Latest / Frightmares / Ep. 136 - The Devil's Rejects (2005)

Transcript

Ep. 136 - The Devil's Rejects (2005) · Frightmares

• 0:42
  Speaker 1: It's not like we don't know this movie, but I
• 0:44
  Speaker 1: definitely want to have a Oh let me not drop
• 0:47
  Speaker 1: my phone. I want to have some sort of guidance
• 0:49
  Speaker 1: here so we don't funck this up. But yes, hello,
• 0:52
  Speaker 1: and welcome to episode Jesus one thirty six. I'm your host,
• 0:57
  Speaker 1: Austin Proctor. That is your co host, Spencer Lafferman. Hello, Hello,
• 1:03
  Speaker 1: So quiet, it's not gonna be quiet here in a minute,
• 1:06
  Speaker 1: once we get going on this fucking movie.
• 1:07
  Speaker 2: That's what she said?
• 1:08
  Speaker 1: Um, is it though? Is it actually what she said?
• 1:12
  Speaker 1: It's possible.
• 1:13
  Speaker 2: It's possible. Depends on who you talk to.
• 1:17
  Speaker 1: Oh god, I'm still trying to figure out the fucking
• 1:18
  Speaker 1: placement on these mics. Maybe turn there's more a little
• 1:21
  Speaker 1: in just like with the bass here, that's right, Yeah,
• 1:25
  Speaker 1: take the bass stroke, the chefs fallow, the gravy tropic
• 1:29
  Speaker 1: thunder if anyone's paying attention. So yeah, we are talking
• 1:33
  Speaker 1: about the Devil's Rejects today, Rob Zombie Flick if you
• 1:37
  Speaker 1: if you know him, you may know him. It's possible.
• 1:39
  Speaker 1: But before that, obviously we have shit to talk about.
• 1:42
  Speaker 1: We got ship to talk about. I mean, we can
• 1:44
  Speaker 1: even go as far as talking about the Batman that's
• 1:46
  Speaker 1: coming out. Okay, I mean, who's who's not excited for that?
• 1:51
  Speaker 1: Who's not excited for that movie? I need to know,
• 1:53
  Speaker 1: I am.
• 1:54
  Speaker 2: I mean I don't know, because right now it's on
• 1:56
  Speaker 2: track to be the biggest opening live action Batman of
• 1:59
  Speaker 2: all time. So I feel like.
• 2:00
  Speaker 1: Everybody above Dark Knight though, yeah, really.
• 2:03
  Speaker 2: That's what well, that's what projections are showing.
• 2:05
  Speaker 1: Wow. Okay.
• 2:06
  Speaker 2: Also if you think about it, it makes more sense, unfortunately,
• 2:10
  Speaker 2: because when The Darknight came out, that's when the when
• 2:12
  Speaker 2: the theater shooting started to happen when that was in
• 2:16
  Speaker 2: the theater.
• 2:16
  Speaker 1: So oh that's right.
• 2:18
  Speaker 2: So so even though The Darknight did amazing, I just
• 2:21
  Speaker 2: don't think it did as well as it could have
• 2:23
  Speaker 2: because of the fact that one of the midnight screens
• 2:27
  Speaker 2: or or opening weekend screens had to do with that show.
• 2:29
  Speaker 2: And then after that, everybody got scared to go to
• 2:31
  Speaker 2: the theaters, which is understandable because you don't want to
• 2:33
  Speaker 2: get shot up.
• 2:34
  Speaker 1: I mean, that is literally the reason I am always
• 2:37
  Speaker 1: that's why I like seeing movies in Dolby because there's
• 2:39
  Speaker 1: a lot of separation because when you're not in Dolby
• 2:42
  Speaker 1: and you have people right behind you. I I kind
• 2:44
  Speaker 1: of am always like I don't. I just have that
• 2:46
  Speaker 1: sneaking suspension like please please don't.
• 2:48
  Speaker 2: I mean, yeah, I've been in a very dark room.
• 2:50
  Speaker 2: You're paying attention to a big screen. You can't see
• 2:52
  Speaker 2: like what's going on exactly.
• 2:53
  Speaker 1: It's a phobia that's always you know, that's always kind
• 2:56
  Speaker 1: of been there for me.
• 2:57
  Speaker 2: So but yeah, like that started. That's are it a
• 3:00
  Speaker 2: good I want to say, a good full year of theater.
• 3:02
  Speaker 1: Shootings that started, more shootings that started.
• 3:06
  Speaker 2: That was the beginning of theater shootings. There was like
• 3:08
  Speaker 2: there was like three or four others outside because.
• 3:11
  Speaker 1: Well, yeah, you worked in the theater for longer than
• 3:13
  Speaker 1: I did, so I was.
• 3:14
  Speaker 2: But Dark Knight came out O six, so like it
• 3:16
  Speaker 2: happened when we were both at the theater.
• 3:19
  Speaker 1: Yeah, I was thinking of Bego's. Yeah, I was like
• 3:25
  Speaker 1: I was.
• 3:25
  Speaker 2: I was thinking that. I was thinking Batman Begins, even
• 3:27
  Speaker 2: though that came out in five. But uh yeah, so
• 3:29
  Speaker 2: my god, because that got pushed back. I don't know
• 3:33
  Speaker 2: if you remember, but Gangster Squad there was a scene
• 3:35
  Speaker 2: in the theater and the movie itself to where they
• 3:38
  Speaker 2: shoot up a the gangsters are in a theater shooting
• 3:41
  Speaker 2: things up, and they had to They postponed that movie
• 3:43
  Speaker 2: for a year to reshoot that entire scene because I mean, yeah,
• 3:46
  Speaker 2: bad taste.
• 3:47
  Speaker 1: But but but yeah, but it was it was done
• 3:49
  Speaker 1: before it was before that happened.
• 3:50
  Speaker 2: Because of that happened and bad taste, they completely removed
• 3:54
  Speaker 2: that scene and added a whole new one with the
• 3:56
  Speaker 2: same type of like plot point.
• 3:57
  Speaker 1: Well, let's help none of that happen. Let's not let's
• 3:59
  Speaker 1: help none of that like kicks back up for this,
• 4:01
  Speaker 1: because that would be audio. We don't need anything else happening. Yeah,
• 4:07
  Speaker 1: we don't need anything else happening after twenty twenty twenty
• 4:10
  Speaker 1: twenty one. Let's just let's enough, We've had enough.
• 4:13
  Speaker 2: Let's just enjoy a movie.
• 4:14
  Speaker 1: Let's just enjoy a movie. And a movie that I
• 4:16
  Speaker 1: showed you before we went on air that is literally
• 4:19
  Speaker 1: sold out. Besides, you know, like the front row, because
• 4:21
  Speaker 1: who the fuck wants to sit in a three hour
• 4:23
  Speaker 1: movie And I mean, at least it's in Dolby and
• 4:25
  Speaker 1: you'd have a recliner. But no, yeah, no one really
• 4:29
  Speaker 1: wants to sit in front row. But our theater is
• 4:31
  Speaker 1: fucking sold out. I can't it's so it's so sold
• 4:33
  Speaker 1: out that I don't even remember our seats because typically
• 4:36
  Speaker 1: I can pick out our seats because I'll usually look
• 4:38
  Speaker 1: and be like, Okay, yeah, we're right there. But I'm like,
• 4:40
  Speaker 1: I don't even.
• 4:40
  Speaker 2: Know what we're fucking that's zero.
• 4:43
  Speaker 1: I guess we'll find out day of. But I'm super
• 4:46
  Speaker 1: excited for it because you have Robert Pattinson, who everyone
• 4:50
  Speaker 1: is kind of divided on because you know, everyone's like, oh,
• 4:55
  Speaker 1: you know the guy from Twilight, or some people are like, oh,
• 4:57
  Speaker 1: you know the sparkly guy from Twilight, Like no, no, no,
• 5:00
  Speaker 1: talking about the guy from the Rover every movie after
• 5:03
  Speaker 1: the Yeah, and in High Life and all these other
• 5:05
  Speaker 1: movies that he's done where he's done a fantastic job,
• 5:08
  Speaker 1: even Good Time, a good Time. I think he's a
• 5:10
  Speaker 1: phenomenal you know.
• 5:11
  Speaker 2: I mean, I think he's a great actor. Yes, Twilight
• 5:13
  Speaker 2: was was a dumpster fire, but everybody that was in
• 5:17
  Speaker 2: that movie will agree with that. And everybody in that
• 5:19
  Speaker 2: movie has done other like TV shows or movies and
• 5:22
  Speaker 2: proved that they can actually do well acting.
• 5:25
  Speaker 1: I mean, yeah, look at Kristin Stewart too. She's moved
• 5:27
  Speaker 1: on to other great things.
• 5:29
  Speaker 2: She she she kills it in anything independent. She does
• 5:32
  Speaker 2: movies that I've ever seen her in. I was like Twilight,
• 5:35
  Speaker 2: who like Bella Who?
• 5:36
  Speaker 1: Bella Who? I mean, it's just it's how you you
• 5:38
  Speaker 1: have to get your you know, your start. You have
• 5:40
  Speaker 1: to get your name out there somehow, and sometimes you
• 5:42
  Speaker 1: have to do things that you know. I mean, I
• 5:45
  Speaker 1: can go on on a limb here and say, I
• 5:46
  Speaker 1: did actually enjoy the first Twilight. I you know, I did.
• 5:50
  Speaker 1: It was it's it's a decent movie. Okay, this is good.
• 5:53
  Speaker 1: It's decent to me.
• 5:54
  Speaker 2: My favorite one, honestly, if I if I ever watched
• 5:56
  Speaker 2: any of the toilets again, it's gonna be the third one. Yes, yeah,
• 6:00
  Speaker 2: because you have David Slave directed it. Who if you
• 6:02
  Speaker 2: don't know who that is? He directed Thirty is the Night,
• 6:04
  Speaker 2: so he already has an idea how to do vampires.
• 6:06
  Speaker 1: And you got were wolves and that one, and there's
• 6:09
  Speaker 1: this there's.
• 6:09
  Speaker 2: Just awesomest battle. It's basically a two hour battle.
• 6:12
  Speaker 1: And and it's and it's like, you know, I said gory,
• 6:15
  Speaker 1: but it's like you know, the gory Twilight.
• 6:17
  Speaker 2: It's hard hard thirteen.
• 6:20
  Speaker 1: But like, yeah, I don't know what, okay, and can
• 6:22
  Speaker 1: we talk about real quick, what is it about the
• 6:24
  Speaker 1: third movie? And like a franchise because for me, Friday
• 6:28
  Speaker 1: the Thirteenth, Part three my favorite, Nightmare on Elm Street,
• 6:30
  Speaker 1: Dream Warriors my favorite? What is it with just Saw three?
• 6:34
  Speaker 1: Like that's like one of my three my favorite? What
• 6:36
  Speaker 1: is what is the third fucking movie? That just makes
• 6:39
  Speaker 1: it the best?
• 6:40
  Speaker 2: And you know, it's funny that we just listed off
• 6:42
  Speaker 2: all horror films. I don't necessarily considered Twilight horror, but
• 6:45
  Speaker 2: with Vampire and Werewolf, Yeah, it's a horror drawn like
• 6:48
  Speaker 2: it's it's a very it's like a horror s It's
• 6:50
  Speaker 2: like if Mark did a horror movie.
• 6:52
  Speaker 1: Yeah, yeah, it's exactly what it is.
• 6:53
  Speaker 2: So that's probably, but uh, I don't know, I don't know.
• 6:57
  Speaker 1: It's it's like they do the first one.
• 6:58
  Speaker 2: I think it's the same thing with with with the
• 7:00
  Speaker 2: rule of sequels, Like, okay, so you do the first movie,
• 7:03
  Speaker 2: good or bad, whatever, you learn from your mistakes or
• 7:05
  Speaker 2: you learn how to do it better like T two,
• 7:08
  Speaker 2: Terminary two, the first Terminator, but T two goddamn masterpiece.
• 7:13
  Speaker 1: Gold j It's so good. It's gold, Jerry, it's gold.
• 7:16
  Speaker 2: So what they took with that is they took what
• 7:18
  Speaker 2: worked and made it better. And I'm not shooting on
• 7:22
  Speaker 2: the first Terminator. That's that's the masterpiece of its own
• 7:25
  Speaker 2: but Terminator two, and anybody who's seen the entire franchise
• 7:28
  Speaker 2: most likely will agree that T two is the best
• 7:31
  Speaker 2: Terminator by a long shot.
• 7:32
  Speaker 1: Yeah, yeah, none, it is.
• 7:34
  Speaker 2: So with the Twilights, you know, like they have a
• 7:36
  Speaker 2: full story. Obviously, what there's five movies they do, but
• 7:40
  Speaker 2: part one and two.
• 7:41
  Speaker 1: Yeah, they do one, two, three, and then four part
• 7:43
  Speaker 1: one and two.
• 7:46
  Speaker 2: So I think in this case maybe nothing like that.
• 7:49
  Speaker 2: We're an Elmes Streaks case. But in Toilet's case is
• 7:51
  Speaker 2: they're already They're already midway through a story. So the
• 7:53
  Speaker 2: first movie is getting induced in the character is getting
• 7:57
  Speaker 2: the minimalist plot going. The second is a secuting that
• 8:00
  Speaker 2: plot and adding more characters if you need to. The
• 8:03
  Speaker 2: third one, you've already established what's going on. There's no
• 8:06
  Speaker 2: need to really add anything more, just continue this story.
• 8:09
  Speaker 2: And but but then after the third one, you know
• 8:12
  Speaker 2: you might add more people because you know everything needs
• 8:14
  Speaker 2: to progress. So I think by the time you're in
• 8:17
  Speaker 2: a third movie, depending on what movie it is, like
• 8:20
  Speaker 2: and a story just like in a book or anything like.
• 8:23
  Speaker 2: I mean, you may be gripped like first chapter, but
• 8:24
  Speaker 2: you know, if you're halfway done in the book and
• 8:26
  Speaker 2: you're still reading it, you can't put it down. There's
• 8:28
  Speaker 2: a reason for it. You're already halfway through the story.
• 8:29
  Speaker 2: You got all the characters, there's a lot of shit
• 8:31
  Speaker 2: going on, and now we have like there wasn't really
• 8:33
  Speaker 2: much conflict in the first two toilets other than vampires
• 8:36
  Speaker 2: and warolves don't get along. Oh who knew? But the
• 8:39
  Speaker 2: third one is the fucking war against vampires and werewolves,
• 8:42
  Speaker 2: and you get a whole new like the Council of
• 8:44
  Speaker 2: the uh I don't remember what they're.
• 8:46
  Speaker 1: Called, but the yeah, I've only seen them fully one.
• 8:49
  Speaker 2: Time, the Vampire Castle, like now into this and now
• 8:53
  Speaker 2: you're getting more character development. But like other characters that
• 8:56
  Speaker 2: now are like you know, have like have big bosses,
• 8:59
  Speaker 2: and so I think that's why the third one is
• 9:01
  Speaker 2: the best. And then four point like part one or
• 9:03
  Speaker 2: two just go all looting tunes. I don't know what
• 9:05
  Speaker 2: the fuck.
• 9:05
  Speaker 1: Yeah, I wasn't a fan of those and everything past
• 9:07
  Speaker 1: three I was like, eh, whatever, But it's just it's
• 9:09
  Speaker 1: just so funny how it works. With that third movie
• 9:12
  Speaker 1: and most like and most horror or not, it's that
• 9:14
  Speaker 1: third movie typically is just like, I don't know what
• 9:17
  Speaker 1: it is. It's just so good, so.
• 9:18
  Speaker 2: Quick, quick twilet story because that's hilarious. Actually happened recently.
• 9:22
  Speaker 2: So my mom fell in love with you. She read
• 9:24
  Speaker 2: the books first, and then when they came to theaters,
• 9:25
  Speaker 2: I took her to see each movie okay, and she
• 9:28
  Speaker 2: loved them. She bought him on like DVD, and then
• 9:29
  Speaker 2: she brought him on bluerray and she would always watch them.
