  Speaker 8: To take off your coat, take off, Take it off
• 52:15
  Speaker 8: and change it for mind quickly in our man so
• 52:17
  Speaker 8: as I say. It's a wish. Put on my coat.
• 52:20
  Speaker 8: Your hair rumple it so is mine, cotton.
• 52:23
  Speaker 2: There's no escaping from this place. You will only die
• 52:25
  Speaker 2: with me. Have I mentioned escape?
• 52:27
  Speaker 8: Do as I say?
• 52:27
  Speaker 15: And now take my crevait give me your cotton.
• 52:30
  Speaker 8: I warn you it's quiet. Look we're paying an ink
• 52:33
  Speaker 8: on the table. Is your handsteady enough to write? It
• 52:35
  Speaker 8: was when you came in steady it? Then write what
• 52:38
  Speaker 8: I dictate quickly? Now whom do I address it to?
• 52:40
  Speaker 2: No one?
• 52:42
  Speaker 8: Right? If you remember the words that passed between us
• 52:47
  Speaker 8: long ago. You will understand when you see this. Have
• 52:53
  Speaker 8: you written that I don't know what what vapor is?
• 52:57
  Speaker 8: The vapor is a strange vapor, something that crossed me.
• 53:01
  Speaker 8: I am not conscious of it. Take up the pin
• 53:03
  Speaker 8: and finish. I told you once that there was nothing
• 53:06
  Speaker 8: that I would not do, nothing that I would not
• 53:10
  Speaker 8: What is it? There is something that that's odor? You
• 53:13
  Speaker 8: mean this on my handkerchief? Yes, yes, it's to breathe deeply? No, no, no,
• 53:18
  Speaker 8: please breathe But I can't. You don't me?
• 53:26
  Speaker 5: I finished? Are you ready to what's this?
• 53:30
  Speaker 2: What's the matter with this?
• 53:30
  Speaker 8: Nothing is unconscious carrying out the gates, but you you've
• 53:33
  Speaker 8: changed clothes. Listen to me.
• 53:34
  Speaker 2: Sydney Carton fainted from the shock of parting with an
• 53:37
  Speaker 2: old friend.
• 53:37
  Speaker 8: You'll find a coach at the side gate. Put him
• 53:39
  Speaker 8: into it. Tell him to drive as fast as they
• 53:41
  Speaker 8: came to Calais.
• 53:42
  Speaker 24: No wait, I finished this note. If you remember the
• 53:47
  Speaker 24: words that passed between us, you will understand. I told
• 53:50
  Speaker 24: you once that there was nothing I would not do
• 53:54
  Speaker 24: to keep a life you love beside you, God bless.
• 53:59
  Speaker 8: You this week commercial here, take this note and hurry.
• 54:14
  Speaker 17: Where are you going to Kenny Wia Javis lottery from
• 54:18
  Speaker 17: Tessa's Bank, asked doctor Minnette, as his daughter, as his grandchild.
• 54:26
  Speaker 8: He's hell on the floor.
• 54:27
  Speaker 17: He he has missed the Sydney Conson Museum.
• 54:31
  Speaker 8: Skinny Garden asked, I'm on the gate that just caut.
• 54:45
  Speaker 8: They're on their way now. Perhaps by this time they've
• 54:49
  Speaker 8: reached calay abound for England and home and you.
• 54:57
  Speaker 10: You are, said n oh, yes.
• 55:01
  Speaker 6: And you're dying for Charles.
• 55:03
  Speaker 8: Johnny, hold on, there's someone else, Aristocrat. Your carriage is awaiting.
• 55:13
  Speaker 7: Six tumbrels will carry the day's wine to Madame la Guillotine.
• 55:16
  Speaker 7: God chake them out you every month. It will be
• 55:20
  Speaker 7: as I promise for you. You shall wait for the
• 55:23
  Speaker 7: last tumbris. Your head shall be the fifty second today.