• 9:31
  Speaker 2: So I want to say about maybe January, maybe maybe
• 9:34
  Speaker 2: a little after. We were just her and I were
• 9:37
  Speaker 2: just talking one day. I don't know what we were
• 9:38
  Speaker 2: talking about, but I think I was mentioning the Batman
• 9:40
  Speaker 2: Robert Pattinson, and she goes, you know what, Spencer, I
• 9:42
  Speaker 2: was watching one of the Twilight movies the other day
• 9:44
  Speaker 2: and I'm like, yeah, they're not good. She she dead ass,
• 9:47
  Speaker 2: look at me. Somebody who's what's been a huge fan
• 9:50
  Speaker 2: that they came out almost ten years ago, goes, no, Spencer,
• 9:53
  Speaker 2: they're not good. And I'm like, we're together again where
• 9:57
  Speaker 2: we were united. Good. The truth finally comes out and
• 10:01
  Speaker 2: I'm like, yeah, well, I've been trying to tell you
• 10:03
  Speaker 2: this forever. I took you to same because you want to,
• 10:04
  Speaker 2: but they're garbage movies, and she now agrees with me.
• 10:07
  Speaker 2: I'm like, yes, it.
• 10:08
  Speaker 1: All makes sense. Hey, that's like me and the fucking
• 10:12
  Speaker 1: Star Wars prequels. I loved them for so long, and
• 10:14
  Speaker 1: then me and Gabby recently did the chronological order of
• 10:19
  Speaker 1: all the Star Wars movies, and I was like, I
• 10:21
  Speaker 1: can go on now on record, right now and say
• 10:23
  Speaker 1: that the first three are fucking dog ship I'm sorry.
• 10:27
  Speaker 1: The third ones, by far, I'm gonna see. Yeah, the
• 10:31
  Speaker 1: third one is the best. But I mean, when you're
• 10:32
  Speaker 1: talking about a ship sandwich, I mean, how good is.
• 10:35
  Speaker 2: Really Wars movies start with Rogue one.
• 10:39
  Speaker 1: Yeah, it starts with Rogue one and then.
• 10:44
  Speaker 2: One.
• 10:44
  Speaker 1: Yeah, it starts yeah, exactly, it starts with Rogue one
• 10:47
  Speaker 1: and then ends that force awakens For me because I
• 10:50
  Speaker 1: don't like new we've and we've done this before. We've
• 10:52
  Speaker 1: already done this.
• 10:53
  Speaker 2: You like the last jed the Rise of Skywalker, you liked, right?
• 10:56
  Speaker 1: I liked it, yes, but I did rewatch it And
• 10:59
  Speaker 1: I was like, Okay, it is a little silly, but
• 11:01
  Speaker 1: we've we've for.
• 11:02
  Speaker 2: What Yeah, for what it was, I thought it was
• 11:04
  Speaker 2: a great way to end it.
• 11:06
  Speaker 1: For for how it worked, because well, yeah, because of
• 11:08
  Speaker 1: everything that happened with retconning the ret coons and.
• 11:12
  Speaker 2: Was trying to say something he started and it didn't
• 11:15
  Speaker 2: did what he could he could, so like, I can't
• 11:17
  Speaker 2: fault that.
• 11:18
  Speaker 1: But let's talk okay, so let's talk about it again.
• 11:20
  Speaker 1: And three three in the series, right, we're talking about
• 11:23
  Speaker 1: the first three the trilogy.
• 11:25
  Speaker 2: Wise, well, yeah, but my favorite so in that case,
• 11:27
  Speaker 2: my favorite is actually Empire.
• 11:28
  Speaker 1: Empire. Yeah. Two, and then so for the seven through nine,
• 11:31
  Speaker 1: Mine's Force awakens. But then you know the prequels, the
• 11:34
  Speaker 1: third one, so if you if you look at one
• 11:36
  Speaker 1: through nine.
• 11:39
  Speaker 2: Story progressions, because the third one spoiler alert, I don't
• 11:41
  Speaker 2: even care anymore, but the third one, we basically get
• 11:44
  Speaker 2: the rise of fucking uh Vader and that's how Vader's born.
• 11:47
  Speaker 2: So like, yeah, that and what's Vader got into picture?
• 11:51
  Speaker 1: Now?
• 11:51
  Speaker 2: Brilliant.
• 11:51
  Speaker 1: See, this is what I need from Disney at some point,
• 11:54
  Speaker 1: because we have only seen Vader in his very very
• 11:59
  Speaker 1: very first four and then like he's just he's he's
• 12:01
  Speaker 1: just you know, he's fucking I'm in power. I need
• 12:04
  Speaker 1: to see Vaders, like maybe we'll get that in Kenoby
• 12:08
  Speaker 1: the New Disney series, because I need to see Vader's
• 12:12
  Speaker 1: rise to power. We have not seen that yet, and
• 12:15
  Speaker 1: I need to see how he's just it's just it's
• 12:17
  Speaker 1: just and then and then he's Vader. There's no rise
• 12:21
  Speaker 1: I need.
• 12:22
  Speaker 2: There's a little bit of dialogue here and there, like
• 12:24
  Speaker 2: if you listen closely to Rug one, but it's just dialogue.
• 12:26
  Speaker 2: It's not usually, which is fine.
• 12:28
  Speaker 1: I would love to have a Vader series or like
• 12:30
  Speaker 1: a Vader one off movie where it's like his rise
• 12:33
  Speaker 1: to power? How did you go from you know, from
• 12:36
  Speaker 1: episode three to fucking episode four? But what's going on? Man?
• 12:40
  Speaker 2: I don't think we're gonna see that after everything.
• 12:44
  Speaker 1: But Hayden Christiansen or whatever, Christian Haydensen, whatever the fuck
• 12:47
  Speaker 1: his name is, he's coming back to play his part again.
• 12:51
  Speaker 2: I thought that was just for the Ioshko or whatever
• 12:54
  Speaker 2: it's called. I don't know, the one where as Dawson
• 12:57
  Speaker 2: plays the girl with the I mean, I know he's
• 13:00
  Speaker 2: coming back for that Yeriares. I didn't know he was
• 13:01
  Speaker 2: coming back.
• 13:01
  Speaker 1: For He's supposed to be coming back for Kenoby, So maybe.
• 13:04
  Speaker 2: Half of maybe maybe like the first episode or two
• 13:06
  Speaker 2: are going to be like a like a prequel episode,
• 13:08
  Speaker 2: like like where or where or like what happened after that?
• 13:12
  Speaker 2: Maybe Hayden Christian will just be flashbacks like maybe they're
• 13:15
  Speaker 2: just throwing like the leatest things we didn't see from
• 13:17
  Speaker 2: the prequels or something that there's only six episodes and really,
• 13:21
  Speaker 2: which I know that's all they do. That's all Disney
• 13:24
  Speaker 2: does is six episodes for their limited series. I get it,
• 13:26
  Speaker 2: like it's fine, but like I think for this and
• 13:30
  Speaker 2: like they promise us with the Mendalorian, each one is
• 13:32
  Speaker 2: going to be an hour, they didn't. They didn't do that, yea,
• 13:36
  Speaker 2: not even with Mendalaurian. So the episodees we wrong thirty
• 13:38
  Speaker 2: five minutes. So what I would like is legit six
• 13:42
  Speaker 2: full hours of Knoby because first of all, we've we've
• 13:46
  Speaker 2: wanted this, we've wanted this ever since we Sawcgregor as Kanoby.
• 13:50
  Speaker 1: Yea, and of course coming back, my inner child is
• 13:54
  Speaker 1: just like yes, like like I.
• 13:55
  Speaker 2: Know obviously they're like I feel like it's gotta be
• 13:57
  Speaker 2: your prequel though, because it's gotta tie in to New
• 14:00
  Speaker 2: Hope where he's old.
• 14:01
  Speaker 1: It's got to Yeah, it's gotta go from and so
• 14:04
  Speaker 1: maybe so.
• 14:04
  Speaker 2: Maybe you know, maybe you are right, maybe we will
• 14:06
  Speaker 2: actually see some.
• 14:07
  Speaker 1: Sort of Vader something something that would be That's what
• 14:10
  Speaker 1: I want.
• 14:11
  Speaker 2: Because because of the new Hope, Obi Wan knows exactly
• 14:15
  Speaker 2: who Vader is, meaning he knows it's Anakin also spoil alert.
• 14:19
  Speaker 2: I don't even care, but yeah, so this is gonna
• 14:24
  Speaker 2: I mean, I'm just excited that McGregor's coming back to Kenoby.
• 14:27
  Speaker 2: That was that was a selling port for me. Like
• 14:29
  Speaker 2: like I heard that they're doing the show, and I go,
• 14:30
  Speaker 2: if McGregor is not Kenoby, I don't want not doing it.
• 14:34
  Speaker 2: Of course I'm coming back.
• 14:34
  Speaker 1: I'm like, yeah, he's just like hello. Then you're like, buddy, anyways,
• 14:39
  Speaker 1: welcome to the Star Wars podcast and Twilight Podcast. I'm
• 14:43
  Speaker 1: your host. So yeah, but I'm just super excited for
• 14:47
  Speaker 1: everything Disney's pumping out with uh with Star Wars. I
• 14:49
  Speaker 1: I was I was, I was gonna die on this
• 14:52
  Speaker 1: cliff way back when when they took over, and I
• 14:54
  Speaker 1: was like, they're gonna fucking kill it. They're gonna it's
• 14:56
  Speaker 1: gonna be terrible. And then they didn't, and I was like,
• 14:58
  Speaker 1: you know what the TV show I hate? Yeah, the
• 15:01
  Speaker 1: TV shows they did not and it's because they got
• 15:03
  Speaker 1: you know that, that that god of a human being,
• 15:07
  Speaker 1: like any I mean, he wrote.
• 15:09
  Speaker 2: I think he wrote and directed the first two or
• 15:12
  Speaker 2: the first and first two iron Man, and I think
• 15:15
  Speaker 2: he wrote the third ones.
• 15:16
  Speaker 1: I know he's the reason for the MCU, he's the
• 15:18
  Speaker 1: reason for Elf, He's the reason for so many movies
• 15:21
  Speaker 1: you don't even know about. And then he's also responsible
• 15:24
  Speaker 1: for most of the writing of Boba, Fette and Mandalorian.
• 15:28
  Speaker 1: I'm pretty sure he's written most of it, if not
• 15:30
  Speaker 1: all of it. I don't quote me, but I know
• 15:32
  Speaker 1: he's been very heavily involved.
• 15:34
  Speaker 2: Yeah, he's definitely. Yeah. I mean, I don't know if
• 15:35
  Speaker 2: he's doing Kenobi or anything, but I'm sure he's a producer.
• 15:38
  Speaker 1: I'm sure he's doing He's got something to do with it.
• 15:40
  Speaker 1: They've got a golden fucking golden cow or whatever you
• 15:43
  Speaker 1: want to call it. Yeah, I don't know the phrase.
• 15:45
  Speaker 1: I think I'm saying that right, But they know they're
• 15:46
  Speaker 1: gonna stick that pig because he's gonna do.
• 15:49
  Speaker 2: So much more in this golden goose.
• 15:51
  Speaker 1: Golden goose. There we go go, you're talking.
• 15:53
  Speaker 2: I'm thinking about it like it's a different farm animal.
• 15:56
  Speaker 1: Yeah, golden cows from the Bible or some shit. I
• 15:58
  Speaker 1: don't know. So yeah, I'm very excited to see everything
• 16:01
  Speaker 1: else coming out from Disney show wise and even movie wise.
• 16:04
  Speaker 1: We've got a whole bunch of shit. We've got Multiverse
• 16:05
  Speaker 1: of Madness coming out for Marvel, and that's gonna be
• 16:09
  Speaker 1: crazy because Sam Rainey's back to direct, Toby Maguire's rumored
• 16:12
  Speaker 1: to be in it. It's rumored that the X Men
• 16:15
  Speaker 1: cartoon or whatever they're doing animated series.
• 16:19
  Speaker 2: No, they're doing that as a show.
• 16:20
  Speaker 1: Well, I'm saying like the old X Men animated series
• 16:23
  Speaker 1: is rumored to be a part of it.
• 16:25
  Speaker 2: Could because it makes sense them and Fantastic Four because of.
• 16:28
  Speaker 1: The X Men nineteen ninety nine.
• 16:30
  Speaker 2: They're trying to whatever it was. I think this this
• 16:33
  Speaker 2: movie is going to if, if indeed these rumors.
• 16:35
  Speaker 1: Are true, it's gonna blow the doors off of everything. Yeah.
• 16:38
  Speaker 2: But also, but also since Disney took over Marvel, they've
• 16:42
  Speaker 2: been trying to reintroduce excuse me, reintroduced X Men and
• 16:46
  Speaker 2: Fantastic Four.
• 16:47
  Speaker 1: Yeah, and like do it in a proper way.
• 16:49
  Speaker 2: And now and and I actually found this out after
• 16:51
  Speaker 2: watching the trailer for Multiverse madis kind of spoil alert
• 16:54
  Speaker 2: if you haven't seen the trailer or know anything about comics,
• 16:56
  Speaker 2: but I'm gonna be real quick with it. There's a
• 16:59
  Speaker 2: scene in the trailer to where you see doctor Strange's
• 17:01
  Speaker 2: face of the Illuminati, which.
• 17:03
  Speaker 1: Is uh, Professor X when you hear his voice, yeah yeah, but.
• 17:08
  Speaker 2: Also supposed to be the Dasta four, the stretchy guy
• 17:12
  Speaker 2: from Fantastic four.
• 17:13
  Speaker 1: Oh mister fantastic Yep, yes that guy, yeah.
• 17:17
  Speaker 2: Yeah, which which if he shows to be in that,
• 17:20
  Speaker 2: then that's the introduction of X Men and fit for
• 17:23
  Speaker 2: in one scene.
• 17:24
  Speaker 1: Yeah, and then that means dead Pools on the way
• 17:26
  Speaker 1: for Marvel.
• 17:27
  Speaker 2: He's also rumored to be in this movie because because
• 17:30
  Speaker 2: when they released the posters the glass Yards, people lost
• 17:33
  Speaker 2: their minds.
• 17:33
  Speaker 1: There's no way you can top, no way home, there's
• 17:36
  Speaker 1: no fucking way. I don't, I don't. That's already at
• 17:38
  Speaker 1: five stars. That's already five stars.
• 17:41
  Speaker 2: There's no fucking we're gonna find out very soon.
• 17:43
  Speaker 1: Fucking may oh my god, I cannot, I can't.
• 17:46
  Speaker 2: We get Multiverse madness and Canobian May oh god, man, Well,
• 17:51
  Speaker 2: multiverse madness is beginning of May and is at the end.
• 17:56
  Speaker 1: My house is just gonna be a mess. It's just
• 17:59
  Speaker 1: gonna be a fun, an all over mess. Oh my god,
• 18:03
  Speaker 1: I cannot wait for me. It's gonna be so it's
• 18:05
  Speaker 1: gonna it's gonna be mad, Oh my god. And on
• 18:07
  Speaker 1: that note, we should probably get into the movie that
• 18:09
  Speaker 1: we've yeah, will never get it done because we're already
• 18:13
  Speaker 1: twenty minutes in. It's fine, So yeah, let's let's get
• 18:16
  Speaker 1: down to this. Let's actually let's do some prediscussion of
• 18:19
  Speaker 1: like we haven't been doing that for the past twenty minutes,
• 18:22
  Speaker 1: but uh, let's talk about Rob Zombie a little bit.
• 18:24
  Speaker 1: If you've listened to this podcast and you've listened to
• 18:26
  Speaker 1: me any of me and Spencer's episodes, you know we
• 18:29
  Speaker 1: love the Halloween version of you know. No, well, no,
• 18:33
  Speaker 1: we're not gonna talk about it, but I'm gonna mention it.
• 18:35
  Speaker 1: You know how much we love Rob Zombie is Halloween.
• 18:37
  Speaker 1: We're not gonna go into it. We've beaten that horse
• 18:40
  Speaker 1: like into a fucking pulp at this point, but we
• 18:43
  Speaker 1: love that version of Halloween. And I'd like to talk
• 18:46
  Speaker 1: about some of his other movies before we get into
• 18:48
  Speaker 1: Devil's Rejects because they're kind of hit or miss for me.
• 18:52
  Speaker 1: Besides Devil's Rejects and Halloween, they're, like I said, they're
• 18:55
  Speaker 1: kind of hit or miss. He hasn't done a lot
• 18:57
  Speaker 1: like thirty one for me. Did not like why I
• 19:01
  Speaker 1: did not, I'm not I'm not exactly sure why.
• 19:05
  Speaker 2: I can go into massive detail, but that was.
• 19:08
  Speaker 1: That was I mean, don't spoil it, but just give
• 19:11
  Speaker 1: like a kind of like.
• 19:11
  Speaker 2: So so real quick. Actually, we did a Fathom event
• 19:15
  Speaker 2: for that the theater and I pre screened it myself
• 19:18
  Speaker 2: like a couple of nights before, because yeah, why not,
• 19:21
  Speaker 2: why get paid to watch movies?
• 19:23
  Speaker 1: What way good?
• 19:25
  Speaker 2: So uh so that movie had to be heavily cut
• 19:27
  Speaker 2: from n seventeen to red Art, which if you know
• 19:30
  Speaker 2: anything about Rock's movies, all of his movies are, But
• 19:33
  Speaker 2: in doing so, the first five minutes alone, I knew
• 19:37
  Speaker 2: I wasn't really gonna love this movie, but I obviously
• 19:39
  Speaker 2: stuck it out because in the first five minutes there
• 19:41
  Speaker 2: is a good even probably longer, but there's a very wordy,
• 19:46
  Speaker 2: like just monologue from an actor and it's just his
• 19:49
  Speaker 2: face and you see going back and forth with his face,
• 19:52
  Speaker 2: from from him talking to him to showing what he's
• 19:54
  Speaker 2: what he's what he's talking about. Right there, the continuity
• 19:59
  Speaker 2: with his face keeps cutting back and forth from blood
• 20:01
  Speaker 2: on his face to blood not on his face. It's
• 20:02
  Speaker 2: in black and white, so you can't really tell if
• 20:04
  Speaker 2: it's blood or not. But like when you watch the movie,
• 20:05
  Speaker 2: you' understand.
• 20:06
  Speaker 1: It, Yeah, you'll assume it.
• 20:07
  Speaker 2: Yeah, But every time the camera goes from his face
• 20:09
  Speaker 2: to what he's talking to and back, his face looks different.
• 20:12
  Speaker 2: So it's like they had to cut his monologue very
• 20:15
  Speaker 2: lenkly or whatever, or maybe they just didn't notice it
• 20:18
  Speaker 2: during uh, during and post, but like it was very distracting.
• 20:21
  Speaker 1: So right off the bat, you're just you're I was
• 20:24
  Speaker 1: like ugh, But I also just thought the story was crap. Yeah.
• 20:29
  Speaker 1: I wasn't a fan of the story. And if you
• 20:31
  Speaker 1: don't know what the story is about, let me give
• 20:33
  Speaker 1: you a quick little rundown here, because this movie came
• 20:35
  Speaker 1: out twenty sixteen. It's about five carnival workers who are
• 20:40
  Speaker 1: kidnapped and held hostage in an abandoned Hellish compound, where
• 20:43
  Speaker 1: they are forced to participate in a violent game. The
• 20:45
  Speaker 1: goal of which is to survive twelve hours against a
• 20:48
  Speaker 1: gang of sadistic clowns. Sounds fucking sick.
• 20:50
  Speaker 2: Oh it tracks to be fun, but it yeah it was.
• 20:53
  Speaker 1: It sounds fucking sick. And I really like the I
• 20:55
  Speaker 1: think my favorite part about that movie was the Little Person.
• 20:58
  Speaker 1: Oh yeah, he was so great and just so crazy
• 21:01
  Speaker 1: and I loved him. But that was about it for me.
• 21:04
  Speaker 2: I think, what what quite honestly, like on paper, it
• 21:06
  Speaker 2: sounds good and like I like, I like things about it,
• 21:09
  Speaker 2: but ultimately I didn't like the movie. And I think
• 21:11
  Speaker 2: that has to do with the multiple because when you
• 21:13
  Speaker 2: cut a movie, you're cutting your story no matter what.
• 21:16
  Speaker 1: Yeah, when you have to have so many cuts just
• 21:18
  Speaker 1: to get in our rating.
• 21:19
  Speaker 2: And I was hoping, I was hoping, Uh, I was hoping,
• 21:25
  Speaker 2: like when it came out on DVD Your Bluery he
• 21:27
  Speaker 2: on a ready cut, which most of his movies are,
• 21:29
  Speaker 2: but it never did. So I never gave that a
• 21:30
  Speaker 2: second chance. I will not get unless unless unless he
• 21:33
  Speaker 2: more actually somehow makes makes you know, a notre ready
• 21:36
  Speaker 2: to cut come out of nowhere. I'm not gonna give
• 21:38
  Speaker 2: that another another look because I just feel like it's
• 21:41
  Speaker 2: that that was one of the movies. You know, movies
• 21:44
  Speaker 2: do this, but I think the was the movies that
• 21:46
  Speaker 2: suffered from the multiple cuts. And you know, you know,
• 21:49
  Speaker 2: because you cut part of your story, so like you
• 21:51
  Speaker 2: have plot holes and stuff like that, and in this
• 21:53
  Speaker 2: movie it's very noticeable.
• 21:55
  Speaker 1: Yeah, And for me, it was just I just felt
• 21:57
  Speaker 1: that I remember seeing it a while back, and I
• 21:59
  Speaker 1: remember just not liking the execution of how it was done.
• 22:03
  Speaker 1: And I really didn't like any of the characters. And
• 22:06
  Speaker 1: you know, for the most part, you don't really like
• 22:08
  Speaker 1: a lot of the characters in Rob Zombie's movies, but
• 22:10
  Speaker 1: there's typically one I can connect with at least on
• 22:13
  Speaker 1: some sort of level, and in this one, I felt
• 22:15
  Speaker 1: it was just all the characters were just completely unlikable,
• 22:19
  Speaker 1: and I felt like they were all expendable at the
• 22:21
  Speaker 1: same time, there was no one that there's no one
• 22:23
  Speaker 1: that I was like, oh, yeah, me and you we
• 22:25
  Speaker 1: would vibe. So that's thirty one. Let's go back to
• 22:30
  Speaker 1: the very beginning of where this all started, because, as
• 22:32
  Speaker 1: you know, you should know, Rob Zombie is a songwriter.
• 22:36
  Speaker 1: You know, he has his own band, Rob Zombie's. I
• 22:39
  Speaker 1: think it's literally just Rob Zombie that that's the banding
• 22:42
  Speaker 1: like fucking tight. So he did a lot of music
• 22:45
  Speaker 1: videos for himself, weirdly enough. But then the first movie
• 22:48
  Speaker 1: he ever did was House of a Thousand Corpses. And now,
• 22:50
  Speaker 1: while I do appreciate this movie and I do like it.
• 22:53
  Speaker 1: I think it's a great movie, I think it's still
• 22:55
  Speaker 1: not one of his strongest movies. But again, I mean,
• 22:57
  Speaker 1: that's your first fucking movie.
• 23:00
  Speaker 2: People's first movies aren't gonna be blown out of.
• 23:02
  Speaker 1: The water unless you're like Stanley Kubrick or something like that.
• 23:05
  Speaker 1: Then you know, then you have something. Yeah, then you're
• 23:08
  Speaker 1: then you're a little different.
• 23:09
  Speaker 2: Yeah, this this guy just you know, he had money. Obviously,
• 23:11
  Speaker 2: he he loves movies, so he wanted to take a
• 23:14
  Speaker 2: take a stab at it.
• 23:15
  Speaker 1: Yeah, literally, I mean take a couple of stabs.
• 23:18
  Speaker 2: People just doesn't work with. Like Fred dirsk directed like
• 23:20
  Speaker 2: two movies and they both were ass Yeah he directed,
• 23:24
  Speaker 2: he did, And then he did an old, old like
• 23:28
  Speaker 2: football like Family one with a call something with a
• 23:30
  Speaker 2: with a ice cube in it, Football one, And that's
• 23:33
  Speaker 2: how I found out. This was years ago.
• 23:36
  Speaker 1: No no, yeah, no no no. So his second movie
• 23:40
  Speaker 1: that he ever did was Devil's Rejects, which is obviously
• 23:43
  Speaker 1: what we're talking about today, and it's one it's literally
• 23:45
  Speaker 1: my favorite zombie movie as as well as yours, besides Halloween.
• 23:49
  Speaker 1: Correct then we have Halloween Halloween two, which not so good,
• 23:56
  Speaker 1: and then we have Lords of Salem, which I'm so
• 23:58
  Speaker 1: mixed on because I was really enjoying it up until
• 24:01
  Speaker 1: one moment. I don't want to ruin it. But there's
• 24:03
  Speaker 1: a moment where this little character is introduced and I
• 24:05
  Speaker 1: was like, and now I'm out of this movie.
• 24:07
  Speaker 2: It took me. I'm not a fan of that movie,
• 24:09
  Speaker 2: and it literally took me, you know me, Like, I'm
• 24:12
  Speaker 2: not gonna just turn off a movie or walk out
• 24:14
  Speaker 2: of a movie unless I absolutely want to. I mean,
• 24:16
  Speaker 2: I saw this at home, but it took me literally
• 24:19
  Speaker 2: three tries to finish this movie. Really, yeah, I had to.
• 24:24
  Speaker 2: I couldn't do it. But I'm like, oh wow, But
• 24:26
  Speaker 2: every time I watched it, I got a little further.
• 24:28
  Speaker 2: So I was like, you know what, I gotta truck along.
• 24:31
  Speaker 2: Like by the end of by like my third try,
• 24:34
  Speaker 2: I think I had about forty minutes left of the
• 24:36
  Speaker 2: movie and it's an hour, like forty minute movie anyway.
• 24:38
  Speaker 1: Yeah, so I'm just like you know what, screw it,
• 24:40
  Speaker 1: let's go.
• 24:40
  Speaker 2: Even if I'm walking around like, do another shit on
• 24:42
  Speaker 2: my phone whatever, I don't care. I'm going to say
• 24:44
  Speaker 2: I finished this movie, but it took me three tries.
• 24:47
  Speaker 2: I should say something that's like, if you listen to
• 24:50
  Speaker 2: this and you know me like three tries. First of all,
• 24:52
  Speaker 2: I'm like, I usually don't get if I don't like
• 24:54
  Speaker 2: the movie, you're not gonna see me get into a
• 24:56
  Speaker 2: second try.
• 24:56
  Speaker 1: It's rare.
• 24:57
  Speaker 2: Yeah, but uh, I wanted to becau. I kept getting
• 25:00
  Speaker 2: further with it, but I just I just kept like nope.
• 25:03
  Speaker 2: So I finished it and I'm still like nope.
• 25:05
  Speaker 1: Yeah, still like nope. And you know what's funny is
• 25:06
  Speaker 1: it took me so long to realize that the person
• 25:09
  Speaker 1: on the cover with the dreads it's fucking Sherry Moon Zombie.
• 25:13
  Speaker 1: I just like the when I actually went to watch it,
• 25:16
  Speaker 1: I was looking through and I looked at it and
• 25:17
  Speaker 1: I'm like, that's fucking Sheherry Moon Zombie. I had no
• 25:20
  Speaker 1: idea that that was her. Yeah, so Lords of Salem
• 25:22
  Speaker 1: is definitely a weird one.
• 25:24
  Speaker 2: I mean, if you're in a like Witches all, let
• 25:26
  Speaker 2: me not saying I'm not into that, but I just
• 25:27
  Speaker 2: I think the way he went about it was it
• 25:29
  Speaker 2: was it was his own way, which I mean, he's
• 25:31
  Speaker 2: done all of his movies as a way, but this
• 25:34
  Speaker 2: way just didn't work.
• 25:35
  Speaker 1: That's what I'm saying. That's what I love about him,
• 25:36
  Speaker 1: because he doesn't give a fuck. He will do his
• 25:39
  Speaker 1: movie his own way, and that works sometimes, but then
• 25:42
  Speaker 1: in this case it doesn't work.
• 25:43
  Speaker 2: It doesn't.
• 25:44
  Speaker 1: So you have Lords of Salem, which was from twenty twelve,
• 25:47
  Speaker 1: and then going up down, going down the list. Here
• 25:50
  Speaker 1: we have thirty one again and then three from how
• 25:52
  Speaker 1: now three from How I quite enjoyed. I did too,
• 25:55
  Speaker 1: I quite enjoyed. Besides Scherry Moon Zombie being completely maniacal
• 25:59
  Speaker 1: in the beginning first half, like the first half hour.
• 26:02
  Speaker 1: Once they break out of the asylum or whatever it
• 26:06
  Speaker 1: is in jail, then she's fine, but that's oh my god,
• 26:09
  Speaker 1: I was like, I can't.
• 26:10
  Speaker 2: Even She definitely she overdid it. She definitely tried to
• 26:15
  Speaker 2: pull out her own Harley Quinn, which I mean, okay.
• 26:18
  Speaker 1: Yeah she really did, because yeah, but like it's just.
• 26:21
  Speaker 2: At first I was okay with it, but then as
• 26:23
  Speaker 2: it kept going, I'm like, this is gonna be her
• 26:25
  Speaker 2: the whole.
• 26:26
  Speaker 1: Film that insame, and I was thinking the same thing.
• 26:28
  Speaker 2: It wasn't like okay, okay, thank.
• 26:30
  Speaker 1: God, because I'm not yeah any of that, but like, yeah,
• 26:34
  Speaker 1: I'm not doing that.
• 26:35
  Speaker 2: She she definitely like like turned up her cuckoo to eleven.
• 26:38
  Speaker 1: Yeah, her fucking cuckoo clock was broken. So yeah, that's
• 26:42
  Speaker 1: all the movies he's done. Like, you know, he's done one,
• 26:44
  Speaker 1: so we got one too, and I know both of.
• 26:47
  Speaker 2: Us are excited for his new one, or at least
• 26:49
  Speaker 2: to see how it happens is the Munsters.
• 26:51
  Speaker 1: I'm very excited.
• 26:53
  Speaker 2: I'm excited but also scared.
• 26:54
  Speaker 1: Yeah. It's like, yeah, it's like walking into the jungle.
• 26:57
  Speaker 1: It's like, I'm excited to see all this fun stuff,
• 26:58
  Speaker 1: but there could be something around the corner that might
• 27:01
  Speaker 1: eat me and kill me. So I'm like, I'm excited,
• 27:03
  Speaker 1: but I'm also very nervous.
• 27:04
  Speaker 2: That him and his wife Sherryman's on me. They're huge fans,
• 27:08
  Speaker 2: which okay, I can appreciate that, so at least they're
• 27:10
  Speaker 2: gonna do maybe the story justice, but the fact that
• 27:13
  Speaker 2: you're making it raded R?
• 27:14
  Speaker 1: Which is it rated R?
• 27:16
  Speaker 2: He promised it was going to be.
• 27:18
  Speaker 1: I didn't know that. I thought you were just speculating.
• 27:21
  Speaker 2: No, no, I even think it says it on IMDb
• 27:24
  Speaker 2: trivia he said, yeah, it's gonna be a rated R movie.
• 27:27
  Speaker 2: And as soon as I saw that, I'm like, why
• 27:30
  Speaker 2: is rated G on TV? Like if anything boosted the
• 27:33
  Speaker 2: PG thirteen because even the Adams Family, which was around
• 27:36
  Speaker 2: was at the same time, is you know, was PG
• 27:39
  Speaker 2: thirteen and just for like the darkness and the humor.
• 27:42
  Speaker 2: But like, I'm like, why should the Munchess be red R,
• 27:44
  Speaker 2: Like if you're giving them a like a gritty like
• 27:46
  Speaker 2: backstory like you did with like the original Halloween, like
• 27:49
  Speaker 2: his Halloween. I'm sorry then, okay, but like there's no
• 27:52
  Speaker 2: really I don't. I can't imagine the Munster is being
• 27:54
  Speaker 2: raded R. No, you can't, which is why I'm scared.
• 27:57
  Speaker 2: Other than that, I'm not.
• 27:58
  Speaker 1: I don't see a rating yet on IMDb and I
• 28:00
  Speaker 1: don't even see Oh I do see trivia. Here we go.
• 28:02
  Speaker 2: You see if I think I read it in trivia
• 28:04
  Speaker 2: or who says, yeah.
• 28:05
  Speaker 1: I don't see trivia or or on the IMDb.
• 28:07
  Speaker 2: Okay, so maybe it was just something he was talking
• 28:09
  Speaker 2: about that he wants to make your raditar I mean,
• 28:12
  Speaker 2: maybe maybe that's going to backtrack and make you PG
• 28:14
  Speaker 2: thirteen I will accept.
• 28:15
  Speaker 1: PG thirteen is that your feet were playing season a
• 28:19
  Speaker 1: nice nice. It is listed as a comedy, fantasy, horror,
• 28:23
  Speaker 1: sci fi, so we shall see. I know he's doing that.