• 55:27
  Speaker 8: I'm ready. Move along there, move along?
• 55:37
  Speaker 6: May I go with you?
• 55:39
  Speaker 8: Keep your eyes on me, child, mind nothing else.
• 55:44
  Speaker 4: I'm mind nothing when I hold your hip.
• 56:00
  Speaker 5: He on.
• 56:08
  Speaker 8: It is a far far better thing that I do
• 56:13
  Speaker 8: than I've ever done. It is a far far better
• 56:17
  Speaker 8: rest that I.
• 56:19
  Speaker 4: Go to.
• 56:21
  Speaker 8: Than I have ever known. Too.
• 56:46
  Speaker 3: We lower our curtain on the roaring crowds of Paris
• 56:49
  Speaker 3: and the sacrificial destiny of Sydney Cotton, and raise it
• 56:52
  Speaker 3: again on the stars who have made to Night's performance such.
• 56:54
  Speaker 6: A vivid memory, Awes and Wells and rosemarried the camp.
• 56:58
  Speaker 8: Well, Frank, it is a real privi to be cast
• 57:00
  Speaker 8: as Sydney Carton had to play opposite Rosemary.
• 57:04
  Speaker 6: Thank you, Austin.
• 57:05
  Speaker 3: Austin, I understand that. How many attributes as writer, actor,
• 57:09
  Speaker 3: producer and magicians, you've added a new one, journalism.
• 57:12
  Speaker 8: It's right, Frank. I've got a newspaper column running now
• 57:15
  Speaker 8: called Orsen Wales Almanac.
• 57:16
  Speaker 5: Yeah, I know, I have a couple here, those.
• 57:18
  Speaker 13: Biting wit decisions imagine frying well.
• 57:21
  Speaker 3: It depends upon what you call biting witticisms. It starts
• 57:24
  Speaker 3: with the following items. Never salt turnips while cooking. Always
• 57:29
  Speaker 3: wash spinach with warm water.
• 57:32
  Speaker 22: You pray your start a social revolution with those radical ideas.
• 57:36
  Speaker 3: And the final item in the column is as follows,
• 57:39
  Speaker 3: Always use lux toilet soap for the complexion.
• 57:42
  Speaker 8: Wait a minute, I've been sabotazed.
• 57:44
  Speaker 6: Oh no, you haven't, Norton. That's the best advice if
• 57:46
  Speaker 6: you could get to any.
• 57:47
  Speaker 10: Girl who wants to look her best, and I can
• 57:50
  Speaker 10: see it's the.
• 57:50
  Speaker 3: Advice you follow rose money. Tell us what was your
• 57:53
  Speaker 3: first bit of actium the failure?
• 57:55
  Speaker 6: Uh, the very first.
• 57:57
  Speaker 2: I was a bunny and an Easter pageant, the original
• 58:00
  Speaker 2: female Harvey.
• 58:03
  Speaker 6: Were you ever a rabbit?
• 58:04
  Speaker 8: Arthur?
• 58:05
  Speaker 6: Well, if he hasn't been just given time, you don't
• 58:07
  Speaker 6: get around.
• 58:09
  Speaker 8: As a matter of fact, when I was five, I
• 58:11
  Speaker 8: impersonated Peter Rabbit and Marshall Field's department.
• 58:13
  Speaker 3: Sir Well, anytime you too want to be rabbits hearing lucks,
• 58:17
  Speaker 3: we lay in a supply of carrots.
• 58:19
  Speaker 8: Bank, What do you have for luck next Monday night, Frank?
• 58:23
  Speaker 3: For next Monday night, we have a deeply moving play
• 58:25
  Speaker 3: that brings us some of America's best loved music. It's
• 58:28
  Speaker 3: the twentieth century Fox hit Swannie River, the story of
• 58:31
  Speaker 3: that brilliant, colorful composer Stephen Poster, whose life of romance
• 58:35
  Speaker 3: brought us such immortal songs as Old Kentucky Holmes, Susannah,
• 58:40
  Speaker 3: Jeanie with a light brown hair, Old Folks at Home,
• 58:43
  Speaker 3: and many others.