• 28:27
  Speaker 1: And the thing I like about it, though, is I
• 28:28
  Speaker 1: know he's doing it justice. He's literally building from scratch,
• 28:33
  Speaker 1: the whole food. Yeah, not even the street or not
• 28:36
  Speaker 1: even the house or the street. The fucking new.
• 28:39
  Speaker 2: Who's building from the ground up. It's pretty great.
• 28:41
  Speaker 1: So that's a good start. But of course, fucking Sherry
• 28:44
  Speaker 1: Moon Zombies playing Lilith, Lilith, I think her name is Lilith.
• 28:49
  Speaker 2: I know, I know. I'm honestly not super fan of
• 28:51
  Speaker 2: the cast who they are.
• 28:53
  Speaker 1: I mean, I'm a fan of Daniel Roebuck is Grandpa
• 28:55
  Speaker 1: Monster and Jeff Daniel Phillips is Herman Monster.
• 28:59
  Speaker 2: But yeah, I'm still spectacle about.
• 29:01
  Speaker 1: That, spectacle skeptical of that. I'm spectacle. Yeah, but yeah,
• 29:06
  Speaker 1: it's Lily. Sorry, it's Lily. Yeah, Sherryman Zombie is Lily.
• 29:08
  Speaker 1: I'm just like, she doesn't overdo it. I just don't
• 29:12
  Speaker 1: overdo it. Like I love you, Rob Zombie, but you
• 29:15
  Speaker 1: don't have to put your wife and everything. You don't
• 29:17
  Speaker 1: have to, but you do, and that's kind of the
• 29:19
  Speaker 1: reason some of your movies don't work. But saying, but
• 29:23
  Speaker 1: I mean, hey, if you know, if you love her
• 29:25
  Speaker 1: and you want to do that, I mean, go for it.
• 29:27
  Speaker 1: You know it's fucking I assume it's I mean, is
• 29:30
  Speaker 1: it free? Like does she does he pay her? How
• 29:33
  Speaker 1: does that work?
• 29:34
  Speaker 2: I mean, she's an actress. I'm sure he pays her.
• 29:37
  Speaker 1: Just this random thought popped into my head, you know
• 29:40
  Speaker 1: what I mean?
• 29:40
  Speaker 2: Real quickly? Do it to have fun or think about
• 29:44
  Speaker 2: so in the Other Worlds, the director Lenn Wiseman was
• 29:46
  Speaker 2: married to Kate Becketts Sale during those.
• 29:48
  Speaker 1: Movies, she was already an established actor though you know
• 29:51
  Speaker 1: what I mean, like fucking he was.
• 29:52
  Speaker 2: But but I'm just saying, like I think it would
• 29:54
  Speaker 2: go the same way, like you're still going.
• 29:55
  Speaker 1: To She's only an actress because of him, you know
• 29:58
  Speaker 1: what I mean?
• 29:58
  Speaker 2: But say, what's the Milijoevic. Paul W. S Anderson directed
• 30:03
  Speaker 2: her and all the Resident Evils. Yeah, so it's I
• 30:05
  Speaker 2: don't think it matters if it's established or not, Like
• 30:07
  Speaker 2: you're still gonna pay unless she literally says no, I
• 30:10
  Speaker 2: don't want I don't need to take any money, but
• 30:12
  Speaker 2: I will.
• 30:13
  Speaker 1: I mean, he's just worth so much money. I don't think,
• 30:15
  Speaker 1: you know what, that would be so weird to pay,
• 30:17
  Speaker 1: Like I don't know, it's just weird to think about,
• 30:19
  Speaker 1: you know what I mean, Like, because he's got so
• 30:20
  Speaker 1: much money, that.
• 30:22
  Speaker 2: Would be a great interview question if we ever interviewed
• 30:24
  Speaker 2: them or just him.
• 30:24
  Speaker 1: Like I'm just curious, Like I don't need to know
• 30:26
  Speaker 1: how much you're paying, Like, like, how does that work?
• 30:28
  Speaker 1: You know what I mean, since you guys are married,
• 30:29
  Speaker 1: and really the only reason that she's an actress is
• 30:32
  Speaker 1: because of you, you know, so like how does how
• 30:34
  Speaker 1: does that work? That is? I don't know. I just ran.
• 30:36
  Speaker 2: I mean she's always also in most of his music videos,
• 30:38
  Speaker 2: so like, so I wonder if she's doing it to
• 30:40
  Speaker 2: support husband, which you know, awesome, great wife. I mean
• 30:43
  Speaker 2: they've been to go forever, so like, well that's.
• 30:45
  Speaker 1: What I'm thinking. I'm thinking maybe she's just like I'll act,
• 30:47
  Speaker 1: you know, and just do it for fun or whatever.
• 30:49
  Speaker 1: Like I have no idea. Actually it's actually a very interesting.
• 30:52
  Speaker 2: Maybe for the must is the huge fan, She's like,
• 30:54
  Speaker 2: I'll fucking just do this because I want to.
• 30:56
  Speaker 1: Yeah, and like, do we know when that's slated to
• 30:58
  Speaker 1: come out? Is there any literally the website?
• 31:00
  Speaker 2: I know, but I don't.
• 31:02
  Speaker 1: Okay, it's in pre production so probably uh, dependably next year.
• 31:07
  Speaker 2: We'll started filming last year last Halloween ish time, so
• 31:11
  Speaker 2: like I would think, maybe.
• 31:12
  Speaker 1: Didn't start filming. Yeah, they were still building, they're still building.
• 31:15
  Speaker 2: They Okay, so somebody hasn't started.
• 31:17
  Speaker 1: Pre production means they're not They haven't.
• 31:19
  Speaker 2: But IMD doesn't always update with yeah, it's true, so
• 31:22
  Speaker 2: but I always know the movie is done.
• 31:23
  Speaker 1: What is this? It literally is listed. It's literally listed
• 31:27
  Speaker 1: as untitled The Monster's Reboot. Interesting. Interesting, interesting. So yeah,
• 31:32
  Speaker 1: I mean, like I said, I'm excited, but I'm a
• 31:35
  Speaker 1: little scared.
• 31:36
  Speaker 2: Yes, what stuff starts coming out, though, I'll get either
• 31:40
  Speaker 2: more scared or excited exactly.
• 31:41
  Speaker 1: Yeah, once we get more pieces of the puzzle, will.
• 31:43
  Speaker 2: Be able to ice a teaser comes out like I
• 31:45
  Speaker 2: don't know's like like.
• 31:47
  Speaker 1: A a sweat beating on my face. I don't know.
• 31:51
  Speaker 1: All right, let's get into this fucking movie here. We've
• 31:53
  Speaker 1: still got plenty of time we have to talk about this.
• 31:55
  Speaker 1: So we are doing The Devil's Rejects from two thousand
• 31:58
  Speaker 1: and five, released on July twenty second of that year
• 32:01
  Speaker 1: in the USA. This is the most hard R movie
• 32:05
  Speaker 1: we've ever reviewed this year because this is rated R
• 32:08
  Speaker 1: for severe sex and nudity, severe violence and gore, severe profanity,
• 32:14
  Speaker 1: two hundred and twenty four uses of the word fuck
• 32:16
  Speaker 1: and shit, shit, fuck, severe alcohol, drugs and smoking, and
• 32:22
  Speaker 1: severe frightening and intense scenes. Everything is severe. And I mean, yeah,
• 32:27
  Speaker 1: that makes sense. This is a liar because the runtime
• 32:31
  Speaker 1: on my Blue wire, well, the runtime on my Blue
• 32:34
  Speaker 1: ray was an hour fifty and fifty three seconds, so
• 32:38
  Speaker 1: fuck this hour forty seven. Even the back of my
• 32:40
  Speaker 1: Blu ray set an hour forty nine. Yeah, we all
• 32:42
  Speaker 1: know what the fuck's going on.
• 32:44
  Speaker 2: This, but yeah, we know the run time is an
• 32:46
  Speaker 2: hour and fifty.
• 32:46
  Speaker 1: Yeah we know it because we were we were just
• 32:48
  Speaker 1: finishing this up. So this is listed crazy enough as
• 32:52
  Speaker 1: a crime horror Western. Now I'm not surprised, but I'm
• 32:56
  Speaker 1: also surprised.
• 32:58
  Speaker 2: The Western because it's it's mostly out in the deserts in.
• 33:00
  Speaker 1: The desert area cowboy hats, you know, it's I think
• 33:03
  Speaker 1: it's supposed to be set in uh, I mean Alabama,
• 33:06
  Speaker 1: I believe, Yeah, And it looks like it looks like Texas.
• 33:09
  Speaker 2: Yeah, Texas. It could be.
• 33:10
  Speaker 1: I mean it's shot in California, but it looks like
• 33:12
  Speaker 1: it's in Texas. But I remember, I remember one of
• 33:14
  Speaker 1: the main guy says something about something something fucking Alabama.
• 33:17
  Speaker 1: So either it's in Alabama or he just referenced something
• 33:19
  Speaker 1: about it. Yeah.
• 33:20
  Speaker 2: But but yeah, so the Western they probably get just like, uh,
• 33:23
  Speaker 2: the Hills of Eyes might be listed as a Western,
• 33:25
  Speaker 2: I don't remember it was not, Oh okay.
• 33:27
  Speaker 1: So I really think it's a Western because everyone's dressed
• 33:29
  Speaker 1: like a cowboy, you know, like the police officers are
• 33:31
  Speaker 1: just like cowboys.
• 33:32
  Speaker 2: You know. One of the guns they use are just
• 33:33
  Speaker 2: the six shooters, which is used usually in western.
• 33:36
  Speaker 1: Yeah. Because it's also set this is also set in
• 33:38
  Speaker 1: nineteen seventy eight too, so that might also have something.
• 33:41
  Speaker 2: To do with you know, there's a lot of spaghetti
• 33:42
  Speaker 2: westerns that came out around that time and stuff too,
• 33:44
  Speaker 2: So it could just be because of that.
• 33:46
  Speaker 1: So it makes sense. Directed by none on, none other
• 33:49
  Speaker 1: than Rob Zombie, as we talked about so many people.
• 33:52
  Speaker 2: You know, Yeah, I got lazy, what it's just it's hilarious.
• 33:58
  Speaker 1: I got lazy with this because like it really is,
• 34:01
  Speaker 1: starring so many people you should know.
• 34:03
  Speaker 2: Sorry, everybody that's been in a robe at least one time.
• 34:06
  Speaker 1: I mean, for fos sake, you have Sid Haig. If
• 34:08
  Speaker 1: you don't know that name, go watch Jackie Brown. Go
• 34:11
  Speaker 1: watch fucking House. Yeah, he's the judge and Jackie Brown
• 34:15
  Speaker 1: was I mean, go you know. If you don't know
• 34:16
  Speaker 1: Sherry Moon Zombie, go watch a rob Zombie movie music video. Yeah.
• 34:20
  Speaker 1: If you don't know Bill Moseley, fucking go watch Texas
• 34:22
  Speaker 1: Chainsaw Massacre too, or any of the other ship he's done,
• 34:25
  Speaker 1: Prisoners of the ghost Land Repo, the Genetic Opera. I mean,
• 34:28
  Speaker 1: the man has done U.
• 34:30
  Speaker 2: We got William Forsyth, who played the cop was also
• 34:33
  Speaker 2: the ship head Stepdad had Stepdad from Halloween.
• 34:37
  Speaker 1: Yeah, we got Ken Foray, the fucking guy from From Beyond.
• 34:40
  Speaker 1: I mean, the guy has done so much ship from Beyond.
• 34:42
  Speaker 1: He was Joe Grizzly Bitch and Hell and Halloween. And
• 34:46
  Speaker 1: then you have Matthew Matthew mcgoory who was tiny you
• 34:50
  Speaker 1: know him because of just how big.
• 34:52
  Speaker 2: And an American horror story before he.
• 34:55
  Speaker 1: Died American horror story Big Fish. He was in Bubble Boy.
• 34:57
  Speaker 1: He was in a whole bunch of stuff.
• 34:59
  Speaker 2: Yeah, I just thought it was funny. I'm just like,
• 35:01
  Speaker 2: you know what, fuck it? Yeah, so many people.
• 35:03
  Speaker 1: Because these are huge A list actors, you know what
• 35:05
  Speaker 1: I mean. And then okay, they're a list in the
• 35:09
  Speaker 1: horror genre, the horror genre, but there be and be
• 35:13
  Speaker 1: in the race and the rest of the world. But yeah,
• 35:15
  Speaker 1: if you're into horror movies and even listen to this podcast,
• 35:17
  Speaker 1: this cast is someone you should know through and through. Like,
• 35:20
  Speaker 1: there's so many fucking amazing actors and actresses in this movie. Yeah,
• 35:24
  Speaker 1: so I got lazy with it, but yes, all the
• 35:26
  Speaker 1: people I mentioned and then many more are in this
• 35:29
  Speaker 1: It's such a great cast. It's I love the cast
• 35:31
  Speaker 1: in this movie.
• 35:32
  Speaker 2: Yeah.
• 35:32
  Speaker 1: We've got an estimated budget of seven million dollars doing
• 35:35
  Speaker 1: a worldwide box office gross of twenty essentially twenty one million,
• 35:40
  Speaker 1: twenty point nine million.
• 35:41
  Speaker 2: That's a win.
• 35:42
  Speaker 1: Yeah, I mean that's almost three times your budget right
• 35:44
  Speaker 1: there for this type of movie, for this type of movie.
• 35:47
  Speaker 1: Fuck yeah, that's a win. Tripling your money is a win.
• 35:52
  Speaker 1: This was filmed at the Sable Ranch that's where the
• 35:54
  Speaker 1: Firefly House was four acres Movie Ranch club ed film set,
• 35:59
  Speaker 1: which was the Mote and then other various spots close
• 36:01
  Speaker 1: by in California.
• 36:03
  Speaker 2: That's probably where's probably where they saved a bunch of
• 36:05
  Speaker 2: money just by doing on small little like like one one,
• 36:08
  Speaker 2: one little location.
• 36:09
  Speaker 1: Yeah. Actually in the trivia, well, there's actually a fun
• 36:12
  Speaker 1: piece of trivia about Supernatural that we'll get to involving
• 36:16
  Speaker 1: the Sable ranch.
• 36:17
  Speaker 2: Nice.
• 36:18
  Speaker 1: You can rent this on ammenon amanon amon amnon.
• 36:22
  Speaker 2: Did you get that off a Wish subscription?
• 36:24
  Speaker 1: Yeah right. You can get this for three ninety nine
• 36:28
  Speaker 1: on Amazon or a nine to ninety nine purchase, or
• 36:32
  Speaker 1: or you can watch this for free on Voodoo with
• 36:35
  Speaker 1: advertisements fun fact. Or I can just watch it on
• 36:39
  Speaker 1: your Voodoo since I have that or my blue red yeah.
• 36:43
  Speaker 2: Which is whatever we own. It's fine.
• 36:45
  Speaker 1: You can rent this also on Voodoo for three ninety
• 36:47
  Speaker 1: nine or purchase it for seven ninety nine, but just
• 36:49
  Speaker 1: watch it with ads. I mean I wouldn't watch it
• 36:52
  Speaker 1: with ads. I hate ads. I need to watch a
• 36:54
  Speaker 1: movie be uninterrupted.
• 36:55
  Speaker 2: But also but also on Voodoo, the way they do ads,
• 36:58
  Speaker 2: like you'll turn like an hour and like fifty maybe
• 37:00
  Speaker 2: to almost two and a half.
• 37:01
  Speaker 1: Yeah, it's like how free for a reason. It's how
• 37:04
  Speaker 1: IMDbTV does it. It's like, oh, one, ad then two,
• 37:08
  Speaker 1: then three, then seven.
• 37:09
  Speaker 2: You're like, uh yeah, okay, So like I don't recommend
• 37:12
  Speaker 2: it watching it with that, but if you have the
• 37:13
  Speaker 2: time and not the cash, sure.
• 37:15
  Speaker 1: Yeah, yeah, if you have the time exactly, that's a
• 37:17
  Speaker 1: perfect way to put that. Yep, movies that came out
• 37:20
  Speaker 1: around the same time. Let me fill you in with
• 37:22
  Speaker 1: some knowledge here, because there's a lot of good ship
• 37:25
  Speaker 1: holy crap. Yeah, so we've got Herbie Fully Loaded, Bewitched,
• 37:30
  Speaker 1: Fucking George A. Romero's Land of the Dead, Fantastic Four,
• 37:34
  Speaker 1: Charlie and the Chocolate Factory, The Bad News Bears, the
• 37:38
  Speaker 1: Dukes of Hazardduce Bigelow, European Jigglow, Grizzly Man. There was
• 37:43
  Speaker 1: not one single bear attack in that movie, and I
• 37:45
  Speaker 1: was fucking upset, wasted so much time. The Skeleton Key
• 37:50
  Speaker 1: and the forty year Old Virgin talk about time to
• 37:52
  Speaker 1: be a love.
• 37:53
  Speaker 2: Also a lot of raunchy comedies in this. This is
• 37:56
  Speaker 2: two thousand and five, I know, but Bears, Dukes of Hazard,
• 38:00
  Speaker 2: Dude Virgin geez.
• 38:03
  Speaker 1: Yeah, a lot of raunchy comedies in this. So yeah,
• 38:05
  Speaker 1: there's a lot of good ship. I literally couldn't even
• 38:08
  Speaker 1: include everything. I had to cut out five or six
• 38:10
  Speaker 1: because I'm like, okay, I'm like this is too many,
• 38:12
  Speaker 1: But there was five or six.
• 38:13
  Speaker 2: Out there, Like that's what you said. It comes out
• 38:14
  Speaker 2: came out in what July?
• 38:15
  Speaker 1: Yeah, yeah, summer, so that makes sense. But yeah, a
• 38:20
  Speaker 1: lot of good movies coming out around that time. Let's
• 38:22
  Speaker 1: get on to some of our favorite moments here, specifically
• 38:25
  Speaker 1: with favorites or sorry, specific horror moment. Did you have
• 38:29
  Speaker 1: a specific moment of horror that you were like, oh,
• 38:32
  Speaker 1: just like eyes just well it.
• 38:34
  Speaker 2: Wasn't really my I mean yes, but just like the
• 38:37
  Speaker 2: hell's have eyes that the uncomfortable, uh, the uncomfortable uh.
• 38:42
  Speaker 1: The motel scene, yes, with how Otis was just being
• 38:45
  Speaker 1: a fucking wild man.
• 38:47
  Speaker 2: But like that hole, that whole, the whole first the
• 38:49
  Speaker 2: whole Yeah, when they were all there before like once,
• 38:52
  Speaker 2: what's the I guess the guys left, But like, I'm
• 38:54
  Speaker 2: weird as that comes off. But if you've seen the movie,
• 38:55
  Speaker 2: you understand what I'm saying. But like the first half
• 38:57
  Speaker 2: of the whole motel scene was just so uncomfortable. Yea,
• 39:01
  Speaker 2: just like the scene of Hills of Eyes was so comfortable,
• 39:03
  Speaker 2: but it was so powerful at the same time. So
• 39:06
  Speaker 2: that scene was my specific horror moment.
• 39:08
  Speaker 1: See, that's funny. My scene is the scene directly after
• 39:11
  Speaker 1: that when Otis takes the boys to the desert because
• 39:15
  Speaker 1: he's literally he's literally leading them to their graves because
• 39:19
  Speaker 1: they're like, where are we going. He's like, oh, just
• 39:21
  Speaker 1: down here, has just keep going and he's like and
• 39:23
  Speaker 1: it's like, well, what do we do. He's like, Oh,
• 39:24
  Speaker 1: we're gonna go dig up some guns and then you know,
• 39:26
  Speaker 1: it's the end of the road for you guys. And
• 39:27
  Speaker 1: then he's like what And then that whole and that
• 39:30
  Speaker 1: whole scene where they try to attack him, and then
• 39:34
  Speaker 1: Otis is just this badass motherfucker beating the ship out
• 39:37
  Speaker 1: of that guy with the stick and then he's like,
• 39:38
  Speaker 1: you know, I am the devil. I'm here to do
• 39:39
  Speaker 1: the devil's work. Chills every time. I'm just like, oh,
• 39:42
  Speaker 1: Bill Mosley, You're so fucking awesome. So that's my that's
• 39:45
  Speaker 1: my horror moment, which is funny because ours go hand
• 39:47
  Speaker 1: in hand. Yeah, mine right before yours favorite kill? Do
• 39:52
  Speaker 1: you have a favorite kill? And there's not a lot
• 39:54
  Speaker 1: of there's not a lot of really weirdly.
• 39:56
  Speaker 2: No, there's a lot of like killings.
• 39:58
  Speaker 1: In this there's a few, though, there is a there's
• 40:00
  Speaker 1: a few.
• 40:02
  Speaker 2: I'd say because it's so random and just just out
• 40:05
  Speaker 2: of nowhere. Is when they killed Bill Pulsan in the hotel.
• 40:11
  Speaker 2: It was just random.
• 40:12
  Speaker 1: That's mine too, because everyone at that point is in
• 40:14
  Speaker 1: the motel room with Otis and baby and they're like,
• 40:18
  Speaker 1: what the fuck's going on? And then the main guy
• 40:21
  Speaker 1: I can't remember his name, but he's like the leader
• 40:23
  Speaker 1: of the band. He's like, you know, Otis like is
• 40:25
  Speaker 1: this everyone? He's like yeah, And then fucking yeah, Brian
• 40:28
  Speaker 1: knocks on the door and he's like, who the.
• 40:29
  Speaker 2: Fuck is that.
• 40:30
  Speaker 1: Yeah, it's like I know, I can't trust you.
• 40:31
  Speaker 2: Mother fu.
• 40:32
  Speaker 1: Yeah, just opens he opens the door and that just
• 40:36
  Speaker 1: comes into goosh and I'm just like, what the fuck? Yeah,
• 40:39
  Speaker 1: you literally killed your friend because you didn't tell him
• 40:41
  Speaker 1: he was coming in the room.
• 40:42
  Speaker 2: Yeah, it was.
• 40:44
  Speaker 1: It was just so crazy and uncalled for. And then
• 40:46
  Speaker 1: I guess another good uh, another good kill was the
• 40:49
  Speaker 1: uh actually, you know what, I don't even want to
• 40:51
  Speaker 1: spoil that one. I don't eve want to spoil that one,
• 40:54
  Speaker 1: but it involves a car. I don't want to spoil
• 40:56
  Speaker 1: that do that.
• 40:57
  Speaker 2: But my other one was actually also in the hotel
• 40:59
  Speaker 2: where one of the girls, uh was in the bathroom
• 41:03
  Speaker 2: and Baby was just like she was escaping, and Baby
• 41:07
  Speaker 2: was like, what the fuck but the door was locked.
• 41:09
  Speaker 2: And then the this other girl that was in there
• 41:11
  Speaker 2: was was like just like she had a gun but
• 41:14
  Speaker 2: there's no bullets in it, and Baby just I don't know,
• 41:16
  Speaker 2: he just throws the knife so smoothly, and oh yeah,
• 41:19
  Speaker 2: I thought that was but it was just so smooth
• 41:23
  Speaker 2: because you knew she was gonna die, but you're like
• 41:25
  Speaker 2: how and then all sudden I'm like, oh, there you go.
• 41:29
  Speaker 2: You're you're you're seeing that you're talking about. It was
• 41:30
  Speaker 2: also my other favorite.
• 41:31
  Speaker 1: It's it's, oh my god, this movie it's good. It
• 41:34
  Speaker 1: is so disturbing that this is one of my favorite
• 41:36
  Speaker 1: movies because it's so fucked up.
• 41:40
  Speaker 2: Some of the shots and score in this movie are
• 41:43
  Speaker 2: just unbelievably like amazing and have no business being in
• 41:46
  Speaker 2: this movie. Looking the way they do.
• 41:50
  Speaker 1: I can't imitate it perfectly, but that in no way
• 41:52
  Speaker 1: is when she's running away, it's like like so good,
• 41:55
  Speaker 1: you can tell where he got a lot of his
• 41:57
  Speaker 1: Halloween score from because a lot of it is very
• 42:00
  Speaker 1: alert to this. I think Tyler Bates also scored his
• 42:04
  Speaker 1: Halloween movie. I think I'm pretty sure. But yeah, it's
• 42:07
  Speaker 1: a lot of great, like crazy moments in this movie.
• 42:11
  Speaker 1: I have three lines because I could not pick, but
• 42:14
  Speaker 1: what what did you have?
• 42:15
  Speaker 2: A favorite line was the one we already said with
• 42:17
  Speaker 2: the with the otis swear, I have the devil that
• 42:19
  Speaker 2: I'm here to do. Yes, it's not just that line,
• 42:22
  Speaker 2: it's it's how he delivered it. So so like we
• 42:25
  Speaker 2: already said, like he's going crazy, Like these two guys,
• 42:28
  Speaker 2: you know they're about to get murdered by him, so
• 42:29
  Speaker 2: they tried to fight back, and you know you could
• 42:32
  Speaker 2: hear him. You know, he's said his dialogue bil, most
• 42:34
  Speaker 2: of his dialogue, have a fun with it. And then
• 42:35
  Speaker 2: all of a sudden, he like turns into like an
• 42:37
  Speaker 2: Academy Award winning actor to give this line, and you're
• 42:40
  Speaker 2: just like.
• 42:42
  Speaker 1: Fuck what You're like Jesus, like.
• 42:45
  Speaker 2: You said, chills, little chills.
• 42:47
  Speaker 1: Literal chills, because the winds blowing his hair in his
• 42:49
  Speaker 1: face and he takes like.
• 42:51
  Speaker 2: He literally looks like an County Award winning like cinematography
• 42:53
  Speaker 2: scene this happening, and he's just throwing out this dialogue.
• 42:55
  Speaker 2: But he does it so goddamn well.
• 42:57
  Speaker 1: It doesn't so well because the camera is like from
• 42:59
  Speaker 1: the guys for inspect of looking up at him. The
• 43:01
  Speaker 1: wind is blowing and Otis's hair and then he just
• 43:03
  Speaker 1: takes his right hand and pulls his hair across his
• 43:05
  Speaker 1: face like this. He's like, I am the devil and
• 43:07
  Speaker 1: I'm here to do the devil's work, and you're.
• 43:09
  Speaker 2: Like, it's awesome. He just said the line without with
• 43:12
  Speaker 2: like the way he delivered it. I want to give
• 43:13
  Speaker 2: a shit, but the way he delivered it was like.
• 43:15
  Speaker 1: Fuck, Like yeah, Like, and I'm dude, I've got my
• 43:17
  Speaker 1: devil's reject pride going on. I didn't. I couldn't find
• 43:20
  Speaker 1: my I literally have a shirt that says I am
• 43:21
  Speaker 1: the Devil and I'm here. Yeah. I couldn't find that one.
• 43:24
  Speaker 1: So I was like, oh, I'll settle for this one.
• 43:25
  Speaker 1: But that line is just so good, and it just
• 43:28
  Speaker 1: it hits me right in my soul every time. I'm
• 43:30
  Speaker 1: just like ooh. Because that's also loosely derived from the
• 43:33
  Speaker 1: Manson murders. Because Manson or his fall, it's in the trivia.
• 43:37
  Speaker 1: We'll get to it. But I thought that was a
• 43:39
  Speaker 1: really interesting thing because I also got very Manson vibes
• 43:42
  Speaker 1: from this, you know, just to try it. It's like
• 43:44
  Speaker 1: a family running around just fucking killing people. Yeah, I
• 43:46
  Speaker 1: got very Manson.
• 43:48
  Speaker 2: I wonder if maybe that's where he got some of
• 43:49
  Speaker 2: the inspiration.
• 43:50
  Speaker 1: Because I mean it has to be. He's using almost
• 43:52
  Speaker 1: direct quotes. Yeah, so I guarantee some of his inspiration
• 43:56
  Speaker 1: probably came from the Manson murders, because didn't they take
• 43:59
  Speaker 1: place in the set as well.
• 44:01
  Speaker 2: I believe, so, yeah, I believe so yeah.
• 44:03
  Speaker 1: So all right, so I've got three. Well one we've
• 44:07
  Speaker 1: already said. Yeah, but my favorite fucking line the entire movie.
• 44:11
  Speaker 1: Number one line is obviously from Otis and he's like, boy,
• 44:14
  Speaker 1: the next word out of your mouth, bet'll be some
• 44:16
  Speaker 1: fucking brilliant Mark Twain. Shit, he is definitely getting car
• 44:18
  Speaker 1: or getting Chillen on your tombstone.
• 44:20
  Speaker 2: That's laugh.
• 44:23
  Speaker 1: At that.
• 44:24
  Speaker 2: But see he said that his delivery was more comical
• 44:26
  Speaker 2: with that versus the the double line, so it was
• 44:29
  Speaker 2: still good, but like the segue between delivering a great
• 44:33
  Speaker 2: line comical and delivering a great line to scare the
• 44:35
  Speaker 2: ship out of you. Yeah, within ten minutes is like whoa.
• 44:38
  Speaker 1: Yeah, because he does a lot of funny just funny
• 44:41
  Speaker 1: fucking line I.
• 44:42
  Speaker 2: Just spilled mostly in general, like, yeah, his in any movie,
• 44:45
  Speaker 2: he's got these like really like oh crazy lines and
• 44:47
  Speaker 2: other then other times you're like, holy shit, did you
• 44:50
  Speaker 2: like where'd that come from?
• 44:51
  Speaker 1: Where did that come from?
• 44:52
  Speaker 2: Like?
• 44:52
  Speaker 1: Bro, holy shit. And then my other favorite one was
• 44:55
  Speaker 1: Captain Spaulding with the kid in the car and he's like,
• 44:59
  Speaker 1: don't you like, aren't we fucking funny? And the kid's
• 45:02
  Speaker 1: like I don't know. And then Captain Bodney looks at
• 45:04
  Speaker 1: him and he's like, I'm gonna come back for you
• 45:06
  Speaker 1: and your mama, and if you don't have an answer
• 45:07
  Speaker 1: for me, I'm gonna kill you and your whole fucking family.
• 45:09
  Speaker 1: And I was just like Jesus Christ and he's like
• 45:13
  Speaker 1: he's crazy. He pulls off in their card. I'm just
• 45:16
  Speaker 1: like Jesus Christy, you just told a kid he's you're
• 45:18
  Speaker 1: gonna kill this whole family.
• 45:20
  Speaker 2: Yeah, I love it.
• 45:22
  Speaker 1: Oh yeah, that kid needs immedia therapy after that. But yeah,
• 45:26
  Speaker 1: that was so hard to narrow down. And like I said,
• 45:28
  Speaker 1: I had three lines because I couldn't narrow it down.
• 45:31
  Speaker 1: Do we have a favorite character? Oh, otis otis hands down,
• 45:35
  Speaker 1: hands down, all fucking day. Least favorite character, least favorite character.
• 45:41
  Speaker 1: I gotta go, baby, I'm sorry. I just I don't know, man,
• 45:44
  Speaker 1: I don't know. I like Sherry Moon Zombie and Halloween.
• 45:47
  Speaker 1: It's probably because she's only in about thirty minutes.
• 45:50
  Speaker 2: I don't mind Cherry Woon Zombie unless she's over the top.
• 45:53
  Speaker 2: She wasn't the Flight from Hell.
• 45:54
  Speaker 1: I don't mind her in this, But the second she
• 45:56
  Speaker 1: started doing the Chinese Japanese dirty I was like.
• 46:00
  Speaker 2: Okay, that part was annoying, but but she was my
• 46:01
  Speaker 2: least favorite character.
• 46:04
  Speaker 1: You don't have to have one, Like, if you don't
• 46:05
  Speaker 1: have one, that I'm.
• 46:06
  Speaker 2: Just thinking real quickly. If I don't think I do.
• 46:10
  Speaker 1: Yeah, you don't have one. That's fine.
• 46:11
  Speaker 2: Yeah, I mean because because all the other characters I
• 46:12
  Speaker 2: would say lasted maybe five ten minutes, so that doesn't count.
• 46:15
  Speaker 1: Yeah, a lot of people don't make it in this movie,
• 46:17
  Speaker 1: and there's a lot of people there was actually.
• 46:19
  Speaker 2: A lot of a lot of said Haig in this
• 46:21
  Speaker 2: I didn't actually care for really, I liked so I
• 46:25
  Speaker 2: liked him in and obviously. I don't know why. It's
• 46:29
  Speaker 2: just my rewatching it this time. It's just in my head.
• 46:32
  Speaker 2: I'm like, I wouldn't even care, Like, I obviously he's
• 46:34
  Speaker 2: in it, but I'm like, I don't really care if
• 46:36
  Speaker 2: he's in there or not, Like his dynamic is just
• 46:39
  Speaker 2: to me. I was just like, just he's the dad.