• 58:44
  Speaker 6: Whom do you have in the cast, Frank, Well, for.
• 58:46
  Speaker 3: This special occasion, we have a gentleman who's building all
• 58:49
  Speaker 3: was rid the world's greatest entertainment al Joson co starred
• 58:55
  Speaker 3: with the ever popular Dennis Morgan, and the lovely France was.
• 58:58
  Speaker 8: Given Well, it's like a great combination Frank, good night.
• 59:02
  Speaker 13: Good night, good night, and happiness before.
• 59:12
  Speaker 3: And now a brief reminder from Uncle Sam that to
• 59:16
  Speaker 3: the millions of American men and women overseas, nothing is
• 59:18
  Speaker 3: more important than male from home right. Often make your
• 59:22
  Speaker 3: letters cheerful and be sure to use the mail. The
• 59:26
  Speaker 3: mail is private, speedy, safer, and it helps to lighten
• 59:29
  Speaker 3: the burden of delivery.
• 59:31
  Speaker 25: Our sponsors to maker the LUTs Toilet Soap, join me
• 59:39
  Speaker 25: in inviting you to be with us again next Monday night,
• 59:41
  Speaker 25: when the Lux Radio Theater presents Dennis Morgan, Al Joson.
• 59:45
  Speaker 8: And Francis Different and Swanne River.
• 59:47
  Speaker 5: This is Frank Craven saying thanks for.
• 59:49
  Speaker 6: Listening and good night.
• 1:00:00
  Speaker 2: Frank Craven will soon appear in the twentieth Century Fox's
• 1:00:03
  Speaker 2: thirtieth anniversary production Colonel Effingham's Raid Horson Wells, currently working
• 1:00:08
  Speaker 2: in the international picture Tomorrow is Forever can be heard
• 1:00:11
  Speaker 2: on This is my best every Tuesday over this network.
• 1:00:15
  Speaker 2: Rosemary de Camp will soon be seen in the Warner
• 1:00:17
  Speaker 2: Brothers picture Pride of the Marines. Heard and tonight's play
• 1:00:21
  Speaker 2: were Dennis Green as Charles Darnay, Griff Barnett as Doctor Mannette,
• 1:00:26
  Speaker 2: Berna Felton as Madame Defarge, Norman Field as Laurie and
• 1:00:31
  Speaker 2: Ken Christy, Charles Seal, Loreen Tubble, Ferdinand Munier, j Lovello,
• 1:00:36
  Speaker 2: Robert Regent, Eric Snowden, Boyd Davis, Paul McVay, Alec Harford,
• 1:00:41
  Speaker 2: Thomas Mills, Regina Wallace, Virginia Gordon.
• 1:00:44
  Speaker 8: And Herb Litton. Our music was directed by Lewis Silvers.
• 1:00:49
  Speaker 2: This program is broadcast to our fighting forces overseas the
• 1:00:52
  Speaker 2: cooperation with the Armed Forces Radio Service Ourlex Radio Theater
• 1:00:56
  Speaker 2: production of A Tale of Two Cities has come to
• 1:00:59
  Speaker 2: you with the good wishes of the makers of Luck
• 1:01:00
  Speaker 2: Toilet Soap, the beauty care that nine out of ten
• 1:01:03
  Speaker 2: Hollywood screen stars use. This is your announcwer John M.
• 1:01:07
  Speaker 2: Kennedy reminding you that Tunion again next Monday night to
• 1:01:10
  Speaker 2: hear a Swanee River with Hal Jolson, Dennis Morgan and Francis.
• 1:01:13
  Speaker 1: Kipferd Lux Radio Theaters, A Tale of Two Cities has
• 1:01:19
  Speaker 1: come to its close. Good night, and thank you for
• 1:01:22
  Speaker 1: joining us.