• 46:41
  Speaker 2: It's just it's just there was a lot of good lines,
• 46:43
  Speaker 2: but a lot of it. I'm just like, I don't
• 46:45
  Speaker 2: care that he was in this really yeah weird, right, So.
• 46:50
  Speaker 1: I just didn't Was it the dialogue? Was it how
• 46:53
  Speaker 1: he treated women?
• 46:54
  Speaker 2: Well? I think it was the dialogue, because I mean
• 46:56
  Speaker 2: he treated women the same way and yeah.
• 46:59
  Speaker 1: Yeah, I mean, which is just kind of like objects.
• 47:01
  Speaker 2: Yes, I mean that's their character. I think it was
• 47:03
  Speaker 2: just some of his dialogue or just it just didn't
• 47:06
  Speaker 2: seem like he had much to do in this movie
• 47:08
  Speaker 2: at all until like the end.
• 47:10
  Speaker 1: And I feel like, yeah, I mean, and I'm not
• 47:12
  Speaker 1: saying it's my.
• 47:12
  Speaker 2: Least fair character because I just feel like, more like
• 47:14
  Speaker 2: a wasted character in this movie.
• 47:16
  Speaker 1: He really didn't get involved. He was more of a
• 47:18
  Speaker 1: side character for them, like.
• 47:20
  Speaker 2: For they called, they called him for help, and he showed.
• 47:22
  Speaker 1: Up, but like, but it was like an hour and
• 47:24
  Speaker 1: ten minutes into the movie before they actually you know,
• 47:28
  Speaker 1: I noticed that too. I was like, he's kind of
• 47:30
  Speaker 1: a weird sign character until they link up. It takes
• 47:32
  Speaker 1: a while for him to link out.
• 47:34
  Speaker 2: And if anything, he's only really relevant because of where
• 47:38
  Speaker 2: they go at the end. Other than that, he really
• 47:40
  Speaker 2: doesn't have a purpose in this movie because we already
• 47:42
  Speaker 2: established the religios. So not saying least favorite character, I
• 47:47
  Speaker 2: just don't think.
• 47:49
  Speaker 1: I'm kind of underutilized.
• 47:50
  Speaker 2: I think he was underutilized and that made him my
• 47:52
  Speaker 2: least favorite in this because you know, he was great.
• 47:56
  Speaker 2: You know, he was great in the first one, in
• 48:00
  Speaker 2: the two minutes sadly, but the two minutes or whatever
• 48:03
  Speaker 2: he was in Three.
• 48:04
  Speaker 1: From Hell, Yeah, because he's unfortunately passed away.
• 48:06
  Speaker 2: Yeah, the few minutes he was in Three from Hell,
• 48:10
  Speaker 2: I fucking loved him. And because he was playing he
• 48:12
  Speaker 2: was Loony Tunes, so crazy he was.
• 48:14
  Speaker 1: I loved it. He was just like laughing and going crazy.
• 48:17
  Speaker 2: I just think because he was underutilized in this movie,
• 48:20
  Speaker 2: I didn't care much for him to be in the movie.
• 48:22
  Speaker 1: That's fair.
• 48:23
  Speaker 2: It's like in respect, so I I loved all the characters.
• 48:26
  Speaker 2: I just think since he was underutilized, he's my least
• 48:28
  Speaker 2: favorite because of that.
• 48:30
  Speaker 1: Yeah, not because of who he is or yeah, because
• 48:32
  Speaker 1: he's got great lines and he's hilarious. Tooty fucking Fruity
• 48:35
  Speaker 1: is like that. It's such a great I.
• 48:36
  Speaker 2: Just think, like we we already knew him. And then
• 48:38
  Speaker 2: you know, they're like, Dad, we need your help, and
• 48:40
  Speaker 2: I'm like okay, and then like forty minutes later, he
• 48:42
  Speaker 2: shows up just yeah, just to be like, hey, we're
• 48:44
  Speaker 2: going here.
• 48:45
  Speaker 1: I'm like, yeah, no, that's fair. I did notice that too,
• 48:49
  Speaker 1: like weirdly enough, I guess I just never really, I
• 48:52
  Speaker 1: don't know, paid attention to it, but on this watch
• 48:54
  Speaker 1: throw I was like, yeah, he really doesn't link up
• 48:57
  Speaker 1: until so much later in the.
• 48:58
  Speaker 2: Movie, and then oh why And then all of a
• 49:00
  Speaker 2: sudden he's just there and then they're like, we have
• 49:02
  Speaker 2: to go here. I'm like okay, but like and they
• 49:05
  Speaker 2: do show him like traveling to where he had to go,
• 49:07
  Speaker 2: but like it made it seem like he wasn't that
• 49:09
  Speaker 2: far from the phone call, right, So I'm like, why
• 49:11
  Speaker 2: is it taking him half the fucking movie? I mean, yeah,
• 49:13
  Speaker 2: he had to change cars, but I still don't understand,
• 49:14
  Speaker 2: like half the movie's over and he's in it for
• 49:16
  Speaker 2: like the third act, like he's in cameo first act
• 49:20
  Speaker 2: and then he's in the third act. I'm like, oh, okay,
• 49:22
  Speaker 2: you're like, oh yeah, all right, it's just it's just
• 49:24
  Speaker 2: a feel right for me.
• 49:25
  Speaker 1: Okay, all right, that's fair. All right. Let me give
• 49:28
  Speaker 1: you the brief synopsis here, and we've got like, no,
• 49:32
  Speaker 1: not a lot, this is. This is good though, like
• 49:34
  Speaker 1: I wanted to, I want to start moving towards like
• 49:37
  Speaker 1: talking more about the movie than like going just full
• 49:40
  Speaker 1: like yeah, balls deep review, Like, so what we've been
• 49:43
  Speaker 1: doing with this? Yeah, so I think we're doing I
• 49:45
  Speaker 1: think we're working in the right direction here. But let
• 49:47
  Speaker 1: me give you the quick IMDb synopsis here, so or
• 49:50
  Speaker 1: the Little Summer here. So the murder is back withs
• 49:53
  Speaker 1: Firefly family take to the road to escape the vengeful
• 49:55
  Speaker 1: sheriff Wya Deell, who is not afraid of being as
• 49:58
  Speaker 1: ruthless as his target, which is a very interesting explanation.
• 50:02
  Speaker 1: So I really like how this movie starts off, and
• 50:04
  Speaker 1: then I'll kick it over to you here in just
• 50:05
  Speaker 1: a second. It's almost very like Texas chainsaw massacre esque
• 50:09
  Speaker 1: because you have a narrator and the narrator says, this
• 50:13
  Speaker 1: is the text on screen, it says. On May eighteenth,
• 50:16
  Speaker 1: nineteen seventy eight, Sheriff John Quincy Wydell, along with local
• 50:19
  Speaker 1: authorities in Ruggsville County, led a search and destroy quote
• 50:23
  Speaker 1: unquote mission on a decaying farmhouse. Inside the house, police
• 50:27
  Speaker 1: discovered a collection of diaries and scrapbooks detailing the accounts
• 50:30
  Speaker 1: of more than seventy five murders. The family responsible for
• 50:34
  Speaker 1: those brutal murders was known for sorry brutal murders, was
• 50:38
  Speaker 1: forever to be known as the Devil's Rejects. And you
• 50:41
  Speaker 1: get likemontaged of just all these newspaper clippings and just
• 50:45
  Speaker 1: dead bodies and fucking naked women and all this crazy shit,
• 50:48
  Speaker 1: and then we get into the movie after that. So
• 50:51
  Speaker 1: I really like that opening because it lays all the
• 50:53
  Speaker 1: facts out, you know what you're getting into. And the
• 50:56
  Speaker 1: first fucking opening scene is like, it's like a it's you.
• 50:59
  Speaker 1: That's like a third act in the movie.
• 51:01
  Speaker 2: But yeah, but that was the first but.
• 51:02
  Speaker 1: That was that was the opening scene. So they really
• 51:05
  Speaker 1: lead off with the fucking bang. So I'll let you
• 51:07
  Speaker 1: talk about it and then we'll just kind of risk back.
• 51:09
  Speaker 2: So after after you know the the what what also
• 51:12
  Speaker 2: just said with with the dialogue on screen and narrator,
• 51:15
  Speaker 2: you see the house that has mentioned, you know, the
• 51:19
  Speaker 2: firefight fighting and they're sleeping in the house, like they
• 51:21
  Speaker 2: go a little like just camera work the show inside
• 51:23
  Speaker 2: the house what they're doing, but you also see like
• 51:25
  Speaker 2: cops like surrounding it, and then you know they get
• 51:27
  Speaker 2: out through their whole spiel like ah, well, you know
• 51:30
  Speaker 2: they say what they're saying, and everybody in house us
• 51:32
  Speaker 2: freaking the fuck out because there you're getting away from
• 51:35
  Speaker 2: the cops, the cops.
• 51:35
  Speaker 1: Are there, and then the cops have now found them, yes,
• 51:39
  Speaker 1: like they've been found.
• 51:41
  Speaker 2: Like like the cops are shooting at the house, the
• 51:43
  Speaker 2: firefire the firefly firefly families, they're shooting at the cops,
• 51:48
  Speaker 2: and there's just like, honestly, it's just an amazing It's
• 51:52
  Speaker 2: like when you watch this movie, it's like if you
• 51:54
  Speaker 2: feel like, you know, you start the movie, you go
• 51:55
  Speaker 2: to the bathroom, come back, and you feel like you
• 51:56
  Speaker 2: missed half the movie because like what the fuck is
• 51:58
  Speaker 2: the shoot at the beginning of the movie, right, Yeah,
• 52:00
  Speaker 2: But that's how it starts. Like also said third act
• 52:03
  Speaker 2: type of stuff, but like this was the first act.
• 52:05
  Speaker 1: And it's really cool too because like they count down
• 52:07
  Speaker 1: from like I think five, and the camera will freeze.
• 52:11
  Speaker 1: It's like five camera freeze frames, four camera freeze frames,
• 52:14
  Speaker 1: Like it's a really cool countdown.
• 52:15
  Speaker 2: Then it's like one, and it's just it's just it's
• 52:18
  Speaker 2: just like unapologetic chaos goes on for a little bit.
• 52:23
  Speaker 2: And the way and the way he uh, the way
• 52:25
  Speaker 2: Rob Zombi shot this movie was very grind housey, gritty,
• 52:29
  Speaker 2: like basically this the the plot of this Like like
• 52:32
  Speaker 2: when you watch this movie, you feel like the way
• 52:36
  Speaker 2: the story goes as gritty and like detailed as this
• 52:39
  Speaker 2: is is how the movie is. It's filmed very gritty
• 52:42
  Speaker 2: and and and graenny, which a lot of times granny
• 52:45
  Speaker 2: is not good. But the way this movie is filmed,
• 52:46
  Speaker 2: because it's a lot of desert outside area, it it
• 52:50
  Speaker 2: gives you that pulpy feel and it's beautiful.
• 52:53
  Speaker 1: It's beautiful, it's gorgeous. It's way good way And.
• 52:56
  Speaker 2: I think that's that's one of the reasons why I
• 52:58
  Speaker 2: love this movie so much. Like, out of all of
• 53:01
  Speaker 2: this this is one of my favorites because of that.
• 53:02
  Speaker 2: Like it's it's it's gritty, it feels real. I mean, okay,
• 53:08
  Speaker 2: loosely used the word real because obviously, like I mean
• 53:11
  Speaker 2: a lot of the dialogue like and stuff. You're like
• 53:13
  Speaker 2: watching it like there's no way, but like the way
• 53:14
  Speaker 2: it's filmed and the way you feel washing, it just
• 53:17
  Speaker 2: feels fucking real for that time and and and for
• 53:21
  Speaker 2: for the crime that has been done. It does. He doesn't.
• 53:23
  Speaker 2: He's another one that just doesn't like sugarcoat or wire
• 53:26
  Speaker 2: down any of his ship as much as possible.
• 53:28
  Speaker 1: Yeah, he does not stray away from any sort of
• 53:30
  Speaker 1: violence or gratuitous like sexuality.
• 53:33
  Speaker 2: Any of that, no matter. If it's all there, it's
• 53:35
  Speaker 2: all there.
• 53:35
  Speaker 1: It's all that.
• 53:36
  Speaker 2: Like he puts it in there and he just films it.
• 53:38
  Speaker 2: And I mean, yeah, if he has to make some cuts,
• 53:40
  Speaker 2: he makes some cuts. Okay, it happens, but like he's
• 53:43
  Speaker 2: still gonna keep keep it going like uh, for this one.
• 53:47
  Speaker 2: The whole reason why this movie is underrated is because
• 53:49
  Speaker 2: of the uh. The only reason what he had to
• 53:52
  Speaker 2: do was he had to cut down that hotel scene
• 53:54
  Speaker 2: that we were talking about earlier. And the whole reason
• 53:56
  Speaker 2: why and the whole reason why it's underrated is because
• 53:58
  Speaker 2: of that by by like one or two minutes. But
• 54:00
  Speaker 2: still that one or two minutes makes makes all the difference.
• 54:03
  Speaker 1: Makes your break a movie right there for NC seventeen rating.
• 54:06
  Speaker 2: Yeah, and this movie definitely like but but it's crazy
• 54:09
  Speaker 2: to think when you watch this movie, like just take
• 54:10
  Speaker 2: the whole Like honestly, even if you took the whole
• 54:12
  Speaker 2: hotel scene out, just watching what what conspires, you're like,
• 54:16
  Speaker 2: this still got raded art. But the only reason why
• 54:18
  Speaker 2: it was NC saving because of this reason, Like, it's
• 54:19
  Speaker 2: still absolutely bonkers.
• 54:20
  Speaker 1: That that happened, because mainly for me too, is there's
• 54:25
  Speaker 1: so much like frontal female nudity.
• 54:27
  Speaker 2: That's what cut the unrated version of this movie, which
• 54:32
  Speaker 2: is what we both watched, is the they put in
• 54:35
  Speaker 2: that that full frontal.
• 54:37
  Speaker 1: Well, because i mean even before that, the opening shot
• 54:39
  Speaker 1: is like full frontal lady, and you're.
• 54:41
  Speaker 2: See that's so so I mean, I'm not you know
• 54:44
  Speaker 2: whatever that can get away with a little bit more
• 54:46
  Speaker 2: because it's not sexualized or anything.
• 54:48
  Speaker 1: It is on screen, so it's a matter of being
• 54:50
  Speaker 1: sexualized or.
• 54:52
  Speaker 2: Like for a like for instance, like for instance, I'm
• 54:56
  Speaker 2: not gonna say it, but like for the N word
• 54:59
  Speaker 2: or or a derogator term towards anybody, you can get
• 55:02
  Speaker 2: away with it. Even in TV. You can get away
• 55:04
  Speaker 2: with it if it's not like solely like hard directed
• 55:08
  Speaker 2: that you like, if I'm over here, like if I
• 55:09
  Speaker 2: call you'r a fucking cunt or I'm like this cut
• 55:12
  Speaker 2: over here, those are two different Those are two different
• 55:14
  Speaker 2: types of ratings. Because I'm not hard at you. I'm
• 55:18
  Speaker 2: saying I'm just saying something like that's fine. But if
• 55:22
  Speaker 2: I'm like, you're acting like a fucking cunt, like that
• 55:24
  Speaker 2: is a difference between radar and S seventeen with like
• 55:28
  Speaker 2: N word.
• 55:28
  Speaker 1: Or nud so it's like directional words, you know what
• 55:30
  Speaker 1: I mean. Like, it's like it's like how you direct
• 55:32
  Speaker 1: the words.
• 55:33
  Speaker 2: Like for instance, also with a with a PG thirteen
• 55:35
  Speaker 2: ife you says brief strong language or some strong language
• 55:37
  Speaker 2: and hear the F word two to three times. Maybe yeah,
• 55:39
  Speaker 2: if it's not sexual, it's okay to be right. So
• 55:43
  Speaker 2: if you say this fucking guy is you can say that.
• 55:45
  Speaker 2: But if you're like I'm about to fuck you, that's
• 55:47
  Speaker 2: the difference between PG thirteen and R rating.
• 55:49
  Speaker 1: You can be like, oh, we're fucked or like fuck
• 55:52
  Speaker 1: you is different. Yeah. So in this case, jus crazy.
• 55:57
  Speaker 2: Things have changed since this came out No. Five, but
• 55:59
  Speaker 2: that oh my god. Yeah, but that's how that makes
• 56:02
  Speaker 2: seventeen can't go which which so in the uh in
• 56:07
  Speaker 2: the hotel scene with full frontal, you literally see this
• 56:11
  Speaker 2: girl being verbally and emotionally tortured.
• 56:15
  Speaker 1: Yeah she's and she's full naked and.
• 56:17
  Speaker 2: You see everything like clear as day. So but that's
• 56:21
  Speaker 2: more sexualized. Sexual makes it because what he Otis does
• 56:24
  Speaker 2: with the gun with her and how he's talking to her,
• 56:26
  Speaker 2: that's sexualized versus just dragging a nude woman on the
• 56:28
  Speaker 2: ground is fine.
• 56:29
  Speaker 1: Interesting, it's crazy. Well, I just I didn't think about that.
• 56:34
  Speaker 1: I just I'm thinking full frontal, like the full frontal
• 56:37
  Speaker 1: is full frontal. But it makes sense how one is sexualized.
• 56:40
  Speaker 1: One is just it's just it's a dead body. That's crazy.
• 56:44
  Speaker 1: So that's the difference in n C seventeen, at.
• 56:47
  Speaker 2: Least in that case. In this case, now I couldn't
• 56:50
  Speaker 2: tell you change so much, but like back that is
• 56:53
  Speaker 2: exactular early two thousand stuff. That's kind of where like
• 56:55
  Speaker 2: they make it or break it, because because when you
• 56:57
  Speaker 2: look like rated and underrated, and you're like, there's only
• 56:59
  Speaker 2: like an of difference. What's that difference? Nine times out
• 57:02
  Speaker 2: of ten it's one is a little bit too strong
• 57:04
  Speaker 2: for theatrical really, no matter if it's the strong language.
• 57:08
  Speaker 2: That's why a lot of times if underrated, just you
• 57:10
  Speaker 2: hear a little bit more language in there because of
• 57:12
  Speaker 2: stuff like that.
• 57:13
  Speaker 1: So it's well, that actually makes sense because saw three
• 57:17
  Speaker 1: that that naked lady, who's who's strung up with the
• 57:20
  Speaker 1: with all the one.
• 57:20
  Speaker 2: That was finally because it wasn't exactly that is crazy.
• 57:26
  Speaker 1: I had no idea.
• 57:27
  Speaker 2: Yep.
• 57:27
  Speaker 1: I mean it made like it makes sense for the ratings,
• 57:29
  Speaker 1: I get it, but I just I guess I never
• 57:31
  Speaker 1: processed the different levels.
• 57:33
  Speaker 2: Like also the remake of Friday of the Thirteen that
• 57:37
  Speaker 2: end sex scene is extended, and and law it's extended
• 57:41
  Speaker 2: in the underrated the killer cut. Yeah, it's about that's
• 57:44
  Speaker 2: about it. It's about ninety seconds longer geez. And if
• 57:47
  Speaker 2: you look at the back of your it's funny. If
• 57:49
  Speaker 2: you look at the back of the case, it actually
• 57:51
  Speaker 2: says rated R rated edition and rated R underrated. I
• 57:53
  Speaker 2: mean they're both rated R, but you see one's red
• 57:56
  Speaker 2: R for nudity, and one's not one actually has the
• 57:59
  Speaker 2: the nudity added. That's the final cut.
• 58:02
  Speaker 1: That's the killer cut.
• 58:03
  Speaker 2: Yeah, the killer cut has like so there's strong sexuality
• 58:06
  Speaker 2: in the Raddar cut. They're strong sexual sexuality and nudity
• 58:10
  Speaker 2: in the killer cut.
• 58:11
  Speaker 1: Wow.
• 58:12
  Speaker 2: So literally they just added that because that's there's more
• 58:14
  Speaker 2: duty grief. Yep, I mean, but that's how it was
• 58:17
  Speaker 2: that right now, I couldn't tell you what the fuck.
• 58:19
  Speaker 1: Yeah, it's a it's a little different.
• 58:21
  Speaker 2: Now.
• 58:22
  Speaker 1: Let's go back to this movie here though, because after
• 58:24
  Speaker 1: the whole shootout here we the only people that get
• 58:27
  Speaker 1: away from all this madness is Otis and Baby and
• 58:29
  Speaker 1: they're running through this like secret Yeah. Yeah, they're running
• 58:32
  Speaker 1: through like the this this Marshy Woods area, and they
• 58:35
  Speaker 1: eventually common deer vehicle from a lady. They they killed
• 58:38
  Speaker 1: the fuck out of her, and then they drive off
• 58:41
  Speaker 1: you know, into the not to the night, into the
• 58:42
  Speaker 1: daytime or whatever. So they're the only people. Yeah, they're
• 58:45
  Speaker 1: the only people that escape it, which is crazy because
• 58:48
  Speaker 1: you know, Mama Mama Fireflag gets captured and pretty much
• 58:52
  Speaker 1: everyone else that's there besides tiny Shot are taken in.
• 58:57
  Speaker 1: So yeah, it's it's a pretty it's a pretty explode opening. Honestly,
• 59:01
  Speaker 1: it's it's very I really like, it's great, very good.
• 59:05
  Speaker 1: You want to keep going?
• 59:07
  Speaker 2: Yeah, sure, So obviously they you know, escape and uh
• 59:14
  Speaker 2: then I guess I don't quite remember. But the next
• 59:17
  Speaker 2: scene is at the hotel right with with the band
• 59:19
  Speaker 2: members missing.
• 59:20
  Speaker 1: The next scene, so it's Captain Spaulding and he's having
• 59:23
  Speaker 1: like that Oh yeah, yeah, he's having like.
• 59:24
  Speaker 2: Wild yes, like and there you know, the dialogue is
• 59:29
  Speaker 2: just normal like nasty dialogue whatever. But then he wakes
• 59:32
  Speaker 2: up because it's all dreaming. It's so funny.
• 59:37
  Speaker 1: The behemoth of a woman. She's just massive.
• 59:40
  Speaker 2: Like I'm not saying it's it's it's a very hot
• 59:42
  Speaker 2: scene to a to a non hot scene, but like.
• 59:44
  Speaker 1: No, it's i'd say it's I'd say it's the same.
• 59:47
  Speaker 2: Yes, yeah, but one is is more like wet dream
• 59:51
  Speaker 2: of the others like a fuck reality.
• 59:53
  Speaker 1: Like it's son of a bitch because he's like, goddamn it, woman,
• 59:55
  Speaker 1: didn't I give you enough last night?
• 59:57
  Speaker 2: My dick is still sore. He's like, yeah, okay, so
• 1:00:03
  Speaker 2: that was funny.
• 1:00:03
  Speaker 1: That was funny. He was super funny in that scene.
• 1:00:06
  Speaker 1: But yeah, so he's still obviously his same old self
• 1:00:08
  Speaker 1: from House of a Thousand Corpses. He's got the little
• 1:00:11
  Speaker 1: TV spot, a little commercial going on that gets interrupted
• 1:00:15
  Speaker 1: by the whole you know, invasion of the Firefly residence.
• 1:00:20
  Speaker 1: So he's like, what the fuck? And that's how you
• 1:00:22
  Speaker 1: know that. Okay, Now this is how they're gonna get
• 1:00:24
  Speaker 1: connected because you know, his family's in trouble and yeah
• 1:00:27
  Speaker 1: and blah blah blah. Then that's when it goes into
• 1:00:30
  Speaker 1: why Dell interviewing uh fire mother Firefly Yeah, and they
• 1:00:35
  Speaker 1: get all weird, yeah and crazy.
• 1:00:38
  Speaker 2: There's a lot of like I want to say crazy scenes,
• 1:00:41
  Speaker 2: but a lot of like pull the tone of this.
• 1:00:43
  Speaker 2: There's a lot of total changes in this movie.
• 1:00:46
  Speaker 1: And it's crazy because it goes from kind of being
• 1:00:48
  Speaker 1: like there's some really truly funny moments with Bill Moseley
• 1:00:50
  Speaker 1: saying the most wacky, wild shit, and then it goes
• 1:00:53
  Speaker 1: fucking hard left turn into this deep dark corner and
• 1:00:56
  Speaker 1: you're like ooh.
• 1:00:57
  Speaker 2: And then you got some like weird like psycho sexual
• 1:01:01
  Speaker 2: things going on, and then you have this cringe really
• 1:01:04
  Speaker 2: like like you know, sex talk and weird stuff like
• 1:01:08
  Speaker 2: the I think there's like four or five different total
• 1:01:10
  Speaker 2: changes in this entire movie.
• 1:01:11
  Speaker 1: Yeah, between from from beginning to end. Yeah, because it
• 1:01:13
  Speaker 1: starts with like this explosive thing. You're like cool, and
• 1:01:15
  Speaker 1: then you're like, it's like dune to now damn to damn,
• 1:01:17
  Speaker 1: and then you're like all.
• 1:01:18
  Speaker 2: Right, and then all of a sudden you go to
• 1:01:21
  Speaker 2: that whacky crazy uh sex stream, sex.
• 1:01:24
  Speaker 1: Stream, and then it goes from that, and then it
• 1:01:26
  Speaker 1: goes to reality and then he's just like, holy shit,
• 1:01:28
  Speaker 1: what is actually going on in this movie? But then
• 1:01:31
  Speaker 1: after all this craziness, because essentially Wydell is trying to
• 1:01:36
  Speaker 1: get information out of Mother Firefly, like where the fuck
• 1:01:39
  Speaker 1: are otis and baby, like we need to find them,
• 1:01:40
  Speaker 1: we need to bring them in.
• 1:01:41
  Speaker 2: And he's got a hard vendetta for them because in
• 1:01:45
  Speaker 2: h House of a Thousand Corpses they killed his brother
• 1:01:47
  Speaker 2: who was who was a cop as well, So he's
• 1:01:50
  Speaker 2: got a heart on for them for personal reasons. And
• 1:01:54
  Speaker 2: you can tell he definitely takes a personal vendetta out
• 1:01:57
  Speaker 2: of the Firefly family.
• 1:01:58
  Speaker 1: I mean, it makes sense too. And there's also that
• 1:02:00
  Speaker 1: really cool scene that you pointed out when we were
• 1:02:02
  Speaker 1: watching about how he has that kind of thing inside.
• 1:02:04
  Speaker 2: His head that division where he's talking to kind of.
• 1:02:08
  Speaker 1: Yeah, kind of reminds you of what has happened in
• 1:02:12
  Speaker 1: the previous movie, because they're not you know, there are
• 1:02:15
  Speaker 1: they're sequels, they are, but they're not like, they're not
• 1:02:18
  Speaker 1: really necessarily direct anything.
• 1:02:21
  Speaker 2: If anything, Devil's Rejects and Three from Hell are direct. Yeah,
• 1:02:25
  Speaker 2: those are direct, but how Some Thousand Corpses is kind
• 1:02:27
  Speaker 2: of its own. It's more just an introduction to the family.
• 1:02:31
  Speaker 1: It's more of an introduction to the family. And I'd
• 1:02:33
  Speaker 1: say Devil's Rejects is like a spiritual successor to the
• 1:02:36
  Speaker 1: first one. Yes, so it's not real because you have
• 1:02:39
  Speaker 1: a house of a Thousand Corpses, Devil's Rejects, and then
• 1:02:42
  Speaker 1: Three from Hell. It's like, that's not even how you
• 1:02:44
  Speaker 1: do a trilogy, you know what I mean, Like, that's
• 1:02:46
  Speaker 1: not how you do it.
• 1:02:47
  Speaker 2: That's why they call it the Firefly trilogy because it's
• 1:02:50
  Speaker 2: about the family.
• 1:02:50
  Speaker 1: That makes sense, and we're not yeah, we're not talking
• 1:02:52
  Speaker 1: about Firefly this show. That's a whole other thing. Oh yeah,
• 1:02:56
  Speaker 1: but yeah, So you have all this ship going down
• 1:02:57
  Speaker 1: and then meanwhile at this ranch, Ken gets involved. His
• 1:03:01
  Speaker 1: name is Charlie Altamont, and he runs Charlie's Frontier Fun Town,
• 1:03:05
  Speaker 1: which it's a brothel. It's a brothel.
• 1:03:07
  Speaker 2: You go there to get laid, and it's not a
• 1:03:10
  Speaker 2: very well well like like what girls.
• 1:03:13
  Speaker 1: There's a couple of girls there. It's in the middle
• 1:03:14
  Speaker 1: of the desert. You know, everything in this movie is
• 1:03:16
  Speaker 1: just run down. It's gritty, it's just raw. But it's
• 1:03:21
  Speaker 1: also just rob zombies.
• 1:03:23
  Speaker 2: Like.
• 1:03:25
  Speaker 1: What what do you call it?
• 1:03:25
  Speaker 2: His? Uh?
• 1:03:26
  Speaker 1: Like m o, you know what I mean.
• 1:03:28
  Speaker 2: It's what he does.
• 1:03:29
  Speaker 1: It's what he does. And then of course we have
• 1:03:31
  Speaker 1: Michael Berryman too. That is his name is Cleveon or
• 1:03:35
  Speaker 1: Cleven and he's Charlie's assistant, So he's Ken Forret's assistant.
• 1:03:39
  Speaker 1: You got two awesome other guys that have been in
• 1:03:41
  Speaker 1: a lot of horror movies. Michael Berryman obviously most famous
• 1:03:44
  Speaker 1: for the original Hills Have Eyes. Ken Foray, I'd probably
• 1:03:47
  Speaker 1: say most famously maybe for From Beyond Maybe maybe maybe,
• 1:03:52
  Speaker 1: depends on who you are and what you watch, but
• 1:03:54
  Speaker 1: that's where I know him from, as well as many
• 1:03:58
  Speaker 1: other movies. But that's that's the one I remember for
• 1:04:00
  Speaker 1: him from the most. So I can't remember why they
• 1:04:04
  Speaker 1: call him. They're going they're calling him to go hide out.
• 1:04:07
  Speaker 2: Balding calls him because they're friends, because their friends. After
• 1:04:13
  Speaker 2: they get after, he gets a call from Otis saying
• 1:04:16
  Speaker 2: that they're in the basketball they need help. So yeah,
• 1:04:19
  Speaker 2: so that's right. So yeah, so and and then and
• 1:04:22
  Speaker 2: then that's after that, that's when it shows. Uh, that's
• 1:04:26
  Speaker 2: when you see Spalding trying to travel wherever he needs
• 1:04:29
  Speaker 2: to go. He's like, go, tells Otis to go to
• 1:04:31
  Speaker 2: the motel and blah blah blah because that's their media spot,
• 1:04:34
  Speaker 2: I suppose. And then Otis and Baby traveled to that motel.
• 1:04:37
  Speaker 1: Yeah, and then we had that whole scene where they
• 1:04:39
  Speaker 1: they they they uh integrate themselves with the band members
• 1:04:44
  Speaker 1: and it just goes down from there. We're not going
• 1:04:47
  Speaker 1: to get into graphic detail. Done that before with other movies,
• 1:04:50
  Speaker 1: and I've kind of regretted it.
• 1:04:51
  Speaker 2: So let's just I mean, throughout this they've kind of
• 1:04:54
  Speaker 2: like done some pieces.
• 1:04:55
  Speaker 1: Yeah, we're tiptoeing around this because it's very graphic.
• 1:04:58
  Speaker 2: Yeah, so so you know this scenem's all done, that
• 1:05:02
  Speaker 2: seems all done, and once On's that's done, you know,
• 1:05:06
  Speaker 2: Spalding finally gets there and they all leave to go
• 1:05:09
  Speaker 2: to uh, the.
• 1:05:11
  Speaker 1: Brothel, Charlie's Uh, Charlie's Fun Charlie's Frontier Fun Town. Yes,
• 1:05:18
  Speaker 1: say that's six times fast.
• 1:05:20
  Speaker 2: So and and you know, one of my favorite scenes
• 1:05:23
  Speaker 2: in this is actually like the two three minute dialogue
• 1:05:25
  Speaker 2: that they have as like you can clearly tell their family,
• 1:05:28
  Speaker 2: and then the truck scene when Otis is driving, and
• 1:05:30
  Speaker 2: then you got Baby and and uh Spalding, they're all
• 1:05:33
  Speaker 2: they're all driving. But like this scene definitely spells out
• 1:05:36
  Speaker 2: the functional family. But you can clearly tell their family
• 1:05:39
  Speaker 2: by like the way they talk to each other and everything.
• 1:05:41
  Speaker 2: And I'm not saying it's a heart warming scene because
• 1:05:43
  Speaker 2: it definitely isn't for this movie. It is for this movie.
• 1:05:48
  Speaker 2: It's heartwarming.
• 1:05:49
  Speaker 1: It's heartwarming for them.
• 1:05:50
  Speaker 2: For them, it's all, yeah, it's for us. It's a
• 1:05:52
  Speaker 2: dysfunctional heart warming But like like it wasn't you didn't
• 1:05:56
  Speaker 2: need it. It was Honestly, it was a filler scene.
• 1:05:59
  Speaker 1: But it was fucking fruity, man.
• 1:06:00
  Speaker 2: But yes, like fucking fruity, Like it's so good.
• 1:06:05
  Speaker 1: It's so funny because yeah, you see baby, she points
• 1:06:07
  Speaker 1: out that there's like an ice cream stand up the
• 1:06:08
  Speaker 1: road like ten miles, like fruity you.
• 1:06:11
  Speaker 2: Can go some ice cream ten miles you're like so
• 1:06:13
  Speaker 2: far away.
• 1:06:14
  Speaker 1: And Otis is like, there's no fucking ice cream in
• 1:06:16
  Speaker 1: your fucking future ice cream, Like yeah, Otis has no
• 1:06:21
  Speaker 1: ice cream. And then she like baby like bops the
• 1:06:23
  Speaker 1: ice cream on his nose and he's like, yeah, fuck you.
• 1:06:25
  Speaker 1: And I love Otises and babies like dynamic.
• 1:06:29
  Speaker 2: Because you have the great brother and sister done it.
• 1:06:30
  Speaker 1: They have a great brother sister dynamic because throughout the
• 1:06:33
  Speaker 1: whole movie, one of them will be like fuck you
• 1:06:35
  Speaker 1: and then the other will be like fuck you. So
• 1:06:36
  Speaker 1: it's like fuck you, fuck you. But then they just
• 1:06:38
  Speaker 1: do the thing they yeah, then they just do with
• 1:06:41
  Speaker 1: what they're what they're out to do, so the whole
• 1:06:43
  Speaker 1: dynamic is great. And then throwing Captain's fallowing into the mix,
• 1:06:46
  Speaker 1: you know, sitting hey, that whole little car ride is
• 1:06:48
  Speaker 1: like one of my favorite moments in the whole movie
• 1:06:50
  Speaker 1: just cause yeah, hope, but for them, it's not wholesome,
• 1:06:55
  Speaker 1: but it is a dysfunctional little family moment that is
• 1:06:57
  Speaker 1: just it kind of like warms your heart, you know
• 1:06:59
  Speaker 1: what I.
• 1:06:59
  Speaker 2: Mean, because because also like they don't have a lot
• 1:07:02
  Speaker 2: of screen time together in the.
• 1:07:03
  Speaker 1: First one, they don't, so, so this is the real
• 1:07:06
  Speaker 1: This is the first.
• 1:07:06
  Speaker 2: Time you see them together, like like I guess as
• 1:07:10
  Speaker 2: a family. Yeah, quote unquote, so so it was kind
• 1:07:12
  Speaker 2: of like a cool little like scene.
• 1:07:14
  Speaker 1: Yeah, it was super cool. And then after they get
• 1:07:16
  Speaker 1: the two d fucking fruity they end up at Charlie's
• 1:07:19
  Speaker 1: fun Tier Frontier and then that's shortly after what's with
• 1:07:27
  Speaker 1: the chicken fucking scene? Why are they? Why are they there?
• 1:07:30
  Speaker 1: I can't remember?
• 1:07:32
  Speaker 2: And Foray they go they love the chickens there, like
• 1:07:36
  Speaker 2: he thinks he had the best like chicken.
• 1:07:39
  Speaker 1: Oh, so he's okay, you'll be quite honest that.
• 1:07:43
  Speaker 2: The entire scene is worthless. And I think it's stupid
• 1:07:46
  Speaker 2: that it's.
• 1:07:47
  Speaker 1: Only there because then Wydell shows up.
• 1:07:49
  Speaker 2: That's the only reason, which is unfortunate because for four
• 1:07:52
  Speaker 2: minutes before that, you're just like, why are they talking
• 1:07:55
  Speaker 2: about fucking chickens? And when I say fucking chickens, I
• 1:07:57
  Speaker 2: mean literally fucking not fucking chickens, but they're fucking chickens.
• 1:08:00
  Speaker 2: They have a conversation of being a chicken.
• 1:08:02
  Speaker 1: Fuck yeah, not not a fucking chicken like fuck.
• 1:08:06
  Speaker 2: Rayinar to fuck. We're going full circulary boys.
• 1:08:12
  Speaker 1: Full fucking stork a full chicken here, Oh my god.
• 1:08:14
  Speaker 2: But yeah, so that force, that four minute seat was
• 1:08:16
  Speaker 2: unnecessary until like the end of that scene, which cool,
• 1:08:20
  Speaker 2: but like you could have cut the seed. You didn't
• 1:08:21
  Speaker 2: have to have a whole dialogue above chickens.
• 1:08:23
  Speaker 1: Yeah you really didn't. Why And then it's at this
• 1:08:26
  Speaker 1: point where Wydell is telling Charlie's character that, hey, you
• 1:08:30
  Speaker 1: better keep them there until I come around. And that's
• 1:08:33
  Speaker 1: where we'll leave it, because now you have you know,
• 1:08:37
  Speaker 1: the fire conflict, yeah conflict. You give the fireflies thinking
• 1:08:39
  Speaker 1: they're okay and they're at the safe haven and now
• 1:08:41
  Speaker 1: Ken Foray is getting pushed by Wydell to keep them
• 1:08:45
  Speaker 1: there so that the way they can come grab them
• 1:08:46
  Speaker 1: and throw them in jail. So it's like this whole
• 1:08:49
  Speaker 1: point of contention and you're like, uh, what's gonna happen? Yeah,
• 1:08:52
  Speaker 1: because is he gonna live up? You know, is he
• 1:08:54
  Speaker 1: gonna do it or is he not gonna do it?
• 1:08:55
  Speaker 2: And that's when the third act starts.
• 1:08:57
  Speaker 1: Yeah, there's about thirty minutes left at that point, and
• 1:09:00
  Speaker 1: then the ending is just this, oh my god, but
• 1:09:04
  Speaker 1: it makes you wonder how the fucking three from Hell
• 1:09:06
  Speaker 1: even was a thing, and I love how they explained it,
• 1:09:09
  Speaker 1: and Three from Hell they're like, well, you know, like
• 1:09:11
  Speaker 1: and they.
• 1:09:12
  Speaker 2: Probably only explained it that way because they did a sequel. Yeah,
• 1:09:15
  Speaker 2: they would have been fine with it not being a sequel,
• 1:09:18
  Speaker 2: but like.
• 1:09:18
  Speaker 1: We didn't need it, but we didn't need it.
• 1:09:20
  Speaker 2: But Three from Hell was really good. I thought I
• 1:09:22
  Speaker 2: gave I gave.
• 1:09:23
  Speaker 1: Three from Hell four stars because I thought it was
• 1:09:25
  Speaker 1: because I liked it better than House of a Thousand Corpses.
• 1:09:28
  Speaker 1: But I didn't like it as much as Devil's.
• 1:09:30
  Speaker 2: Rea's my favorite of the trilogy. Yes, and it's my
• 1:09:33
  Speaker 2: favorite movie of lombies.
• 1:09:34
  Speaker 1: And honestly one of my favorite movies. Like a horror movie, sorry,
• 1:09:38
  Speaker 1: horror movies. Not not any movie, but like horror movies
• 1:09:41
  Speaker 1: of all time. I know, I'm obviously fucked in the head.
• 1:09:44
  Speaker 1: It's way good.
• 1:09:45
  Speaker 2: That's way good.
• 1:09:47
  Speaker 1: So yeah, that is the Devil's Rejects. Just go buy it, man,
• 1:09:50
  Speaker 1: just fucking if you haven't seen it and you want
• 1:09:52
  Speaker 1: to see it, you know you like Rob Zombie even
• 1:09:54
  Speaker 1: if you don't.
• 1:09:55
  Speaker 2: And honestly, besides Halloween remake the first one, this is
• 1:09:58
  Speaker 2: his best movie to date.
• 1:09:59
  Speaker 1: Yeah, and yeah, and I think that's I think that's
• 1:10:01
  Speaker 1: true with the ratings on IMDb as well, because this
• 1:10:03
  Speaker 1: one has like a six to eight, which is that's
• 1:10:06
  Speaker 1: pretty high for.
• 1:10:07
  Speaker 2: Six eight, I think, uh, I think, you know, and
• 1:10:11
  Speaker 2: it goes lower. I mean, obviously House Thousand Corpses is
• 1:10:13
  Speaker 2: the lowest rated out of the three.
• 1:10:14
  Speaker 1: I believe Lords of Salem is like a five to one.
• 1:10:17
  Speaker 2: The three is the trilogy. Oh sorry, I I met
• 1:10:19
  Speaker 2: the Fire trilogy. I believe I believe it's the lowest
• 1:10:23
  Speaker 2: rated out of the three. At least.
• 1:10:25
  Speaker 1: House of a Thousand Corpses on IMDb is a six
• 1:10:29
  Speaker 1: point zero. Okay, Devil's Reach X six point eight and
• 1:10:33
  Speaker 1: then three from Hell is five point five three from Hell.
• 1:10:39
  Speaker 1: So so it's so it's Devil's House of a thousand
• 1:10:43
  Speaker 1: and then three from Hell. Oh yeah, yeah, it's not
• 1:10:47
  Speaker 1: how I would rate it, but you know, i.
• 1:10:48
  Speaker 2: dB is different, so people are different.
• 1:10:50
  Speaker 1: It's fine. So, uh, let's get to some trip Oh
• 1:10:53
  Speaker 1: you know what, I didn't actually watch all the way
• 1:10:54
  Speaker 1: through the credits. That's my bat Is there a mid
• 1:10:57
  Speaker 1: or post credit? Okay?
• 1:10:58
  Speaker 2: Cool, No, it's it's just it's just all right.
• 1:11:01
  Speaker 1: Let's get through some trivia here and I didn't include
• 1:11:04
  Speaker 1: Goofs because I didn't want to ruin this movie for
• 1:11:06
  Speaker 1: me because it's one of my favorites. So yes, you
• 1:11:08
  Speaker 1: can go read the goofs if you'd like, and you
• 1:11:10
  Speaker 1: can spoil them to me in an email or whatever.
• 1:11:13
  Speaker 2: Email just text you.
• 1:11:14
  Speaker 1: No, not you people, the people that are listening, Oh,
• 1:11:17
  Speaker 1: i'd like, why would I email you? The seventeen people
• 1:11:19
  Speaker 1: that listen to this podcast, So trivia. So at around
• 1:11:23
  Speaker 1: forty six minutes, the Eye and the Devil, I am
• 1:11:25
  Speaker 1: here to do the Devil's work is a slightly altered
• 1:11:27
  Speaker 1: version of the quote spoken by Manson family member Charles
• 1:11:30
  Speaker 1: tex Watson during the infamous Tate murders. It makes sense
• 1:11:35
  Speaker 1: I did that twice apparently. Romby Rob Zombie stated in
• 1:11:42
  Speaker 1: an interview that up until thirty one, twenty sixteen, The
• 1:11:45
  Speaker 1: Devil's Rejects was probably the hardest film of his to
• 1:11:47
  Speaker 1: cut down in order to understand I understand that as well.
• 1:11:54
  Speaker 1: Chris Jericho audition for the role of Rondo, but was
• 1:11:57
  Speaker 1: deemed too pretty for the part, so Dandy Tray was
• 1:12:00
  Speaker 1: cast instead because like, okay, he's pretty in a different way. Yeah, okay,
• 1:12:05
  Speaker 1: he's got a pretty soul. Okay, and he's also scares
• 1:12:08
  Speaker 1: he's very rugged and masculine.
• 1:12:10
  Speaker 2: Yeah, I thought, I thought did a great Yeah. Uh.
• 1:12:14
  Speaker 1: This is the final film of Matthew McRory. He's he
• 1:12:17
  Speaker 1: plays tiny. He unfortunately died about a month after its release,
• 1:12:20
  Speaker 1: which is very sad. Bill Moseley actually shaved his head
• 1:12:24
  Speaker 1: for this film so the lace wig would fit properly.
• 1:12:26
  Speaker 1: So that's awesome fucking dedication. The Firefly ranch was also
• 1:12:30
  Speaker 1: used in the pilot episode of Supernatural two thousand and five.
• 1:12:33
  Speaker 1: That was that was the interesting thing. I thought you'd
• 1:12:35
  Speaker 1: like there. The blue bands plates spell a k u,
• 1:12:41
  Speaker 1: which means evil in Japanese. Thought that was fun. All
• 1:12:45
  Speaker 1: the scenes were filmed within a block of each other,
• 1:12:47
  Speaker 1: and Spaulding's house was not altered in any way. They
• 1:12:50
  Speaker 1: found it as is, only adding household items as if
• 1:12:54
  Speaker 1: lived in and that since.
• 1:12:56
  Speaker 2: They weren't so far away like like that's you know,
• 1:12:58
  Speaker 2: that's probably where they a lot of time with budget. Yeah,
• 1:13:01
  Speaker 2: they didn't have to travel very far.
• 1:13:03
  Speaker 1: This film takes place on May eighteenth, nineteen seventy eight,
• 1:13:05
  Speaker 1: and it only took thirty days to film in the hot,
• 1:13:08
  Speaker 1: hot California.
• 1:13:09
  Speaker 2: Sun Ship only a month of film.
• 1:13:11
  Speaker 1: This only a month. That's it.
• 1:13:13
  Speaker 2: I mean, thinking about it that, I think that honestly,
• 1:13:17
  Speaker 2: to me, I feel like the longest scene the film
• 1:13:19
  Speaker 2: would have been the hotel scene because of the uncomfortability
• 1:13:21
  Speaker 2: of it all. Yeah, other than that, everything seemed pretty
• 1:13:23
  Speaker 2: like fluid and just just to go.
• 1:13:25
  Speaker 1: You have Bill Moseley, who's just probably just he's probably.
• 1:13:28
  Speaker 2: I feel like a lot of the dialogue between between.
• 1:13:31
  Speaker 1: Them, yeah, between a Spalding and Mosley. Yeah, I can't.
• 1:13:35
  Speaker 2: Imagine Rob's Onbie just writing down Baby says fuck you.
• 1:13:39
  Speaker 2: Otis also says fuck you three times over. Like I
• 1:13:42
  Speaker 2: can't imagine the script. I mean he could have he
• 1:13:47
  Speaker 2: could have people write scripts, definitely. I mean Tarantino writes
• 1:13:49
  Speaker 2: literally a fucking novel every time he writes a movie, right,
• 1:13:52
  Speaker 2: so like he could have wrote that.
• 1:13:53
  Speaker 1: But like, I just feel like that was just like
• 1:13:55
  Speaker 1: I feel like they just, yeah, they just like riffed
• 1:13:56
  Speaker 1: off each other. Could So this has a six point
• 1:13:59
  Speaker 1: eight out of ten on i MDB, three point four
• 1:14:01
  Speaker 1: out of five on Letterbox. This has a solid solid
• 1:14:04
  Speaker 1: four point five out of five For me. Same, It's
• 1:14:06
  Speaker 1: a fucking masterpiece.
• 1:14:08
  Speaker 2: Great.
• 1:14:08
  Speaker 1: I love this movie. It is it is way good
• 1:14:11
  Speaker 1: and that is the Devil's Rejects from two thousand and five.
• 1:14:14
  Speaker 1: Buy it, rent it, fucking watch it for free on Voodoo.
• 1:14:16
  Speaker 1: Do whatever you have to do to see this movie
• 1:14:18
  Speaker 1: if you have not, because it is that good. So
• 1:14:23
  Speaker 1: you can follow us on Facebook at fright Maars and
• 1:14:26
  Speaker 1: Instagram and slasher app at Frightmares Podcast, fright Mayer's Underscore
• 1:14:30
  Speaker 1: Pod on Twitter, shoot us a line at Stay Spooky
• 1:14:33
  Speaker 1: at outlook dot com. I am doctor Procter. On letterbox
• 1:14:37
  Speaker 1: you are Slackerman Slaferman. Uh Me and Gabby will be
• 1:14:42
  Speaker 1: back next week doing a Saint Patty's Day themed episode.
• 1:14:46
  Speaker 1: Oh I know, I don't know. Maybe so uh till
• 1:14:57
  Speaker 1: next week, guys, stay tuned and stay spook.
• 1:15:00
  Speaker 2: Can it. Yeah,